WEBVTT - Round Twelve!

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<v Speaker 1>Hey Christy, Hi, Will, how are you.

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<v Speaker 2>I'm good. How are you doing.

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<v Speaker 3>I'm doing pretty good.

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<v Speaker 2>We're getting to it, aren't we.

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<v Speaker 3>Yes, we are. We're really We're gonna have to start

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<v Speaker 3>looking for plane tickets to La.

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<v Speaker 1>Yeah, and restaurants and all that good kind of stuff

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<v Speaker 1>for our meeting.

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<v Speaker 2>We're going to have to a.

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<v Speaker 3>Large check that says one thousand dollars, a big large.

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<v Speaker 1>Yeah, we need a big check. And then they're going

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<v Speaker 1>to need to find a big bank bank for the

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<v Speaker 1>big giant check. Yes, giant check.

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<v Speaker 3>Where do you buy those?

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<v Speaker 1>Anyway we could figure it out. I think I think

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<v Speaker 1>you haven't printed. I don't think you actually go and

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<v Speaker 1>get a giant check book, which woul be funny because

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<v Speaker 1>then you have to write void when you mess it

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<v Speaker 1>up and rip it.

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<v Speaker 2>Off and like oh and you throw the thing.

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<v Speaker 1>That would be weird.

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<v Speaker 3>No, you want to hear something crazy? Will?

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<v Speaker 2>I always always okay.

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<v Speaker 3>My kids started to watch Minions and they were very

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<v Speaker 3>excited about it, and they said I was like, oh,

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<v Speaker 3>look at little featurettes. And one of the featurettes is

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<v Speaker 3>behind the scenes, and it shows you the actors like

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<v Speaker 3>Steve Carell and all the amazing people behind the voices,

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<v Speaker 3>and my daughter was hooked. She was like, this is

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<v Speaker 3>so cool, like the behind the scenes. These are the

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<v Speaker 3>faces of the people that are the She's six and

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<v Speaker 3>a half, right, and so I was like, wait till

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<v Speaker 3>you see this. So I go ahead and nice search

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<v Speaker 3>behind the scenes of Kim Possible. And you look similar

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<v Speaker 3>and that your hair and your beard are the same

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<v Speaker 3>legth man, I'm telling you you're wearing you look so Connecticuttian.

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<v Speaker 1>I'm just I love it, you nutmeger.

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<v Speaker 3>But also it's just you Will. You're the same person,

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<v Speaker 3>the same person. And I look at me and I'm like,

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<v Speaker 3>I'm not the same you are.

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<v Speaker 1>You're just a mom now, but you're the same part.

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<v Speaker 1>You're still the same good heart, and you're still the

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<v Speaker 1>same person. It's just all that circle.

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<v Speaker 3>I had to laugh because like that was my big flex,

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<v Speaker 3>you know. I was like, I love that. Will, look

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<v Speaker 3>at him.

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<v Speaker 2>I love that.

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<v Speaker 1>And the thing that's cool is maybe our contest one

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<v Speaker 1>of our contestants today, whoever wins, if they win the

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<v Speaker 1>entire thing, will someday have their behind the scenes of

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<v Speaker 1>the first big project they ever do, which is all

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<v Speaker 1>that for them. We do, we absolutely do, and this

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<v Speaker 1>is it. This is the fine With today we determine

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<v Speaker 1>the final four. Whoever wins today will be joining Hannah

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<v Speaker 1>from Alabama, Danielle from Tennessee, and Haley from Texas to

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<v Speaker 1>then go into the final four. We are getting down

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<v Speaker 1>to it. It's crazy.

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<v Speaker 3>Yeah, that is really crazy.

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<v Speaker 2>Wow, it is. I know.

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<v Speaker 1>It's We've from from over what forty two hundred, forty

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<v Speaker 1>three hundred to four, so absolutely incredible, and I just

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<v Speaker 1>of course we've been doing this at the end lately,

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<v Speaker 1>but I wanted to bring this back to the beginning

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<v Speaker 1>because it's so important, because so many people helped us

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<v Speaker 1>put this contest together. So of course we want to

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<v Speaker 1>give shout outs to Prime Video and everybody over there

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<v Speaker 1>at our good friends at Critical Role. Don't forget. Season

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<v Speaker 1>two of Voxmachten is available for download now. And I

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<v Speaker 1>always say it's an amazing show, and I always say

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<v Speaker 1>it's not just because I'm on it, and it's not

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<v Speaker 1>because I'm on it, and it is an amazing show.

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<v Speaker 1>It's really some of the best animation, acting writing you

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<v Speaker 1>will find. Really go check it out as it's incredible.

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<v Speaker 1>Of course, we want to thank CESD for their amazing

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<v Speaker 1>prize of a one year contract to the winner, which

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<v Speaker 1>is every time any actor who knows if you know,

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<v Speaker 1>you know kind of thing, anytime we mention it, their

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<v Speaker 1>jaws dropped their kind I bet you are our guests today,

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<v Speaker 1>our judicator today will do the same thing. I mean,

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<v Speaker 1>it is absolutely incredible. And then of course our parent

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<v Speaker 1>company iHeart, who helped put this entire thing together and

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<v Speaker 1>allowed us to go off and live our dream of

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<v Speaker 1>giving somebody else their dream, which is something we've been

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<v Speaker 1>very excited about. But we've also been so excited about

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<v Speaker 1>this last guest that this is the third time we've

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<v Speaker 1>tried to have him on, and because he's so busy,

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<v Speaker 1>of course, the first two times he had to postpone.

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<v Speaker 1>And where he's here. I'm so excited that he's here.

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<v Speaker 1>He's one of my favorite actors in the world, and

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<v Speaker 1>not just voiceover actors, but also on camera actors.

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<v Speaker 2>He's been one of my favorite shows of all time.

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<v Speaker 1>We will get into Stevens. Yes, even Stevens. Yes, even

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<v Speaker 1>Steve No, he's done some amazing stuff.

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<v Speaker 3>He literally was my orthodonist on.

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<v Speaker 2>Even Stevens not in real life. Yes, I love that.

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<v Speaker 1>Well, we're gonna see if you remember and we're gonna

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<v Speaker 1>see if we remembers who is joining us today.

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<v Speaker 3>Christy, it's doctor, It's Carlos, Alice Rocky.

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<v Speaker 1>Hey, hey, Carlos.

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<v Speaker 2>Welcome to the show, and thank you for joining us.

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<v Speaker 4>Thank you for having me.

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<v Speaker 1>We've wanted to have you on here for so long.

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<v Speaker 1>Now do you remember Christy?

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<v Speaker 4>Oh gosh, do you remember the ease the teeth?

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<v Speaker 1>Apparently you took off her braces as a doctor on

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<v Speaker 1>her show. Even stevens, Oh, that's right, that's right.

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<v Speaker 4>Now, let's see that brother of yours. That's right. Oh,

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<v Speaker 4>nice to see you again.

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<v Speaker 3>Oh my god, it's great to see you. I follow

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<v Speaker 3>you on TikTok, You're all over the place, you're on

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<v Speaker 3>social media. It's just good to see you. We didn't

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<v Speaker 3>you guys seen each other at comic cons, because I

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<v Speaker 3>know Carlos, you you do go to those some No.

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<v Speaker 2>Yeah, yeah, but we haven't.

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<v Speaker 1>We we've met several times in passing, but I don't

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<v Speaker 1>think we've ever actually worked together. And unfortunately, the last

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<v Speaker 1>time you and I saw each other, we we had

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<v Speaker 1>a very quick conversation at Kevin Conroy's memorial. I was

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<v Speaker 1>sitting right behind you, So that was that was. It

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<v Speaker 1>was nice to be with everybody, but of course not

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<v Speaker 1>a fun night. Yeah. So, but we want to get

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<v Speaker 1>into all your your voiceover projects, of course, because you

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<v Speaker 1>have so many of them. And then we're going to

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<v Speaker 1>bring our contestants in for our contest, which we'll let

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<v Speaker 1>you know all about. But before we get into that,

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<v Speaker 1>I have to gush a little bit because you are

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<v Speaker 1>on one of my favorite shows of all time, Reno

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<v Speaker 1>nine one one, Thank You, which I've been following since

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<v Speaker 1>the very beginning. I am a diehard fan. It's one

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<v Speaker 1>of the funniest shows on television. Is one of the

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<v Speaker 1>greatest ensemble comedy cast ever in television in my opinion.

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<v Speaker 1>And so for just that, you don't have to tell

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<v Speaker 1>us any stories. I'm just saying for everybody out there

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<v Speaker 1>fans of the show, if you have not seen Reno

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<v Speaker 1>nine to one one yet, start at the beginning and

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<v Speaker 1>plan on watching everything over and over and over again,

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<v Speaker 1>because you're gonna have to keep rewinding stuff because it

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<v Speaker 1>is so funny that you miss ninety percent of the jokes.

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<v Speaker 1>It's great, it's very fun. As a matter of we

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<v Speaker 1>did a pre.

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<v Speaker 4>Pre meeting.

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<v Speaker 5>We were gonna do a vanity fair Thing at the

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<v Speaker 5>One Hotel in Hollywood and Los Angeles on the seventh,

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<v Speaker 5>eleven thirty am Pacific time. I think you could still

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<v Speaker 5>get tickets virtually and watch it. It's gonna be a panel.

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<v Speaker 5>I think who we will have is Tom Carey, Nissi, Siedric, Wendy,

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<v Speaker 5>Mary Birdsong and myself to talk about the origins of

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<v Speaker 5>it and what happened with it and how we got it.

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<v Speaker 5>So not to bury the lead, but yeah, two thousand

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<v Speaker 5>Christmas of two thousand, I think we all went the

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<v Speaker 5>studio for a sketch show for Gail Berman.

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<v Speaker 1>For Fox.

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<v Speaker 4>We did a table read.

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<v Speaker 5>Fox didn't want the sketch show and they said you

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<v Speaker 5>got to think of something because you got a week.

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<v Speaker 5>And then to Ben Tom McCarey said, we're gonna make

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<v Speaker 5>fun of cops. We're gonna call it Reno nine one one.

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<v Speaker 5>Go home and think about a character. So we all

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<v Speaker 5>thought about our respective characters. We land on with Beth

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<v Speaker 5>McCarthy SNL director and in sensic Our studios and we

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<v Speaker 5>start rehearsing the mime sketch my mat in front of

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<v Speaker 5>a check cashing place. We show up on set the

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<v Speaker 5>first day in sam Pedro California.

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<v Speaker 3>Four Exotic Exotic, San Babro Sampedro Man, and they asked

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<v Speaker 3>us twenty questions, what do you like about being a cop?

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<v Speaker 4>Who do you love on the forest?

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<v Speaker 5>Who do you hate in the forest. What's your favorite pastry?

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<v Speaker 5>That helps kind of shape our characters? The crews laughing,

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<v Speaker 5>We do a pilot Fox Passes and then we wait

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<v Speaker 5>a year and a half. Jim Sharp is a development

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<v Speaker 5>in development there, and he asked the guys he knew

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<v Speaker 5>them from the state, what do you have?

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<v Speaker 4>We have the show called.

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<v Speaker 5>Rina nine one one, All right, we love it, let's

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<v Speaker 5>reshoot it. So we shot it for Comedy Central and

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<v Speaker 5>they picked it up in two thousand and three, so

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<v Speaker 5>we I'd never auditioned as Garcia. I just kind of

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<v Speaker 5>made it up and just started going with it, and

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<v Speaker 5>then it just kind of grew and became organic, and

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<v Speaker 5>it fell into the character and we all just, yeah,

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<v Speaker 5>we all just sort of jelled Cedric.

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<v Speaker 4>And I right away.

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<v Speaker 5>You know, Ben and tomccarey had an unspoken relationship. They've

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<v Speaker 5>known each other since ny NYU, since they're seventeen, so

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<v Speaker 5>they're already connecting. The only true improvisers on that cast

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<v Speaker 5>before Wendy showed up was Sidric with all his training

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<v Speaker 5>in Minnesota and so and so forth, and then Wendy

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<v Speaker 5>with her groundlings pedigree came in and we were all

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<v Speaker 5>just sort of making it up, but they were really

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<v Speaker 5>really good at their craft and still are, you know,

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<v Speaker 5>and so yeah, it just kind of is kinda believed.

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<v Speaker 1>I would put Kerry Kenny Silver up with any actress

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<v Speaker 1>ever on television when it comes to being funny, I

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<v Speaker 1>truly would. And I know that's people are saying, Oh,

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<v Speaker 1>come on, you've got to be kidding. You' talking Carol Burne.

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<v Speaker 1>Now you're talking to baggers. I am literally talking that

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<v Speaker 1>level of comedy. Yeah, she's funny.

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<v Speaker 5>Just naturally gifted, as well as Niasyne is naturally funny.

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<v Speaker 1>They're all naturally you all are, and the combination of

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<v Speaker 1>the whole cast together is just I will I'll go

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<v Speaker 1>into my dangle occasionally, I'll just yeah, I'll sit there

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<v Speaker 1>and I'm auditioning for something and I don't know why,

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<v Speaker 1>but dangle comes out.

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<v Speaker 2>So I just love it.

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<v Speaker 6>OK.

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<v Speaker 2>New but we're just goot. My wife and I'll say,

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<v Speaker 2>we're just we're just goofing, just new boot goofing New Boom.

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<v Speaker 1>So we love but one, but we didn't. Unfortunately I

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<v Speaker 1>could talk you know, nine More One forever, but I.

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<v Speaker 3>Yes, that needs its own podcasts.

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<v Speaker 2>But we really this.

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<v Speaker 1>We're here talking about your voiceover works because what a

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<v Speaker 1>lot of people might not know or maybe know, is

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<v Speaker 1>that you are an incredible voiceover actor who has been

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<v Speaker 1>working for ever and ever and ever to the point where, yeah,

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<v Speaker 1>go ahead, I mean any award in nineteen.

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<v Speaker 3>I'm sorry that I literally was scrolling down your IMDb

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<v Speaker 3>and I'm like, right, you know, Will is usually the

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<v Speaker 3>person to compliment. I'm taking over to compliment because I

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<v Speaker 3>was literally scrolling for minutes and minutes and minutes four

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<v Speaker 3>hundred and nineteen with ten upcoming credits. You you've got

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<v Speaker 3>to be one of the busiest actors and voice actors.

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<v Speaker 3>I mean one is so wonderful. No wonder why we

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<v Speaker 3>had to reschedule coming.

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<v Speaker 2>I know you.

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<v Speaker 4>I'm working adel Brain.

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<v Speaker 6>Yeah.

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<v Speaker 4>Pretty lucky.

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<v Speaker 5>You know, I get to work with probably the busiest

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<v Speaker 5>voiceover actor in the world, which is Tom Kenny, because

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<v Speaker 5>he directs Camp Coral and SpongeBob and The Patrick Show.

0:10:11.280 --> 0:10:14.120
<v Speaker 5>And I'm very lucky that they I've known those guys

0:10:14.120 --> 0:10:17.280
<v Speaker 5>for years since Rocco and that they're you know, putting

0:10:17.280 --> 0:10:18.680
<v Speaker 5>me back in the SpongeBob family.

0:10:19.760 --> 0:10:22.560
<v Speaker 4>Worked with Kate Higgins and a guy named Harvey who.

0:10:22.400 --> 0:10:25.480
<v Speaker 1>Talks like kids. Guys, guys, it's aliens.

0:10:26.720 --> 0:10:29.559
<v Speaker 4>And in addition to having famously played.

0:10:29.280 --> 0:10:31.320
<v Speaker 1>Spongebobby your parts.

0:10:35.120 --> 0:10:40.160
<v Speaker 7>So yeah, yeah, I just did it. I just recorded

0:10:40.200 --> 0:10:45.880
<v Speaker 7>this morning before a session for Dora. I recorded Rocco

0:10:46.080 --> 0:10:48.120
<v Speaker 7>doing Roy Batty from Blade Runners.

0:10:48.120 --> 0:10:49.640
<v Speaker 4>So that's coming soon.

0:10:50.440 --> 0:10:52.040
<v Speaker 5>I'm not gonna do it because you're gonna have to

0:10:52.080 --> 0:10:56.599
<v Speaker 5>wait for it. I love that film. I bought the

0:10:56.600 --> 0:11:00.520
<v Speaker 5>book's Future Noir season three. When the cast gets replay Reno,

0:11:00.600 --> 0:11:03.800
<v Speaker 5>I had Sean Young sign it on the picture of

0:11:03.880 --> 0:11:06.480
<v Speaker 5>Rachel because I'm a geek. But yeah, Roco was my

0:11:06.559 --> 0:11:10.040
<v Speaker 5>first e nineteen ninety one. I think I didn't have

0:11:10.080 --> 0:11:12.199
<v Speaker 5>an agent. I was a stand up comic. There was

0:11:12.200 --> 0:11:16.360
<v Speaker 5>a project by Joe Murray, San Jose Mercury cartoonists and

0:11:17.160 --> 0:11:21.000
<v Speaker 5>producer named Mark mcnamura at San Francisco State Tracy Forresters.

0:11:21.040 --> 0:11:24.160
<v Speaker 5>My manager said, why don't you put down a make

0:11:24.200 --> 0:11:25.880
<v Speaker 5>a tape. I don't have a tape. I had a

0:11:25.880 --> 0:11:29.719
<v Speaker 5>push play recorder click made a voice tape all these

0:11:29.800 --> 0:11:30.760
<v Speaker 5>voices and characters.

0:11:30.880 --> 0:11:33.600
<v Speaker 4>I showed up at a house near Sutro.

