WEBVTT - Ralph Fiennes

0:00:00.360 --> 0:00:06.720
<v Speaker 1>I'm Ray Fines, and I'm having an affair with the

0:00:06.840 --> 0:00:10.920
<v Speaker 1>River Cafe.

0:00:11.320 --> 0:00:14.560
<v Speaker 2>I can honestly not remember where or when I met

0:00:14.640 --> 0:00:17.400
<v Speaker 2>Ray Fines. It is often said that the test of

0:00:17.440 --> 0:00:19.599
<v Speaker 2>a true friendship is that after being a part for

0:00:19.640 --> 0:00:21.960
<v Speaker 2>a long time, you're able to pick up just where

0:00:22.000 --> 0:00:25.119
<v Speaker 2>you left off. Rafe and I recorded this podcast a

0:00:25.120 --> 0:00:28.360
<v Speaker 2>while ago, and since then we've been apart too much

0:00:28.400 --> 0:00:31.880
<v Speaker 2>for my liking. He in Rome filming Conclave in New

0:00:31.960 --> 0:00:36.680
<v Speaker 2>York and David Hare's straight lined crazy in Greece The Return,

0:00:37.159 --> 0:00:40.199
<v Speaker 2>and in his beloved Suffolk creating a new home with

0:00:40.240 --> 0:00:42.000
<v Speaker 2>a beautiful kitchen. Is that okay?

0:00:42.000 --> 0:00:43.000
<v Speaker 3>So that's a beautiful kitchen.

0:00:43.040 --> 0:00:47.080
<v Speaker 2>It's a good kitchen, Okay, the beautiful kitchen. But right

0:00:47.120 --> 0:00:50.120
<v Speaker 2>now we are on Ruthie's table four to talk about

0:00:50.120 --> 0:00:53.320
<v Speaker 2>the work he's doing, what he's been cooking, and then

0:00:53.400 --> 0:00:55.720
<v Speaker 2>we will have dinner at the River Cafe, and like

0:00:55.760 --> 0:00:58.880
<v Speaker 2>the loving close friends, we are pick up just where

0:00:58.920 --> 0:00:59.600
<v Speaker 2>we left off.

0:01:02.000 --> 0:01:08.679
<v Speaker 1>Chocolate Nemesis ten eggs, five hundred seventy five grams of

0:01:08.760 --> 0:01:13.360
<v Speaker 1>caster sugar, six hundred seventy five grams of best quality

0:01:13.560 --> 0:01:18.240
<v Speaker 1>dark chocolate, four hundred fifty grams of unsalted butter.

0:01:19.640 --> 0:01:20.200
<v Speaker 3>Softened.

0:01:21.280 --> 0:01:25.360
<v Speaker 1>Preheat the oven to a hundred thirty degrees centigrade. Whisk

0:01:25.480 --> 0:01:27.959
<v Speaker 1>the eggs with a third of the sugar with an

0:01:27.959 --> 0:01:33.640
<v Speaker 1>electric mixer until the volume quadruples. This will take at

0:01:33.720 --> 0:01:40.000
<v Speaker 1>least ten minutes. Meanwhile, melt the chocolate and butter together

0:01:40.319 --> 0:01:42.959
<v Speaker 1>in a heat proof bowl set over a pan of

0:01:43.040 --> 0:01:50.240
<v Speaker 1>barely simmering water. Remove from the heat. Heat the remaining

0:01:50.320 --> 0:01:53.680
<v Speaker 1>sugar with two hundred fifty milli liters of water in

0:01:53.720 --> 0:01:57.680
<v Speaker 1>a small saucepan until the sugar has dissolved to a syrup,

0:01:58.120 --> 0:02:06.920
<v Speaker 1>stirring occasionally. Gently pour into the melted chocolate, stirring slowly.

0:02:06.960 --> 0:02:08.240
<v Speaker 3>Add the warm.

0:02:08.000 --> 0:02:12.519
<v Speaker 1>Chocolate and syrup mixture to the eggs, Increase the speed,

0:02:12.560 --> 0:02:18.520
<v Speaker 1>and continue beating until completely combined. The mixture will lose volume.

0:02:19.680 --> 0:02:22.200
<v Speaker 1>Pour into the prepared cake tin and put into a

0:02:22.240 --> 0:02:24.840
<v Speaker 1>deep baking tray on top of a tea towel. To

0:02:24.919 --> 0:02:29.120
<v Speaker 1>prevent the cake tin from moving, fill the baking tray

0:02:29.160 --> 0:02:31.960
<v Speaker 1>with hot water so that it comes at least two

0:02:32.040 --> 0:02:35.600
<v Speaker 1>thirds up the sides of the cake tin. Bake foot

0:02:35.600 --> 0:02:40.239
<v Speaker 1>one and a half to two hours until set. Test

0:02:40.520 --> 0:02:45.120
<v Speaker 1>by placing the flat of your hand gently on the

0:02:45.200 --> 0:02:46.800
<v Speaker 1>surface of the cake.

0:02:47.760 --> 0:02:52.880
<v Speaker 2>Well, I was going to ask you why you chose Nemesis,

0:02:52.880 --> 0:02:54.959
<v Speaker 2>but when you said that you were having an affair

0:02:55.280 --> 0:02:58.720
<v Speaker 2>with a restaurant, it all made sense because I was

0:02:58.800 --> 0:03:04.680
<v Speaker 2>thinking if you seafood as a seduction, you know, and

0:03:04.720 --> 0:03:07.560
<v Speaker 2>whether we think that if you were having an affair

0:03:07.960 --> 0:03:12.640
<v Speaker 2>with a restaurant, you were having with the woman with

0:03:12.800 --> 0:03:14.040
<v Speaker 2>happy part of the seduction.

0:03:14.840 --> 0:03:19.160
<v Speaker 1>Well, there's always a sensual connection with food. Food is sensuality.

0:03:19.919 --> 0:03:24.239
<v Speaker 1>And as I've grown older, or the last few years especially,

0:03:24.320 --> 0:03:27.800
<v Speaker 1>I have found myself cooking more and more and loving

0:03:27.840 --> 0:03:32.080
<v Speaker 1>cooking and loving the preparation, that connection to food and

0:03:32.160 --> 0:04:06.360
<v Speaker 1>cooking has grown.

0:03:52.520 --> 0:03:57.160
<v Speaker 2>Executive highest. Cos you're getting shore to come and just

0:03:57.200 --> 0:04:01.200
<v Speaker 2>talk about the Nemesis just for a minute, will you

0:04:01.240 --> 0:04:03.520
<v Speaker 2>talk about in our course? Because you have made it

0:04:03.520 --> 0:04:06.480
<v Speaker 2>for how many years? Twenty?

0:04:08.840 --> 0:04:10.520
<v Speaker 4>I was trying to work out while you were reading

0:04:10.520 --> 0:04:12.600
<v Speaker 4>the recipe how many Nemesis we might have sold?

0:04:13.840 --> 0:04:15.360
<v Speaker 2>Well, how many we sell it year? I think we

0:04:15.440 --> 0:04:19.159
<v Speaker 2>do ten thousand a year, so times thirty would be

0:04:20.720 --> 0:04:22.320
<v Speaker 2>is that three hundred thousand or.

0:04:23.120 --> 0:04:23.880
<v Speaker 4>Say half a million?

0:04:24.000 --> 0:04:24.240
<v Speaker 2>Yeah?

0:04:24.240 --> 0:04:26.600
<v Speaker 4>Maybe, But you do make it sound quite relaxing when

0:04:26.640 --> 0:04:33.120
<v Speaker 4>you're reading it. But when you're making but also the

0:04:33.320 --> 0:04:36.960
<v Speaker 4>chocolate cake that eludes most people. It's probably one of

0:04:37.040 --> 0:04:40.960
<v Speaker 4>the most difficult chocolate cakes to get perfect.

0:04:41.040 --> 0:04:43.919
<v Speaker 3>Why is that? Do you think what's what's the secret?

0:04:43.960 --> 0:04:45.960
<v Speaker 4>It used to be a real secret, didn't it? Ruthly

0:04:46.040 --> 0:04:47.480
<v Speaker 4>that no one could ever make it? And then when

0:04:47.520 --> 0:04:50.800
<v Speaker 4>we did the River Cafe thirty book, we gave a

0:04:50.839 --> 0:04:54.920
<v Speaker 4>more real recipe of how to do it.

0:04:55.200 --> 0:04:56.960
<v Speaker 1>Is it deliberate withholding an information?

0:04:58.000 --> 0:05:00.440
<v Speaker 2>I say, people say there are quite a few recipes

0:05:00.480 --> 0:05:02.640
<v Speaker 2>in the Blue Book that people say it just doesn't work,

0:05:03.080 --> 0:05:05.200
<v Speaker 2>And I say, give me break, give us our first

0:05:05.200 --> 0:05:09.440
<v Speaker 2>cookbook that you but it is a hard one to make.

0:05:09.520 --> 0:05:14.880
<v Speaker 2>And I think the tin was very big, and Julian

0:05:15.000 --> 0:05:18.200
<v Speaker 2>Barnes famously wrote a piece about the fact that there

0:05:18.240 --> 0:05:19.880
<v Speaker 2>was a time in the nineties when you went to

0:05:19.920 --> 0:05:22.599
<v Speaker 2>anybody's home for dinner and you'd see this kind of

0:05:22.640 --> 0:05:28.120
<v Speaker 2>splodge of chocolate. It was just this splutge of chocolate.

0:05:28.480 --> 0:05:31.400
<v Speaker 2>And that was that was the attempt to make the nemesis.

0:05:31.440 --> 0:05:33.760
<v Speaker 2>But then when we actually I think it easy, has

0:05:33.800 --> 0:05:35.440
<v Speaker 2>an easy nemesis, doesn't it too?

0:05:35.480 --> 0:05:40.760
<v Speaker 4>There's one tried and tested technique to reduce percentage of failure,

0:05:40.800 --> 0:05:43.679
<v Speaker 4>I'd say, which is to make sure that you never

0:05:44.560 --> 0:05:46.599
<v Speaker 4>take it out of the tin until it's totally cold.

