WEBVTT - Evergreen Everblue

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<v Speaker 1>In Raffie learned something that shocked him. He'd gotten to

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<v Speaker 1>hear talk about beluga whales at the Science Center in Toronto.

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<v Speaker 1>Raphie had loved these whales since he first saw one

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<v Speaker 1>named Kavana at an aquarium a decade earlier. Kavna inspired

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<v Speaker 1>him to write his most famous song, Baby Beluga, Baby

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<v Speaker 1>Deep Bluega in the deep Blue Sea swims so wild,

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<v Speaker 1>then you swim so keavn. Rafie wrote it at a

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<v Speaker 1>time when they Save the Whales movement was just starting.

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<v Speaker 1>Baby Luga, Baby Luga is the water. People don't want

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<v Speaker 1>to hear anger or sadness or frustration at how things

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<v Speaker 1>may have got to They want to hear and they

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<v Speaker 1>are inspired by the love in our hearts, especially the

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<v Speaker 1>love for our young. And I thought, instead of writing

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<v Speaker 1>a lament, I would write a beauty of a love

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<v Speaker 1>song for a magnificent creature, the bluga whale. You know

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<v Speaker 1>what you love, you care about, and you want to protect.

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<v Speaker 1>But at the Science Center, Ralfie learned that beluga whales

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<v Speaker 1>were dying at an alarming rate. Their legion covered bodies

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<v Speaker 1>were washing up on the shores of the St. Lawrence River,

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<v Speaker 1>just two hundred miles from Toronto. Industrial pollution had turned

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<v Speaker 1>the whales into hazardous waste sites and left them with cancer.

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<v Speaker 1>Ralfie was devastated. If this was happening to the Beluga whales,

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<v Speaker 1>the very animal he made famous in his song, what

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<v Speaker 1>were all these toxins doing to the children living near

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<v Speaker 1>the river. He wasn't sure if he could ever sing

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<v Speaker 1>Baby Beluga again. You know, it was one thing to

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<v Speaker 1>think about children with love and to sing loving songs

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<v Speaker 1>with them and for them. But if the world that

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<v Speaker 1>we all live in, if our children's future is compromised

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<v Speaker 1>unless we change our ways, well what's the point of

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<v Speaker 1>just singing? I said to myself. I mean, songs and

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<v Speaker 1>music are great, but they only go so far. You

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<v Speaker 1>need to take care of the theater in which we

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<v Speaker 1>are singing. If you will right the home theater, Raffie

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<v Speaker 1>began to question everything, his identity, his relationships, the world.

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<v Speaker 1>I'm Chris Garcia and this is Finding Raffie, a ten

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<v Speaker 1>part series from My Heart Radio and Fatherly in partnership

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<v Speaker 1>with Rococo Punch, about the life, the philosophy, and the

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<v Speaker 1>work of Raffie, the man behind the music. By the

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<v Speaker 1>late eighties, Raffie was tired and burnt out. He'd been

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<v Speaker 1>touring NonStop. His creativity felt limited, and he was angry

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<v Speaker 1>and despairing. He needed a break from playing to young children,

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<v Speaker 1>so he made a pretty big decision that stunned everyone

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<v Speaker 1>around him. He decided to take a year off, no concerts,

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<v Speaker 1>no touring. Instead, Ralphie spent a lot of time learning

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<v Speaker 1>about the world, and he found himself reading about one

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<v Speaker 1>environmental disaster after another. Acid rain are growing hole in

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<v Speaker 1>the ozone layer, the destruction of the Amazon rainforest. This

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<v Speaker 1>was also when he discovered the radio series It's a

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<v Speaker 1>Matter of Survival, which might sound familiar. It was made

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<v Speaker 1>by his good friend David Suzuki, and it had a

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<v Speaker 1>huge impact on Raffie. It said that unless we as

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<v Speaker 1>a species collectively acted in a timely manner to reduce

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<v Speaker 1>greenhouse gas emissions, we risked they're reaching a point where

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<v Speaker 1>the warming is irreversible, and that would be catastrophic. So

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<v Speaker 1>when I heard the word irreversible, I had a major

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<v Speaker 1>meltdown within myself because that's the appropriate response. Actually, I mean,

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<v Speaker 1>that's major fear. Oh my god, it would get so

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<v Speaker 1>bad that we couldn't do anything about it. That ought

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<v Speaker 1>to scare you to the core, and it did me. Meanwhile,

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<v Speaker 1>Raffie and his wife deb split up. He moved out

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<v Speaker 1>of the house they shared and found a bachelor pad,

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<v Speaker 1>and he returned to an earlier hobby of his painting.

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<v Speaker 1>In his autobiography, Raffi wrote that he filled the walls

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<v Speaker 1>with his own art, oil pastels of abstract images and

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<v Speaker 1>female nudes. He was kind of spreading his wings. Well.

