WEBVTT - Summer Reading 2016: Time Enough at Last

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from housetop work

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<v Speaker 1>dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb, and I am Christian Sager

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<v Speaker 1>and I am Joe McCormick. And today we are going

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<v Speaker 1>to be doing one of our annual summer Reading episodes. Yeah,

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<v Speaker 1>this is just kind of a casual get together here

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<v Speaker 1>where we're just coming to the studio, bring a few

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<v Speaker 1>listening recommendations for our listeners, share some things that we've

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<v Speaker 1>been reading, uh, hope to read in the future, et cetera. Yeah,

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<v Speaker 1>a lot of listeners right into us, both on social

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<v Speaker 1>media and through email to recommend books and movies and

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<v Speaker 1>all kinds of things to us. And I feel like

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<v Speaker 1>this is our chance to to give back. Although I

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<v Speaker 1>mean probably every given episode we dropped some variety of

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<v Speaker 1>things that we've been reading or movies we've been watching,

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<v Speaker 1>or TV or something like that. But this is all

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<v Speaker 1>about Hey, it's summertime, right, let's go to the beach

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<v Speaker 1>and read some books. Why is that a thing people

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<v Speaker 1>do with the beach because you, well, in my experience,

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<v Speaker 1>is because you you break free from your normal patterns

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<v Speaker 1>um and you suddenly find yourself creating all this new

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<v Speaker 1>time in a new space, craving John Grisham, No, no,

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<v Speaker 1>I mean I thought some people like to go with

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<v Speaker 1>the more mainstream books that are available in the beach House.

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<v Speaker 1>But but no, I've always found it a good you

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<v Speaker 1>can excuse you just really dive into something, uh, you know,

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<v Speaker 1>entertaining or or really heavy. Robert, what what was that you?

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<v Speaker 1>You went to the beach I think within the past

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<v Speaker 1>couple of years and uploaded to the internet some pictures

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<v Speaker 1>of the library on the shelf at the beach House

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<v Speaker 1>where they had a they had a book about a

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<v Speaker 1>werewolf spy. I guess um was it was? It went

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<v Speaker 1>and Robert mccommon um came in. Is that his name? Um? Gosh,

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<v Speaker 1>I can wish you remember which author that was. Yeah,

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<v Speaker 1>but I was surprised to find some cool old genre

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<v Speaker 1>stuff because generally you just find Tom Clancy John Grisham, uh,

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<v Speaker 1>some various uh you know, my all romance novels. It's

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<v Speaker 1>always Tom Clancy. The kind of people who owned beach houses.

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<v Speaker 1>They like to know how nuclear submarines were. Well. I

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<v Speaker 1>hope that the werewolf spy had some love in his life.

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<v Speaker 1>Pretty sure he did pretty cud good good. Well that's

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<v Speaker 1>a good segue into my first book, which is a

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<v Speaker 1>document that looks at the entire history of supernatural horror

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<v Speaker 1>and fiction. WHOA, yeah, So this is my nonfiction pick

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<v Speaker 1>this this year, guys, and it is by a past

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<v Speaker 1>stuff to blow your mind, guest. Mr St Joshi h

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<v Speaker 1>He was on a previous episode that Robert and Julie

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<v Speaker 1>did about HP Lovecraft in the Science behind his Works,

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<v Speaker 1>and I believe you interviewed him, right, Yeah, yeah, I

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<v Speaker 1>chatted with him on the phone and uh, we used

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<v Speaker 1>to interview on the episode. So those of you who

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<v Speaker 1>are unfamiliar with him maybe go back and listen to

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<v Speaker 1>that EPI. So, but I'll give you a little primer here.

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<v Speaker 1>St Joshy. He's like a literary critic and an academic.

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<v Speaker 1>He's primarily known for very close examinations of weird fiction.

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<v Speaker 1>So HP Lovecraft and all the writers that preceded him,

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<v Speaker 1>like Algernon Blackwood, m R. James Are, Arthur Macon and

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<v Speaker 1>those who have followed him to like Ramsey Campbell, Ray Bradberry, Clark,

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<v Speaker 1>Ashton Smith. He's written tomes on all of these people. Uh,

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<v Speaker 1>and he has I guess what can be described as

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<v Speaker 1>an acerbic style of writing about the genre. He's a

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<v Speaker 1>little he's a little pointed in some of his criticisms.

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<v Speaker 1>I feel like he's kind of a horror fiction horror

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<v Speaker 1>literature ment at. Yeah, yeah, his lips stained purple. Yes,

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<v Speaker 1>that's how you know. Ellen Datlow is um a really

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<v Speaker 1>prominent editor in the horror field. She edits the best

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<v Speaker 1>Horror of the Year books that come out at the

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<v Speaker 1>end of every year. She described St. Joshy as the

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<v Speaker 1>nastiest reviewer in the field. So, um, I'm giving you

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<v Speaker 1>this warning ahead of time. This book is great. But

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<v Speaker 1>he doesn't pull his punches. When he doesn't like something,

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<v Speaker 1>he lets you know about it, and when he loves something,

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<v Speaker 1>he celebrates it in all its glory. It's weird because

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<v Speaker 1>I think I don't I can't remember offhand an example

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<v Speaker 1>of him tearing something up like I tend to read Joshi.

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<v Speaker 1>He does a lot of introductions two books and uh,

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<v Speaker 1>and certainly puts together as at its compilations of things

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<v Speaker 1>that he likes. So I've certainly encountered the loving as

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<v Speaker 1>t Jo, not so much the hammer. Wouldn't it be

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<v Speaker 1>great to read a book though that had an introduction

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<v Speaker 1>that ripped the very book you're reading to shreds. Well,

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<v Speaker 1>here's an example. I've got one for you. Publishers Weekly

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<v Speaker 1>did a review of this book, and they said Joshi

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<v Speaker 1>reserves his sharpest judgments for contemporary horror writers, especially popular bestsellers,

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<v Speaker 1>dismissing Stephen King as quote a schlockmeister, just the literary

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<v Speaker 1>equivalent of all the b movie and comic books he

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<v Speaker 1>digested in his youth. So so there's that. Um, this

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<v Speaker 1>is a great book, though, Like, if you are looking

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<v Speaker 1>to really dive into the horror genre and to find out,

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<v Speaker 1>like what's the best of the best, what's the history

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<v Speaker 1>behind it, what's the stuff I should go out and

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<v Speaker 1>look for. This is it. I mean. He starts with

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<v Speaker 1>the Greek and Latin literature that includes supernatural elements, moves

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<v Speaker 1>up to the Gothic era, has a whole huge section

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<v Speaker 1>on Poe, and then talks a lot about the weird

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<v Speaker 1>horror writers at the end of the nineteenth century. That's

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<v Speaker 1>just the first volume. Originally, this was published in two

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<v Speaker 1>separate volumes. In the second volume covers the development of

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<v Speaker 1>horror literature through the twentieth century, with sections mainly on

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<v Speaker 1>those people I just mentioned before, Makin Blackwood, Lovecraft, etcetera. Uh,

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<v Speaker 1>Shirley Jackson has her own whole chapter all the way

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<v Speaker 1>up to Peter Straub, Stephen King and people who are

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<v Speaker 1>writing today like that. Well they're all writing today, but

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<v Speaker 1>like Kately and R. Kiernan, who's like a relatively recent

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<v Speaker 1>writer comparatively to the rest of this stuff. So I

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<v Speaker 1>I really recommended if you're just looking to just play

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<v Speaker 1>around and see what's out there in horror literature and

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<v Speaker 1>what you like and what you don't like. Yeah, he's

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<v Speaker 1>definitely one of those those uh, those great authoritative um

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<v Speaker 1>experts on the field where you can always just get

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<v Speaker 1>a few at least a few ideas of authors you

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<v Speaker 1>need to check out and try. Yeah, I'm loving it,

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<v Speaker 1>especially the egg Allen post section has been really illuminating

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<v Speaker 1>for me so far. And now, would you say his

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<v Speaker 1>his survey of the field is more exclusively literary, just

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<v Speaker 1>like looking at the authors and their works and the

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<v Speaker 1>relationship to each other. Or does he do historical and

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<v Speaker 1>other cultural contextual stuff too. Uh No, it's primarily literary. Yeah,

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<v Speaker 1>I don't think he not so much unless he's like

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<v Speaker 1>previously written about an author like so, for instance, in

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<v Speaker 1>the post section, he already had like a lot to

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<v Speaker 1>gather from, so he could provide you with some context

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<v Speaker 1>about like what was going on imposed life at the

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<v Speaker 1>time that he wrote I don't know, murders in the room,

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<v Speaker 1>morgue or something like that, and that provided some context,

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<v Speaker 1>but but not for everything. Yeah, so yeah, I mean,

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<v Speaker 1>I highly recommend it. I know from talking to some

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<v Speaker 1>of our listeners, they always like it when we bring

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<v Speaker 1>up the weird horror literature that we've been reading, and uh, man,

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<v Speaker 1>this is it. This is the book if you you know,

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<v Speaker 1>you don't have to read the whole thing. You can

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<v Speaker 1>just get it, flipped through it and kind of find

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<v Speaker 1>like the area that you're looking for and and dive

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<v Speaker 1>in and you will come out with just a treasure

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<v Speaker 1>trove of authors to go looking for. Then I gotta ask,

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<v Speaker 1>last time we did a summer reading episode, y'all convinced

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<v Speaker 1>me to read The Great God Pan by Arthur Makon,

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<v Speaker 1>who is one of the writers you mentioned that he

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<v Speaker 1>gets into. I went and read it, loved it. It's amazing.

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<v Speaker 1>What does he think about it? I haven't gotten to

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<v Speaker 1>the section yet where he talks about making. But if

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<v Speaker 1>I know Joshi, I would imagine that he thinks it's awesome. Yeah,

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<v Speaker 1>he probably like sets up a shrine at its feet. Well,

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<v Speaker 1>I know a lot of a lot of critics trashed it,

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<v Speaker 1>didn't they back then? Yeah, I mean a hundred and

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<v Speaker 1>twenty years ago when nobody knew anything. Yeah, and no,

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<v Speaker 1>I think, And certainly it's not for everybody, Like I

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<v Speaker 1>can imagine plenty of people would maybe not dig it today.

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<v Speaker 1>Give men maybe a little bit stuffy, a little bit

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<v Speaker 1>the prose style is yeah, is definitely of its time,

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<v Speaker 1>and it's How does our friend H. E. C. Steiner

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<v Speaker 1>refer to it? He talks about it as being like

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<v Speaker 1>yet another one of those stories of like learned gentleman,

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<v Speaker 1>like just sitting around by fire talking about something horrific. Right,

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<v Speaker 1>but it's awesome. It's one of the best horror stories

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<v Speaker 1>I think I ever written. You would not comprehend my horror?

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<v Speaker 1>When all right, Joe, what do you have? What do

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<v Speaker 1>you have from the nonfictional bucket here for us? Well,

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<v Speaker 1>I've got it. I've got one fiction book and a

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<v Speaker 1>few nonfiction books, but all I'll start with one that

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<v Speaker 1>if you are a regular listener, to the show. This

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<v Speaker 1>probably is not going to come as a surprise to you,

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<v Speaker 1>because I think I've gushed about it on at least

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<v Speaker 1>one episode before, maybe multiple episodes. But my first nonfiction

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<v Speaker 1>pick is the Invention of Nature Alexander von Humboldt's New

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<v Speaker 1>World by Andrea Woolf. And that's a book published by

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<v Speaker 1>NOTAP and it's about the German naturalist Alexander von Humboldt,

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<v Speaker 1>who lived from seventeen eighteen fifty nine. And this guy

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<v Speaker 1>has a lot of things in the world named after him.

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<v Speaker 1>There's the Humboldt Current, the Humboldt Glacier in Greenland, Humboldt

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<v Speaker 1>Bay in California, the Humboldt Range, Humboldt Falls, Humblet Mountains,

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<v Speaker 1>Humbolt penguin, Humboldt squid, uh tons of other animal species.

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<v Speaker 1>He's all over the map in the natural world. They

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<v Speaker 1>should all get together and full formed like a Humblet

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<v Speaker 1>super team, right like, and turn into a giant robot.

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<v Speaker 1>Yeah exactly, huh. And so I I think, in fact

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<v Speaker 1>that this is my favorite. I think he's even got

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<v Speaker 1>a sinkhole named after him. Now, once you've got a

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<v Speaker 1>sinkhole named after you, you you have made it squad goals.

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<v Speaker 1>But so he traveled all over the world during his

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<v Speaker 1>lifetime making observations of nature. He was one of those

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<v Speaker 1>classic nineteenth century naturalists, kind of like dar Win, but

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<v Speaker 1>preceding Darwin, and so his influence in his own time

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<v Speaker 1>was pretty much incalculable. But I don't think I ever

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<v Speaker 1>learned a single thing about this guy in school, And

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<v Speaker 1>after reading this book, I think I'd say von Humboldt

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<v Speaker 1>might be the most historically influential intellectual of the past

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<v Speaker 1>millennium who is just completely forgotten by history. Why is that,

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<v Speaker 1>I don't know, But reading Andrea Wolfe's book on him

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<v Speaker 1>is just wonderful. I I absolutely loved it. So to

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<v Speaker 1>give a little context about what's going on in Humboldt's lifetime,

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<v Speaker 1>I want to read a quote from Thomas Jefferson that

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<v Speaker 1>sort of reflects the attitude toward nature one might encounter

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<v Speaker 1>in the learned gentleman, as you say, of the of

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<v Speaker 1>the nineteenth century. Turn of the nineteenth century. So Jefferson

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<v Speaker 1>had put the mammoth on this chart he made of

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<v Speaker 1>extant European mammals, and obviously some people were like, why

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<v Speaker 1>the mammoth, and so he said quote. It may be

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<v Speaker 1>asked to why I insert the mammoth as if he

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<v Speaker 1>still existed. It may be asked in return, why I

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<v Speaker 1>should omit it as if it did not exist, such

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<v Speaker 1>as the economy of nature, that no instance can be

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<v Speaker 1>produced of her having permitted any one race of her

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<v Speaker 1>animals to become extinct, of her having formed any link

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<v Speaker 1>in her great works so weak as to be broken.