0:05:47.040 --> 0:05:51.680
<v Speaker 4>And if it's a little tiny bit warm like lukewarm, splodge, yeah,

0:05:51.800 --> 0:05:55.680
<v Speaker 4>you have to pipe.

0:05:57.000 --> 0:05:58.159
<v Speaker 2>That's good. That's good.

0:05:58.560 --> 0:06:00.719
<v Speaker 4>That's how a probably topped tip.

0:06:01.120 --> 0:06:02.440
<v Speaker 3>And actually, because the.

0:06:02.480 --> 0:06:05.240
<v Speaker 1>Chocolate itself has to cool, and is it the chocolate

0:06:05.240 --> 0:06:06.719
<v Speaker 1>in the bottom, so I think cooling.

0:06:06.960 --> 0:06:10.159
<v Speaker 4>Yeah, yeah, And if you really have made a mistake,

0:06:10.279 --> 0:06:12.240
<v Speaker 4>you probably could just put it in the fridge and

0:06:12.279 --> 0:06:13.280
<v Speaker 4>it would set.

0:06:13.960 --> 0:06:15.680
<v Speaker 2>But that's the sort of off the record.

0:06:16.440 --> 0:06:19.159
<v Speaker 4>Don't try that away.

0:06:21.360 --> 0:06:24.240
<v Speaker 2>But the other thing about the Nemesis is that it

0:06:24.279 --> 0:06:27.080
<v Speaker 2>has no flowers. Yeah, and really it is like making

0:06:27.080 --> 0:06:29.760
<v Speaker 2>a s fle because you beat the eggs so much,

0:06:29.839 --> 0:06:32.159
<v Speaker 2>don't you. That's a workout.

0:06:32.279 --> 0:06:35.159
<v Speaker 4>Because it has no flour, it appeals to the gluten

0:06:35.200 --> 0:06:38.880
<v Speaker 4>free and so therefore it's almost a health food in itself,

0:06:38.880 --> 0:06:39.800
<v Speaker 4>a healthy cake.

0:06:40.279 --> 0:06:41.880
<v Speaker 2>Except for the sugar and the eggs.

0:06:42.120 --> 0:06:44.960
<v Speaker 4>And ask we have worked out the calorific value of

0:06:45.160 --> 0:06:48.560
<v Speaker 4>one slice, but we can't divulge that because I would

0:06:48.600 --> 0:06:50.960
<v Speaker 4>never sell another slice.

0:06:51.760 --> 0:06:52.919
<v Speaker 2>Was it a thousand calories?

0:06:53.120 --> 0:06:54.960
<v Speaker 4>It's quite a lot. It was like a daily half

0:06:54.960 --> 0:06:59.760
<v Speaker 4>a day's just have a slither. Yeah, it is so good.

0:06:59.800 --> 0:07:03.120
<v Speaker 4>And and then obviously the quality of the chocolate.

0:07:03.240 --> 0:07:05.760
<v Speaker 3>Chocolate, can you reveal the brand or the chocolate.

0:07:05.839 --> 0:07:08.359
<v Speaker 4>We shop around for chocolate, we would probably buy chocolate

0:07:08.360 --> 0:07:12.480
<v Speaker 4>that's seasonal, and going around the world with the season

0:07:12.560 --> 0:07:17.680
<v Speaker 4>of chocolate making, we've tried different chocolates and different some

0:07:17.720 --> 0:07:17.960
<v Speaker 4>of them.

0:07:18.080 --> 0:07:21.600
<v Speaker 2>We had that Nemesis tasting to remember, it was really hard.

0:07:23.880 --> 0:07:27.960
<v Speaker 2>There were six Nemess cakes made with six different types

0:07:28.000 --> 0:07:30.440
<v Speaker 2>of chocolate, and we were supposed to sort of taste

0:07:30.520 --> 0:07:35.720
<v Speaker 2>each one and then and and it wasn't even that

0:07:35.800 --> 0:07:38.760
<v Speaker 2>you had to be like pretend you were really, really

0:07:38.840 --> 0:07:41.760
<v Speaker 2>really good chef and say, oh, I can really tell

0:07:41.760 --> 0:07:44.000
<v Speaker 2>the difference between this chocolate and that, you know, which

0:07:44.040 --> 0:07:46.320
<v Speaker 2>we all were. But we could tell some differences. You

0:07:46.320 --> 0:07:48.240
<v Speaker 2>could taste it was a bit chalky, or it was

0:07:48.280 --> 0:07:50.600
<v Speaker 2>a bit well, some of them were too perfumed.

0:07:50.720 --> 0:07:54.040
<v Speaker 4>And so yeah, yeah, we used to use a chocolate

0:07:54.640 --> 0:07:58.320
<v Speaker 4>that we've changed. We changed people's taste change, I think,

0:07:58.440 --> 0:08:01.760
<v Speaker 4>and people like maybe as people know more about chocolate,

0:08:01.840 --> 0:08:05.520
<v Speaker 4>I think they might not like such sweet chocolates as

0:08:05.560 --> 0:08:06.640
<v Speaker 4>maybe twenty years ago.

0:08:06.720 --> 0:08:08.600
<v Speaker 3>I think that's what's happening. I think I sensed that

0:08:08.680 --> 0:08:09.520
<v Speaker 3>just because what's on.

0:08:09.520 --> 0:08:12.880
<v Speaker 1>Offer on the chocolate shops is a lot of higher

0:08:12.920 --> 0:08:17.040
<v Speaker 1>percentage chocolate. But seventy five eighty five.

0:08:18.520 --> 0:08:20.080
<v Speaker 2>Do you think that we've had chefs that we just

0:08:20.080 --> 0:08:21.840
<v Speaker 2>couldn't teach to make a nemesis?

0:08:22.160 --> 0:08:22.240
<v Speaker 3>You?

0:08:23.000 --> 0:08:24.520
<v Speaker 2>Do you think everybody can make one?

0:08:24.720 --> 0:08:27.240
<v Speaker 4>I think I think it's part of your sort of

0:08:27.240 --> 0:08:29.520
<v Speaker 4>badges of honor that you need to be able to

0:08:29.560 --> 0:08:32.840
<v Speaker 4>make a nemesis. It's one of those things that I

0:08:32.960 --> 0:08:36.360
<v Speaker 4>genuinely think eludes the average person, Like have you ever

0:08:36.360 --> 0:08:36.760
<v Speaker 4>made one?

0:08:37.200 --> 0:08:39.360
<v Speaker 3>No, I've made the chocolate has on that cake which

0:08:39.720 --> 0:08:40.000
<v Speaker 3>is in.

0:08:40.000 --> 0:08:44.920
<v Speaker 4>That Yeah, because it has only got four ingredients, you

0:08:45.000 --> 0:08:47.760
<v Speaker 4>really need to make sure that those ingredients are the

0:08:47.800 --> 0:08:49.040
<v Speaker 4>best quality.

0:08:48.720 --> 0:08:50.160
<v Speaker 3>Chocolate, butter, sugar, eggs.

0:08:50.480 --> 0:08:53.679
<v Speaker 4>Yeah, but I mean we use buffalo milk butter, which

0:08:53.720 --> 0:08:59.079
<v Speaker 4>is also like hi fat. Yeah, and it's white butter

0:08:59.120 --> 0:09:04.040
<v Speaker 4>and really neutral and clean, these fine chocolate sugar and

0:09:04.080 --> 0:09:05.959
<v Speaker 4>then really beautiful eggs as well.

0:09:08.320 --> 0:09:09.120
<v Speaker 2>That's it. Yeah.

0:09:10.360 --> 0:09:12.200
<v Speaker 3>People listening to you, they're going to rush off and

0:09:12.240 --> 0:09:12.480
<v Speaker 3>do it.

0:09:12.880 --> 0:09:16.920
<v Speaker 1>Make it challenge? The challenge one on YouTube?

0:09:16.920 --> 0:09:17.800
<v Speaker 2>Didn't you did you make?

0:09:17.880 --> 0:09:18.160
<v Speaker 3>I did?

0:09:18.440 --> 0:09:18.600
<v Speaker 2>Yeah?

0:09:19.480 --> 0:09:20.720
<v Speaker 3>Incentive is the challenge.

0:09:21.080 --> 0:09:23.760
<v Speaker 4>Yeah, but people do phone the restaurant if they're having

0:09:23.800 --> 0:09:26.440
<v Speaker 4>trouble with it. I'm not encouraging people to do so, but.

0:09:27.320 --> 0:09:35.680
<v Speaker 2>Mobile eight one hundred thousand listeners. I remember people calling

0:09:35.760 --> 0:09:37.439
<v Speaker 2>up and saying we ruined their dinner party. I have

0:09:37.520 --> 0:09:40.320
<v Speaker 2>a few of those, but not even Actually no, with Nemesis,

0:09:40.320 --> 0:09:42.760
<v Speaker 2>it was a woman called me up and she made

0:09:42.760 --> 0:09:47.320
<v Speaker 2>this lemon sorbet lemon the lemon ice cream as she said,

0:09:47.320 --> 0:09:49.520
<v Speaker 2>you know, it didn't work, and he ruined my dinner party.

0:09:49.920 --> 0:09:51.520
<v Speaker 2>And I said, well, I just gave the chef the

0:09:51.559 --> 0:09:54.439
<v Speaker 2>recipe and he just made one and it's perfectly fine,

0:09:54.520 --> 0:09:55.600
<v Speaker 2>So take that.

0:09:56.120 --> 0:09:57.480
<v Speaker 4>The other thing is you've got to make sure you

0:09:57.640 --> 0:10:02.439
<v Speaker 4>volumeize the egg. Yeah, like probably five times a volume,

0:10:03.400 --> 0:10:06.560
<v Speaker 4>and then once you've mixed the chocolate into the egg mixture.

