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Speaker 1: I Am all In.

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Speaker 2: I Am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Everybody Scott Patterson, I Am all In Podcast, one of

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Speaker 1: them productions. iHeart Media, iHeartRadio, iHeart Podcast, Iheart's ice Cream

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Speaker 1: and that might be coming. In Reality Season six, episode sixteen,

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Speaker 1: Bridesmaid revisited. I am joined by my intrepid Crucies and French.

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Speaker 1: You know are your lover Amy Sugarman? Too bad she

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Speaker 1: isn't more busy. She wouldn't be able to sleep? And

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Speaker 1: how is everybody doing?

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Speaker 3: How is the Tara isn't here yet because she's loading

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Speaker 3: up part of the set for Wednesday and do her car,

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Speaker 3: which is hilarious, right, She's got part of Luke's diner

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Speaker 3: and it's sort of a Luke slash Gilmour living room

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Speaker 3: shoving in the trunk of her car.

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Speaker 1: Big responsibility, let me tell you pressure. It's a lot

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Speaker 1: of pressure on Tara.

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Speaker 3: So we wish we actually sending text she's coming, And

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Speaker 3: she's in a text a minute ago and said it's fit,

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Speaker 3: it's fit.

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Speaker 1: Well we are, Yeah, we're still prepping. The big night

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Speaker 1: was January seventeenth at the Rhart Theater, Bourbon, California. Still

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Speaker 1: get tickets at our.

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Speaker 3: Yeah, when we're taping a couple of days out.

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Speaker 4: Yeah.

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Speaker 1: Man, So go to our Instagram page. I am all

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Speaker 1: in pod Instagram. You see the links and you'll be

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Speaker 1: able to get the live show tickets and the streaming tickets,

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Speaker 1: which I think more of you will be able to

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Speaker 1: do since this is a global audience. Yes, and man,

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Speaker 1: I tell you it's just getting We may add another

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Speaker 1: layer to this which we can't announce yet. But there's

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Speaker 1: uh some interesting food things happening. There are food negotiations happening.

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Speaker 3: Considering you're the proprietor proprietor of a diner, it makes sense.

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Speaker 1: I know.

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Speaker 3: Does everyone think that you know how to like cook?

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Speaker 1: I do know how to cook. And once they've had

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Speaker 1: my food, then they're convinced.

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Speaker 3: That and they're convinced that you are Luke.

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Speaker 1: Yeah, I cooked. I cooked some mean burgers last night

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Speaker 1: for the family.

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Speaker 3: You're you are out of meat this week though, because

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Speaker 3: you fired the meat guy. There's no bacon at the

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Speaker 3: diner right now.

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Speaker 1: Not at my home. There's plenty of meat and juicy

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Speaker 1: burgers abounded in our kitchen.

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Speaker 3: Let me tell you, Oh, I like it. Insider on

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Speaker 3: the grill outside. O.

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Speaker 1: No, I just do it in a pan. And to listen.

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Speaker 1: My test is when my little guy bites into that

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Speaker 1: burger and he's holding it perpendicular and the and and

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Speaker 1: the blood comes out of the eat and hits the plate,

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Speaker 1: then he gets that smile on his face. Very animalistic ritual.

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Speaker 1: We perform once a week on Burgernets.

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Speaker 3: Oh my god, Oh so you do Burger Night once

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Speaker 3: a week.

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Speaker 1: Oh, we love it.

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Speaker 3: That's so cute.

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Speaker 1: Yeah, we love it. We have our rituals.

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Speaker 3: Yeah, oh my god, I love it.

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Speaker 1: Oh yeah, and we hope to make these live shows

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Speaker 1: a ritual as well. Oh.

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Speaker 3: I like how you did that.

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Speaker 1: And wouldn't that be nice to have a nice family dinner.

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Speaker 1: Not once a week, but maybe I don't know, a

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Speaker 1: couple of times, a couple times a year, maybe every

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Speaker 1: other month. We'll see. It's we'll see how it goes

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Speaker 1: on Wednesday. It's shaping up to be quite the affair one.

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Speaker 3: Yeah. I do think it's gonna be really really fun time.

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Speaker 3: So if you are in the California area on Wednesday.

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Speaker 1: Yeah, come on down and you can catch me up

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Speaker 1: to CCA's on Sunday. This will probably drop Monday so

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Speaker 1: I've already.

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Speaker 3: Yeah, oh wait, you're going to the Critics' Choice Awards.

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Speaker 1: I am yeah. Oh goody See w one says to go,

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Speaker 1: wants me to go and represent the show. We're going

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Speaker 1: to do the red carpet. We're gonna be sitting in

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Speaker 1: the room with the big muckety MUCKs. They're all going

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Speaker 1: to I like it.

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Speaker 3: That's cool. So when this, when people are listening to this,

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Speaker 3: U will have gone last night. It's Friday right now,

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Speaker 3: so this will air Sunday, So Scottland, you'll basically be

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Speaker 3: there when this airs.

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Speaker 1: Right, which explains the redness.

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Speaker 3: Now, will you be wearing to the Critics' Choice Awards

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Speaker 3: what you're supposed to be wearing on Wednesday? I'm nervous

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Speaker 3: about that now. No, okay, good.

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Speaker 1: I actually dug into my closet because I was panicked, like,

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Speaker 1: I don't have anything to wear. I do have a suit.

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Speaker 3: I thought of what you should wear on Wednesday?

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Speaker 1: No, no, you did, because I was panicked and I

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Speaker 1: text you and like, what am I going to wear

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Speaker 1: this thing? Because I you know, I don't know what

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Speaker 1: to do and I want Amy's professional opinion. She like, right,

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Speaker 1: I want to dress that and I told her, I

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Speaker 1: want to dress up. This is a big deal. I

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Speaker 1: want to you know, I'm in the Johnny Carson Jay

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Speaker 1: Leno Theater for God's sake.

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Speaker 3: So I'm going, So, what are you gonna wear on Sunday? What?

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Speaker 3: What did you wear last night?

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Speaker 1: Well, I went through my closet, didn't think I had anything.

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Speaker 1: Five brand new suit with the tags.

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Speaker 3: Still forget about it.

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Speaker 1: Yeah, I don't go out dress fancy. So I lay

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Speaker 1: them out on the bed. I find this one fan

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Speaker 1: it fits like a glove. When I put it on,

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Speaker 1: I actually heard the theme song to the James Bond movie.

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Speaker 5: You know what?

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Speaker 3: It is true? And this was like used to be

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Speaker 3: more sort of problematic. Is that like men would wear

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Speaker 3: their suits they were like, were you too big? Yeah,

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Speaker 3: that was sort of in the nineties.

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Speaker 1: It was like, this one is fitted. I like it,

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Speaker 1: and it's a couple of years old. I can't even

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Speaker 1: remember when I got it or how I got it.

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Speaker 1: It's always it's always a photo shoot or an appearance

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Speaker 1: and somebody gives you something, and so I have a

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Speaker 1: ton of these things. I didn't realize it. So this

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Speaker 1: thing fits. I've got a shoe issue. So I've got

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Speaker 1: to get shoes for it.

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Speaker 3: So we've improved upon a vineyard Valentine.

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Speaker 1: Yeah, I think we have very much. I think we

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Speaker 1: The bar was not too high, but this one bounded well.

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Speaker 3: Yes, the craziest thing, and I'll let Suzanne do the

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Speaker 3: synopsis is the guest stars, the famous now not famous

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Speaker 3: then guest stars throughout this episode. It was almost like

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Speaker 3: crazy too muchuld me out of the episode a little bit,

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Speaker 3: but yet I was still kind of into it.

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Speaker 1: It might be the best guest star episode of all time.

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Speaker 3: Yeah, it's Leslie Odom Junior, Abigail Spencer, Ard and Mirran

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Speaker 3: Like it goes on and on and I'm just like,

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Speaker 3: oh my god. But Suzanne, I digree.

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Speaker 6: All right. So this is Bride'smaids revisited. It aired on

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Speaker 6: February twenty eighth, two thousand and six, which was my birthday.

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Speaker 6: Thank you very much, old day, I mean birthday in

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Speaker 6: two thousand and six, Yeah, thank you. Rory and Logan

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Speaker 6: attend Honor's wedding, but Rory finds out what Logan was

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Speaker 6: really up to during their time of part Lourai plays

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Speaker 6: babysitter to Christopher's daughter Gigi and Lane and Zach take

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Speaker 6: a big leap in their relationship.

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Speaker 3: Okay, so I know we're going to dig into it.

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Speaker 3: We won't answer these questions yet, but my main questions

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Speaker 3: I want to address throughout this episode is did Rory

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Speaker 3: overreact or underreact Lane and Zach getting married?

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Speaker 2: What?

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Speaker 3: And Laura I and Gigi and Christopher? Did she handle

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Speaker 3: that correctly? Not correctly? Did Christopher? So as we talk

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Speaker 3: about it, I really want to dig into all.

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Speaker 1: NOA.

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Speaker 3: So we start with the diner, no bacon. Kirk is

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Speaker 3: on a juice cleanse of some kind. He's sort of

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Speaker 3: ahead of his time on that him and the food

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Speaker 3: stop sniffing my fiance. Yeah, and then you know, I

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Speaker 3: think the sort of important thing is that Laura Lai

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Speaker 3: tells you she's going to Rory's panel discussion and that

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Speaker 3: Christopher is going to be there. So she's really working

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Speaker 3: hard to sort of inform you, be overly transparent right

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Speaker 3: until she took Gigi for the day and didn't tell you.

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Speaker 1: But whatever, it didn't matter to me. As soon as

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Speaker 1: we got to that panel, I was like, why the

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Speaker 1: hell isn't looked there? You know?

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Speaker 3: I also was like, why so much cheek kissing? Between

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Speaker 3: these it's a kiss. Yeah, we need to talk about that.

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Speaker 1: I think the writers are very good at making us

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Speaker 1: feel very uncomfortable about this relationship. I think they're just

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Speaker 1: sticking it in, you know, they're just twisting the knife

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Speaker 1: in us. Man.

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Speaker 3: So, yeah, it was interesting that Luke didn't go. You

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Speaker 3: would have thought he would be there. But it's also

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Speaker 3: like middle of the day, and it wasn't the biggest

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Speaker 3: It was sort of a you.

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Speaker 1: Know, I think I think it's kind of a big

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Speaker 1: deal Lane. That's a pretty big deal. I mean, she's

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Speaker 1: on a panel at Yale, so it's like that'd be

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Speaker 1: a nice thing to attend, if you know.

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Speaker 4: It was.

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Speaker 3: It was a little painful light I would assume for

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Speaker 3: Loralai am me to find out that Lane was spending

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Speaker 3: so much time with April. Not that I didn't think

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Speaker 3: Lane should spend time with April, but that Loralai hasn't

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Speaker 3: been included. And obviously Luke has no issue. I thought

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Speaker 3: they got a little sideways on all the games and

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Speaker 3: the battleship, and I didn't care.

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Speaker 1: So he hasn't once, he hasn't he hasn't once invited

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Speaker 1: her to spend any time with the two of them,

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Speaker 1: has he or no, Susanna, No, that's correct. Yeah, I

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Speaker 1: think that's a little odd.

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Speaker 6: Yeah, I I this this whole opening gave me kind

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Speaker 6: of some big feelings because you could really see when

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Speaker 6: Lane was talking about, you know, I played this game

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Speaker 6: with April and she she seems to know April well,

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Speaker 6: and Laurelai is like trying to contribute to the conversation, like, well,

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Speaker 6: I used to play games like you can see she's

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Speaker 6: kind of sad that Blayne is forming a relationship with April,

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Speaker 6: and yet she's not even allowed to be in the

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Speaker 6: same room with her, Right, it's weird. So I already

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Speaker 6: started out kind of annoyed with Luke at that whole

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Speaker 6: scenario or the situation in line later because she mentions

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Speaker 6: the games later when Gigi comes in, so talk about

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Speaker 6: that when we get there.

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Speaker 3: But is it Luke not quote allowing her or is

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Speaker 3: Laura Lai not clushing it? Like for me, it's all

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Speaker 3: sort of like what's going on?

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Speaker 1: I don't think it's Luke trying to protect her. Lauraized

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Speaker 1: feelings that she couldn't handle something like that. I think

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Speaker 1: Laura I can handle any situation, right, I mean she's

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Speaker 1: very adaptable. She can fit into you can plug her

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Speaker 1: into any situation, and she's going to thrive. I just

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Speaker 1: think it's a weird Luke quirk that I wasn't aware of,

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Speaker 1: and now it's coming to the fore and it's a

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Speaker 1: bit odd, you know.

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Speaker 3: Yeah, it is there.

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Speaker 6: There is this when we get there's an episode coming

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Speaker 6: up where he actually says why he's acting like this.

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Speaker 6: So I'm not going to give any spoilers.

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Speaker 1: You have four knowledge. It's not fair, yeah, and you

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Speaker 1: know all it's not fair. Do hit us over the

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Speaker 1: head with the Susan I know, all sword over our heads?

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Speaker 1: Thank you.

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Speaker 3: Yeah, but we're sort of like mystified.

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Speaker 6: I think she's trying to let Luke take the lead

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Speaker 6: because he's the one that has the kid, and so

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Speaker 6: you know, she's trying to let him take the lead

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Speaker 6: on bringing her in. But at the same time, he's

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Speaker 6: just completely oblivious to her feelings. And like I said,

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Speaker 6: when we talked about the Martha's Vineyard episode, I had

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Speaker 6: hoped that he kind of he almost was like on

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Speaker 6: the edge of an epiphany right there, like, hey, I'm

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Speaker 6: kind of screwing this up. And I'd hoped that it

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Speaker 6: would get better and he would start kind of integrating

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Speaker 6: her into that relationship. But now we see it's really

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Speaker 6: not happening that way yet.

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Speaker 1: Is it that he feels so secure and they're so

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Speaker 1: good in their relationship, so solid and rounded, that it's

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Speaker 1: like she's giving me my space and I'll just take

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Speaker 1: the space.

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Speaker 3: And yeah, yeah, I think you're onto something. First of all,

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Speaker 3: Susanne said that so well, and Scott, I think you're

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Speaker 3: getting where my head is at. It's sort of like

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Speaker 3: he's almost just thinking this is how she wants it

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Speaker 3: to so he's like, Okay, you know, I don't think

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Speaker 3: he's intentionally trying to even control the situation. I think

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Speaker 3: he thinks, like, oh, this is just how we're both

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Speaker 3: equally deciding it to be right.

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Speaker 6: Right, even though it wasn't equal at all.

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Speaker 1: That's right, I was right. Yeah it's unspoken, but yeah

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Speaker 1: it is not. It is not equitable.

