1 00:00:01,440 --> 00:00:04,240 Speaker 1: Coming up about four minutes after the hour. It's my 2 00:00:04,320 --> 00:00:07,240 Speaker 1: strawberry letter for today and the subject is I'm here 3 00:00:07,280 --> 00:00:10,399 Speaker 1: for a good time, not a long time. Okay, we'll 4 00:00:10,400 --> 00:00:13,080 Speaker 1: get into that and just a bit. I wonder what 5 00:00:13,160 --> 00:00:15,360 Speaker 1: that's all about. But right now it is time for 6 00:00:15,400 --> 00:00:17,560 Speaker 1: the nephew and the prank phone call for today. What 7 00:00:17,680 --> 00:00:20,720 Speaker 1: you got for his nap? You know, there are a 8 00:00:20,720 --> 00:00:23,119 Speaker 1: lot of famous quotes that have gone down in the 9 00:00:23,160 --> 00:00:26,960 Speaker 1: black community. They el some nice famous quotes that that 10 00:00:27,040 --> 00:00:30,960 Speaker 1: we still use to this day. And this one right 11 00:00:31,000 --> 00:00:34,760 Speaker 1: here we still use it. Every one of us on 12 00:00:34,960 --> 00:00:40,720 Speaker 1: this show has used this quote. The title is don't 13 00:00:40,800 --> 00:00:46,880 Speaker 1: let them wife folks get your air for yesterday, we 14 00:00:48,360 --> 00:00:53,800 Speaker 1: all said it, don't let them wife folk get your 15 00:00:53,800 --> 00:00:57,040 Speaker 1: ways for Uncle Stevens said it, Junior has said it. Shirley, 16 00:00:57,120 --> 00:01:00,520 Speaker 1: who you think, don't curse? She said it, trust And 17 00:01:00,600 --> 00:01:08,720 Speaker 1: of course I see you. Let the white folk get 18 00:01:08,760 --> 00:01:16,160 Speaker 1: your ask like a head go let's go, cat dog. 19 00:01:16,200 --> 00:01:22,240 Speaker 1: Don't let them white folk get your word. Hello, Hey, 20 00:01:22,240 --> 00:01:26,520 Speaker 1: I'm trying to reach your reill. Yeah, hey, Drill, this 21 00:01:26,560 --> 00:01:29,440 Speaker 1: is Drake. Hey. You you work the you work the 22 00:01:29,520 --> 00:01:31,920 Speaker 1: day shift, right, Yeah, I work at the day shift. 23 00:01:32,040 --> 00:01:34,680 Speaker 1: I'm actually what's right now? What's going on? All right? 24 00:01:34,760 --> 00:01:37,680 Speaker 1: I'm on I'm on the night shift with with the 25 00:01:37,760 --> 00:01:41,000 Speaker 1: Sean and Jamal. I'm on the night shift. I don't know, 26 00:01:41,200 --> 00:01:45,800 Speaker 1: but something like, what's going on? Yeah, yeah, we got 27 00:01:45,800 --> 00:01:48,520 Speaker 1: a problem. So listen us on the on the night shift. 28 00:01:49,000 --> 00:01:52,400 Speaker 1: We're here that you supposed to be telling everybody that 29 00:01:52,440 --> 00:01:54,760 Speaker 1: we ain't doing something right. Listen, when we get a 30 00:01:54,800 --> 00:01:57,720 Speaker 1: load in at the dock, we checked that load in, 31 00:01:57,800 --> 00:01:59,640 Speaker 1: we filed it like we're supposed to file it, and 32 00:01:59,640 --> 00:02:01,320 Speaker 1: then we what and then we take the fore clip 33 00:02:01,400 --> 00:02:03,640 Speaker 1: and put everything where you're supposed to be. That's what 34 00:02:03,680 --> 00:02:07,080 Speaker 1: we do. What I gotta do with hero, because they're 35 00:02:07,120 --> 00:02:10,440 Speaker 1: saying they're saying that, they're saying that, you're saying that 36 00:02:10,480 --> 00:02:12,600 Speaker 1: we ain't doing our job right on the nice ship. 37 00:02:13,000 --> 00:02:15,160 Speaker 1: Who is they? We got the wrong person? Brother? Who 38 00:02:15,200 --> 00:02:21,040 Speaker 1: is they? You? You you turrail? Right? Yeah, that's Trail? 