1 00:00:03,080 --> 00:00:06,040 Speaker 1: Welcome to stuff mom never told you from House Top 2 00:00:06,120 --> 00:00:14,160 Speaker 1: works not common. Hello, and welcome to the podcast. I'm 3 00:00:14,240 --> 00:00:18,440 Speaker 1: Kristen and I'm Caroline, and we are revisiting a listener 4 00:00:18,600 --> 00:00:22,720 Speaker 1: favorite topic, which is the Manic Pixie dream Girl. Wait 5 00:00:22,800 --> 00:00:27,120 Speaker 1: for it, do you hear that? That's an entire audience groaning? Oh, 6 00:00:27,160 --> 00:00:29,600 Speaker 1: because we're no one likes the Manic Pixie dream Girl 7 00:00:29,720 --> 00:00:32,280 Speaker 1: because the character. I feel like people are just exhausted 8 00:00:32,280 --> 00:00:35,920 Speaker 1: by this woman, this this imaginary woman. Yeah, people are 9 00:00:36,400 --> 00:00:40,560 Speaker 1: a little bit wary of the MPDG. But I thought 10 00:00:40,600 --> 00:00:46,360 Speaker 1: that we could revisit it, or rather eulogize the Manic 11 00:00:46,400 --> 00:00:48,840 Speaker 1: Pixie dream Girl, even though I will say Fault TV 12 00:00:49,000 --> 00:00:52,920 Speaker 1: has started, which means that America's favorite Manic Pixie dream Girl, 13 00:00:53,040 --> 00:00:56,600 Speaker 1: Zoe d back on for a new season of New 14 00:00:56,640 --> 00:01:01,280 Speaker 1: girl Ie. One day, I might watch that. Oh, it's enjoyable, Okay, 15 00:01:01,320 --> 00:01:03,080 Speaker 1: it's fine. I'm I I don't know, I just you know, 16 00:01:04,080 --> 00:01:08,160 Speaker 1: I'm more watching other things. She has beautiful bangs, That's 17 00:01:08,160 --> 00:01:11,920 Speaker 1: what I've heard. So what about the death of the 18 00:01:11,920 --> 00:01:15,600 Speaker 1: Manic Pixie dream Girl. Well, yeah, she was declared dead. 19 00:01:16,319 --> 00:01:19,199 Speaker 1: I know she was having such a moment in two 20 00:01:19,240 --> 00:01:21,840 Speaker 1: thousand and twelve, her life was cut so short. And 21 00:01:21,880 --> 00:01:24,480 Speaker 1: when we did that podcast, we got so many emails 22 00:01:24,520 --> 00:01:27,920 Speaker 1: from people saying that they knew of the trope, they 23 00:01:27,920 --> 00:01:30,120 Speaker 1: had seen it, they knew real people who were doing this, 24 00:01:30,160 --> 00:01:34,040 Speaker 1: they knew Manic Pixie dream guys. And now April two 25 00:01:34,040 --> 00:01:40,280 Speaker 1: thousand thirteen, Monica Bartsial at The Week says, you know what, MPDG, 26 00:01:40,880 --> 00:01:44,040 Speaker 1: you need to retire. Yeah. She says that the whole 27 00:01:44,160 --> 00:01:48,919 Speaker 1: trope has devolved into what she calls laziness and sexism. 28 00:01:48,960 --> 00:01:52,680 Speaker 1: And she said, the first really negative bad sign about 29 00:01:52,680 --> 00:01:55,800 Speaker 1: this whole thing, this trend of referring to female characters 30 00:01:56,200 --> 00:01:59,440 Speaker 1: as Manic Pixie dream girls, is that Annie Hall was 31 00:01:59,480 --> 00:02:01,800 Speaker 1: included in the group. And that's like you just hear 32 00:02:01,920 --> 00:02:05,960 Speaker 1: glass shattering in your mind when you hear people referring 33 00:02:06,000 --> 00:02:09,360 Speaker 1: to her as that, because it has adopted such a 34 00:02:09,680 --> 00:02:13,480 Speaker 1: negative connotation, right, and people would take offense to a 35 00:02:13,560 --> 00:02:17,240 Speaker 1: character as beloved as Annie Hall being called little more 36 00:02:17,360 --> 00:02:22,040 Speaker 1: than just a vessel for Woody Allen's own personal development. 37 00:02:23,440 --> 00:02:29,200 Speaker 1: And then July twenty, New York Magazine's Kate Stoefel says, 38 00:02:29,240 --> 00:02:33,360 Speaker 1: you know what, not only is the MPDG retired, she 39 00:02:33,480 --> 00:02:36,960 Speaker 1: just did. The term is lust all meaning she did 40 00:02:37,280 --> 00:02:41,600 Speaker 1: so stow Feel points to the moment MPDG was over 41 00:02:41,680 --> 00:02:44,480 Speaker 1: for her, and she says the manic mixie dream girl 42 00:02:44,520 --> 00:02:47,880 Speaker 1: completed her life cycle when a male filmmaker, and that 43 00:02:47,880 --> 00:02:52,920 Speaker 1: would be modern love essayist Madison Perry uh realized that 44 00:02:53,040 --> 00:02:56,840 Speaker 1: his own real life IMPDG was more complicated than the 45 00:02:56,840 --> 00:02:59,800 Speaker 1: girls in the movies that he watched and wrote movies, 46 00:03:00,360 --> 00:03:03,919 Speaker 1: which in turn inspired women to think of themselves as 47 00:03:04,040 --> 00:03:08,440 Speaker 1: mp d g s, although Lara Basella exo j encountered 48 00:03:08,680 --> 00:03:11,520 Speaker 1: that you know what, they are not dead, although she 49 00:03:11,720 --> 00:03:15,520 Speaker 1: only used old examples to cite that, but she said, 50 00:03:15,600 --> 00:03:20,640 Speaker 1: no matter what, guys like Madison Perry are always going 51 00:03:20,760 --> 00:03:25,720 Speaker 1: to need and want muses and love seeing pretty young things, 52 00:03:25,760 --> 00:03:30,040 Speaker 1: so of course she will always exists. Although I will 53 00:03:30,080 --> 00:03:34,040 Speaker 1: say that I did agree with Virginia Pasley who noted 54 00:03:34,080 --> 00:03:37,480 Speaker 1: a while ago actually over at Slate that the MPDG 55 00:03:37,640 --> 00:03:40,920 Speaker 1: has come to mean every female role that's comedic or 56 00:03:40,960 --> 00:03:44,360 Speaker 1: even the slightest bit quirky. In fact, it's starting to 57 00:03:44,360 --> 00:03:49,400 Speaker 1: feel like an undeserved insult. So yeah, I feel like 58 00:03:49,640 --> 00:03:55,000 Speaker 1: the MPDG is dead because we have assigned too much 59 00:03:55,120 --> 00:03:58,480 Speaker 1: to her. Right. Yeah, the this, this little sketch of 60 00:03:58,520 --> 00:04:01,760 