WEBVTT - Summer Reading 2015: Books to Blow Your Mind

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb. Hey, I'm Christian Seger, and

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<v Speaker 1>I'm Joe McCormick, and we're all three gathering for this

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<v Speaker 1>one once more because the Summer Reading episodes kind of

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<v Speaker 1>tradition with the Stuff to Blow Your Mind, where we

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<v Speaker 1>highlight some interesting books that we've read, our reading that

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<v Speaker 1>are that we're looking to read, stuff that may or

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<v Speaker 1>may not appeal to Stuff to Blow your Mind listeners.

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<v Speaker 1>Might make for some good beach reading, some intelligent beach reating,

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<v Speaker 1>if if, if that's your thing, so yeah, I think

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<v Speaker 1>it's also probably a good opportunity for the audience to

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<v Speaker 1>get to know Joe and I a little bit better,

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<v Speaker 1>to kind of what our interests are and and perhaps uh,

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<v Speaker 1>some parts of our personalities that maybe haven't come through

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<v Speaker 1>yet in episodes about things like stigmata and glass mind

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<v Speaker 1>conditions like you don't already know what kind of a

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<v Speaker 1>creep I am I do, but the audience doesn't. That's

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<v Speaker 1>what this is about, exposing our our inner secrets and

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<v Speaker 1>creepiness to the listeners and you, and it tends to

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<v Speaker 1>result in a lot of cool conversations with listeners because

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<v Speaker 1>either either they've read the books that that we're talking

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<v Speaker 1>about and have some feedback, or they have some recommendations

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<v Speaker 1>based on some of what we're chatting about. So I

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<v Speaker 1>look forward to all that interaction. Yeah, that's exactly what

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<v Speaker 1>I was hoping for out of this, was that we'd

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<v Speaker 1>get um some nice engagement and conversations going with the

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<v Speaker 1>listeners and that they could possibly recommend some stuff back

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<v Speaker 1>to us as well. You can contact us on Facebook, Twitter,

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<v Speaker 1>Tumbler where we are blow the Mind, or you can

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<v Speaker 1>write us at below the Mind at how stuff works

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<v Speaker 1>dot com. Let us know what you thought about you know,

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<v Speaker 1>the recommendations were about to give here, and let's know

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<v Speaker 1>what your recommendations are based on what we tell you.

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<v Speaker 1>Maybe you've got something that you can tell us about.

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<v Speaker 1>Uh that that one of the three of us are

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<v Speaker 1>all three of us who want to dive into Yeah,

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<v Speaker 1>and inevitably they're gonna be questions about the titles. You know,

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<v Speaker 1>what was that book you mentioned? How do you spell

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<v Speaker 1>that last name of that author? We're going to make

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<v Speaker 1>sure that on the landing page for this episode will

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<v Speaker 1>have all the books that we specifically call out here,

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<v Speaker 1>as well as links to where you can obtain them,

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<v Speaker 1>you know. Getting into choosing books for this episode, one

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<v Speaker 1>of the things I noticed was how little I've been

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<v Speaker 1>reading the ideal kind of book to talk about on

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<v Speaker 1>stuff to pull your mind in the past couple of years.

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<v Speaker 1>I don't know. I feel like, you know, what do

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<v Speaker 1>I want to give this audience. I want to give

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<v Speaker 1>them something very like strange science fiction or something like that.

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<v Speaker 1>And I haven't been getting into that much lately. I mean,

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<v Speaker 1>I still love it, but I just haven't been reading it. Yeah,

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<v Speaker 1>I could see that, But I go through phases with

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<v Speaker 1>content like that, I think. I mean, you're going to

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<v Speaker 1>find out today that I'm obviously in a big horror phase,

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<v Speaker 1>which is probably no surprise to anyone who's familiar with

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<v Speaker 1>the stuff that I do outside of Us to Works.

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<v Speaker 1>But yeah, I think that that stuff ebbs and flows

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<v Speaker 1>for my own part, right, you know, we we moved

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<v Speaker 1>offices here at How Stuff Works. We used to be

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<v Speaker 1>located up in uh in Buckhead and now we're more

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<v Speaker 1>in central Atlanta at the Coon City Market. So we

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<v Speaker 1>went from being like a little short walk in like

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<v Speaker 1>a forty minute train ride from my house to being

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<v Speaker 1>just a ten minute car ride. So I really lost

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<v Speaker 1>a lot of the core reading time that I had

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<v Speaker 1>set aside. You know, because when you're on the train,

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<v Speaker 1>or at least when I was on the train, like

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<v Speaker 1>there was nothing else I could do but read the book,

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<v Speaker 1>you know, and so there were no distractions other than

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<v Speaker 1>you know, some weirdo on the train doing god knows what.

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<v Speaker 1>But aside from that, there were no distractions. Just plug

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<v Speaker 1>into my my music, pull out a book, and uh

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<v Speaker 1>and read. And so I've been having I've been kind

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<v Speaker 1>of struggling to find my key reading times again in

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<v Speaker 1>my in my schedule. Yeah, I still ride the train

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<v Speaker 1>and I take the shuttle here, but I haven't been

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<v Speaker 1>reading as much. But I've been listening to a lot

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<v Speaker 1>of audio books. In fact, one of the books I'm

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<v Speaker 1>gonna talk about today I listened to entirely as an audiobook.

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<v Speaker 1>I need to get back in it all for me,

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<v Speaker 1>I actually like a lot of audio books. I don't

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<v Speaker 1>think any of the ones I'm going to talk about

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<v Speaker 1>today I experienced to be an audio book, but I'm

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<v Speaker 1>a big fan of them because I don't know, I

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<v Speaker 1>do all the cooking in our house and stuff like that,

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<v Speaker 1>and it's good to be able to listen to a

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<v Speaker 1>book while you cook. Yeah. Yeah, this is not related

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<v Speaker 1>to any of stuff i'm gonna recommend today. I've told

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<v Speaker 1>this story to Joe before. But one of the audio

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<v Speaker 1>books I listened to in the last couple of years

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<v Speaker 1>was Cormac McCarthy Is the Road, and I listened to

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<v Speaker 1>it entirely while I was exercising. And let me tell you,

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<v Speaker 1>there isn't There is not a more depressing book to

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<v Speaker 1>listen to while you're running. No, but it makes you

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<v Speaker 1>want to be in good shape so you don't become

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<v Speaker 1>part of the supplementary band of Katamites. Yeah exactly. I

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<v Speaker 1>definitely was thinking about how it was getting, you know,

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<v Speaker 1>prepared for the dystopian apocalypse. Yeah. Yeah, that's a great book,

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<v Speaker 1>it is. Yeah, it's pretty much everything. Also. All right, well,

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<v Speaker 1>let's uh, let's dive into it. We're gonna start with

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<v Speaker 1>a round of our non fiction recommendations, and then we're

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<v Speaker 1>gonna skip to our fictional recommendations. Oh. I'm going to

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<v Speaker 1>kick off here by recommending a book by Douglas j

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<v Speaker 1>Emlynd titled Animal Weapons The Evolution of battle. Uh. This

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<v Speaker 1>came out I believe earlier this year or the end

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<v Speaker 1>of last year. So it's a new book and it's

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<v Speaker 1>it's really exceptional. It's it's well illustrated, and it deals essentially,

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<v Speaker 1>it's a comparison between the evolution of organic defense systems

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<v Speaker 1>and man made weapons. So it looks at the arms

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<v Speaker 1>race of evolution, with a particular focus on the economics

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<v Speaker 1>of evolution, so you know, asking questions like at what

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<v Speaker 1>point is a crab claw too large? And uh and

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<v Speaker 1>and and and the other side of the coin is

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<v Speaker 1>at what point is an arm's budget too ridiculous? And

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<v Speaker 1>there's a chapter at the end that deals with mass destruction,

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<v Speaker 1>you know, which is more of an exclusive domain of

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<v Speaker 1>human weaponry. Uh, something you're not going to find in

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<v Speaker 1>the natural world. Uh. And that's where the comparison kind

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<v Speaker 1>of breaks down and the and the author discusses it.

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<v Speaker 1>But but it's a it's a fascinating read. I mean,

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<v Speaker 1>particularly if you're interested if you're interested in biology, if

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<v Speaker 1>you're interested in warfare and uh and weaponry, and if

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<v Speaker 1>you're interested in in fictional monsters like like I am,

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<v Speaker 1>because um, you know, we we we love to throw outrageous. Uh,

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<v Speaker 1>animal weapons that are monster designs, and it's it's always

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<v Speaker 1>a fun exercise to to think, well, huh, well, why

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<v Speaker 1>why would that creature have a claw that big? What

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<v Speaker 1>would have things to pay for that? Yeah, because that's

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<v Speaker 1>the thing. Weapons. Uh. He discusses that at length in

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<v Speaker 1>the book. Weapons are always expensive, especially state of the

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<v Speaker 1>art weapons, whether you're talking about a medieval night if

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<v Speaker 1>you're talking about an aircraft carrier, if you're talking about

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<v Speaker 1>an exceptionally large crab claw or a set of antlers,

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<v Speaker 1>because those things end up requiring resources from the organism.

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<v Speaker 1>They opened the organism up for for more damage, for

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<v Speaker 1>more infections, and uh, you know, and sometimes that the

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<v Speaker 1>species goes bankrupt because the weapon's budget is too large. Yeah.

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<v Speaker 1>I think it's fascinating thinking about some of the feedback

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<v Speaker 1>loops that can be created in in evolutionary development, especially

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<v Speaker 1>because if you go back far enough, you can trace

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<v Speaker 1>it to maybe a single random event. You know, that

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<v Speaker 1>one organism acquired a mutation that gave it a slight

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<v Speaker 1>edge in some strange way that wasn't usual in that

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<v Speaker 1>ecosystem before, and then suddenly every other species that competes

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<v Speaker 1>with it had to keep up. So I'm wondering because

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<v Speaker 1>I know you're a big Grant Morrison fan. Have you

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<v Speaker 1>read We Three before? No, that's that's one I need

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<v Speaker 1>to borrow from someone at some point, but maybe you

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<v Speaker 1>can borrow for me. But um, it's related to this topic.

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<v Speaker 1>It directly in that it is about house pet animals

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<v Speaker 1>that are weaponized by the US government and they're intelligent, right, yeah,

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<v Speaker 1>they're well, I mean they're a little above average intelligence

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<v Speaker 1>for you know, it's a dog, a cat, and a rabbit.

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<v Speaker 1>But they're also like implanted with I guess cybernetics, and

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<v Speaker 1>they were sort of like exoskeletons and they're so is

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<v Speaker 1>not the natural arms or no, this is not real?

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<v Speaker 1>This is sci fi? Yeah, but it is. Um it's

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<v Speaker 1>a very emotional, uh comic book. Oh yes, yeah, I

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<v Speaker 1>think you'll enjoy it. I will definitely have to check

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<v Speaker 1>that out. Um. Yeah, I mean this book I definitely recommend.

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<v Speaker 1>It's a very readable uh you know, it's not not

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<v Speaker 1>too thick for the for the average read in the

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<v Speaker 1>unity of the advanced science reader. And it's just like

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<v Speaker 1>every chapter you can actually actually can just spot read

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<v Speaker 1>this thing if you want, you know, you just set

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<v Speaker 1>it back on the toilet tank and pull it out

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<v Speaker 1>whenever you you just want a little bit of of

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<v Speaker 1>mind blowing science, I mean stuff like, Um, he spends

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<v Speaker 1>a lot of time with stag beetles and dung beetles,

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<v Speaker 1>you know, because they have a lot of of of

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<v Speaker 1>weaponry that they've evolved on their heads for fighting, and

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<v Speaker 1>he mentions at one point that in some male dung

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<v Speaker 1>beetles who actually see the diminishment of the eyes, uh,

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<v Speaker 1>so that they can grow these elaborate fighting mechanisms. So

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<v Speaker 1>so the weapons actually like limit the site of the

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<v Speaker 1>organism in a very real way. That kind of in

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<v Speaker 1>the same way that like wearing a great helm would

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<v Speaker 1>would limit your site as yeah yeah yeah, or that

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<v Speaker 1>wearing armor limits your mobility, right, And all of these

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<v Speaker 1>things come with a cost, even if it's just a

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<v Speaker 1>cost of resource investment. I had a feeling that going

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<v Speaker 1>into this episode, we're going to come up with some

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<v Speaker 1>future episode topic ideas, and this sounds like a good one. Yeah,

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<v Speaker 1>it's I think in the past I touched on this

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<v Speaker 1>book a little bit in an episode about antlers and

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<v Speaker 1>one about dung beetles. But I mean it's it's a

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<v Speaker 1>great text to have around because it covers pretty much everything.

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<v Speaker 1>It's just a wonderful dive into the topic of of

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<v Speaker 1>animal and human weaponry. So cool, recommend it. All right, Well,

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<v Speaker 1>for my nonfiction selection, I'm gonna bring up a book

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<v Speaker 1>that's especially relevant to this podcast because we talked about

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<v Speaker 1>it in a couple of the episodes. Robert and I

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<v Speaker 1>did the ones about techno religion, and this book is

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<v Speaker 1>the Remarkable Life of John Murray, Spear Agitator for the

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<v Speaker 1>Spirit Land by John Benedict Beaucher. And I apologized to

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<v Speaker 1>John Benedict Beaucher for saying this, but every time I

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<v Speaker 1>say his name, I want to say John Carl Buckler,

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<v Speaker 1>who is the director of Friday the Thirteenth Part seven. Wow,

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<v Speaker 1>that's that's very specific. You don't know that this guy

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<v Speaker 1>didn't also direct Friday Part seven under a pseudonym. Well

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<v Speaker 1>that could be. I mean, it's close enough. They might

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<v Speaker 1>as well be the same. Way to separate his career.

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<v Speaker 1>Uh No, this guy, as far as I know, has

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<v Speaker 1>not directed any slasher movies. But a good like spiritual

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<v Speaker 1>if the slasher movie might be, might be worth Oh yeah,

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<v Speaker 1>that could be really cool. But I thought this, This

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<v Speaker 1>story was just fascinating because this is a this is

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<v Speaker 1>a biography of this guy, John Murray Spear, who we

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<v Speaker 1>talked about in the Techno Religion episodes. And John Murray

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<v Speaker 1>Spear was an activist, a reformer, you know, an agent

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<v Speaker 1>of political and social change in most cases for the better.

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<v Speaker 1>He advocated some really progressive topics for his time in

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<v Speaker 1>the early to mid eighteen hundreds. He was for women's rights,

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<v Speaker 1>He was an abolitionist against slavery, he protested against racism,

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<v Speaker 1>and so he was in a lot of ways a

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<v Speaker 1>really great guy for his time. But it's an interesting

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<v Speaker 1>study in how even people with really admirable intentions can

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<v Speaker 1>get swept up in bizarre belief systems where John Murray

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<v Speaker 1>Spear ended up becoming a spiritualist. Interesting. Yeah, And so

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<v Speaker 1>he began to think that he was a medium who

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<v Speaker 1>could channel the spirits from beyond, and he thought he

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<v Speaker 1>could deliver the words of Benjamin Rush giving lectures on anatomy,

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<v Speaker 1>and these were subjects he didn't know anything about. So

0:11:42.080 --> 0:11:45.360
<v Speaker 1>was this like many spiritualists at that time, did he

0:11:45.440 --> 0:11:48.160
<v Speaker 1>try to monetize this in some way? Like did he

0:11:48.720 --> 0:11:51.120
<v Speaker 1>advertise it as if like you know, pay him ten

0:11:51.160 --> 0:11:53.560
<v Speaker 1>bucks and he'll tell you the secrets of the universe.