0:11:33.400 --> 0:11:36.240
<v Speaker 5>Towers in San Francisco with Nick Jennings, George Mastri and

0:11:36.640 --> 0:11:40.960
<v Speaker 5>Joe Murray and I famously did Gene Wilder to stay

0:11:41.000 --> 0:11:44.440
<v Speaker 5>in there. You're not evil, you are good, I said again,

0:11:44.760 --> 0:11:47.520
<v Speaker 5>and that made them laugh. And then I tried spunky.

0:11:49.920 --> 0:11:52.000
<v Speaker 5>Then Nick Jennings said you're spunky, and I said, okay,

0:11:52.000 --> 0:11:54.680
<v Speaker 5>I'm still here. We don't want Australia, and we want

0:11:54.760 --> 0:11:59.880
<v Speaker 5>a Bruno Kirby, no hobbloing glace, maybe a woody Allen.

0:11:59.720 --> 0:12:02.120
<v Speaker 4>That was and working. I picked up a vacuum manual.

0:12:02.520 --> 0:12:04.960
<v Speaker 7>I saw these teethy corn of jelly conny things and

0:12:05.000 --> 0:12:08.000
<v Speaker 7>I said, hello, when you're plugging your unit in, it

0:12:08.080 --> 0:12:09.800
<v Speaker 7>is best to avoid water.

0:12:10.240 --> 0:12:12.480
<v Speaker 5>And said like, oh, that sounds pretty good, and so

0:12:12.559 --> 0:12:14.560
<v Speaker 5>we did it. They sent it off, We made a

0:12:14.559 --> 0:12:15.800
<v Speaker 5>pilot and off.

0:12:15.600 --> 0:12:18.000
<v Speaker 2>It went, you know, unbelievable.

0:12:18.000 --> 0:12:21.400
<v Speaker 5>So that was my introduction into voiceover world. And you know,

0:12:21.480 --> 0:12:24.040
<v Speaker 5>I grew up I say, my parents are from South America.

0:12:24.080 --> 0:12:24.560
<v Speaker 8>They are.

0:12:26.200 --> 0:12:31.840
<v Speaker 5>Loma and uh later on Buenos Aires and Rosario, and

0:12:31.920 --> 0:12:33.800
<v Speaker 5>so I grew up hearing that dialect of course.

0:12:33.920 --> 0:12:37.079
<v Speaker 4>And then my best is Kevin.

0:12:37.120 --> 0:12:40.760
<v Speaker 5>His parents were from Glasgow, Scotland, so I saved these

0:12:40.800 --> 0:12:43.600
<v Speaker 5>week I'm there listening to Uncle Donnie and Uncle and

0:12:43.720 --> 0:12:48.720
<v Speaker 5>John and Angelas and listening to these voices and hearing

0:12:48.720 --> 0:12:51.720
<v Speaker 5>my mom go Carlito no Merigas, and watching Monty Python

0:12:51.800 --> 0:12:55.360
<v Speaker 5>and fighting the circus and just soaking up dialects. Right,

0:12:55.520 --> 0:12:58.720
<v Speaker 5>And then that was what was going to lead to

0:12:58.800 --> 0:13:04.760
<v Speaker 5>this career. I said, pose Jettison off, stand.

0:13:04.559 --> 0:13:07.920
<v Speaker 4>Up and there are there I was, and just doing voiceover,

0:13:07.960 --> 0:13:11.680
<v Speaker 4>and then Cat he Can't Dog playing Winslow and.

0:13:12.080 --> 0:13:16.400
<v Speaker 5>Uh yeah, Loube from the Greasers getting to act with you,

0:13:16.559 --> 0:13:21.360
<v Speaker 5>Christy on even you know Shia la Ba back in

0:13:21.400 --> 0:13:23.800
<v Speaker 5>the day, right playing Sublime. I remember as a kid

0:13:23.840 --> 0:13:25.880
<v Speaker 5>he was playing Sublime that day and his guitar on

0:13:25.960 --> 0:13:26.679
<v Speaker 5>his guitar.

0:13:26.640 --> 0:13:28.760
<v Speaker 3>Naturally that sounds about right.

0:13:29.160 --> 0:13:32.360
<v Speaker 4>But yeah, I was thrust into this world very luckily.

0:13:32.800 --> 0:13:34.800
<v Speaker 5>Uh you know, obviously we have the talent to back

0:13:34.840 --> 0:13:38.080
<v Speaker 5>it up, but yeah, I get to be busy in voiceover,

0:13:38.160 --> 0:13:40.760
<v Speaker 5>and there are a lot of amazing folks I've I've

0:13:41.040 --> 0:13:42.920
<v Speaker 5>put it on Instagram where I've sat there with Rob

0:13:42.960 --> 0:13:45.959
<v Speaker 5>Paulson Jess Harnell and Trest McNeil and saying this is

0:13:46.000 --> 0:13:49.200
<v Speaker 5>my Make a Wish recording because I'm I'm recording with Legends,

0:13:49.240 --> 0:13:51.680
<v Speaker 5>and now I'm the gray haired guy with Rob Paulson

0:13:51.720 --> 0:13:53.640
<v Speaker 5>and Maurice Lamars who I see at the gym, and

0:13:53.720 --> 0:13:57.480
<v Speaker 5>John Demaggio and Tara Strong and Great Delile and Carrie Walgren.

0:13:58.200 --> 0:13:59.200
<v Speaker 2>All friends of the podcast.

0:13:59.240 --> 0:14:03.480
<v Speaker 5>And here's some need to mention Steve Bloom Yeah, and

0:14:03.559 --> 0:14:04.600
<v Speaker 5>I get to see them at CON's.

0:14:04.600 --> 0:14:06.640
<v Speaker 4>I get to sit down with Sean Young and talk.

0:14:06.760 --> 0:14:09.079
<v Speaker 5>I get to sit down with Elijah Wood, who I

0:14:09.120 --> 0:14:12.160
<v Speaker 5>get to to see at Happy Feet and work with

0:14:12.280 --> 0:14:14.960
<v Speaker 5>on Happy Feet, and with Robin and with Hanka's araa

0:14:15.120 --> 0:14:18.199
<v Speaker 5>just eg Daily. There's just so many things that I

0:14:18.440 --> 0:14:20.440
<v Speaker 5>find that I'm I'm lucky. I was a guy that

0:14:20.480 --> 0:14:22.600
<v Speaker 5>played sports. I was a jock, I ran track, I

0:14:22.600 --> 0:14:27.000
<v Speaker 5>played football, I baseball, swam so I watched Carol Burnett

0:14:27.000 --> 0:14:30.000
<v Speaker 5>growing up, and now I know Jody Hamilton, her daughter

0:14:30.520 --> 0:14:32.440
<v Speaker 5>from the Bunker and also on Stephanie Miller show.

0:14:33.120 --> 0:14:34.560
<v Speaker 4>And here I am.

0:14:34.800 --> 0:14:37.400
<v Speaker 5>You know, I for a really secutest path where I

0:14:37.440 --> 0:14:41.400
<v Speaker 5>started doing stand up in college and mime and started

0:14:41.400 --> 0:14:43.760
<v Speaker 5>performing and thought, this is better than working in a

0:14:43.960 --> 0:14:48.400
<v Speaker 5>racquetball club, so let me keep trying that. Exactly here

0:14:48.480 --> 0:14:50.840
<v Speaker 5>I am and learning from people, learning from Billy West

0:14:50.920 --> 0:14:52.760
<v Speaker 5>right off the bat, you know, working on our cat Dog,

0:14:53.000 --> 0:14:56.120
<v Speaker 5>learning from Charlie Adler that first day when when Tom

0:14:56.160 --> 0:14:58.080
<v Speaker 5>and I were pretty green in the business. Tom Kenny

0:14:58.120 --> 0:15:00.680
<v Speaker 5>and I we were comics and we first session of

0:15:00.760 --> 0:15:02.560
<v Speaker 5>Roco and Charlie Eddler is sitting at a chair.

0:15:02.560 --> 0:15:08.320
<v Speaker 1>They lockout word heard on your shut up bad?

0:15:08.840 --> 0:15:12.160
<v Speaker 4>Well we got right, Roco lay bah back loud and

0:15:12.200 --> 0:15:14.680
<v Speaker 4>we're Tom and are like, oh my god, who is

0:15:14.760 --> 0:15:17.200
<v Speaker 4>this mad evil genius? We can't keep up with that?

0:15:18.000 --> 0:15:20.640
<v Speaker 5>And really, for the first year, I was like, it

0:15:20.800 --> 0:15:24.920
<v Speaker 5>really was instrumental in developing Roco's character because my own

0:15:25.040 --> 0:15:27.960
<v Speaker 5>self was young, away from home and going.

0:15:28.280 --> 0:15:29.920
<v Speaker 7>I hope you liked my recordings.

0:15:30.480 --> 0:15:31.280
<v Speaker 3>Do you like me?

0:15:32.400 --> 0:15:32.600
<v Speaker 1>Yeah?

0:15:33.000 --> 0:15:35.320
<v Speaker 4>And it really fed into who Roco was, you know.

0:15:35.640 --> 0:15:36.920
<v Speaker 4>So it works perfially.

0:15:36.960 --> 0:15:40.960
<v Speaker 1>But well, that's actually a great segue into our contest

0:15:41.080 --> 0:15:43.320
<v Speaker 1>because what we're doing is we're trying to give the

0:15:43.440 --> 0:15:46.880
<v Speaker 1>next voiceover actor their big break. So we started the

0:15:46.960 --> 0:15:49.560
<v Speaker 1>super awesome contests to become the next big voice actor. Okay,

0:15:49.800 --> 0:15:52.880
<v Speaker 1>and we ended up getting over forty five hundred entries

0:15:52.920 --> 0:15:55.280
<v Speaker 1>from across the country. We are now down to the

0:15:55.400 --> 0:15:58.520
<v Speaker 1>final Uh. Well today will help to get to our

0:15:58.560 --> 0:16:02.280
<v Speaker 1>final four. And we are doing a game that is

0:16:02.360 --> 0:16:04.680
<v Speaker 1>called Extra Extra read all about it. And our first

0:16:04.800 --> 0:16:07.920
<v Speaker 1>series of games was all about animated voices, and our

0:16:07.960 --> 0:16:09.720
<v Speaker 1>second series of games to get to the final four

0:16:09.920 --> 0:16:13.680
<v Speaker 1>is all about Adreads. And so the winner gets flown

0:16:13.680 --> 0:16:15.760
<v Speaker 1>out to Los Angeles. They get one thousand dollars, They

0:16:15.760 --> 0:16:17.280
<v Speaker 1>get to meet us, we get to hang out, they

0:16:17.360 --> 0:16:22.280
<v Speaker 1>get a training session with Mary McGlynn and our friends

0:16:22.320 --> 0:16:24.600
<v Speaker 1>over there, Sam Regal, our friends over there at critical Role.

0:16:24.880 --> 0:16:27.240
<v Speaker 1>But they also get to sign with CESD for a year.

0:16:27.440 --> 0:16:31.800
<v Speaker 1>So they win a contract to become a voiceover actor.

0:16:32.240 --> 0:16:35.160
<v Speaker 1>And the women have been killing it. There are no

0:16:35.320 --> 0:16:36.440
<v Speaker 1>men left in the contest.

0:16:36.640 --> 0:16:36.880
<v Speaker 7>Wow.

0:16:37.240 --> 0:16:38.880
<v Speaker 2>They have just been crushing it.

0:16:38.960 --> 0:16:41.760
<v Speaker 1>And we'd like to get our first contestant of the

0:16:41.840 --> 0:16:43.240
<v Speaker 1>day up And if you don't mind, what we'd like

0:16:43.320 --> 0:16:46.600
<v Speaker 1>to do is we've sent them to Adreads that they're

0:16:46.640 --> 0:16:48.920
<v Speaker 1>going to read cold. They'll read it once and then

0:16:48.960 --> 0:16:51.200
<v Speaker 1>if you have any notes, we give them some notes.

0:16:51.240 --> 0:16:53.160
<v Speaker 1>They read it again. We move on to the next contestant,

0:16:53.200 --> 0:16:56.240
<v Speaker 1>they do it, and then the third round they have

0:16:56.400 --> 0:16:58.680
<v Speaker 1>not seen the copy and they have to read it cold, okay,

0:16:58.720 --> 0:17:01.040
<v Speaker 1>and then we will decide who moves on to the

0:17:01.120 --> 0:17:01.640
<v Speaker 1>final four.

0:17:02.160 --> 0:17:02.440
<v Speaker 4>Okay.

0:17:02.680 --> 0:17:06.520
<v Speaker 1>So it's yeah, it's a wonderful and awful thing to do,

0:17:06.760 --> 0:17:08.600
<v Speaker 1>but it is a ton of fun and we're going

0:17:08.680 --> 0:17:11.040
<v Speaker 1>to make somebody's dream come true. So I think our

0:17:11.119 --> 0:17:14.399
<v Speaker 1>first guest today is Mia from Florida, and if we

0:17:14.440 --> 0:17:17.600
<v Speaker 1>could bring a Mia back, there's Mia.

0:17:17.720 --> 0:17:21.320
<v Speaker 2>Hi, Miya, how are you? Yeah, I'm good, I'm welcome back.

0:17:21.640 --> 0:17:22.000
<v Speaker 8>Thank you.

0:17:22.880 --> 0:17:25.640
<v Speaker 1>Well, we would first like to congratulate you on making

0:17:25.680 --> 0:17:28.800
<v Speaker 1>it to the round and did you have your copy?

0:17:28.920 --> 0:17:31.360
<v Speaker 2>Did that we sent out perfect?

0:17:31.440 --> 0:17:33.119
<v Speaker 1>And of course we would like to introduce you to

0:17:33.200 --> 0:17:35.720
<v Speaker 1>our guest judge today, Carlos L's Rocky.

0:17:35.880 --> 0:17:36.560
<v Speaker 4>Yes, finally.

0:17:36.640 --> 0:17:39.560
<v Speaker 1>We're so excited to have him and he is going

0:17:39.640 --> 0:17:43.680
<v Speaker 1>to be helping us today with everything we have to do.

0:17:43.800 --> 0:17:47.840
<v Speaker 1>So Mia, welcome back and we're very excited and we

0:17:47.920 --> 0:17:50.560
<v Speaker 1>will be right back with you after we meet your

0:17:50.600 --> 0:17:52.600
<v Speaker 1>fellow contestant. We'll come back and we will start with

0:17:52.760 --> 0:17:55.520
<v Speaker 1>line number one. Okay, we'll be back with you in

0:17:55.600 --> 0:17:55.960
<v Speaker 1>a second.

0:17:56.040 --> 0:17:56.200
<v Speaker 6>Miya.

0:17:56.280 --> 0:17:57.520
<v Speaker 2>Thank you all.

0:17:57.600 --> 0:17:57.719
<v Speaker 3>Right.

0:17:57.840 --> 0:18:00.840
<v Speaker 1>So now we are bringing contestant number two, Tatiana from

0:18:00.920 --> 0:18:02.240
<v Speaker 1>California is back.

0:18:02.760 --> 0:18:03.040
<v Speaker 9>Hello.

0:18:03.119 --> 0:18:06.800
<v Speaker 1>Hello, Hey, Taziana, welcome back. Thank you for having me,

0:18:07.359 --> 0:18:10.560
<v Speaker 1>thank you for being here. Congratulations on making it this far.

0:18:10.760 --> 0:18:12.280
<v Speaker 1>And we were going to be you know, seeing who

0:18:12.359 --> 0:18:14.240
<v Speaker 1>is going to be moving on to the final four.

0:18:14.280 --> 0:18:18.160
<v Speaker 1>You're the last piece this this week is the last piece.

0:18:17.960 --> 0:18:18.680
<v Speaker 2>Of the final four.

0:18:19.119 --> 0:18:21.720
<v Speaker 1>We would like to introduce Carlos Al's Rocky, who is

0:18:21.840 --> 0:18:29.119
<v Speaker 1>our guest judge. Hello, and he is going to be,

0:18:29.840 --> 0:18:32.359
<v Speaker 1>you know, given some notes and helping us determine who

0:18:32.400 --> 0:18:33.600
<v Speaker 1>is going to move on to the next round. So

0:18:33.680 --> 0:18:36.840
<v Speaker 1>did you get your copy? Yes, and you all said yes,

0:18:36.920 --> 0:18:40.480
<v Speaker 1>I am all right. I believe your your fellow contestant

0:18:40.640 --> 0:18:41.960
<v Speaker 1>was here first. And you know, we go by the

0:18:42.080 --> 0:18:44.360
<v Speaker 1>order which they came in, so we will be right

0:18:44.480 --> 0:18:46.680
<v Speaker 1>back with you and we're going to start round number

0:18:46.680 --> 0:18:48.920
<v Speaker 1>one of extra extreet read all about it.

0:18:49.160 --> 0:18:50.640
<v Speaker 2>Thank you, thank you so much.

0:18:50.960 --> 0:19:04.320
<v Speaker 1>All right, all right, here we go, everybody, and once

0:19:04.359 --> 0:19:07.520
<v Speaker 1>again to finally round out the final four.

0:19:08.119 --> 0:19:10.720
<v Speaker 2>Let's bring me a back Hey me, are you there?

0:19:11.560 --> 0:19:14.720
<v Speaker 2>I am all right. Here we go, so we won't

0:19:14.760 --> 0:19:16.360
<v Speaker 2>be in your head at all. The first time.