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Speaker 3: Yeah, that's right. So that's interesting. That sort of is

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Speaker 3: subtext of this sort of you know, kind of goof

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Speaker 3: somewhat goofy scene with Kirk. So then we go to

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Speaker 3: the paper and we're sort of continuing to realize how

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Speaker 3: unhinged Harris is Doyle sort of dealing with it.

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Speaker 1: She's in the eye. She wouldn't look Rory in the eye.

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Speaker 3: That was a stick, right, And she's like my favorite

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Speaker 3: part of So two things are happening. First they see

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Speaker 3: the credits and you see Abigail Spencer, ardmir and Leslie

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Speaker 3: Odam Junior, all these names of people that you're like,

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Speaker 3: oh wow, they really went on to do more. And

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Speaker 3: then I loved there's a Saw to shout out yes,

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Speaker 3: which I thought was so funny because you haven't even

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Speaker 3: done Saw whatever one you were in.

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Speaker 1: Were you in four, four and five?

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Speaker 3: Right? So it's like it was so you know what's

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Speaker 3: in a crystal ball, knowing, Hey, we're gonna give Saw

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Speaker 3: a shout out? Maybe Saw people are watching. Then they

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Speaker 3: discover Scott and put you in the movie. You were

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Speaker 3: in two of them.

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Speaker 1: Yeah, she didn't die in Thaw was supposed to be

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Speaker 1: in three.

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Speaker 3: Did you die in Saw five?

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Speaker 1: I died in Yes at the end of five, So

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Speaker 1: you didn't do sick because the big money in the

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Speaker 1: contract was coming in six and they didn't want to

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Speaker 1: pay me.

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Speaker 3: I love it. I gotta I gotta rewatch it, but

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Speaker 3: I say that every time. So we kind of get

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Speaker 3: the gist of Doyle and Rory are chatting and you

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Speaker 3: sort of realize like, oh, paris kind of a mess, right,

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Speaker 3: And it was fine.

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Speaker 1: It was inevitable.

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Speaker 3: Yeah, I sort of later enjoy it was a nice

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Speaker 3: setup for the bar scene later, so we sort of

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Speaker 3: had to have it to get there. Then we go

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Speaker 3: to the music store and Lane's going in to hang

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Speaker 3: her sign and she realizes there Zach playing banjo.

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Speaker 1: That song was so funny. It was so good. It

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Speaker 1: was so good.

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Speaker 3: Joel's still around.

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Speaker 1: Oh, Joel just killed it. You know what? What what

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Speaker 1: that is some facial can Can we just talk about

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Speaker 1: the mutton chops on steroids on Joel? How great is that? Look?

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Speaker 1: I mean that is a talk about a muppet.

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Speaker 3: Yeah, legit. And then you start to realize like, ooh,

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Speaker 3: Zach's feeling something. We're not totally sure yet what's going

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Speaker 3: to happen.

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Speaker 1: But wow, best episode I've seen with Zach.

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Speaker 3: I agree, I totally killed it.

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Speaker 1: He just killed it because yeah, this.

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Speaker 3: The Mitzvah scene is great as well as in the

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Speaker 3: diner when we get the big.

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Speaker 1: Yeah, Todd Low killed it in this episode.

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Speaker 3: Yeah, I agree, Yeah, it was great. So then we

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Speaker 3: get Rory and her fancy outfit for the panel, which

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Speaker 3: was a bit sexy for the panel.

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Speaker 1: I thought it was you you know, I'm not even

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Speaker 1: going to comment because I don't want to get the

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Speaker 1: emails so I will. Don't you no idea what you're

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Speaker 1: talking about.

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Speaker 3: It was a very cute outfit that was probably a

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Speaker 3: bit low cut for a Yale panel, but you do

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Speaker 3: you boot like whatever?

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Speaker 6: Yeah, it was very.

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Speaker 3: Cute, very cute. And Logan was in his tie and

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Speaker 3: he looked very cute because he was heading to the

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Speaker 3: rehearsal wedding rehearsal, which he has his sort of bit

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Speaker 3: about why am I have to go to this?

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Speaker 1: Can I just say something here? Logan's an alcoholic. He's

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Speaker 1: drinking hard stuff in the morning.

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Speaker 3: Yeah, he was having a cocktail. I put a note

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Speaker 3: about that.

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Speaker 1: That ain't no more.

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Speaker 3: I don't know that it was seven am, though I

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Speaker 3: kind of thought it was more like one. But I

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Speaker 3: think what we're supposed to understand is that he needs

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Speaker 3: that because he's heading to this train wreck with his family.

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Speaker 6: I think kil I think he actually, if I'm remembering correctly,

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Speaker 6: they did actually say the time was two o'clock.

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Speaker 3: Yeah, the wedding rehearsal.

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Speaker 6: He's already drinking and then she makes a comment about

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Speaker 6: how he could he can take his flask with him

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Speaker 6: to get through the red right.

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Speaker 3: Yeah, so yeah, correct, not ideal.

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Speaker 1: Boy's got a lot on his mind. Let's just say that.

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Speaker 3: I do like the kiss. I do like their entryway.

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Speaker 3: We do sort of realize it's a big, a very

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Speaker 3: very large studio.

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Speaker 1: Right with a walk in closet.

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Speaker 3: Loft, right, but it is one very big room, right.

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Speaker 3: And he comes back and says, you look incredible. Knock

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Speaker 3: him dead?

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Speaker 1: You know?

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Speaker 3: That was cute?

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Speaker 1: Yeah, that was perfect because it was like, as soon

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Speaker 1: as they closed the doing like, where's the kiss? What's

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Speaker 1: going on? Boom?

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Speaker 3: Yeah, that was a cute scene. Fine, and maybe belabored

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Speaker 3: the wedding rehearsal bit a tab bit too much, but

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Speaker 3: otherwise we are.

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Speaker 1: Being let around by our nose rings by the writing staff.

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Speaker 3: Yes. So then we get to the panel and Chris

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Speaker 3: has had a haircut and I thought the kiss that

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Speaker 3: was the first cheek kiss, which I thought, okay that

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Speaker 3: it wasn't. I noticed it.

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Speaker 1: It was too baby, it was too much. It was

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Speaker 1: one sided, and kiss really dug his lips into her cheek.

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Speaker 3: It was a lot.

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Speaker 1: It was not a friendly thing. It was like we're

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Speaker 1: in a relationship deal.

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Speaker 6: Yeah, I didn't. It wasn't a fan. I did like

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Speaker 6: the haircut. I thought the short hair looked good, but

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Speaker 6: I'm just generally not a Christopher fan, and I thought

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Speaker 6: he was a little like I felt like he was

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Speaker 6: kind of trying too hard, like he was trying to

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Speaker 6: be witty with the jokes and yeah, yeah, I don't know.

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Speaker 1: Yeah, but then you know, he doesn't know any vocabulary words,

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Speaker 1: so that kind of wipes that out.

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Speaker 3: Yeah, I don't mind this part. I have more critique

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Speaker 3: later when with the gg sitch, but we'll get to that.

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Speaker 3: There was a funny milk deadline, Yes, should I done him?

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Speaker 7: Yeah?

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Speaker 1: Out of Do you know what the feeling I get

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Speaker 1: from the situation is that Christopher is holding on to

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Speaker 1: hope that they are going to get back together. So

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Speaker 1: there's like some Emily in him, you know what I'm

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Speaker 1: interest And that's the thing that's a little jarring.

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Speaker 8: Yeah.

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Speaker 3: I think it's like it's sort of in the back

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Speaker 3: of his mind, like you can tell it. It's not

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Speaker 3: like he knows. He sort of has no chance right now.

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Speaker 3: But I don't think he ever thinks he actually has

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Speaker 3: no chance?

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Speaker 1: But is he right? Is he? Is he really respecting

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Speaker 1: that boundary right that she's in a committed relationship, does

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Speaker 1: it get to like, hey, we're a family again, and.

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Speaker 3: Yeah, that's interesting. It's almost like it's it's very subliminal, right,

385
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Speaker 3: But it's almost like he sort of is always like,

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Speaker 3: even though she's got this, I'm still the priority. I'll

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Speaker 3: always be the priority because I'm the.

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Speaker 6: Father whatever, right, And and the way you said it

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Speaker 6: was some liminal. I agree with that because I noticed

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Speaker 6: I've seen this episode a lot of times, but for

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Speaker 6: the first time when I rewatched it last night and

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Speaker 6: noticed for the first time that the way that the

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Speaker 6: scene was blocked, they it really seemed like they were

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Speaker 6: trying to emphasize the three of them as a family,

395
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Speaker 6: Like when they finished the panels standing together and she

396
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Speaker 6: joins them and they have a group hug. I don't know,

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Speaker 6: just the way they were all arranged in the shot,

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Speaker 6: I'm like, hmm, I think the writers are trying to

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Speaker 6: make us think a certain way here.

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Speaker 1: Yeah, they're creating tension, building tension, which is what they

401
00:20:34,720 --> 00:20:36,920
Speaker 1: have to do because there's no more tension left in

402
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Speaker 1: the Luke Lorelei getting together. So now it's a new.

403
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Speaker 3: So this is where we see Leslie Odom Junior, which

404
00:20:46,560 --> 00:20:49,280
Speaker 3: a young sort of before he was a star Leslie

405
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Speaker 3: Odom Junior, except I did not understand one thing he

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Speaker 3: was saying in the panel, like anything that they were

407
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Speaker 3: sort of saying, I was like, didn't get it.

408
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Speaker 6: I think they were trying to emphasize that these people

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Speaker 6: are just on a Harry plane of intellectuality, that the

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00:21:09,240 --> 00:21:11,080
Speaker 6: rest of us just aspire to right.

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Speaker 3: That's exactly right.

412
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Speaker 1: And that he was, you know, espousing opinions based on

413
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Speaker 1: no experience in Rory slammed him for that.

414
00:21:19,000 --> 00:21:21,320
Speaker 3: Yes, and you get the gist that she nailed it.

415
00:21:21,480 --> 00:21:24,720
Speaker 3: She did great. The crowds with her there, you know,

416
00:21:25,040 --> 00:21:28,600
Speaker 3: Chris and Laurli are like we created her she and laughs.

417
00:21:28,680 --> 00:21:30,520
Speaker 3: Then she has to take a rain check because she

418
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Speaker 3: can't go get a milkshake or whatever. They whatever, sort

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00:21:33,200 --> 00:21:36,360
Speaker 3: of like fifties collogy.

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Speaker 1: Let's and let's not talk ethics unless you're in the

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Speaker 1: real world, pal, you know.

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Speaker 3: Come on, right, So then we kind of have that.

423
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Speaker 3: I think the conversation between Chris and Lorelai that he

424
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Speaker 3: wants to take his mom to see the fathers, you know,

425
00:21:53,520 --> 00:21:57,439
Speaker 3: at the father's fought at the cemetery, and the single

426
00:21:57,520 --> 00:21:59,239
Speaker 3: parent thing is hard, and he's trying to get her

427
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Speaker 3: into school, and I think this is where Laura Li

428
00:22:00,960 --> 00:22:03,439
Speaker 3: says I'll take her. I think they're walking out or something,

429
00:22:04,200 --> 00:22:06,359
Speaker 3: and you're like, that's weird.

430
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Speaker 5: It's a weird.

431
00:22:08,080 --> 00:22:11,400
Speaker 1: Yeah, it's getting a little too chummy there and uh

432
00:22:12,080 --> 00:22:15,359
Speaker 1: in that world. But we're but I just again, I

433
00:22:15,359 --> 00:22:18,600
Speaker 1: think we're just it's good writing. It's where's what we're

434
00:22:18,600 --> 00:22:21,280
Speaker 1: supposed to feel. We're supposed to feel awkward and uncomfortable.

435
00:22:22,320 --> 00:22:24,320
Speaker 1: We're suppose the tension is supposed to ramp up. So

436
00:22:24,400 --> 00:22:24,840
Speaker 1: that's good.

437
00:22:24,880 --> 00:22:28,120
Speaker 6: It's all good, right, And it's it's setting up a

438
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Speaker 6: contrast which is starting to make me a little uncomfortable

439
00:22:31,920 --> 00:22:35,640
Speaker 6: because we have Luke who is saying no, no, no,

440
00:22:35,760 --> 00:22:37,760
Speaker 6: you can't be a part of my kid's life. And

441
00:22:37,800 --> 00:22:40,840
Speaker 6: now we have Christopher who's like, here, take my kid.

442
00:22:40,720 --> 00:22:41,760
Speaker 3: For the afternoon. Yeah.

443
00:22:41,840 --> 00:22:43,959
Speaker 6: Yeah, it's making me a little nervous.

444
00:22:44,000 --> 00:22:47,560
Speaker 1: It feels like it's getting too far down the road

445
00:22:47,560 --> 00:22:49,440
Speaker 1: there with these three and they're going to get together.

446
00:22:49,240 --> 00:22:53,360
Speaker 3: Again, that's an important call out, Susan. I think there

447
00:22:53,440 --> 00:22:57,680
Speaker 3: that like right, Chris is so like sakre be involved,

448
00:22:57,800 --> 00:23:01,439
Speaker 3: like yeah, blah blah blah. So then we get to

449
00:23:01,520 --> 00:23:07,000
Speaker 3: the scene, the scene at the bot mitzvah. So you know,

450
00:23:07,160 --> 00:23:09,160
Speaker 3: the minute you walk in, you're like, oh my god,

451
00:23:09,320 --> 00:23:09,920
Speaker 3: here it is.

452
00:23:10,280 --> 00:23:15,600
Speaker 7: You can hear his voice, Oh beautiful?

453
00:23:15,760 --> 00:23:18,560
Speaker 3: Is that a montage he did? I pulled the lyrics

454
00:23:19,200 --> 00:23:23,000
Speaker 3: because it's not all of Haulla back Girl, right, like

455
00:23:23,080 --> 00:23:24,880
Speaker 3: he's created sort of a montage.

456
00:23:25,080 --> 00:23:26,320
Speaker 1: Well, he did his own.

457
00:23:26,359 --> 00:23:29,040
Speaker 3: It was a segment of it, right, So he says,

458
00:23:29,680 --> 00:23:32,679
Speaker 3: So that's right, dude, meet me at the bleachers. No principles,

459
00:23:32,680 --> 00:23:35,119
Speaker 3: no student teachers. Both of us want to be the winner,

460
00:23:35,119 --> 00:23:37,120
Speaker 3: but there can only be one. So I'm gonna fight,

461
00:23:37,880 --> 00:23:40,040
Speaker 3: gonna give it my all, gonna make you fall, gonna

462
00:23:40,080 --> 00:23:42,120
Speaker 3: sock it to you. That's right. I'm the last one

463
00:23:42,200 --> 00:23:45,040
Speaker 3: standing and another one bites the dust. A few times.

