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Speaker 1: The volume.

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Speaker 2: All right, So Baby d it was brought to my attention.

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Speaker 2: We were talking about hip hop being dad. You know

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Speaker 2: they've been saying, we were saying that for is is

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Speaker 2: hip hop dad? Is hip hop dad? So in September,

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Speaker 2: four hip hop songs were on the global charts. In

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Speaker 2: September five years ago, there were fifty six on the

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Speaker 2: global charts. That's a big drop, it is. That's over

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Speaker 2: ninety gone.

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Speaker 3: Right. We had a talk with berg Shot, the hit maker.

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Speaker 2: He came by to set last week and he posed

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Speaker 2: a question because we were saying, you know, women are

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Speaker 2: dominating rap right now as far as like they're being

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Speaker 2: more stars, newer stars and rap, most of them are women.

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Speaker 2: And he said, well, name you know some stars, superstars

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Speaker 2: under thirty five on the men's side, like, don't name

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Speaker 2: the legacy acts, don't name the guys that have been

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Speaker 2: in for years. And it's stumped us. It was obviously

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Speaker 2: the NBA young boy. You know, we we we acknowledge that.

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Speaker 2: Not saying you know, but it is interesting to see

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Speaker 2: women dominating hip hop rap now and then now in

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Speaker 2: September only four hip hop songs on the global charts.

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Speaker 2: I'm not saying this is women's fault, how you Okay, no, no,

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Speaker 2: just listen. But we have to because this is just data,

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Speaker 2: this is analytics, like right now, Yes, women are dominating.

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Speaker 1: Okay, So that's why I want to stop you. Because

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Speaker 1: women are not dominating rap. How because them four songs

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Speaker 1: that are on the global charts, I guarantee that they're

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Speaker 1: not women's songs unless it's from Cardi's album. What were

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Speaker 1: the four Josh, can you look up the four hip

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Speaker 1: hop songs that were on the global charts.

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Speaker 3: Women are not dominating rap. Women.

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Speaker 1: There are more, No, there are more women hip hop

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Speaker 1: stars than ever before.

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Speaker 3: That's what I'm saying.

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Speaker 1: That's but that doesn't mean that they're dominating rap because

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Speaker 1: there's still way more men than them.

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Speaker 2: The men.

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Speaker 3: Yes, I'm just saying.

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Speaker 2: Yeah.

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Speaker 3: The stars though, the stars.

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Speaker 1: The stars that people would consider stars would be NB,

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Speaker 1: a young boy, playboy, Carti, Travis Scott, Cardi, b those

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Speaker 1: would be who people would consider the big big stars

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Speaker 1: and be a young boy, Travis Scott, playboy, Cardi, I

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Speaker 1: don't look straight. But but the charts do they acknowledge it.

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Speaker 1: They don't acknowledge it.

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Speaker 3: They categorize it. He's rap. So but I think that's

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Speaker 3: the issue.

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Speaker 1: So you can continue what you were going to say

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Speaker 1: as far as like, do we connect it to more

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Speaker 1: women being there?

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Speaker 3: But I'm going to disagree with you. I don't think

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Speaker 3: that that's it.

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Speaker 1: I think it's that we took the R and B

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Speaker 1: out of hip hop, we took the the soulfulness, we

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Speaker 1: took the soulfulness out of hip hop, and that is

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Speaker 1: what made it more palatable to other genres.

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Speaker 3: Does that make sense? Yeah, I guess.

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Speaker 2: I guess it's a lot of that baked into it too.

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Speaker 2: I'm not saying that the fact that we have just

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Speaker 2: women dominating or more women dominating rap right now than

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Speaker 2: we've probably ever had. I'm not saying that's the sole

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Speaker 2: reason for it. There's a lot of things that we

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Speaker 2: can put into it. But to me, I think we

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Speaker 2: start there because we've never had this many women rap

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Speaker 2: stars before at one time.

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Speaker 3: You know what I'm saying.

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Speaker 2: It's like every day we turn around, it's like, oh shit,

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Speaker 2: like another female MC has coming and she's got a.

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Speaker 3: Dope reckon and it's like, okay, cool. But does that sustain?

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Speaker 2: Obviously not, The music in general is not sustaining, Like

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Speaker 2: a lot of music like we happy to get mob

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Speaker 2: deep albums and everything that you know they're doing that massippeal,

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Speaker 2: We happy to get all of it. And these are

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Speaker 2: all legacy artists. These are all legacy acts dropping new music.

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Speaker 2: But as far as like the newer artists, hip hop

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Speaker 2: is in a scary place. I think hip hop is

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Speaker 2: in a very very scary place. I think that it's

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Speaker 2: a conversation that you know, we all need to start

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Speaker 2: having and really looking at, like damn, like what is

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Speaker 2: if this happened in five years? If only four hip

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Speaker 2: hop songs are charting on today's global Spotify chart, like,

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Speaker 2: what does the next five years look like?

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Speaker 1: So the songs that are charting are you see you Again?

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Speaker 1: I'm gonna assume that that's the with Khalifa see You Again?

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Speaker 1: All the Stars obviously by Sizza and Kendrick, both which

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Speaker 1: have R and B hooks. And who is timeless in

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Speaker 1: the weekend?

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Speaker 2: The weekend in play work CARDI right, Okay, it's not rap,

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Speaker 2: that's the weekend that ain't rap?

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Speaker 3: And then what's the other one? No pole? Who is that?

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Speaker 2: Oh this is or they calling that that weekend record

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Speaker 2: hip hop? See what I'm saying, that's where get tricky.

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Speaker 1: Yeah, but even still if you see those are all

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Speaker 1: they have R and bok So it's like that's palatable

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Speaker 1: to a wider audience. When you're talking about Lobal, that's

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Speaker 1: palatable to a wider audience. The soul, the R and B,

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Speaker 1: which is the reason why all of our artists when

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Speaker 1: they were doing soul and R and B music back

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Speaker 1: in the day was so widespread.

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Speaker 3: Like you see what I'm saying.

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Speaker 1: So when you bring hip hop into it and you

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Speaker 1: got them banging versus and a good ass hook, like

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Speaker 1: people could listen to that straight rap going through or

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Speaker 1: these bullshit where they're like doing this drill rap and

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Speaker 1: then they're also singing the hooks and it don't sound

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Speaker 1: good because they can't fucking sing like it's just which

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Speaker 1: I blame Kanye and Drink for that shit.

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Speaker 3: By the way, what rappers singing their own hooks?

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Speaker 2: But rappers to always sing their own hooks, you know,

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Speaker 2: that was like a thing at one point, like not

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Speaker 2: all of them, no, most rappers used to do their

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Speaker 2: own hooks though. When I mean, you just go back

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Speaker 2: and listen to like a lot of the biggie shit,

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Speaker 2: a lot of Tupac shit, a lot of early jay

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Speaker 2: Z shit, a lot of nahs, shit, a lot like

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Speaker 2: they were.

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Speaker 3: Doing their own.

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Speaker 1: Well yeah, but when I'm thinking, so, what year did

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Speaker 1: they say they were fifty six?

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Speaker 3: They said it was how many? Five years ago? Five

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Speaker 3: years ago? This is Spotify's top.

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Speaker 2: That's what the is. Okay, Oh, this is just Spotify's

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Speaker 2: top two hundred most stream tracks. Yes, okay, okay, but

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Speaker 2: still yeah, it should be more than four. I just

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Speaker 2: think that it's a it's a conversation, man like, and

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Speaker 2: we talk about it a lot, like you know, now

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Speaker 2: you listen to a song, it's almost like as good

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Speaker 2: as we all felt the Clips album was when it

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Speaker 2: came out, right, I haven't played that album in weeks.

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Speaker 2: I'm talking about not a single song I played in weeks,

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Speaker 2: and I like it.

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Speaker 3: I liked the album. I thought it was good.

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Speaker 1: I played it back to back to back when it

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Speaker 1: first came out, and then I revisit it every once

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Speaker 1: in a while. But I don't play it as often

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Speaker 1: as I did when it first came out. But I

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Speaker 1: still do play it pretty often. People don't understand that

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Speaker 1: it's this It's that phone.

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Speaker 3: Our parents were right, Is this damn phone?

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Speaker 2: This, this, the phone is killing music as much as

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Speaker 2: we don't want to admit it.

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Speaker 3: The phone is is how we listen to it. Like

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Speaker 3: if I'm I'm.

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Speaker 2: Playing an album right now, I'm connected to the speakers

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Speaker 2: in the crib and I'm playing, I'm listening somebody call me,

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Speaker 2: somebody send me some video to look at.

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Speaker 3: I look at.

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Speaker 2: I might not even go back to the album tonight.

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Speaker 2: Now them fell into a conversation about whatever. Somebody texts

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Speaker 2: me da da da, get on the phone, Like it's

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Speaker 2: not this takes away from the music experience. As much

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Speaker 2: as I love it because it is very convenient. I

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Speaker 2: can pull up a song. I can hum a melody

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Speaker 2: into my phone and don't even remember the words, and

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Speaker 2: it'll pull up the song and I can play it.

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Speaker 2: So I love that part of it, but it definitely

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Speaker 2: has taken us away from experiencing music in the way

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Speaker 2: that we used to. Like before you get a CD

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Speaker 2: or you get a vinyl, you put it on. Niggas

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Speaker 2: could be in the crib fight and guess what that

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Speaker 2: music still playing. Somebody could call you on the phone.

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Speaker 2: I'm on the phone, music still playing, like I'm still

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Speaker 2: in I'm still here I'm still listening in the moment,

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Speaker 2: I'm still consuming the music.

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Speaker 3: Now, don't playing it off my phone.