Speaker 1: a character is being crushed under the weight of all 61 00:04:01,800 --> 00:04:04,600 Speaker 1: of the baggage that we're putting on her, because, as 62 00:04:04,640 --> 00:04:10,200 Speaker 1: many people have brought up, it's being applied to almost 63 00:04:10,960 --> 00:04:14,800 Speaker 1: any female character Willy nilly who is anything other than 64 00:04:14,960 --> 00:04:19,240 Speaker 1: completely serious and in a drama. I mean, this term 65 00:04:19,279 --> 00:04:22,640 Speaker 1: is being thrown around and nobody seems to even be 66 00:04:22,680 --> 00:04:25,719 Speaker 1: able to agree on what it means anymore. Yeah, she 67 00:04:25,800 --> 00:04:28,800 Speaker 1: made her debut originally in two thousand seven from the 68 00:04:28,880 --> 00:04:32,040 Speaker 1: mind of a V Club film critic Nathan Raven, and 69 00:04:32,080 --> 00:04:37,560 Speaker 1: then she hit peak exposure. And now I think she's 70 00:04:37,600 --> 00:04:40,920 Speaker 1: so recognizable that writers probably wouldn't want to put her 71 00:04:40,920 --> 00:04:43,719 Speaker 1: in screen on screen. And this came to mind when 72 00:04:43,880 --> 00:04:46,560 Speaker 1: I was reading a New York Times article not too 73 00:04:46,600 --> 00:04:50,360 Speaker 1: long ago about how on the small screen, at least, 74 00:04:50,960 --> 00:04:54,880 Speaker 1: the new trope is the completely crazy go getter essentially, 75 00:04:54,960 --> 00:04:58,000 Speaker 1: where all of these women are kind of borderline and 76 00:04:58,080 --> 00:04:59,960 Speaker 1: saint and work too much. You know, you have the 77 00:05:00,080 --> 00:05:03,599 Speaker 1: Liz Lemons, the Leslie Nopes, the Carrie Mathison's of Homeland, 78 00:05:03,839 --> 00:05:07,000 Speaker 1: Mindy from The Mindy Project, Hannah horror Bath. Although she 79 00:05:07,000 --> 00:05:09,000 Speaker 1: doesn't work all that hard. She is, you know, a 80 00:05:09,040 --> 00:05:13,440 Speaker 1: little bit kookie. There'd be strong female protagonist who still 81 00:05:13,440 --> 00:05:17,880 Speaker 1: have a touch of that mannekin whimsy, but they're just 82 00:05:17,960 --> 00:05:21,159 Speaker 1: the center of things rather than just being a side show, 83 00:05:21,600 --> 00:05:23,400 Speaker 1: right and what they The point that they bring up 84 00:05:23,400 --> 00:05:28,320 Speaker 1: in that article is that if you the crazy defines them. 85 00:05:28,360 --> 00:05:30,880 Speaker 1: You know, you have a character like Monk on that 86 00:05:30,920 --> 00:05:33,960 Speaker 1: show who like, he's totally crazy with all of us 87 00:05:34,040 --> 00:05:36,400 Speaker 1: c D. But it's the source of his power and 88 00:05:36,480 --> 00:05:39,320 Speaker 1: he's beloved for it. Whereas you have a character like 89 00:05:39,400 --> 00:05:43,599 Speaker 1: Carrie mathieson or you know, Mindy or even Leslie Nope, 90 00:05:43,880 --> 00:05:46,760 Speaker 1: And if you take away they're crazy, they kind of 91 00:05:46,800 --> 00:05:50,120 Speaker 1: ceased to be the type of woman who the show 92 00:05:50,120 --> 00:05:54,240 Speaker 1: would revolve around. It's like that's their only good defining characteristic. 93 00:05:54,839 --> 00:05:59,200 Speaker 1: Although I don't know, I love Leslie Nope. Well sure, yeah, 94 00:05:59,240 --> 00:06:02,200 Speaker 1: I and I of Liz Lemon as well. Um, I 95 00:06:02,320 --> 00:06:04,880 Speaker 1: also have an affinity for Cardigans and I dated a 96 00:06:04,880 --> 00:06:07,160 Speaker 1: guy who wanted to start a food truck. It became 97 00:06:07,200 --> 00:06:11,880 Speaker 1: scary for a while how closely my life paralleled Liz Lemon. 98 00:06:12,400 --> 00:06:14,839 Speaker 1: But I will I'll say this though, for that reason, 99 00:06:14,920 --> 00:06:20,080 Speaker 1: I'll totally take this over the ubiquitous Manic Pixie dream Girl, 100 00:06:20,160 --> 00:06:23,680 Speaker 1: although her her meaning might be diluted. So I think, 101 00:06:24,120 --> 00:06:27,080 Speaker 1: I think with this, we gotta we gotta replay the 102 00:06:27,160 --> 00:06:31,880 Speaker 1: episode on Manic Pixie dream Girl and let listeners decide 103 00:06:31,880 --> 00:06:37,480 Speaker 1: for themselves if she's totally played out and did shall 104 00:06:37,520 --> 00:06:44,200 Speaker 1: we we shall? The arrival of the Manic Pixie dream 105 00:06:44,200 --> 00:06:47,560 Speaker 1: Girl is usually preceded by some kind of close up 106 00:06:47,640 --> 00:06:50,360 Speaker 1: of him in bed but yet with bags under his 107 00:06:50,400 --> 00:06:54,719 Speaker 1: eyes indicating sleeplessness or substance abuse, or a montage of 108 00:06:54,800 --> 00:06:59,640 Speaker 1: his life slowly falling apart, in his his clothing becoming 109 00:06:59,680 --> 00:07:04,680 Speaker 1: more and more disheveled. Yeah, exactly, and then you know, 110 00:07:04,720 --> 00:07:10,640 Speaker 1: a little burst of pixie dust arrives on the screen exactly, 111 00:07:10,680 --> 00:07:13,800 Speaker 1: just like a muppet or something. Um. Yeah, Raven. His 112 00:07:13,920 --> 00:07:17,560 Speaker 1: definition for this character is basically that she exists solely 113 00:07:17,840 --> 00:07:21,560 Speaker 1: in the fevered imaginations of sensitive writer directors to teach brooding, 114 00:07:21,680 --> 00:07:25,360 Speaker 1: lee soulful young men to embrace life and it's infinite 115 00:07:25,720 --> 00:07:30,520 Speaker 1: mysteries and adventures. Or, as Anita sarkasan at feminist frequency 116 00:07:30,520 --> 00:07:33,440 Speaker 1: puts it, she is a shining beacon of childlike joy 117 00:07:33,520 --> 00:07:37,800 Speaker 1: that will rejuvenate our fallen hero and that sounds great. Yeah, 118 00:07:37,840 --> 00:07:41,120 Speaker 1: but what about her? Yeah, well she'll just she'll flit 119 00:07:41,200 --> 00:07:43,800 Speaker 1: her away on some wings that she's crafted out of 120 00:07:43,880 --> 00:07:48,000 Speaker 1: tool and glitter and nice. Yeah, that's the thing. She 121 00:07:48,000 --> 00:07:52,000 Speaker 1: she just falls by the wayside because she doesn't really 122 00:07:52,040 --> 00:07:55,600 Speaker 1: matter at the end. It's really the transformation of the 123 00:07:55,960 --> 00:07:59,640 Speaker 1: male hero who is almost always straight, almost always white. 