WEBVTT - John David Washington / "BlacKkKlansman"

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<v Speaker 1>M m m. You're listening to playback a Variety I

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<v Speaker 1>Heart Radio podcast. I'm your host, Variety Awards editor Chris Tapley.

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<v Speaker 1>This week we have John David Washington, the thirty four

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<v Speaker 1>year old star of director Spike Lee's latest film, Black Klansman.

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<v Speaker 1>We discussed taking the dive into leading man territory, growing

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<v Speaker 1>up the son of a cinema legend, and a whole

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<v Speaker 1>lot more so, sit tight, this is playback. Why it's

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<v Speaker 1>something important? Okay, let me thinking, somebody pullow me on. Wow,

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<v Speaker 1>it's called baby mama. You guys can pay that child.

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<v Speaker 1>I know. I'm like, you just dropped it on me,

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<v Speaker 1>like I might explain yourself, all right, right, Ah, he's

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<v Speaker 1>just gonna take a quick as a kid. I yeah,

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<v Speaker 1>look at that. Two years old. There as a birthday party.

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<v Speaker 1>His name Foster Faster. Yeah you got any Oh. I

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<v Speaker 1>don't know why. That was a reaction almost like I

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<v Speaker 1>was a kid. Might have been my reaction. Crazy around.

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<v Speaker 1>I'll watch m man, I'll be watching that. You are

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<v Speaker 1>not the find have you been man doing this a lot?

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<v Speaker 1>Which way? Yeah? Last night I was just night Friday,

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<v Speaker 1>Wednesday was a Wednesday? Was that it was dope man,

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<v Speaker 1>just people seem to be just receiving the film with

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<v Speaker 1>just so much pation, and and they like they feel

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<v Speaker 1>it seems like they're affected by some of the questions

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<v Speaker 1>that I got. I think I got a question. I

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<v Speaker 1>got it in France too, and I got it. It

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<v Speaker 1>might have been in Chicago, something like how do we

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<v Speaker 1>solve racist one? Take the Sea? Yeah, but I just

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<v Speaker 1>like the foundation of where it came from. They infected

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<v Speaker 1>about what they just saw. So yeah, I'm always curious how,

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<v Speaker 1>you know, just different audiences around the globe, their reactions

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<v Speaker 1>to the movies. When someone comes off a press tour

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<v Speaker 1>like that, and it was, it was, it was. I

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<v Speaker 1>think it's like looking back in and now I'm glad

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<v Speaker 1>that the first time I saw what people was overseas

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<v Speaker 1>for something to feel like I was. I don't know

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<v Speaker 1>if that was protective, but it was like house money,

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<v Speaker 1>because if they don't connect with it, well at least

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<v Speaker 1>it ain't you know, my neighbor, so like you got

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<v Speaker 1>to see him every day. But but then but when

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<v Speaker 1>they received it, then the pressure became more because they

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<v Speaker 1>get it. Uh as our country donna get it, they're

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<v Speaker 1>gonna connect to it. So it was interesting. It's kind

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<v Speaker 1>of late in the festival too, right when it was

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<v Speaker 1>it was, oh yeah, maybe it was kind of deeper

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<v Speaker 1>end of the week. I think it was right in

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<v Speaker 1>the middle. Wasn't in the middle. What do you think

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<v Speaker 1>of that? Just in front of me? It was like, man,

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<v Speaker 1>it was like the super Bowl. Man, it was. It

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<v Speaker 1>was like, not seriously, just embarrassment of riches, like people

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<v Speaker 1>just seem to love film. They're just like they're just

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<v Speaker 1>like film enthusiasts and also fashion enthusiasts, like you gotta

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<v Speaker 1>put your tucks on and everything. But but it didn't

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<v Speaker 1>seem pretentious in any way. It was. It wasn't. It

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<v Speaker 1>wasn't like an era of elitism. It was more like

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<v Speaker 1>we're just here to to welcome film and celebrate storytelling,

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<v Speaker 1>you know, with some champagne, you know, some great yeah. Yeah.

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<v Speaker 1>So it was I enjoyed it, man, I've never been

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<v Speaker 1>in an environment like that before. Um, and just to

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<v Speaker 1>be able to do with Spike Lee, it's like, you know,

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<v Speaker 1>there's the practical sum return, so to speak, because they

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<v Speaker 1>seemed to have embraced them since the night you know,

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<v Speaker 1>early eighties nineties. So it was nice, Well we're up

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<v Speaker 1>and running. Uh we here with John David Washington the

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<v Speaker 1>start of Black Klansmen. We were just talking about the

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<v Speaker 1>cann experience for that film. Thanks for coming on the show,

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<v Speaker 1>and thanks they having me. Really appreciated this movie is awesome.

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<v Speaker 1>I loved it so about a month or two ago

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<v Speaker 1>before we get into the movie, and you know, just

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<v Speaker 1>very curious about your movie, from football to acting and

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<v Speaker 1>all that as well. I just wanted to kind of

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<v Speaker 1>play get to know you, like, you know, like what

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<v Speaker 1>what movies do you like? Let's start there, what kind

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<v Speaker 1>of movies did you grow up like? I mean from

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<v Speaker 1>Dances with Wolves to Tim Burton's Batman, Ninja Turtles, not

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<v Speaker 1>divanilla Ice when although I saw that one, but the

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<v Speaker 1>first one, you know, uh, I was the Shining super

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<v Speaker 1>super Fly. You know, I just I love all different

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<v Speaker 1>types of genres a film, and you know, I just

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<v Speaker 1>I lost myself in these characters. I wanted to be them.

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<v Speaker 1>I knew every line and glory, every character. You know.

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<v Speaker 1>I I wanted for Christmas. I wanted the blue suit

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<v Speaker 1>and a rifle. I wanted the VH I know you

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<v Speaker 1>might be too young to remember VHS tapes, but I

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<v Speaker 1>had the VHS you just tell me. I'm too remember

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<v Speaker 1>saying I don't know you got the young I'm just

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<v Speaker 1>saying like, and then I broke it. I watched it

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<v Speaker 1>so many times I broke the tape. So all I

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<v Speaker 1>wanted was that blue suit and the tape the take

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<v Speaker 1>for Christmas, and I got it. So yeah, Robin Hood

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<v Speaker 1>the Kevin Costner one. And I didn't mind it. He

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<v Speaker 1>didn't have an English accent. I didn't care. I was

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<v Speaker 1>just I believed that, you know, Morgan Freeman being izine like,

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<v Speaker 1>so it's all those kinds of movies. I just love

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<v Speaker 1>about Robin hoodman and tight are you kidding me? You

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<v Speaker 1>know that's my that's my joint man, right, Yeah, well

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<v Speaker 1>it was either that or he was in the Eddie

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<v Speaker 1>Murphy joint too. He was the stand up comedian. I

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<v Speaker 1>don't know which one was first. But yeah, what about

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<v Speaker 1>you know actors other than the obvious that maybe you

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<v Speaker 1>grew up inspired by everybody in Glory? I mean Adre

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<v Speaker 1>Browner um um uh just but honestly to um Alfred

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<v Speaker 1>Wood she's one of my favorites, like all the time.