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Speaker 2: Something happens, you know whatever, whatever it's like, it pulled

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Speaker 2: me away from that I'm on the phone.

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Speaker 3: I forgot.

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Speaker 2: But that's not just with music, with TV as well.

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Speaker 2: I could be watching the show, get a call something,

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Speaker 2: watching something on.

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Speaker 3: My phone, never revisit it.

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Speaker 2: I don't even know what just happened the last two episodes.

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Speaker 2: Shit just been running our attention.

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Speaker 3: Our attention span is so short.

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Speaker 1: I will also say that me personally, I don't know

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Speaker 1: if anybody else feels this way. When I tire of

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Speaker 1: songs quicker now because of Instagram. So when I'm doom scrolling,

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Speaker 1: which I do, do I have a problem. I need

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Speaker 1: to fix that. But when I'm doom scrolling on Instagram

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Speaker 1: and I'm doom scrolling on TikTok and people are creating content,

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Speaker 1: and I've heard that song a million times now, I'm

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Speaker 1: now tired of it. I might have heard it three

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Speaker 1: times on my phone, but I've heard it one hundreds.

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Speaker 1: There are songs that I know full the words too,

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Speaker 1: that I've never downloaded, never heard of my phone, but

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Speaker 1: I know the words, simply because I've consumed so many,

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Speaker 1: so much content with that fucking song.

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Speaker 2: Songs live longer on social media, and they doing your

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Speaker 2: your in your in your home for sure, and in

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Speaker 2: your car because somebody posts a video that goes viral

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Speaker 2: with Doja cat playing in the background. M h, everybody,

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Speaker 2: we all seeing that shit. That shit keeps playing us

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Speaker 2: on the real you like, it lives longer on social

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Speaker 2: media than it does like then you live with it

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Speaker 2: in your personal time. And I mean again, I'm not

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Speaker 2: saying it's a yeah, well yes, I am saying I

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Speaker 2: do think it's a negative thing. Yeah, I do, because

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Speaker 2: it's evident when you see charts like this, it's like, bro,

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Speaker 2: people are not I just feel like people are just not.

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Speaker 3: As attached to the music as we once were.

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Speaker 1: Like in the quality of the music. Just let's be honest.

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Speaker 1: The quality of the music is just not good. It's

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Speaker 1: not as good. It's not there as good news.

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Speaker 2: The mean there has killed me years ago when I

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Speaker 2: said that, I was saying it was easier to get

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Speaker 2: in the music business.

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Speaker 3: And get I remember I remember.

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Speaker 2: Then it's ever nah, I know it's not how I

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Speaker 2: can I can be a no name this could be

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Speaker 2: my first album I ever recorded. And if Drake drops tonight,

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Speaker 2: guess who else can drop tonight? Me? I can put

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Speaker 2: my album on the same DSP. Nobody's ever heard of me.

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Speaker 2: But I could put my album.

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Speaker 3: On the same DSP as Drake or Beyonce or whoever.

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Speaker 2: And this was my first part nobody's I'm not even

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Speaker 2: I just made this in my basement and it take off.

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Speaker 2: I can have a song that goes viral. Now I'm

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Speaker 2: getting booked over here. But though you know how hard

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Speaker 2: it was to do that, just not even let's say

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Speaker 2: twenty five years ago, like it was. You had to

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Speaker 2: really travel and go to these cities and go hand

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Speaker 2: in hand trying to get people to hear your shit. Now,

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Speaker 2: I just upload the record tonight. I could be a

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Speaker 2: star next Sunday.

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Speaker 1: And also, what the labels are looking for now, from

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Speaker 1: what I see, is no one's looking for the quality.

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Speaker 1: No one's sitting in these meetings and making these people

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Speaker 1: climb on the table like they did Bobby Schimurda and

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Speaker 1: perform as well.

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Speaker 3: We needed to get away from that. Niggas don't need

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Speaker 3: to be on nobody's table.

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Speaker 1: Rapping like get away is no one is, there's no

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Speaker 1: quality control.

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Speaker 3: What they're looking for is.

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Speaker 2: Coaching in Q they down there doing coach k And

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Speaker 2: what they're looking for is who has the attention.

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Speaker 1: And what people do to get attention nowadays is not

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Speaker 1: be talented, Like you can get be talented and get attention,

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Speaker 1: but that's not what everybody's going for. Everybody wants to

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Speaker 1: be some type of like I don't even want to

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Speaker 1: say content creator, but there's so many smoking mirrors and

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Speaker 1: like just fugezy shit going on, and shit that's making

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Speaker 1: people a star. That's how you get someone like some

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Speaker 1: of our some of our stars, I'm not going to

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Speaker 1: say any names, but it's like you're not good, but

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Speaker 1: you've created this persona that the young kids have fallen

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Speaker 1: in love with and now they're a rock star and

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Speaker 1: they're demonic and it's going viral and you're doing clickbaity

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Speaker 1: shit and now you have like this hould base following

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Speaker 1: about a bunch of bullshit that's not good music, you

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Speaker 1: see what I'm saying. Like, so it's like their labels

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Speaker 1: are just looking for, well, who's all right, you got

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Speaker 1: a couple of songs out, who's getting the most? Well,

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Speaker 1: you got a lot of social media following or people

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Speaker 1: coming to your shows, this, this, this, this, and that.

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Speaker 3: It's they're not looking for good music, so bullshit slips

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Speaker 3: through the crack.

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Speaker 1: Bullshit is allowed to become the biggest, and then because

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Speaker 1: other shit doesn't look like bullshit, it makes it hard

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Speaker 1: for real shit. Now, when you make real shit, they're like, oh,

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Speaker 1: you're making old school hip hop, and it's like, no,

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Speaker 1: I'm not making old school hip hop.

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Speaker 3: I'm just making hip hop. I'm making actual rap.

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Speaker 1: But no one's sitting down and listen in the actual

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Speaker 1: rap anymore unless you already have our hearts.

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Speaker 3: Clips already has our hearts. If people would.

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Speaker 1: Have just came out, if Unknown people would have came

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Speaker 1: out with that CLIPS album, people wouldn't have fuck listened

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Speaker 1: to it. It wouldn't have gotten as much of you

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Speaker 1: know what I'm saying, nowhere near as much of attention,

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Speaker 1: no matter how good it was. But they have our

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Speaker 1: hearts already, So we're gonna go listen and be like, ah,

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Speaker 1: this is good.

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Speaker 3: We've missed this.

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Speaker 1: But they're not gonna go do all the silly bullshit

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Speaker 1: that these other artists are gonna do to continue to

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Speaker 1: go viral and have viral sounds.

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Speaker 3: And all of that shit.

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Speaker 1: So then you come into impass because now the internet

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Speaker 1: runs everything. So if you can't pop on the internet,

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Speaker 1: then you're.

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Speaker 3: Not gonna pop on the charts unless it's crazy.

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Speaker 2: Because it was it used to be the reverse of that.

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Speaker 2: Like so you know again old enough to remember a

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Speaker 2: group like Milli Vanilli mm hmm, right, great record, great record,

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Speaker 2: but it was a thing where it was like, yeah,

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Speaker 2: but whoever made that record probably doesn't look like a star.

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Speaker 3: Yeah, right, now you just gotta look like a star.

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Speaker 2: We could tweak, we can, we can turn the knobs

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Speaker 2: on the in the studio and we could get the

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Speaker 2: sound to where where it need to be. But before

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Speaker 2: it used to be as long as the music is good,

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Speaker 2: that was we lead first. It's the music good. He

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Speaker 2: may not be a star, she may not be a star.

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Speaker 2: We don't even got to put them in the video.

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Speaker 2: We can use somebody because this is things that really happened.

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Speaker 2: There was videos in the nineties where I come to

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Speaker 2: find out that ain't even the person who's on the record,

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Speaker 2: that's not even them, but they're in the video and

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Speaker 2: they portraying it like they're performing the record, and that's

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Speaker 2: not even a real artist.

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Speaker 3: So it went from that.

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Speaker 2: It went from leading with the music being great to

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Speaker 2: now that's the second that's secondary.

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Speaker 3: Now it's like, yo, what what's your personality? Like?

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Speaker 2: You know what I mean, what's your you knows? Do

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Speaker 2: people love the personality? Do they love the look, the aesthetic?

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Speaker 2: You know, the vibe, the energy? Okay, cool? Now we

312
00:14:10,240 --> 00:14:12,680
Speaker 2: could put music, we can put something together, we could

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Speaker 2: cook something up, get them in the studio with the

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Speaker 2: right person.

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Speaker 3: We see it all the time.

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Speaker 2: But then now what happens is you get something like

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Speaker 2: this chart that we have to sit and look back

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Speaker 2: and be like, damn only four. So it's a real

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Speaker 2: conversation to have. Man, I just I just feel like,

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Speaker 2: you know, again, being able to see the mini shifts

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Speaker 2: and changes in the landscape of music and things like that,

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Speaker 2: and being able to look back and things are looking

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Speaker 2: a little for the first time that I can remember.

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Speaker 3: You know, people are saying hip hop is dead for years.

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Speaker 3: That's you know, it's looking dead though. It's looking like

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Speaker 3: I ain't gonna lie.

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Speaker 2: We might have to start going to hospice and visiting

328
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Speaker 2: this mother, Like Yo, this nigga might be on his

329
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Speaker 2: way out.

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Speaker 1: Of y'all gotta start making hip hop music that the

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Speaker 1: old people and that the white people can comfortably rap.

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Speaker 3: That's it.

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Speaker 1: That's the only way the white people and the old

334
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Speaker 1: people got a comfortably rapid Well did you watch the

335
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Speaker 1: Cash Money Versus No Limit versus?

