1 00:00:03,240 --> 00:00:07,280 Speaker 1: Looking jewels. Second date up date? You know, we don't 2 00:00:07,280 --> 00:00:10,399 Speaker 1: air every single one of these second date updates. We 3 00:00:10,440 --> 00:00:13,239 Speaker 1: only air the good ones. Yeah, because there are a 4 00:00:13,280 --> 00:00:14,880 Speaker 1: lot of just average ones who're like, yeah, I just 5 00:00:14,920 --> 00:00:16,880 Speaker 1: didn't think she was that cool and didn't want to 6 00:00:16,880 --> 00:00:20,200 Speaker 1: call her back. Not very entertaining. But we do get 7 00:00:20,239 --> 00:00:23,319 Speaker 1: emails from weird people some time, and there's enough of 8 00:00:23,320 --> 00:00:25,680 Speaker 1: them out there to feel quite a few hours of time. 9 00:00:26,239 --> 00:00:29,360 Speaker 1: The reason Craigslist exists. Nicole is on the phone right now, Nicole, 10 00:00:29,400 --> 00:00:32,440 Speaker 1: how are you hi? Good? How are you good? Now? 11 00:00:32,479 --> 00:00:34,640 Speaker 1: You emailed us about a guy named Tony. Tell us 12 00:00:34,680 --> 00:00:39,239 Speaker 1: about your email. Well, I went on a on a 13 00:00:39,320 --> 00:00:44,320 Speaker 1: date just one day. Um, I guess basically, he hasn't 14 00:00:44,320 --> 00:00:46,560 Speaker 1: called me back. You sound you sound kind of nervous 15 00:00:46,600 --> 00:00:50,920 Speaker 1: right now, Nicole, are you nervous? I don't know. I 16 00:00:51,080 --> 00:00:53,599 Speaker 1: just I feel a little funny about it. I guess, right, 17 00:00:54,240 --> 00:00:57,520 Speaker 1: what did you guys do on your date? I'm not good. 18 00:00:57,720 --> 00:01:01,440 Speaker 1: I'm I'm gonna play And we met up to have 19 00:01:01,680 --> 00:01:04,200 Speaker 1: drinks first, and then he came to see the play. Oh, 20 00:01:04,240 --> 00:01:10,080 Speaker 1: I love drunk actresses. It was one drink, okay, it 21 00:01:10,160 --> 00:01:11,720 Speaker 1: was kind of a risky move. On my part, but 22 00:01:11,840 --> 00:01:15,399 Speaker 1: you know, and then what happened. Well, I thought, you know, 23 00:01:15,440 --> 00:01:17,480 Speaker 1: we had this this drink and it was nice. And 24 00:01:17,520 --> 00:01:20,759 Speaker 1: then I came out after the show and he was gone, 25 00:01:20,920 --> 00:01:23,840 Speaker 1: Like he didn't text me. I couldn't find him. Did 26 00:01:23,920 --> 00:01:27,240 Speaker 1: you have a bad performance? I don't think so. I 27 00:01:27,360 --> 00:01:30,039 Speaker 1: thought it was. I mean, you know, I've had lots 28 00:01:30,040 --> 00:01:32,200 Speaker 1: of people tell me they thought it was great the show. 29 00:01:32,240 --> 00:01:34,880 Speaker 1: I don't know. Maybe were you expecting I mean, did 30 00:01:34,920 --> 00:01:38,160 Speaker 1: you have high hopes? Yeah? Kind of. I mean you 31 00:01:38,200 --> 00:01:40,160 Speaker 1: didn't know him that well yet. I mean, this is 32 00:01:40,240 --> 00:01:41,800 Speaker 1: this is like a first date. I mean, he doesn't 33 00:01:41,800 --> 00:01:43,320 Speaker 1: even really know much about you other than he's going 34 00:01:43,360 --> 00:01:45,040 Speaker 1: to check out your show. Yeah, but I'd be so 35 00:01:45,080 --> 00:01:50,640 Speaker 1: good even strangers would bring me flowers. Okay, I'm like 36 00:01:50,720 --> 00:01:53,120 Speaker 1: I really have to know why. I'm just like kind 37 00:01:53,160 --> 00:01:56,080 Speaker 1: of starting to obsess over it, Like what happens? You know, 38 