0:19:16.640 --> 0:19:18.760
<v Speaker 1>We won't give you any notes, we won't push you

0:19:18.880 --> 0:19:20.280
<v Speaker 1>in any way, shape or form. Why don't you just

0:19:20.320 --> 0:19:23.359
<v Speaker 1>give us one read of line number one at your

0:19:23.359 --> 0:19:24.439
<v Speaker 1>pleasure and we'll go from there.

0:19:26.359 --> 0:19:30.640
<v Speaker 10>Okay, So I have one really bad habit. I'm always late.

0:19:31.119 --> 0:19:33.399
<v Speaker 8>I've tried everything, but I still just can't seem to

0:19:33.440 --> 0:19:36.080
<v Speaker 8>make it to anything on time. Then I found on

0:19:36.400 --> 0:19:39.240
<v Speaker 8>time pieces. With on time pieces, I simply enter my

0:19:39.280 --> 0:19:41.560
<v Speaker 8>schedule into the app and strap the watch onto my wrist.

0:19:42.119 --> 0:19:45.399
<v Speaker 8>On time pieces automatically move my schedule back either fifteen,

0:19:45.520 --> 0:19:48.680
<v Speaker 8>thirty or sixty minutes, guaranteeing that I'll always be on time,

0:19:49.160 --> 0:19:51.919
<v Speaker 8>never be late for anything ever again. With on time pieces,

0:19:52.240 --> 0:19:54.320
<v Speaker 8>because if you're always the last in the room, you're

0:19:54.359 --> 0:19:55.240
<v Speaker 8>always the last to know.

0:19:57.040 --> 0:20:01.440
<v Speaker 5>Wow, that was great, Carlos any notes, I think the

0:20:02.600 --> 0:20:05.800
<v Speaker 5>first energy of the first line is less apologetic, like

0:20:06.600 --> 0:20:10.880
<v Speaker 5>instead of like, oh you know me, oh gosh, I'm

0:20:10.880 --> 0:20:14.720
<v Speaker 5>always the one that's late, but I'm trying so kind

0:20:14.760 --> 0:20:16.880
<v Speaker 5>of happy about it, instead.

0:20:16.600 --> 0:20:19.560
<v Speaker 4>Of oh gosh, I'm always late and I'm really trying

0:20:19.560 --> 0:20:21.760
<v Speaker 4>to fix it, you know. I was like, I've got

0:20:21.840 --> 0:20:23.120
<v Speaker 4>this thing that I'm trying to fix.

0:20:24.880 --> 0:20:26.040
<v Speaker 10>You know what, I am the late one.

0:20:26.080 --> 0:20:27.600
<v Speaker 4>Okay, I'm just always late.

0:20:27.760 --> 0:20:30.120
<v Speaker 5>And you know what, but I did find something that's

0:20:30.160 --> 0:20:31.720
<v Speaker 5>gonna help me and I won't be late again, so

0:20:31.920 --> 0:20:34.200
<v Speaker 5>let don't feel so guilty about it. I feel like,

0:20:34.280 --> 0:20:35.960
<v Speaker 5>you know what, I got this silly little thing that

0:20:36.000 --> 0:20:38.960
<v Speaker 5>I'm just trying to get rid of because those people

0:20:38.960 --> 0:20:40.919
<v Speaker 5>are always like that. You're like, you know, you're always late.

0:20:41.040 --> 0:20:43.560
<v Speaker 4>Yeah, I am always late. That's silly traffic.

0:20:44.480 --> 0:20:48.760
<v Speaker 2>That's great. Note christying me neither. I love what Carlo said.

0:20:48.760 --> 0:20:50.800
<v Speaker 2>I don't even want to think that was perfect.

0:20:51.200 --> 0:20:55.280
<v Speaker 1>So yeah, let's hear another another go and see what

0:20:55.400 --> 0:20:57.399
<v Speaker 1>you do with it, so at your pleasure, gotcha?

0:20:59.240 --> 0:21:02.800
<v Speaker 10>Okay, So I have one really bad habit. I'm always late.

0:21:03.320 --> 0:21:05.480
<v Speaker 11>I've tried everything, but I still just can't seem to

0:21:05.520 --> 0:21:06.520
<v Speaker 11>make it to anything on time.

0:21:07.040 --> 0:21:08.879
<v Speaker 10>Then I found on time pieces.

0:21:09.200 --> 0:21:11.560
<v Speaker 8>With on time pieces, I simply enter my schedule into

0:21:11.600 --> 0:21:13.680
<v Speaker 8>the app and wrap the watch onto my wrist. On

0:21:13.880 --> 0:21:17.000
<v Speaker 8>time pieces automatically moves my schedule back either fifteen thirty

0:21:17.080 --> 0:21:19.760
<v Speaker 8>or sixty minutes, guaranteeing that I'll always be on time,

0:21:20.240 --> 0:21:22.560
<v Speaker 8>never be late for anything ever again. With on time pieces,

0:21:22.840 --> 0:21:24.440
<v Speaker 8>Because if you're always the last in the room.

0:21:24.560 --> 0:21:25.600
<v Speaker 10>You're always the last to know.

0:21:27.000 --> 0:21:28.040
<v Speaker 1>Yeah, that was great.

0:21:28.240 --> 0:21:30.480
<v Speaker 2>We will be right back with you. Thank you so much,

0:21:30.840 --> 0:21:31.159
<v Speaker 2>Thank you.

0:21:32.720 --> 0:21:32.920
<v Speaker 7>Back.

0:21:33.000 --> 0:21:34.160
<v Speaker 2>There's a good took the note.

0:21:34.720 --> 0:21:35.280
<v Speaker 4>Took the note.

0:21:35.320 --> 0:21:38.200
<v Speaker 5>Well, yeah, I might have said that if I gave

0:21:38.240 --> 0:21:40.320
<v Speaker 5>a second read, it was like punch this, punch that

0:21:40.560 --> 0:21:41.160
<v Speaker 5>a little bit.

0:21:41.200 --> 0:21:42.920
<v Speaker 1>And slow it down a little bit, maybe, but no,

0:21:43.040 --> 0:21:45.080
<v Speaker 1>I thought we like to see if they can take

0:21:45.119 --> 0:21:46.280
<v Speaker 1>the direction that they're given.

0:21:46.680 --> 0:21:50.160
<v Speaker 4>Yeah, which is great, adjusted and went more positive about it. Yeah.

0:21:50.320 --> 0:21:50.879
<v Speaker 2>I like that too.

0:21:50.960 --> 0:21:52.919
<v Speaker 1>Yeah. So what we've said, what we've always said, Carlos,

0:21:52.960 --> 0:21:54.400
<v Speaker 1>just so you know, is we've always said we're looking

0:21:54.440 --> 0:21:56.760
<v Speaker 1>for somebody that the day they win, could step into

0:21:56.800 --> 0:21:59.680
<v Speaker 1>the booth. Yes, so that's that's the plan. And let's

0:21:59.680 --> 0:22:02.880
<v Speaker 1>see if Tatiana is that person. So we'll bring Tatiana

0:22:02.920 --> 0:22:06.720
<v Speaker 1>from California back in. Hey, Tatiana, how are you good?

0:22:06.840 --> 0:22:07.119
<v Speaker 8>How are you?

0:22:07.359 --> 0:22:08.000
<v Speaker 2>I'm good? Thanks.

0:22:08.080 --> 0:22:09.760
<v Speaker 1>Okay, So we are not going to be in your

0:22:09.800 --> 0:22:11.040
<v Speaker 1>head at all. We're just going to see what you

0:22:11.119 --> 0:22:13.159
<v Speaker 1>do with line number one at your pleasure.

0:22:15.680 --> 0:22:15.960
<v Speaker 2>Okay.

0:22:16.200 --> 0:22:20.840
<v Speaker 9>So I have one really bad habit. I'm always late.

0:22:20.920 --> 0:22:23.119
<v Speaker 9>I've tried everything, but I still just can't seem to

0:22:23.160 --> 0:22:26.560
<v Speaker 9>make it to anything on time. Then I found on

0:22:26.680 --> 0:22:29.520
<v Speaker 9>time pieces. With on time pieces, I simply enter my

0:22:29.600 --> 0:22:31.960
<v Speaker 9>schedule into the app and strap the watch onto my wrist.

0:22:32.440 --> 0:22:35.800
<v Speaker 9>On time pieces automatically moves my schedule back either fifteen

0:22:35.960 --> 0:22:39.400
<v Speaker 9>thirty or sixty minutes, guaranteeing that I'll always be on time,

0:22:39.920 --> 0:22:43.119
<v Speaker 9>never be late for anything ever again with on time pieces,

0:22:43.440 --> 0:22:45.440
<v Speaker 9>because if you're always the last in the room, you're

0:22:45.480 --> 0:22:46.520
<v Speaker 9>always the last.

0:22:46.320 --> 0:22:50.200
<v Speaker 5>To know, Okay, Carlos, and you know if you're it, Chris,

0:22:50.520 --> 0:22:55.359
<v Speaker 5>And again I think I like, don't be so again

0:22:55.520 --> 0:22:57.959
<v Speaker 5>on the energy on the top. Don't be so apologetic

0:22:58.040 --> 0:23:01.119
<v Speaker 5>about it just goes almost that energy where you're like,

0:23:02.440 --> 0:23:03.480
<v Speaker 5>can I confess.

0:23:03.200 --> 0:23:03.840
<v Speaker 4>Something you guys?

0:23:04.880 --> 0:23:06.719
<v Speaker 5>I eat a lot of chocolate when I'm not supposed

0:23:06.720 --> 0:23:09.440
<v Speaker 5>to eat chocolate. That kind of energy, because that's not

0:23:09.560 --> 0:23:11.560
<v Speaker 5>so bad, you know what I mean? Can I just

0:23:12.400 --> 0:23:14.600
<v Speaker 5>I eat a lot of chocolate in it? But I

0:23:14.720 --> 0:23:16.840
<v Speaker 5>found something that is going to help me. You won't

0:23:16.840 --> 0:23:19.760
<v Speaker 5>believe it. I can either do this, this, this, and

0:23:19.920 --> 0:23:25.840
<v Speaker 5>it helps. It's it's really cool. So tell it to

0:23:25.960 --> 0:23:29.560
<v Speaker 5>me like you're you're telling a friend who's always late

0:23:29.640 --> 0:23:32.119
<v Speaker 5>with you. So now you're not so embarrassed because you

0:23:32.119 --> 0:23:33.520
<v Speaker 5>know that friend's always.

0:23:33.280 --> 0:23:35.240
<v Speaker 4>Like you know me, you and I were always late.

0:23:36.000 --> 0:23:39.119
<v Speaker 4>But guess what I found something it's gonna help us.

0:23:39.960 --> 0:23:43.600
<v Speaker 3>So that kind of energy, Okay, Christy, Yeah, I think

0:23:43.680 --> 0:23:46.800
<v Speaker 3>that the energy is right with Carlos saying, you know,

0:23:46.920 --> 0:23:49.720
<v Speaker 3>it's it's confiding in a friend. But I also think

0:23:49.760 --> 0:23:52.240
<v Speaker 3>that you can give it a little bit more personality.

0:23:53.119 --> 0:23:56.320
<v Speaker 3>I'm losing the unice that brought you this far in

0:23:56.400 --> 0:23:59.359
<v Speaker 3>the competition, and we want to see a little bit

0:23:59.480 --> 0:24:04.280
<v Speaker 3>more of that personality brought to it. So don't worry.

0:24:04.600 --> 0:24:07.560
<v Speaker 3>I feel like there was definitely I don't know will

0:24:07.640 --> 0:24:09.720
<v Speaker 3>if you feel or even Carlos if you guys feel

0:24:09.720 --> 0:24:10.600
<v Speaker 3>like the piecing.

0:24:10.320 --> 0:24:11.000
<v Speaker 1>Of that was good.

0:24:12.640 --> 0:24:15.280
<v Speaker 3>It's also it was good because it's it's it's ad

0:24:15.400 --> 0:24:18.200
<v Speaker 3>read so it needs to move. But also I think

0:24:18.320 --> 0:24:19.800
<v Speaker 3>like I don't want it to be nervous. I don't

0:24:19.800 --> 0:24:22.080
<v Speaker 3>want her personality to feel like it's competing with the

0:24:22.640 --> 0:24:24.600
<v Speaker 3>flow of it. What do you think, guys, It's weird.

0:24:24.640 --> 0:24:27.960
<v Speaker 5>This might seem like an opposite oxymoronic direction, but it's

0:24:27.960 --> 0:24:30.880
<v Speaker 5>almost like you're telling a friend as a train is coming,

0:24:31.480 --> 0:24:33.479
<v Speaker 5>so you have to hurry, but you want to make

0:24:33.560 --> 0:24:36.879
<v Speaker 5>sure it's a it's all explained. Okay, my train is

0:24:36.920 --> 0:24:38.320
<v Speaker 5>coming and I'm always late like you are.

0:24:38.520 --> 0:24:41.080
<v Speaker 4>But guess what. Okay, So I found this thing that

0:24:41.240 --> 0:24:43.520
<v Speaker 4>does this and it's this, and it's that and it's

0:24:43.560 --> 0:24:46.159
<v Speaker 4>this and it's really great. Okay, I love you. I

0:24:46.200 --> 0:24:47.280
<v Speaker 4>gotta go. The train's coming.

0:24:47.720 --> 0:24:48.159
<v Speaker 3>I love that.

0:24:48.280 --> 0:24:49.720
<v Speaker 1>Yeah. I agree with Betty.

0:24:49.720 --> 0:24:51.879
<v Speaker 5>You're on the train, it's coming. You do want to

0:24:51.920 --> 0:24:54.200
<v Speaker 5>hurry a little bit, but make sure that it's clear

0:24:54.640 --> 0:24:56.560
<v Speaker 5>before I get on the train. It's almost like because

0:24:56.560 --> 0:24:57.879
<v Speaker 5>I need to meet you at the next stop.

0:24:58.440 --> 0:25:01.240
<v Speaker 1>Yeah, there's a weird old saying slow is smooth, and

0:25:01.320 --> 0:25:05.160
<v Speaker 1>smooth as fast. So what I would say is, maybe

0:25:05.720 --> 0:25:07.360
<v Speaker 1>smooth it out a little bit, and if you could

0:25:07.440 --> 0:25:10.440
<v Speaker 1>bracket the name of the product, which is something that

0:25:10.480 --> 0:25:13.200
<v Speaker 1>they're gonna you know, you'd hear in a booth be like, hey,

0:25:13.240 --> 0:25:15.200
<v Speaker 1>that was great. Can you just hit on time pieces

0:25:15.240 --> 0:25:17.280
<v Speaker 1>a little harder? But other than that, I think you

0:25:17.359 --> 0:25:19.000
<v Speaker 1>know where you're going now, so let's let's hear a

0:25:19.080 --> 0:25:20.639
<v Speaker 1>take to and see where you go.

0:25:20.800 --> 0:25:22.639
<v Speaker 2>Okay, So tell it to you're on.

0:25:22.800 --> 0:25:23.600
<v Speaker 4>Tell it to a friend.

0:25:24.200 --> 0:25:25.640
<v Speaker 1>It's a great Now you're not too embarrassed.

0:25:25.640 --> 0:25:26.800
<v Speaker 4>About it like, yeah, I'm late.

0:25:26.680 --> 0:25:29.200
<v Speaker 1>But go for it, okay, at your pleasure.

0:25:30.880 --> 0:25:34.720
<v Speaker 9>Okay, So I have one really bad helbit. I'm always late.

0:25:35.040 --> 0:25:37.399
<v Speaker 9>I've tried everything, but I still just can't see what

0:25:37.480 --> 0:25:40.480
<v Speaker 9>to make it to anything on time. Then I found

0:25:40.560 --> 0:25:43.359
<v Speaker 9>on time pieces. With on time pieces, I simply enter

0:25:43.440 --> 0:25:45.800
<v Speaker 9>my schedule into the app and strap the watch onto

0:25:45.880 --> 0:25:49.360
<v Speaker 9>my wrist. On time pieces automatically move my schedule back

0:25:49.440 --> 0:25:53.119
<v Speaker 9>either fifteen, thirty or sixty minutes, guaranteeing that'll always be

0:25:53.200 --> 0:25:55.879
<v Speaker 9>on time. Never be late for anything ever again with

0:25:56.040 --> 0:25:58.440
<v Speaker 9>on time pieces, because if you're always the last in

0:25:58.480 --> 0:25:59.840
<v Speaker 9>the room, you're always the last.

0:26:00.160 --> 0:26:03.120
<v Speaker 4>No, that's great. It was a good adjustment.

0:26:03.240 --> 0:26:05.399
<v Speaker 2>Yeah, we'll be right back with you. Thank you so much.

0:26:05.520 --> 0:26:05.800
<v Speaker 4>Thank you.

0:26:08.520 --> 0:26:12.480
<v Speaker 1>This is it's tough, right, it's she adjusted very well.

0:26:13.440 --> 0:26:16.359
<v Speaker 1>I thought Mia had actually the smoother read for first

0:26:16.440 --> 0:26:22.200
<v Speaker 1>round a little bit, but I thought Tatiana took the

0:26:22.200 --> 0:26:24.760
<v Speaker 1>direction really well. I don't think anybody outwardly won that

0:26:24.880 --> 0:26:25.400
<v Speaker 1>first round.

0:26:26.040 --> 0:26:29.480
<v Speaker 5>So for me, what I hear for if I'm a director, Yeah,

0:26:29.520 --> 0:26:31.600
<v Speaker 5>I'm picking because this happens to me, right, m hmm,

0:26:32.160 --> 0:26:36.800
<v Speaker 5>We're all good. I think Tatiana's voice is so wonderful

0:26:36.960 --> 0:26:42.119
<v Speaker 5>and for another product. Yeah, Mia sounds like she's that

0:26:42.240 --> 0:26:44.800
<v Speaker 5>person that's late all the time, right, she's got it.

