WEBVTT - MC Eiht & Glasses Malone Accuse Steele of Being Messy

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<v Speaker 1>All right, So I'm gonna do things a little different tonight, man,

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<v Speaker 1>because I get tired of being fucking professional. Man like that,

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<v Speaker 1>I get tired of being fucking professional. I get tired

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<v Speaker 1>of I've been doing the same thing. I thought about

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<v Speaker 1>it today. We've been doing this show since twenty eighteen

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<v Speaker 1>and it's twenty twenty four. Now that's a long time.

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<v Speaker 2>I remember when you came up with it in the

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<v Speaker 2>loft downtown.

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<v Speaker 1>Yeah, I remember that, and it sort of got away

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<v Speaker 1>from what my original mission was with it. The show

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<v Speaker 1>was always supposed to be eggy, right. But you know,

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<v Speaker 1>when you have personnel changes, you can't necessarily do this.

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<v Speaker 1>You know, you can't necessarily keep the same thing going

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<v Speaker 1>on when you change the team up a little bit.

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<v Speaker 1>You feel what I'm saying.

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<v Speaker 2>Yeah, I mean, like I said, we always the goal

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<v Speaker 2>to push to me is to get to get this

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<v Speaker 2>show to change over the Gangster Rap Chronicles, Like Gangster

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<v Speaker 2>Chronicles was always brilliant idea, you know what I mean.

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<v Speaker 2>With the original personnel, You know what I'm saying, it

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<v Speaker 2>was always perfect, like it was cast it for the idea,

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<v Speaker 2>and now the new cast it doesn't necessarily fit. You

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<v Speaker 2>know what I mean, y'all not super vested in criminology

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<v Speaker 2>and crimes. You know what I mean, y'all both probably did

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<v Speaker 2>your fair shared crimes in you in your day. But really,

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<v Speaker 2>you know what I'm saying, y'all, more like you're an

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<v Speaker 2>executive of gangster rap music, you know what I mean,

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<v Speaker 2>You manage a couple gangster rappers. Eight is a first

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<v Speaker 2>ballot Hall of Fame, you know, gangster rappers. So I

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<v Speaker 2>feel like that's why I was always pushing you to

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<v Speaker 2>move the show into a gangster rap chronicle perspective and

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<v Speaker 2>then really have a bunch of dope conversations. But again,

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<v Speaker 2>the hard part about business is business, you know what

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<v Speaker 2>I'm saying, The consistency of a brand and you know,

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<v Speaker 2>moving the space and changing the feed, and you know,

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<v Speaker 2>how do the fans react? But like I genuinely think,

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<v Speaker 2>you know, your audience would love it, you know what

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<v Speaker 2>I mean, because to hear you and Aid speak about

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<v Speaker 2>gangster rap, you're gonna get like forty years of wisdom

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<v Speaker 2>in a completely different space.

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<v Speaker 1>Yeah, but you know what, dog Bro, and I wish

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<v Speaker 1>you know, shout out at the homie ate he may

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<v Speaker 1>be popping in for a minute. My man, been real

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<v Speaker 1>sick for the past few weeks. Will you know, you know,

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<v Speaker 1>get will A but got the homy glass of maloney

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<v Speaker 1>here with me one thing about it. Do see, whatever

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<v Speaker 1>we're doing, we gotta be egy with it. Like when

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<v Speaker 1>I created this show, it was to be exgy, and

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<v Speaker 1>to be exy you have to have an opinion. Dog,

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<v Speaker 1>I'm so sick of sitting in the middle of shit

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<v Speaker 1>because people don't want to upset nobody. And I get it.

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<v Speaker 1>You feel what I'm saying. Don't nobody want beef man,

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<v Speaker 1>But I'm tired of it, man, So from here on out,

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<v Speaker 1>I'm gonna speak with some on my mind though I'm

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<v Speaker 1>tired of just I'm tired of playing the game. You

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<v Speaker 1>feel what I'm.

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<v Speaker 2>Saying, as long as you articulate your thoughts clearly. I mean,

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<v Speaker 2>I mean, you.

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<v Speaker 1>Know you don't really start to playing the game.

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<v Speaker 2>You know how we do it on no ceilings. You

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<v Speaker 2>feel me. I'm going to say what I think now.

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<v Speaker 2>You know obviously I've been man. I've seen Lord Jamar

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<v Speaker 2>today like commenting on one of my thoughts. You know

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<v Speaker 2>what I'm saying, like on Drake not being hip hop,

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<v Speaker 2>and Lord Jamar was like, oh, I get what he's saying.

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<v Speaker 2>You know what I'm saying, and people like so many

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<v Speaker 2>fans like feel like it has to be about like

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<v Speaker 2>I have a disdain for the artists or I don't.

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<v Speaker 2>Just like if I made Tupac must die, it must

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<v Speaker 2>be I don't like Tupac. And that's it's just, you know,

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<v Speaker 2>the first thing from the truth. You know me well

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<v Speaker 2>more well than anybody. I've always been transparent with my thoughts.

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<v Speaker 2>Now I definitely can't. Like I've dealt with Drake more

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<v Speaker 2>than once. You know what I'm saying, But I don't

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<v Speaker 2>have enough information to like or dislike him. And actually

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<v Speaker 2>what I do know about him, you know I like him.

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<v Speaker 2>Same for J Cole. You know I didn't bump to

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<v Speaker 2>the J Cole chopped double him in passing like I

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<v Speaker 2>like him. I don't dislike people. But if as men,

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<v Speaker 2>we can't know. These podcasts are very much like barbershop conversations.

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<v Speaker 2>And it don't matter how many thousands to tens of

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<v Speaker 2>thousands of people that are listening. You just listening to

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<v Speaker 2>us have a barbershop conversation, and I'm transparent. That's why

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<v Speaker 2>you don't hear me, you know, even in private or public.

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<v Speaker 2>I don't call you know, you know me, I don't

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<v Speaker 2>call Dracer out of his name, you know what I mean.

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<v Speaker 2>I wouldn't call j Cole out of his name, even

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<v Speaker 2>if I'm describing an action you know what I'm saying

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<v Speaker 2>that he's doing, so you know what I mean. I

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<v Speaker 2>do think there's a space where people are just overtly

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<v Speaker 2>sensitive to where it's like they go right to, oh,

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<v Speaker 2>I hate this person, you know, I mean, he gotta

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<v Speaker 2>hate this person or let me attack him because I

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<v Speaker 2>like this person. I'm defending him. And it's weird to me, bro,

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<v Speaker 2>because even though my social media is like the people

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<v Speaker 2>that they feel like they're defending who I'm not even attacking.

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<v Speaker 3>Bro.

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<v Speaker 2>It's like they wouldn't even tweet you or talk to

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<v Speaker 2>you if they saw you, Like, you know, I'm the

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<v Speaker 2>type of person. You see how fans been since you

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<v Speaker 2>know me, since I first started, you know, ascertaining some

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<v Speaker 2>level of fame. I always been pretty personable with people,

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<v Speaker 2>Like to me, I'm like a person of the people,

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<v Speaker 2>you know what I'm saying. So to watch people treat

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<v Speaker 2>me like I'm some kind of outcast, that I would

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<v Speaker 2>be the person that's not relatable and some dude who

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<v Speaker 2>really you know, to the most suburban kid, I'm still

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<v Speaker 2>more relatable than Drake or j Cole. You know what

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<v Speaker 2>I'm saying, Like, I'm pretty much straight up and down.

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<v Speaker 2>You know what I mean? Again, everybody take the crypt

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<v Speaker 2>part and mean that means that, you know, I would

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<v Speaker 2>hurt somebody innocent or snatch some old lady person so

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<v Speaker 2>they you know, your brand gets outcasting into a space

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<v Speaker 2>of fear, or I need to present myself overtly tough

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<v Speaker 2>versus just treating somebody like a regular person.

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<v Speaker 1>What the thing is, man, I just think we too

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<v Speaker 1>sensitive today as a society, as just men in general.

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<v Speaker 1>I notice sometimes and I can't And I ain't gonna

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<v Speaker 1>go in and speaking for nobody else on this show

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<v Speaker 1>because I can't. My man, they ain't here tonight. But

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<v Speaker 1>I think we too sensitive sometimes a lot of times

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<v Speaker 1>I want to have conversations, but then the thing comes

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<v Speaker 1>up where we may get so and so upset. Why

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<v Speaker 1>why are we worried about that? Hold on, cheap me,

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<v Speaker 1>let me land on this. If we are gonna be

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<v Speaker 1>the people that speak on the culture dog, we can't

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<v Speaker 1>be worried about people getting mad. We can't worry about

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<v Speaker 1>people getting upset. Now, I'm gonna tell you this, I

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<v Speaker 1>would never come on. I'm never go do the ambush journalism.

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<v Speaker 1>I'm never gonna do the stuff the world we just

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<v Speaker 1>dissing people just to dis people. You feel what I mean?

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<v Speaker 1>That ain't cool right there? But I think if I

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<v Speaker 1>have an opinion about somebody's music, like I'm gonna tell

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<v Speaker 1>you that new Bus the Bus and I'm a Bust

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<v Speaker 1>the Bus fan. I'm a Bust of Rhymes fan. Man,

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<v Speaker 1>I can't stand a new record though I haven't heard it,

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<v Speaker 1>you know, do the Bus and Bus Part two? The

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<v Speaker 1>origonal was cool when it first came out. That should

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<v Speaker 1>have been left where it was at before. But now

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<v Speaker 1>that's no disrespect to Bust to Rhymes. I've supported everyone

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<v Speaker 1>last one of Busts of Rhymes albums. I'm just don't

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<v Speaker 1>like his new music, and I think I should have

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<v Speaker 1>a right to say that without offending nobody. I don't

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<v Speaker 1>think Buster would be mad if I said that, because

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<v Speaker 1>I love Bust to Rhymes. I think Bust the Rhymes

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<v Speaker 1>is one of the greatest of all time to ever

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<v Speaker 1>do it. Extinction level Event two left it thought it

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<v Speaker 1>was a brilliant album, thought it fit where he was at.

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<v Speaker 1>But to see Buss and Bus trying to attempt to

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<v Speaker 1>make dance music all over again, it's just like, bro,

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<v Speaker 1>do your stuff, Bust and Bust mean, but he's like

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<v Speaker 1>dance music his whole career. Yeah, he has dog, but

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<v Speaker 1>it seemed like with this one man, he kind of

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<v Speaker 1>trying to chase something.

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<v Speaker 2>Maybe I haven't heard.

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<v Speaker 1>I could be and I could be wrong, But then again,

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<v Speaker 1>that's just my opinion, and that's no disrespect to the guy.

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<v Speaker 1>You feel what I'm saying, that's no disrespect the Bust

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<v Speaker 1>of Rhymes.

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<v Speaker 2>I truly love the ll Kool j Q Tip album

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<v Speaker 2>The Force.

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<v Speaker 1>I loved the two and I think the Bus and

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<v Speaker 1>Bus like when Bus and Bus did Extinction level event.

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<v Speaker 3>I loved that.

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<v Speaker 1>See that's one of my favorite Bus to Rahyms albums

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<v Speaker 1>because he was doing well. It's true to him. And

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<v Speaker 1>I know Buss and Busses back on a major label now,

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<v Speaker 1>and I think Bus and Bus it may be a

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<v Speaker 1>thing where Bus and Busses used to have hit records.

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<v Speaker 2>Though, sure, and if you see it to a record company,

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<v Speaker 2>it would it would probably make sense for you to

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<v Speaker 2>try to make a hit record or make a good record.

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<v Speaker 2>So I mean, but Busts always took artistic gambles, you

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<v Speaker 2>know what I mean. So I'm sure sometimes he can

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<v Speaker 2>miss why left or my you know, wide right, But

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<v Speaker 2>I'm sure you know, I think I think there is

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<v Speaker 2>a space for a level of critigue even for the

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<v Speaker 2>gods of of of of you know, New York street

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<v Speaker 2>urban culture, you know, from an art level to be critigue,

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<v Speaker 2>same for anyone else like J Cole. Like even when

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<v Speaker 2>we talked about the J Cole record the poort, Antonio

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<v Speaker 2>was like, this is not about me critiguing his art

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<v Speaker 2>or his ability. This is me critiguing the approach what's

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<v Speaker 2>being said, you know what I mean. So you just

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<v Speaker 2>have to be okay, just like when people don't like

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<v Speaker 2>my music, you know what I'm saying, Like I'll put

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<v Speaker 2>out music and people won't like it, and that's just

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<v Speaker 2>the end of it. I'm not gonna fight him because

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<v Speaker 2>they don't like my music. But I mean people can

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<v Speaker 2>be a bit sensitive. Do I think bus is sensitive?

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<v Speaker 2>Knowing him and fellowshipping with him, Nah, you know, I mean,

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<v Speaker 2>he'll take that and hear what you're saying. And you know,

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<v Speaker 2>come back stronger and that would you.

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<v Speaker 1>Know what, Man, I really hope that's just my opinion.

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<v Speaker 1>That don't mean I'm not gonna support Bus and Bus.

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<v Speaker 1>That don't mean I'm not gonna keep lofting him for

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<v Speaker 1>what he does. This one misstep. This is probably the

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<v Speaker 1>first song Buss and Rhymes I've ever had in his

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<v Speaker 1>whole long story career that I didn't like. And I

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<v Speaker 1>try like she won't like. I listened to that record

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<v Speaker 1>about ten fifteen times. All righty, you know what? But

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<v Speaker 1>but I will say this while I'm talking, not to

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<v Speaker 1>get too much into a negative space. Man, That new

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<v Speaker 1>app Soul is off the hook? Yeah yeah, yeah, app.

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<v Speaker 1>So I think I've seen it on this show a

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<v Speaker 1>number of times. Probably my favorite rap road for ad TD.

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<v Speaker 1>You know, I've had a conversations with you. Soul is like,

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<v Speaker 1>Soul is a real rapper, and that it's not taking

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<v Speaker 1>nothing from nobody else, all them brothers over that dope,

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<v Speaker 1>but Soul. I've always thought that Soul was just on

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<v Speaker 1>another level lyrically. You know, Soul will take you someplace.

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<v Speaker 2>You know, No, Soul is amazing, no questions?

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<v Speaker 1>Apps was that guy man I got?

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<v Speaker 2>I got Trevvy to a record behind the scenes where

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<v Speaker 2>they shot a video and it's amazing. I expect nothing

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<v Speaker 2>less from Sould, you know what I mean. What I

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<v Speaker 2>really more expect any more than anything from Soul is

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<v Speaker 2>him to do delivers some records, like and I tell

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<v Speaker 2>him all the time, you know what I mean? Like

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<v Speaker 2>I tell over all the time, like it's time to,

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<v Speaker 2>you know, make some records. Like Casola is an underrated

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<v Speaker 2>record maker. If you heard Fuck Glasses alone, the album

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<v Speaker 2>that's on Spotify. Now, there's a song with me and

0:11:19.880 --> 0:11:23.199
<v Speaker 2>Jay Rock called Dollars makes sense. That's Apps so doing

0:11:23.280 --> 0:11:26.320
<v Speaker 2>the course, Like as knows how to make a record.

0:11:26.360 --> 0:11:29.560
<v Speaker 2>He just you know, got hell bent on showing everybody

0:11:29.640 --> 0:11:33.080
<v Speaker 2>they're not a better MC. But most people don't give

0:11:33.520 --> 0:11:37.120
<v Speaker 2>credence of this. But im singing at a mass level,

0:11:37.240 --> 0:11:41.320
<v Speaker 2>even lyricism at a mass level is still judged based

0:11:41.360 --> 0:11:43.920
<v Speaker 2>off of how popular your records are, like jay Z

0:11:44.080 --> 0:11:46.520
<v Speaker 2>can only be in the running, or Tupac can only

0:11:46.600 --> 0:11:49.719
<v Speaker 2>be in the running, or Biggie or Nahs because of

0:11:49.800 --> 0:11:52.400
<v Speaker 2>their biggest songs. That puts you on a radar of

0:11:52.520 --> 0:11:53.160
<v Speaker 2>all the audience.

0:11:53.960 --> 0:11:56.920
<v Speaker 1>Yeah, well, you know somebody will even take this conversation

0:11:57.120 --> 0:11:59.079
<v Speaker 1>and take that as a slight to everybody else from

0:11:59.120 --> 0:12:03.040
<v Speaker 1>TDE because I said that appsold is my favorite rapper.

0:12:03.520 --> 0:12:06.040
<v Speaker 1>I love Jay Rock's music. It things. Jay Rock got

0:12:06.120 --> 0:12:07.760
<v Speaker 1>slaps out, you know, Ny.

0:12:07.760 --> 0:12:11.480
<v Speaker 2>You know sensitive and always try to clear it up.

0:12:13.559 --> 0:12:17.080
<v Speaker 1>Yeah, but but listen to me though, Dog and Punch

0:12:17.200 --> 0:12:21.079
<v Speaker 1>is probably my second favorite rapper over there. Sure Punch

0:12:21.200 --> 0:12:24.520
<v Speaker 1>is hard. Sure, and this ain't me clean it up.

0:12:24.559 --> 0:12:26.720
<v Speaker 1>I'm just saying, man, I'm so sick of the space

0:12:26.760 --> 0:12:28.480
<v Speaker 1>we in right now. Dog is extra.

0:12:29.640 --> 0:12:30.640
<v Speaker 2>Just stop honoring it.

0:12:31.320 --> 0:12:33.360
<v Speaker 1>It's extra. What's the nice word? Like I said about

0:12:33.360 --> 0:12:36.880
<v Speaker 1>the climate today is just zesty as hell? Dog? Well,

0:12:36.920 --> 0:12:37.240
<v Speaker 1>you don't.

0:12:37.320 --> 0:12:40.920
<v Speaker 2>I mean, you only empowered it when you be a

0:12:41.000 --> 0:12:43.280
<v Speaker 2>part of it. That's why I don't really hold my

0:12:43.360 --> 0:12:46.560
<v Speaker 2>opinion back. I mean, I'm not.

0:12:46.679 --> 0:12:48.400
<v Speaker 1>Hold my opinion up. I'm gonna tell you this, and

0:12:48.440 --> 0:12:51.200
<v Speaker 1>I want to apologize for the fans, and I don't

0:12:51.200 --> 0:12:52.800
<v Speaker 1>want nobody to take this no kind of a way.

0:12:52.840 --> 0:12:56.480
<v Speaker 1>Our last week's episode was whack. It was trash. Yeah,

0:12:56.920 --> 0:12:59.320
<v Speaker 1>I told you that. Afterout, after we got finished recording,

0:12:59.400 --> 0:13:01.560
<v Speaker 1>I said, Dog, I did not like this episode. Dog,

0:13:01.920 --> 0:13:03.880
<v Speaker 1>we can't just come in and just breathe through the

0:13:03.960 --> 0:13:05.480
<v Speaker 1>show without saying what we mean.

0:13:05.600 --> 0:13:10.440
<v Speaker 2>Bro, Well, you gotta listen to people, right, and then

0:13:10.480 --> 0:13:15.480
<v Speaker 2>you gotta respond appropriately when they speaking to you. Yeah,

0:13:16.760 --> 0:13:19.600
<v Speaker 2>And I think that's the beginning. I think that's the start.

0:13:20.440 --> 0:13:20.880
<v Speaker 1>Like I don't.

