WEBVTT - Listener Mail: Holiday Beasts

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail on. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick. And bells are ringing, but they are the

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<v Speaker 1>bells of doom. Because today we're going to start off

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<v Speaker 1>with some responses to our rerun of the Crampus episode

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<v Speaker 1>from a few years ago. Are you ready to jump in, Rob, Yeah,

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<v Speaker 1>let's do it, okay. So this message comes to us

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<v Speaker 1>from Colleen. Colleen says, hi, I listened to your episode

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<v Speaker 1>about Crampus the other day and since then have seen

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<v Speaker 1>several posts about it slash hymn slash her on Facebook.

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<v Speaker 1>Unfortunately I missed the event. But here's a story from

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<v Speaker 1>NOLA dot com. So I guess Colleen must be must

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<v Speaker 1>live somewhere around the New Orleans area. And uh. She

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<v Speaker 1>attached a link to a NOLA dot com article told

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<v Speaker 1>by Doug mccash from December six that I looked up

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<v Speaker 1>and was pretty great. So, so I want to read

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<v Speaker 1>some parts from this article. You ready, Rob, Yeah, let's

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<v Speaker 1>do it okay. So uh, the article begins. A reverse

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<v Speaker 1>parade took place in Gentilly on Saturday night. Instead of

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<v Speaker 1>costumed marchers passing a curbside crowd, eight performers covorted on

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<v Speaker 1>the side of the long curving driveway at the New

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<v Speaker 1>Orleans Recreation Development Commission headquarters on Franklin Avenue while a

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<v Speaker 1>steady stream of four hundred cars rolled slowly past. It

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<v Speaker 1>was a Christmas time event with a twist because the

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<v Speaker 1>star of the show wasn't Santa, it was Crampus. So

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<v Speaker 1>apparently New Orleans has been having Crampus events since maybe

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<v Speaker 1>ten or so. Yeah, this was something we talked about

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<v Speaker 1>in the Crampus episode. We talked about sort of the

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<v Speaker 1>Crampus revival that has been sweeping the world and uh

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<v Speaker 1>And in particular, I think at the time I this

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<v Speaker 1>was in I had just come back from New Orleans

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<v Speaker 1>because up until for several years there it was my

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<v Speaker 1>family's tradition to go down and visit some family in

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<v Speaker 1>southern Mississippi and then go over to New Orleans for

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<v Speaker 1>a couple of days, you know, go to uh beach Bumberri's,

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<v Speaker 1>get a get a tiki drink, etcetera. And at the

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<v Speaker 1>time I remember seeing like, oh, there's gonna be a

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<v Speaker 1>Crampus parade oh, and it either begins or ends. I

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<v Speaker 1>forget which at this this German restaurant that looked pretty interesting,

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<v Speaker 1>and so I was talking about that in our Crampus episode.

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<v Speaker 1>A German restaurant in New Orleans. Well, yeah, no, okay,

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<v Speaker 1>I can see it. I mean New Orleans has amazing restaurants.

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<v Speaker 1>New Orleans is if wherever back in the Traveling Times,

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<v Speaker 1>New Orleans is such an amazing city to visit. It's

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<v Speaker 1>like it's got to be like the most unique city

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<v Speaker 1>in the world, right, I mean it's just like, yeah, yeah,

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<v Speaker 1>there's there are a few places like it for sure,

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<v Speaker 1>especially in the United States. I mean it is New

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<v Speaker 1>Orleans is New Orleans. Yeah, But so anyway, going on. Uh.

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<v Speaker 1>The annual crew of Rampus Foot Parade couldn't take to

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<v Speaker 1>the streets as usual this year because of coronavirus concerns,

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<v Speaker 1>but founder Mike as Sordi, a director of web strategy

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<v Speaker 1>for the University of New Orleans, and fellow crew members

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<v Speaker 1>figured out how to conduct a COVID conscious alternative. The

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<v Speaker 1>Crampus Drive through Parade blended elements of the Yule Tide

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<v Speaker 1>season with Halloween and Mardi Gras. The experience for passing viewers.

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<v Speaker 1>Began with rows of dancers from the well known pussy

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<v Speaker 1>Footer's Carnival Troupe and a cluster of led lit drummers.

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<v Speaker 1>Then came a lavishly costumed st Nick surrounded by members

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<v Speaker 1>of the Crescent City Faye Marching Club, followed by strange

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<v Speaker 1>snowy witches known as the Silent Sisters of s. After

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<v Speaker 1>that appeared one incarnation of Crampus after another, with glowing

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<v Speaker 1>red eyes, unkempt coats of fur, serpentine tongues, and malevolent intentions.

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<v Speaker 1>The Christmas Tree decorated with human skull, the Bad Child,

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<v Speaker 1>the Bad Child pleading to be freed, and the eerie

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<v Speaker 1>shadow puppet show. We're all uh nice touches. I liked

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<v Speaker 1>the momentum, said automobile born audience member Gina Murphy. At

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<v Speaker 1>first you said, oh, this is going to be fun

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<v Speaker 1>and light, but then it got heavy quick uh And

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<v Speaker 1>then later in the article, UH. Car passenger Carly Frankitch

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<v Speaker 1>said her favorite part of the presentation were the weird fairies. Sure,

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<v Speaker 1>she said, they were taking souls, but they looked pretty

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<v Speaker 1>well they were doing it. Frankitch's young son, Miro coats

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<v Speaker 1>safe in his car seat, said that the ride had

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<v Speaker 1>provided a mixture of fun and fright. This is awesome.

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<v Speaker 1>I really have to salute the Crampus crew based on this,

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<v Speaker 1>because I have to say it's as it was, suddenly

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<v Speaker 1>cramps knocked here in. I was initially was like, oh great,

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<v Speaker 1>it's Crampas time again. And I was like, oh wait,

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<v Speaker 1>I hope I hope that the Crampuses of the world

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<v Speaker 1>can handle it, because sometimes, as we discussed in that episode,

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<v Speaker 1>Crampus traditions can get a little out of hand. They

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<v Speaker 1>can they can create the sort of like animalistic, lawless

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<v Speaker 1>uh sort of atmosphere that might encourage rule breaking, and

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<v Speaker 1>I really didn't want that for the cramps um Uh

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<v Speaker 1>devotes this year. So it's nice to see that the

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<v Speaker 1>Crampus crew was keeping it safe but also keeping it

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<v Speaker 1>authentically disturbingly weird. You know. I gotta say, normally I'm

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<v Speaker 1>kind of a fan of rule breaking, but I guess

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<v Speaker 1>not when it's public health rules. Yeah, and you and

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<v Speaker 1>with the and also you know that big tongue and

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<v Speaker 1>you know, a wide mouth. You know, Crampus needs to

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<v Speaker 1>to mask up if he's actually going to go out

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<v Speaker 1>among the people. So it's good that there's a car

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<v Speaker 1>window between what he's doing and what we're doing. I mean,

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<v Speaker 1>Crampus is inherently unsanitary, like can you imagine Crampus wearing

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<v Speaker 1>a mask, keeping his distance, wiping down the basket between

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<v Speaker 1>each child. Yeah, spraying the this is the switches and whatnot?