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Speaker 2: I did watch the Cash Money No Limit versus? Shout

337
00:15:15,120 --> 00:15:17,400
Speaker 2: out to Cash Money and No Limit. You know a

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Speaker 2: lot of people online today a little younger y'all don't

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Speaker 2: really know because.

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Speaker 3: You was using was young.

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Speaker 1: Yeah, you was like five six maybe four only No

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Speaker 1: Limit like person I know is little Romeo.

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Speaker 2: Yeah, see, you don't, y'all don't really know what this was.

344
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Speaker 2: But this was huge for uh, you know, just for

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Speaker 2: nostalgic purposes and just the legacy of two of the

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Speaker 2: most iconic labels in hip hop being Cash Money and

347
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Speaker 2: No Limit. But the one problem we was talking about

348
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Speaker 2: it before we started, why was this in Las Vegas?

349
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Speaker 3: Complex Con? Fuck that?

350
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Speaker 2: And I know Complex, shout out the Complex, We fuck

351
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Speaker 2: with Complex, But.

352
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Speaker 3: We know Complex gave them a bag.

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Speaker 2: Of course we know they you know, because it was

354
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Speaker 2: Complex Con and this was you know, the performance at

355
00:16:01,400 --> 00:16:05,840
Speaker 2: Complex Con. But this had to be in New Orleans,

356
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Speaker 2: we were supposed to do this at the super Dome, like,

357
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Speaker 2: this was not.

358
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Speaker 3: This is not Las Vegas.

359
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Speaker 2: Listen to the crowd wasn't really no, because I mean

360
00:16:15,160 --> 00:16:17,640
Speaker 2: it was people out there for complex con people traveled,

361
00:16:17,720 --> 00:16:20,240
Speaker 2: you know what I'm saying. So, but it's it wasn't.

362
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Speaker 2: It wasn't New Orleans. It wasn't. It wasn't that. I mean,

363
00:16:24,000 --> 00:16:26,840
Speaker 2: people obviously knew some of the songs. People you know,

364
00:16:26,960 --> 00:16:29,320
Speaker 2: happy to see the gods performance thing, But it wasn't.

365
00:16:29,600 --> 00:16:32,080
Speaker 2: The energy just wasn't what you hear when you when

366
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Speaker 2: you see Cash Money versus No Limit. Yeah, that has

367
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Speaker 2: to be in New Orleans. Yeah, you understand I'm saying, like,

368
00:16:38,160 --> 00:16:42,520
Speaker 2: that's that's just too much history. It's too much, you know,

369
00:16:43,160 --> 00:16:46,360
Speaker 2: just ties to like the community for real, everybody that's

370
00:16:46,360 --> 00:16:48,080
Speaker 2: still in the city of New Orleans. I know, Hurricane

371
00:16:48,120 --> 00:16:51,800
Speaker 2: Katrina kind of separated people, but you know the essence

372
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Speaker 2: of what Cash Money and No Limit have done for

373
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Speaker 2: that city, you gotta have them on stage in New Orleans.

374
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Speaker 2: So it was cool. It was cool seeing it. No

375
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Speaker 2: to Wayne No Turk, I don't know how I invested.

376
00:17:04,080 --> 00:17:05,919
Speaker 2: I am at that point when you say, you know,

377
00:17:06,000 --> 00:17:08,440
Speaker 2: Wayne is not gonna be there, Turk is not gonna

378
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Speaker 2: be there, And it's like.

379
00:17:09,520 --> 00:17:11,720
Speaker 3: So, well did they play little Wayne records? Though?

380
00:17:12,560 --> 00:17:15,040
Speaker 2: Uh, well, they played verses from from Wayne, you know,

381
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Speaker 2: obviously they had to play some of his his verses

382
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Speaker 2: and things like that.

383
00:17:18,640 --> 00:17:19,760
Speaker 3: But why wasn't Wayne then?

384
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Speaker 2: Like, I still don't understand where him and bird Man are, like,

385
00:17:22,480 --> 00:17:25,439
Speaker 2: you know, as far as personally, I don't know, you know,

386
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Speaker 2: if they're even on speaking terms at this point.

387
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Speaker 3: I really don't keefer. Yeah, I don't know. I don't know.

388
00:17:31,720 --> 00:17:33,520
Speaker 2: I can't keep up with men that don't talk to

389
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Speaker 2: other men. That's just not my that's not my DNA.

390
00:17:36,080 --> 00:17:38,480
Speaker 3: So who won? In my opinion?

391
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Speaker 2: Looking at it, I mean, it probably was different inside

392
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Speaker 2: the venue, but looking at it, I felt like no

393
00:17:44,320 --> 00:17:44,840
Speaker 2: limit one.

394
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Speaker 3: Yeah, I felt like no limit one.

395
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Speaker 2: I felt like the records just just hit a little

396
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Speaker 2: a little different. Now, don't get it twitted cash when

397
00:17:52,440 --> 00:17:55,760
Speaker 2: obviously juveniles there, you know, slow motion, I mean, that's

398
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Speaker 2: that's a that's a hood.

399
00:17:59,600 --> 00:18:01,840
Speaker 3: Okay, that's that's what you see.

400
00:18:01,960 --> 00:18:03,359
Speaker 2: You see what it does soon that you get you

401
00:18:03,400 --> 00:18:05,919
Speaker 2: ain't nobody playing nothing, and you just start slow winding

402
00:18:06,280 --> 00:18:09,600
Speaker 2: and your seat just when you hear the song, so yeah,

403
00:18:09,600 --> 00:18:10,880
Speaker 2: you know it was a couple don't get a twist

404
00:18:10,920 --> 00:18:11,440
Speaker 2: of cash money.

405
00:18:11,480 --> 00:18:12,920
Speaker 3: You know, they put on a good show.

406
00:18:12,920 --> 00:18:16,320
Speaker 2: But looking at it, you know, from what I felt

407
00:18:16,359 --> 00:18:19,200
Speaker 2: just looking at it, I felt like no limit. Uh,

408
00:18:19,800 --> 00:18:22,480
Speaker 2: they got the best, the best of that night. And

409
00:18:22,520 --> 00:18:24,200
Speaker 2: now again that could be because again you don't got

410
00:18:24,200 --> 00:18:26,280
Speaker 2: you know, obviously the Juggernaut and Lil Wayne not being

411
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Speaker 2: there on stage, not.

412
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Speaker 3: It does you know, it takes away from it.

413
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Speaker 1: A lot of people saw it being closer than it

414
00:18:32,960 --> 00:18:37,480
Speaker 1: was because they assumed that with cash money came young money.

415
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Speaker 1: And I was like, I don't think that that's fair,

416
00:18:39,640 --> 00:18:42,320
Speaker 1: and I'm happy that they did they didn't do that, right, Yeah,

417
00:18:42,359 --> 00:18:43,399
Speaker 1: I'm happy that they didn't do that.

418
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Speaker 3: I don't think that that's fair in a sense.

419
00:18:46,560 --> 00:18:49,359
Speaker 2: I mean, yeah, I understand why you say that, but

420
00:18:49,400 --> 00:18:51,639
Speaker 2: I mean it is cash money, young money. Yeah, like

421
00:18:51,680 --> 00:18:53,880
Speaker 2: you never heard any of the young money artists saying

422
00:18:53,880 --> 00:18:55,800
Speaker 2: young money. It didn't say cash money at the same time,

423
00:18:55,880 --> 00:18:59,040
Speaker 2: so you know, it's it's obviously ties did and affiliations,

424
00:18:59,080 --> 00:19:02,720
Speaker 2: but this was just from that era of cash money

425
00:19:02,760 --> 00:19:06,720
Speaker 2: before Drake NICKI, you know, Wayne obviously was was cash.

426
00:19:06,480 --> 00:19:07,639
Speaker 3: Money before Young Money.

427
00:19:08,040 --> 00:19:11,199
Speaker 2: But Wayne not being there, I think was just the

428
00:19:11,440 --> 00:19:12,919
Speaker 2: you know, it's like all right, man, like this is

429
00:19:13,560 --> 00:19:15,560
Speaker 2: you know, we get it. It was still cool to

430
00:19:15,560 --> 00:19:21,240
Speaker 2: see Juvie and you know, BG and baby silkmia X.

431
00:19:22,760 --> 00:19:24,720
Speaker 3: You know, master P, master P.

432
00:19:24,960 --> 00:19:29,200
Speaker 2: Bro. Listen seeing master P perform those records and then

433
00:19:29,240 --> 00:19:32,720
Speaker 2: like really thinking about like the era that master P

434
00:19:32,960 --> 00:19:36,240
Speaker 2: had and dominated. We don't talk about your master P

435
00:19:36,240 --> 00:19:38,200
Speaker 2: played in the NBA.

436
00:19:39,119 --> 00:19:40,040
Speaker 3: He was just doing shit.

437
00:19:41,160 --> 00:19:43,480
Speaker 2: You don't listen, you can't. That is like, I don't.

438
00:19:43,600 --> 00:19:45,920
Speaker 2: I really think we didn't stop. We didn't pause long

439
00:19:46,040 --> 00:19:48,560
Speaker 2: enough to really like salute master P for that.

440
00:19:48,760 --> 00:19:48,920
Speaker 3: Now.

441
00:19:48,960 --> 00:19:51,439
Speaker 2: It wasn't he didn't play eighty two games in the season.

442
00:19:52,200 --> 00:19:53,600
Speaker 2: He wasn't on the start in Ross and all that

443
00:19:53,640 --> 00:19:57,040
Speaker 2: opening day. The fact that he was their preseason and

444
00:19:57,160 --> 00:19:59,680
Speaker 2: just out there he has a jersey, he was on

445
00:19:59,720 --> 00:20:02,479
Speaker 2: a floor with guys who played the full season.