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<v Speaker 1>I mean today, that's obviously extremely wrong in multiple ways.

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<v Speaker 1>But this was sort of the climate in which Humboldt's

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<v Speaker 1>view was revolutionary. So in many ways Humboldt is responsible

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<v Speaker 1>for the way scientists came to see nature as they

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<v Speaker 1>do today, not as a static created order with everything

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<v Speaker 1>in its right place and nothing really changing over the

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<v Speaker 1>long term, but as this dynamic, changeable, massively interconnected system

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<v Speaker 1>of ecology and biological and chemical webs of relationships between

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<v Speaker 1>all the things on Earth, the elements, and its life forms.

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<v Speaker 1>So in Humboldts of view, habitats could be altered and destroyed,

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<v Speaker 1>species could go extinct, and changes in one place could

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<v Speaker 1>have far reaching effects and others. And Humblet began to

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<v Speaker 1>use the analogy of the world as sort of one

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<v Speaker 1>unified organism, whereas you know in an organism, if you

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<v Speaker 1>get gang green in one part of your body, it

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<v Speaker 1>will affect other parts of your body. So, Uh, I

0:12:25.480 --> 0:12:28.640
<v Speaker 1>loved this book. It's just full of really fascinating stories

0:12:28.640 --> 0:12:31.520
<v Speaker 1>about humblets travels around the world and his experiments. I

0:12:31.520 --> 0:12:33.800
<v Speaker 1>think I used it as one of our sources in

0:12:33.840 --> 0:12:35.840
<v Speaker 1>the episodes Robert and I did about the early days

0:12:35.840 --> 0:12:39.520
<v Speaker 1>of electricity experiments where uh one of the ones I

0:12:39.559 --> 0:12:42.480
<v Speaker 1>related with Humbldt's quest to collect the bodies of lightning

0:12:42.520 --> 0:12:46.880
<v Speaker 1>strike victims so he could examine the burns to their

0:12:46.920 --> 0:12:50.000
<v Speaker 1>to their body hair and see exactly what that could

0:12:50.000 --> 0:12:53.720
<v Speaker 1>tell us about animal electricity. Another one was humbldts experiments

0:12:53.760 --> 0:12:57.760
<v Speaker 1>with bom Blonde about the electric eels of South America,

0:12:57.840 --> 0:13:00.840
<v Speaker 1>collecting eels by causing horses to stay impede over a

0:13:00.840 --> 0:13:03.280
<v Speaker 1>pond full of them, and then once he finally got

0:13:03.320 --> 0:13:06.400
<v Speaker 1>some eels. Uh like touching the eels a lot, and

0:13:07.080 --> 0:13:11.120
<v Speaker 1>it's weird, but he was a very interesting, very smart,

0:13:11.320 --> 0:13:13.440
<v Speaker 1>very cool guy for his time. He was like the

0:13:13.520 --> 0:13:17.360
<v Speaker 1>ig Nobel Prize winner of his time. Like, instead of

0:13:17.400 --> 0:13:19.800
<v Speaker 1>taking bees and holding them to his body, he just

0:13:19.840 --> 0:13:22.160
<v Speaker 1>touched electrical kind of but more of a more of

0:13:22.160 --> 0:13:25.840
<v Speaker 1>a scientific superstar. Yeah, he was absolutely a rock star

0:13:25.880 --> 0:13:28.920
<v Speaker 1>of his time, like more than Stephen Hawking or any

0:13:28.960 --> 0:13:32.800
<v Speaker 1>celebrity scientists today. He's like dead to history now. I

0:13:32.800 --> 0:13:34.640
<v Speaker 1>don't know if they don't talk about him in school

0:13:34.840 --> 0:13:37.800
<v Speaker 1>or or you know, I guess just in the science

0:13:37.800 --> 0:13:41.160
<v Speaker 1>community in general. I don't know. It's it's a good question, um,

0:13:41.240 --> 0:13:45.320
<v Speaker 1>because his his influence was absolutely huge. A big part

0:13:45.400 --> 0:13:48.840
<v Speaker 1>of the book is just showing how big his influence was,

0:13:48.920 --> 0:13:56.040
<v Speaker 1>like their chapters focusing on contemporaries of of Humboldts like Gerta.

0:13:56.320 --> 0:14:00.880
<v Speaker 1>Darwin's Thorau, so artists, politicians, other scientists, and how they

0:14:00.920 --> 0:14:03.680
<v Speaker 1>all revered him and got lots of ideas from him.

0:14:04.400 --> 0:14:07.280
<v Speaker 1>And so I really don't know exactly why it is

0:14:07.360 --> 0:14:11.120
<v Speaker 1>that his legacy is mostly forgotten. Well there's penguins and

0:14:11.280 --> 0:14:14.560
<v Speaker 1>glaciers and sinkholes at least. Well it sounds like you

0:14:14.640 --> 0:14:18.920
<v Speaker 1>really need to push the Humboldt renaissance here. I mean, yeah,

0:14:19.640 --> 0:14:23.960
<v Speaker 1>everyone behind and pushed Tesla back to the forefront. So yeah,

0:14:24.000 --> 0:14:27.920
<v Speaker 1>I think humbold more interesting than Tesla. Whoah, you heard

0:14:27.960 --> 0:14:31.160
<v Speaker 1>it here first folks. Yeah, but anyway, this should we

0:14:31.280 --> 0:14:32.960
<v Speaker 1>name a car after him. Well, if you want to

0:14:32.960 --> 0:14:36.520
<v Speaker 1>find out for yourself, for yourself, you should read this book.

0:14:37.000 --> 0:14:39.720
<v Speaker 1>So it's really really wonderful. It's not only a pleasure.

0:14:39.760 --> 0:14:42.800
<v Speaker 1>It covers this massive blind spot I didn't even know

0:14:42.920 --> 0:14:46.840
<v Speaker 1>I had in sort of the Western history of scientific thought. Uh.

0:14:47.040 --> 0:14:52.160
<v Speaker 1>So that's Andrea Wolf Alexander von Humboldt's New World. Uh

0:14:52.440 --> 0:14:56.960
<v Speaker 1>check it out. Big, big thumbs up from me. All right, well,

0:14:57.040 --> 0:15:00.360
<v Speaker 1>um from my part um. You know, we a lot

0:15:00.360 --> 0:15:07.480
<v Speaker 1>of scientific books, especially the mainstream general scientific books across

0:15:07.520 --> 0:15:10.240
<v Speaker 1>our desk, and of the ones that have come out

0:15:10.440 --> 0:15:13.960
<v Speaker 1>in the past year, I really have to say that

0:15:14.880 --> 0:15:17.720
<v Speaker 1>mar j Hart's Sex in the CEA our intimate connection

0:15:17.760 --> 0:15:21.000
<v Speaker 1>with sex, changing fish, romantic lobsters, kiki squid, and other

0:15:21.040 --> 0:15:23.840
<v Speaker 1>salty erotica of the deep, it's probably the one that

0:15:24.080 --> 0:15:25.920
<v Speaker 1>right at the top of my list. Yeah, that's a

0:15:25.920 --> 0:15:28.360
<v Speaker 1>great book. And we talked about it in our Osadas

0:15:28.400 --> 0:15:30.800
<v Speaker 1>bone Worm episode. We didn't talk to her with Ma

0:15:31.160 --> 0:15:33.640
<v Speaker 1>and there and and we're planning to do another interview

0:15:33.680 --> 0:15:37.720
<v Speaker 1>with her later this summer. Uh. She was delightful down

0:15:37.760 --> 0:15:42.080
<v Speaker 1>to Earth and really is into the kinky stuff between

0:15:42.560 --> 0:15:44.840
<v Speaker 1>marine life. Yeah, like she does. I thought she did

0:15:44.880 --> 0:15:48.520
<v Speaker 1>just a fabulous job, not only you know, in the book,

0:15:48.560 --> 0:15:50.520
<v Speaker 1>but in the interview as well. I mean, just really

0:15:50.560 --> 0:15:54.840
<v Speaker 1>conveying I love for these creatures, but also a great

0:15:54.840 --> 0:16:00.320
<v Speaker 1>willingness to enjoy the ridiculousness of totally inhuman weird nous,

0:16:00.360 --> 0:16:02.840
<v Speaker 1>of the sense of humor about it. The way that

0:16:03.040 --> 0:16:06.280
<v Speaker 1>um she frames each of her chapters. Yeah, yeah, I

0:16:06.360 --> 0:16:09.080
<v Speaker 1>enjoyed that. It reminded me of Mary Roach. I'd love

0:16:09.080 --> 0:16:11.280
<v Speaker 1>to see more come out from Marra sort of along

0:16:11.320 --> 0:16:13.560
<v Speaker 1>the same lines as how Mary Roach has got this

0:16:13.640 --> 0:16:16.000
<v Speaker 1>series of books over time. Yeah, she has a similar voice,

0:16:16.520 --> 0:16:20.080
<v Speaker 1>but but coming from you know, more of a devoted

0:16:20.480 --> 0:16:24.800
<v Speaker 1>expert background, because this this is her her area of expertise,

0:16:24.800 --> 0:16:30.080
<v Speaker 1>and she really brings across a clear passion for ecological preservation. Uh.

0:16:30.120 --> 0:16:33.160
<v Speaker 1>And it it's probably would say it's a perfect scientific

0:16:33.160 --> 0:16:35.320
<v Speaker 1>beach read for obvious reasons. You're going to the beach

0:16:36.240 --> 0:16:39.040
<v Speaker 1>and not better than the werewolf spot. Then you go

0:16:39.200 --> 0:16:41.320
<v Speaker 1>swimming around in the ocean and have all the various

0:16:41.360 --> 0:16:45.800
<v Speaker 1>fluids of marine life spawning just flowing around over your body. Now,

0:16:45.880 --> 0:16:49.360
<v Speaker 1>this gives me an idea has anybody ever tried to

0:16:49.480 --> 0:16:53.720
<v Speaker 1>create a wear bone worm story? Well, you know, it

0:16:53.760 --> 0:16:56.320
<v Speaker 1>would be hard because you'd have to swim all the

0:16:56.320 --> 0:16:59.040
<v Speaker 1>way to the bottom of the ocean near a whales

0:16:59.160 --> 0:17:02.640
<v Speaker 1>carcass and then be bitten by a bone worm. So

0:17:02.760 --> 0:17:05.679
<v Speaker 1>it starts like the abyss. Yeah. Well, but then I

0:17:05.680 --> 0:17:09.679
<v Speaker 1>don't see how I don't think think see how they

0:17:09.720 --> 0:17:12.240
<v Speaker 1>would be a threat to anybody. Like basically they'd be like, oh, well, Carl,

0:17:12.400 --> 0:17:15.040
<v Speaker 1>he caught this bone worm illness, and now he just

0:17:15.200 --> 0:17:17.560
<v Speaker 1>he keeps to himself a lot because he goes down

0:17:17.560 --> 0:17:19.960
<v Speaker 1>the whale car because we'll remember we were talking about

0:17:19.960 --> 0:17:22.200
<v Speaker 1>in that episode though about maybe it was just me.

0:17:22.280 --> 0:17:25.119
<v Speaker 1>But but like how it would be great if you

0:17:25.119 --> 0:17:27.359
<v Speaker 1>could use bone worms as like a weapon, like in

0:17:27.400 --> 0:17:29.560
<v Speaker 1>BioShock or something like that, and you just throw them

0:17:29.560 --> 0:17:33.000
<v Speaker 1>at people and they immediately start drilling through. So they

0:17:33.040 --> 0:17:34.919
<v Speaker 1>could be like that. You could just you could just

0:17:35.280 --> 0:17:39.240
<v Speaker 1>change into a ware bone worm. But but a spy

0:17:39.480 --> 0:17:44.399
<v Speaker 1>took Uh. The other book that I thought i'd mentioned

0:17:44.400 --> 0:17:46.919
<v Speaker 1>this is another one that I've definitely mentioned on the

0:17:46.920 --> 0:17:50.879
<v Speaker 1>podcast before, uh, and that is a Chinese mythology and

0:17:50.920 --> 0:17:53.919
<v Speaker 1>introduction by and Beryl. I found this to be just

0:17:54.000 --> 0:17:56.359
<v Speaker 1>a first of all, it's it has provids a great

0:17:56.359 --> 0:18:01.040
<v Speaker 1>overview of mythology as it's studied in general. So even

0:18:01.080 --> 0:18:04.080
<v Speaker 1>if you're going into it without a whole lot of

0:18:04.119 --> 0:18:07.399
<v Speaker 1>religious studies in your past or you know, mythological understanding,

0:18:07.880 --> 0:18:11.040
<v Speaker 1>she provides just a great introduction to just what mythology

0:18:11.119 --> 0:18:13.480
<v Speaker 1>is now it works, and then then a wonderful overview

0:18:13.520 --> 0:18:17.560
<v Speaker 1>about what's distinct about Chinese myth cycles uh, compared to

0:18:18.119 --> 0:18:23.280
<v Speaker 1>the West, compared to even other Asian myths cycles UM.

0:18:23.359 --> 0:18:26.199
<v Speaker 1>And there's just also a cool arrangement of themes, so

0:18:26.280 --> 0:18:29.000
<v Speaker 1>she she groups everything and to for instance, they'll be

0:18:29.040 --> 0:18:33.200
<v Speaker 1>at there's a section on on miraculous births, section on heroes,

0:18:33.200 --> 0:18:37.000
<v Speaker 1>the section on immortality, on strange creatures, etcetera. So I

0:18:37.040 --> 0:18:40.640
<v Speaker 1>feel like the the information is very well presented. Uh.