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<v Speaker 1>All right? Should we go into this message from Chris. Yeah,

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<v Speaker 1>this is Chris Chris Wrightson and says, high fellows, just

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<v Speaker 1>listen to your great Crampus episode. Here's the topic you

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<v Speaker 1>may find interesting in the future. Many cultures have a

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<v Speaker 1>creature like Crampus or St. Nicholas that visits every house

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<v Speaker 1>at the end of the year with different purposes. Gumang

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<v Speaker 1>from China, uh, Sylvester Clause from Switzerland, Olga Namahanga from Japan.

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<v Speaker 1>Japan has many different haga. I said, Hey, I'm not

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<v Speaker 1>sure if it's hajor hag a um but anyway, but

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<v Speaker 1>all with the same purpose. And Kukiri from Bulgaria. Just

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<v Speaker 1>a thought, take care and keep up the great work, Chris.

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<v Speaker 1>I wanted to include this email because I had to

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<v Speaker 1>look up images of what Sylvester Klaus looks like, and

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<v Speaker 1>Sylvester Claus is scarier than any crampus at least the

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<v Speaker 1>versions I found are a guy with some buckles almost

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<v Speaker 1>like uh like a like a a slip knot member

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<v Speaker 1>number of buckles on his costume, and then foliage all

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<v Speaker 1>over his body, on the top of his head like

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<v Speaker 1>a big wreath of some kind of evergreen limbs. But

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<v Speaker 1>then just the face of rattle shirt, just bone bone

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<v Speaker 1>lord face with weird bone teeth and googly eyes. Yeah,

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<v Speaker 1>I get it's kind of a sense of a pagan

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<v Speaker 1>holiday gar cost him from the Yeah, you know. Our

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<v Speaker 1>next listener mail that our our mail body here has

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<v Speaker 1>for us also happens to relate to a forest dwelling

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<v Speaker 1>be steel creature. Very nice transition. So this is a

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<v Speaker 1>straggler message that we found. I think this actually did

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<v Speaker 1>come in back in October, but this is about our

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<v Speaker 1>Halloween episode on The Leshy and it comes from Laura.

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<v Speaker 1>Laura says, hey, guys, longtime fan of your show. I

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<v Speaker 1>recently listened to The Leshy and I'm taking you up

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<v Speaker 1>on your offer to share my own, luckily brief experience

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<v Speaker 1>of being lost in the woods. It was during a

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<v Speaker 1>solo through hike of the Pacific Crest Trail. I was

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<v Speaker 1>halfway through Oregon, when a handwritten sign on the trail

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<v Speaker 1>notified me of a ground nest of wasps up ahead,

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<v Speaker 1>so I scrambled up the steep mountain side about ten

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<v Speaker 1>meters off the densely wooded trail to avoid it. Because

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<v Speaker 1>of the steepness and thick vegetation, I immediately lost sight

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<v Speaker 1>of the trail only a few paces into the woods.

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<v Speaker 1>Not wanting to get stung, I kept moving off a

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<v Speaker 1>little ways until I felt safe from the hornets and

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<v Speaker 1>started to parallel the trail. What I didn't realize was

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<v Speaker 1>that at some point it switched back beneath me and

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<v Speaker 1>went downhill in the opposite direction that I was traveling.

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<v Speaker 1>It was only after bushwhacking for five minutes that I

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<v Speaker 1>realized I had missed the trail. Even though I had

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<v Speaker 1>a sense of where I was on the slope by

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<v Speaker 1>referencing my map, I could not find the trail. Given

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<v Speaker 1>the rolling and forested nature of the mountain side. I

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<v Speaker 1>knew that it would be difficult to know where even

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<v Speaker 1>my relative position was if I kept moving, and it

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<v Speaker 1>would be easy to follow the wrong drainage that would

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<v Speaker 1>take me deeper into the back country. So I think

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<v Speaker 1>the idea there is if you just try to like

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<v Speaker 1>follow a ditch or a stream or something downhill, it

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<v Speaker 1>might be leading you down the wrong side of the mountain.

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<v Speaker 1>I guess Laura goes on. Once I realized I was lost,

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<v Speaker 1>I had a wave of panic hit me that had

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<v Speaker 1>my legs twitching to run as fast as I could,

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<v Speaker 1>so I tried to calm down and listen for other

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<v Speaker 1>hikers that might be in the area. Within minutes, I

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<v Speaker 1>realized that I could convince myself that I heard faint

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<v Speaker 1>voices in every direction. I think my brain was so

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<v Speaker 1>desperate for a human voice that it was trying hard

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<v Speaker 1>to interpret the sounds of the forest as voices. At

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<v Speaker 1>that point, my reason kicked in and I did an

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<v Speaker 1>inventory of my food and water. I had about two

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<v Speaker 1>days worth, but could stretch it to a desperate week

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<v Speaker 1>if I didn't move. Knowing that I was probably within

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<v Speaker 1>earshot of the trail, I knew my best bet was

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<v Speaker 1>to stay as calm as I could where I was,

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<v Speaker 1>so me being a religious person, I got down on

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<v Speaker 1>my knees and prayed as hard as I could for peace.

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<v Speaker 1>When I opened my eyes, I told myself that I

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<v Speaker 1>was going to only move a dozen feet downhill from

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<v Speaker 1>where I was, so that I could try to find

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<v Speaker 1>a flatter spot to set up camp, at which point

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<v Speaker 1>I was going to blow on my whistle and hope

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<v Speaker 1>that someone would hear me before my food ran out.

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<v Speaker 1>If I hadn't been found by then, I would activate

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<v Speaker 1>my personal locator beacon as a last resort. LO and behold,

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<v Speaker 1>only about three steps downhill had me back on the trail.

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<v Speaker 1>I was truly terrified for the rest of the day.

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<v Speaker 1>From that point on, whenever I camped or napped off

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<v Speaker 1>the trail, I kept one of my trekking poles pointed

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<v Speaker 1>back towards it. In total, I was only lost for

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<v Speaker 1>about an hour, and it was by the grace of

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<v Speaker 1>God and dumb luck that I managed to cross the

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<v Speaker 1>trail again. I had considered myself an experienced hiker up

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<v Speaker 1>until that point, but since then I am humbled by

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<v Speaker 1>my experience. Laura, excellent. I mean that lines up with

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<v Speaker 1>a lot of what we were talking about, um and

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<v Speaker 1>also getting into some of the sensory deprivation shoes that

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<v Speaker 1>we we didn't really dwell on. Yeah, it ends up

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<v Speaker 1>with a ton of the things like from some of

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<v Speaker 1>those studies about how just people are have trouble anticipating

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<v Speaker 1>how disorienting being lost in the woods can be. You

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<v Speaker 1>you think, not actually being in the situation, it would

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<v Speaker 1>be easy. I just walked back the direction I came,

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<v Speaker 1>you know, But but yeah, often doesn't work out that way.

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<v Speaker 1>So glad you found your way back, Laura. Yeah. Oh,

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<v Speaker 1>and uh, you know earlier we mentioned a straggler email.

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<v Speaker 1>I do want to drive home never hesitated to send

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<v Speaker 1>us a straggler email. If you listen to an old

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<v Speaker 1>episode or you know, even if it's not one that's

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<v Speaker 1>been featured in the Vault, and you have something interesting

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<v Speaker 1>to share, do reach out to us because, especially now

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<v Speaker 1>that we're taking uh stuff to blew your mind listener

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<v Speaker 1>mail more of a more of a weekly route, we'd

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<v Speaker 1>love to hear from everybody. We have more space now

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<v Speaker 1>than ever before to share interesting listener mails with everybody totally.

