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Speaker 1: Good Morning, show you anywhere else the world's stagers want

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Speaker 1: to show the cameras. I agree Lit City with Dry

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Speaker 1: the captain of this the only one who can keep

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Speaker 1: these guys in chat. Soloman, the god is the breakfast

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Speaker 1: Wake up, wake up, wake up, your time to get

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Speaker 1: it off your chest with your man or blame. We

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Speaker 1: want to hear from you on the breakfast block. Hello,

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Speaker 1: who's this? And this is Chandling from Ohio. How you

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Speaker 1: guys going this morning? What's up? Chant Let's get it

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Speaker 1: off your chests? And Solomon, I'm gonna need you guys

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Speaker 1: to do Mitchy a favor and get her a copy

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Speaker 1: of The Lion King. How have you not seen The

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Speaker 1: Lion King all your life? Like? I probably gize, but

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Speaker 1: I'm like, what did your parents that you didn't go

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Speaker 1: to Disney? Ain't having to right? Yeah, it's pretty bad.

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Speaker 1: I don't. I'm gonna be honest, I don't even think

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Speaker 1: my parents have seen The Lion King. It's a great movie.

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Speaker 1: So what I'm gonna need you guys to do for

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Speaker 1: her copies for Christmas? And you watch with your parents

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Speaker 1: Lion King because you have to see the Lion King.

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Speaker 1: You have to see it like. It's actually like the

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Speaker 1: story of black people in America if you really pay

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Speaker 1: attention to but you can go see the play. You

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Speaker 1: can play. You can see the play you think to

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Speaker 1: play to play movie first? Yes, stick to the cartoons.

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Speaker 1: Don't still be confused. Part two the Lion King part too.

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Speaker 1: But it don't matter. You don't need that. We need

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Speaker 1: to get it for it please, I don't know. Did

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Speaker 1: you see part Did you see part two? Oh? Trash?

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Speaker 1: The Lion King Part two is like Belly part two.

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Speaker 1: I've seen Paul one and then I've seen the play.

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Speaker 1: I took the kids to see the play. Hello, who's this? Yo? Yo?

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Speaker 1: This is low Yo. I need your help, Yo boy?

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Speaker 1: What happened? Sound like you was listen listen. Two weeks ago,

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Speaker 1: I would shoot at some videos on Farday name. I

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Speaker 1: came back out to y'all because it was like three

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Speaker 1: in the morning. I ended up fall asleep at the light.

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Speaker 1: I woke up to somebody banging on my window. Who there?

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Speaker 1: I was like, Oh, don't you trump? You drunk? Tell

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Speaker 1: I'm like, yo, bro, I'm not drunk. I'm literally tired.

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Speaker 1: Homie called the cops on me, waiting to put the

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Speaker 1: cops to get there. Cops pulled up home. We stole

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Speaker 1: on me and was holding the door so I couldn't

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Speaker 1: get until the cop came out. Like I need you listen.

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Speaker 1: I need y'all to put it out there. Whoever to

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Speaker 1: do this? I don't know. He's from Yonka Temne meet

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Speaker 1: me by Getty Square at three o'clock today. We just

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Speaker 1: he's not gonna meet you. And I'm to be drunk

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Speaker 1: right now, so he's definitely not gonna meet you there. Damn.

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Speaker 1: I'm told every time I'm sim I'm gonna shim. Man.

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Speaker 1: Isn't it crying to be trying to sleep in your car?

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Speaker 1: Thank you, bro? I think it is a crowd to

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Speaker 1: be drunk in your car. I don't know. I'm just asking.

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Speaker 1: I think, so, Hello, who's this? It's his tailor from

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Speaker 1: Georgie Helly tailor. Get it off your chance, mama. Um.

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Speaker 1: I just pulling in to tell anybody who's going through

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Speaker 1: something right now, because I'm going through a lot just

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Speaker 1: hanging in there. Everything's gonna be okay when you wake

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Speaker 1: up every morning saying God for another day. Time get tough,

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Speaker 1: but hey, in Therese's gonna be right. No, right though.

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Speaker 1: I tell people that all the time. Trouble don't last always.

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Speaker 1: I love your positive attitude absolutely all right. You know

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Speaker 1: what it's I've been depressed, but finally I woke up

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Speaker 1: and I'm like, you know what, I just keep doing

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Speaker 1: the right thing, and the right things are gonna come

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Speaker 1: to me. And that is the fact. And the best

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Speaker 1: thing to think is that the world's gonna keep turning,

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Speaker 1: whether you're angry or depressed or not exactly. And you, guys,

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Speaker 1: I listen to you guys every morning on my way

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Speaker 1: to work. You guys pump me up every morning. I

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Speaker 1: love you, guys. I'm shaking because I'm talking to you. Well.

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Speaker 1: We love you too. We love those great inspiration of

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Speaker 1: words you gave us this morning. I have a great morning.

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Speaker 1: Get it off your chest, ain't don't you five eight

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Speaker 1: five one oh five one. If you're upset, you need

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Speaker 1: to vent hit us up now. It was the breakfast Club.

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Speaker 1: God morning, the breakfast club. Wake up, wake up, wake y'all.

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Speaker 1: If you're time to get it off your chest, whether

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Speaker 1: your man or blak, we want to hear from you

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Speaker 1: on the breakfast Club. Hello. Who's that yo? This is

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Speaker 1: Marcus Man. I everybody doing n cat writing markets. I

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Speaker 1: anyway that a boomerang. I just I'm mad at myself

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Speaker 1: because I was planning on get know. I'm saying, possibly

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Speaker 1: for out a new car this weekend, and I was like,

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Speaker 1: you know what, I know my credit as the best,

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Speaker 1: but let me check it out. That way, I could

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Speaker 1: possibly have a strapped report this weekend. So I go

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Speaker 1: and check it out, and my credit is shot being shot.

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Speaker 1: What's your credit shot shot? I'll tell it. Tell us

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Speaker 1: what it is. I'm talking about like a old photog.

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Speaker 1: So basically you two points hid and jay Z's four

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Speaker 1: four four album, which is ironic because he told y'all

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Speaker 1: to get your credit up on four four four exactly.

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Speaker 1: What's what's on your report that's so bad? It's the

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Speaker 1: student loan student loans, and I'm pretty proble with my

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Speaker 1: money in terms of like not having uh paying sending

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Speaker 1: bills and stuff like that. No, not even that. It's

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Speaker 1: just more so I'm just trying to like I grew

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Speaker 1: up port so I don't want to spend my money

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Speaker 1: if I don't necessarily happen to tell you exactly. But

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Speaker 1: I'm at the age now twenty five, so I'm at

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Speaker 1: the age now where things are becoming more important, like

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Speaker 1: buying a car behind the house and set myself up

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Speaker 1: that way, so you buy no house with that type

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Speaker 1: of credit score. You gotta nah. I gotta get it.

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Speaker 1: I gotta get it together. So that's this is all about.

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Speaker 1: I'm blessed. I'm blessed as well. I'm in a position

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Speaker 1: down to where I have a good job to where

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Speaker 1: I can get myself order. You gotta stat it. You

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Speaker 1: gotta look at it like your credits call right now

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Speaker 1: has a curable STD all right, it's not her piece.

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Speaker 1: It's not HIV, meaning that you know it's no cure

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Speaker 1: for it. You can cure this, sir, is simple ORCLA

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Speaker 1: media right here, this is this is done. You can

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Speaker 1: get it done. You can. You can clean this one up.

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Speaker 1: So it's the bright side. Damn thing. Brother, That's what

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Speaker 1: I'm talking about. Right now. Let's get it. And if

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Speaker 1: you need help, I got a person for you. She

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Speaker 1: works very very well. Okay. Genie Kelly is her name.

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Speaker 1: She will help you out. Believe me. Google is your friend.

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Speaker 1: Sir Gene Kelly, how you spell Jennie g e? Ah'm sorry?

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Speaker 1: J E Kelly k E l L. I go get

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Speaker 1: that chlamdia. You call a credit called cure. That's what

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Speaker 1: I'm talking about. Try to be like you when I

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Speaker 1: grow up. Let's do it, yes, sir? All right, bro,

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Speaker 1: come on and ge was up in a while. You

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Speaker 1: ain't been consistent, man. You ain't a consistent sucker like

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Speaker 1: you used to be. Oh man, I've been working real

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Speaker 1: hard man, But I'm calling the day because I feel black.

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Speaker 1: Oh yeah, an done lately. Baby. I don't know what

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Speaker 1: it is doing, but I feel so blessed because I'm

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Speaker 1: the time I said pictures d ain't n't be a

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Speaker 1: solemn man. I just feel blessed morning. I still have

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Speaker 1: a great hairline because hey, hey, you know what, it's

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Speaker 1: the first time you ever caught up here and you're

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Speaker 1: absolutely correct with you know what. He didn't hand you before.

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Speaker 1: You gotta do something. He needs a new material, but

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Speaker 1: he's absolutely correct with this with sir, you win and

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Speaker 1: I win this morning. I do have head. I don't

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Speaker 1: have no here. I keep a bal d on purpose

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Speaker 1: because when I when I don't have a bal d,

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Speaker 1: I look like robo cop when he takes his mask off,

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Speaker 1: get it off his chest. Eight hundred five, ain't five

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Speaker 1: one oh five one. If you're upset or you need

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Speaker 1: to Vince, call us right now, or maybe you feel

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Speaker 1: blessed phone lines. I'd open this to Breakfast Club. Good Morning,

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Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee,

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Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

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Speaker 1: a special guest in the building. He's signed to rock Nation.

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Speaker 1: Jay Z is the EP of this album. He's from Chicago.

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Speaker 1: Ladies and gentlemen, vic mensa, vic mensa, you know what's

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Speaker 1: going on to the show. Thank you for the album.

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Speaker 1: Thank you. I cannot lie Vick. You have not letting

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Speaker 1: me down yet. Man. I listened to autobiography this morning,

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Speaker 1: very dope album. Thank you, like really really really good.

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Speaker 1: Thank you many. Jay Z called you a once in

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Speaker 1: a lifetime artist. That's a lot of pressure. So how

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Speaker 1: did you how did you take that? Well? You know,

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Speaker 1: I've been studying Hove same way I've been studying Nas

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Speaker 1: and studying Kanye far before I ever met these people.

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Speaker 1: So uh, to have that that support and that validation

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Speaker 1: from from Hove is like, is really inspiring to me.

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Speaker 1: But it doesn't feel so much like Prussia, because that's

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Speaker 1: the cloth of music that I was always intending to

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Speaker 1: be a part of. You can tell. So how did

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Speaker 1: you get so close to jay Z? Why did he

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Speaker 1: epe this project? Hope has just been somebody that has

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Speaker 1: helped me to grow as a man. And that's one

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Speaker 1: of those relationships where I feel like I knew him

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Speaker 1: before I met him, just because I've been so in

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Speaker 1: depth with the music. And that's that's what That's what

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Speaker 1: RAP is. I feel as at its best, it's like

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Speaker 1: you may really know a person. Even though Pock and

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Speaker 1: Biggie past, I feel as if in a certain way,

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Speaker 1: in a certain sense, I know those men. And that's

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Speaker 1: the same way that I knew Hope before meeting him.

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Speaker 1: And he's really that person that he is on record,

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Speaker 1: And I know I learned a lot from him growing

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Speaker 1: up just about the world. You know, I didn't I

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Speaker 1: didn't know that you were six years old in first

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Speaker 1: grade until he said he got most six is the

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Speaker 1: first grade? Right? You know? That never occurred to me,

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Speaker 1: So then, uh, you know, working with him, he's in

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Speaker 1: parting this wisdom on me just man man, and not

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Speaker 1: just through lyrics. It's the same way as learning things

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Speaker 1: from him musically, he told you to pull the bar

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Speaker 1: right because he said you you just some wrap on

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Speaker 1: erg which is very tough to very woutang instrumental, ask

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Speaker 1: you man, and he told you to pull the bar. Yeah.

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Speaker 1: He just told me that what you're doing won't won't

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Speaker 1: work out in your favor if you know that, if

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Speaker 1: you know in your heart it's not right. The universe

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Speaker 1: only works one way. And I didn't want to change

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Speaker 1: my lyric. You know, I don't think that I've ever

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Speaker 1: changed a lyric that anybody told me to change. I'm

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Speaker 1: pretty stubborn in that way, just because I think about

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Speaker 1: the things I say, and I don't say them unless

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Speaker 1: I mean him. And once he put that game in

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Speaker 1: my ear, though, it kind of made me start thinking

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Speaker 1: and and gave me perspective to anything that I was

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Speaker 1: doing that could bring down another young black man, regardless

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Speaker 1: of music, whether I like the music or um I

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Speaker 1: agree with it. Culturally, at the end of the day,

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Speaker 1: there's so many people that want to keep people like

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Speaker 1: us out of the room, and they don't They don't

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Speaker 1: want us to have a platform, they don't want us

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Speaker 1: to have a road to success, they don't want us

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Speaker 1: to be getting money and I don't want to be

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Speaker 1: one of those people holding back or you know, restricting

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Speaker 1: another young black man's access to his dreams, because why

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Speaker 1: would I. You know, you didn't like his music, but

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Speaker 1: you had no personal issue. Yeah, I had no personal issue,

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Speaker 1: and and I had to I had to come to

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Speaker 1: a place where I could really just be putting strictly

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Speaker 1: positive energy into the world, regardless of what I think

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Speaker 1: about the music, because I could be a hater about music.

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Speaker 1: I always wondered why yaddi though, because I'm like, why

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Speaker 1: is Big even throwing a shot at it just rhymes

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Speaker 1: with the little Minati? I don't even And it was,

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Speaker 1: you know, and that made me think about it. I

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Speaker 1: was like, this is not right. You know, it just

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Speaker 1: rhymes with the Littleminatti. That's the only reason I wrote

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Speaker 1: the line. You know. So when Jay, when Jay told

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Speaker 1: you to take the line about YadA YadA yad, did

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Speaker 1: you say, Hey, you wrote takeover, you wrote super Ugle Jay.

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Speaker 1: But there was a personal problem. No, I just didn't.

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Speaker 1: I just didn't do it. You know. I tried, and

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Speaker 1: I thought about it, and I was like, I tried

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Speaker 1: to think of something that I could replace it with.

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Speaker 1: And I wasn't into it. So I hit him up

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Speaker 1: and I'm like, uh, you know, thank you, man, but um,

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Speaker 1: I'm gonna stick with this line. And then he gave

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Speaker 1: me just that that that piece of information that made

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Speaker 1: me think and and Coach K is my man. You know,

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Speaker 1: I go back with Coach K. Coach K is somebody

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Speaker 1: that showed me love early. It didn't really occur to me.

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Speaker 1: I think that it's easy to get maybe disillusioned in

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Speaker 1: your own bubble and like bouncing your ideas off of

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Speaker 1: people that are in your circle and kind of agree

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Speaker 1: with you, and forget the way that other people may

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Speaker 1: be impacted by your actions. And so when I spoke

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Speaker 1: to Coach K, and I'm like, man, you know, um,

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Speaker 1: I don't. I don't want to be holding Coach K

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Speaker 1: back or trying to try to take food off his play.

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Speaker 1: That's my man. And I also don't want to be

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Speaker 1: the guy trying to take food off another young brother's play.

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Speaker 1: You know one story that you told that was very vivid,

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Speaker 1: and it kind of reminds me of a story to

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Speaker 1: tell by Baggie. You had your own story to tell,

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Speaker 1: and that was Homewrecker. Oh that was interesting. I was

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Speaker 1: I was definitely inspired by a story to tell it

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Speaker 1: kind of it was that vibe, even though it was

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Speaker 1: a whole different story. But basically, you know, I was

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Speaker 1: going to bring this up. Um, you were cheating, I guess,

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Speaker 1: on your girl and then your girl came to the

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Speaker 1: door and you opened the door and let her in,

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Speaker 1: and then all help broke loose. Yeah, it was. It

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Speaker 1: was a situation that went down in a major way.

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Speaker 1: And honestly, I was. I was coming from like a

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Speaker 1: oftentimes coming from a pretty hurt place myself, and I

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Speaker 1: was hurting people around me. People hurt people. Yeah, hurt people,

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Speaker 1: hurt people, and that's something that created a lot of

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Speaker 1: a lot of static, a lot of drama in my life,

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Speaker 1: and a lot of guilt. Also. I really depict the

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Speaker 1: situation on the album cover, which you see me like

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Speaker 1: in the middle of a trashed apartment with it out

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Speaker 1: the wall, stove came out, the wall papers to design

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Speaker 1: I was. I was, I was, but um, you know,

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Speaker 1: if you kind of look a little bit closer, like

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Speaker 1: the you know, the kitchen table is flipped in there

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Speaker 1: and there's like broken glass on the ground, and I

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Speaker 1: wanted to make it clear that all these papers on

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Speaker 1: the side and everything that I was crumpling up and writing.

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Speaker 1: It was kind of like I was I was sitting

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Speaker 1: in the middle of this chaos and writing about it.

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Speaker 1: Because even when the situation happened with Homewrecker, she saw

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Speaker 1: the moment at which I realized that I didn't have

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Speaker 1: to get on this flight. That was that I had

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Speaker 1: schedule because I was supposed to go to New York

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Speaker 1: and do like some TV show with Asap Rocky or something,

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Speaker 1: and I didn't really want to do it, and I

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Speaker 1: didn't have to get on this flight, and I was

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Speaker 1: so excited, kind of like to write a song about

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Speaker 1: what was going on. So it's a moment in time

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Speaker 1: when she just pulled the stove out the wall and

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Speaker 1: then I'm like, I'm like, oh no, And then I'm

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Speaker 1: like I'm like catching a breathe and I'm like it's

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Speaker 1: gonna be a good ass. Soong h. We got more

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Speaker 1: with Vic Mintso when we come back this the breakfast Club,

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Speaker 1: Good morning, the Breakfast Club wanting everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlemagne and Guy. We all the Breakfast Club.