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<v Speaker 1>There was a year of introspection and a year of

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<v Speaker 1>a year that lead to new songs. I wrote, Our

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<v Speaker 1>dear dear Mother, I get teary when I hear our

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<v Speaker 1>dear dear mother, Daily provider, Earth be your name. The

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<v Speaker 1>time has come to honor you, to know you, and

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<v Speaker 1>to show our love. Our dear dear mother, Daily provide

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<v Speaker 1>be your name. The time has come to an to

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<v Speaker 1>know you and to show our love. Raffie emerged from

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<v Speaker 1>his sabbatical with a focused mission to protect the planet,

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<v Speaker 1>and he had a new album, Evergreen, Ever Blue. It

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<v Speaker 1>was his wake up call to the destruction of the Earth.

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<v Speaker 1>It was a big shift for Raffy. His earlier children's

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<v Speaker 1>songs had hinted at environmentalism, songs like all I Really

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<v Speaker 1>Need and thanks a lot. But now Ralf he had

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<v Speaker 1>an entire album devoted to the planet and the song

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<v Speaker 1>is called Voices from the Jungle Say Never. As it

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<v Speaker 1>was beginning, You've got this time, Ralph he wanted to

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<v Speaker 1>connect with adults and teens, the people he felt could

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<v Speaker 1>stop climate change, not his typical fans toddlers who struggled

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<v Speaker 1>to sit quietly through his performances. So Ralph, he said,

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<v Speaker 1>his sights on MTV music videos were all the rage.

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<v Speaker 1>They still are in some ways, but that's what you

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<v Speaker 1>required and in order to for people to get to,

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<v Speaker 1>you know, see your your song. The reason I tried

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<v Speaker 1>it was I felt so passionate about this planet that

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<v Speaker 1>needed all of us too. You know it's it's up

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<v Speaker 1>to you, It's up to me, so called. At the

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<v Speaker 1>same time, I felt it wasn't five year old's job

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<v Speaker 1>to help the Amazon stay intact. You know, it's up

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<v Speaker 1>to me. It's up RAPHI filmed the music video for Evergreen,

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<v Speaker 1>Ever Blue and an old growth forest on Vancouver Island.

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<v Speaker 1>In it, he sings and plays guitar beneath the giant

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<v Speaker 1>canopies of Douglas furs and Sita spruce. He has a

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<v Speaker 1>group of people singing with him, young environmentalists, tribal members,

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<v Speaker 1>and the Raging Granny's, a group of grandmother activists. It

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<v Speaker 1>kind of looks like a nature documentary, kind of like

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<v Speaker 1>a music video made for PBS. There are shots of

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<v Speaker 1>waterfalls and sunlit dappled leaves. At one point, Raffie hugs

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<v Speaker 1>a moss covered tree and passes around a crystal ball.

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<v Speaker 1>He says it was a metaphor for the future of

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<v Speaker 1>the planet being in human hands. And then the video

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<v Speaker 1>takes a turn and cuts to Raffie standing in a

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<v Speaker 1>barren field in front of a pile of tree stumps.

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<v Speaker 1>When we made the Evergreen, Ever Blue video, I was

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<v Speaker 1>taken to some cleer cutting sites just to experience what

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<v Speaker 1>a clear cut forest is like. It feels like you're

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<v Speaker 1>standing in death. Clear Cuts are horrible and a really

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<v Speaker 1>stupid idea of a bottom line money worshiping culture. That's

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<v Speaker 1>why I was so passionate in making the Evergreen, Ever

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<v Speaker 1>Blue album, trying something new for you know, slightly older

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<v Speaker 1>kids audience. You know, I was basically jumping through hoops

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<v Speaker 1>to try and make a difference. In true Raffie style,

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<v Speaker 1>he thought about every detail on his new album Whenever Green,

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<v Speaker 1>Ever Blue is released in nine record stores are transitioning

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<v Speaker 1>from selling vinyl to selling CDs, and the easiest way

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<v Speaker 1>to do that was to put CDs in long boxes,

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<v Speaker 1>those tall, skinny boxes that are about twice the size

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<v Speaker 1>of a CD. That's so they could be displayed in

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<v Speaker 1>the existing record bins. The problem was that meant CDs

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<v Speaker 1>came with a ton of unnecessary packaging. Ralphie put his

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<v Speaker 1>foot down. He was one of the first artists to

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<v Speaker 1>refuse to sell his music in wasteful packaging, but it

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<v Speaker 1>cost him. Some record stores wouldn't carry his album, and

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<v Speaker 1>that didn't go according to the plan. In the end, Evergreen,

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<v Speaker 1>Ever Blue was far from a smash hit. MTV never

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<v Speaker 1>aired his music videos, and radio stations didn't give the

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<v Speaker 1>album much play. Ralphie said he heard from angry parents

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<v Speaker 1>who were upset that the music wasn't appropriate for children.

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<v Speaker 1>I was too well known as a children's artists to

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<v Speaker 1>be played on adult music video stations. It wasn't possible

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<v Speaker 1>for that children's icon, as people considered me at the time,

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<v Speaker 1>two then change his audience. It just wasn't possible. This

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<v Speaker 1>was all a crazy irony to Raffie. In his autobiography,

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<v Speaker 1>he questioned how kids who grew up on his music

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<v Speaker 1>could watch quote, junk sex footage and macho rap, but

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<v Speaker 1>not his ecology music video. Rafy was frustrated and demoralized.