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<v Speaker 1>And actually I think we were straggling on this one,

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<v Speaker 1>not not Laura. So I think this one came in

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<v Speaker 1>during October or something and we missed it until I

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<v Speaker 1>went back and found that got you. Yeah, we we've

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<v Speaker 1>managed to trace our way back to the path. All right, Well,

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<v Speaker 1>so many of you know, we're also putting out these

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<v Speaker 1>weird House Cinema episodes on Friday's. Uh it's you know,

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<v Speaker 1>normally the show is science and culture, but they're on

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<v Speaker 1>on Friday evenings. I like to think of it as

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<v Speaker 1>a midnight Friday show and we talk about weird movies

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<v Speaker 1>and maybe we talk a little bit about science and culture,

0:12:26.440 --> 0:12:28.920
<v Speaker 1>but mostly it's about the film. So we've heard from

0:12:28.920 --> 0:12:31.520
<v Speaker 1>people about these episodes, and most of it's been very positive.

0:12:31.920 --> 0:12:35.400
<v Speaker 1>Here's one that comes to us from Jesse. Okay, guys,

0:12:35.440 --> 0:12:38.000
<v Speaker 1>you will have to first put up with some gushing.

0:12:38.280 --> 0:12:39.959
<v Speaker 1>I cannot tell you how much I love you guys

0:12:39.960 --> 0:12:42.640
<v Speaker 1>and your show. I recommend you at every opportunity. I

0:12:42.679 --> 0:12:44.680
<v Speaker 1>work a lot in life, and for years now, you

0:12:44.720 --> 0:12:47.480
<v Speaker 1>guys have turned what would otherwise be excruciating commutes to

0:12:47.520 --> 0:12:51.280
<v Speaker 1>absolute pleasures. I have wanted to email you just just

0:12:51.520 --> 0:12:54.320
<v Speaker 1>this for a long time, but I figure you get

0:12:54.360 --> 0:12:56.320
<v Speaker 1>mail like this all the time, So finally I have

0:12:56.400 --> 0:12:58.959
<v Speaker 1>a real good reason to write in. I was about

0:12:59.000 --> 0:13:01.400
<v Speaker 1>to start the dishes when I saw you were covering

0:13:01.559 --> 0:13:04.240
<v Speaker 1>the Battle for Indoor and I almost dropped my phone.

0:13:04.400 --> 0:13:06.320
<v Speaker 1>Such a random, crazy thing for you to cover, and

0:13:06.360 --> 0:13:08.679
<v Speaker 1>it happens to be a super important movie to me.

0:13:09.200 --> 0:13:11.160
<v Speaker 1>Like Robert was saying, I was one of those kids

0:13:11.200 --> 0:13:14.600
<v Speaker 1>who had it on a recorded VHS, one possible difference

0:13:14.640 --> 0:13:17.160
<v Speaker 1>being that it was one of only maybe five or

0:13:17.160 --> 0:13:20.200
<v Speaker 1>six VHS tapes that I had, one of them being

0:13:20.280 --> 0:13:22.760
<v Speaker 1>Caravan of Courage. I was born in eighty two, so

0:13:22.840 --> 0:13:26.320
<v Speaker 1>the Ewoks movies fell perfectly into my wheelhouse. While I

0:13:26.400 --> 0:13:28.880
<v Speaker 1>was all but ignorant of the Star Wars movies themselves.

0:13:29.360 --> 0:13:31.800
<v Speaker 1>I must have watched Battle for Indoor a hundred times,

0:13:32.000 --> 0:13:34.120
<v Speaker 1>but I didn't notice the reason why I am writing

0:13:34.120 --> 0:13:37.480
<v Speaker 1>you until recently. Passing the Ewoks movies onto my four

0:13:37.520 --> 0:13:41.240
<v Speaker 1>year old just this year was such a pleasure. I digress.

0:13:41.360 --> 0:13:43.840
<v Speaker 1>None of this is why I am writing. I have

0:13:43.920 --> 0:13:46.240
<v Speaker 1>a really cool little tidbit. See. I am not a

0:13:46.240 --> 0:13:48.800
<v Speaker 1>Star Wars fan by any real measure, even loving the

0:13:48.960 --> 0:13:51.240
<v Speaker 1>Walks and of course having seen all of the Star

0:13:51.280 --> 0:13:54.600
<v Speaker 1>Wars movies. I also live and grew up in Marin

0:13:54.640 --> 0:13:57.760
<v Speaker 1>in Lucas Valley, so I do not partake in the

0:13:57.800 --> 0:14:00.440
<v Speaker 1>meticulous Star Wars fandom. But I do have something that

0:14:00.520 --> 0:14:03.680
<v Speaker 1>I don't think many people have realized. Battle for Indoor

0:14:03.760 --> 0:14:06.240
<v Speaker 1>is special in that it is the only Star Wars

0:14:06.320 --> 0:14:08.520
<v Speaker 1>movie that I am aware of that contains a swear word.

0:14:09.040 --> 0:14:13.319
<v Speaker 1>I lift it up before writing you, and fandom says fandom.

0:14:13.320 --> 0:14:17.640
<v Speaker 1>I think they're referring to like the the Wikipedia realm quote.

0:14:18.000 --> 0:14:20.800
<v Speaker 1>A rumor circulated that Noah swears under his breath while

0:14:20.840 --> 0:14:24.360
<v Speaker 1>trying to power up his star Cruiser during the movie's climax. However,

0:14:24.600 --> 0:14:27.040
<v Speaker 1>it was debunked in the eighty nine issue of the

0:14:27.080 --> 0:14:31.200
<v Speaker 1>Star Wars Insider magazine, which cites the subtitles of two

0:14:31.200 --> 0:14:34.200
<v Speaker 1>thousand four Walks the Battle for Indoor DVD release as

0:14:34.200 --> 0:14:37.480
<v Speaker 1>proving that the that the line is in fact, Ah,

0:14:37.480 --> 0:14:40.520
<v Speaker 1>come on now, Just to be clear, the character know

0:14:40.600 --> 0:14:43.400
<v Speaker 1>what we're talking about, For a reminder, is played by

0:14:43.440 --> 0:14:46.800
<v Speaker 1>Wilford Brimley in the movie. Did we not mention that already? Uh?

0:14:47.040 --> 0:14:50.040
<v Speaker 1>We did not mention that in this listener, So imagine, yes,

0:14:50.080 --> 0:14:53.000
<v Speaker 1>it's it's Wilfred Brimley. Uh. And Wilfred Brimley is in

0:14:53.040 --> 0:14:55.920
<v Speaker 1>the scene like struggling with the controls of his spaceship

0:14:55.960 --> 0:14:57.920
<v Speaker 1>that's up on cinder blocks in his yard. He's trying

0:14:57.960 --> 0:15:00.920
<v Speaker 1>to get it going again. Yeah. I have to admit

0:15:01.000 --> 0:15:02.680
<v Speaker 1>when I watched it. There were a couple of times

0:15:02.680 --> 0:15:05.120
<v Speaker 1>when I kind of had this this feeling like I

0:15:05.160 --> 0:15:07.920
<v Speaker 1>feel like things are being said that are very close

0:15:07.960 --> 0:15:11.240
<v Speaker 1>to curse words, either things that are grumbled by Wilford

0:15:11.240 --> 0:15:14.960
<v Speaker 1>Brimley's character or things that you know, are yabbered by

0:15:15.680 --> 0:15:18.280
<v Speaker 1>e Walks. Then and then they're clearly you know, not