00:01:56,440 --> 00:01:58,760 Speaker 1: have you tried to get a hold of him. I have. 39 00:01:59,080 --> 00:02:04,520 Speaker 1: I've texted him and nothing. Okay, maybe he had an emergency, 40 00:02:04,760 --> 00:02:07,560 Speaker 1: but he didn't call you at all. Maybe I mean 41 00:02:07,560 --> 00:02:10,560 Speaker 1: that it's been almost two weeks. All right, We're gonna 42 00:02:10,560 --> 00:02:12,000 Speaker 1: call him right after this. See we can get him 43 00:02:12,000 --> 00:02:14,960 Speaker 1: on the phone and ask him why he did she Okay, 44 00:02:15,080 --> 00:02:20,880 Speaker 1: all right, hang on fucking Jubil in the morning. Okay, 45 00:02:20,960 --> 00:02:22,800 Speaker 1: Nicole's on the phone with us. She emailed us about 46 00:02:22,800 --> 00:02:25,520 Speaker 1: a guy named Tony. They didn't I mean, they kind 47 00:02:25,520 --> 00:02:27,679 Speaker 1: of went on on a date. Nicole is an actress 48 00:02:27,720 --> 00:02:31,120 Speaker 1: and she invited Tony to her show. Nicole, what show 49 00:02:31,160 --> 00:02:33,640 Speaker 1: were you performing it in the first place? Sound of music? 50 00:02:33,760 --> 00:02:37,160 Speaker 1: Sound of music? Oh Y, what do you play? Elite 51 00:02:37,560 --> 00:02:41,600 Speaker 1: Andrews part WHOA? So it wasn't you weren't just like 52 00:02:41,840 --> 00:02:45,360 Speaker 1: a character and like this is your production? Pretty much? 53 00:02:45,560 --> 00:02:47,760 Speaker 1: You're the star. Okay. These are a few of my 54 00:02:47,880 --> 00:02:52,080 Speaker 1: favorite things, Nicole. All right, Nicole, I mean it's weird 55 00:02:52,080 --> 00:02:54,640 Speaker 1: that he would just ditch you and not hang around 56 00:02:54,680 --> 00:02:56,600 Speaker 1: after the performance. Did you guys tell you to give 57 00:02:56,680 --> 00:03:00,560 Speaker 1: me any to not give me any anything? Okay, colin 58 00:03:00,680 --> 00:03:03,280 Speaker 1: right now and feel free to jump in whenever you want. Okay, 59 00:03:03,680 --> 00:03:08,600 Speaker 1: hopefully in song. Okay, do be awesome. Second date update 60 00:03:08,720 --> 00:03:20,399 Speaker 1: musical style. Hello, Um, can I speak to Tony please? Yeah? 61 00:03:20,440 --> 00:03:22,960 Speaker 1: That's Tony's Tony. What's up? Dude? This is Jewel from 62 00:03:22,960 --> 00:03:24,560 Speaker 1: Brook and Jewel in the Morning. I'm moving ninety two 63 00:03:24,560 --> 00:03:30,280 Speaker 1: point five. How are you? Oh, I'm good, I'm good. 64 00:03:30,280 --> 00:03:33,800 Speaker 1: What's happened? How are you? I'm good? Not bad? That 65 00:03:33,919 --> 00:03:36,560 Speaker 1: is polite. That is very polite of you. Any any 66 00:03:36,600 --> 00:03:42,600 Speaker 1: idea why we might be calling you? Uh? Well, I've 67 00:03:42,600 --> 00:03:46,120 Speaker 1: heard these, uh like these updates on dates? Yeah, you 68 00:03:46,160 --> 00:03:49,320 Speaker 1: guys calling them about that second date update? Is that 69 00:03:49,320 --> 00:03:51,400 Speaker 1: what you're calling for? Yeah? Somebody email us about you. 70 00:03:51,520 --> 00:03:54,600 Speaker 1: Any idea who it would be? I think so? Am 71 00:03:54,600 --> 00:03:56,200 Speaker 1: I It has to be this girl in the cold 72 00:03:56,200 --> 00:03:58,119 Speaker 1: that I went out on a day with. She wants 73 00:03:58,160 --> 00:04:00,440 Speaker 1: to know why you ditched her after you to see 74 00:04:00,440 --> 00:04:04,480 Speaker 1: her performance of the