0:18:40.680 --> 0:18:43.560
<v Speaker 1>You know, it's more of a more of a scholarly

0:18:43.680 --> 0:18:48.320
<v Speaker 1>textbook for sure, compared to U to to my my

0:18:48.359 --> 0:18:51.119
<v Speaker 1>previous recommendation. But if you were at all interested in

0:18:51.240 --> 0:18:53.800
<v Speaker 1>Chinese culture, if we were all interested in UM in

0:18:53.920 --> 0:18:56.679
<v Speaker 1>Eastern mythology, I think it's a great book to pick up.

0:18:56.680 --> 0:18:59.879
<v Speaker 1>And I picked up a few different Chinese mythology texts

0:19:00.080 --> 0:19:02.479
<v Speaker 1>found a few of them a little a little harder

0:19:02.520 --> 0:19:06.439
<v Speaker 1>to engage with, So of those books, I feel like

0:19:06.480 --> 0:19:08.919
<v Speaker 1>this is the this is the best, And this was

0:19:09.240 --> 0:19:11.720
<v Speaker 1>a resource that I'm guessing that you turned to for

0:19:11.760 --> 0:19:13.200
<v Speaker 1>a couple of different things that we've done over the

0:19:13.280 --> 0:19:15.520
<v Speaker 1>last few months, Right, like the mythology episode that you

0:19:15.560 --> 0:19:17.880
<v Speaker 1>and I did. You guys did an episode on the Zodiac.

0:19:18.000 --> 0:19:20.320
<v Speaker 1>Did it come into play there? Um? I picked up

0:19:20.359 --> 0:19:22.440
<v Speaker 1>the book after the Zodiac, So I think I actually

0:19:22.440 --> 0:19:24.240
<v Speaker 1>stopped this one out when I was working on that

0:19:24.320 --> 0:19:27.040
<v Speaker 1>How Stuff Works Now piece of Superhero that was going

0:19:27.080 --> 0:19:28.879
<v Speaker 1>to be the next thing I mentioned. Yeah, there was

0:19:29.000 --> 0:19:34.000
<v Speaker 1>one particular story, um from Chinese folklore conserving concerning the

0:19:34.440 --> 0:19:36.919
<v Speaker 1>seven to ten brothers, however many you want to count,

0:19:37.400 --> 0:19:40.360
<v Speaker 1>and I was just determined to find a good scholarly

0:19:40.720 --> 0:19:43.440
<v Speaker 1>resource on this. As it turns out, it's not really

0:19:43.480 --> 0:19:46.320
<v Speaker 1>dealt with in this book, but it ended up acquiring

0:19:46.320 --> 0:19:49.320
<v Speaker 1>it anyway, And after I got it, I realized, well,

0:19:49.400 --> 0:19:51.520
<v Speaker 1>this is not really gonna help me with this particular assignment.

0:19:51.560 --> 0:19:53.159
<v Speaker 1>But then the more I started reading it, everyalized it

0:19:53.240 --> 0:19:55.440
<v Speaker 1>was just a faculous text and couldn't put it back down.

0:19:55.520 --> 0:19:57.480
<v Speaker 1>Cool that sounds great. I hope we get more out

0:19:57.520 --> 0:19:59.639
<v Speaker 1>of it too, don't Yeah, yeah, yeah, there's tons of

0:19:59.640 --> 0:20:02.959
<v Speaker 1>inform in there. So if if you guys want to hear, uh,

0:20:03.000 --> 0:20:05.399
<v Speaker 1>you know, anything else concerning mythology from us, if we

0:20:05.400 --> 0:20:08.400
<v Speaker 1>have not filled our quota from based episodes, because we've

0:20:08.440 --> 0:20:12.320
<v Speaker 1>had a couple of them, right, we've had the the uh,

0:20:12.600 --> 0:20:16.159
<v Speaker 1>the overall look at mythology and then Joe, didn't we

0:20:16.200 --> 0:20:18.439
<v Speaker 1>just record one dealing with myth as well. Yeah, we

0:20:18.480 --> 0:20:22.840
<v Speaker 1>did one with on a mythical creatures mythology. So yeah,

0:20:22.840 --> 0:20:24.800
<v Speaker 1>we we we have a couple of us feel like

0:20:24.800 --> 0:20:28.240
<v Speaker 1>really strong myth based episodes. In mythology of course continually

0:20:28.280 --> 0:20:30.560
<v Speaker 1>comes up in our episodes. Anyone, we don't bust myths.

0:20:30.600 --> 0:20:32.680
<v Speaker 1>Here is stuff to blow, all right, we embrace them,

0:20:32.680 --> 0:20:36.480
<v Speaker 1>we build them. Okay, so we're gonna take a quick break,

0:20:36.480 --> 0:20:38.359
<v Speaker 1>but when we get back, we're going to delve into

0:20:38.440 --> 0:20:47.440
<v Speaker 1>our fiction picks for the year. Okay, so we're back, guys.

0:20:47.640 --> 0:20:50.960
<v Speaker 1>I have been talking about this book, probably to you

0:20:51.280 --> 0:20:53.879
<v Speaker 1>off air, but to pretty much everybody in my life

0:20:54.000 --> 0:20:59.080
<v Speaker 1>for the last year. It is Jeff Vandermere's Annihilation. Uh.

0:20:59.119 --> 0:21:02.240
<v Speaker 1>This is the first first book in his trilogy of

0:21:02.320 --> 0:21:06.520
<v Speaker 1>the Southern Reach story. Have I have I torn your

0:21:06.520 --> 0:21:08.919
<v Speaker 1>ears apart yet? Oh? Yes, I I pushed hard for

0:21:08.960 --> 0:21:11.240
<v Speaker 1>it to for its inclusion in a book club that

0:21:11.280 --> 0:21:14.800
<v Speaker 1>I'm in it and it was it was just I

0:21:14.800 --> 0:21:18.640
<v Speaker 1>guess too, Sci five. This is the stuff to blow

0:21:18.680 --> 0:21:21.720
<v Speaker 1>your mind book. I'm telling you, like it's all like

0:21:21.920 --> 0:21:24.240
<v Speaker 1>all the things we're going for with this podcast are

0:21:24.280 --> 0:21:26.679
<v Speaker 1>in this book. UM. So, if you don't know who

0:21:26.760 --> 0:21:29.639
<v Speaker 1>vander Meer is, he's a weird fiction, sci fi horror

0:21:29.680 --> 0:21:33.320
<v Speaker 1>author together with his wife, and he's compiled a lot

0:21:33.359 --> 0:21:37.240
<v Speaker 1>of just excellent anthologies as introductions to those genres that

0:21:37.280 --> 0:21:40.600
<v Speaker 1>he writes within. Um. In fact, last year, his book

0:21:40.640 --> 0:21:43.000
<v Speaker 1>The Weird was on my list and I've probably talked

0:21:43.000 --> 0:21:46.320
<v Speaker 1>about it on almost every single episode since then because

0:21:46.320 --> 0:21:49.639
<v Speaker 1>I just loved that book. Um and so you've probably

0:21:49.640 --> 0:21:51.640
<v Speaker 1>heard me mention it a lot of times. But Annihilation

0:21:51.840 --> 0:21:54.960
<v Speaker 1>is his book. It is a novel. Uh. And if

0:21:55.000 --> 0:21:56.720
<v Speaker 1>you're a fan of what we do on the show,

0:21:56.920 --> 0:21:59.920
<v Speaker 1>really I can't recommend you have to check it out.

0:22:00.080 --> 0:22:05.360
<v Speaker 1>Combines weird science with this haunting prose in a great mystery. Uh.

0:22:05.400 --> 0:22:08.040
<v Speaker 1>In fact, this is a description of the book just like,

0:22:08.080 --> 0:22:09.720
<v Speaker 1>and I'm going to just give you a bare bones

0:22:09.720 --> 0:22:13.200
<v Speaker 1>summary because I don't want to spoil anything. It describes

0:22:13.280 --> 0:22:17.800
<v Speaker 1>a team of four people therefore women, a biologist and anthropologist,

0:22:17.840 --> 0:22:20.840
<v Speaker 1>a psychologist, and a surveyor, and they are sent into

0:22:20.880 --> 0:22:24.239
<v Speaker 1>an area known as Area X, and this area has

0:22:24.280 --> 0:22:27.680
<v Speaker 1>been completely abandoned and cut off from the rest of civilization.

0:22:28.200 --> 0:22:31.000
<v Speaker 1>All they know is that they're the twelfth expedition to

0:22:31.040 --> 0:22:34.480
<v Speaker 1>go into this area. All of the other expeditions have

0:22:35.119 --> 0:22:40.639
<v Speaker 1>met with disappearances of their members, suicides, aggressive cancers, or

0:22:40.760 --> 0:22:43.200
<v Speaker 1>mental trauma when they get back, so pretty much everybody

0:22:43.200 --> 0:22:46.399
<v Speaker 1>who goes there either dies or comes back and dies

0:22:46.760 --> 0:22:51.680
<v Speaker 1>or goes crazy. Um. It's narrated by the biologist, and

0:22:52.240 --> 0:22:55.720
<v Speaker 1>as such, Vandermuir does this really good job of giving

0:22:55.720 --> 0:22:59.239
<v Speaker 1>it an eye towards the field of biology, and the

0:22:59.359 --> 0:23:02.399
<v Speaker 1>character explores this weird setting, and it makes use of

0:23:02.440 --> 0:23:05.919
<v Speaker 1>the flora and the fauna both within the setting of

0:23:05.960 --> 0:23:08.840
<v Speaker 1>the story in this Area X, but also in the

0:23:08.840 --> 0:23:11.960
<v Speaker 1>book's narrative. It's it's just wonderful at that. I don't

0:23:11.960 --> 0:23:13.560
<v Speaker 1>want to spoil it any more than that, but there's

0:23:13.600 --> 0:23:17.840
<v Speaker 1>some there's some weird stuff in Area X. Uh annely

0:23:17.960 --> 0:23:20.200
<v Speaker 1>Knew It's give a great review of it over at

0:23:20.240 --> 0:23:22.960
<v Speaker 1>I O nine, and she referred to it as the

0:23:23.000 --> 0:23:26.440
<v Speaker 1>tale of an ill fated scientific expedition to a piece

0:23:26.440 --> 0:23:29.720
<v Speaker 1>of coastline that has developed strange new physical properties that

0:23:29.800 --> 0:23:33.120
<v Speaker 1>defy explanation, and it will make you believe in the

0:23:33.200 --> 0:23:37.280
<v Speaker 1>power of science mysteries again. Uh. It is currently being

0:23:37.320 --> 0:23:40.760
<v Speaker 1>adapted into a film by Alex Garland, who most people

0:23:40.800 --> 0:23:44.679
<v Speaker 1>know because he directed X Makina last year. I know,

0:23:44.720 --> 0:23:47.440
<v Speaker 1>I'm from writing The Beach, which I read in high school. Yeah,

0:23:47.520 --> 0:23:49.800
<v Speaker 1>he's well, he's done a bunch of great stuff. Twenty

0:23:50.000 --> 0:23:54.520
<v Speaker 1>twenty days later. Um believe Judge Dred, Judge Dread he wrote,

0:23:54.600 --> 0:23:57.040
<v Speaker 1>and I don't. I don't know if he directed Judge Dread,

0:23:57.080 --> 0:23:59.800
<v Speaker 1>but yeah, Alex Garland's great. So I'm psyched that he

0:24:00.000 --> 0:24:02.200
<v Speaker 1>is making a movie version of this, and Natalie Portman

0:24:02.320 --> 0:24:03.960
<v Speaker 1>and Oscar Isaac are both going to be in it,

0:24:04.000 --> 0:24:05.840
<v Speaker 1>so I'm really looking forward to it. I don't want

0:24:05.840 --> 0:24:08.240
<v Speaker 1>to say too much more about it other than that

0:24:08.320 --> 0:24:10.720
<v Speaker 1>it's the first part of a trilogy. There's two more books,

0:24:10.840 --> 0:24:13.040
<v Speaker 1>and I I hear those are good too. There on

0:24:13.080 --> 0:24:16.280
<v Speaker 1>my list. Awesome, Well, I am going to get into

0:24:16.400 --> 0:24:19.280
<v Speaker 1>my fiction pick now, and it is also a science

0:24:19.320 --> 0:24:23.160
<v Speaker 1>fiction book. In fact, I actually just finished reading this

0:24:23.240 --> 0:24:25.920
<v Speaker 1>book this week. Earlier this week or a couple of

0:24:25.920 --> 0:24:28.840
<v Speaker 1>weeks ago. I guess I didn't know what my fiction

0:24:28.920 --> 0:24:31.440
<v Speaker 1>pick for this year was going to be, but now

0:24:31.480 --> 0:24:35.480
<v Speaker 1>I know. I absolutely loved this book. It's called Aurora

0:24:35.680 --> 0:24:39.080
<v Speaker 1>by Kim Stanley Robinson and it's it was published by

0:24:39.200 --> 0:24:46.200
<v Speaker 1>orbit In and it was just absolutely excellent, powerful, smart, thrilling,

0:24:46.400 --> 0:24:51.119
<v Speaker 1>deeply researched, a very emotionally resonant and a lot of fun.

0:24:51.640 --> 0:24:54.159
<v Speaker 1>And I again, I have a similar problem with you.

0:24:54.160 --> 0:24:56.040
<v Speaker 1>I don't want to spoil too much about the plot.

0:24:56.520 --> 0:24:59.000
<v Speaker 1>Uh So I guess I'll keep my synopsis very brief,

0:24:59.520 --> 0:25:03.719
<v Speaker 1>but the the story begins on a Generation starship, Robert.