464
00:23:45,040 --> 00:23:47,200
Speaker 3: I've been around that track, so it's not just gonna

465
00:23:47,200 --> 00:23:50,040
Speaker 3: happen like that. I ain't no Hala back girl. I

466
00:23:50,040 --> 00:23:51,480
Speaker 3: ain't no Halla back girl.

467
00:23:51,560 --> 00:24:00,960
Speaker 7: And yeah, hello, Tara has gotten the rug yes in

468
00:24:01,040 --> 00:24:02,360
Speaker 7: a trunk and she is now here.

469
00:24:02,480 --> 00:24:04,919
Speaker 1: All right, good job, good job.

470
00:24:05,119 --> 00:24:07,320
Speaker 3: We're jumping in at there. You're joining us at the

471
00:24:07,359 --> 00:24:08,199
Speaker 3: bot Mitzvah.

472
00:24:08,240 --> 00:24:09,040
Speaker 8: Oh perfect.

473
00:24:09,280 --> 00:24:13,159
Speaker 3: The bot Mitzvah was iconic. Gil's speech is sort of

474
00:24:13,800 --> 00:24:15,920
Speaker 3: oh gody and amazing.

475
00:24:17,160 --> 00:24:20,240
Speaker 6: I had to laugh when Brian said, I think you

476
00:24:20,440 --> 00:24:22,760
Speaker 6: used too much whammy bar on my humps, because that

477
00:24:22,960 --> 00:24:25,000
Speaker 6: just I just bust it out trying to think of

478
00:24:25,200 --> 00:24:26,280
Speaker 6: them doing my humps.

479
00:24:26,359 --> 00:24:31,560
Speaker 3: My hump. It's so good. The party's iconic because it's like,

480
00:24:32,280 --> 00:24:34,280
Speaker 3: first of all, I don't know if you guys all

481
00:24:34,320 --> 00:24:38,639
Speaker 3: watched the Adam Sandler movie about the bot Mitzvah that

482
00:24:38,800 --> 00:24:43,040
Speaker 3: just came out that everyone watched. Oh, it is really good,

483
00:24:43,119 --> 00:24:45,680
Speaker 3: and that that bot Mitzvah is like, you know, the

484
00:24:46,320 --> 00:24:49,520
Speaker 3: six figure bot Mitzvah so over the top. And this

485
00:24:49,600 --> 00:24:54,560
Speaker 3: one is sort of the classic nineties early two thousand's,

486
00:24:54,560 --> 00:24:57,080
Speaker 3: like we're in some sort of a weird room at

487
00:24:57,119 --> 00:24:59,360
Speaker 3: a hotel or like at a like.

488
00:24:59,280 --> 00:24:59,840
Speaker 6: A wreck hall.

489
00:25:00,080 --> 00:25:01,840
Speaker 3: So that call, yeah, like I was gonna say it

490
00:25:01,880 --> 00:25:05,560
Speaker 3: like the veterans all with the sort of cutout decor,

491
00:25:06,200 --> 00:25:10,160
Speaker 3: all the kids jamming. I just loved everything about it.

492
00:25:10,240 --> 00:25:12,200
Speaker 3: And then that this is where Zach has this big

493
00:25:12,400 --> 00:25:15,119
Speaker 3: speech and moment to get the band back together, the

494
00:25:15,119 --> 00:25:17,360
Speaker 3: whole thing. I was just like, this is so.

495
00:25:17,480 --> 00:25:18,959
Speaker 8: Rad, you know.

496
00:25:19,040 --> 00:25:22,880
Speaker 6: I had a little tiny flag on this though, because

497
00:25:22,880 --> 00:25:26,760
Speaker 6: I thought it was interesting that Brian and Gil stayed

498
00:25:26,800 --> 00:25:30,320
Speaker 6: together but they didn't keep Lane with them like they

499
00:25:30,359 --> 00:25:32,000
Speaker 6: had some other guy on drum.

500
00:25:32,240 --> 00:25:35,359
Speaker 3: Yeah, but maybe she chose that. She maybe just was

501
00:25:35,440 --> 00:25:36,240
Speaker 3: like I'm out.

502
00:25:36,359 --> 00:25:38,520
Speaker 1: I don't know, it's it's too painful.

503
00:25:40,119 --> 00:25:43,680
Speaker 3: She doesn't want to do bot mitzvahs, right. Yeah.

504
00:25:43,960 --> 00:25:46,880
Speaker 6: I also in the beginning she was talking about how she,

505
00:25:47,119 --> 00:25:49,000
Speaker 6: you know, she's making that flyer, that she wants to

506
00:25:49,040 --> 00:25:51,520
Speaker 6: be in a band again and she misses playing and

507
00:25:51,840 --> 00:25:53,080
Speaker 6: she wants to be in a band again.

508
00:25:53,080 --> 00:25:54,200
Speaker 3: I don't know. I just thought it was kind of

509
00:25:54,240 --> 00:25:57,080
Speaker 3: interesting that those two. Do you think Lane wants to

510
00:25:57,080 --> 00:26:00,440
Speaker 3: be playing hav Anigila. I don't, But to me it

511
00:26:00,560 --> 00:26:02,480
Speaker 3: was like, maybe she doesn't want to be doing the

512
00:26:02,520 --> 00:26:06,680
Speaker 3: bot mitzvah circuit. And Brian were like, I think it's more.

513
00:26:07,240 --> 00:26:09,720
Speaker 1: I think it's just more that it's it's ruined for

514
00:26:09,800 --> 00:26:13,000
Speaker 1: her because of the exact thing. Yeah, it's just like

515
00:26:13,200 --> 00:26:16,200
Speaker 1: it's no, I just let me scrub this some start

516
00:26:16,200 --> 00:26:18,359
Speaker 1: anew with them.

517
00:26:18,440 --> 00:26:21,760
Speaker 3: Yeah, yeah, I just like that the Feldman boy was

518
00:26:21,800 --> 00:26:23,000
Speaker 3: eating Maraschino cherries.

519
00:26:23,040 --> 00:26:26,840
Speaker 4: Sorry, Tom, I would say my flag was really really random.

520
00:26:26,880 --> 00:26:28,679
Speaker 4: But when they stopped playing and they're like, all right,

521
00:26:28,720 --> 00:26:30,600
Speaker 4: we're gonna get ready, it's like it was just silent,

522
00:26:30,760 --> 00:26:31,280
Speaker 4: like no.

523
00:26:31,280 --> 00:26:33,240
Speaker 8: Party is there were just like silence. I was like,

524
00:26:33,240 --> 00:26:35,440
Speaker 8: can we put like a backtrack on or something.

525
00:26:35,200 --> 00:26:38,560
Speaker 3: Like God the kid shoving the Marashino cherries and it's

526
00:26:38,600 --> 00:26:39,400
Speaker 3: just all more rough.

527
00:26:39,560 --> 00:26:41,000
Speaker 1: Actually turned away on that one.

528
00:26:41,200 --> 00:26:44,160
Speaker 3: Oh my god, it's so good. All right, So then

529
00:26:44,280 --> 00:26:48,560
Speaker 3: we go Now Logan and Rory are back together at

530
00:26:48,680 --> 00:26:52,639
Speaker 3: the wedding. There's someone's looking for their cufflings. I think

531
00:26:52,720 --> 00:26:55,840
Speaker 3: Josh is looking. Somebody's looking for their cuflings. Rory looks

532
00:26:56,040 --> 00:26:59,560
Speaker 3: very cute. She's in a great dress with a great coat.

533
00:26:59,840 --> 00:27:03,000
Speaker 3: The brides in the wedding sweats, which seemed like all

534
00:27:03,119 --> 00:27:06,040
Speaker 3: those bridesmaids and brides were in juicy sweats.

535
00:27:06,640 --> 00:27:10,320
Speaker 8: I was like, are they Yeah? Yeah, that was so

536
00:27:10,440 --> 00:27:11,080
Speaker 8: the era to.

537
00:27:13,480 --> 00:27:15,679
Speaker 3: The wedding planner, the whole thing. So I thought, Okay,

538
00:27:15,680 --> 00:27:18,480
Speaker 3: this is all great. We're getting the setup of the wedding.

539
00:27:19,520 --> 00:27:21,639
Speaker 3: Then we go back to the house where Christopher has

540
00:27:21,720 --> 00:27:25,240
Speaker 3: dropped off Gigi, and that was insane to me.

541
00:27:25,680 --> 00:27:29,160
Speaker 1: This is what happens when a child is in discipline.

542
00:27:29,200 --> 00:27:31,320
Speaker 1: That's all there is to it. That's how they are.

543
00:27:32,040 --> 00:27:34,919
Speaker 3: I mean, I don't I've never seen a kid hackling

544
00:27:35,000 --> 00:27:39,000
Speaker 3: that I have. I have that was really over the top.

545
00:27:39,200 --> 00:27:41,920
Speaker 1: I have, no, No, that is not over the top.

546
00:27:42,000 --> 00:27:45,240
Speaker 4: Actually no, that's just a kid who gets told yes

547
00:27:45,320 --> 00:27:46,320
Speaker 4: whatever they want, right.

548
00:27:46,280 --> 00:27:50,280
Speaker 1: Yeah, yeah, they turn into monsters. They do wow and

549
00:27:50,320 --> 00:27:55,280
Speaker 1: they scream at the top of their lungs and it's

550
00:27:55,760 --> 00:28:00,480
Speaker 1: it's wild. It's just absolutely wild. And that was even

551
00:28:00,560 --> 00:28:04,879
Speaker 1: a that was a mild version of some of a

552
00:28:04,920 --> 00:28:05,600
Speaker 1: spoiled kid.

553
00:28:06,280 --> 00:28:08,639
Speaker 8: Yeah, Lorlai was really calm.

554
00:28:08,720 --> 00:28:12,200
Speaker 4: If that happened at my house, I would be losing

555
00:28:12,320 --> 00:28:17,359
Speaker 4: my mind. Yeah, like I would actually have a panic attack.

556
00:28:18,520 --> 00:28:21,520
Speaker 3: I don't think I would like sharpie on my hardwood floor, yeah,

557
00:28:21,640 --> 00:28:26,320
Speaker 3: my new hardwood floors. Yeah, that would be stressful.

558
00:28:26,880 --> 00:28:29,320
Speaker 4: Oh yeah, they just remodeled, yeah, yeah new.

559
00:28:30,920 --> 00:28:32,800
Speaker 3: So we kind of are getting the scene. There's a

560
00:28:32,840 --> 00:28:37,480
Speaker 3: funny full house shout out. There's they kiss again. There's

561
00:28:37,520 --> 00:28:42,120
Speaker 3: a Christopher kiss again. So that was sort of man,

562
00:28:42,160 --> 00:28:43,960
Speaker 3: these two kiss a lot, right.

563
00:28:44,800 --> 00:28:48,560
Speaker 1: They're kissing there. They know how to get on our nerves.

564
00:28:50,480 --> 00:28:53,360
Speaker 1: They really really know how to get under our skin.

565
00:28:54,120 --> 00:28:56,200
Speaker 1: And when I say us, I mean the fan base.

566
00:28:56,560 --> 00:28:58,160
Speaker 3: No exactly, of course.

567
00:28:57,920 --> 00:29:00,440
Speaker 1: Guys, lunch is here. I have to eat. I'm sorry.

568
00:29:00,520 --> 00:29:01,600
Speaker 3: Can you keep talking about you?

569
00:29:01,760 --> 00:29:04,920
Speaker 1: Yes? Yeah, yeah, okay, my apologies.

570
00:29:05,160 --> 00:29:08,760
Speaker 3: Don't what it is.

571
00:29:09,360 --> 00:29:10,200
Speaker 1: I'm starving.

572
00:29:10,520 --> 00:29:12,240
Speaker 3: You're even going since five am? You're good?

573
00:29:12,400 --> 00:29:13,960
Speaker 1: Yeah, I'm starving. I'm sorry.

574
00:29:14,000 --> 00:29:17,520
Speaker 3: Okay. So then we go from Lorelei's house, which still

575
00:29:17,600 --> 00:29:21,360
Speaker 3: to me, I was like, Gigis, She's like a devil child.

576
00:29:21,440 --> 00:29:25,160
Speaker 3: But anyway, then we get to the bridesmaids and we've

577
00:29:25,200 --> 00:29:27,400
Speaker 3: got all the bridesmaids dealing with their looks, and they're

578
00:29:27,440 --> 00:29:31,360
Speaker 3: warning worry about the dignitaries, and we're trying to get

579
00:29:31,600 --> 00:29:37,680
Speaker 3: honors slingbacks on and YadA YadA, and all of a sudden,

580
00:29:37,840 --> 00:29:40,120
Speaker 3: you know, I already was nervous because I knew. I'm like, oh,

581
00:29:40,240 --> 00:29:42,680
Speaker 3: I know what's coming. And then one of the bridesmaids

582
00:29:42,840 --> 00:29:45,520
Speaker 3: talks about how she wants to hook up, and all

583
00:29:45,520 --> 00:29:48,560
Speaker 3: of a sudden, it's like, been there, done that, and

584
00:29:48,600 --> 00:29:52,320
Speaker 3: you just realize, oh my god, they've all been with

585
00:29:52,440 --> 00:29:55,280
Speaker 3: Logan all of them, which is also so weird.

586
00:29:55,600 --> 00:29:58,720
Speaker 8: I thought I didn't think it was that surprising actually.

587
00:29:58,640 --> 00:30:02,960
Speaker 4: Just knowing, I was like, I was shocked that Rory

588
00:30:03,160 --> 00:30:06,080
Speaker 4: was as shocked as she was the timing and we'll

589
00:30:06,080 --> 00:30:08,360
Speaker 4: get there the timing that they talked about, yes, but

590
00:30:08,440 --> 00:30:11,720
Speaker 4: like I was, like, doesn't she expect that he slept

591
00:30:11,720 --> 00:30:12,960
Speaker 4: with all these girls, let's.

592
00:30:12,760 --> 00:30:16,520
Speaker 3: Say, his sister's friends. That's creepy and gross, Like, yeah,

593
00:30:16,600 --> 00:30:17,440
Speaker 3: that was my thing.

594
00:30:18,320 --> 00:30:20,760
Speaker 6: I knew he's been with a lot of people, but

595
00:30:21,880 --> 00:30:24,080
Speaker 6: like his sister's friends, Like, he could have probably any

596
00:30:24,080 --> 00:30:26,720
Speaker 6: woman that he wanted. That's what I think. He's rotating

597
00:30:26,720 --> 00:30:28,000
Speaker 6: through his sister's friends.

598
00:30:28,040 --> 00:30:30,400
Speaker 4: Like that was Oh see, I just thought he was

599
00:30:30,680 --> 00:30:33,560
Speaker 4: I didn't think that was abnormal because like, well, it's also.