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<v Speaker 1>He was reading the news and listening to dire warnings

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<v Speaker 1>by scientists about the damaged humans were doing to the planet.

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<v Speaker 1>He felt there was no time to wait. Evergreen, Ever

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<v Speaker 1>Blue was his immediate response to climate change. Why didn't

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<v Speaker 1>his fans understand, like, how much clearer doesn't have to

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<v Speaker 1>be a warning to humanity. It's like it's like some

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<v Speaker 1>sci fi movie where you had some alien ship lands

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<v Speaker 1>and there's this warning to humanity, like Hello. Every year,

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<v Speaker 1>this Union of Concerned Science would come out with another

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<v Speaker 1>version of this warning. Well, what warning will we need

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<v Speaker 1>next to convince us? What will it take? Do we

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<v Speaker 1>love enough? That's my question. I'm still trying to picture

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<v Speaker 1>a Raffi music video on MTV in the early nineties. Evergreen,

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<v Speaker 1>Ever Blue on rotation with Nirvana smells like teen Spirit

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<v Speaker 1>or Can't Touch This by mc hammer. Look, I give

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<v Speaker 1>him credit for trying, but I'm thinking maybe he underestimated

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<v Speaker 1>how hard it would be to transform his image and

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<v Speaker 1>get his message out, and Evergreen ever Blue misses everything

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<v Speaker 1>I love about Raffie. In his earlier stuff, he was

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<v Speaker 1>playful and genuine. It was infectious because he was having fun.

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<v Speaker 1>If Baby Bluego was candy, this was vegetables. Here's what

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<v Speaker 1>I mean. Listen to the ending of Willoughby Wallaby Wou

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<v Speaker 1>from single Songs for the Very Young Willoughby Wallaby, when

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<v Speaker 1>an elephant set on Ken and Willoughby Wallaby Whaffy set

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<v Speaker 1>on RAFFI now compare that to we Are Not Alone

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<v Speaker 1>from Evergreen Ever Blue. We're crying shut the spread out amicas.

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<v Speaker 1>We're crying shut clear haze. We're saying no more? Can

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<v Speaker 1>we be that it's safe to hide our heads in

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<v Speaker 1>the sand to understand the Oh It just doesn't sound

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<v Speaker 1>like Raffie. He's trying so hard, but his words and

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<v Speaker 1>his whole vibe feel forced, like he's playing a character.

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<v Speaker 1>It cool it who this planet down? We can't give

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<v Speaker 1>it up. WI rap with Christophe more we get to

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<v Speaker 1>get done. Overall, the album feels a little lost. There's

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<v Speaker 1>pop music mixed with folk and reggae, but unlike his

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<v Speaker 1>earlier music, this doesn't sound cohesive. It sort of feels

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<v Speaker 1>like he's searching for something, maybe even for himself. Now,

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<v Speaker 1>I am not a music critic, and I respect what

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<v Speaker 1>raf He was trying to do. He was calling out

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<v Speaker 1>the harsh realities of climate change. He was done singing

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<v Speaker 1>about happy blooga whales because that didn't get people to

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<v Speaker 1>protect them. We are literally breathing, drinking, and eating the

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<v Speaker 1>nourishment that our mother provides. So do we really not

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<v Speaker 1>understand connection between Mother Earth and us her children? Do

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<v Speaker 1>we really not understand are very dependents on the air, water,

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<v Speaker 1>soil quality of this beautiful planet that we call home.

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<v Speaker 1>Raphe's fans weren't the only ones confused by Evergreen Ever Blue.

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<v Speaker 1>The press didn't understand his new direction either, and I'll

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<v Speaker 1>admit the newspaper articles were rough. In The Washington Post

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<v Speaker 1>ran a piece called Rafe's Growing Pains. The reporter wrote,

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<v Speaker 1>the new Raffie writes angry music for adults now. Time

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<v Speaker 1>magazine questioned why the most popular children singer abandoned his audience.

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<v Speaker 1>Evergreen ever Blue, the magazine said, was not merely inappropriate

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<v Speaker 1>for toddlers. It is a warning screech of apocalypse that

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<v Speaker 1>had to hurt Rafie devoted a big chunk of his

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<v Speaker 1>autobiography to these articles. How he felt the media dismissed

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<v Speaker 1>his environmental awakening. He says he was chopped up to

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<v Speaker 1>being a madman or having a midlife crisis. Adopting an

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<v Speaker 1>environmental message and appealing to an older audience was a

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<v Speaker 1>big gamble. Dorian Lynskey is the author of thirty three

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<v Speaker 1>Revolutions per Minute, a history of protest songs. Dorian reminded

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<v Speaker 1>me about the Dixie Chicks, or the Chicks as they're

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<v Speaker 1>now known, and what can happen when an audience doesn't

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<v Speaker 1>go along with an artist transformation. So a really extreme

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<v Speaker 1>example which which interests me, is in two thousands three

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<v Speaker 1>when Natalie Maines in the Dixie Chicks criticize the Iraq

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<v Speaker 1>War and George Bush on stage in London instead, I'm

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<v Speaker 1>ashamed President the United States and Texas got a huge

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<v Speaker 1>cheer in the room, and that line was quoted in

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<v Speaker 1>a review which got picked up by talk radio and

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<v Speaker 1>Fox News and so on, and they became demonized by

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<v Speaker 1>conservatives but also by the country scene, and they were

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<v Speaker 1>pulled off the radio, and that these kind of ceremonial

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<v Speaker 1>you know, smashing of their c d s. They were

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<v Speaker 1>viciously attacked, and I think that's an example of what

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<v Speaker 1>happens where the audience and your scene violently reacts to

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<v Speaker 1>your politics. I don't think people are reacting to Raphae's politics.