0:25:03.720 --> 0:25:07.320
<v Speaker 1>Have you ever in the back Yes? That's what No.

0:25:07.440 --> 0:25:09.280
<v Speaker 1>I mean. Have you ever done an episode in the

0:25:09.320 --> 0:25:12.960
<v Speaker 1>back catalog about like arc ships? Um? No, you know,

0:25:12.960 --> 0:25:14.600
<v Speaker 1>it's one of those things that comes up. It has

0:25:14.600 --> 0:25:17.359
<v Speaker 1>come up, been passing before, but never devoted episodes. That

0:25:17.400 --> 0:25:19.800
<v Speaker 1>would be Yeah, I think that'd be a good thing

0:25:19.840 --> 0:25:22.719
<v Speaker 1>to focus an entire episode on someday. But generally the

0:25:22.800 --> 0:25:25.880
<v Speaker 1>idea is um is that if you were planning on

0:25:25.920 --> 0:25:29.960
<v Speaker 1>going to colonize an extrasolar star system in the galaxy,

0:25:30.480 --> 0:25:33.159
<v Speaker 1>the limits imposed by physics say that, well, okay, you

0:25:33.200 --> 0:25:36.000
<v Speaker 1>can't actually travel faster than light or anything like that.

0:25:36.080 --> 0:25:39.000
<v Speaker 1>So it's gonna be a multi hundred year journey at

0:25:39.000 --> 0:25:42.639
<v Speaker 1>the at the very least. Um, So what's gonna happen.

0:25:42.640 --> 0:25:45.000
<v Speaker 1>What happens if you need to make a you know,

0:25:45.160 --> 0:25:48.119
<v Speaker 1>three hundred year journey to a star system, Well, you

0:25:48.320 --> 0:25:52.320
<v Speaker 1>basically have to take enough of earth bio diversity with

0:25:52.400 --> 0:25:57.159
<v Speaker 1>you to uh to create a self sustaining atmosphere and

0:25:57.240 --> 0:26:00.520
<v Speaker 1>ecology on a ship. Um. And that's by a challenge.

0:26:00.520 --> 0:26:03.959
<v Speaker 1>I mean, we we find we found significant challenges just

0:26:04.000 --> 0:26:07.680
<v Speaker 1>creating uh, like the biospheres here on Earth. Yeah, I

0:26:07.720 --> 0:26:09.639
<v Speaker 1>mean I believe one of the episodes we've done we

0:26:09.680 --> 0:26:11.919
<v Speaker 1>talked about dirt. Didn't we about like the challenges of

0:26:12.359 --> 0:26:15.520
<v Speaker 1>like how much dirt you would need to bring? Yeah?

0:26:15.520 --> 0:26:17.679
<v Speaker 1>I don't remember this, but yeah, I can imagine that

0:26:17.800 --> 0:26:21.480
<v Speaker 1>absolutely features into this novel. So it's the novel starts

0:26:21.480 --> 0:26:25.320
<v Speaker 1>on this this generation ship with multiple generations of passengers.

0:26:25.600 --> 0:26:29.000
<v Speaker 1>I will say it starts into the journey. So all

0:26:29.040 --> 0:26:32.000
<v Speaker 1>the characters are people who did not choose to embark

0:26:32.080 --> 0:26:34.320
<v Speaker 1>on this journey. They were all they were all born

0:26:34.640 --> 0:26:38.560
<v Speaker 1>on the way, which is a strange position to imagine

0:26:38.560 --> 0:26:41.359
<v Speaker 1>yourself in because you didn't sign up for this, right,

0:26:41.440 --> 0:26:45.640
<v Speaker 1>the original generations and their descendants and their their children

0:26:45.680 --> 0:26:50.880
<v Speaker 1>and their grandchildren are all dead. Uh. Well, in a way,

0:26:51.200 --> 0:26:54.760
<v Speaker 1>you have to recycle all biological matter within these systems,

0:26:54.760 --> 0:26:58.480
<v Speaker 1>so sort of, I mean, they don't directly cannibalize the flesh. Yeah,

0:26:58.480 --> 0:27:01.640
<v Speaker 1>but I was imagining that in their atoms, their atoms

0:27:01.640 --> 0:27:05.440
<v Speaker 1>and energy go back into the ship system. But so, yeah,

0:27:05.480 --> 0:27:08.480
<v Speaker 1>they're they're bound for this extrasolar star system known as

0:27:08.520 --> 0:27:11.120
<v Speaker 1>Tao STI. And I think I can safely say that

0:27:11.200 --> 0:27:16.280
<v Speaker 1>this is the most deeply and thoroughly scientific science fiction

0:27:16.320 --> 0:27:19.160
<v Speaker 1>book I have ever read. Uh. And I will say

0:27:19.200 --> 0:27:23.359
<v Speaker 1>that because the plot is one of fundamentally it's a

0:27:23.359 --> 0:27:27.960
<v Speaker 1>plot of scientific discovery, and that most of the conflicts

0:27:28.080 --> 0:27:31.520
<v Speaker 1>in the plot are not like you know, your standard

0:27:31.600 --> 0:27:36.160
<v Speaker 1>energy weapon battles, but they are scientific and engineering conflicts.

0:27:36.320 --> 0:27:40.080
<v Speaker 1>It's uh, coming from smart people trying to struggle with

0:27:40.119 --> 0:27:44.040
<v Speaker 1>the limitations imposed on them by physics, chemistry, and biology.

0:27:44.119 --> 0:27:46.120
<v Speaker 1>And this is one of those books that I think

0:27:46.160 --> 0:27:49.280
<v Speaker 1>I knew I was gonna like it once I saw

0:27:49.520 --> 0:27:52.600
<v Speaker 1>what the negative reviewers had to say. Do you ever

0:27:52.640 --> 0:27:55.760
<v Speaker 1>have that experience? This got a lot of positive reviews,

0:27:55.840 --> 0:27:59.200
<v Speaker 1>but when I saw what the negative reviews said, there's

0:27:59.240 --> 0:28:01.639
<v Speaker 1>just a certain kind a negative review that makes me

0:28:01.840 --> 0:28:04.639
<v Speaker 1>know I'm gonna love something. So I'm guessing this isn't

0:28:04.760 --> 0:28:08.000
<v Speaker 1>something that the sad puppies would vote for a Hugo on. No,

0:28:08.119 --> 0:28:10.160
<v Speaker 1>I don't think so. Well. Some people didn't like it,

0:28:10.320 --> 0:28:14.400
<v Speaker 1>I think because it had certain environmentalist themes. And then

0:28:14.520 --> 0:28:17.840
<v Speaker 1>also I think some people found it boring because there

0:28:17.880 --> 0:28:22.040
<v Speaker 1>wasn't enough like fighting and killing in it. Yeah exactly, okay, um,

0:28:22.119 --> 0:28:25.720
<v Speaker 1>but there. But I thought it was just absolutely wonderful.

0:28:25.760 --> 0:28:31.160
<v Speaker 1>I I fully, holly loved this book. Cool alright, Well

0:28:31.560 --> 0:28:34.639
<v Speaker 1>for my fictional choice, UM, I'm definitely gonna give you

0:28:34.720 --> 0:28:39.560
<v Speaker 1>the Cannibals that you wanted. Thank you. Question. I find myself.

0:28:39.800 --> 0:28:42.400
<v Speaker 1>I found myself in the in the first half of

0:28:42.440 --> 0:28:46.400
<v Speaker 1>this year. Um, not reading a lot that I ended

0:28:46.480 --> 0:28:50.880
<v Speaker 1>up really loving. Like I read, I've read some good books.

0:28:50.920 --> 0:28:54.360
<v Speaker 1>I mean I read The Fixer by Bernard Malamud, which

0:28:54.360 --> 0:28:56.240
<v Speaker 1>is which is great and it actually ties into some

0:28:56.240 --> 0:28:58.280
<v Speaker 1>stuff I've written about for stuff to play your mind

0:28:58.320 --> 0:29:01.960
<v Speaker 1>having to do with the blood, libel and person and

0:29:02.040 --> 0:29:05.960
<v Speaker 1>Jewish persecution of the Jews. I also read The knee

0:29:05.960 --> 0:29:08.480
<v Speaker 1>On Bible by John Kennedy Tool, which is about the

0:29:08.680 --> 0:29:11.480
<v Speaker 1>most impressive thing you'll ever read read by a sixteen

0:29:11.560 --> 0:29:13.840
<v Speaker 1>year old if you really want to, really want to

0:29:13.840 --> 0:29:18.280
<v Speaker 1>depress yourself about your your your teenage writing ability. Sixteen

0:29:18.360 --> 0:29:20.280
<v Speaker 1>year old? How old was he when he wrote Confederacy

0:29:20.280 --> 0:29:24.600
<v Speaker 1>of Dunces? Oh not, what was he older? You know,

0:29:24.720 --> 0:29:30.200
<v Speaker 1>he was definitely older, lived tremendously long since the killed himself.

0:29:30.720 --> 0:29:33.560
<v Speaker 1>But this one came out after the Confederacy of Dunces

0:29:34.280 --> 0:29:37.560
<v Speaker 1>because it was one that his mother had published, was

0:29:37.560 --> 0:29:40.400
<v Speaker 1>written before then. I mean, they both came out after

0:29:40.440 --> 0:29:43.600
<v Speaker 1>his death. But it's a I mean it's a very

0:29:43.640 --> 0:29:46.160
<v Speaker 1>it's a very advanced book for a sixteen year old

0:29:46.240 --> 0:29:48.840
<v Speaker 1>um and I enjoyed it, but I also I didn't

0:29:48.880 --> 0:29:53.560
<v Speaker 1>just absolutely love it. And it's hard to really, you know,

0:29:53.600 --> 0:29:57.800
<v Speaker 1>pick a science the ankle on it. Um. So really

0:29:57.840 --> 0:30:01.360
<v Speaker 1>the book that's uh in aged me the most this

0:30:01.440 --> 0:30:04.800
<v Speaker 1>year was a book of titled Off Season by Jack

0:30:04.880 --> 0:30:08.840
<v Speaker 1>Ketch um Um and it wasn't it. It's kind of

0:30:08.840 --> 0:30:11.800
<v Speaker 1>an infamous publication and I wasn't even really going to

0:30:11.880 --> 0:30:15.800
<v Speaker 1>mention it, but because it's extremely graphic, it's an extremely

0:30:15.880 --> 0:30:19.000
<v Speaker 1>nasty piece of nineteen eighties horror fiction. And in fact,

0:30:19.040 --> 0:30:21.040
<v Speaker 1>I think I edited out a mention of it on

0:30:21.080 --> 0:30:25.680
<v Speaker 1>a previous show. Yeah, but but I figured, hey, it's

0:30:25.760 --> 0:30:27.680
<v Speaker 1>the book that that sucked me in the most, so

0:30:27.720 --> 0:30:29.800
<v Speaker 1>I should probably mention it with the caveat that it

0:30:29.880 --> 0:30:33.000
<v Speaker 1>is not for for you, for young people, It is

0:30:33.040 --> 0:30:35.240
<v Speaker 1>not for anyone who's squeamish. It has a lot of

0:30:35.720 --> 0:30:38.480
<v Speaker 1>a lot of extreme violence in it. Um it is,

0:30:38.800 --> 0:30:41.240
<v Speaker 1>but it's a It's a real page turner. It's exceptionally

0:30:41.240 --> 0:30:44.800
<v Speaker 1>well written. You care about the characters, and you hate, hate,

0:30:44.840 --> 0:30:48.120
<v Speaker 1>hate all the debased villains, which are all essentially It's

0:30:48.160 --> 0:30:50.880
<v Speaker 1>about some individuals on a vacation, so it's a great

0:30:50.960 --> 0:30:56.160
<v Speaker 1>vacation read obviously, who are attacked by marauding cannibals that

0:30:56.280 --> 0:30:59.880
<v Speaker 1>live in the hills and I go west Craven move

0:31:00.160 --> 0:31:02.160
<v Speaker 1>turned into it. It sounds like the Hills have I Yeah,

0:31:02.680 --> 0:31:04.720
<v Speaker 1>it's my understanding that hills have ice. Was was kind

0:31:04.720 --> 0:31:07.360
<v Speaker 1>of an inspiration on it. Like that, that, and a

0:31:07.400 --> 0:31:11.320
<v Speaker 1>few other things. Um, but it's just it's really well executed,

0:31:11.400 --> 0:31:14.240
<v Speaker 1>especially after you get the initial character development stuff out

0:31:14.280 --> 0:31:17.760
<v Speaker 1>of the way. Once thing awful things start happening, it's

0:31:17.880 --> 0:31:21.680
<v Speaker 1>just impossible to put it down. And uh, it's ultimately

0:31:21.680 --> 0:31:24.640
<v Speaker 1>the book about normal folks who have to be who

0:31:24.760 --> 0:31:27.160
<v Speaker 1>who are beset by bloodthirsty savages and then have to

0:31:27.160 --> 0:31:30.720
<v Speaker 1>become bloodthirsty savages to survive. And you find yourself becoming

0:31:30.960 --> 0:31:34.760
<v Speaker 1>kind of a bloodthirsty savage reader as you cheer them

0:31:34.760 --> 0:31:38.960
<v Speaker 1>on against these awful, awful people. So it's a it's

0:31:38.960 --> 0:31:41.760
<v Speaker 1>an extreme read, uh, but not to the point where

0:31:41.960 --> 0:31:44.280
<v Speaker 1>I ever felt like the author was just tormenting me

0:31:44.440 --> 0:31:46.680
<v Speaker 1>or the characters just for the sake of all the sufferings,

0:31:46.880 --> 0:31:49.760
<v Speaker 1>because I've certainly encountered haror like that before where it

0:31:49.880 --> 0:31:57.200
<v Speaker 1>just leaves me feeling a little gross with the roth. Yeah,

0:31:57.280 --> 0:32:01.560
<v Speaker 1>and that being said, there is still plenty of bad

0:32:01.640 --> 0:32:04.720
<v Speaker 1>stuff in here. So again I stressed that this this

0:32:04.760 --> 0:32:07.400
<v Speaker 1>one is only for the dedicated horror fans out there,

0:32:07.760 --> 0:32:10.880
<v Speaker 1>but it wouldn't be fair not to mention it since

0:32:10.920 --> 0:32:16.200
<v Speaker 1>it was such a an engaging read, such an addictive read. Hey,

0:32:16.240 --> 0:32:17.840
<v Speaker 1>so we need to take a quick break, but we

0:32:17.880 --> 0:32:20.600
<v Speaker 1>will be right back with some more selections from our

0:32:20.640 --> 0:32:30.960
<v Speaker 1>summer reading list, and we're back. Okay. So you guys

0:32:31.000 --> 0:32:34.440
<v Speaker 1>know me and I am a comics fan. So I

0:32:34.440 --> 0:32:37.040
<v Speaker 1>wouldn't be able to bring and do a summer reading

0:32:37.080 --> 0:32:41.000
<v Speaker 1>list if I didn't at least mention a couple of comics. Um.