124 00:07:59,720 --> 00:08:02,240 Speaker 1: Same thing. And we'll talk about race in a minute. Uh, 125 00:08:02,360 --> 00:08:05,440 Speaker 1: Manic Pixie dream Girl a very cookie cutter kind of 126 00:08:05,440 --> 00:08:11,880 Speaker 1: white character too. Um. And in addition to Elizabethtown uh 127 00:08:11,920 --> 00:08:17,200 Speaker 1: and Zoe d in The New Girl days of something Yeah, really, 128 00:08:17,200 --> 00:08:18,960 Speaker 1: five hundred days of summer. I don't I don't know, 129 00:08:19,120 --> 00:08:22,440 Speaker 1: I've I gotta say I have seen every episode of 130 00:08:22,440 --> 00:08:24,360 Speaker 1: The New Girl. I am a closet now out of 131 00:08:24,400 --> 00:08:26,920 Speaker 1: the closet, I just came out fan as a fan 132 00:08:27,240 --> 00:08:30,040 Speaker 1: of this is quite that's quite a change for mere attitude. 133 00:08:30,080 --> 00:08:31,920 Speaker 1: When we talked about the TV show back on our 134 00:08:31,960 --> 00:08:36,240 Speaker 1: TV episode, Yeah, I mean partially it is my lust 135 00:08:36,320 --> 00:08:39,719 Speaker 1: over her glasses, which was great, Um, but no, I 136 00:08:40,000 --> 00:08:43,520 Speaker 1: find it enjoyable. And there's actually one episode where she's 137 00:08:43,760 --> 00:08:48,280 Speaker 1: confronted by Lizzie Cappelan, who plays more serious female character 138 00:08:48,400 --> 00:08:52,120 Speaker 1: about being so girly, and she's just like, what this 139 00:08:52,200 --> 00:08:55,480 Speaker 1: is who I am. I've always liked being crafty and cute, see, 140 00:08:55,520 --> 00:08:57,240 Speaker 1: and it doesn't mean that I'm stupid. And that's part 141 00:08:57,280 --> 00:08:59,560 Speaker 1: of the argument that's a lot of the debate going 142 00:08:59,559 --> 00:09:01,520 Speaker 1: on on on I feel like, is you have these 143 00:09:01,520 --> 00:09:04,880 Speaker 1: people who are saying, you're grown up woman, You're talking 144 00:09:04,920 --> 00:09:07,360 Speaker 1: about kiddies and cupcakes. I'm not going to listen to you. 145 00:09:07,720 --> 00:09:09,520 Speaker 1: But then there's this other group of women saying, like, 146 00:09:09,640 --> 00:09:11,960 Speaker 1: so what if I'm girly, that doesn't take away my power. 147 00:09:12,400 --> 00:09:16,280 Speaker 1: But then there's that third little middle argument that says, Okay, 148 00:09:16,360 --> 00:09:19,040 Speaker 1: you like cupcakes, but did you like cupcakes before this 149 00:09:19,080 --> 00:09:23,040 Speaker 1: whole trend came along in pop culture? So yeah, um, 150 00:09:23,280 --> 00:09:25,840 Speaker 1: and just quickly to name, I guess a couple more 151 00:09:26,400 --> 00:09:30,400 Speaker 1: movies just pops up in Garden State Natalie Portman's character 152 00:09:31,080 --> 00:09:34,559 Speaker 1: and that uh you have going back. The A B 153 00:09:34,679 --> 00:09:37,680 Speaker 1: Club also did a post on I think it's fifteen 154 00:09:37,720 --> 00:09:40,520 Speaker 1: or sixteen movies featuring this trope, and they even cite 155 00:09:40,559 --> 00:09:44,040 Speaker 1: Annie Hall as a manic pixie dream girl bringing up 156 00:09:44,080 --> 00:09:46,880 Speaker 1: baby with Katherine Hepper Yep, saying that it goes way 157 00:09:46,920 --> 00:09:50,880 Speaker 1: way back. But um, in that Gloss article that you mentioned, 158 00:09:50,920 --> 00:09:55,760 Speaker 1: why are MP d g's getting dumber? Um, they say 159 00:09:55,800 --> 00:10:00,240 Speaker 1: that from Katherine Hepburn down to Zoe, she's been come, 160 00:10:00,320 --> 00:10:02,760 Speaker 1: she's lost her agency. Yeah, it's just kind of become 161 00:10:02,800 --> 00:10:08,240 Speaker 1: a caricature of a of a carefree, fun loving, independent, 162 00:10:08,360 --> 00:10:12,840 Speaker 1: strong female down to somebody who sinks when she's nervous 163 00:10:12,960 --> 00:10:16,640 Speaker 1: and makes cupcakes, which not that there's anything wrong with that. Yeah. 164 00:10:16,720 --> 00:10:19,320 Speaker 1: I like cupcakes. I do too, shoot man, just because 165 00:10:19,360 --> 00:10:23,280 Speaker 1: I don't bake them if I if I had more time. Yeah. 166 00:10:23,280 --> 00:10:27,880 Speaker 1: As New York Magazine pointed out in September, um there's 167 00:10:27,920 --> 00:10:32,160 Speaker 1: also grumbling about all here heroines of the past, people 168 00:10:32,200 --> 00:10:35,880 Speaker 1: like went On a writer and Parker Posey, who were 169 00:10:36,200 --> 00:10:39,680 Speaker 1: had the same quirk, um, but they had more of 170 00:10:39,720 --> 00:10:43,120 Speaker 1: an edge to them. They might have left by the 171 00:10:43,200 --> 00:10:45,160 Speaker 1: end of the movie because they just wanted to, not 172 00:10:45,280 --> 00:10:52,040 Speaker 1: because they poofed into a glitter bomb left. That sounds 173 00:10:52,040 --> 00:10:54,000 Speaker 1: like such a mess. Once you get glitter on you, you 174 00:10:53,880 --> 00:10:56,439 Speaker 1: you can never get it off everywhere. Yeah, I mean 175 00:10:56,520 --> 00:11:00,480 Speaker 1: it's possible that m Zoe Additional's character and other Manic 176 00:11:00,480 --> 00:11:03,080 Speaker 1: Pixie dream Girls could just irritate the heck out of 177 00:11:03,120 --> 00:11:07,000 Speaker 1: somebody with all their like sweetness and everything. But you know, 