446
00:20:03,600 --> 00:20:05,720
Speaker 3: Bro. That is that's almost like this.

447
00:20:05,600 --> 00:20:07,440
Speaker 2: Is like movie shit, like you know when the movies

448
00:20:07,520 --> 00:20:08,879
Speaker 2: used to be like yo, he went on to play

449
00:20:09,200 --> 00:20:10,679
Speaker 2: in the NBA, Like this.

450
00:20:10,560 --> 00:20:11,320
Speaker 3: Is what that is.

451
00:20:11,359 --> 00:20:13,960
Speaker 2: This is like the dude from the hood that was

452
00:20:14,040 --> 00:20:16,480
Speaker 2: on the block, you know, getting into some shit whatever,

453
00:20:16,520 --> 00:20:18,040
Speaker 2: whatever straighten out his life.

454
00:20:18,119 --> 00:20:20,000
Speaker 3: They was like, yo, you gotta take this serious.

455
00:20:20,280 --> 00:20:22,919
Speaker 2: He took it serious and really like did something that

456
00:20:22,960 --> 00:20:25,359
Speaker 2: he didn't you know, he didn't have a long career.

457
00:20:25,880 --> 00:20:28,200
Speaker 2: But the fact that he even got to that level.

458
00:20:29,119 --> 00:20:32,840
Speaker 2: You know how synonymous rap in basketball is, Yeah, it's

459
00:20:32,880 --> 00:20:33,200
Speaker 2: the same.

460
00:20:33,240 --> 00:20:34,080
Speaker 3: It's one and the same.

461
00:20:34,800 --> 00:20:36,639
Speaker 2: The fact that master P did what he did in

462
00:20:36,760 --> 00:20:41,680
Speaker 2: music in the culture and actually played in a preseason

463
00:20:41,840 --> 00:20:42,840
Speaker 2: NBA game.

464
00:20:43,480 --> 00:20:44,720
Speaker 3: And went on to be one of the great It

465
00:20:44,760 --> 00:20:47,679
Speaker 3: was preseason? Correct? Was it preseason? So tell that is crazy?

466
00:20:47,720 --> 00:20:50,199
Speaker 1: Tell me about that because I know that we have

467
00:20:50,320 --> 00:20:52,920
Speaker 1: some somewhat of a younger audience, and by younger, even

468
00:20:52,960 --> 00:20:54,720
Speaker 1: the younger people we getting old now, so we might

469
00:20:54,760 --> 00:20:57,439
Speaker 1: not have been exactly around for that. Why did he

470
00:20:57,520 --> 00:20:59,200
Speaker 1: only play play preseason?

471
00:20:59,280 --> 00:21:00,760
Speaker 3: Like? Was he what happened?

472
00:21:00,960 --> 00:21:02,520
Speaker 2: Well, I mean, it's the NBA at the end of

473
00:21:02,520 --> 00:21:05,200
Speaker 2: the day, Like, it's not you know, it's it's hard

474
00:21:05,960 --> 00:21:09,520
Speaker 2: for guys that are really good at basketball to make

475
00:21:10,080 --> 00:21:12,080
Speaker 2: the opening day roster and stay in the league. Like

476
00:21:12,119 --> 00:21:14,520
Speaker 2: that's you know, that's just not something that any and

477
00:21:14,520 --> 00:21:18,160
Speaker 2: everybody could do. So he wasn't that good. He wasn't

478
00:21:18,240 --> 00:21:20,280
Speaker 2: good enough to stay on an NBA roster.

479
00:21:20,560 --> 00:21:22,240
Speaker 3: But he was good. But he was good.

480
00:21:22,720 --> 00:21:25,120
Speaker 2: He got to the you know, played in the preseason. Now,

481
00:21:25,200 --> 00:21:27,000
Speaker 2: some of it may have been just the lore of it.

482
00:21:27,080 --> 00:21:29,360
Speaker 2: Teams know what it did for marketing and things like that.

483
00:21:30,320 --> 00:21:32,400
Speaker 2: But still he got out there with it looked good

484
00:21:32,480 --> 00:21:33,919
Speaker 2: like he was. It wasn't like he was out there

485
00:21:33,920 --> 00:21:36,440
Speaker 2: and he looked crazy. He can play basket.

486
00:21:36,600 --> 00:21:42,800
Speaker 3: Was he better than Brownnie? Nah, he wasn't better than Bronnie. No,

487
00:21:42,960 --> 00:21:47,639
Speaker 3: we ain't doing not doing that. I know how you

488
00:21:47,640 --> 00:21:48,880
Speaker 3: felt about Bronnie. I was just.

489
00:21:50,359 --> 00:21:54,440
Speaker 1: I mean this podcast has been critical of him when

490
00:21:54,480 --> 00:21:56,440
Speaker 1: he got drafted to the Lakers.

491
00:21:56,600 --> 00:21:59,359
Speaker 2: So no, I mean I was I rooted for it.

492
00:21:59,400 --> 00:21:59,960
Speaker 2: I like it, but to.

493
00:22:01,400 --> 00:22:05,240
Speaker 1: But calling it nepotism exactly, don't get it. But that's

494
00:22:05,240 --> 00:22:07,760
Speaker 1: what was because because I mean master P didn't.

495
00:22:07,520 --> 00:22:10,040
Speaker 2: Have nepotism, I was asking no, no, that's but yeah,

496
00:22:10,040 --> 00:22:13,800
Speaker 2: but no, Brownie is, Yes, Brownie will Bronnie right now

497
00:22:13,840 --> 00:22:15,679
Speaker 2: and master P back then if they played each other,

498
00:22:15,720 --> 00:22:19,200
Speaker 2: Brownie would destroy master There's no it's even like we're

499
00:22:19,240 --> 00:22:22,159
Speaker 2: not gonna do that, like he absolutely would. But I

500
00:22:22,160 --> 00:22:25,359
Speaker 2: mean I still support nepotism. I'm shout out to Brownie.

501
00:22:25,359 --> 00:22:27,000
Speaker 2: You know, I hope that he has a great career, But.

502
00:22:27,000 --> 00:22:29,120
Speaker 3: Yeah, we didn't. We didn't give We didn't the coach.

503
00:22:29,160 --> 00:22:32,560
Speaker 2: It didn't stop long enough to really salute that moment

504
00:22:32,600 --> 00:22:36,199
Speaker 2: for master P. Like making a preseason NBA game like

505
00:22:36,280 --> 00:22:38,320
Speaker 2: that is something that we haven't seen we probably will

506
00:22:38,320 --> 00:22:43,240
Speaker 2: never see again. J Cole plays ball. He never was

507
00:22:43,280 --> 00:22:44,359
Speaker 2: on a preseason roster.

508
00:22:45,400 --> 00:22:47,359
Speaker 3: Did he play for like Africa or somewhere? Cole was

509
00:22:47,400 --> 00:22:51,040
Speaker 3: playing for? What have you seen? Have you seen them

510
00:22:51,040 --> 00:22:51,600
Speaker 3: African team?

511
00:22:53,280 --> 00:22:56,680
Speaker 2: Come on, we're not doing that, I'm gonna say. I'm

512
00:22:56,680 --> 00:22:58,760
Speaker 2: just saying it's it's just a difference. It's all I'm saying.

513
00:22:58,760 --> 00:23:01,040
Speaker 2: Shout out the Cole. You know he's trying to pursue

514
00:23:01,040 --> 00:23:03,600
Speaker 2: that too. But even J Cole knows how crazy it

515
00:23:03,720 --> 00:23:06,800
Speaker 2: is that master P played with the Raptors and the Hornets.

516
00:23:07,440 --> 00:23:09,240
Speaker 3: Okay, oh he two teams.

517
00:23:09,160 --> 00:23:10,800
Speaker 2: Like come on, man, this is what I'm saying, like,

518
00:23:11,240 --> 00:23:13,440
Speaker 2: did we didn't the coach? It didn't stop, We didn't pause

519
00:23:13,480 --> 00:23:15,840
Speaker 2: long enough to salute that. So shout out the master P,

520
00:23:16,280 --> 00:23:18,240
Speaker 2: Shout out the bird Man, shout out the cash money,

521
00:23:18,240 --> 00:23:20,960
Speaker 2: no limit, the versus again.

522
00:23:20,960 --> 00:23:22,280
Speaker 3: I would have liked. I would have liked to see

523
00:23:22,280 --> 00:23:22,560
Speaker 3: it in.

524
00:23:22,520 --> 00:23:24,920
Speaker 2: New Orleans personally because just the energy would have been

525
00:23:25,200 --> 00:23:27,960
Speaker 2: completely different. Would have loved to see Turk there. Birdman

526
00:23:28,040 --> 00:23:30,040
Speaker 2: had some things to say in regards to Turk not

527
00:23:30,119 --> 00:23:32,760
Speaker 2: being there towards the end of the set. But you know,

528
00:23:32,760 --> 00:23:35,320
Speaker 2: we're not gonna holllight the negative ship. But hopefully, man,

529
00:23:35,359 --> 00:23:37,159
Speaker 2: they could do this over and do it right, or

530
00:23:37,240 --> 00:23:38,639
Speaker 2: just don't even make it a versus just do a

531
00:23:38,640 --> 00:23:41,199
Speaker 2: cash money, no limit show at the Super Dume in

532
00:23:41,240 --> 00:23:43,000
Speaker 2: New Orleans. It ain't gotta be a versus. It can

533
00:23:43,040 --> 00:23:45,440
Speaker 2: kind of be like with JD was planning on doing

534
00:23:45,800 --> 00:23:48,639
Speaker 2: with Bad Boy versus Social Death. I appreciate what they

535
00:23:48,680 --> 00:23:49,159
Speaker 2: was gonna go in.

