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Speaker 1: To the Black Guy Who Tips podcast I listen to

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Speaker 1: because of Rod and Karen are hot.

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Speaker 2: Hey, welcome to another episode of the black Out to

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Speaker 2: this podcast. I'm your host, Rod joined us always with

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Speaker 2: my co host, and we're live on a Wednesday, ready

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Speaker 2: to recap some walking Dad took a few days off,

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Speaker 2: but you know the walking Dad, they don't take no

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Speaker 2: days off.

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Speaker 1: Okay, we got to do this, so we wanted to

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Speaker 1: do a recap, you know, so.

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Speaker 2: We wouldn't get bogged out after do two recaps next

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Speaker 2: week or double up on it or whatever.

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Speaker 1: So we're gonna talk about the walking Dad.

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Speaker 2: But first let me say this episode is brought to

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Speaker 2: you by space Trap. Mm hmm, that's right. You may

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Speaker 2: see my clothing right now, looking fresh looking, fly all

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Speaker 2: up on the live podcast and crowdcast. You like looking cute,

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Speaker 2: but don't want that ice cream bowl to show?

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Speaker 1: I mean, has your.

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Speaker 2: Comfort reach maximum? Has your comfort even reached maximum levels? Yet?

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Speaker 3: I don't know has it?

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Speaker 2: For those that don't know, there's an art to lounging

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Speaker 2: around and clothing that's too big for you.

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Speaker 1: Yes, yes, sh'all, it's Hoodie season, hood Ye season. Space Trap.

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Speaker 1: Space Trap clothing had you covered. Literally.

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Speaker 2: Come check us out at space Trap dot online. That's right,

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Speaker 2: space Trap dot online. Space Trap is all one word.

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Speaker 2: Cop a hoodie for the fam and get ten percent

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Speaker 2: off of your entire purchase by using the qpon code

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Speaker 2: tbgwt ten. That's all one word tbg w T ten

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Speaker 2: in the copy of has it capitalized?

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Speaker 1: Uh?

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Speaker 2: Cop a space Trap hoodie and give it to some

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Speaker 2: and give it some undivided attention.

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Speaker 1: It's the real MVP. There you go.

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Speaker 2: I already got my stuff. Okay, I got some more

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Speaker 2: stuff on the way, and we're gonna be out here.

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Speaker 1: Listen to the space.

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Speaker 2: Trap all right, all right, the Walking Dad recap time.

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Speaker 2: All right, this is what you come here for. This

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Speaker 2: is what you want to hear, is what you want

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Speaker 2: to see. We are now two episodes left in this year,

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Speaker 2: and then it's taking a break. This episode is called

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Speaker 2: on the Inside, this episode six of season eleven.

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Speaker 1: In this episode one hundred.

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Speaker 2: And fifty nine overall, I'll start the way we always start.

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Speaker 1: Caring what you think about this episode.

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Speaker 3: You know what, I actually loved this episode. This episode

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Speaker 3: was fun. This episode brought back a lot.

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Speaker 4: Of nostalgia of how I kind of used to feel

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Speaker 4: when it first walk it first happened.

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Speaker 1: Yeah.

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Speaker 2: First of all, as always, the four K and the Oled,

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Speaker 2: it's just whatever.

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Speaker 1: They filming this Walking Dead and film everything in it.

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Speaker 3: It's beautiful, ain't it.

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Speaker 1: It looks so great.

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Speaker 2: Secondly, this shit was scary, yes, sir. Like it's been

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Speaker 2: a while since I watched a Walking Dead and felt

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Speaker 2: legitimate like.

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Speaker 1: Fear for characters.

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Speaker 2: I think the last time they really nailed scary for

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Speaker 2: me was when Jesus got killed.

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Speaker 3: Yeah, because you didn't expect that.

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Speaker 1: Yeah, Like it was like, oh shit, Jesus, oh shit,

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Speaker 1: they moving, they ducking?

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Speaker 2: Yeah, Like so that I think that was. But this

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Speaker 2: one was like that and some more. It was almost

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Speaker 2: like a half a hard movie and the other movie

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Speaker 2: was something different. I love the title on the Inside

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Speaker 2: because I think it has dual meanings in this episode,

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Speaker 2: on the inside being Darryl undercover with the Reapers, and

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Speaker 2: on the inside being what happened with Connie and Virgil.

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Speaker 2: So we'll get in here. We'll break this bad boy down,

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Speaker 2: you know, like we do. So let's get started, all right.