178 00:11:07,240 --> 00:11:10,240 Speaker 1: I think that maybe the argument that they're very flat, 179 00:11:10,240 --> 00:11:14,079 Speaker 1: two dimensional characters is not always warranted. Yeah, I mean, 180 00:11:14,400 --> 00:11:17,280 Speaker 1: and I think that is Zoe de Chanelle herself would 181 00:11:17,320 --> 00:11:20,440 Speaker 1: agree with you, Caroline on that point. She said at 182 00:11:20,440 --> 00:11:23,840 Speaker 1: one point quote that people equate being girly with being 183 00:11:23,840 --> 00:11:26,520 Speaker 1: non threatening. I mean, I can't think of a more 184 00:11:26,559 --> 00:11:29,200 Speaker 1: blatant example of playing into exactly the thing that we're 185 00:11:29,240 --> 00:11:32,160 Speaker 1: trying to fight against. I can't be girly. I think 186 00:11:32,240 --> 00:11:35,520 Speaker 1: the fact that people are associating being girly with weakness 187 00:11:35,880 --> 00:11:38,080 Speaker 1: that needs to be examined. I don't think that it 188 00:11:38,160 --> 00:11:42,640 Speaker 1: undermines my power at all. Right, But then part of 189 00:11:42,640 --> 00:11:45,000 Speaker 1: the argument goes back to, Okay, well, what are we 190 00:11:45,080 --> 00:11:46,880 Speaker 1: doing with this power? And what are we doing with 191 00:11:46,920 --> 00:11:50,240 Speaker 1: this girlishness and cuteness? Um over at the gloss. Jamie 192 00:11:50,280 --> 00:11:53,560 Speaker 1: Peck back in January said that she she actually hates 193 00:11:53,720 --> 00:11:57,200 Speaker 1: the manic Pixie dream girl because while this character, this 194 00:11:57,280 --> 00:12:01,199 Speaker 1: woman has some pretty amazing intense behind her, some pretty 195 00:12:01,200 --> 00:12:05,960 Speaker 1: amazing characteristics. She those characteristics like living life to the fullest, 196 00:12:06,240 --> 00:12:10,640 Speaker 1: are often made to seem trite and easily mocked. So uh, 197 00:12:10,640 --> 00:12:12,959 Speaker 1: Peck was saying, basically, like, I share some of the 198 00:12:13,040 --> 00:12:16,560 Speaker 1: characteristics of this stereotype, this trope, like I have some 199 00:12:16,640 --> 00:12:21,840 Speaker 1: of the same freewheeling, care free, independent attitudes, but characters 200 00:12:21,920 --> 00:12:24,400 Speaker 1: like this, the media portrayal of women like this is 201 00:12:24,400 --> 00:12:28,040 Speaker 1: sort of ruining it for some of us. Basically, Yeah, 202 00:12:28,040 --> 00:12:30,439 Speaker 1: And there's the whole concern too of like, well, are 203 00:12:30,559 --> 00:12:33,640 Speaker 1: we creating this message that men what men need are 204 00:12:33,880 --> 00:12:38,880 Speaker 1: our girls really, rather than more level headed women who 205 00:12:39,000 --> 00:12:41,560 Speaker 1: might not have the time or the desire to frolic 206 00:12:41,600 --> 00:12:44,760 Speaker 1: in a meadow, you know exactly, we might enjoy their 207 00:12:44,960 --> 00:12:50,560 Speaker 1: blackberries and cubicles more, right, And the women versus girls 208 00:12:50,600 --> 00:12:53,120 Speaker 1: debate and what men want was brought up by Willipashkin 209 00:12:53,240 --> 00:12:56,480 Speaker 1: and The Vulture back in February, and she she said 210 00:12:56,520 --> 00:12:58,880 Speaker 1: that this whole thing does kind of shed light on 211 00:12:59,640 --> 00:13:03,520 Speaker 1: how women are choosing to portray themselves to men and 212 00:13:03,559 --> 00:13:05,640 Speaker 1: what they think men want. And so if there's this 213 00:13:05,679 --> 00:13:09,400 Speaker 1: whole cutesie like h manic pixie, yeah, let's run in 214 00:13:09,440 --> 00:13:12,360 Speaker 1: the rain kind of thing, and they go for it 215 00:13:12,360 --> 00:13:15,800 Speaker 1: and they end up just looking like little girls. Yeah, 216 00:13:15,840 --> 00:13:20,480 Speaker 1: and it's also very heteronormative, a white heteronormative trope that 217 00:13:20,520 --> 00:13:24,240 Speaker 1: I think gets to a lot of these feminist bloggers. Um. 218 00:13:24,320 --> 00:13:27,040 Speaker 1: And especially when it comes to that issue of race. 219 00:13:27,120 --> 00:13:30,280 Speaker 1: It's something that the blog Racial Isious has talked about. 220 00:13:30,520 --> 00:13:35,000 Speaker 1: For instance, blogger Timmy Winfrey Harris rode a post called 221 00:13:35,120 --> 00:13:38,960 Speaker 1: who is the Black Zoe de Chanal? And Um. She 222 00:13:39,040 --> 00:13:42,880 Speaker 1: says that the persona of manic Pixie dream girl is 223 00:13:42,920 --> 00:13:45,880 Speaker 1: bound by class and race and that it's just this 224 00:13:46,000 --> 00:13:51,439 Speaker 1: perpetual childhood and whiteness. She says, whereas Black women might 225 00:13:51,480 --> 00:13:56,440 Speaker 1: be portrayed like a boho Lisa Bonet or more of 226 00:13:56,480 --> 00:13:59,839 Speaker 1: the earth mother Erica bad do there never care for 227 00:14:00,280 --> 00:14:04,680 Speaker 1: and childish yeah. Harris points out that often in the media, 228 00:14:05,240 --> 00:14:10,640 Speaker 1: African American women can be strong women, aggressive women, promiscuous women, um, 229 00:14:10,679 --> 00:14:13,520 Speaker 1: but they're never They're never that same like ha Kitton's 230 00:14:14,360 --> 00:14:17,319 Speaker 1: kind of portrayal. And she says even black girls are 231 00:14:17,320 --> 00:14:20,520 Speaker 1: too often viewed as worldly women and not innocent. Well, 232 00:14:20,520 --> 00:14:24,000 Speaker 1: and that's because a lot of times, uh, African American 233 00:14:24,080 --> 00:14:27,520 Speaker 1: characters have tropes of their own that you're there. They're 234 00:14:27,600 --> 00:14:31,480 Speaker 1: used within movies to teach other people a lesson they're 235 00:14:31,520 --> 00:14:34,520 Speaker 1: their own, you know, manic pixie dream girls in their 236 00:14:34,520 --> 00:14:37,320 Speaker 1: own ways, where you know you'll have a magical Morgan 237 00:14:37,360 --> 00:14:40,160 Speaker 1: Freeman come in and teach the stuck up white lady 238 00:14:40,160 --> 00:14:42,000 Speaker 1: a lesson about how she needs to loosen up a 239 00:14:42,000 --> 00:14:44,120 Speaker 1: little bit, and then he'll go and you'll appreciate her 240 00:14:44,160 --> 00:14:50,600 Speaker 1: transformation instead. So, since we've talked about race, um, you 241 00:14:50,640 --> 00:14:53,960 Speaker 1: know how we don't see this trope reflected in the 242 00:14:54,080 --> 00:14:58,720 Speaker 1: same way, um from people of different colors and ethnicities. 