0:26:44.880 --> 0:26:48.800
<v Speaker 5>There's a quirkiness in her. Tatiana is smooth and professional.

0:26:49.560 --> 0:26:51.960
<v Speaker 5>Mia is the real person who's always late.

0:26:52.800 --> 0:26:53.040
<v Speaker 6>To me.

0:26:53.520 --> 0:26:56.639
<v Speaker 1>No, that's that's great, and that's again casting, that's what.

0:26:56.720 --> 0:26:57.040
<v Speaker 4>You look for.

0:26:58.320 --> 0:27:00.920
<v Speaker 3>We went another way, right, it's they went that way

0:27:01.240 --> 0:27:02.040
<v Speaker 3>versus this way.

0:27:02.040 --> 0:27:03.679
<v Speaker 2>All right, So maybe it'll be line too.

0:27:03.800 --> 0:27:06.240
<v Speaker 1>That'll that'll you know, because you're right, it's that was

0:27:06.280 --> 0:27:07.760
<v Speaker 1>one of the problems we were having in round one

0:27:07.880 --> 0:27:09.639
<v Speaker 1>is sometimes because we would we would, We did a

0:27:09.680 --> 0:27:11.760
<v Speaker 1>game where you had to randomly buy the numbers just

0:27:11.880 --> 0:27:15.359
<v Speaker 1>pick your character, and so sometimes you didn't pick the

0:27:15.359 --> 0:27:18.200
<v Speaker 1>perfect character for yourself. So let's see if line two

0:27:18.359 --> 0:27:23.120
<v Speaker 1>will will distinguish. So let's let's this time start with Tatiana.

0:27:23.200 --> 0:27:25.439
<v Speaker 1>So we're keeping everything fair. We'll bring Tatiana right back.

0:27:25.280 --> 0:27:28.959
<v Speaker 2>In okay, and we'll go from there. Hey, Tatiana, how

0:27:29.000 --> 0:27:31.000
<v Speaker 2>are you good? How are you all right?

0:27:31.119 --> 0:27:34.400
<v Speaker 1>So we're gonna move on to line too, and again

0:27:34.840 --> 0:27:36.560
<v Speaker 1>just the first round, just read it cold and see

0:27:36.600 --> 0:27:37.000
<v Speaker 1>what you got.

0:27:37.080 --> 0:27:38.280
<v Speaker 2>So line too at your pleasure.

0:27:39.440 --> 0:27:43.359
<v Speaker 9>Chicken Ham Cheddar repeat, chicken Hey, I'm Cheddar. Repeat, chicken Hey,

0:27:43.359 --> 0:27:46.639
<v Speaker 9>I'm cheddar repeat the new triple spank sandwich from Sandy

0:27:46.760 --> 0:27:51.640
<v Speaker 9>Sandwich and Porium, chicken Ham Cheddar repeat. It's simply mesmerizing.

0:27:54.280 --> 0:27:59.000
<v Speaker 4>That's a tough copy, right, blame will he wrote it?

0:28:00.040 --> 0:28:00.280
<v Speaker 6>Thank you?

0:28:02.119 --> 0:28:04.080
<v Speaker 2>So would you? What would the direction you would?

0:28:04.080 --> 0:28:09.000
<v Speaker 5>You would give Carlos So hide what it is as

0:28:09.080 --> 0:28:12.800
<v Speaker 5>long as possible, So like chicken ham Chedda repeat, chicken

0:28:12.960 --> 0:28:16.159
<v Speaker 5>ham Chatta repeat, chicken Ham Chedada repeat, and like we're going,

0:28:16.200 --> 0:28:17.880
<v Speaker 5>what the heck, what the heck are you talking about?

0:28:18.359 --> 0:28:21.320
<v Speaker 5>The new chicken toel it trimp so and tow so

0:28:21.680 --> 0:28:25.320
<v Speaker 5>make that first part. You're so passionate and again it

0:28:25.640 --> 0:28:28.879
<v Speaker 5>you're with a friend and you've just brought this thing

0:28:28.960 --> 0:28:33.399
<v Speaker 5>out onto the counter and you're going gooey cheese, maple

0:28:33.520 --> 0:28:36.359
<v Speaker 5>syrup and butter gooey cheese maple syrup.

0:28:36.400 --> 0:28:37.240
<v Speaker 4>And they're like, what is it?

0:28:37.320 --> 0:28:37.680
<v Speaker 8>What is it?

0:28:37.760 --> 0:28:40.200
<v Speaker 5>What are you talking about? I'm talking about the new

0:28:40.240 --> 0:28:43.400
<v Speaker 5>guey cheese maple butter syrup now only now you can

0:28:43.480 --> 0:28:47.920
<v Speaker 5>get it now, So show that passion. You've just brought

0:28:47.920 --> 0:28:51.120
<v Speaker 5>it out, you're looking at it, describing it to a

0:28:51.200 --> 0:28:53.320
<v Speaker 5>friend who has no idea what you're talking about. So

0:28:53.400 --> 0:28:55.239
<v Speaker 5>then you have to make that turn and go, oh,

0:28:55.320 --> 0:28:57.000
<v Speaker 5>I see the look in your face. This is the

0:28:57.080 --> 0:29:01.560
<v Speaker 5>new thing that you can get here, that kind of energy.

0:29:02.000 --> 0:29:07.000
<v Speaker 3>Okay, I agree. I think that when we can show movement.

0:29:07.280 --> 0:29:09.800
<v Speaker 3>So if you're starting small and you're growing, like what

0:29:10.600 --> 0:29:14.000
<v Speaker 3>Chris was saying, it really does. It's very dramatic. So

0:29:14.120 --> 0:29:15.560
<v Speaker 3>you want to show the movement.

0:29:15.880 --> 0:29:16.200
<v Speaker 1>All right.

0:29:16.240 --> 0:29:18.920
<v Speaker 2>Well, I don't want to give you any notes.

0:29:18.960 --> 0:29:21.960
<v Speaker 1>Frankly, it's so funny because I write all the copy

0:29:22.240 --> 0:29:24.640
<v Speaker 1>and that's not at all how I wrote it or

0:29:24.680 --> 0:29:26.840
<v Speaker 1>how I heard it in my head. And I like that.

0:29:27.800 --> 0:29:30.400
<v Speaker 2>I like that it was not I was not expecting

0:29:30.600 --> 0:29:31.280
<v Speaker 2>sing songy.

0:29:31.680 --> 0:29:34.600
<v Speaker 1>I was not expecting almost like a melodic read to it,

0:29:35.040 --> 0:29:38.120
<v Speaker 1>and it, you know, as the person who wrote the copy,

0:29:38.280 --> 0:29:39.120
<v Speaker 1>it excited me.

0:29:39.200 --> 0:29:40.840
<v Speaker 2>It surprised me. So that's a good thing.

0:29:41.160 --> 0:29:42.640
<v Speaker 1>So I just want to see what you'll do with

0:29:42.800 --> 0:29:45.560
<v Speaker 1>with Carlos notes now, to see how you would read

0:29:45.560 --> 0:29:48.400
<v Speaker 1>it again, because that I wasn't expecting that at all. Okay,

0:29:49.080 --> 0:29:51.200
<v Speaker 1>So let's see what you do. Go ahead, line number

0:29:51.240 --> 0:29:52.520
<v Speaker 1>two again, at your pleasure.

0:29:53.800 --> 0:29:58.440
<v Speaker 9>Chicken ham chatter repeat chicken ham chatter repeat, chicken Ham

0:29:58.760 --> 0:30:02.840
<v Speaker 9>chatter repeat the new Triple Spank sandwich from Sandy Sandwich Emporium.

0:30:03.240 --> 0:30:07.800
<v Speaker 9>Chicken ham cheddar repeat. It's simply mesmerizing.

0:30:08.720 --> 0:30:09.360
<v Speaker 1>Great energy.

0:30:09.400 --> 0:30:11.280
<v Speaker 2>Thank you so much. We'll be right back, thank you.

0:30:12.480 --> 0:30:13.680
<v Speaker 4>Yes, so great.

0:30:13.760 --> 0:30:15.400
<v Speaker 2>Yeah, because I wrote it. When I wrote it in

0:30:15.480 --> 0:30:16.400
<v Speaker 2>my head, I wrote it as.

0:30:16.680 --> 0:30:21.400
<v Speaker 1>Chicken ham cheddar repeat, chicken ham chatman, it wrote it. Yeah,

0:30:22.000 --> 0:30:25.200
<v Speaker 1>it's simply because then it just ends with it's simply mesmerizing,

0:30:25.360 --> 0:30:27.360
<v Speaker 1>like it's like that, don't bother me, I'm eating it

0:30:27.400 --> 0:30:28.440
<v Speaker 1>is how I wrote it in my head.

0:30:29.200 --> 0:30:32.400
<v Speaker 2>So to hear it completely different was great. I just

0:30:32.520 --> 0:30:33.240
<v Speaker 2>wasn't expecting it.

0:30:33.680 --> 0:30:36.800
<v Speaker 5>Yeah, I mean you could be happily mesmerized, right, Yeah, yeah,

0:30:37.080 --> 0:30:38.880
<v Speaker 5>I could be often in terms of the way the

0:30:39.400 --> 0:30:42.360
<v Speaker 5>client wrote it. But yeah, I like when somebody's invested

0:30:42.400 --> 0:30:44.080
<v Speaker 5>in it. It's not to say that you couldn't be

0:30:44.120 --> 0:30:47.240
<v Speaker 5>an invested it in the more subtle way. Oh I

0:30:47.280 --> 0:30:51.960
<v Speaker 5>loved what she did, but yeah, I just just sort

0:30:52.000 --> 0:30:54.240
<v Speaker 5>of rushed over the turn to introduce me to what

0:30:54.360 --> 0:30:56.400
<v Speaker 5>it is. Yes, but good adjustment.

0:30:56.440 --> 0:30:58.720
<v Speaker 3>Okay, well, yes, very good adjustment I agree to.

0:30:59.040 --> 0:31:01.480
<v Speaker 2>And let's see, let's tough.

0:31:02.080 --> 0:31:05.360
<v Speaker 1>I know. Let's bring Mia back and see what Mia

0:31:05.440 --> 0:31:06.960
<v Speaker 1>does with line number two. This is going to be

0:31:07.000 --> 0:31:09.840
<v Speaker 1>a tough week. They're all getting tougher because everyone's getting better.

0:31:09.960 --> 0:31:13.440
<v Speaker 1>But that's just what we got to deal with. Hima, Hi,

0:31:14.120 --> 0:31:14.720
<v Speaker 1>how are you?

0:31:16.800 --> 0:31:17.040
<v Speaker 5>I think?

0:31:17.160 --> 0:31:19.760
<v Speaker 1>I love your entrance every time, just popping in the

0:31:19.840 --> 0:31:22.600
<v Speaker 1>frame right here, So I'm like, I love it, I

0:31:22.720 --> 0:31:26.080
<v Speaker 1>love it. Let's we again. We won't get in your head.

0:31:26.120 --> 0:31:27.200
<v Speaker 1>We just want to see what you're going to do

0:31:27.280 --> 0:31:30.680
<v Speaker 1>with line number two. So line number two at your pleasure.

0:31:31.040 --> 0:31:31.360
<v Speaker 12>Thank you.

0:31:33.640 --> 0:31:44.200
<v Speaker 6>Chicken Ham Cheddar repeats chicken Ham Cheddar repeats chicken Ham Cheddar.

0:31:44.320 --> 0:31:48.480
<v Speaker 10>Repeats the new Chiples Bank sandwich from Sandy Sandwich Emporium.

0:31:49.160 --> 0:31:54.360
<v Speaker 11>Chicken Ham Cheddar repeats it's simply mesmerizing.

0:31:55.480 --> 0:31:56.760
<v Speaker 2>Thank you very much. Carlos.

0:31:57.120 --> 0:32:00.120
<v Speaker 5>Yeah, that was a very good, smooth, professional read. But

0:32:00.240 --> 0:32:01.880
<v Speaker 5>in your first read you had a lot of your

0:32:01.920 --> 0:32:07.040
<v Speaker 5>own personality. Again, so my direction is you've just pulled

0:32:07.080 --> 0:32:09.760
<v Speaker 5>something out of the oven that you made, and you've

0:32:09.800 --> 0:32:13.800
<v Speaker 5>added three of your favorite ingredients marshmallows, jelly and pudding.

0:32:14.640 --> 0:32:19.440
<v Speaker 4>Oh, marshmallows, jello and pudding, marsh mellow, jellos and putting

0:32:19.560 --> 0:32:24.200
<v Speaker 4>marsh Mellow Jettos and putting the new Marsh Mellow Jello

0:32:24.320 --> 0:32:27.000
<v Speaker 4>Pooh from the emporium and you can get it here.

0:32:27.600 --> 0:32:31.320
<v Speaker 4>It is so mesmerizing. I love it.

0:32:31.520 --> 0:32:34.280
<v Speaker 5>You're holding it and going, I made the it's your

0:32:34.320 --> 0:32:38.160
<v Speaker 5>Frankenstein's Monster. You just made your I gave it life.

0:32:38.960 --> 0:32:39.880
<v Speaker 5>You can get this there.

0:32:40.720 --> 0:32:42.760
<v Speaker 4>It's so mesmerizing. Look at it.

0:32:44.200 --> 0:32:46.000
<v Speaker 2>Yes, Christine to.

0:32:46.280 --> 0:32:49.680
<v Speaker 3>That, I mean, if that's if that is loud and clear,

0:32:50.200 --> 0:32:54.520
<v Speaker 3>I one hundred percent back that. That intensity, that belief,

0:32:54.680 --> 0:32:58.120
<v Speaker 3>that that that Carlos has is it's what takes your

0:32:58.200 --> 0:33:01.880
<v Speaker 3>professional read and makes it it bookable, you know what

0:33:01.920 --> 0:33:02.200
<v Speaker 3>I mean?

0:33:02.400 --> 0:33:06.960
<v Speaker 1>Like, yeah, yeah, I agree this. Yeah, I love that.

0:33:07.320 --> 0:33:08.840
<v Speaker 2>You can't. I love that direction.

0:33:08.880 --> 0:33:11.080
<v Speaker 1>It's the best direction I think i've heard. So go,

0:33:11.280 --> 0:33:16.920
<v Speaker 1>please just do everything Carlos just said. So yeah, put yourself.

0:33:16.960 --> 0:33:19.280
<v Speaker 1>But see that bubbly personality right there, the laughing, the

0:33:19.280 --> 0:33:21.040
<v Speaker 1>big smile. Put some of that in there and see

0:33:21.080 --> 0:33:22.760
<v Speaker 1>what happens. You just made this.

0:33:24.040 --> 0:33:25.320
<v Speaker 4>Just this is amazing.

0:33:26.560 --> 0:33:30.040
<v Speaker 2>Okay, all right ready, so line number two after your pleasure.

0:33:29.920 --> 0:33:30.200
<v Speaker 8>Thank you.

0:33:31.840 --> 0:33:40.840
<v Speaker 12>Chicken Ham Cheddar repeat, chicken Ham Cheddar repeat, chicken Ham

0:33:41.440 --> 0:33:42.680
<v Speaker 12>Cheddar repeat.

0:33:43.440 --> 0:33:47.400
<v Speaker 11>The new triple spank sandwich from Sandy Sandwich Emporium.

0:33:47.600 --> 0:33:53.920
<v Speaker 10>Chicken ham and Cheddar repeats. It's simply mesmerizing.

0:33:55.120 --> 0:33:59.480
<v Speaker 2>That we will be right back with you for the

0:34:00.080 --> 0:34:04.480
<v Speaker 2>cold read. Oh that'll be fun. Here we go, okay, yeah,

0:34:04.800 --> 0:34:08.280
<v Speaker 2>oh man, this is gonna be tough. She did great direction.

0:34:08.480 --> 0:34:14.560
<v Speaker 2>She took it too, Yes she did. You don't disagree.

0:34:15.120 --> 0:34:21.040
<v Speaker 5>It's she can really infuse her own personality into it. Yeah,

0:34:21.520 --> 0:34:23.080
<v Speaker 5>it's what I learned on every read too. There's some

0:34:23.160 --> 0:34:25.200
<v Speaker 5>reason why I went that audition was no good. I

0:34:25.280 --> 0:34:28.840
<v Speaker 5>didn't I didn't put myself into it. It happens to

0:34:28.920 --> 0:34:32.480
<v Speaker 5>us all. Yeah, so you'll you'll hear a director say something.

0:34:32.520 --> 0:34:35.560
<v Speaker 4>I go, I hear you. I know what you're talking about.

0:34:35.760 --> 0:34:37.160
<v Speaker 4>I simply can't repeat it.

0:34:37.480 --> 0:34:38.200
<v Speaker 9>Yeah you know.

0:34:38.920 --> 0:34:41.839
<v Speaker 1>So yeah that's Carlos. Could you be a favor, Yeah,

0:34:42.160 --> 0:34:46.640
<v Speaker 1>say left or right? Left? Okay? Left? All right? So

0:34:46.880 --> 0:34:51.200
<v Speaker 1>left is Tatiana is going to go first for round

0:34:51.400 --> 0:34:53.279
<v Speaker 1>number three. So if we can bring Tatiana back, and

0:34:53.320 --> 0:34:54.760
<v Speaker 1>we like to we like to make it random.

0:34:56.120 --> 0:34:56.600
<v Speaker 2>Here we go.