0:15:18.280 --> 0:15:21.600
<v Speaker 1>supposed to be um, you know, English or basic, but

0:15:21.600 --> 0:15:24.680
<v Speaker 1>but certainly sound a little cussy. You know, Wicket is

0:15:24.720 --> 0:15:27.840
<v Speaker 1>swearing up a storm, but you wouldn't know it. But

0:15:28.080 --> 0:15:31.840
<v Speaker 1>what Jesse is saying here is that it apparently the

0:15:31.840 --> 0:15:35.000
<v Speaker 1>Star Wars Insider magazine says no, Wilfred Brimley does not

0:15:35.040 --> 0:15:38.800
<v Speaker 1>swear in this movie. And it's based on the subtitles

0:15:38.880 --> 0:15:41.720
<v Speaker 1>from one DVD release of this which I did not

0:15:41.800 --> 0:15:45.840
<v Speaker 1>know there had been. They're not really readily available right now,

0:15:45.880 --> 0:15:49.080
<v Speaker 1>but there there was like a DVD double pack of these. Okay,

0:15:49.120 --> 0:15:52.520
<v Speaker 1>I see and what again? What they said Wilford Brimley's

0:15:52.520 --> 0:15:58.040
<v Speaker 1>actual line was was all come on, um. They continue. However,

0:15:58.120 --> 0:16:01.080
<v Speaker 1>in the version I have you, and very clearly and

0:16:01.200 --> 0:16:04.840
<v Speaker 1>naturally hear him saying the F word in reaction to

0:16:04.960 --> 0:16:08.640
<v Speaker 1>the sparks. It's so funny because he's Wilfred Brimley. I

0:16:08.680 --> 0:16:10.960
<v Speaker 1>invite you to check the version you have at this

0:16:11.280 --> 0:16:13.840
<v Speaker 1>scene and decide for yourself. Though I could easily see

0:16:13.840 --> 0:16:17.600
<v Speaker 1>the DVD and subsequent releases being quote unquote fixed. I

0:16:17.600 --> 0:16:19.880
<v Speaker 1>am not sure this is a this is listener mail worthy,

0:16:19.960 --> 0:16:21.760
<v Speaker 1>but I thought it was at the very least an

0:16:21.760 --> 0:16:23.560
<v Speaker 1>excuse to give you my thanks and tell you how

0:16:23.640 --> 0:16:26.480
<v Speaker 1>much YouTube can really mean to someone who doesn't always

0:16:26.480 --> 0:16:28.720
<v Speaker 1>have a good time. Please keep doing exactly what you

0:16:28.760 --> 0:16:31.200
<v Speaker 1>were doing, exactly the way you were doing it, forever

0:16:31.280 --> 0:16:34.840
<v Speaker 1>and ever. All my best and keep at it. Jesse ps.

0:16:34.920 --> 0:16:38.880
<v Speaker 1>My favorite episodes are the Boltzman Brain episodes. Well, thanks

0:16:38.920 --> 0:16:42.560
<v Speaker 1>so much, Jesse. I really appreciate the kind words. And no,

0:16:42.960 --> 0:16:46.120
<v Speaker 1>this is absolutely listener mail worthy because we always want

0:16:46.160 --> 0:16:50.080
<v Speaker 1>to hear about Wilfred Brimley swearing in children's movies. It

0:16:50.120 --> 0:16:51.760
<v Speaker 1>also does seem like the kind of thing that if

0:16:51.760 --> 0:16:55.080
<v Speaker 1>they ever give this a proper, real, you know, remaster rerelease,

0:16:55.120 --> 0:16:58.280
<v Speaker 1>they're gonna edit it out and that's just get out

0:16:58.280 --> 0:17:01.440
<v Speaker 1>of here with that. Yeah. Um, but I do hope

0:17:01.440 --> 0:17:03.880
<v Speaker 1>they make it widely available again, because a lot of

0:17:03.920 --> 0:17:06.680
<v Speaker 1>us are nostalgic for this film and it's it's predecessor,

0:17:06.720 --> 0:17:08.119
<v Speaker 1>and I think I think it should be out there.

0:17:08.119 --> 0:17:12.480
<v Speaker 1>I mean the same with other important Star Wars UM

0:17:12.760 --> 0:17:16.879
<v Speaker 1>pieces of media, such as um the original Clone Wars

0:17:17.000 --> 0:17:21.560
<v Speaker 1>animated version that came out prior to the computer animated version.

0:17:21.600 --> 0:17:24.320
<v Speaker 1>Like that's that's great fun, and it should be available

0:17:24.359 --> 0:17:27.160
<v Speaker 1>to people in formats that are not just random YouTube

0:17:27.200 --> 0:17:31.840
<v Speaker 1>uploads in my opinion. Uh. Somebody did right in and

0:17:31.920 --> 0:17:34.840
<v Speaker 1>mentioned the Star Wars Holiday special though, and I do

0:17:35.000 --> 0:17:37.119
<v Speaker 1>have to say I'm kind of I'm cool with that

0:17:37.160 --> 0:17:40.159
<v Speaker 1>one remaining lost. Uh for the most part, it's I

0:17:40.200 --> 0:17:43.520
<v Speaker 1>tried to rewatch it this year and my eyes were

0:17:43.560 --> 0:17:45.479
<v Speaker 1>bigger than my stomach on that one. We'll save it.

0:17:45.480 --> 0:17:46.760
<v Speaker 1>This is coming up in a in a couple of

0:17:46.800 --> 0:17:48.960
<v Speaker 1>males from now. Okay, okay, we'll talk about it then.

0:17:57.240 --> 0:18:00.640
<v Speaker 1>Next one here from Eric. Eric says, Hey, Robert and Joe,

0:18:00.840 --> 0:18:03.879
<v Speaker 1>longtime listener, first time writing in. I wanted to chime

0:18:03.880 --> 0:18:08.520
<v Speaker 1>in on two recent topics. First, gravy. I was fascinated

0:18:08.520 --> 0:18:11.960
<v Speaker 1>by the gravy death ritual in the recent Turkey episode.

0:18:12.320 --> 0:18:16.240
<v Speaker 1>Robert mentioned not knowing of any religious ritual involving gravy,

0:18:16.320 --> 0:18:19.560
<v Speaker 1>but I think at least for myself. The making of

0:18:19.600 --> 0:18:23.120
<v Speaker 1>the gravy on Thanksgiving is a spiritual exercise in its

0:18:23.119 --> 0:18:26.119
<v Speaker 1>own right. This year, due to COVID nineteen, my wife

0:18:26.160 --> 0:18:28.680
<v Speaker 1>and I stayed home and didn't cook a whole turkey,

0:18:28.760 --> 0:18:31.479
<v Speaker 1>so I didn't get to perform my sacred duties. For

0:18:31.600 --> 0:18:36.240
<v Speaker 1>some good gravy is all about the giblets, meaning the liver, heart, kidneys,

0:18:36.240 --> 0:18:39.840
<v Speaker 1>and gizzard, which reinforces Joe's point about gravy being the

0:18:40.000 --> 0:18:43.120
<v Speaker 1>essence of the animal it's made from. It's a celebration

0:18:43.200 --> 0:18:46.119
<v Speaker 1>of this awesome bird. Just like a good rare steak

0:18:46.160 --> 0:18:48.959
<v Speaker 1>can give you that primal zing up the back of

0:18:48.960 --> 0:18:52.160
<v Speaker 1>your brain stem, the organs of an animal can carry