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Speaker 1: We had Vic Mensa in the building out Vic Mentus

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Speaker 1: and to rock Nation. He's from Chicago. He has a

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Speaker 1: new project out that's dope. That's Charlemagne. You really use

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Speaker 1: your music for activism, man, and that's that's dope. That's

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Speaker 1: not a popular thing to do. But but but why

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Speaker 1: do you choose to do that? I guess I kind

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Speaker 1: of know now because you said you felt like you

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Speaker 1: weren't doing what you were supposed to do with the music.

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Speaker 1: I feel like that we're down a path of self destruction,

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Speaker 1: like as a culture very often because we're not as

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Speaker 1: people having knowledge yourself. I remember when when I've read

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Speaker 1: something the most Death said that hip hop is gonna

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Speaker 1: reflect where we are as a people. And when you

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Speaker 1: look at some of the some of the trends and

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Speaker 1: hip hop and it just being kind of empty, and

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Speaker 1: you know, there's a lot of self medication going on

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Speaker 1: and we're not getting to the bottom of it. It's

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Speaker 1: it's just reflecting where we are as a people because

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Speaker 1: we've kind of in certain ways lost like sense of

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Speaker 1: purpose and knowledge of self, Like knowing who you are

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Speaker 1: is is so important to knowing where you want to

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Speaker 1: go and where you can go. That's what my whole

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Speaker 1: book is about. Knowledge. You don't want to drag DJ

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Speaker 1: academics around Chicago anymore. I don't want to drag DJ

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Speaker 1: academics around Chicago. I think that what he's kind of

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Speaker 1: come to prominence for is phony, and I think he's

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Speaker 1: a phony and he's not even a DJ. But but

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Speaker 1: it's not really you know, it's not my mission. It's

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Speaker 1: not my mission to like, you know, to destroy DJ academics. Um.

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Speaker 1: I don't really think he has a place in the

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Speaker 1: culture past being a parasite. But I'm not like waking

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Speaker 1: up thinking about him. I don't really give about him,

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Speaker 1: you know. I want I want to salute you to man,

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Speaker 1: because a lot of things you do in the community

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Speaker 1: you don't promote. Like when everything was going on with

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Speaker 1: the Dakota Access pipe, you was out there. I never

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Speaker 1: saw you post about it. I never said, so you

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Speaker 1: seen anything about it? But I had people on the

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Speaker 1: ground they were like, yo, vic mentis out here, and

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Speaker 1: I'm like, really, I often feel as if I have

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Speaker 1: like a responsibility to in whatever ways I can lend

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Speaker 1: a hand to the struggle of oppressed people, and the

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Speaker 1: Native American people are the most oppressed group in America

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Speaker 1: and frankly one of the most oppressed groups in the world.

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Speaker 1: And when I got down there at a Standard Rock,

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Speaker 1: I'm seeing so many parallels between the Black American experience

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Speaker 1: and the Native American experience. And I'm seeing also so

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Speaker 1: many unified movements between our cultures and a lot of

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Speaker 1: the people that I met down there were mixed black

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Speaker 1: and Natives, and it never really occurred to me kind

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Speaker 1: of before that time how alike we were and how

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Speaker 1: alike our fight was. But I didn't go down there

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Speaker 1: or go to Flint, Michigan, to go to Baton Rouge

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Speaker 1: because I wanted people to know about it, you know,

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Speaker 1: because I was, I mean know about me. I wanted

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Speaker 1: people to know about the situations and to to give

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Speaker 1: visibility and like I said, Linda, hand in any way

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Speaker 1: that I can, But it would be disingenuine if I

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Speaker 1: was doing those things for like a photo op and

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Speaker 1: like a press release, you know what I mean. Right,

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Speaker 1: How do the cops treat you now in Chicago? I'm

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Speaker 1: sure everybody knows you, and I know you've had some situations.

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Speaker 1: You're in probation now, right, but um, how how do

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Speaker 1: you feel about the cops now? And how do they

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Speaker 1: teach you now that you're a celebrity in Chicago. Uh, well,

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Speaker 1: you know, cops don't treat me that great. It never did,

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Speaker 1: but um, the angry because you're speaking. Yeah, you know.

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Speaker 1: I was doing a lot of palos the last summer,

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Speaker 1: and I had a song called sixteen Shots and it

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Speaker 1: was like, you know, real very vocal about police brutality

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Speaker 1: and kind of like punching back and fighting back against it.

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Speaker 1: And there were cops that were at Lollapalooza that were

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Speaker 1: telling people like, don't go to vict mnsus set, boycott

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Speaker 1: vict minsis set. I've had issues trying to film videos

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Speaker 1: in the city and get permits in the city. But

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Speaker 1: the end of the day, I'm more so focused on

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Speaker 1: the system than I am focused on every individual police officer,

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Speaker 1: because I hate the system that allows these crooked cops

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Speaker 1: to kill us and nobody gets convicted. You can't tell me.

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Speaker 1: You can't tell me not one of these police officers

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Speaker 1: has committed a crime. You can't tell me not one

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Speaker 1: of these situations has been a homicide, a first degree homicide,

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Speaker 1: first degree murder. When you shoot a kid sick teen

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Speaker 1: times and we watch you unload the clip and come

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Speaker 1: over and kick him once it's all finished. That that's

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Speaker 1: not man slaughter, that's a homicide man. That's a murder man.

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Speaker 1: And and they're not being held accountable for what they're doing.

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Speaker 1: So that that's what I don't respect. It's like it's

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Speaker 1: a system of validation and the code of Blue and

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Speaker 1: the Wall of Blue or whatever they call it, where

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Speaker 1: they got to protect their own, you know, before before

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Speaker 1: viewing us as people. That's what I have a problem with.

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Speaker 1: This is my final question. Man, You and Chance gotta

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Speaker 1: get cool again. We've been talking. Man, y'all have to.

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Speaker 1: And if you have a brother, if you've ever had

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Speaker 1: a brother, you know, brothers fight, man like that happens,

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Speaker 1: and uh, you know, especially growing up and everybody is

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Speaker 1: there to watch it. You know, we came up together

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Speaker 1: from being fourteen years old and you know, recording some

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Speaker 1: of our first records and raps ever and ass rap

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Speaker 1: just uh, you know, navigating the city of Chicago and

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Speaker 1: and and coming into our own as men in a

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Speaker 1: in a in a major way, brothers like you not

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Speaker 1: posted next to each other. We ain't supposed to be

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Speaker 1: the city needed the city needed, the city need us

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Speaker 1: to be unified. And that's that's the place that I'm

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Speaker 1: at and black people need you are to be uniformed

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Speaker 1: can create change together. And I feel like social socially conscious,

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Speaker 1: like conscious rap or whatever it's like, has grown to

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Speaker 1: be something that's like a you know, a label that's

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Speaker 1: not always positive. But I think that that's something that

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Speaker 1: that we both kind of that we've both kind of owned,

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Speaker 1: both of us separately and specifically, have you know, just

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Speaker 1: been like, yeah, we're conscious, you know, like we're awake.

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Speaker 1: We're not sleep sleeping. I mean it cool, Yeah, we

407
00:21:58,400 --> 00:22:01,720
Speaker 1: really just sleeping. Man. It's like you you either woke

408
00:22:01,800 --> 00:22:06,439
Speaker 1: or you asleep, and I'm woke. He woke, So we

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Speaker 1: gotta be unified. We appreciate you. Man. Whenever you're mad

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Speaker 1: at any of these young rappers and you're like rapping

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Speaker 1: soul whack and if pop is sol whacking, these kids

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Speaker 1: don't know something. Turn on from vic mins. There you go.

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Speaker 1: Now that's right, it's the Bread Streets. Now. Thank you

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Speaker 1: for joining us, Thank you guys for having me. Breakfast Club.

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Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

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Speaker 1: the guy. We are the Breakfast Club. We got a

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Speaker 1: special guest in the building. I love when legends stopped

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Speaker 1: by Chris Rocks. Thank you, good morning, thank you, and

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Speaker 1: I missed the rock. Should I be interviewing you because

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Speaker 1: you're you're the You're the hot one right now. I'm

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Speaker 1: doing okay, now you're doing real. God is God is good.

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Speaker 1: God is good. Yeah, good, publishing is good. Words are good.

423
00:22:52,960 --> 00:22:55,640
Speaker 1: Sentences paragraph. The book is out in New York Times

424
00:22:55,640 --> 00:23:00,320
Speaker 1: Bestseller But tracking stuff like we'll all keeping track of

425
00:23:00,359 --> 00:23:04,520
Speaker 1: stuff like that Total Total Blackout tour right now, which

426
00:23:04,600 --> 00:23:06,360
Speaker 1: is a huge day before we get to that. Now,

427
00:23:06,480 --> 00:23:09,280
Speaker 1: Envy wasn't here last, Yes, and he was not here last.

428
00:23:10,040 --> 00:23:12,280
Speaker 1: I'm actually shocked that he stuck around the day he went,

429
00:23:12,320 --> 00:23:15,359
Speaker 1: he went to Africa. I had a slight rich people

430
00:23:15,440 --> 00:23:20,560
Speaker 1: problem with each other. Envy. Our kids played basketball, they

431
00:23:20,560 --> 00:23:23,399
Speaker 1: played against each other. Envy was the coach of his

432
00:23:23,880 --> 00:23:26,680
Speaker 1: old basketball team, so I commend him for that. Right.

433
00:23:27,040 --> 00:23:30,399
Speaker 1: So he had one of these these Elijah on Shot

434
00:23:30,520 --> 00:23:33,560
Speaker 1: kids that was you know, like this kid that had

435
00:23:33,640 --> 00:23:38,040
Speaker 1: like sixty points that they're killing us, they're killing us,

436
00:23:38,640 --> 00:23:40,959
Speaker 1: and it's like three minutes left in the game, and

437
00:23:41,160 --> 00:23:45,959
Speaker 1: normally compassionate individuals take the good kid out. Yeah, yeah, no,

438
00:23:46,080 --> 00:23:48,040
Speaker 1: he keeps the good kid in for no reason for

439
00:23:49,320 --> 00:23:52,960
Speaker 1: and that's not nice. So we played him the day before, right,

440
00:23:53,240 --> 00:23:57,600
Speaker 1: and the kids went up to Chris rocking as food autogram. No, no, no, no, no, no,

441
00:23:57,680 --> 00:24:00,200
Speaker 1: this was the day. Oh yeah, you tell that I'm

442
00:24:00,200 --> 00:24:03,040
Speaker 1: woring with the nod. It was after the game. You

443
00:24:03,119 --> 00:24:06,600
Speaker 1: don't turn the day before. After the game. No, I

444
00:24:06,640 --> 00:24:09,600
Speaker 1: did not give anybody no autographs. Turning the fact, I'll

445
00:24:09,640 --> 00:24:11,040
Speaker 1: turn it the fact. I was like, we're going to

446
00:24:11,080 --> 00:24:12,960
Speaker 1: get them the next one. No, no, you know we

447
00:24:13,000 --> 00:24:14,720
Speaker 1: blew them out. But that has nothing to do with

448
00:24:14,760 --> 00:24:17,720
Speaker 1: the young ladies on the team. That's poor sportsmanship. Oh no,

449
00:24:17,840 --> 00:24:20,760
Speaker 1: it was like, so you had met you wrong. It

450
00:24:20,880 --> 00:24:24,800
Speaker 1: was like, literally they beat us by forty Yeah. Now, Christ,

451
00:24:24,840 --> 00:24:26,640
Speaker 1: back on your behalf. You could have gave the little

452
00:24:26,640 --> 00:24:29,639
Speaker 1: girls an autograph. You know what. They deserved to feel

453
00:24:29,680 --> 00:24:39,760
Speaker 1: bad that day about something. It's a life lesson the

454
00:24:39,880 --> 00:24:42,840
Speaker 1: sense of the father I passed down to the sons

455
00:24:42,880 --> 00:24:49,840
Speaker 1: of the dark. No, he's pay that no reason. You

456
00:24:49,880 --> 00:24:52,320
Speaker 1: give me be a penny for no damn reason. It

457
00:24:52,440 --> 00:24:55,760
Speaker 1: was learning lesson. It was funny. Oh god, he getting

458
00:24:55,800 --> 00:24:59,200
Speaker 1: pulled over in that neighborhood that much anymore, not lately.

459
00:24:59,400 --> 00:25:03,680
Speaker 1: That's a stop taking pictures. Obviously I pulled. I ran

460
00:25:03,760 --> 00:25:05,760
Speaker 1: out of film. They don't even have a film anymore.

461
00:25:06,000 --> 00:25:08,240
Speaker 1: But I ran out of film. But they're hiring new cops.

462
00:25:08,280 --> 00:25:10,560
Speaker 1: Why they don't know who you are yet? I don't know, man.

463
00:25:10,640 --> 00:25:13,280
Speaker 1: And it's not like I changed cause anything. They just

464
00:25:13,359 --> 00:25:15,800
Speaker 1: they just like getting me. I mean one cop pulled

465
00:25:15,800 --> 00:25:18,280
Speaker 1: me over one time. He goes, do you live around here?

466
00:25:18,320 --> 00:25:21,520
Speaker 1: And I'm like, do you live around him? Because I

467
00:25:21,560 --> 00:25:25,080
Speaker 1: don't know, no cop could. Yeah. I get pulled over

468
00:25:25,080 --> 00:25:26,679
Speaker 1: over there all the time, getting the hair cut, like

469
00:25:26,760 --> 00:25:30,159
Speaker 1: all the time. They find the weirdest reasons. Know, if

470
00:25:30,200 --> 00:25:32,000
Speaker 1: there's an air fresh to hang in from your mirror

471
00:25:33,640 --> 00:25:35,080
Speaker 1: in a fing as you said, you call the cops

472
00:25:35,080 --> 00:25:37,080
Speaker 1: some people all the time, Well I do. If they

473
00:25:37,119 --> 00:25:39,399
Speaker 1: go to sell coke. Charlomagne had an incident with It

474
00:25:39,400 --> 00:25:41,440
Speaker 1: was a white guy in the neighborhood that asked him

475
00:25:41,440 --> 00:25:45,000
Speaker 1: if he sold coke? Really, where the hell you live

476
00:25:45,200 --> 00:25:47,720
Speaker 1: in a nice neighborhood. If guy looked like, what do

477
00:25:47,760 --> 00:25:50,240
Speaker 1: you allan? Yeah? Really? Yea? But equal I was like,

478
00:25:50,240 --> 00:25:51,399
Speaker 1: what is that? I don't even know what that. I

479
00:25:51,400 --> 00:25:54,080
Speaker 1: didn't know what it was told me cocaine so set

480
00:25:54,160 --> 00:25:56,920
Speaker 1: up trying to get you. Yeah, you wrote a good book.

481
00:25:57,040 --> 00:26:02,280
Speaker 1: That's why this is when they get you. You've been infiltrated.

482
00:26:03,160 --> 00:26:07,680
Speaker 1: One of these, one of these people right here, the FBI.

483
00:26:08,720 --> 00:26:14,240
Speaker 1: The I bet I know who it is. You've been infiltrated.

484
00:26:14,600 --> 00:26:19,160
Speaker 1: They flipped them. He's gonna give them notes tonight about you.

485
00:26:20,080 --> 00:26:23,119
Speaker 1: Is he working on another book? Is gonna be blanking

486
00:26:23,119 --> 00:26:25,639
Speaker 1: the title? It's time too now. It's been nine years

487
00:26:25,640 --> 00:26:28,600
Speaker 1: since your last to a lot of material, like a

488
00:26:28,640 --> 00:26:31,040
Speaker 1: crazy amount of material. Sometimes and things happen. Do you

489
00:26:31,080 --> 00:26:33,480
Speaker 1: say this is unfortunate, but this would be great for

490
00:26:33,560 --> 00:26:36,959
Speaker 1: my stand up? Yes, sometimes it happens. I mean, you know,

491
00:26:37,080 --> 00:26:39,840
Speaker 1: you don't want the world to explode. I don't want

492
00:26:39,880 --> 00:26:42,280
Speaker 1: Donald Trump to be president just to help out my act,

493
00:26:42,960 --> 00:26:45,960
Speaker 1: you know, but stuff happens. Lots of lots of crazy

494
00:26:46,000 --> 00:26:48,560
Speaker 1: stuff happened. I got the boss. You know a lot

495
00:26:48,600 --> 00:26:51,000
Speaker 1: of a lot of you know nonsense. How do you

496
00:26:51,000 --> 00:26:52,720
Speaker 1: know when it's time to go back out? Like I

497
00:26:52,840 --> 00:26:58,480
Speaker 1: needed some money? Man? You know what you just want

498
00:26:58,480 --> 00:27:01,000
Speaker 1: to I don't know what. People talk to you like

499
00:27:01,040 --> 00:27:03,440
Speaker 1: you ain't funny. That's what it's time to go back out.

500
00:27:04,040 --> 00:27:06,760
Speaker 1: Somebody give you that look. You're like, good, let me,

501
00:27:06,880 --> 00:27:08,760
Speaker 1: let me get out here. Is there anything off limit

502
00:27:08,800 --> 00:27:11,800
Speaker 1: that you will not touch? There's nothing off limits that

503
00:27:11,800 --> 00:27:14,480
Speaker 1: I will not touch. There's no I mean, if it's funny,

504
00:27:14,560 --> 00:27:17,200
Speaker 1: let's let's do it. Let's do it, you know, pus.

505
00:27:17,440 --> 00:27:20,280
Speaker 1: I was just getting a lot of encouragement Chappelle and

506
00:27:20,800 --> 00:27:23,239
Speaker 1: keV Hard. Everybody's like, come on, man, come on, man,

507
00:27:23,320 --> 00:27:24,919
Speaker 1: come on man. You know, so what do you mean

508
00:27:24,920 --> 00:27:26,840
Speaker 1: when you say people talk to you like you're not funny? Though?

509
00:27:26,960 --> 00:27:28,840
Speaker 1: But this why you got this book right now? Right?