600
00:30:33,480 --> 00:30:37,640
Speaker 3: Weird friend code. Right, So let's let's suspend disbelief and

601
00:30:38,480 --> 00:30:40,719
Speaker 3: they Okay, he's going to hook up with one of

602
00:30:40,720 --> 00:30:43,480
Speaker 3: his sister's friends. I just don't think all of them

603
00:30:43,520 --> 00:30:46,400
Speaker 3: of them after one of them. Right, So, say you've

604
00:30:46,440 --> 00:30:49,200
Speaker 3: got a best friend group, Like if my best friend

605
00:30:49,240 --> 00:30:53,520
Speaker 3: Lisa kisses somebody in the group, I don't think our

606
00:30:53,600 --> 00:30:56,400
Speaker 3: other five friends are going to also go. Right. That's

607
00:30:56,440 --> 00:30:59,440
Speaker 3: where right, that's a girl. He said, bridesmaids not have

608
00:30:59,440 --> 00:31:00,640
Speaker 3: any code with each other.

609
00:31:01,080 --> 00:31:03,560
Speaker 8: I mean, that's troubling. I don't know. It was just

610
00:31:03,560 --> 00:31:04,200
Speaker 8: a weird one.

611
00:31:04,280 --> 00:31:07,040
Speaker 1: She just kept saying she didn't care she sleep with anybody.

612
00:31:07,120 --> 00:31:10,320
Speaker 1: That one. Yeah, yeah, she was hysterical.

613
00:31:10,920 --> 00:31:14,880
Speaker 6: Yeah, so casting note on that scene, that bridesmaid who

614
00:31:14,880 --> 00:31:17,880
Speaker 6: said she would sleep with anybody. She was also one

615
00:31:17,920 --> 00:31:21,520
Speaker 6: of the debutantes at Rory's coming out. She was no

616
00:31:21,560 --> 00:31:23,240
Speaker 6: one talking about her lipstick and all that.

617
00:31:32,480 --> 00:31:37,320
Speaker 3: So Abigail Spencer, who obviously was on Grey's Anatomy and

618
00:31:37,360 --> 00:31:39,680
Speaker 3: she was on that time travel show that I Love

619
00:31:39,720 --> 00:31:41,000
Speaker 3: with Matt Lantern.

620
00:31:40,720 --> 00:31:42,280
Speaker 1: That working which one was in.

621
00:31:43,920 --> 00:31:45,560
Speaker 3: She's a dark haired one.

622
00:31:45,400 --> 00:31:46,840
Speaker 6: The brunette with the long hair.

623
00:31:47,000 --> 00:31:53,440
Speaker 3: She's on that new show with Donald Faison and John Cryer.

624
00:31:55,520 --> 00:31:57,440
Speaker 1: She had she had a great turn phrase there and

625
00:31:57,520 --> 00:32:02,880
Speaker 1: that that was a really fun scene. Yeah, totally.

626
00:32:02,880 --> 00:32:05,720
Speaker 3: They're all talented. So Arden Mieran, who's going to be

627
00:32:05,720 --> 00:32:08,200
Speaker 3: on with us, has gone on to do many things. Susan,

628
00:32:08,320 --> 00:32:11,240
Speaker 3: do you know the name of the actress that was

629
00:32:11,280 --> 00:32:12,400
Speaker 3: also the debutante?

630
00:32:13,680 --> 00:32:14,320
Speaker 8: Uh?

631
00:32:15,080 --> 00:32:17,880
Speaker 6: I did until you just asked that.

632
00:32:18,160 --> 00:32:21,920
Speaker 8: By the way, Abigail. Abigail was on suits. I didn't realize.

633
00:32:22,240 --> 00:32:24,400
Speaker 3: Yeah, and she also what was that great time travel?

634
00:32:24,440 --> 00:32:25,120
Speaker 3: Somebody look up?

635
00:32:25,480 --> 00:32:28,040
Speaker 8: Oh timeless, timeless.

636
00:32:27,400 --> 00:32:28,240
Speaker 3: That was so good.

637
00:32:28,640 --> 00:32:31,959
Speaker 6: And the other bridesmaid with the short hair that was

638
00:32:32,400 --> 00:32:33,240
Speaker 6: ed herman's daughter.

639
00:32:33,760 --> 00:32:35,680
Speaker 8: No way, no way.

640
00:32:36,160 --> 00:32:41,120
Speaker 3: Really yeah, yeah, they really just put a great group

641
00:32:41,160 --> 00:32:42,320
Speaker 3: of bridesmaids together.

642
00:32:42,680 --> 00:32:45,720
Speaker 8: So I will say the banter between them was great,

643
00:32:46,680 --> 00:32:47,720
Speaker 8: totally fun.

644
00:32:48,280 --> 00:32:49,480
Speaker 3: Hiding the pain.

645
00:32:49,400 --> 00:32:52,400
Speaker 4: Too, yeah, I mean not a fun scene, but the

646
00:32:52,440 --> 00:32:53,920
Speaker 4: banter between them was fun.

647
00:32:54,680 --> 00:32:59,720
Speaker 3: Yeah, it was amazing. Yeah, but uh yeah, it's it's

648
00:33:00,720 --> 00:33:03,479
Speaker 3: rough and she has to hide it, and then you

649
00:33:03,520 --> 00:33:07,640
Speaker 3: sort of see her I mean combination of like shock,

650
00:33:09,160 --> 00:33:14,040
Speaker 3: her sadness, disappointment, just the whole thing. All the error

651
00:33:14,040 --> 00:33:17,880
Speaker 3: is just sucked out of that would have been even

652
00:33:17,920 --> 00:33:21,479
Speaker 3: if on some level she forgives him. Oh Samantha Shelton,

653
00:33:21,520 --> 00:33:23,400
Speaker 3: that's who the other one was. Yeah, that's it. So

654
00:33:23,560 --> 00:33:26,720
Speaker 3: even if she knows they were broken up on a

655
00:33:26,760 --> 00:33:30,320
Speaker 3: break it was very friends with that, it still sucks.

656
00:33:30,400 --> 00:33:31,520
Speaker 3: It doesn't sucks.

657
00:33:31,720 --> 00:33:32,600
Speaker 6: It's still shocking.

658
00:33:32,720 --> 00:33:36,280
Speaker 3: Yeah, it sucks because she didn't go out and do that.

659
00:33:36,800 --> 00:33:38,760
Speaker 1: No, it's a double standard almost right.

660
00:33:39,000 --> 00:33:40,120
Speaker 8: Yeah, And also.

661
00:33:40,120 --> 00:33:44,320
Speaker 4: Like she again, she didn't realize they were ever separated.

662
00:33:44,400 --> 00:33:48,080
Speaker 4: She just thought they were on a break not talking.

663
00:33:48,160 --> 00:33:51,040
Speaker 3: What is on a break? Though? If you're on a break,

664
00:33:51,920 --> 00:33:53,800
Speaker 3: doesn't that mean you can go kiss girls?

665
00:33:53,840 --> 00:33:55,760
Speaker 4: I don't think you have I think you have to

666
00:33:57,000 --> 00:33:59,120
Speaker 4: equally decide that though.

667
00:33:59,240 --> 00:34:02,600
Speaker 8: I think you have to be like, are we just

668
00:34:02,680 --> 00:34:04,600
Speaker 8: not going to see each other for two weeks and

669
00:34:04,640 --> 00:34:05,440
Speaker 8: not talk.

670
00:34:05,440 --> 00:34:08,719
Speaker 4: Or are we going out and dating other people and

671
00:34:08,719 --> 00:34:10,520
Speaker 4: then we'll come back together. I think you have to, Like,

672
00:34:11,200 --> 00:34:14,440
Speaker 4: I think you have to decide as a couple, parameters.

673
00:34:14,600 --> 00:34:17,120
Speaker 1: Parameters were not negotiated in this one.

674
00:34:17,520 --> 00:34:20,600
Speaker 3: No, But I think Logan. I don't think Logan was

675
00:34:20,640 --> 00:34:26,120
Speaker 3: wrong in sort of thinking they were broken up, because

676
00:34:26,160 --> 00:34:30,319
Speaker 3: the fight in the pub was pretty major, and I

677
00:34:30,520 --> 00:34:33,359
Speaker 3: sort of was like, that seems like they're broken up,

678
00:34:34,520 --> 00:34:36,680
Speaker 3: but they never broken up. Now.

679
00:34:37,040 --> 00:34:39,160
Speaker 1: Look, I think the question in her mind is we're

680
00:34:39,200 --> 00:34:41,520
Speaker 1: supposed to be in love. You said you love me.

681
00:34:41,600 --> 00:34:43,920
Speaker 1: How can you sleep with somebody else because we're on

682
00:34:43,960 --> 00:34:44,319
Speaker 1: a break.

683
00:34:44,360 --> 00:34:46,960
Speaker 3: Oh, he hadn't said it yet, right, he hadn't said

684
00:34:46,960 --> 00:34:49,640
Speaker 3: it yet. She'd said it. Yeah.

685
00:34:49,719 --> 00:34:53,960
Speaker 4: Well, and also Logan he he doesn't know what a

686
00:34:54,000 --> 00:34:57,719
Speaker 4: relationship is like, So I'm not trying to say what

687
00:34:57,760 --> 00:34:59,600
Speaker 4: he did was okay, But I think in his head

688
00:34:59,600 --> 00:35:02,719
Speaker 4: he doesn't know how this works. When fer Rory, if

689
00:35:02,719 --> 00:35:05,000
Speaker 4: someone's in an argument, you have an argument, you maybe

690
00:35:05,000 --> 00:35:06,640
Speaker 4: don't talk for a day, and then you just like

691
00:35:07,320 --> 00:35:07,919
Speaker 4: figure it out.

692
00:35:07,920 --> 00:35:10,640
Speaker 8: You kind of move past it, like with anyone you love,

693
00:35:10,760 --> 00:35:12,000
Speaker 8: friend's family.

694
00:35:11,719 --> 00:35:13,920
Speaker 4: Like you get into an argument and then you pick

695
00:35:14,000 --> 00:35:15,600
Speaker 4: up the next day and you're like, hey, we did

696
00:35:15,640 --> 00:35:16,440
Speaker 4: that happens.

697
00:35:17,239 --> 00:35:19,640
Speaker 1: I think that's an excuse that guys use. They don't

698
00:35:19,680 --> 00:35:21,640
Speaker 1: know how that works. Now they know how it works.

699
00:35:23,480 --> 00:35:26,600
Speaker 8: Do you think in this moment Logan knew now he.

700
00:35:26,680 --> 00:35:30,319
Speaker 3: Thought they were broken up. He thought they were broken up.

701
00:35:30,360 --> 00:35:33,240
Speaker 3: He says it, we were broken up, and she says

702
00:35:33,640 --> 00:35:38,600
Speaker 3: we were taking a break, And I think, look, I

703
00:35:38,640 --> 00:35:41,480
Speaker 3: don't condone Logan, like, I don't think you should break

704
00:35:41,520 --> 00:35:43,319
Speaker 3: up with somebody. In four seconds later, you're sleeping with

705
00:35:43,360 --> 00:35:47,360
Speaker 3: your sister's bridesmaids. That being said, I don't know that

706
00:35:47,440 --> 00:35:49,520
Speaker 3: he I think he was hurt. He says that later

707
00:35:49,840 --> 00:35:54,320
Speaker 3: in this you know, two scenes away, he was distraught

708
00:35:54,360 --> 00:35:56,440
Speaker 3: and he's just doing it. Was like drinking, right, so

709
00:35:56,480 --> 00:35:58,520
Speaker 3: he's like drinking out of his flask and like that.

710
00:35:58,640 --> 00:36:02,320
Speaker 1: I believe that. I believe his insecurity made him do that. Yeah,

711
00:36:02,440 --> 00:36:04,600
Speaker 1: he didn't think he was worthy of her in the

712
00:36:04,600 --> 00:36:07,440
Speaker 1: first place, and now that's confirmed. So he's just gonna

713
00:36:07,480 --> 00:36:08,479
Speaker 1: screw it, you know.

714
00:36:08,960 --> 00:36:12,920
Speaker 3: Right, Because I do think Look when they have that

715
00:36:12,920 --> 00:36:16,279
Speaker 3: fight in the pub and off they go. If I

716
00:36:16,440 --> 00:36:19,120
Speaker 3: was just a bystander, I'd be like, well, those duo

717
00:36:19,239 --> 00:36:22,200
Speaker 3: just broke up, and I don't really there is no

718
00:36:22,360 --> 00:36:26,120
Speaker 3: like what so she needed a formal conversation or paperwork

719
00:36:26,200 --> 00:36:28,680
Speaker 3: saying we broken up? It's like, no, they had this

720
00:36:28,840 --> 00:36:31,080
Speaker 3: massive fight. She basically tells him to hit the road.

721
00:36:31,719 --> 00:36:36,759
Speaker 3: They're broken up. Do you think Ross and Rachel were

722
00:36:36,800 --> 00:36:37,359
Speaker 3: broken up?

723
00:36:39,160 --> 00:36:41,440
Speaker 8: I feel like that's like the forever argument.

724
00:36:42,440 --> 00:36:47,080
Speaker 4: Yeah, like no one's that were gonna figure that one out?

725
00:36:48,560 --> 00:36:52,200
Speaker 8: Is that really where like we were on a break?

726
00:36:52,360 --> 00:36:55,960
Speaker 8: Really like we were on a break.

727
00:36:57,000 --> 00:36:58,520
Speaker 4: I knew it was from that, but I'm like we

728
00:36:58,600 --> 00:37:01,000
Speaker 4: all now referred to it as like really that's why.

729
00:37:01,160 --> 00:37:05,400
Speaker 3: So that's why this storyline. You're like they were on

730
00:37:05,440 --> 00:37:08,240
Speaker 3: a break or they were broken up. It's the same thing.

731
00:37:09,000 --> 00:37:11,120
Speaker 8: Wait, so what do you think about friends? If if

732
00:37:11,120 --> 00:37:13,360
Speaker 8: we're just comparing, I think.

733
00:37:13,120 --> 00:37:16,680
Speaker 3: That they were on a break, But that if Ross

734
00:37:16,760 --> 00:37:19,440
Speaker 3: he didn't cheat because they were on a break.

735
00:37:21,280 --> 00:37:23,480
Speaker 6: Because didn't they I'm trying to remember, it's been a

736
00:37:23,520 --> 00:37:25,000
Speaker 6: while since I've seen that Friends episode.

737
00:37:25,040 --> 00:37:25,720
Speaker 3: But didn't they.

738
00:37:25,680 --> 00:37:29,839
Speaker 6: Literally say they said, and they need a break right

739
00:37:30,320 --> 00:37:31,200
Speaker 6: of us?

740
00:37:31,520 --> 00:37:34,759
Speaker 3: Like they they literally named it a break, right, and

741
00:37:35,280 --> 00:37:37,320
Speaker 3: and that's what Rory said. We were on a break.