536
00:23:49,280 --> 00:23:51,439
Speaker 3: You know, do you think JD was scared? No?

537
00:23:51,600 --> 00:23:54,479
Speaker 2: Hell nah, y'all don't know JD's That's what I'm say.

538
00:23:54,520 --> 00:23:55,680
Speaker 2: Y'all don't know JD's history.

539
00:23:56,240 --> 00:23:58,080
Speaker 3: First of all, No, you don't. I'm not.

540
00:23:58,280 --> 00:24:00,840
Speaker 1: I'm not asking because I believe JD scared. What I'm

541
00:24:00,880 --> 00:24:02,080
Speaker 1: saying is, do you know I.

542
00:24:02,080 --> 00:24:04,720
Speaker 3: Say yeah, I mean like not you y'all that people

543
00:24:04,760 --> 00:24:05,360
Speaker 3: that feel.

544
00:24:05,119 --> 00:24:09,399
Speaker 1: Like that, Okay, No, because I just feel like I

545
00:24:09,440 --> 00:24:12,000
Speaker 1: don't know, like because his history is so big and

546
00:24:12,000 --> 00:24:13,840
Speaker 1: people I don't know if people would expect I don't

547
00:24:13,840 --> 00:24:16,680
Speaker 1: know if he would be considered the underdog in that situation, right,

548
00:24:16,960 --> 00:24:18,320
Speaker 1: if he, JD would be the underdog.

549
00:24:18,400 --> 00:24:20,200
Speaker 3: Yes, he would definitely be the only cause Puff is

550
00:24:20,240 --> 00:24:24,320
Speaker 3: a bigger figure. He's a more polarizing fit.

551
00:24:24,400 --> 00:24:27,840
Speaker 2: But now again that's what Jad likes though he wants

552
00:24:27,880 --> 00:24:29,879
Speaker 2: that because JD don't care about that at the end

553
00:24:29,920 --> 00:24:33,600
Speaker 2: of the day, when we start playing these records that

554
00:24:33,720 --> 00:24:35,840
Speaker 2: I really produced, because.

555
00:24:35,600 --> 00:24:38,040
Speaker 3: Then it's that then it's that part. No, no, it

556
00:24:38,040 --> 00:24:39,879
Speaker 3: ain't shade, it's facts.

557
00:24:40,200 --> 00:24:45,000
Speaker 2: It's just facts. Because we're talking about producers. JD plays,

558
00:24:46,040 --> 00:24:51,760
Speaker 2: he writes, he also raps. Puff gives you know, he

559
00:24:51,800 --> 00:24:53,600
Speaker 2: gives you that. He gives you that that that style

560
00:24:53,680 --> 00:24:56,280
Speaker 2: and that flare that lay not say it like this

561
00:24:56,400 --> 00:24:59,200
Speaker 2: like Puff do that He got sought. That's what he does.

562
00:24:59,440 --> 00:25:02,159
Speaker 2: You remember, come from a party promotion game. He know

563
00:25:02,320 --> 00:25:04,760
Speaker 2: how to have a party and how to you know,

564
00:25:04,880 --> 00:25:06,760
Speaker 2: what's gonna make people move. So he come from that.

565
00:25:08,119 --> 00:25:11,520
Speaker 2: JD played drums, you get what I'm saying. Like, so

566
00:25:11,600 --> 00:25:13,879
Speaker 2: he comes from he danced. He was break dance and

567
00:25:13,960 --> 00:25:16,360
Speaker 2: he was so he comes from that part of it.

568
00:25:16,520 --> 00:25:18,320
Speaker 2: So it's just like, you know, it would have been interesting.

569
00:25:18,359 --> 00:25:21,440
Speaker 2: But yeah, that that that I wanted to happen, only

570
00:25:21,480 --> 00:25:23,560
Speaker 2: because I really feel like people don't give Jamaine dupri

571
00:25:24,359 --> 00:25:27,239
Speaker 2: you know they they obviously they say Mariah Carrey, they

572
00:25:27,240 --> 00:25:30,800
Speaker 2: say Usher, but no, we gotta go Brat, we gotta

573
00:25:30,800 --> 00:25:34,360
Speaker 2: go Chris Cross, we gotta go bow Wow. He got

574
00:25:34,400 --> 00:25:38,239
Speaker 2: real songs with Biggie, he got real songs with Little Kim,

575
00:25:38,359 --> 00:25:39,639
Speaker 2: So these are the things that people forget.

576
00:25:39,680 --> 00:25:41,119
Speaker 3: He got I think he got songs of Mace.

577
00:25:41,840 --> 00:25:43,400
Speaker 2: So these are the things that people forget, Like when

578
00:25:43,440 --> 00:25:45,800
Speaker 2: when when Puffing Hum was popping on Bad Boy, was

579
00:25:45,920 --> 00:25:48,480
Speaker 2: putting them joints out. JD was producing for a lot

580
00:25:48,480 --> 00:25:51,240
Speaker 2: of those artists on Bad Boy as well, But people

581
00:25:51,280 --> 00:25:54,000
Speaker 2: forget about that because that was early ninety midnight.

582
00:25:54,119 --> 00:25:55,160
Speaker 3: They could they really connect.

583
00:25:55,200 --> 00:25:58,080
Speaker 1: When you think JD, you think Usher, you think you

584
00:25:58,080 --> 00:26:00,000
Speaker 1: think Usher, you think bow Wow, But you think Usher

585
00:26:00,359 --> 00:26:02,800
Speaker 1: Mariah Carey, like exactly how you said, you know, remember

586
00:26:02,840 --> 00:26:03,040
Speaker 1: the back.

587
00:26:03,119 --> 00:26:05,639
Speaker 2: They don't remember the the you know, money at the

588
00:26:05,680 --> 00:26:07,840
Speaker 2: thing with jay Z. They don't remember those records. They

589
00:26:07,840 --> 00:26:10,680
Speaker 2: don't you know what I'm saying. Life of fourteen seventy two,

590
00:26:11,200 --> 00:26:13,399
Speaker 2: they don't remember that album. So it's like, you know,

591
00:26:13,400 --> 00:26:15,120
Speaker 2: I wanted to see that happen only because I think

592
00:26:15,160 --> 00:26:18,640
Speaker 2: it's what the verses does is it reminds a newer generation.

593
00:26:21,040 --> 00:26:23,560
Speaker 2: It also shines light on damn like that record still sound.

594
00:26:23,560 --> 00:26:26,160
Speaker 2: Because even watching a No Limit Cash Money, I'm hearing

595
00:26:26,160 --> 00:26:28,040
Speaker 2: about it, about it and all that. I'm like, I

596
00:26:28,040 --> 00:26:29,720
Speaker 2: gotta put this on the gym playlist, like.

597
00:26:29,680 --> 00:26:32,280
Speaker 3: I forgot how it's still it is if I know

598
00:26:32,359 --> 00:26:32,720
Speaker 3: I'm saying.

599
00:26:32,760 --> 00:26:34,440
Speaker 2: I mean, I'm in the crib watching that shit. I'm

600
00:26:34,480 --> 00:26:36,280
Speaker 2: doing this just about it bout it. I'm like, naw,

601
00:26:36,320 --> 00:26:39,119
Speaker 2: this shit, I forgot how just that energy of what

602
00:26:39,160 --> 00:26:41,199
Speaker 2: it did when you first heard those those songs. So

603
00:26:42,480 --> 00:26:44,760
Speaker 2: I wish we obviously are not going to get that

604
00:26:44,760 --> 00:26:48,040
Speaker 2: that versus with JD. But I think we missed out

605
00:26:48,040 --> 00:26:50,640
Speaker 2: on the moment you know where they would have did

606
00:26:50,640 --> 00:26:54,080
Speaker 2: that in Atlanta at the Mercedes Benz Stadium. I mean,

607
00:26:54,119 --> 00:26:56,400
Speaker 2: I think that at that point it's just a party. Yeah,

608
00:26:56,400 --> 00:26:58,600
Speaker 2: you know what I'm saying, We letting JD and Puff

609
00:26:58,720 --> 00:27:01,280
Speaker 2: DJ and just have you know, going down that lane

610
00:27:01,280 --> 00:27:04,520
Speaker 2: of memory, lane of hearing those records. But yeah, I

611
00:27:04,600 --> 00:27:08,560
Speaker 2: think people people need a lesson in Jermaine Deprido because

612
00:27:08,560 --> 00:27:10,760
Speaker 2: they don't give JD his his props when it comes

613
00:27:10,800 --> 00:27:13,720
Speaker 2: to hip hop rap as much as they should R

614
00:27:13,760 --> 00:27:16,720
Speaker 2: and B. I think that's clear, but don't. Let's not

615
00:27:16,760 --> 00:27:19,080
Speaker 2: forget about what JD did and hip hop and rap

616
00:27:19,119 --> 00:27:19,480
Speaker 2: as well.

617
00:27:19,800 --> 00:27:22,159
Speaker 1: Yeah, And I think it's because he doesn't. He's not

618
00:27:22,200 --> 00:27:24,119
Speaker 1: a flashy He's humble.

619
00:27:24,320 --> 00:27:28,040
Speaker 3: Yeah, he's not that. That's another thing. Be humble.

620
00:27:28,160 --> 00:27:31,720
Speaker 2: Sometimes leave you out of the conversation because you ain't

621
00:27:31,720 --> 00:27:34,639
Speaker 2: bragging doses, you don't talk your ship. It's easy to

622
00:27:34,640 --> 00:27:36,880
Speaker 2: forget about you when the loud niggas and the boisterous

623
00:27:36,920 --> 00:27:37,760
Speaker 2: niggas like yeah yeah.