39 00:02:21,120 --> 00:02:24,160 Speaker 1: But who is they? And I ain't saying nothing like that? Okay, 40 00:02:24,200 --> 00:02:25,600 Speaker 1: so but let me let me, let me go, let 41 00:02:25,600 --> 00:02:27,399 Speaker 1: me go and clear up like this here though, don't 42 00:02:27,480 --> 00:02:33,360 Speaker 1: let them white folks help you get your here, brother, 43 00:02:34,520 --> 00:02:37,480 Speaker 1: I'm telling you right now, if we get one more complaint. 44 00:02:37,520 --> 00:02:40,040 Speaker 1: But they're talking about the nice siff ain't doing something right. 45 00:02:40,320 --> 00:02:42,000 Speaker 1: I'm gonna tell you right now, we're coming up there 46 00:02:42,080 --> 00:02:44,200 Speaker 1: to the day's ship and you're gonna get your You're 47 00:02:44,200 --> 00:02:46,679 Speaker 1: gonna let the white folks help you get your talking about. 48 00:02:47,360 --> 00:02:49,840 Speaker 1: I ain't make any complaints. You bring your black go 49 00:02:50,080 --> 00:02:53,239 Speaker 1: down here, and you're talking about come on down here, 50 00:02:53,520 --> 00:02:58,520 Speaker 1: put this point. You can you can do all this wolf, 51 00:02:58,520 --> 00:03:00,040 Speaker 1: and you're doing right now. You can do all on 52 00:03:00,120 --> 00:03:02,840 Speaker 1: this wolf. What I'm letting you know is one more 53 00:03:02,919 --> 00:03:06,280 Speaker 1: complaint go down about somebody saying something about the night shift. 54 00:03:06,600 --> 00:03:09,560 Speaker 1: I'm coming up their personally down here then, man, I 55 00:03:09,560 --> 00:03:12,639 Speaker 1: ain't trying to held this boys, I'm not work right now. 56 00:03:12,680 --> 00:03:14,920 Speaker 1: You called me with this bull. I don't even know 57 00:03:14,960 --> 00:03:17,359 Speaker 1: who you are talking about the night shift. A matter 58 00:03:17,360 --> 00:03:19,480 Speaker 1: of fact, don't come down during the day shift. I 59 00:03:19,480 --> 00:03:21,600 Speaker 1: don't wait for you to come to the night shift. 60 00:03:21,680 --> 00:03:23,720 Speaker 1: But you can do what you want to do. Don't 61 00:03:23,760 --> 00:03:27,480 Speaker 1: do double works that double whatever you got to do, 62 00:03:27,600 --> 00:03:29,840 Speaker 1: it don't matter to me, trel it don't matter me. 63 00:03:29,880 --> 00:03:32,760 Speaker 1: All I'm saying is up there, you're gone. You leave. 64 00:03:33,440 --> 00:03:36,600 Speaker 1: Don't call this bus. Why why are you running your 65 00:03:36,680 --> 00:03:39,000 Speaker 1: while you running your mouth? Why are you running your mouth? 66 00:03:39,800 --> 00:03:42,080 Speaker 1: Why are you why are you running your mouth to 67 00:03:42,120 --> 00:03:44,320 Speaker 1: the white folks talking about we ain't doing our job 68 00:03:44,520 --> 00:03:48,320 Speaker 1: on the night shift. You got to call somebody with 69 00:03:49,160 --> 00:03:52,120 Speaker 1: now so so so what why your voice getting high 70 00:03:52,160 --> 00:03:58,000 Speaker 1: because you're laying talking about we're calling with this man. 71 00:03:58,040 --> 00:04:01,880 Speaker 1: You're working, You're working. I'm working to night. I'm working. 