510
00:27:29,240 --> 00:27:31,800
Speaker 1: And it's good, you know, I kind of just started it.

511
00:27:32,440 --> 00:27:37,080
Speaker 1: Don't you see the difference of people, the respect you're getting. Absolutely,

512
00:27:37,200 --> 00:27:42,800
Speaker 1: it's weird. Weird, Yeah, yeah, yeah, put some spect on

513
00:27:42,920 --> 00:27:46,520
Speaker 1: my All of a sudden, it's like it's like Charlotta

514
00:27:46,520 --> 00:27:50,920
Speaker 1: Magne smart and I'm like, yes, so what was I before? Right?

515
00:27:50,960 --> 00:27:52,800
Speaker 1: And now you're like, wait a minute, they were lying

516
00:27:52,880 --> 00:27:57,719
Speaker 1: the whole time. Interested you do tweet out at we're

517
00:27:57,720 --> 00:27:59,040
Speaker 1: not a lot. But I see you putting I hope

518
00:27:59,040 --> 00:28:01,520
Speaker 1: they laugh. And I was thinking that sarcasm, But now

519
00:28:01,520 --> 00:28:04,040
Speaker 1: I'm thinking that something really too, that like hope they

520
00:28:04,160 --> 00:28:07,639
Speaker 1: laughed for real, because sometimes people could fake it. You know.

521
00:28:07,720 --> 00:28:10,880
Speaker 1: Sometimes sometimes you have a comedy show and ain't even

522
00:28:10,920 --> 00:28:13,480
Speaker 1: a comedy show. It's like a pep rally. Yeah you

523
00:28:13,520 --> 00:28:19,520
Speaker 1: know what you think you had a comedy show? Oh yeah,

524
00:28:19,520 --> 00:28:22,800
Speaker 1: man recently? No, no, not recently, but I mean on

525
00:28:22,880 --> 00:28:26,840
Speaker 1: the come up, of course. Man, I'm plays guys. I

526
00:28:26,880 --> 00:28:30,480
Speaker 1: had to work with Martin Lawrence and Robin Harris and said,

527
00:28:31,480 --> 00:28:33,560
Speaker 1: you know what I mean, like you try to follow

528
00:28:33,640 --> 00:28:36,639
Speaker 1: said to entertainer in Oakland. You know, he got an

529
00:28:36,720 --> 00:28:38,960
Speaker 1: arm't suit on and everybody else got on purple suits

530
00:28:40,080 --> 00:28:42,280
Speaker 1: and you coming out and all your New York black

531
00:28:42,800 --> 00:28:46,720
Speaker 1: get out of here. I don't like no big hat yeah, Sunday,

532
00:28:47,040 --> 00:28:50,240
Speaker 1: I don't think people are fake laugh nowadays though, just

533
00:28:50,280 --> 00:28:53,600
Speaker 1: got booed. That's just but but recently the dab will

534
00:28:53,640 --> 00:28:56,960
Speaker 1: test you, Yeah, Dave will definitely tests. He wasn't telling

535
00:28:57,040 --> 00:28:59,160
Speaker 1: jokes though, Isn't that what happened? He just came out there.

536
00:28:59,640 --> 00:29:05,520
Speaker 1: He's on his new special. Yeah to eight minutes to

537
00:29:05,600 --> 00:29:07,760
Speaker 1: light a cigarette? You know. You know, Davin gets into that.

538
00:29:07,840 --> 00:29:10,640
Speaker 1: People were offended by his I thought, now I was laughing,

539
00:29:10,640 --> 00:29:13,680
Speaker 1: but sometimes at jokes I laugh, but then I feel like, man,

540
00:29:13,720 --> 00:29:15,320
Speaker 1: should I have laughed at that? Is that the greatest

541
00:29:15,400 --> 00:29:17,520
Speaker 1: rape joke of all time? You know? I think that

542
00:29:17,600 --> 00:29:20,320
Speaker 1: to myself. Chappelle's the best comedy in the world. To me,

543
00:29:20,520 --> 00:29:22,360
Speaker 1: you say that, but it's like y'all neck and neck.

544
00:29:22,480 --> 00:29:24,640
Speaker 1: That's kind of like jay Z and Nah saying who's

545
00:29:24,680 --> 00:29:28,920
Speaker 1: the better rapper, or like y'all right there with each other. Okay, okay,

546
00:29:28,920 --> 00:29:31,320
Speaker 1: if you say so, I mean for me, I don't.

547
00:29:31,040 --> 00:29:33,720
Speaker 1: I've never been real Chris Rock show, you know what

548
00:29:33,760 --> 00:29:37,920
Speaker 1: I mean? You special? Yeah, I've seen a special. You know.

549
00:29:38,520 --> 00:29:41,080
Speaker 1: You know. I like y'all for different reasons. Like Chappelle

550
00:29:41,240 --> 00:29:43,960
Speaker 1: is like a he's an observer, but you're like a

551
00:29:44,000 --> 00:29:48,360
Speaker 1: cultural observer. It's not even like you're telling jokes to me. Okay, okay,

552
00:29:49,160 --> 00:29:52,200
Speaker 1: when's your show? When's your show coming off? Well, y'all

553
00:29:52,240 --> 00:29:57,120
Speaker 1: do a show no never, no comedy, and then that's

554
00:29:57,120 --> 00:29:59,760
Speaker 1: the expectations. Maybe not a stand up comedy show, but like,

555
00:30:00,080 --> 00:30:03,720
Speaker 1: you know, like like a one man special, like a

556
00:30:04,200 --> 00:30:06,960
Speaker 1: Rachel Maddow something. I don't know if you exact produce it.

557
00:30:07,640 --> 00:30:11,720
Speaker 1: I'm in were talking, all right? We got more with

558
00:30:11,800 --> 00:30:13,760
Speaker 1: Chris Rock when we come back, we'll talk about his

559
00:30:13,920 --> 00:30:16,120
Speaker 1: tour and his favorite movie roles Don't Move. It's a

560
00:30:16,120 --> 00:30:21,840
Speaker 1: breakfast club. Good morning, the breakfast Club. I think everybody

561
00:30:21,960 --> 00:30:24,760
Speaker 1: is DJ n Vy, Angela Yee, Charlomagne, the guy. We

562
00:30:24,800 --> 00:30:28,520
Speaker 1: are the breakfast club. We have Chris Rock in the building, Charlemagne.

563
00:30:28,520 --> 00:30:31,160
Speaker 1: Who is Chris Rock competing against nowadays? I mean we're

564
00:30:31,200 --> 00:30:34,080
Speaker 1: all competing against Richard Pryor. We're all trying to get

565
00:30:34,120 --> 00:30:38,560
Speaker 1: to that. That's my number one. But you know, Dave

566
00:30:38,640 --> 00:30:42,400
Speaker 1: a little bit Hannibal here. You know, there's some cats

567
00:30:42,440 --> 00:30:44,800
Speaker 1: out there. I saw ali You ever see ali Wan

568
00:30:45,120 --> 00:30:49,560
Speaker 1: little Asian girl. No, there's some cats out there. You know.

569
00:30:50,760 --> 00:30:52,680
Speaker 1: I don't want to be like some old boxer that's

570
00:30:52,680 --> 00:30:55,760
Speaker 1: just saying high from ringside. I want to still be

571
00:30:55,920 --> 00:30:58,400
Speaker 1: I'm still in the ring. Yeah, so you know, I

572
00:30:58,440 --> 00:30:59,840
Speaker 1: want to, you know, be out there with the big

573
00:31:00,040 --> 00:31:03,440
Speaker 1: hev killing it. I love all of us, but none

574
00:31:03,440 --> 00:31:05,720
Speaker 1: of them have a classic stand up special. You have

575
00:31:05,760 --> 00:31:08,640
Speaker 1: a classic Thank you. Bring the Pain is classic. I

576
00:31:08,720 --> 00:31:11,560
Speaker 1: watched it twice this year. We actually still use it

577
00:31:11,560 --> 00:31:13,040
Speaker 1: all the time on the show when we talk about

578
00:31:13,080 --> 00:31:15,320
Speaker 1: different things. I'm like, let's get that clip from Bring

579
00:31:15,360 --> 00:31:19,680
Speaker 1: the pain when we talk about things, right, whose tracker?

580
00:31:19,800 --> 00:31:24,560
Speaker 1: Right now? When we talk about alimony, we use that special.

581
00:31:24,880 --> 00:31:26,560
Speaker 1: I wonder why you came out to touch me, tease

582
00:31:26,600 --> 00:31:28,440
Speaker 1: me though instead of bring the pain by meThe man,

583
00:31:29,080 --> 00:31:35,760
Speaker 1: I mean at the time touch me. You gotta get

584
00:31:35,800 --> 00:31:40,840
Speaker 1: the girls, you gotta get them, gotta get them, no, right, yeah,

585
00:31:40,920 --> 00:31:47,200
Speaker 1: twenty years lady, Like who's this case? Whose case? Who's

586
00:31:47,280 --> 00:31:52,719
Speaker 1: case wasn't married with case? What's it foxy on that too? Like?

587
00:31:53,080 --> 00:31:59,480
Speaker 1: Whose case? Who's foxy? Even now? Why the name total blackout?

588
00:32:00,120 --> 00:32:03,320
Speaker 1: Kind of building on what y'all are doing here? You know,

589
00:32:03,480 --> 00:32:07,160
Speaker 1: the Black Lives Matter movement. Just I don't know, it

590
00:32:07,240 --> 00:32:09,680
Speaker 1: just felt right, you know what I mean? Just felt

591
00:32:09,760 --> 00:32:11,920
Speaker 1: right by getting blacker, you know what I mean? Just

592
00:32:12,440 --> 00:32:15,239
Speaker 1: it's a it's a black time. The kids. He's a

593
00:32:15,240 --> 00:32:18,120
Speaker 1: real dad. Like he's a real dad because a lot

594
00:32:18,160 --> 00:32:19,960
Speaker 1: of times people say their fathers and they don't take

595
00:32:19,960 --> 00:32:21,520
Speaker 1: their kids to the games, They don't take their kids

596
00:32:21,560 --> 00:32:24,240
Speaker 1: to practice, they don't argue with the coach and other teams.

597
00:32:24,600 --> 00:32:28,040
Speaker 1: Kids rock at every game with his daughters, Like traveling around.

598
00:32:28,080 --> 00:32:30,080
Speaker 1: He's an uber driver on the weekends. I would see

599
00:32:30,760 --> 00:32:33,520
Speaker 1: every day you're stereotyping. But you don't see that too much,

600
00:32:33,560 --> 00:32:35,680
Speaker 1: not not just especially with people in the entertainment industry,

601
00:32:35,720 --> 00:32:39,800
Speaker 1: that people are really busy and not around. And yeah,

602
00:32:40,400 --> 00:32:42,640
Speaker 1: I always say, you know, what if I die, When

603
00:32:42,680 --> 00:32:46,560
Speaker 1: I die at my funeral, if you're talking about my jokes,

604
00:32:46,760 --> 00:32:49,360
Speaker 1: I have failed as a father. That's the way I

605
00:32:49,440 --> 00:32:51,160
Speaker 1: look at it. Should be talking about your life, just

606
00:32:51,320 --> 00:32:53,479
Speaker 1: talking about my life and what kind of person. When

607
00:32:53,520 --> 00:32:55,880
Speaker 1: I went to Bernie mac funeral, like, comedy was like

608
00:32:56,000 --> 00:32:59,760
Speaker 1: a very small part. It was just like this guy's husband,

609
00:33:00,040 --> 00:33:03,240
Speaker 1: guys a father, this guy's a friend. You know. You know,

610
00:33:03,320 --> 00:33:05,080
Speaker 1: I don't I hope, I don't know. I'm not planning

611
00:33:05,160 --> 00:33:08,000
Speaker 1: on dying anytime soon. But by the way, I've talked

612
00:33:08,040 --> 00:33:10,040
Speaker 1: to like three comedians in the past couple of weeks,

613
00:33:10,040 --> 00:33:11,560
Speaker 1: and all of them have said the exact same thing.

614
00:33:11,840 --> 00:33:13,880
Speaker 1: If they're talking to me, like if I die, I

615
00:33:14,000 --> 00:33:15,760
Speaker 1: want you to know, I'm like, what are you talking about?

616
00:33:15,880 --> 00:33:19,560
Speaker 1: Like why are you why? Somebody? Definitely I'm please. We're

617
00:33:19,600 --> 00:33:22,120
Speaker 1: all you know well who you've been talking to. I

618
00:33:22,240 --> 00:33:26,000
Speaker 1: talked to Donna Robins yesterday. Call me to go ya.

619
00:33:26,040 --> 00:33:27,440
Speaker 1: I don't wanna tell you man. If I die man,

620
00:33:27,480 --> 00:33:31,360
Speaker 1: you really, but that's also called Charlie Murphy just passed.

621
00:33:31,600 --> 00:33:32,920
Speaker 1: Too many people knew he was sick. I didn't know

622
00:33:32,920 --> 00:33:34,600
Speaker 1: he was, say I see him at the shop, and

623
00:33:34,600 --> 00:33:37,800
Speaker 1: I did. Charlie Murphy just passed. With black men, we

624
00:33:37,960 --> 00:33:43,120
Speaker 1: all got passed away. We got all our fathers die

625
00:33:43,200 --> 00:33:47,480
Speaker 1: and the fifties early sixties, so you gotta be thinking

626
00:33:47,520 --> 00:33:49,120
Speaker 1: about it a little bit, you know what I mean.

627
00:33:49,240 --> 00:33:54,000
Speaker 1: I mean, you know, things change. Medicine is better. You know,

628
00:33:55,000 --> 00:33:58,560
Speaker 1: greens don't kill you like they used to. The worst

629
00:33:58,600 --> 00:34:01,760
Speaker 1: thing about a black funeral, it's like at the end

630
00:34:01,800 --> 00:34:04,400
Speaker 1: of the funeral they served the food that killed the person.

631
00:34:10,160 --> 00:34:15,080
Speaker 1: You realized he's dead because of this. Why did you stop?

632
00:34:15,200 --> 00:34:17,920
Speaker 1: Everybody hates Chris, you know what. The kid kind of

633
00:34:17,960 --> 00:34:20,600
Speaker 1: outgrew it, you know what I mean. You know Tyler

634
00:34:20,800 --> 00:34:24,200
Speaker 1: was you know, it's like it's like he's in high

635
00:34:24,239 --> 00:34:28,279
Speaker 1: school with a bid some point, so you know, it

636
00:34:28,440 --> 00:34:30,680
Speaker 1: was just time. Man. It's it's one of those weird

637
00:34:30,760 --> 00:34:32,840
Speaker 1: shows too. We are like on a weird network, so

638
00:34:33,560 --> 00:34:36,360
Speaker 1: people didn't know about the show while it was on

639
00:34:36,760 --> 00:34:40,359
Speaker 1: the rerun. Yeah, when we got in syndication was like, yo,

640
00:34:40,800 --> 00:34:42,960
Speaker 1: this is amazing. I was like, where were y'all when

641
00:34:43,080 --> 00:34:46,840
Speaker 1: the show was on? You know, but hey, it's great.

642
00:34:47,560 --> 00:34:50,960
Speaker 1: It's a lot of pain I went through, just being

643
00:34:51,040 --> 00:34:54,440
Speaker 1: bust to school and you know, bullying and all that crap.

644
00:34:54,719 --> 00:34:56,759
Speaker 1: You know, we know you from the comedy specials, from

645
00:34:56,760 --> 00:34:58,160
Speaker 1: all the TV shows, but a lot of the kids

646
00:34:58,239 --> 00:35:00,759
Speaker 1: know you from that show. Oh yeah, straight up. They

647
00:35:00,840 --> 00:35:02,680
Speaker 1: know me from a lot of kids know me from

648
00:35:02,960 --> 00:35:07,480
Speaker 1: Everybody Hates Chris and Marty the Zebra from Madagascar. Absolutely,

649
00:35:08,040 --> 00:35:12,920
Speaker 1: it's like you're a cracker licking how man. When they

650
00:35:12,960 --> 00:35:17,120
Speaker 1: call you that, they say, they seem going poo gayo man, Pooky,

651
00:35:17,320 --> 00:35:20,480
Speaker 1: you know, legend, Pooki's a legend, man. I you know

652
00:35:20,560 --> 00:35:23,560
Speaker 1: how lucky I was to be Pooky, you know what

653
00:35:23,560 --> 00:35:26,120
Speaker 1: I mean? Like, I'm Pooky Man. Did you ever hear like,

654
00:35:26,160 --> 00:35:28,920
Speaker 1: how are you rap records out here? Cats talking about Kakarta.

655
00:35:29,440 --> 00:35:32,680
Speaker 1: I was in the Carter. I smoke cracking the Carter

656
00:35:33,080 --> 00:35:35,920
Speaker 1: actually the essential part of the movie. Yeah, man, like

657
00:35:36,440 --> 00:35:38,359
Speaker 1: you it was the movie the movie, Like you played

658
00:35:38,800 --> 00:35:40,759
Speaker 1: essential part in that film. Yeah. Man. I looked back

659
00:35:40,800 --> 00:35:42,520
Speaker 1: at all that. I was like, I'm just I'm the

660
00:35:42,640 --> 00:35:46,279
Speaker 1: luckiest guy. I was New Jack City. I was a boomerang,

661
00:35:46,560 --> 00:35:49,000
Speaker 1: like like classics did you think about that part? Like

662
00:35:49,080 --> 00:35:52,279
Speaker 1: I don't want to play a cracking before, Like I

663
00:35:52,320 --> 00:35:54,960
Speaker 1: didn't want to do it. I lucked up, man, I

664
00:35:55,080 --> 00:35:56,840
Speaker 1: lucked up. We didn't even know what was gonna be

665
00:35:57,200 --> 00:35:58,800
Speaker 1: what it was, you know what I mean. I remember

666
00:35:59,680 --> 00:36:02,760
Speaker 1: like we did like two weeks of rehearsal without Wesley

667
00:36:03,520 --> 00:36:06,480
Speaker 1: and we had our first table read. Wesley shows up,

668
00:36:06,760 --> 00:36:10,200
Speaker 1: and when my man started reading his lines, We're like, oh,

669
00:36:10,920 --> 00:36:12,920
Speaker 1: this is this movie is gonna be around for ever,

670
00:36:13,560 --> 00:36:15,279
Speaker 1: you know what I mean? Like like you knew you

671
00:36:15,320 --> 00:36:17,960
Speaker 1: were in the presence of greatness right as soon as

672
00:36:18,040 --> 00:36:20,520
Speaker 1: he started. As soon as you heard Nino Brown's voice,

673
00:36:20,560 --> 00:36:24,719
Speaker 1: You're like, Okay, it's on. This is it forever? Even

674
00:36:24,880 --> 00:36:28,200
Speaker 1: even the term C before that's lived forever. It's almost

675
00:36:28,239 --> 00:36:30,320
Speaker 1: like you predicted where the rap game was going, Like

676
00:36:30,400 --> 00:36:33,400
Speaker 1: everybody pretended everybody would pretending to be ganging to for

677
00:36:33,440 --> 00:36:38,080
Speaker 1: about fifteen twenty years. Yeah, man, you know it's weird.