0:13:21.080 --> 0:13:23.439
<v Speaker 2>I don't want it to be tabloid journalism, you know

0:13:23.480 --> 0:13:29.360
<v Speaker 2>what I mean, or tabloid podcasting versus two really knowledgeable people,

0:13:29.440 --> 0:13:31.560
<v Speaker 2>one like I said, the first ballot Hall of Famer

0:13:32.040 --> 0:13:37.000
<v Speaker 2>and another you know, executive of of the of the genre,

0:13:37.760 --> 0:13:40.760
<v Speaker 2>you know, being honest about their opinion. Especially somebody like

0:13:40.880 --> 0:13:44.599
<v Speaker 2>A eight has all the credentials in the world to

0:13:44.840 --> 0:13:49.439
<v Speaker 2>judge music. I mean, he is a true professional or

0:13:49.440 --> 0:13:52.120
<v Speaker 2>a true legend, a true scholar at the highest level,

0:13:52.600 --> 0:13:55.199
<v Speaker 2>you know what I'm saying. So there's nothing that I

0:13:55.280 --> 0:13:57.600
<v Speaker 2>don't know why he wouldn't be Like he can offer

0:13:57.679 --> 0:14:01.000
<v Speaker 2>critique that can help shape an artists into becoming a

0:14:01.080 --> 0:14:01.920
<v Speaker 2>Hall of Fame player.

0:14:02.559 --> 0:14:04.920
<v Speaker 1>But what he can't worry about, though, Bro, he can't

0:14:04.960 --> 0:14:06.360
<v Speaker 1>worry about people getting upset.

0:14:06.440 --> 0:14:08.720
<v Speaker 2>Bro, I don't know why to hell, A will worry

0:14:08.720 --> 0:14:12.520
<v Speaker 2>about people getting upset. He don't function with everybody, you

0:14:12.559 --> 0:14:13.800
<v Speaker 2>know what I'm saying. It ain't like he in the

0:14:13.880 --> 0:14:17.000
<v Speaker 2>mix with everybody, So you know, if he thinks, I

0:14:17.120 --> 0:14:18.719
<v Speaker 2>think it's right for Ad to be able to say

0:14:19.040 --> 0:14:20.680
<v Speaker 2>say to somebody, hey, you know what you need to

0:14:20.720 --> 0:14:23.680
<v Speaker 2>work on that. Look, it's it's one thing, big Bro,

0:14:23.920 --> 0:14:28.880
<v Speaker 2>for people to just oh you whacking, you suck and

0:14:29.040 --> 0:14:29.440
<v Speaker 2>you are.

0:14:29.720 --> 0:14:32.520
<v Speaker 1>Yeah, we ain't gonna never disrespect nobody. That's not what

0:14:32.560 --> 0:14:35.560
<v Speaker 1>I'm talking about. See, I'm like, whatever do with the

0:14:35.720 --> 0:14:38.000
<v Speaker 1>other cats, do this down the road or whatever? Like

0:14:38.120 --> 0:14:40.080
<v Speaker 1>we not like us, That's what I'm saying. We never

0:14:40.160 --> 0:14:42.320
<v Speaker 1>go do the tabloid stuff. You feel what I'm saying.

0:14:42.760 --> 0:14:44.480
<v Speaker 1>We're not a gossip Kyle, and that's not what we

0:14:44.600 --> 0:14:44.880
<v Speaker 1>go do.

0:14:45.560 --> 0:14:50.080
<v Speaker 2>But as even as gangster rap, you know, as gangster rap.

0:14:52.000 --> 0:14:54.880
<v Speaker 2>You know, you two guys iss gangster rap like professionals

0:14:55.600 --> 0:15:00.760
<v Speaker 2>you know of over thirty years. You it's it's incumbent.

0:15:00.920 --> 0:15:04.200
<v Speaker 2>You know what I mean that you be transparent with

0:15:04.480 --> 0:15:09.320
<v Speaker 2>with your critique for moves made by artists and music

0:15:09.520 --> 0:15:09.960
<v Speaker 2>that they.

0:15:09.960 --> 0:15:14.520
<v Speaker 1>Released hundred percent. You know, but I wish we could

0:15:14.520 --> 0:15:17.280
<v Speaker 1>play music on here man. That new appisode is hard

0:15:17.360 --> 0:15:23.400
<v Speaker 1>Dog Squeeze first too. You know what I was together,

0:15:24.160 --> 0:15:27.160
<v Speaker 1>You know what I was thinking about too, Bro, I

0:15:27.320 --> 0:15:30.840
<v Speaker 1>was thinking about all this stuff that's going down with

0:15:31.840 --> 0:15:35.160
<v Speaker 1>with p Diddy right now, right sure with Ditty, and

0:15:35.200 --> 0:15:36.960
<v Speaker 1>I don't and I ain't even go getting all. I

0:15:37.040 --> 0:15:39.480
<v Speaker 1>was just thinking about it. You got one hundred and

0:15:39.560 --> 0:15:44.000
<v Speaker 1>twenty people following the lawsuit, Bro, and you have been

0:15:44.040 --> 0:15:46.120
<v Speaker 1>with a one eight hundred number now where people can

0:15:46.240 --> 0:15:49.280
<v Speaker 1>call in. How many of these lawsuits you think is frivolous?

0:15:50.280 --> 0:16:02.000
<v Speaker 2>How did you police that, bron? Listen, everybody who functioned

0:16:02.040 --> 0:16:07.040
<v Speaker 2>with Puff passed nineteen ninety four knew who Puff was,

0:16:08.880 --> 0:16:16.360
<v Speaker 2>So again, like, you can't convince me that people were this.

0:16:17.360 --> 0:16:21.240
<v Speaker 2>Like I saw an interview with a local West Coast

0:16:21.400 --> 0:16:26.720
<v Speaker 2>act as a female singer. Her name is Tania. She

0:16:27.000 --> 0:16:29.200
<v Speaker 2>was doing a sit down where she was talking about

0:16:29.200 --> 0:16:31.480
<v Speaker 2>she been to a Puff party and she didn't do nothing.

0:16:31.600 --> 0:16:34.680
<v Speaker 2>But to some degree I think she was like a

0:16:34.840 --> 0:16:37.360
<v Speaker 2>stripper or maybe like I don't know, I don't want

0:16:37.360 --> 0:16:39.200
<v Speaker 2>to call nobody no sex worker, because even though that

0:16:39.320 --> 0:16:43.040
<v Speaker 2>phrase is really nice, I mean like, I don't know,

0:16:43.160 --> 0:16:44.920
<v Speaker 2>you know, you don't want to call somebody that they not.

0:16:45.560 --> 0:16:48.360
<v Speaker 2>But I'm saying that she didn't do nothing, Like if

0:16:48.480 --> 0:16:52.520
<v Speaker 2>nobody went to a puff party, not understanding. The goal

0:16:52.680 --> 0:16:56.920
<v Speaker 2>is to get high, laid, or drunk, I mean, or

0:16:57.000 --> 0:17:00.480
<v Speaker 2>all the above, with the goal of achieving something else

0:17:00.520 --> 0:17:02.720
<v Speaker 2>that they desire. Maybe is success in the music business,

0:17:02.760 --> 0:17:05.040
<v Speaker 2>maybe it's money. Everybody know what they was going for.

0:17:05.880 --> 0:17:07.920
<v Speaker 1>You remember when we did the episode we had the

0:17:08.000 --> 0:17:09.679
<v Speaker 1>giants up there and we was just up there all

0:17:09.800 --> 0:17:12.720
<v Speaker 1>kicking it. And I told you all, I went to

0:17:12.800 --> 0:17:14.560
<v Speaker 1>a party where they had the pink stuff on the

0:17:14.920 --> 0:17:17.720
<v Speaker 1>like the pink powder on the trades and stuff. Yeah. Yeah,

0:17:18.359 --> 0:17:21.560
<v Speaker 1>that was a tough party. Dog, It just wasn't And

0:17:21.760 --> 0:17:23.600
<v Speaker 1>I didn't, to be honest with you, Dog, I thought

0:17:23.640 --> 0:17:25.320
<v Speaker 1>it was crazy. And I told I talked about this

0:17:25.440 --> 0:17:29.360
<v Speaker 1>party a couple of times right on the show, numerous times. Right,

0:17:30.040 --> 0:17:31.920
<v Speaker 1>I think it was what it was. It wasn't no

0:17:32.040 --> 0:17:35.359
<v Speaker 1>different than the thirty or forty other Hollywood parties I

0:17:35.400 --> 0:17:37.040
<v Speaker 1>went to. That's what people go there for it or

0:17:37.119 --> 0:17:39.399
<v Speaker 1>they go to get faded, they go to get us

0:17:39.400 --> 0:17:41.159
<v Speaker 1>some brawls, they go to listen to music, they go

0:17:41.280 --> 0:17:43.560
<v Speaker 1>to really be hedonistic.

0:17:44.119 --> 0:17:46.080
<v Speaker 3>Yeah, and that's what they do.

0:17:46.680 --> 0:17:51.880
<v Speaker 2>And yeah, heatonistic is very much, you know, a much

0:17:51.960 --> 0:17:54.480
<v Speaker 2>more harsher term of being free, you know, to do

0:17:54.720 --> 0:17:58.879
<v Speaker 2>anything without judgment, you know, outside of the man above

0:17:58.920 --> 0:18:05.240
<v Speaker 2>you I mean, but outside of the entity above. But yes,

0:18:05.359 --> 0:18:07.639
<v Speaker 2>it's standard. It's people that I can name who have

0:18:07.920 --> 0:18:11.040
<v Speaker 2>puff parties. But I could never say it because the

0:18:11.119 --> 0:18:15.320
<v Speaker 2>public is so extra sensitive because that they acted like

0:18:15.400 --> 0:18:17.840
<v Speaker 2>they want to be judgmental, like their whole goal in

0:18:17.920 --> 0:18:19.560
<v Speaker 2>life wasn't to go to a puff party.

0:18:20.080 --> 0:18:21.879
<v Speaker 1>I probably shouldn't said that I was at a at

0:18:21.920 --> 0:18:25.080
<v Speaker 1>the puff party, but it didn't matter whose party it was,

0:18:25.200 --> 0:18:29.000
<v Speaker 1>because yeah, it was like it was going down dog,

0:18:29.200 --> 0:18:31.280
<v Speaker 1>but it wasn't no different. It wasn't nothing I hadn't

0:18:31.320 --> 0:18:31.879
<v Speaker 1>seen before.

0:18:32.600 --> 0:18:35.400
<v Speaker 2>Yeah, I've seen it. It was crazy. I never seen

0:18:35.440 --> 0:18:37.880
<v Speaker 2>it at the Puff party, but I've seen it at

0:18:37.960 --> 0:18:42.920
<v Speaker 2>other celebrity parties. But again, like that ain't like I've

0:18:42.960 --> 0:18:44.879
<v Speaker 2>seen that in the hood, like you know what I mean.

0:18:44.960 --> 0:18:47.200
<v Speaker 2>I've seen all of this stuff and how people getting

0:18:47.280 --> 0:18:49.800
<v Speaker 2>down and enjoying theirself and if it ain't for me,

0:18:49.920 --> 0:18:51.520
<v Speaker 2>I just don't get down, That's all.

0:18:51.920 --> 0:18:53.720
<v Speaker 1>I think. It was the thing, the thing that tripped

0:18:53.720 --> 0:18:55.760
<v Speaker 1>me out most about that night. I kept talking about

0:18:55.760 --> 0:18:57.800
<v Speaker 1>it's the pink. I didn't know if it was cocaine.

0:18:57.800 --> 0:18:59.320
<v Speaker 1>I didn't know what it was I just know they

0:18:59.359 --> 0:19:01.080
<v Speaker 1>had this pink on the trade, and I thought it

0:19:01.200 --> 0:19:03.879
<v Speaker 1>was the craziest thing ever. Right, I was like, what

0:19:04.119 --> 0:19:07.399
<v Speaker 1>is that? You feel me? Yeah, I'm not trying it,

0:19:07.440 --> 0:19:09.879
<v Speaker 1>whatever it is is, I'm not sniffing or snort nothing.

0:19:09.960 --> 0:19:10.800
<v Speaker 1>That's not my thing.

0:19:12.080 --> 0:19:15.080
<v Speaker 2>I think you ever tried cocaine, you know what?

0:19:15.160 --> 0:19:17.560
<v Speaker 1>I tried cocaine once by accident, dog, and it.

0:19:17.640 --> 0:19:22.280
<v Speaker 2>Was you can't try cocaine. Try no, no, not like

0:19:22.359 --> 0:19:23.600
<v Speaker 2>a primo, I mean.

0:19:23.560 --> 0:19:26.200
<v Speaker 1>Oh no, Yeah. I never sniffed cocaine before. Never Never

0:19:26.760 --> 0:19:29.800
<v Speaker 1>How close did you get to it? Never had to,

0:19:30.000 --> 0:19:32.719
<v Speaker 1>never had the desire to do so. Bro, I saw

0:19:32.800 --> 0:19:37.560
<v Speaker 1>that stuff tear too many lives up. Oh yeah, I

0:19:37.720 --> 0:19:39.160
<v Speaker 1>was always terrified of cocaine.

0:19:39.200 --> 0:19:41.880
<v Speaker 2>Bro, who is the cold Who is the craziest person

0:19:41.960 --> 0:19:44.840
<v Speaker 2>that you were surprised at all? Well, it's kind of illegal,

0:19:44.920 --> 0:19:47.960
<v Speaker 2>so that might be kind of telling it, ain't it is?

0:19:48.119 --> 0:19:49.919
<v Speaker 1>That would be you know what, Dog, it's a lot

0:19:49.960 --> 0:19:50.919
<v Speaker 1>of people to snort though.

0:19:51.960 --> 0:19:52.160
<v Speaker 3>Yeah.

0:19:52.720 --> 0:19:54.760
<v Speaker 1>And I think it's more open now. I think these

0:19:54.840 --> 0:19:56.920
<v Speaker 1>kids today is more open about what they do. You know,

0:19:57.040 --> 0:20:00.520
<v Speaker 1>back then, I think people was more ashamedful doing cocaine.

0:20:00.560 --> 0:20:03.040
<v Speaker 1>I know, three six moth people was always open about

0:20:03.200 --> 0:20:05.879
<v Speaker 1>you know when they was the first rap group open

0:20:05.920 --> 0:20:08.840
<v Speaker 1>with talking about their cocaine usage. You know, I was

0:20:08.880 --> 0:20:12.440
<v Speaker 1>always terrified of cocaine. I'll tell you about my about

0:20:12.480 --> 0:20:15.040
<v Speaker 1>my story. I got a cousin back home in Ohio, right.

0:20:15.560 --> 0:20:16.479
<v Speaker 2>Much love to Ohio.

0:20:17.200 --> 0:20:19.880
<v Speaker 1>Yeah, this dude has always been fast, right, And when

0:20:19.880 --> 0:20:22.960
<v Speaker 1>I say fast, he was just that's a whole different

0:20:23.040 --> 0:20:27.080
<v Speaker 1>level just doing level reference for a man. Yeah, not fast,

0:20:27.200 --> 0:20:29.040
<v Speaker 1>like when I say that brought me and this dude

0:20:29.200 --> 0:20:31.960
<v Speaker 1>was just like when we was fifteen. This dude was

0:20:32.000 --> 0:20:32.720
<v Speaker 1>drinking Hennessy.

0:20:33.600 --> 0:20:35.880
<v Speaker 2>Oh yeah, that's crazy afteen, you know what I'm saying,

0:20:35.920 --> 0:20:38.320
<v Speaker 2>Like you talked about back in eighty five, him drink

0:20:38.400 --> 0:20:39.160
<v Speaker 2>he had a short dog.

0:20:39.800 --> 0:20:41.960
<v Speaker 1>Yeah, he was drinking Hennessy dog he had, you know,

0:20:42.040 --> 0:20:44.320
<v Speaker 1>he was drinking him, That's what he was doing. But

0:20:45.200 --> 0:20:47.320
<v Speaker 1>he was drinking Hennessy. He was drinking gin. He was

0:20:47.440 --> 0:20:50.720
<v Speaker 1>like always a step ahead. This dude had his own

0:20:50.760 --> 0:20:52.200
<v Speaker 1>apartment though. You feel what I'm saying.

0:20:52.280 --> 0:20:54.800
<v Speaker 2>This is a cousin of mine right at fifteen.

0:20:54.920 --> 0:20:58.120
<v Speaker 1>So yeah, dog at fifteen, he's a year I was fifteen,

0:20:58.160 --> 0:21:01.160
<v Speaker 1>he was sixteen. I would say he was sixteen, but wow,

0:21:01.920 --> 0:21:05.200
<v Speaker 1>so we at his crib chilling one night. Man, I

0:21:05.600 --> 0:21:08.280
<v Speaker 1>never will forget. We was listening to Chud Rocks new album.

0:21:08.520 --> 0:21:09.720
<v Speaker 2>You told me about this story.

0:21:10.200 --> 0:21:12.280
<v Speaker 1>Listening to Chure Rocks the album. So they passed and

0:21:12.320 --> 0:21:14.840
<v Speaker 1>weed around and I was.

0:21:16.000 --> 0:21:18.000
<v Speaker 2>And you thinking you've grown and cool.

0:21:18.440 --> 0:21:22.119
<v Speaker 1>Exactly, I'm just trying to be cool beat around. And

0:21:22.280 --> 0:21:24.400
<v Speaker 1>the thing is, I didn't even know how to hit weeds.

0:21:24.720 --> 0:21:26.119
<v Speaker 1>I didn't even know how to hit the weed back.

0:21:27.160 --> 0:21:27.920
<v Speaker 2>Once or twice.

0:21:29.600 --> 0:21:32.760
<v Speaker 1>I hit the weed dog and I smoked, and it

0:21:32.920 --> 0:21:34.760
<v Speaker 1>never did nothing to me because weed at that time,

0:21:34.800 --> 0:21:36.560
<v Speaker 1>I don't think I was inhaling it right or something.

0:21:36.600 --> 0:21:39.280
<v Speaker 1>I didn't know how to smoke right. So I smoked

0:21:39.280 --> 0:21:41.680
<v Speaker 1>the weed dog, and I'm headed back home. And it's

0:21:41.720 --> 0:21:43.560
<v Speaker 1>about like a twenty minute drive where you've been in

0:21:43.640 --> 0:21:47.080
<v Speaker 1>where my pops lived before. Right, I'm driving back to

0:21:47.160 --> 0:21:51.200
<v Speaker 1>Cleveland at night. So I got like a thirty forty

0:21:51.240 --> 0:21:54.680
<v Speaker 1>minute drive, right, I give them the freeway dog, and

0:21:54.800 --> 0:21:58.800
<v Speaker 1>my whole face started feeling them, like to the point

0:21:58.840 --> 0:22:01.040
<v Speaker 1>I thought something was wrong with me. Dog Like. First

0:22:01.200 --> 0:22:03.560
<v Speaker 1>thing that happened is my heart started beating fast.

0:22:03.400 --> 0:22:03.480
<v Speaker 3>Like.

0:22:07.040 --> 0:22:10.560
<v Speaker 2>When you pulled the jay you to hear the crackle.

0:22:11.960 --> 0:22:14.800
<v Speaker 1>Bro, Well, I didn't know what going on. Like I said,

0:22:14.800 --> 0:22:16.800
<v Speaker 1>I was cream. I didn't know what it was.

0:22:16.960 --> 0:22:17.120
<v Speaker 2>Dog.

0:22:17.320 --> 0:22:20.720
<v Speaker 1>You went on and all I know, g is I

0:22:20.920 --> 0:22:22.879
<v Speaker 1>was up for two days. Dog. I could not go

0:22:23.000 --> 0:22:25.760
<v Speaker 1>to sleep. You know what it felt like, bro, It

0:22:25.840 --> 0:22:28.240
<v Speaker 1>felt like I drunk like five six cups of coffee.