0:10:07.240 --> 0:10:09.760
<v Speaker 4>But the other thing we do is we hit the

0:10:09.800 --> 0:10:13.160
<v Speaker 4>tin really hard. Is a good way to bash out

0:10:13.160 --> 0:10:18.440
<v Speaker 4>the air. Otherwise then you just drop it or hit

0:10:18.480 --> 0:10:20.520
<v Speaker 4>it really hard on the work surface, and then all

0:10:20.520 --> 0:10:22.960
<v Speaker 4>those air bubbles that you've got in there from just

0:10:23.000 --> 0:10:26.000
<v Speaker 4>whipping it kind of drop out, and it gives it

0:10:26.000 --> 0:10:30.959
<v Speaker 4>that intense, that texture that's quite unique. And that's maybe

0:10:30.960 --> 0:10:33.240
<v Speaker 4>why people can't make it, and if it when you

0:10:33.280 --> 0:10:40.199
<v Speaker 4>cook it, if it gets a crunchy topping wrong, it

0:10:40.320 --> 0:10:43.120
<v Speaker 4>has to have like a just set top. I mean,

0:10:43.600 --> 0:10:45.000
<v Speaker 4>the finer details.

0:10:44.559 --> 0:10:48.280
<v Speaker 2>We could have put this in the book never occurred

0:10:48.320 --> 0:10:50.720
<v Speaker 2>to it. But they're also I think the cloth and

0:10:50.800 --> 0:10:52.559
<v Speaker 2>the tin is a big difference. I don't think we

0:10:52.640 --> 0:10:55.200
<v Speaker 2>had that in the first book. Is putting the cloth

0:10:55.240 --> 0:10:57.720
<v Speaker 2>and the you know when you put the band Marie

0:10:57.760 --> 0:10:59.480
<v Speaker 2>of the water in the big tin and then you

0:10:59.520 --> 0:11:03.000
<v Speaker 2>put that often, I think that's a good thing to do. Okay,

0:11:03.000 --> 0:11:05.160
<v Speaker 2>all right, we'll come back. We're going to have dinner tonight,

0:11:05.200 --> 0:11:06.960
<v Speaker 2>so we'll come back and have a place of memesis

0:11:06.960 --> 0:11:14.160
<v Speaker 2>for dessert. The skin it was good. Watch it. We

0:11:14.200 --> 0:11:15.160
<v Speaker 2>could do a phone.

0:11:15.400 --> 0:11:34.640
<v Speaker 5>Yeah, call us with your problem.

0:11:34.760 --> 0:11:37.520
<v Speaker 2>When you were growing up, What was it like cooking

0:11:37.559 --> 0:11:40.160
<v Speaker 2>and eating in the Fines family? What was that like?

0:11:40.840 --> 0:11:45.320
<v Speaker 1>Sometimes quite stressful because there was eight of us, six

0:11:45.400 --> 0:11:47.880
<v Speaker 1>children and two parents, and then then we had it

0:11:48.040 --> 0:11:51.240
<v Speaker 1>for many years. We also had a foster brother. Mixed

0:11:51.320 --> 0:11:53.920
<v Speaker 1>it would have been nine people, but generally it was

0:11:54.040 --> 0:11:56.440
<v Speaker 1>eight of us. But I have a very as you

0:11:56.480 --> 0:11:58.440
<v Speaker 1>asked me that, Ruthie, you have a very strong memory

0:11:58.440 --> 0:12:02.040
<v Speaker 1>of family meals, specially Sunday or Saturday, and I have

0:12:02.120 --> 0:12:07.600
<v Speaker 1>memories two of my parents sometimes giving a small dinner party,

0:12:08.160 --> 0:12:12.200
<v Speaker 1>very simple, often something like spaghetti bolonnaise. And then I

0:12:12.240 --> 0:12:14.959
<v Speaker 1>remember we all were tantalized when these grown ups came.

0:12:15.000 --> 0:12:17.600
<v Speaker 1>So this when I'd be about eight or nine and

0:12:17.720 --> 0:12:19.920
<v Speaker 1>these friends came, and you get the whole sense of

0:12:19.920 --> 0:12:22.160
<v Speaker 1>this adult world where people have come, and that we

0:12:22.240 --> 0:12:25.280
<v Speaker 1>might have put on some ear ring or lipstick and

0:12:25.320 --> 0:12:27.760
<v Speaker 1>the men to brush the hair and thrown a tie

0:12:27.800 --> 0:12:29.800
<v Speaker 1>on or something or not, or you know, and I

0:12:29.880 --> 0:12:32.960
<v Speaker 1>remember it being tantalized by the adult world. And we

0:12:33.040 --> 0:12:36.400
<v Speaker 1>had this game the eldest four of us called spy

0:12:36.520 --> 0:12:39.280
<v Speaker 1>on the grown ups, which we were actually technically had

0:12:39.280 --> 0:12:42.240
<v Speaker 1>gone to bed, but we used to love tiptoeing down

0:12:42.280 --> 0:12:46.600
<v Speaker 1>the stairs, opening the door and sort of listening, and

0:12:46.960 --> 0:12:50.600
<v Speaker 1>we'd hear a snippet of conversation which you probably misheard

0:12:50.679 --> 0:12:53.000
<v Speaker 1>me run up the stairs and report a bit of

0:12:53.040 --> 0:12:54.560
<v Speaker 1>conversation that we had heard.

0:12:55.559 --> 0:12:57.520
<v Speaker 2>I think I did the same. I remember sitting on

0:12:57.559 --> 0:13:00.200
<v Speaker 2>the stairs, and you know, we all sometimes so we

0:13:00.280 --> 0:13:04.040
<v Speaker 2>now sort of complain about dinner parties, are going to

0:13:04.080 --> 0:13:06.439
<v Speaker 2>those kind of dinner parties are going to a dinner party.

0:13:06.480 --> 0:13:10.480
<v Speaker 2>But for a child it is so it's so intriguing,

0:13:10.600 --> 0:13:12.920
<v Speaker 2>isn't it The adult as you say, the adult world

0:13:13.000 --> 0:13:16.120
<v Speaker 2>of manners and food and a different kind. But would

0:13:16.120 --> 0:13:17.920
<v Speaker 2>your mother cook very differently? Do you think for the

0:13:17.960 --> 0:13:20.880
<v Speaker 2>dinner parties she would cook for nine eight children?

0:13:21.120 --> 0:13:21.920
<v Speaker 3>Was very well.

0:13:22.000 --> 0:13:23.960
<v Speaker 1>There was a time when we were finding out, yes

0:13:24.000 --> 0:13:26.120
<v Speaker 1>she would, but there was a time when that was

0:13:26.720 --> 0:13:29.280
<v Speaker 1>she I think she developed a reluctance just because I

0:13:29.280 --> 0:13:31.839
<v Speaker 1>think she felt pressure to be a good cook, and

0:13:31.880 --> 0:13:34.520
<v Speaker 1>she thought that thing about you know, I'm going to disappoint.

0:13:34.559 --> 0:13:36.920
<v Speaker 1>So I think it was. And for a time we

0:13:37.040 --> 0:13:41.160
<v Speaker 1>had my parents are very pushed financially. We were in

0:13:41.200 --> 0:13:43.600
<v Speaker 1>Ireland in the early nineteen seventies and there was a

0:13:43.760 --> 0:13:46.640
<v Speaker 1>great There was a whole summer where the lunch was

0:13:46.720 --> 0:13:50.480
<v Speaker 1>only ever mashed potatoes and nor packet soup.

0:13:51.320 --> 0:13:52.320
<v Speaker 2>Oh, nor packet soup.

0:13:52.400 --> 0:13:54.680
<v Speaker 1>Yeah yeah, And we all got very good at making

0:13:55.120 --> 0:13:57.800
<v Speaker 1>nor packet soup mashed potatoes. And in the evening maybe

0:13:57.800 --> 0:14:01.040
<v Speaker 1>it would be a macaroni cheese or shepherd's pie or something.

0:14:01.240 --> 0:14:05.920
<v Speaker 2>But you felt satisfied by you never felt, never felt But.

0:14:07.600 --> 0:14:11.680
<v Speaker 1>My parents love food, but when you talk about loving food,

0:14:11.679 --> 0:14:14.000
<v Speaker 1>people often think you're an indulge. But I think it

0:14:14.080 --> 0:14:16.000
<v Speaker 1>needn't be the case. You can just it just can

0:14:16.040 --> 0:14:18.760
<v Speaker 1>be a really good piece of cheese and a cracker

0:14:18.840 --> 0:14:21.480
<v Speaker 1>and fresh tomato, and that can be pleasurable.

0:14:23.080 --> 0:14:25.480
<v Speaker 2>People ask me why did I learn to cook or

0:14:25.480 --> 0:14:28.000
<v Speaker 2>why did I become so interested in cooking? And I

0:14:28.040 --> 0:14:29.880
<v Speaker 2>think that at a certain point in your life, if

0:14:29.920 --> 0:14:33.480
<v Speaker 2>you like to eat and you can't really afford eating,

0:14:33.680 --> 0:14:35.360
<v Speaker 2>you know you want to eat well, so you have

0:14:35.400 --> 0:14:37.800
<v Speaker 2>to kind of cook well. And I think that is

0:14:37.840 --> 0:14:38.640
<v Speaker 2>something that I.

0:14:38.560 --> 0:14:40.800
<v Speaker 1>Think that's key if you love eating, if you love.

0:14:40.720 --> 0:14:42.800
<v Speaker 3>It, yeah, you do you want to cook.

0:14:43.600 --> 0:14:47.040
<v Speaker 2>But again sort of going from the nemesis that you

0:14:47.160 --> 0:14:49.440
<v Speaker 2>chose the nemesis because I also you and I have

0:14:49.520 --> 0:14:53.520
<v Speaker 2>such a close relationship and connection to Italy. I've had

0:14:53.920 --> 0:14:56.000
<v Speaker 2>phone calls from you from the market saying with you,

0:14:56.040 --> 0:15:00.560
<v Speaker 2>I've just seen the most incredible leaves of chikor or

0:15:00.600 --> 0:15:02.800
<v Speaker 2>I've seen mushroom as your role, how am I going

0:15:02.840 --> 0:15:06.240
<v Speaker 2>to cook this fungi or whatever was it you saw?