624
00:27:37,760 --> 00:27:39,639
Speaker 3: But then when you're like listen, fuck all play them

625
00:27:39,720 --> 00:27:41,560
Speaker 3: records though, and.

626
00:27:41,480 --> 00:27:43,800
Speaker 2: Then I really produced that, Like I really went in

627
00:27:43,800 --> 00:27:45,760
Speaker 2: there and played that.

628
00:27:45,760 --> 00:27:47,280
Speaker 3: That's a different conversation.

629
00:27:47,520 --> 00:27:48,800
Speaker 1: That's why I'll be trying to get you all to

630
00:27:48,800 --> 00:27:50,960
Speaker 1: talk y'all shit, and I'll be like, na, we cool,

631
00:27:51,119 --> 00:27:55,600
Speaker 1: we humble, uh new balances and upside down hats like nah,

632
00:27:55,760 --> 00:27:56,359
Speaker 1: talk your ship.

633
00:27:56,920 --> 00:27:58,960
Speaker 3: But I'm just that's just not me, baby, did I've

634
00:27:58,960 --> 00:27:59,479
Speaker 3: never been there.

635
00:27:59,760 --> 00:28:02,480
Speaker 2: I mean I was, but now that would be crazy

636
00:28:02,480 --> 00:28:04,640
Speaker 2: for me to start trying to like we're just doing

637
00:28:04,640 --> 00:28:05,520
Speaker 2: a po We just talking.

638
00:28:05,400 --> 00:28:06,320
Speaker 3: Our ship man. That's all.

639
00:28:06,640 --> 00:28:08,960
Speaker 2: This is podcast, have fun. I ain't got no ego

640
00:28:08,960 --> 00:28:10,520
Speaker 2: when it comes to this ship man. I just like

641
00:28:10,600 --> 00:28:11,800
Speaker 2: kicking and talking about shit that's off.

642
00:28:11,880 --> 00:28:13,720
Speaker 3: But don't worry. I will pop it for y'all. Pop

643
00:28:13,760 --> 00:28:15,520
Speaker 3: It Pop.

644
00:28:15,840 --> 00:28:19,240
Speaker 2: Speaking of popp It, Magna Stallion's new video Love a Girl.

645
00:28:19,720 --> 00:28:22,080
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646
00:28:22,200 --> 00:28:25,520
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647
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648
00:28:26,920 --> 00:28:27,760
Speaker 3: Yeah my thoughts again.

649
00:28:27,880 --> 00:28:30,960
Speaker 4: Yeah, listen, man weeks you've been thinking about this whatever.

650
00:28:31,000 --> 00:28:33,000
Speaker 4: You're also thinking about the traffic on the way there.

651
00:28:33,080 --> 00:28:34,480
Speaker 3: I think about that all the time.

652
00:28:34,840 --> 00:28:37,120
Speaker 4: Yes, you in traffic has always been Oh my, matter

653
00:28:37,160 --> 00:28:37,960
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654
00:28:37,960 --> 00:28:40,440
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655
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659
00:28:50,920 --> 00:28:53,440
Speaker 2: Visit boostmobile dot com to get started. Delivery available for

660
00:28:53,480 --> 00:28:55,920
Speaker 2: select devices purchased at boostmobile dot Com.

661
00:28:56,000 --> 00:28:56,560
Speaker 3: Terms apply.

662
00:29:00,440 --> 00:29:03,800
Speaker 1: You call men gay for everything, niggas be gay. Okay,

663
00:29:03,840 --> 00:29:06,640
Speaker 1: they do they Okay, hear me out. I'm with you,

664
00:29:06,720 --> 00:29:10,720
Speaker 1: they do, right, But sometimes men just don't operate the

665
00:29:10,760 --> 00:29:13,719
Speaker 1: way that you operate. And anything that you deem that

666
00:29:13,760 --> 00:29:17,280
Speaker 1: you wouldn't do, you label as gay or mental illness.

667
00:29:17,800 --> 00:29:20,040
Speaker 1: It's either Maul would do it, or it's gay or

668
00:29:20,040 --> 00:29:20,760
Speaker 1: it's mentally ill.

669
00:29:22,040 --> 00:29:25,080
Speaker 2: Okay, Like what though, I'm learning because if you listen,

670
00:29:25,160 --> 00:29:26,720
Speaker 2: my thing is if you feel like that's how I

671
00:29:26,720 --> 00:29:29,600
Speaker 2: am interesting. But you gotta tell you, mar No, it's

672
00:29:29,600 --> 00:29:31,520
Speaker 2: just like cool, like tell me about myself.

673
00:29:31,520 --> 00:29:33,320
Speaker 3: But I want to. I want to. I need examples though,

674
00:29:33,320 --> 00:29:34,400
Speaker 3: Like you can't just say something.

675
00:29:34,520 --> 00:29:37,080
Speaker 1: So for example, the internet when you it was a

676
00:29:37,080 --> 00:29:39,160
Speaker 1: big deal on the internet when you said that men

677
00:29:39,240 --> 00:29:42,920
Speaker 1: who constantly cheat and constantly sleep with people and won't

678
00:29:42,920 --> 00:29:46,240
Speaker 1: stop getting pussies, just that they just can't stop, they're gay.

679
00:29:47,960 --> 00:29:51,040
Speaker 1: Some would say that they might just be addicted to sex, right,

680
00:29:51,280 --> 00:29:53,120
Speaker 1: but you are insistent that it's gay. I think you

681
00:29:53,160 --> 00:29:54,920
Speaker 1: also said that it was gay to have a fish take.

682
00:29:55,360 --> 00:29:56,160
Speaker 3: Like very gay.

683
00:29:58,000 --> 00:29:59,360
Speaker 2: You know why you I'm gonna tell you why you

684
00:29:59,400 --> 00:30:02,239
Speaker 2: corny for that? You my nigga, fuck with you. But

685
00:30:02,280 --> 00:30:03,680
Speaker 2: if you walked in the dude's house and he had

686
00:30:03,680 --> 00:30:05,240
Speaker 2: a fish tank, you would you would feel the same way.

687
00:30:05,240 --> 00:30:07,440
Speaker 3: I would not feel that he was goting that shit?

688
00:30:07,520 --> 00:30:11,600
Speaker 3: Would man I was gay? I would feel like his

689
00:30:11,640 --> 00:30:13,040
Speaker 3: grandmother gave him that fish tank.

690
00:30:13,520 --> 00:30:15,360
Speaker 2: They put the fish in the car. How do you

691
00:30:15,400 --> 00:30:16,800
Speaker 2: got to give the fish to his house?

692
00:30:17,320 --> 00:30:19,360
Speaker 3: Grandma left the house and the fish tank. If you

693
00:30:19,400 --> 00:30:20,959
Speaker 3: walked in a man's house and he had like a

694
00:30:21,000 --> 00:30:24,960
Speaker 3: serious fish tank, are you fishing it? Yes? What kind

695
00:30:25,000 --> 00:30:27,720
Speaker 3: of fish you got? Gold fish in the tank?

696
00:30:27,800 --> 00:30:31,120
Speaker 1: I you love animals just a little bit too much

697
00:30:31,120 --> 00:30:33,920
Speaker 1: for me, and you need to love more serious animals.

698
00:30:33,720 --> 00:30:36,000
Speaker 3: Like if you would keep a gold fish alive. You're

699
00:30:35,960 --> 00:30:37,600
Speaker 3: a little bit too dedicated to the wrong shit.

700
00:30:38,360 --> 00:30:39,800
Speaker 2: So you're telling me, if you walked in the dud's

701
00:30:39,800 --> 00:30:41,400
Speaker 2: house and he had a fish tank, you don't have

702
00:30:41,440 --> 00:30:42,320
Speaker 2: no questions for him.

703
00:30:42,360 --> 00:30:45,760
Speaker 1: I have questions, But that doesn't keep me from getting

704
00:30:46,360 --> 00:30:47,000
Speaker 1: the first question.

705
00:30:49,360 --> 00:30:50,160
Speaker 3: What kind of fish?

706
00:30:50,480 --> 00:30:50,600
Speaker 4: Like?

707
00:30:50,640 --> 00:30:51,920
Speaker 3: What possessed you to get fished?

708
00:30:51,920 --> 00:30:51,960
Speaker 2: Like?

709
00:30:52,000 --> 00:30:53,920
Speaker 3: Do you really fuck with fish like that? Do you

710
00:30:53,960 --> 00:30:55,000
Speaker 3: like think it looks dope?

711
00:30:55,080 --> 00:30:55,200
Speaker 2: Like?

712
00:30:55,280 --> 00:30:59,840
Speaker 1: What like? How often do you clean your fish tank?

713
00:31:00,840 --> 00:31:02,280
Speaker 3: Type? Shit? Like important shit?

714
00:31:02,320 --> 00:31:04,320
Speaker 1: I don't ask him like, yo, do you get fucked in,

715
00:31:04,360 --> 00:31:05,400
Speaker 1: asked because this fish.

716
00:31:05,240 --> 00:31:06,120
Speaker 3: Take don't make no sense.

717
00:31:06,720 --> 00:31:09,800
Speaker 2: Mmm, okay, do you like my logic? I think my

718
00:31:09,880 --> 00:31:12,000
Speaker 2: logic makes sense, though you still ain't. You still ain't

719
00:31:12,000 --> 00:31:14,480
Speaker 2: convinced me on me being toxic yet, though I'll give

720
00:31:14,520 --> 00:31:16,760
Speaker 2: you no one give you another one. Okay, you said that,

721
00:31:16,840 --> 00:31:20,040
Speaker 2: I said, men who can't stop cheating on their girlfriend

722
00:31:21,040 --> 00:31:22,480
Speaker 2: like I said, I said, they may be gay.