0:18:52.200 --> 0:18:55.040
<v Speaker 1>the same effect, and that's why a true giblet gravy

0:18:55.119 --> 0:18:59.680
<v Speaker 1>is so good. Making gravy is a methodical, ritualistic process

0:18:59.680 --> 0:19:02.159
<v Speaker 1>with several steps that you have to time properly. It

0:19:02.240 --> 0:19:05.159
<v Speaker 1>can be stressful will there be enough juices? Do I

0:19:05.240 --> 0:19:07.879
<v Speaker 1>have enough time? Will the rue come out right? But

0:19:08.000 --> 0:19:11.360
<v Speaker 1>completing each step is a triumph leading to the transcendent

0:19:11.400 --> 0:19:16.320
<v Speaker 1>experience of the final product that literally parentheses figuratively uh

0:19:16.400 --> 0:19:19.040
<v Speaker 1>ties it all together. All the food on your plate

0:19:19.119 --> 0:19:21.199
<v Speaker 1>and all the people at your table, it can be

0:19:21.320 --> 0:19:24.960
<v Speaker 1>mind blowing. This is this is a great point. Okay, yeah,

0:19:24.960 --> 0:19:27.480
<v Speaker 1>I was just gonna say, I just a brief thought

0:19:27.520 --> 0:19:30.159
<v Speaker 1>here is that. Yeah, when food is meaningful, Like, there

0:19:30.160 --> 0:19:32.320
<v Speaker 1>are a few things like it. You know, like when

0:19:32.320 --> 0:19:35.560
<v Speaker 1>food doesn't have meaning, when it's just fast and and

0:19:35.600 --> 0:19:37.600
<v Speaker 1>you're you're not thinking about it and you're not like

0:19:37.640 --> 0:19:40.360
<v Speaker 1>really experiencing it, you know, that's one thing. But when

0:19:40.400 --> 0:19:43.360
<v Speaker 1>you when you do get to have this real attachment

0:19:43.800 --> 0:19:47.520
<v Speaker 1>to the organisms that you're consuming and to the practices

0:19:47.560 --> 0:19:50.080
<v Speaker 1>and the history of what's going into it. Yeah, there

0:19:50.160 --> 0:19:52.159
<v Speaker 1>there are a few things like it. Oh yeah, I

0:19:52.160 --> 0:19:54.919
<v Speaker 1>mean food. Food is obviously so much more than just

0:19:55.640 --> 0:19:58.240
<v Speaker 1>the experience of eating it, the taste and the nutrition

0:19:58.320 --> 0:20:03.720
<v Speaker 1>for your body. It's it's very, ah, a deeply interwoven cultural,

0:20:03.760 --> 0:20:06.560
<v Speaker 1>traditional thing. And this is why, like if you watch

0:20:06.640 --> 0:20:09.879
<v Speaker 1>recipe videos on the internet, you'll often see in the

0:20:09.880 --> 0:20:12.920
<v Speaker 1>comments people freaking out that somebody didn't do it right.

0:20:13.119 --> 0:20:15.560
<v Speaker 1>You know, like if if you want any Italian recipe

0:20:15.680 --> 0:20:18.160
<v Speaker 1>or something, people will be saying like, that's not how

0:20:18.200 --> 0:20:20.919
<v Speaker 1>you make that, saw us or something, And and you

0:20:20.960 --> 0:20:25.080
<v Speaker 1>get sense that it's because people's memories of the traditions

0:20:25.119 --> 0:20:28.359
<v Speaker 1>of their their their dishes are often tied up in

0:20:28.440 --> 0:20:31.520
<v Speaker 1>people's like family and cultural identity, to the point where

0:20:31.520 --> 0:20:34.000
<v Speaker 1>when somebody does it a different way, it almost feels

0:20:34.000 --> 0:20:37.120
<v Speaker 1>like a violation of some sacred ritual. You're not doing

0:20:37.160 --> 0:20:40.640
<v Speaker 1>it right, and this is a blasphemy. Okay, Eric goes

0:20:40.680 --> 0:20:43.600
<v Speaker 1>on before I lose it talking about gravy. Here's the

0:20:43.640 --> 0:20:47.560
<v Speaker 1>other thing. I loved Robert's postulating about the Force and

0:20:47.600 --> 0:20:51.120
<v Speaker 1>the lore of Ewok's Battle of Indoor. As a kid,

0:20:51.240 --> 0:20:53.320
<v Speaker 1>one of the things I loved about Star Wars was

0:20:53.359 --> 0:20:57.440
<v Speaker 1>that it was fantastic but believable. It felt real, tangible,

0:20:57.480 --> 0:21:02.080
<v Speaker 1>and immersive. Even the Force, essentially space magic, felt plausible.

0:21:02.359 --> 0:21:04.480
<v Speaker 1>So when I think of the Ewoks movie, the thing

0:21:04.520 --> 0:21:07.200
<v Speaker 1>I remember most was what my seven year old self

0:21:07.320 --> 0:21:10.560
<v Speaker 1>was thinking while seeing it. I laugh at how even

0:21:10.600 --> 0:21:13.720
<v Speaker 1>then I was really hung up on things feeling real

0:21:14.040 --> 0:21:18.280
<v Speaker 1>and believable. I remember taking issue with the horses of

0:21:18.320 --> 0:21:21.679
<v Speaker 1>all things, even with no established canon for what the

0:21:21.720 --> 0:21:24.480
<v Speaker 1>Force can do. I remember thinking that it was too

0:21:24.520 --> 0:21:27.840
<v Speaker 1>fantastic and magical, that it felt like an Earth movie,

0:21:28.320 --> 0:21:33.880
<v Speaker 1>shape shifting, magic, rings, turbo running, not in Star Wars.

0:21:34.520 --> 0:21:36.760
<v Speaker 1>And it may be a testament to the purity and

0:21:36.800 --> 0:21:40.359
<v Speaker 1>greatness of the original trilogy that even then, the style

0:21:40.440 --> 0:21:43.280
<v Speaker 1>and feel of Star Wars had permeated me so thoroughly

0:21:43.359 --> 0:21:46.840
<v Speaker 1>that my standards as a seven year old were really high.

0:21:47.080 --> 0:21:50.600
<v Speaker 1>Or maybe it's just a funny note on memory. We

0:21:50.640 --> 0:21:55.240
<v Speaker 1>remember the thing itself less than what we remember thinking

0:21:55.320 --> 0:21:59.080
<v Speaker 1>about the thing. Thanks for all your good work, Eric, Oh,

0:21:59.160 --> 0:22:01.600
<v Speaker 1>that's that's all very resting. Yeah, I can definitely relate

0:22:01.680 --> 0:22:05.639
<v Speaker 1>to feeling that way about the magic versus the Force

0:22:06.280 --> 0:22:08.920
<v Speaker 1>as presented in the Battle for Indoor. Uh. Though I

0:22:09.200 --> 0:22:13.359
<v Speaker 1>feel like some viewers had a similar issue in the

0:22:13.840 --> 0:22:17.520
<v Speaker 1>sequel trilogy, especially um The Last Jedi and The Rise

0:22:17.520 --> 0:22:21.119
<v Speaker 1>of Skywalker, because the Force suddenly they're they're sort of

0:22:21.160 --> 0:22:24.840
<v Speaker 1>new force abilities that become evident, like like physical matter