0:22:31.200 --> 0:22:33.320
<v Speaker 1>I couldn't go to sleep. But I was scared. Man,

0:22:33.440 --> 0:22:36.480
<v Speaker 1>I was very, very scared, and I told my pops

0:22:36.480 --> 0:22:38.560
<v Speaker 1>about it. I always was able to share stuff with

0:22:38.680 --> 0:22:42.120
<v Speaker 1>my dad. Man I told him about He said, Son,

0:22:42.160 --> 0:22:44.399
<v Speaker 1>you gotta be real careful about doing what you do.

0:22:44.560 --> 0:22:46.679
<v Speaker 1>You know what I'm saying about who you're doing certain

0:22:46.760 --> 0:22:49.560
<v Speaker 1>things with. And that was my thing right there. From

0:22:49.600 --> 0:22:52.280
<v Speaker 1>that time on, Dog, I never just hit nobody else's weed.

0:22:52.359 --> 0:22:53.320
<v Speaker 1>That's that you feel me.

0:22:53.840 --> 0:22:56.399
<v Speaker 2>They got you so so Hector. Hector got you like

0:22:56.520 --> 0:22:57.440
<v Speaker 2>smoking Friday.

0:22:58.240 --> 0:22:58.640
<v Speaker 1>Mm hmm.

0:22:59.280 --> 0:23:00.720
<v Speaker 2>You was in a pigeon coop at home.

0:23:02.280 --> 0:23:03.760
<v Speaker 1>Yeah, you know. I was in the pigeon coop. I

0:23:03.840 --> 0:23:06.119
<v Speaker 1>just couldn't go to sleep. And what was crazy about it,

0:23:06.720 --> 0:23:08.720
<v Speaker 1>I was I was going to my mama's house. And

0:23:08.840 --> 0:23:10.760
<v Speaker 1>my mama is very much one of the type of people,

0:23:10.800 --> 0:23:13.880
<v Speaker 1>so I was nervous that my mom knew I was hired.

0:23:14.040 --> 0:23:16.320
<v Speaker 1>Something was wrong with me. So I stayed outside, dog

0:23:16.400 --> 0:23:18.879
<v Speaker 1>and I took a shower. Man. I tried to go

0:23:19.000 --> 0:23:21.520
<v Speaker 1>to sleep and couldn't go to sleep. Dog, I couldn't

0:23:21.560 --> 0:23:24.800
<v Speaker 1>go to sleep. That was the first time I tried.

0:23:24.920 --> 0:23:24.960
<v Speaker 3>Like.

0:23:26.080 --> 0:23:29.120
<v Speaker 1>That was the first and only time I tried cocaine.

0:23:29.880 --> 0:23:31.960
<v Speaker 1>I was always scared of it because I felt like

0:23:32.640 --> 0:23:34.639
<v Speaker 1>if that did that too, that little bit of cocaine

0:23:34.680 --> 0:23:36.160
<v Speaker 1>did that to me. There was in that weed. Dog.

0:23:36.240 --> 0:23:38.560
<v Speaker 1>I was always like, what would powder do to it? Motherfucker?

0:23:39.000 --> 0:23:41.159
<v Speaker 1>You feel me? I just never had no interest in

0:23:41.240 --> 0:23:43.320
<v Speaker 1>doing that. Man, I never had no interest. I'm gonna

0:23:43.320 --> 0:23:46.520
<v Speaker 1>tell you the one thing I always was. I don't know, bro.

0:23:46.640 --> 0:23:49.320
<v Speaker 1>I always liked psychedelics. Like I took acid before.

0:23:50.440 --> 0:23:52.520
<v Speaker 2>That's fine, that's a rock a well. You you you

0:23:52.640 --> 0:23:54.760
<v Speaker 2>got a little rock spirit, you know. I mean it's

0:23:54.800 --> 0:23:58.880
<v Speaker 2>a little Jimmy Hendrix somewhere. And you you you really lean,

0:23:59.480 --> 0:24:01.600
<v Speaker 2>you lean, You got a rock lane about yourself.

0:24:02.160 --> 0:24:05.920
<v Speaker 1>Yeah, Like I like shrooms, man, Shrooms is the ship

0:24:06.000 --> 0:24:06.200
<v Speaker 1>to me.

0:24:06.960 --> 0:24:08.679
<v Speaker 2>How do you take his acid?

0:24:08.720 --> 0:24:11.040
<v Speaker 1>The one you put on your tongue, Yeah, you took

0:24:11.080 --> 0:24:12.719
<v Speaker 1>put a tab on your tongue. But I'm gonna tell

0:24:12.720 --> 0:24:15.919
<v Speaker 1>you the first time I tried acid, though, you get

0:24:15.960 --> 0:24:17.760
<v Speaker 1>a stamp, it's like a stamp that you're getting. They

0:24:17.840 --> 0:24:19.959
<v Speaker 1>got like different colors on back in the Ohio, right,

0:24:20.000 --> 0:24:22.639
<v Speaker 1>I hung around some white boys, right, Yeah, so he

0:24:22.760 --> 0:24:25.159
<v Speaker 1>gave me like a whole stamp before and what I

0:24:25.320 --> 0:24:29.000
<v Speaker 1>didn't know, I took like half the stamp. Right, So

0:24:29.119 --> 0:24:31.040
<v Speaker 1>when I took half the stamp, it takes.

0:24:32.520 --> 0:24:34.480
<v Speaker 2>You licked the stamp or you put the stamp and

0:24:34.520 --> 0:24:35.560
<v Speaker 2>it dissolved in your mouth.

0:24:36.000 --> 0:24:37.639
<v Speaker 1>Yeah, you put the stamp like in your tongue, like

0:24:37.720 --> 0:24:38.200
<v Speaker 1>you lick.

0:24:38.160 --> 0:24:40.560
<v Speaker 2>The You just lick it and then you just get

0:24:40.640 --> 0:24:42.119
<v Speaker 2>rid of it, like you hold it on.

0:24:42.200 --> 0:24:43.639
<v Speaker 1>There for a minute, like then you know, when the

0:24:43.720 --> 0:24:45.440
<v Speaker 1>term started feeling paper, you can take it out.

0:24:46.560 --> 0:24:49.199
<v Speaker 2>Is PCP considered a psychedelic d.

0:24:49.440 --> 0:24:51.680
<v Speaker 1>I don't know. I wouldn't never mess with no PCP though, though.

0:24:53.960 --> 0:24:57.320
<v Speaker 1>But so when I tried that, man, I took like

0:24:57.400 --> 0:25:01.720
<v Speaker 1>a half a stamp, right. And I remember, man, I

0:25:01.840 --> 0:25:03.439
<v Speaker 1>was hanging out with some white dudes and they were

0:25:03.480 --> 0:25:06.560
<v Speaker 1>listening to Deep Purple, right this song Purple Strangers, right,

0:25:07.000 --> 0:25:09.680
<v Speaker 1>yea perfect Stranger. They had this song rock song called

0:25:09.720 --> 0:25:12.800
<v Speaker 1>perfect strangers. I just love rock and roll music, right,

0:25:13.840 --> 0:25:17.560
<v Speaker 1>So we just kicking it, man, And they had all

0:25:17.600 --> 0:25:20.159
<v Speaker 1>of these like led Zeppelin posters on their wall, and

0:25:20.240 --> 0:25:22.320
<v Speaker 1>it started looking like the wall was like water for

0:25:22.440 --> 0:25:25.280
<v Speaker 1>a minute. Man, it was like the whole wall was

0:25:25.359 --> 0:25:28.640
<v Speaker 1>like wavy, right. And so I'm looking at the wall,

0:25:28.720 --> 0:25:33.080
<v Speaker 1>tripping man. And I walk home, dog, and I'm just

0:25:33.240 --> 0:25:36.399
<v Speaker 1>like really tripping, dog because it's like I felt like

0:25:36.480 --> 0:25:42.160
<v Speaker 1>I was walking under water. I get back to my crib, man,

0:25:42.440 --> 0:25:44.680
<v Speaker 1>I get back to my crib, and I'm watching TV.

0:25:46.080 --> 0:25:48.560
<v Speaker 1>Gee when I tell you that, you know how TV

0:25:48.720 --> 0:25:51.960
<v Speaker 1>goes off? Man? And like those what are they called

0:25:52.760 --> 0:25:58.359
<v Speaker 1>those like commercials, infomercials, you know what I'm saying informercials.

0:25:59.320 --> 0:26:01.199
<v Speaker 1>The lady on the infomercial was talking to.

0:26:01.280 --> 0:26:03.680
<v Speaker 2>Me, bro Oh no no, So a PCP is in

0:26:03.720 --> 0:26:08.160
<v Speaker 2>a hallucinogenic, so I think, and a hallucinogenic is different

0:26:08.200 --> 0:26:12.159
<v Speaker 2>than a psychedelic. Go ahead, I'm listening.

0:26:12.680 --> 0:26:18.440
<v Speaker 1>The lady on the The lady on the infomercial was

0:26:18.520 --> 0:26:23.800
<v Speaker 1>talking to me, like really talking to me.

0:26:23.920 --> 0:26:24.000
<v Speaker 3>Bro.

0:26:25.040 --> 0:26:30.440
<v Speaker 2>Okay, remind me of Harold and Kumar go to White Cast.

0:26:30.560 --> 0:26:32.560
<v Speaker 2>That's something that will happen right there. That's that drug

0:26:32.640 --> 0:26:36.119
<v Speaker 2>that a Doogie Houser was taken and Harold and Kumar

0:26:36.200 --> 0:26:40.080
<v Speaker 2>goes to Whitecastle. A psychedelic is a type of hallucinogen

0:26:40.520 --> 0:26:44.760
<v Speaker 2>that produces a non ordinary mental state or trip that's

0:26:44.880 --> 0:26:49.120
<v Speaker 2>often accompanied by a feeling of expanded consciousness. The term

0:26:49.200 --> 0:26:53.000
<v Speaker 2>psychedelic is sometimes used more broadly to include other types

0:26:53.040 --> 0:27:00.880
<v Speaker 2>of hallucinogens, such as salvia and MDMA. So I guess

0:27:00.920 --> 0:27:01.720
<v Speaker 2>it is like that.

0:27:02.160 --> 0:27:04.959
<v Speaker 1>Yeah, yeah, but I ain't ever messed with a PCP.

0:27:05.119 --> 0:27:05.639
<v Speaker 3>Tho, dog.

0:27:07.920 --> 0:27:11.119
<v Speaker 2>Huh you got homies that Have you ever see somebody

0:27:11.200 --> 0:27:12.600
<v Speaker 2>You ever see somebody hit a stick?

0:27:13.640 --> 0:27:15.840
<v Speaker 1>Oh? Man, Yeah, it's a scary thing, man.

0:27:16.560 --> 0:27:21.240
<v Speaker 2>Man, Jayo Felony, if I ever thought about trying PCP,

0:27:21.480 --> 0:27:24.639
<v Speaker 2>Jo Felony would be the rapper that would if a

0:27:24.760 --> 0:27:27.640
<v Speaker 2>rapper could ever influence me to do something, Jayo Felony.

0:27:27.960 --> 0:27:31.560
<v Speaker 2>Jao Fellon used to have the best songs about smoking.

0:27:32.200 --> 0:27:36.639
<v Speaker 1>Yeah, sharm stick is a classic. You know what though, Man, Definitely,

0:27:36.680 --> 0:27:39.080
<v Speaker 1>I think when you try certain drugs, man, you want

0:27:39.119 --> 0:27:42.200
<v Speaker 1>to be around somebody because you can trip out, dog

0:27:42.480 --> 0:27:45.040
<v Speaker 1>like like like even somebody smoke into something as simple

0:27:45.040 --> 0:27:46.879
<v Speaker 1>as weed for the first time. Dog, you want to

0:27:46.920 --> 0:27:49.760
<v Speaker 1>be around somebody that's cool. I never thought it was

0:27:49.840 --> 0:27:52.000
<v Speaker 1>cool to like trick somebody. Some people like to get

0:27:52.040 --> 0:27:54.920
<v Speaker 1>people so stone dog that they start tripping out. That

0:27:55.000 --> 0:27:57.159
<v Speaker 1>ain't a cool feeling dog being so stone that you

0:27:57.240 --> 0:27:59.960
<v Speaker 1>were n't comfortable. Bro, it's not cool. Bro. I remember

0:28:00.119 --> 0:28:04.840
<v Speaker 1>one time, man, I ate some edibles. Right, Yeah, we

0:28:05.000 --> 0:28:06.959
<v Speaker 1>was over. We was over some parents house, this one

0:28:07.160 --> 0:28:09.439
<v Speaker 1>this one my son was playing football at bosco. Right,

0:28:09.560 --> 0:28:12.760
<v Speaker 1>so we over this one couple sauce. Man, we kicking it, right,

0:28:12.840 --> 0:28:15.879
<v Speaker 1>we barbecuing and stuff. So they got some candy in

0:28:15.960 --> 0:28:17.920
<v Speaker 1>the thing, and you know I love sweets, right, so

0:28:17.960 --> 0:28:20.640
<v Speaker 1>I'm eating these gummy worms, right. They tasted so good,

0:28:20.720 --> 0:28:25.520
<v Speaker 1>and so I'm just like, I don't like, probably ate

0:28:25.600 --> 0:28:28.960
<v Speaker 1>like twenty of these gummies right next thing, you know, man,

0:28:29.000 --> 0:28:31.920
<v Speaker 1>I'm feeling so high. Like first the high hit me

0:28:32.480 --> 0:28:34.520
<v Speaker 1>and I'm feeling cool, but then it just hit me

0:28:34.600 --> 0:28:37.240
<v Speaker 1>to where the point it wasn't cool. It felt like

0:28:37.520 --> 0:28:40.040
<v Speaker 1>everybody in the party was looking at me, man, like

0:28:40.120 --> 0:28:41.800
<v Speaker 1>they was talking to me. And I was just like, oh,

0:28:41.840 --> 0:28:43.880
<v Speaker 1>I'm so high. I hope I don't say nothing stupid.

0:28:45.240 --> 0:28:48.800
<v Speaker 2>I should auction off my alcohol virginity.

0:28:50.600 --> 0:28:54.600
<v Speaker 1>Pause your Alco. You know what, Bro, I don't like

0:28:54.680 --> 0:28:56.760
<v Speaker 1>to see you try to smoke weed one time. I

0:28:56.760 --> 0:28:57.080
<v Speaker 1>don't know.

0:28:58.720 --> 0:29:01.200
<v Speaker 2>Off my alcohol virginity.

0:29:01.280 --> 0:29:01.400
<v Speaker 3>Bro.

0:29:01.760 --> 0:29:05.080
<v Speaker 2>Like like once we make this new run on the

0:29:05.200 --> 0:29:07.840
<v Speaker 2>album and were finnah get real hot, like we finna

0:29:07.880 --> 0:29:11.240
<v Speaker 2>get really name buzzing, because like we already lighting the

0:29:11.320 --> 0:29:13.920
<v Speaker 2>fire right now and everybody's starting to talk about us,

0:29:13.960 --> 0:29:16.480
<v Speaker 2>and we dropped that street single. It's gonna really do

0:29:16.560 --> 0:29:23.280
<v Speaker 2>a lot. We should make all of the spirit companies

0:29:23.760 --> 0:29:26.720
<v Speaker 2>bid on what alcohol I drink first.

0:29:29.840 --> 0:29:32.000
<v Speaker 1>That would be crazy man. You know what, though, Man, No,

0:29:33.080 --> 0:29:35.040
<v Speaker 1>I would I think if you go try something first,

0:29:35.160 --> 0:29:37.320
<v Speaker 1>maybe a drink is the best thing. I would probably

0:29:37.360 --> 0:29:38.880
<v Speaker 1>say a shot of Hennessy or something like that.

0:29:39.200 --> 0:29:42.040
<v Speaker 2>Whoever pay, you gotta pay.

0:29:42.200 --> 0:29:42.760
<v Speaker 3>Whoever pay.

0:29:42.960 --> 0:29:44.560
<v Speaker 1>I had to eat the homies up at Schefflin to

0:29:44.640 --> 0:29:47.440
<v Speaker 1>see because Schaefflin might be the one to pay for that. Dog,

0:29:47.800 --> 0:29:50.800
<v Speaker 1>I know, I would like to see you. That would

0:29:50.800 --> 0:29:52.760
<v Speaker 1>be crazy, man. But you know what, at the same Tope,

0:29:52.800 --> 0:29:54.400
<v Speaker 1>and I always thought it was dope that you never

0:29:54.480 --> 0:29:56.960
<v Speaker 1>had a drink or never smoke nothing. Dog, that's not

0:29:57.080 --> 0:29:59.360
<v Speaker 1>my wife. My wife has never drunk anything and smoked

0:29:59.360 --> 0:30:00.000
<v Speaker 1>anything in her life.

0:30:00.640 --> 0:30:02.160
<v Speaker 2>I never drank a cup of coffee.

0:30:03.720 --> 0:30:05.960
<v Speaker 1>That's what I'm saying. You might take something dollar like.

0:30:06.240 --> 0:30:08.880
<v Speaker 1>I wouldn't probably want to see you smoking no weed, dog,

0:30:09.040 --> 0:30:11.560
<v Speaker 1>because if we did it, it had to be some

0:30:11.680 --> 0:30:14.400
<v Speaker 1>good old fashioned homegrowing something that I knew just wouldn't

0:30:14.840 --> 0:30:16.320
<v Speaker 1>tear you up, you know, because I could see you

0:30:16.440 --> 0:30:18.640
<v Speaker 1>really losing your mind. Dog, you could probably trip off.

0:30:19.440 --> 0:30:22.880
<v Speaker 2>Ain't nobody a weed company. Maybe Burner could bribe me.

0:30:23.160 --> 0:30:26.200
<v Speaker 2>Maybe Burner could let's go acrost some real thousands for

0:30:26.320 --> 0:30:32.960
<v Speaker 2>me to puff some cookies. But I d smoke ten

0:30:33.040 --> 0:30:36.000
<v Speaker 2>thousand dollars from Burner. I don't know. That's that ain't enough.

0:30:36.040 --> 0:30:36.440
<v Speaker 2>I don't know.

0:30:37.040 --> 0:30:38.200
<v Speaker 1>How about twenty five.

0:30:40.520 --> 0:30:44.320
<v Speaker 2>Maybe maybe twenty five, I might smoke a jay, you.

0:30:44.400 --> 0:30:46.360
<v Speaker 1>Know what, And I would tell them, don't give you

0:30:46.440 --> 0:30:48.920
<v Speaker 1>no end, to give you a nice sativa because I

0:30:48.960 --> 0:30:51.040
<v Speaker 1>don't know you might trip off on sativa because sativa

0:30:51.120 --> 0:30:51.920
<v Speaker 1>makes you think a lot.

0:30:52.840 --> 0:30:56.040
<v Speaker 2>It might work for me. I used to watch all

0:30:56.080 --> 0:30:58.840
<v Speaker 2>my old the Homies pluck. Favorite thing is to tell me, man,

0:30:58.840 --> 0:31:01.400
<v Speaker 2>I'm telling you hit this weed. Your lyrics would be tighter.

0:31:01.760 --> 0:31:07.080
<v Speaker 2>Your lyrics already tight, but they'd be way tighter. That's

0:31:07.120 --> 0:31:09.280
<v Speaker 2>his favorite line, you.