0:15:06.320 --> 0:15:08.840
<v Speaker 2>Because you do go to you have his house in

0:15:08.960 --> 0:15:11.400
<v Speaker 2>Umbria and not far from mine, and I've had calls

0:15:11.440 --> 0:15:13.520
<v Speaker 2>from you from the market. I've had calls from you

0:15:13.560 --> 0:15:17.000
<v Speaker 2>while you're cooking, and I've had calls from you after

0:15:17.200 --> 0:15:19.040
<v Speaker 2>you've cooked something and said, let me tell you that

0:15:19.680 --> 0:15:21.720
<v Speaker 2>what I just cooked last night with it because it

0:15:21.800 --> 0:15:24.320
<v Speaker 2>was really good and you might learn something if I

0:15:24.440 --> 0:15:27.040
<v Speaker 2>tell you this. What was it like in Umbria, Because

0:15:27.080 --> 0:15:28.880
<v Speaker 2>you've been to me in Tuscany, but I haven't been

0:15:28.880 --> 0:15:31.280
<v Speaker 2>to your house, So just what's it like food wise?

0:15:31.360 --> 0:15:35.720
<v Speaker 1>Is that you have a big kitchen, simple simple kitchen,

0:15:36.280 --> 0:15:40.640
<v Speaker 1>simple stove, but fine, you know, four hobbs in an oven,

0:15:41.240 --> 0:15:46.160
<v Speaker 1>but the big table. And actually I have a memory

0:15:46.160 --> 0:15:48.840
<v Speaker 1>of going to when you take gone to the house

0:15:48.880 --> 0:15:51.480
<v Speaker 1>that you take in Italy, you have lots of vegion,

0:15:51.880 --> 0:15:56.800
<v Speaker 1>fruits and stuff ripening, already prepared, waiting to be consumed.

0:15:56.800 --> 0:16:01.400
<v Speaker 1>And I definitely, I definitely echo that with a table

0:16:01.440 --> 0:16:04.280
<v Speaker 1>with bowls full of fruit. And if it's not if

0:16:04.280 --> 0:16:07.400
<v Speaker 1>it's very hot, I can't keep bed out, but tomatoes

0:16:07.440 --> 0:16:10.280
<v Speaker 1>I will keep out. But if only gets very hot,

0:16:10.840 --> 0:16:15.160
<v Speaker 1>the fridge is a resource. But no, there's a market

0:16:15.560 --> 0:16:17.640
<v Speaker 1>in the local town, and I go to the market.

0:16:18.120 --> 0:16:21.280
<v Speaker 1>There is the Italian co op. I have to say,

0:16:21.440 --> 0:16:28.400
<v Speaker 1>is great, great, well here and there are others. There

0:16:28.440 --> 0:16:30.240
<v Speaker 1>was a small butchers which I would go to.

0:16:30.280 --> 0:16:30.920
<v Speaker 3>So I love.

0:16:31.440 --> 0:16:32.960
<v Speaker 2>Is there a restaurant that you go.

0:16:33.000 --> 0:16:37.160
<v Speaker 1>To there is, yes, but it's just outside non Nagelsa.

0:16:37.280 --> 0:16:38.040
<v Speaker 3>It's a trat.

0:16:39.440 --> 0:16:43.680
<v Speaker 1>Which is which is a great, simple, really good Umbrian cooking.

0:16:44.720 --> 0:16:48.400
<v Speaker 2>I think I'm cooking. It's about Italy. I would say

0:16:48.480 --> 0:16:52.920
<v Speaker 2>that food varies from region to region, but also from

0:16:53.000 --> 0:16:55.960
<v Speaker 2>city to city and also from town to town. So

0:16:56.040 --> 0:16:58.240
<v Speaker 2>I think that even though you're quite close to me,

0:16:58.400 --> 0:17:01.600
<v Speaker 2>they're probably more. Do you have a lot of lentils

0:17:01.640 --> 0:17:03.800
<v Speaker 2>there and beans?

0:17:03.960 --> 0:17:06.800
<v Speaker 3>Yeah, lentile soup yeah, chick piece soup yea.

0:17:07.320 --> 0:17:09.520
<v Speaker 2>And what about when you're you're are you alone there?

0:17:09.520 --> 0:17:11.520
<v Speaker 2>Do you cook? Do cook in a different way when

0:17:11.560 --> 0:17:12.240
<v Speaker 2>you're solitary?

0:17:12.280 --> 0:17:14.359
<v Speaker 1>Well, I'm usually when I'm there, mostly there on my

0:17:14.440 --> 0:17:17.640
<v Speaker 1>own and I have friends who come visit, and I cook,

0:17:17.680 --> 0:17:19.879
<v Speaker 1>but I do more. I'm more engaged with shopping and

0:17:19.960 --> 0:17:21.600
<v Speaker 1>cooking when I'm minutely than I am.

0:17:21.800 --> 0:17:22.280
<v Speaker 2>I think.

0:17:23.880 --> 0:17:28.040
<v Speaker 1>Because because I got the time to go out and

0:17:28.160 --> 0:17:32.040
<v Speaker 1>properly select food and think about what I'm going to eat.

0:17:32.080 --> 0:17:36.240
<v Speaker 1>And I love going to the market. It's great for

0:17:36.280 --> 0:17:38.280
<v Speaker 1>people watching and it tells you a.

0:17:38.200 --> 0:17:39.920
<v Speaker 2>Lot about the culture, doesn't It tells you about the

0:17:39.920 --> 0:17:42.040
<v Speaker 2>people who are selling the food there, what they're eating,

0:17:42.119 --> 0:17:45.080
<v Speaker 2>what the you know, the way they shop the market

0:17:45.160 --> 0:17:45.800
<v Speaker 2>is a kind.

0:17:45.600 --> 0:17:51.240
<v Speaker 1>Of enthusiasm of the people selling the food and they

0:17:51.160 --> 0:17:54.120
<v Speaker 1>the lady saying the cheese will cut your piece of cheese, yea,

0:17:54.520 --> 0:17:57.000
<v Speaker 1>the kind of and also you feel their delight with

0:17:57.080 --> 0:18:00.959
<v Speaker 1>their food culture. They're they're kind of excitement about what

0:18:00.960 --> 0:18:01.560
<v Speaker 1>they're selling.

0:18:02.440 --> 0:18:05.280
<v Speaker 2>It is very very regional. And I think also when

0:18:05.320 --> 0:18:07.840
<v Speaker 2>you come, when we're tasking together, we just sit there,

0:18:07.880 --> 0:18:11.200
<v Speaker 2>don't we for hours? You know, talking and eating and

0:18:11.240 --> 0:18:13.480
<v Speaker 2>eating some more, and it's all kind of one big

0:18:13.520 --> 0:18:21.760
<v Speaker 2>table in one conversation. The River Cafe is excited to

0:18:21.800 --> 0:18:25.959
<v Speaker 2>announce the return of our Italian Christmas gift boxes, our

0:18:26.040 --> 0:18:29.520
<v Speaker 2>alternative to the traditional hamper. They bring you all of

0:18:29.560 --> 0:18:33.520
<v Speaker 2>our favorites from the River Cafe kitchen, the vineyards and

0:18:33.560 --> 0:18:37.080
<v Speaker 2>the designers from all over Italy. They're available to pre

0:18:37.200 --> 0:18:41.640
<v Speaker 2>order now on shop the River Cafe dot co dot uk.

0:18:48.359 --> 0:18:51.080
<v Speaker 2>Tell me about eating and acting, what's the deal that

0:18:51.200 --> 0:18:51.840
<v Speaker 2>do you eat?

0:18:52.160 --> 0:18:53.000
<v Speaker 3>That's a good question.

0:18:53.160 --> 0:18:55.479
<v Speaker 1>I think you need a bit of food for energy,

0:18:56.440 --> 0:19:00.480
<v Speaker 1>so to have starved yourself or not have eaten within

0:19:00.600 --> 0:19:04.080
<v Speaker 1>three hours before a performance. You can, I think your

0:19:04.119 --> 0:19:06.639
<v Speaker 1>sugar level would drop. I mean, but I know I

0:19:06.640 --> 0:19:08.160
<v Speaker 1>can't eat a big meal.

0:19:08.359 --> 0:19:09.720
<v Speaker 3>What do you eat not?

0:19:10.640 --> 0:19:14.879
<v Speaker 2>What about on a film set when we touched breakfast, breakfast?

0:19:14.920 --> 0:19:15.360
<v Speaker 3>Breakfast?

0:19:15.880 --> 0:19:18.440
<v Speaker 1>Really they have now found ways to shorten the day

0:19:18.480 --> 0:19:20.159
<v Speaker 1>and they have what I called a running lunch. A

0:19:20.160 --> 0:19:22.720
<v Speaker 1>lot of films you can maybe grab twenty minutes to

0:19:22.760 --> 0:19:24.720
<v Speaker 1>have a sandwich, and they'll have a running lunch from

0:19:24.880 --> 0:19:28.160
<v Speaker 1>twelve to two. Maybe if they do stop, it's half

0:19:28.160 --> 0:19:28.840
<v Speaker 1>an hour only.

0:19:29.440 --> 0:19:31.840
<v Speaker 2>And so, as I said you were in Rome.

0:19:32.200 --> 0:19:33.840
<v Speaker 3>I was filming Aroom twice this year.

0:19:33.880 --> 0:19:38.119
<v Speaker 1>I was filming this conclave which you mentioned about a

0:19:38.160 --> 0:19:41.879
<v Speaker 1>film recreating the conclave when the cardinals, when the pope

0:19:41.880 --> 0:19:44.560
<v Speaker 1>has died and all the cardinals get into the Sistine

0:19:44.640 --> 0:19:48.439
<v Speaker 1>Chapel and they are sequestered away from the world. They

0:19:48.480 --> 0:19:51.720
<v Speaker 1>have no contact with the outside world at all while

0:19:51.760 --> 0:19:55.040
<v Speaker 1>they vote for the new pope, and they have to

0:19:55.119 --> 0:19:58.800
<v Speaker 1>keep voting until the required majority is achieved.