0:11:54.280 --> 0:11:59.920
<v Speaker 1>That really I mean, I mean maybe, I don't know,

0:12:00.240 --> 0:12:03.280
<v Speaker 1>if you want to be cynical, you could maybe because

0:12:03.320 --> 0:12:06.000
<v Speaker 1>he did draw people to him through this, Like he

0:12:06.559 --> 0:12:10.760
<v Speaker 1>definitely lad some projects and had some followers based on

0:12:10.840 --> 0:12:14.200
<v Speaker 1>messages he was supposedly getting from the spirit world. But

0:12:14.320 --> 0:12:15.920
<v Speaker 1>I know, I don't get the sense that it was

0:12:15.960 --> 0:12:18.280
<v Speaker 1>just kind of a crass cash grab. I get the

0:12:18.320 --> 0:12:21.720
<v Speaker 1>sense that he was a true believer. He seemed really

0:12:21.760 --> 0:12:25.160
<v Speaker 1>invested in these these projects, you know. I mean, it's

0:12:25.200 --> 0:12:26.959
<v Speaker 1>easy to think of his key project, which I'm sure

0:12:26.960 --> 0:12:29.480
<v Speaker 1>about to discuss. It's kind of an art installation, So

0:12:29.520 --> 0:12:32.319
<v Speaker 1>you can almost imagine him him as a like a

0:12:32.320 --> 0:12:38.359
<v Speaker 1>gallery owner who is just super committed to to curating

0:12:38.400 --> 0:12:42.800
<v Speaker 1>the the the main art installation in this gallery, and

0:12:42.800 --> 0:12:46.800
<v Speaker 1>and less concerned with actually selling tickets. The spiritualists of

0:12:46.920 --> 0:12:48.720
<v Speaker 1>that time that I was thinking of are more like

0:12:48.800 --> 0:12:51.000
<v Speaker 1>kind of I think Joe and I have talked about

0:12:51.000 --> 0:12:55.200
<v Speaker 1>this off air before, about like water diviners or oil diviners. Uh,

0:12:55.200 --> 0:12:59.360
<v Speaker 1>and that they would, you know, obviously like claim that

0:12:59.400 --> 0:13:01.840
<v Speaker 1>spirits were able to tell them where water or oil

0:13:01.880 --> 0:13:04.640
<v Speaker 1>could be found. But now John Murray Spear and his

0:13:04.760 --> 0:13:07.480
<v Speaker 1>followers are more into the idea that spirits could tell

0:13:07.520 --> 0:13:09.720
<v Speaker 1>you how to build a machine that would save the

0:13:09.760 --> 0:13:13.439
<v Speaker 1>world and become the new robot Messiah. Oh so he's

0:13:13.440 --> 0:13:16.480
<v Speaker 1>our buck Buckminster Fuller pretty much. Yeah, this is in

0:13:16.520 --> 0:13:19.959
<v Speaker 1>the realm of spiritualist. He was. He was a big thinker.

0:13:20.040 --> 0:13:22.679
<v Speaker 1>He was definitely outside the box thinker. Yeah, and so

0:13:22.720 --> 0:13:25.360
<v Speaker 1>that's this led to the New Motor Project, which we

0:13:25.400 --> 0:13:28.840
<v Speaker 1>talked about at length in our episodes on Techno Religion,

0:13:28.880 --> 0:13:30.480
<v Speaker 1>and if you haven't heard those, you can go back

0:13:30.520 --> 0:13:33.600
<v Speaker 1>and check those out for the fuller description. But basically,

0:13:33.640 --> 0:13:36.120
<v Speaker 1>he and a bunch of people got together and tried

0:13:36.200 --> 0:13:40.080
<v Speaker 1>to build a machine based on instructions from spirits that

0:13:40.120 --> 0:13:42.600
<v Speaker 1>he thought would bring about a new era and sort

0:13:42.640 --> 0:13:46.959
<v Speaker 1>of change the humans relationship with the spirit world and

0:13:47.760 --> 0:13:50.640
<v Speaker 1>bring about a positive end of days in a way.

0:13:51.400 --> 0:13:55.120
<v Speaker 1>So this book that's about him, Um, how how did

0:13:55.160 --> 0:13:59.120
<v Speaker 1>you find like, you know, the structure the pros it was? It?

0:13:59.200 --> 0:14:02.200
<v Speaker 1>Is it a den biography or is it um you know,

0:14:02.840 --> 0:14:06.199
<v Speaker 1>readable kind of page turner. No, it's not like highly dramatized.

0:14:06.240 --> 0:14:08.800
<v Speaker 1>So he he doesn't make it into a historical novel

0:14:08.920 --> 0:14:10.960
<v Speaker 1>or anything. I guess since it's more kind of an

0:14:11.000 --> 0:14:16.000
<v Speaker 1>academic historians work, But that doesn't mean it's uninteresting, just

0:14:16.040 --> 0:14:19.120
<v Speaker 1>because the story of John Murray Spear is so weird,

0:14:20.000 --> 0:14:24.200
<v Speaker 1>so fascinating just in the actual details of what happened

0:14:24.280 --> 0:14:26.960
<v Speaker 1>that I think even the non historian reader would be

0:14:27.000 --> 0:14:31.600
<v Speaker 1>interested in this. Cool. That sounds fascinating. Yeah, what's on

0:14:31.680 --> 0:14:36.000
<v Speaker 1>the artwork there? Yeah, the cover has this I don't know,

0:14:36.240 --> 0:14:40.120
<v Speaker 1>kind of creepy looking army of cherubim surrounding what looks

0:14:40.160 --> 0:14:44.040
<v Speaker 1>like a sewing machine table. Yeah, it seems to highlight

0:14:44.080 --> 0:14:46.880
<v Speaker 1>the themes. Yeah, there aren't a lot of great pictures

0:14:46.960 --> 0:14:50.640
<v Speaker 1>of of John Murray Spears, a key creation, so I

0:14:50.880 --> 0:14:54.440
<v Speaker 1>don't think there's a single photograph of it, just the illustration,

0:14:54.560 --> 0:14:58.200
<v Speaker 1>a couple of illustrations. Yeah. Yeah, spoiler alert. It looks

0:14:58.240 --> 0:15:00.920
<v Speaker 1>like a table with a bunch of stuff lude to it. Yeah.

0:15:00.960 --> 0:15:02.920
<v Speaker 1>I think we described in the podcast what is a

0:15:02.960 --> 0:15:07.400
<v Speaker 1>is a dalek and um a coffee table mated? This

0:15:07.480 --> 0:15:09.520
<v Speaker 1>would be the offspring, Yeah, pretty much, and then you

0:15:09.560 --> 0:15:13.720
<v Speaker 1>hung that with some Christmas ornaments. Well that's actually a

0:15:13.720 --> 0:15:16.600
<v Speaker 1>good segue into the book that I chose to talk

0:15:16.640 --> 0:15:19.640
<v Speaker 1>about today. For my nonfiction selection, which is it's an

0:15:19.640 --> 0:15:24.560
<v Speaker 1>e book by Warren Ellis called Cunning Plans. And Warren Ellis,

0:15:24.600 --> 0:15:26.800
<v Speaker 1>for those of you not familiar, is primarily known as

0:15:26.800 --> 0:15:29.680
<v Speaker 1>an English comic book writer. He's written a couple of novels,

0:15:29.800 --> 0:15:34.280
<v Speaker 1>and he's also done some commentary and columns about society

0:15:34.360 --> 0:15:36.680
<v Speaker 1>and technology and sort of where we're going and how

0:15:36.720 --> 0:15:39.840
<v Speaker 1>they're merging. Uh. And this e book, which I think

0:15:39.880 --> 0:15:43.360
<v Speaker 1>it's only likes on Amazon or something like that, is

0:15:44.360 --> 0:15:47.400
<v Speaker 1>a collection of talks and presentations that he's given on

0:15:47.440 --> 0:15:49.920
<v Speaker 1>a variety of topics over the last I don't know,

0:15:49.960 --> 0:15:53.280
<v Speaker 1>maybe five or six years. One of the major categories

0:15:53.280 --> 0:15:55.800
<v Speaker 1>that he covers in these talks is sort of a

0:15:55.800 --> 0:16:02.800
<v Speaker 1>collision between spiritualism or magical thinking and technology and progress. Um.

0:16:02.920 --> 0:16:05.160
<v Speaker 1>So it's it's it's an interesting, you know, set of

0:16:05.160 --> 0:16:08.040
<v Speaker 1>transcripts and it reads very well. But here's just kind

0:16:08.040 --> 0:16:11.160
<v Speaker 1>of a set of topics that comes up in the

0:16:11.200 --> 0:16:14.440
<v Speaker 1>In this book, he talks about futurism, the speed at

0:16:14.440 --> 0:16:19.120
<v Speaker 1>which we're progressing scientifically. Uh. The title of the book,

0:16:19.360 --> 0:16:23.040
<v Speaker 1>Cunning Plans, comes from the tradition in England that I

0:16:23.080 --> 0:16:25.720
<v Speaker 1>wasn't aware of called the cunning folk. Have you guys

0:16:25.720 --> 0:16:28.600
<v Speaker 1>heard of this before? He describes it as a they

0:16:28.600 --> 0:16:31.200
<v Speaker 1>were sort of like witch doctors or shaman in England

0:16:31.200 --> 0:16:35.600
<v Speaker 1>at a time. Um. And he compares the cunning folk

0:16:35.880 --> 0:16:40.160
<v Speaker 1>of that time to sort of technologists. So are time interesting. Um.

0:16:40.320 --> 0:16:43.880
<v Speaker 1>Mystical wearables is something he talks about. He also talks

0:16:43.880 --> 0:16:48.240
<v Speaker 1>about Alexander Graham Bell's harmonic telegraph, the combination of magic

0:16:48.280 --> 0:16:51.600
<v Speaker 1>in the digital world, why people murder each other. Uh,

0:16:51.760 --> 0:16:55.200
<v Speaker 1>pop music as sort of like a telegraph of the future,

0:16:55.280 --> 0:16:56.840
<v Speaker 1>like showing us what the future is going to become,

0:16:56.840 --> 0:16:59.360
<v Speaker 1>which I think is kind of a theme that stuff

0:16:59.400 --> 0:17:01.960
<v Speaker 1>to blow your mind has has had over the years

0:17:01.960 --> 0:17:05.840
<v Speaker 1>when you write about space music. Uh. And he's also

0:17:06.000 --> 0:17:09.920
<v Speaker 1>you know, no surprise into hallucinogens and gardening on grapes sites.

0:17:09.960 --> 0:17:11.639
<v Speaker 1>I never thought about this, but this is one of

0:17:11.640 --> 0:17:14.040
<v Speaker 1>the other things he talked about was that apparently the

0:17:14.040 --> 0:17:17.560
<v Speaker 1>soil is rather rich where dead bodies are buried, so

0:17:17.600 --> 0:17:20.720
<v Speaker 1>it's easy to grow even even with like modern and

0:17:20.760 --> 0:17:24.640
<v Speaker 1>modern day and age, because we tend to just completely

0:17:25.960 --> 0:17:28.280
<v Speaker 1>cut the body off from any kind of natural you know,

0:17:28.320 --> 0:17:30.760
<v Speaker 1>if I remember correctly from the from the book, it

0:17:30.840 --> 0:17:33.560
<v Speaker 1>wasn't um, the grave sites that he was talking about

0:17:33.560 --> 0:17:39.040
<v Speaker 1>were not like modern so yeah, it was more like okay,

0:17:40.720 --> 0:17:43.119
<v Speaker 1>so it's not like you get your gourds from grandpa.

0:17:43.200 --> 0:17:48.600
<v Speaker 1>It's like you go fin well, yeah, yeah, m grandpa's

0:17:48.720 --> 0:17:51.320
<v Speaker 1>crawl space, mushroom. But this is a passage I'd like

0:17:51.359 --> 0:17:55.040
<v Speaker 1>to read because I think I think that Ellis would

0:17:55.040 --> 0:18:01.320
<v Speaker 1>probably like that grandpa's crawl space. You know. Sorry, that

0:18:01.400 --> 0:18:03.720
<v Speaker 1>makes me think. Recently, Rachel and I were driving through

0:18:03.720 --> 0:18:07.240
<v Speaker 1>South Carolina and who's Rachel for the audience, My wife Rachel,

0:18:07.280 --> 0:18:10.720
<v Speaker 1>and we're driving through We were driving through South Carolina.

0:18:10.800 --> 0:18:13.440
<v Speaker 1>We saw a little like neighborhood community that has a name,

0:18:13.520 --> 0:18:16.040
<v Speaker 1>as sometimes they have names, and it's called Moss Grove.

0:18:17.240 --> 0:18:22.920
<v Speaker 1>It's like, man, that is one letter off. Well, this

0:18:23.000 --> 0:18:25.600
<v Speaker 1>is there's a passage from Ellis's book of talks that

0:18:25.640 --> 0:18:27.760
<v Speaker 1>I wanted to read here today because I think it

0:18:27.800 --> 0:18:30.440
<v Speaker 1>kind of captures the big ideas that he's he's trying

0:18:30.480 --> 0:18:32.679
<v Speaker 1>to convey in these talks, and it's it's very stuff

0:18:32.680 --> 0:18:35.200
<v Speaker 1>to blow your mind. So this is in I believe

0:18:35.240 --> 0:18:38.879
<v Speaker 1>the second one. The Olympus Mons Mountain on Mars is

0:18:38.960 --> 0:18:42.199
<v Speaker 1>so tall and yet so gently sloped that where you

0:18:42.280 --> 0:18:45.520
<v Speaker 1>suited and supplied correctly, ascending it would allow you to

0:18:45.560 --> 0:18:49.280
<v Speaker 1>walk most of the way into space. Mars has a big,

0:18:49.320 --> 0:18:53.280
<v Speaker 1>puffy atmosphere that's taller than ours, but there's barely anything

0:18:53.359 --> 0:18:56.920
<v Speaker 1>to it. At that level thirty pascals of pressure, which

0:18:56.920 --> 0:18:59.440
<v Speaker 1>is what we get in an industrial vacuum furnace here

0:18:59.480 --> 0:19:03.080
<v Speaker 1>on Earth, you may as well be in space. Imagine that.

0:19:03.280 --> 0:19:08.639
<v Speaker 1>Imagine a world where you can quite literally walk into space. Wow,

0:19:08.680 --> 0:19:11.879
<v Speaker 1>that's nice. Yeah, it's kind of fun stuff. Yeah, I

0:19:11.920 --> 0:19:14.920
<v Speaker 1>mean like, that's a topic where I've certainly done my

0:19:15.000 --> 0:19:18.760
<v Speaker 1>share of reading about the geography of Mars, and I

0:19:18.800 --> 0:19:21.359
<v Speaker 1>don't think I think it's ever been presented quiet like

0:19:21.400 --> 0:19:23.000
<v Speaker 1>that to me. Now, Yeah, that's one of the things

0:19:23.000 --> 0:19:25.440
<v Speaker 1>I like about Ellis is that he tends to take

0:19:25.760 --> 0:19:30.680
<v Speaker 1>a lot of popular science type information and he translates

0:19:30.720 --> 0:19:33.320
<v Speaker 1>it in such a way that just really brings a

0:19:33.400 --> 0:19:35.960
<v Speaker 1>lot of kind of strangeness and wonder to it. Yeah,

0:19:36.000 --> 0:19:37.879
<v Speaker 1>that sounds like one that would be cool to pick up.

0:19:37.880 --> 0:19:39.920
<v Speaker 1>I haven't. I haven't read any of his, because he

0:19:39.960 --> 0:19:42.920
<v Speaker 1>has a has a couple of novels out right. Yeah,

0:19:43.240 --> 0:19:46.199
<v Speaker 1>Crooked Little Vein is one of them. I can't remember

0:19:46.200 --> 0:19:48.480
<v Speaker 1>the other novels title. He was supposed to release a

0:19:48.520 --> 0:19:50.879
<v Speaker 1>book called Listener, I believe, but I don't think that

0:19:50.920 --> 0:19:53.440
<v Speaker 1>one came out. But there I noticed when I bought

0:19:53.440 --> 0:19:56.359
<v Speaker 1>this that there are a couple of other books by

0:19:56.440 --> 0:20:00.200
<v Speaker 1>him available, which maybe other collections of you know, sort

0:20:00.200 --> 0:20:03.000
<v Speaker 1>of his Internet ramblings and things like that. But I've

0:20:03.000 --> 0:20:05.679
<v Speaker 1>always found that kind of thing interesting. In fact, I

0:20:05.680 --> 0:20:07.919
<v Speaker 1>think I was showing you guys the other day some

0:20:08.000 --> 0:20:12.320
<v Speaker 1>old issues of this collection of books called Bad Signal

0:20:12.440 --> 0:20:15.080
<v Speaker 1>that he put out at the early two thousands that

0:20:15.119 --> 0:20:18.960
<v Speaker 1>were basically his He would take these really sensationalist, kind

0:20:18.960 --> 0:20:22.639
<v Speaker 1>of weird science stories and then extrapolate them out a

0:20:22.680 --> 0:20:26.480
<v Speaker 1>little bit further and and they, you know, for the

0:20:26.480 --> 0:20:28.840
<v Speaker 1>most party kind of sites sources, and it was stuff

0:20:28.840 --> 0:20:31.159
<v Speaker 1>from newspapers in the late nineties. And I think it

0:20:31.160 --> 0:20:33.080
<v Speaker 1>would be sort of fascinating for us to take one

0:20:33.160 --> 0:20:34.720
<v Speaker 1>or two of those and dive into them, see if

0:20:34.760 --> 0:20:36.480
<v Speaker 1>you see, if there's some meat on the bone. Yeah.