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<v Speaker 1>She can do anything, like for her communic time and

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<v Speaker 1>to her dramatic performances are great. Um, A big fan

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<v Speaker 1>of Jack Nicholson. Uh, just the way he was able,

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<v Speaker 1>to the way he the way he says, like his cadence,

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<v Speaker 1>and how he can change like tones in one sentence,

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<v Speaker 1>you know what I mean, It just seems like it's

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<v Speaker 1>just so natural and easy, as if he didn't even

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<v Speaker 1>need to do any research. That's how free he seemed

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<v Speaker 1>to be on screen. Obviously, the Niro and the whole

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<v Speaker 1>Scorsese packing everybody in Spike Lee films, you know, like

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<v Speaker 1>Spike Lee really gave us a platform. I want to say,

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<v Speaker 1>as people, men and women of color and different personalities.

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<v Speaker 1>We weren't just the generic you know, gangst number five,

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<v Speaker 1>Pimp number two on the call sheet, but we were

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<v Speaker 1>actually he was actually celebrating our differences, the nuances and

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<v Speaker 1>behavior of different cultures within the neighborhoods, different neighborhoods as well.

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<v Speaker 1>So and he did it such in such an extraordinary way,

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<v Speaker 1>you know, and of that time. So I really appreciated that.

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<v Speaker 1>I mean, the Huge Brothers films growing up, I loved

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<v Speaker 1>and I'm friends with Alan. You's just like Alan, he

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<v Speaker 1>was just like a mentor to me, you know, he

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<v Speaker 1>he introduced me to hiking and and sort of, yeah,

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<v Speaker 1>I hike all the time now it's it's I get

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<v Speaker 1>like great um inspiration and like just creative ideas when

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<v Speaker 1>I do that, when I do those hikes. And uh,

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<v Speaker 1>I live in Brooklyn now, but but just when I

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<v Speaker 1>was out here, so, you know, just just all kind

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<v Speaker 1>of films, man, I mean I love Clueless. Growing up

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<v Speaker 1>that that movie was I was off the chain, man,

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<v Speaker 1>I mean I'm from the valley, so like I could

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<v Speaker 1>connect with it a little bit. So I just saw

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<v Speaker 1>that Love Jones nil. I got to meet me a

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<v Speaker 1>long last night and I fell out. I was like,

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<v Speaker 1>she and she looks great. By the way, we had

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<v Speaker 1>our guy was on the carpet doing some video doing

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<v Speaker 1>some interviews, and I saw, yeah, yeah, she looks great.

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<v Speaker 1>Yeah yeah. Regina King, I got to see her as well.

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<v Speaker 1>She's a monster beast of an actress. She's incredible. She

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<v Speaker 1>was very nice. I presented how at the uhwere Yeah,

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<v Speaker 1>so that was great. So just I'm you know, I'm

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<v Speaker 1>just in the I mean I got to meet the hole.

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<v Speaker 1>I got to meet Vinicio del Toro at the at

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<v Speaker 1>the at Can Film Festival. He saw the film I mean,

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<v Speaker 1>he's one of my favorites of all time. Did you

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<v Speaker 1>really is cool? It's awesome having back to back with

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<v Speaker 1>Josh Brolin and they're completely different people, Like h is

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<v Speaker 1>really extroverted and then you get Benicio and he's just

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<v Speaker 1>reserved a little more reserved really. But then when when

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<v Speaker 1>I when I turn it off, he really lit up,

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<v Speaker 1>like maybe it's just the thing when he's like, you

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<v Speaker 1>got to be before arm and stuff when you were

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<v Speaker 1>growing up, you know, and your dad is Denzel Washington. Uh,

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<v Speaker 1>you know, do you ever have did you have these

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<v Speaker 1>kinds of ambitions or is it the kind of thing

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<v Speaker 1>where you want to run in the other direction of

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<v Speaker 1>what your dad's doing? You know? It was a combination

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<v Speaker 1>of both. I wanted seeing him before him at Shakespeare

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<v Speaker 1>in the Park when I was four, I guess four,

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<v Speaker 1>four or five or four or three three to five

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<v Speaker 1>around that time. Uh, he did rich in the third

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<v Speaker 1>h Shakespeare in the Park of New York, and um,

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<v Speaker 1>I would just I loved the whole process. He would say,

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<v Speaker 1>reside his lines. He would take me around the city

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<v Speaker 1>and reside his lines, you know, all the time, and

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<v Speaker 1>like that language. I got introduced to Shakespeare four years old,

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<v Speaker 1>and I love that fell in love with the language

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<v Speaker 1>because you know, he would talk different at home or

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<v Speaker 1>some places or at like school or when he was

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<v Speaker 1>coaching me, but then he'd say these words. I was like,

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<v Speaker 1>how did he do that? I just noticed that my

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<v Speaker 1>mom too, I mean she was able to just go

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<v Speaker 1>up to a piano and play this Beethoven and play

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<v Speaker 1>this classical stuff just off the whim I got. I

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<v Speaker 1>I just loved the process of it all, and so

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<v Speaker 1>that was inspiring. I just knew I want to do

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<v Speaker 1>with that and glory and its ascension into the business.

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<v Speaker 1>As he was starting to get more recognizable and really,

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<v Speaker 1>my colm X, things started to change. We needed more security.

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<v Speaker 1>We started getting an answering service, like you had to

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<v Speaker 1>be more protective. It was what they did with that

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<v Speaker 1>film in those times, and the business was I mean,

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<v Speaker 1>it's legendary and it was very dangerous as well. So um,

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<v Speaker 1>so life changed for us and people started treating me different.

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<v Speaker 1>And so that resentment and anxiety I was getting from

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<v Speaker 1>this um from people around me that started to treat

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<v Speaker 1>me different because of him. I needed to put that

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<v Speaker 1>and filter that into something positive. Otherwise I was gonna

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<v Speaker 1>go off the rails, and football was what it was from.

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<v Speaker 1>And I love this, I love football, but it was

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<v Speaker 1>so it was more like a mechanism to help I

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<v Speaker 1>don't say copes, I'm not making me feel like I'm

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<v Speaker 1>like I'm a victim, but to help me get through

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<v Speaker 1>certain you know, regular teenage year stuff than the rebellious time.

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<v Speaker 1>You know, it just was like a positive rebellion. And

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<v Speaker 1>so I was able to go through a lot of

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<v Speaker 1>pain and and and endure these injuries because of the motivation.