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Speaker 2: I broke it down into three locations. There's Alexandria, there's Kanye,

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Speaker 2: and Virgil and Kanye and Virgil take up most of

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Speaker 2: the show, and then there's the Reapers.

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Speaker 1: Now, there's not a lot of.

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Speaker 2: Videos to show this week, to be honest, A lot

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Speaker 2: of this is just us describing it, and a lot

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Speaker 2: of it's kind of simple, straightforward stuff. So once again,

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Speaker 2: I don't know how long the recap will be, but

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Speaker 2: you know, there's definitely some things to discuss here. So

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Speaker 2: let's start with the Reapers. Okay, last time we left,

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Speaker 2: Darryl had joined them after a trial by fire, right

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Speaker 2: really afterwards, Yeah, and Pope had burned up one of

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Speaker 2: his followers in front of Darryl. All right, So they

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Speaker 2: were torturing Frost for some more information on you know,

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Speaker 2: maggieing them and their location, and Darryl sees it and

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Speaker 2: Pope is overseeing it. So the person that's actually being

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Speaker 2: tortured is Frost. Frost is being tortured by Carver. Okay,

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Speaker 2: so then Carver is being overseen by Pope. Okay, we

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Speaker 2: got this all together, So I know it's a lot

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Speaker 2: going on. So Daryl and Leah walk up and to

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Speaker 2: where Pope is and Pope is basically like, uh, you know,

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Speaker 2: just bother you Daryl, and Daryl's like, nah, seeing worse

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Speaker 2: and He's like oh, he actually says nah, done worse,

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Speaker 2: and Pope says, well, why don't you take a turn,

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Speaker 2: get in that get the torturing. Uh So then Carver,

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Speaker 2: who was torturing Frost, gets mad because apparently this nigga

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Speaker 2: loves to torture.

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Speaker 3: That's his jam. He was offended, like, how.

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Speaker 2: Dare you Well he sees some torture, he'd be like,

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Speaker 2: turn that ship up.

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Speaker 3: That's my jam. What is we torturing?

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Speaker 1: I mean hello?

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Speaker 2: And so he torture, he tortured because remember he was

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Speaker 2: torturing Daryl with waterboarding and Lea made him stop and

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Speaker 2: he got mad then, like I almost had him.

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Speaker 4: So it really didn't You just like killing people because

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Speaker 4: eventually they're gonna die.

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Speaker 2: Yeah, he's always and he's always on some almost had

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Speaker 2: him ship, so you know.

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Speaker 1: But then.

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Speaker 2: Darryl has to take over the torture and he stares

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Speaker 2: at Frost, and Frost stares at him, and then Frost

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Speaker 2: taunts him like you're gonna just keep staring at me,

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Speaker 2: puss it out, We're gonna get started.

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Speaker 1: I was like, damn, Apparently Frost.

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Speaker 4: Is a g m hmm, I guess, and it would

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Speaker 4: not be surprising to me if nah, I take that back,

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Speaker 4: I'll say.

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Speaker 2: Go ahead, because to me, I feel like if I

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Speaker 2: was frostriight there, I would be like, hey, y'all, this

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Speaker 2: nigga's actually with me. His name is Darryl, you know Maggan,

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Speaker 2: all of them from Alexandria. I would have told like, what,

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Speaker 2: I'm supposed to die now.

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Speaker 4: Because the thing is probably is gonna kill him anyway,

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Speaker 4: like regardless.

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Speaker 2: Yeah, but I mean at that point, I'm snitching. I'm

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Speaker 2: doing everything I can. They letting this nigga walk around

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Speaker 2: free while we can't both be free.

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Speaker 1: So then.

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Speaker 2: Darryl starts torturing Frost. Carver tells Darryl, if.

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Speaker 1: You kill him, we're gonna have a problem, and.

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Speaker 2: Uh, Darryl pulls out he asks for his knife after

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Speaker 2: choking Frost a little bit, and Frost says he ain't

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Speaker 2: scared of the knife because your buddy is the one

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Speaker 2: holding the gun, and the buddy being Carver. And I

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Speaker 2: think what he was trying to warn Darryl is I

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Speaker 2: think he was warning Daryl basically they have a gun.

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Speaker 2: It seems like if you don't get information out of me.

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Speaker 2: They're gonna kill you now. They gotta make this look good,

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Speaker 2: you know.

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Speaker 1: And so Darryl basically cuts off Frost's finger and.

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Speaker 2: Yeah, and it looks like right before he cut off

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Speaker 2: his finger, Pope gave the other dude, Carver, the signal

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Speaker 2: like to look like, hey, shoot this nigga if you

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Speaker 2: got to. And so now I don't know if he

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Speaker 2: meant shoot Darryl or shoot Frost. I don't know, but

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Speaker 2: shoot somebody.