0:31:09.400 --> 0:31:14.440
<v Speaker 1>Know what the thing is? The thing is, bro, all

0:31:14.520 --> 0:31:16.520
<v Speaker 1>of that stuff should be a choice. Man, I've never

0:31:16.680 --> 0:31:19.000
<v Speaker 1>been really like, I was so mad at my cousin

0:31:19.160 --> 0:31:22.040
<v Speaker 1>man for trying that because you think about it, even

0:31:22.080 --> 0:31:23.760
<v Speaker 1>though it was a premium, I probably could have died. Bro.

0:31:23.840 --> 0:31:26.160
<v Speaker 1>What if I'd had a heart attack or something. M h,

0:31:27.080 --> 0:31:28.960
<v Speaker 1>you feel what I'm saying? Like, think about lim Bias.

0:31:29.000 --> 0:31:31.080
<v Speaker 1>Remember when lim Bias got drafted. Though He's tried a

0:31:31.120 --> 0:31:34.719
<v Speaker 1>drug for his first time and died. Bro, that has

0:31:34.800 --> 0:31:37.200
<v Speaker 1>to be a choice, dog, Like, trying the drugs should

0:31:37.200 --> 0:31:40.280
<v Speaker 1>be a choice, Bro. It shouldn't be nothing somebody fooling

0:31:40.360 --> 0:31:43.400
<v Speaker 1>somebody into doing it, or somebody slipping something somebody's drink.

0:31:43.440 --> 0:31:45.720
<v Speaker 1>That's real whack right there. I think people should go

0:31:45.760 --> 0:31:46.320
<v Speaker 1>to jail for that.

0:31:46.880 --> 0:31:49.040
<v Speaker 2>I mean, I think you are legally supposed to go

0:31:49.080 --> 0:31:51.760
<v Speaker 2>to jail for that. But that is a bit devious.

0:31:52.240 --> 0:31:54.960
<v Speaker 1>That is a devious because you don't know how somebody

0:31:55.040 --> 0:31:57.600
<v Speaker 1>gon react like people think it's funny or let's put

0:31:57.640 --> 0:32:00.320
<v Speaker 1>some because especially with THC now like you can really

0:32:01.120 --> 0:32:03.440
<v Speaker 1>you can give somebody a soldier that's like a THAC

0:32:03.680 --> 0:32:05.160
<v Speaker 1>dog and they could trip out. You feel what I

0:32:05.280 --> 0:32:08.320
<v Speaker 1>mean they could really trip out a run in the

0:32:08.360 --> 0:32:10.160
<v Speaker 1>middle of street, get hit by a car or something,

0:32:10.200 --> 0:32:12.000
<v Speaker 1>you know, or getting their car and crash on the

0:32:12.040 --> 0:32:15.240
<v Speaker 1>way home. That's not cool, man, Getting high, Getting high,

0:32:15.280 --> 0:32:18.160
<v Speaker 1>getting on drugs could be a choice, especially like when

0:32:18.200 --> 0:32:21.040
<v Speaker 1>you start. It took me a while she to really

0:32:21.160 --> 0:32:23.040
<v Speaker 1>know how to take shrooms and stuff like that. And

0:32:23.160 --> 0:32:27.200
<v Speaker 1>the thing is, I've never been an everyday person like

0:32:27.360 --> 0:32:30.239
<v Speaker 1>me when I smoke weed in phases like I may

0:32:30.360 --> 0:32:34.040
<v Speaker 1>smoke weed for a couple of weeks and then not

0:32:34.120 --> 0:32:37.600
<v Speaker 1>smoking nothing for the next year. You feel me all long?

0:32:37.720 --> 0:32:39.840
<v Speaker 2>Is it something that you could deal with and negotiate

0:32:39.920 --> 0:32:41.320
<v Speaker 2>it works out well.

0:32:41.360 --> 0:32:43.040
<v Speaker 1>I think you need to be in a certain place.

0:32:43.160 --> 0:32:45.840
<v Speaker 1>I definitely think, man, if you ain't got your finances

0:32:45.880 --> 0:32:48.080
<v Speaker 1>where you wanted to be, I think you ain't got

0:32:48.160 --> 0:32:49.880
<v Speaker 1>no time to be sitting on smoking weed all day.

0:32:50.880 --> 0:32:51.640
<v Speaker 1>That's just me, though.

0:32:51.960 --> 0:32:53.160
<v Speaker 2>Let me ask you a better question.

0:32:54.640 --> 0:32:56.239
<v Speaker 1>Right there, they just pull it up in there.

0:32:56.400 --> 0:32:58.560
<v Speaker 2>Hold on, let me ask you a better question. It

0:32:58.680 --> 0:33:02.720
<v Speaker 2>is a better question for you. H here's a better

0:33:02.800 --> 0:33:06.960
<v Speaker 2>question for you. If you had to pick a year.

0:33:07.240 --> 0:33:11.440
<v Speaker 1>Wash up? Og you all right? You hold up?

0:33:13.440 --> 0:33:15.200
<v Speaker 2>You trying to get together? So let me ask you

0:33:15.200 --> 0:33:17.080
<v Speaker 2>a question, a big growth show.

0:33:18.080 --> 0:33:21.920
<v Speaker 3>If one two one two? Can you hear me? I

0:33:22.000 --> 0:33:22.680
<v Speaker 3>can't hear ship?

0:33:23.040 --> 0:33:27.640
<v Speaker 1>We can here, can you? Gus? Okay?

0:33:27.720 --> 0:33:31.600
<v Speaker 2>So look, you to pick a year if you could,

0:33:31.600 --> 0:33:38.440
<v Speaker 2>if you could pick a year that the sensitivity level

0:33:38.520 --> 0:33:42.120
<v Speaker 2>could go back to, what year would it be? Where

0:33:42.160 --> 0:33:45.000
<v Speaker 2>you was like, this is where this is the furthest

0:33:46.000 --> 0:33:49.080
<v Speaker 2>you know what I mean, society, this is the most

0:33:49.160 --> 0:33:53.360
<v Speaker 2>sensitive society should be. It'd be nineteen.

0:33:53.880 --> 0:33:55.400
<v Speaker 1>Eighty five or ninety.

0:33:57.360 --> 0:34:02.440
<v Speaker 2>Oh sality wasn't that sensitive at all? Back in?

0:34:02.680 --> 0:34:04.760
<v Speaker 1>Well, hold on, gee, let me see if I get age.

0:34:05.040 --> 0:34:08.200
<v Speaker 1>Hold on, hold on, I can hear him? Good, hold on,

0:34:08.320 --> 0:34:10.160
<v Speaker 1>let me let me call him real quick, walking through

0:34:10.200 --> 0:34:14.439
<v Speaker 1>this real quick. Let me go walking through this real quick.

0:34:14.480 --> 0:34:20.839
<v Speaker 1>Hold on, let me walking through this real quick. Yeah,

0:34:20.960 --> 0:34:26.880
<v Speaker 1>g eighty five or ninety Yeah, you're on a computer.

0:34:29.719 --> 0:34:32.399
<v Speaker 1>Go on your you're in front, because we can hear you. Good,

0:34:32.440 --> 0:34:37.640
<v Speaker 1>we was hearing you. Perfect. Go go in the computer

0:34:37.840 --> 0:34:45.640
<v Speaker 1>and uh go to your go to your settings, go

0:34:45.760 --> 0:34:47.919
<v Speaker 1>to settings, or you can even jump on your phone

0:34:47.960 --> 0:34:49.800
<v Speaker 1>if you want to want to send a link to

0:34:49.840 --> 0:34:59.880
<v Speaker 1>your phone. Yeah, audio settings and go to hold on

0:35:00.040 --> 0:35:01.919
<v Speaker 1>a second, y'all beer will. It's real quick. Were getting

0:35:01.960 --> 0:35:03.640
<v Speaker 1>homeie eight straight, So we can go in there.

0:35:03.560 --> 0:35:06.920
<v Speaker 2>And go in the audio audio all of this the

0:35:07.000 --> 0:35:08.560
<v Speaker 2>whole time on your part is that what you do?

0:35:09.280 --> 0:35:10.920
<v Speaker 1>No, I'm gonna cut it off. I'ma cut this part up.

0:35:11.400 --> 0:35:13.640
<v Speaker 1>So when you go to speaker, right, you see what

0:35:13.760 --> 0:35:16.759
<v Speaker 1>speaker is at? What do we say on that?

0:35:17.440 --> 0:35:20.879
<v Speaker 2>Just in case he doesn't cut it out, I've been

0:35:21.239 --> 0:35:26.320
<v Speaker 2>trying to convince him click speaker that Gangster rap should

0:35:26.360 --> 0:35:34.520
<v Speaker 2>be like by Gangster Chronicles and he should do a

0:35:34.680 --> 0:35:39.880
<v Speaker 2>much better job of taking y'all through all of the

0:35:39.960 --> 0:35:44.879
<v Speaker 2>stuff him and eight saw from when they were teenagers

0:35:45.880 --> 0:35:49.759
<v Speaker 2>and coming into the game. That's my goal, that would be.

0:35:50.200 --> 0:35:53.279
<v Speaker 3>Can hear for sure? All right?

0:35:53.560 --> 0:35:54.680
<v Speaker 2>Do you hold up?

0:35:55.320 --> 0:35:57.239
<v Speaker 3>Yeah? I'm maintaining my nigga ship.

0:35:58.960 --> 0:36:00.920
<v Speaker 1>You had him in there. I was telling eight man,

0:36:00.960 --> 0:36:01.960
<v Speaker 1>you can't help if you sick.

0:36:02.080 --> 0:36:02.279
<v Speaker 3>Dog.

0:36:02.480 --> 0:36:05.200
<v Speaker 1>Hey, let me ask you this, dog, Now you hear

0:36:05.239 --> 0:36:08.520
<v Speaker 1>this perfect? What year would you say everything was least

0:36:08.560 --> 0:36:14.000
<v Speaker 1>sensitive like eighty five or ninety As far as what

0:36:15.160 --> 0:36:17.360
<v Speaker 1>like people just not being sensitive, like the way you

0:36:17.400 --> 0:36:19.040
<v Speaker 1>could pretty much say what you want to and wou

0:36:19.239 --> 0:36:21.160
<v Speaker 1>nobody trip uh shit.

0:36:24.440 --> 0:36:26.840
<v Speaker 3>I mean as far as a lot of shit today.

0:36:27.000 --> 0:36:32.719
<v Speaker 3>I mean we are basically we just had censorship when

0:36:32.760 --> 0:36:35.080
<v Speaker 3>it came to our music. As far as the radio.

0:36:37.239 --> 0:36:41.080
<v Speaker 3>Niggas didn't get you know, up up up in an

0:36:41.239 --> 0:36:49.600
<v Speaker 3>uproar over over certain shit. You could say certain things

0:36:49.680 --> 0:36:54.560
<v Speaker 3>about certain motherfuckers and it wouldn't be I guess, out

0:36:54.640 --> 0:36:59.239
<v Speaker 3>of line so to speak. You get me, And I

0:36:59.320 --> 0:37:02.200
<v Speaker 3>can remember that back when I first started rapping, you know,

0:37:02.400 --> 0:37:07.200
<v Speaker 3>the mid eighties, you know, the early nineties. Uh, I

0:37:07.239 --> 0:37:10.800
<v Speaker 3>don't know when niggas got so sensitive over shit, you know,

0:37:12.920 --> 0:37:15.319
<v Speaker 3>you know what I was listening to today. I guess

0:37:15.360 --> 0:37:17.800
<v Speaker 3>it comes with the you know, the changing of the

0:37:18.520 --> 0:37:21.840
<v Speaker 3>times and the generation of what niggas feel, you know,

0:37:21.960 --> 0:37:27.000
<v Speaker 3>because people is niggas is sensitive today you can't really

0:37:27.120 --> 0:37:30.280
<v Speaker 3>say too much about and you know, I'm always stressing

0:37:30.640 --> 0:37:35.200
<v Speaker 3>you know what you can't say about certain motherfuckers because.

0:37:34.960 --> 0:37:40.759
<v Speaker 1>You know they get angry. Yeah, you know what, I

0:37:40.840 --> 0:37:46.640
<v Speaker 1>wonder what happened? Uh yeah, you're pop back, but you

0:37:46.880 --> 0:37:49.719
<v Speaker 1>ate you're still there. Yeah, I'm here, OK, sure, Yeah

0:37:49.760 --> 0:37:52.520
<v Speaker 1>we can hear you. His things went up. But the

0:37:52.640 --> 0:37:55.799
<v Speaker 1>thing is this, right, I would listening to DM next

0:37:55.840 --> 0:37:58.360
<v Speaker 1>today where the hood at, and it was on you know,

0:37:58.560 --> 0:38:02.080
<v Speaker 1>listening to Serious XM. He talked about he had a

0:38:02.160 --> 0:38:04.880
<v Speaker 1>lot of derogatory stuff to saying that that song couldn't

0:38:04.880 --> 0:38:05.879
<v Speaker 1>have came out today, Bro.

0:38:06.560 --> 0:38:09.480
<v Speaker 2>It could come out, not what he was saying on

0:38:09.560 --> 0:38:10.600
<v Speaker 2>that he'd got canceled.

0:38:11.320 --> 0:38:13.880
<v Speaker 1>You can't get can't seeing missing with a man, And

0:38:14.239 --> 0:38:15.920
<v Speaker 1>he was talking about all that he had, all the

0:38:16.000 --> 0:38:17.880
<v Speaker 1>buzzwords you can't say, you.

0:38:17.960 --> 0:38:21.239
<v Speaker 2>Can't get you can't get canceled. That's not a real thing.

0:38:21.360 --> 0:38:24.840
<v Speaker 2>You can only get canceled if they financing your campaign,

0:38:25.400 --> 0:38:28.120
<v Speaker 2>like what happened to the baby Like, they only can

0:38:28.280 --> 0:38:31.400
<v Speaker 2>cancel you if they financing your campaign. So if you

0:38:31.520 --> 0:38:35.160
<v Speaker 2>getting corporate money, that's how they controlling everybody. They controlling

0:38:35.239 --> 0:38:37.560
<v Speaker 2>everybody because the corporation's pay them.

0:38:38.080 --> 0:38:40.720
<v Speaker 1>You know what I'm saying, Well, we will definitely get canceled.

0:38:40.760 --> 0:38:43.239
<v Speaker 1>Them talking about because you you lost all your sponsorships

0:38:43.320 --> 0:38:44.399
<v Speaker 1>the first show you ever had.

0:38:44.760 --> 0:38:46.840
<v Speaker 2>That's because that's how it's gonna go. That's glass is

0:38:46.880 --> 0:38:49.520
<v Speaker 2>gonna live. That's just the outlaw. That's just how it

0:38:49.600 --> 0:38:53.360
<v Speaker 2>came up. I have made a living and been fine

0:38:53.560 --> 0:38:56.640
<v Speaker 2>just being authentic this whole time. And if it take

0:38:56.680 --> 0:38:58.440
<v Speaker 2>me a little longer to get where I'm trying to go.

0:38:58.520 --> 0:39:01.120
<v Speaker 2>I got time. I just got sixty pounds with the

0:39:01.239 --> 0:39:03.800
<v Speaker 2>intentions of making sure I'm around to get everything I

0:39:03.880 --> 0:39:06.680
<v Speaker 2>got coming to me. So I intend to get every

0:39:06.800 --> 0:39:09.759
<v Speaker 2>dime that this game owed me. Let me ask you

0:39:09.760 --> 0:39:12.040
<v Speaker 2>a question, do you think married with children? Is that

0:39:12.160 --> 0:39:15.360
<v Speaker 2>too far? Because I think married with Children probably couldn't

0:39:15.360 --> 0:39:15.879
<v Speaker 2>come out today.

0:39:17.320 --> 0:39:20.120
<v Speaker 3>Hell no, nigga, that's my that was that's one of

0:39:20.200 --> 0:39:24.640
<v Speaker 3>my I'll watched that ship faithfully, right yeah, right now,

0:39:25.160 --> 0:39:28.440
<v Speaker 3>I watched that ship faithfully, nigga. I got about I

0:39:28.560 --> 0:39:32.400
<v Speaker 3>got probably about one hundred episodes and ship of married

0:39:32.480 --> 0:39:40.200
<v Speaker 3>with Children. Uh, it's raunchy, you get me. Uh, But

0:39:40.400 --> 0:39:44.200
<v Speaker 3>like you said, al they say ship that you know

0:39:45.280 --> 0:39:49.200
<v Speaker 3>definitely wouldn't go down today, you get me. They talk about,

0:39:49.440 --> 0:39:52.839
<v Speaker 3>you know, the other side, they talk about all kinds

0:39:52.840 --> 0:39:53.239
<v Speaker 3>of men.

0:39:53.760 --> 0:39:57.760
<v Speaker 2>Yeah, they going crazy girls they got.

0:40:00.000 --> 0:40:02.000
<v Speaker 1>I tell you. The show back in the day that

0:40:02.239 --> 0:40:05.320
<v Speaker 1>used to really get off with doing stuff was anything

0:40:05.400 --> 0:40:10.440
<v Speaker 1>that Norman Lear made, like Archie Bunker, Jeffersons, you know

0:40:10.640 --> 0:40:13.400
<v Speaker 1>all of them, dog even saying for the sun you

0:40:13.480 --> 0:40:15.520
<v Speaker 1>can say what you want to. They would call people,

0:40:15.600 --> 0:40:18.560
<v Speaker 1>you know, the white folks out their name. I noticed

0:40:19.239 --> 0:40:21.680
<v Speaker 1>they would never say that. They wouldn't never call nobody

0:40:21.680 --> 0:40:27.080
<v Speaker 1>a nigga. They wouldn't go that far.

0:40:27.320 --> 0:40:31.919
<v Speaker 3>But it was still you know, those shows were meant

0:40:31.960 --> 0:40:35.840
<v Speaker 3>to push the line, you know, especially shit like Married

0:40:35.880 --> 0:40:40.239
<v Speaker 3>with Children. It was a show that was to push

0:40:40.320 --> 0:40:43.720
<v Speaker 3>the line. And what was good about it. It wasn't

0:40:43.960 --> 0:40:47.960
<v Speaker 3>like it wasn't just you know, the white people just

0:40:48.080 --> 0:40:52.000
<v Speaker 3>always degrading or talking about the black people or whatever. Whatever.

0:40:52.040 --> 0:40:56.319
<v Speaker 3>They with themselves and ship and they dealt with their

0:40:56.400 --> 0:41:00.080
<v Speaker 3>own poverty and being poor and living in fuck the

0:41:00.320 --> 0:41:05.560
<v Speaker 3>situations and whatever and their reality, and they wasn't afraid

0:41:05.640 --> 0:41:08.560
<v Speaker 3>to poke fun at themselves. That's what the whole point

0:41:08.600 --> 0:41:09.239
<v Speaker 3>about it was.

0:41:10.680 --> 0:41:13.160
<v Speaker 1>Yeah, I wish you could go back to that era, man, Yeah, gee,

0:41:13.200 --> 0:41:17.400
<v Speaker 1>I would say about from maybe nineteen seventy man to

0:41:17.480 --> 0:41:20.920
<v Speaker 1>probably nineteen ninety, after ninety, after the two thousands, everything

0:41:21.000 --> 0:41:21.560
<v Speaker 1>got sought.

0:41:22.160 --> 0:41:24.680
<v Speaker 2>You don't think everything hip hop is still You don't

0:41:24.719 --> 0:41:26.160
<v Speaker 2>think hip hop is still edgy?