72 00:04:01,920 --> 00:04:04,200 Speaker 1: Now you get you to night. I'm gonna say over, 73 00:04:04,200 --> 00:04:07,760 Speaker 1: I'm gonna work the double. Just okay, well come get 74 00:04:07,760 --> 00:04:11,320 Speaker 1: this double swooping dn Okay, come get this double because 75 00:04:11,320 --> 00:04:14,040 Speaker 1: we're already then found out you the person running your 76 00:04:14,040 --> 00:04:18,160 Speaker 1: mouth to them white folks by the nicest night niceier. 77 00:04:18,160 --> 00:04:20,599 Speaker 1: If I ain't put this way it was supposed to go, niceier. 78 00:04:20,680 --> 00:04:23,560 Speaker 1: Ain't ain't check this all the end right night shift nights? 79 00:04:23,600 --> 00:04:26,880 Speaker 1: You you blame it every Why don't you stop stop 80 00:04:27,600 --> 00:04:31,240 Speaker 1: stop saying you messed up? Stop stop And people want 81 00:04:31,279 --> 00:04:34,280 Speaker 1: to plane on the day ship. It sounds we were 82 00:04:34,440 --> 00:04:38,320 Speaker 1: messing up on the night shift. That's what I'm telling you. Boys. 83 00:04:38,320 --> 00:04:42,719 Speaker 1: How you need to fire you? Okay, okay, okay, cool, 84 00:04:42,800 --> 00:04:44,880 Speaker 1: you know what you know what? How long for you 85 00:04:44,920 --> 00:04:47,600 Speaker 1: get off? Man? How long for you get off how 86 00:04:47,640 --> 00:04:50,119 Speaker 1: love for you get off work? A double? I'm getting 87 00:04:50,120 --> 00:04:56,240 Speaker 1: paid for tonight? Any all right? Cool? Cool? Let's say 88 00:04:56,320 --> 00:05:00,520 Speaker 1: no more so how your wife Cynthia doing? How do 89 00:05:00,600 --> 00:05:03,840 Speaker 1: you know my wife? How she don't? You don't know 90 00:05:03,920 --> 00:05:07,040 Speaker 1: my wife? I'm just saying, understanding, I'm asking you a question. 91 00:05:07,440 --> 00:05:09,960 Speaker 1: Cruising for a bruising you're really cooling for Bruce. I 92 00:05:09,960 --> 00:05:15,839 Speaker 1: don't you know my wife? Man, I'm gonna I'm gonna 93 00:05:15,880 --> 00:05:17,120 Speaker 1: tell you. You You want to know how? I know you 94 00:05:17,160 --> 00:05:20,320 Speaker 1: ain't you want to know how? I know you want? Yeah? 95 00:05:20,480 --> 00:05:25,760 Speaker 1: You know my wife to real. This is nephew Tommy 96 00:05:25,839 --> 00:05:28,160 Speaker 1: from the Steve Harvey Morning to show your wife Cynthia 97 00:05:28,240 --> 00:05:36,720 Speaker 1: got me to praying phone call Yo. What slow down? 98 00:05:36,800 --> 00:05:39,080 Speaker 1: Slow down? Slow downse low down. This is this nephew 99 00:05:39,200 --> 00:05:42,200 Speaker 1: Tommy from the Steve Harvey Mourning to show your wife Cynthia. 