243 00:14:59,280 --> 00:15:06,400 Speaker 1: What about gender? Where is the manic pixie dream guy? 244 00:15:06,840 --> 00:15:09,480 Speaker 1: Would the manic pixie dream guy be the same? Would 245 00:15:09,520 --> 00:15:12,600 Speaker 1: he come flitting in with his own color of glitter 246 00:15:13,000 --> 00:15:14,840 Speaker 1: and throw it at you and then kind of flit 247 00:15:14,880 --> 00:15:18,520 Speaker 1: her off and disappear after your transformation? Does it work 248 00:15:18,600 --> 00:15:21,760 Speaker 1: the same? It will? It's funny that you asked it. 249 00:15:22,400 --> 00:15:25,280 Speaker 1: There's a post on nerve about this. They argue that 250 00:15:25,320 --> 00:15:28,360 Speaker 1: an audience would not want to see a woman left 251 00:15:28,480 --> 00:15:30,640 Speaker 1: on her own. That would be more of a tragedy. 252 00:15:30,680 --> 00:15:33,640 Speaker 1: That even if a manic pixie dream guy like the 253 00:15:33,840 --> 00:15:37,640 Speaker 1: character in Under the Tuscan Sun who comes and revives 254 00:15:37,800 --> 00:15:42,240 Speaker 1: Diane Lane from her from her woes and breathed life 255 00:15:42,240 --> 00:15:46,120 Speaker 1: back into her body and soul. Even though he spoiler alert, 256 00:15:46,360 --> 00:15:48,520 Speaker 1: ends up you know, not being with her the in 257 00:15:48,560 --> 00:15:52,360 Speaker 1: the movie, we are still left satisfied because someone else 258 00:15:52,400 --> 00:15:55,920 Speaker 1: comes along to take that place, right, just when you think, right, 259 00:15:56,200 --> 00:15:59,520 Speaker 1: beautiful Italian Lane and her Tuscan villa, what a shame 260 00:15:59,680 --> 00:16:01,560 Speaker 1: she had. It's the magic guy who comes in and 261 00:16:01,640 --> 00:16:04,160 Speaker 1: you know, and takes care of her and gets her 262 00:16:04,200 --> 00:16:06,000 Speaker 1: on her way to taking care of herself. And then 263 00:16:06,040 --> 00:16:09,000 Speaker 1: once she is you know, her own person and she 264 00:16:09,040 --> 00:16:14,120 Speaker 1: has someone else to enjoy being with for the rest 265 00:16:14,160 --> 00:16:18,600 Speaker 1: of her life exactly well the rest of her life. 266 00:16:18,840 --> 00:16:23,040 Speaker 1: But yeah, they a nerve. They say that male free 267 00:16:23,040 --> 00:16:26,240 Speaker 1: spiritedness is often portrayed in a negative light and they say, 268 00:16:26,240 --> 00:16:29,360 Speaker 1: I'm looking at you, Don Draper, Yeah, because it's just 269 00:16:29,400 --> 00:16:31,640 Speaker 1: not the same. Well, it's the whole It goes to 270 00:16:31,680 --> 00:16:35,800 Speaker 1: the whole dating logic of you know, women not wanting 271 00:16:35,840 --> 00:16:38,360 Speaker 1: to come across as too needy, you know, the fastest 272 00:16:38,360 --> 00:16:42,920 Speaker 1: way I mean, and I'm and I'm quoting uh stereotype. Now, 273 00:16:43,480 --> 00:16:45,120 Speaker 1: the fastest way to to get a man to be 274 00:16:45,160 --> 00:16:49,480 Speaker 1: attracted to you is to be unavailable, you know, whereas uh, 275 00:16:49,760 --> 00:16:51,920 Speaker 1: men who are free spirited, they're just gonna be bad boys, 276 00:16:51,960 --> 00:16:55,080 Speaker 1: and they're gonna leave you, and they're just gonna probably 277 00:16:55,080 --> 00:16:57,360 Speaker 1: collect lots of STDs and up hurting you at the 278 00:16:57,400 --> 00:17:00,320 Speaker 1: end of the day. So yeah, manic pixied him guy 279 00:17:00,360 --> 00:17:02,680 Speaker 1: would be someone that you know, all of your friends 280 00:17:02,720 --> 00:17:05,480 Speaker 1: would tell you to stay away from. Probably. Yeah, who 281 00:17:05,520 --> 00:17:09,320 Speaker 1: are the manic Pixie dream guys out there? Did you? Yes? 282 00:17:09,720 --> 00:17:14,480 Speaker 1: I did? How did it? Did he have glitter? Uh? No? Um, 283 00:17:14,520 --> 00:17:16,800 Speaker 1: although I remember one night and he ran into him 284 00:17:16,800 --> 00:17:21,360 Speaker 1: and his nails were painted. Uh. He was whimsical and 285 00:17:21,440 --> 00:17:25,399 Speaker 1: he he left as quickly as he came. So but 286 00:17:25,800 --> 00:17:29,719 Speaker 1: it was the thing, is it? A months down the 287 00:17:29,760 --> 00:17:33,640 Speaker 1: line after the relationship, I realized that it did sort 288 00:17:33,640 --> 00:17:37,040 Speaker 1: of forced me to a point to where, um, it 289 00:17:37,119 --> 00:17:40,640 Speaker 1: did kind of make me and do some positive things 290 00:17:40,680 --> 00:17:44,040 Speaker 1: with myself beyond my normal scope interest. I'm not saying 291 00:17:44,040 --> 00:17:47,160 Speaker 1: he's necessarily the reason why, but it was a step 292 00:17:47,160 --> 00:17:51,280 Speaker 1: along the way. Yeah. So there's been so much made 293 00:17:51,400 --> 00:17:55,679 Speaker 1: of this Manic Pixie dream girl trope. Uh, and we 294 00:17:55,720 --> 00:17:58,000 Speaker 1: want to talk about it because the listener had written 295 00:17:58,000 --> 00:18:00,280 Speaker 1: in about it. But it's also been something that I 296 00:18:00,280 --> 00:18:03,520 Speaker 1: had wanted to explore and I didn't realize that the 297 00:18:03,680 --> 00:18:07,240 Speaker 1: term has only been around since two thousand seven. But 298 00:18:07,320 --> 00:18:09,840 Speaker 1: my goodness, how much attention she has gotten. And I 299 00:18:09,840 --> 00:18:12,640 Speaker 1: wonder why she's gotten so much attention. And so it's 300 00:18:12,680 --> 00:18:19,159 Speaker 1: a cluster of contemporary films. Um, and yet she arouses 301 00:18:19,240 --> 00:18:22,080 Speaker 1: so much debate she does well. I mean, yeah, you 302 00:18:22,119 --> 00:18:24,320 Speaker 1: have to wonder what's going on in the writer's minds 303 00:18:24,320 --> 00:18:26,000 Speaker 1: that this is happening so much all of a sudden. 