0:41:27.200 --> 0:41:31.600
<v Speaker 1>Hell no, no, A few people live, but no, you

0:41:31.760 --> 0:41:34.400
<v Speaker 1>people too afraid of losing stuff, man, you know, And

0:41:34.560 --> 0:41:36.239
<v Speaker 1>I'm not mad at that, man. You know, if you

0:41:36.280 --> 0:41:37.759
<v Speaker 1>would do, like if you saw all the stuff. But

0:41:37.920 --> 0:41:40.480
<v Speaker 1>the baby lost he was cracking dog. I don't know

0:41:40.520 --> 0:41:41.719
<v Speaker 1>if he would recover from that.

0:41:41.840 --> 0:41:45.279
<v Speaker 2>Bro Yeah, but the baby only lost it because they

0:41:45.360 --> 0:41:48.879
<v Speaker 2>gave it to him. So if somebody, like if Nike

0:41:49.080 --> 0:41:52.759
<v Speaker 2>paid me two million dollars and then I go on

0:41:52.880 --> 0:41:56.560
<v Speaker 2>this reebox spur talk about reebok, I may lose this

0:41:56.680 --> 0:42:00.319
<v Speaker 2>two million dollars. So again, they could only cancel if

0:42:00.360 --> 0:42:05.439
<v Speaker 2>they make you. Right, that's it. You know what I'm saying.

0:42:05.440 --> 0:42:07.759
<v Speaker 2>We don't. We don't gotta play ball. I mean just

0:42:08.120 --> 0:42:10.520
<v Speaker 2>you just might lose what was it, Pepsi or coke?

0:42:10.560 --> 0:42:15.600
<v Speaker 2>Which one was it? You might lose coke and you

0:42:15.719 --> 0:42:19.480
<v Speaker 2>might lose Budwiser, which is crazy that Budwiser could judge me.

0:42:19.719 --> 0:42:22.080
<v Speaker 2>That's just like crazy, y'all sell beer to hell? You

0:42:22.600 --> 0:42:24.920
<v Speaker 2>judging me? Fo, You know what I'm saying, But I

0:42:25.040 --> 0:42:25.560
<v Speaker 2>don't mind.

0:42:25.640 --> 0:42:25.799
<v Speaker 3>Man.

0:42:25.960 --> 0:42:30.360
<v Speaker 2>Look, I watched a lot of people that came up

0:42:30.440 --> 0:42:34.240
<v Speaker 2>in the same lifestyle as me. Blazed doors. I watched

0:42:34.600 --> 0:42:38.280
<v Speaker 2>eight blazed doors, I watch Q blazed doors, I watch

0:42:38.520 --> 0:42:41.880
<v Speaker 2>dog blazed doors, everybody blazing doors. For me to not

0:42:42.160 --> 0:42:45.000
<v Speaker 2>have to be somebody I'm not, and I'll be damn

0:42:45.080 --> 0:42:47.680
<v Speaker 2>ice tea blazed doors, and I'll be damn if I

0:42:47.800 --> 0:42:50.680
<v Speaker 2>sell it out tone Low, I'll be damn if I

0:42:50.800 --> 0:42:54.000
<v Speaker 2>sell it out to try to get something sooner than

0:42:54.000 --> 0:42:56.359
<v Speaker 2>I'm gonna get it. Like I love how ice tea.

0:42:56.840 --> 0:42:59.520
<v Speaker 2>You know when you watch SVU, it don't say Tracy Morrow,

0:42:59.600 --> 0:43:02.920
<v Speaker 2>say I tea. I love that he could cut some

0:43:03.040 --> 0:43:06.320
<v Speaker 2>motherfucker out on his Twitter and be himself. And you

0:43:06.400 --> 0:43:08.400
<v Speaker 2>know you don't hear Dick Wolf and them fin a

0:43:08.480 --> 0:43:10.560
<v Speaker 2>pull a rug for up under his deal or you

0:43:10.719 --> 0:43:17.000
<v Speaker 2>still see him doing deals with uh, what's the chicken

0:43:17.040 --> 0:43:20.960
<v Speaker 2>place that the chicken strips can't raising canes with the

0:43:21.160 --> 0:43:23.000
<v Speaker 2>iced tea? And he's in the commercial, and he's in

0:43:23.120 --> 0:43:28.040
<v Speaker 2>the he's in the warranty commercials for the cars. Because

0:43:28.719 --> 0:43:31.640
<v Speaker 2>these people are blazing the trail that shows the world

0:43:31.719 --> 0:43:33.960
<v Speaker 2>has an affinity for people that make this version of

0:43:34.040 --> 0:43:37.000
<v Speaker 2>reality rap that we do. So I just watch everybody

0:43:37.080 --> 0:43:39.759
<v Speaker 2>blaze the trail, and I think long as each of

0:43:39.920 --> 0:43:43.239
<v Speaker 2>us individually don't sell out and really just do what

0:43:43.400 --> 0:43:46.520
<v Speaker 2>we do and wait till it's coming, it'll happen. The

0:43:46.640 --> 0:43:49.319
<v Speaker 2>only issue is when you want it to happen sooner. Well,

0:43:49.360 --> 0:43:51.200
<v Speaker 2>guess what they might want a little booty for that,

0:43:52.840 --> 0:43:54.320
<v Speaker 2>you might have to go to a puff party.

0:43:54.960 --> 0:43:58.600
<v Speaker 1>You know what. I had this conversation with eight today.

0:43:58.960 --> 0:44:02.719
<v Speaker 1>What I was telling glasses Ate before you came on, right,

0:44:02.840 --> 0:44:06.120
<v Speaker 1>I was telling him man that I wish that we

0:44:06.280 --> 0:44:08.800
<v Speaker 1>can do the show like we do the conversations that

0:44:08.920 --> 0:44:14.040
<v Speaker 1>we have offline, right, and wouldn't nobody because I just

0:44:14.120 --> 0:44:16.680
<v Speaker 1>think I think if we had the conversations we'd really

0:44:16.760 --> 0:44:18.440
<v Speaker 1>be having. Man, I think we'd be the number one

0:44:18.480 --> 0:44:21.560
<v Speaker 1>show in the world dog because we don't be necessarily

0:44:21.640 --> 0:44:24.000
<v Speaker 1>dissing nobody, but we just be really telling the truth.

0:44:25.000 --> 0:44:26.480
<v Speaker 1>Not that we come on here and lie, but I

0:44:26.520 --> 0:44:28.640
<v Speaker 1>think we be giving a lot of people passed. Like

0:44:28.680 --> 0:44:31.359
<v Speaker 1>I just told them, I love I'm a big Bust

0:44:31.400 --> 0:44:33.640
<v Speaker 1>of Rhymes fan. I think I said that before Eight.

0:44:34.560 --> 0:44:36.279
<v Speaker 1>I don't like that new single he came out with.

0:44:36.400 --> 0:44:38.640
<v Speaker 1>I don't like it. I just don't. I'm not gonna

0:44:38.640 --> 0:44:40.759
<v Speaker 1>slip here and say it's trash, but I don't like it.

0:44:41.000 --> 0:44:43.440
<v Speaker 1>But that's no knock against Bust the Rhymes. I love

0:44:43.520 --> 0:44:46.160
<v Speaker 1>Bust the Rhymes as a person. I think his music.

0:44:46.280 --> 0:44:48.800
<v Speaker 1>I think he done gave us some incredible music. I

0:44:49.040 --> 0:44:51.600
<v Speaker 1>just don't like this particular song. That don't mean I

0:44:51.640 --> 0:44:54.000
<v Speaker 1>don't like Bust to Bus, And I just think it's

0:44:54.080 --> 0:44:55.920
<v Speaker 1>messed up that we don't got to the place man

0:44:56.080 --> 0:44:57.680
<v Speaker 1>where really you can't really.

0:44:59.040 --> 0:45:03.560
<v Speaker 2>Say nothing nobody, But why can't you? You can? You

0:45:03.800 --> 0:45:06.200
<v Speaker 2>just gotta be okay with if Bust the Bus don't

0:45:06.280 --> 0:45:07.960
<v Speaker 2>like you saying this song ain't good.

0:45:09.760 --> 0:45:10.320
<v Speaker 3>Exactly.

0:45:11.040 --> 0:45:13.800
<v Speaker 2>So if you, if you, yeah, if you, if you,

0:45:14.400 --> 0:45:16.759
<v Speaker 2>if you worry about Bust the Ron's feelings, you know

0:45:16.760 --> 0:45:18.680
<v Speaker 2>what I mean, you better not say what you're saying.

0:45:18.800 --> 0:45:23.960
<v Speaker 2>But again, if you want anybody to respect you as

0:45:24.000 --> 0:45:26.480
<v Speaker 2>a man and have your opinion, you're gonna rub some

0:45:26.600 --> 0:45:28.440
<v Speaker 2>You're gonna rub some people the wrong way. That just

0:45:28.560 --> 0:45:31.520
<v Speaker 2>come with the territory that that's that's part of the

0:45:31.560 --> 0:45:33.760
<v Speaker 2>stuff ad them had to go through and and forging

0:45:33.800 --> 0:45:36.520
<v Speaker 2>this path for what though white folks start calling against

0:45:36.560 --> 0:45:39.000
<v Speaker 2>the rap, I mean, they was telling exactly how it was.

0:45:39.080 --> 0:45:42.759
<v Speaker 2>They wasn't the media darlings. None of them dudes that

0:45:43.000 --> 0:45:43.640
<v Speaker 2>came out was.

0:45:43.680 --> 0:45:44.640
<v Speaker 1>The media darlings.

0:45:44.680 --> 0:45:46.680
<v Speaker 2>You know what I'm saying. They had it hard and tough.

0:45:46.800 --> 0:45:49.759
<v Speaker 2>They wasn't getting all opportunities, they wasn't getting placed in

0:45:50.400 --> 0:45:53.120
<v Speaker 2>and uh, what's the lead the weapon films. You know

0:45:53.120 --> 0:45:55.759
<v Speaker 2>what I'm saying, They wasn't the songs wasn't getting used there.

0:45:55.840 --> 0:45:57.640
<v Speaker 2>You know what I mean. They if you think about it,

0:45:58.200 --> 0:46:03.040
<v Speaker 2>that whole genre that they created, gave us films named

0:46:03.080 --> 0:46:05.080
<v Speaker 2>after the genre. You know what I mean, whether it's

0:46:05.120 --> 0:46:07.279
<v Speaker 2>a song like Boys in the Hood or you know,

0:46:07.320 --> 0:46:10.200
<v Speaker 2>I mean, that's how you get the film Minister Society

0:46:10.280 --> 0:46:13.080
<v Speaker 2>is because of the success of what the white folks

0:46:13.200 --> 0:46:18.840
<v Speaker 2>coin gangster rep So you know, fortune favors the brave.

0:46:19.640 --> 0:46:21.480
<v Speaker 2>You know, if you won't say what you want to say,

0:46:21.960 --> 0:46:24.279
<v Speaker 2>just be okay with and somebody might want to walk

0:46:24.320 --> 0:46:25.960
<v Speaker 2>up and kick your ass because they feelish hurt.

0:46:27.680 --> 0:46:29.800
<v Speaker 1>Man. You know what, I really hope somebody, man. I

0:46:29.880 --> 0:46:32.360
<v Speaker 1>think people sometimes think its ain't no cripple, no blood.

0:46:32.360 --> 0:46:35.240
<v Speaker 1>I wish somebody would somebody get hurt, real bad dog.

0:46:35.480 --> 0:46:38.200
<v Speaker 2>Before you get the threatening people. That's not what I'm saying, man.

0:46:40.000 --> 0:46:42.600
<v Speaker 3>I try to tell That's what I was saying the

0:46:42.680 --> 0:46:47.120
<v Speaker 3>other day when we was talking, like some niggas just

0:46:47.239 --> 0:46:52.320
<v Speaker 3>gonna be butt hert how you try to word it.

0:46:53.080 --> 0:46:56.680
<v Speaker 3>But at the end of the day, some niggas gonna

0:46:56.680 --> 0:47:00.160
<v Speaker 3>be butt her. Some niggas can't take criticism or or

0:47:00.640 --> 0:47:06.800
<v Speaker 3>you know, as opposed to it coming from someone who's

0:47:06.920 --> 0:47:12.120
<v Speaker 3>not of their peers. You feel me, Like you said, Nigga,

0:47:12.200 --> 0:47:15.080
<v Speaker 3>I'm not. I don't have anything personal with you, but

0:47:15.200 --> 0:47:18.080
<v Speaker 3>as far as your work and whatever, blah blah blah,

0:47:18.520 --> 0:47:22.680
<v Speaker 3>my opinion might be, you know, different than what somebody

0:47:22.840 --> 0:47:26.200
<v Speaker 3>might be blowing smoke up your ass, you know, and

0:47:27.680 --> 0:47:31.840
<v Speaker 3>that might intend, like you said, Nigga might want to

0:47:31.880 --> 0:47:34.359
<v Speaker 3>step to you and be like, Nigga, what you mean?

0:47:35.200 --> 0:47:38.279
<v Speaker 3>What you mean? Like, Nigga's just my opinion, Like, I

0:47:38.320 --> 0:47:41.360
<v Speaker 3>don't have anything personal, but just like I told you,

0:47:42.080 --> 0:47:47.120
<v Speaker 3>some niggas, you're gonna have to expect that approach because

0:47:47.600 --> 0:47:48.960
<v Speaker 3>they're sensitive.

0:47:49.880 --> 0:47:53.120
<v Speaker 1>Yeah, and it's a whole lot of sensitive people nowadays, man,

0:47:53.160 --> 0:47:56.400
<v Speaker 1>because anything used to be like that before. Though you

0:47:56.520 --> 0:47:58.840
<v Speaker 1>tell somebody they stuff was, Man, this ain't good. You

0:47:59.000 --> 0:48:02.200
<v Speaker 1>just have to accept it. Yeah, I heard.

0:48:02.320 --> 0:48:04.359
<v Speaker 2>I heard the writers had it pretty bad. I heard

0:48:04.440 --> 0:48:07.719
<v Speaker 2>stories of Soaring and them telling me that people did

0:48:07.800 --> 0:48:09.080
<v Speaker 2>approach them, like what's up with this?

0:48:10.880 --> 0:48:16.000
<v Speaker 3>I mean, I've never you know, regardless of what I felt,

0:48:17.600 --> 0:48:20.120
<v Speaker 3>if I didn't get a good write up in the magazine,

0:48:20.200 --> 0:48:23.759
<v Speaker 3>if I expected you know, four mics and they gave

0:48:23.880 --> 0:48:27.040
<v Speaker 3>me three or three and a half for you know,

0:48:30.160 --> 0:48:35.239
<v Speaker 3>I've always accepted criticism. You know, everybody not gonna like everything,

0:48:35.440 --> 0:48:40.840
<v Speaker 3>and I've accepted that. Oh this song was hard, but

0:48:40.960 --> 0:48:43.160
<v Speaker 3>I didn't like this one, man, I don't. I didn't

0:48:43.280 --> 0:48:47.400
<v Speaker 3>like it. That's your opinion. I'm not gonna get offended

0:48:47.800 --> 0:48:52.120
<v Speaker 3>because you're not gonna like everything I do. That's that's

0:48:52.200 --> 0:48:56.920
<v Speaker 3>just that just comes with being a professional artist to me,

0:48:57.400 --> 0:49:00.200
<v Speaker 3>And that's with anything, nigga. If I was build the

0:49:00.320 --> 0:49:03.120
<v Speaker 3>low Riders and shit, some niggas ain't gonna like one

0:49:03.160 --> 0:49:06.160
<v Speaker 3>of my bills. Some niggas ain't gonna like one of

0:49:06.200 --> 0:49:09.120
<v Speaker 3>my paint jobs or one of my setups. You get me.

0:49:09.360 --> 0:49:12.920
<v Speaker 3>It's just no every and niggas have the right to

0:49:13.080 --> 0:49:16.000
<v Speaker 3>do that. Now, how you accept that? And how a

0:49:16.120 --> 0:49:20.360
<v Speaker 3>nigga come at me telling me about my shit? You know,

0:49:20.520 --> 0:49:23.120
<v Speaker 3>it's a difference of opinion. Nigga ain't gonna just walk

0:49:23.239 --> 0:49:25.759
<v Speaker 3>up and be like, Nigga, your setup was fucked up,

0:49:26.120 --> 0:49:29.640
<v Speaker 3>you're set up with this? Or you now now you

0:49:29.800 --> 0:49:32.719
<v Speaker 3>might you know, you might warn a slap or two

0:49:33.080 --> 0:49:37.520
<v Speaker 3>or or confrontation as opposed to hey man, you know, hey,

0:49:38.120 --> 0:49:40.960
<v Speaker 3>you the one that hooked up the so and so. Yeah, man,

0:49:41.120 --> 0:49:44.000
<v Speaker 3>yeah shit, I usually do my shit like this, or

0:49:44.040 --> 0:49:46.840
<v Speaker 3>I've seen some shit like this. Maybe next time you

0:49:46.880 --> 0:49:49.320
<v Speaker 3>should do this or do this. I'm a might. I

0:49:49.440 --> 0:49:52.000
<v Speaker 3>might take your opinion of what you're telling me and

0:49:52.120 --> 0:49:54.840
<v Speaker 3>I might try it. You know, it just all the

0:49:54.920 --> 0:49:57.080
<v Speaker 3>way you got to come at a motherfucker. I guess

0:49:57.760 --> 0:49:59.520
<v Speaker 3>Oh gee, you gotta put eight in the one ten

0:49:59.640 --> 0:49:59.880
<v Speaker 3>of them?

0:50:00.040 --> 0:50:01.439
<v Speaker 2>Yuh for sure.

0:50:02.120 --> 0:50:05.640
<v Speaker 1>You know Last is doing this whole project eight called

0:50:05.920 --> 0:50:10.520
<v Speaker 1>it's called one ten. It's like a supergroup. So it's

0:50:10.600 --> 0:50:13.480
<v Speaker 1>called Custom Culture. It's about car culture. It's all. Every

0:50:13.560 --> 0:50:16.480
<v Speaker 1>song is about, like low Ride, you feel me.

0:50:17.360 --> 0:50:20.240
<v Speaker 2>It's just it's just if the Beach Boys was crips,

0:50:20.360 --> 0:50:21.719
<v Speaker 2>this is what they like.

0:50:22.120 --> 0:50:23.880
<v Speaker 3>Yeah, oh yeah, that's cracking.

0:50:24.440 --> 0:50:26.120
<v Speaker 1>So let me ask you all this. Let me see

0:50:26.160 --> 0:50:29.000
<v Speaker 1>if either one of y'all, what album that y'all came

0:50:29.080 --> 0:50:31.480
<v Speaker 1>out that got hyped up? Man, it just was super

0:50:31.560 --> 0:50:39.040
<v Speaker 1>that was overrated to y'all. You think you Madic was

0:50:39.080 --> 0:50:39.800
<v Speaker 1>super overrated?

0:50:40.040 --> 0:50:43.400
<v Speaker 2>Yeah, I mean, I think you Madic wasn't made for me.

0:50:44.800 --> 0:50:47.040
<v Speaker 2>So when I heard it, or even when I listen

0:50:47.160 --> 0:50:50.720
<v Speaker 2>to it now, I find myself listening to it thirty

0:50:50.880 --> 0:50:53.560
<v Speaker 2>times to figure out. I still ain't figured out quite

0:50:54.880 --> 0:50:57.919
<v Speaker 2>what you know, all the homey from New York here

0:50:58.080 --> 0:51:00.719
<v Speaker 2>in Phield, I still have no idea. D I still

0:51:00.760 --> 0:51:04.080
<v Speaker 2>don't get it. Like every time they framed the narrative,

0:51:04.760 --> 0:51:07.439
<v Speaker 2>it be a bunch of stuff that don't quite make sense.