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<v Speaker 1>The mandate was my own man, and I'm independent. I

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<v Speaker 1>was able to earn my own scholarship more House College,

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<v Speaker 1>and I made the NFL and played overseas as well,

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<v Speaker 1>and made my own money because of it. So I

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<v Speaker 1>felt like I found that independence. But what was happening, Unfortunately,

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<v Speaker 1>unfortunately every time I'd have these great games, it would

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<v Speaker 1>be Denzel. The papers would read, to the radio stations say,

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<v Speaker 1>Denzel's son ran for a hundred plus yards and two touchdowns.

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<v Speaker 1>Denzel's son sets you know, the more House record at school.

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<v Speaker 1>So like it didn't matter, it was inescapable. Uh, speaking

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<v Speaker 1>of that, just curious, like, what's your favorite protein? Oh,

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<v Speaker 1>Philadelphia Eagles I got to leave Randy Randall Cunningham, the

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<v Speaker 1>great Randall Cunningham when I was I think Pops was

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<v Speaker 1>doing Philadelphia with Tom Hanks at the time, and he

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<v Speaker 1>took me to a game and we went to the

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<v Speaker 1>sideline and Randa Cunningham, he I got to shake his

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<v Speaker 1>hand and he gave me some advice. I'm like this

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<v Speaker 1>little kid with the squeaky high voice. He kept saying,

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<v Speaker 1>just always do the right thing, and like, always make

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<v Speaker 1>sure you have your glove, and he gave me his glove.

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<v Speaker 1>He always wore a glove on his off hand and

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<v Speaker 1>he gave it to me, and uh, I was like

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<v Speaker 1>the best one with in my life. So from then,

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<v Speaker 1>thank you, I'll take that was gonna yeah, I was

0:11:04.800 --> 0:11:06.720
<v Speaker 1>gonna wait on the thank you. Thank you, No, I

0:11:06.720 --> 0:11:08.720
<v Speaker 1>mean because I've never seen anybody that looked like me

0:11:08.800 --> 0:11:11.320
<v Speaker 1>at that position and sort of revolutionized the position in

0:11:11.320 --> 0:11:12.960
<v Speaker 1>the way it was played that and he looked cool

0:11:13.000 --> 0:11:15.360
<v Speaker 1>with that twelve and the Eagle wings on his helmet. So,

0:11:15.559 --> 0:11:17.080
<v Speaker 1>I mean, I've been an Eagles fan ever since I

0:11:17.080 --> 0:11:23.400
<v Speaker 1>was hooked. I don't mention that I'm a Washington fan. Okay,

0:11:24.040 --> 0:11:27.040
<v Speaker 1>you don't want to that, you don't want to, alright,

0:11:27.240 --> 0:11:28.480
<v Speaker 1>but I do want to. There is something I want

0:11:28.480 --> 0:11:30.079
<v Speaker 1>to pack. Are you at all like me? I'm having

0:11:30.120 --> 0:11:32.800
<v Speaker 1>trouble watching this year because of what's happened with the

0:11:32.840 --> 0:11:34.679
<v Speaker 1>protests and everything in the way the week's reacted. I'm

0:11:34.679 --> 0:11:36.400
<v Speaker 1>just curious if you have any strong feelings about that.

0:11:36.600 --> 0:11:39.080
<v Speaker 1>I have strong feelings. I'm pro player. You know, a

0:11:39.080 --> 0:11:41.440
<v Speaker 1>lot of these young men, this is their ticket out

0:11:41.559 --> 0:11:45.000
<v Speaker 1>out of the their situation ones that they can better themselves,

0:11:45.000 --> 0:11:48.240
<v Speaker 1>they can provide for their families. That's what the NFL provides,

0:11:48.280 --> 0:11:50.719
<v Speaker 1>and I appreciate that. That's what the NFL provides it

0:11:50.800 --> 0:11:53.400
<v Speaker 1>through the fans. Us. We pay the money to see

0:11:53.480 --> 0:11:56.959
<v Speaker 1>them do extraordinary things on Sundays and Mondays. So if

0:11:57.000 --> 0:11:59.760
<v Speaker 1>the product is getting polluted, we got to find out

0:11:59.760 --> 0:12:01.880
<v Speaker 1>what the root the root of that problem, you know,

0:12:01.920 --> 0:12:04.160
<v Speaker 1>because it's not the game. The game is pure high

0:12:04.160 --> 0:12:07.040
<v Speaker 1>school football still pure. College football to something degree is

0:12:07.080 --> 0:12:08.960
<v Speaker 1>still pure. They seem to want to be out there.

0:12:09.080 --> 0:12:11.240
<v Speaker 1>I mean, there's nothing like to me, this is what

0:12:11.320 --> 0:12:13.360
<v Speaker 1>the differences in the NFL and college in high school

0:12:13.360 --> 0:12:16.600
<v Speaker 1>there's nothing like motivated millionaires. When you see these guys

0:12:16.600 --> 0:12:19.199
<v Speaker 1>getting paid an incredible amounts of money, but they still care.

0:12:19.240 --> 0:12:21.920
<v Speaker 1>They still risk their lives and I say lives, but

0:12:21.960 --> 0:12:24.000
<v Speaker 1>they really do. But their with their limbs put them

0:12:24.040 --> 0:12:27.040
<v Speaker 1>on the line to to win for their teammates. That's

0:12:27.080 --> 0:12:29.480
<v Speaker 1>what gets me going. That's what's exciting about the sport

0:12:29.559 --> 0:12:31.920
<v Speaker 1>and the nature of the sport itself, I mean so violent,

0:12:32.240 --> 0:12:35.400
<v Speaker 1>but the brotherhood. I mean, you cannot win. The prerequisite

0:12:35.440 --> 0:12:38.880
<v Speaker 1>of victory is being on the same page with your teammate,

0:12:38.920 --> 0:12:41.000
<v Speaker 1>and you have to be almost ego less in a way.

0:12:41.480 --> 0:12:43.680
<v Speaker 1>It doesn't guarantee the win, but at least that's that's

0:12:43.679 --> 0:12:45.240
<v Speaker 1>the only way you can at least set yourself up

0:12:45.280 --> 0:12:48.040
<v Speaker 1>to do it. So when everybody's working together, that mechanism

0:12:48.240 --> 0:12:50.719
<v Speaker 1>is something relatable to the country about that. We Americans

0:12:50.760 --> 0:12:53.480
<v Speaker 1>love that, and uh, we got to find out how

0:12:53.520 --> 0:12:57.079
<v Speaker 1>to just deliver that product again to us right now.