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Speaker 3: Somebody's gonna somebody them taking bullets.

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Speaker 1: Yeah, it wasn't gonna be good.

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Speaker 2: And so he gets ready to cut off his next finger,

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Speaker 2: and then Frost gives up the location. It's a yellow

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Speaker 2: house off of twenty three with antenna, and then Pope

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Speaker 2: tells them, okay, listen, we got the information.

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Speaker 1: Take a squad, including Darryl, to see if it's true.

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Speaker 3: Yeah, nobody get mad.

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Speaker 1: Yeah. Carver was like, wow, he got to come.

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Speaker 3: Why take this nigga? Why what he got? Why is

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Speaker 3: he going on.

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Speaker 1: Trip with us? Yeah? Yeah, sums up with Carver because

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Speaker 1: I mean he hate Darryl. So then and.

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Speaker 4: I think Pope sent him, uh just in case, like

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Speaker 4: maybe they lion, like maybe he because his thing because

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Speaker 4: he's not a superman. So he's like, well, they might

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Speaker 4: be in Cahoo. I don't know, so just in case,

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Speaker 4: let's send.

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Speaker 1: Him out there. He could be an ambush, it could

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Speaker 1: be anything. Theyll could get them out there and betray them.

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Speaker 1: He could try to escape.

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Speaker 2: I mean, I don't think Pope is stupid enough to

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Speaker 2: think he can trust Darryl yet, right, So then uh,

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Speaker 2: they had he tells yeah, Pope tells him to go

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Speaker 2: out with the crew check the house, right, and uh,

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Speaker 2: Carver doesn't like that. Pope gives him a look and

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Speaker 2: I don't know if the looks at shut the fuck

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Speaker 2: up before I had to do something, or the look

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Speaker 2: was you know what I really mean, watch watch over him,

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Speaker 2: make sure we could trust him.

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Speaker 3: Uh.

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Speaker 2: And then Darryl tries to hand the knife back to Pope,

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Speaker 2: and Pope doesn't take it back from Darryl. So they

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Speaker 2: go to the house. The squad that's like three red

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Speaker 2: shirts that we don't know. And then like you know, Carver,

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Speaker 2: Darryl and Lia they get to the house, they split up.

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Speaker 2: They do a breach on the house. Darryl hangs back

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Speaker 2: for a second and yanks some wiring on a down

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Speaker 2: telephone pole that makes the wires start swinging across, and

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Speaker 2: so Maggie looking out of the window, can see that

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Speaker 2: those wires are screamings, see that people must be nearby,

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Speaker 2: giving her an early warning of the house, whatever the

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Speaker 2: house is that're really hiding in, because they breached this

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Speaker 2: house and nobody's in there, and Darryl knows that's not

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Speaker 2: the right house. So he starts he starts talking like

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Speaker 2: every snitch, every every undercover cop in every movie, every

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Speaker 2: every movie scene where they had to wire up somebody

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Speaker 2: that was undercovered, That's what he sounds.

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Speaker 3: Like, tank o cast tank, Why are you yell?

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Speaker 1: Everra cadabra. Like he was in there going like, you know,

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Speaker 1: maybe we should stay here.

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Speaker 2: And not split up, and they you know, yeah, what

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Speaker 2: if they come back, and because we know it's the

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Speaker 2: wrong house and Carver's on this ship, he's like, I

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Speaker 2: don't know why you want us to stay, but fuck you.

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Speaker 1: Whatever you want is wrong.

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Speaker 2: The other thing I noticed, too, is they cleared the

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Speaker 2: house military style, like.

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Speaker 1: Police or something.

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Speaker 2: Like they were like clear clear, like you know, they

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Speaker 2: like they really military, like we're gonna breach this house,

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Speaker 2: you know that kind of ship. And so Leah's counterman's

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Speaker 2: therel and says, we need to actually search the area

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Speaker 2: in case Maggie and them are still in nearby.

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Speaker 3: Yeah, so we're searching all the houses.

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Speaker 2: Right, So then they clear another house and they find

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Speaker 2: evidence that people actually were recently there and it's actually

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Speaker 2: the right house this time.

221
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Speaker 1: And I think they found like maybe some.