742
00:37:37,719 --> 00:37:41,319
Speaker 3: Isn't a break? A break? To me is a temporary

743
00:37:41,480 --> 00:37:42,000
Speaker 3: break up.

744
00:37:42,560 --> 00:37:44,359
Speaker 8: But did they say that to each other?

745
00:37:44,560 --> 00:37:48,560
Speaker 4: Scott's like, Scott's just like listening, sitting back eating listic.

746
00:37:49,600 --> 00:37:53,359
Speaker 4: But like, but that's the thing, is like Rory and

747
00:37:53,600 --> 00:37:56,040
Speaker 4: or Logan never said it to each other.

748
00:37:56,400 --> 00:37:57,800
Speaker 8: I think that makes a difference.

749
00:37:58,480 --> 00:38:00,879
Speaker 3: True. I guess true way a minute.

750
00:38:00,920 --> 00:38:03,319
Speaker 1: If you're a couple and things are going well, you

751
00:38:03,400 --> 00:38:07,240
Speaker 1: have a blowout fight like that, you if you say

752
00:38:07,360 --> 00:38:10,120
Speaker 1: let's take a break because it's so heated, then the

753
00:38:10,239 --> 00:38:13,200
Speaker 1: chances are greater that you're going to end up breaking up.

754
00:38:13,760 --> 00:38:16,800
Speaker 1: After the break is over, then you are getting back together,

755
00:38:16,840 --> 00:38:18,400
Speaker 1: because if you were going to get back together, you

756
00:38:18,440 --> 00:38:19,680
Speaker 1: would talk the next day.

757
00:38:20,360 --> 00:38:23,359
Speaker 3: I agree, Scott, right, Like they were on such a

758
00:38:23,400 --> 00:38:26,439
Speaker 3: break right, So Rory and Logan did not talk. It's

759
00:38:26,440 --> 00:38:28,440
Speaker 3: not like they had that big fight and then the

760
00:38:28,480 --> 00:38:30,920
Speaker 3: next day they talked, it was like days on days on.

761
00:38:30,920 --> 00:38:34,560
Speaker 1: Days, nobody's reaching out to resolve they were broken.

762
00:38:35,920 --> 00:38:39,719
Speaker 3: Yeah, Logan is kind of right. Like I'm not going

763
00:38:39,760 --> 00:38:42,000
Speaker 3: to say he was a thousand percent right, but he

764
00:38:42,160 --> 00:38:43,359
Speaker 3: was sort of right.

765
00:38:44,160 --> 00:38:45,120
Speaker 1: I think they're both right.

766
00:38:45,800 --> 00:38:47,960
Speaker 3: I think you're right, Scott. I think they're both right,

767
00:38:48,360 --> 00:38:51,640
Speaker 3: And it's just two perspectives and two things can be true.

768
00:38:52,480 --> 00:38:54,239
Speaker 8: And how many girls did you hook up with?

769
00:38:54,719 --> 00:38:55,400
Speaker 3: Like a lot?

770
00:38:55,480 --> 00:38:58,440
Speaker 4: But that's Logan but like no, I'm just trying to

771
00:38:58,440 --> 00:39:01,760
Speaker 4: think like realistically, like you how many they were apart

772
00:39:01,840 --> 00:39:03,280
Speaker 4: for like the whole holiday season.

773
00:39:03,320 --> 00:39:04,879
Speaker 3: But I didn't get that he hooked up with all

774
00:39:04,920 --> 00:39:07,919
Speaker 3: of them during the that I sort of also thought

775
00:39:08,520 --> 00:39:10,840
Speaker 3: somewhere before Rory, I don't know, I was confused on that.

776
00:39:10,960 --> 00:39:13,960
Speaker 6: We know that just amongst the bridesmaids, he slept with

777
00:39:14,040 --> 00:39:16,719
Speaker 6: two of them and fooled around with the third one.

778
00:39:17,160 --> 00:39:23,360
Speaker 6: But there osridesmaids, I mean, right, right, we don't know exactly.

779
00:39:23,480 --> 00:39:27,600
Speaker 4: Yeah, I don't know one, not like I'm saying it's

780
00:39:27,600 --> 00:39:29,440
Speaker 4: a pass. But if you're on a break, one is

781
00:39:29,480 --> 00:39:32,560
Speaker 4: like okay, if you're going with that many girls, then like.

782
00:39:34,000 --> 00:39:38,560
Speaker 8: All right, dude, you know yeah, I.

783
00:39:38,480 --> 00:39:43,400
Speaker 3: Mean some people eat ice c guys like you don't

784
00:39:43,440 --> 00:39:48,000
Speaker 3: know Logan now I know, but like six girls and

785
00:39:48,200 --> 00:39:54,759
Speaker 3: Rory every day at his house and someone knocked on

786
00:39:54,840 --> 00:39:56,799
Speaker 3: the door, like it was so crazy.

787
00:39:56,880 --> 00:39:58,800
Speaker 8: But like every day someone's what.

788
00:39:59,640 --> 00:40:02,960
Speaker 3: Yeah, I don't write, it's a it's also still a

789
00:40:03,000 --> 00:40:05,600
Speaker 3: TV show. So we go back to lower Lies and

790
00:40:05,800 --> 00:40:09,960
Speaker 3: Gigi is just totally unhinged. It's just totally crazy. She's screaming,

791
00:40:10,080 --> 00:40:12,640
Speaker 3: and then the line is funny, wait till your father

792
00:40:12,800 --> 00:40:15,880
Speaker 3: gets home, Like, but it was also just so like

793
00:40:16,000 --> 00:40:17,360
Speaker 3: this kid's crazy.

794
00:40:17,960 --> 00:40:23,040
Speaker 1: Yeah, not the kid's fault, though. It shocking that Christopher

795
00:40:23,120 --> 00:40:26,360
Speaker 1: is not an effective parent. I did, but I do,

796
00:40:26,480 --> 00:40:29,080
Speaker 1: I do under I do empathize with him. It's hard

797
00:40:29,080 --> 00:40:30,520
Speaker 1: to say no to your kid, but you got to

798
00:40:30,600 --> 00:40:33,520
Speaker 1: learn to do it, Yeah, because you're not You're not

799
00:40:33,560 --> 00:40:35,160
Speaker 1: serving them by saying yes all the time.

800
00:40:36,560 --> 00:40:39,640
Speaker 3: Yeah, you can relate. You have one kid, so it's

801
00:40:39,680 --> 00:40:44,719
Speaker 3: so hard, you know, like you I get it, but like, right,

802
00:40:44,880 --> 00:40:46,400
Speaker 3: you can't just say yes all that.

803
00:40:46,680 --> 00:40:49,479
Speaker 1: But he's he's a sweetheart, he's a good boy. He knows,

804
00:40:49,760 --> 00:40:50,759
Speaker 1: he knows the boundaries.

805
00:40:50,880 --> 00:40:53,040
Speaker 3: He just that's probably because you did it from the

806
00:40:53,040 --> 00:40:59,759
Speaker 3: beginning too, right, Oh yes, yep. So okay, So then

807
00:40:59,760 --> 00:41:01,840
Speaker 3: we go back and now we have Rory and Logan.

808
00:41:01,960 --> 00:41:04,920
Speaker 3: So Logan comes in and Rory has not attended the

809
00:41:04,960 --> 00:41:08,040
Speaker 3: wedding and has just stayed in that room, and you

810
00:41:08,120 --> 00:41:11,040
Speaker 3: sort of get the like you made me walk into

811
00:41:11,040 --> 00:41:13,319
Speaker 3: a room full of girls you had sex with that

812
00:41:13,480 --> 00:41:16,239
Speaker 3: we have the debate did he cheat in his mind?

813
00:41:16,280 --> 00:41:16,320
Speaker 1: No?

814
00:41:16,680 --> 00:41:20,320
Speaker 3: In her mind, yes, he loves her. He was lonely

815
00:41:20,320 --> 00:41:22,560
Speaker 3: and depressed, and I why would he tell her?

816
00:41:22,840 --> 00:41:23,000
Speaker 4: Right?

817
00:41:23,160 --> 00:41:24,720
Speaker 3: Like, was he supposed to tell her?

818
00:41:25,160 --> 00:41:25,359
Speaker 1: No?

819
00:41:25,440 --> 00:41:26,239
Speaker 3: Do you guys think on that?

820
00:41:26,520 --> 00:41:29,880
Speaker 1: No, because that's ending the relationship. Because if he tells her,

821
00:41:30,160 --> 00:41:34,360
Speaker 1: if he calls her and says, hey, I met somebody

822
00:41:34,520 --> 00:41:36,840
Speaker 1: and he makes a big meal out of this and

823
00:41:36,920 --> 00:41:40,000
Speaker 1: a big deal out of it, that means maybe he

824
00:41:40,040 --> 00:41:42,520
Speaker 1: loves her. Why is she Why is he telling me this?

825
00:41:44,000 --> 00:41:44,360
Speaker 3: Right?

826
00:41:44,560 --> 00:41:48,320
Speaker 1: That's the tough part to interpret, right.

827
00:41:48,600 --> 00:41:50,799
Speaker 3: Yeah, I wouldn't have told her either. It's like they

828
00:41:50,880 --> 00:41:51,880
Speaker 3: were broken.

829
00:41:51,560 --> 00:41:54,400
Speaker 1: Up because and then he makes if he makes a

830
00:41:54,400 --> 00:41:56,799
Speaker 1: phone call and says in a general sense, listen, I'm

831
00:41:56,800 --> 00:41:59,920
Speaker 1: going to see other people. That's also to her that

832
00:42:00,160 --> 00:42:02,640
Speaker 1: we're broken up. Yes, they're not going to do that.

833
00:42:02,800 --> 00:42:03,440
Speaker 8: Do you think so?

834
00:42:04,160 --> 00:42:05,040
Speaker 3: I agree?

835
00:42:05,040 --> 00:42:08,040
Speaker 4: I agree, Like he wouldn't have told her, but he

836
00:42:08,160 --> 00:42:13,040
Speaker 4: knows his sister's friends and that group and they're all gossips,

837
00:42:13,080 --> 00:42:16,000
Speaker 4: Like did you not think that? I feel like logan,

838
00:42:16,239 --> 00:42:19,239
Speaker 4: if you me smart guy, that they would just start

839
00:42:19,320 --> 00:42:22,480
Speaker 4: chit chatting at some point and gossiping and like, oh

840
00:42:22,520 --> 00:42:25,279
Speaker 4: I or at least warn her, like some of those

841
00:42:25,280 --> 00:42:27,839
Speaker 4: girls that you're going to agree with that too.

842
00:42:27,600 --> 00:42:30,239
Speaker 3: I agree with you there because some of them a

843
00:42:30,280 --> 00:42:30,800
Speaker 3: lot more.

844
00:42:30,719 --> 00:42:33,799
Speaker 1: Nervous, Like he's just smart guy that drinks it too

845
00:42:33,800 --> 00:42:35,240
Speaker 1: in the afternoon and carries around.

846
00:42:35,080 --> 00:42:37,839
Speaker 3: Flask Right, he should have been more nervous.

847
00:42:37,520 --> 00:42:38,200
Speaker 1: And he's twenty.

848
00:42:38,640 --> 00:42:40,400
Speaker 8: Yeah, he was like way too cool about it.

849
00:42:40,480 --> 00:42:43,279
Speaker 4: Like even let's say, even if he didn't hook up

850
00:42:43,320 --> 00:42:45,400
Speaker 4: with some of those girls on their break, he hooks.

851
00:42:45,239 --> 00:42:48,520
Speaker 8: Up with some before they were together, right, it would

852
00:42:48,560 --> 00:42:49,080
Speaker 8: be awkward.

853
00:42:49,320 --> 00:42:51,920
Speaker 1: Listen all it is it's it's it's a classic case

854
00:42:52,080 --> 00:42:57,080
Speaker 1: of reversion to the mean, which means he's in a

855
00:42:57,080 --> 00:42:59,480
Speaker 1: an outlier relationship that he's never been in before. He's

856
00:42:59,480 --> 00:43:03,839
Speaker 1: in love. Now that's taken. Uh, there's an obstacle. Now

857
00:43:04,560 --> 00:43:06,920
Speaker 1: they're they're somewhat broken up. He's going to revert to

858
00:43:06,960 --> 00:43:11,000
Speaker 1: the mean old behavior. That's his old behavior. So that's

859
00:43:11,000 --> 00:43:11,880
Speaker 1: what he's going back to.

860
00:43:12,360 --> 00:43:16,399
Speaker 3: I mean, it's Scandival. They all do this. They date

861
00:43:16,520 --> 00:43:20,240
Speaker 3: like scand of all, Tom sand of Aal was dating

862
00:43:20,280 --> 00:43:22,840
Speaker 3: Arianna and Rachel. It's like a mess, like who the

863
00:43:22,840 --> 00:43:28,279
Speaker 3: hell is that? Everybody listening knows. Everybody listening knows, so.

864
00:43:30,080 --> 00:43:30,520
Speaker 6: Don't worry.

865
00:43:30,560 --> 00:43:31,799
Speaker 1: I'm just kidding my French fries.

866
00:43:32,960 --> 00:43:38,760
Speaker 3: So it's like it happens. Guys don't think like, oh,

867
00:43:39,239 --> 00:43:41,759
Speaker 3: it's the ultimate dopeye in the pool you swim in.

868
00:43:42,040 --> 00:43:46,560
Speaker 3: But they but everybody does it, you know, I'm just saying.

869
00:43:46,920 --> 00:43:49,480
Speaker 6: So anyway, I thought it was interesting when they were

870
00:43:49,880 --> 00:43:54,920
Speaker 6: back at the apartment getting ready and he he was

871
00:43:55,280 --> 00:43:58,080
Speaker 6: talking badly about them and calling them names like I

872
00:43:58,120 --> 00:44:02,760
Speaker 6: forget what he said, like bimbo and blow and stuff, and.

873
00:44:04,200 --> 00:44:06,239
Speaker 3: But he slept with that, Like I.

874
00:44:06,160 --> 00:44:07,760
Speaker 6: Don't know, I just had.

875
00:44:09,360 --> 00:44:09,600
Speaker 2: He was.

876
00:44:09,760 --> 00:44:15,000
Speaker 6: He was kind of denigrating them to Rory that he

877
00:44:15,080 --> 00:44:17,400
Speaker 6: slept with all of them. I thought that was a

878
00:44:17,719 --> 00:44:19,560
Speaker 6: look for him, exactly.

879
00:44:20,400 --> 00:44:25,680
Speaker 3: Look agree. So all right, we kind of have that

880
00:44:25,760 --> 00:44:29,040
Speaker 3: situation and it's very sort of awful. It kind of

881
00:44:29,080 --> 00:44:32,040
Speaker 3: was like, oh oh, so then we go back to

882
00:44:32,080 --> 00:44:38,120
Speaker 3: the diner and Kirk is eating people's remains on their cross.