0:12:59.280 --> 0:13:01.600
<v Speaker 1>When you came out of college and and and you

0:13:01.640 --> 0:13:04.520
<v Speaker 1>went through football for a while and then you started

0:13:04.520 --> 0:13:06.920
<v Speaker 1>to make that transition to acting with ballers just you

0:13:06.920 --> 0:13:10.600
<v Speaker 1>know several years ago, Uh, did it feel right? Did

0:13:10.600 --> 0:13:12.640
<v Speaker 1>it feel natural? Did it feel like this is this

0:13:12.720 --> 0:13:17.679
<v Speaker 1>is what I want to do? Can I cuts on here? Hell? Yeah,

0:13:17.720 --> 0:13:21.679
<v Speaker 1>it's encouraged. Yeah, well, I never felt more like, I

0:13:21.800 --> 0:13:25.040
<v Speaker 1>must say, like having a great day on set. I

0:13:25.559 --> 0:13:27.360
<v Speaker 1>can't compare it to any great that I had on

0:13:27.440 --> 0:13:30.520
<v Speaker 1>the football field, but I think the motivations were different

0:13:30.559 --> 0:13:34.720
<v Speaker 1>because I was I was just so I was just against,

0:13:34.760 --> 0:13:37.560
<v Speaker 1>so relentless in my pursuit of independence. It took away

0:13:37.600 --> 0:13:39.360
<v Speaker 1>a lot of the joy and like, do you even

0:13:39.520 --> 0:13:41.720
<v Speaker 1>like what you're doing or you just need I feel

0:13:41.720 --> 0:13:43.480
<v Speaker 1>they need to be independent, you know what I mean.

0:13:43.559 --> 0:13:46.760
<v Speaker 1>So maybe that's sort of saturated the joy a little bit.

0:13:46.800 --> 0:13:48.760
<v Speaker 1>But but yeah, I mean I wanted to again, I

0:13:48.800 --> 0:13:51.280
<v Speaker 1>wanted to do this since Pops was doing Shakespeare in

0:13:51.280 --> 0:13:54.760
<v Speaker 1>the Park. So here I am doing it, getting to express,

0:13:54.800 --> 0:13:56.880
<v Speaker 1>getting to put all these emotions and put them into

0:13:56.920 --> 0:14:00.160
<v Speaker 1>a character, you know. And and this there's the whole

0:14:00.200 --> 0:14:01.920
<v Speaker 1>bunch of similarities from football to here. I mean, you

0:14:01.960 --> 0:14:04.440
<v Speaker 1>still have so many people on set that you depend on.

0:14:04.520 --> 0:14:06.200
<v Speaker 1>Everybody needs to do their job, and I love that.

0:14:06.679 --> 0:14:08.920
<v Speaker 1>I love the comparrider of it all. And when there's egos,

0:14:09.160 --> 0:14:11.000
<v Speaker 1>when the egos are set aside and you're just there

0:14:11.000 --> 0:14:14.360
<v Speaker 1>to service to film with the project, that's a beautiful feeling.

0:14:14.360 --> 0:14:18.280
<v Speaker 1>I mean, that's a high I'm constantly chasing. Yeah. Uh.

0:14:18.040 --> 0:14:20.440
<v Speaker 1>The last question on this the obvious one that maybe

0:14:20.440 --> 0:14:22.520
<v Speaker 1>you get tired of hearing. But you know, being the

0:14:22.560 --> 0:14:25.320
<v Speaker 1>son of Denzel Washington, do you does that make you

0:14:25.360 --> 0:14:28.040
<v Speaker 1>feel like you have something more to prove as an actor?

0:14:29.120 --> 0:14:31.720
<v Speaker 1>Like just taking me through my journey and football, what

0:14:31.760 --> 0:14:33.720
<v Speaker 1>do you think? I mean, I got a lot to

0:14:33.880 --> 0:14:35.680
<v Speaker 1>I got a lot to prove to myself. You know

0:14:35.760 --> 0:14:38.920
<v Speaker 1>that that's that's bad fuel. They used to be. They

0:14:38.960 --> 0:14:41.960
<v Speaker 1>used to feel me like, I'll show them, I'll show him.

0:14:42.080 --> 0:14:45.440
<v Speaker 1>But that that that that there's no longevy and that

0:14:45.560 --> 0:14:48.320
<v Speaker 1>that's short money. Um, I gotta do it for me,

0:14:48.640 --> 0:14:50.720
<v Speaker 1>you know, I gotta do it for for who I believe,

0:14:50.760 --> 0:14:53.080
<v Speaker 1>and I believe in God. I pray every day. So

0:14:53.200 --> 0:14:55.080
<v Speaker 1>if this is if this is what he wants, it

0:14:55.120 --> 0:14:57.320
<v Speaker 1>feels really good. So I'm like, God, thank you this

0:14:57.360 --> 0:14:58.720
<v Speaker 1>because this is if this is what you want me

0:14:58.720 --> 0:15:01.360
<v Speaker 1>to do, this is great because I love it. But yeah,

0:15:01.440 --> 0:15:03.960
<v Speaker 1>I um, I just want It's all about the work though,

0:15:04.080 --> 0:15:06.320
<v Speaker 1>you know. I mean I had the helmet syndrome where

0:15:06.320 --> 0:15:08.360
<v Speaker 1>I didn't want people knowing my face. I just wanted

0:15:08.400 --> 0:15:09.960
<v Speaker 1>to get out there with a helmet on and run

0:15:10.000 --> 0:15:14.640
<v Speaker 1>front of yards. So it's not about recognition necessarily. I

0:15:14.880 --> 0:15:17.680
<v Speaker 1>if I can inspire somebody, anybody, one person, to make

0:15:17.720 --> 0:15:19.440
<v Speaker 1>them feel the way I felt watching the movies I

0:15:19.480 --> 0:15:21.360
<v Speaker 1>described to you earlier, and I told you about earlier,

0:15:21.440 --> 0:15:24.840
<v Speaker 1>and I did my job well. As far as you know,

0:15:25.160 --> 0:15:26.840
<v Speaker 1>taking the lead in the movie is concerned, I can't

0:15:26.840 --> 0:15:29.680
<v Speaker 1>think of a better trial by fire than fronting a

0:15:29.720 --> 0:15:33.280
<v Speaker 1>Spike Lee joint if you will. Uh, you know, there's

0:15:33.280 --> 0:15:36.240
<v Speaker 1>obviously plenty of familiarity. They're going way back with Spike,

0:15:36.440 --> 0:15:39.320
<v Speaker 1>But did you still come into it with confidence? Did

0:15:39.320 --> 0:15:41.360
<v Speaker 1>he have to sell you to get you into this?