222
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Speaker 2: Wet or bloody towels, so it was like it's still wet,

223
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Speaker 2: so we know they actually in here. And so then

224
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Speaker 2: Darryl searches upstairs carving, and Leah searched downstairs. Nobody finds anything,

225
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Speaker 2: but when Daryl's coming down the stairs, he realizes there's

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Speaker 2: a trap door underneath a carpet.

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Speaker 3: Yep, so he kind of covers it up. Nothing. Maybe

228
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Speaker 3: they went up the back.

229
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Speaker 1: I can track them.

230
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Speaker 3: You want to, heard, Lee? What other building you want

231
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Speaker 3: to stick around to make sure we didn't miss anything?

232
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Speaker 1: I didn't want to run right off?

233
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Speaker 3: Which is it? Man?

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Speaker 1: I'm just trying to help ye.

235
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Speaker 4: You keep fucking Louise?

236
00:13:10,360 --> 00:13:10,800
Speaker 3: What's on you?

237
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Speaker 4: With that? On me?

238
00:13:11,679 --> 00:13:15,760
Speaker 3: Stop? Why should we need a perimeter check? Possible runners

239
00:13:15,800 --> 00:13:20,360
Speaker 3: have a click that job. I don't have time and

240
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Speaker 3: it's dole shit, I know, I understand.

241
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Speaker 2: So basically, Leah tells him to stop going chirping at

242
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Speaker 2: each other. But Carver man, he's one of like he's

243
00:13:36,440 --> 00:13:38,360
Speaker 2: onto their ship. He's onto Darryl shit.

244
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Speaker 1: But it's such a weird like it feels.

245
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Speaker 2: More like it's just animosity than it is him actually

246
00:13:45,840 --> 00:13:49,280
Speaker 2: knowing Darryl's up to something, Like it doesn't seem like

247
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Speaker 2: like I feel like he hate Darryl, even if Daryl

248
00:13:51,600 --> 00:13:54,400
Speaker 2: wasn't up to set ship like yeah, and it made

249
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Speaker 2: me wonder if maybe him and Leah had some type

250
00:13:56,600 --> 00:14:00,480
Speaker 2: of history, like they could be exes or something like

251
00:14:00,520 --> 00:14:05,280
Speaker 2: you know something, and it was never reciprocated. Yeah, Like

252
00:14:05,320 --> 00:14:07,480
Speaker 2: he gives like he gives you this vibe of like

253
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Speaker 2: this dude got it's personal with him and Darryl.

254
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Speaker 1: It's not this isn't just I'm checking the new recruit.

255
00:14:14,320 --> 00:14:17,520
Speaker 3: And what are we playing for you?

256
00:14:17,679 --> 00:14:17,920
Speaker 1: Right?

257
00:14:18,040 --> 00:14:21,200
Speaker 2: So I don't know, like there's something about it though,

258
00:14:22,160 --> 00:14:25,520
Speaker 2: So then they check the other room. She tells she

259
00:14:25,720 --> 00:14:28,880
Speaker 2: tells Carver to go upstairs and double check Daryl's work,

260
00:14:29,720 --> 00:14:32,960
Speaker 2: which to me, it shows that because there's several times

261
00:14:32,960 --> 00:14:35,920
Speaker 2: where like Carver questions Daryl's royalty, He's like you think

262
00:14:35,920 --> 00:14:37,720
Speaker 2: I'm supposed to go in there with him watching my back,

263
00:14:37,760 --> 00:14:41,080
Speaker 2: and she's like, I got your back, don't worry about him.

264
00:14:41,160 --> 00:14:45,280
Speaker 2: So there is this kind of trust between them where

265
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Speaker 2: their family, their unit, their military, they go way back,

266
00:14:49,680 --> 00:14:54,200
Speaker 2: and Daryl's this interloper that she trusts, but Carver doesn't,

267
00:14:54,960 --> 00:14:58,880
Speaker 2: you know, and she's showing that by you know. When

268
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Speaker 2: Daryl says we should stay, she goes, no, we should leave.

269
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Speaker 2: Daryl says, well, this house we should leave. She says, no,

270
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Speaker 2: we're going to stay. Uh, you go check upstairs, which

271
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Speaker 2: is where Darrel was supposed to check.

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Speaker 1: Basically, go check his work see if he lied, you know.

273
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Speaker 2: So it's not like Leah's like Lee. Leah's kind of

274
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Speaker 2: like to me, she's kind of like playing it both ways.