0:32:41.040 --> 0:32:43.200
<v Speaker 1>So I tried to narrow it down from my usual

0:32:43.320 --> 0:32:45.800
<v Speaker 1>huge list to stuff that I think really resonates with

0:32:46.120 --> 0:32:48.600
<v Speaker 1>our show and our listeners. On the first one that

0:32:48.640 --> 0:32:53.240
<v Speaker 1>I have to recommend is called Junction True and it's

0:32:53.240 --> 0:32:57.120
<v Speaker 1>a graphic novel by Ray Fox. Uh. And it's illustrated

0:32:57.160 --> 0:33:01.680
<v Speaker 1>and watercolored by Vince Locke, and it's just gorgeous water colors,

0:33:02.040 --> 0:33:06.120
<v Speaker 1>really beautiful book, very uh, you know, has very painterly

0:33:06.240 --> 0:33:09.680
<v Speaker 1>quality to it. Uh. And it is about a near

0:33:09.760 --> 0:33:15.520
<v Speaker 1>future where subculture involves transhumanist body hacking, which just right

0:33:15.600 --> 0:33:18.840
<v Speaker 1>up our alley right. Uh. It's this weird, twisted love

0:33:18.920 --> 0:33:23.520
<v Speaker 1>story about S and M rebellion, alienation, and body modification

0:33:23.840 --> 0:33:26.680
<v Speaker 1>where the main character really has to ask himself how

0:33:26.720 --> 0:33:30.360
<v Speaker 1>far he's willing to go for love, and by go,

0:33:30.640 --> 0:33:34.880
<v Speaker 1>I mean modify his body for what his lover wants

0:33:34.960 --> 0:33:38.600
<v Speaker 1>him to be. Uh. It is strange and kind of

0:33:38.600 --> 0:33:42.040
<v Speaker 1>creepy and horrifying, but the characters just really feel real,

0:33:42.360 --> 0:33:45.880
<v Speaker 1>and Uh, I just applauded it. Ray Fox is a

0:33:45.960 --> 0:33:48.160
<v Speaker 1>very smart writer. He takes a lot of risks that

0:33:48.200 --> 0:33:50.360
<v Speaker 1>pay off in his storytelling and in the theme. So

0:33:50.400 --> 0:33:53.680
<v Speaker 1>I recommend this book immensely. I believe it is put

0:33:53.680 --> 0:33:57.720
<v Speaker 1>out by Top Shelf Productions. The second one that I

0:33:57.720 --> 0:33:59.800
<v Speaker 1>would recommend, and this will come as no surprise to

0:33:59.800 --> 0:34:01.720
<v Speaker 1>be who have listened to me talk about things on

0:34:01.720 --> 0:34:05.840
<v Speaker 1>the show before. Warren Ellis has a new comic that's

0:34:05.880 --> 0:34:09.000
<v Speaker 1>been out for the last year together with Declan Shelvey

0:34:09.160 --> 0:34:14.400
<v Speaker 1>and Jordie Blair, called Injection, and Uh, it really takes

0:34:14.719 --> 0:34:18.520
<v Speaker 1>that old Arthur C. Clark quote to heart. Any sufficiently

0:34:18.560 --> 0:34:23.080
<v Speaker 1>advanced technology is indistinguishable from magic. So you can't really

0:34:23.239 --> 0:34:26.480
<v Speaker 1>tell is it is there magic in this book or

0:34:26.560 --> 0:34:29.000
<v Speaker 1>is it's, you know, some kind of sci fi technology

0:34:29.000 --> 0:34:31.840
<v Speaker 1>that's just beyond our understanding. And he's not willing to

0:34:31.880 --> 0:34:34.600
<v Speaker 1>hold your hand and let you know. If you haven't

0:34:34.800 --> 0:34:38.080
<v Speaker 1>heard me babble about Warren Ellis on the show before. Uh,

0:34:38.200 --> 0:34:41.560
<v Speaker 1>last year I recommended his nonfiction book Cunning Plans during

0:34:41.560 --> 0:34:44.279
<v Speaker 1>our summer reading list. He's known for doing comics like

0:34:44.320 --> 0:34:49.279
<v Speaker 1>trans Metropolitan, Global Frequency, Planetary, Freak, Angels, and a lot

0:34:49.320 --> 0:34:52.399
<v Speaker 1>of other superhero, video game and TV work. I went

0:34:52.480 --> 0:34:54.960
<v Speaker 1>back and read the first volume of trans Metropolitan this

0:34:55.040 --> 0:34:57.480
<v Speaker 1>year on your recommendation. I really liked it. Yeah, it's

0:34:57.480 --> 0:35:00.239
<v Speaker 1>pretty cool, it was funny. I love it. Spent a

0:35:00.280 --> 0:35:03.239
<v Speaker 1>long time since I've read it. Yeah, that Spider Jerusalem, right, Yes,

0:35:03.239 --> 0:35:06.440
<v Speaker 1>Spider Jerusalem is his Like sci fi Hunter s. Thompson,

0:35:07.040 --> 0:35:12.200
<v Speaker 1>it's it's fun. Injection is about a team that consists

0:35:12.200 --> 0:35:16.040
<v Speaker 1>of a secret agent, a scientist, a hacker, a shaman,

0:35:16.200 --> 0:35:20.839
<v Speaker 1>and a detective and they make a mistake and they

0:35:20.920 --> 0:35:23.080
<v Speaker 1>kind of think they're smarter than they are and they

0:35:23.200 --> 0:35:26.560
<v Speaker 1>let something weird loose into the world, and subsequently they're

0:35:26.560 --> 0:35:29.759
<v Speaker 1>all traumatized by this experience, but they're also trying to

0:35:29.800 --> 0:35:33.360
<v Speaker 1>make things right. Uh. It doesn't hold your hand with

0:35:33.440 --> 0:35:37.959
<v Speaker 1>narrative structure. Ellis is definitely trying out some interesting like flashbacks,

0:35:37.960 --> 0:35:42.360
<v Speaker 1>flash forwards, jumping from character to character, not really showing

0:35:42.360 --> 0:35:44.960
<v Speaker 1>you all the pieces at once, But it comes together

0:35:45.080 --> 0:35:49.520
<v Speaker 1>and it's it's excellent. The artwork is stunning. This team

0:35:49.560 --> 0:35:51.920
<v Speaker 1>is great. Declan Chalvey and Jordie Blair are a couple

0:35:51.960 --> 0:35:54.120
<v Speaker 1>that work together. He does the illustration and she does

0:35:54.160 --> 0:35:56.919
<v Speaker 1>the colors, and so it's just, you know, you can

0:35:56.960 --> 0:36:00.320
<v Speaker 1>see that teamwork in the art that really flows well together.

0:36:00.320 --> 0:36:03.840
<v Speaker 1>And the storytelling is superb for comics. If you like

0:36:04.080 --> 0:36:09.640
<v Speaker 1>stories that deal with the following things, this is for you. Madness, weird,

0:36:09.719 --> 0:36:13.640
<v Speaker 1>incursions into reality, the history of magic, especially in the

0:36:13.640 --> 0:36:18.560
<v Speaker 1>British Isles, and government conspiracies. Injection has all that and more.

0:36:18.840 --> 0:36:20.480
<v Speaker 1>Now are both of these that you've mentioned? Are these

0:36:20.480 --> 0:36:24.360
<v Speaker 1>complete things? Are the ongoing Injection is still ongoing? Junction

0:36:24.440 --> 0:36:28.239
<v Speaker 1>True is a complete work? That's cool? I uh so.

0:36:28.360 --> 0:36:31.560
<v Speaker 1>I actually this year have been embarking on a project

0:36:31.600 --> 0:36:34.160
<v Speaker 1>of going back and reading basically all the great like

0:36:34.320 --> 0:36:37.520
<v Speaker 1>classic graphic novels that I've never read before. So I've

0:36:37.520 --> 0:36:40.880
<v Speaker 1>been reading a lot of as far as superheroes go,

0:36:41.200 --> 0:36:44.000
<v Speaker 1>you know, the ones that everybody had read except for me.

0:36:44.080 --> 0:36:46.200
<v Speaker 1>I read The Dark Knight Returns for the first time

0:36:46.239 --> 0:36:50.120
<v Speaker 1>this year, and uh some other Batman stuff. Have you

0:36:50.200 --> 0:36:52.759
<v Speaker 1>done Alan moore Swamp thing run yet? I haven't, but

0:36:52.840 --> 0:36:55.880
<v Speaker 1>I did read concerning Alan Moore I finally went and

0:36:55.920 --> 0:36:59.320
<v Speaker 1>read From Hell, which is another one along your lines, Robert,

0:36:59.360 --> 0:37:03.200
<v Speaker 1>that I certainly wouldn't recommend for our younger listeners because

0:37:03.239 --> 0:37:06.640
<v Speaker 1>it is extremely graphic in terms of sex and violence.

0:37:07.000 --> 0:37:11.480
<v Speaker 1>But it's also a really, really well researched and interesting

0:37:11.640 --> 0:37:14.880
<v Speaker 1>dark graphic novels. Excellent. It's one of my favorite graphic

0:37:14.880 --> 0:37:17.040
<v Speaker 1>novels of all time, and it has been a huge

0:37:17.040 --> 0:37:19.680
<v Speaker 1>influence on my own work in the field. And don't

0:37:19.800 --> 0:37:25.399
<v Speaker 1>let the movies do from it. Yeah, but my next pick.

0:37:25.600 --> 0:37:27.919
<v Speaker 1>I had a couple more nonfiction books that I read

0:37:27.920 --> 0:37:30.040
<v Speaker 1>this year that I wanted to mention because I thought

0:37:30.080 --> 0:37:34.120
<v Speaker 1>they were great. So another one concerning science is a

0:37:34.160 --> 0:37:38.960
<v Speaker 1>book about black holes, and it is called black Hole Colon.

0:37:39.280 --> 0:37:42.600
<v Speaker 1>How an idea abandoned by Newtonians, hated by Einstein, and

0:37:42.680 --> 0:37:48.520
<v Speaker 1>gambled on by Hawking became loved by Marcia Bartouschek Yale

0:37:48.600 --> 0:37:51.360
<v Speaker 1>University Press. So I have to say, points deducted for

0:37:51.400 --> 0:37:55.799
<v Speaker 1>having a sixteen wordlong subtitle that is obnoxious. You think

0:37:55.800 --> 0:37:59.719
<v Speaker 1>it should be crunched down and yeah, point of infinite

0:37:59.840 --> 0:38:04.239
<v Speaker 1>and city and zero volume black hole colon spaghettification, But

0:38:05.120 --> 0:38:08.319
<v Speaker 1>points deducted for that points awarded for everything else. I thought,

0:38:08.360 --> 0:38:11.239
<v Speaker 1>this is just a really superb and concise piece of

0:38:11.239 --> 0:38:15.879
<v Speaker 1>science writing. Um and uh so Marcia Bartoschik, I think

0:38:15.920 --> 0:38:18.759
<v Speaker 1>she is ahead of the head of a science writing

0:38:18.760 --> 0:38:21.920
<v Speaker 1>program at M I T. And you can see why

0:38:21.960 --> 0:38:24.200
<v Speaker 1>she has that post. She she is a really really

0:38:24.960 --> 0:38:29.960
<v Speaker 1>top notch science communicator. And there's a very breezy, readable,

0:38:30.120 --> 0:38:34.640
<v Speaker 1>compact style to this book. Uh and so Bartschik tells

0:38:34.680 --> 0:38:37.560
<v Speaker 1>the story of our knowledge about black holes, how they're

0:38:37.600 --> 0:38:41.319
<v Speaker 1>first theorized, how violently physicists oppose them, and how they

0:38:41.320 --> 0:38:45.399
<v Speaker 1>eventually came to be accepted and uh. Bartosik is very

0:38:45.480 --> 0:38:49.239
<v Speaker 1>true to the difficult astrophysics behind black holes, but she

0:38:49.320 --> 0:38:53.040
<v Speaker 1>makes the concepts involved, like really very easy to understand

0:38:53.120 --> 0:38:56.200
<v Speaker 1>for non scientists. I was am I'm not a physicist,

0:38:56.239 --> 0:38:59.239
<v Speaker 1>I'm not even a very math inclined person, but I

0:38:59.280 --> 0:39:01.680
<v Speaker 1>was following her the whole way. Uh and A lot

0:39:01.719 --> 0:39:03.640
<v Speaker 1>of this is made possible simply by the way she

0:39:03.760 --> 0:39:07.279
<v Speaker 1>narrativises the subject. It's easier to understand the ideas she

0:39:07.360 --> 0:39:11.480
<v Speaker 1>presents because she tells the story historically, where she tells

0:39:11.480 --> 0:39:14.239
<v Speaker 1>the story of each scientist interacting with the ideas of

0:39:14.280 --> 0:39:17.440
<v Speaker 1>the other one. So you can see the logical progression

0:39:17.719 --> 0:39:20.680
<v Speaker 1>of how people understood black holes. But one of the

0:39:20.680 --> 0:39:23.279
<v Speaker 1>most interesting things about the book to me is how

0:39:23.320 --> 0:39:27.800
<v Speaker 1>it shows this long, painful battle between our scientific theories

0:39:27.800 --> 0:39:31.640
<v Speaker 1>and our common sense. So for about a hundred years now,

0:39:31.760 --> 0:39:35.000
<v Speaker 1>any physicist who cared to look would be able to

0:39:35.000 --> 0:39:38.359
<v Speaker 1>work out that black holes are a consequence of Einstein's

0:39:38.400 --> 0:39:42.960
<v Speaker 1>general relativity. But scientists across the generations just they allowed

0:39:43.000 --> 0:39:46.279
<v Speaker 1>their common sense to rebel against the idea. It's like, wait,

0:39:46.320 --> 0:39:49.319
<v Speaker 1>how can the mass of many stars be compressed down

0:39:49.360 --> 0:39:52.799
<v Speaker 1>to infinite density? That's just absurd, That can't happen. Uh.