0:15:41.520 --> 0:15:45.160
<v Speaker 1>Like I'm because again I have to sell me man,

0:15:45.520 --> 0:15:49.280
<v Speaker 1>Spike Lee and this incredible, crazy story that I thought was,

0:15:49.440 --> 0:15:52.000
<v Speaker 1>you know, maybe like an adaptation of the Dave Chappelle's

0:15:52.040 --> 0:15:54.280
<v Speaker 1>kit or something. But when I found out it was

0:15:54.320 --> 0:15:57.240
<v Speaker 1>real that this is his good old fashioned American backyard hate,

0:15:57.600 --> 0:16:01.360
<v Speaker 1>I'm like, oh wow, told by the tone master, like

0:16:01.400 --> 0:16:04.480
<v Speaker 1>Spike Lee is a master of cinema tone like and

0:16:04.520 --> 0:16:06.320
<v Speaker 1>he and he's at the top of his game. But

0:16:06.440 --> 0:16:09.040
<v Speaker 1>this film, as far as tone is concerned and subject matter,

0:16:09.400 --> 0:16:11.480
<v Speaker 1>I mean, this couldn't have been done by anybody else

0:16:11.520 --> 0:16:13.760
<v Speaker 1>but Spike Lee. You know. Thank god Jordan peele gave

0:16:13.800 --> 0:16:15.480
<v Speaker 1>it to him. Jordan peele knew what was up, you know,

0:16:15.520 --> 0:16:17.880
<v Speaker 1>and he and he knows tone. He understands tone as well.

0:16:18.280 --> 0:16:21.120
<v Speaker 1>And coming off the success of Get Out, so this

0:16:21.200 --> 0:16:23.320
<v Speaker 1>was a what you call a no brainer, you know.

0:16:23.400 --> 0:16:26.000
<v Speaker 1>And so because of that, because this legend trusted me

0:16:26.560 --> 0:16:29.600
<v Speaker 1>with the material, I wasn't nervous, I wasn't anxious. I

0:16:29.680 --> 0:16:31.880
<v Speaker 1>was inspired. I was encouraged. I was inspired too because

0:16:31.920 --> 0:16:33.880
<v Speaker 1>I saw him on set every day like a little kid.

0:16:33.920 --> 0:16:36.800
<v Speaker 1>He had this exuberance. It's you full exuberance about filmmaking,

0:16:36.800 --> 0:16:38.560
<v Speaker 1>about the world. You can get cutted out and I

0:16:38.600 --> 0:16:40.240
<v Speaker 1>don't get a twist. You better be on your game.

0:16:40.320 --> 0:16:42.200
<v Speaker 1>But it was just but it's one of those things

0:16:42.240 --> 0:16:44.200
<v Speaker 1>that just get over it because just service the film,

0:16:44.440 --> 0:16:47.480
<v Speaker 1>your ego and your feelings at the door just come

0:16:47.520 --> 0:16:49.760
<v Speaker 1>into work because we're doing something and you feel like

0:16:49.760 --> 0:16:51.280
<v Speaker 1>you're part of this family. I'm a part of this

0:16:51.720 --> 0:16:54.680
<v Speaker 1>Rich Panthey on this history when he's like I was

0:16:54.680 --> 0:16:56.720
<v Speaker 1>telling you about earlier, how he's just brought so many people.

0:16:56.800 --> 0:17:00.080
<v Speaker 1>Sam Jackson's in the world, you know, just uh, was

0:17:00.120 --> 0:17:02.160
<v Speaker 1>the Perezids of the world. So all these people that

0:17:02.440 --> 0:17:05.520
<v Speaker 1>I'm a part of now we're connected forever, a cinema life.

0:17:05.520 --> 0:17:09.480
<v Speaker 1>So um, I was excited, I was motivated, and I

0:17:09.520 --> 0:17:12.520
<v Speaker 1>was I've never been more confident because of the confidency

0:17:12.560 --> 0:17:16.240
<v Speaker 1>and stilling me this this this hero of mine believing

0:17:16.640 --> 0:17:18.880
<v Speaker 1>and telling me to trust my instincts. That's why, that's

0:17:18.880 --> 0:17:20.520
<v Speaker 1>why you're here. So I was off to the racist

0:17:20.560 --> 0:17:24.240
<v Speaker 1>where we were in Ostining, up state New York and

0:17:24.280 --> 0:17:28.200
<v Speaker 1>then in Brooklyn. Okay, well, I'm always curious how environments

0:17:28.200 --> 0:17:30.760
<v Speaker 1>shape a performance, you know, being in those environments and

0:17:30.760 --> 0:17:32.800
<v Speaker 1>and just you know the atmosphere of that, can you

0:17:32.800 --> 0:17:36.040
<v Speaker 1>speak to them? Absolutely? Man Um, it was a it

0:17:36.080 --> 0:17:42.080
<v Speaker 1>was an environment of inclusion, collaboration, um and honestly, the

0:17:42.160 --> 0:17:44.960
<v Speaker 1>spirit of the spirits of the people we were talking about.

0:17:44.960 --> 0:17:48.439
<v Speaker 1>Toker Grace channel the spirit of David Dooke. I know

0:17:48.480 --> 0:17:49.680
<v Speaker 1>he'd be like, I don't know if that it is

0:17:49.720 --> 0:17:53.600
<v Speaker 1>a compliment, offer like he's amazing. Corey Hawkins captured the

0:17:53.680 --> 0:17:56.800
<v Speaker 1>spirit of quamit to Ray, I mean, and that's because

0:17:56.840 --> 0:17:58.960
<v Speaker 1>of who was at the helm. I'm telling you, I've

0:17:59.080 --> 0:18:00.920
<v Speaker 1>working on sets and have been in being a part

0:18:00.920 --> 0:18:02.920
<v Speaker 1>of different projects. I've never been a part of something

0:18:02.960 --> 0:18:05.320
<v Speaker 1>like this where he understands. He's a master of tone

0:18:05.359 --> 0:18:08.480
<v Speaker 1>and also a master of momentum, understanding momentum and energy

0:18:08.720 --> 0:18:10.840
<v Speaker 1>like a coach, like a Phil Jackson. No or not

0:18:10.880 --> 0:18:12.399
<v Speaker 1>to call a time out if the other team is

0:18:12.440 --> 0:18:14.520
<v Speaker 1>going on to run, Let them figure it out. You know.

0:18:14.640 --> 0:18:18.720
<v Speaker 1>He he understands when not to say anything. He understands

0:18:18.720 --> 0:18:20.919
<v Speaker 1>when to yell at somebody else, even if he's actually

0:18:21.240 --> 0:18:23.240
<v Speaker 1>that energy is directed towards you, but he's given to

0:18:23.280 --> 0:18:26.080
<v Speaker 1>somebody else because he knows you're watching. He just understands.