0:20:36.480 --> 0:20:39.560
<v Speaker 1>I loved trans Metropolitan and that's the one you told

0:20:39.560 --> 0:20:43.280
<v Speaker 1>me to read. Uh, Yeah, trans Metropolitan is probably the

0:20:43.280 --> 0:20:46.840
<v Speaker 1>one he's best known for. Spider Ruth. Yeah, it's basically

0:20:47.000 --> 0:20:51.040
<v Speaker 1>a sci fi version of Hunter S. Thompson. Uh, kind

0:20:51.040 --> 0:20:54.840
<v Speaker 1>of writing about a presidential campaign. Was that accurate? Yeah yeah,

0:20:54.840 --> 0:21:00.639
<v Speaker 1>and kind of got a weird like alien influence, stopian,

0:21:00.920 --> 0:21:06.320
<v Speaker 1>cyberpunky gonzo future, transhumanism is a big theme. It works. Um.

0:21:06.359 --> 0:21:07.800
<v Speaker 1>I think one of the other ones I might have

0:21:07.800 --> 0:21:10.880
<v Speaker 1>told you Joe to read is called Planetary, and that

0:21:11.040 --> 0:21:13.760
<v Speaker 1>is sort of his I think he describes as like

0:21:13.800 --> 0:21:17.960
<v Speaker 1>an archaeology of weird fiction. So he goes throughout the

0:21:18.040 --> 0:21:21.239
<v Speaker 1>history of sort of science fiction, weird fiction fantasy and

0:21:21.280 --> 0:21:25.320
<v Speaker 1>explores it throughout the the the context of this narrative

0:21:25.359 --> 0:21:29.120
<v Speaker 1>and Planetary, you know, he was involved early on, um

0:21:29.200 --> 0:21:33.960
<v Speaker 1>in the creation of the Dead Space video game franch Yeah,

0:21:34.240 --> 0:21:36.000
<v Speaker 1>it's and I think he he hadn't has I don't

0:21:36.000 --> 0:21:37.840
<v Speaker 1>think he's really gone on the record much for talking

0:21:37.840 --> 0:21:40.960
<v Speaker 1>about like what specifically his contribution story, because I imagine

0:21:40.960 --> 0:21:43.840
<v Speaker 1>there were a lot of cooks, uh preparing that soup.

0:21:44.000 --> 0:21:47.320
<v Speaker 1>But but I really enjoyed that that gaming franchise. Yeah,

0:21:47.440 --> 0:21:49.520
<v Speaker 1>me too. I kind of like to to look at

0:21:49.520 --> 0:21:52.159
<v Speaker 1>it sometime and try and figure out what what in

0:21:52.240 --> 0:21:55.560
<v Speaker 1>this is is definitely has Ellis's d N Yeah, Yeah,

0:21:55.640 --> 0:21:57.919
<v Speaker 1>I could see that I had forgotten about that, But

0:21:58.000 --> 0:22:01.160
<v Speaker 1>you're right. I just played Dead Space three last year.

0:22:01.200 --> 0:22:03.160
<v Speaker 1>I really enjoyed it. Yeah, that one was fun. I've

0:22:03.200 --> 0:22:07.040
<v Speaker 1>never done any of those. Their survival horror science fiction games.

0:22:07.080 --> 0:22:10.840
<v Speaker 1>I think is a wonderful You have techno religion at

0:22:10.880 --> 0:22:14.360
<v Speaker 1>the center of it. Okay, cool, all right, so there

0:22:14.080 --> 0:22:17.960
<v Speaker 1>are three uh promising nonfiction recommendations for you. You know,

0:22:17.960 --> 0:22:19.920
<v Speaker 1>we're gonna take a quick break and when we come back,

0:22:20.000 --> 0:22:32.040
<v Speaker 1>we're gonna dive into some fiction as well. Alright, we're

0:22:32.040 --> 0:22:33.760
<v Speaker 1>back and now we're gonna talk a little bit about fiction.

0:22:33.800 --> 0:22:35.840
<v Speaker 1>And you know, just because it's fictional doesn't mean it's

0:22:35.840 --> 0:22:40.000
<v Speaker 1>not loaded with a lot of mind expanding topics, a

0:22:40.000 --> 0:22:42.880
<v Speaker 1>lot of a lot of cool ideas. And that's why

0:22:42.960 --> 0:22:45.399
<v Speaker 1>I I am. I'm always drawn to the work of

0:22:45.480 --> 0:22:50.200
<v Speaker 1>the I n M. Banks Um. Yeah, it's the recurring

0:22:50.240 --> 0:22:53.920
<v Speaker 1>theme I got I said something funny. No, no, yeah,

0:22:53.960 --> 0:22:55.760
<v Speaker 1>I know that you've talked about him a lot on

0:22:55.800 --> 0:22:57.800
<v Speaker 1>the show before, and we were talking about this yesterday

0:22:57.840 --> 0:23:00.760
<v Speaker 1>that I've actually never read his work before, and so

0:23:01.760 --> 0:23:04.119
<v Speaker 1>I've heard nothing but good things about him. But what

0:23:04.200 --> 0:23:06.840
<v Speaker 1>I've heard is that he goes by the name Ian M.

0:23:06.880 --> 0:23:09.960
<v Speaker 1>Banks when he's writing science fiction, and he's just Ian

0:23:10.040 --> 0:23:13.520
<v Speaker 1>Banks right when he's writing sort of just literary fiction. Yes, okay,

0:23:13.720 --> 0:23:16.520
<v Speaker 1>that's and his sci fi. I pretty much only read

0:23:16.520 --> 0:23:19.639
<v Speaker 1>his sci fi except for his first novel, UM, The

0:23:19.680 --> 0:23:23.119
<v Speaker 1>Wasp Factory. I believe that's what. That's more on this

0:23:23.240 --> 0:23:26.359
<v Speaker 1>sort of literary kind of literary horror, I would say.

0:23:26.400 --> 0:23:28.080
<v Speaker 1>But but for the most part, I stick to his

0:23:28.119 --> 0:23:32.080
<v Speaker 1>sci fi, especially as culture series um and and I

0:23:32.440 --> 0:23:34.639
<v Speaker 1>really think they. I tend to almost always read his

0:23:34.680 --> 0:23:37.800
<v Speaker 1>books exclusively at the beach. So he's kind of my

0:23:37.920 --> 0:23:40.879
<v Speaker 1>go to beach read. So let's back up here a second.

0:23:40.920 --> 0:23:43.880
<v Speaker 1>I have never thought of you as a beach person. Yeah,

0:23:43.960 --> 0:23:46.840
<v Speaker 1>well you know, I'm also surprised, Elsie. I love a

0:23:46.840 --> 0:23:49.119
<v Speaker 1>good walk on the beach. Um. I have to kind

0:23:49.160 --> 0:23:50.960
<v Speaker 1>of be coaxed into doing all the other stuff like

0:23:50.960 --> 0:23:53.240
<v Speaker 1>actually getting in the water and all right, and having

0:23:53.400 --> 0:23:56.080
<v Speaker 1>a toddler certainly helps with that. But but I love

0:23:56.160 --> 0:23:58.560
<v Speaker 1>walking on the beach. I love, you know, staring out

0:23:58.600 --> 0:24:02.000
<v Speaker 1>and might of my creative juices run um. So I

0:24:02.040 --> 0:24:04.119
<v Speaker 1>love reading at the beach. It's a good excuse to

0:24:04.200 --> 0:24:06.720
<v Speaker 1>just dive into a book. Well, I gotta say that

0:24:06.760 --> 0:24:10.040
<v Speaker 1>there are different kinds of beaches also because I don't

0:24:10.080 --> 0:24:12.879
<v Speaker 1>consider myself a beach person in terms of like happy

0:24:12.920 --> 0:24:15.560
<v Speaker 1>sunny beaches with people swimming. But you went to the

0:24:15.560 --> 0:24:17.639
<v Speaker 1>beach just a couple of weeks ago, too, Well that

0:24:17.720 --> 0:24:23.479
<v Speaker 1>was a family thing, you know, you know, I mean,

0:24:23.520 --> 0:24:25.760
<v Speaker 1>I didn't hate it. But but the kind of beach

0:24:25.800 --> 0:24:28.879
<v Speaker 1>I can really get behind is like the Icelandic beach

0:24:29.040 --> 0:24:33.000
<v Speaker 1>or like where it's like a gray hellscape that's beautiful,

0:24:33.240 --> 0:24:37.040
<v Speaker 1>potentially hallucinate things on the horizon. Yeah, you're you're likely

0:24:37.080 --> 0:24:39.880
<v Speaker 1>to see a troll walking up out of the water. Well.

0:24:39.920 --> 0:24:42.080
<v Speaker 1>I tend to not go quite that dark in myne beaches.

0:24:42.080 --> 0:24:45.879
<v Speaker 1>But I like a I like a less populated beach,

0:24:46.080 --> 0:24:48.280
<v Speaker 1>and I don't like a bunch of people sitting around

0:24:48.720 --> 0:24:51.800
<v Speaker 1>swift swiking beer and playing Jimmy Buffett. I like a

0:24:52.320 --> 0:24:54.960
<v Speaker 1>like a you know, a fairly deserted beach. I like

0:24:54.960 --> 0:24:57.679
<v Speaker 1>like clouds in the sky. But but I also like

0:24:57.800 --> 0:24:59.280
<v Speaker 1>getting my feet in the water a little bit. And

0:24:59.640 --> 0:25:04.080
<v Speaker 1>you know, I prefer sand rather than painful rocks beneath me.

0:25:05.119 --> 0:25:08.359
<v Speaker 1>A doom metal kind of beach. I guess, yeah, no,

0:25:08.680 --> 0:25:10.400
<v Speaker 1>I don't know that makes it sound like the sky

0:25:10.560 --> 0:25:14.080
<v Speaker 1>is full of smog and there's like like Viking ships

0:25:14.080 --> 0:25:16.520
<v Speaker 1>on the horizon. There you go, all right, so you

0:25:16.680 --> 0:25:18.920
<v Speaker 1>read you're reading in him banks at the beach, or

0:25:18.960 --> 0:25:21.679
<v Speaker 1>you recommend reading it there. I mean, it works for me,

0:25:21.760 --> 0:25:23.720
<v Speaker 1>but he's he's great to read anywhere. So you know,

0:25:23.720 --> 0:25:26.680
<v Speaker 1>if you want this type of science fiction journey, um

0:25:26.880 --> 0:25:29.760
<v Speaker 1>this particular book. I read the book Accession, which came

0:25:29.760 --> 0:25:32.199
<v Speaker 1>out in ninety six, and it's the fifth book in

0:25:32.240 --> 0:25:35.199
<v Speaker 1>his Culture series, which if you're not familiar with it,

0:25:35.200 --> 0:25:39.080
<v Speaker 1>it's essentially a post singularity space opera that often deals

0:25:39.160 --> 0:25:42.720
<v Speaker 1>with the meaning of life and a post scarcity society,

0:25:42.880 --> 0:25:48.440
<v Speaker 1>the limits of utopia, machine intelligence, alien civilizations, war, horror,

0:25:48.480 --> 0:25:50.679
<v Speaker 1>wonder and he also throws in a fair bit of

0:25:50.720 --> 0:25:53.159
<v Speaker 1>silliness and humor that kind of balances everything out of

0:25:53.240 --> 0:25:57.160
<v Speaker 1>kind of you know, Rye almost kind of it's almost

0:25:57.200 --> 0:26:00.080
<v Speaker 1>like a Monty Python as silliness at times, and and

0:26:00.119 --> 0:26:03.879
<v Speaker 1>the kind of pompous air to some of the characters

0:26:03.920 --> 0:26:06.800
<v Speaker 1>in this uh in this universe, which which helps to

0:26:07.320 --> 0:26:09.840
<v Speaker 1>you had to balance out some of the heavier ideas

0:26:09.880 --> 0:26:12.439
<v Speaker 1>that he plays with. And he's British, right or he was,

0:26:12.560 --> 0:26:15.040
<v Speaker 1>but she passed away last year. Yeah. Yeah, he died

0:26:15.080 --> 0:26:19.320
<v Speaker 1>in two years ago now, but but he he contributed

0:26:19.600 --> 0:26:23.520
<v Speaker 1>a number of books to us before before passing. Um

0:26:23.680 --> 0:26:25.600
<v Speaker 1>and uh, and the Culture books aren't the only science

0:26:25.640 --> 0:26:28.840
<v Speaker 1>fiction books, but there, it's that's the university keeps coming

0:26:28.880 --> 0:26:31.160
<v Speaker 1>back to every key, kept coming back to a number

0:26:31.160 --> 0:26:33.960
<v Speaker 1>of times. Yeah, it's it definitely sounds like something I

0:26:34.000 --> 0:26:35.840
<v Speaker 1>need to dive into at some point. My wife has

0:26:35.840 --> 0:26:38.360
<v Speaker 1>recommended as well. Yeah. The weird thing about the Culture

0:26:38.359 --> 0:26:41.000
<v Speaker 1>series is that, first of all, it's each book can

0:26:41.040 --> 0:26:43.600
<v Speaker 1>be read on its own. It's there, there's stuff that

0:26:43.640 --> 0:26:47.040
<v Speaker 1>happens in the universe, uh, some key events, and there's

0:26:47.080 --> 0:26:50.399
<v Speaker 1>definitely a timeline, but that timeline isn't doesn't reflect the

0:26:50.480 --> 0:26:53.919
<v Speaker 1>order in which the books are published, and so technically

0:26:53.920 --> 0:26:56.280
<v Speaker 1>you can come in at any point. But then some

0:26:56.359 --> 0:26:59.439
<v Speaker 1>books are better entry points than others. So I always

0:26:59.480 --> 0:27:03.600
<v Speaker 1>recommend the Player of Games is a great first culture

0:27:03.600 --> 0:27:06.800
<v Speaker 1>book to read, as well as consider Flibus, which is

0:27:07.040 --> 0:27:10.680
<v Speaker 1>the first one that he wrote. Um. I found Player

0:27:10.680 --> 0:27:12.640
<v Speaker 1>of Games was the one that I came to first,

0:27:12.640 --> 0:27:15.000
<v Speaker 1>and I found that one to be the most accessible,

0:27:15.000 --> 0:27:18.960
<v Speaker 1>and it is one of my my favorite books. Um Accession, however,

0:27:19.040 --> 0:27:22.159
<v Speaker 1>is very good too, and this one deals uh, like

0:27:22.240 --> 0:27:23.560
<v Speaker 1>all of his books. You know, there are a number

0:27:23.560 --> 0:27:26.440
<v Speaker 1>of different elements going on. There's what he calls an

0:27:26.440 --> 0:27:29.719
<v Speaker 1>outside context event, uh, the appear, which is the appearance

0:27:29.760 --> 0:27:32.040
<v Speaker 1>of this thing they refer to as an accession. So

0:27:32.080 --> 0:27:35.480
<v Speaker 1>an outside context event for the rest of us would

0:27:35.480 --> 0:27:37.919
<v Speaker 1>be like if you were a member of you know,

0:27:38.520 --> 0:27:42.600
<v Speaker 1>a primitive tribe and you live on in some coastal environment.