883
00:44:38,680 --> 00:44:40,800
Speaker 3: Zach comes in. First of all, I was like, who's

884
00:44:40,880 --> 00:44:43,080
Speaker 3: Babett sitting with? She was like, with a dude?

885
00:44:43,600 --> 00:44:43,879
Speaker 2: Is that?

886
00:44:43,960 --> 00:44:44,160
Speaker 4: Yeah?

887
00:44:44,160 --> 00:44:47,040
Speaker 6: I noticed that too. It wasn't anyone we've seen.

888
00:44:46,880 --> 00:44:49,120
Speaker 3: Before, and then I thought it was yeah, I didn't

889
00:44:49,120 --> 00:44:50,920
Speaker 3: know that guy. So then it was sort of funny

890
00:44:50,920 --> 00:44:54,680
Speaker 3: because Lane and Zach are having this very loud, intense

891
00:44:54,760 --> 00:44:58,319
Speaker 3: conversation in what's quite a small diner, and half the

892
00:44:58,400 --> 00:45:01,480
Speaker 3: diner is fully paying tension only to Layne and Zach.

893
00:45:01,680 --> 00:45:04,880
Speaker 3: But then you had some rando diners that just kept

894
00:45:04,920 --> 00:45:05,920
Speaker 3: eating and.

895
00:45:05,880 --> 00:45:08,640
Speaker 8: I'm like, They're like, this is normal, but.

896
00:45:09,120 --> 00:45:09,880
Speaker 1: This is normal.

897
00:45:10,400 --> 00:45:12,480
Speaker 3: So I'm like, what is going on? Because at first

898
00:45:12,480 --> 00:45:14,719
Speaker 3: I was like, Oh, the whole place is listening, and

899
00:45:14,760 --> 00:45:17,239
Speaker 3: then I'm like except for that table, like so that

900
00:45:17,360 --> 00:45:19,719
Speaker 3: was which was kind of closer to them.

901
00:45:19,920 --> 00:45:23,080
Speaker 1: Anyway, I got jealous. I thought that proposal was a

902
00:45:23,280 --> 00:45:25,840
Speaker 1: heck of a lot better than Luc and laurelize.

903
00:45:26,800 --> 00:45:31,080
Speaker 3: It really is it real? It? Get the will you

904
00:45:31,160 --> 00:45:34,160
Speaker 3: marry me? Lane says yes, got the whole deal. Wait

905
00:45:34,680 --> 00:45:38,080
Speaker 3: did Bibet or Kirk or both say kiss? Him sugar

906
00:45:40,160 --> 00:45:48,200
Speaker 3: us both. Yeah, that was the best. So that was

907
00:45:48,239 --> 00:45:50,799
Speaker 3: a great scene. A little too soon for them to

908
00:45:50,800 --> 00:45:55,160
Speaker 3: be getting engaged in my humble opinion, but yet great scene.

909
00:45:55,280 --> 00:45:58,400
Speaker 4: It just felt I don't know, I'm I'm gonna be

910
00:45:58,400 --> 00:46:00,359
Speaker 4: a little bit of a hater. I'm not a of

911
00:46:00,360 --> 00:46:04,359
Speaker 4: some of these scenes with Lane and like her relationship,

912
00:46:04,440 --> 00:46:08,880
Speaker 4: just because it's so like, like they weren't even together

913
00:46:08,960 --> 00:46:10,719
Speaker 4: now they're engaged, like you know what I mean, Like

914
00:46:10,800 --> 00:46:12,960
Speaker 4: it's just we went from like zero to one hundred

915
00:46:13,000 --> 00:46:14,480
Speaker 4: and I kind of just like let it slide.

916
00:46:14,560 --> 00:46:16,400
Speaker 8: But I don't know, I kind.

917
00:46:16,280 --> 00:46:18,360
Speaker 6: Of felt the same way, like I was happy that

918
00:46:18,440 --> 00:46:21,319
Speaker 6: Lane was happy, but at the same time, I'm like,

919
00:46:21,400 --> 00:46:24,920
Speaker 6: that was like you would have expected at least like

920
00:46:24,920 --> 00:46:27,120
Speaker 6: a high how are you doing kind of phone call

921
00:46:27,360 --> 00:46:29,200
Speaker 6: or something like just but like you said, to go

922
00:46:29,239 --> 00:46:29,840
Speaker 6: straight from.

923
00:46:29,719 --> 00:46:32,960
Speaker 3: Being broken up to being engaged sort of romantic. He

924
00:46:33,080 --> 00:46:35,239
Speaker 3: got them ring. I'm kind of into it. I'm not

925
00:46:35,600 --> 00:46:37,480
Speaker 3: I'm going to respect y'all, but I'm like, you know

926
00:46:37,520 --> 00:46:38,680
Speaker 3: what great.

927
00:46:38,719 --> 00:46:40,360
Speaker 1: Luke Steiner is a place you want to go for

928
00:46:40,480 --> 00:46:42,440
Speaker 1: really abrupt propositions.

929
00:46:42,840 --> 00:46:47,080
Speaker 8: Yeah, it likes to be that's the new slogan.

930
00:46:47,000 --> 00:46:49,560
Speaker 3: I'm okay with Lane and Zach, Like, I'm not like

931
00:46:49,800 --> 00:46:52,719
Speaker 3: they're not my favorite, but I'm not like irritated by that.

932
00:46:53,360 --> 00:46:56,920
Speaker 6: Yeah, okay, it's okay.

933
00:47:02,800 --> 00:47:06,000
Speaker 5: Hi, I'm Kate Hudson and I'm Oliver Hudson.

934
00:47:06,120 --> 00:47:07,440
Speaker 1: And last I checked for.

935
00:47:07,400 --> 00:47:12,040
Speaker 5: Siblings and this is sibling revelry. We're full blood siblings,

936
00:47:12,040 --> 00:47:15,200
Speaker 5: the only full blood sibling and our family well not

937
00:47:15,280 --> 00:47:17,320
Speaker 5: in the world, I mean no, in the whole world.

938
00:47:17,400 --> 00:47:20,000
Speaker 5: This is it, like no one anyway.

939
00:47:20,040 --> 00:47:21,640
Speaker 1: We're back with season four.

940
00:47:21,840 --> 00:47:22,400
Speaker 5: I can't believe it.

941
00:47:22,640 --> 00:47:26,719
Speaker 9: Yes, I'm so excited, bigger and better than ever. You

942
00:47:26,800 --> 00:47:31,280
Speaker 9: might be asking yourself, what is sibling revelry?

943
00:47:31,480 --> 00:47:33,680
Speaker 5: Yeah, well we just made it up. There is no

944
00:47:33,800 --> 00:47:36,280
Speaker 5: sibling revelry. It's reveling in your sibling.

945
00:47:36,560 --> 00:47:39,359
Speaker 9: And it's fun because we've decided to open it up,

946
00:47:39,440 --> 00:47:42,640
Speaker 9: you know, to really like all kinds of different siblings.

947
00:47:42,840 --> 00:47:47,560
Speaker 5: And it's going to be an awesome season. So listen

948
00:47:47,600 --> 00:47:51,160
Speaker 5: to Sibling Revelry on the iHeartRadio app, Apple Podcasts, or

949
00:47:51,239 --> 00:47:55,000
Speaker 5: wherever you listen to pod God.

950
00:48:01,800 --> 00:48:05,239
Speaker 3: So we go back and Gigi's asleep in Rory's room

951
00:48:05,400 --> 00:48:08,759
Speaker 3: and the mess and the books and it's just a

952
00:48:08,760 --> 00:48:12,400
Speaker 3: big mess. She's very hard to handle. She tells Chris

953
00:48:12,440 --> 00:48:18,280
Speaker 3: and it becomes an argument, which I thought was like, wow,

954
00:48:18,600 --> 00:48:20,840
Speaker 3: that's where you go. I get it, but also like

955
00:48:21,000 --> 00:48:23,479
Speaker 3: he is enabling this kid.

956
00:48:23,800 --> 00:48:26,080
Speaker 1: Yeah, he got very angry very quickly.

957
00:48:26,120 --> 00:48:26,680
Speaker 4: Did there.

958
00:48:26,760 --> 00:48:28,640
Speaker 8: I was about to say the same thing it went.

959
00:48:28,800 --> 00:48:32,400
Speaker 4: Yeah, it escalated quickly and for no reason, like he

960
00:48:32,440 --> 00:48:33,200
Speaker 4: started to you.

961
00:48:33,080 --> 00:48:37,280
Speaker 6: Know, she's a mess, Like have some aware everybody else's

962
00:48:37,320 --> 00:48:41,359
Speaker 6: fault it's the fault, and it's the school's fault, and yeah,

963
00:48:41,400 --> 00:48:45,240
Speaker 6: it's he doesn't understand that it's his fault.

964
00:48:45,880 --> 00:48:49,200
Speaker 1: Yeah, maybe maybe him. Christopher and Logan should get together.

965
00:48:49,239 --> 00:48:51,880
Speaker 1: They're kind of acting well.

966
00:48:51,600 --> 00:48:54,080
Speaker 3: You know, there's a whole theory and I couldn't help

967
00:48:54,080 --> 00:48:59,240
Speaker 3: but get sucked into it over the holidays that okay,

968
00:48:59,400 --> 00:49:01,239
Speaker 3: I'll say it out because we can talk about it.

969
00:49:01,239 --> 00:49:04,120
Speaker 3: We'll talk about it after the movies. But there's a

970
00:49:04,239 --> 00:49:09,560
Speaker 3: whole theory that Christopher that it's all parallel lives, right

971
00:49:09,840 --> 00:49:12,279
Speaker 3: that Rory and I'm sorry Rory and Lorelei a living

972
00:49:12,280 --> 00:49:19,640
Speaker 3: parallel lives and Christopher is Logan, yes as Luke and

973
00:49:19,640 --> 00:49:24,960
Speaker 3: and Max. I think it's Max is Dean and it's

974
00:49:25,880 --> 00:49:29,799
Speaker 3: you know, yeah, and it's not so like what it

975
00:49:29,840 --> 00:49:34,600
Speaker 3: doesn't have to be so correct, right, It's just it's loose, right,

976
00:49:34,640 --> 00:49:36,080
Speaker 3: it's loose parallel lines.

977
00:49:36,719 --> 00:49:40,920
Speaker 8: And I sort of was like, you know, did this

978
00:49:41,040 --> 00:49:42,319
Speaker 8: scene bring it out for you?

979
00:49:43,200 --> 00:49:46,200
Speaker 3: I just thought, oh, there's something to that theory that

980
00:49:46,400 --> 00:49:49,759
Speaker 3: is all over the internet. And then what I did

981
00:49:49,760 --> 00:49:52,520
Speaker 3: think was interesting that I will say and we can

982
00:49:52,560 --> 00:49:58,480
Speaker 3: discuss it for the next year. The ending to the movies,

983
00:49:58,800 --> 00:50:01,719
Speaker 3: which I won't say because Danielle's coming back and I

984
00:50:01,760 --> 00:50:03,799
Speaker 3: don't want to ruin anything, but the ending to the

985
00:50:03,840 --> 00:50:07,960
Speaker 3: movies is allegedly how Amy Sherman Palladino wanted to end

986
00:50:08,040 --> 00:50:12,120
Speaker 3: the series, which would have made a lot more since

987
00:50:13,560 --> 00:50:16,440
Speaker 3: ten years earlier or whatever it was, and then you

988
00:50:16,560 --> 00:50:18,760
Speaker 3: really would have been like, oh, these two are living

989
00:50:18,960 --> 00:50:22,000
Speaker 3: complete parallel lives.

990
00:50:22,360 --> 00:50:25,920
Speaker 1: How many what's the theory on how many seasons she

991
00:50:26,080 --> 00:50:28,399
Speaker 1: wanted the show to go before she ended it?

992
00:50:28,800 --> 00:50:31,839
Speaker 3: I have no idea. Actually, that's a great question. Nobody knows,

993
00:50:31,960 --> 00:50:36,840
Speaker 3: so I don't know. So which is I sort of

994
00:50:36,880 --> 00:50:39,480
Speaker 3: agree like that would have been an amazing ending to

995
00:50:39,560 --> 00:50:43,080
Speaker 3: the show. Ten years it still was a good ending

996
00:50:43,120 --> 00:50:46,000
Speaker 3: to the movies, even though the movies were But we'll

997
00:50:46,040 --> 00:50:46,680
Speaker 3: talk about that later.

998
00:50:47,200 --> 00:50:50,520
Speaker 1: So okay, let's go back, so that that ending that

999
00:50:50,560 --> 00:50:53,520
Speaker 1: she wanted was really a beginning of a new chapter.

1000
00:50:53,960 --> 00:50:57,880
Speaker 3: That's right, right, because Rory would have had that ending

1001
00:50:58,239 --> 00:51:01,440
Speaker 3: at the age of twenty something, right, as opposed to

1002
00:51:02,400 --> 00:51:06,000
Speaker 3: thirty something, which is sort of like, well, okay, like

1003
00:51:06,120 --> 00:51:07,680
Speaker 3: you know what I mean, Like it's just a different

1004
00:51:07,800 --> 00:51:10,279
Speaker 3: like it's not as big of a deal or it's

1005
00:51:10,320 --> 00:51:13,319
Speaker 3: just sort of a different deal too, right, Like okay, Well,

1006
00:51:13,360 --> 00:51:15,520
Speaker 3: then Mary logan and start your family with him, and

1007
00:51:15,560 --> 00:51:17,840
Speaker 3: that's you know.

1008
00:51:16,600 --> 00:51:19,000
Speaker 1: I don't think Warner Brothers was thinking about the end

1009
00:51:19,080 --> 00:51:20,839
Speaker 1: of the series. They were thinking about this thing going

1010
00:51:20,920 --> 00:51:25,000
Speaker 1: for fifteen seasons, right right. The money, h well, I

1011
00:51:25,000 --> 00:51:28,440
Speaker 1: mean sure. I mean they were operating in a deficit

1012
00:51:28,520 --> 00:51:30,960
Speaker 1: for so long and then they it became a hit

1013
00:51:31,160 --> 00:51:33,800
Speaker 1: after four years and they started making a little money.

1014
00:51:33,880 --> 00:51:35,480
Speaker 1: You know, they got to make some money. That's what

1015
00:51:35,520 --> 00:51:36,359
Speaker 1: they're doing it for.

1016
00:51:36,880 --> 00:51:40,120
Speaker 3: Yeah, So all correct, and we can debate this for

1017
00:51:40,160 --> 00:51:41,520
Speaker 3: the next literally year.

1018
00:51:41,840 --> 00:51:44,280
Speaker 6: So we go to the bar, which.

1019
00:51:44,160 --> 00:51:47,399
Speaker 3: I did think was like Ory being drunk is funny.