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<v Speaker 1>I think they just didn't like his new vibe. He

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<v Speaker 1>literally changed everything that people loved about him. Still, it's

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<v Speaker 1>risky for an artist to release protest music. Dorian says

0:17:09.320 --> 0:17:12.919
<v Speaker 1>it's successful when audiences are also feeling upset or uneasy,

0:17:13.040 --> 0:17:15.399
<v Speaker 1>like when the economy is tanking or the world's on

0:17:15.400 --> 0:17:18.919
<v Speaker 1>the brink of a nuclear war. The problem is Raphie

0:17:19.000 --> 0:17:24.080
<v Speaker 1>released Evergreen, ever Blue in the economy is fairly stable.

0:17:24.640 --> 0:17:29.280
<v Speaker 1>They were not worried that democracy itself is under threats,

0:17:30.000 --> 0:17:33.320
<v Speaker 1>and you know, the planet is burning. It's a very

0:17:33.359 --> 0:17:36.000
<v Speaker 1>optimistic time, and so to the end of apartheid, and

0:17:36.080 --> 0:17:39.800
<v Speaker 1>it's the end of the Cold War. It's not really

0:17:39.840 --> 0:17:43.280
<v Speaker 1>a time of crisis when people are looking for crisis art.

0:17:44.359 --> 0:17:47.680
<v Speaker 1>Even with the critical reviews and the angry feedback from fans,

0:17:48.080 --> 0:17:51.080
<v Speaker 1>Raphi was undaunted. He felt the world was heading in

0:17:51.119 --> 0:17:56.000
<v Speaker 1>the wrong direction. In he traveled to the United Nations

0:17:56.000 --> 0:17:59.880
<v Speaker 1>Earth Summit in Rio de jann Arrow with environmentalists. David's

0:17:59.880 --> 0:18:03.200
<v Speaker 1>is Juki and his daughter seven. Seven was twelve years

0:18:03.240 --> 0:18:05.240
<v Speaker 1>old at the time, and gave a speech to a

0:18:05.240 --> 0:18:10.920
<v Speaker 1>packed audience, and by the time her five or seven

0:18:10.960 --> 0:18:14.840
<v Speaker 1>minute talk was done, she got a standing ovation, and

0:18:15.040 --> 0:18:18.800
<v Speaker 1>al Gore walked all the way over to where seven

0:18:18.920 --> 0:18:22.760
<v Speaker 1>was sitting, reached out his hand, he said, seven, that's

0:18:22.760 --> 0:18:26.520
<v Speaker 1>the best speech I've heard all week. Wow. What was

0:18:26.560 --> 0:18:29.280
<v Speaker 1>it about this speech that had caused such a stare

0:18:29.280 --> 0:18:32.919
<v Speaker 1>and had such an impact on these adults? She said,

0:18:33.480 --> 0:18:36.679
<v Speaker 1>I came five thousand miles to tell you, adults, you

0:18:36.800 --> 0:18:40.280
<v Speaker 1>must change your ways. She said. You say you love us,

0:18:40.320 --> 0:18:46.520
<v Speaker 1>and I challenge you, please show us, please reflect that love.

0:18:46.720 --> 0:18:52.719
<v Speaker 1>She said, in your choices. Pretty powerful, I challenge you,

0:18:52.840 --> 0:18:58.359
<v Speaker 1>she said, reminiscent of Greta Turnberg today, Ye who's challenging

0:18:58.400 --> 0:19:01.479
<v Speaker 1>adults to not get in the way of the healthy

0:19:01.560 --> 0:19:04.840
<v Speaker 1>future that she and all the world's children, all of

0:19:04.920 --> 0:19:11.720
<v Speaker 1>us deserve. Pretty potent. That is exactly what Severn called it.

0:19:11.800 --> 0:19:23.120
<v Speaker 1>Suzuki said at the age of twelve, realizing the hypocrisy

0:19:23.119 --> 0:19:26.119
<v Speaker 1>of adults was something Raffie could relate to. From his

0:19:26.160 --> 0:19:29.520
<v Speaker 1>own childhood, he felt like his parents would tell him

0:19:29.560 --> 0:19:35.600
<v Speaker 1>one thing, but then do the opposite. He grew up

0:19:35.640 --> 0:19:38.320
<v Speaker 1>feeling like he couldn't trust them to tell him the truth.