275
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Speaker 2: But she's like, this is my family and I got

276
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Speaker 2: to show them that I'm gonna back them up if

277
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Speaker 2: they go against Daryl. But I'm also showing Daryl that

278
00:15:29,200 --> 00:15:32,880
Speaker 2: I want this to work. Yeah, So she tells Daryl

279
00:15:32,920 --> 00:15:35,600
Speaker 2: to stop pissing car off. When Carver goes upstairs, she

280
00:15:35,680 --> 00:15:39,040
Speaker 2: says it doesn't usually end well, and Daryl says, look,

281
00:15:40,000 --> 00:15:40,960
Speaker 2: they probably.

282
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Speaker 1: Ran dang coming back.

283
00:15:44,280 --> 00:15:47,640
Speaker 2: And then once again, he starts doing that snitch that

284
00:15:48,080 --> 00:15:49,360
Speaker 2: I got a wire on talk.

285
00:15:49,520 --> 00:15:50,800
Speaker 1: He's like, you.

286
00:15:50,800 --> 00:15:54,240
Speaker 2: Got what twenty people in your town? You got weapons?

287
00:15:54,240 --> 00:15:59,280
Speaker 2: You got walls, you see him from listening right, like

288
00:16:00,560 --> 00:16:02,920
Speaker 2: you got that, you got the yellow walls over by

289
00:16:02,960 --> 00:16:04,280
Speaker 2: the bricks.

290
00:16:05,200 --> 00:16:08,280
Speaker 1: Down there about forty five sixty three Terrace Road.

291
00:16:09,720 --> 00:16:11,280
Speaker 3: With the pet bull in the front yard.

292
00:16:12,800 --> 00:16:13,640
Speaker 1: You know what I'm talking about.

293
00:16:13,640 --> 00:16:15,320
Speaker 2: If you walk in the back, ain't no fencing and

294
00:16:15,440 --> 00:16:20,000
Speaker 2: you could just sneak in me out, you know. So

295
00:16:20,120 --> 00:16:24,680
Speaker 2: it's you know, with the green car in the driveway. Yeah, listen,

296
00:16:24,920 --> 00:16:29,840
Speaker 2: John Smith Abernathy, what are you?

297
00:16:30,000 --> 00:16:31,560
Speaker 1: Thirty five years old? Way about one.

298
00:16:31,560 --> 00:16:36,080
Speaker 2: Hundred and eighty five pounds right, brown eyes a right.

299
00:16:36,120 --> 00:16:38,600
Speaker 1: He was just giving away all the information and I

300
00:16:38,680 --> 00:16:41,400
Speaker 1: was like what Carver was basically like, man, shut the

301
00:16:41,440 --> 00:16:44,160
Speaker 1: fuck up, because I guess Carlin. That's why I said,

302
00:16:44,200 --> 00:16:45,640
Speaker 1: I don't think Carver's.

303
00:16:45,240 --> 00:16:47,480
Speaker 2: Really onto him, and just like you just that's an

304
00:16:47,520 --> 00:16:49,920
Speaker 2: obvious like tale of like who the fuck are you

305
00:16:49,960 --> 00:16:50,640
Speaker 2: really talking to?

306
00:16:50,800 --> 00:16:53,720
Speaker 3: Yeah, his presence, he's like, your presence just annoys.

307
00:16:53,280 --> 00:16:55,720
Speaker 1: Me, right, because he basically just like, shut the fuck

308
00:16:55,800 --> 00:16:57,480
Speaker 1: up what you're talking about? You know.

309
00:16:57,600 --> 00:17:01,200
Speaker 2: Meanwhile, Maggie and them are listening under the floorboards right now,

310
00:17:01,320 --> 00:17:06,840
Speaker 2: notes like twenty people. Uh they got guns and walls.

311
00:17:07,560 --> 00:17:10,800
Speaker 2: Oh but yeah, I thought that shit was so so funny.

312
00:17:10,800 --> 00:17:12,720
Speaker 1: How he how he did that.

313
00:17:13,440 --> 00:17:16,480
Speaker 4: He did everything, shout have just picking up his shirt

314
00:17:16,480 --> 00:17:17,360
Speaker 4: and talking into it.

315
00:17:17,680 --> 00:17:20,360
Speaker 1: Right, All right, Oscar, Mike Delta.

316
00:17:21,080 --> 00:17:22,520
Speaker 3: There's nothing here. It's time we move on.

317
00:17:24,760 --> 00:17:27,640
Speaker 1: Oh we're missing something. Fine, let's wait another hour.

318
00:17:27,680 --> 00:17:28,200
Speaker 3: That's smart.

319
00:17:28,600 --> 00:17:29,320
Speaker 4: It's not my fall.

320
00:17:29,359 --> 00:17:31,280
Speaker 1: He's too stupid to pay attention.