0:34:56.840 --> 0:35:01.440
<v Speaker 1>Okay, Tatiana, welcome back. Okay, and if you see in

0:35:01.680 --> 0:35:04.480
<v Speaker 1>your you should see your new cold copy. That is

0:35:04.560 --> 0:35:05.480
<v Speaker 1>there in your.

0:35:07.239 --> 0:35:08.680
<v Speaker 2>Discussion there, what is it your chat?

0:35:09.160 --> 0:35:13.680
<v Speaker 1>Okay? Oh my goodness, all right you ready? Yes, I

0:35:13.800 --> 0:35:16.840
<v Speaker 1>am okay, so line number three at your pleasure.

0:35:17.280 --> 0:35:20.520
<v Speaker 9>Hi, Harry, Hi, I'm here. As you can probably tell,

0:35:20.800 --> 0:35:23.640
<v Speaker 9>I'm a hot dog. That's why I was a little

0:35:23.640 --> 0:35:25.960
<v Speaker 9>surprised when I was asked to be the new spokesperson

0:35:26.200 --> 0:35:29.000
<v Speaker 9>for North South Bank, because again I'm a hot dog.

0:35:29.480 --> 0:35:32.160
<v Speaker 9>But as a professional mascot, we take the jobs when

0:35:32.200 --> 0:35:34.120
<v Speaker 9>we can get them. So come down and do your

0:35:34.200 --> 0:35:36.240
<v Speaker 9>banking with the friendliest staff in the business.

0:35:36.480 --> 0:35:37.359
<v Speaker 1>We're easy to find.

0:35:37.480 --> 0:35:39.319
<v Speaker 9>It'll be the only bank with a hot dog as

0:35:39.320 --> 0:35:42.359
<v Speaker 9>a mascot, North South Bank. Just tell them the hot

0:35:42.400 --> 0:35:43.000
<v Speaker 9>Dog sent ya.

0:35:45.160 --> 0:35:48.600
<v Speaker 4>That's great. I love the character choice so bold.

0:35:50.360 --> 0:35:52.000
<v Speaker 2>So Carlos, what notes would you give?

0:35:52.239 --> 0:35:54.920
<v Speaker 5>My direction is like Harry is just walking down the

0:35:54.960 --> 0:35:57.319
<v Speaker 5>street and some guy says, we need you to make

0:35:57.360 --> 0:36:01.560
<v Speaker 5>a commercial. It's like, oh, okay, Hi, I'm Harry to

0:36:01.640 --> 0:36:04.759
<v Speaker 5>hot dog and uh yeah, I know I'm in a bank,

0:36:04.840 --> 0:36:07.360
<v Speaker 5>but uh I'm the bank spokesperson, you know.

0:36:07.520 --> 0:36:10.680
<v Speaker 4>I So come on down. We're located. I think I

0:36:10.800 --> 0:36:12.240
<v Speaker 4>kind of like this promotion stuff.

0:36:12.840 --> 0:36:14.680
<v Speaker 1>So just a guy that you know what I mean?

0:36:14.680 --> 0:36:17.600
<v Speaker 4>A little bit of that energy. We're like, oh yeah,

0:36:17.600 --> 0:36:19.040
<v Speaker 4>I could do this. This is fun.

0:36:19.640 --> 0:36:22.000
<v Speaker 5>I don't usually do this because I'm a hot dog,

0:36:22.200 --> 0:36:25.160
<v Speaker 5>but all right, I'll still advertise for the bank.

0:36:25.200 --> 0:36:25.800
<v Speaker 6>I guess.

0:36:28.239 --> 0:36:30.440
<v Speaker 4>Be that guy that like I like that, Harry.

0:36:30.680 --> 0:36:32.920
<v Speaker 5>I really like this guy, so you could take your

0:36:32.960 --> 0:36:36.200
<v Speaker 5>time a little bit, all right, Christy. They just pulled

0:36:36.239 --> 0:36:38.319
<v Speaker 5>me off the street and I am. My name's Harry

0:36:38.360 --> 0:36:39.960
<v Speaker 5>and I'm a hot dog. So I guess I'm gonna

0:36:40.000 --> 0:36:42.080
<v Speaker 5>go with high. I'm I'm Harry to hot dog.

0:36:43.440 --> 0:36:43.920
<v Speaker 2>I love it.

0:36:44.000 --> 0:36:46.120
<v Speaker 1>I can't just do that.

0:36:48.640 --> 0:36:49.160
<v Speaker 9>Sounds good?

0:36:49.440 --> 0:36:51.719
<v Speaker 1>Yeah, no, I agree. I love that you're in your

0:36:52.120 --> 0:36:53.480
<v Speaker 1>The thing that I really liked the best is your

0:36:53.520 --> 0:36:56.719
<v Speaker 1>initial instinct was automatically making a character. You know.

0:36:57.040 --> 0:36:57.799
<v Speaker 2>That was That's great.

0:36:57.840 --> 0:36:59.200
<v Speaker 1>Some people would have just come in and just ran,

0:36:59.320 --> 0:37:00.560
<v Speaker 1>but you did it a character.

0:37:00.600 --> 0:37:01.400
<v Speaker 2>I love that for you.

0:37:01.800 --> 0:37:03.960
<v Speaker 1>I would, yeah, exactly what Carl said, lean into it,

0:37:04.080 --> 0:37:06.399
<v Speaker 1>make it a little a little crazier and uh yeah,

0:37:06.440 --> 0:37:07.359
<v Speaker 1>you're surprised you're hot.

0:37:08.040 --> 0:37:08.560
<v Speaker 2>This is great.

0:37:08.680 --> 0:37:11.279
<v Speaker 4>You know, I was taking a job, so walking down

0:37:11.320 --> 0:37:12.680
<v Speaker 4>the street and they pulled me in for an head

0:37:14.200 --> 0:37:14.880
<v Speaker 4>line number three.

0:37:14.960 --> 0:37:15.560
<v Speaker 2>Give it a shot.

0:37:16.880 --> 0:37:19.759
<v Speaker 9>Hi, I'm here as you can probably tell I'm a

0:37:19.840 --> 0:37:22.239
<v Speaker 9>hot dog. That's why I was a little surprised when

0:37:22.239 --> 0:37:24.319
<v Speaker 9>I was asked to be the new spokesperson for North

0:37:24.360 --> 0:37:27.719
<v Speaker 9>South Bank, because again I'm a hot dog. But as

0:37:27.719 --> 0:37:29.680
<v Speaker 9>a professional mascot, we take all the jobs so we

0:37:29.719 --> 0:37:32.040
<v Speaker 9>can get them. So come down, do your bank and

0:37:32.080 --> 0:37:34.680
<v Speaker 9>what the friendliest staff and the business. We're easy to find.

0:37:34.719 --> 0:37:36.520
<v Speaker 9>You'll be the only bank with a hot dog as

0:37:36.560 --> 0:37:39.440
<v Speaker 9>a mascot, North South Bank. Just tell them the hot

0:37:39.480 --> 0:37:40.080
<v Speaker 9>Dog sent you.

0:37:43.280 --> 0:37:44.880
<v Speaker 2>Char We'll be right back with you.

0:37:45.560 --> 0:37:47.000
<v Speaker 4>Thank you so much, lovely.

0:37:47.239 --> 0:37:47.800
<v Speaker 1>That was great.

0:37:48.360 --> 0:37:50.600
<v Speaker 4>Yeah, a little bit sped through so we get this

0:37:50.760 --> 0:37:51.480
<v Speaker 4>flavor as much.

0:37:51.520 --> 0:37:53.840
<v Speaker 1>It was too fast and there was not There wasn't

0:37:53.840 --> 0:37:55.759
<v Speaker 1>a whole lot of peaks and valleys in the in

0:37:55.920 --> 0:37:57.239
<v Speaker 1>the uh performance.

0:37:57.680 --> 0:37:59.120
<v Speaker 4>But you must understand the pressure.

0:37:59.160 --> 0:38:01.160
<v Speaker 5>One of my very first edition was auditioning for Ren

0:38:01.239 --> 0:38:03.359
<v Speaker 5>and Ren and Stimpy when Chris Felussi was no longer

0:38:03.400 --> 0:38:05.440
<v Speaker 5>going to do the voice. And then it's a cartoon

0:38:05.520 --> 0:38:07.440
<v Speaker 5>that I had watched on the other side of glass

0:38:07.520 --> 0:38:10.719
<v Speaker 5>with spump Co and I'm so intimidating, like Steampy, you

0:38:10.840 --> 0:38:11.160
<v Speaker 5>eat it.

0:38:11.280 --> 0:38:14.800
<v Speaker 1>I was probably really green and bad. Sure, and so

0:38:15.239 --> 0:38:16.279
<v Speaker 1>I think I.

0:38:16.320 --> 0:38:17.320
<v Speaker 4>Take that into account.

0:38:17.440 --> 0:38:17.640
<v Speaker 8>We do.

0:38:17.880 --> 0:38:20.760
<v Speaker 5>We definitely didn't take the note. Her voice is lovely

0:38:21.239 --> 0:38:24.600
<v Speaker 5>and I think is better suited for that. You know,

0:38:25.040 --> 0:38:27.600
<v Speaker 5>there's a time in May when we all need a

0:38:27.680 --> 0:38:30.759
<v Speaker 5>time away that I could see her doing all day long.

0:38:31.160 --> 0:38:33.680
<v Speaker 4>But that's what I thought. I just thought it didn't

0:38:33.680 --> 0:38:35.400
<v Speaker 4>allow for us to see the character.

0:38:35.680 --> 0:38:38.000
<v Speaker 1>I agree. It's also this is the other thing we

0:38:38.040 --> 0:38:40.120
<v Speaker 1>say over and over and over again. Any one of

0:38:40.120 --> 0:38:41.760
<v Speaker 1>the people that have made it this far could be signed.

0:38:41.880 --> 0:38:42.879
<v Speaker 1>They really could.

0:38:43.760 --> 0:38:44.719
<v Speaker 4>And I was at that age.

0:38:45.080 --> 0:38:47.439
<v Speaker 1>That's how we look at it, and we have people

0:38:47.480 --> 0:38:50.359
<v Speaker 1>that are eighteen that it's like, man, you're damn good.

0:38:50.400 --> 0:38:52.160
<v Speaker 1>So well, let's bring me in and see what Mia

0:38:52.239 --> 0:38:52.640
<v Speaker 1>does with it.

0:38:53.160 --> 0:38:55.319
<v Speaker 4>Yes, and we will go from there.

0:38:56.239 --> 0:38:58.080
<v Speaker 2>I love seeing her pop in the frame. It's one

0:38:58.080 --> 0:38:58.799
<v Speaker 2>of my favorite things.

0:38:59.360 --> 0:39:02.839
<v Speaker 1>I mean, ay, how are you mer?

0:39:02.920 --> 0:39:03.040
<v Speaker 5>We go?

0:39:03.160 --> 0:39:03.560
<v Speaker 6>I fixed it?

0:39:03.680 --> 0:39:03.919
<v Speaker 11>Okay?

0:39:06.239 --> 0:39:06.479
<v Speaker 13>Good?

0:39:06.719 --> 0:39:08.839
<v Speaker 2>So there we are going to do a cold read

0:39:09.560 --> 0:39:10.799
<v Speaker 2>and do you have do you have the line?

0:39:10.840 --> 0:39:11.000
<v Speaker 10>There?

0:39:11.400 --> 0:39:12.799
<v Speaker 1>I got it all right?

0:39:12.960 --> 0:39:13.400
<v Speaker 3>Awesome?

0:39:13.800 --> 0:39:14.240
<v Speaker 2>You ready?

0:39:15.040 --> 0:39:15.239
<v Speaker 10>Yes?

0:39:15.880 --> 0:39:18.280
<v Speaker 2>Okay, take your time at your pleasure.

0:39:19.080 --> 0:39:22.680
<v Speaker 8>Hi. I'm Harry, as you can probably tell, I'm a

0:39:22.719 --> 0:39:25.560
<v Speaker 8>hot dog. That's why I was a little surprised when

0:39:25.600 --> 0:39:28.000
<v Speaker 8>I was asked to be the new spokesperson for North

0:39:28.080 --> 0:39:32.160
<v Speaker 8>South Bank cause again, I'm a hot dog. But as

0:39:32.200 --> 0:39:34.920
<v Speaker 8>a professional mascot, we take the jobs when we can

0:39:34.960 --> 0:39:38.239
<v Speaker 8>get them. So come down and do your banking with

0:39:38.360 --> 0:39:41.520
<v Speaker 8>the friendliest staff in the business. We're easy to find.

0:39:41.840 --> 0:39:42.839
<v Speaker 8>It'll be the only bank.

0:39:42.880 --> 0:39:45.520
<v Speaker 11>What the hot dog is a mascot North South Bank?

0:39:46.239 --> 0:39:47.799
<v Speaker 10>Just tell them the hot dog, Santya.

0:39:50.000 --> 0:39:51.760
<v Speaker 1>Carlos Nice.

0:39:52.680 --> 0:39:54.840
<v Speaker 5>I think if you can think of a character for

0:39:54.960 --> 0:39:58.759
<v Speaker 5>Harry and this is what I think. I think that again,

0:39:58.840 --> 0:40:02.879
<v Speaker 5>you're a rookie off the street and this ad campaign said,

0:40:02.880 --> 0:40:05.040
<v Speaker 5>oh my gosh, we need somebody to do our campaign.

0:40:05.600 --> 0:40:07.440
<v Speaker 4>Oh it's a hot dog. I'll tell you what. Why

0:40:07.480 --> 0:40:10.560
<v Speaker 4>don't you do the commercial? And you know nobody's gonna notice,

0:40:10.760 --> 0:40:13.239
<v Speaker 4>don't tell him you're a hot dog. And in your mind,

0:40:13.280 --> 0:40:13.840
<v Speaker 4>you know what, you go.

0:40:14.160 --> 0:40:16.640
<v Speaker 5>You know what, I'm gonna make a last minute decision.

0:40:16.760 --> 0:40:19.640
<v Speaker 5>I'm gonna be honest because listen, I can't hide this.

0:40:19.719 --> 0:40:22.879
<v Speaker 5>So you go, Hi, I'm a Harry the hot Dog.

0:40:23.160 --> 0:40:26.440
<v Speaker 5>You can probably tell I'm a hot dog. That's why

0:40:26.600 --> 0:40:28.600
<v Speaker 5>I'm a little surprised when I was asked to be

0:40:28.640 --> 0:40:31.120
<v Speaker 5>the spokesperson like why did they pick me for North

0:40:31.320 --> 0:40:34.879
<v Speaker 5>South Bank? Because again, I'm a hot dog. But as

0:40:34.920 --> 0:40:37.440
<v Speaker 5>a professional mascot, we take the jobs we can when

0:40:37.480 --> 0:40:37.920
<v Speaker 5>we get them.

0:40:38.000 --> 0:40:39.040
<v Speaker 1>So come on down.

0:40:39.080 --> 0:40:40.239
<v Speaker 5>Do you make it with the friend of yourself in

0:40:40.239 --> 0:40:41.719
<v Speaker 5>the business, We're easy to find. It'll be the only

0:40:41.760 --> 0:40:44.759
<v Speaker 5>bank with a hot dog is a mascot North South Bank.

0:40:45.040 --> 0:40:48.000
<v Speaker 5>Just tell him, the hot dog says he sent you.

0:40:48.640 --> 0:40:51.480
<v Speaker 5>So now they've told you, don't don't don't tell them,

0:40:51.560 --> 0:40:53.239
<v Speaker 5>don't hide the fact that you're a hot dog.

0:40:53.320 --> 0:40:54.760
<v Speaker 4>You know what, you know what, I'm a hot.

0:40:54.680 --> 0:40:57.040
<v Speaker 1>Dog, So let's go with it.

0:40:57.440 --> 0:40:58.680
<v Speaker 11>You know where I am the hot dog?

0:40:58.719 --> 0:40:59.040
<v Speaker 13>It's me.

0:41:00.840 --> 0:41:04.960
<v Speaker 4>Character that might be Harry the hot dog. Yeah, just

0:41:05.080 --> 0:41:05.400
<v Speaker 4>kind of go.

0:41:05.400 --> 0:41:12.520
<v Speaker 3>Away short for Harriet. I guess, yes, Yeah, I'm trying

0:41:12.560 --> 0:41:15.920
<v Speaker 3>to think. I think she's super this one. The energy

0:41:16.160 --> 0:41:18.759
<v Speaker 3>was more or less not the friendliest. That's what I

0:41:18.800 --> 0:41:20.719
<v Speaker 3>thought was so funny when she had the irony of life.

0:41:20.800 --> 0:41:21.040
<v Speaker 2>That's what.

0:41:24.040 --> 0:41:27.080
<v Speaker 3>I guess. If you're making the choice to do that,

0:41:27.200 --> 0:41:29.880
<v Speaker 3>I would be even bolder with it, because, like as

0:41:29.920 --> 0:41:32.840
<v Speaker 3>Carlos says, you're doing a character. So I think bold

0:41:32.960 --> 0:41:35.920
<v Speaker 3>choices are you know, could take the day.

0:41:36.280 --> 0:41:39.080
<v Speaker 2>You know, Yeah, I like that too.