0:27:43.200 --> 0:27:45.120
<v Speaker 1>You know, you're you're catching your fish, you're cooking them

0:27:45.119 --> 0:27:47.879
<v Speaker 1>over fire, and you have all these questions about how

0:27:47.920 --> 0:27:50.800
<v Speaker 1>the world works beyond you know, beyond your your standard

0:27:50.840 --> 0:27:52.320
<v Speaker 1>myths that have been passed on, and then you look

0:27:52.359 --> 0:27:55.240
<v Speaker 1>out one day and there's, say, you know, a Spanish

0:27:55.320 --> 0:27:59.360
<v Speaker 1>warship out out in the harbor. That is an outside

0:27:59.359 --> 0:28:03.320
<v Speaker 1>context of the the arrival of a of an advanced

0:28:03.600 --> 0:28:06.320
<v Speaker 1>piece of technology and advanced civilization, the kind of thing

0:28:06.320 --> 0:28:09.040
<v Speaker 1>you could not predict. And then once it is in play,

0:28:09.600 --> 0:28:13.919
<v Speaker 1>you're you're kind of powerless against whatever changes it's going

0:28:13.960 --> 0:28:17.159
<v Speaker 1>to bring into your world. So he's extrapolating that and

0:28:17.200 --> 0:28:20.400
<v Speaker 1>imagining it into sci fi scenarios for our future. Yeah,

0:28:20.520 --> 0:28:23.920
<v Speaker 1>So like in the culture which is the culture is

0:28:23.920 --> 0:28:28.359
<v Speaker 1>is one of several galactic civilizations that are employed that

0:28:28.400 --> 0:28:31.119
<v Speaker 1>are in play in his world. And and this so

0:28:31.160 --> 0:28:34.359
<v Speaker 1>this is an very space opera age in which ships

0:28:34.400 --> 0:28:38.600
<v Speaker 1>are running all over the place. Artificial intelligence is extremely powerful. UH.

0:28:38.640 --> 0:28:42.600
<v Speaker 1>There are a number of elder civilizations that have UH

0:28:42.760 --> 0:28:46.720
<v Speaker 1>that have sort of gone offline. They've sublime as as

0:28:46.880 --> 0:28:50.320
<v Speaker 1>as Banks refers to it. But the Succession UH, the

0:28:50.400 --> 0:28:53.040
<v Speaker 1>Succession seems to be an entity or or even some

0:28:53.080 --> 0:28:55.760
<v Speaker 1>sort of a ship that originates outside of our universe.

0:28:56.200 --> 0:29:01.120
<v Speaker 1>So it's a significant advanced step in technology, far beyond

0:29:01.160 --> 0:29:04.760
<v Speaker 1>anything that than any of these other civilizations have the

0:29:04.800 --> 0:29:07.680
<v Speaker 1>power to grasp. And so it it it ends up

0:29:07.680 --> 0:29:10.600
<v Speaker 1>playing into a couple of other scenarios. There's a there's

0:29:10.600 --> 0:29:13.360
<v Speaker 1>a warlike species called the Affront that want to take

0:29:13.360 --> 0:29:17.040
<v Speaker 1>advantage of it. And then you have the artificial intelligence

0:29:17.080 --> 0:29:19.440
<v Speaker 1>minds that run the Culture and they're trying to figure

0:29:19.440 --> 0:29:22.120
<v Speaker 1>out how best to respond to it, while another faction

0:29:22.160 --> 0:29:24.880
<v Speaker 1>of them are trying to figure out how to exploit

0:29:24.920 --> 0:29:28.960
<v Speaker 1>the scenario to UH to deal with the Affront. And

0:29:28.960 --> 0:29:30.680
<v Speaker 1>then at the center of this too, you have a

0:29:30.800 --> 0:29:37.000
<v Speaker 1>tragic post human love story UH involving to human characters. Um,

0:29:37.040 --> 0:29:39.920
<v Speaker 1>because his his post human characters are always so so

0:29:40.040 --> 0:29:43.480
<v Speaker 1>interesting because he deals with very human qualities, but the

0:29:43.560 --> 0:29:46.560
<v Speaker 1>human qualities of the sort of human who can live

0:29:46.600 --> 0:29:50.760
<v Speaker 1>for centuries, that can change gender as much as they want,

0:29:51.000 --> 0:29:54.000
<v Speaker 1>that can you know, essentially start and restart their lives

0:29:54.000 --> 0:29:57.320
<v Speaker 1>several times and do anything they want to within this

0:29:57.440 --> 0:30:00.360
<v Speaker 1>sort of semi utopian society. So this is sort of

0:30:00.360 --> 0:30:03.200
<v Speaker 1>transhumanists as well. Then, Yeah, I'm assuming there's like an

0:30:03.240 --> 0:30:06.000
<v Speaker 1>idea and the restarting of the lives is something that

0:30:06.120 --> 0:30:11.640
<v Speaker 1>like the mind is separate from the body in a way. Um, yeah,

0:30:11.720 --> 0:30:16.200
<v Speaker 1>at times like there he explores so many different possibilities

0:30:16.240 --> 0:30:19.520
<v Speaker 1>in these books, Like they're they're definitely individuals who are disembodied,

0:30:19.560 --> 0:30:22.959
<v Speaker 1>their individuals who are stored away, their individuals who are

0:30:23.000 --> 0:30:25.520
<v Speaker 1>whose mind is put back into a new body. And

0:30:25.560 --> 0:30:28.320
<v Speaker 1>then individuals in the culture tend to have they have

0:30:28.400 --> 0:30:31.080
<v Speaker 1>like a neural lace implanted in their brain that gives

0:30:31.120 --> 0:30:35.280
<v Speaker 1>them all these uh, these these cybernetic interface features they

0:30:35.280 --> 0:30:39.320
<v Speaker 1>have the ability to to gland different properties. So if

0:30:39.320 --> 0:30:42.520
<v Speaker 1>they want they want to sleep, uh without being disturbed

0:30:42.520 --> 0:30:44.280
<v Speaker 1>by dreams, they just have to think about it. And

0:30:44.320 --> 0:30:48.000
<v Speaker 1>it happens. If they essentially want a powerful stimulant to

0:30:48.000 --> 0:30:50.000
<v Speaker 1>rev them up, they just think about it and it happens.

0:30:50.000 --> 0:30:52.400
<v Speaker 1>So they have their own, their own sort of pharmaceutical

0:30:52.760 --> 0:30:55.800
<v Speaker 1>reserves just just waiting inside their head. And all I

0:30:55.840 --> 0:30:58.680
<v Speaker 1>have to do is think that does sound utopian. I

0:30:58.720 --> 0:31:01.520
<v Speaker 1>would love for a good night, but I just could

0:31:01.640 --> 0:31:03.640
<v Speaker 1>think about it ahead of time. One thing I think

0:31:03.760 --> 0:31:06.480
<v Speaker 1>is really interesting there is the idea of how to

0:31:06.920 --> 0:31:11.440
<v Speaker 1>make a story that's sort of post singularity or post

0:31:11.600 --> 0:31:15.400
<v Speaker 1>utopian interesting and full of conflict. That's something I think

0:31:15.400 --> 0:31:18.840
<v Speaker 1>we've often seen problems within certain incarnations of Star Trek,

0:31:18.880 --> 0:31:22.040
<v Speaker 1>for example, where people wanted to go to utopian with

0:31:22.080 --> 0:31:25.080
<v Speaker 1>it and say, oh, these petty concerns people used to have,

0:31:25.120 --> 0:31:27.240
<v Speaker 1>we've grown beyond that now. But then you've got no

0:31:27.320 --> 0:31:32.640
<v Speaker 1>interesting conflict between the characters. There was just that I O, I, yeah,

0:31:32.680 --> 0:31:35.520
<v Speaker 1>I was gonna say so, Robert. I read it, and

0:31:35.560 --> 0:31:37.160
<v Speaker 1>then I saw that you posted it to the stuff

0:31:37.160 --> 0:31:39.680
<v Speaker 1>to blow your own Facebook account. There was a start.

0:31:40.080 --> 0:31:43.280
<v Speaker 1>You go ahead and describe it. It was basically stemming

0:31:43.320 --> 0:31:45.959
<v Speaker 1>from like a new documentary. I think that Yeah, Shatner

0:31:45.960 --> 0:31:49.160
<v Speaker 1>has come out with Ye, but apparently The really interesting

0:31:49.200 --> 0:31:53.200
<v Speaker 1>stuff deals with roddenberries involvement. Jean Roddenberry created the original

0:31:53.200 --> 0:31:57.280
<v Speaker 1>Star Trek, his involvement with the Next Generation um which

0:31:57.600 --> 0:31:59.920
<v Speaker 1>it sounds like he was kind of dragged into it

0:32:00.440 --> 0:32:02.920
<v Speaker 1>partially by his own ego where you really want to

0:32:02.920 --> 0:32:06.640
<v Speaker 1>work on another Star Trek series, uh, but he also

0:32:06.680 --> 0:32:09.520
<v Speaker 1>didn't want to see it happen without him. And so

0:32:10.440 --> 0:32:14.920
<v Speaker 1>you have you have Roddenberry and in his key associates

0:32:15.040 --> 0:32:18.320
<v Speaker 1>pushing for a really utopian vision of Star Trek and

0:32:18.440 --> 0:32:22.400
<v Speaker 1>everything has to be perfect within the Federation at any rate.

0:32:22.400 --> 0:32:24.080
<v Speaker 1>And then you have you know, the other voices that

0:32:24.080 --> 0:32:27.080
<v Speaker 1>they were saying, but we want, we need conflict, we

0:32:27.120 --> 0:32:29.240
<v Speaker 1>need these other things that are not necessarily in line

0:32:29.240 --> 0:32:33.000
<v Speaker 1>with this utopia still supposed to be a story, right, yeah, yeah,

0:32:33.080 --> 0:32:35.760
<v Speaker 1>and the pieces written by Charlie Jane Anders, who's a

0:32:35.840 --> 0:32:38.720
<v Speaker 1>regular over there and one of my favorite writers at Ionine.

0:32:38.760 --> 0:32:40.880
<v Speaker 1>And I suppose that you could go watch this documentary.

0:32:40.920 --> 0:32:42.480
<v Speaker 1>In fact, I want to say that there might have

0:32:42.480 --> 0:32:44.920
<v Speaker 1>been an embed at the link too, but you could

0:32:44.960 --> 0:32:48.560
<v Speaker 1>find it on our Facebook page or probably search Ionine

0:32:49.240 --> 0:32:51.400
<v Speaker 1>Star Trek The Next Generation. It will come up to. Yeah,

0:32:51.400 --> 0:32:52.920
<v Speaker 1>I'll put a link to it on the landing page

0:32:52.960 --> 0:32:55.640
<v Speaker 1>for this episode if anyone's interest. So again, that book

0:32:55.720 --> 0:32:58.280
<v Speaker 1>is accession by I M. Banks. I recommend it. I

0:32:58.320 --> 0:33:02.400
<v Speaker 1>recommend the entire cultures all right. Well, for my fiction selections,

0:33:02.440 --> 0:33:05.400
<v Speaker 1>I didn't have anything just quite as perfect as that

0:33:05.880 --> 0:33:08.520
<v Speaker 1>is a fit for this show. So I picked just

0:33:08.600 --> 0:33:10.640
<v Speaker 1>a few of the books I've read recently that really

0:33:10.640 --> 0:33:13.840
<v Speaker 1>wowed me, and I guess I'm gonna focus specifically on one,

0:33:13.880 --> 0:33:16.840
<v Speaker 1>but I'll mention a couple others first that I've read

0:33:16.880 --> 0:33:19.200
<v Speaker 1>in the past year or two that amazed me. One

0:33:19.320 --> 0:33:22.520
<v Speaker 1>was actually went back and I never read uh Tony

0:33:22.560 --> 0:33:25.640
<v Speaker 1>Morrison book, but I read The bluest I and that

0:33:25.760 --> 0:33:30.120
<v Speaker 1>was man sad, painful, beautiful, brilliant. It was actually her

0:33:30.160 --> 0:33:32.080
<v Speaker 1>first novel, and I get the impression a lot more

0:33:32.080 --> 0:33:36.080
<v Speaker 1>people have read beloved or later books of hers. But

0:33:36.200 --> 0:33:39.080
<v Speaker 1>one of the main themes in this book is not

0:33:39.120 --> 0:33:43.479
<v Speaker 1>necessarily the external racism that happens in society, but the

0:33:43.560 --> 0:33:49.120
<v Speaker 1>internalizing of racialized concepts, like how the young black girl

0:33:49.160 --> 0:33:52.280
<v Speaker 1>in the book comes to adopt basically a white supremacist

0:33:52.400 --> 0:33:56.920
<v Speaker 1>conception of aesthetics that equates beauty with whiteness, like her

0:33:56.960 --> 0:34:00.680
<v Speaker 1>idea of what beauty is is what white girl beauty is.

0:34:02.080 --> 0:34:04.520
<v Speaker 1>And I think this is an interesting example. I mean,

0:34:04.560 --> 0:34:07.720
<v Speaker 1>it's very sad in the book, but it it explores

0:34:07.760 --> 0:34:12.160
<v Speaker 1>the concept that our esthetics can be charged with ideology,

0:34:12.280 --> 0:34:14.680
<v Speaker 1>and I think that's something that's interesting too, maybe worth

0:34:14.719 --> 0:34:17.279
<v Speaker 1>exploring on the show sometime if we haven't before. The

0:34:17.560 --> 0:34:21.400
<v Speaker 1>idea of what you find visually interesting or what you

0:34:21.440 --> 0:34:25.960
<v Speaker 1>find beautiful that seems to be politically neutral, but in

0:34:25.960 --> 0:34:27.719
<v Speaker 1>a lot of cases it might not be. Like what

0:34:27.840 --> 0:34:32.919
<v Speaker 1>our values are can determine what looks good to us. Yeah, absolutely,

0:34:32.960 --> 0:34:36.080
<v Speaker 1>I mean I'm of the opinion that all of culture

0:34:36.280 --> 0:34:39.239
<v Speaker 1>is us just trying to make sense of the sort

0:34:39.280 --> 0:34:44.439
<v Speaker 1>of bombardment of chaotic information that the world presents us with. Right,

0:34:44.560 --> 0:34:48.200
<v Speaker 1>and no matter how you do that, it's ideological. Last

0:34:48.280 --> 0:34:52.320
<v Speaker 1>night I went to a presentation of there's a theater

0:34:52.360 --> 0:34:55.560
<v Speaker 1>here in town called the Fox Theater, and they were

0:34:55.560 --> 0:34:58.960
<v Speaker 1>playing Ghostbusters. They're playing the original Ghostbusters and before it,

0:34:59.000 --> 0:35:00.520
<v Speaker 1>I don't know if you guys been to the Fox

0:35:00.600 --> 0:35:03.680
<v Speaker 1>or not. This is my first time. They play old

0:35:03.880 --> 0:35:07.359
<v Speaker 1>black and white newsreels from the nineteen thirties, and I

0:35:07.400 --> 0:35:10.120
<v Speaker 1>was noticing, Um, there were a couple of them that

0:35:10.120 --> 0:35:15.520
<v Speaker 1>were sort of celebrating female like stars of the time. Uh,

0:35:15.880 --> 0:35:19.880
<v Speaker 1>either from you know, the stage or maybe the radio

0:35:20.000 --> 0:35:22.719
<v Speaker 1>or something like that. But I was just noticing that

0:35:22.719 --> 0:35:25.800
<v Speaker 1>that the conception of beauty even in the nineteen thirties,

0:35:25.840 --> 0:35:29.239
<v Speaker 1>between now and then is so different. Um. So I

0:35:29.239 --> 0:35:31.360
<v Speaker 1>think that there's certainly something to be said for the

0:35:31.400 --> 0:35:34.200
<v Speaker 1>culture change between the then. You know, I hadn't read

0:35:34.520 --> 0:35:38.080
<v Speaker 1>the Blue Eyes book, but thinking back on the episodes

0:35:38.160 --> 0:35:40.799
<v Speaker 1>that Julie and I put out earlier in the year

0:35:40.840 --> 0:35:45.319
<v Speaker 1>about implicit bias and racism, Um, that work definitely came

0:35:45.360 --> 0:35:47.319
<v Speaker 1>up in some of the sources that we're looking at.

0:35:47.360 --> 0:35:50.359
<v Speaker 1>Oh yeah, yeah, so so that was an amazing book.

0:35:50.400 --> 0:35:53.759
<v Speaker 1>Another amazing one I want to mention is actually in

0:35:53.800 --> 0:35:56.879
<v Speaker 1>the title The Amazing Adventures of Cavalier and Clay by

0:35:56.920 --> 0:35:59.880
<v Speaker 1>Michael Shabon. Yeah, this is a great book. Yeah. So,

0:36:00.239 --> 0:36:02.560
<v Speaker 1>I've got a friend who loves Shabon and he's been

0:36:02.600 --> 0:36:04.840
<v Speaker 1>recommending this book to me for years. But I finally

0:36:04.880 --> 0:36:06.840
<v Speaker 1>read it this I've been it's been recommended to me

0:36:06.880 --> 0:36:10.560
<v Speaker 1>for years, and I almost read it several times. I

0:36:10.600 --> 0:36:14.319
<v Speaker 1>think you would enjoy it. Oh man, it's absolutely fantastic.