321
00:17:32,480 --> 00:17:32,720
Speaker 3: Enough.

322
00:17:32,880 --> 00:17:33,520
Speaker 1: I'll screw that.

323
00:17:34,160 --> 00:17:35,400
Speaker 3: This dirt bag wants to play.

324
00:17:35,640 --> 00:17:36,719
Speaker 4: I'll teach him the rules.

325
00:17:37,320 --> 00:17:38,960
Speaker 1: I'm right here, man, make a move.

326
00:17:39,080 --> 00:17:41,200
Speaker 3: This is not the time, and it's not your call

327
00:17:41,240 --> 00:17:41,520
Speaker 3: to make.

328
00:17:41,800 --> 00:17:45,680
Speaker 1: Jesus Shaw, we both know he really is deep down

329
00:17:46,880 --> 00:17:53,919
Speaker 1: what I was there? Remember after? Well, you think this

330
00:17:54,240 --> 00:17:58,400
Speaker 1: is gonna end any different? So this is what you're

331
00:17:58,440 --> 00:18:03,360
Speaker 1: looking out for me always? I like how he put

332
00:18:03,359 --> 00:18:06,880
Speaker 1: that extra base in his voice. Always gotcha?

333
00:18:09,440 --> 00:18:13,240
Speaker 3: And what about the fire when Pup locked me in

334
00:18:13,320 --> 00:18:14,840
Speaker 3: the cabin and lit it up?

335
00:18:16,000 --> 00:18:17,200
Speaker 1: Why are you bringing the old ship?

336
00:18:18,240 --> 00:18:20,639
Speaker 4: Yeah, she sounds like she must have been in there

337
00:18:20,680 --> 00:18:21,280
Speaker 4: by herself.

338
00:18:21,320 --> 00:18:25,480
Speaker 3: Then anywhere in the fire. No, she almost she was

339
00:18:25,520 --> 00:18:25,920
Speaker 3: with him.

340
00:18:26,520 --> 00:18:30,119
Speaker 1: No, the fire, they said last two weeks ago with

341
00:18:30,200 --> 00:18:30,840
Speaker 1: her and Darryl.

342
00:18:31,280 --> 00:18:33,800
Speaker 3: Oh, so she didn't know, No, she didn't know.

343
00:18:34,720 --> 00:18:37,440
Speaker 2: Yeah, she said she didn't know later, so she didn't know,

344
00:18:37,720 --> 00:18:40,400
Speaker 2: but he knew because they had to set her up

345
00:18:40,600 --> 00:18:43,160
Speaker 2: to do that trial. So she's like, what was all

346
00:18:43,200 --> 00:18:45,119
Speaker 2: this looking out for me ship? When the when the

347
00:18:45,160 --> 00:18:47,360
Speaker 2: fire was lit, and I could have I could.

348
00:18:47,160 --> 00:18:48,840
Speaker 4: Have burned that because I thought she was in on it,

349
00:18:48,880 --> 00:18:51,280
Speaker 4: but apparently she wasn't.

350
00:18:52,840 --> 00:18:54,160
Speaker 3: Was that you're looking out for me too?

351
00:18:55,040 --> 00:18:55,280
Speaker 4: Sure?

352
00:18:56,920 --> 00:19:00,480
Speaker 2: And so what what I thought was interesting about that

353
00:19:00,520 --> 00:19:05,639
Speaker 2: particular scene, Well, he says it's gonna end like it

354
00:19:05,720 --> 00:19:08,320
Speaker 2: did last time, and who was there for you after?

355
00:19:08,920 --> 00:19:12,959
Speaker 2: That's about Darryl leaving her alone in that cabin, I believe,

356
00:19:13,520 --> 00:19:17,679
Speaker 2: And that's him saying like, well last time, Darryl, like

357
00:19:18,320 --> 00:19:19,160
Speaker 2: you know what.

358
00:19:19,400 --> 00:19:21,720
Speaker 1: Kind of man will as one.

359
00:19:24,400 --> 00:19:27,800
Speaker 3: Like your nothing when you're worth morn you go.

360
00:19:30,640 --> 00:19:35,000
Speaker 1: Like he definitely had that, definitely had that Joe vibe

361
00:19:35,040 --> 00:19:37,560
Speaker 1: to his bullshit. I was like, here he go, here

362
00:19:37,600 --> 00:19:40,960
Speaker 1: he go like, oh, he left you in the cold

363
00:19:41,040 --> 00:19:42,600
Speaker 1: and you didn't what you're gonna do now?