0:19:59.240 --> 0:20:01.040
<v Speaker 2>Somebody put them to can I can one of them

0:20:01.080 --> 0:20:02.919
<v Speaker 2>say I want to be pope and campaigned?

0:20:03.640 --> 0:20:06.080
<v Speaker 1>There's a bit of that in it. There is oh yes, no,

0:20:06.160 --> 0:20:08.200
<v Speaker 1>that's a bit. It's it's based on a great book

0:20:08.200 --> 0:20:13.720
<v Speaker 1>by Robert Harris and it was written maybe nine years ago.

0:20:14.000 --> 0:20:17.800
<v Speaker 1>And it's been directed by Edward Berger, who directed All

0:20:17.840 --> 0:20:19.639
<v Speaker 1>Quite on the Western Front, which got a lot of

0:20:19.640 --> 0:20:21.280
<v Speaker 1>acclaim the last season.

0:20:21.359 --> 0:20:24.240
<v Speaker 3>He was wonderful director, very very very good, very.

0:20:24.119 --> 0:20:28.160
<v Speaker 1>Lovely man, very detailed and very and the best sense

0:20:28.160 --> 0:20:31.119
<v Speaker 1>attentive to the actors and the nuances that he wants

0:20:31.200 --> 0:20:33.960
<v Speaker 1>them to bring out. I love working with him and

0:20:34.119 --> 0:20:38.240
<v Speaker 1>wonderful Stanley Tucci. He loves playing my two We're two,

0:20:38.480 --> 0:20:40.919
<v Speaker 1>we're two cardinals who are friends and we hit we

0:20:41.000 --> 0:20:43.120
<v Speaker 1>hit a few bumpy patches in our friendship.

0:20:43.119 --> 0:20:44.720
<v Speaker 3>In the film, do.

0:20:44.680 --> 0:20:46.880
<v Speaker 2>You both want to put yourselves up from being pope?

0:20:46.920 --> 0:20:50.560
<v Speaker 1>In different ways? He's a bit more. We're both reluctant

0:20:50.600 --> 0:20:54.199
<v Speaker 1>to admit it that we do. And he's brilliant in

0:20:54.200 --> 0:20:54.480
<v Speaker 1>the film.

0:20:54.520 --> 0:20:58.240
<v Speaker 2>I have to say, did the Vatican were they involved?

0:20:58.240 --> 0:21:00.880
<v Speaker 3>They they just rise above it. They just know they're

0:21:00.880 --> 0:21:03.680
<v Speaker 3>not really involved. But no, they just they.

0:21:03.880 --> 0:21:05.200
<v Speaker 2>And they let you film in the Vatican.

0:21:05.320 --> 0:21:08.679
<v Speaker 1>No, no, no, no, no, There is a whole The

0:21:08.760 --> 0:21:11.400
<v Speaker 1>key voting scenes are in the Sistine Chapel in real life,

0:21:11.480 --> 0:21:16.359
<v Speaker 1>and there exists Assistine Chapel set made I believe for

0:21:16.560 --> 0:21:19.800
<v Speaker 1>the miniseries The Young Pope, which I think Julie was

0:21:20.080 --> 0:21:23.600
<v Speaker 1>long Jude. So that set of the Sistine Chapel was

0:21:23.600 --> 0:21:27.560
<v Speaker 1>was mothballed, and then our production brought it out, cleaned

0:21:27.600 --> 0:21:30.280
<v Speaker 1>it out, repainted it. And it's the whole of the

0:21:30.320 --> 0:21:32.719
<v Speaker 1>first twenty feet of the Sistine Chapel with the Day

0:21:32.760 --> 0:21:36.720
<v Speaker 1>of Judgment at one end as a copy, and they

0:21:36.800 --> 0:21:40.560
<v Speaker 1>add the rest with CGI. But I've seen bits of

0:21:40.600 --> 0:21:43.680
<v Speaker 1>the footage with the added Siagiant. It looks it looks

0:21:43.680 --> 0:21:44.720
<v Speaker 1>like we're in the real place.

0:21:45.280 --> 0:21:47.679
<v Speaker 2>And then for me what i'd last like that was

0:21:47.760 --> 0:21:48.760
<v Speaker 2>where did you eat in realm?

0:21:49.160 --> 0:21:51.480
<v Speaker 3>Don't ask me the names I've gone.

0:21:51.520 --> 0:21:53.560
<v Speaker 2>Okay, just tell me about the food. How did it

0:21:53.600 --> 0:21:55.840
<v Speaker 2>feel to be eating the food of round? For as

0:21:55.840 --> 0:21:56.680
<v Speaker 2>long as I'm there?

0:21:57.440 --> 0:21:59.320
<v Speaker 1>Stanley hipp you don't mant me bring you up again

0:22:00.520 --> 0:22:03.159
<v Speaker 1>with you, But Stanley Teacher, you brought a chunk of

0:22:03.240 --> 0:22:05.240
<v Speaker 1>us towards the end, a group of us who were filming,

0:22:05.280 --> 0:22:09.960
<v Speaker 1>including Edward. It's wonderful restaurant called not pomer Doughty but

0:22:10.080 --> 0:22:14.160
<v Speaker 1>Pomme Dory, I believe, and it's an old family restaurant

0:22:14.200 --> 0:22:19.040
<v Speaker 1>that was beloved of Pasolini, the director, and he organized

0:22:19.080 --> 0:22:22.280
<v Speaker 1>this wonderful meal there late, very late after a day's filming,

0:22:22.320 --> 0:22:23.879
<v Speaker 1>and that I think was the best meal I had.

0:22:24.560 --> 0:22:27.679
<v Speaker 1>They had put on the special meal because it was

0:22:27.720 --> 0:22:32.520
<v Speaker 1>Stanley and they were charming. And I went back there

0:22:32.560 --> 0:22:35.000
<v Speaker 1>to that restaurant again, and I returned to Rome later

0:22:35.119 --> 0:22:38.920
<v Speaker 1>this year in the summer to make their return. And

0:22:38.960 --> 0:22:41.760
<v Speaker 1>it's just very and you don't really they kind of

0:22:41.760 --> 0:22:43.439
<v Speaker 1>give you food you didn't really order. I mean, you

0:22:43.480 --> 0:22:45.479
<v Speaker 1>can't order, but they just sort of present you with

0:22:45.480 --> 0:22:48.119
<v Speaker 1>what they feel is the best pastor of the evening.

0:22:48.560 --> 0:22:49.680
<v Speaker 3>And it was very easy.

0:22:49.800 --> 0:22:53.600
<v Speaker 1>And I definitely preferred the more threat or style than

0:22:53.600 --> 0:22:57.840
<v Speaker 1>the restaurants, the high flying restaurants. I not drawn to

0:22:57.880 --> 0:22:58.400
<v Speaker 1>it so much.

0:22:58.600 --> 0:22:59.480
<v Speaker 2>Did you read out a lot?

0:22:59.600 --> 0:23:05.040
<v Speaker 3>Would you filming on conclaims? I ate out quite a bit, but.

0:23:07.000 --> 0:23:09.359
<v Speaker 1>We're filming day. The filming hours are so long. In

0:23:09.400 --> 0:23:10.760
<v Speaker 1>the end, I would go back to my flat and

0:23:10.800 --> 0:23:14.240
<v Speaker 1>I cooked something. But in the weekends with you and

0:23:14.280 --> 0:23:15.560
<v Speaker 1>what about Greece.

0:23:16.119 --> 0:23:17.920
<v Speaker 3>I love oh when Greece and Corse.

0:23:18.040 --> 0:23:19.520
<v Speaker 1>We were in cor food for most of it and

0:23:19.560 --> 0:23:23.520
<v Speaker 1>we came across a wonderful restaurant which served the most

0:23:23.680 --> 0:23:25.840
<v Speaker 1>exquisite lamb that was on the spit.

0:23:26.920 --> 0:23:28.440
<v Speaker 3>Oh God the lamb.

0:23:28.280 --> 0:23:33.560
<v Speaker 1>Was was just extraordinary, just so circular and tasty, and

0:23:34.400 --> 0:23:37.360
<v Speaker 1>Spiros's restaurant it was. It was quite a simple restaurant,

0:23:37.400 --> 0:23:38.920
<v Speaker 1>catering for mostly tourists.

0:23:39.000 --> 0:23:41.440
<v Speaker 3>But god the lamb was.

0:23:42.359 --> 0:23:48.640
<v Speaker 2>What month was spring? May? Oh you we just kept

0:23:48.640 --> 0:23:54.199
<v Speaker 2>you in Morocco? Was that also? Don't you think? I agree?

0:23:55.080 --> 0:23:56.440
<v Speaker 2>I think Moroccan.

0:23:55.960 --> 0:23:58.920
<v Speaker 3>Food that was heaven.

0:23:59.640 --> 0:24:02.040
<v Speaker 1>Let's take Jeene cooking is one of the best cooking

0:24:02.280 --> 0:24:03.960
<v Speaker 1>ways of cooking I think I've had come across.

0:24:07.119 --> 0:24:08.320
<v Speaker 3>Yeah that.

0:24:09.760 --> 0:24:12.640
<v Speaker 2>I was going to ask you about the menu. Yeah,

0:24:13.040 --> 0:24:15.960
<v Speaker 2>because you know, here we are a chef, chef Shanza chef,

0:24:16.000 --> 0:24:18.760
<v Speaker 2>were going into a restaurant and I remember you calling

0:24:18.800 --> 0:24:21.199
<v Speaker 2>me up from there and saying that you were, you know,

0:24:21.280 --> 0:24:23.840
<v Speaker 2>learning the skills. A woman from San Francisco came, did

0:24:23.920 --> 0:24:24.200
<v Speaker 2>She a.