304 00:18:26,040 --> 00:18:28,480 Speaker 1: But I like the distinction that a lot of these 305 00:18:28,480 --> 00:18:32,639 Speaker 1: writers have drawn between characters like Zoey Deschanel and Natalie 306 00:18:32,720 --> 00:18:38,800 Speaker 1: Portman and um, Kate Winslet's character and uh internal sension 307 00:18:38,800 --> 00:18:41,560 Speaker 1: of a spotless mine, Yes, ma'am, because she is that 308 00:18:41,640 --> 00:18:45,000 Speaker 1: dream girl. She's kind of cookie and crazy and fun, 309 00:18:45,119 --> 00:18:49,480 Speaker 1: but she's portrayed as having real, actual problems, and so 310 00:18:49,640 --> 00:18:52,800 Speaker 1: that's what At Slate they pointed out that the difference 311 00:18:52,840 --> 00:18:55,960 Speaker 1: between a man a pixie dream girl and a just 312 00:18:56,240 --> 00:18:59,720 Speaker 1: you know, independent, cookie female character kind of like kristin Wigan. 313 00:19:00,000 --> 00:19:03,560 Speaker 1: It's made right. It's the sense that something's actually wrong 314 00:19:03,880 --> 00:19:08,080 Speaker 1: with the manic pixie dream girl. Yeah. Um, I'll be 315 00:19:08,119 --> 00:19:12,440 Speaker 1: interested to hear from our listeners what what everyone thinks 316 00:19:12,480 --> 00:19:15,200 Speaker 1: about it, Whether it's being you know, isn't too big 317 00:19:15,240 --> 00:19:19,880 Speaker 1: of a deal. I mean, uh. Anita Sarkisian over feminist frequency, 318 00:19:20,040 --> 00:19:24,160 Speaker 1: links all of this to the problem of the female muse. 319 00:19:24,280 --> 00:19:27,000 Speaker 1: You know, you think of Warhol, Dylan, Picasso. What are 320 00:19:27,000 --> 00:19:29,960 Speaker 1: you allen all of them of cited? You know, these 321 00:19:30,000 --> 00:19:33,040 Speaker 1: female muses in their life who are the inspiration for 322 00:19:33,119 --> 00:19:36,080 Speaker 1: their great art. And she says, you know, Manic Pixie 323 00:19:36,160 --> 00:19:38,800 Speaker 1: dream Girls serves a similar thing with fictional characters too. 324 00:19:39,040 --> 00:19:42,600 Speaker 1: You know, there are way too um they're a cipher 325 00:19:43,080 --> 00:19:45,320 Speaker 1: to allow them to do great things with their lives. 326 00:19:45,320 --> 00:19:47,600 Speaker 1: And she takes issue with that because she says, well, 327 00:19:47,640 --> 00:19:49,760 Speaker 1: these women should be standing on their own. But at 328 00:19:49,760 --> 00:19:51,600 Speaker 1: the same time, I don't know. I think sometimes we 329 00:19:51,720 --> 00:19:56,240 Speaker 1: might be making too much of the um high waisted 330 00:19:56,359 --> 00:19:59,600 Speaker 1: dresses and cupcakes. Yeah, and also I think people need 331 00:19:59,680 --> 00:20:02,720 Speaker 1: to I need to tone it down as far as 332 00:20:02,800 --> 00:20:06,440 Speaker 1: hating on other women. I mean, yes, would I choose 333 00:20:06,480 --> 00:20:08,560 Speaker 1: to associate with some of these women in real life? 334 00:20:09,119 --> 00:20:13,680 Speaker 1: Maybe not like seriously, take your kiddies and go elsewhere, lady. 335 00:20:13,720 --> 00:20:15,520 Speaker 1: But I mean that doesn't mean that I think they're 336 00:20:15,600 --> 00:20:20,400 Speaker 1: less of a valid persona or personality. No, I think 337 00:20:20,440 --> 00:20:22,720 Speaker 1: that's a good point. I think in the in the argument, 338 00:20:22,840 --> 00:20:25,080 Speaker 1: it's a slippery slow because in a lot of these 339 00:20:25,160 --> 00:20:29,800 Speaker 1: arguments that are calling these tropes out for um, you know, 340 00:20:29,960 --> 00:20:33,160 Speaker 1: maybe not portraying women as well, it does quickly crumble 341 00:20:33,200 --> 00:20:38,239 Speaker 1: into women hating on women. So let's build each other up. 342 00:20:38,600 --> 00:20:42,800 Speaker 1: Let's eat our cupcakes together, and you know, Manic Pixie 343 00:20:42,880 --> 00:20:45,479 Speaker 1: Dream guys, so you can. You can come to craft 344 00:20:45,600 --> 00:20:53,360 Speaker 1: Night as well well. So we hope you enjoyed reintroducing 345 00:20:53,359 --> 00:20:55,639 Speaker 1: yourself to the Manic Pixie Dream girl. I don't know 346 00:20:55,680 --> 00:20:57,359 Speaker 1: what do you what do you think Kristen? Is she 347 00:20:57,560 --> 00:21:01,080 Speaker 1: dead or is she just transforming in getting reincarnated as 348 00:21:01,080 --> 00:21:05,880 Speaker 1: something else. I think that elements will obviously still live on, 349 00:21:06,080 --> 00:21:08,159 Speaker 1: but I don't think that we will see it to 350 00:21:08,280 --> 00:21:12,919 Speaker 1: the extent of say a Natalie Portman in Garden State, 351 00:21:13,000 --> 00:21:17,680 Speaker 1: because she was so overexposed. So I think this is 352 00:21:17,840 --> 00:21:21,679 Speaker 1: us bidding a faun farewell well. I feel that the 353 00:21:21,760 --> 00:21:25,719 Speaker 1: character will live on. She will be very strong. I 354 00:21:25,760 --> 00:21:27,639 Speaker 1: think she will just take on a different name. I 355 