0:19:39.119 --> 0:19:43.280
<v Speaker 1>And there was something else. Severn was just twelve years old,

0:19:44.200 --> 0:19:48.320
<v Speaker 1>and there she was speaking to the United Nations. She

0:19:48.440 --> 0:19:56.320
<v Speaker 1>was supported and empowered by her parents. She had everything

0:19:56.400 --> 0:19:59.920
<v Speaker 1>Raffi wanted as a kid to be seen and heard

0:20:00.080 --> 0:20:05.520
<v Speaker 1>for who she was. Maybe finally, as an adult he

0:20:05.600 --> 0:20:18.440
<v Speaker 1>could be too. You know, not a lot of people

0:20:18.480 --> 0:20:21.360
<v Speaker 1>were talking about climate at that time that had such

0:20:21.400 --> 0:20:43.080
<v Speaker 1>a platform as him. The Two Earth Summit and Rio

0:20:43.320 --> 0:20:46.679
<v Speaker 1>had a big impact on Raffie. He soaked up as

0:20:46.760 --> 0:20:49.720
<v Speaker 1>much as he could. He rubbed elbows with then Senator

0:20:49.800 --> 0:20:53.600
<v Speaker 1>Al Gore, and he was blown away by conservationist Jacques

0:20:53.600 --> 0:20:57.840
<v Speaker 1>Cousteau's warnings about the degradation of the oceans. But it

0:20:57.880 --> 0:21:01.720
<v Speaker 1>was severn callis Suzuki speech that really resonated with Raffie.

0:21:02.600 --> 0:21:05.560
<v Speaker 1>He was awed by the power of a child's voice.

0:21:06.080 --> 0:21:09.959
<v Speaker 1>Maybe kids could be the change makers. After all, Rafie

0:21:10.080 --> 0:21:14.240
<v Speaker 1>left Rio vowing to support these young activists. His legacy

0:21:14.359 --> 0:21:16.720
<v Speaker 1>is one that I certainly relate to. Again, this idea

0:21:16.800 --> 0:21:19.640
<v Speaker 1>that we're all in this together and we all need

0:21:19.680 --> 0:21:24.160
<v Speaker 1>to protect the world. Philippe Cousto is Jacques Cousteau's grandson,

0:21:24.680 --> 0:21:28.240
<v Speaker 1>and he's following in his family's footsteps as a filmmaker, author,

0:21:28.359 --> 0:21:33.240
<v Speaker 1>and environmental activist. You probably know this, but Philippe's grandfather,

0:21:33.440 --> 0:21:38.119
<v Speaker 1>Jacques was a badass. He helped invent scuba diving. His

0:21:38.240 --> 0:21:41.480
<v Speaker 1>films about marine life sparked an understanding of what's deep

0:21:41.520 --> 0:21:45.000
<v Speaker 1>in the oceans and why we have to protect them.

0:21:45.040 --> 0:21:48.280
<v Speaker 1>He was a huge inspiration to Raffie too, And my

0:21:48.320 --> 0:21:50.840
<v Speaker 1>grandfather always said, you know, before we can talk about conservation,

0:21:50.880 --> 0:21:53.080
<v Speaker 1>we have to talk about education. We have to talk

0:21:53.119 --> 0:21:56.240
<v Speaker 1>about how we reach beyond the converted and start to

0:21:56.640 --> 0:21:59.840
<v Speaker 1>provide opportunities for young people to engage in Any social

0:22:00.000 --> 0:22:03.240
<v Speaker 1>movement in history, if it's successful, it's successful because it's

0:22:03.359 --> 0:22:07.040
<v Speaker 1>driven by a younger generation working with young people and

0:22:07.080 --> 0:22:11.000
<v Speaker 1>supporting and nurturing their ambitions. That's something both Philippe and

0:22:11.040 --> 0:22:15.480
<v Speaker 1>Raphy share. In two thousand five, Philip co founded Earth

0:22:15.560 --> 0:22:19.560
<v Speaker 1>Echo International. It's an organization that works with kids to

0:22:19.680 --> 0:22:23.360
<v Speaker 1>inspire environmental activism. What I see in young people all

0:22:23.400 --> 0:22:26.879
<v Speaker 1>the time is they don't know the meaning of the

0:22:26.920 --> 0:22:30.400
<v Speaker 1>word no. Young people have this and this wondrous ability

0:22:30.440 --> 0:22:35.480
<v Speaker 1>to cut through the bs and get to the root

0:22:35.520 --> 0:22:40.320
<v Speaker 1>of the problem and question the very nature of why

0:22:40.400 --> 0:22:42.399
<v Speaker 1>things are the way they are and how they work.

0:22:43.040 --> 0:22:47.840
<v Speaker 1>And that's such just a wondrous, inspiring attribute that young

0:22:47.880 --> 0:22:50.240
<v Speaker 1>people have, that that we as adults could learn a

0:22:50.240 --> 0:22:54.160
<v Speaker 1>lot from. Instead of getting caught up in what isn't possible,

0:22:54.760 --> 0:22:56.560
<v Speaker 1>we should spend a lot more time being caught up

0:22:56.560 --> 0:22:59.880
<v Speaker 1>in what is possible. Philip says that sometimes as adults,

0:23:00.480 --> 0:23:02.479
<v Speaker 1>we just have to get out of the way. We

0:23:02.560 --> 0:23:06.080
<v Speaker 1>have worked with young people who helped to draft legislation

0:23:06.520 --> 0:23:09.240
<v Speaker 1>in South Florida to require solar panels to be built

0:23:09.280 --> 0:23:12.200
<v Speaker 1>on new buildings, and it passed. People forget that it

0:23:12.280 --> 0:23:14.920
<v Speaker 1>was a young girl, probably not much old and twelve

0:23:14.920 --> 0:23:17.879
<v Speaker 1>and thirteen years old, that petitioned Maine, the state of Maine,

0:23:18.040 --> 0:23:24.080
<v Speaker 1>to ban styrofoam in fast food, particularly McDonald's take out.