0:22:25.640 --> 0:22:28.240
<v Speaker 1>transferring from one point to another in space and time,

0:22:28.800 --> 0:22:31.640
<v Speaker 1>stuff like that, which maybe leans even more heavily into

0:22:31.680 --> 0:22:36.040
<v Speaker 1>the magical interpretation of the Force. Yeah. Wait, when we

0:22:36.080 --> 0:22:38.359
<v Speaker 1>talked about e wats did we talk about horses? I

0:22:38.400 --> 0:22:40.560
<v Speaker 1>don't know if I remember that coming up, but yeah,

0:22:40.560 --> 0:22:43.000
<v Speaker 1>why are their horses? I don't think there were any

0:22:43.040 --> 0:22:46.239
<v Speaker 1>horses in the original trilogy, were there? There were not

0:22:46.320 --> 0:22:47.879
<v Speaker 1>that I remember. No, I don't think there were horses

0:22:47.880 --> 0:22:49.919
<v Speaker 1>in the original trilogy. Some horses show up in the

0:22:49.960 --> 0:22:53.800
<v Speaker 1>sequel trilogy, but they've been kind of like augmented with

0:22:53.840 --> 0:22:56.320
<v Speaker 1>computer effects to make them like alien horses, which is

0:22:56.359 --> 0:22:59.440
<v Speaker 1>pretty cool. But I don't know. I didn't really have

0:22:59.440 --> 0:23:01.879
<v Speaker 1>any problem with horses in the Indoor movie. I figure

0:23:01.880 --> 0:23:05.520
<v Speaker 1>at some point somebody introduced the indoor pony, and it

0:23:05.560 --> 0:23:07.840
<v Speaker 1>makes as much sense as humans being all over this

0:23:07.960 --> 0:23:16.159
<v Speaker 1>distant galaxy, so I will allow it. Okay, do you

0:23:16.160 --> 0:23:18.960
<v Speaker 1>want to go onto this message from Raj? Yeah, let's

0:23:18.960 --> 0:23:22.480
<v Speaker 1>do it, all right. Raj writes, Hello, stuff to blow

0:23:22.560 --> 0:23:24.879
<v Speaker 1>your mind. In the Star Wars edition of Weird House Cinema,

0:23:25.040 --> 0:23:27.359
<v Speaker 1>you were talking about the notion of Star Wars canon.

0:23:27.440 --> 0:23:30.280
<v Speaker 1>You mentioned that the three films of the then original

0:23:30.320 --> 0:23:33.919
<v Speaker 1>trilogy plus the two Indoor movies constituted as part of

0:23:33.920 --> 0:23:36.919
<v Speaker 1>the Star Wars canon, meaning that the two Indoor movies

0:23:37.000 --> 0:23:40.800
<v Speaker 1>make up the Star Wars films. I am curious about

0:23:40.800 --> 0:23:43.800
<v Speaker 1>how the Star Wars Holiday special fits into this. You

0:23:43.840 --> 0:23:46.440
<v Speaker 1>hadn't mentioned this film in the podcast. I'm not sure

0:23:46.480 --> 0:23:48.880
<v Speaker 1>it was intentional, since many regard that film to be

0:23:49.119 --> 0:23:51.719
<v Speaker 1>not good, or if it's something you just happened to forget.

0:23:52.119 --> 0:23:54.080
<v Speaker 1>I'm not trying to start a fight or anything like that.

0:23:54.119 --> 0:23:56.440
<v Speaker 1>I'm just wondering if you consider the Holiday Special canon

0:23:56.560 --> 0:23:59.879
<v Speaker 1>or not love the podcast cheers Raj. I mean, so

0:24:00.160 --> 0:24:04.680
<v Speaker 1>if the if the main films are a cannon for me, um,

0:24:05.400 --> 0:24:09.040
<v Speaker 1>Holiday Special is like a prime canon. It's it's like

0:24:09.080 --> 0:24:12.000
<v Speaker 1>the cannon above all other cannons. If something doesn't agree

0:24:12.000 --> 0:24:15.480
<v Speaker 1>with the Holiday Special, then it's not cannon. Which which

0:24:15.800 --> 0:24:21.320
<v Speaker 1>cannon grade is mostly circus animals, because that's that's kind

0:24:21.320 --> 0:24:23.880
<v Speaker 1>of the grade. I think the Holidays the Star Wars

0:24:23.880 --> 0:24:27.920
<v Speaker 1>Special probably fits in a um. Yeah. As I mentioned earlier,

0:24:28.040 --> 0:24:31.960
<v Speaker 1>I tried to rewatch this with the riff tracks um

0:24:32.000 --> 0:24:34.520
<v Speaker 1>this year and I ended up turning away for a

0:24:34.520 --> 0:24:37.720
<v Speaker 1>couple of reasons. One I I love riff tracks. I

0:24:37.720 --> 0:24:40.120
<v Speaker 1>love those guys. I think they do great work. But

0:24:40.640 --> 0:24:43.160
<v Speaker 1>the riff on this one was like an earlier riff

0:24:43.200 --> 0:24:45.080
<v Speaker 1>and just felt a little mean spirited a lot of

0:24:45.080 --> 0:24:48.359
<v Speaker 1>the time. UM So I didn't love that. It just

0:24:48.480 --> 0:24:51.520
<v Speaker 1>it felt like it wasn't having as much fun as

0:24:51.560 --> 0:24:54.760
<v Speaker 1>it was. Just kind of grumpy with the picture, uh,

0:24:54.960 --> 0:24:56.919
<v Speaker 1>which you know isn't the case in a lot of

0:24:56.920 --> 0:25:00.199
<v Speaker 1>their other work. Again, I love riff tracks, but the

0:25:00.200 --> 0:25:03.359
<v Speaker 1>Holiday Special makes people unhappy. I mean I've watched it

0:25:03.400 --> 0:25:07.280
<v Speaker 1>many times and showed it too many people, and it

0:25:07.280 --> 0:25:10.199
<v Speaker 1>it has a tendency to kind of send people into

0:25:10.240 --> 0:25:14.320
<v Speaker 1>a into a dark spiral. Yeah, yeah, I think that

0:25:14.480 --> 0:25:16.920
<v Speaker 1>is That is a valid point because the the other

0:25:17.000 --> 0:25:19.320
<v Speaker 1>part of not digging the experience is that it is

0:25:20.000 --> 0:25:26.080
<v Speaker 1>dreadfully boring and irritating. Uh with with the only with

0:25:26.160 --> 0:25:29.920
<v Speaker 1>only a few really bright spots. For instance, the original

0:25:29.960 --> 0:25:33.040
<v Speaker 1>the introduction of Bob a fette in that wonderful like

0:25:33.240 --> 0:25:34.680
<v Speaker 1>sort of I think it was a Canadian production, but

0:25:34.680 --> 0:25:36.840
<v Speaker 1>it has this kind of French animation feel to it,

0:25:37.160 --> 0:25:39.800
<v Speaker 1>like that is a great little segment. Um. I love that.