723
00:31:22,560 --> 00:31:25,000
Speaker 3: The internet killed you for that. Well, yeah, it's just

724
00:31:25,040 --> 00:31:25,920
Speaker 3: gay people on the internet.

725
00:31:28,360 --> 00:31:32,360
Speaker 2: Okay, I mean, just move me, show me when I'm wrong.

726
00:31:32,560 --> 00:31:34,760
Speaker 1: You know, we actually have a a gay fan shout

727
00:31:34,800 --> 00:31:37,520
Speaker 1: out to Christian who every time you say anything that

728
00:31:37,760 --> 00:31:41,280
Speaker 1: can even be deemed remotely homophobic, he writes me and

729
00:31:41,320 --> 00:31:43,640
Speaker 1: he's like, see more on and this says some homophobic shit.

730
00:31:43,680 --> 00:31:46,480
Speaker 3: Again, I'm not homok people gotta see people.

731
00:31:46,520 --> 00:31:49,960
Speaker 2: You gotta compartmentalize people correctly and give people the correct

732
00:31:50,040 --> 00:31:53,800
Speaker 2: like terms. Yeah, Like I'm not homophobic. So it's like,

733
00:31:54,200 --> 00:31:56,480
Speaker 2: where's the homophoon? Like why you think I'm a homophobic

734
00:31:56,520 --> 00:31:58,760
Speaker 2: because I said, yo, if you got a fish tank,

735
00:31:58,800 --> 00:32:03,840
Speaker 2: that's kind of gay, that's not me being homophobic, Like,

736
00:32:03,880 --> 00:32:05,560
Speaker 2: that's not I don't care that you have a fish take.

737
00:32:05,720 --> 00:32:07,440
Speaker 2: If I walk in my homework, you got a fish take,

738
00:32:07,440 --> 00:32:08,920
Speaker 2: I'm yo, I ain't gonna lie home. It might be gay,

739
00:32:09,120 --> 00:32:09,760
Speaker 2: that's my homied.

740
00:32:09,880 --> 00:32:13,000
Speaker 1: But how does that connect to mail o man? Who's

741
00:32:13,000 --> 00:32:14,280
Speaker 1: sexual activity by guy?

742
00:32:14,440 --> 00:32:16,360
Speaker 3: I mean it's not really male on male gay. It's

743
00:32:16,440 --> 00:32:19,040
Speaker 3: just like you know, that's just gay, Like, yeah, that's gay, man,

744
00:32:19,120 --> 00:32:20,480
Speaker 3: what you do a negative connotation?

745
00:32:20,880 --> 00:32:22,680
Speaker 2: No, not negative. It's like it's a fist take. But

746
00:32:22,720 --> 00:32:24,320
Speaker 2: it's like you like you take the fish out and

747
00:32:24,320 --> 00:32:26,320
Speaker 2: put them like in a smaller bowl and then clean

748
00:32:26,360 --> 00:32:28,720
Speaker 2: it like and then put the water back in the gravel.

749
00:32:28,960 --> 00:32:29,400
Speaker 3: That's gay.

750
00:32:30,560 --> 00:32:33,320
Speaker 2: You doing mad other ship by when you do it,

751
00:32:34,120 --> 00:32:36,680
Speaker 2: you got mad time on your hands. Man, having mad

752
00:32:36,680 --> 00:32:39,240
Speaker 2: time on your hands is gay. Like when you ain't

753
00:32:39,280 --> 00:32:40,920
Speaker 2: got nothing to do, like you got nothing to do.

754
00:32:41,040 --> 00:32:43,440
Speaker 3: That's not But that's not fair, mom. But if they

755
00:32:43,440 --> 00:32:44,720
Speaker 3: care about they fucking fish.

756
00:32:44,960 --> 00:32:46,840
Speaker 1: But niggas can't care about they fish because you a

757
00:32:46,920 --> 00:32:47,800
Speaker 1: non petass nigga.

758
00:32:47,800 --> 00:32:50,160
Speaker 3: People can't care about they fish. I love animals, but

759
00:32:50,160 --> 00:32:52,520
Speaker 3: do you have one? Niggas will say you don't have

760
00:32:52,520 --> 00:32:53,320
Speaker 3: a dog. That's gay.

761
00:32:54,240 --> 00:32:54,320
Speaker 2: Na.

762
00:32:54,440 --> 00:32:55,520
Speaker 3: See that's see.

763
00:32:55,440 --> 00:32:57,239
Speaker 2: Now when you do it, it ain't gay and it's

764
00:32:57,280 --> 00:32:58,600
Speaker 2: certain type of dog you got.

765
00:32:59,640 --> 00:33:01,960
Speaker 3: You got a certain type of dog, like what what

766
00:33:02,120 --> 00:33:03,920
Speaker 3: dog isn't it makes you not Niggas.

767
00:33:03,640 --> 00:33:06,880
Speaker 2: Can't have no tea cups. Man, niggas can't have no

768
00:33:06,880 --> 00:33:07,360
Speaker 2: no toy.

769
00:33:07,440 --> 00:33:09,080
Speaker 1: That's how I know you don't know ball or bitches

770
00:33:09,120 --> 00:33:11,000
Speaker 1: because tea cups get you girls know it?

771
00:33:11,200 --> 00:33:14,600
Speaker 3: Don't you get her tea?

772
00:33:15,040 --> 00:33:17,200
Speaker 2: You not hollering at See, this is why I ain't

773
00:33:17,200 --> 00:33:19,960
Speaker 2: fucking with you. You're not talking to no man that's

774
00:33:20,040 --> 00:33:22,600
Speaker 2: walking down the street with a tea cup a yokie

775
00:33:22,880 --> 00:33:23,080
Speaker 2: I have.

776
00:33:24,600 --> 00:33:26,400
Speaker 1: That means you know you know how to be tender

777
00:33:26,400 --> 00:33:28,720
Speaker 1: and soft. You can't just throw no tea cup around them.

778
00:33:28,560 --> 00:33:34,400
Speaker 3: And what else tender soft? Hear me out. You can't

779
00:33:34,400 --> 00:33:36,000
Speaker 3: throw no tea cup around the way you can throw

780
00:33:36,000 --> 00:33:37,000
Speaker 3: them bulldogs around.

781
00:33:37,720 --> 00:33:37,800
Speaker 4: You.

782
00:33:37,840 --> 00:33:40,640
Speaker 3: See what I'm saying. You gotta be gentle. You can

783
00:33:40,720 --> 00:33:42,880
Speaker 3: be gentle with a bigger dog. You can't.

784
00:33:43,040 --> 00:33:45,280
Speaker 2: Yeah, see that's the You don't think you can be

785
00:33:45,320 --> 00:33:47,920
Speaker 2: gentle with a pit bull or cane corsal or like.

786
00:33:48,440 --> 00:33:50,240
Speaker 1: I don't want no nigga to cane course because your

787
00:33:50,280 --> 00:33:53,040
Speaker 1: niggas is not dog trainers. You niggas are are not.

788
00:33:53,040 --> 00:33:57,880
Speaker 3: The fucking puppy. Yeah, that don't mean ship brok with

789
00:33:57,960 --> 00:33:59,920
Speaker 3: New York City. The dog will do whatever I tell them.

790
00:34:00,240 --> 00:34:01,880
Speaker 3: A can course of New York City. It's not getting

791
00:34:01,920 --> 00:34:02,520
Speaker 3: enough exercise.

792
00:34:02,560 --> 00:34:04,320
Speaker 2: I still don't see how you think I'm toxic, but

793
00:34:04,440 --> 00:34:06,240
Speaker 2: I'll take it only because it's Halloween.

794
00:34:06,440 --> 00:34:07,960
Speaker 3: I'll be toxic man for Halloween.

795
00:34:08,239 --> 00:34:10,720
Speaker 1: For Halloween, yeah, I'll be Captain Toxic.

796
00:34:11,400 --> 00:34:17,000
Speaker 3: I'll be Captain Toxic. Folloween, Josh, play another voice.

797
00:34:16,840 --> 00:34:20,040
Speaker 5: Mam yo, this is Jarvis, all the way from Georgia.

798
00:34:20,480 --> 00:34:20,960
Speaker 3: Jarvis.

799
00:34:21,040 --> 00:34:23,600
Speaker 5: See, I got some ris for you, but go ahead

800
00:34:23,600 --> 00:34:25,759
Speaker 5: and let you know off the rip. I don't know

801
00:34:25,840 --> 00:34:30,680
Speaker 5: nothing by Nobodegger's, no subways, metros, bacon, egg on a bagels. See,

802
00:34:30,719 --> 00:34:33,720
Speaker 5: I'm from the South Georgia specific we know about peaches

803
00:34:34,040 --> 00:34:36,600
Speaker 5: and black Baptist churches where your granddad is a deacon.

804
00:34:37,040 --> 00:34:39,200
Speaker 5: Only bring these things up just for me to mention

805
00:34:39,320 --> 00:34:42,000
Speaker 5: that it's differences between us, let alone miles of distance.

806
00:34:42,280 --> 00:34:44,920
Speaker 5: But do don't stop my heart, nor death nor good intentions.

807
00:34:44,920 --> 00:34:47,760
Speaker 5: See you smiling so hard, your cheek bones carving indention.

808
00:34:48,160 --> 00:34:51,160
Speaker 5: Jay Cole said he want to fuld clothes with his missus.