1020
00:51:47,520 --> 00:51:49,759
Speaker 3: It was a little interest like barkeep, like no one

1021
00:51:49,800 --> 00:51:54,520
Speaker 3: says that. But then there's Nassim Pedrid from Saturday Night Live.

1022
00:51:54,719 --> 00:51:59,560
Speaker 3: Another person who went on to do many things. She

1023
00:51:59,680 --> 00:52:02,680
Speaker 3: was on brooklyn n I knew girl Snel all these things,

1024
00:52:02,719 --> 00:52:05,320
Speaker 3: so I thought, Okay, there we go again. That's interesting.

1025
00:52:05,960 --> 00:52:10,480
Speaker 3: Another famous person in this episode. And then there's drunk Doyle,

1026
00:52:10,960 --> 00:52:12,919
Speaker 3: Rory's drunk, Doyle's drunk.

1027
00:52:12,840 --> 00:52:16,160
Speaker 1: Such a scene, pretty funny. That was pretty funny.

1028
00:52:16,960 --> 00:52:21,880
Speaker 3: Love sucks pairs through me out, that's too many blondes

1029
00:52:22,000 --> 00:52:23,520
Speaker 3: for Thanksgiving.

1030
00:52:24,560 --> 00:52:27,280
Speaker 8: And like him wearing her coat at the end.

1031
00:52:28,400 --> 00:52:29,360
Speaker 1: Classic and then he.

1032
00:52:29,600 --> 00:52:34,880
Speaker 3: He runs out of money like the old thing, and

1033
00:52:34,920 --> 00:52:38,000
Speaker 3: then he's like yeah, with her, it's just so weird.

1034
00:52:38,400 --> 00:52:40,839
Speaker 4: Was and I love how she never brings it up

1035
00:52:41,800 --> 00:52:43,840
Speaker 4: like Rory never brings it up again.

1036
00:52:45,040 --> 00:52:46,200
Speaker 6: She probably didn't remember it.

1037
00:52:46,920 --> 00:52:47,560
Speaker 8: Having a good point.

1038
00:52:48,560 --> 00:52:51,440
Speaker 1: I was kind of like waiting, I don't know that

1039
00:52:51,520 --> 00:52:53,840
Speaker 1: image of him in the coat and her walking away

1040
00:52:54,000 --> 00:52:57,839
Speaker 1: saying what a day or what a horrible day? Yeah,

1041
00:52:58,120 --> 00:52:59,880
Speaker 1: just day keeps getting worse.

1042
00:53:00,040 --> 00:53:00,919
Speaker 8: Also with her like.

1043
00:53:03,960 --> 00:53:08,480
Speaker 3: Her like laptop case, Oh my god, it's just so bad.

1044
00:53:09,840 --> 00:53:14,560
Speaker 3: So then you get Christopher and Laura Lai on the

1045
00:53:14,600 --> 00:53:18,239
Speaker 3: phone sort of having the conversation where he finally is

1046
00:53:18,280 --> 00:53:22,479
Speaker 3: like I'm sorry, like I was wrong. Thank God, because

1047
00:53:22,480 --> 00:53:24,839
Speaker 3: I didn't need to drag that out. And he's sort

1048
00:53:24,840 --> 00:53:26,840
Speaker 3: of like I've ruined her. I suck as a dad,

1049
00:53:27,000 --> 00:53:28,840
Speaker 3: you know. And he's kind of having his moment and

1050
00:53:28,920 --> 00:53:32,520
Speaker 3: Lauraai sort of talks him down and also interestingly sort

1051
00:53:32,560 --> 00:53:35,400
Speaker 3: of says like I'm here for you, like I'll help anytime.

1052
00:53:35,480 --> 00:53:39,799
Speaker 3: You know. It's like we're like, that's a lot to

1053
00:53:39,920 --> 00:53:40,600
Speaker 3: tell him.

1054
00:53:40,920 --> 00:53:43,760
Speaker 1: It's just getting too it's getting too tender here.

1055
00:53:44,000 --> 00:53:45,960
Speaker 3: And yes, I.

1056
00:53:46,800 --> 00:53:49,600
Speaker 6: Wrote that in my notes. She literally said we will

1057
00:53:49,640 --> 00:53:53,880
Speaker 6: fix this, not you can fix this, She said we

1058
00:53:53,960 --> 00:53:54,680
Speaker 6: will fix this.

1059
00:53:55,120 --> 00:53:56,560
Speaker 3: Right, it's a lot.

1060
00:53:57,320 --> 00:53:59,640
Speaker 1: I think she just views it like we have to

1061
00:53:59,640 --> 00:54:02,160
Speaker 1: be friends for R's sake and for our sanity, and

1062
00:54:02,760 --> 00:54:07,600
Speaker 1: you know, yes, plus yeah, it's a friendship thing. It's fine.

1063
00:54:07,880 --> 00:54:11,000
Speaker 3: I think she's drawn to him, right. We know that

1064
00:54:11,320 --> 00:54:14,200
Speaker 3: she's always drawn to him, and I think especially right now,

1065
00:54:14,239 --> 00:54:17,640
Speaker 3: so she's vulnerable with Luke. She's going right back to

1066
00:54:17,760 --> 00:54:20,960
Speaker 3: the guy that she's she likes.

1067
00:54:21,480 --> 00:54:25,560
Speaker 1: The connection just shows how fragile people really are.

1068
00:54:26,880 --> 00:54:28,879
Speaker 3: You she goes, Susanne, tell how you change.

1069
00:54:29,200 --> 00:54:33,640
Speaker 6: She's got like a hole where Luke is pulling away

1070
00:54:33,640 --> 00:54:37,960
Speaker 6: from her. And now here comes Christopher, who wants her

1071
00:54:38,040 --> 00:54:42,600
Speaker 6: help with his kid. So that's like the antidote to

1072
00:54:42,640 --> 00:54:48,080
Speaker 6: her situation with Luke. And so I think that she's like, Okay,

1073
00:54:48,280 --> 00:54:50,759
Speaker 6: you know my fiance doesn't want me. Well, here this

1074
00:54:50,800 --> 00:54:52,640
Speaker 6: guy wants to let me be part of his kid's life.

1075
00:54:52,680 --> 00:54:55,480
Speaker 6: So maybe, you know, I'll start leaning in that direction.

1076
00:54:55,719 --> 00:54:58,359
Speaker 6: So that's why I caught my attention when she said

1077
00:54:58,400 --> 00:55:03,480
Speaker 6: we will fix this, because she's thinking, you know, now

1078
00:55:03,560 --> 00:55:06,720
Speaker 6: I have an opportunity to kind of fill that gap

1079
00:55:06,760 --> 00:55:09,160
Speaker 6: that is left by Luke treating me the way that

1080
00:55:09,239 --> 00:55:09,600
Speaker 6: he is.

1081
00:55:09,719 --> 00:55:13,319
Speaker 1: I don't know, I hear what you're saying. I just

1082
00:55:13,440 --> 00:55:17,520
Speaker 1: I just think she's a good friend. I think she's

1083
00:55:17,560 --> 00:55:18,200
Speaker 1: being a good am.

1084
00:55:18,239 --> 00:55:21,799
Speaker 3: I being naive, yeah, because she's getting something from this.

1085
00:55:22,000 --> 00:55:26,080
Speaker 3: I think she's getting fulfillment, connection connection. I know I

1086
00:55:26,120 --> 00:55:29,000
Speaker 3: sound like a therapist, but it's like she wants connection

1087
00:55:29,440 --> 00:55:33,279
Speaker 3: in connection and she's getting it from him.

1088
00:55:33,520 --> 00:55:35,560
Speaker 1: So it can be it can be both things at once.

1089
00:55:35,640 --> 00:55:38,719
Speaker 1: She can just being a friend and she's also getting connected, right, sure.

1090
00:55:38,600 --> 00:55:42,560
Speaker 6: Yes, agree, I totally agree, right, okay, Yeah, And he's

1091
00:55:42,640 --> 00:55:45,440
Speaker 6: he's going along with it because you know, he always

1092
00:55:45,520 --> 00:55:49,600
Speaker 6: is trying to get with her, so he's like sure, you.

1093
00:55:49,560 --> 00:55:53,360
Speaker 1: Know, yeah, we we just see his game and don't

1094
00:55:53,480 --> 00:55:56,920
Speaker 1: like it. But it doesn't mean her. She's just you know,

1095
00:55:57,040 --> 00:56:00,280
Speaker 1: she's there for everybody. She's a really good friend to everybody.

1096
00:56:00,400 --> 00:56:02,719
Speaker 1: You know, she's she's a good person underneath it all.

1097
00:56:02,760 --> 00:56:05,799
Speaker 1: She's a good person. Yeah, and she's there for him,

1098
00:56:05,840 --> 00:56:07,759
Speaker 1: and why would she abandon him the we I mean,

1099
00:56:07,840 --> 00:56:11,640
Speaker 1: she's not like him. You know, she's actually strong and

1100
00:56:11,680 --> 00:56:13,080
Speaker 1: she's a very capable person.

1101
00:56:13,480 --> 00:56:13,680
Speaker 4: Yeah.

1102
00:56:14,719 --> 00:56:19,120
Speaker 3: So yeah, you know he's getting sort of that mothering, right.

1103
00:56:19,360 --> 00:56:21,600
Speaker 1: I think that's what it is. I don't think it's

1104
00:56:21,640 --> 00:56:24,240
Speaker 1: a romantic thing. I think it's a you'd be wrong.

1105
00:56:33,840 --> 00:56:41,640
Speaker 3: I love the Luke and you just sold so get that.

1106
00:56:41,760 --> 00:56:44,400
Speaker 3: It's all kind a messy. And then we go to

1107
00:56:44,440 --> 00:56:47,440
Speaker 3: the apartment and I won't belabor it, but that was

1108
00:56:47,440 --> 00:56:50,680
Speaker 3: a funny sort of scene in Paris and Rory makeup

1109
00:56:50,800 --> 00:56:53,439
Speaker 3: and hug and you're a good friend. And now she's

1110
00:56:53,520 --> 00:56:53,880
Speaker 3: I'm going to.

1111
00:56:53,920 --> 00:56:56,120
Speaker 1: Do a fashion shout out. I really like that sweater

1112
00:56:56,200 --> 00:56:59,120
Speaker 1: on Paris, and that's all I'm gonna say. Yeah, it's

1113
00:56:59,160 --> 00:57:02,600
Speaker 1: a good sweater. Sweater. I want to get her from her.

1114
00:57:03,560 --> 00:57:06,000
Speaker 3: It's a good scene and you get sort of the

1115
00:57:06,200 --> 00:57:08,920
Speaker 3: pin in it when she calls Loreli to say I

1116
00:57:08,920 --> 00:57:10,120
Speaker 3: have a new address.

1117
00:57:09,760 --> 00:57:13,600
Speaker 4: For you, and you're like, oh, like she just moved

1118
00:57:13,600 --> 00:57:16,160
Speaker 4: back in. I also like that she kind of she

1119
00:57:16,280 --> 00:57:18,880
Speaker 4: knew what Paris wanted to hear. And she's like, you

1120
00:57:18,920 --> 00:57:19,560
Speaker 4: came here.

1121
00:57:19,400 --> 00:57:21,919
Speaker 8: Because I broke up with her. Yeah, where He's like, yeah,

1122
00:57:22,200 --> 00:57:22,520
Speaker 8: I did.

1123
00:57:23,480 --> 00:57:25,520
Speaker 4: She knew if she did, like started with I broke

1124
00:57:25,600 --> 00:57:26,960
Speaker 4: up with Logan, it's gonna be Liker.

1125
00:57:27,160 --> 00:57:27,960
Speaker 5: It's all about you.

1126
00:57:29,040 --> 00:57:31,800
Speaker 3: They're both all about themselves and then they found each other.

1127
00:57:32,440 --> 00:57:33,800
Speaker 1: She layered properly.

1128
00:57:34,040 --> 00:57:37,880
Speaker 3: Yeah, it's a good scene. It's all good. And and

1129
00:57:37,920 --> 00:57:42,320
Speaker 3: what I would say is great episode, like we came back.

1130
00:57:42,960 --> 00:57:47,800
Speaker 1: Strong, absolutely, Yeah, Vineyard Valentine at a lot of belly

1131
00:57:47,880 --> 00:57:48,800
Speaker 1: laughs in this one.

1132
00:57:48,920 --> 00:57:49,120
Speaker 7: Yeah.

1133
00:57:49,160 --> 00:57:49,960
Speaker 1: And it isn't the.

1134
00:57:49,840 --> 00:57:54,320
Speaker 3: Best episode ever, no, but and and also it's you know,

1135
00:57:54,480 --> 00:57:59,280
Speaker 3: I've got I'm thinking about Lorli and Christopher and what's

1136
00:57:59,320 --> 00:58:02,040
Speaker 3: going on there, and I'm thinking about Lane and Zach

1137
00:58:02,080 --> 00:58:04,479
Speaker 3: and like, well they're engaged, and I'm thinking about Rory

1138
00:58:04,520 --> 00:58:07,840
Speaker 3: and Logan, and like it's deeper. There's sort of deep

1139
00:58:08,560 --> 00:58:12,640
Speaker 3: stuff in there that I said it enjoying thinking.

1140
00:58:12,400 --> 00:58:15,480
Speaker 4: About it's setting up to the end of the coming

1141
00:58:15,480 --> 00:58:17,080
Speaker 4: to the end of the season for sure. I feel

1142
00:58:17,120 --> 00:58:19,400
Speaker 4: like there was like the lull in the season with

1143
00:58:19,640 --> 00:58:21,440
Speaker 4: Vineyard Valentine. Now we're picking back up.

1144
00:58:22,520 --> 00:58:25,000
Speaker 3: Yeah, yeah, it's very weird to think about that. So

1145
00:58:25,320 --> 00:58:29,080
Speaker 3: next week is episode seventeen. So with that seventeen, eighteen, nineteen,

1146
00:58:29,080 --> 00:58:32,120
Speaker 3: twenty twenty one, what is it? Five six more episodes?

1147
00:58:32,120 --> 00:58:33,320
Speaker 3: I have to see how many is it are.

1148
00:58:33,240 --> 00:58:35,080
Speaker 1: In this Man? This is that's twenty two.

1149
00:58:35,920 --> 00:58:39,520
Speaker 3: Yeah, so it's like we're almost not almost to the

1150
00:58:39,640 --> 00:58:42,800
Speaker 3: end of Amy and Dan working on this show.

1151
00:58:43,160 --> 00:58:46,920
Speaker 1: That's wild. It's so weird. Isn't that just weird?

1152
00:58:47,240 --> 00:58:50,760
Speaker 3: Which look, many shows can sustain the change of a

1153
00:58:50,800 --> 00:58:56,480
Speaker 3: show runner. The Walking Dead did it, Like that can happen,

1154
00:58:56,560 --> 00:58:58,680
Speaker 3: and I think West Wing, you know, Aaron Sorkin was

1155
00:58:58,680 --> 00:59:01,000
Speaker 3: there in the beginning and then he it was still good.