0:23:24.600 --> 0:23:28.560
<v Speaker 1>It passed the legislature because of her fearsome advocacy for this,

0:23:28.920 --> 0:23:30.479
<v Speaker 1>and then McDonald's was like, well, we're not just going

0:23:30.520 --> 0:23:33.400
<v Speaker 1>to create a separate container for one state, and they

0:23:33.440 --> 0:23:38.280
<v Speaker 1>eliminated star foam from their entire takeout chain. One light,

0:23:39.400 --> 0:23:47.640
<v Speaker 1>one sun one sun lighting everyone. How do we help

0:23:47.720 --> 0:23:52.840
<v Speaker 1>them recognize that they can be powerful. I think that

0:23:52.920 --> 0:23:57.720
<v Speaker 1>the despondency, the sadness, and the despair that happens for

0:23:57.760 --> 0:24:01.800
<v Speaker 1>so many people is when you've one feels like one

0:24:01.840 --> 0:24:03.920
<v Speaker 1>doesn't have an impact, one has no power, one has

0:24:03.920 --> 0:24:08.480
<v Speaker 1>no agency in the world. And that's not true. I

0:24:08.520 --> 0:24:12.760
<v Speaker 1>think all of us can feel sad and despairing at times,

0:24:12.760 --> 0:24:16.679
<v Speaker 1>But dispairreer is not an energy to give ourselves over too.

0:24:17.680 --> 0:24:20.600
<v Speaker 1>We feel it, we noted, and we've set it aside

0:24:20.680 --> 0:24:25.000
<v Speaker 1>because we've got work to do. Our children need us

0:24:25.040 --> 0:24:37.000
<v Speaker 1>to do the work. And if we can show people

0:24:37.320 --> 0:24:40.680
<v Speaker 1>around the world why nature is valuable to their lives,

0:24:40.960 --> 0:24:44.160
<v Speaker 1>then they're going to protect it in their own enlightened

0:24:44.200 --> 0:24:46.640
<v Speaker 1>self interest, which is the best thing we can do.

0:24:47.080 --> 0:24:51.240
<v Speaker 1>This is sang. He runs an organization called Conservation International.

0:24:51.800 --> 0:24:53.919
<v Speaker 1>They do a lot to protect the earth, like working

0:24:53.920 --> 0:24:57.639
<v Speaker 1>with communities on sustainable farming practices and planting trees to

0:24:57.720 --> 0:25:01.800
<v Speaker 1>counter deforestation. For Jin, it all starts with placing a

0:25:01.920 --> 0:25:05.719
<v Speaker 1>value on nature, something he learned early on growing up

0:25:05.720 --> 0:25:09.320
<v Speaker 1>in Sri Lanka. When I was born, my grandmother took

0:25:09.320 --> 0:25:12.960
<v Speaker 1>me to see an astrologer and the astrologer told me that, um,

0:25:13.000 --> 0:25:15.160
<v Speaker 1>I told my grandmother that I would die by drowning,

0:25:17.520 --> 0:25:19.480
<v Speaker 1>so they kept me out of the water. They didn't

0:25:19.480 --> 0:25:21.560
<v Speaker 1>want me to swim in the ocean. In fact, I

0:25:21.600 --> 0:25:23.800
<v Speaker 1>wasn't even allowed to take a bath. They would literally

0:25:23.920 --> 0:25:27.440
<v Speaker 1>pour you know, cups of water over my head. Wow. Right,

0:25:27.880 --> 0:25:31.080
<v Speaker 1>And it made some sense, some logical sense. My grandmother

0:25:31.200 --> 0:25:33.600
<v Speaker 1>loved me, and she was very aware of how little

0:25:33.640 --> 0:25:35.840
<v Speaker 1>time I had, and so what she wanted to do.

0:25:35.960 --> 0:25:39.600
<v Speaker 1>She wanted to protect me. But when Sangin was nine,

0:25:40.040 --> 0:25:43.080
<v Speaker 1>his mother secretly taught him how to swim. My mother

0:25:43.119 --> 0:25:45.399
<v Speaker 1>isn't any great swimming, but she taught me how to swimming.

0:25:45.400 --> 0:25:48.120
<v Speaker 1>Had changed my life. And since then, I've literally gone

0:25:48.160 --> 0:25:51.040
<v Speaker 1>diving in almost every ocean on the planet, from the

0:25:51.200 --> 0:25:54.720
<v Speaker 1>Arctic to you know, raja Ampat, Indonesia to the Solomon

0:25:54.760 --> 0:25:58.399
<v Speaker 1>Islands the coast of California. Right. And I wondered often

0:25:58.520 --> 0:26:01.600
<v Speaker 1>like why my mom broke with tradition and took that

0:26:01.760 --> 0:26:03.360
<v Speaker 1>risk and taught me how to swim in it? And

0:26:03.600 --> 0:26:05.600
<v Speaker 1>what I can think about that is that my my

0:26:05.720 --> 0:26:08.679
<v Speaker 1>grandmother loved me, and so I wanted to protect me.