0:36:14.880 --> 0:36:18.239
<v Speaker 1>I it's an amazing epic story. It's epic in the

0:36:18.280 --> 0:36:21.160
<v Speaker 1>way that you know the great Dickens novels or epic,

0:36:21.280 --> 0:36:24.400
<v Speaker 1>and that like you're almost amazed at the end that

0:36:24.480 --> 0:36:27.640
<v Speaker 1>you that the story has gone this far and and

0:36:27.680 --> 0:36:30.520
<v Speaker 1>completed this arc. And in many ways, I think this

0:36:30.560 --> 0:36:33.640
<v Speaker 1>story is interesting because it's about the genesis of storytelling.

0:36:34.120 --> 0:36:37.360
<v Speaker 1>Like it deals with how the contents of the stories

0:36:37.480 --> 0:36:43.200
<v Speaker 1>that storytellers create can be equal parts inspiration, personal obsession,

0:36:43.280 --> 0:36:47.160
<v Speaker 1>and just mercenary necessity, and how all those things come

0:36:47.200 --> 0:36:51.480
<v Speaker 1>together to make the canons of literature we love. Yeah,

0:36:51.840 --> 0:36:54.960
<v Speaker 1>it's been a while since I've read it, maybe ten years,

0:36:55.440 --> 0:36:58.839
<v Speaker 1>but um, you know, it's no secret, especially if you've

0:36:58.880 --> 0:37:00.759
<v Speaker 1>just didn't listening to this episode. I've already mentioned to

0:37:00.880 --> 0:37:03.759
<v Speaker 1>comic book writers, but I'm big on comic books, and

0:37:03.920 --> 0:37:06.680
<v Speaker 1>part of the plot of Shabon's book is that these

0:37:06.719 --> 0:37:09.320
<v Speaker 1>two guys create a comic book character called the Escapist.

0:37:09.520 --> 0:37:12.359
<v Speaker 1>I believe that is what the name of the book is. Uh.

0:37:12.400 --> 0:37:20.320
<v Speaker 1>And this novel itself is a reflection of the Siegel

0:37:20.360 --> 0:37:25.319
<v Speaker 1>and Schuster creation of Superman and the sort of political

0:37:26.040 --> 0:37:28.440
<v Speaker 1>issues that went on behind that and the in this

0:37:28.560 --> 0:37:32.520
<v Speaker 1>sleazy business that went on behind that. Yeah. And and

0:37:32.560 --> 0:37:36.160
<v Speaker 1>it's also a lot about being a Jewish American in

0:37:36.239 --> 0:37:39.880
<v Speaker 1>that time, and and and immigration, uh, and sort of

0:37:39.960 --> 0:37:45.400
<v Speaker 1>understanding again culturally, understanding your place in American society. And Superman.

0:37:46.120 --> 0:37:48.479
<v Speaker 1>You know, it doesn't actually really show up in this book,

0:37:48.480 --> 0:37:52.480
<v Speaker 1>but that the Golem does, and and and the Golem

0:37:52.560 --> 0:37:55.560
<v Speaker 1>of Prague. And you can sort of see Superman and

0:37:55.600 --> 0:37:59.239
<v Speaker 1>the Golem of Prague as like a sort of metaphors

0:37:59.239 --> 0:38:03.200
<v Speaker 1>from one another. Nice. Yeah, And so I can't recommend

0:38:03.200 --> 0:38:05.200
<v Speaker 1>those two books enough. And then I've got one third

0:38:05.280 --> 0:38:07.799
<v Speaker 1>fiction selection that I want to mention, which is The

0:38:07.920 --> 0:38:14.080
<v Speaker 1>Encyclopedia of the Dead by Danilo'keish. We ever read this, Yes, this,

0:38:14.080 --> 0:38:15.480
<v Speaker 1>this has been recommended to me, but I have not

0:38:15.520 --> 0:38:17.799
<v Speaker 1>read it. Oh, I think you'd love it, Robert. So

0:38:18.120 --> 0:38:20.880
<v Speaker 1>it's called The Encyclopedia of the Dead by Dana location

0:38:21.120 --> 0:38:25.000
<v Speaker 1>Kish was a Serbian writer. He's probably more well known

0:38:25.040 --> 0:38:28.000
<v Speaker 1>among English speaking audiences for his book A Tomb for

0:38:28.040 --> 0:38:32.640
<v Speaker 1>Boris Davidovich. But this book, The Encyclopedia the Dead, was

0:38:32.640 --> 0:38:36.080
<v Speaker 1>published I think in nineteen eighty three. The translation copyright

0:38:36.080 --> 0:38:39.120
<v Speaker 1>it's nineteen eighty nine. And the English translation was by

0:38:39.160 --> 0:38:43.680
<v Speaker 1>Michael Henry him and this book is fantastic in my opinion.

0:38:43.800 --> 0:38:47.160
<v Speaker 1>It's a it's a book of strange, fantastical short stories.

0:38:47.160 --> 0:38:50.040
<v Speaker 1>They're pretty much all about death in one way or another,

0:38:51.400 --> 0:38:54.440
<v Speaker 1>and they're fantastical elements are very much in the style

0:38:54.520 --> 0:38:57.759
<v Speaker 1>of Borhees, and some of them are just so great.

0:38:57.800 --> 0:38:59.200
<v Speaker 1>I want to talk about at least one of the

0:38:59.239 --> 0:39:02.720
<v Speaker 1>stories have me at Boes. Yeah. So the title story

0:39:02.960 --> 0:39:05.840
<v Speaker 1>is The Encyclopedia the Dead, and it tells the story

0:39:05.920 --> 0:39:09.719
<v Speaker 1>of a woman who finds herself in a Swedish library

0:39:09.719 --> 0:39:13.839
<v Speaker 1>overnight where she locates a copy of this book called

0:39:13.880 --> 0:39:17.560
<v Speaker 1>the Encyclopedia of the Dead. And it's a tone written

0:39:17.560 --> 0:39:20.080
<v Speaker 1>by this religious order that makes it their duty to

0:39:20.239 --> 0:39:24.480
<v Speaker 1>record every single detail about a person's life, and I

0:39:24.480 --> 0:39:28.160
<v Speaker 1>mean every single detail. Every person they meet every meal

0:39:28.239 --> 0:39:30.840
<v Speaker 1>to aid all the flowers they grew in their gardens,

0:39:31.239 --> 0:39:34.480
<v Speaker 1>and then also the historical context for every period of

0:39:34.520 --> 0:39:36.680
<v Speaker 1>their lives. So if you lived in World War Two,

0:39:36.960 --> 0:39:39.960
<v Speaker 1>the encyclopedia would also give you a complete and thorough

0:39:40.040 --> 0:39:43.560
<v Speaker 1>understanding of what happened in World War two. And these

0:39:43.600 --> 0:39:48.399
<v Speaker 1>are all like like on paper. Yeah, that's so there's

0:39:48.440 --> 0:39:52.839
<v Speaker 1>a kind of surreal there's a sort of like impossible

0:39:52.920 --> 0:39:56.479
<v Speaker 1>absurdity to the world it describes. And then, of course,

0:39:56.840 --> 0:39:59.880
<v Speaker 1>the narrator of this story, she finds the entry for

0:40:00.040 --> 0:40:02.280
<v Speaker 1>her father, who had died just a couple of months

0:40:02.280 --> 0:40:05.080
<v Speaker 1>before the story takes place. And the only rule for

0:40:05.160 --> 0:40:08.479
<v Speaker 1>inclusion in the Encyclopedia of the Dead is that those

0:40:08.520 --> 0:40:14.000
<v Speaker 1>included and it cannot be included in any other encyclopedia. Interesting,

0:40:14.800 --> 0:40:17.080
<v Speaker 1>and much of the story is just the narrator trying

0:40:17.080 --> 0:40:19.759
<v Speaker 1>to make notes on her father's entry before she runs

0:40:19.800 --> 0:40:21.680
<v Speaker 1>out of time and has to put the book down

0:40:21.680 --> 0:40:25.120
<v Speaker 1>and leave the library. But I thought this was a

0:40:25.280 --> 0:40:27.799
<v Speaker 1>fascinating take. And I don't want to spoil too much

0:40:27.800 --> 0:40:30.120
<v Speaker 1>about the story. You should just read it. But I

0:40:30.160 --> 0:40:34.880
<v Speaker 1>think it's a fascinating take on the sort of absurdity

0:40:34.960 --> 0:40:40.120
<v Speaker 1>of of trying to capture human experience, uh in language

0:40:40.239 --> 0:40:43.759
<v Speaker 1>that there's no way to really tell a story completely.

0:40:44.719 --> 0:40:47.200
<v Speaker 1>And then there's another story in this book that I

0:40:47.239 --> 0:40:49.640
<v Speaker 1>wanted to call out. It's called Simon Magus, which is

0:40:49.719 --> 0:40:53.320
<v Speaker 1>just an awesome retelling of some of the apocryphal Simon

0:40:53.400 --> 0:40:57.200
<v Speaker 1>Magus legends from the I'm unfamiliar with this. It's early

0:40:57.320 --> 0:41:00.000
<v Speaker 1>Christian tradition that Simon Magus is a character that appears

0:41:00.080 --> 0:41:01.760
<v Speaker 1>is in the Bible. He's in the Book of Acts,

0:41:02.400 --> 0:41:06.040
<v Speaker 1>and he's sort of a a counter apostle in a way,

0:41:06.080 --> 0:41:08.879
<v Speaker 1>like he's he's doing some magic tricks and he has

0:41:08.920 --> 0:41:14.239
<v Speaker 1>a confrontation Peter Magus. Like mg U, s yeah, I

0:41:14.360 --> 0:41:16.719
<v Speaker 1>haven't heard of this guy before. Okay, yeah, yeah, So

0:41:16.760 --> 0:41:18.759
<v Speaker 1>he has a confrontation with Peter that's in the Book

0:41:18.760 --> 0:41:22.200
<v Speaker 1>of Acts, but they're also apocryphal legends that didn't make

0:41:22.200 --> 0:41:25.120
<v Speaker 1>it into the Bible, but they deal in a more

0:41:25.160 --> 0:41:28.319
<v Speaker 1>extensive way with with Simon Magus and something he sort

0:41:28.320 --> 0:41:30.880
<v Speaker 1>of has like wizard battles with Peter that are pretty

0:41:30.880 --> 0:41:33.799
<v Speaker 1>cool and one of those legends. Actually a couple of

0:41:33.800 --> 0:41:37.640
<v Speaker 1>those legends are retold in this story. So I loved

0:41:37.719 --> 0:41:40.040
<v Speaker 1>this book. I thought it was awesome. That sounds like

0:41:40.080 --> 0:41:43.520
<v Speaker 1>a lot. Yeah, and touches on the things I'm interested in.

0:41:43.680 --> 0:41:46.960
<v Speaker 1>I think you guys would be into it. The Christian sorcery.

0:41:47.040 --> 0:41:51.000
<v Speaker 1>I'm awf So the wizard battle is with Peter the

0:41:51.040 --> 0:41:55.799
<v Speaker 1>apostle in the apocryphal sources. Yeah, okay, it's like they

0:41:55.840 --> 0:41:58.640
<v Speaker 1>like Harry Potter ization of the Bible. They have like

0:41:58.760 --> 0:42:03.440
<v Speaker 1>miracle contests and they sort of curse each other. Okay, nice, nice,

0:42:03.440 --> 0:42:05.279
<v Speaker 1>So it kind of flows into some before we were

0:42:05.280 --> 0:42:08.719
<v Speaker 1>talking about in the Grim Moore episode we did. Yeah, yeah, absolutely.

0:42:08.719 --> 0:42:11.760
<v Speaker 1>In fact, um, that's where I had read about Simon.

0:42:12.560 --> 0:42:16.120
<v Speaker 1>I pronounced that magus. Maybe it's wrong, but yeah, that's

0:42:16.120 --> 0:42:18.920
<v Speaker 1>probably right. Before was that he was an inspiration for

0:42:19.000 --> 0:42:21.080
<v Speaker 1>a lot of those grimoires. I think I'm saying it

0:42:21.160 --> 0:42:27.560
<v Speaker 1>the anglicized way, meg, but yeah, um, he if I

0:42:27.560 --> 0:42:30.880
<v Speaker 1>remember correctly, from the research for that episode, there was

0:42:30.920 --> 0:42:32.960
<v Speaker 1>even some legends that he was the one who had

0:42:33.000 --> 0:42:36.040
<v Speaker 1>written some of the original text for those grand wires. Yeah. Yeah,

0:42:36.160 --> 0:42:37.880
<v Speaker 1>his And of course you end up sort of losing

0:42:38.400 --> 0:42:43.080
<v Speaker 1>losing the individual and all of the myth lose him completely, probably,

0:42:43.360 --> 0:42:45.640
<v Speaker 1>but but yeah, he definitely his name definitely came up

0:42:45.680 --> 0:42:48.879
<v Speaker 1>a few times in that episode. Is that recall? Okay, well,

0:42:48.960 --> 0:42:51.200
<v Speaker 1>it's my turn for my fiction selection. I had too,

0:42:51.280 --> 0:42:52.920
<v Speaker 1>So I feel I feel better now that you had

0:42:52.920 --> 0:42:54.520
<v Speaker 1>a couple, because I was a little worried that I

0:42:54.520 --> 0:42:57.759
<v Speaker 1>had to. Um. The first is the audiobook that I

0:42:57.800 --> 0:43:00.920
<v Speaker 1>mentioned earlier that I had listened to. It is a

0:43:01.000 --> 0:43:04.760
<v Speaker 1>recent novel by I believe you'd pronounced her last name Bukes,

0:43:04.880 --> 0:43:09.799
<v Speaker 1>Lauren Bukes. She's a South African novel We talked about her.

0:43:09.880 --> 0:43:13.560
<v Speaker 1>She wrote The Shining Girls was a novel that she

0:43:13.640 --> 0:43:16.440
<v Speaker 1>came out with, and then something with like animals on wherever,

0:43:18.040 --> 0:43:20.839
<v Speaker 1>Zoo City. That's the one I've read. Yeah, I haven't

0:43:20.880 --> 0:43:23.200
<v Speaker 1>read either. Well, I have read part of Shining Girls,

0:43:23.200 --> 0:43:26.840
<v Speaker 1>but not zoos City. This one is called Broken Monsters. Uh.

0:43:26.880 --> 0:43:29.359
<v Speaker 1>And I listened to the autobook version of it, and

0:43:29.440 --> 0:43:33.960
<v Speaker 1>I will recommend to our listeners to just read the book. Uh.

0:43:34.000 --> 0:43:38.360
<v Speaker 1>The audio book had several different actors narrating and playing

0:43:38.400 --> 0:43:40.960
<v Speaker 1>the parts of the characters that are there's probably like

0:43:41.000 --> 0:43:44.040
<v Speaker 1>four or five different protagonists throughout the book, and it

0:43:44.080 --> 0:43:47.440
<v Speaker 1>was very distracting. Uh. There were there were points where

0:43:47.480 --> 0:43:49.279
<v Speaker 1>I just stopped listening to it for you know, a

0:43:49.280 --> 0:43:50.959
<v Speaker 1>month at a time, and then I would come back

0:43:50.960 --> 0:43:53.839
<v Speaker 1>and give it a shot again. The story is great though.

0:43:53.840 --> 0:43:58.120
<v Speaker 1>What she's written is fantastic. It's a contemporary murder mystery, um,

0:43:58.239 --> 0:44:01.560
<v Speaker 1>sort of you know, along lines of that serial killer

0:44:01.680 --> 0:44:04.640
<v Speaker 1>story thing that's kind of popular right now in fiction.

0:44:05.440 --> 0:44:09.000
<v Speaker 1>The Detroit police find a dead body that's how it begins,

0:44:09.400 --> 0:44:11.879
<v Speaker 1>and it's the dead body of half of a young

0:44:11.960 --> 0:44:16.680
<v Speaker 1>boy fused together to half of a deer um, and

0:44:16.840 --> 0:44:20.560
<v Speaker 1>this book just spins out from there. It's about everything

0:44:20.800 --> 0:44:24.360
<v Speaker 1>from modern adolescents as it follows the daughter of the

0:44:24.400 --> 0:44:29.000
<v Speaker 1>police detective investigating this murder, social media anxiety, and bullying.