0:18:26.160 --> 0:18:29.720
<v Speaker 1>He just understands energy. And he created such an environment

0:18:29.760 --> 0:18:33.520
<v Speaker 1>of of of fluidity, of inclusion that it was just

0:18:33.600 --> 0:18:36.160
<v Speaker 1>we didn't have to think about anything else but what

0:18:36.200 --> 0:18:37.760
<v Speaker 1>we were doing. All I had to do was listen

0:18:37.800 --> 0:18:41.520
<v Speaker 1>to my same partner because the platform that the canvas

0:18:41.600 --> 0:18:44.480
<v Speaker 1>was set to paint on and that kind of freedom,

0:18:44.600 --> 0:18:47.119
<v Speaker 1>I I honestly gotta I gotta like snap out of

0:18:47.119 --> 0:18:49.119
<v Speaker 1>it because that doesn't happen like that, and that's I

0:18:49.119 --> 0:18:51.080
<v Speaker 1>feel like that's gonna be a once in lifetime thing.

0:18:51.240 --> 0:18:52.800
<v Speaker 1>I think so a little bit. To be honest, I

0:18:52.880 --> 0:18:55.439
<v Speaker 1>think I got spoiled because of the freedom and the trust.

0:18:55.480 --> 0:18:58.119
<v Speaker 1>People don't trust. And I'm not saying other people other

0:18:58.160 --> 0:19:00.880
<v Speaker 1>experiences are are are bad because of that. This everybody

0:19:00.880 --> 0:19:02.760
<v Speaker 1>trusted differently. But it was one of those free fla

0:19:02.920 --> 0:19:05.879
<v Speaker 1>like trust falls like right, So it was great. That

0:19:06.000 --> 0:19:09.240
<v Speaker 1>was great environment. Uh did you know anything about the

0:19:09.280 --> 0:19:13.280
<v Speaker 1>story beforehand? And I feel I felt at first a

0:19:13.320 --> 0:19:14.920
<v Speaker 1>little embarrassed, but now I'm like, there's a lot of

0:19:14.960 --> 0:19:16.399
<v Speaker 1>people that know. I felt the bars because I went

0:19:16.440 --> 0:19:19.600
<v Speaker 1>to more House College, historically black school, and I learned

0:19:19.600 --> 0:19:21.720
<v Speaker 1>a lot about my culture. Uh, and this one slipped

0:19:21.720 --> 0:19:23.440
<v Speaker 1>through the cracks. A lot of people didn't know about

0:19:23.440 --> 0:19:26.359
<v Speaker 1>this story. But once you explain it briefly, so the

0:19:26.600 --> 0:19:29.080
<v Speaker 1>h it's it's a It's about a man named ron Stalwarth,

0:19:29.160 --> 0:19:31.919
<v Speaker 1>the first African American detective in Colorado Springs in the

0:19:32.000 --> 0:19:35.560
<v Speaker 1>seventies to infiltrate He ran a sting operation infiltrate the

0:19:35.600 --> 0:19:39.439
<v Speaker 1>kol Klux Klan posing as a white supremacist and he

0:19:39.520 --> 0:19:43.520
<v Speaker 1>found a partner uh in his department to play him

0:19:43.560 --> 0:19:46.000
<v Speaker 1>when they when he when they encountered them face to face,

0:19:46.000 --> 0:19:48.840
<v Speaker 1>so he would get intel from his partner and they

0:19:48.840 --> 0:19:51.400
<v Speaker 1>would exchange information back and forth, and they were successful

0:19:51.400 --> 0:19:53.440
<v Speaker 1>in their mission. I can't give away how they were successful,

0:19:53.480 --> 0:19:55.359
<v Speaker 1>but it was successful, and I think it's a true

0:19:55.400 --> 0:19:57.840
<v Speaker 1>act of heroism. I think he was a true American

0:19:57.880 --> 0:20:00.240
<v Speaker 1>hero because he did it and he all So the

0:20:00.320 --> 0:20:01.959
<v Speaker 1>rig take away from the film as well for me

0:20:02.119 --> 0:20:04.920
<v Speaker 1>was that the support that he got from people, from

0:20:04.960 --> 0:20:07.400
<v Speaker 1>men that look like you, you know what I mean,

0:20:07.480 --> 0:20:09.359
<v Speaker 1>Like they were about the mission, they were about the

0:20:09.880 --> 0:20:12.840
<v Speaker 1>staying operation. They put whatever differences they might have personally had,

0:20:12.880 --> 0:20:16.120
<v Speaker 1>they put it aside to achieve greatness to do their job,

0:20:16.160 --> 0:20:18.520
<v Speaker 1>which is protect and serve their community. And another thing

0:20:18.640 --> 0:20:21.399
<v Speaker 1>is what was inspired to me was I didn't know

0:20:21.520 --> 0:20:24.119
<v Speaker 1>much about you know, African American police officers until I

0:20:24.119 --> 0:20:27.520
<v Speaker 1>did the research, and they it's a tough jo. It's

0:20:27.560 --> 0:20:30.520
<v Speaker 1>a thankless job for police officers period, but it's specifically

0:20:30.520 --> 0:20:33.080
<v Speaker 1>for men and women of colors protecting and serving because

0:20:33.080 --> 0:20:35.800
<v Speaker 1>here a lot of people think that they're not for

0:20:35.880 --> 0:20:38.000
<v Speaker 1>their people for the cause, they're not aware, they're not

0:20:38.040 --> 0:20:40.879
<v Speaker 1>what they call woke because they were blue and then

0:20:40.920 --> 0:20:43.760
<v Speaker 1>they're not blue enough for the people in their own department.

0:20:44.000 --> 0:20:47.560
<v Speaker 1>So it's it's really unfair. So I want them people

0:20:47.600 --> 0:20:49.639
<v Speaker 1>out there that are protecting and serving doing it the

0:20:49.760 --> 0:20:52.200
<v Speaker 1>right way. I want you to be proud, you know.

0:20:52.280 --> 0:20:53.879
<v Speaker 1>I hope you're proud when you watch this and know

0:20:53.960 --> 0:20:56.080
<v Speaker 1>that you are recognized and we we salute you the

0:20:56.080 --> 0:20:58.320
<v Speaker 1>ones that are doing it the right way. Yeah. What

0:20:58.480 --> 0:21:01.880
<v Speaker 1>it meeting the real run? Do you informed me of everything?

0:21:01.920 --> 0:21:04.720
<v Speaker 1>It gave me this calm and the sense of confidence

0:21:04.760 --> 0:21:07.280
<v Speaker 1>that also that also needed from him to know that

0:21:07.320 --> 0:21:09.359
<v Speaker 1>he trusted me. Again, the big world is trusted. I

0:21:09.400 --> 0:21:12.000
<v Speaker 1>put Aford his trust because he this is his life,

0:21:12.040 --> 0:21:14.600
<v Speaker 1>his legacy in the hands of the Spike Lee and

0:21:14.680 --> 0:21:17.199
<v Speaker 1>the hands of this John David guy. He doesn't really know,

0:21:17.520 --> 0:21:19.600
<v Speaker 1>you know, but like, actually, actually that I take that back.