0:26:09.080 --> 0:26:12.919
<v Speaker 1>My mother loved me, but she also valued my life.

0:26:13.359 --> 0:26:17.680
<v Speaker 1>She started investing in me, and that's the guiding kind

0:26:17.720 --> 0:26:21.919
<v Speaker 1>of star that has always guided my work and my career.

0:26:25.440 --> 0:26:26.960
<v Speaker 1>So I know, I hate to say it this way,

0:26:27.000 --> 0:26:30.760
<v Speaker 1>but I don't think love alone is enough to actually

0:26:30.800 --> 0:26:34.280
<v Speaker 1>make anything stick. You also have to value it if

0:26:34.280 --> 0:26:36.800
<v Speaker 1>it's going to be sticky over the long period of time.

0:26:38.800 --> 0:26:42.280
<v Speaker 1>Working to protect the planet isn't Sandon's only job. He's

0:26:42.320 --> 0:26:45.040
<v Speaker 1>a new dad like me, with a little daughter at home.

0:26:46.160 --> 0:26:48.640
<v Speaker 1>How do you plan to talk to her about climate

0:26:48.720 --> 0:26:51.840
<v Speaker 1>change when you have a child. I think that you

0:26:51.920 --> 0:26:54.840
<v Speaker 1>want to protect this kid. We do owe it to

0:26:54.920 --> 0:26:59.000
<v Speaker 1>that next generation not to completely be so engulfed in

0:26:59.000 --> 0:27:01.280
<v Speaker 1>our own doom and gloom they we forget the beauty

0:27:01.320 --> 0:27:05.120
<v Speaker 1>and wonder and the resilience that this planet has, And

0:27:05.280 --> 0:27:08.439
<v Speaker 1>don't forget reinforcements on the way. You know, when I

0:27:08.480 --> 0:27:10.919
<v Speaker 1>look at my daughter, when I look at kids in school,

0:27:11.280 --> 0:27:16.280
<v Speaker 1>I am blown away by the level of intelligence, sophistication, tech,

0:27:16.359 --> 0:27:19.879
<v Speaker 1>savvinus care that they have. So I do have some

0:27:19.920 --> 0:27:22.879
<v Speaker 1>faith that this next generation is going to be the

0:27:22.960 --> 0:27:26.160
<v Speaker 1>rescue generation. I just don't want to spoil it so

0:27:26.240 --> 0:27:29.200
<v Speaker 1>much that she can't get to also enjoy it. There's

0:27:29.200 --> 0:27:33.520
<v Speaker 1>a fine balance between being a savior and savoring something,

0:27:33.600 --> 0:27:39.439
<v Speaker 1>and you've got to do a bit of both. Him, Raffie,

0:27:39.480 --> 0:27:42.359
<v Speaker 1>how are you? I'm good? How are you? Can you

0:27:42.359 --> 0:27:47.800
<v Speaker 1>see me? Awesome? I called Raffie one morning last fall.

0:27:48.640 --> 0:27:51.399
<v Speaker 1>I'd read about the historic rains that we're forcing people

0:27:51.440 --> 0:27:54.920
<v Speaker 1>from their homes not far from him in Canada. How's

0:27:54.960 --> 0:27:58.400
<v Speaker 1>everything with the floods up there? Are Are you safe? Um?

0:27:58.680 --> 0:28:01.560
<v Speaker 1>I've been Um, I've reading about it and following along.

0:28:01.680 --> 0:28:05.640
<v Speaker 1>Is everything okay up there? Thank you? It's fine for me.

0:28:06.680 --> 0:28:12.400
<v Speaker 1>I'm one of the lucky ones. Mother Nature's fury um

0:28:12.520 --> 0:28:16.200
<v Speaker 1>has been devastating for communities in my province of British Columbia.

0:28:17.800 --> 0:28:22.399
<v Speaker 1>There's no question that the climate emergency were in is

0:28:22.440 --> 0:28:27.200
<v Speaker 1>exacerbating and bringing about these extreme weather conditions and will

0:28:27.200 --> 0:28:31.159
<v Speaker 1>continue to do so. I mean, you don't have to

0:28:31.200 --> 0:28:35.440
<v Speaker 1>be a rocket scientist to get how perilous the situation

0:28:35.600 --> 0:28:39.400
<v Speaker 1>is and that bold climate action is the only way

0:28:39.440 --> 0:28:44.440
<v Speaker 1>forward to address it. Rafie was tired. The floods arrived

0:28:44.520 --> 0:28:47.400
<v Speaker 1>just a few months after extreme heat and wildfires had

0:28:47.520 --> 0:28:51.240
<v Speaker 1>ravaged the region. It's been over thirty years since he