678
00:36:38,120 --> 00:36:41,640
Speaker 1: I get offers to for C before the tour as

679
00:36:41,640 --> 00:36:49,239
Speaker 1: a group. Yes, yeah, Charlie in that movie Charlie's first. Yeah,

680
00:36:49,440 --> 00:36:54,640
Speaker 1: that's Charlie's first movie. We had auditions and for Gusto,

681
00:36:54,719 --> 00:36:57,759
Speaker 1: it's like a Gusto day, right. So Charlie gets out

682
00:36:57,760 --> 00:37:00,239
Speaker 1: of his call. He got two henchmen with him. He's

683
00:37:00,320 --> 00:37:02,640
Speaker 1: dressed like Gusto. He got the shades he has on

684
00:37:02,800 --> 00:37:05,480
Speaker 1: in the movies. He had on at the audition. And

685
00:37:05,719 --> 00:37:07,799
Speaker 1: he does his audition and there's a part where you're

686
00:37:07,800 --> 00:37:10,359
Speaker 1: supposed to pull out a gun. Everybody else just pulls

687
00:37:10,360 --> 00:37:12,480
Speaker 1: out their fingers and you know, makes a fake gun.

688
00:37:12,880 --> 00:37:18,879
Speaker 1: Charlie Murphy pulls out like a glock nine. Yeah, yeah,

689
00:37:19,000 --> 00:37:21,880
Speaker 1: like a real gun. And we're like, whoa, Okay, you

690
00:37:22,000 --> 00:37:24,640
Speaker 1: got the part. You can't tell him though, you can't

691
00:37:24,640 --> 00:37:27,279
Speaker 1: tell him no at all. Plus he was hysterical. Did

692
00:37:27,320 --> 00:37:29,120
Speaker 1: you know that was Eddie's brother when he walked up?

693
00:37:29,680 --> 00:37:32,680
Speaker 1: I knew, But you know, stuff like that don't always

694
00:37:32,719 --> 00:37:34,799
Speaker 1: work in your favok you know what I mean, it's

695
00:37:34,840 --> 00:37:37,920
Speaker 1: not you know, you end up with a weird expectation.

696
00:37:38,360 --> 00:37:41,480
Speaker 1: So but he wiped it out. We're like, oh, okay,

697
00:37:41,800 --> 00:37:44,080
Speaker 1: because you don't want like a junior version of Eddie

698
00:37:44,160 --> 00:37:47,880
Speaker 1: Murphy in the movie. He's like, he's you know, he

699
00:37:48,280 --> 00:37:51,560
Speaker 1: was just Charlie Murphy. You know, he had his he

700
00:37:51,719 --> 00:37:56,880
Speaker 1: was his own distinct thing that nobody sounded like. Charlie Burphy.

701
00:37:57,440 --> 00:37:59,200
Speaker 1: You know, all right, we got more with Chris Rock

702
00:37:59,280 --> 00:38:01,440
Speaker 1: coming up. Oh, it's the Breakfast Cloud. Good morning. I

703
00:38:01,600 --> 00:38:04,319
Speaker 1: want to get everybody. It's DJ N v Angela. Ye,

704
00:38:04,520 --> 00:38:06,759
Speaker 1: Charlomagne the guy. We are the Breakfast Club. We have

705
00:38:07,280 --> 00:38:10,680
Speaker 1: Chris Rock in the building, Charlemagne. How was the Netflix

706
00:38:10,800 --> 00:38:13,640
Speaker 1: changed the game as far as movies in stand up?

707
00:38:14,160 --> 00:38:17,439
Speaker 1: I mean, honestly, Netflix probably got me doing this more

708
00:38:18,080 --> 00:38:20,680
Speaker 1: than anybody. And it's not just like that they're paying

709
00:38:20,760 --> 00:38:30,920
Speaker 1: me or anything. I'm doing all right, you know, Max Player, Noah,

710
00:38:30,960 --> 00:38:33,080
Speaker 1: because you can sit there and watch. You can if

711
00:38:33,120 --> 00:38:35,000
Speaker 1: you want to really be a student of comedy, you

712
00:38:35,040 --> 00:38:38,120
Speaker 1: can just sit there. I sit down sometimes and watch

713
00:38:38,239 --> 00:38:43,280
Speaker 1: like twenty specials, like you know, like the first twenty minutes,

714
00:38:43,320 --> 00:38:46,080
Speaker 1: the ten specials in the afternoon. It's like, oh, this

715
00:38:46,239 --> 00:38:50,919
Speaker 1: cat's doing this, Jim Jeffries cat. I would never watch

716
00:38:51,080 --> 00:38:55,040
Speaker 1: like country guys, this woman and oh, like I found

717
00:38:55,080 --> 00:38:57,440
Speaker 1: out about Amy Schumer and this one like people I

718
00:38:57,520 --> 00:38:59,880
Speaker 1: got hip to that I would never get hipped through.

719
00:39:00,080 --> 00:39:02,880
Speaker 1: She got his blocked on Twitter. Yeah she does, actually

720
00:39:02,920 --> 00:39:06,560
Speaker 1: tweeted that her I don't understand the same mission thing. Hey, man, Yeah,

721
00:39:07,400 --> 00:39:12,960
Speaker 1: I don't. I'm not blocking time blocks, And what does

722
00:39:12,960 --> 00:39:15,120
Speaker 1: the total blackout to come to New York doesn't come

723
00:39:15,200 --> 00:39:18,359
Speaker 1: to December seven, New York. It's all over the country though,

724
00:39:18,480 --> 00:39:20,239
Speaker 1: and they can get tickets right now ticketmaster dot com,

725
00:39:20,400 --> 00:39:26,879
Speaker 1: chickenmaster dot com, Barclay's Fortnight Garden for a few. Yeah,

726
00:39:26,960 --> 00:39:29,680
Speaker 1: it's it's going down. Then I'm gonna probably film the

727
00:39:29,760 --> 00:39:33,680
Speaker 1: special in Brooklyn. So yeah, you said, anything goes in comedy. Now,

728
00:39:33,719 --> 00:39:37,080
Speaker 1: what's the easiest group to offend in twenty seventeen? Man,

729
00:39:37,120 --> 00:39:39,959
Speaker 1: you gotta gotta be careful with your transgenders. You gotta.

730
00:39:41,200 --> 00:39:45,440
Speaker 1: You've been a word that one, right, you better take

731
00:39:45,520 --> 00:39:49,520
Speaker 1: that one to spell check. My friend did a good

732
00:39:49,600 --> 00:39:51,680
Speaker 1: job with that on his did a really good job.

733
00:39:51,680 --> 00:39:54,520
Speaker 1: But I thought I thought you made. I thought I

734
00:39:54,760 --> 00:40:00,200
Speaker 1: thought he what he did was like made. What am

735
00:40:00,239 --> 00:40:07,919
Speaker 1: I trying to see? I love that. I thought he humanized,

736
00:40:08,000 --> 00:40:11,759
Speaker 1: Not that anybody's not human, but I thought it's a

737
00:40:11,840 --> 00:40:16,680
Speaker 1: thing you should be. Just because he didn't like the

738
00:40:16,800 --> 00:40:19,320
Speaker 1: person and the joke doesn't mean he didn't like the

739
00:40:19,400 --> 00:40:22,480
Speaker 1: person because of their sexual preference, Right, That's what I'm

740
00:40:22,520 --> 00:40:26,399
Speaker 1: trying to say. And a lot of times we white

741
00:40:26,440 --> 00:40:29,239
Speaker 1: people do this too. It's like you deal with a

742
00:40:29,320 --> 00:40:31,960
Speaker 1: minority and you put him on a pedestal, and that's

743
00:40:32,239 --> 00:40:34,680
Speaker 1: I mean, that's that's almost racist too. It's like, it's

744
00:40:34,800 --> 00:40:37,560
Speaker 1: nice that you could put somebody just in a normal situation.

745
00:40:38,000 --> 00:40:39,880
Speaker 1: And that's what Dave did in this special. But I

746
00:40:39,920 --> 00:40:42,360
Speaker 1: don't feel like Louisy k tiptold around that kind of stuff.

747
00:40:42,360 --> 00:40:44,359
Speaker 1: I feel like he goes right for it. He does

748
00:40:44,400 --> 00:40:47,799
Speaker 1: not care. No, he doesn't goes right at it. Yeah,

749
00:40:48,280 --> 00:40:50,800
Speaker 1: so why do y'all care? Why do we care? I

750
00:40:50,840 --> 00:40:52,759
Speaker 1: don't know. I don't know. I don't know. I seem

751
00:40:52,800 --> 00:40:55,200
Speaker 1: like we're getting more trouble. Yes, it's still that I'm

752
00:40:55,239 --> 00:40:57,680
Speaker 1: still black. Thing like maybe it's yeah, that seems like

753
00:40:57,719 --> 00:41:00,439
Speaker 1: we're getting more trouble. That's what I think. You don't

754
00:41:00,440 --> 00:41:02,879
Speaker 1: want to get boycotted and lose opportunities. I don't need

755
00:41:03,000 --> 00:41:09,040
Speaker 1: that right, trying to pay alimony, trying. It's like, yes,

756
00:41:09,160 --> 00:41:14,000
Speaker 1: we got a special coming to Yes, we're doing great comedy,

757
00:41:14,080 --> 00:41:15,839
Speaker 1: more fun. I didn't make it feel like more work.

758
00:41:16,480 --> 00:41:18,879
Speaker 1: Yeah it is, it's fun. It's fun. I'm not I'm

759
00:41:18,920 --> 00:41:22,239
Speaker 1: not mad. I got no, I got no anger nothing. Yeah,

760
00:41:22,760 --> 00:41:24,760
Speaker 1: you know, we all we all got we all got bills,

761
00:41:25,120 --> 00:41:27,160
Speaker 1: we all got something, like you said, and bringing the pain.

762
00:41:27,160 --> 00:41:29,520
Speaker 1: If you're making fifty million issue wins half, no big deal,

763
00:41:29,560 --> 00:41:34,480
Speaker 1: you still got Yeah. Yeah, yeah, I'm fine. I'm fine.

764
00:41:34,520 --> 00:41:39,120
Speaker 1: I'm fine. I won't pick up the check. I'm not

765
00:41:39,160 --> 00:41:44,320
Speaker 1: gonna sit around. Black check comes, I go to the bathroom.

766
00:41:46,440 --> 00:41:52,120
Speaker 1: I gotta go to the bathroom, pray for Charlemagne. Hopeless

767
00:41:52,160 --> 00:41:56,399
Speaker 1: bonus came. You've You've always had that hip hop filing

768
00:41:56,480 --> 00:41:58,880
Speaker 1: me to your shows too, Like do you even keep

769
00:41:58,920 --> 00:42:00,320
Speaker 1: track of what's going on out here now? Like the

770
00:42:00,360 --> 00:42:05,640
Speaker 1: Little Yaddi Ross's album, Oh yeah, the old you can't

771
00:42:05,680 --> 00:42:08,360
Speaker 1: count Ross still still though, how do y'all hookup? You

772
00:42:08,440 --> 00:42:11,800
Speaker 1: know what really happen? I sulted at the bed. You know,

773
00:42:11,920 --> 00:42:13,160
Speaker 1: it's like one of those things. I was doing an

774
00:42:13,200 --> 00:42:15,759
Speaker 1: award show and I thought I had one Rick Ross

775
00:42:15,880 --> 00:42:18,560
Speaker 1: joke and I didn't realize to watching it later than

776
00:42:18,600 --> 00:42:21,839
Speaker 1: I had four and then like Rick Ross, I think

777
00:42:21,880 --> 00:42:24,200
Speaker 1: it is the first guy ever like apologized to us,

778
00:42:24,280 --> 00:42:27,560
Speaker 1: Like I felt like Ross to get too serious though, Man, man,

779
00:42:27,800 --> 00:42:30,120
Speaker 1: you know, Puss, here's the weird thing. I love Ross.

780
00:42:30,719 --> 00:42:32,360
Speaker 1: You know what I mean. I love Ross. So it

781
00:42:32,440 --> 00:42:34,239
Speaker 1: was a couple of times I was like, I want

782
00:42:34,239 --> 00:42:35,719
Speaker 1: to go to this show. At that show, I was like,

783
00:42:36,000 --> 00:42:41,799
Speaker 1: I better not. I got beefoot Ross because we went

784
00:42:41,840 --> 00:42:43,680
Speaker 1: to the whole interview after BT war. He was going

785
00:42:43,719 --> 00:42:45,960
Speaker 1: in on credit like yeah, plus, you know how beef works.

786
00:42:46,000 --> 00:42:48,880
Speaker 1: It ain't even the guy. It's the eight guys around

787
00:42:49,000 --> 00:42:52,600
Speaker 1: the guy to play. It's the eight guys around the

788
00:42:52,719 --> 00:42:55,600
Speaker 1: guy that want to impress the guy, you know what

789
00:42:55,640 --> 00:42:58,319
Speaker 1: I mean. So I don't need that, as you said,

790
00:42:58,600 --> 00:43:01,239
Speaker 1: I'm real, I'm with my kids most of the time.

791
00:43:01,840 --> 00:43:04,160
Speaker 1: So I text Ross. I was like, hey, man, whatever, man,

792
00:43:05,000 --> 00:43:07,800
Speaker 1: you know what, I actually apologize, I'm gonna say it.

793
00:43:07,800 --> 00:43:09,759
Speaker 1: I'm gonna be I'm gonna be man. I'm man enough

794
00:43:09,800 --> 00:43:13,279
Speaker 1: to apologize joke and if you need anything, let me

795
00:43:13,440 --> 00:43:18,440
Speaker 1: know because everybody needs jokes. And he said yes, yeah,

796
00:43:18,480 --> 00:43:20,640
Speaker 1: and like a couple of he was like cool and

797
00:43:20,800 --> 00:43:22,840
Speaker 1: like a couple of months later he hit me and

798
00:43:23,080 --> 00:43:25,440
Speaker 1: I went in the studio and I was scared because

799
00:43:25,680 --> 00:43:28,719
Speaker 1: like remember good Fellows have been when they told Joe

800
00:43:28,760 --> 00:43:35,520
Speaker 1: PESHI was a maid man slots in the studio doing stuff.

801
00:43:35,560 --> 00:43:39,160
Speaker 1: I was like, is it going down, but uh no, no,

802
00:43:39,320 --> 00:43:41,279
Speaker 1: we hung out a couple of times since that. It's

803
00:43:41,280 --> 00:43:44,520
Speaker 1: called cool. Rick Ross is kind of phenomenal, But I

804
00:43:44,600 --> 00:43:47,439
Speaker 1: said he's the best rapper alive. I mean that day,

805
00:43:53,600 --> 00:43:59,279
Speaker 1: I just want to get out of here. Good on me.

806
00:43:59,680 --> 00:44:02,480
Speaker 1: I don't I don't roll posse deep, but uh yeah,

807
00:44:02,480 --> 00:44:06,080
Speaker 1: I'll keep up with everything. The Megos album is much

808
00:44:06,200 --> 00:44:08,600
Speaker 1: better than it has a right to be. Yeah, you

809
00:44:08,640 --> 00:44:12,680
Speaker 1: know what I mean. Like, I'm just from a New

810
00:44:12,800 --> 00:44:17,120
Speaker 1: York cat that listens to rap. You think when you

811
00:44:17,200 --> 00:44:19,360
Speaker 1: first hit the Mega you go okay, bad and boogie

812
00:44:19,440 --> 00:44:22,160
Speaker 1: is good. I'm sure the rest of this is blah

813
00:44:22,160 --> 00:44:24,600
Speaker 1: blah blah. Did you listen to the album like Scott

814
00:44:24,800 --> 00:44:29,600
Speaker 1: Baggers on it? Ye three four five, like it's for real.

815
00:44:30,440 --> 00:44:34,800
Speaker 1: The Kendrick album is on some Equimini like level. No,

816
00:44:37,160 --> 00:44:40,719
Speaker 1: you're busy right now. You're doing book to us when

817
00:44:40,800 --> 00:44:43,600
Speaker 1: everything comes down. I want you to really listen to

818
00:44:43,719 --> 00:44:46,920
Speaker 1: this record and get get the line of notes and

819
00:44:47,040 --> 00:44:51,240
Speaker 1: just like really like follow what he's saying. You go like, okay,

820
00:44:52,160 --> 00:44:54,640
Speaker 1: I see what's going on here? Top five today, yeah,

821
00:44:55,520 --> 00:45:01,720
Speaker 1: top five all time. I'm not sure all the time.

822
00:45:02,600 --> 00:45:08,879
Speaker 1: You gotta says they should first of one, we should

823
00:45:08,880 --> 00:45:13,040
Speaker 1: all do top fives without Jay. It's almost a waste

824
00:45:13,080 --> 00:45:17,879
Speaker 1: of time. I agree, and big and pop, but top five.