100 00:05:43,400 --> 00:05:53,600 Speaker 1: You almost got who I was shot this boy. You 101 00:05:53,800 --> 00:05:56,160 Speaker 1: damnly got me fired the whole factor. You're looking at 102 00:05:56,160 --> 00:06:01,400 Speaker 1: me right now. I might have to kick I get fine. Hey, 103 00:06:01,720 --> 00:06:08,840 Speaker 1: this was not you're telling me so? Yeah, not right now? 104 00:06:12,440 --> 00:06:14,000 Speaker 1: Do me a favor, man, you gotta tell me this 105 00:06:14,160 --> 00:06:17,320 Speaker 1: baby is. What is the baddest and I mean the 106 00:06:17,320 --> 00:06:22,200 Speaker 1: baddest radio show in the land, the Steve Harvey's Morning Show. 107 00:06:22,440 --> 00:06:29,520 Speaker 1: Oh man, y'all got me. You're gonna mess around, you know, 108 00:06:29,760 --> 00:06:32,480 Speaker 1: but but you know what I liked about it? Help you. 109 00:06:33,560 --> 00:06:40,360 Speaker 1: He invited you down immediately. There was no hesitation. Hey man, 110 00:06:40,520 --> 00:06:43,600 Speaker 1: I don't do stuff like that. No that, come on 111 00:06:43,680 --> 00:06:47,680 Speaker 1: down here then Yeah, a matter of fact, I'm gonna 112 00:06:47,680 --> 00:06:54,840 Speaker 1: work a double. I'm gonna stay here. He may get 113 00:06:54,920 --> 00:07:02,240 Speaker 1: paid Black. You be already sick man voice for Octaves, Julie. 114 00:07:02,279 --> 00:07:04,520 Speaker 1: I think I think he went hide in you. Junior yea, 115 00:07:06,160 --> 00:07:09,280 Speaker 1: you owe his nerve, nerve right there. I would love 116 00:07:09,320 --> 00:07:16,080 Speaker 1: to hear Junior in an argument I've heard. I've heard 117 00:07:16,160 --> 00:07:25,880 Speaker 1: him for every Day something. It's funny. It's like, it's 118 00:07:25,960 --> 00:07:35,600 Speaker 1: kind of like listening to Oh looks Wunnygan with Daphy 119 00:07:35,760 --> 00:07:40,080 Speaker 1: Duck and you'll send me his sam walk In and 120 00:07:40,280 --> 00:07:44,960 Speaker 1: fog Horn. Leg Horn is trying to calm I'll say, 121 00:07:44,960 --> 00:07:49,240 Speaker 1: I'll say, I'll say, son, calm down. You know that 122 00:07:49,320 --> 00:07:54,920 Speaker 1: ruf to be trying to talk Junior boy that what 123 00:07:59,680 --> 00:08:03,640 Speaker 1: he was. I swear to god. Sweater Guy, Sweater guy, 124 00:08:07,560 --> 00:08:10,240 Speaker 1: you know you tell I'm telling you right now, you 125 00:08:10,280 --> 00:08:18,360 Speaker 1: tell you, say what you want, You're gonna get it. 126 00:08:18,400 --> 00:08:21,440 Speaker 1: Chanting again, You're gonna get it. You better listen to 127 00:08:21,480 --> 00:08:27,320 Speaker 1: my voice. I gotta I gotta fair checking out, check 128 00:08:27,360 --> 00:08:36,200 Speaker 1: my jacking out. Wow, I love it, man, I don't 129 00:08:36,200 --> 00:08:41,240 Speaker 1: really believe you with my I don't really believe you. 130 00:08:44,840 --> 00:08:48,480 Speaker 1: Let me say this, my ninete. Don't come about my sad, 131 00:08:50,640 --> 00:08:52,600 Speaker 1: but we are here about my dear and I'll tell 132 00:08:52,600 --> 00:09:04,360 Speaker 1: you what we all get. Gull go now sorry, listen, 133 00:09:06,160 --> 00:09:09,720 Speaker 1: coming up a strawberry letter. Listen. The subject is I'm 134 00:09:09,760 --> 00:09:13,000 Speaker 1: here for a good time, not a long time. We'll 135 00:09:13,080 --> 00:09:16,199 Speaker 1: get into it right after this. You're listening to the 136 00:09:16,360 --> 00:09:17,720 Speaker 1: same Harvey Morning Show.