0:51:08.080 --> 0:51:10.480
<v Speaker 2>But again that's the thing about hip hop, you know

0:51:10.480 --> 0:51:12.920
<v Speaker 2>what I mean, Culturally it may don't have to make

0:51:13.000 --> 0:51:15.520
<v Speaker 2>sense to me. I'm not from New York. I don't

0:51:15.600 --> 0:51:19.640
<v Speaker 2>get it. I think it's cool, Like I like Life

0:51:19.719 --> 0:51:24.799
<v Speaker 2>is Good as Life is Good is a way better album. Uh,

0:51:26.680 --> 0:51:30.680
<v Speaker 2>what's the other joint? The follow up joint? What's the

0:51:30.760 --> 0:51:32.600
<v Speaker 2>follow up to? That came out ninety six?

0:51:33.239 --> 0:51:39.479
<v Speaker 1>That m if I with the world.

0:51:39.560 --> 0:51:41.600
<v Speaker 2>That was that's the second album?

0:51:43.440 --> 0:51:43.560
<v Speaker 3>Was that?

0:51:43.680 --> 0:51:44.080
<v Speaker 1>What was that?

0:51:44.280 --> 0:51:44.320
<v Speaker 3>No?

0:51:44.400 --> 0:51:47.120
<v Speaker 2>No, that's not ESCO and that ain't that's that's crazy.

0:51:48.200 --> 0:51:48.640
<v Speaker 2>I listen.

0:51:48.719 --> 0:51:49.120
<v Speaker 1>I like that.

0:51:50.000 --> 0:51:53.040
<v Speaker 2>I like still Madic, I love still Madic, Still mad

0:51:53.840 --> 0:51:56.960
<v Speaker 2>to me. The second album that had the lauryn Hill

0:51:57.040 --> 0:52:00.440
<v Speaker 2>joint on there that they was it was yeah that

0:52:00.480 --> 0:52:03.440
<v Speaker 2>they got from Curtis Blow. Life is Good. It's my

0:52:03.600 --> 0:52:07.080
<v Speaker 2>favorite NAS album. I don't know what them dudes here

0:52:07.160 --> 0:52:10.440
<v Speaker 2>when they hear Illmatic, but they feel the same way

0:52:10.560 --> 0:52:13.080
<v Speaker 2>when I listen to dub C the shadiest one. They

0:52:13.160 --> 0:52:16.480
<v Speaker 2>don't have no idea how I hear it. To them.

0:52:16.520 --> 0:52:22.120
<v Speaker 2>They're like, yeah, this is cool. People that was coming

0:52:22.200 --> 0:52:24.160
<v Speaker 2>up into their teenage years. Like that came out when

0:52:24.160 --> 0:52:26.359
<v Speaker 2>I was finna be eighteen. You know what I'm saying

0:52:27.040 --> 0:52:29.400
<v Speaker 2>that I had just got my low Rider. I am

0:52:29.960 --> 0:52:32.600
<v Speaker 2>living with this man talking about in records. You know

0:52:32.600 --> 0:52:36.080
<v Speaker 2>what I'm saying, This is crazy, this is amazing. So again,

0:52:36.239 --> 0:52:38.759
<v Speaker 2>that's the thing about hip hop, the representation you get

0:52:38.840 --> 0:52:40.840
<v Speaker 2>from it. But hell Matic would be that record that

0:52:41.320 --> 0:52:44.360
<v Speaker 2>I heard all the gas over And this is probably

0:52:44.440 --> 0:52:47.000
<v Speaker 2>the twenty seventh time I've listened to it, and I'm

0:52:47.040 --> 0:52:50.120
<v Speaker 2>still trying to figure out why is everybody so pumped up?

0:52:52.480 --> 0:52:55.480
<v Speaker 1>You know what, man, I'm trying to think it's something

0:52:55.520 --> 0:52:58.919
<v Speaker 1>that was super overrated to me. I'm gonna tell you, man,

0:52:59.239 --> 0:53:01.640
<v Speaker 1>And people probably would get mad at me for this. Man,

0:53:02.520 --> 0:53:04.359
<v Speaker 1>I thought it was a good album. I don't think

0:53:04.440 --> 0:53:06.680
<v Speaker 1>it touched the first ones. I think the chronic Thumb,

0:53:06.760 --> 0:53:08.920
<v Speaker 1>the second chronic, I don't think that. I thought it

0:53:09.080 --> 0:53:09.439
<v Speaker 1>was cool.

0:53:09.960 --> 0:53:11.839
<v Speaker 2>Now, see, I think something wrong with your ears, dog

0:53:12.040 --> 0:53:16.800
<v Speaker 2>Like this is crazy. You don't listen to me.

0:53:17.080 --> 0:53:19.360
<v Speaker 1>I liked songs on it that was jamming like a motherfucker.

0:53:19.360 --> 0:53:21.680
<v Speaker 1>I ain't saying an album with jamming, But I don't

0:53:21.719 --> 0:53:26.719
<v Speaker 1>think it was better than the first one, not as

0:53:26.760 --> 0:53:27.680
<v Speaker 1>a whole body of work.

0:53:27.719 --> 0:53:29.520
<v Speaker 2>It's different than the first.

0:53:29.360 --> 0:53:33.239
<v Speaker 1>One's see what I'm saying, bro, I'm not saying this whack.

0:53:33.360 --> 0:53:35.600
<v Speaker 1>I'm not saying it's whack at always a great album,

0:53:36.920 --> 0:53:39.440
<v Speaker 1>it's not. I don't think it's like the first one.

0:53:39.480 --> 0:53:42.560
<v Speaker 1>From beginning to end. This one had joints on there.

0:53:42.560 --> 0:53:44.120
<v Speaker 1>I didn't like some of them songs on that though.

0:53:45.560 --> 0:53:48.520
<v Speaker 1>I always thought hit Man was overrated, overrated. I don't

0:53:48.600 --> 0:53:49.080
<v Speaker 1>like hit Man.

0:53:49.520 --> 0:53:50.400
<v Speaker 2>That's crazy.

0:53:51.600 --> 0:53:56.680
<v Speaker 1>He was really rhyme. But that's why he didn't come

0:53:56.680 --> 0:53:57.640
<v Speaker 1>out with nothing that was though.

0:53:57.840 --> 0:54:00.880
<v Speaker 2>He was just That's not why hit is not average.

0:54:00.920 --> 0:54:01.640
<v Speaker 2>That's just crazy.

0:54:03.160 --> 0:54:05.000
<v Speaker 1>That's why start.

0:54:05.880 --> 0:54:09.080
<v Speaker 3>I think a lot a lot of niggas got caught up,

0:54:09.200 --> 0:54:14.239
<v Speaker 3>and you know of what the success of what dre was,

0:54:15.040 --> 0:54:19.840
<v Speaker 3>and you still got to establish your own ship. You

0:54:19.960 --> 0:54:23.800
<v Speaker 3>feel me, you you get that, you get that, you

0:54:23.920 --> 0:54:27.760
<v Speaker 3>get that shootout to starting gates, but you still gotta

0:54:27.840 --> 0:54:30.960
<v Speaker 3>go out there. You know, sometimes niggas will leave you hanging.

0:54:31.440 --> 0:54:33.600
<v Speaker 3>You gotta go out there and self promote and get

0:54:33.640 --> 0:54:37.000
<v Speaker 3>yourself shipped together. And a lot of times when you ride,

0:54:37.280 --> 0:54:42.399
<v Speaker 3>you know, on someone else's ticket, you wait for them

0:54:42.600 --> 0:54:48.720
<v Speaker 3>to uh, you wait for them to uh produce your success.

0:54:49.080 --> 0:54:52.120
<v Speaker 3>You get me instead of you know, a nigga like,

0:54:53.360 --> 0:54:55.480
<v Speaker 3>I'm gonna go out and do it regardless. Fuck it.

0:54:56.160 --> 0:54:59.680
<v Speaker 3>I'm not gonna wait around until I get an aftermath record,

0:54:59.760 --> 0:55:02.640
<v Speaker 3>did or if I look up and it's two years

0:55:02.719 --> 0:55:05.640
<v Speaker 3>later and it ain't shit happening and we're still riding

0:55:05.680 --> 0:55:08.120
<v Speaker 3>the success off the project we did two years ago.

0:55:10.160 --> 0:55:13.120
<v Speaker 3>Especially if I'm not signed as an artist or anything,

0:55:13.760 --> 0:55:15.960
<v Speaker 3>I'm gonna have to go out and create my own

0:55:16.080 --> 0:55:20.640
<v Speaker 3>buzz or my own situation because I already got, you know,

0:55:20.800 --> 0:55:23.279
<v Speaker 3>my foot in the door as far as being on

0:55:23.440 --> 0:55:26.440
<v Speaker 3>the project and with Dre and producing and doing all

0:55:26.520 --> 0:55:30.880
<v Speaker 3>of that. So I'm gonna go create my own lane

0:55:31.360 --> 0:55:34.120
<v Speaker 3>because I already feel like I already got the hand

0:55:34.200 --> 0:55:35.359
<v Speaker 3>in the foot in the door.

0:55:35.560 --> 0:55:41.399
<v Speaker 2>You feel me, I'm gonna take I think we really

0:55:41.440 --> 0:55:43.840
<v Speaker 2>got to talk to Hit to really figure out what happened.

0:55:44.440 --> 0:55:44.880
<v Speaker 3>Yeah, hold on.

0:55:45.120 --> 0:55:46.880
<v Speaker 1>I'm gonna take you, and this is no knock against

0:55:46.920 --> 0:55:48.120
<v Speaker 1>hit right, this ain't.

0:55:47.880 --> 0:55:50.040
<v Speaker 2>No knocking knock. You said hit with you.

0:55:50.040 --> 0:55:52.640
<v Speaker 1>But I'm gonna tell you. Listen, listen, lemna tell you this.

0:55:53.920 --> 0:55:56.560
<v Speaker 1>If you record was dope to watch, it was dope. Still,

0:55:56.640 --> 0:56:01.680
<v Speaker 1>Dre was dope. Explosive was incredible. Forgot about Dre was good.

0:56:01.760 --> 0:56:04.680
<v Speaker 1>The next episode was incredible. The less Get High Records

0:56:04.840 --> 0:56:07.799
<v Speaker 1>You was fire. I want to say that it was good.

0:56:07.880 --> 0:56:09.640
<v Speaker 1>I said it was good fun. It was good some

0:56:09.800 --> 0:56:13.080
<v Speaker 1>mal lady niggas. I like that act, right.

0:56:13.640 --> 0:56:14.840
<v Speaker 3>I didn't like that. That was.

0:56:16.640 --> 0:56:18.399
<v Speaker 1>That was ther never all let the being, the being,

0:56:18.480 --> 0:56:20.400
<v Speaker 1>the being, the being, the thing and all that stuff.

0:56:20.440 --> 0:56:25.439
<v Speaker 1>It was cool. No bang bang was underninked bang bang

0:56:25.600 --> 0:56:28.840
<v Speaker 1>bang bang. That was whatever to me. I thought the

0:56:28.920 --> 0:56:31.040
<v Speaker 1>message was cool. It was like that. It had some

0:56:31.239 --> 0:56:34.440
<v Speaker 1>amazing joints on there, but some of them songs was missing. Dog.

0:56:34.880 --> 0:56:36.719
<v Speaker 1>I liked some of the hit Man's raps man, but

0:56:36.760 --> 0:56:38.560
<v Speaker 1>other than that man hit Man looked like a fact

0:56:38.560 --> 0:56:40.200
<v Speaker 1>a dude to sit home, eat don us and write

0:56:40.200 --> 0:56:40.920
<v Speaker 1>wraps all day.

0:56:42.080 --> 0:56:43.880
<v Speaker 2>What that got to do with him being See this

0:56:44.040 --> 0:56:46.239
<v Speaker 2>is why you can't have an opinion because you just

0:56:46.360 --> 0:56:49.320
<v Speaker 2>go too fucking far. See how you just said that ship.

0:56:50.040 --> 0:56:54.320
<v Speaker 3>Yeah, but you gotta understand that's what still wants to

0:56:54.440 --> 0:56:58.480
<v Speaker 3>go there. You get me to go there, and I'll

0:56:58.560 --> 0:57:01.919
<v Speaker 3>be telling him it's a certain way you you go there,

0:57:02.360 --> 0:57:05.279
<v Speaker 3>like we had this discussion. Now if you won't. If

0:57:05.320 --> 0:57:08.839
<v Speaker 3>you're gonna say something about a niggas work, that's cool,

0:57:09.320 --> 0:57:11.600
<v Speaker 3>but you don't turn around and say, yeah, nigga like

0:57:15.560 --> 0:57:19.200
<v Speaker 3>you step you stepping over the line. Now you now

0:57:19.240 --> 0:57:23.600
<v Speaker 3>you're going personal, So now find to you personal. I'm

0:57:23.600 --> 0:57:28.120
<v Speaker 3>gonna say something about you or something personal, because what

0:57:28.320 --> 0:57:31.680
<v Speaker 3>the does my songs have to do with how I look?

0:57:32.080 --> 0:57:34.480
<v Speaker 3>I look like I'm sitting on the couch eating donuts

0:57:34.560 --> 0:57:41.120
<v Speaker 3>all day. Where where is now? You're looking to go personal?

0:57:41.480 --> 0:57:44.520
<v Speaker 3>You cannot do that. If you want to have an

0:57:44.600 --> 0:57:48.720
<v Speaker 3>opinion about a nigga's work, that's fine. But if you

0:57:48.840 --> 0:57:50.480
<v Speaker 3>want to set up and say a nigga look like

0:57:50.560 --> 0:57:53.960
<v Speaker 3>he eating donuts all day, sitting on it, now you

0:57:54.120 --> 0:57:55.000
<v Speaker 3>go on personal.

0:57:55.200 --> 0:58:02.960
<v Speaker 1>Feel Let me say what I'm saying. Yeah, this is

0:58:03.000 --> 0:58:05.960
<v Speaker 1>what I'm saying. Let me elaborate on that. What I'm

0:58:06.000 --> 0:58:09.240
<v Speaker 1>saying is this in order to be a superstar.

0:58:09.360 --> 0:58:11.720
<v Speaker 2>You have to We're not talking before you do this.

0:58:12.040 --> 0:58:19.320
<v Speaker 2>We're not talking about his marketability as a talent. They rapping. No,

0:58:19.520 --> 0:58:24.400
<v Speaker 2>you said he was average. Hit is way better than

0:58:24.480 --> 0:58:27.560
<v Speaker 2>average as an MC. That's crazy. You just said that.

0:58:28.160 --> 0:58:31.720
<v Speaker 2>Now you started to go into your exact bage, start

0:58:31.720 --> 0:58:33.960
<v Speaker 2>talking about how tough it would be the market. Hit boy,

0:58:34.120 --> 0:58:37.440
<v Speaker 2>we never got there. You're saying two thousand and one

0:58:37.520 --> 0:58:41.240
<v Speaker 2>could be overrated because you're not a fan of hits music,

0:58:41.360 --> 0:58:44.320
<v Speaker 2>not his marketability. Eminem is on the record, Snoop is

0:58:44.360 --> 0:58:46.280
<v Speaker 2>on the record. These are some of the biggest stars,

0:58:46.360 --> 0:58:50.280
<v Speaker 2>Doctor Dre, these are huge stars. They didn't need the

0:58:50.440 --> 0:58:54.479
<v Speaker 2>fourth Big Store. They needed a dope MC to rap

0:58:54.600 --> 0:58:58.240
<v Speaker 2>and hit. Really like how Snoop was to the first

0:58:58.320 --> 0:58:59.880
<v Speaker 2>chronic hit was to.

0:59:01.040 --> 0:59:02.000
<v Speaker 1>The two thousand and one.

0:59:02.280 --> 0:59:07.440
<v Speaker 2>He carried it on his back as a MC. So again,

0:59:07.520 --> 0:59:10.000
<v Speaker 2>I get what now, I get why E stops you

0:59:10.120 --> 0:59:14.480
<v Speaker 2>because you just go to damn far It starts off

0:59:14.560 --> 0:59:16.000
<v Speaker 2>being about the pen.

0:59:16.280 --> 0:59:22.120
<v Speaker 1>Okay, let's do this right. I apologize, hit man. It

0:59:22.240 --> 0:59:25.840
<v Speaker 1>wasn't nothing personal, Yes it was. I'll bust the mister

0:59:25.960 --> 0:59:29.720
<v Speaker 1>toughy slash a smoothie duffy crashing flex on Tuesdays and

0:59:29.880 --> 0:59:35.560
<v Speaker 1>rasping holds the movies. I had somebody with Oozy's that

0:59:35.720 --> 0:59:37.440
<v Speaker 1>shady diiction, that bi nigga that was.

0:59:40.720 --> 0:59:43.720
<v Speaker 2>I don't sympathize for black holes and whipping guys.

0:59:44.320 --> 0:59:49.360
<v Speaker 1>You gotta recognize Hitmanerprise, Kelly, Pride, Bonds and Riders South

0:59:49.440 --> 0:59:55.520
<v Speaker 1>Centralized the hen he got me that nice poke their

0:59:55.600 --> 0:59:58.520
<v Speaker 1>eyes out on Mala's locus. Hope they don't have to

0:59:58.600 --> 1:00:01.200
<v Speaker 1>find out the hard way. Snicks niggas in the pen

1:00:01.280 --> 1:00:03.520
<v Speaker 1>to get hit when the guards look the other way.

1:00:04.000 --> 1:00:05.640
<v Speaker 2>Well hitting the treas.

1:00:06.080 --> 1:00:09.040
<v Speaker 1>You playing games. I suggest you know the rules were

1:00:09.080 --> 1:00:11.520
<v Speaker 1>putting guns to fools. Make sure you run your jew

1:00:12.120 --> 1:00:15.280
<v Speaker 1>take honey and cruise to the snoody and snooze fools.

1:00:15.880 --> 1:00:19.360
<v Speaker 1>Pop koochie to this nut oozes. You shouldn't fuck with

1:00:19.480 --> 1:00:23.760
<v Speaker 1>cruise this sick. The aftermath is we rules. Confuse me

1:00:23.840 --> 1:00:26.480
<v Speaker 1>with the weather about the blow, motherfucker fucker.

1:00:26.600 --> 1:00:30.120
<v Speaker 2>That's fun. Steve, you was a fucking hater, that shit tough.

1:00:31.200 --> 1:00:34.760
<v Speaker 2>That mea is nice? That's nice?

1:00:35.840 --> 1:00:36.000
<v Speaker 1>Was he?

1:00:36.120 --> 1:00:39.560
<v Speaker 2>One two three into the four nice bro Snoop is

1:00:39.600 --> 1:00:42.919
<v Speaker 2>a fucking eight is a first Battle Hall of Famer.

1:00:43.040 --> 1:00:47.040
<v Speaker 2>Snoop is like like dog, like that's not fair, like

1:00:47.320 --> 1:00:49.040
<v Speaker 2>Jesus Christ like that.

1:00:49.280 --> 1:00:52.240
<v Speaker 1>Compare that the shots hit the crowd, then everybody ran

1:00:52.640 --> 1:00:55.920
<v Speaker 1>whole Hunt's thing. That's like memorable dog, you know, But

1:00:56.040 --> 1:00:56.840
<v Speaker 1>you're talking.