825
00:45:18,120 --> 00:45:20,160
Speaker 1: But today of the new artists, not of all time,

826
00:45:20,239 --> 00:45:24,760
Speaker 1: but oh new artists. I love Kendrick. I love Asap Rocky.

827
00:45:25,080 --> 00:45:28,200
Speaker 1: I think Asap Rocky is the most underrated taken for

828
00:45:28,360 --> 00:45:35,000
Speaker 1: granted guy out there. Okay, um, I love but today Today, Today,

829
00:45:35,280 --> 00:45:43,359
Speaker 1: I mean today. Oh I like that kid? Wait, wait,

830
00:45:43,480 --> 00:45:49,319
Speaker 1: wait a minute, pressures for Brooklyn. I'm like, okay, what's

831
00:45:49,320 --> 00:45:52,920
Speaker 1: what's the follow up to this? Just put one out

832
00:45:52,960 --> 00:45:55,000
Speaker 1: so I can't remember. What about Big Sean or something

833
00:45:55,040 --> 00:45:57,440
Speaker 1: in your toy I like Big Sean a lot. That's

834
00:45:57,440 --> 00:45:59,680
Speaker 1: actually my favorite rapp at the moment, really Big Sean.

835
00:46:00,880 --> 00:46:03,160
Speaker 1: I would put Jake Hole probably at the top of

836
00:46:03,280 --> 00:46:06,200
Speaker 1: the of the current rappers. You know, are you a

837
00:46:06,280 --> 00:46:09,440
Speaker 1: Drake fan? Yeah? I like Rapper. I like zero to

838
00:46:09,520 --> 00:46:15,640
Speaker 1: one hundred Drake. Zero to one hundred Drake is hot.

839
00:46:16,200 --> 00:46:19,040
Speaker 1: Like really, don't mess with them, don't don't challenge them

840
00:46:19,080 --> 00:46:21,960
Speaker 1: at all. You know the other Drake that round away

841
00:46:22,000 --> 00:46:26,040
Speaker 1: girl kind of luj knock off Drake you know from

842
00:46:26,080 --> 00:46:31,800
Speaker 1: my daughter, But you got to be back into the

843
00:46:31,840 --> 00:46:33,920
Speaker 1: new music because you're like single now, so you're out

844
00:46:33,920 --> 00:46:37,480
Speaker 1: in the clubs a little. I'm just I'm single. Never

845
00:46:37,520 --> 00:46:40,040
Speaker 1: thing Chris Rock in the club, I'm singing. I just

846
00:46:40,120 --> 00:46:46,080
Speaker 1: bought a bunch of red sneakers. All the red sneakers

847
00:46:46,160 --> 00:46:56,719
Speaker 1: you got, just red. So the kids are wearing red

848
00:46:56,760 --> 00:47:02,759
Speaker 1: stiackers no matter what. Don't match nothing, nat Com. Get

849
00:47:02,840 --> 00:47:05,440
Speaker 1: your tickets, Get your tickets, Get your tickets, and we

850
00:47:05,560 --> 00:47:08,920
Speaker 1: appreciate you for joining us today. I survived, Charlomagne. Yes,

851
00:47:09,200 --> 00:47:11,279
Speaker 1: come on, legend man, We pay respect to the leg

852
00:47:11,400 --> 00:47:15,719
Speaker 1: No you never no, Yeah is a legend depends who

853
00:47:15,760 --> 00:47:20,880
Speaker 1: you ask. The baby's a legend. Well, baby didn't give

854
00:47:20,880 --> 00:47:24,880
Speaker 1: me no time. The baby was on the defensive. You

855
00:47:24,920 --> 00:47:28,960
Speaker 1: didn't give me no time. All right? Club is Chris

856
00:47:29,120 --> 00:47:35,759
Speaker 1: Rock the Breakfast Club? All right? Listen, man, Charlomagne the

857
00:47:35,800 --> 00:47:38,200
Speaker 1: god here. I'm on vacation until twenty and eighteen. I

858
00:47:38,239 --> 00:47:40,120
Speaker 1: don't give a damn what y'all think about that, because

859
00:47:40,120 --> 00:47:42,279
Speaker 1: I deserve it. Now. The Breakfast Club is in the

860
00:47:42,280 --> 00:47:44,279
Speaker 1: eighty plus markets in one hundred and fifty countries, so

861
00:47:44,320 --> 00:47:45,920
Speaker 1: we have a lot of new listeners who probably don't

862
00:47:45,960 --> 00:47:48,360
Speaker 1: even know who Charlomagne the God is so use my

863
00:47:48,560 --> 00:47:52,280
Speaker 1: time off to catch up on some of my past work. Okay, okay,

864
00:47:52,480 --> 00:47:54,480
Speaker 1: if you knew here, I do a segment every day

865
00:47:54,520 --> 00:47:57,040
Speaker 1: called Donkey the Day Donkey as in jackass, and that's

866
00:47:57,080 --> 00:47:59,320
Speaker 1: when I give someone the credit they deserve for being stupid.

867
00:47:59,400 --> 00:48:01,440
Speaker 1: So if you've never heard of it, this is new

868
00:48:01,480 --> 00:48:02,960
Speaker 1: to you. But if you are a regular listener, and

869
00:48:03,040 --> 00:48:05,399
Speaker 1: this is an oldiep but goody, because it's the best

870
00:48:05,480 --> 00:48:07,480
Speaker 1: of the Donkey of the day. Donkey of the Day

871
00:48:07,560 --> 00:48:10,040
Speaker 1: goes to Nicki Minaj. Look, because I've been I've been

872
00:48:10,080 --> 00:48:12,279
Speaker 1: telling y'all all morning. What we're not going to do

873
00:48:12,719 --> 00:48:14,879
Speaker 1: is let anything distract us from the fact that Nicki

874
00:48:14,960 --> 00:48:17,840
Speaker 1: Minad got bodied over the ethera instrumental, got hit with

875
00:48:17,920 --> 00:48:20,759
Speaker 1: another one and has yet to respond. Now, do I

876
00:48:20,880 --> 00:48:24,200
Speaker 1: like another one? Remy Ma's second dist Not really, It's okay,

877
00:48:24,360 --> 00:48:26,800
Speaker 1: it's really regular in comparison to Sheitha. But if I

878
00:48:26,800 --> 00:48:29,480
Speaker 1: don't compare it to Sheitha, it's cool. But as a

879
00:48:29,600 --> 00:48:32,799
Speaker 1: second distant Nicki naha I actually said the exact same

880
00:48:32,880 --> 00:48:35,399
Speaker 1: thing Mariah said at the beginning of another one record.

881
00:48:35,440 --> 00:48:37,320
Speaker 1: After I heard it, y'all, ketch Mariah at the beginning

882
00:48:37,360 --> 00:48:43,440
Speaker 1: saying this, yeah, I mean not another one? Why yes? Why?

883
00:48:43,640 --> 00:48:45,360
Speaker 1: Seeing the four day Laws of Power, it says, do

884
00:48:45,520 --> 00:48:48,360
Speaker 1: not go past the mark you aim foreign victory. Sheatha

885
00:48:48,520 --> 00:48:51,080
Speaker 1: was a headshot. Another one is just putting a bullet

886
00:48:51,120 --> 00:48:53,560
Speaker 1: in a dead body. Another one wasn't necessary and it

887
00:48:53,680 --> 00:48:56,600
Speaker 1: wasn't anywhere close to Sheatha level, so it wasn't any

888
00:48:56,680 --> 00:48:59,240
Speaker 1: real point in dropping it, and I understand all the criticism.

889
00:48:59,320 --> 00:49:02,480
Speaker 1: Another one is receiving online that was trash for me,

890
00:49:02,680 --> 00:49:05,640
Speaker 1: was trending, but fall at. Okay, I will not let

891
00:49:05,680 --> 00:49:08,800
Speaker 1: another one distract me from the fact that remy my body.

892
00:49:08,920 --> 00:49:11,560
Speaker 1: Nicki Minaj over the sheath of instrumental got to hit

893
00:49:11,640 --> 00:49:13,800
Speaker 1: with another one and has yet to respond. See the

894
00:49:13,880 --> 00:49:17,920
Speaker 1: thing is rappers rap okay, and Nicki Minaj. You are

895
00:49:17,960 --> 00:49:20,040
Speaker 1: a rapper. You can post all the pictures you want

896
00:49:20,080 --> 00:49:23,600
Speaker 1: on boats with Future, at video shoots with Monica, but

897
00:49:23,760 --> 00:49:26,239
Speaker 1: let's not forget what got you in those positions in

898
00:49:26,360 --> 00:49:29,279
Speaker 1: the first place. Rap music, okay. You can post all

899
00:49:29,320 --> 00:49:31,680
Speaker 1: the pictures you want front row at fashion shows in Paris,

900
00:49:32,239 --> 00:49:34,719
Speaker 1: at parties with Jordan Dunn, fine ass, but please never

901
00:49:34,800 --> 00:49:37,279
Speaker 1: forget that you are in that position because you are

902
00:49:37,320 --> 00:49:39,600
Speaker 1: a rapper, and being that we know you are a rapper,

903
00:49:39,760 --> 00:49:41,600
Speaker 1: we will not let any of those pictures you post

904
00:49:41,640 --> 00:49:43,760
Speaker 1: and destract us from the fact that Remy mob bodied

905
00:49:43,800 --> 00:49:46,000
Speaker 1: you over the Sheatha instrumental hit you with another one,

906
00:49:46,120 --> 00:49:48,200
Speaker 1: and you have yet to respond. This is the first

907
00:49:48,239 --> 00:49:50,719
Speaker 1: time we've seen Nicki Minaj in this position. Okay, I

908
00:49:50,800 --> 00:49:52,279
Speaker 1: mean little Kim hit her with some balls, and she

909
00:49:52,400 --> 00:49:54,080
Speaker 1: replied to Kim with a few balls. But this is

910
00:49:54,120 --> 00:49:58,200
Speaker 1: the first time we've seen someone really challenged Nicki actually say, Nah,

911
00:49:58,360 --> 00:50:01,040
Speaker 1: you can't sit on that throne anymore. No, you can't

912
00:50:01,080 --> 00:50:05,200
Speaker 1: have that crown. Remy Ma said she's the Queen of rapper, okay,

913
00:50:05,320 --> 00:50:07,600
Speaker 1: not the Queen of record sales, not the Queen of Instagram,

914
00:50:07,719 --> 00:50:09,600
Speaker 1: not the queen of Twitter. She said, I'm the Queen

915
00:50:09,640 --> 00:50:11,560
Speaker 1: of rap. So, Nikki, if you really the rapper you

916
00:50:11,680 --> 00:50:14,000
Speaker 1: claiming to be, it's just the write of passage in

917
00:50:14,080 --> 00:50:16,600
Speaker 1: this game. You gotta show as you can get busy.

918
00:50:17,120 --> 00:50:20,040
Speaker 1: And this asinine reasoning that Nikki doesn't have to reply

919
00:50:20,200 --> 00:50:22,640
Speaker 1: because another one isn't as dope as Sheatha wys the

920
00:50:22,760 --> 00:50:26,759
Speaker 1: logic in that Okay, Remy hit Nikki with Sheetha and

921
00:50:26,880 --> 00:50:29,240
Speaker 1: has hit her a getting with another one, and Nikki

922
00:50:29,320 --> 00:50:31,880
Speaker 1: still has yet to reply. If you think she shouldn't

923
00:50:31,920 --> 00:50:34,600
Speaker 1: reply because another one isn't as dope as Sheitha, then

924
00:50:34,640 --> 00:50:37,480
Speaker 1: you're just looking for an out for Nicky period, And

925
00:50:37,600 --> 00:50:40,839
Speaker 1: that's not the way this rap thing works. Okay, Nicki

926
00:50:40,920 --> 00:50:42,640
Speaker 1: Minaj is running the risk. Could be in the first

927
00:50:42,719 --> 00:50:45,080
Speaker 1: rapper from Queens that I can remember interview. Correct me

928
00:50:45,080 --> 00:50:47,239
Speaker 1: if I'm wrong, because you're from Queens. She's running the

929
00:50:47,320 --> 00:50:50,280
Speaker 1: risk to be the first rapper from Queens that backs

930
00:50:50,320 --> 00:50:53,640
Speaker 1: down from a rap battle. Rappers from Queen's Winner Lows

931
00:50:53,680 --> 00:50:55,719
Speaker 1: have been involved in some of the most epic rap

932
00:50:55,800 --> 00:50:59,040
Speaker 1: battles in hip hop history. Nicki Minaj, if you don't reply,

933
00:50:59,160 --> 00:51:03,640
Speaker 1: you let MC and down. Okay, you let NAS down,

934
00:51:04,200 --> 00:51:07,320
Speaker 1: You let Prodigy from Mob deep down, You let fifty

935
00:51:07,400 --> 00:51:09,759
Speaker 1: sit down, you let ll cool Ja down, you let

936
00:51:09,880 --> 00:51:12,279
Speaker 1: Ja Rue down. Say what you want about job, even

937
00:51:12,360 --> 00:51:15,440
Speaker 1: though fifty and G Unit were all over them. Murder

938
00:51:15,560 --> 00:51:20,200
Speaker 1: ain't never stop fighting. Okay. Ever, Nicky got hit twice

939
00:51:20,400 --> 00:51:22,719
Speaker 1: and has yet the clap back period. That's not the

940
00:51:22,840 --> 00:51:25,000
Speaker 1: Queen's way. Okay, you don't want to go down in

941
00:51:25,120 --> 00:51:27,600
Speaker 1: history as the loan rapper from Queens who got challenged

942
00:51:27,640 --> 00:51:30,880
Speaker 1: in the rapping did nothing right. Please don't think that

943
00:51:31,000 --> 00:51:33,600
Speaker 1: you are above replying to remy mom, Miss Nicki Minaj.

944
00:51:33,640 --> 00:51:35,400
Speaker 1: I know that you like to compare yourself to jay Z.

945
00:51:35,960 --> 00:51:38,520
Speaker 1: You put out an album called the Pink Print, which

946
00:51:38,600 --> 00:51:40,800
Speaker 1: was a play on jay Z's The Blueprint. Do you

947
00:51:40,880 --> 00:51:43,600
Speaker 1: know what song was featured on the Blueprint? To take

948
00:51:43,680 --> 00:51:47,000
Speaker 1: over a jay Z disc? To nas and mob Deep

949
00:51:47,080 --> 00:51:49,399
Speaker 1: Hove never thought he was too big to clapping people

950
00:51:49,440 --> 00:51:51,920
Speaker 1: who was getting at him, So why do you? I

951
00:51:52,040 --> 00:51:54,239
Speaker 1: know you like to use Beyonce as a model as well,

952
00:51:54,320 --> 00:51:56,640
Speaker 1: and you're thinking to yourself, nobody ever comes at Beyonce.

953
00:51:57,200 --> 00:51:59,280
Speaker 1: You're probably saying yourself, the only person came in Beyonce

954
00:51:59,400 --> 00:52:02,080
Speaker 1: was Carrie Hills and look how that turned out for her. Well, Nikki,

955
00:52:02,120 --> 00:52:05,720
Speaker 1: two things remy mind, not Kerry Hilston and you not Beyonce.

956
00:52:06,480 --> 00:52:07,960
Speaker 1: Or maybe this is your way of saying, you know what,

957
00:52:08,000 --> 00:52:10,120
Speaker 1: I don't want to rap anymore. I like this pop world.

958
00:52:10,280 --> 00:52:12,440
Speaker 1: I'm gonna do songs with Ariana Grande for the rest

959
00:52:12,480 --> 00:52:14,759
Speaker 1: of my life and call it to day. Oh that's

960
00:52:14,760 --> 00:52:17,120
Speaker 1: what you're gonna do? You're gonna say f hip hop

961
00:52:17,440 --> 00:52:19,600
Speaker 1: and go to pop rods quickly. You want to be Beyonce,

962
00:52:19,800 --> 00:52:22,480
Speaker 1: so your next album gonna be called pink Lemonade. Okay,

963
00:52:22,560 --> 00:52:24,279
Speaker 1: talking about how Meek did you wrong? Is that the

964
00:52:24,320 --> 00:52:27,880
Speaker 1: playing Nikki? Huh? Is that the plan? Stop texting the

965
00:52:28,000 --> 00:52:31,719
Speaker 1: DJs and radio personalities complaining it. Okay, we don't have

966
00:52:31,800 --> 00:52:34,480
Speaker 1: to pick sides. Stop getting upset if we say Remy

967
00:52:34,560 --> 00:52:37,720
Speaker 1: bodied you on sheath Of because she did. That's a fact, Nikki.

968
00:52:37,760 --> 00:52:39,840
Speaker 1: Get out your feelings and getting the studio. You are

969
00:52:39,880 --> 00:52:42,520
Speaker 1: a rapper, a really dope rapper from Queens, New York,

970
00:52:42,640 --> 00:52:45,800
Speaker 1: and dope rappers from Queens, New York. Don't ignore rap challenges.

971
00:52:46,040 --> 00:52:48,480
Speaker 1: LLL cooj gave it to Cannabis when LLL was a

972
00:52:48,520 --> 00:52:50,960
Speaker 1: superstar already and Cannabis didn't even have an album out.

973
00:52:51,160 --> 00:52:53,239
Speaker 1: Ja Rule was multi platinum when fifty cent was on

974
00:52:53,320 --> 00:52:55,520
Speaker 1: the mixtape circuit, and he had no problem engaging with

975
00:52:55,600 --> 00:52:58,400
Speaker 1: fifty So you can't stand on the I'm a huge star, darling.

976
00:52:58,800 --> 00:53:01,640
Speaker 1: I'm gonna take no, that's not what our coach is about.