364
00:19:43,400 --> 00:19:48,639
Speaker 2: Yes, I promise you all the things your man won't.

365
00:19:50,520 --> 00:19:53,480
Speaker 1: That's what he was saying, I do them for you,

366
00:19:54,640 --> 00:19:56,960
Speaker 1: making promises like Joe when he was lying. I take

367
00:19:57,000 --> 00:20:03,080
Speaker 1: you out on the yacht you lose by myself, I

368
00:20:03,080 --> 00:20:07,680
Speaker 1: can afford it. I take you to this moon. Oh

369
00:20:07,720 --> 00:20:11,359
Speaker 1: my dos like you can't do this job. You know,

370
00:20:11,440 --> 00:20:12,879
Speaker 1: you made you work down at Lows.

371
00:20:14,000 --> 00:20:15,480
Speaker 3: You ain't got no Jeff Bezion money.

372
00:20:15,800 --> 00:20:19,960
Speaker 2: But then Darryl does something that I think in dere's

373
00:20:20,040 --> 00:20:20,760
Speaker 2: trust in.

374
00:20:22,200 --> 00:20:22,800
Speaker 1: Leah.

375
00:20:23,119 --> 00:20:25,560
Speaker 2: And this is kind of like that time that thing

376
00:20:25,600 --> 00:20:28,520
Speaker 2: that people do where to get someone to trust you

377
00:20:28,560 --> 00:20:31,879
Speaker 2: in TV shows where you clearly are lying, you reveal

378
00:20:32,000 --> 00:20:34,399
Speaker 2: something that you are kind of being honest about and

379
00:20:34,400 --> 00:20:38,200
Speaker 2: then that diffuses the suspicion like he was hiding something.

380
00:20:38,320 --> 00:20:42,400
Speaker 2: So what Daryl was hiding apparently is his true feelings

381
00:20:42,440 --> 00:20:43,000
Speaker 2: for Leah.

382
00:20:43,240 --> 00:20:47,120
Speaker 4: Saw wake up. Everything is a test.

383
00:20:47,200 --> 00:20:50,840
Speaker 3: Now. If you think this guy is ever going to

384
00:20:50,880 --> 00:20:51,919
Speaker 3: give a ship about any.

385
00:20:51,800 --> 00:20:55,240
Speaker 1: Of us, you're gonna fail. That's right.

386
00:20:56,359 --> 00:21:00,320
Speaker 4: I don't give shut of any of you except yeah,

387
00:21:00,840 --> 00:21:01,640
Speaker 4: I'm here for you.

388
00:21:02,359 --> 00:21:07,000
Speaker 1: He's talking to Leah so secret. I made mistakes, but

389
00:21:07,040 --> 00:21:10,240
Speaker 1: I'm here right now. Maybe i'd be better out at

390
00:21:10,280 --> 00:21:15,760
Speaker 1: this time. She let me and Pope scars the shit

391
00:21:15,800 --> 00:21:18,600
Speaker 1: out of me. I don't want to be faced first

392
00:21:18,600 --> 00:21:19,800
Speaker 1: in the fire under his boot.

393
00:21:19,920 --> 00:21:21,040
Speaker 3: I think that's the truth, dude.

394
00:21:21,040 --> 00:21:27,879
Speaker 1: But if you say trust him, I'll trust him.

395
00:21:28,080 --> 00:21:29,840
Speaker 3: We've wasted enough time here already.

396
00:21:30,200 --> 00:21:36,200
Speaker 1: Oh you're not seriously, it's time to move on. Sure

397
00:21:37,560 --> 00:21:42,679
Speaker 1: your call. So Daryl had it? Now you know Daryl

398
00:21:42,800 --> 00:21:46,119
Speaker 1: was full of shit this whole episode, because this is

399
00:21:46,160 --> 00:21:47,880
Speaker 1: the most talking I've ever seen Darryl.

400
00:21:47,960 --> 00:21:49,520
Speaker 3: Do you know he don't talk like.

401
00:21:49,560 --> 00:21:53,280
Speaker 2: He ain't talked as much since Carol had that that

402
00:21:53,280 --> 00:21:56,640
Speaker 2: that hallucination where he was talking about in her dream,

403
00:21:57,000 --> 00:22:00,480
Speaker 2: her dream, like, he don't talk this much ever, most

404
00:22:01,280 --> 00:22:04,480
Speaker 2: grunting talking to the dog doubt right like this, Nigga

405
00:22:04,560 --> 00:22:06,840
Speaker 2: was saying full sentences. I was like, oh, this is

406
00:22:06,840 --> 00:22:08,960
Speaker 2: his tail. This is how you know he lined. You

407
00:22:09,000 --> 00:22:10,800
Speaker 2: would have thought Leo would picked up on it, cause

408
00:22:10,800 --> 00:22:12,800
Speaker 2: she'd be like, Nigga, we was together for months and

409
00:22:12,840 --> 00:22:16,000
Speaker 2: you never been its spoke, you never said this much.