0:41:39.360 --> 0:41:40.960
<v Speaker 1>Yeah, see if you can. I like what Carlo said

0:41:41.000 --> 0:41:42.800
<v Speaker 1>and what Christy said. See if you can maybe find it,

0:41:42.920 --> 0:41:45.560
<v Speaker 1>make it a little charactery, you know. Yeah, yeah, and

0:41:45.640 --> 0:41:48.960
<v Speaker 1>that's whoever you want Harry to be. But let's see

0:41:49.000 --> 0:41:50.759
<v Speaker 1>what you what you come up with. Again. I thought

0:41:50.760 --> 0:41:52.840
<v Speaker 1>the pacing was good and I thought you were bracketing

0:41:52.880 --> 0:41:56.919
<v Speaker 1>the name of the the product. Well, but now let's

0:41:56.920 --> 0:41:59.160
<v Speaker 1>see if we can infuse a little more again. I

0:41:59.320 --> 0:42:01.600
<v Speaker 1>like I wasn't acting kind of the mellow read, which

0:42:01.960 --> 0:42:03.560
<v Speaker 1>I like. I like when I'm shocked when I don't

0:42:03.560 --> 0:42:05.560
<v Speaker 1>know it's gonna come. So yeah, maybe if you if

0:42:05.600 --> 0:42:07.359
<v Speaker 1>that's a character you want, lean into that or take

0:42:07.400 --> 0:42:09.040
<v Speaker 1>another swing entirely, it's totally up to you.

0:42:09.120 --> 0:42:09.920
<v Speaker 2>Let's see what you do with it.

0:42:10.320 --> 0:42:11.399
<v Speaker 10>Awesome, thanks so much.

0:42:11.520 --> 0:42:13.440
<v Speaker 11>I love all these like different interpretations.

0:42:13.800 --> 0:42:16.279
<v Speaker 2>It's fun, isn't it. And if you're having fun, that's

0:42:16.320 --> 0:42:17.960
<v Speaker 2>all that meant. We want to hear that you're having fun.

0:42:18.000 --> 0:42:20.440
<v Speaker 2>So it's good. So anytime at your pleasure.

0:42:21.000 --> 0:42:23.400
<v Speaker 10>Already. Hi, I'm Harry.

0:42:23.920 --> 0:42:26.719
<v Speaker 8>As you can probably tell, I'm a hot dog. That's

0:42:26.760 --> 0:42:28.839
<v Speaker 8>why I was a little surprised when I was asked

0:42:28.840 --> 0:42:31.320
<v Speaker 8>to be the new spokesperson for North South Bank because

0:42:31.560 --> 0:42:35.320
<v Speaker 8>again I'm a hot Dog, but as a professional mascot,

0:42:35.640 --> 0:42:38.640
<v Speaker 8>we take the jobs wanted to get them. So come

0:42:38.760 --> 0:42:41.440
<v Speaker 8>down and do your banking with the friendliest to have

0:42:41.560 --> 0:42:42.160
<v Speaker 8>in the business.

0:42:42.600 --> 0:42:43.520
<v Speaker 10>We're easy to find.

0:42:43.600 --> 0:42:45.600
<v Speaker 8>It'll be the only bank with a hot Dog as

0:42:45.640 --> 0:42:48.640
<v Speaker 8>a mascot, nor South Bank. Just sell them the hot

0:42:48.719 --> 0:42:49.319
<v Speaker 8>Dog sent ya.

0:42:51.040 --> 0:42:53.480
<v Speaker 2>Thank you so much and we will be right back

0:42:53.520 --> 0:42:53.759
<v Speaker 2>with you.

0:42:54.239 --> 0:42:55.239
<v Speaker 4>Well, that's good.

0:42:55.600 --> 0:42:59.600
<v Speaker 5>It is tough, right because I like the boldness of

0:42:59.640 --> 0:43:02.959
<v Speaker 5>Tutty and I'm really choosing a character because that spot does.

0:43:03.440 --> 0:43:04.560
<v Speaker 4>It demands a character.

0:43:04.760 --> 0:43:07.720
<v Speaker 2>It does, it absolutely does, and that was her natural instinct.

0:43:08.320 --> 0:43:09.480
<v Speaker 3>Do you want to know my thoughts?

0:43:09.560 --> 0:43:09.799
<v Speaker 5>Guys?

0:43:09.920 --> 0:43:11.520
<v Speaker 4>Yes, yea, So we have we have.

0:43:12.520 --> 0:43:15.200
<v Speaker 3>I guess it's form versus function. I don't know. It's

0:43:15.239 --> 0:43:18.160
<v Speaker 3>like we have one person and like you said, it's

0:43:18.239 --> 0:43:20.640
<v Speaker 3>one way or another way. It's like there's no bad voices.

0:43:21.200 --> 0:43:24.239
<v Speaker 3>It's like one has a very natural almost like a

0:43:24.400 --> 0:43:30.840
<v Speaker 3>natural raw talent, and then one has mia has the

0:43:31.000 --> 0:43:35.960
<v Speaker 3>more polished professional read. We also have someone very similar

0:43:36.040 --> 0:43:40.160
<v Speaker 3>from last week. Anyway, I just think like there's a

0:43:40.320 --> 0:43:43.160
<v Speaker 3>very like polished female voice that comes from having as

0:43:43.239 --> 0:43:48.400
<v Speaker 3>many female contestants as we have, and you need to

0:43:48.440 --> 0:43:51.080
<v Speaker 3>show a lot of range just because you're female, right,

0:43:51.160 --> 0:43:53.200
<v Speaker 3>Like I fell into that trap a lot when I

0:43:53.360 --> 0:43:56.239
<v Speaker 3>was recording, and I would try to find ways to

0:43:56.280 --> 0:43:58.080
<v Speaker 3>get myself out of it. And that's a that's a

0:43:58.480 --> 0:44:00.479
<v Speaker 3>that's a real trap. I think as a femal voice

0:44:00.480 --> 0:44:03.320
<v Speaker 3>actor that you you do find yourself in how do

0:44:03.400 --> 0:44:06.680
<v Speaker 3>I make myself unique? How do I utilize my my

0:44:07.080 --> 0:44:07.719
<v Speaker 3>vocal range.

0:44:09.160 --> 0:44:12.719
<v Speaker 1>I'm surprised that neither of them went little boy with it,

0:44:13.480 --> 0:44:15.560
<v Speaker 1>which would have been interesting, you know, like you tear

0:44:15.600 --> 0:44:17.560
<v Speaker 1>a strong you hear her coming in, and it would

0:44:17.560 --> 0:44:21.560
<v Speaker 1>be like you know, you know, yeah, you'd get something

0:44:22.120 --> 0:44:25.040
<v Speaker 1>and and again that's not that's just that's your natural instinct.

0:44:25.080 --> 0:44:30.719
<v Speaker 1>I agree with Carlos, though I liked how Tatiana instantly realized, oh,

0:44:30.800 --> 0:44:32.440
<v Speaker 1>this is a character, like you got to put a

0:44:32.560 --> 0:44:36.000
<v Speaker 1>character onto this, and then even when we said to me,

0:44:36.200 --> 0:44:38.680
<v Speaker 1>hey make it more character, she she did, but it

0:44:38.800 --> 0:44:40.919
<v Speaker 1>was still more of just of her natural read.

0:44:41.640 --> 0:44:42.080
<v Speaker 4>Yeah, it was.

0:44:42.360 --> 0:44:45.200
<v Speaker 5>It was a lighter read, a more positive read, but

0:44:45.320 --> 0:44:47.920
<v Speaker 5>not necessarily a character change.

0:44:47.800 --> 0:44:48.200
<v Speaker 11>I thought.

0:44:49.560 --> 0:44:52.280
<v Speaker 3>And we've done character work with these with these contestants,

0:44:52.320 --> 0:44:54.640
<v Speaker 3>so I'm surprised that we wouldn't have seen more range.

0:44:54.719 --> 0:44:57.520
<v Speaker 3>But I mean, honestly, she is so talented and obviously

0:44:57.600 --> 0:45:02.080
<v Speaker 3>so polished, and her is magical to see her working.

0:45:03.040 --> 0:45:05.000
<v Speaker 3>She has vision impaired, as she mentioned, and so it's

0:45:05.080 --> 0:45:08.640
<v Speaker 3>really beautiful to see her working at such a high level.

0:45:08.680 --> 0:45:11.560
<v Speaker 3>And and and I really I've loved having her as

0:45:11.560 --> 0:45:14.000
<v Speaker 3>a candidate. So I don't know how you guys feel

0:45:14.440 --> 0:45:16.120
<v Speaker 3>or if this is a tie and we want to

0:45:16.160 --> 0:45:18.080
<v Speaker 3>try to give them one more option and one more trying.

0:45:18.520 --> 0:45:21.600
<v Speaker 2>We do have a tiebreaker challenge, But what do you think, Carlos.

0:45:21.840 --> 0:45:24.560
<v Speaker 4>Yeah, let's do a tie breaker really quickly.

0:45:24.960 --> 0:45:26.760
<v Speaker 1>Okay, you want to do a tie breaker really quickly?

0:45:26.920 --> 0:45:28.840
<v Speaker 1>They both read it one time and then we move on.

0:45:29.440 --> 0:45:30.439
<v Speaker 3>Yeah, we got to give them.

0:45:30.320 --> 0:45:31.279
<v Speaker 1>They got to go big.

0:45:31.440 --> 0:45:34.239
<v Speaker 3>But I mean, I wonder if telling was it Mia

0:45:34.560 --> 0:45:37.440
<v Speaker 3>that to go big? Like, I wonder what we how

0:45:37.480 --> 0:45:39.760
<v Speaker 3>we help her give her her best shot.

0:45:39.920 --> 0:45:42.719
<v Speaker 2>Well, let's see it's it's let's let's see what they got.

0:45:42.800 --> 0:45:44.799
<v Speaker 4>Let's bring Uh are they going to read the same

0:45:44.880 --> 0:45:45.439
<v Speaker 4>copy again?

0:45:45.840 --> 0:45:48.600
<v Speaker 1>No, it's actually it's actually it's different. Should we have

0:45:48.719 --> 0:45:50.560
<v Speaker 1>them read the same one again? Would you would would

0:45:50.600 --> 0:45:52.480
<v Speaker 1>you do that, Carlos, or would you have one?

0:45:52.760 --> 0:45:53.480
<v Speaker 2>Let's do a new one.

0:45:53.520 --> 0:45:57.839
<v Speaker 1>Okay, so let's uh, let's bring the let's bring Tatiana back.

0:45:58.440 --> 0:45:59.560
<v Speaker 2>Hey, Tatiana, how are you?

0:46:00.200 --> 0:46:00.480
<v Speaker 8>How are you?

0:46:00.840 --> 0:46:01.600
<v Speaker 2>I'm good? Okay.

0:46:01.800 --> 0:46:05.960
<v Speaker 1>So here's the thing this week. It's really close. So

0:46:06.320 --> 0:46:09.359
<v Speaker 1>we are going to a tie breaker challenge this week,

0:46:09.400 --> 0:46:12.319
<v Speaker 1>which we've only done one other time before. So if

0:46:12.400 --> 0:46:16.239
<v Speaker 1>you look at your chat, there should be another ad

0:46:16.360 --> 0:46:17.480
<v Speaker 1>read there you see it?

0:46:17.840 --> 0:46:18.279
<v Speaker 2>Yes, I do.

0:46:18.760 --> 0:46:21.160
<v Speaker 1>And we're going to tell the same thing to both contestants.

0:46:21.160 --> 0:46:24.319
<v Speaker 1>We want to hear a lot of energy and see

0:46:24.320 --> 0:46:24.560
<v Speaker 1>what you.

0:46:24.640 --> 0:46:24.960
<v Speaker 5>Do with it.

0:46:25.600 --> 0:46:29.960
<v Speaker 1>Okay, let's do this. Okay, go ahead at your pleasure.

0:46:30.880 --> 0:46:32.759
<v Speaker 9>You want all the best hits from the eighties and

0:46:32.840 --> 0:46:36.080
<v Speaker 9>one set you need Eighties Forever. We're talking Motley Crue,

0:46:36.200 --> 0:46:40.080
<v Speaker 9>skid Row, Death, Leopard, Guns n' Roses, White Snake, Poison Ringer,

0:46:40.239 --> 0:46:43.440
<v Speaker 9>bon Jovi, Dan Halen, Metallica, The Bengals, Tears with the

0:46:43.520 --> 0:46:46.240
<v Speaker 9>Fears and more. Act now and get a second album

0:46:46.440 --> 0:46:50.080
<v Speaker 9>Eighties Forever as a bonus. The eighties are back and

0:46:50.239 --> 0:46:50.920
<v Speaker 9>we got him.

0:46:51.680 --> 0:46:52.600
<v Speaker 2>Okay, thank you?

0:46:53.560 --> 0:46:54.320
<v Speaker 4>Are we doing direction?

0:46:54.880 --> 0:46:55.520
<v Speaker 5>Wait? You know what?

0:46:55.760 --> 0:46:55.920
<v Speaker 1>Yes?

0:46:56.719 --> 0:47:00.120
<v Speaker 5>Okay, So real direction is very smooth. You have that

0:47:00.440 --> 0:47:03.840
<v Speaker 5>your natural quality of voice is great. But again, be

0:47:04.000 --> 0:47:06.600
<v Speaker 5>invested like you won all the best hits from the

0:47:06.640 --> 0:47:10.600
<v Speaker 5>eighties and one set you need Eighties Forever. We're talking

0:47:10.680 --> 0:47:14.600
<v Speaker 5>Motley Cruze, Skid Wrote, def lepperd, Guns N' Roses, White Snake,

0:47:14.719 --> 0:47:18.440
<v Speaker 5>Poison Winger, Bond, Jovie Van Halen, Metallica, the Bengals, Tears

0:47:18.480 --> 0:47:21.439
<v Speaker 5>for Fears and more. Act now and get a second

0:47:21.480 --> 0:47:25.959
<v Speaker 5>album Eighties Forever as a as a bonus, a botch

0:47:26.040 --> 0:47:29.680
<v Speaker 5>that the eighties are back and we got them. So

0:47:30.040 --> 0:47:33.200
<v Speaker 5>every band I saw this band and this band, so

0:47:33.360 --> 0:47:37.359
<v Speaker 5>really give me highlight that. Dude, you again, you're talking

0:47:37.400 --> 0:47:39.480
<v Speaker 5>to a friend. You can't wait to show them your

0:47:39.520 --> 0:47:42.040
<v Speaker 5>Eighties Forever collection. Dude, do you want to see my

0:47:42.080 --> 0:47:43.879
<v Speaker 5>record collection of the eighties? Dude?

0:47:43.880 --> 0:47:45.719
<v Speaker 4>I got this band, I got this band and this band.

0:47:45.800 --> 0:47:46.560
<v Speaker 6>Dude, I got this.

0:47:46.680 --> 0:47:49.800
<v Speaker 4>Band and I got another album called Eighties Forever.

0:47:50.200 --> 0:47:50.239
<v Speaker 3>Er.

0:47:51.040 --> 0:47:54.400
<v Speaker 1>We got the Eighties back and it's right here. Tell me,

0:47:55.880 --> 0:47:59.920
<v Speaker 1>don't try to sound like your one of those commercial

0:48:00.120 --> 0:48:02.680
<v Speaker 1>on because you're not. You're a younger woman and you're

0:48:02.719 --> 0:48:04.880
<v Speaker 1>trying to sell to people who might not know that

0:48:05.040 --> 0:48:07.080
<v Speaker 1>the eighties. Your friends might not know the eighties, so

0:48:07.560 --> 0:48:10.640
<v Speaker 1>do it as yourself. Does that make sense with all

0:48:10.719 --> 0:48:13.400
<v Speaker 1>that energy? But how much you love the eighties? You're

0:48:13.520 --> 0:48:15.120
<v Speaker 1>you're in your friend group where they're like, how do

0:48:15.160 --> 0:48:17.200
<v Speaker 1>you love the eighties? And you're like, I love the eighties?

0:48:17.280 --> 0:48:18.600
<v Speaker 1>Like that's what I want to hear.

0:48:18.920 --> 0:48:21.680
<v Speaker 4>Okay, Christy, you have to be Yellie, it's a dude.

0:48:21.880 --> 0:48:23.000
<v Speaker 1>You got to check this out.

0:48:23.600 --> 0:48:24.759
<v Speaker 4>Tell me to check this out.

0:48:25.640 --> 0:48:29.360
<v Speaker 3>Yeah, exactly, Okay, go, yeah, let's see what it's a

0:48:29.480 --> 0:48:30.040
<v Speaker 3>deep breath.

0:48:30.239 --> 0:48:33.920
<v Speaker 9>Yeah, you want all of the best hits from the

0:48:33.960 --> 0:48:37.040
<v Speaker 9>eighties and one set. You need Eighties Forever. We're talking

0:48:37.160 --> 0:48:41.560
<v Speaker 9>Motley Crue, Skate Row, Deaf Leopard, Guns N' Roses, White Snake,

0:48:41.719 --> 0:48:45.800
<v Speaker 9>Poison Winger, bon Jovi, Van Halen, Metallica, the Bengals, Tears

0:48:45.880 --> 0:48:49.000
<v Speaker 9>for Fears, and more. Act now and get a second

0:48:49.080 --> 0:48:53.080
<v Speaker 9>album Eighties Forever as a bonus. The eighties are back

0:48:53.480 --> 0:48:54.319
<v Speaker 9>and we got them.

0:48:56.040 --> 0:48:59.759
<v Speaker 1>Adjustment, nice suggest We'll be right back with you. Nice

0:49:00.239 --> 0:49:04.279
<v Speaker 1>sounded great good adjustment Little fast yep, little fast yep.

0:49:04.520 --> 0:49:06.799
<v Speaker 4>But Eighties Forever are I like the way she asked

0:49:06.840 --> 0:49:07.560
<v Speaker 4>that question.

0:49:07.640 --> 0:49:08.520
<v Speaker 2>Yeah, forever.