0:21:19.640 --> 0:21:22.760
<v Speaker 1>He his his daughters, his wife daughters, they knew the

0:21:22.800 --> 0:21:25.400
<v Speaker 1>show balls and they were like, no, Dad, just he's

0:21:25.440 --> 0:21:27.520
<v Speaker 1>he's we love him. Oh my. That so that that

0:21:27.640 --> 0:21:30.520
<v Speaker 1>the thank you kids appreciate that. Um. But yeah, it

0:21:30.600 --> 0:21:32.919
<v Speaker 1>was a meant admitt the world to me and playing

0:21:33.040 --> 0:21:36.639
<v Speaker 1>never I've never played somebody that real person and that's alive.

0:21:37.440 --> 0:21:40.720
<v Speaker 1>More less so, that was an incredible challenge that I

0:21:40.840 --> 0:21:44.359
<v Speaker 1>welcomed with a what was what was the most unbelievable

0:21:44.400 --> 0:21:46.480
<v Speaker 1>part of the story when you finally heard everything about it,

0:21:46.560 --> 0:21:50.280
<v Speaker 1>like what just made you your jaw dropped because it

0:21:50.440 --> 0:21:54.480
<v Speaker 1>is such a when not even the movie. I gotta say, really,

0:21:54.520 --> 0:21:56.320
<v Speaker 1>I mean, which is in the movie. But when he

0:21:56.320 --> 0:21:58.280
<v Speaker 1>passed so I met him for the first time at

0:21:58.320 --> 0:22:02.520
<v Speaker 1>the table read he passed around his membership car. He

0:22:02.640 --> 0:22:05.440
<v Speaker 1>is a Ku Klux claim member. He's I'm not lying,

0:22:05.800 --> 0:22:08.879
<v Speaker 1>it's insane, Like he has the caryo. He passed it

0:22:08.880 --> 0:22:11.159
<v Speaker 1>around to everybody like we're looking at it and it's

0:22:11.160 --> 0:22:13.040
<v Speaker 1>signed by David Duke. Has got these rules on the

0:22:13.080 --> 0:22:15.200
<v Speaker 1>back like first rule of flight club, don't talk about

0:22:15.359 --> 0:22:18.160
<v Speaker 1>club like it's crazy. Like I'm like, and he's got

0:22:18.160 --> 0:22:20.480
<v Speaker 1>the certificate too. He took a he can't find the

0:22:20.520 --> 0:22:22.280
<v Speaker 1>big I can't. I don't want give it away. But

0:22:22.600 --> 0:22:26.360
<v Speaker 1>it's crazy, you'll see. But that card really it really

0:22:26.359 --> 0:22:27.720
<v Speaker 1>affected me in a way. I mean because he was

0:22:27.760 --> 0:22:29.439
<v Speaker 1>like it was almost like an avenger, Like I've been

0:22:29.440 --> 0:22:31.399
<v Speaker 1>reading about him and doing all the reachers. Then I

0:22:31.440 --> 0:22:34.440
<v Speaker 1>finally meet him, like, dude, this dude's like a real person. Yeah,

0:22:34.600 --> 0:22:36.439
<v Speaker 1>like my god, and then he shows the car like,

0:22:36.520 --> 0:22:39.120
<v Speaker 1>oh my god. He really had a relationship with David,

0:22:39.160 --> 0:22:42.160
<v Speaker 1>how did this This is a black guy those prints

0:22:42.160 --> 0:22:45.080
<v Speaker 1>in the seventies, y'o, Like this is crazy. So yeah,

0:22:45.160 --> 0:22:47.159
<v Speaker 1>that was that was That was a very wowing moment.

0:22:47.840 --> 0:22:50.800
<v Speaker 1>But speaking of Ballers, by the way, I just wanted

0:22:50.840 --> 0:22:53.560
<v Speaker 1>to talk just about the rock working with him. I mean,

0:22:53.560 --> 0:22:55.200
<v Speaker 1>that guy, he seems like he's got a kind of

0:22:55.280 --> 0:22:57.280
<v Speaker 1>energy that you'd make money off of it if you

0:22:57.280 --> 0:23:00.320
<v Speaker 1>can sell it or something. Energies, right, I mean, and

0:23:00.320 --> 0:23:02.520
<v Speaker 1>that's contagious and and it's one of those things that

0:23:02.600 --> 0:23:05.479
<v Speaker 1>it doesn't matter how big or famous you get, you oh,

0:23:05.560 --> 0:23:07.720
<v Speaker 1>don't forget about the people. And he seems to always

0:23:07.760 --> 0:23:09.919
<v Speaker 1>make time for the people, his fans and everything to him.

0:23:10.000 --> 0:23:12.600
<v Speaker 1>So I and I appreciate that. Yeah, we're also going

0:23:12.640 --> 0:23:14.600
<v Speaker 1>to see you in uh just later this year. The

0:23:14.600 --> 0:23:16.560
<v Speaker 1>Old Man of the Gun and Monsters and Men and

0:23:16.600 --> 0:23:19.119
<v Speaker 1>Monsters and men. Uh, particularly with Old Man and the Gun.

0:23:19.160 --> 0:23:24.760
<v Speaker 1>I'm a big David Lowry fan. So I love that

0:23:24.840 --> 0:23:27.480
<v Speaker 1>you want people talk more about that the perspective of

0:23:27.520 --> 0:23:30.240
<v Speaker 1>the like it took me once I settled in around

0:23:30.480 --> 0:23:32.880
<v Speaker 1>like when she's eating that pie right and she just

0:23:32.920 --> 0:23:35.120
<v Speaker 1>stayed with it. I was like, Oh, he's gonna she's

0:23:35.119 --> 0:23:38.120
<v Speaker 1>gonna eat the whole thing, you know, like, oh, she's

0:23:38.160 --> 0:23:40.680
<v Speaker 1>gonna eat the whole thing. I was into it. Yeah,

0:23:40.680 --> 0:23:42.320
<v Speaker 1>I love that movie. I love them. But a lot

0:23:42.359 --> 0:23:44.439
<v Speaker 1>of people look at me like, like, what's your favorite.

0:23:44.800 --> 0:23:46.560
<v Speaker 1>That's what I said. I swear I got that's what

0:23:46.600 --> 0:23:49.600
<v Speaker 1>I said. So you know that. So you hear my enthusiasm.