0:24:24.200 --> 0:24:28.480
<v Speaker 1>Chef Dominique Krenn, who I think has a restaurant in

0:24:28.520 --> 0:24:32.879
<v Speaker 1>San Francisco called Atelier tren And there's a wonderful chef's

0:24:32.880 --> 0:24:37.600
<v Speaker 1>table on her and she's from Brittany originally, she's fantastic

0:24:37.680 --> 0:24:41.600
<v Speaker 1>and she came and she designed all the food for

0:24:41.640 --> 0:24:45.560
<v Speaker 1>the film, and then she oversaw the initial first few

0:24:45.600 --> 0:24:48.240
<v Speaker 1>days of shooting, and then she left a couple of

0:24:48.240 --> 0:24:52.879
<v Speaker 1>her chefs with us who oversaw not just the food

0:24:52.960 --> 0:24:55.560
<v Speaker 1>and the preparation of the food, but they were looking

0:24:55.600 --> 0:24:59.240
<v Speaker 1>at the kitchen staff in our film to make sure

0:24:59.280 --> 0:25:02.159
<v Speaker 1>that they behaved in their demeanor and there just their

0:25:02.240 --> 0:25:04.680
<v Speaker 1>rhythm of movement, just so anyone looking at it would

0:25:04.680 --> 0:25:06.120
<v Speaker 1>believe it was a working kitchen.

0:25:06.760 --> 0:25:08.879
<v Speaker 2>What was it like playing it was a work kitchen?

0:25:08.920 --> 0:25:10.520
<v Speaker 2>I thought, I believed it was a working kitchen. No,

0:25:10.600 --> 0:25:12.720
<v Speaker 2>I did, I definitely did. I mean, you were just

0:25:12.760 --> 0:25:16.479
<v Speaker 2>such a fantastic character. But the and that type of

0:25:16.520 --> 0:25:20.480
<v Speaker 2>food and the hidden humor. Was saying to William that

0:25:20.560 --> 0:25:23.200
<v Speaker 2>Richard and I went to Elbouli in the early days,

0:25:23.200 --> 0:25:26.919
<v Speaker 2>you know, that restaurant in Spain, and it was very

0:25:27.040 --> 0:25:30.200
<v Speaker 2>much one little tiny piece of food after another, one

0:25:30.280 --> 0:25:33.359
<v Speaker 2>olive that exploded in your mouth, and one you know,

0:25:33.680 --> 0:25:36.000
<v Speaker 2>piece of crab that you know you had to pick,

0:25:36.000 --> 0:25:38.840
<v Speaker 2>and then that was it, And said they said to us,

0:25:39.000 --> 0:25:42.040
<v Speaker 2>after twelve courses, he said, now we're going to finish

0:25:42.040 --> 0:25:45.520
<v Speaker 2>with ravioli, with parmesan and butter and sage, and I thought,

0:25:45.640 --> 0:25:48.680
<v Speaker 2>at last, we're getting something to eat. And a plate

0:25:48.800 --> 0:25:50.960
<v Speaker 2>came and it was just a plate, and so we

0:25:51.080 --> 0:25:53.800
<v Speaker 2>just waited and waited and waited, and we said, where

0:25:53.920 --> 0:25:57.119
<v Speaker 2>is the ravioli? And they said that basically, it was

0:25:57.119 --> 0:25:59.920
<v Speaker 2>a spray. It was a spray that they'd sprayed on

0:26:00.200 --> 0:26:03.119
<v Speaker 2>the plate and it had the essence of raviole with

0:26:03.200 --> 0:26:05.399
<v Speaker 2>butter and parmesan. And we had to take our finger

0:26:05.880 --> 0:26:08.600
<v Speaker 2>and kind of wipe the plate. And that was a dish,

0:26:08.640 --> 0:26:10.800
<v Speaker 2>you know, And I thought, that's okay, exactly.

0:26:10.880 --> 0:26:12.199
<v Speaker 3>The menu is inspired by that.

0:26:12.440 --> 0:26:15.119
<v Speaker 2>Yeah, that's kind So what was it like being a chef?

0:26:15.680 --> 0:26:17.040
<v Speaker 3>And well, as you saw.

0:26:16.920 --> 0:26:19.840
<v Speaker 1>From the film, I mean, I'm I run the restaurant,

0:26:19.880 --> 0:26:22.520
<v Speaker 1>so he doesn't do much cooking at all. He was

0:26:22.600 --> 0:26:25.960
<v Speaker 1>seeing it until the very end when he's challenged to

0:26:26.000 --> 0:26:28.720
<v Speaker 1>make a good old fashioned cheeseburger, which he does make.

0:26:28.920 --> 0:26:30.320
<v Speaker 3>Yeah, and I had to cook that.

0:26:30.400 --> 0:26:34.560
<v Speaker 2>Did you learn skills just the cheeseburger? You make a

0:26:34.560 --> 0:26:35.240
<v Speaker 2>good cheeseburger?

0:26:35.359 --> 0:26:35.760
<v Speaker 3>It was good?

0:26:36.000 --> 0:26:36.240
<v Speaker 2>Yeah?

0:26:36.359 --> 0:26:36.560
<v Speaker 3>Yeah.

0:26:37.119 --> 0:26:39.639
<v Speaker 2>Is there something that you love about a restaurant or

0:26:39.680 --> 0:26:42.200
<v Speaker 2>going I would say that people do very private things

0:26:42.280 --> 0:26:44.919
<v Speaker 2>in a public space. Have you used restaurants as a

0:26:44.960 --> 0:26:47.800
<v Speaker 2>sort of safety net. Do you think to do something

0:26:47.840 --> 0:26:49.040
<v Speaker 2>that's difficult or not.

0:26:51.600 --> 0:26:53.920
<v Speaker 1>If you meet someone in I mean I usually eat

0:26:54.000 --> 0:26:57.280
<v Speaker 1>either with one other or on my own, or maybe

0:26:57.680 --> 0:27:00.679
<v Speaker 1>after a show with whoever it might have been coming.

0:27:01.680 --> 0:27:04.240
<v Speaker 1>I like, I love going on my own to restaurant

0:27:04.359 --> 0:27:07.119
<v Speaker 1>with a book and it's a privilege. But to have

0:27:07.640 --> 0:27:11.120
<v Speaker 1>a glass of wine and simple food, I love that,

0:27:11.359 --> 0:27:15.080
<v Speaker 1>but going with I have been in situations where this

0:27:15.200 --> 0:27:17.800
<v Speaker 1>is the meal where you tell son so that you're

0:27:17.840 --> 0:27:19.960
<v Speaker 1>not going to do the film, or you tell them

0:27:20.000 --> 0:27:22.600
<v Speaker 1>that you can't see them anymore, or you know, and

0:27:22.640 --> 0:27:26.320
<v Speaker 1>that's heavy. That's I mean that that in that sense,

0:27:26.400 --> 0:27:29.000
<v Speaker 1>when it's a tricky thing, then the restaurant is a

0:27:29.040 --> 0:27:32.000
<v Speaker 1>sort of padding, as you say, a safety note. But

0:27:33.080 --> 0:27:36.439
<v Speaker 1>it means you don't enjoy it's all. Then then the

0:27:36.440 --> 0:27:39.119
<v Speaker 1>food and the service, then that's all a kind of

0:27:39.119 --> 0:27:41.840
<v Speaker 1>pathway to get through the difficult thing you've told.

0:27:41.680 --> 0:27:43.000
<v Speaker 3>Yourself you've got to do.

0:27:44.600 --> 0:27:47.480
<v Speaker 1>So I like, I like to be in a relaxed

0:27:47.520 --> 0:27:52.200
<v Speaker 1>context where it's just the enjoyment of sharing food with people,

0:27:52.240 --> 0:27:56.080
<v Speaker 1>and of course drink a good you know, I mean,

0:27:56.440 --> 0:27:58.960
<v Speaker 1>let's talk about alcohol. I love a drink.

0:27:58.840 --> 0:27:59.639
<v Speaker 2>Let's have a drink.

0:28:00.200 --> 0:28:03.080
<v Speaker 1>You know, I love Martini. I love a Negroni and

0:28:03.280 --> 0:28:05.720
<v Speaker 1>why I mean, I am not in excess, but I

0:28:05.800 --> 0:28:11.199
<v Speaker 1>just love that that little drop in the kind of

0:28:11.280 --> 0:28:16.399
<v Speaker 1>anxiety as the and I hate getting really off my face,

0:28:16.640 --> 0:28:19.119
<v Speaker 1>I don't. I hate the after efface, but I just

0:28:19.240 --> 0:28:20.200
<v Speaker 1>love that little.

0:28:21.440 --> 0:28:21.879
<v Speaker 3>The first.

0:28:21.960 --> 0:28:23.280
<v Speaker 2>Do you have a cocktail.

0:28:24.440 --> 0:28:24.800
<v Speaker 3>Martin?

0:28:24.960 --> 0:28:25.120
<v Speaker 4>Yeah?

0:28:25.720 --> 0:28:28.360
<v Speaker 2>I love a cocktail. We're saying how cocktails. We had

0:28:28.520 --> 0:28:31.400
<v Speaker 2>lunch dinner once with some American friends. We say, how

0:28:31.680 --> 0:28:34.000
<v Speaker 2>their parents, You know, some Americans have like bars in

0:28:34.040 --> 0:28:37.280
<v Speaker 2>their house. You know that was that very bar and

0:28:37.359 --> 0:28:40.560
<v Speaker 2>having a cocktail. But how delicious a cocktail is, you know,

0:28:40.960 --> 0:28:43.320
<v Speaker 2>and how nice and so as in you because when

0:28:43.640 --> 0:28:47.200
<v Speaker 2>the last thing I saw was Beat the Devil.