00:21:27,680 --> 00:21:30,679 Speaker 1: think MPDG is going into the Witness Protection program. And 356 00:21:30,720 --> 00:21:33,639 Speaker 1: I will say this about Zoe de Chanelle. Wow, you 357 00:21:33,720 --> 00:21:37,560 Speaker 1: might call her a manic pixie dream girl. Reading interviews 358 00:21:38,040 --> 00:21:42,639 Speaker 1: with her, she's a smart, intelligent woman who says, oh, yeah, sure, 359 00:21:43,400 --> 00:21:47,560 Speaker 1: you think I'm foolish for liking bows and vintage dresses. Well, 360 00:21:47,600 --> 00:21:50,399 Speaker 1: what's her bleepity bleep quote from Glamour? You know, she 361 00:21:50,520 --> 00:21:53,920 Speaker 1: says that I can be a blank feminist and were 362 00:21:53,960 --> 00:21:58,639 Speaker 1: a blank Peter Collar. Why you know, just leave me alone. Yeah, 363 00:21:58,840 --> 00:22:01,119 Speaker 1: So I think that's doesn't sound like a manic pixie 364 00:22:01,160 --> 00:22:02,640 Speaker 1: dream real to me. That sounds like a woman who 365 00:22:02,720 --> 00:22:06,040 Speaker 1: is very self actualized. Yeah, with just great big eyes 366 00:22:06,160 --> 00:22:11,120 Speaker 1: and great bangs. Such good things. So send us your letters. 367 00:22:11,160 --> 00:22:13,479 Speaker 1: Mom Stuff discovery dot com is where you can send them, 368 00:22:13,560 --> 00:22:16,119 Speaker 1: or you can always send us a note on Facebook 369 00:22:16,200 --> 00:22:19,440 Speaker 1: or tweet us at Mom's Stuff podcast. And we have 370 00:22:19,560 --> 00:22:22,960 Speaker 1: a couple of notes to share with you right after 371 00:22:23,000 --> 00:22:27,080 Speaker 1: we talk about audible dot com, which Caroline is the 372 00:22:27,160 --> 00:22:32,440 Speaker 1: leading provider of downloadable digital audio books and spoken word entertainment. 373 00:22:32,920 --> 00:22:35,959 Speaker 1: That's right. Audible has more than one hundred thousand titles 374 00:22:35,960 --> 00:22:38,359 Speaker 1: to choose from to be downloaded to your ipotter, m 375 00:22:38,400 --> 00:22:41,800 Speaker 1: P three player and play back anywhere anytime. You can 376 00:22:41,880 --> 00:22:44,840 Speaker 1: choose from books in every genre, from science fiction to 377 00:22:45,080 --> 00:22:48,560 Speaker 1: history and more so. Go to audible podcast dot com 378 00:22:48,600 --> 00:22:51,680 Speaker 1: slash stuff Mom to get your free audio book download 379 00:22:51,720 --> 00:22:54,760 Speaker 1: of your choice when you sign up today and listeners 380 00:22:54,800 --> 00:22:57,920 Speaker 1: of stuff Mom never told you might like to use 381 00:22:58,440 --> 00:23:02,520 Speaker 1: that free audio book download to listen to lean In 382 00:23:02,760 --> 00:23:06,080 Speaker 1: Women Work in the Will to Lead by Cheryl Sandberg, 383 00:23:06,200 --> 00:23:10,280 Speaker 1: because we are still doing that four part series on 384 00:23:10,520 --> 00:23:12,399 Speaker 1: lean In, so you can listen to it for free. 385 00:23:12,640 --> 00:23:16,720 Speaker 1: Go to audible podcast dot com slash stuff Mom and 386 00:23:16,800 --> 00:23:22,480 Speaker 1: sign up today. And now back to our letters. Yeah, 387 00:23:22,520 --> 00:23:27,400 Speaker 1: here's one from McKenna about our Instagram episode. She says, 388 00:23:27,440 --> 00:23:30,119 Speaker 1: I've never used Instagram and don't post selfies, but I 389 00:23:30,160 --> 00:23:33,199 Speaker 1: admit I've taken a few. My reason wasn't mentioned in 390 00:23:33,240 --> 00:23:35,880 Speaker 1: your most recent podcast, but I feel like it might 391 00:23:35,920 --> 00:23:39,480 Speaker 1: be common and relatable. I'm twenty two and looking better 392 00:23:39,480 --> 00:23:42,479 Speaker 1: than I ever have or probably ever will again. I 393 00:23:42,560 --> 00:23:45,680 Speaker 1: don't want this time of my life to pass pictureless. 394 00:23:45,920 --> 00:23:49,600 Speaker 1: When I'm old and wrinkly but probably still suffering from acne. 395 00:23:50,000 --> 00:23:51,919 Speaker 1: I want to pull out a picture and remember that 396 00:23:52,040 --> 00:23:56,159 Speaker 1: I was once a twentysomething to die for. It might 397 00:23:56,200 --> 00:23:58,240 Speaker 1: seem a little vain, but when I was in grade school, 398 00:23:58,280 --> 00:24:01,600 Speaker 1: I was voted the ugliest kid in my class. I 399 00:24:01,600 --> 00:24:03,840 Speaker 1: had a lessons wasn't much better, and it's only been 400 00:24:03,840 --> 00:24:06,400 Speaker 1: the last couple of years that I've developed any social 401 00:24:06,480 --> 00:24:10,000 Speaker 1: or fashion sense. I will gladly immortalize my twenties with 402 00:24:10,040 --> 00:24:13,000 Speaker 1: the occasional selfie, but of course it's always better when 403 00:24:13,040 --> 00:24:15,920 Speaker 1: someone else and that's a good picture. Thanks for everything 404 00:24:15,960 --> 00:24:19,240 Speaker 1: you do. I love the podcast, so thank you McKenna. 405 00:24:19,960 --> 00:24:23,119 Speaker 1: I totally get where you're coming from. Mckennas or says 406 00:24:23,200 --> 00:24:27,240 Speaker 1: the girl who's crows sader already coming in. Uh, and 407 00:24:27,320 --> 00:24:30,880 Speaker 1: by girl I mean woman. So I've got a Facebook 408 00:24:30,920 --> 00:24:34,440 Speaker 1: message here from Natalie and she needs a little advice. Caroline, 409 00:24:35,080 --> 00:24:36,840 Speaker 1: and I want to share us with you and also 410 00:24:36,960 --> 00:24:39,040 Speaker 1: with our listeners if they have any advice as well. 411 00:24:39,520 --> 00:24:41,920 Speaker 1: She says. First of all, we gotta give a shout 412 00:24:41,920 --> 00:24:45,520 Speaker 1: out to her best friend, Kelly. Hey, Kelly, she writes, 413 00:24:45,560 --> 00:24:48,720 Speaker 1: I work as a horticulturist at a country club. Everyone 414 00:24:48,760 --> 00:24:51,400 Speaker 1: else on the grounds crew is a man, and sometimes 415 00:24:51,400 --> 00:24:53,800 Speaker 1: this makes work difficult. My boss can be somewhat of 416 00:24:53,840 --> 00:24:57,359 Speaker 1: an unintentional sexist, saying things like you're a woman, you 417 00:24:57,400 --> 00:24:59,880 Speaker 1: know it looks good, or you're a woman, you pay 418 00:25:00,040 --> 00:25:02,600 Speaker 1: tension to detail, thinking that he's giving me a compliment. 