1156
00:59:01,040 --> 00:59:04,040
Speaker 3: It's never quite as good, but it can still be good.

1157
00:59:05,000 --> 00:59:06,760
Speaker 3: But I don't know, I got it. It's gonna be

1158
00:59:06,760 --> 00:59:08,480
Speaker 3: interesting to watch season seven again.

1159
00:59:08,320 --> 00:59:10,680
Speaker 1: It really is. I'm a little a little nervous about it.

1160
00:59:11,560 --> 00:59:14,600
Speaker 4: They're writing is so specific. I mean, like I watched

1161
00:59:14,600 --> 00:59:17,080
Speaker 4: Marvelous Miss Maisel and you can even know it. Gilmour

1162
00:59:17,200 --> 00:59:20,800
Speaker 4: you just know that that's them. So it's very, very

1163
00:59:20,840 --> 00:59:22,360
Speaker 4: specific and hard to do.

1164
00:59:22,520 --> 00:59:25,080
Speaker 3: Not be afraid of Bunheads, I'm telling.

1165
00:59:24,840 --> 00:59:28,040
Speaker 8: You, as I love bad.

1166
00:59:28,440 --> 00:59:31,320
Speaker 3: I couldn't get into masl but I loved but great,

1167
00:59:31,560 --> 00:59:34,280
Speaker 3: but Bunheads was also awesome. I wish Bunheads would have

1168
00:59:34,360 --> 00:59:34,720
Speaker 3: gone on.

1169
00:59:35,280 --> 00:59:39,360
Speaker 1: Yeah, and are like the Laurel and Hardy of TV.

1170
00:59:40,120 --> 00:59:42,320
Speaker 3: Someone said they're working on something new, Suzanne.

1171
00:59:42,360 --> 00:59:45,479
Speaker 6: Do you know are there was a casting call out

1172
00:59:45,760 --> 00:59:49,640
Speaker 6: like sometime last year for dancers. Yeah?

1173
00:59:50,320 --> 00:59:54,120
Speaker 3: I don't know, but he is a ballerina thing. There's something.

1174
00:59:54,200 --> 00:59:55,800
Speaker 3: It does have something to do with ballet.

1175
00:59:56,320 --> 01:00:01,280
Speaker 1: It's called Let your Hair Down. I don't know, just speculating,

1176
01:00:01,360 --> 01:00:01,720
Speaker 1: who knows?

1177
01:00:01,760 --> 01:00:03,439
Speaker 8: Oh yes, actually, oh my god.

1178
01:00:03,480 --> 01:00:06,760
Speaker 4: There was an article three days ago Gilmore Rolls creators

1179
01:00:06,760 --> 01:00:09,960
Speaker 4: are working on a brand new show called Let Your

1180
01:00:09,960 --> 01:00:11,920
Speaker 4: Hair Down. Though I can't pronounce this.

1181
01:00:12,760 --> 01:00:13,200
Speaker 3: It's tall.

1182
01:00:13,520 --> 01:00:16,760
Speaker 8: Yeah, I don't know how to say it eat twelve yeah.

1183
01:00:16,640 --> 01:00:19,600
Speaker 3: Because I would say twell, it's twel. I think it

1184
01:00:19,640 --> 01:00:20,960
Speaker 3: has something to do with ballet, right.

1185
01:00:21,560 --> 01:00:26,000
Speaker 1: Hold on, that's a French word, isn't it.

1186
01:00:29,520 --> 01:00:29,640
Speaker 4: Oh?

1187
01:00:29,720 --> 01:00:29,919
Speaker 3: Yeah.

1188
01:00:30,040 --> 01:00:33,200
Speaker 6: Dancers and staff from two ballet companies from New York

1189
01:00:33,200 --> 01:00:33,920
Speaker 6: City and Paris.

1190
01:00:35,120 --> 01:00:37,480
Speaker 8: So it's a it's another go around at Bunheads.

1191
01:00:37,560 --> 01:00:40,440
Speaker 3: Yeah, it's sort of another stab at Bunheads. But we

1192
01:00:40,520 --> 01:00:43,080
Speaker 3: do need to watch Bunhead, Scott. I know you think

1193
01:00:43,120 --> 01:00:45,240
Speaker 3: we don't, but we do. We're gonna after we finish

1194
01:00:45,320 --> 01:00:46,920
Speaker 3: Gilmore Girls, before we do Gilmer.

1195
01:00:46,640 --> 01:00:48,560
Speaker 8: Where can we watch Bunheads?

1196
01:00:49,440 --> 01:00:50,720
Speaker 3: Amazon? I'm sure?

1197
01:00:51,960 --> 01:00:54,560
Speaker 1: Really, that's what we're doing after.

1198
01:00:55,320 --> 01:00:57,320
Speaker 3: We're going to do Bunheads because you will love it,

1199
01:00:57,360 --> 01:00:59,720
Speaker 3: and so many good people are in it, and then

1200
01:00:59,800 --> 01:01:03,640
Speaker 3: we will also good ideas. We've got plenty of time

1201
01:01:03,680 --> 01:01:05,040
Speaker 3: before I have to worry about this, but don't worry.

1202
01:01:05,040 --> 01:01:05,680
Speaker 3: We've got ideas.

1203
01:01:05,720 --> 01:01:06,400
Speaker 1: Apple TV.

1204
01:01:06,720 --> 01:01:08,560
Speaker 3: Apple TV has bun Heads.

1205
01:01:09,160 --> 01:01:11,080
Speaker 1: What are we gonna we're gonna call it? I am

1206
01:01:11,080 --> 01:01:12,120
Speaker 1: all in Bunheads?

1207
01:01:12,800 --> 01:01:20,320
Speaker 3: Sure, yeah, really fine? Yeah, Okay, favorite lines and and

1208
01:01:20,480 --> 01:01:21,040
Speaker 3: give your.

1209
01:01:22,000 --> 01:01:25,960
Speaker 1: Yeah, what's the what's what? What's the uh measuring stick?

1210
01:01:26,200 --> 01:01:28,960
Speaker 1: And Tara, what do you give this episode?

1211
01:01:29,360 --> 01:01:31,320
Speaker 8: I'm going to go last because I'm not prepared.

1212
01:01:31,440 --> 01:01:32,200
Speaker 3: I'll give it nine.

1213
01:01:32,840 --> 01:01:37,240
Speaker 1: I'm going to go nine Saw two, nine Saw twos.

1214
01:01:37,800 --> 01:01:45,160
Speaker 1: Yeah that's eighteen saws. So you're giving it eighteen saws? Okay? Uh, Suzanne,

1215
01:01:46,400 --> 01:01:53,320
Speaker 1: I am going to give it seven behind the barn and.

1216
01:01:55,480 --> 01:01:56,280
Speaker 3: The side of that.

1217
01:01:57,480 --> 01:01:59,760
Speaker 1: I don't love it, you corn flakes.

1218
01:02:00,080 --> 01:02:03,920
Speaker 6: I know I don't like Christopher. Anytime Christopher comes.

1219
01:02:03,720 --> 01:02:07,600
Speaker 1: Around, that's legit, that's legit, that's a two.

1220
01:02:08,120 --> 01:02:13,400
Speaker 3: You can like him, you cannot like him.

1221
01:02:13,200 --> 01:02:17,600
Speaker 1: Amy, She's entitled to her deductions. It's just.

1222
01:02:19,440 --> 01:02:22,240
Speaker 6: My measuring stick is going to be Marachino cherries.

1223
01:02:24,040 --> 01:02:26,640
Speaker 1: But well done, well done, Tara.

1224
01:02:27,400 --> 01:02:30,920
Speaker 4: I'm going to do actually enjoyed it, eight point five

1225
01:02:32,320 --> 01:02:33,720
Speaker 4: engagement rings.

1226
01:02:35,760 --> 01:02:42,600
Speaker 1: On the nose. Uh, Suzanne, you might be swaying me

1227
01:02:42,720 --> 01:02:49,960
Speaker 1: to deduct some more, but I actually I'm going to

1228
01:02:50,040 --> 01:02:53,000
Speaker 1: go below nine. I think I'm going to do eight

1229
01:02:53,320 --> 01:02:58,800
Speaker 1: six three two four eight point six three two four

1230
01:02:59,760 --> 01:03:02,920
Speaker 1: h h crusts Kirk.

1231
01:03:04,720 --> 01:03:06,080
Speaker 3: I wanted to do that. That was a good one.

1232
01:03:06,360 --> 01:03:09,160
Speaker 3: You know. I know one used bacon as their measuring

1233
01:03:09,160 --> 01:03:11,280
Speaker 3: stick because we're out of it. We're out of bacon

1234
01:03:11,320 --> 01:03:14,240
Speaker 3: this week. The meat guy's going to have to be fired.

1235
01:03:17,600 --> 01:03:19,400
Speaker 3: For the casting director though.

1236
01:03:19,880 --> 01:03:24,160
Speaker 1: For sure, always, I mean always ahead of time every week.

1237
01:03:24,160 --> 01:03:26,320
Speaker 3: I way to know how to cast because all those

1238
01:03:26,320 --> 01:03:30,160
Speaker 3: people went on to do more get your tickets.

1239
01:03:29,880 --> 01:03:30,840
Speaker 8: Get your ticket?

1240
01:03:31,600 --> 01:03:32,600
Speaker 6: Did we do favorite lines?

1241
01:03:32,720 --> 01:03:32,800
Speaker 1: No?

1242
01:03:32,880 --> 01:03:37,080
Speaker 4: I was gonna say everybody give you ready favorite lines?

1243
01:03:37,120 --> 01:03:39,600
Speaker 4: Fire West trying to find it the exact line. So

1244
01:03:39,640 --> 01:03:41,600
Speaker 4: Paris says, you could have hooked up with some hot,

1245
01:03:41,680 --> 01:03:45,120
Speaker 4: chicked Oyle says yes, and Paris says, in Ryan's buttons,

1246
01:03:45,120 --> 01:03:45,560
Speaker 4: who was it?

1247
01:03:45,720 --> 01:03:46,280
Speaker 8: Sheila e.

1248
01:03:48,760 --> 01:03:50,000
Speaker 1: Random Suzanne.

1249
01:03:51,280 --> 01:03:54,320
Speaker 6: My favorite line was in the beginning when Luke said,

1250
01:03:54,320 --> 01:03:55,560
Speaker 6: stopped sniffing my fiance.

1251
01:03:55,840 --> 01:04:02,560
Speaker 1: Oh, that's my line, Amy, I can pick a different one.

1252
01:04:02,680 --> 01:04:06,240
Speaker 3: I have a backup. I do like, but do you

1253
01:04:06,280 --> 01:04:09,320
Speaker 3: even know what you're saying? I mean, have you even

1254
01:04:09,320 --> 01:04:11,160
Speaker 3: thought about this? And then he pulls out the ring

1255
01:04:11,240 --> 01:04:13,360
Speaker 3: and she's like, oh my god, you have thought about this.

1256
01:04:15,640 --> 01:04:18,200
Speaker 1: What's Susanna, what's your backup? Because I'll use that one.

1257
01:04:18,880 --> 01:04:21,360
Speaker 6: My backup was when Rory was in the bar and

1258
01:04:21,400 --> 01:04:23,800
Speaker 6: this is this is more of a delivery than the

1259
01:04:23,840 --> 01:04:27,160
Speaker 6: line itself. But when she was arguing with the waitress

1260
01:04:27,160 --> 01:04:29,800
Speaker 6: about the cocktail napkins and she puts her hands around him,

1261
01:04:29,840 --> 01:04:33,080
Speaker 6: she goes, I'm so sick of people touching my stuff.

1262
01:04:33,160 --> 01:04:37,480
Speaker 1: There you go. There, that's my favorite one. Thank you

1263
01:04:37,680 --> 01:04:41,720
Speaker 1: very much Susan for providing that. Actually, it was my

1264
01:04:41,800 --> 01:04:43,920
Speaker 1: favorite line. That was one of my favorite scenes in

1265
01:04:43,960 --> 01:04:48,800
Speaker 1: the whole thing. Next episode, Season six, episode seventeen, I'm okay,

1266
01:04:48,840 --> 01:04:54,440
Speaker 1: You're okay, and don't forget to get your tickets. Go

1267
01:04:54,480 --> 01:04:58,800
Speaker 1: to our Instagram page I am all in pod Instagram

1268
01:04:58,840 --> 01:05:01,840
Speaker 1: page to get the link for the down for the

1269
01:05:01,840 --> 01:05:05,320
Speaker 1: tickets for the live show, and for the streaming for

1270
01:05:05,480 --> 01:05:10,040
Speaker 1: the im all in Podcast live event January seventeenth. Streaming

1271
01:05:10,120 --> 01:05:12,800
Speaker 1: starts January twenty fifth. Best fans on the planet. We

1272
01:05:12,840 --> 01:05:16,400
Speaker 1: love you, guys. Keep the cards and letters coming, smoke signals,

1273
01:05:16,440 --> 01:05:20,600
Speaker 1: whatever you want to send us, arrows, missiles, whatever you

1274
01:05:20,640 --> 01:05:24,800
Speaker 1: want to send. Love you, guys. We'll see you Wednesday

1275
01:05:24,880 --> 01:05:29,320
Speaker 1: night live at the iHeart Theater in Burbank, California. And

1276
01:05:29,360 --> 01:05:32,000
Speaker 1: you can also stream us January twenty five on for

1277
01:05:32,040 --> 01:05:34,760
Speaker 1: what a week? Two weeks? Amy? What is that?

1278
01:05:34,880 --> 01:05:34,960
Speaker 8: Oh?

1279
01:05:35,080 --> 01:05:36,800
Speaker 3: Yeah, yeah, yeah, no a month. We'll keep it up

1280
01:05:36,800 --> 01:05:37,160
Speaker 3: for a month.

1281
01:05:37,320 --> 01:05:38,920
Speaker 1: Oh we're going to stream be able to stream it

1282
01:05:38,920 --> 01:05:42,000
Speaker 1: for a month. So starting on January twenty fifth, you

1283
01:05:42,080 --> 01:05:47,160
Speaker 1: can purchase tickets to stream this for a month all

1284
01:05:47,200 --> 01:05:51,160
Speaker 1: the way into the end of February. So that's great anyway,

1285
01:05:51,400 --> 01:06:22,640
Speaker 1: all the best, See you next time. Stay safety everybody,

1286
01:06:22,640 --> 01:06:26,040
Speaker 1: and don't forget Follow us on Instagram at I am

1287
01:06:26,080 --> 01:06:31,000
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

1288
01:06:31,320 --> 01:06:40,480
Speaker 1: dot com.