0:28:47.680 --> 0:28:51.480
<v Speaker 1>Yeah, Beat the Devil was a monologue written by David Hare,

0:28:51.640 --> 0:28:56.800
<v Speaker 1>who suffered from contracting the COVID very badly. So he

0:28:56.880 --> 0:28:59.800
<v Speaker 1>wrote about it in the form of a monologue which

0:28:59.880 --> 0:29:03.640
<v Speaker 1>I performed at the Bridge Theater. So it was about

0:29:03.800 --> 0:29:06.960
<v Speaker 1>forty five minutes of a man's account of having COVID

0:29:07.680 --> 0:29:14.800
<v Speaker 1>very severe symptoms. And it was also an account of

0:29:14.960 --> 0:29:19.760
<v Speaker 1>the government's handling of COVID, or lack of handling of

0:29:19.920 --> 0:29:24.600
<v Speaker 1>COVID when borders remained open and it seemed that no

0:29:24.640 --> 0:29:25.680
<v Speaker 1>one had a handle on it.

0:29:25.960 --> 0:29:28.400
<v Speaker 2>You saw at the bridge and then.

0:29:28.720 --> 0:29:31.680
<v Speaker 1>But I also did it on the back of one martini.

0:29:31.840 --> 0:29:32.200
<v Speaker 2>You did.

0:29:33.640 --> 0:29:34.480
<v Speaker 3>You sat down.

0:29:34.320 --> 0:29:35.959
<v Speaker 1>Next to me and said, what's you doing? What you're

0:29:36.000 --> 0:29:37.680
<v Speaker 1>doing doing this mode? Let me hear it, Let me

0:29:37.720 --> 0:29:39.480
<v Speaker 1>hear I can't read this. Forty five minutes doesn't matter.

0:29:39.520 --> 0:29:40.520
<v Speaker 1>I'll just hear a little bit.

0:29:40.840 --> 0:29:43.880
<v Speaker 2>You said, you said, because you said, you said, I'll

0:29:43.920 --> 0:29:46.600
<v Speaker 2>just do the first five minutes. And so we did

0:29:46.600 --> 0:29:48.680
<v Speaker 2>the first five minutes, and I said, you can't stop,

0:29:48.720 --> 0:29:52.200
<v Speaker 2>don't stop, and so then another I said, don't stop

0:29:52.280 --> 0:29:56.240
<v Speaker 2>because it we just did not want this to stop.

0:29:56.480 --> 0:29:59.080
<v Speaker 2>But the the it was forty five minutes of my

0:29:59.200 --> 0:30:04.000
<v Speaker 2>sitting there over drive martini to the monologue. And the

0:30:04.040 --> 0:30:05.920
<v Speaker 2>next day a friend of mine said to me on

0:30:05.960 --> 0:30:08.720
<v Speaker 2>the phone, you know, I was going to come over

0:30:08.720 --> 0:30:10.640
<v Speaker 2>at the table and say hello to you, but I

0:30:10.680 --> 0:30:12.400
<v Speaker 2>could just see you couldn't get a word at edge

0:30:12.400 --> 0:30:20.280
<v Speaker 2>twice Rank was talking and talking and talking. I said,

0:30:20.360 --> 0:30:27.800
<v Speaker 2>that was the monologue. If you like listening to Ruthie's

0:30:27.880 --> 0:30:31.840
<v Speaker 2>Table four, would you please make sure to rate and

0:30:31.920 --> 0:30:36.920
<v Speaker 2>review the podcast on the iHeartRadio app, Apple Podcasts, Spotify,

0:30:37.360 --> 0:30:48.720
<v Speaker 2>O wherever you get your podcasts. Thank you. The last

0:30:48.760 --> 0:30:50.920
<v Speaker 2>thing you can talk about is Macbeth. Tell us what's

0:30:50.920 --> 0:30:51.560
<v Speaker 2>happening now?

0:30:52.480 --> 0:30:56.880
<v Speaker 1>It's a tour of Macbeth. I think well. I certainly

0:30:56.920 --> 0:30:59.960
<v Speaker 1>wanted to and Simon Godin, who's directing, we both felt

0:31:00.240 --> 0:31:05.680
<v Speaker 1>that to do it in unusual spaces, not in the

0:31:05.680 --> 0:31:08.479
<v Speaker 1>West End, but also take it not to not be London,

0:31:08.520 --> 0:31:12.560
<v Speaker 1>not be London centric for all of the tour. But

0:31:12.600 --> 0:31:16.360
<v Speaker 1>we said we're in Liverpool from late mid November to

0:31:16.400 --> 0:31:18.520
<v Speaker 1>just before Christmas. Then we have Christmas, but we go

0:31:18.520 --> 0:31:20.280
<v Speaker 1>out to Edinburgh for two weeks. Then we come to

0:31:20.320 --> 0:31:24.520
<v Speaker 1>London for six seven weeks in February March, and then

0:31:25.120 --> 0:31:29.560
<v Speaker 1>we close in Washington, d C. Simon Godwin is running

0:31:29.600 --> 0:31:32.200
<v Speaker 1>all the artistic he's the artistic director of the Shakespeare

0:31:32.240 --> 0:31:33.120
<v Speaker 1>Theater in Washington.

0:31:34.320 --> 0:31:35.280
<v Speaker 3>So that's the link.

0:31:35.600 --> 0:31:36.680
<v Speaker 2>Where will it be in London.

0:31:37.280 --> 0:31:41.400
<v Speaker 1>It'll be in a warehouse in South London, towards the

0:31:41.440 --> 0:31:44.800
<v Speaker 1>rather high the area of London. We're basically we're finding

0:31:44.800 --> 0:31:48.040
<v Speaker 1>great big warehouses and we're putting in a module of

0:31:48.040 --> 0:31:51.360
<v Speaker 1>a theater and there will be some sort of sense

0:31:51.400 --> 0:31:54.440
<v Speaker 1>of walking into a war zone as you take your.

0:31:54.320 --> 0:31:57.280
<v Speaker 2>Seat to do more theaters in ross space.

0:31:57.920 --> 0:31:59.560
<v Speaker 3>I think it's I think it's exciting.

0:31:59.680 --> 0:32:02.520
<v Speaker 1>I like going to different unusual spaces to see you

0:32:02.680 --> 0:32:04.680
<v Speaker 1>play and any kind of performance.

0:32:04.920 --> 0:32:06.240
<v Speaker 2>Even the bridge is great.

0:32:06.440 --> 0:32:10.600
<v Speaker 1>Yees to go out of the familiar patterns of the

0:32:10.600 --> 0:32:15.360
<v Speaker 1>Western velvet seats and red velvet seats was just so

0:32:15.520 --> 0:32:19.200
<v Speaker 1>with no need room, so close together. But you know

0:32:19.400 --> 0:32:22.280
<v Speaker 1>it's still I've seen fantastic things in the West n

0:32:22.360 --> 0:32:26.600
<v Speaker 1>So it's just I also think I toured in this

0:32:26.920 --> 0:32:29.040
<v Speaker 1>t s Eliot and four Quartets about two years ago,

0:32:29.040 --> 0:32:30.760
<v Speaker 1>and I hadn't I hadn't toured much in England, and

0:32:30.800 --> 0:32:35.080
<v Speaker 1>I love touring. I love going to different cities and something.

0:32:35.200 --> 0:32:38.480
<v Speaker 1>Maybe it's romantic, but I liked going on the road

0:32:38.520 --> 0:32:38.760
<v Speaker 1>a bit.

0:32:48.560 --> 0:32:55.719
<v Speaker 2>We did First Love. I can't remember when that was

0:32:56.440 --> 0:32:59.400
<v Speaker 2>ten years ago maybe or more. And do you remember that?

0:33:00.040 --> 0:33:02.040
<v Speaker 1>Are getting very nervous because it was out of a

0:33:02.120 --> 0:33:08.360
<v Speaker 1>theatrical context where somehow the whole sort of physical routine

0:33:08.400 --> 0:33:10.800
<v Speaker 1>of the theater, the dressing room, of the corridor, the backstage,

0:33:10.840 --> 0:33:11.800
<v Speaker 1>and that's all.

0:33:11.960 --> 0:33:13.120
<v Speaker 3>But this was daylight.

0:33:13.480 --> 0:33:17.000
<v Speaker 1>I think it was early summer, and I remember at

0:33:17.040 --> 0:33:21.400
<v Speaker 1>one moment, just suddenly, I have a probably inadvisable habit

0:33:21.440 --> 0:33:23.920
<v Speaker 1>of slightly running the lines before you go on stage,

0:33:24.280 --> 0:33:26.560
<v Speaker 1>and when you're slightly nervous, you can start to go

0:33:26.600 --> 0:33:31.640
<v Speaker 1>through the first line, then you blank, what's that? I

0:33:31.680 --> 0:33:34.320
<v Speaker 1>know that word? And then and then it can build

0:33:34.360 --> 0:33:36.080
<v Speaker 1>and you have to go rushing back to the script

0:33:36.120 --> 0:33:38.760
<v Speaker 1>and it's all nerves. And I had a moment like

0:33:38.800 --> 0:33:41.800
<v Speaker 1>that here because I think it was it felt quite

0:33:41.840 --> 0:33:44.240
<v Speaker 1>exposing with that, because it was there were no lights,

0:33:44.400 --> 0:33:46.920
<v Speaker 1>were no it was just I could see everyone's face.

0:33:47.000 --> 0:33:50.160
<v Speaker 2>Yes, it's interesting because we did that. We did about

0:33:50.160 --> 0:33:51.880
<v Speaker 2>four of them. We did We did it with you

0:33:52.040 --> 0:33:55.280
<v Speaker 2>and Ian McKellen, and then I remember we did one

0:33:55.280 --> 0:33:58.080
<v Speaker 2>with Judy Detch Do you remember that? And we managed

0:33:58.080 --> 0:33:59.720
<v Speaker 2>to see about eighty or one hundred people, and I

0:33:59.720 --> 0:34:02.440
<v Speaker 2>thought it would be so nice for the actors to

0:34:02.480 --> 0:34:06.760
<v Speaker 2>be in a home with people in a relaxed setting,

0:34:07.120 --> 0:34:11.040
<v Speaker 2>and literally we almost couldn't get Judy Dench to come down.