977
00:53:01,800 --> 00:53:04,400
Speaker 1: Artists getting the party and forget what got them in

978
00:53:04,520 --> 00:53:06,640
Speaker 1: the party in the first place. Okay, everything you are

979
00:53:06,760 --> 00:53:09,080
Speaker 1: is because of rap music. Without rap music, you don't

980
00:53:09,080 --> 00:53:12,120
Speaker 1: get the opportunity to even make pop music. Without rap music,

981
00:53:12,200 --> 00:53:14,440
Speaker 1: you don't get casted from movies and TV shows. And

982
00:53:14,520 --> 00:53:17,560
Speaker 1: one of the purest essences of rap music is the battle.

983
00:53:18,239 --> 00:53:19,560
Speaker 1: He was acting like you was ready for war and

984
00:53:19,600 --> 00:53:22,839
Speaker 1: to Jason Drulo, re could remember this okay two years

985
00:53:22,960 --> 00:53:26,040
Speaker 1: night times up. Okay, you was acting like you wanted

986
00:53:26,080 --> 00:53:27,800
Speaker 1: it on the Gucci Man Make Love record, Remember this.

987
00:53:28,080 --> 00:53:31,759
Speaker 1: I don't feel bitch, I'm the greatest. No Kendrick and

988
00:53:32,000 --> 00:53:37,800
Speaker 1: no Cia, I'm the iPhone, you the no Kia, ain't party.

989
00:53:37,920 --> 00:53:41,640
Speaker 1: No you jealous bitches, so clear tell them for a man,

990
00:53:41,840 --> 00:53:45,520
Speaker 1: bitches to play their roles. She's seen my sexy as

991
00:53:45,800 --> 00:53:49,360
Speaker 1: every time she scrulled and goad. It didn't the camp

992
00:53:51,760 --> 00:53:56,560
Speaker 1: your career compete with and then the car be silly rabbit.

993
00:53:56,880 --> 00:54:02,880
Speaker 1: To be the queen of rap, You've gotta sell Nikki.

994
00:54:03,000 --> 00:54:05,960
Speaker 1: All I'm saying is if all these bitches is your

995
00:54:06,000 --> 00:54:12,000
Speaker 1: sons signing until you, dude, I'm not gonna let nothing

996
00:54:12,120 --> 00:54:15,680
Speaker 1: distract me from the fact that remy Ma bodied you

997
00:54:15,760 --> 00:54:18,239
Speaker 1: over to ether the instrumental hit you with another one

998
00:54:18,400 --> 00:54:21,600
Speaker 1: and you have yet to respond. Please give Nicki Minajs

999
00:54:21,680 --> 00:54:31,560
Speaker 1: the biggest he haw the Breakfast Club. Botti is DJ

1000
00:54:31,960 --> 00:54:34,680
Speaker 1: Envy Angela Yee, Charlemagne the guy. We are the Breakfast

1001
00:54:34,760 --> 00:54:40,799
Speaker 1: Club special guests in the building. It's good. It's good

1002
00:54:40,880 --> 00:54:43,080
Speaker 1: to be here. You know. I listened to y'all religiously. Man,

1003
00:54:43,160 --> 00:54:46,440
Speaker 1: every morning I get up, I'm on way to the gym.

1004
00:54:46,600 --> 00:54:48,840
Speaker 1: This is what's playing. So anytime I listen to the

1005
00:54:48,960 --> 00:54:51,000
Speaker 1: radio because the rest of the day I'm on my phone.

1006
00:54:51,360 --> 00:54:54,279
Speaker 1: That's a good that's a good thing. Fifty had a

1007
00:54:54,640 --> 00:54:56,840
Speaker 1: release the other day. It's not a single release, but

1008
00:54:57,239 --> 00:54:59,600
Speaker 1: I guess a show release the other night. And this

1009
00:54:59,719 --> 00:55:01,760
Speaker 1: is the first time I've ever been to a white

1010
00:55:01,800 --> 00:55:04,600
Speaker 1: strip club in New York that they turned black. Yeah,

1011
00:55:04,800 --> 00:55:08,200
Speaker 1: we have. I've never been a little color to it. Money.

1012
00:55:08,200 --> 00:55:10,600
Speaker 1: They usually don't let us in. Okay, they probably will

1013
00:55:10,640 --> 00:55:12,960
Speaker 1: never let us back in. The security came to me

1014
00:55:13,040 --> 00:55:15,239
Speaker 1: twenty times, So can you please tell people stop smoking weed?

1015
00:55:15,520 --> 00:55:17,040
Speaker 1: How did you get that? That white strip club? But

1016
00:55:17,320 --> 00:55:18,759
Speaker 1: you know, I was trying. He was looking for a

1017
00:55:18,800 --> 00:55:22,759
Speaker 1: non traditional space to create the party environment. And I'm

1018
00:55:22,840 --> 00:55:25,759
Speaker 1: like they had shown me like some uh like like

1019
00:55:25,960 --> 00:55:29,239
Speaker 1: lounge loungey spots, and I was like, no, this is

1020
00:55:29,320 --> 00:55:31,759
Speaker 1: the better spot for us to go. And then you know,

1021
00:55:31,880 --> 00:55:35,960
Speaker 1: like because of of you know, Aces closing in New York,

1022
00:55:36,040 --> 00:55:39,000
Speaker 1: it was providing all of us all of these talent

1023
00:55:44,120 --> 00:55:46,520
Speaker 1: and then you have BT execre. Yeah, yeah, there was

1024
00:55:46,960 --> 00:55:49,400
Speaker 1: because they knew that, Like even though the comedy the

1025
00:55:49,480 --> 00:55:52,720
Speaker 1: whole concept is to change the perception of the network

1026
00:55:53,480 --> 00:55:55,279
Speaker 1: to take over, you know what I mean. So they're

1027
00:55:55,280 --> 00:55:57,719
Speaker 1: gonna start to do things, allow us to say things

1028
00:55:57,760 --> 00:56:02,080
Speaker 1: content wise that it wasn't acceptable, but on late night

1029
00:56:02,160 --> 00:56:04,480
Speaker 1: they'll you know, they'll let those things slide on. So

1030
00:56:05,080 --> 00:56:07,080
Speaker 1: you get a chance to have some fun and more

1031
00:56:07,160 --> 00:56:09,839
Speaker 1: and more the kind of comedic energy that you will

1032
00:56:09,880 --> 00:56:13,719
Speaker 1: see online when people have the freedom to actually be,

1033
00:56:14,080 --> 00:56:16,239
Speaker 1: you know, as funny as they can be versus the

1034
00:56:16,840 --> 00:56:18,880
Speaker 1: sensory stuff. This is that something you wanted to do

1035
00:56:19,000 --> 00:56:21,520
Speaker 1: for a while though, because you've been doing your own

1036
00:56:21,600 --> 00:56:27,960
Speaker 1: comedy sketches. I play and I made fun of competition then,

1037
00:56:28,120 --> 00:56:31,000
Speaker 1: and I coach you with that, like I go. They're

1038
00:56:31,040 --> 00:56:33,680
Speaker 1: a little more advanced in it because they've been homed

1039
00:56:33,719 --> 00:56:35,480
Speaker 1: in on that and been doing that the whole time.

1040
00:56:35,560 --> 00:56:38,760
Speaker 1: The cast like I've done it at spots at points,

1041
00:56:38,800 --> 00:56:41,280
Speaker 1: and the interest is there because of it, and comedy

1042
00:56:41,360 --> 00:56:44,320
Speaker 1: is like a hidden space. And then when somebody like

1043
00:56:44,440 --> 00:56:48,480
Speaker 1: like I think Tiffany's Tiffany had it. Yeah, when she

1044
00:56:48,719 --> 00:56:53,359
Speaker 1: when she like it snaps, she'll be seasoned because they

1045
00:56:53,400 --> 00:56:55,320
Speaker 1: didn't see her for a long time while she was

1046
00:56:55,400 --> 00:56:58,440
Speaker 1: that good. And then she'll be able to do a

1047
00:56:58,560 --> 00:57:00,879
Speaker 1: lot like like she put all hours in the ten

1048
00:57:01,719 --> 00:57:03,680
Speaker 1: and he's doing it and you're working and shop the

1049
00:57:03,800 --> 00:57:06,120
Speaker 1: time and everything be great, and she could do She

1050
00:57:06,239 --> 00:57:11,120
Speaker 1: went from uh insecure, Oh no, said the Car Michael Show. Yeah,

1051
00:57:11,239 --> 00:57:15,239
Speaker 1: and then she went to do um a special time

1052
00:57:16,000 --> 00:57:19,640
Speaker 1: and then you start Girls Trip number one movie. Yeah,

1053
00:57:19,680 --> 00:57:21,560
Speaker 1: I think fifth trying to smash tiff Man. You've been

1054
00:57:21,600 --> 00:57:24,040
Speaker 1: showing tiff a lot of love one tim and everything.

1055
00:57:24,120 --> 00:57:27,840
Speaker 1: I think it's coming next. Look, don't listen. Let you

1056
00:57:27,920 --> 00:57:32,080
Speaker 1: have to put yours. I know because I know what

1057
00:57:32,280 --> 00:57:35,160
Speaker 1: I heard about what you did to Cap I heard

1058
00:57:35,800 --> 00:57:39,200
Speaker 1: I heard about. It's not true. That's not true. Now,

1059
00:57:39,320 --> 00:57:43,440
Speaker 1: like what happens, introduce you to anybody. Come on for

1060
00:57:43,520 --> 00:57:48,400
Speaker 1: ten years and we're going for ten years. There's notorious,

1061
00:57:49,440 --> 00:57:52,680
Speaker 1: He's notorious. You will love her you will love her

1062
00:57:52,800 --> 00:57:54,640
Speaker 1: and you know, whatever else you have going on in

1063
00:57:54,720 --> 00:57:57,280
Speaker 1: your life, you just have to compromise. You have to

1064
00:57:57,360 --> 00:58:01,160
Speaker 1: work this out. Fifth TV. Now at this stage in

1065
00:58:01,240 --> 00:58:04,160
Speaker 1: your career, I think, well, it created a visibility. Initially

1066
00:58:04,200 --> 00:58:07,600
Speaker 1: I was looking going like the it's just opening things

1067
00:58:07,640 --> 00:58:10,000
Speaker 1: are opening up so so broad as far as content,

1068
00:58:10,080 --> 00:58:12,320
Speaker 1: it's concerned that I'm able to do. I got two

1069
00:58:12,360 --> 00:58:16,760
Speaker 1: shows on Crackle, so they just finishing the production now

1070
00:58:16,880 --> 00:58:20,600
Speaker 1: on on the Oath and it's currently filming in Puerto

1071
00:58:20,680 --> 00:58:22,840
Speaker 1: Rico because that you know, it got crazy out there

1072
00:58:22,920 --> 00:58:25,800
Speaker 1: for the weather and like, fact, don't they're doing that?

1073
00:58:25,960 --> 00:58:29,919
Speaker 1: And then um, the Star's Networking put three over there,

1074
00:58:30,640 --> 00:58:32,200
Speaker 1: you know, after you thrug the white Man out over

1075
00:58:32,240 --> 00:58:35,480
Speaker 1: the kind. I had to do that though, because it

1076
00:58:35,640 --> 00:58:38,680
Speaker 1: was like, you know, you can see the priorities like

1077
00:58:38,800 --> 00:58:41,760
Speaker 1: the networks, you see those things like for your consideration

1078
00:58:43,160 --> 00:58:47,560
Speaker 1: is like inside the different publications or on your consideration,

1079
00:58:47,680 --> 00:58:49,560
Speaker 1: like they'll they'll put this because it's a priority for

1080
00:58:49,640 --> 00:58:53,959
Speaker 1: the network and you haven't seen that. But you've seen

1081
00:58:54,080 --> 00:58:57,520
Speaker 1: huge success in numbers, so the network is growing at

1082
00:58:57,560 --> 00:59:01,400
Speaker 1: the pace that Yeah, absolutely happy with as far as

1083
00:59:01,440 --> 00:59:06,760
Speaker 1: Stars is concerned. But Murray Harward doesn't. It's not recognized

1084
00:59:06,760 --> 00:59:10,040
Speaker 1: as somebody who can actually be a leading man for

1085
00:59:10,120 --> 00:59:13,400
Speaker 1: a series. And I felt the project in my eyes

1086
00:59:13,520 --> 00:59:15,560
Speaker 1: because I told him I was going to do that

1087
00:59:15,920 --> 00:59:18,080
Speaker 1: in the beginning, you know what I'm saying. And then

1088
00:59:18,120 --> 00:59:21,240
Speaker 1: it's like it's that successful now, but he's going to

1089
00:59:21,360 --> 00:59:23,600
Speaker 1: what happens like I make I make them put us

1090
00:59:23,600 --> 00:59:25,920
Speaker 1: in front of foreign press until so we're getting like

1091
00:59:26,000 --> 00:59:28,840
Speaker 1: it's like niche with people just sit and talk to him,

1092
00:59:29,000 --> 00:59:30,680
Speaker 1: and I'm like, I gotta do this. I gotta do

1093
00:59:30,760 --> 00:59:33,000
Speaker 1: these things like I've been there before on other projects,

1094
00:59:33,520 --> 00:59:36,600
Speaker 1: but not specifically for Power. We gotta keep going back

1095
00:59:36,640 --> 00:59:39,440
Speaker 1: in front of him until they actually recognize the project.

1096
00:59:39,520 --> 00:59:43,280
Speaker 1: It doesn't make any sense. It's already the number two

1097
00:59:43,440 --> 00:59:47,320
Speaker 1: highest rated show on or premium cable, only behind Getting

1098
00:59:47,360 --> 00:59:51,640
Speaker 1: the Thrones, and they're spending three times budget to do

1099
00:59:51,760 --> 00:59:54,680
Speaker 1: it all effects and stuff you want dragons like that,

1100
00:59:56,040 --> 00:59:57,560
Speaker 1: you know what I mean, Like you have paid for that,

1101
00:59:57,680 --> 01:00:00,840
Speaker 1: and then but we're doing that with the budget and

1102
01:00:00,880 --> 01:00:04,160
Speaker 1: they know, they understand, so now everything is like they

1103
01:00:04,880 --> 01:00:06,680
Speaker 1: totally allowing me to do what I want to do.

1104
01:00:06,920 --> 01:00:08,920
Speaker 1: Is the reason like when Stars doesn't get behind the

1105
01:00:08,920 --> 01:00:10,440
Speaker 1: show like that adapt the reason we don't see you

1106
01:00:10,440 --> 01:00:12,240
Speaker 1: at the Emmys and the Golden Gloves, but I don't

1107
01:00:12,280 --> 01:00:14,520
Speaker 1: even appear because it's weird watching like all these shows

1108
01:00:14,560 --> 01:00:16,840
Speaker 1: that everybody talks about in the coaching land and Insecure

1109
01:00:16,840 --> 01:00:18,680
Speaker 1: all this stuff, we talk about power just as much

1110
01:00:18,920 --> 01:00:21,080
Speaker 1: and where is it? And you go, where is it

1111
01:00:21,160 --> 01:00:23,680
Speaker 1: that in the in the actual show. I'm not gonna

1112
01:00:23,720 --> 01:00:28,080
Speaker 1: make the appearance as rapper fifty cent when I'm executive

1113
01:00:28,120 --> 01:00:31,440
Speaker 1: producing to show this the second in all the premium

1114
01:00:31,480 --> 01:00:33,160
Speaker 1: cable like you go, I'll gont know. I'll come when

1115
01:00:33,160 --> 01:00:37,320
Speaker 1: you ready. I'll show up and then or we just

1116
01:00:37,440 --> 01:00:40,040
Speaker 1: keep putting hits on the board, you know what I mean,

1117
01:00:40,040 --> 01:00:42,480
Speaker 1: because I'm looking going. When I tell them to turn

1118
01:00:42,560 --> 01:00:46,440
Speaker 1: it off, then they identified with the actual content that

1119
01:00:46,600 --> 01:00:49,640
Speaker 1: they haven't produced more of it for a reason for

1120
01:00:50,400 --> 01:00:53,040
Speaker 1: people to stay on the actual network. If I say

1121
01:00:53,080 --> 01:00:55,640
Speaker 1: turn it off and people agree, yeah, I only want

1122
01:00:55,680 --> 01:00:58,560
Speaker 1: it because of that, right, then they go turn it off.

1123
01:00:58,720 --> 01:01:01,080
Speaker 1: You're right, he said, I'm paying. I'm gonna hear when

1124
01:01:01,080 --> 01:01:04,640
Speaker 1: it's coming back on. The promotions will start and then

1125
01:01:05,840 --> 01:01:09,040
Speaker 1: they shift because I've given those properties. The series is

1126
01:01:09,080 --> 01:01:11,960
Speaker 1: there tomorrow today, there's the things that they and they

1127
01:01:12,120 --> 01:01:15,880
Speaker 1: fast track, so everything is like it's moving way fast.

1128
01:01:16,720 --> 01:01:20,760
Speaker 1: Start giving get to a point where we uh, they're

1129
01:01:20,800 --> 01:01:23,720
Speaker 1: delivering the pilot and the season art at the same time,

1130
01:01:23,800 --> 01:01:26,960
Speaker 1: so be able to going serious. Now do we do

1131
01:01:27,040 --> 01:01:30,360
Speaker 1: we light canan? Now? Well, they start to treat me better?