0:39:52.880 --> 0:39:55.040
<v Speaker 1>There's even one story in the book, how about Sir

0:39:55.239 --> 0:39:57.800
<v Speaker 1>Arthur Eddington, who is one of the most respective physicists

0:39:57.800 --> 0:40:01.560
<v Speaker 1>of the time, Just vicious Lee mocked the then young

0:40:01.640 --> 0:40:06.120
<v Speaker 1>physicist Supermannia and Chandra Shaker after he gave a conference

0:40:06.160 --> 0:40:09.760
<v Speaker 1>presentation in nineteen thirty five about the inevitability of black holes.

0:40:09.800 --> 0:40:13.200
<v Speaker 1>Apparently Eddington just got up after Chandra Shaker had finished

0:40:13.200 --> 0:40:16.200
<v Speaker 1>giving his talk, and he said, surely nature has some

0:40:16.239 --> 0:40:20.279
<v Speaker 1>way of preventing this nonsense more or less. Uh. And so,

0:40:20.560 --> 0:40:22.600
<v Speaker 1>of course, in the end, we learned through decades of

0:40:22.640 --> 0:40:25.400
<v Speaker 1>painful back and forth that our common sense about black

0:40:25.400 --> 0:40:29.960
<v Speaker 1>holes is completely wrong, and these objects do in fact exists.

0:40:30.040 --> 0:40:33.440
<v Speaker 1>They're they're not theoretical anymore. They're a fundamental part of

0:40:33.480 --> 0:40:37.920
<v Speaker 1>our picture of the universe. Um. But the every piece

0:40:37.920 --> 0:40:41.120
<v Speaker 1>of common sense in our brain just rebels against it.

0:40:41.120 --> 0:40:43.520
<v Speaker 1>It doesn't make any sense. How could there be something

0:40:43.600 --> 0:40:46.040
<v Speaker 1>like that? Everything I know about black holes comes from

0:40:46.040 --> 0:40:49.080
<v Speaker 1>the movie Interstellar. When you go when you go into

0:40:49.160 --> 0:40:50.640
<v Speaker 1>did you guys know when you go into them you

0:40:50.760 --> 0:40:53.759
<v Speaker 1>travel back in time? You see? Now, everything I know

0:40:53.800 --> 0:40:58.160
<v Speaker 1>about Disney's the black Hole, So I know that when

0:40:58.200 --> 0:41:00.320
<v Speaker 1>you go into them, you fused with a row about

0:41:00.480 --> 0:41:04.720
<v Speaker 1>and rule over hell man, Was any of this stuff

0:41:04.719 --> 0:41:07.200
<v Speaker 1>covered in the book? No? That's uh, that's pretty cool.

0:41:07.680 --> 0:41:12.080
<v Speaker 1>You've seen the black Hole? Right? No, I haven't. In

0:41:12.160 --> 0:41:16.160
<v Speaker 1>case anyone's misunderstanding, maybe the science is ridiculous and I

0:41:16.239 --> 0:41:19.359
<v Speaker 1>met the same I was being ironic Interstellar as well. Yeah,

0:41:19.440 --> 0:41:22.200
<v Speaker 1>black Hole is one of those like a super dark

0:41:22.600 --> 0:41:24.880
<v Speaker 1>Disney sci fi fantasy movies that they did in like

0:41:24.920 --> 0:41:28.480
<v Speaker 1>the late seventies. Yeah, like a robot disembowels Anthony Perkins

0:41:28.480 --> 0:41:30.720
<v Speaker 1>in it. It's one of the What's What's the Witch

0:41:30.760 --> 0:41:35.359
<v Speaker 1>Mountain movie? As part of that, There's there's another one anyway. Yeah,

0:41:35.640 --> 0:41:37.359
<v Speaker 1>oh that sounds pretty good. So there's a lot of

0:41:37.400 --> 0:41:40.239
<v Speaker 1>crazy dark movies that came out to round that time.

0:41:40.280 --> 0:41:42.439
<v Speaker 1>In Black Hole was one of them. To check that. Great,

0:41:42.480 --> 0:41:45.960
<v Speaker 1>it's a go into it with you know, realistic expectations.

0:41:46.000 --> 0:41:51.160
<v Speaker 1>It's a pretty fun, right, especially if you're ten. Yeah, well,

0:41:51.200 --> 0:41:53.520
<v Speaker 1>I will definitely be looking into that. I always wanted

0:41:53.560 --> 0:41:56.040
<v Speaker 1>to know how I could summon the dark powers of

0:41:56.040 --> 0:42:00.279
<v Speaker 1>of of infinite density to do my bidding. Uh. A

0:42:00.280 --> 0:42:02.799
<v Speaker 1>couple other quick mentions, I guess of of books I

0:42:02.800 --> 0:42:05.640
<v Speaker 1>read this year, one is, uh, The Confidence Game by

0:42:05.680 --> 0:42:10.600
<v Speaker 1>Maria Knakova of Viking. You got a copy of that,

0:42:10.640 --> 0:42:12.800
<v Speaker 1>didn't you write? Yeah? I saw her speak at the

0:42:12.800 --> 0:42:15.040
<v Speaker 1>World Science Festival this year. She was on a panel

0:42:15.120 --> 0:42:19.720
<v Speaker 1>that also included Mary Roach talking about about science writing,

0:42:20.239 --> 0:42:22.279
<v Speaker 1>and yeah, I was really impressed with everything she had

0:42:22.320 --> 0:42:25.040
<v Speaker 1>to say. Um, and that's why I also shared an

0:42:25.160 --> 0:42:27.920
<v Speaker 1>article about that. She wrote about whether or not Trump

0:42:28.200 --> 0:42:30.759
<v Speaker 1>Donald Trump is a con man on artists and I

0:42:30.800 --> 0:42:33.600
<v Speaker 1>shared that on our Facebook feed, and some people did

0:42:33.640 --> 0:42:37.719
<v Speaker 1>not like it, even though it was an objective scientific

0:42:37.800 --> 0:42:41.319
<v Speaker 1>approach look at what the Trump phenomenon is. Yeah, but

0:42:41.440 --> 0:42:43.560
<v Speaker 1>I was really impressed with everything she had to say

0:42:43.600 --> 0:42:45.800
<v Speaker 1>at the conference, and so I had to grab a

0:42:45.840 --> 0:42:47.759
<v Speaker 1>copy of the book as well. I haven't read it yet,

0:42:47.800 --> 0:42:50.719
<v Speaker 1>but I'm looking forward to uh reading through it. Yeah,

0:42:50.800 --> 0:42:53.120
<v Speaker 1>it's it's a good book. And so it's about con artists.

0:42:53.160 --> 0:42:55.880
<v Speaker 1>About half historical narrative about some of the most interesting

0:42:55.960 --> 0:42:58.760
<v Speaker 1>cons in history, and then the other half is science

0:42:58.800 --> 0:43:02.000
<v Speaker 1>about psychological rea search on why humans are vulnerable to

0:43:02.120 --> 0:43:05.799
<v Speaker 1>cons in general, and then particular tactics used by con

0:43:05.920 --> 0:43:08.719
<v Speaker 1>artists and sort of the cognitive biases that they take

0:43:08.760 --> 0:43:11.879
<v Speaker 1>advantage of. Uh. And I think it would be fun

0:43:11.920 --> 0:43:14.120
<v Speaker 1>to discuss this book for for a whole episode of

0:43:14.120 --> 0:43:16.040
<v Speaker 1>the show sometimes, especially if we could get con of

0:43:16.080 --> 0:43:18.600
<v Speaker 1>COVID to come on and join us. I've touched based

0:43:18.680 --> 0:43:21.879
<v Speaker 1>with her her agent and so do that. Well, that'd

0:43:21.920 --> 0:43:25.120
<v Speaker 1>be great. Yeah. I did find it interesting, And we

0:43:25.160 --> 0:43:26.960
<v Speaker 1>have to like set it up as if we're going

0:43:27.000 --> 0:43:29.000
<v Speaker 1>to do the show, but then don't actually call it.

0:43:29.239 --> 0:43:31.880
<v Speaker 1>We just take all our money, yeah, exactly because oh

0:43:32.120 --> 0:43:34.799
<v Speaker 1>DoD the audience not know that we get paid to

0:43:34.880 --> 0:43:38.920
<v Speaker 1>do interviews. Um. Two things that She mentioned um in

0:43:39.120 --> 0:43:41.360
<v Speaker 1>in her talk that I'm wondering, you know, to what

0:43:41.480 --> 0:43:44.000
<v Speaker 1>extent there there in the book. She mentioned that she

0:43:44.080 --> 0:43:47.680
<v Speaker 1>was inspired by David Mannett movies. Really writing this book,

0:43:47.719 --> 0:43:49.560
<v Speaker 1>I don't know. She didn't mention that in the book,

0:43:49.640 --> 0:43:52.040
<v Speaker 1>and she also mentioned that she was inspired by like

0:43:52.080 --> 0:43:54.000
<v Speaker 1>It's it's one thing we hear, we hear talk of

0:43:54.080 --> 0:43:57.399
<v Speaker 1>con games and con artists, and it's easy to think, oh, well,

0:43:57.440 --> 0:44:00.960
<v Speaker 1>that poor stupid person. But but in her talk at

0:44:00.960 --> 0:44:03.160
<v Speaker 1>the World's Nice Festival, she mentioned that one of the

0:44:03.200 --> 0:44:05.920
<v Speaker 1>things that really got are interested in this topic was

0:44:05.960 --> 0:44:09.759
<v Speaker 1>that you have very smart people, very intelligent people, who

0:44:09.840 --> 0:44:12.120
<v Speaker 1>end up getting sucked into these things. Yeah. One of

0:44:12.360 --> 0:44:17.680
<v Speaker 1>the stories in the book is about a physicist, a physicist,

0:44:17.840 --> 0:44:22.080
<v Speaker 1>like working physicist, brilliant guy who gets conned by an

0:44:22.200 --> 0:44:26.440
<v Speaker 1>Internet person pretending to be a I think like a

0:44:26.560 --> 0:44:30.319
<v Speaker 1>check model, who wants fished, who wants to marry him,

0:44:30.480 --> 0:44:33.840
<v Speaker 1>and they trick him into being a drug mule. Oh yeah,

0:44:34.200 --> 0:44:36.040
<v Speaker 1>so you don't have to be dumb to fall for

0:44:36.080 --> 0:44:39.279
<v Speaker 1>a con. They exploit biases that are that are there

0:44:39.280 --> 0:44:44.479
<v Speaker 1>in all of us, even even physicists like check models. Uh.

0:44:44.560 --> 0:44:47.319
<v Speaker 1>Then there's one last nonfiction book I want to mention. Uh,

0:44:47.400 --> 0:44:49.560
<v Speaker 1>and that is something I think it might have come

0:44:49.560 --> 0:44:53.120
<v Speaker 1>out in an episode before. But it's Our Mathematical Universe,

0:44:53.200 --> 0:44:55.760
<v Speaker 1>My Quest for the Ultimate Nature of Reality. By Max

0:44:55.800 --> 0:44:59.359
<v Speaker 1>teg Mark, not for Robert. Did you read this? Why?

0:44:59.360 --> 0:45:01.400
<v Speaker 1>I didn't read it, but I've I've read that Tegmark

0:45:01.480 --> 0:45:04.319
<v Speaker 1>stuff before. He's always great, He's awesome. And I get

0:45:04.360 --> 0:45:06.480
<v Speaker 1>the feeling that tag Mark is sort of a polarizing

0:45:06.480 --> 0:45:10.279
<v Speaker 1>figure in the modern astrophysics and cosmology community. And I

0:45:10.280 --> 0:45:13.440
<v Speaker 1>think this is because he does very important and relevant

0:45:13.520 --> 0:45:17.040
<v Speaker 1>mainstream research. Like he's not some crazy crank, but he's

0:45:17.040 --> 0:45:18.920
<v Speaker 1>also not afraid to go out on a limb and

0:45:18.960 --> 0:45:23.759
<v Speaker 1>explore radically strange hypothesis like the idea that there's a

0:45:23.760 --> 0:45:27.560
<v Speaker 1>physical way to quantify consciousness if you think about consciousness

0:45:27.680 --> 0:45:31.280
<v Speaker 1>is a state of matter, or that the entire universe

0:45:31.320 --> 0:45:35.239
<v Speaker 1>at bottom is made of math, not figuratively or metaphorically,

0:45:35.280 --> 0:45:41.399
<v Speaker 1>but literally. We're not described by math. We are mathematical objects. Uh.