0:28:51.320 --> 0:28:55.560
<v Speaker 1>released Evergreen, Ever Blue, and not much has changed. Raphe's

0:28:55.560 --> 0:28:59.600
<v Speaker 1>worries haven't changed either. What does your daughter Sonny need

0:28:59.600 --> 0:29:06.360
<v Speaker 1>in this world? She needs, uh, intact, ancient forests for many,

0:29:06.400 --> 0:29:10.680
<v Speaker 1>many reasons, including their beauty. I mean, it's astonishing to

0:29:10.720 --> 0:29:14.440
<v Speaker 1>me that we have to fight for the protection of

0:29:14.520 --> 0:29:19.719
<v Speaker 1>beauty and these trees that soak up carbon. That's what

0:29:19.760 --> 0:29:23.880
<v Speaker 1>we want, We need these people doing carbon offsets plant trees.

0:29:23.920 --> 0:29:26.239
<v Speaker 1>How about keeping the ones we already have, like the

0:29:26.320 --> 0:29:30.400
<v Speaker 1>giant ones. You know, Sorry, I just went on a

0:29:30.400 --> 0:29:33.560
<v Speaker 1>bit of a runt there. No, I completely understand, and

0:29:33.600 --> 0:29:39.560
<v Speaker 1>I appreciate the passion. Sometimes I will um think about

0:29:39.560 --> 0:29:41.960
<v Speaker 1>the future and the present moment and sunny and what

0:29:42.040 --> 0:29:44.160
<v Speaker 1>kind of world she's going to live in. And sometimes

0:29:44.160 --> 0:29:46.240
<v Speaker 1>I just feel like I lose hope, or I'll stay

0:29:46.280 --> 0:29:48.760
<v Speaker 1>up an extra hour at night tossing and turning. Do

0:29:48.800 --> 0:29:53.960
<v Speaker 1>you ever feel like that we have seen tragic escalation

0:29:54.040 --> 0:30:05.200
<v Speaker 1>of summer wildfires, of enormous intensity, of precedented wake up people,

0:30:05.880 --> 0:30:11.479
<v Speaker 1>wake up to this climate threat. It's our children, the

0:30:11.520 --> 0:30:25.200
<v Speaker 1>world we love, all of this, all of this. Raffie

0:30:25.280 --> 0:30:28.760
<v Speaker 1>has always been open to reinvention, so maybe it's not

0:30:28.840 --> 0:30:31.479
<v Speaker 1>a surprise that he'd circle back to his young fans

0:30:32.200 --> 0:30:35.680
<v Speaker 1>and to the idea of respect, that core value that

0:30:35.760 --> 0:30:39.560
<v Speaker 1>launched his career in the first place, because Ralphie was

0:30:39.640 --> 0:30:43.040
<v Speaker 1>discovering that maybe there was a link between protecting the

0:30:43.080 --> 0:31:14.520
<v Speaker 1>planet and how we raise our kids. Next time on

0:31:14.680 --> 0:31:19.800
<v Speaker 1>Finding Raffie, this philosophy which essentially woke me up from

0:31:19.840 --> 0:31:24.160
<v Speaker 1>a sound sleep with those two words sort of suspended

0:31:24.200 --> 0:31:28.960
<v Speaker 1>in the air, child honoring. I knew in that luminous

0:31:29.040 --> 0:31:32.040
<v Speaker 1>moment that I was being given something that would be

0:31:32.080 --> 0:31:39.800
<v Speaker 1>the work of the rest of my life. Finding Raffie

0:31:39.880 --> 0:31:42.560
<v Speaker 1>is a production of My Heart Radio and Fatherly in

0:31:42.640 --> 0:31:48.080
<v Speaker 1>partnership with Rococo Punch. It's produced by Catherine Fenalosa, Meredith Hannig,

0:31:48.240 --> 0:31:52.640
<v Speaker 1>and James Trout. Production assistance from Charlotte Livingston. Alex French

0:31:52.760 --> 0:31:56.400
<v Speaker 1>is our story consultant. Our senior producer is Andrea Swahe

0:31:56.920 --> 0:32:01.600
<v Speaker 1>Emily Foreman is our editor. Fact checking by Andrea Lopez Crusado.

0:32:02.480 --> 0:32:06.000
<v Speaker 1>Raphae's music is courtesy of Troubadour Music Special thanks to

0:32:06.040 --> 0:32:11.240
<v Speaker 1>Kim Layton at Troubadour. Our executive producers are Jessica Albert

0:32:11.280 --> 0:32:15.200
<v Speaker 1>and John Parotti at Rococo Punch, Ty Trimble, Mike Rothman

0:32:15.240 --> 0:32:19.200
<v Speaker 1>and Jeff Eisenman at Fatherly and Me Chris Garcia, thank

0:32:19.240 --> 0:32:28.960
<v Speaker 1>you for listening. We're just living and grooving with one another.

0:32:29.000 --> 0:32:33.000
<v Speaker 1>You know, it's just this is real life, folks. This

0:32:33.040 --> 0:32:36.440
<v Speaker 1>ain't just like just somethings I'm concerned about. This is

0:32:36.560 --> 0:32:38.720
<v Speaker 1>real life.