0:25:40.160 --> 0:25:44.480
<v Speaker 1>The cartoon. Yeah, the cartoon. I also enjoy some of

0:25:44.840 --> 0:25:50.960
<v Speaker 1>the Wookie stuff, you know, getting to see their little world. Yeah,

0:25:51.000 --> 0:25:55.159
<v Speaker 1>because you know, it's it certainly creates a world and

0:25:55.160 --> 0:25:59.000
<v Speaker 1>and it is like a setting like in this small respect,

0:25:59.119 --> 0:26:02.320
<v Speaker 1>it is cannon because the version of Kashik that they

0:26:02.320 --> 0:26:05.959
<v Speaker 1>create in this Holiday Special is essentially the same version

0:26:06.200 --> 0:26:11.200
<v Speaker 1>that pops up again in um um Um in Revenge

0:26:11.200 --> 0:26:14.280
<v Speaker 1>of the Sith that pops up in various video games

0:26:14.320 --> 0:26:18.480
<v Speaker 1>such as um Um, you know, like the Battlefield what

0:26:18.640 --> 0:26:21.680
<v Speaker 1>is it, uh not Battlefield, maybe it is Battlefield whatever

0:26:21.680 --> 0:26:24.400
<v Speaker 1>the shooter is that they play, also the recent Jedi

0:26:24.480 --> 0:26:28.040
<v Speaker 1>Outcast game. Basically they're all using the same version of

0:26:28.080 --> 0:26:32.439
<v Speaker 1>kik that the Holiday Special gives us. Yes, I mean so,

0:26:32.480 --> 0:26:34.800
<v Speaker 1>I've probably seen the Star Wars Holiday Special at least,

0:26:34.960 --> 0:26:37.320
<v Speaker 1>you know, ten or a dozen times, but I will

0:26:37.359 --> 0:26:41.280
<v Speaker 1>admit it is brutally boring and grading, and it has

0:26:41.359 --> 0:26:47.200
<v Speaker 1>these repeated comedy skits with Harvey Corman that are interminable.

0:26:47.280 --> 0:26:50.800
<v Speaker 1>There's one where he's, uh, where the gag is that

0:26:50.880 --> 0:26:53.080
<v Speaker 1>he is, I guess some kind of robot and he's

0:26:53.160 --> 0:26:56.760
<v Speaker 1>like repeatedly breaking down and going into slow motion. And

0:26:56.880 --> 0:27:01.639
<v Speaker 1>that skit lasts about ten billion years. It is, it

0:27:01.760 --> 0:27:04.479
<v Speaker 1>is older than the Earth. The weird thing is that

0:27:04.560 --> 0:27:07.080
<v Speaker 1>you can look back at it and see how it

0:27:07.200 --> 0:27:08.920
<v Speaker 1>made sense, like you. I think that one of the

0:27:09.000 --> 0:27:10.719
<v Speaker 1>key things you have to keep in mind is that

0:27:10.760 --> 0:27:15.000
<v Speaker 1>this was the heyday of the original Muppet Show, and

0:27:15.440 --> 0:27:17.520
<v Speaker 1>on paper, it sounds great like the Muppet Show is

0:27:17.520 --> 0:27:21.359
<v Speaker 1>doing this great variety show with puppets and fantastic characters

0:27:21.440 --> 0:27:25.040
<v Speaker 1>and and celebrity cameos. We could do that with the

0:27:25.080 --> 0:27:27.480
<v Speaker 1>Star Wars universe and it would We could do it

0:27:27.520 --> 0:27:31.359
<v Speaker 1>in a way that wouldn't hurt anybody. It's be Arthur

0:27:32.080 --> 0:27:37.720
<v Speaker 1>and Art Carney. Yeah, but yeah, the result just doesn't

0:27:37.720 --> 0:27:40.080
<v Speaker 1>really work. There's just so many, so many things wrong

0:27:40.200 --> 0:27:43.040
<v Speaker 1>with it. They really should have brought in Tim Conway

0:27:43.119 --> 0:27:49.080
<v Speaker 1>and Paul Lynde. I would start, oh wait, wait, wait, okay,

0:27:49.119 --> 0:27:51.199
<v Speaker 1>here's my idea that they could take it to the

0:27:51.240 --> 0:27:55.359
<v Speaker 1>next level. They should have just done Hollywood squares in

0:27:55.680 --> 0:27:59.520
<v Speaker 1>universe Star Wars and it's cannon So like the squares

0:27:59.560 --> 0:28:05.280
<v Speaker 1>are Chewbacca and Chewbacca's family, the really nasty old Wookie,

0:28:06.040 --> 0:28:10.320
<v Speaker 1>Han Solo looking sad, Princess Leia on a mystical journey

0:28:10.560 --> 0:28:12.960
<v Speaker 1>like all of them doing the tic tac toe. Yeah,

0:28:13.000 --> 0:28:16.480
<v Speaker 1>I don't forget the look Skywalker wearing an absurd amount

0:28:16.480 --> 0:28:19.440
<v Speaker 1>of makeup where he looks like he's basically in kabuky

0:28:19.480 --> 0:28:22.480
<v Speaker 1>makeup in that one. It's huge amounts of makeup. It

0:28:22.600 --> 0:28:26.000
<v Speaker 1>is astonishing. However, I will say I might feel differently

0:28:26.040 --> 0:28:28.159
<v Speaker 1>about it if I had actually watched this back in

0:28:28.200 --> 0:28:30.480
<v Speaker 1>the day. But the Star Wars Holiday Special is something

0:28:30.560 --> 0:28:32.800
<v Speaker 1>I wasn't even aware of until I was an adult.

0:28:32.880 --> 0:28:36.520
<v Speaker 1>So wait, wait, wait, wait, sorry, I have one more,

0:28:36.600 --> 0:28:38.880
<v Speaker 1>one more Star Wars Holiday special thing to bring up,

0:28:39.120 --> 0:28:42.520
<v Speaker 1>which is that there's a great scene where where Han

0:28:42.600 --> 0:28:46.960
<v Speaker 1>Solo saves Chewy's family by faking out an Imperial stormtrooper

0:28:47.040 --> 0:28:50.600
<v Speaker 1>who's approaching their house on the you know, like wooden catwalk,

0:28:50.640 --> 0:28:53.160
<v Speaker 1>I guess, up to the front door. He fakes them out,

0:28:53.240 --> 0:28:56.400
<v Speaker 1>the stormtrooper falls over the edge, presumably falls to his

0:28:56.560 --> 0:28:59.680
<v Speaker 1>death on the ground below the house, and then it's like, hey,

0:28:59.720 --> 0:29:03.440
<v Speaker 1>pblem solved. But if you think about the logic of it, Okay,

0:29:03.440 --> 0:29:06.320
<v Speaker 1>so now the Imperial troops are marching around and there

0:29:06.400 --> 0:29:09.280
<v Speaker 1>is a dead one of them on the ground below

0:29:09.320 --> 0:29:12.240
<v Speaker 1>your front door, and then they just don't seem to

0:29:12.280 --> 0:29:15.040
<v Speaker 1>regard this as a problem. Well, you have to remember

0:29:15.160 --> 0:29:20.040
<v Speaker 1>the the the amount of training that your average stormtrooper

0:29:20.120 --> 0:29:24.200
<v Speaker 1>is probably receiving. Uh, it's not great. They're not really

0:29:24.200 --> 0:29:27.480
<v Speaker 1>going to be good detectives in that respect, right, And

0:29:27.520 --> 0:29:31.480
<v Speaker 1>plus they're occupying a planet occupied by um you know,

0:29:31.760 --> 0:29:34.840
<v Speaker 1>with the with the dominant species are these enormous fierce

0:29:35.080 --> 0:29:38.240
<v Speaker 1>um wookies, So you know, it makes sense that you're

0:29:38.280 --> 0:29:42.240
<v Speaker 1>probably losing a like there's an acceptable loss for Stormtroopers

0:29:42.280 --> 0:29:44.760
<v Speaker 1>per day, and they're just like, well, you know that

0:29:44.760 --> 0:29:53.040
<v Speaker 1>that guy clearly is an acceptable loss. All right, we

0:29:53.120 --> 0:29:57.360
<v Speaker 1>got one more message. This comes in from Ali. Ali says, Hi, Robert,

0:29:57.400 --> 0:29:59.680
<v Speaker 1>and Joe. I have listened to Stuff to Blow your

0:29:59.680 --> 0:30:02.320
<v Speaker 1>Mind for many years and have really enjoyed the podcast.