0:49:08.719 --> 0:49:10.560
<v Speaker 5>I still wanted to see more, but it was a

0:49:10.840 --> 0:49:14.760
<v Speaker 5>nice like a fifty six sixty percent improvement from the first.

0:49:14.880 --> 0:49:17.400
<v Speaker 1>I agree one hundred percent. So let's bring back me

0:49:17.520 --> 0:49:22.799
<v Speaker 1>and see what Mia does. Okay, Hey me, Hi, Okay, Dylan. Good.

0:49:22.920 --> 0:49:23.640
<v Speaker 2>So here's the thing.

0:49:23.760 --> 0:49:26.960
<v Speaker 1>It's been a very tough week for us, so we

0:49:27.120 --> 0:49:29.080
<v Speaker 1>have gone for only the second time ever to a

0:49:29.160 --> 0:49:33.440
<v Speaker 1>tiebreaker challenge. Oh wow, So you should look on your

0:49:33.520 --> 0:49:36.319
<v Speaker 1>chat and you see we're gonna have one more read

0:49:36.480 --> 0:49:39.200
<v Speaker 1>for you. Ah, I got it all right?

0:49:39.280 --> 0:49:39.720
<v Speaker 12>You ready?

0:49:40.280 --> 0:49:40.640
<v Speaker 10>You bet?

0:49:40.960 --> 0:49:44.800
<v Speaker 8>Anytime you want all the best hits from the eighties

0:49:44.840 --> 0:49:47.240
<v Speaker 8>and one cent you need Eighties Forever.

0:49:48.040 --> 0:49:52.480
<v Speaker 11>We're talking Motley Crue, skid Row, Jeff Leppard, Guns N' Roses,

0:49:52.760 --> 0:49:56.240
<v Speaker 11>White Snake, Poison Wing, bon Jovi, Van.

0:49:56.200 --> 0:50:01.040
<v Speaker 8>Halen, Metallica, the Bangaloos, Tears for Fears and more. Act

0:50:01.120 --> 0:50:05.319
<v Speaker 8>now and get a second album Eighties Forever air as

0:50:05.360 --> 0:50:05.880
<v Speaker 8>a bonus.

0:50:06.320 --> 0:50:07.600
<v Speaker 13>The eighties are back.

0:50:07.680 --> 0:50:08.839
<v Speaker 10>And we got them.

0:50:10.480 --> 0:50:13.520
<v Speaker 4>That's interesting. I like the choice to go drag race

0:50:13.600 --> 0:50:14.400
<v Speaker 4>Sunday Sunday.

0:50:16.120 --> 0:50:18.040
<v Speaker 5>But I think we were talking together when we read

0:50:18.080 --> 0:50:21.480
<v Speaker 5>this copy and we thought, Mia, make believe that this

0:50:21.640 --> 0:50:23.200
<v Speaker 5>is your own personal.

0:50:22.880 --> 0:50:25.960
<v Speaker 4>Collection that you want to show a friend, and you're

0:50:26.000 --> 0:50:27.719
<v Speaker 4>really because what are you into? What are you into?

0:50:29.680 --> 0:50:29.879
<v Speaker 1>Yeah?

0:50:30.040 --> 0:50:32.160
<v Speaker 10>Like everything? Honestly, Like my daughter likes.

0:50:32.080 --> 0:50:36.040
<v Speaker 5>Anime if she would if she were with a friend,

0:50:36.120 --> 0:50:39.480
<v Speaker 5>She goes, you want to know everything about my hero academia. Well,

0:50:39.560 --> 0:50:42.000
<v Speaker 5>I'll tell you everything because I got the whole collection

0:50:42.160 --> 0:50:45.240
<v Speaker 5>right here. We got this character, this character, this character,

0:50:45.480 --> 0:50:49.960
<v Speaker 5>this episode, and guess what the bonus my hero academia memmia.

0:50:51.120 --> 0:50:54.480
<v Speaker 4>So you're telling your best friend, it's like, dude, do

0:50:54.560 --> 0:50:56.840
<v Speaker 4>you want all the best hits from the eighties? Have

0:50:56.960 --> 0:50:57.600
<v Speaker 4>you ever wanted?

0:50:57.719 --> 0:51:00.239
<v Speaker 5>I do too? And this one is so cool, and

0:51:00.560 --> 0:51:03.719
<v Speaker 5>check out all the bands they have, Dude, skid Row,

0:51:04.080 --> 0:51:08.719
<v Speaker 5>daf Leppard, Guns n' Roses, every band is like, dude,

0:51:08.800 --> 0:51:09.399
<v Speaker 5>that's not all.

0:51:09.880 --> 0:51:10.560
<v Speaker 4>That's not all.

0:51:10.880 --> 0:51:11.560
<v Speaker 11>That's crazy.

0:51:11.760 --> 0:51:15.400
<v Speaker 5>So you're sharing your most prized eighties collection with your

0:51:15.400 --> 0:51:18.200
<v Speaker 5>friend and you're telling him about it. Make it personal

0:51:18.280 --> 0:51:21.000
<v Speaker 5>to your best friend, like, dude, you got to see

0:51:21.000 --> 0:51:21.520
<v Speaker 5>what I got?

0:51:23.320 --> 0:51:23.880
<v Speaker 11>Alrighty?

0:51:24.480 --> 0:51:26.239
<v Speaker 1>Yeah, I think I don't know, Christy, do you want

0:51:26.239 --> 0:51:26.960
<v Speaker 1>to add anything?

0:51:27.800 --> 0:51:30.560
<v Speaker 3>I don't want to confuse. I had sort of had

0:51:30.600 --> 0:51:32.839
<v Speaker 3>this idea of like, if she was going to stay

0:51:32.920 --> 0:51:36.040
<v Speaker 3>that like really big announcery, bold voice, that maybe she

0:51:36.120 --> 0:51:39.120
<v Speaker 3>could play with more of like a flirty, kind of

0:51:39.320 --> 0:51:43.880
<v Speaker 3>almost sassy kind of vibe to it, like almost like

0:51:43.960 --> 0:51:47.800
<v Speaker 3>she's like a rock stars girlfriend. But I kind of

0:51:47.840 --> 0:51:50.160
<v Speaker 3>wanted to see that in her voice. But again it's

0:51:50.200 --> 0:51:53.640
<v Speaker 3>like a very different direction. So I think we all

0:51:53.719 --> 0:51:56.200
<v Speaker 3>want to try to say the same thing to you

0:51:56.320 --> 0:52:00.120
<v Speaker 3>so that you give your best next take. Yeah, so

0:52:00.200 --> 0:52:02.080
<v Speaker 3>will what do you think maybe can help?

0:52:02.400 --> 0:52:04.560
<v Speaker 1>I think I agree with what everybody's saying, and I

0:52:04.640 --> 0:52:09.239
<v Speaker 1>think maybe more yourself than trying to, uh you know,

0:52:09.360 --> 0:52:11.880
<v Speaker 1>kind of put the more charactery voice on it. I

0:52:11.960 --> 0:52:16.040
<v Speaker 1>think more you trying to sell these eighties albums to

0:52:16.120 --> 0:52:18.160
<v Speaker 1>your friends, which again, most of your friends probably don't

0:52:18.160 --> 0:52:20.320
<v Speaker 1>listen to eighties music, so that makes it even harder

0:52:20.400 --> 0:52:23.200
<v Speaker 1>that you're you're trying to sell the eighties to your friends.

0:52:23.640 --> 0:52:26.799
<v Speaker 5>It is an interesting choice because while that style is out,

0:52:27.440 --> 0:52:30.520
<v Speaker 5>if you're a client, you might want to say I

0:52:30.680 --> 0:52:32.800
<v Speaker 5>want it in that retro style, which.

0:52:32.800 --> 0:52:35.840
<v Speaker 1>Was that, yeah, that's some great eighties music. Maybe we

0:52:36.000 --> 0:52:38.160
<v Speaker 1>got this bad and listen that's true too.

0:52:38.320 --> 0:52:41.640
<v Speaker 2>You can do with your instinct, go with you. I

0:52:42.120 --> 0:52:45.520
<v Speaker 2>go with go for it fully, yes, good good note.

0:52:45.480 --> 0:52:48.120
<v Speaker 10>Ye, So I want to go with like what fits

0:52:48.320 --> 0:52:50.200
<v Speaker 10>best for like, how I can perfect.

0:52:50.520 --> 0:52:52.200
<v Speaker 1>That's what you should do. That's what you should do.

0:52:52.400 --> 0:52:55.279
<v Speaker 1>Put your best foot forward. Best you can do, all right,

0:52:55.440 --> 0:52:58.040
<v Speaker 1>So at your pleasure, you.

0:52:58.080 --> 0:53:00.160
<v Speaker 10>Want all of the best hits from the eighties in

0:53:00.239 --> 0:53:02.360
<v Speaker 10>one set. You need Eighties Forever.

0:53:02.880 --> 0:53:07.879
<v Speaker 11>We're talking Motley Crue, skid Row, def Leopard, Guns.

0:53:07.640 --> 0:53:15.240
<v Speaker 8>And Roses, White Snake, Boyson, Winger, Ponchoviy, Van Halen, Metallica.

0:53:15.080 --> 0:53:18.040
<v Speaker 1>The Bangies, Tears and the Fears, and more.

0:53:18.760 --> 0:53:23.680
<v Speaker 8>Act now and get a second one Eighties Forever as

0:53:23.880 --> 0:53:24.440
<v Speaker 8>a bonus.

0:53:24.880 --> 0:53:27.239
<v Speaker 10>The eighties are back and we got them.

0:53:28.920 --> 0:53:31.040
<v Speaker 2>Great adjustment. Thank you very much. We'll be right back

0:53:31.080 --> 0:53:31.239
<v Speaker 2>with you.

0:53:31.680 --> 0:53:32.000
<v Speaker 11>Thank you.

0:53:44.600 --> 0:53:44.960
<v Speaker 1>I don't know.

0:53:45.560 --> 0:53:47.239
<v Speaker 2>I don't know a man, I don't know this time.

0:53:47.280 --> 0:53:50.200
<v Speaker 1>I mean, it's your word, it's it's two different things

0:53:50.239 --> 0:53:51.400
<v Speaker 1>that we'd be moving forward.

0:53:51.880 --> 0:53:52.600
<v Speaker 4>This is my gut.

0:53:52.880 --> 0:53:55.000
<v Speaker 5>I think that Mia is able to take that direction,

0:53:55.239 --> 0:53:58.480
<v Speaker 5>and it's a less refined read. The Bangies, those are

0:53:58.600 --> 0:54:03.040
<v Speaker 5>those are fixable, sure, but she can with the exception

0:54:03.120 --> 0:54:06.200
<v Speaker 5>of the hot Dog, which is interesting. But for these reads,

0:54:06.520 --> 0:54:10.640
<v Speaker 5>she can inject that passion more agree Tatiana. Even though

0:54:11.040 --> 0:54:12.600
<v Speaker 5>she made the choice to do a hot dog, I

0:54:12.640 --> 0:54:15.799
<v Speaker 5>didn't feel was a full investment into Harry the hot Dog.

0:54:15.920 --> 0:54:19.360
<v Speaker 4>It was the dialect, but it wasn't that guy like,

0:54:19.440 --> 0:54:20.839
<v Speaker 4>oh hey, I'm married on that dog.

0:54:21.360 --> 0:54:25.480
<v Speaker 5>So that I think, in the end, if I'm having

0:54:25.560 --> 0:54:28.960
<v Speaker 5>to read a couple of different spots, I think that Mia,

0:54:29.200 --> 0:54:33.400
<v Speaker 5>because of her ability to inject her own person into it,

0:54:34.200 --> 0:54:36.360
<v Speaker 5>feels like my choice.

0:54:37.080 --> 0:54:39.280
<v Speaker 2>If that makes sense, I don't disagree.

0:54:39.440 --> 0:54:42.359
<v Speaker 1>I always think of that old adage that if there

0:54:42.440 --> 0:54:44.719
<v Speaker 1>are two people running to first base, one of them

0:54:44.800 --> 0:54:46.359
<v Speaker 1>is perfect form and one of them is bad form,

0:54:46.400 --> 0:54:48.560
<v Speaker 1>but they tie. You take the one with bad form

0:54:48.600 --> 0:54:50.279
<v Speaker 1>because teach them the right form and they're going to

0:54:50.320 --> 0:54:53.680
<v Speaker 1>beat the other person. Oh yeah, that's kind of how

0:54:53.800 --> 0:54:56.880
<v Speaker 1>I look at it with I think Mia is green,

0:54:57.080 --> 0:55:01.560
<v Speaker 1>obviously and raw, but I think she's got the natural precociousness.

0:55:01.600 --> 0:55:04.200
<v Speaker 1>She's got a great tamber to her voice, she's got

0:55:04.320 --> 0:55:07.239
<v Speaker 1>the energy, and I think you teach her up the

0:55:07.320 --> 0:55:09.359
<v Speaker 1>rest and she could be great.

0:55:09.920 --> 0:55:11.880
<v Speaker 2>Frankly, so I don't disagree. Christy.

0:55:12.960 --> 0:55:16.759
<v Speaker 3>Yeah, this was a really really hard choice. I think

0:55:16.840 --> 0:55:20.200
<v Speaker 3>because we are so invested in all of our can

0:55:20.560 --> 0:55:23.640
<v Speaker 3>they're not candid. It's a contestants. Yeah, guys, I think

0:55:23.719 --> 0:55:26.480
<v Speaker 3>I go with your guts because I think that it's

0:55:26.520 --> 0:55:28.000
<v Speaker 3>a tough week. Point tough.

0:55:28.280 --> 0:55:29.319
<v Speaker 2>Yeah, this is a tough week.

0:55:29.360 --> 0:55:32.560
<v Speaker 1>All right, let's bring Tatian in. Unfortunately, break the awful news.

0:55:32.640 --> 0:55:35.239
<v Speaker 1>I hate this. Hey, Tatiana, how are you good?

0:55:36.000 --> 0:55:36.479
<v Speaker 2>I'm good.

0:55:36.719 --> 0:55:40.319
<v Speaker 1>So this has just been a really difficult week. You've

0:55:40.360 --> 0:55:43.200
<v Speaker 1>both been You're really good. This is why it's only

0:55:43.239 --> 0:55:47.040
<v Speaker 1>the second time we went to the tiebreaker challenge. Unfortunately,

0:55:47.080 --> 0:55:48.319
<v Speaker 1>this is going to be as far as you're going

0:55:48.360 --> 0:55:51.319
<v Speaker 1>in the contest. But congratulations on making it this far,

0:55:51.960 --> 0:55:54.359
<v Speaker 1>and you're gonna have a career. I mean, it's there's

0:55:54.440 --> 0:55:56.439
<v Speaker 1>no question we've been saying from the beginning. The people

0:55:56.480 --> 0:55:58.080
<v Speaker 1>that are left in the contest, all of you could

0:55:58.120 --> 0:56:02.880
<v Speaker 1>be and probably will be signed. Absolutely, So it's just

0:56:03.040 --> 0:56:06.160
<v Speaker 1>it was it was just a matter of styles this week.

0:56:06.200 --> 0:56:08.359
<v Speaker 1>It was very is by far the most difficult we've

0:56:08.560 --> 0:56:12.160
<v Speaker 1>I think we've ever had, frankly, because everybody's so good,

0:56:12.320 --> 0:56:15.560
<v Speaker 1>and everybody really is great at what they're doing. And Carlos,

0:56:15.600 --> 0:56:17.160
<v Speaker 1>you said something interesting about kind of.

0:56:17.239 --> 0:56:20.120
<v Speaker 2>Her where you see her chemistry.

0:56:19.960 --> 0:56:22.560
<v Speaker 5>Your own voice is what I could see doing PSAs

0:56:22.760 --> 0:56:26.879
<v Speaker 5>Airbnb commercials, places that are great vacation spots, I want

0:56:26.960 --> 0:56:28.920
<v Speaker 5>to listen to you because you're calm, and you're warm,

0:56:29.000 --> 0:56:32.560
<v Speaker 5>and you're smooth, and I felt that these spots were

0:56:32.560 --> 0:56:34.920
<v Speaker 5>a little bit out of that. I will say that

0:56:35.600 --> 0:56:38.800
<v Speaker 5>commercials are not my forte or forte. I do strictly animation,

0:56:38.920 --> 0:56:41.080
<v Speaker 5>and I realize how difficult it is to read copy.

0:56:41.560 --> 0:56:45.000
<v Speaker 5>But you're sliks better than I could have dreamed to

0:56:45.400 --> 0:56:48.880
<v Speaker 5>be at that age. I'm so unrefined I didn't So

0:56:49.760 --> 0:56:55.080
<v Speaker 5>you're wonderful. You've you've got it, You've got loads of talent,

0:56:55.239 --> 0:56:57.480
<v Speaker 5>and I see good things happening.

0:56:57.560 --> 0:56:58.000
<v Speaker 4>For sure.

0:56:58.480 --> 0:57:00.440
<v Speaker 2>Yeah, for sure, I feel the same way.

0:57:00.560 --> 0:57:01.960
<v Speaker 1>Christy and Tatana.

0:57:02.160 --> 0:57:04.480
<v Speaker 3>We know that there's folks that are listening to this

0:57:04.800 --> 0:57:07.600
<v Speaker 3>podcast that would really love to connect with you. And

0:57:07.960 --> 0:57:09.799
<v Speaker 3>you know you could get booked off of just being

0:57:10.040 --> 0:57:13.560
<v Speaker 3>a contestant on here, So I guess if you wanted to,

0:57:13.760 --> 0:57:16.280
<v Speaker 3>it's your choice. For legal reasons, she could put hashtag

0:57:16.320 --> 0:57:18.400
<v Speaker 3>I hear voices in a post and say, you know,

0:57:18.480 --> 0:57:20.640
<v Speaker 3>this is who I am, And if somebody wanted to

0:57:20.640 --> 0:57:22.200
<v Speaker 3>find you, I'm sure that they could look under that

0:57:22.360 --> 0:57:24.240
<v Speaker 3>podcast or the hashtag.