1:00:56.600 --> 1:00:59.840
<v Speaker 2>About first ballot Hall of Famers. Eight and Dog are

1:01:00.040 --> 1:01:02.960
<v Speaker 2>first battle of Hall of Famer. You can't compare everybody

1:01:03.040 --> 1:01:05.480
<v Speaker 2>to eight and Dog. They don't do that. He's not

1:01:05.600 --> 1:01:08.200
<v Speaker 2>a culture. Eight is a cultural phenomenon. Dog is a

1:01:08.240 --> 1:01:12.040
<v Speaker 2>cultural phenomenon. Q not just dope m c's. They're also

1:01:12.240 --> 1:01:16.160
<v Speaker 2>like revelations and culture. It's like their personal renaissance.

1:01:16.280 --> 1:01:16.360
<v Speaker 3>Bro.

1:01:16.480 --> 1:01:20.080
<v Speaker 2>They represent something that never been seen versus hitting just

1:01:20.240 --> 1:01:21.880
<v Speaker 2>a nice MC.

1:01:22.600 --> 1:01:25.400
<v Speaker 1>What like a seid like he alluded to earlier, right

1:01:27.760 --> 1:01:30.680
<v Speaker 1>and not sure you know what hit. I'm apologized. I should.

1:01:32.320 --> 1:01:35.560
<v Speaker 2>Cut your stupid ass out all here. I'm gonna call

1:01:35.560 --> 1:01:37.600
<v Speaker 2>it first thing in the morning, telling me make a

1:01:37.680 --> 1:01:39.840
<v Speaker 2>dish on your ass and this the ship out of you.

1:01:39.920 --> 1:01:43.040
<v Speaker 2>You don't want to battle hit that dog? I have

1:01:43.200 --> 1:01:46.680
<v Speaker 2>hit served your ass to do that when you ain't

1:01:46.720 --> 1:01:48.360
<v Speaker 2>been in front of that mic. Still your pen might

1:01:48.440 --> 1:01:51.000
<v Speaker 2>still be good with yo, but that but that microphone different.

1:01:52.000 --> 1:01:54.680
<v Speaker 1>I gonna do what he do. The snooty snoozey suzy

1:01:55.000 --> 1:01:57.720
<v Speaker 1>zy roll through the groupies.

1:01:58.800 --> 1:01:59.320
<v Speaker 3>I can't do it.

1:01:59.360 --> 1:02:04.160
<v Speaker 1>Here you go, I hit the lucy, lose and the boozy.

1:02:05.240 --> 1:02:08.560
<v Speaker 2>I get what AD is saying, Dog, you don't know how.

1:02:10.360 --> 1:02:16.680
<v Speaker 1>Yeah, what you mean if you be when you put

1:02:16.720 --> 1:02:19.400
<v Speaker 1>yourself in that place, Dog in the upper ex line,

1:02:20.200 --> 1:02:22.840
<v Speaker 1>you gotta be saying some stuff. Hit Man was cool, Dog,

1:02:22.960 --> 1:02:23.600
<v Speaker 1>That's what I'm saying.

1:02:23.640 --> 1:02:25.480
<v Speaker 3>He was him.

1:02:25.560 --> 1:02:29.400
<v Speaker 2>Man is nice. It's not fair to compare him to

1:02:29.520 --> 1:02:33.520
<v Speaker 2>eight to Q to dog first Battle Hall of Fame

1:02:33.880 --> 1:02:36.680
<v Speaker 2>acts from the West. That's not fair because that's not

1:02:37.160 --> 1:02:39.360
<v Speaker 2>That's more than just him seeing these are the first

1:02:39.440 --> 1:02:42.400
<v Speaker 2>time people seeing this ship. They never even saw no

1:02:42.520 --> 1:02:46.600
<v Speaker 2>ship like this, let alone the styles it is. Hit

1:02:46.800 --> 1:02:48.880
<v Speaker 2>is dope. Even if it is it is not a

1:02:48.960 --> 1:02:52.960
<v Speaker 2>Hall of Famer. But for sure he had a fucking

1:02:53.040 --> 1:02:55.800
<v Speaker 2>All Star year, All Star year. That year he was

1:02:55.880 --> 1:02:56.840
<v Speaker 2>in the All Star Game.

1:02:56.840 --> 1:03:02.440
<v Speaker 4>He was killing that year, Oh Dele. He definitely contributed

1:03:02.560 --> 1:03:07.720
<v Speaker 4>to the record. His presence was on all over the record.

1:03:09.520 --> 1:03:14.560
<v Speaker 4>I don't think guy I never had an opinion about,

1:03:15.640 --> 1:03:21.000
<v Speaker 4>you know, the contributions that he gave on on on

1:03:21.160 --> 1:03:22.080
<v Speaker 4>the chronic record.

1:03:22.560 --> 1:03:26.200
<v Speaker 3>I thought they were sufficient, you know, as standing up

1:03:26.280 --> 1:03:29.040
<v Speaker 3>to Uh you know, who are all the other cats

1:03:29.120 --> 1:03:32.920
<v Speaker 3>that was on the records? Uh M and exhibit and.

1:03:34.920 --> 1:03:37.320
<v Speaker 2>You got all Hall of Famers eight on it. That's

1:03:37.440 --> 1:03:40.920
<v Speaker 2>all Hall of Famers. This all Hall of this, like

1:03:41.440 --> 1:03:44.000
<v Speaker 2>all Hall of Famers, and you got to show up.

1:03:44.800 --> 1:03:50.200
<v Speaker 3>As they always believe in the up and comers. You know,

1:03:52.200 --> 1:03:55.080
<v Speaker 3>he always give a shot to the up and comers,

1:03:55.720 --> 1:03:58.520
<v Speaker 3>and he felt it was one of those.

1:03:59.040 --> 1:03:59.200
<v Speaker 2>Uh.

1:04:00.360 --> 1:04:04.000
<v Speaker 3>Like I said, he contributed it significantly to that record.

1:04:06.240 --> 1:04:09.360
<v Speaker 3>And I don't think I ever heard anyone's opinion of

1:04:09.640 --> 1:04:13.480
<v Speaker 3>less of him on the record, like oh, nah, man,

1:04:13.560 --> 1:04:17.439
<v Speaker 3>they shouldn't have or whatever whatever. You know, Uh, it's

1:04:17.520 --> 1:04:19.560
<v Speaker 3>just you know, I guess you know, if every to

1:04:19.640 --> 1:04:22.280
<v Speaker 3>each his own, everybody has their opinion about what they

1:04:22.440 --> 1:04:25.360
<v Speaker 3>feel or whatever. Like I said, it never bothered me.

1:04:26.360 --> 1:04:29.400
<v Speaker 3>I thought his contributions were significant when it came to

1:04:29.520 --> 1:04:30.120
<v Speaker 3>that record.

1:04:32.440 --> 1:04:32.560
<v Speaker 1>Uh.

1:04:33.960 --> 1:04:37.880
<v Speaker 3>It wasn't like he sounded out of place. You get

1:04:38.000 --> 1:04:43.040
<v Speaker 3>me in comparison to like you said, the Hall of

1:04:43.120 --> 1:04:45.680
<v Speaker 3>Famers whatever, he didn't sound out of place.

1:04:47.440 --> 1:04:50.400
<v Speaker 2>You know who he is on on the Dynasty Lakers.

1:04:50.800 --> 1:04:54.240
<v Speaker 2>He's Rick Foxla.

1:04:55.080 --> 1:04:58.960
<v Speaker 1>That's a good comparison, tell you real quick. G did

1:04:59.000 --> 1:05:01.280
<v Speaker 1>you get that text me just sent you about Biggie

1:05:01.320 --> 1:05:03.840
<v Speaker 1>and him stole that juicy record from that dude from Mississippi.

1:05:04.160 --> 1:05:08.920
<v Speaker 2>I was ignoring. I was ignoring that was a real thing, dog.

1:05:08.880 --> 1:05:11.760
<v Speaker 1>Like, that wasn't made up stuff. His record came up

1:05:11.800 --> 1:05:12.680
<v Speaker 1>before Biggie's record.

1:05:12.760 --> 1:05:13.360
<v Speaker 3>Nobody heard that.

1:05:14.200 --> 1:05:16.800
<v Speaker 1>I don't think Biggie stole I think Puffy probably heard

1:05:16.840 --> 1:05:18.760
<v Speaker 1>that record because he said they were sitting the demo off.

1:05:19.360 --> 1:05:21.320
<v Speaker 1>He sounds mister the big billy man.

1:05:21.760 --> 1:05:25.240
<v Speaker 2>Why this is why people stopped accepting demos because of

1:05:25.320 --> 1:05:26.120
<v Speaker 2>silliness like this.

1:05:26.800 --> 1:05:27.600
<v Speaker 1>That was hard.

1:05:29.320 --> 1:05:31.560
<v Speaker 3>Man, that he was dope.

1:05:31.680 --> 1:05:33.600
<v Speaker 2>I'm not saying it wasn't a dope song, but that's

1:05:33.720 --> 1:05:36.520
<v Speaker 2>just you can't just go around saying somebody stole something.

1:05:36.360 --> 1:05:38.640
<v Speaker 1>Still man, that's what he said. It was a lot

1:05:38.680 --> 1:05:39.920
<v Speaker 1>of people. He had the receipts.

1:05:40.960 --> 1:05:43.240
<v Speaker 2>He don't have no receipts. All you can say put

1:05:43.280 --> 1:05:47.200
<v Speaker 2>his out first, But I mean it is sampling and

1:05:47.320 --> 1:05:49.160
<v Speaker 2>too may like that that might happen.

1:05:50.240 --> 1:05:52.760
<v Speaker 1>And so his name just happened to be notorious b

1:05:52.920 --> 1:05:55.880
<v Speaker 1>One Big Daddy. His song was hard.

1:05:56.920 --> 1:06:04.760
<v Speaker 2>It wasn't mader than juicy. It was dope. See, this

1:06:04.920 --> 1:06:14.280
<v Speaker 2>is what you disseminate for I'm sorry, I'm trying to.

1:06:16.880 --> 1:06:17.440
<v Speaker 3>Traversity.

1:06:17.560 --> 1:06:19.240
<v Speaker 1>He loves the man.

1:06:19.320 --> 1:06:23.600
<v Speaker 2>Stuff you can't say. Probably, you can't just go around

1:06:23.680 --> 1:06:27.160
<v Speaker 2>saying people stole stuff. Man, I'm telling you I'm not one.

1:06:27.280 --> 1:06:28.720
<v Speaker 2>His name is Notorious One.

1:06:29.440 --> 1:06:32.760
<v Speaker 3>That that's his line he's pushing down. Still go push

1:06:32.880 --> 1:06:35.880
<v Speaker 3>that lie. He gonna push that third line like, I

1:06:36.680 --> 1:06:39.320
<v Speaker 3>don't give a fuck. I'm gonna say nigga stole it.

1:06:39.680 --> 1:06:42.160
<v Speaker 3>And then when you say that you have proof of that,

1:06:42.440 --> 1:06:46.360
<v Speaker 3>how can you say that don't matter nigga. I'm just

1:06:46.480 --> 1:06:50.560
<v Speaker 3>putting it out there because he came up before biggiees Do.

1:06:51.160 --> 1:06:52.960
<v Speaker 2>It wasn't a national smash.

1:06:53.120 --> 1:06:55.640
<v Speaker 1>Still, I don't think no see will say this. I

1:06:55.640 --> 1:06:58.200
<v Speaker 1>don't think Biggie stole. I think probably heard that.

1:06:59.040 --> 1:07:06.240
<v Speaker 2>Probably there's serious accusations in hip hop. You don't think

1:07:06.320 --> 1:07:10.120
<v Speaker 2>you should be a little bit more like thoughtful about

1:07:10.200 --> 1:07:12.680
<v Speaker 2>these type of accusations that this is why somebody gonna

1:07:12.720 --> 1:07:13.000
<v Speaker 2>fight you.

1:07:13.920 --> 1:07:17.280
<v Speaker 1>Notorious b One, Notorious be One. If you out there, man,

1:07:17.600 --> 1:07:19.360
<v Speaker 1>we want to holler at you. Man, were gonna help

1:07:19.360 --> 1:07:19.680
<v Speaker 1>you get this.

1:07:20.160 --> 1:07:23.000
<v Speaker 2>You want to stroke that fire, do that you.

1:07:23.160 --> 1:07:25.800
<v Speaker 3>Just he loves.

1:07:27.120 --> 1:07:32.320
<v Speaker 1>You like man, Notorious b One shot the Notorious b

1:07:32.480 --> 1:07:34.840
<v Speaker 1>One and you know what, it was heartbreaking. I like

1:07:34.920 --> 1:07:37.000
<v Speaker 1>Biggie Smalls. I don't think Biggie stole it. Do I

1:07:37.080 --> 1:07:39.120
<v Speaker 1>think some Diddy probably did? We see Diddy as a

1:07:39.200 --> 1:07:40.080
<v Speaker 1>doe the bad character?

1:07:41.160 --> 1:07:43.360
<v Speaker 2>How can we see Diddy is a bad character.

1:07:43.920 --> 1:07:46.760
<v Speaker 3>That's your opinion, right, that's your is my opinion?

1:07:47.400 --> 1:07:49.560
<v Speaker 1>Hold on, I'm gonna start putting disclaimer at the beginning

1:07:49.600 --> 1:07:52.760
<v Speaker 1>of the show. The opinions of this show are each

1:07:52.840 --> 1:07:56.400
<v Speaker 1>of the own individual hosts. Norman Steel's opinion is not

1:07:56.560 --> 1:08:00.280
<v Speaker 1>eights opinion. Eights opinion is not Norman Steeles. When last

1:08:00.360 --> 1:08:04.040
<v Speaker 1>Malone say something crazy, it's not my opinion. It's his opinion,

1:08:04.120 --> 1:08:06.479
<v Speaker 1>and I support it. That's all I'm saying.

1:08:06.960 --> 1:08:09.760
<v Speaker 2>Something work I'm saying to you is you don't think

1:08:09.840 --> 1:08:12.640
<v Speaker 2>that that type of accusation and hip hop should be

1:08:12.640 --> 1:08:14.520
<v Speaker 2>a little bit more thought after.

1:08:16.760 --> 1:08:16.800
<v Speaker 1>You?

1:08:17.240 --> 1:08:19.760
<v Speaker 2>If you say Notorious b One came out with his

1:08:20.160 --> 1:08:23.840
<v Speaker 2>mt MA sample before, that's cool, that's all you gotta say.

1:08:23.880 --> 1:08:27.680
<v Speaker 2>But if you Notorious b One, listen, but if you

1:08:27.800 --> 1:08:29.240
<v Speaker 2>start a legend.

1:08:29.560 --> 1:08:32.280
<v Speaker 3>Yeah, because what are you trying to allege? You going?

1:08:32.479 --> 1:08:36.559
<v Speaker 3>You're saying his name is notorious he had the sample.

1:08:37.120 --> 1:08:39.519
<v Speaker 3>I'm not saying big did it, but.

1:08:42.439 --> 1:08:45.000
<v Speaker 1>You are you are You are a professional rap You've

1:08:45.000 --> 1:08:47.439
<v Speaker 1>been doing this for a long time. She's a professional rapper.

1:08:48.080 --> 1:08:49.439
<v Speaker 1>Don't this sound kind of familiar?

1:08:49.920 --> 1:09:01.560
<v Speaker 3>Jesus, you know how I mean these songs that I

1:09:01.800 --> 1:09:06.320
<v Speaker 3>have that I recorded that about seven eight other artists

1:09:06.360 --> 1:09:09.920
<v Speaker 3>have recorded to the same fucking song. I got a

1:09:10.000 --> 1:09:14.040
<v Speaker 3>song right now, fucking drive by Miss Daisy. Main Source

1:09:14.160 --> 1:09:18.839
<v Speaker 3>did the friendly Game of Baseball, same shiit, same sample,

1:09:19.080 --> 1:09:23.840
<v Speaker 3>same motherfucking song breakdown. You know what people said, Oh,

1:09:24.840 --> 1:09:28.240
<v Speaker 3>main Source used that sample too. They didn't say one

1:09:28.280 --> 1:09:31.400
<v Speaker 3>of y'all stole it. They just said both of y'all

1:09:31.479 --> 1:09:34.280
<v Speaker 3>got good ears because both of y'all picked it the

1:09:34.400 --> 1:09:34.960
<v Speaker 3>good sound.

1:09:35.160 --> 1:09:37.440
<v Speaker 1>And see, that's just something that's a coincidence.

1:09:38.280 --> 1:09:43.800
<v Speaker 3>One Is it just a coincidence? Though?

1:09:44.160 --> 1:09:44.360
<v Speaker 1>Why?

1:09:45.560 --> 1:09:52.000
<v Speaker 3>Because why, in your opinion, have they stolen this dude ship?

1:09:52.280 --> 1:09:55.000
<v Speaker 3>Why do you feel that because it sounded like it

1:09:55.120 --> 1:09:58.240
<v Speaker 3>was all a dream. I used to read magazine, Brandy

1:09:58.360 --> 1:10:02.040
<v Speaker 3>Game of Baseball sounds just like Drive by Miss Daisy.

1:10:02.520 --> 1:10:05.680
<v Speaker 3>It comes on the same, it sounds the same. So

1:10:06.479 --> 1:10:10.880
<v Speaker 3>why in your opinion did they steal this boy's identity?

1:10:11.120 --> 1:10:15.599
<v Speaker 1>Why Puffy heard that dude stuff the demo cross.

1:10:17.280 --> 1:10:20.479
<v Speaker 3>No proof of that. Though you have no proof of it,

1:10:20.840 --> 1:10:28.679
<v Speaker 3>you're making Listen, you do what these other fake gass

1:10:28.880 --> 1:10:34.320
<v Speaker 3>neves people do. You cannot do that, throw out stories

1:10:34.439 --> 1:10:38.200
<v Speaker 3>because you want to throw them out. Have factuals on

1:10:38.920 --> 1:10:44.639
<v Speaker 3>the hoard. No, no, we're not going to be doing

1:10:44.880 --> 1:10:49.800
<v Speaker 3>hypotheticals well out there, well well well because now we

1:10:49.960 --> 1:10:53.800
<v Speaker 3>look at you, we're looking like all the other mother

1:10:53.880 --> 1:10:54.840
<v Speaker 3>and I told you this.

1:10:55.400 --> 1:10:57.639
<v Speaker 2>We cannot do that unless.

1:10:59.000 --> 1:11:04.439
<v Speaker 3>We're not going out story just because they sound good.

1:11:05.080 --> 1:11:09.040
<v Speaker 1>You know, that's not what I'm doing. See. The thing is,

1:11:09.200 --> 1:11:11.280
<v Speaker 1>this is what I say. His record was out a

1:11:11.400 --> 1:11:17.400
<v Speaker 1>year before that, so your homework, so what he had

1:11:17.479 --> 1:11:17.920
<v Speaker 1>his song?

1:11:18.080 --> 1:11:23.000
<v Speaker 3>Now you would have to have the actual receipts saying

1:11:23.840 --> 1:11:29.960
<v Speaker 3>Puff Daddy stole his whole identity. Without that, it's just

1:11:30.200 --> 1:11:33.000
<v Speaker 3>your opinion. It's just.

1:11:36.640 --> 1:11:41.479
<v Speaker 1>Still still you. You see, I haven't I haven't this.

1:11:41.640 --> 1:11:44.120
<v Speaker 2>Big I did not you was going through this. I

1:11:44.160 --> 1:11:44.600
<v Speaker 2>did not know.