419 00:25:02,920 --> 00:25:05,200 Speaker 1: These are things I'm good at, but I worked very 420 00:25:05,200 --> 00:25:07,960 Speaker 1: hard at it. He has even asked me if I 421 00:25:07,960 --> 00:25:10,720 Speaker 1: was on my period in the past when I was 422 00:25:10,840 --> 00:25:12,840 Speaker 1: upset over the way one of the other men on 423 00:25:12,880 --> 00:25:15,119 Speaker 1: the crew treated me. And I've also had the issue 424 00:25:15,119 --> 00:25:17,960 Speaker 1: of pranks being pulled by some of the meaner coworkers. 425 00:25:18,000 --> 00:25:20,080 Speaker 1: Just today, I found that they had filled my work 426 00:25:20,080 --> 00:25:22,680 Speaker 1: gloves with mouse poop. I'd like to come up with 427 00:25:22,720 --> 00:25:26,200 Speaker 1: a way to work these issues out without more conflict occurring, 428 00:25:26,560 --> 00:25:29,479 Speaker 1: and so everyone can work together happily. I feel so 429 00:25:29,560 --> 00:25:32,240 Speaker 1: lost and don't know what to do. You guys give 430 00:25:32,280 --> 00:25:36,000 Speaker 1: such great advice. I was hoping you could help. So 431 00:25:36,600 --> 00:25:43,080 Speaker 1: how do you get your coworkers to stop acting like 432 00:25:43,800 --> 00:25:48,800 Speaker 1: nincome poops? Nincome mouse poops mouse pops. I don't know. 433 00:25:48,880 --> 00:25:52,280 Speaker 1: I mean, um, it sounds like it's kind of more 434 00:25:52,359 --> 00:25:55,840 Speaker 1: serious than I mean. It started out sounding like whatever, 435 00:25:55,880 --> 00:25:58,840 Speaker 1: they're just insensitive or ignorant, but it's starting to sound 436 00:25:58,840 --> 00:26:02,120 Speaker 1: like it'sigger than that. I don't know. Maybe start out 437 00:26:02,119 --> 00:26:04,480 Speaker 1: when he says things like, well, you're a woman, you 438 00:26:04,480 --> 00:26:06,880 Speaker 1: know what flowers are pretty? I mean can you Can 439 00:26:06,920 --> 00:26:09,440 Speaker 1: you joke back, I mean, not joke, but like the 440 00:26:09,600 --> 00:26:12,080 Speaker 1: snarky back and say things like, well, you're a man, 441 00:26:12,160 --> 00:26:14,560 Speaker 1: what are you doing playing with flowers? Not that I 442 00:26:14,720 --> 00:26:20,959 Speaker 1: encourage the divisive, you know, gender norms to perpetuate or anything, 443 00:26:20,960 --> 00:26:22,680 Speaker 1: but you know what I'm saying. Yeah, I do know 444 00:26:22,720 --> 00:26:25,720 Speaker 1: what you're saying, And uh, that would could be a 445 00:26:25,800 --> 00:26:28,080 Speaker 1: great place to start, kind of a little bit fighting 446 00:26:28,160 --> 00:26:31,760 Speaker 1: fire with fire. I don't recommend that you turn around 447 00:26:31,840 --> 00:26:35,439 Speaker 1: and fill anyone's gloves up with poop. Can she just 448 00:26:35,480 --> 00:26:37,359 Speaker 1: talk to him? Can she just talk to her boss 449 00:26:37,400 --> 00:26:39,639 Speaker 1: and say, listen, I'm the only woman on the crew, 450 00:26:40,119 --> 00:26:42,760 Speaker 1: and I worked really hard at this, and I'm tired 451 00:26:42,800 --> 00:26:44,320 Speaker 1: of just being looked at as the only woman on 452 00:26:44,359 --> 00:26:46,920 Speaker 1: the crew. I work hards. Yeah, I mean, if if 453 00:26:46,960 --> 00:26:51,679 Speaker 1: that's possible to approach him confidently and in a concise, 454 00:26:52,320 --> 00:26:57,000 Speaker 1: you know, stern manner, say that. I think that's absolutely 455 00:26:57,160 --> 00:27:00,879 Speaker 1: a possibility, and maybe pair it with um, you know, 456 00:27:00,920 --> 00:27:03,160 Speaker 1: when they fill your gloves with mouse poop without even 457 00:27:03,200 --> 00:27:05,719 Speaker 1: cracking any sort of expression on your face, turned right 458 00:27:05,720 --> 00:27:07,560 Speaker 1: around and dump that mouse poop into one of their 459 00:27:07,640 --> 00:27:10,840 Speaker 1: lunch boxes. Yeah, I mean, if anything, I think in 460 00:27:10,880 --> 00:27:13,200 Speaker 1: this case, humor is going to be your best friend 461 00:27:13,920 --> 00:27:19,920 Speaker 1: because being too outwardly sensitive about it might only egg 462 00:27:20,000 --> 00:27:23,679 Speaker 1: it on, but you might be able to diffuse the 463 00:27:23,720 --> 00:27:29,440 Speaker 1: situation by being a little more humorous. Yeah, but really, 464 00:27:29,440 --> 00:27:31,760 Speaker 1: I do want to hear from other listeners if they 465 00:27:31,800 --> 00:27:35,160 Speaker 1: have advice on this, because I've never been the only 466 00:27:35,640 --> 00:27:38,560 Speaker 1: woman working in a place, and I know we've heard 467 00:27:38,560 --> 00:27:41,160 Speaker 1: from other listeners before who are in really male heavy 468 00:27:41,840 --> 00:27:45,920 Speaker 1: in work environments who go along just fine. So any 469 00:27:45,960 --> 00:27:52,280 Speaker 1: advice help Natalie out. Thanks Natalie and Kelly for listening, 470 00:27:52,720 --> 00:27:55,119 Speaker 1: and thanks to everybody who's written in. Mom Stuff at 471 00:27:55,119 --> 00:27:57,560 Speaker 1: Discovery dot com is our email address. You can message 472 00:27:57,600 --> 00:27:59,960 Speaker 1: us on Facebook as well and tweet us at mom 473 00:28:00,040 --> 00:28:02,480 Speaker 1: Stuff Podcast. 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