1132
01:01:30,960 --> 01:01:37,680
Speaker 1: Is he likable? Now on you don't trust? I would

1133
01:01:37,720 --> 01:01:40,320
Speaker 1: tell you, I would tell you not to trust. But

1134
01:01:40,720 --> 01:01:45,640
Speaker 1: the way the way the series. You know, it's interesting

1135
01:01:45,720 --> 01:01:52,360
Speaker 1: because television is brought a broader, oder audience interest because

1136
01:01:53,280 --> 01:01:55,920
Speaker 1: like hip hop coaches, you've coached, so we know, like

1137
01:01:56,240 --> 01:01:58,800
Speaker 1: you out there. It's almost the demo between the guy

1138
01:01:58,800 --> 01:02:01,760
Speaker 1: who just got in and was just casually party, but

1139
01:02:03,400 --> 01:02:05,400
Speaker 1: we know who that is. But I'm talking about like

1140
01:02:05,800 --> 01:02:10,880
Speaker 1: the mother Auntie, like this really old won't be in

1141
01:02:11,000 --> 01:02:14,480
Speaker 1: the actual environment with us. Party was watching the show,

1142
01:02:14,600 --> 01:02:18,560
Speaker 1: and it's like I'm getting different responses from them. You know,

1143
01:02:18,840 --> 01:02:22,200
Speaker 1: it's really interesting because oh it's older definitely, and they're

1144
01:02:22,240 --> 01:02:25,040
Speaker 1: looking at it. He's telling me, you know, like I

1145
01:02:25,160 --> 01:02:30,160
Speaker 1: know he's doing the this is this is cool? Like

1146
01:02:30,240 --> 01:02:32,360
Speaker 1: you know what I mean, Like if they was already

1147
01:02:32,400 --> 01:02:36,000
Speaker 1: watching Dynasty and all this other dynasty. Yeah, like my

1148
01:02:36,120 --> 01:02:38,959
Speaker 1: grandmother had me watching that, but the power was also

1149
01:02:39,080 --> 01:02:41,560
Speaker 1: popering that, Like that's that's I want. I want to

1150
01:02:41,560 --> 01:02:43,600
Speaker 1: talk about a Maria for a second, because like A

1151
01:02:43,720 --> 01:02:46,800
Speaker 1: Maria is like a such a great actor. But then

1152
01:02:47,560 --> 01:02:49,960
Speaker 1: I think it's stuff like this that keeps him from

1153
01:02:50,360 --> 01:02:57,920
Speaker 1: being taking seriously, mister brother got contacts with It's like

1154
01:02:57,960 --> 01:03:03,640
Speaker 1: the videos of him breakdancing all crazy. What's up? You

1155
01:03:03,720 --> 01:03:07,360
Speaker 1: know he'd be doing character stuff, so he'll go and

1156
01:03:08,720 --> 01:03:10,960
Speaker 1: create a new version of himself, take the pictures and

1157
01:03:11,000 --> 01:03:13,240
Speaker 1: stuff like that, and then and post it and put

1158
01:03:13,280 --> 01:03:15,720
Speaker 1: it out. But I don't even know what project. That's

1159
01:03:20,000 --> 01:03:21,600
Speaker 1: all right, we got more with fifty cent when we

1160
01:03:21,720 --> 01:03:25,680
Speaker 1: come back. Don't move mister breakfast Club, Good morning morning.

1161
01:03:25,720 --> 01:03:29,520
Speaker 1: Everybody's DJ en Vy Angela yee, Charlemagne the guy we

1162
01:03:29,600 --> 01:03:32,680
Speaker 1: all the breakfast Club fifty cents still in the building, yee.

1163
01:03:32,840 --> 01:03:37,160
Speaker 1: Now can we talk about fifty Central. It's exciting because

1164
01:03:37,160 --> 01:03:39,960
Speaker 1: it's more like we do different things the sketch comedy,

1165
01:03:40,040 --> 01:03:43,200
Speaker 1: but then there's real, like prank type of stuff going on,

1166
01:03:43,320 --> 01:03:47,360
Speaker 1: and we're doing it feels like like it's not true fun,

1167
01:03:47,440 --> 01:03:49,040
Speaker 1: like it didn't have to be someone else. While we

1168
01:03:49,120 --> 01:03:51,840
Speaker 1: were doing it. It was and he was able. It

1169
01:03:51,960 --> 01:03:54,439
Speaker 1: was really funny like that when people see it, they're

1170
01:03:54,440 --> 01:03:57,800
Speaker 1: gonna bug out of it. It was fun and it's

1171
01:03:57,800 --> 01:04:00,760
Speaker 1: no script. Yeah, it was no fun script. That's why

1172
01:04:01,040 --> 01:04:03,880
Speaker 1: it made it fun to have when your person has

1173
01:04:03,960 --> 01:04:06,520
Speaker 1: that strong of a personality too, because you'll listen, like

1174
01:04:06,840 --> 01:04:09,440
Speaker 1: Charlomagne gotta say stuff to go people's heads a little bit,

1175
01:04:09,520 --> 01:04:11,280
Speaker 1: like I'm sorry who we slapped him? And he didn't

1176
01:04:11,280 --> 01:04:17,080
Speaker 1: notice you hear what he's saying, like real slick, like bobbling,

1177
01:04:17,160 --> 01:04:22,960
Speaker 1: He's like casually looking at you. Like, So why BT

1178
01:04:23,120 --> 01:04:26,200
Speaker 1: of all places? Well, BT, it's the right place for

1179
01:04:26,280 --> 01:04:28,960
Speaker 1: the show because they were open to it and they

1180
01:04:29,000 --> 01:04:32,240
Speaker 1: were like whatever you want to do like type of things.

1181
01:04:32,240 --> 01:04:36,280
Speaker 1: So I even changed the premiering the music videos on

1182
01:04:36,400 --> 01:04:39,680
Speaker 1: the every episode so like after premiere is it goes

1183
01:04:39,760 --> 01:04:44,200
Speaker 1: into it gets all BT jams. So you wanted to

1184
01:04:44,280 --> 01:04:46,760
Speaker 1: permiere this because I mean, the eyeballs is watching, but

1185
01:04:46,920 --> 01:04:50,120
Speaker 1: to golden to BT jams and then it's just giving

1186
01:04:50,200 --> 01:04:53,520
Speaker 1: us more influencing ways that we can. Actually that is

1187
01:04:53,600 --> 01:04:57,160
Speaker 1: the the music business portion of me saying this would

1188
01:04:57,160 --> 01:04:59,520
Speaker 1: be the best place for you to launch and to

1189
01:04:59,600 --> 01:05:03,600
Speaker 1: put it. Yeah, because it'll get this and the first

1190
01:05:03,640 --> 01:05:06,520
Speaker 1: one tonight uncle murder this kind of uncle murders tonight.

1191
01:05:06,640 --> 01:05:08,200
Speaker 1: Just the first time you and her have been under

1192
01:05:08,240 --> 01:05:11,080
Speaker 1: like the same umbrella with somebody, you know they'll be gone.

1193
01:05:12,400 --> 01:05:17,320
Speaker 1: They won't be there long. Full attentions of removing that

1194
01:05:17,680 --> 01:05:22,280
Speaker 1: there's an adjustment tells a good show man. It's crazy,

1195
01:05:23,280 --> 01:05:28,920
Speaker 1: not well executed. Watch, Yeah, of course I watched. Everything

1196
01:05:29,040 --> 01:05:35,800
Speaker 1: was just someone's involved. I don't like. So look shoot,

1197
01:05:36,000 --> 01:05:38,360
Speaker 1: because I know you're gonna know if I'm frightened. Y'all

1198
01:05:38,480 --> 01:05:42,240
Speaker 1: know me enough. So look, I'm looking. That's gonna go.

1199
01:05:43,960 --> 01:05:45,960
Speaker 1: It's gonna go. I thought I was petty. He the

1200
01:05:46,000 --> 01:05:47,520
Speaker 1: petty it is if he don't like you don't like

1201
01:05:47,640 --> 01:05:49,320
Speaker 1: if if it was good, if you thought it was

1202
01:05:49,320 --> 01:05:51,760
Speaker 1: good what you said, even with the fact you don't like,

1203
01:05:52,120 --> 01:05:55,840
Speaker 1: you know, if it was I thought conceptually that there's

1204
01:05:56,080 --> 01:06:01,720
Speaker 1: been music written it could actually be good, or or

1205
01:06:01,800 --> 01:06:06,400
Speaker 1: montage like Gnaws as a Gun would be a dope montage.

1206
01:06:07,040 --> 01:06:09,800
Speaker 1: So that the way I could run the parallel and

1207
01:06:09,920 --> 01:06:12,040
Speaker 1: show you how that could have been good is because

1208
01:06:12,160 --> 01:06:15,440
Speaker 1: the overall idea was good. It just wasn't done right.

1209
01:06:15,920 --> 01:06:17,560
Speaker 1: Are you going to be in the BMF series too,

1210
01:06:17,760 --> 01:06:20,760
Speaker 1: Are You? If I did, I would play something small,

1211
01:06:21,480 --> 01:06:24,320
Speaker 1: something small in it because I wanted to be I

1212
01:06:24,400 --> 01:06:26,480
Speaker 1: want you to look at that and feel like you're

1213
01:06:26,480 --> 01:06:29,680
Speaker 1: watching the expect you know what I'm saying, Like it's

1214
01:06:29,760 --> 01:06:32,360
Speaker 1: it's the point where the facts are stranging in fiction,

1215
01:06:32,560 --> 01:06:34,240
Speaker 1: and that's in that story, Like you don't have to

1216
01:06:34,360 --> 01:06:37,880
Speaker 1: add the creatives that you just have to really put

1217
01:06:37,920 --> 01:06:41,960
Speaker 1: it together well, like the Tupac movie. I was disappointed

1218
01:06:42,000 --> 01:06:44,240
Speaker 1: in it because of who the pots to our culture.

1219
01:06:44,800 --> 01:06:47,200
Speaker 1: It's know what I'm saying, Like, you can't redo it now.

1220
01:06:48,040 --> 01:06:50,720
Speaker 1: How Look that was organically what should have been a success,

1221
01:06:50,840 --> 01:06:53,960
Speaker 1: following straight out of Compton, and I feel like they

1222
01:06:54,080 --> 01:06:57,360
Speaker 1: just let anybody build the project instead of the people.

1223
01:06:57,480 --> 01:06:59,360
Speaker 1: Like for me, they gave me the things that I

1224
01:06:59,440 --> 01:07:01,440
Speaker 1: needed to make give it to that trying to work

1225
01:07:01,480 --> 01:07:03,920
Speaker 1: for that time for anyway, Like I had Jim Sheridan

1226
01:07:04,000 --> 01:07:07,360
Speaker 1: from Dublin. I had Terry Winters who went on the right,

1227
01:07:07,400 --> 01:07:11,160
Speaker 1: the Sopranos and to Wolf on Wall Street like Puncy

1228
01:07:11,240 --> 01:07:14,320
Speaker 1: Jones did the score like it was usual suspects for hit,

1229
01:07:14,520 --> 01:07:18,320
Speaker 1: real quality people involved in the project. And then it

1230
01:07:18,480 --> 01:07:20,960
Speaker 1: did two pops. It was like, who did that? Like, yeah,

1231
01:07:20,960 --> 01:07:23,200
Speaker 1: they say Park had a budget of forty fifty million.

1232
01:07:23,840 --> 01:07:25,840
Speaker 1: I'm like where I thought they spent a lot of

1233
01:07:25,880 --> 01:07:31,080
Speaker 1: it music licensing? No, because that much I could have

1234
01:07:31,160 --> 01:07:33,960
Speaker 1: gave them new records for that money. This is what

1235
01:07:34,040 --> 01:07:37,200
Speaker 1: did They don't know? They had dad who could and

1236
01:07:37,960 --> 01:07:41,800
Speaker 1: they didn't have the who, and they had the surround bottle.

1237
01:07:41,840 --> 01:07:47,480
Speaker 1: I said, Puffy did this? Puff he had something to

1238
01:07:47,600 --> 01:07:50,840
Speaker 1: do with this. I think Pox characters too big to

1239
01:07:50,880 --> 01:07:54,360
Speaker 1: do a film are yeah, well it's he had events

1240
01:07:54,440 --> 01:07:56,840
Speaker 1: that happened that people know about. But there's so much

1241
01:07:56,840 --> 01:07:59,240
Speaker 1: stuff that you didn't know that you could have put

1242
01:07:59,320 --> 01:08:01,960
Speaker 1: in between it to make it interesting to look for

1243
01:08:02,240 --> 01:08:04,240
Speaker 1: the youth. Now, like when you when they ask Yaty

1244
01:08:04,280 --> 01:08:06,120
Speaker 1: and them to say the Biggie verse and stuff like that,

1245
01:08:06,240 --> 01:08:09,400
Speaker 1: they're like, you can't see it because over that time

1246
01:08:09,480 --> 01:08:13,640
Speaker 1: like I'm near Biggie Yeah yeah, yea because of the age,

1247
01:08:13,680 --> 01:08:16,160
Speaker 1: the age, like I'm that guy for them. So they're

1248
01:08:16,160 --> 01:08:18,640
Speaker 1: looking going, what is that other stuff? Like big is

1249
01:08:18,680 --> 01:08:21,160
Speaker 1: that to me? You know what I mean? In that

1250
01:08:21,240 --> 01:08:23,240
Speaker 1: time period ahead of that, So you're looking you go

1251
01:08:23,560 --> 01:08:26,439
Speaker 1: when they don't understand it, You're going, yo, I'm like, nah,

1252
01:08:26,479 --> 01:08:28,880
Speaker 1: he don't. You don't know that they like chief Keep.

1253
01:08:28,880 --> 01:08:33,000
Speaker 1: When he first came, they chief Keepers retarded. He was like,

1254
01:08:33,080 --> 01:08:35,519
Speaker 1: because no, he knows Chicago. He knows where he needs

1255
01:08:35,640 --> 01:08:38,720
Speaker 1: a survival kit, you know that. So he looking at

1256
01:08:38,800 --> 01:08:41,120
Speaker 1: you like and if you make him for a minute

1257
01:08:41,200 --> 01:08:44,280
Speaker 1: think that you think he's slow, he's gonna do something

1258
01:08:44,360 --> 01:08:46,800
Speaker 1: to you, because they didn't. They're just no better. He's

1259
01:08:46,800 --> 01:08:48,080
Speaker 1: looking at I looking at it. I was like, oh,

1260
01:08:48,720 --> 01:08:50,559
Speaker 1: I just loved it because he was just rough around

1261
01:08:50,560 --> 01:08:52,160
Speaker 1: the edges for real, Like you look at this, they

1262
01:08:52,200 --> 01:08:54,040
Speaker 1: look at this one. I got a chance to test

1263
01:08:54,080 --> 01:08:56,960
Speaker 1: these early. I touched chief Keep early, hung out with him.

1264
01:08:57,240 --> 01:09:02,280
Speaker 1: I got um YG his first song to the record.

1265
01:09:02,320 --> 01:09:08,840
Speaker 1: We worked on the um what what saw the top girl?

1266
01:09:10,760 --> 01:09:12,920
Speaker 1: But we were we had I just saw him four

1267
01:09:13,000 --> 01:09:14,880
Speaker 1: years ago, you know what I mean, Like I heard

1268
01:09:14,920 --> 01:09:17,280
Speaker 1: it record now, the stuff that she's doing down Like

1269
01:09:18,439 --> 01:09:21,400
Speaker 1: I told how I was, like, I told you, I

1270
01:09:21,520 --> 01:09:23,320
Speaker 1: hear what you're saying about the screet dudes, But y'all

1271
01:09:23,439 --> 01:09:27,840
Speaker 1: was screet dudes too. You can hold a conversation of

1272
01:09:27,880 --> 01:09:31,000
Speaker 1: intellect that these guys just don't possess, you know it

1273
01:09:31,120 --> 01:09:34,880
Speaker 1: still in the beginning like like now, like I ran

1274
01:09:35,000 --> 01:09:36,920
Speaker 1: into him. I went at the something with Gucci. We

1275
01:09:37,000 --> 01:09:40,400
Speaker 1: went to Uh. I got to Coachella with Gucci Chief

1276
01:09:41,360 --> 01:09:44,479
Speaker 1: and he come and go yo uh he said, yam

1277
01:09:44,600 --> 01:09:47,600
Speaker 1: my bad. Like you know, I didn't know. Do you

1278
01:09:47,680 --> 01:09:49,200
Speaker 1: know what I say he's saying. I was, I was

1279
01:09:49,479 --> 01:09:51,280
Speaker 1: a baby. I was so young that I didn't know

1280
01:09:51,400 --> 01:09:53,439
Speaker 1: what it was. Because he didn't show up to his

1281
01:09:53,560 --> 01:09:57,960
Speaker 1: own video. We was in the desert with like buggies

1282
01:09:58,040 --> 01:10:00,160
Speaker 1: and know he was like, I'm like we had me

1283
01:10:00,320 --> 01:10:04,560
Speaker 1: whis Khalifa? No? And I'm like, wait, he don't know

1284
01:10:04,680 --> 01:10:08,240
Speaker 1: that at the time, there wasn't going to spend the

1285
01:10:08,280 --> 01:10:11,479
Speaker 1: money again to reshoot the you know, to shoot the video.