0:45:41.440 --> 0:45:44.479
<v Speaker 1>And so I think some scientists and scientifically literate people

0:45:44.520 --> 0:45:47.200
<v Speaker 1>don't like it when otherwise respected scientists stick their necks

0:45:47.239 --> 0:45:51.320
<v Speaker 1>out and speculate about such weirdness. Basically. Uh, But I

0:45:51.920 --> 0:45:55.120
<v Speaker 1>I guess they think that it causes some confusion about

0:45:55.120 --> 0:45:58.399
<v Speaker 1>what sciences. You hear people say this sometimes, like some

0:45:58.560 --> 0:46:01.839
<v Speaker 1>people in the skeptic community. Uh. And with those people,

0:46:01.920 --> 0:46:05.000
<v Speaker 1>I I cannot agree, because I think it's wonderful when

0:46:05.000 --> 0:46:09.000
<v Speaker 1>productive mainstream scientists are also free to play at the

0:46:09.080 --> 0:46:11.000
<v Speaker 1>edges of what can be known about the world, as

0:46:11.000 --> 0:46:14.200
<v Speaker 1>long as you're not confusing one type of intellectual exercise

0:46:14.280 --> 0:46:18.080
<v Speaker 1>with the other. But ultimately, this book concerns the mathematical

0:46:18.239 --> 0:46:21.879
<v Speaker 1>universe hypothesis, and it's also just a very good introduction

0:46:22.000 --> 0:46:25.200
<v Speaker 1>to many other ideas in physics and cosmology today. One

0:46:25.239 --> 0:46:29.480
<v Speaker 1>example is the multiverse. I like the way Tagmark Tagmark

0:46:29.520 --> 0:46:32.880
<v Speaker 1>tackles this idea, so, uh, the multi versus the idea

0:46:32.920 --> 0:46:37.200
<v Speaker 1>that other universes exist and they're causally disconnected from our own.

0:46:37.640 --> 0:46:40.120
<v Speaker 1>So if you if you follow like the cosmological debates,

0:46:40.160 --> 0:46:41.719
<v Speaker 1>you'll know that a lot of people don't like this

0:46:41.800 --> 0:46:45.080
<v Speaker 1>idea either. And one reason is that if another universe

0:46:45.200 --> 0:46:49.040
<v Speaker 1>is causally disconnected from us, there's no way you could

0:46:49.120 --> 0:46:52.160
<v Speaker 1>design a test to see if it's really there. So

0:46:52.320 --> 0:46:54.799
<v Speaker 1>what's the point in talking about whether it's there? Or not.

0:46:55.120 --> 0:46:58.200
<v Speaker 1>By definition, there's no way to know, and I think

0:46:58.280 --> 0:47:00.799
<v Speaker 1>that could be a very valid criticism. But in this book,

0:47:00.800 --> 0:47:03.759
<v Speaker 1>teg Mark Uh makes an interesting case. He tries to

0:47:03.800 --> 0:47:06.080
<v Speaker 1>make a case for why the multiverse is not a

0:47:06.160 --> 0:47:09.960
<v Speaker 1>hypothesis to be tested on its own, but instead it's

0:47:10.000 --> 0:47:13.560
<v Speaker 1>a prediction or a consequence of theories for which we

0:47:13.640 --> 0:47:17.200
<v Speaker 1>do have experimental evidence. So you know, we have evidence

0:47:17.239 --> 0:47:19.880
<v Speaker 1>that X theory is true. If X theory is true,

0:47:19.960 --> 0:47:23.799
<v Speaker 1>you would expect there to be other universes. Um. So

0:47:23.920 --> 0:47:26.439
<v Speaker 1>for that alone, I think this book is worth reading Uh,

0:47:26.480 --> 0:47:28.279
<v Speaker 1>and also be sure to check out some of the

0:47:28.280 --> 0:47:31.640
<v Speaker 1>criticisms of tech Mark's ideas online. I remember at the

0:47:31.680 --> 0:47:33.360
<v Speaker 1>time I read it, I came across a bunch of

0:47:33.360 --> 0:47:36.759
<v Speaker 1>blog posts and reviews by other physicists who had a

0:47:36.760 --> 0:47:39.560
<v Speaker 1>lot of disagreements with him, and they made interesting points

0:47:39.560 --> 0:47:42.279
<v Speaker 1>as well. And you know, as a non scientist, it's

0:47:42.280 --> 0:47:45.680
<v Speaker 1>exciting to read a science book that's not just a

0:47:45.760 --> 0:47:49.360
<v Speaker 1>presentation of established facts, but that's part of an ongoing

0:47:49.400 --> 0:47:51.920
<v Speaker 1>debate where you know, the ideas are not have not

0:47:52.000 --> 0:47:56.120
<v Speaker 1>been settled yet. Okay, So Robert, I think you're gonna

0:47:56.120 --> 0:47:58.399
<v Speaker 1>close this out right, and you're gonna close this out

0:47:58.520 --> 0:48:02.600
<v Speaker 1>with something for every buddy. Yeah, certainly for the younger,

0:48:02.680 --> 0:48:06.520
<v Speaker 1>I'll read about the science of black holes and cannibal

0:48:07.040 --> 0:48:12.439
<v Speaker 1>uh destroyers. But well we got here. Well UM. As

0:48:12.560 --> 0:48:14.239
<v Speaker 1>a lot of you know, I am the father of

0:48:14.280 --> 0:48:16.680
<v Speaker 1>a four year old, so a lot of my reading

0:48:16.719 --> 0:48:19.640
<v Speaker 1>these days involves reading books four or four year old

0:48:19.680 --> 0:48:22.280
<v Speaker 1>and reading the same ones over and over and over again.

0:48:22.480 --> 0:48:25.520
<v Speaker 1>I imagine many of our listeners I try and hide

0:48:25.520 --> 0:48:27.840
<v Speaker 1>the ones they don't like to read UM or certainly

0:48:27.840 --> 0:48:30.640
<v Speaker 1>return them to the library. But I thought I mentioned

0:48:30.680 --> 0:48:32.799
<v Speaker 1>just three quick ones here that I that I find

0:48:32.800 --> 0:48:35.760
<v Speaker 1>to be very good books that my my son really

0:48:35.800 --> 0:48:38.920
<v Speaker 1>engages with um and the and they're able to to

0:48:39.040 --> 0:48:44.160
<v Speaker 1>cover science topics to varying degrees. The first one is

0:48:44.160 --> 0:48:47.799
<v Speaker 1>a book titled Octopus. This is by Evelyn Shaw with

0:48:47.920 --> 0:48:51.520
<v Speaker 1>the illustrations by Ralph Carpentier, and this came out of

0:48:52.480 --> 0:48:55.840
<v Speaker 1>one This is long out of print, but luckily with

0:48:55.920 --> 0:48:59.440
<v Speaker 1>Amazon it's so easy these days to get out of

0:48:59.480 --> 0:49:01.120
<v Speaker 1>print book, so you can pick up a copy of

0:49:01.120 --> 0:49:05.560
<v Speaker 1>this hardback for like a dollar or two online, and

0:49:05.640 --> 0:49:08.759
<v Speaker 1>I think it's really worth it. Basically, it's um. It

0:49:08.920 --> 0:49:11.759
<v Speaker 1>is the story of an octopus with some wonderful kind

0:49:11.800 --> 0:49:15.080
<v Speaker 1>of watercolor illustrations. But it's the story of an octopus

0:49:15.120 --> 0:49:18.520
<v Speaker 1>from basically her early life to her death. And she

0:49:18.600 --> 0:49:22.080
<v Speaker 1>goes out, she finds a new home, she at some

0:49:22.160 --> 0:49:25.239
<v Speaker 1>point mates, so that kind of happens off camera. You're

0:49:25.280 --> 0:49:28.680
<v Speaker 1>just told that that occurs. Um she finds food, then

0:49:28.680 --> 0:49:31.040
<v Speaker 1>she lays her eggs, and then she dies at the end.

0:49:31.280 --> 0:49:33.640
<v Speaker 1>So it's the the life cycle of an octopus. It's

0:49:33.640 --> 0:49:36.160
<v Speaker 1>not it's not presented in any kind of a cute

0:49:36.160 --> 0:49:41.200
<v Speaker 1>see way. She's not like personified, right, She's kindling to

0:49:41.320 --> 0:49:44.160
<v Speaker 1>tie into a previous discussion we've had on this show before.

0:49:44.440 --> 0:49:47.799
<v Speaker 1>Does she cannibalize other octopuses? No, but she gets in

0:49:47.800 --> 0:49:50.600
<v Speaker 1>a fight with an octopus. So yeah, I'm not saying

0:49:50.640 --> 0:49:53.759
<v Speaker 1>it's like a complete, no hold barred look at an

0:49:53.760 --> 0:49:58.600
<v Speaker 1>octopus's life, but it is a refreshingly realistic, refreshing le

0:49:59.120 --> 0:50:03.080
<v Speaker 1>naturalistic look at an animal. Uh. And so I enjoyed

0:50:03.120 --> 0:50:05.319
<v Speaker 1>reading it, and my my son is really into hearing it.

0:50:05.760 --> 0:50:07.920
<v Speaker 1>And and it doesn't shy away from the fact that

0:50:08.000 --> 0:50:09.440
<v Speaker 1>at the at the end of the book she dies,

0:50:09.600 --> 0:50:13.400
<v Speaker 1>that she she walls herself up in her little cave

0:50:13.680 --> 0:50:17.080
<v Speaker 1>and spins the last of her energy looking after eggs,

0:50:17.400 --> 0:50:20.239
<v Speaker 1>which is, you know, kind of beautiful. Another one that

0:50:20.280 --> 0:50:23.600
<v Speaker 1>he's really into is one called all about Scabs, Bige

0:50:23.640 --> 0:50:26.160
<v Speaker 1>and Eat. I would have loved that if I was

0:50:26.200 --> 0:50:30.080
<v Speaker 1>a kid, Yeah, because it's all about nasty scabs. What

0:50:30.200 --> 0:50:32.720
<v Speaker 1>are they? What are they not getting into that body?

0:50:32.760 --> 0:50:38.919
<v Speaker 1>Horror early Yeah, and this is this one is children's

0:50:38.920 --> 0:50:40.239
<v Speaker 1>That is a little bit. I mean, there's talk of

0:50:40.480 --> 0:50:44.360
<v Speaker 1>in the book of do you eat scabs? Is a scab?

0:50:44.920 --> 0:50:46.480
<v Speaker 1>Is it poop? Is that what it is is the

0:50:46.480 --> 0:50:49.160
<v Speaker 1>body pooping out the scab. If you eat scabs, do

0:50:49.160 --> 0:50:54.520
<v Speaker 1>you get ancient power? Depends on who who depends? A

0:50:54.600 --> 0:50:56.279
<v Speaker 1>boy turns into a pig. At one point, I'm going

0:50:56.320 --> 0:50:58.920
<v Speaker 1>to go on the record and say that my scabs

0:50:59.000 --> 0:51:01.680
<v Speaker 1>when I was a kid did great. But I don't

0:51:01.719 --> 0:51:03.960
<v Speaker 1>know what was in them, but they gave you the

0:51:04.000 --> 0:51:07.839
<v Speaker 1>strength of the wind to go. Another great thing about

0:51:07.880 --> 0:51:09.640
<v Speaker 1>this one, and this is something that I think should

0:51:09.640 --> 0:51:12.400
<v Speaker 1>resonate with any parents out there who read books, is

0:51:12.440 --> 0:51:15.719
<v Speaker 1>that it has a couple of different levels of depth

0:51:15.800 --> 0:51:17.759
<v Speaker 1>you can get into. So there's some stuff later on

0:51:17.800 --> 0:51:19.680
<v Speaker 1>in the book where you can really get more into

0:51:19.800 --> 0:51:22.160
<v Speaker 1>what skin is and how skin heels. That's cool and

0:51:22.200 --> 0:51:25.680
<v Speaker 1>you can sort of read to whatever is appropriate for

0:51:25.800 --> 0:51:28.680
<v Speaker 1>your child's engagement. So it's a great one. I believe

0:51:28.719 --> 0:51:31.000
<v Speaker 1>this was. This one is in the same book series

0:51:31.080 --> 0:51:34.520
<v Speaker 1>as the Everybody Poops book. Oh yeah, okay, I'm well

0:51:34.520 --> 0:51:37.759
<v Speaker 1>familiar with that one. And finally I have one. This

0:51:37.800 --> 0:51:40.440
<v Speaker 1>one makes seem like a strange choice, but it's the

0:51:40.480 --> 0:51:44.040
<v Speaker 1>Barrenstein Bears on the Moon by stand and Jan Berenstein.

0:51:44.520 --> 0:51:48.719
<v Speaker 1>From this one came out what in ve um. You

0:51:48.800 --> 0:51:51.760
<v Speaker 1>probably wonder how space he could this be? How how

0:51:51.880 --> 0:51:54.279
<v Speaker 1>informative could this be about our solar system? This is

0:51:54.320 --> 0:51:57.440
<v Speaker 1>what led all those people to write the manifesto about

0:51:57.440 --> 0:52:01.600
<v Speaker 1>the Case against Space. Maybe it's a for me though.

0:52:01.920 --> 0:52:03.800
<v Speaker 1>Basically in this story you have a couple of the

0:52:03.880 --> 0:52:05.799
<v Speaker 1>barn steamed bears and they go to the Moon with

0:52:05.840 --> 0:52:09.280
<v Speaker 1>their dog on a rocket, and that's about all that happens.