Sound of Music? Yeah? Did she 75 00:04:04,560 --> 00:04:09,200 Speaker 1: tell you that it was sort of like an alternative, 76 00:04:10,200 --> 00:04:14,400 Speaker 1: sort of theme punk version? Did she mention this so 77 00:04:14,480 --> 00:04:16,600 Speaker 1: it wasn't a regular version of Sound of Music? Are 78 00:04:16,600 --> 00:04:18,640 Speaker 1: you like a Sound of Music critic where you could 79 00:04:18,720 --> 00:04:22,680 Speaker 1: only watch the original? I wouldn't say I'm a critic, 80 00:04:23,040 --> 00:04:27,480 Speaker 1: but I know the movie. Did she tell you about 81 00:04:27,520 --> 00:04:30,760 Speaker 1: every thinking number that she had? What she did? She 82 00:04:30,839 --> 00:04:33,040 Speaker 1: told us that she was performing in the Sound of Music. 83 00:04:33,560 --> 00:04:35,680 Speaker 1: She told you to come watch it. You had plans 84 00:04:35,720 --> 00:04:39,040 Speaker 1: to go out after and you left and she couldn't 85 00:04:39,040 --> 00:04:42,279 Speaker 1: find you after the performance, that's all she told us. Well, okay, 86 00:04:42,320 --> 00:04:44,760 Speaker 1: and so it's at this kind of dark kind of 87 00:04:44,960 --> 00:04:49,680 Speaker 1: club called the Rebar. Oh yeah, you know it. Okay, 88 00:04:49,800 --> 00:04:52,479 Speaker 1: so it's like an adult version or something whatever, punk music. 89 00:04:53,080 --> 00:04:57,400 Speaker 1: Uh yeah, except that every time she came out and 90 00:04:57,520 --> 00:05:00,240 Speaker 1: did her numbers and neither like you know, the sort 91 00:05:00,320 --> 00:05:08,560 Speaker 1: of classic Julie Andrew's songs, she went topless. Okay, it 92 00:05:08,640 --> 00:05:13,679 Speaker 1: was a strict version that sound of music. I think. Okay, okay, 93 00:05:13,720 --> 00:05:16,040 Speaker 1: I have to say something. I told him at a time. 94 00:05:16,080 --> 00:05:21,000 Speaker 1: It was a progressive version, Like I said, I told 95 00:05:21,080 --> 00:05:23,560 Speaker 1: him progressive could mean like different kind of music. You 96 00:05:23,600 --> 00:05:25,560 Speaker 1: need to you need to alert somebody that you're going 97 00:05:25,640 --> 00:05:30,200 Speaker 1: to be topless. We said, like Nicole, this was like 98 00:05:30,240 --> 00:05:33,960 Speaker 1: the soft porn version. You know. No, I know, there 99 00:05:34,080 --> 00:05:37,440 Speaker 1: wasn't anything artsy. I feel like I was torn. I mean, 100 00:05:37,480 --> 00:05:39,000 Speaker 1: I told you, it's not like you know, that's not 101 00:05:39,040 --> 00:05:42,719 Speaker 1: a Fifth Avenue show, right. But then Nicole, like speaking 102 00:05:42,720 --> 00:05:45,480 Speaker 1: from Tony's perspective, if someone were to go, hey, I 103 00:05:45,520 --> 00:05:48,360 Speaker 1: mean I'm performing this thing. It's pretty progressive, I'd be like, okay, cool, 104 00:05:48,400 --> 00:05:50,520 Speaker 1: so like it's rock or something. And I showed up 105 00:05:50,520 --> 00:05:52,920 Speaker 1: in your topless, like you should probably alert somebody to 106 00:05:52,960 --> 00:05:55,200 Speaker 1: the fact that you're going to be naked if they're 107 00:05:55,200 --> 00:05:56,320 Speaker 1: coming to see you for the first time and they 108 00:05:56,320 --> 00:05:58,559 Speaker 1: don't even know you. Well, it's part of like part 109 00:05:58,600 --> 00:06:01,400 Speaker 1: of you know, part of what the show is like, 110 00:06:01,440 --> 00:06:04,200 Speaker 1: it's it. I feel