0:44:29.080 --> 0:44:32.080
<v Speaker 1>I really felt like Bukes had her finger on the

0:44:32.120 --> 0:44:34.360
<v Speaker 1>pulse of kind of what's going on in social media

0:44:34.440 --> 0:44:37.680
<v Speaker 1>right now, especially for adolescence. And I don't think I mean,

0:44:38.000 --> 0:44:41.080
<v Speaker 1>I suspect she's probably, you know, in her thirties at least,

0:44:41.680 --> 0:44:44.719
<v Speaker 1>but she just she's really insightful about, um, how that

0:44:44.840 --> 0:44:50.360
<v Speaker 1>is affecting growing up. Uh. Also something that we're familiar with,

0:44:50.400 --> 0:44:53.400
<v Speaker 1>the idea of clickbait YouTube journalism. There's a character in

0:44:53.400 --> 0:44:56.680
<v Speaker 1>there that's sort of trying to create his own YouTube channel,

0:44:56.920 --> 0:45:01.320
<v Speaker 1>personality presence um. And of course because it's in Detroit,

0:45:01.400 --> 0:45:03.759
<v Speaker 1>they talk about urban renewal art quite a bit, and

0:45:03.760 --> 0:45:06.359
<v Speaker 1>there's that they go to art parties the serial killer

0:45:06.400 --> 0:45:10.279
<v Speaker 1>as an artist. Um. There's some interesting stuff going on

0:45:10.320 --> 0:45:13.879
<v Speaker 1>aesthetically with that. I found this to be a genuinely

0:45:13.960 --> 0:45:17.800
<v Speaker 1>creepy and disturbing book. I read a lot of horror.

0:45:17.840 --> 0:45:20.440
<v Speaker 1>I watch a lot of horror, and it's it takes

0:45:20.600 --> 0:45:23.840
<v Speaker 1>uh a lot to to kind of jar me, and

0:45:23.840 --> 0:45:27.120
<v Speaker 1>the stuff in here jarred me. Um, but yeah, I

0:45:27.239 --> 0:45:29.800
<v Speaker 1>read it, don't listen to it. Okay. Yeah. It's always

0:45:29.800 --> 0:45:32.279
<v Speaker 1>weird with the audio books because they were kind of

0:45:32.320 --> 0:45:34.799
<v Speaker 1>like the two the two approaches. One is to just

0:45:34.880 --> 0:45:38.440
<v Speaker 1>have a solid narrator just reading you the books, and

0:45:38.480 --> 0:45:41.880
<v Speaker 1>then it's then it's the other direction is performance, and

0:45:41.960 --> 0:45:43.800
<v Speaker 1>so sometimes you get that weird area. We have a

0:45:43.840 --> 0:45:47.239
<v Speaker 1>good narrator, but maybe he's just trying a little too

0:45:47.280 --> 0:45:51.040
<v Speaker 1>hard to do like the female voices in the book,

0:45:51.200 --> 0:45:55.040
<v Speaker 1>or you know, weird balance. There was, there there were,

0:45:55.080 --> 0:45:58.959
<v Speaker 1>and I'm sure, uh, you know, our listeners can relate

0:45:59.000 --> 0:46:01.319
<v Speaker 1>to this because they're listening to a podcast right now

0:46:01.320 --> 0:46:03.759
<v Speaker 1>in which they're listening to our voice voices, and there's

0:46:03.800 --> 0:46:07.000
<v Speaker 1>probably things about our voices that maybe, for instance, I

0:46:07.000 --> 0:46:09.160
<v Speaker 1>I know that I am accused of having vocal fry

0:46:09.200 --> 0:46:14.279
<v Speaker 1>often and that that can annoy listeners sometimes. But the

0:46:14.680 --> 0:46:17.920
<v Speaker 1>cadence of some of the people reading this story just

0:46:18.440 --> 0:46:21.480
<v Speaker 1>it just rubbed me the wrong way. Um. There was

0:46:22.120 --> 0:46:25.920
<v Speaker 1>the woman who performed the adolescent girls chapters. She was

0:46:26.280 --> 0:46:30.000
<v Speaker 1>a great narrator, but she was doing it from the

0:46:30.080 --> 0:46:33.920
<v Speaker 1>voice of a thirteen fourteen year old girl. Uh, And

0:46:34.000 --> 0:46:36.760
<v Speaker 1>it just graded on me after a while. I guess

0:46:36.800 --> 0:46:40.279
<v Speaker 1>I'm the kind of person who prefers the audio book

0:46:40.280 --> 0:46:42.840
<v Speaker 1>where it's just a single narrator. I often prefer if

0:46:42.880 --> 0:46:45.520
<v Speaker 1>it's the author themselves reading, because I feel like that

0:46:45.840 --> 0:46:50.000
<v Speaker 1>brings a lot to it. Yeah, Neil Gaiman, particularly reading

0:46:50.040 --> 0:46:53.360
<v Speaker 1>his own I could imagine if he would. Yeah. Um.

0:46:53.480 --> 0:46:56.839
<v Speaker 1>The one audio book that I've listened to that did

0:46:56.880 --> 0:47:00.000
<v Speaker 1>a very good job with the format of having multiple

0:47:00.200 --> 0:47:03.719
<v Speaker 1>actors was the audiobook for World War Z. That was

0:47:03.760 --> 0:47:06.239
<v Speaker 1>the one where I was really surprised. I felt like

0:47:06.280 --> 0:47:08.959
<v Speaker 1>it was actually better than the pros um they had.

0:47:09.280 --> 0:47:12.560
<v Speaker 1>You know, several actors, including like people like Henry Rawlins

0:47:12.680 --> 0:47:15.120
<v Speaker 1>come in and do the voices of some of the

0:47:15.200 --> 0:47:17.759
<v Speaker 1>characters that are interviewed throughout the course of that book.

0:47:18.600 --> 0:47:22.759
<v Speaker 1>So the other uh A fiction recommendation that I have is,

0:47:23.600 --> 0:47:27.000
<v Speaker 1>again no surprise, it's a graphic novel. Uh. It is

0:47:27.080 --> 0:47:31.640
<v Speaker 1>a book called High Crimes by Christopher Sabella and Ibraham Mustafa,

0:47:31.840 --> 0:47:34.840
<v Speaker 1>and it's a nice hardcover graphic novel collection of a

0:47:34.840 --> 0:47:37.160
<v Speaker 1>twelve issue digital comic that these guys did over the

0:47:37.200 --> 0:47:40.000
<v Speaker 1>last couple of years, and I just I've loved the

0:47:40.040 --> 0:47:42.920
<v Speaker 1>digital version of it. I've been following it since they

0:47:42.960 --> 0:47:45.600
<v Speaker 1>first came out with it. Um if you've seen me

0:47:45.600 --> 0:47:47.200
<v Speaker 1>on video before, you might have seen me wearing a

0:47:47.280 --> 0:47:51.080
<v Speaker 1>high Crimes T shirt. Actually it's a skull with UM

0:47:51.560 --> 0:47:54.600
<v Speaker 1>two climbing implements over it, and it's sort of in

0:47:54.600 --> 0:47:57.760
<v Speaker 1>the shape of mountains because this is a murder mystery

0:47:57.840 --> 0:48:00.640
<v Speaker 1>that's set on Mount Everest, and the idea is that

0:48:00.680 --> 0:48:04.200
<v Speaker 1>the main character is a climbing guide who helps people

0:48:04.239 --> 0:48:07.560
<v Speaker 1>get up Mount Everest, but also on the side, she

0:48:08.120 --> 0:48:11.680
<v Speaker 1>robs the bodies of people who have died on Mount

0:48:11.719 --> 0:48:15.760
<v Speaker 1>Everest and then uh promises to return either the bodies

0:48:15.880 --> 0:48:18.919
<v Speaker 1>or their property to their families who are living back

0:48:18.960 --> 0:48:22.000
<v Speaker 1>home for a for a fee, you know, for a price.

0:48:22.200 --> 0:48:25.040
<v Speaker 1>So she's kind of like a vulture scavenger on Mount

0:48:25.080 --> 0:48:28.240
<v Speaker 1>Everest and h the plot is that she she finds

0:48:28.239 --> 0:48:31.320
<v Speaker 1>a body that has a connection to a government conspiracy

0:48:31.360 --> 0:48:34.520
<v Speaker 1>back in the United States. So this leads to, you know,

0:48:34.560 --> 0:48:36.400
<v Speaker 1>she tries to sell the stuff at leads to a

0:48:36.480 --> 0:48:39.239
<v Speaker 1>sort of caton mouse game chasing up Mount Everest, but

0:48:39.320 --> 0:48:43.799
<v Speaker 1>it's a meticulously researched Sabella does a really good job

0:48:44.320 --> 0:48:48.319
<v Speaker 1>of depicting what climbing Everest is like. Not that I've

0:48:48.360 --> 0:48:51.840
<v Speaker 1>done it, but it seemed very well researched, down to

0:48:52.040 --> 0:48:55.360
<v Speaker 1>the equipment, the effects on your on the human body,

0:48:56.000 --> 0:49:01.280
<v Speaker 1>especially at the like different sort of zones of the mountainous. Yeah.

0:49:01.320 --> 0:49:04.239
<v Speaker 1>I did climb Mount Kinnabalu when I was younger, which

0:49:04.280 --> 0:49:08.480
<v Speaker 1>is in Malaysia, in Borneo, and it reminded me a

0:49:08.560 --> 0:49:12.319
<v Speaker 1>lot of that. Yeah, I know that it's it's come

0:49:12.400 --> 0:49:15.239
<v Speaker 1>up in episodes before here. It's stuff to put your

0:49:15.280 --> 0:49:19.000
<v Speaker 1>mind discussing just just what the environment is like as

0:49:19.040 --> 0:49:21.520
<v Speaker 1>you as you ascend a particularly high mountain and the

0:49:21.560 --> 0:49:24.680
<v Speaker 1>atmospheric changes and the effects it has on the brain. Uh,

0:49:24.800 --> 0:49:27.759
<v Speaker 1>sort of really fascinating stuff. And the character is a

0:49:27.840 --> 0:49:31.640
<v Speaker 1>drug addict too, so it's interesting to see like her

0:49:31.760 --> 0:49:35.680
<v Speaker 1>going through uh she's jones and really as she's traveling

0:49:35.719 --> 0:49:37.840
<v Speaker 1>up the mountains, she sort of runs out of stuff.

0:49:38.160 --> 0:49:43.440
<v Speaker 1>That effect, combined with the effects of the environment, that

0:49:43.480 --> 0:49:46.520
<v Speaker 1>makes me wonder if people, if anybody climbs mountains to

0:49:46.560 --> 0:49:53.319
<v Speaker 1>get like hypooxia trips. It sounds like an episode it

0:49:53.360 --> 0:49:55.480
<v Speaker 1>will now all right, So now we're gonna finish up

0:49:55.520 --> 0:49:57.920
<v Speaker 1>the podcast here by just going around and discussing what

0:49:57.920 --> 0:50:00.440
<v Speaker 1>we're reading now, what we're hoping to read an the future,

0:50:00.440 --> 0:50:02.680
<v Speaker 1>what's on the plate. Uh, and this, you know, will

0:50:02.719 --> 0:50:06.560
<v Speaker 1>be another good place for for the listeners to say, yes,

0:50:06.640 --> 0:50:09.680
<v Speaker 1>those are great selections, or no, don't read that that's

0:50:10.280 --> 0:50:12.759
<v Speaker 1>or or you know, or just to mention some things

0:50:12.800 --> 0:50:16.800
<v Speaker 1>that are in the same vein. Um. So I'll start

0:50:17.640 --> 0:50:20.960
<v Speaker 1>right now. I am just jumping back into a reread

0:50:21.000 --> 0:50:26.759
<v Speaker 1>of Frank Herbert's sci fi classic Dune, because this is

0:50:26.760 --> 0:50:30.080
<v Speaker 1>the fiftieth anniversary of the book. And uh, and Joe

0:50:30.080 --> 0:50:32.319
<v Speaker 1>and I are actually planning to do a couple of

0:50:32.320 --> 0:50:36.320
<v Speaker 1>episodes on the science of Dune. Um. This is also

0:50:36.400 --> 0:50:38.920
<v Speaker 1>on my now reading listes you're you're you're currently reading

0:50:38.920 --> 0:50:42.040
<v Speaker 1>it as well. So I've I've also picked up The

0:50:42.120 --> 0:50:45.400
<v Speaker 1>Science of Doom edited Doune edited by Kevin R. Grazier,

0:50:45.440 --> 0:50:48.279
<v Speaker 1>pH d, which is a collection of essays that in

0:50:48.320 --> 0:50:52.680
<v Speaker 1>which different individuals analyzed the science of everything from the

0:50:52.719 --> 0:50:57.160
<v Speaker 1>still suit to the sandworm um to to the consumption

0:50:57.480 --> 0:51:00.560
<v Speaker 1>of of spice. And it's and it's an and its

0:51:00.600 --> 0:51:03.000
<v Speaker 1>effects on the on the human mind. And then I

0:51:03.040 --> 0:51:07.440
<v Speaker 1>also picked up a copy of the Dune and Cyclopedia

0:51:07.719 --> 0:51:11.480
<v Speaker 1>from the nineteen eighties compiled by Dr Willis E. McNelly.

0:51:11.520 --> 0:51:13.440
<v Speaker 1>And this is this has been long out of print,

0:51:13.480 --> 0:51:17.879
<v Speaker 1>so the book, the book just smells fabulous and has

0:51:17.920 --> 0:51:22.560
<v Speaker 1>that wonderful nineteen eighties h aroma to it. And this

0:51:22.600 --> 0:51:24.600
<v Speaker 1>is a book I have a lot of nostalgia for.

0:51:24.760 --> 0:51:27.560
<v Speaker 1>But because before I've read any of the Dune books,

0:51:28.200 --> 0:51:31.120
<v Speaker 1>I picked this up in my local small town library

0:51:31.160 --> 0:51:33.759
<v Speaker 1>and just started going through it and just you know,

0:51:33.800 --> 0:51:37.120
<v Speaker 1>they have they have all these different encyclopedic entries about

0:51:37.480 --> 0:51:42.640
<v Speaker 1>various factions, family members, individuals, technologies that that make up

0:51:42.800 --> 0:51:46.480
<v Speaker 1>the Dune universe. And it's um just really inspiring stuff.

0:51:46.560 --> 0:51:50.360
<v Speaker 1>It's not all cannon because it came out before Herbert

0:51:50.400 --> 0:51:54.160
<v Speaker 1>had written all of his Dune books, but but it's

0:51:54.160 --> 0:51:57.240
<v Speaker 1>it's wonderful stuff. I'm surprised there isn't a revised version

0:51:57.320 --> 0:51:59.960
<v Speaker 1>that is that is still in circulation given the popular

0:52:00.000 --> 0:52:03.640
<v Speaker 1>ality of that series. You think you think they would, uh, especially,

0:52:03.680 --> 0:52:06.479
<v Speaker 1>I mean, it's still an industry of the Dune books

0:52:06.480 --> 0:52:10.759
<v Speaker 1>are still an industry, you know. I wonder if the Internet,

0:52:11.080 --> 0:52:13.799
<v Speaker 1>like having the Web has really cut into stuff like

0:52:14.280 --> 0:52:17.759
<v Speaker 1>fictional cannon encyclopedias. Because when I was a kid, I

0:52:17.840 --> 0:52:19.520
<v Speaker 1>remember a lot of these things. When I was looking

0:52:19.520 --> 0:52:22.680
<v Speaker 1>at this stude encyclopedia book, I was like, oh man,

0:52:22.800 --> 0:52:25.440
<v Speaker 1>I got that feeling like this is a book I

0:52:25.440 --> 0:52:28.120
<v Speaker 1>would have found somewhere when I was a kid, like

0:52:28.160 --> 0:52:30.560
<v Speaker 1>in a you know, beach house or something like that,

0:52:31.000 --> 0:52:33.120
<v Speaker 1>and then sat down and started flipping through it and

0:52:33.120 --> 0:52:36.520
<v Speaker 1>suddenly the entire days gone. Uh. It has that feeling

0:52:36.560 --> 0:52:38.200
<v Speaker 1>because I don't know, for some reason when I was

0:52:38.239 --> 0:52:41.600
<v Speaker 1>a kid that I love stuff like that Star Wars encyclopedia.