0:23:49.760 --> 0:23:51.760
<v Speaker 1>I love working with That's another again. He's he's a

0:23:51.760 --> 0:23:55.520
<v Speaker 1>man that just just created an environment that was safe

0:23:56.040 --> 0:23:58.719
<v Speaker 1>to play and explore and and just to connect with

0:23:58.720 --> 0:24:00.840
<v Speaker 1>your partners. I gotta say, I went to go I

0:24:00.880 --> 0:24:02.840
<v Speaker 1>watched it was my day off that that was my

0:24:02.920 --> 0:24:04.960
<v Speaker 1>day off, and I went to go see Robert Redford

0:24:05.400 --> 0:24:08.880
<v Speaker 1>and uh and uh Danny Glover and Tom Waite's work

0:24:09.720 --> 0:24:12.199
<v Speaker 1>tell my master class that. I mean, they would like

0:24:12.240 --> 0:24:14.080
<v Speaker 1>share stories while they're setting up and then then you

0:24:14.240 --> 0:24:16.200
<v Speaker 1>actually just jump right into the character. I mean you

0:24:16.240 --> 0:24:18.919
<v Speaker 1>were talking about poise and just all that was just

0:24:19.000 --> 0:24:21.280
<v Speaker 1>the wealth of experience. It was great. I mean, Robert

0:24:21.320 --> 0:24:24.399
<v Speaker 1>Redford is crazy like he he he's right referend right.

0:24:24.520 --> 0:24:27.080
<v Speaker 1>So you see him and he's like this regular, you know,

0:24:27.200 --> 0:24:30.080
<v Speaker 1>nice little like older gentleman, and then then you're action

0:24:30.119 --> 0:24:32.199
<v Speaker 1>and that charm. That movie start just turns on. It

0:24:32.280 --> 0:24:35.359
<v Speaker 1>was just like activated. I was like, yo, I see now,

0:24:35.440 --> 0:24:37.480
<v Speaker 1>So I got no excuse. I gotta be a d MT.

0:24:37.720 --> 0:24:41.399
<v Speaker 1>Still be on my game. That's the juice, baby, Um

0:24:41.440 --> 0:24:42.560
<v Speaker 1>what do you what do you want to do next?

0:24:42.560 --> 0:24:44.840
<v Speaker 1>What do you think you'll do next? What's being able

0:24:44.880 --> 0:24:46.520
<v Speaker 1>to work with? Again? I got to work with Ronaldo

0:24:46.600 --> 0:24:49.199
<v Speaker 1>Marcus grid on Monsters and Men and uh he's a

0:24:49.240 --> 0:24:52.399
<v Speaker 1>student of Spike Lee. I've been lucky for between David

0:24:52.400 --> 0:24:55.600
<v Speaker 1>and Ronaldo and Spike, I got master classes. I got

0:24:55.600 --> 0:24:58.240
<v Speaker 1>to work. I mean maybe I'm spoiled now, but and

0:24:58.280 --> 0:25:01.160
<v Speaker 1>spoiled in the way of working how to tell the truth.

0:25:01.200 --> 0:25:02.879
<v Speaker 1>There's more than one way to get to the truth.

0:25:03.600 --> 0:25:06.240
<v Speaker 1>But they don't skip None of those directors skipped any steps.

0:25:06.600 --> 0:25:10.159
<v Speaker 1>They were all about process. So that's the mandate for

0:25:10.160 --> 0:25:12.280
<v Speaker 1>me right now because I'm still learning. Man, I need

0:25:12.320 --> 0:25:14.960
<v Speaker 1>to learn more. And they helped me with that. They

0:25:15.000 --> 0:25:16.879
<v Speaker 1>helped me with that, They helped me find myself as

0:25:16.920 --> 0:25:19.120
<v Speaker 1>an artist. They helped me. They gave me more confidence

0:25:19.160 --> 0:25:21.160
<v Speaker 1>that these guys know what they're doing and they believe

0:25:21.200 --> 0:25:24.240
<v Speaker 1>in me to help them with their vision and operative

0:25:24.240 --> 0:25:26.520
<v Speaker 1>for there is help, not like they're gonna tell me

0:25:26.960 --> 0:25:29.000
<v Speaker 1>what their vision is and you do it, help me

0:25:29.040 --> 0:25:31.680
<v Speaker 1>with the best idea in the room, wins. I want

0:25:31.720 --> 0:25:33.639
<v Speaker 1>more of that, you know. That's the high I'm chasing

0:25:33.680 --> 0:25:36.800
<v Speaker 1>because that's what's gonna get me better. So it's not necessary. Mean,

0:25:36.840 --> 0:25:39.280
<v Speaker 1>obviously that's about what's on the script and all of that.

0:25:39.320 --> 0:25:41.560
<v Speaker 1>But I want to work with film enthusiasts that really

0:25:41.560 --> 0:25:43.440
<v Speaker 1>care about this. And if you don't, if you're trying

0:25:43.440 --> 0:25:45.600
<v Speaker 1>to make a buck, if you try call show business,

0:25:45.640 --> 0:25:48.920
<v Speaker 1>that's cool too, But like finding that balance of art

0:25:48.920 --> 0:25:51.240
<v Speaker 1>and commerce is is the priority for me right now,

0:25:52.240 --> 0:25:54.080
<v Speaker 1>just here. And you talk about film and talking about

0:25:54.080 --> 0:25:56.080
<v Speaker 1>masters of tone and things like this, do you have

0:25:56.119 --> 0:25:57.840
<v Speaker 1>any sort of ambitions to be a filmmaker? Do you

0:25:57.840 --> 0:26:01.800
<v Speaker 1>want to direct? That's how hard man, and uh don't again,

0:26:01.880 --> 0:26:03.520
<v Speaker 1>let me. I gotta keep learning first. I need I

0:26:03.560 --> 0:26:06.520
<v Speaker 1>need more. I need more set experiences with some masters,

0:26:06.880 --> 0:26:08.720
<v Speaker 1>you know, and then we'll see. We'll see what I

0:26:08.760 --> 0:26:10.960
<v Speaker 1>get after after a couple more years, we'll see what

0:26:11.000 --> 0:26:12.960
<v Speaker 1>I mean. I might I maybe maybe not right, Maybe

0:26:12.960 --> 0:26:14.600
<v Speaker 1>I might have something, but I need to I need

0:26:14.640 --> 0:26:17.760
<v Speaker 1>to learn more. I need to learn more. First, we'll

0:26:17.800 --> 0:26:19.240
<v Speaker 1>keep it up. Man, this movie is awesome. Of your

0:26:19.240 --> 0:26:21.520
<v Speaker 1>performance is great, and then looking forward to the others

0:26:21.520 --> 0:26:24.280
<v Speaker 1>as well. Appreciate it's black plans. Man, it comes out.

0:26:24.560 --> 0:26:26.040
<v Speaker 1>It should be out by the time you're listening to this.

0:26:26.040 --> 0:26:28.600
<v Speaker 1>Actually go to see it immediately after you hearing this

0:26:28.600 --> 0:26:31.560
<v Speaker 1>conversation people, thanks for doing the show. Man, really appreciate it.