like it would take away from 111 00:06:04,240 --> 00:06:07,200 Speaker 1: the whole point of what it's doing if I was 112 00:06:07,279 --> 00:06:09,160 Speaker 1: to tell him ahead of time. You know, it wasn't 113 00:06:09,200 --> 00:06:10,680 Speaker 1: just to be like, you know, this is like a 114 00:06:10,720 --> 00:06:14,120 Speaker 1: pornographic version of Sound of Music. It's like there was 115 00:06:14,160 --> 00:06:16,320 Speaker 1: a point and I didn't want to I don't know, 116 00:06:16,400 --> 00:06:18,440 Speaker 1: I felt like I was ruining it, and I tried 117 00:06:18,440 --> 00:06:20,320 Speaker 1: to like tell him. I tried in as many ways 118 00:06:20,360 --> 00:06:22,800 Speaker 1: as I could to be like kind of risque cool. 119 00:06:23,200 --> 00:06:25,880 Speaker 1: He was like, yeah, that's a little cool, Tony. You 120 00:06:25,960 --> 00:06:29,040 Speaker 1: went expecting to see a musical the Sound of Music, 121 00:06:29,240 --> 00:06:31,120 Speaker 1: and ended up in the middle of a boob show, 122 00:06:31,760 --> 00:06:35,479 Speaker 1: which is fine. It was totally gratuitous and unnecessary, didn't 123 00:06:35,480 --> 00:06:38,400 Speaker 1: make any sense. It doesn't work with the storyline. I mean, 124 00:06:38,400 --> 00:06:44,559 Speaker 1: it just was bad script. Tony. Yeah, so you're pretty 125 00:06:44,560 --> 00:06:48,400 Speaker 1: conservative then. I don't know if I'm conservative, but the 126 00:06:48,480 --> 00:06:52,400 Speaker 1: Sound of Music, man, it's sacred, isn't It's not about 127 00:06:52,440 --> 00:06:54,320 Speaker 1: it's not even about him seeing boobs other prison. It's 128 00:06:54,320 --> 00:06:55,880 Speaker 1: like the sound of music. She just ruined the sound 129 00:06:55,920 --> 00:06:57,880 Speaker 1: of music for me, Tony. I think the problem is 130 00:06:57,920 --> 00:07:04,039 Speaker 1: you're maybe you're trying to date the wrong gender of people. No, No, 131 00:07:04,240 --> 00:07:07,240 Speaker 1: I like girls. Okay, Tony, you're conservative and the boobs 132 00:07:07,279 --> 00:07:11,440 Speaker 1: creeped you out right. Yeah, and he's a sound of 133 00:07:11,520 --> 00:07:16,000 Speaker 1: music alone, you know what I mean? Okay, then music 134 00:07:16,440 --> 00:07:20,600 Speaker 1: you love Julie Andrews. All right, Tony, will you go 135 00:07:20,640 --> 00:07:22,320 Speaker 1: out with her again on a second day. We'll pay 136 00:07:22,320 --> 00:07:26,440 Speaker 1: for you guys to go out again. Oh you know what, guys, No, 137 00:07:26,960 --> 00:07:29,960 Speaker 1: I'm sorry, man, like you should find Nicole somebody who's 138 00:07:30,000 --> 00:07:33,040 Speaker 1: like who wants to see that? But no, not from me. Really, 139 00:07:33,160 --> 00:07:36,400 Speaker 1: I hope she finds somebody who wants to see her boobs. 140 00:07:37,000 --> 00:07:41,560 Speaker 1: Yeah me too. Yeah, yeah, well, Nicole, I honestly, I'm 141 00:07:41,600 --> 00:07:44,200 Speaker 1: not even I'm not even that. I'm not disappointed. I 142 00:07:44,240 --> 00:07:46,840 Speaker 1: just need to know why, right, Nicole? So, I mean, 143 00:07:46,920 --> 00:07:48,400 Speaker 1: you know you're not upset, but at least you got 144 00:07:48,400 --> 00:07:52,080 Speaker 1: your answer. I got my answer, Okay. Also, um, I'd 145 00:07:52,120 --> 00:07:56,200 Speaker 1: like to come watch you guys, rehearse any time. Just 146 00:07:56,280 --> 00:07:58,720 Speaker 1: let me know in the morning.