0:30:02.680 --> 0:30:05.440
<v Speaker 1>I just finished listening to the Weird House Cinema episode

0:30:05.440 --> 0:30:08.040
<v Speaker 1>on Ghost in the Machine, and I loved it. I

0:30:08.080 --> 0:30:10.520
<v Speaker 1>watched the movie over the weekend before listening, and I

0:30:10.640 --> 0:30:13.959
<v Speaker 1>enjoyed that movie immensely. It was so awesomely bad, with

0:30:14.040 --> 0:30:17.040
<v Speaker 1>so much nostalgic nineties style. I don't know if I

0:30:17.080 --> 0:30:20.040
<v Speaker 1>ever would have known that that movie existed if you

0:30:20.080 --> 0:30:22.480
<v Speaker 1>guys hadn't decided to watch it. Well, I'm glad we

0:30:22.520 --> 0:30:25.320
<v Speaker 1>could bring that weirdness into your life. Over the years,

0:30:25.320 --> 0:30:27.280
<v Speaker 1>Stuff to Blow Your Mind has taught me so much

0:30:27.320 --> 0:30:29.760
<v Speaker 1>and got me thinking about so many different things. There

0:30:29.800 --> 0:30:32.480
<v Speaker 1>was an episode where, if I remember this correctly, you

0:30:32.520 --> 0:30:35.120
<v Speaker 1>tried to get listeners to remember to fact check things,

0:30:35.200 --> 0:30:40.040
<v Speaker 1>especially if the things feel almost right. You guys repeated

0:30:40.080 --> 0:30:43.480
<v Speaker 1>the phrase if it feels familiar, check the facts over

0:30:43.520 --> 0:30:46.400
<v Speaker 1>and over and whenever my BS meter goes off for

0:30:46.600 --> 0:30:49.800
<v Speaker 1>some fact doesn't feel quite right. I hear you tube

0:30:49.840 --> 0:30:53.600
<v Speaker 1>repeating that phrase, and it reminds me to look into stuff. Anyway.

0:30:53.640 --> 0:30:57.120
<v Speaker 1>I just wanted to say hi and thank you. Happy holidays, Ali.

0:30:57.400 --> 0:30:59.960
<v Speaker 1>I think that was from the Illusory Truth Effect episode

0:31:00.000 --> 0:31:03.160
<v Speaker 1>where we talked about the dangers of thinking something is

0:31:03.240 --> 0:31:06.600
<v Speaker 1>right because it's sounds Yeah, that sounds right. That that

0:31:06.600 --> 0:31:10.520
<v Speaker 1>that that's often the danger zone. Yeah, yeah, for sure.

0:31:11.240 --> 0:31:13.280
<v Speaker 1>All right. You know, we've I think we've reached the

0:31:13.360 --> 0:31:16.840
<v Speaker 1>end of this particular episode of listener Mail. We have

0:31:16.960 --> 0:31:19.040
<v Speaker 1>more listener mail to do, and we will do that

0:31:19.080 --> 0:31:21.560
<v Speaker 1>in future episodes. But you know, I thought I also

0:31:21.640 --> 0:31:24.120
<v Speaker 1>might we might just occasionally just throw out a question

0:31:24.400 --> 0:31:28.680
<v Speaker 1>here to to see what everyone out there thinks. One

0:31:28.680 --> 0:31:32.800
<v Speaker 1>thing that was on my mind is that during twenty twenty,

0:31:33.280 --> 0:31:35.680
<v Speaker 1>due to the pandemic, I think a lot of us

0:31:35.720 --> 0:31:40.600
<v Speaker 1>have spent spent more time by ourselves, perhaps more time

0:31:40.640 --> 0:31:44.280
<v Speaker 1>with ourselves. So here's the here's a question. What have

0:31:44.320 --> 0:31:48.080
<v Speaker 1>you learned about yourself in UH? And then how do

0:31:48.160 --> 0:31:52.760
<v Speaker 1>you think you're going to bring that knowledge into one um?

0:31:52.840 --> 0:31:54.520
<v Speaker 1>If you have any thoughts on that we'd love to

0:31:54.560 --> 0:31:56.440
<v Speaker 1>hear from you. In the meantime. If you want to

0:31:56.480 --> 0:31:58.320
<v Speaker 1>check out other episodes of Stuff to Blow your Mind,

0:31:58.480 --> 0:32:00.440
<v Speaker 1>you can find us wherever you get your podcast, wherever

0:32:00.440 --> 0:32:04.080
<v Speaker 1>that happens to be. Just rate, review, and subscribe. And

0:32:04.120 --> 0:32:06.200
<v Speaker 1>I don't even care what order you do those things in.

0:32:06.480 --> 0:32:09.960
<v Speaker 1>Um you know, if you can even do them wherever

0:32:09.960 --> 0:32:11.640
<v Speaker 1>you're listening to this podcast. Sometimes you don't have all

0:32:11.720 --> 0:32:14.880
<v Speaker 1>those powers at your disposal. But yeah, let us know.

0:32:15.280 --> 0:32:17.800
<v Speaker 1>Listener mail episodes will continue to go out on Monday's

0:32:18.440 --> 0:32:20.320
<v Speaker 1>unless we run out of listener mails, and then I

0:32:20.360 --> 0:32:22.360
<v Speaker 1>guess we'll do something else on on a Monday here

0:32:22.360 --> 0:32:23.960
<v Speaker 1>and there. I don't know. We'll see. It's a grand

0:32:23.960 --> 0:32:27.320
<v Speaker 1>adventure and you guys are long for the ride with us.

0:32:27.840 --> 0:32:30.600
<v Speaker 1>We will be having flaming barrel chats with or without

0:32:30.640 --> 0:32:32.960
<v Speaker 1>your help, but we assume the help will keep coming in.

0:32:34.040 --> 0:32:36.640
<v Speaker 1>Um okay, So anyway, huge thanks as always to our

0:32:36.680 --> 0:32:40.000
<v Speaker 1>excellent audio producer Seth Nicholas Johnson. If you would like

0:32:40.040 --> 0:32:41.880
<v Speaker 1>to get in touch with us with feedback on this

0:32:41.920 --> 0:32:44.480
<v Speaker 1>episode or any other, to suggest a topic for the future,

0:32:44.560 --> 0:32:47.120
<v Speaker 1>or just to say hello, you can email us at

0:32:47.280 --> 0:32:57.560
<v Speaker 1>contact That's Stuff to Blow Your Mind dot com. Stuff

0:32:57.600 --> 0:32:59.800
<v Speaker 1>to Blow Your Mind is a production of I heart Radio.

0:33:00.160 --> 0:33:02.480
<v Speaker 1>For more podcasts for my heart Radio, visit the iHeart

0:33:02.520 --> 0:33:05.280
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:33:05.280 --> 0:33:06.000
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