0:52:42.520 --> 0:52:44.600
<v Speaker 1>I had the Star Trek. It's like I think it

0:52:44.640 --> 0:52:46.160
<v Speaker 1>was called it was like a guy to the alien

0:52:46.200 --> 0:52:49.239
<v Speaker 1>species of Star Trek. Yeah, and it was this came

0:52:49.239 --> 0:52:52.880
<v Speaker 1>out like a you know, next generation era. So each

0:52:53.480 --> 0:52:56.600
<v Speaker 1>each spread had you know, a nice little black and

0:52:56.640 --> 0:52:59.400
<v Speaker 1>white drawing of the species and then you know some

0:52:59.520 --> 0:53:02.240
<v Speaker 1>very uncy colopedic information about them in their home world.

0:53:02.320 --> 0:53:06.000
<v Speaker 1>And yeah, I just I just remember pouring myself into that. Yeah.

0:53:06.040 --> 0:53:08.719
<v Speaker 1>I mean, I suppose you're right that Wikipedia and like

0:53:08.800 --> 0:53:13.439
<v Speaker 1>other sort of wicki uh data entry sites have sort

0:53:13.440 --> 0:53:16.439
<v Speaker 1>of taken over that place. But there's still there's still

0:53:16.480 --> 0:53:19.880
<v Speaker 1>something nice about holding a book like that, Like I

0:53:19.920 --> 0:53:25.919
<v Speaker 1>love reading RPG manual even for games that I'll never play. Yeah,

0:53:25.920 --> 0:53:28.160
<v Speaker 1>I'm a sucker for a monster manual. Yeah, it's that

0:53:28.320 --> 0:53:30.759
<v Speaker 1>me a good monster manual and I will just I'll

0:53:30.800 --> 0:53:33.760
<v Speaker 1>lose myself in it. You know, Robert's the guy to consult.

0:53:33.800 --> 0:53:36.240
<v Speaker 1>I remember a while back, I was wondering, what kind

0:53:36.280 --> 0:53:39.279
<v Speaker 1>of save do you have to throw from somebody, uh

0:53:39.640 --> 0:53:42.600
<v Speaker 1>trying to drive you mad? They're casting a drive you

0:53:42.640 --> 0:53:45.600
<v Speaker 1>mad spell? What did you say, Robert? I can't remember

0:53:46.280 --> 0:53:48.120
<v Speaker 1>what my specific answer was, but I looked in the

0:53:48.520 --> 0:53:55.440
<v Speaker 1>latest Dungeon Master Guide and also my Cathla book. So oh,

0:53:55.480 --> 0:53:57.440
<v Speaker 1>I love Call of Cthulu. It was at the D

0:53:57.520 --> 0:53:59.839
<v Speaker 1>one version. I don't know, it's not that I don't

0:53:59.840 --> 0:54:02.239
<v Speaker 1>think it's the most current edition. Yeah, that's the the

0:54:02.280 --> 0:54:05.000
<v Speaker 1>D one hundred is the is the older one? Um

0:54:05.040 --> 0:54:07.560
<v Speaker 1>that I think that somebody else, another company maybe bought

0:54:07.600 --> 0:54:10.000
<v Speaker 1>it up. A Chaos um is the company. Yeah, and

0:54:10.040 --> 0:54:12.759
<v Speaker 1>this one definitely came from that company. Yeah, that could

0:54:12.760 --> 0:54:15.759
<v Speaker 1>be a great like workplace RPG, like, you know, you

0:54:15.800 --> 0:54:18.560
<v Speaker 1>get pulled into the meeting room and the boss Monster

0:54:18.719 --> 0:54:21.640
<v Speaker 1>is about to drive you mad. Yeah, I feel anytime

0:54:21.680 --> 0:54:25.200
<v Speaker 1>I'm in a long meeting I started losing. Yeah, absolutely,

0:54:25.880 --> 0:54:27.960
<v Speaker 1>especially when you're in a conference call. Oh yeah, that's

0:54:28.000 --> 0:54:31.719
<v Speaker 1>the minus five standity points right after that. So just

0:54:31.800 --> 0:54:34.120
<v Speaker 1>and then briefly, what's on the plate for later. I

0:54:34.120 --> 0:54:36.600
<v Speaker 1>I fall into the trap every year of just thinking

0:54:36.640 --> 0:54:39.200
<v Speaker 1>more about things I want to reread that I love,

0:54:39.360 --> 0:54:42.399
<v Speaker 1>rather than exploring new things. So so along those lines,

0:54:42.440 --> 0:54:44.560
<v Speaker 1>I would love to have some recommendations from other people,

0:54:44.600 --> 0:54:47.520
<v Speaker 1>but I feel like I need to reread our Scott

0:54:47.520 --> 0:54:50.160
<v Speaker 1>Baker's The Judging I and the White Luck Lawyer, The

0:54:50.160 --> 0:54:53.319
<v Speaker 1>White Luck Lawyer, The White Luck Warrior. The White Luck

0:54:53.400 --> 0:54:57.000
<v Speaker 1>Lawyer would be a different novel. What's his name? John

0:54:57.040 --> 0:55:04.480
<v Speaker 1>graham Er John Grisham book um The White Luck Yeah, yeah,

0:55:04.520 --> 0:55:07.440
<v Speaker 1>Actually The White Luck Warrior, which is the second book

0:55:07.600 --> 0:55:10.840
<v Speaker 1>in his second trilogy that all takes place in his

0:55:11.160 --> 0:55:16.480
<v Speaker 1>dark fantasy, highly philosophical world of the Second Apocalypse. But

0:55:16.520 --> 0:55:19.200
<v Speaker 1>he has the third book in this series coming out

0:55:19.680 --> 0:55:22.840
<v Speaker 1>at some point in the next several months, hopefully titled

0:55:22.840 --> 0:55:24.960
<v Speaker 1>The Unholy Consult. So I want to make sure that

0:55:25.000 --> 0:55:27.680
<v Speaker 1>I'm I dive back into the world fully and then

0:55:27.680 --> 0:55:29.600
<v Speaker 1>they're in a number. I feel like I probably need

0:55:29.640 --> 0:55:32.319
<v Speaker 1>to finish reading Stephen King's Revival because people keep telling

0:55:32.320 --> 0:55:34.600
<v Speaker 1>me it's good. I still haven't finished that one. I

0:55:34.680 --> 0:55:37.359
<v Speaker 1>started it rather Uh yeah, it's been on my list.

0:55:37.440 --> 0:55:39.759
<v Speaker 1>Yeah here, it has some wonderful science fiction elements in it,

0:55:39.800 --> 0:55:42.040
<v Speaker 1>but I just need to press further along in it,

0:55:42.080 --> 0:55:45.360
<v Speaker 1>I guess. And then and then we're gonna hit Halloween,

0:55:45.480 --> 0:55:49.600
<v Speaker 1>so I'll probably reread some Lagatti, some Kings and Lovecraft

0:55:49.640 --> 0:55:53.360
<v Speaker 1>and Clark Ashton Smith and of course Brian McNaughton, my

0:55:53.360 --> 0:55:56.279
<v Speaker 1>my all time favorite horror writer. So that's what's on

0:55:56.280 --> 0:55:58.760
<v Speaker 1>the plate for me. Well, as I said, I'm also

0:55:58.880 --> 0:56:01.520
<v Speaker 1>reading Done right now, and I'm loving it so far.

0:56:01.560 --> 0:56:05.640
<v Speaker 1>I love the richness of the world, how complete it feels.

0:56:05.680 --> 0:56:08.719
<v Speaker 1>We were just talking the other day about how going

0:56:08.760 --> 0:56:12.319
<v Speaker 1>back and reading Done, I feel some elements that you

0:56:12.400 --> 0:56:15.880
<v Speaker 1>see in the George R. Martin Game of Thrones universe

0:56:15.960 --> 0:56:19.880
<v Speaker 1>feel sort of not not lifted from Done, but similar

0:56:19.920 --> 0:56:22.840
<v Speaker 1>to Doune in terms of, you know, all the backstabbing

0:56:22.880 --> 0:56:26.040
<v Speaker 1>and these warring houses. And I wouldn't be surprised if

0:56:26.080 --> 0:56:28.080
<v Speaker 1>it was a big influence on him, at least in

0:56:28.200 --> 0:56:32.440
<v Speaker 1>terms of structure, and I guess epic nous. Yeah, I

0:56:32.440 --> 0:56:35.000
<v Speaker 1>feel like it's it's definitely a work that it's it's

0:56:35.080 --> 0:56:39.920
<v Speaker 1>roots spread throughout genre fiction for for decades, for decades

0:56:39.960 --> 0:56:42.560
<v Speaker 1>to follow. So I'm absolutely loving it and I can't

0:56:42.600 --> 0:56:44.760
<v Speaker 1>wait to do the Science of Doune episode. But also,

0:56:44.840 --> 0:56:48.480
<v Speaker 1>I was reading a book when I started reading Dune

0:56:49.000 --> 0:56:51.080
<v Speaker 1>that I need to pick back up because I loved

0:56:51.080 --> 0:56:53.160
<v Speaker 1>this one as well. It was The Secret History by

0:56:53.200 --> 0:56:56.359
<v Speaker 1>Donna Tart read this, Yeah, I read that a while ago.

0:56:57.520 --> 0:56:58.880
<v Speaker 1>What was it The story with that is it came

0:56:58.880 --> 0:57:00.520
<v Speaker 1>out in like the nineties and then she didn't write

0:57:00.560 --> 0:57:02.480
<v Speaker 1>another book for like twelve years or something, right, and

0:57:02.480 --> 0:57:04.279
<v Speaker 1>I think Little Friend is the other book that she's

0:57:04.320 --> 0:57:06.560
<v Speaker 1>come out with since then. Actually I didn't even look

0:57:06.600 --> 0:57:08.680
<v Speaker 1>this up. I have no idea when this book was written,

0:57:08.920 --> 0:57:11.880
<v Speaker 1>but I was. I thought it was fantastic so far,

0:57:12.040 --> 0:57:15.440
<v Speaker 1>that's good. The pros is it's one of those books that,

0:57:15.520 --> 0:57:17.640
<v Speaker 1>you know, this sounds like such a reviewers cliche, but

0:57:17.680 --> 0:57:22.040
<v Speaker 1>it's very rich, meaning sort of the opposite of minimalist

0:57:22.240 --> 0:57:26.760
<v Speaker 1>or stark or bear. It's just overflowing with ideas and

0:57:26.840 --> 0:57:30.440
<v Speaker 1>images and jokes and very similitudes, and so I was

0:57:30.520 --> 0:57:33.680
<v Speaker 1>really loving that one. It deals also with the kind

0:57:33.720 --> 0:57:37.400
<v Speaker 1>of weird cult like behavior that can sometimes arise in

0:57:37.480 --> 0:57:41.560
<v Speaker 1>a you know, college professor in student scenario. Absolutely, I

0:57:41.600 --> 0:57:45.480
<v Speaker 1>had a professor exactly like this, the the one that

0:57:45.600 --> 0:57:48.480
<v Speaker 1>was in The Secret History, and I had a sort

0:57:48.480 --> 0:57:52.960
<v Speaker 1>of classroom unit that was very worshiped him in a

0:57:53.040 --> 0:57:55.240
<v Speaker 1>similar way. And if I remember correctly, it's been a

0:57:55.240 --> 0:57:57.480
<v Speaker 1>long time since I read it, But isn't he a

0:57:57.520 --> 0:58:01.520
<v Speaker 1>Greek historian? Yeah, well, I don't know if historian. I

0:58:01.560 --> 0:58:04.040
<v Speaker 1>haven't finished the book yet, but yeah, he teaches Greek

0:58:04.080 --> 0:58:07.200
<v Speaker 1>and classics, and he talks about Greek philosophy a lot,

0:58:07.320 --> 0:58:10.600
<v Speaker 1>and that he does these sort of like long monologues,

0:58:10.760 --> 0:58:14.600
<v Speaker 1>these lectures that the students just find all this crazy inspiration.

0:58:14.680 --> 0:58:18.720
<v Speaker 1>In so far, the book was awesome and I'll have

0:58:18.800 --> 0:58:20.760
<v Speaker 1>to go back to it once I've finished with Dune.

0:58:20.800 --> 0:58:24.720
<v Speaker 1>But then also lined up next, I've been thinking about

0:58:24.720 --> 0:58:27.080
<v Speaker 1>how I've apparently got to read to me and in Banks,

0:58:27.400 --> 0:58:30.920
<v Speaker 1>So there we go on that. But that also I

0:58:30.960 --> 0:58:34.640
<v Speaker 1>was thinking about reading Susan Blackmore's The Meme Machine, which

0:58:34.680 --> 0:58:38.000
<v Speaker 1>is a nonfiction book that she wrote about memetic theory.

0:58:38.080 --> 0:58:42.440
<v Speaker 1>And Christian. You're kind of smirking. I have an interesting

0:58:42.480 --> 0:58:46.280
<v Speaker 1>story about this book. So I read this book early

0:58:46.320 --> 0:58:49.520
<v Speaker 1>two thousand's and I loved it. It's really good. I

0:58:49.560 --> 0:58:52.080
<v Speaker 1>think that. And if you're looking for sort of an

0:58:52.120 --> 0:58:58.160
<v Speaker 1>explanation of Dawkins memetics theory, this is a good place

0:58:58.200 --> 0:59:02.200
<v Speaker 1>to start. I made the mistake of in my early

0:59:02.240 --> 0:59:07.440
<v Speaker 1>twenties taking a young lady delightful young lady to uh

0:59:07.760 --> 0:59:12.160
<v Speaker 1>Susan Blackmore presentation as our first date, so you know,

0:59:12.840 --> 0:59:15.760
<v Speaker 1>not not not protecious at all? That goes? Do you

0:59:15.760 --> 0:59:18.720
<v Speaker 1>want to go here about my medics from this British

0:59:18.760 --> 0:59:22.680
<v Speaker 1>author with pink hair. I love her hair. She's bad.

0:59:22.960 --> 0:59:25.480
<v Speaker 1>She's come up in in past episodes before. Oh yeah,

0:59:26.760 --> 0:59:29.280
<v Speaker 1>she was super cool. I've seen YouTube videos of her

0:59:29.360 --> 0:59:32.640
<v Speaker 1>giving like speeches and stuff. She seems really awesome in person.

0:59:32.840 --> 0:59:34.520
<v Speaker 1>I've never read a book of her, so, so I

0:59:34.560 --> 0:59:37.080
<v Speaker 1>wanted to read this also because I've read a little

0:59:37.120 --> 0:59:39.920
<v Speaker 1>bit in about meme theory. Like you know, I read

0:59:40.000 --> 0:59:42.760
<v Speaker 1>Dawkins The Selfish Gene, which came out in the seventies,

0:59:42.760 --> 0:59:45.000
<v Speaker 1>and I think that was the first major exploration of

0:59:45.080 --> 0:59:48.360
<v Speaker 1>meme theory. Yeah, I think, And if you're not familiar

0:59:48.400 --> 0:59:51.560
<v Speaker 1>with meme theory. It's the idea that there are units

0:59:51.600 --> 0:59:56.760
<v Speaker 1>of cultural copying and transmission analogous to genes and living organisms,

0:59:56.800 --> 1:00:00.680
<v Speaker 1>but in culture they're they're called memes, and they're just

1:00:00.800 --> 1:00:04.680
<v Speaker 1>like genes. They get copied with mutations throughout generations. Yeah.

1:00:04.680 --> 1:00:06.840
<v Speaker 1>I would also add to this, at least from my

1:00:06.920 --> 1:00:11.200
<v Speaker 1>experience and graduate school, that the theories of memetics of

1:00:11.280 --> 1:00:14.760
<v Speaker 1>Dawkins and blackmore a heavily frowned upon. Oh yeah, a

1:00:14.760 --> 1:00:17.000
<v Speaker 1>lot of people, a lot of people hate them. Yeah,

1:00:17.000 --> 1:00:24.280
<v Speaker 1>they don't feel like it has any quantitative value. Yep,

1:00:24.880 --> 1:00:27.000
<v Speaker 1>I've heard that too. I I I still think that

1:00:27.040 --> 1:00:29.439
<v Speaker 1>they're interesting, and in fact, we did a What's a Meme?