0:34:11.480 --> 0:34:14.640
<v Speaker 2>She froze. It's the same exact She sat in my

0:34:14.680 --> 0:34:18.600
<v Speaker 2>bedroom and there was like a Judy's feelings and she

0:34:18.719 --> 0:34:21.200
<v Speaker 2>said the same thing as you that she did not

0:34:21.280 --> 0:34:24.839
<v Speaker 2>suffer from stage fact that there's something about the You.

0:34:24.760 --> 0:34:28.560
<v Speaker 1>Know, when you're on stage in the theater, you have lights,

0:34:28.600 --> 0:34:30.840
<v Speaker 1>and the lights are on the performer or on oneself,

0:34:30.920 --> 0:34:33.680
<v Speaker 1>and they, therefore most of the audience are in darkness.

0:34:33.960 --> 0:34:37.120
<v Speaker 1>You can feel yourself cocooned. But if you perform in

0:34:37.239 --> 0:34:42.040
<v Speaker 1>daylight and you see the faces, you can in your neuroses,

0:34:42.160 --> 0:34:44.680
<v Speaker 1>you can read into their face something like, oh, their board,

0:34:44.760 --> 0:34:48.680
<v Speaker 1>or they've got a furrowed brow. You immediately assume that

0:34:48.719 --> 0:34:51.400
<v Speaker 1>person's looking at their furrowed brow, they must be confused

0:34:51.440 --> 0:34:53.839
<v Speaker 1>or irritated. Often they're just concentrating.

0:34:54.160 --> 0:34:56.640
<v Speaker 2>I do that in the ast. You know, we have

0:34:56.680 --> 0:34:59.520
<v Speaker 2>an open kitchen. Yeah, and you're watching as they put

0:34:59.560 --> 0:35:04.000
<v Speaker 2>the spoons. And so when I go to restaurant, I

0:35:04.080 --> 0:35:07.320
<v Speaker 2>always get a huge smile. This is absolutely delicious.

0:35:07.680 --> 0:35:11.560
<v Speaker 1>So there is that thing about the theater of the restaurant,

0:35:11.760 --> 0:35:16.839
<v Speaker 1>the people greeting you and that. And years and years ago,

0:35:17.040 --> 0:35:19.480
<v Speaker 1>I worked not in a restaurant. I worked in Brown's

0:35:19.560 --> 0:35:24.400
<v Speaker 1>Hotel as a house porter. So I was literally the

0:35:24.440 --> 0:35:26.520
<v Speaker 1>lowest of the low with a white coat and I

0:35:26.680 --> 0:35:31.120
<v Speaker 1>changed light bulbs and I hoovered corridors and my polished

0:35:31.200 --> 0:35:35.720
<v Speaker 1>brass but I got to see that real divide between

0:35:35.800 --> 0:35:40.200
<v Speaker 1>the machinery of a hotel backstage and the stink of

0:35:40.239 --> 0:35:42.759
<v Speaker 1>the kitchen or the washing up where all the all

0:35:42.880 --> 0:35:44.080
<v Speaker 1>food has been chucked out.

0:35:44.520 --> 0:35:47.239
<v Speaker 2>But a lot of actors worked as waiters, and I thought, well,

0:35:47.320 --> 0:35:50.640
<v Speaker 2>that's probably because it's a theatrical setting. It's drama. And

0:35:50.680 --> 0:35:53.120
<v Speaker 2>also I often say to them, you know, no matter

0:35:53.120 --> 0:35:55.399
<v Speaker 2>what mood you're in, no matter what your girlfriend said

0:35:55.440 --> 0:35:58.239
<v Speaker 2>to you today, or if your boyfriend was you know,

0:35:58.440 --> 0:36:01.479
<v Speaker 2>just lost his job, basically you are playing the role.

0:36:01.920 --> 0:36:03.680
<v Speaker 2>You know, even if you don't, you're playing the roof

0:36:03.760 --> 0:36:07.080
<v Speaker 2>somebody really likes people, who's really happy to see people.

0:36:07.360 --> 0:36:09.239
<v Speaker 2>And hopefully you don't have to play that role because

0:36:09.239 --> 0:36:11.359
<v Speaker 2>you feel it. If you don't feel it, too bad.

0:36:11.440 --> 0:36:14.239
<v Speaker 1>It is key when someone smiles at you and you

0:36:14.280 --> 0:36:17.360
<v Speaker 1>feel that your custom is valued and that the choice

0:36:17.480 --> 0:36:19.400
<v Speaker 1>they want to help you. It is a huge difference

0:36:19.440 --> 0:36:21.440
<v Speaker 1>between the slightly switched off.

0:36:22.480 --> 0:36:34.560
<v Speaker 2>Look, well, you are deeply loved in the restaurant. You

0:36:34.640 --> 0:36:38.400
<v Speaker 2>have a house now, a beautiful house, and suffolk I

0:36:38.680 --> 0:36:40.399
<v Speaker 2>still haven't seen, but I'm going to come and we're

0:36:40.400 --> 0:36:42.759
<v Speaker 2>going to cook together, and so tell me about what

0:36:42.800 --> 0:36:43.680
<v Speaker 2>it's like cooking there.

0:36:43.960 --> 0:36:45.879
<v Speaker 3>I like to get very simple food, right, I mean,

0:36:45.920 --> 0:36:52.440
<v Speaker 3>I'm not this sounds no way.

0:36:52.600 --> 0:36:54.680
<v Speaker 1>I have your cook books to hand and not a lingy,

0:36:55.400 --> 0:36:57.439
<v Speaker 1>and I like his recipes a lot. I do too,

0:36:57.920 --> 0:37:00.880
<v Speaker 1>And I love his slow cook lamb, which is the

0:37:00.960 --> 0:37:04.719
<v Speaker 1>last thing I cooked. You marinated for two You do

0:37:04.760 --> 0:37:11.239
<v Speaker 1>a marinated shoulder shoulder, and then you circa in all

0:37:11.280 --> 0:37:14.480
<v Speaker 1>these garlic and lemon and spices, and you wrap it

0:37:14.600 --> 0:37:16.640
<v Speaker 1>up in clingfilm and let it in this to keep

0:37:16.640 --> 0:37:18.799
<v Speaker 1>it in the fridge as long as possible, and then

0:37:18.840 --> 0:37:21.120
<v Speaker 1>slow cook it for about five hours.

0:37:21.719 --> 0:37:26.960
<v Speaker 2>It just falls away. Food is so much, but it's

0:37:27.000 --> 0:37:31.520
<v Speaker 2>also you know, it's about love, and it's about relaxing.

0:37:31.640 --> 0:37:34.600
<v Speaker 2>It's about being with others, being by yourself, thinking about

0:37:34.600 --> 0:37:37.640
<v Speaker 2>your family. And I guess it's really about comfort. And

0:37:37.680 --> 0:37:40.960
<v Speaker 2>so my last question to you is do you have

0:37:41.000 --> 0:37:41.880
<v Speaker 2>a comfort food.

0:37:42.800 --> 0:37:45.600
<v Speaker 1>I don't eat a lot of pasta, but I love pasta,

0:37:46.000 --> 0:37:50.800
<v Speaker 1>and that would be a comfort food. I just think

0:37:52.000 --> 0:37:54.800
<v Speaker 1>I don't know what it is. It's not I agree

0:37:55.640 --> 0:37:57.279
<v Speaker 1>a breakfast is my favorite meal.

0:37:58.480 --> 0:37:59.399
<v Speaker 2>Your favorite meal?

0:37:59.560 --> 0:38:01.680
<v Speaker 1>I love breakfast, No, I love it evening meal.

0:38:01.760 --> 0:38:03.120
<v Speaker 3>But there's something about breakfast.

0:38:04.360 --> 0:38:07.560
<v Speaker 1>I just it's about starting the day.

0:38:07.719 --> 0:38:08.520
<v Speaker 3>It's about.

0:38:11.320 --> 0:38:14.560
<v Speaker 1>I will have some younger with walnuts and a bit

0:38:14.600 --> 0:38:17.960
<v Speaker 1>of honey, and then I will have an egg or

0:38:18.000 --> 0:38:22.040
<v Speaker 1>two with some toast or a piece of smack salmon.

0:38:23.560 --> 0:38:24.080
<v Speaker 3>The coffee.

0:38:24.120 --> 0:38:26.960
<v Speaker 2>We have to go to Mexico together because in Mexico

0:38:27.239 --> 0:38:30.439
<v Speaker 2>breakfast is the meal. So good.

0:38:29.920 --> 0:38:32.839
<v Speaker 3>So love you lots and thank you. It was great

0:38:32.880 --> 0:38:33.920
<v Speaker 3>to talk to you, Ruthie.

0:38:34.200 --> 0:38:40.439
<v Speaker 2>Thank you. Okay, we're done, Yeah, all right, let's go eat.

0:38:44.880 --> 0:38:48.560
<v Speaker 6>Ruthie's Table four is produced by Atami Studios for iHeartRadio.

0:38:48.920 --> 0:38:52.360
<v Speaker 6>It's hosted by Ruthie Rogers and it's produced by William Lenski.

0:38:53.080 --> 0:38:56.160
<v Speaker 6>This episode was edited by Julia Johnson and mixed by

0:38:56.280 --> 0:39:01.360
<v Speaker 6>Nigel Appleton. Our executive producers are faced You and Zad Rogers.

0:39:01.920 --> 0:39:05.360
<v Speaker 6>Our production manager is Caitlin Paramore, and our production coordinator

0:39:05.440 --> 0:39:09.600
<v Speaker 6>is Bella Selini. This episode had additional contributions by Sean

0:39:09.760 --> 0:39:12.800
<v Speaker 6>Wynn Owen. Thank you to everyone at the River Cafe

0:39:13.120 --> 0:39:16.399
<v Speaker 6>for your help in making this episode.