1286
01:10:11,880 --> 01:10:14,320
Speaker 1: And I'm like, like I called him ahead of town

1287
01:10:14,320 --> 01:10:15,479
Speaker 1: to him get on the plane. Get on the plane,

1288
01:10:15,520 --> 01:10:17,680
Speaker 1: Get on the plane. And it was like could this

1289
01:10:17,840 --> 01:10:20,479
Speaker 1: in the jet? I was like, no, no, it's not

1290
01:10:20,600 --> 01:10:22,559
Speaker 1: the jet that you have to get on the plane

1291
01:10:23,800 --> 01:10:26,600
Speaker 1: like this. It's like you put out winks that this

1292
01:10:26,760 --> 01:10:28,800
Speaker 1: is your in the club record and you're not showing

1293
01:10:28,880 --> 01:10:31,040
Speaker 1: up to the video. You see what I'm saying like,

1294
01:10:31,160 --> 01:10:34,160
Speaker 1: And it was it was all experienced. If I never

1295
01:10:34,200 --> 01:10:36,280
Speaker 1: held it against him because I knew he didn't understand

1296
01:10:36,360 --> 01:10:38,120
Speaker 1: what was going on at the time. So when he

1297
01:10:38,200 --> 01:10:40,880
Speaker 1: said it to me like on his own time, I

1298
01:10:40,960 --> 01:10:43,320
Speaker 1: know he's in a different place, you know, because I

1299
01:10:43,400 --> 01:10:46,559
Speaker 1: haven't been that hot again though that impression. It's tough

1300
01:10:46,640 --> 01:10:48,120
Speaker 1: to have a second but we don't have a second

1301
01:10:48,160 --> 01:10:50,920
Speaker 1: chest in the first impression and his first one was

1302
01:10:51,080 --> 01:10:53,320
Speaker 1: that was it a slap Like You're gonna see a

1303
01:10:53,360 --> 01:10:55,400
Speaker 1: lot of people in our culture come with one joint

1304
01:10:56,080 --> 01:10:59,479
Speaker 1: and then not be able to deliver the next to

1305
01:10:59,600 --> 01:11:02,599
Speaker 1: follow up pieces like what was the We just told

1306
01:11:02,640 --> 01:11:05,439
Speaker 1: about um really good records that came out of New

1307
01:11:05,520 --> 01:11:08,880
Speaker 1: York for like the was the kid can't you can't

1308
01:11:08,920 --> 01:11:11,479
Speaker 1: hear what he's saying. It's gonna sound like future, Oh

1309
01:11:11,560 --> 01:11:15,880
Speaker 1: designer designs that huge record, number one record, then um

1310
01:11:16,439 --> 01:11:20,240
Speaker 1: young younger man, huge record. And then we're like we're

1311
01:11:20,320 --> 01:11:24,360
Speaker 1: waiting for the next piece for them, you know what

1312
01:11:24,400 --> 01:11:26,639
Speaker 1: I'm saying, like the name because they're already a star

1313
01:11:27,160 --> 01:11:29,040
Speaker 1: in perception, so you're gonna get different music out of

1314
01:11:29,080 --> 01:11:31,840
Speaker 1: them because like if they wrote the music in the

1315
01:11:32,240 --> 01:11:34,639
Speaker 1: early time front, they thought process everything would be different,

1316
01:11:35,040 --> 01:11:38,720
Speaker 1: for they have everything in place already, but they're gonna

1317
01:11:38,760 --> 01:11:41,120
Speaker 1: be a different person. Like that's like getting the record

1318
01:11:41,160 --> 01:11:43,280
Speaker 1: out of Cardi bat right now versus what she would

1319
01:11:43,320 --> 01:11:45,880
Speaker 1: write to you prior to that. Well, I told Cardi

1320
01:11:45,960 --> 01:11:47,320
Speaker 1: don't be a slave to the hit because you know

1321
01:11:47,400 --> 01:11:48,920
Speaker 1: she keeps thinking of now in her mind. Like I

1322
01:11:48,960 --> 01:11:55,200
Speaker 1: got to look at the difference in her socially. It's

1323
01:11:55,240 --> 01:11:57,719
Speaker 1: like you pop, but like every girls did the industry

1324
01:11:57,800 --> 01:12:00,880
Speaker 1: club right now want to be guarded. Absolute. You just

1325
01:12:01,000 --> 01:12:03,559
Speaker 1: went from being one of the people in the population

1326
01:12:03,680 --> 01:12:05,439
Speaker 1: to being the one they want to be. Like, all right,

1327
01:12:05,439 --> 01:12:07,160
Speaker 1: we got more with fifty cent when we come back,

1328
01:12:07,240 --> 01:12:10,400
Speaker 1: don't move. It's the breakfast Club. Good morning, the Breakfast

1329
01:12:10,479 --> 01:12:17,439
Speaker 1: Club winning. Everybody is DJ Envy Angela yee, Charlomagne the god.

1330
01:12:17,479 --> 01:12:21,040
Speaker 1: We all the Breakfast Club. Fifty cents in the building, yee.

1331
01:12:21,280 --> 01:12:23,120
Speaker 1: I love advice with fifty cents. So let's get some

1332
01:12:23,200 --> 01:12:26,800
Speaker 1: advice from you about other people that I had some issues. Okay,

1333
01:12:27,080 --> 01:12:37,320
Speaker 1: all right, sure, Now what advicement? What I would tell us,

1334
01:12:37,320 --> 01:12:40,719
Speaker 1: should to be active, do not go in the house

1335
01:12:41,320 --> 01:12:44,120
Speaker 1: because uncomfortable the things that the public is ain't and

1336
01:12:44,720 --> 01:12:46,880
Speaker 1: and be visible, like if I would be popping up

1337
01:12:46,880 --> 01:12:53,320
Speaker 1: everywhere because Hervey's The reason why I would do that

1338
01:12:53,520 --> 01:12:58,120
Speaker 1: is because it will remind people who he is, right,

1339
01:12:59,040 --> 01:13:00,519
Speaker 1: you know what I mean? And why That's what happens

1340
01:13:00,560 --> 01:13:02,800
Speaker 1: if when we just hear stuff, if you go, if

1341
01:13:02,800 --> 01:13:05,120
Speaker 1: you go away, if you tuck away, it becomes real

1342
01:13:05,160 --> 01:13:07,760
Speaker 1: to us. We don't know, we're gonna look and go.

1343
01:13:08,720 --> 01:13:10,840
Speaker 1: All you said is the picture and the big girl,

1344
01:13:10,960 --> 01:13:12,760
Speaker 1: And you go, why that? Like why would you doing that?

1345
01:13:13,120 --> 01:13:15,799
Speaker 1: Like now it makes anything else did you do possible

1346
01:13:15,880 --> 01:13:18,280
Speaker 1: because of that? You go, I think you would be

1347
01:13:18,400 --> 01:13:21,439
Speaker 1: doing that? And then he said, damn so and that

1348
01:13:21,600 --> 01:13:26,560
Speaker 1: was a guy he said they had sex twice in Koreatown.

1349
01:13:27,600 --> 01:13:31,960
Speaker 1: But he said, what but we don't know any of

1350
01:13:32,040 --> 01:13:35,040
Speaker 1: this is true. There was a Korean town that they

1351
01:13:35,080 --> 01:13:38,760
Speaker 1: had sex. Do you adjust the actual allegations? Like do

1352
01:13:38,800 --> 01:13:40,559
Speaker 1: you come out and say, do you make a statement

1353
01:13:40,600 --> 01:13:42,720
Speaker 1: if you want you write a song. I think he

1354
01:13:42,800 --> 01:13:44,680
Speaker 1: needs to be out. I need he needs to be

1355
01:13:44,840 --> 01:13:47,360
Speaker 1: out in public, like I don't think you run away

1356
01:13:47,400 --> 01:13:52,160
Speaker 1: from that when it happens. He's that's intense. They've said

1357
01:13:52,200 --> 01:13:56,200
Speaker 1: some things about me, they haven't never said. I don't

1358
01:13:56,200 --> 01:14:00,479
Speaker 1: know if you got too I grow up. You can't

1359
01:14:00,520 --> 01:14:03,240
Speaker 1: put me. I can't. I can't face things like this.

1360
01:14:04,160 --> 01:14:09,800
Speaker 1: You know, this is what about Kevin Hart? What advice

1361
01:14:09,840 --> 01:14:14,560
Speaker 1: would you give Kevin? You know, Cavin's a lover? Is

1362
01:14:14,560 --> 01:14:17,360
Speaker 1: it cancer? You know what I'm saying. And I don't

1363
01:14:17,400 --> 01:14:20,560
Speaker 1: know why what happened in this particular situation, but it

1364
01:14:20,640 --> 01:14:23,640
Speaker 1: feels scandalous they lined them up. It feels scandalous. You know.

1365
01:14:24,000 --> 01:14:26,479
Speaker 1: For some reason, it feels like if even after all

1366
01:14:26,479 --> 01:14:29,040
Speaker 1: of this time, then we should because of enough to

1367
01:14:29,200 --> 01:14:33,840
Speaker 1: not have this happen over this time. Right, So when

1368
01:14:33,960 --> 01:14:36,320
Speaker 1: when that, I go, what why did that happen? And

1369
01:14:36,400 --> 01:14:42,439
Speaker 1: then Charlottagne end up in the middle of it, I go, no, no, heart, Oh,

1370
01:14:54,120 --> 01:14:56,400
Speaker 1: it's a whole lot going on out here, a lot

1371
01:14:56,479 --> 01:15:01,400
Speaker 1: of a lot of things happening. That's crazy. Look when man,

1372
01:15:01,720 --> 01:15:04,120
Speaker 1: it depends on who the what's the name was? Because

1373
01:15:05,080 --> 01:15:08,600
Speaker 1: he comes from like Whendy's that's a strong background to

1374
01:15:08,680 --> 01:15:11,400
Speaker 1: come out of, come from over there, you know what

1375
01:15:11,439 --> 01:15:14,000
Speaker 1: I mean? It is And this is just not you're

1376
01:15:14,000 --> 01:15:16,640
Speaker 1: not responsible for that. If you people met each other

1377
01:15:16,760 --> 01:15:20,000
Speaker 1: around it, it's not really like That's like if if

1378
01:15:20,080 --> 01:15:22,840
Speaker 1: your girl talks to a guy that that that you knew,

1379
01:15:23,240 --> 01:15:25,640
Speaker 1: and you're like yo, But I know she did that

1380
01:15:26,800 --> 01:15:31,559
Speaker 1: because her loyalties within your your bond between the two yards,

1381
01:15:31,600 --> 01:15:34,519
Speaker 1: not that I would never like if the guy comes around,

1382
01:15:34,520 --> 01:15:36,680
Speaker 1: I expect them to see what I saw, to be

1383
01:15:36,720 --> 01:15:39,679
Speaker 1: attracted to what I was attracted to, Like you noticed

1384
01:15:39,720 --> 01:15:43,840
Speaker 1: that this attractive woman. So it's on her to not

1385
01:15:44,640 --> 01:15:47,080
Speaker 1: do those things or you know, for the relationship to

1386
01:15:47,120 --> 01:15:49,000
Speaker 1: sustain the relationship. Other than that, I look and go.

1387
01:15:50,560 --> 01:15:53,439
Speaker 1: I mean, it wouldn't be comfortable to have like, so

1388
01:15:53,520 --> 01:15:55,160
Speaker 1: you're attroduced to now you'd be like, so, so what

1389
01:15:55,280 --> 01:16:01,640
Speaker 1: did you say? So did you or did you did

1390
01:16:01,680 --> 01:16:06,479
Speaker 1: you see been honest with us? Did you hook that

1391
01:16:06,640 --> 01:16:09,840
Speaker 1: situation out? I really don't remember. To be honest, I

1392
01:16:10,000 --> 01:16:12,479
Speaker 1: was ten years ago. This is valid ago. This is

1393
01:16:12,560 --> 01:16:15,080
Speaker 1: valid to not remember ten years ago. I know the girl.

1394
01:16:15,160 --> 01:16:16,760
Speaker 1: She was just my home girl. She she wasn't my

1395
01:16:16,800 --> 01:16:18,840
Speaker 1: home girl. I haven't talked in Yeah, she was always around,

1396
01:16:19,120 --> 01:16:21,160
Speaker 1: So I don't know. Maybe I don't know. Yeah, I mean,

1397
01:16:21,200 --> 01:16:23,160
Speaker 1: but then how much of her personal business we should

1398
01:16:23,160 --> 01:16:26,439
Speaker 1: be discussing with exactly a man's friend. That's not you know,

1399
01:16:27,240 --> 01:16:30,799
Speaker 1: at intimacy like that. You know, you think you know Angela,

1400
01:16:30,880 --> 01:16:33,840
Speaker 1: you don't know you have no idea. She's like, yeah,

1401
01:16:33,880 --> 01:16:36,280
Speaker 1: but that's what you think. You know, what about you musically?

1402
01:16:36,320 --> 01:16:38,880
Speaker 1: What are you doing musically? I worked on new new stuff.

1403
01:16:39,080 --> 01:16:42,320
Speaker 1: What I did was I had wrote what I felt

1404
01:16:42,360 --> 01:16:45,720
Speaker 1: like was the right content for the record, and I said,

1405
01:16:46,080 --> 01:16:49,160
Speaker 1: I want my music to play in the nightclub next

1406
01:16:49,200 --> 01:16:52,160
Speaker 1: to trap music. I want my music to play. Some

1407
01:16:52,400 --> 01:16:54,680
Speaker 1: cuts on the album to play like you feel like

1408
01:16:54,800 --> 01:16:57,880
Speaker 1: traditional fifty cent, but this is hot and just new

1409
01:16:58,000 --> 01:17:00,519
Speaker 1: music that really you feel good about out what it is.

1410
01:17:00,880 --> 01:17:03,200
Speaker 1: When when you deliver the feedy rock record to me,

1411
01:17:03,280 --> 01:17:04,920
Speaker 1: like I just seen him, it was just a lust

1412
01:17:04,960 --> 01:17:09,759
Speaker 1: together like that record was far from the other fetty

1413
01:17:09,800 --> 01:17:13,840
Speaker 1: Wrot records I heard, and I was like, that's dope

1414
01:17:14,040 --> 01:17:16,880
Speaker 1: because it feels like almost fist pumping music to the

1415
01:17:16,960 --> 01:17:20,760
Speaker 1: point that it's I've been in situations like where you're

1416
01:17:20,800 --> 01:17:23,439
Speaker 1: in Vegas and it's eighteen thousand people in the party

1417
01:17:24,120 --> 01:17:27,200
Speaker 1: and that song is gonna be playing right. But that's

1418
01:17:27,200 --> 01:17:30,559
Speaker 1: why it plays in the set, right, it belongs there.

1419
01:17:31,160 --> 01:17:34,400
Speaker 1: Music is still number one to you. It feels like

1420
01:17:34,479 --> 01:17:38,080
Speaker 1: magic whose when you condition for it. It's not like

1421
01:17:38,160 --> 01:17:40,759
Speaker 1: a long process like like go short you your birthday.

1422
01:17:40,760 --> 01:17:44,120
Speaker 1: It's not rocket science, like it's real quick. It's like

1423
01:17:44,280 --> 01:17:46,680
Speaker 1: it's just what you felt when the music came. I

1424
01:17:46,840 --> 01:17:49,040
Speaker 1: bet you if you asked, Cardia feels like magic now,

1425
01:17:49,160 --> 01:17:52,840
Speaker 1: she said, yeah, because you're going if you've done it

1426
01:17:53,920 --> 01:17:56,640
Speaker 1: several times, like recorded several records. When she's saying I

1427
01:17:56,680 --> 01:18:00,519
Speaker 1: made three mixtapes, it sounds like a lot. You know

1428
01:18:00,560 --> 01:18:02,560
Speaker 1: how many songs that you had to make before you

1429
01:18:02,640 --> 01:18:05,599
Speaker 1: could even get a deal. Well, I think her knew.

1430
01:18:05,680 --> 01:18:07,360
Speaker 1: I think the debut I'm sure like work to her

1431
01:18:07,479 --> 01:18:09,600
Speaker 1: right now because they are her like I'm making a

1432
01:18:09,680 --> 01:18:13,719
Speaker 1: certain type of record. Now what you gotta already. It's interesting.

1433
01:18:13,960 --> 01:18:17,240
Speaker 1: I wanted the lyrics to the next song. It's gonna

1434
01:18:17,240 --> 01:18:20,960
Speaker 1: be interesting what is being said because she's she's transitioned

1435
01:18:21,040 --> 01:18:24,120
Speaker 1: from Cardi to join this in the club, just doing

1436
01:18:24,160 --> 01:18:27,120
Speaker 1: what she's doing, and forget to love the hip hop

1437
01:18:27,160 --> 01:18:29,360
Speaker 1: piece because it's still to join this in the club

1438
01:18:29,400 --> 01:18:33,840
Speaker 1: because the only money that's coming is the club. Yeah, yeah, yeah,

1439
01:18:34,120 --> 01:18:36,600
Speaker 1: you see what I'm saying. So from that piece to

1440
01:18:38,120 --> 01:18:41,320
Speaker 1: even the presidents of the appearance, when you see her,

1441
01:18:41,400 --> 01:18:44,400
Speaker 1: you go, look, she glowed up. And because we had

1442
01:18:44,479 --> 01:18:48,960
Speaker 1: got old nikky kind of stuff like Nicki Minaj. That

1443
01:18:49,120 --> 01:18:54,040
Speaker 1: was the outfit that Nicky didn't wear yet very similar.

1444
01:18:55,160 --> 01:18:57,559
Speaker 1: You know what I'm saying stuff, I'm going, whoa, which

1445
01:18:57,640 --> 01:19:01,519
Speaker 1: is this? This is okay? Wait somebody to find out

1446
01:19:01,520 --> 01:19:04,360
Speaker 1: how they kid feels about that. You know what I'm saying,

1447
01:19:04,400 --> 01:19:07,960
Speaker 1: like this is like our old gay you know, and

1448
01:19:08,080 --> 01:19:11,960
Speaker 1: it's it's cool about everything that because I do not

1449
01:19:12,160 --> 01:19:16,320
Speaker 1: care about what you're doing prior to it working in

1450
01:19:16,400 --> 01:19:20,000
Speaker 1: the present moment, so that is it means nothing. As

1451
01:19:20,040 --> 01:19:22,560
Speaker 1: long as you can come with the next one. It's it.

1452
01:19:22,960 --> 01:19:28,760
Speaker 1: She's it well tonight, fifty Central, b et Tener, make

1453
01:19:28,840 --> 01:19:31,519
Speaker 1: sure you watch it again. Fifty Central on b ET.

1454
01:19:31,800 --> 01:19:33,560
Speaker 1: What episode of Scharloman on you on this one or

1455
01:19:33,560 --> 01:19:35,040
Speaker 1: you know, on this one. I don't know whom gonna

1456
01:19:35,040 --> 01:19:36,960
Speaker 1: be watching those twenty four might be tunes in all

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Speaker 1: of them, alright, twenty four episodes. That's right. Well, we

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Speaker 1: appreciate it, We appreciate appreciate you for joining us. Thanks

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Speaker 1: for having me. It's the Breakfast Club. Good morning,