809
00:34:51,200 --> 00:34:53,040
Speaker 5: I'm trying to cut, load the wash and let him

810
00:34:53,080 --> 00:34:55,160
Speaker 5: dry and stack the dishes. Trying to write you letters

811
00:34:55,280 --> 00:34:57,359
Speaker 5: to the envelope with a hundred kiss is trying to

812
00:34:57,480 --> 00:35:00,000
Speaker 5: bring you to the south, get a field for your characteristics.

813
00:34:59,840 --> 00:35:01,600
Speaker 5: Let you hear from horse's mouth. I want to hear

814
00:35:01,600 --> 00:35:03,799
Speaker 5: about all your interests. This is not a poem. This

815
00:35:03,880 --> 00:35:06,120
Speaker 5: is my feelings for you to find. It's not a story,

816
00:35:06,280 --> 00:35:08,360
Speaker 5: but a prophecy weigh and on proper time.

817
00:35:11,080 --> 00:35:14,480
Speaker 2: Oh, he stepped in his business with you, baby d

818
00:35:14,880 --> 00:35:18,440
Speaker 2: This ain't a story. This is me just dropping the

819
00:35:18,480 --> 00:35:20,040
Speaker 2: line and let you know that the time of the

820
00:35:20,040 --> 00:35:24,000
Speaker 2: line and the divine rhymes and he was getting his

821
00:35:24,040 --> 00:35:24,560
Speaker 2: shit off.

822
00:35:24,719 --> 00:35:26,680
Speaker 3: Now. He inspired me right there. He inspired me to

823
00:35:26,719 --> 00:35:28,560
Speaker 3: write that response.

824
00:35:29,960 --> 00:35:33,560
Speaker 1: What First of all, I was a beautiful spoken word poem, rap,

825
00:35:33,680 --> 00:35:37,319
Speaker 1: whatever it was, a rat sixteen, whatever it was, it

826
00:35:37,360 --> 00:35:39,879
Speaker 1: was very beautiful. I appreciate you taking the time out

827
00:35:39,920 --> 00:35:42,480
Speaker 1: to write something like that to me. I know that

828
00:35:42,480 --> 00:35:44,600
Speaker 1: that took time and that took energy and creativity. I

829
00:35:44,640 --> 00:35:48,759
Speaker 1: appreciate it. I am unfortunately taking.

830
00:35:50,360 --> 00:35:51,640
Speaker 3: Unfortunately, I mean.

831
00:35:59,600 --> 00:36:04,360
Speaker 2: You said, yo, peace, that wasn't thirty minutes, Yo, that's crazy.

832
00:36:04,920 --> 00:36:10,640
Speaker 2: Unfortunately you take it nah shir nah fam getting red wine,

833
00:36:10,640 --> 00:36:12,920
Speaker 2: reduction and all that, and it's a where you go

834
00:36:12,960 --> 00:36:13,840
Speaker 2: and not sit down.

835
00:36:13,719 --> 00:36:14,279
Speaker 3: Ain't a hold.

836
00:36:17,080 --> 00:36:21,719
Speaker 2: Unfortunately, baby, des in a relationship, fam Jarvis, Jarvis is

837
00:36:21,760 --> 00:36:22,759
Speaker 2: your name Jarvis?

838
00:36:22,800 --> 00:36:23,000
Speaker 3: Now?

839
00:36:23,080 --> 00:36:32,200
Speaker 2: Unfortunately not Unfortunately baby relationships when yo, y'all ain't shit

840
00:36:32,400 --> 00:36:35,520
Speaker 2: Yo that she just y'all just jumped out. You ain't

841
00:36:35,520 --> 00:36:38,719
Speaker 2: even realize what you were saying, actually just jumped out. Unfortunately,

842
00:36:38,719 --> 00:36:39,040
Speaker 2: I'm in.

843
00:36:38,960 --> 00:36:42,200
Speaker 1: A relation Let me finish my sentence. Unfortunately for you,

844
00:36:43,040 --> 00:36:45,800
Speaker 1: I am in a relationship. Fortunately for me, I'm very happy.

845
00:36:45,800 --> 00:36:48,520
Speaker 1: But unfortunately for you, I am in a relationship with

846
00:36:48,640 --> 00:36:52,960
Speaker 1: someone else who lives in Georgia and license take it might.

847
00:36:52,840 --> 00:36:53,279
Speaker 3: Be his man.

848
00:36:53,320 --> 00:36:54,839
Speaker 2: He might have sent his homie to send that voice

849
00:36:55,160 --> 00:36:58,719
Speaker 2: like hah, send his voice for this fall. No, baby,

850
00:36:58,800 --> 00:37:00,920
Speaker 2: even unfortunately I'm in a relationship.

851
00:37:01,719 --> 00:37:02,799
Speaker 3: Now, that was beautiful.

852
00:37:02,880 --> 00:37:06,600
Speaker 1: I'm gonna write a poem back to him. He'm gonna

853
00:37:06,600 --> 00:37:08,319
Speaker 1: write a poem back to some about our unrequited love.

854
00:37:08,520 --> 00:37:11,319
Speaker 3: Do homie know you be writing poems? What's homie your

855
00:37:11,360 --> 00:37:12,359
Speaker 3: man name? He knows?

856
00:37:12,440 --> 00:37:12,560
Speaker 2: Yo?

857
00:37:12,640 --> 00:37:15,440
Speaker 3: Are you who you work for? My nigga? I usually said,

858
00:37:15,480 --> 00:37:17,240
Speaker 3: you got a man? Do he know you writing poems

859
00:37:17,280 --> 00:37:19,879
Speaker 3: to niggas. I haven't written it yet, so why would

860
00:37:19,880 --> 00:37:21,600
Speaker 3: I talk That hasn't happened.

861
00:37:21,360 --> 00:37:25,560
Speaker 2: Yet, unfortunately, But I'm gonna write him a poem back

862
00:37:26,480 --> 00:37:28,719
Speaker 2: let me writing. Don't do that. He don't need a

863
00:37:28,760 --> 00:37:32,160
Speaker 2: poem back, Sir Jarvis, sir, thank you. The marriage is taken.

864
00:37:32,440 --> 00:37:37,319
Speaker 3: She's in a happy relationship. Was accepting all poems not

865
00:37:37,360 --> 00:37:40,239
Speaker 3: from no niggas? Ain't? Why not? Because that's gay. I'm

866
00:37:40,239 --> 00:37:40,560
Speaker 3: not gay.

867
00:37:40,640 --> 00:37:43,439
Speaker 2: I'm like men mention write poem my God, don't write

868
00:37:43,480 --> 00:37:43,920
Speaker 2: me no poems.

869
00:37:43,920 --> 00:37:45,480
Speaker 3: I don't want no poems from no man. Josh has

870
00:37:45,480 --> 00:37:49,040
Speaker 3: done anything else. We gotta cover. Were wrapping up. Well,

871
00:37:49,120 --> 00:37:51,600
Speaker 3: Happy Halloween, your peach. We'll we be doing tonight. Man.

872
00:37:51,680 --> 00:37:54,640
Speaker 3: We're going to parade tomorrow. It's a parade tomorrow.

873
00:37:54,680 --> 00:37:56,840
Speaker 2: It's a parade every year Halloween. You got the biggest

874
00:37:56,840 --> 00:37:58,919
Speaker 2: parade in the country in New York.

875
00:37:59,000 --> 00:38:01,239
Speaker 3: You ain't know that some scary ship going on.

876
00:38:01,480 --> 00:38:05,040
Speaker 2: The NYC parade is like legendary, though, have you ever been? Oh,

877
00:38:05,080 --> 00:38:07,839
Speaker 2: you gotta go, you gotta experience it one time. It's

878
00:38:07,840 --> 00:38:09,600
Speaker 2: gotten different over the years, like it used to be

879
00:38:09,640 --> 00:38:13,440
Speaker 2: like out of control, like it's more controlled and like

880
00:38:13,520 --> 00:38:15,640
Speaker 2: you know, but back in like when I was in

881
00:38:15,680 --> 00:38:18,000
Speaker 2: high school. Yeah, this this was the time of Yeah,

882
00:38:18,040 --> 00:38:21,879
Speaker 2: we just be in downtown fucking people up for no reason, and.

883
00:38:21,800 --> 00:38:23,200
Speaker 3: I won't be there, thank you so much. No, but

884
00:38:23,239 --> 00:38:25,120
Speaker 3: now it's no. Now it's more it's safe.

885
00:38:25,320 --> 00:38:28,359
Speaker 2: Yeah, safe, it's more, you know, it's more just about

886
00:38:28,400 --> 00:38:31,560
Speaker 2: the parade and costumes and creativity and things like that, Like, yeah,

887
00:38:32,560 --> 00:38:35,480
Speaker 2: we just need an excuse to just be doing delinquid shit.

888
00:38:35,560 --> 00:38:37,160
Speaker 3: That's all what was getting late. Let's get out of

889
00:38:37,200 --> 00:38:38,000
Speaker 3: here and go on our date.

890
00:38:38,520 --> 00:38:43,880
Speaker 2: Let's do that, going to sneaky shopping, get some food,

891
00:38:44,520 --> 00:38:47,080
Speaker 2: maybe a nightcap, maybe a nightcap, maybe maybe a movie

892
00:38:47,160 --> 00:38:50,520
Speaker 2: or something. They trying to touch me in the theater.

893
00:38:50,680 --> 00:38:59,319
Speaker 3: Did y'all begin unfortunately for you? I mean we're talking

894
00:38:59,320 --> 00:39:02,319
Speaker 3: to Y'allsume he's saved, be blessed. I'm that nigga. That's

895
00:39:02,360 --> 00:39:05,279
Speaker 3: baby d No Willian now