0:57:24.560 --> 0:57:26.600
<v Speaker 5>And Tatiana may ask, because I am not bilingual, I'm

0:57:26.640 --> 0:57:27.520
<v Speaker 5>learning Spanish every day.

0:57:27.520 --> 0:57:28.680
<v Speaker 4>Are you bilingual?

0:57:28.920 --> 0:57:29.120
<v Speaker 1>I'm not.

0:57:29.200 --> 0:57:30.240
<v Speaker 9>I know a little bit of Spanish.

0:57:30.360 --> 0:57:32.360
<v Speaker 4>Okay, it's obviously a good trade.

0:57:32.360 --> 0:57:35.680
<v Speaker 5>There's a really great actor, Christian Lance, who's been on

0:57:35.880 --> 0:57:40.600
<v Speaker 5>Victor and Valentino and he does awards nominations. He's fully bilingual,

0:57:40.640 --> 0:57:44.000
<v Speaker 5>and that helps people that have that Latin background access

0:57:44.080 --> 0:57:44.720
<v Speaker 5>that other market.

0:57:44.800 --> 0:57:47.600
<v Speaker 4>But yeah, your voice is wonderful. It's fantastic.

0:57:47.920 --> 0:57:49.800
<v Speaker 1>You're going far, you really are, and you made it

0:57:49.880 --> 0:57:52.400
<v Speaker 1>from literally we had, like I said, like forty five

0:57:52.480 --> 0:57:56.919
<v Speaker 1>hundred to number five. So that's yeah, pretty darn good.

0:57:57.040 --> 0:58:00.240
<v Speaker 1>So congratulations. We're sorry that this is a far as

0:58:00.240 --> 0:58:02.880
<v Speaker 1>you're going only in this contestity nearly as far as

0:58:02.920 --> 0:58:05.160
<v Speaker 1>you're going in your career, and we're sure to see

0:58:05.200 --> 0:58:05.800
<v Speaker 1>in the booth soon.

0:58:05.920 --> 0:58:09.720
<v Speaker 2>So thank you so much for joining so much, so much.

0:58:10.320 --> 0:58:13.040
<v Speaker 4>A thank you, bye, great voice.

0:58:14.000 --> 0:58:18.600
<v Speaker 2>Hey, let's hey, Hi, we're good.

0:58:18.800 --> 0:58:20.760
<v Speaker 1>So it's just been a really tough week and we

0:58:20.840 --> 0:58:22.400
<v Speaker 1>didn't know which way we were going to go, and

0:58:22.520 --> 0:58:25.520
<v Speaker 1>I'm so sorry to have to tell you that you're

0:58:25.600 --> 0:58:27.560
<v Speaker 1>stuck with us for another week because.

0:58:27.880 --> 0:58:32.920
<v Speaker 2>You made the final far. Yes, I know, it's my favorite.

0:58:33.160 --> 0:58:37.720
<v Speaker 1>Yay. Congratulations Carlos actually can't stay here. He's got he's

0:58:37.720 --> 0:58:39.800
<v Speaker 1>got to run. He's been so generous with his time.

0:58:40.360 --> 0:58:42.480
<v Speaker 4>But yeah, I love your personality.

0:58:42.520 --> 0:58:44.600
<v Speaker 5>I love the way you're able to take a direction

0:58:44.800 --> 0:58:48.080
<v Speaker 5>and inject your personality into what you're reading. That's the

0:58:48.120 --> 0:58:53.080
<v Speaker 5>biggest thing, because uh, we're all really good at this point,

0:58:53.240 --> 0:58:57.200
<v Speaker 5>and whatever we can do to bring ourselves into any copy,

0:58:57.760 --> 0:59:00.560
<v Speaker 5>it's it's our it's our fingerprint, right, It's what makes

0:59:00.640 --> 0:59:02.840
<v Speaker 5>us different, and you've got that in spades.

0:59:03.120 --> 0:59:05.320
<v Speaker 4>And congratulations, thank you so.

0:59:05.440 --> 0:59:07.080
<v Speaker 8>Much, and also thank you guys so much for your

0:59:07.120 --> 0:59:09.240
<v Speaker 8>really good direction, Like it was so clear what you

0:59:09.280 --> 0:59:11.840
<v Speaker 8>guys were saying, and I really digret well.

0:59:11.960 --> 0:59:15.520
<v Speaker 1>Thank you so much. Get prepared because it's keep getting harder.

0:59:15.800 --> 0:59:18.640
<v Speaker 1>The next couple games are very very difficult. So we

0:59:18.760 --> 0:59:21.240
<v Speaker 1>look forward to seeing you. Congratulations on making it to

0:59:21.240 --> 0:59:22.800
<v Speaker 1>the final four and we will see you next round.

0:59:23.440 --> 0:59:27.960
<v Speaker 1>Thank you, bye bye, Thank you bad.

0:59:29.040 --> 0:59:32.320
<v Speaker 4>All right, Carlo, Will and Christy so good to see

0:59:32.360 --> 0:59:32.680
<v Speaker 4>you again.

0:59:33.160 --> 0:59:34.320
<v Speaker 3>Thank you awesome.

0:59:34.920 --> 0:59:37.800
<v Speaker 5>You can go to my Instagram at Carlos Ella's Rocky.

0:59:37.840 --> 0:59:40.440
<v Speaker 5>You can go to my TikTok look for the Roy Batty.

0:59:40.680 --> 0:59:43.440
<v Speaker 5>Rocko has Roy Batty and I think with kry Waldman

0:59:43.480 --> 0:59:44.320
<v Speaker 5>and and many others.

0:59:44.400 --> 0:59:45.280
<v Speaker 4>I'll be at.

0:59:47.720 --> 0:59:51.600
<v Speaker 5>Sci Fi Valley conn in Altoona, Pennsylvania, June nine through

0:59:51.640 --> 0:59:53.880
<v Speaker 5>eleven at one of the cons. So come on out

0:59:53.920 --> 0:59:54.440
<v Speaker 5>and say hi.

0:59:54.800 --> 0:59:56.760
<v Speaker 1>Absolutely, come check it out and we'll make sure that

0:59:56.760 --> 0:59:58.840
<v Speaker 1>all that information is up to Thank you so much

0:59:58.880 --> 0:59:59.640
<v Speaker 1>for taking the time.

1:00:00.080 --> 1:00:01.360
<v Speaker 2>We are so honored to have you here.

1:00:01.400 --> 1:00:04.200
<v Speaker 1>You've been phenomenal and hopefully we'll get to see you

1:00:04.200 --> 1:00:05.040
<v Speaker 1>at a con in the future.

1:00:05.360 --> 1:00:07.240
<v Speaker 4>Yeah, and I'd love to come back when we can

1:00:07.400 --> 1:00:09.760
<v Speaker 4>just hang be great and they'll do that as well.

1:00:10.080 --> 1:00:12.920
<v Speaker 1>Absolutely, Thank you so much, Carlos, have a great day.

1:00:13.440 --> 1:00:14.800
<v Speaker 4>Congrats all the contestants.

1:00:15.120 --> 1:00:16.880
<v Speaker 2>Thank you, Bye bye bye.

1:00:17.320 --> 1:00:18.040
<v Speaker 1>Oh what a week.

1:00:18.360 --> 1:00:20.320
<v Speaker 3>We have a lot of really great listeners. I've seen them,

1:00:20.680 --> 1:00:23.560
<v Speaker 3>you know, on my socials talk to me about, you know,

1:00:24.000 --> 1:00:26.400
<v Speaker 3>listening to this podcast. I want to shout out love

1:00:26.440 --> 1:00:30.560
<v Speaker 3>to you guys for being our forever listeners. And wow,

1:00:30.760 --> 1:00:34.240
<v Speaker 3>I can't believe we're almost you know, final tickets.

1:00:34.000 --> 1:00:37.960
<v Speaker 1>Final I know well, as I said to uh Mia,

1:00:38.080 --> 1:00:39.720
<v Speaker 1>and this is absolutely true, the games are going to

1:00:39.760 --> 1:00:41.600
<v Speaker 1>start getting much harder. We're down to the final four.

1:00:41.680 --> 1:00:44.880
<v Speaker 1>We're going to have some incredible judges coming up and

1:00:44.880 --> 1:00:46.320
<v Speaker 1>helping them. I don't want to give anything away, but

1:00:46.360 --> 1:00:49.680
<v Speaker 1>we start a new game next episode. Uh, not even

1:00:49.720 --> 1:00:51.520
<v Speaker 1>going to give you the name of the game yet.

1:00:51.680 --> 1:00:55.160
<v Speaker 1>So it's oh my god, it's going to be exciting.

1:00:55.240 --> 1:00:57.560
<v Speaker 1>So yeah, we're getting there and we are down. So

1:00:57.680 --> 1:01:01.480
<v Speaker 1>once to say it now once again, Mia from Florida

1:01:01.640 --> 1:01:04.480
<v Speaker 1>is going to be joining Hannah from Alabama, Danielle from Tennessee,

1:01:04.600 --> 1:01:07.640
<v Speaker 1>and Haley from Texas in the final four of the

1:01:07.760 --> 1:01:11.040
<v Speaker 1>Super Awesome Contest to become the next voice actor. We're here, Christy,

1:01:11.040 --> 1:01:12.880
<v Speaker 1>We're at the final four. There's what final four?

1:01:12.960 --> 1:01:14.160
<v Speaker 3>So I'm in shock.

1:01:14.400 --> 1:01:17.640
<v Speaker 1>Three episodes left. It's nuts, It's nuts.

1:01:18.000 --> 1:01:19.080
<v Speaker 2>It's absolutely crazy.

1:01:19.240 --> 1:01:21.360
<v Speaker 1>And as I say, the games are gonna get harder

1:01:21.440 --> 1:01:23.880
<v Speaker 1>until the last game, which you're gonna be like, you've

1:01:23.920 --> 1:01:25.040
<v Speaker 1>got to be getting me.

1:01:25.480 --> 1:01:25.720
<v Speaker 6>Gosh.

1:01:25.760 --> 1:01:28.680
<v Speaker 3>I wonder if I wonder if our contestants are actively

1:01:28.800 --> 1:01:30.680
<v Speaker 3>listening to these episodes.

1:01:30.760 --> 1:01:31.360
<v Speaker 1>I kind of hope.

1:01:31.440 --> 1:01:34.800
<v Speaker 2>I'm sure they are. I'm sure they're I'm of course,

1:01:35.480 --> 1:01:36.120
<v Speaker 2>I'm sure they are.

1:01:36.200 --> 1:01:38.440
<v Speaker 1>Yeah. No, it's gonna get it's gonna get more difficult.

1:01:38.480 --> 1:01:39.800
<v Speaker 1>It's gonna be a lot of fun. We're gonna have

1:01:39.840 --> 1:01:42.080
<v Speaker 1>some incredible guests. We want to thank everybody once again

1:01:42.160 --> 1:01:47.880
<v Speaker 1>for joining us Prime Video Critical role. Go check out

1:01:48.000 --> 1:01:51.640
<v Speaker 1>season two. Uh yeah, I heard season two of Vox Machina.

1:01:51.720 --> 1:01:54.040
<v Speaker 1>You can download that now. iHeart for helping us out.

1:01:54.120 --> 1:01:56.040
<v Speaker 1>I love you, Christy. I'm so happy that we're doing

1:01:56.080 --> 1:01:56.560
<v Speaker 1>this too.

1:01:56.640 --> 1:01:57.640
<v Speaker 2>We're coming to the end though.

1:01:57.680 --> 1:01:59.160
<v Speaker 1>It's so it's amazing.

1:01:59.200 --> 1:02:01.320
<v Speaker 2>We're gonna We're gonna make somebody's dream come true.

1:02:01.360 --> 1:02:02.280
<v Speaker 1>This is really really cool.

1:02:02.760 --> 1:02:04.400
<v Speaker 3>That's what we set out to do, and we're doing it.

1:02:04.520 --> 1:02:07.240
<v Speaker 1>I think we're doing it, and we've got four incredible

1:02:07.320 --> 1:02:10.640
<v Speaker 1>contestants left. I don't know if everybody out there has

1:02:10.680 --> 1:02:11.200
<v Speaker 1>their favorites.

1:02:11.280 --> 1:02:11.600
<v Speaker 3>I do not.

1:02:11.760 --> 1:02:13.640
<v Speaker 2>I'm being totally honest with you. I have no idea

1:02:13.960 --> 1:02:16.760
<v Speaker 2>who's in the lead. I don't know who's gonna win.

1:02:17.120 --> 1:02:17.800
<v Speaker 2>I don't there is.

1:02:17.880 --> 1:02:20.520
<v Speaker 1>I'm not pulling for anybody. It is day by day.

1:02:20.560 --> 1:02:22.720
<v Speaker 1>I always say to myself every time I watch these

1:02:22.920 --> 1:02:25.520
<v Speaker 1>these shows that I watched in Master Chefs and Top Chefs,

1:02:25.560 --> 1:02:27.680
<v Speaker 1>I'm like, I wonder if the judges really do it

1:02:27.760 --> 1:02:29.600
<v Speaker 1>day by day. I wonder if they really have a favorite.

1:02:30.600 --> 1:02:31.439
<v Speaker 4>I know that I don't.

1:02:31.920 --> 1:02:34.400
<v Speaker 2>There's I really don't know. I have no idea. It

1:02:34.560 --> 1:02:36.720
<v Speaker 2>changes day by day. It's so strange.

1:02:36.800 --> 1:02:38.720
<v Speaker 3>So I think we're rooting. I think we're rooting for

1:02:38.760 --> 1:02:41.240
<v Speaker 3>everyone equally. But we're doing a really great I think

1:02:41.280 --> 1:02:43.800
<v Speaker 3>we're way better judges than I ever thought we would

1:02:43.840 --> 1:02:44.040
<v Speaker 3>have been.

1:02:44.800 --> 1:02:46.760
<v Speaker 1>I think our guest judges are pretty darn gray too.

1:02:47.320 --> 1:02:49.800
<v Speaker 1>I think they're they're keeping us honest. They're keeping us honest.

1:02:51.360 --> 1:02:54.760
<v Speaker 1>Our adjudicators are keeping us honest. All right, everybody, thank

1:02:54.800 --> 1:02:57.480
<v Speaker 1>you so much. Join us next episode to the start

1:02:57.600 --> 1:03:00.520
<v Speaker 1>the final four. We're gonna have an incredible guest we

1:03:00.600 --> 1:03:02.840
<v Speaker 1>are going to have an incredible guest judge and a

1:03:02.960 --> 1:03:05.280
<v Speaker 1>brand new game as we are going to pick our

1:03:05.320 --> 1:03:08.080
<v Speaker 1>super awesome contest to become the next big voice actor.

1:03:08.480 --> 1:03:09.760
<v Speaker 1>Final two coming up.

1:03:09.880 --> 1:03:12.000
<v Speaker 2>So it's so amazing.

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<v Speaker 1>Don't forget if you have what you think you have,

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<v Speaker 1>what it takes to step up to the microphone, put

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<v Speaker 1>your voices where your mouth is.

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<v Speaker 2>Thanks everybody, Bye, guys.

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<v Speaker 1>I Hear Voices is hosted by Wilfredell and Christy Carlson Romano.

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<v Speaker 1>Executive produced by will Fredell, Brendan Rooney, Amy Sugarman. Our

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<v Speaker 1>executive in charge of production is Danielle Romo. Our producer

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<v Speaker 1>is Lorraine Verrouez and our editor slash engineer is Brian Burton,

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<v Speaker 1>and that was my announcer voice.

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<v Speaker 13>Some side effects of listening to I Hear Voices are

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<v Speaker 13>sore abs from hilarity, falling down the Coco melon rabbit hole,

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<v Speaker 13>sneezing due to mass nostalgia, and hugs.

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<v Speaker 1>Follow I Hear Voices wherever you listen to podcasts so

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<v Speaker 1>you don't miss any of the amazing voices.

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<v Speaker 13>Be sure to follow us on Instagram and TikTok at

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<v Speaker 13>I Hear Voices podcast.

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<v Speaker 1>You can also check us out on MySpace, omeagle Vine, LimeWire.

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<v Speaker 1>He am a napster.

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<v Speaker 13>Okay, well, let's teach you about the.

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<v Speaker 8>Internet the who Hey there, I Hear Voices listeners. This

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<v Speaker 8>is Nia, the winner of the super Awesome contest to

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<v Speaker 8>become the next big voice actor. I am so glad

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<v Speaker 8>I found this podcast, and I'm why do you found

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<v Speaker 8>it too?

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<v Speaker 5>Well?

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<v Speaker 1>Then, Christie, also.

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<v Speaker 8>Known as Kim Possible and Rounstoppable, interview the best known

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<v Speaker 8>voices in Hollywood, from your favorite.

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<v Speaker 10>Cartoon characters to video game voices.

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<v Speaker 8>You never know who they'll talk to next. Make sure

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<v Speaker 8>to follow, a like and download the I hear Voices

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<v Speaker 8>podcast on iHeart Apple and anywhere you get your podcasts.

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<v Speaker 10>And remember, if you think you had what

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<v Speaker 8>It takes, put your voices where your mouth is.