0:52:09.320 --> 0:52:12.200
<v Speaker 1>They go there and they come back. But I found

0:52:12.239 --> 0:52:15.640
<v Speaker 1>this to be pretty helpful and just explaining to my

0:52:15.719 --> 0:52:18.560
<v Speaker 1>son what the moon is and where it is, because

0:52:19.200 --> 0:52:20.960
<v Speaker 1>you know, I want to share all this great stuff,

0:52:21.000 --> 0:52:23.720
<v Speaker 1>all this wonderful information about the about the Solar system,

0:52:23.719 --> 0:52:27.040
<v Speaker 1>in the universe and what what what's happening on other planets.

0:52:27.120 --> 0:52:29.480
<v Speaker 1>But initially I had to get over that hurdle of

0:52:29.600 --> 0:52:31.279
<v Speaker 1>how do I explain to him what the moon is,

0:52:32.120 --> 0:52:35.080
<v Speaker 1>That it's far away, that there's such an abstract constah,

0:52:35.520 --> 0:52:38.200
<v Speaker 1>that there's nobody on it. But yes, people have been

0:52:38.239 --> 0:52:41.040
<v Speaker 1>there in the past, but only a handful and only

0:52:41.480 --> 0:52:44.760
<v Speaker 1>white men, two bears and their dogs, and two bears

0:52:44.760 --> 0:52:47.239
<v Speaker 1>and their dogs. So it basically just as a it

0:52:47.440 --> 0:52:51.759
<v Speaker 1>works as a nice illustrative adventure to say, hey, this

0:52:51.840 --> 0:52:53.480
<v Speaker 1>is what the Moon is, and this is how it

0:52:53.520 --> 0:52:56.919
<v Speaker 1>relates to the Earth. Yea, that's neat very surface level,

0:52:56.960 --> 0:52:58.719
<v Speaker 1>but you gotta start somewhere, and I found this to

0:52:58.760 --> 0:53:00.680
<v Speaker 1>be a good starting place. Now, is it the book

0:53:00.719 --> 0:53:03.799
<v Speaker 1>that that movie Apollo eighteen with the Moon Spiders was

0:53:03.880 --> 0:53:06.759
<v Speaker 1>based on. I didn't see that with it Moon Moon

0:53:06.800 --> 0:53:09.920
<v Speaker 1>Spiders the Amne. I actually didn't see either, but I

0:53:09.960 --> 0:53:12.880
<v Speaker 1>watched the trailer several times because I found it funny.

0:53:13.000 --> 0:53:16.160
<v Speaker 1>It's actually a prequel to Transformers three. Dark of the Moon.

0:53:17.680 --> 0:53:20.799
<v Speaker 1>The Barrenstein Bears find the Transformers buried on the Moon.

0:53:22.480 --> 0:53:24.200
<v Speaker 1>All right, Well, that's those are the three that I have.

0:53:24.600 --> 0:53:26.399
<v Speaker 1>I guess the best way to close it out here

0:53:26.520 --> 0:53:28.640
<v Speaker 1>is if there there are any books that you're looking

0:53:28.680 --> 0:53:30.799
<v Speaker 1>forward to, or you know what's next on your plate

0:53:30.840 --> 0:53:33.959
<v Speaker 1>that you're excited about. Well, I have a huge queue

0:53:34.080 --> 0:53:37.640
<v Speaker 1>in my kindle right now of weird horror literature that

0:53:37.719 --> 0:53:41.319
<v Speaker 1>I've picked up from reading that st JO sheet book.

0:53:41.440 --> 0:53:45.800
<v Speaker 1>So Brian Evanson is sort of a newish like last

0:53:45.840 --> 0:53:49.239
<v Speaker 1>ten years horror writer that I'm really enjoying and reading

0:53:49.239 --> 0:53:52.600
<v Speaker 1>a book by him called A Collapse of Horses. I'm

0:53:52.640 --> 0:53:58.080
<v Speaker 1>going through Ramsey Campbell's back catalog. Um, those are the

0:53:58.080 --> 0:54:00.360
<v Speaker 1>big ones that I can remember right now. Oh, we

0:54:00.600 --> 0:54:02.799
<v Speaker 1>should I should throw this out there. A friend of

0:54:02.800 --> 0:54:06.279
<v Speaker 1>the show, Michael we Hunt, has a collection of his

0:54:06.400 --> 0:54:09.680
<v Speaker 1>stories out that are really good and it is called

0:54:09.840 --> 0:54:13.279
<v Speaker 1>Greener Pastures. Yes, I read this as well. Um, I

0:54:13.440 --> 0:54:16.560
<v Speaker 1>highly recommend anyone pick this up who's interested in contemporary

0:54:16.600 --> 0:54:20.480
<v Speaker 1>horror fiction. Um. Yeah, there two stories in their in

0:54:20.520 --> 0:54:25.120
<v Speaker 1>particular the title tale Green Pastures and then the first one.

0:54:25.480 --> 0:54:28.279
<v Speaker 1>Oh nannon is that it. It's the one with the

0:54:28.719 --> 0:54:33.439
<v Speaker 1>mountain and the women. Uh. Anyway, the first story, it's

0:54:33.440 --> 0:54:35.160
<v Speaker 1>one of those collections that kicks off on a really

0:54:35.200 --> 0:54:38.280
<v Speaker 1>strong note, really knocks it out of the park. Yeah.

0:54:38.400 --> 0:54:40.920
<v Speaker 1>So this is a young horror writer at the top

0:54:40.960 --> 0:54:43.480
<v Speaker 1>of his game. Go check it out. Speaking of friends

0:54:43.480 --> 0:54:46.160
<v Speaker 1>of the show, there's a comic that I'm excited about

0:54:46.560 --> 0:54:49.799
<v Speaker 1>that had just started up called Cryptocracy, and that's why

0:54:49.800 --> 0:54:52.279
<v Speaker 1>our friend Van Jensen, who lives here in Atlanta, and

0:54:52.320 --> 0:54:55.400
<v Speaker 1>it's illustrated by Pete Woods up from Dark Horse. It

0:54:55.680 --> 0:54:59.160
<v Speaker 1>is really cool at the first two issues. And uh,

0:54:59.280 --> 0:55:01.759
<v Speaker 1>I believe and at some point is going to be

0:55:01.840 --> 0:55:05.200
<v Speaker 1>making an appearance with the conspiracy guys on their post.

0:55:05.360 --> 0:55:07.200
<v Speaker 1>I hope. So, because his book is all about it's

0:55:07.200 --> 0:55:11.040
<v Speaker 1>basically the pitches what if every conspiracy theory was true? Yeah,

0:55:11.080 --> 0:55:14.400
<v Speaker 1>and it's also from the point of view of the

0:55:14.400 --> 0:55:17.479
<v Speaker 1>conspiracy perpetrator, it's not from the people who are trying

0:55:17.520 --> 0:55:21.279
<v Speaker 1>to solve the mystery. It's fun. I like it a lot. Yeah. Interesting. Okay,

0:55:21.320 --> 0:55:22.879
<v Speaker 1>how about you, Joe, what are you looking forward? Dude?

0:55:22.880 --> 0:55:26.799
<v Speaker 1>What's what's the next big review? I think it's probably well,

0:55:26.840 --> 0:55:28.920
<v Speaker 1>actually I already started it, so I know it. I

0:55:28.960 --> 0:55:31.239
<v Speaker 1>don't know why I was hedging like that. It's uh.

0:55:31.360 --> 0:55:34.719
<v Speaker 1>The first novel in a trilogy, a science fiction trilogy

0:55:34.760 --> 0:55:38.120
<v Speaker 1>by the Chinese author lu check Chen called The Three

0:55:38.160 --> 0:55:40.440
<v Speaker 1>Body Problems but my list as well. I have not

0:55:40.520 --> 0:55:42.600
<v Speaker 1>read it yet, but yeah, I I just started it

0:55:42.680 --> 0:55:45.560
<v Speaker 1>and so far it's very good, so I'm very excited

0:55:45.600 --> 0:55:48.799
<v Speaker 1>to continue with it. Well, for my part, I am

0:55:48.840 --> 0:55:53.120
<v Speaker 1>extremely excited that our Scott Baker is the Great Ordeal.

0:55:53.520 --> 0:55:55.920
<v Speaker 1>Book three of his Aspect Imperor trilogy is coming out

0:55:56.000 --> 0:55:58.600
<v Speaker 1>next month. Um. I've talked about this author in this

0:55:58.680 --> 0:56:02.360
<v Speaker 1>series a lot the past. This is the dark fantasy

0:56:02.440 --> 0:56:06.279
<v Speaker 1>series that has a tremendous amount of philosophy and even

0:56:06.320 --> 0:56:09.719
<v Speaker 1>neuroscience in it. Um. I've heard nothing but good things

0:56:09.760 --> 0:56:12.080
<v Speaker 1>about this series. I'm looking forward to catching up on it.

0:56:12.160 --> 0:56:14.440
<v Speaker 1>And this reminds me of a book that you let

0:56:14.480 --> 0:56:16.799
<v Speaker 1>me borrow that I should mention on the show as well.

0:56:17.080 --> 0:56:20.920
<v Speaker 1>Michael Shay, who we've talked about before because he my

0:56:21.040 --> 0:56:24.560
<v Speaker 1>all time favorite horror story so far is written by him,

0:56:24.680 --> 0:56:27.360
<v Speaker 1>The Autopsy, And when you heard that, you let me

0:56:27.400 --> 0:56:30.840
<v Speaker 1>borrow a book of collection of his short fiction that

0:56:30.920 --> 0:56:33.600
<v Speaker 1>The Autopsy is within. But then you also just let

0:56:33.640 --> 0:56:37.279
<v Speaker 1>me borrow the Nift series, and so I'm getting into

0:56:37.280 --> 0:56:41.400
<v Speaker 1>that as well. That niff Leen in in one episode

0:56:41.400 --> 0:56:45.560
<v Speaker 1>we did recently, Yes, probably something with bugs because he's

0:56:45.719 --> 0:56:48.440
<v Speaker 1>um or mine. Maybe it had to do with giant bodies,

0:56:48.560 --> 0:56:52.200
<v Speaker 1>that's right, yeah, giants, because yeah, because he's a very

0:56:52.239 --> 0:56:55.520
<v Speaker 1>biologically or he was sadly passed away a year or

0:56:55.520 --> 0:56:59.480
<v Speaker 1>two ago, but he was a very biologically literate author,

0:56:59.560 --> 0:57:01.719
<v Speaker 1>and there was it all. There was always a lot

0:57:01.760 --> 0:57:05.520
<v Speaker 1>of biological and body horror and creature heart insect horror

0:57:05.520 --> 0:57:08.360
<v Speaker 1>in his work. Yeah, his work goes all over the place,

0:57:08.480 --> 0:57:12.200
<v Speaker 1>and it's the autopsy is definitely that. It's like alien

0:57:12.280 --> 0:57:15.680
<v Speaker 1>body horror. But the nip the lean stuff is like

0:57:15.719 --> 0:57:18.840
<v Speaker 1>if you're a fan of like sword and sorcery style

0:57:19.000 --> 0:57:22.120
<v Speaker 1>kind of fantasy worlds, maybe Game of Thrones style stuff,

0:57:22.800 --> 0:57:25.280
<v Speaker 1>this is that. But then incorporating all of this just

0:57:25.360 --> 0:57:30.960
<v Speaker 1>absolutely weird aberrant, uh life forms and body horror. Yeah, yeah,

0:57:30.960 --> 0:57:32.880
<v Speaker 1>I believe he took a lot of inspiration early on

0:57:32.960 --> 0:57:36.480
<v Speaker 1>from Jack Vance dying our stories and then really took

0:57:36.520 --> 0:57:40.880
<v Speaker 1>it into this. Uh this weird directional is alright. So

0:57:40.920 --> 0:57:43.320
<v Speaker 1>there you have it. Uh, some of some examples of

0:57:43.360 --> 0:57:45.560
<v Speaker 1>stuff that we have read, that we are reading, that

0:57:45.680 --> 0:57:48.120
<v Speaker 1>we plan to read, and of course we would love

0:57:48.160 --> 0:57:51.400
<v Speaker 1>to hear from everyone out there. What are we missing?

0:57:51.440 --> 0:57:53.800
<v Speaker 1>What what do we need to check out at all costs?

0:57:53.920 --> 0:57:55.720
<v Speaker 1>What are your thoughts and some of the titles we've

0:57:55.720 --> 0:57:58.680
<v Speaker 1>mentioned here. Yeah, we've got twelve more months before we

0:57:58.720 --> 0:58:02.160
<v Speaker 1>do another summer reading, unless summer comes earlier next year.

0:58:02.600 --> 0:58:05.400
<v Speaker 1>But in the meantime, and let us know the way

0:58:05.400 --> 0:58:07.920
<v Speaker 1>to get in touch with us social media. We are

0:58:07.960 --> 0:58:10.920
<v Speaker 1>on Facebook, we're on Twitter, we're on Tumbler, we're on Instagram.

0:58:11.320 --> 0:58:13.000
<v Speaker 1>You can take pictures of your books, send them to

0:58:13.120 --> 0:58:17.120
<v Speaker 1>us on Instagram, put them on Tumbler, however, or you

0:58:17.160 --> 0:58:20.320
<v Speaker 1>could just write us a message. How do they do that? Well,

0:58:20.360 --> 0:58:22.720
<v Speaker 1>of course they can email us at blow the Mind

0:58:22.760 --> 0:58:34.120
<v Speaker 1>at how stuff works dot com. Well more on this

0:58:34.320 --> 0:58:36.840
<v Speaker 1>and pathans of other happens. Is it how stuff Works

0:58:36.840 --> 0:59:00.000
<v Speaker 1>dot Com