1:11:46.080 --> 1:11:51.320
<v Speaker 3>You're not just in Biggie smalls. But what you're falsifying

1:11:51.560 --> 1:11:55.479
<v Speaker 3>accusations because you're turning around and saying, I don't think Puff,

1:11:55.600 --> 1:11:58.200
<v Speaker 3>I don't think Biggie did it, but I think Puffy

1:11:58.280 --> 1:11:58.519
<v Speaker 3>did it.

1:11:58.560 --> 1:12:02.040
<v Speaker 2>And it's like you're on Puff because he's in prison. Yeah,

1:12:03.880 --> 1:12:05.920
<v Speaker 2>he said he's already a bad person. You see what

1:12:06.040 --> 1:12:07.760
<v Speaker 2>he's going through. You see how you threw that out there?

1:12:08.160 --> 1:12:11.320
<v Speaker 3>Yeah, that that that nigga Puffy did it. I'm telling

1:12:11.360 --> 1:12:12.519
<v Speaker 3>you you.

1:12:13.160 --> 1:12:15.280
<v Speaker 2>Puff has a history of still the music. I didn't

1:12:15.280 --> 1:12:17.800
<v Speaker 2>never hear Puff stole records from people. When what's the

1:12:17.840 --> 1:12:18.400
<v Speaker 2>other records?

1:12:19.040 --> 1:12:21.080
<v Speaker 3>They said that and that, and we got to stop.

1:12:21.160 --> 1:12:23.160
<v Speaker 3>We can't push that, we can't push that.

1:12:25.880 --> 1:12:26.160
<v Speaker 1>Still.

1:12:26.680 --> 1:12:30.320
<v Speaker 3>I'll give them damn. I said, stole the ship. So

1:12:30.479 --> 1:12:31.080
<v Speaker 3>that's what we do.

1:12:31.760 --> 1:12:33.960
<v Speaker 1>Then then when Biggie Dad he went to find a

1:12:34.000 --> 1:12:36.519
<v Speaker 1>fake biggie, he went and put Shining there, told Shine

1:12:36.560 --> 1:12:37.800
<v Speaker 1>to come and do some biggie stuff.

1:12:40.080 --> 1:12:41.920
<v Speaker 2>You you, I think you need to end the pie bro.

1:12:42.040 --> 1:12:43.240
<v Speaker 2>You you you you get.

1:12:45.200 --> 1:12:45.519
<v Speaker 1>You know what?

1:12:45.760 --> 1:12:46.240
<v Speaker 3>Delusion?

1:12:46.360 --> 1:12:48.040
<v Speaker 2>Or you saying that crazy ship.

1:12:48.160 --> 1:12:50.600
<v Speaker 1>I'm gonna leave it up to the public, y'all go

1:12:50.800 --> 1:12:52.320
<v Speaker 1>check out Notorious.

1:12:51.880 --> 1:12:56.479
<v Speaker 2>Be One, do your research. Checkout when you do the research.

1:12:56.920 --> 1:12:59.080
<v Speaker 1>Why are you trying to stifle Notorious be One? Why

1:12:59.160 --> 1:12:59.800
<v Speaker 1>you hating no One?

1:13:00.240 --> 1:13:04.680
<v Speaker 2>No, it's not I'm not stifling him. I'm saying you

1:13:04.720 --> 1:13:07.839
<v Speaker 2>should make a whole piece of you doing the homework

1:13:08.520 --> 1:13:11.800
<v Speaker 2>versus you just throwing out some national I have.

1:13:11.880 --> 1:13:15.000
<v Speaker 1>Been I have been investigating that dough show.

1:13:14.880 --> 1:13:16.960
<v Speaker 2>Us, show us the email, Show us the proof that

1:13:17.040 --> 1:13:21.280
<v Speaker 2>he sent it to upstairs record or to somebody in

1:13:21.360 --> 1:13:25.519
<v Speaker 2>New York. Show us where he sent to that uptown records.

1:13:26.040 --> 1:13:27.200
<v Speaker 3>He said, his records.

1:13:27.360 --> 1:13:29.200
<v Speaker 1>You know what, I'm gonna read what he said before.

1:13:29.200 --> 1:13:32.160
<v Speaker 2>We don't read what he said, go do the homework.

1:13:33.600 --> 1:13:35.320
<v Speaker 3>Let me saying, I'm gonna ready.

1:13:35.520 --> 1:13:36.960
<v Speaker 2>I did not know you was going through this. This

1:13:37.160 --> 1:13:38.120
<v Speaker 2>nigga crazy.

1:13:40.880 --> 1:13:44.599
<v Speaker 3>Still said nigga, we finish, get nigga. I'm just I'm

1:13:44.680 --> 1:13:47.280
<v Speaker 3>just finish safeck it and that's what I'm gonna do.

1:13:47.320 --> 1:13:50.360
<v Speaker 3>I'm gonna have my opinions about niggas and I'm gonna

1:13:50.360 --> 1:13:51.880
<v Speaker 3>I'm gonna let I'm gonna set it off.

1:13:52.920 --> 1:13:55.760
<v Speaker 1>This is what the rap game is, a cold world world.

1:13:55.840 --> 1:13:58.960
<v Speaker 1>A rapper names and Notorious Big One. It's upset that

1:13:59.040 --> 1:14:02.559
<v Speaker 1>he was ripped off. The game is dirty. I mean

1:14:02.720 --> 1:14:05.320
<v Speaker 1>Notorious b One and he had a reported song called

1:14:05.400 --> 1:14:08.320
<v Speaker 1>Big Daddy that did zero damn it. She was from Mississippi.

1:14:09.439 --> 1:14:11.679
<v Speaker 1>This is a real song that use the same sample

1:14:11.720 --> 1:14:14.120
<v Speaker 1>as Juicy, which was derived from the hit song Juicy

1:14:14.200 --> 1:14:17.120
<v Speaker 1>Fruit by Him Toomey. Decades after the tragic end of

1:14:17.200 --> 1:14:19.960
<v Speaker 1>Christopher Wallace. This song is making the rounds and the

1:14:20.040 --> 1:14:23.280
<v Speaker 1>rappers talking. Basically, aggravations are here. He was ripped off.

1:14:25.920 --> 1:14:28.320
<v Speaker 1>He was the Big Eat Smalls, the Big East Malls

1:14:28.360 --> 1:14:31.280
<v Speaker 1>due to a lawsuit by Calvin Lockhart in nineteen ninety two,

1:14:31.360 --> 1:14:34.160
<v Speaker 1>then became Notorious Big in ninety three. See one thing

1:14:34.240 --> 1:14:37.160
<v Speaker 1>I will get Big on. I talked to the homie right,

1:14:37.760 --> 1:14:40.040
<v Speaker 1>the homie DD say that Big got his name from

1:14:40.080 --> 1:14:42.400
<v Speaker 1>a smoker. She used to call him big Hey, big

1:14:43.360 --> 1:14:45.920
<v Speaker 1>Hey big, And that's when he became big.

1:14:46.040 --> 1:14:48.680
<v Speaker 2>Everybody start calling them big, right, And you accused one

1:14:48.720 --> 1:14:51.000
<v Speaker 2>of your homie's friends. And still in the song go ahead,

1:14:53.000 --> 1:14:54.680
<v Speaker 2>I don't think I.

1:14:54.720 --> 1:14:57.320
<v Speaker 3>Thought he got the name from that movie with Sidney

1:14:57.400 --> 1:15:00.559
<v Speaker 3>Portier and Bill Cosby. And that's wh why they made

1:15:00.640 --> 1:15:03.080
<v Speaker 3>him stop saying that, because there was a character in

1:15:03.160 --> 1:15:03.839
<v Speaker 3>that movie.

1:15:04.520 --> 1:15:06.880
<v Speaker 1>Called Biggie Smalls. He couldn't use Biggie Small no more

1:15:07.760 --> 1:15:10.560
<v Speaker 1>Bigg's names of ego, big Popper. I know some of

1:15:10.640 --> 1:15:12.600
<v Speaker 1>you have stuff under your nose to not smell it,

1:15:12.680 --> 1:15:14.360
<v Speaker 1>But that's not going to change the fact that this

1:15:14.479 --> 1:15:17.920
<v Speaker 1>is no coincidence. One similarity is one thing, but several

1:15:17.960 --> 1:15:21.160
<v Speaker 1>along with missioning, the man stating the song and questions

1:15:21.200 --> 1:15:24.040
<v Speaker 1>a bulls eye. Now I don't agree with that person

1:15:25.400 --> 1:15:26.599
<v Speaker 1>down to the East Coast.

1:15:28.439 --> 1:15:30.720
<v Speaker 2>Listen, it's not a bulls eye. Look, I get it.

1:15:30.880 --> 1:15:33.000
<v Speaker 2>Everybody in hip hop feels like they have the most

1:15:33.080 --> 1:15:35.800
<v Speaker 2>unique idea and how dare someone else sample the same

1:15:35.840 --> 1:15:38.519
<v Speaker 2>record at them or have the same idea, even though

1:15:38.640 --> 1:15:41.320
<v Speaker 2>notorys was a word that was really popularized at that

1:15:41.479 --> 1:15:44.280
<v Speaker 2>time as certain things, right, I'm all least.

1:15:44.200 --> 1:15:46.720
<v Speaker 1>What they said. Big is an amazing MC and this

1:15:46.840 --> 1:15:50.639
<v Speaker 1>takes nothing away from that. He's a great without Juicy, Buffy,

1:15:50.720 --> 1:15:53.120
<v Speaker 1>Stole and Ida and names that came from B one

1:15:53.200 --> 1:15:54.960
<v Speaker 1>because he was desperate to win and the work.

1:15:56.600 --> 1:15:59.120
<v Speaker 2>So here's a better question. Why did it not work

1:15:59.200 --> 1:15:59.720
<v Speaker 2>for B One?

1:16:00.840 --> 1:16:03.040
<v Speaker 1>This is what he said though. In ninety ninety three,

1:16:03.120 --> 1:16:05.639
<v Speaker 1>I was signed to a small record label called Dragon

1:16:05.720 --> 1:16:08.720
<v Speaker 1>Records in Golfport, Mississippi. I had a song that I

1:16:08.760 --> 1:16:11.000
<v Speaker 1>wrote to M two men called Juicy Fruit. I wrote

1:16:11.000 --> 1:16:13.160
<v Speaker 1>the song to the actual record and it was called

1:16:13.200 --> 1:16:15.360
<v Speaker 1>Big Daddy, Big Daddy was the lead single off the

1:16:15.400 --> 1:16:19.160
<v Speaker 1>Mississippi Dope Boys album that was released in September ninety two.

1:16:19.240 --> 1:16:21.320
<v Speaker 1>It was released on the same day of Snoop Dogg's

1:16:21.560 --> 1:16:24.479
<v Speaker 1>first album, Doggy Snouder. Dope Boy's album was made by

1:16:24.520 --> 1:16:28.320
<v Speaker 1>two Golf Court rappers, Tilly Dee and myself, the Notorious

1:16:28.400 --> 1:16:30.760
<v Speaker 1>Big One. Yeah, I had to name the song first.

1:16:30.840 --> 1:16:32.240
<v Speaker 1>I know it might be hard to believe, but it

1:16:32.280 --> 1:16:34.400
<v Speaker 1>is one hundred percent of truth. We was on the

1:16:34.520 --> 1:16:37.479
<v Speaker 1>radio first and in the stores first. We sent packtages

1:16:37.520 --> 1:16:41.519
<v Speaker 1>to all the major labels shopping for distribution. Just imagine

1:16:41.600 --> 1:16:43.840
<v Speaker 1>my surprise when people started calling me saying they just

1:16:43.880 --> 1:16:46.320
<v Speaker 1>seen my video. We was trying to get the truth

1:16:46.400 --> 1:16:50.120
<v Speaker 1>out back then, but Puppy kept shutting us down and

1:16:50.240 --> 1:16:52.880
<v Speaker 1>we left it alone. I'm not fat anymore than a

1:16:52.920 --> 1:16:54.680
<v Speaker 1>lot has changed. But before I leave this big So,

1:16:54.760 --> 1:16:56.840
<v Speaker 1>I want everybody to know the truth. I was the

1:16:56.880 --> 1:16:58.439
<v Speaker 1>original Notorious Big One.

1:17:02.479 --> 1:17:05.400
<v Speaker 2>Notorious Big One. I'm not saying none of that. I'm

1:17:05.479 --> 1:17:08.200
<v Speaker 2>just saying that just in bad taste.

1:17:10.520 --> 1:17:12.320
<v Speaker 1>So the man shouldn't say nothing. He just let it

1:17:12.400 --> 1:17:12.720
<v Speaker 1>go home.

1:17:13.520 --> 1:17:16.719
<v Speaker 3>I mean, you want to say nothing's going to happen today,

1:17:16.880 --> 1:17:17.679
<v Speaker 3>So What do you want?

1:17:18.560 --> 1:17:21.280
<v Speaker 2>What do you want? You want the credit for a

1:17:21.400 --> 1:17:24.120
<v Speaker 2>record that you made that's not a hit record, I.

1:17:24.280 --> 1:17:27.880
<v Speaker 3>Asks, niggas you talking about a nineteen ninety two, ninety three,

1:17:28.040 --> 1:17:29.639
<v Speaker 3>it's twenty twenty four.

1:17:30.000 --> 1:17:31.719
<v Speaker 2>What do you want thirty years?

1:17:32.120 --> 1:17:32.800
<v Speaker 3>What do you want?

1:17:33.439 --> 1:17:34.720
<v Speaker 1>You want to probably be acknowledged.

1:17:34.760 --> 1:17:37.759
<v Speaker 3>I don't know, you're not going to be for knowledge.

1:17:37.880 --> 1:17:40.240
<v Speaker 3>So what do you want to be acknowledged for? What

1:17:40.360 --> 1:17:42.320
<v Speaker 3>do you want to be acknowledged for that?

1:17:42.479 --> 1:17:44.519
<v Speaker 2>You was the first person to saple him too? May

1:17:45.640 --> 1:17:46.599
<v Speaker 2>you're not well?

1:17:46.640 --> 1:17:48.479
<v Speaker 1>You know what, he probably wasn't the first person to

1:17:48.560 --> 1:17:51.120
<v Speaker 1>do that. All I'm saying, man, it's a possibility.

1:17:52.000 --> 1:17:55.080
<v Speaker 3>It's saying you don't think that this was what would like?

1:17:55.200 --> 1:17:58.240
<v Speaker 3>I said, what's the end game? What do you want?

1:17:58.880 --> 1:18:01.160
<v Speaker 3>What do you want to happen? You want the world

1:18:01.240 --> 1:18:05.560
<v Speaker 3>to know that I was noty nigga. Biggie's dead, and

1:18:05.840 --> 1:18:09.720
<v Speaker 3>and and Juicy came out thirty years ago, and so

1:18:10.040 --> 1:18:15.439
<v Speaker 3>now today, because Puffy is going through his ship, I

1:18:15.560 --> 1:18:18.840
<v Speaker 3>want to stand up today and go, he stole nothing.

1:18:21.400 --> 1:18:23.880
<v Speaker 2>Shout out to not toys big one. But you know

1:18:24.120 --> 1:18:25.800
<v Speaker 2>you got to have the second one, or the third

1:18:25.880 --> 1:18:27.880
<v Speaker 2>one or the first one, like, that's just the game.

1:18:28.479 --> 1:18:31.080
<v Speaker 2>We don't get to this. I don't get kind of

1:18:31.320 --> 1:18:33.640
<v Speaker 2>this is where it gets tabloid is still cause it's like,

1:18:34.000 --> 1:18:37.160
<v Speaker 2>why are we talking about a gossip colar. There's nothing

1:18:37.240 --> 1:18:38.320
<v Speaker 2>that could happen about.

1:18:38.120 --> 1:18:40.720
<v Speaker 1>This, Hey man, it was just news. It was something

1:18:40.760 --> 1:18:41.639
<v Speaker 1>I saw that was intern.

1:18:43.000 --> 1:18:48.360
<v Speaker 3>Ain't the goddamn newsacher, that's not news. That's that's that's

1:18:48.479 --> 1:18:52.280
<v Speaker 3>controversial bullshit that we're throwing out there because it's not

1:18:52.520 --> 1:18:57.240
<v Speaker 3>news because no one cares. It's not important, it's not sufficient,

1:18:57.520 --> 1:18:59.880
<v Speaker 3>and it's not gonna do anything for hip hop.

1:19:00.080 --> 1:19:04.200
<v Speaker 1>So it's not gonna do this before that, man, But hey,

1:19:04.840 --> 1:19:07.680
<v Speaker 1>it is. I thought I thought it was a coincidence.

1:19:08.040 --> 1:19:10.520
<v Speaker 1>You thought you thought of a coincidence.

1:19:10.920 --> 1:19:14.160
<v Speaker 3>No, my nigga stills go, it's a good way to

1:19:15.000 --> 1:19:17.760
<v Speaker 3>you know, it's a good way to blow smoke up

1:19:17.880 --> 1:19:20.519
<v Speaker 3>nigga's ass because no, nothing like that.

1:19:23.240 --> 1:19:26.560
<v Speaker 2>Is not going to work because nobody is going to

1:19:26.920 --> 1:19:29.880
<v Speaker 2>ever question Biggie. I don't think so.

1:19:29.960 --> 1:19:32.479
<v Speaker 1>I don't think nobody cared. I think Biggie head. So

1:19:32.640 --> 1:19:34.240
<v Speaker 1>Biggie's status is locked.

1:19:37.040 --> 1:19:39.799
<v Speaker 2>Big One status ain't gonna be locked because he sampled

1:19:39.840 --> 1:19:41.760
<v Speaker 2>in two mate, his record came out and it could

1:19:41.800 --> 1:19:42.720
<v Speaker 2>have been a hit in the South.

1:19:42.840 --> 1:19:47.599
<v Speaker 1>It's not hey, it is what it is. Man. Shout

1:19:47.640 --> 1:19:50.639
<v Speaker 1>out to Notorious b One, Shout out to Biggie Smalls, Notorious.

1:19:51.200 --> 1:19:52.840
<v Speaker 2>I'm trying to shout out big and puff. Now, you

1:19:52.920 --> 1:19:54.599
<v Speaker 2>don't call it that man a thief. You didn't call

1:19:54.680 --> 1:19:56.720
<v Speaker 2>these people thieves. Try to shot him out after you

1:19:56.760 --> 1:19:57.360
<v Speaker 2>didn't missed them.

1:19:58.080 --> 1:19:59.960
<v Speaker 1>We had to send to the homie rich and see what, Rick,

1:20:02.360 --> 1:20:10.360
<v Speaker 1>You're the only rich you know what, man? See this

1:20:10.479 --> 1:20:12.479
<v Speaker 1>is the funny is I don't had an episode in

1:20:12.560 --> 1:20:18.920
<v Speaker 1>a long time because dudes, Man, we had a good

1:20:19.000 --> 1:20:22.040
<v Speaker 1>time tonight. Man. We enjoy y'all sitting man. We appreciate

1:20:22.160 --> 1:20:24.679
<v Speaker 1>y'all sitting up kicking with us, man as we shoot

1:20:24.720 --> 1:20:26.679
<v Speaker 1>the bullshit and just have a little bit of fun.

1:20:27.280 --> 1:20:33.920
<v Speaker 1>And we're gonna holler y'all next week. We gonna hold

1:20:33.960 --> 1:20:34.760
<v Speaker 1>on y'all. Gotta stay

1:20:39.800 --> 1:20:39.840
<v Speaker 3>H