1:00:29.440 --> 1:00:32.640
<v Speaker 1>Episode for brain Stuff that our colleague Jonathan Strickland performed.

1:00:33.160 --> 1:00:34.840
<v Speaker 1>So if you if you want just like a short

1:00:34.960 --> 1:00:39.440
<v Speaker 1>five minute primer on memetics, go find that. Of course,

1:00:39.480 --> 1:00:41.200
<v Speaker 1>then again, one thing I will say is that it

1:00:41.280 --> 1:00:44.120
<v Speaker 1>seems like a lot of the criticisms of memetics that

1:00:44.240 --> 1:00:47.320
<v Speaker 1>I've heard. No, I'm sure there are some very good criticisms.

1:00:47.320 --> 1:00:50.280
<v Speaker 1>Some of the ones I've heard kind of rang hollow

1:00:50.360 --> 1:00:52.600
<v Speaker 1>to me and also seemed like they were coming from

1:00:52.600 --> 1:00:57.200
<v Speaker 1>people who personally dislike to the people who promote meme theory.

1:00:57.480 --> 1:00:59.640
<v Speaker 1>So I don't know what what to deal with that is,

1:00:59.680 --> 1:01:02.600
<v Speaker 1>but I'll see once I read the book. Well, I

1:01:02.680 --> 1:01:05.920
<v Speaker 1>am currently reading a book called Devils and Demons that

1:01:06.000 --> 1:01:08.240
<v Speaker 1>I picked up at our local used book store. The

1:01:08.280 --> 1:01:12.320
<v Speaker 1>booknook Uh. It is a collection of short stories all

1:01:12.360 --> 1:01:16.600
<v Speaker 1>about hell, demons, and Satan that are selected by a

1:01:16.640 --> 1:01:20.960
<v Speaker 1>guy named Marvin Kay. And this book was published in um.

1:01:21.200 --> 1:01:24.680
<v Speaker 1>Some of it is is isn't really my thing, some

1:01:24.760 --> 1:01:27.480
<v Speaker 1>of it's not for me, But there have so far

1:01:27.560 --> 1:01:31.000
<v Speaker 1>been some good stories I've read in here. Paula Volsky

1:01:31.120 --> 1:01:34.280
<v Speaker 1>wrote a story called The Tendency of Mr. Eks Uh.

1:01:34.320 --> 1:01:37.120
<v Speaker 1>There's a great Robert Block story in here called Enoch.

1:01:37.280 --> 1:01:41.200
<v Speaker 1>If you haven't read that, read that one. But he's yeah, yeah,

1:01:41.200 --> 1:01:44.200
<v Speaker 1>it's fantastic. And then this book led me down the

1:01:44.280 --> 1:01:48.080
<v Speaker 1>rabbit hole to really get into Arthur Macon because I've

1:01:48.120 --> 1:01:49.840
<v Speaker 1>only read a little bit of his stuff before. But

1:01:49.880 --> 1:01:51.480
<v Speaker 1>there's a story in here called The Novel of the

1:01:51.520 --> 1:01:54.760
<v Speaker 1>White Powder by him, which led me to again going

1:01:54.800 --> 1:01:57.640
<v Speaker 1>on to Amazon. It turns out that Amazon has these

1:01:58.080 --> 1:02:01.040
<v Speaker 1>collections of books like like makens work, you can buy

1:02:01.080 --> 1:02:03.800
<v Speaker 1>like twenty five of his stories for cents. So I

1:02:03.840 --> 1:02:07.120
<v Speaker 1>got this collection and over this this last week. I

1:02:07.160 --> 1:02:09.800
<v Speaker 1>actually just read The Great God Pan. Have you guys

1:02:09.800 --> 1:02:14.800
<v Speaker 1>read this before? That is an incredibly potent and creepy fail. Yeah,

1:02:14.840 --> 1:02:17.600
<v Speaker 1>it's a novella that he wrote first, was published in

1:02:17.680 --> 1:02:22.120
<v Speaker 1>eighteen nine, and it is, you know, it's probably like

1:02:22.160 --> 1:02:27.120
<v Speaker 1>one of the unsung stories of the history of horror literature.

1:02:27.560 --> 1:02:30.760
<v Speaker 1>I'd never heard of it until until just the last

1:02:30.800 --> 1:02:33.040
<v Speaker 1>you know, maybe two or three weeks, but it's it's

1:02:33.280 --> 1:02:37.280
<v Speaker 1>hugely influential. Lovecraft called it. He said, no one could

1:02:37.320 --> 1:02:41.560
<v Speaker 1>begin to describe the cumulative suspense and ultimate horror with

1:02:41.600 --> 1:02:46.040
<v Speaker 1>which every paragraph abounds in that story. And Stephen King

1:02:46.120 --> 1:02:48.560
<v Speaker 1>said he thinks it's one of the best horror stories

1:02:48.560 --> 1:02:52.560
<v Speaker 1>ever written, maybe the best in the English language. I

1:02:52.640 --> 1:02:57.880
<v Speaker 1>really enjoyed it. So I'm I'm thoroughly I'm planning to

1:02:57.880 --> 1:03:00.160
<v Speaker 1>to to really take a deep dive into our they're

1:03:00.200 --> 1:03:03.400
<v Speaker 1>makings material, and then what I've got on the plate

1:03:03.440 --> 1:03:05.959
<v Speaker 1>for later, probably after I read all that making stuff,

1:03:06.000 --> 1:03:08.480
<v Speaker 1>although I might dabble in this stuff back and forth.

1:03:08.560 --> 1:03:11.160
<v Speaker 1>A friend of mine recommended this book by a guy

1:03:11.240 --> 1:03:14.200
<v Speaker 1>named Layered Baron, who is another sort of weird fiction

1:03:14.320 --> 1:03:17.240
<v Speaker 1>horror author. Uh. And this is a collection of his

1:03:17.280 --> 1:03:22.440
<v Speaker 1>short stories called Occultation. And all I know about this

1:03:22.480 --> 1:03:24.120
<v Speaker 1>guy is he's won a bunch of awards. He's a

1:03:24.160 --> 1:03:27.320
<v Speaker 1>former I did a rod Racer And uh, my friend

1:03:27.480 --> 1:03:30.560
<v Speaker 1>who is a is a horror writer just sings his

1:03:30.600 --> 1:03:32.600
<v Speaker 1>praises loves of stuff. Yeah, this is an author that

1:03:32.680 --> 1:03:36.240
<v Speaker 1>keeps coming up in um at least automated recommendations for

1:03:36.280 --> 1:03:38.640
<v Speaker 1>me and things like Amazon. And and he's of course

1:03:38.680 --> 1:03:41.880
<v Speaker 1>his name stands out so much. Yeah, uh yeah, I

1:03:42.360 --> 1:03:44.400
<v Speaker 1>probably need to check out some of his work as well. I,

1:03:44.960 --> 1:03:46.520
<v Speaker 1>like I said, I keep falling into the habit of

1:03:46.560 --> 1:03:49.680
<v Speaker 1>rereading things. Uh, while I should really branch out and

1:03:49.840 --> 1:03:53.160
<v Speaker 1>explore some some more contemporary horror authors. Well, I can

1:03:53.240 --> 1:03:54.920
<v Speaker 1>let you borrow this when I am done with it.

1:03:55.000 --> 1:03:57.720
<v Speaker 1>I'm I'm really looking forward to the idea of bouncing

1:03:57.720 --> 1:04:00.160
<v Speaker 1>back and forth between a guy who's contemporary like us

1:04:00.160 --> 1:04:02.280
<v Speaker 1>and a guy who was alive over a hundred years ago,

1:04:02.840 --> 1:04:06.320
<v Speaker 1>really kind of writing similar stuff with Arker making Arthur

1:04:06.400 --> 1:04:12.360
<v Speaker 1>Makin's kind of huge collection of short stories. Yeah, I

1:04:12.360 --> 1:04:14.440
<v Speaker 1>feel like you guys are really showing me up in

1:04:14.520 --> 1:04:17.400
<v Speaker 1>terms of appropriately weird stuff here, I'm gonna have to

1:04:17.480 --> 1:04:20.240
<v Speaker 1>catch up for next year. It's gonna be it's gonna

1:04:20.280 --> 1:04:24.120
<v Speaker 1>be all sci fi and demons for five days. That's

1:04:24.160 --> 1:04:27.240
<v Speaker 1>gonna heavily influence the show. I think I'm already weighing

1:04:27.280 --> 1:04:30.760
<v Speaker 1>this in the demon category. Maybe a little bit too much,

1:04:30.800 --> 1:04:34.800
<v Speaker 1>but the uh, I mean that John Murray's Spear Book

1:04:34.880 --> 1:04:38.080
<v Speaker 1>sounds really interesting and I've never heard of is it?

1:04:38.400 --> 1:04:43.080
<v Speaker 1>Danilo kisses that there's a K I s And there's

1:04:43.160 --> 1:04:45.320
<v Speaker 1>the little carrot over the s. So I think the

1:04:45.360 --> 1:04:49.880
<v Speaker 1>Serbo Croatian way of saying keish. But yeah, I apologize

1:04:49.920 --> 1:04:52.680
<v Speaker 1>if that is wrong. I believe that sounds appropriately weird.

1:04:52.720 --> 1:04:55.840
<v Speaker 1>The Encyclopedia of the Dead, Yeah, now, um, author Makin

1:04:55.960 --> 1:04:58.360
<v Speaker 1>and the the Great God Pan and all that, I think.

1:04:58.880 --> 1:05:01.800
<v Speaker 1>I think I rich only saw reference to it in

1:05:02.240 --> 1:05:06.080
<v Speaker 1>one of the Lovecraft's essays about supernatural And yeah, that

1:05:06.240 --> 1:05:09.400
<v Speaker 1>quote that I just read from was from Lovecraft's book

1:05:10.000 --> 1:05:13.880
<v Speaker 1>is it Supernatural Literature Literature and Horror or Supernatural Horror

1:05:13.920 --> 1:05:17.000
<v Speaker 1>in Literature. It's a short nonfiction book that I believe

1:05:17.680 --> 1:05:19.680
<v Speaker 1>he put. This is all off the top of my head,

1:05:19.720 --> 1:05:23.600
<v Speaker 1>but I believe that Lovecraft compiled it from letters that

1:05:23.680 --> 1:05:26.840
<v Speaker 1>he shared with people like Robert Block who were sort

1:05:26.840 --> 1:05:30.560
<v Speaker 1>of in his circle of horror writer fans, and he

1:05:30.640 --> 1:05:33.040
<v Speaker 1>sort of came up with this guide of how how

1:05:33.080 --> 1:05:36.560
<v Speaker 1>to write horror literature. Yeah. Yeah, and that's where it

1:05:36.640 --> 1:05:38.960
<v Speaker 1>was mentioned that where I pulled that quote from at least,

1:05:38.960 --> 1:05:40.760
<v Speaker 1>so maybe that's where you saw it. Yeah. I also

1:05:40.920 --> 1:05:43.880
<v Speaker 1>was turned on to a number of like old classic

1:05:44.480 --> 1:05:47.840
<v Speaker 1>and horror and pulp writers. I used to go to

1:05:47.920 --> 1:05:51.800
<v Speaker 1>a wrestling message board and one of the contributors there

1:05:52.000 --> 1:05:54.640
<v Speaker 1>was this guy. It was this guy John Pellen, who

1:05:55.200 --> 1:05:59.600
<v Speaker 1>who is a horror writer and editor. Do a search

1:05:59.640 --> 1:06:01.880
<v Speaker 1>for his name and we'll see, you know, various anthologies

1:06:01.880 --> 1:06:04.280
<v Speaker 1>he's edited. He's I think he's worked with Edward Lee

1:06:04.640 --> 1:06:07.040
<v Speaker 1>on a few different books. And uh, and he was

1:06:07.520 --> 1:06:10.760
<v Speaker 1>he has an encyclopedic knowledge of of horror literature. So

1:06:10.800 --> 1:06:12.360
<v Speaker 1>he turned me onto a number of key authors that

1:06:12.400 --> 1:06:16.000
<v Speaker 1>I've grown to to just completely adore, like Michael Say Yeah,

1:06:16.160 --> 1:06:18.919
<v Speaker 1>Michael Shay actually wrote the introduction to that Layered Baron

1:06:18.960 --> 1:06:22.000
<v Speaker 1>but abo to read. Yeah, and uh, I also thought

1:06:22.000 --> 1:06:23.640
<v Speaker 1>of you as I was flipping through this last night

1:06:23.640 --> 1:06:25.600
<v Speaker 1>and reading all the sort of in praise of layered

1:06:25.600 --> 1:06:27.720
<v Speaker 1>baron stuff at the beginning, because he got a right

1:06:27.800 --> 1:06:30.040
<v Speaker 1>up from St. Josh in here. Oh yeah, he's been

1:06:30.080 --> 1:06:32.960
<v Speaker 1>on the show. You had St. Josh on the show. Yeah, yeah,

1:06:32.880 --> 1:06:35.960
<v Speaker 1>it's sort of for for those who who don't know. St.

1:06:36.080 --> 1:06:39.880
<v Speaker 1>Josh is, I guess like the Lovecraft scholar. Yeah, he's

1:06:39.960 --> 1:06:42.800
<v Speaker 1>known as the scholar of sort of weird fiction. Yeah.

1:06:42.800 --> 1:06:45.400
<v Speaker 1>And if Michael Shea recommends this guy, all the more reason.

1:06:45.480 --> 1:06:48.840
<v Speaker 1>Sha was just brilliant and he's sadly passed and uh

1:06:48.880 --> 1:06:51.680
<v Speaker 1>in the last year or so. But his particularly his

1:06:51.840 --> 1:06:55.280
<v Speaker 1>he wrote science fiction, fantasy, and horror, but his his

1:06:55.400 --> 1:06:59.080
<v Speaker 1>dark fantasy work particularly is his nipp The Leen Tales

1:06:59.440 --> 1:07:04.160
<v Speaker 1>are just beautiful, just just phenomenal. Most of them deal

1:07:04.240 --> 1:07:07.800
<v Speaker 1>with journeys into a into a subport into the sub worlds,

1:07:07.800 --> 1:07:12.560
<v Speaker 1>which are kind of a fantasy, a fantastic Dante esque underworld,

1:07:13.400 --> 1:07:18.560
<v Speaker 1>except with just concentric layers of of awfulness and wonder.

1:07:18.600 --> 1:07:21.920
<v Speaker 1>And then he that man had a gift. So that's

1:07:22.040 --> 1:07:24.280
<v Speaker 1>yet another person I'm adding just to the piece of paper,

1:07:24.360 --> 1:07:26.240
<v Speaker 1>just between the three of us talking, I have a

1:07:26.280 --> 1:07:28.640
<v Speaker 1>list here, probably ten different things I need to read,

1:07:28.920 --> 1:07:32.000
<v Speaker 1>but I'm still curious of what the audience is going

1:07:32.080 --> 1:07:34.840
<v Speaker 1>to recommend to these after hearing of what we're what

1:07:35.000 --> 1:07:37.320
<v Speaker 1>we would recommend to them, what we're reading right now,

1:07:37.320 --> 1:07:40.360
<v Speaker 1>and what we're going to read next. That's right, so hey.

1:07:40.400 --> 1:07:42.400
<v Speaker 1>In the meantime, head on over to stuffable your mind

1:07:42.440 --> 1:07:44.880
<v Speaker 1>dot com. That's where we'll find all the podcast episodes,

1:07:44.920 --> 1:07:47.160
<v Speaker 1>all the videos, all the blog posts, and the landing

1:07:47.160 --> 1:07:50.640
<v Speaker 1>page for this episode again will feature all the titles

1:07:50.640 --> 1:07:54.040
<v Speaker 1>and authors that we've mentioned here with appropriate links out

1:07:54.360 --> 1:07:56.240
<v Speaker 1>to place who you can buy them and if you

1:07:56.240 --> 1:07:58.680
<v Speaker 1>want to, let us know what books you recommend we

1:07:58.760 --> 1:08:01.600
<v Speaker 1>read and maybe if we really like them, will repeat

1:08:01.600 --> 1:08:04.320
<v Speaker 1>them back out to our audience and spread your ideas

1:08:04.320 --> 1:08:06.880
<v Speaker 1>throughout the population. You can email us at blow the

1:08:06.920 --> 1:08:12.640
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1:08:12.760 --> 1:08:15.240
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1:08:15.240 --> 1:08:21.880
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