410
00:22:16,320 --> 00:22:18,480
Speaker 1: I know you full of shit. But it didn't work.

411
00:22:18,960 --> 00:22:24,120
Speaker 2: So basically, before they can leave, Carter notices the trap

412
00:22:24,160 --> 00:22:26,920
Speaker 2: door underneath the like a corner of the trap door

413
00:22:27,000 --> 00:22:30,160
Speaker 2: underneath that carpet that Daryl was standing on pushes Darryl

414
00:22:30,200 --> 00:22:33,200
Speaker 2: out the way opens up the door. Darryl pulls out

415
00:22:33,200 --> 00:22:42,280
Speaker 2: his knife. Now my thinking is to Leah and Carver,

416
00:22:42,480 --> 00:22:44,920
Speaker 2: it just looks like Daryl's ready just in case those

417
00:22:44,960 --> 00:22:47,800
Speaker 2: people are down there. But my thinking was Daryl was

418
00:22:47,840 --> 00:22:50,679
Speaker 2: gonna stab this nigga and his motherfucking neck when he

419
00:22:50,720 --> 00:22:53,040
Speaker 2: looked out in that hole. If Maggie and Niagan in there,

420
00:22:53,040 --> 00:22:57,359
Speaker 2: would have been down there, but they weren't down there.

421
00:22:57,400 --> 00:23:01,800
Speaker 2: And then we see like a view outside the house Maggie, Nagan,

422
00:23:02,480 --> 00:23:05,400
Speaker 2: Gabe and Elijah escaping.

423
00:23:06,080 --> 00:23:08,080
Speaker 4: So basically all that and that was the purpose of

424
00:23:08,200 --> 00:23:10,240
Speaker 4: dal talking and dragging it out to give them the

425
00:23:10,240 --> 00:23:11,120
Speaker 4: actual time to leave.

426
00:23:11,880 --> 00:23:14,760
Speaker 1: So they arrived back to base Cap.

427
00:23:14,840 --> 00:23:19,240
Speaker 2: They fired Pope, who isn't mad that they didn't find Maggie,

428
00:23:19,280 --> 00:23:22,199
Speaker 2: which is very suspicious because he don't seem like, I mean,

429
00:23:22,240 --> 00:23:25,520
Speaker 2: he just burned a nigger to death a week ago, right.

430
00:23:25,359 --> 00:23:28,160
Speaker 3: From bringing the coworker back ten miles on his back.

431
00:23:28,240 --> 00:23:30,680
Speaker 1: You know, the Reapers don't have great HR department.

432
00:23:30,800 --> 00:23:36,399
Speaker 3: So I continued to discussion with our guest here what

433
00:23:36,800 --> 00:23:40,919
Speaker 3: you talk of this? I got everything I made it

434
00:23:40,960 --> 00:23:43,320
Speaker 3: out of him.

435
00:23:43,520 --> 00:23:47,160
Speaker 4: That's a very dangerous sentence, he smiled at Darryl. Yeah,

436
00:23:47,160 --> 00:23:49,280
Speaker 4: because Darryl don't know exactly what he said.

437
00:23:50,600 --> 00:23:54,760
Speaker 2: So I don't know if it's a psychological game or

438
00:23:54,880 --> 00:23:59,200
Speaker 2: if Frost did finally break down and start confessing.

439
00:23:58,760 --> 00:24:01,520
Speaker 1: To some shit that he did know Darryl and Darryl's

440
00:24:01,520 --> 00:24:03,280
Speaker 1: part of the group. I don't know.

441
00:24:03,600 --> 00:24:09,280
Speaker 4: Right, we'll find outlet, but it's very scary.

442
00:24:11,640 --> 00:24:14,320
Speaker 3: Get that grin mustache.

443
00:24:15,440 --> 00:24:19,160
Speaker 1: And we reveal Frost is dead. He's a zombie. Now

444
00:24:19,200 --> 00:24:23,040
Speaker 1: he's tied to a pole out front.

445
00:24:24,520 --> 00:24:27,600
Speaker 3: Yeah, and Carver starts smelling because he's going to dead anyway.

446
00:24:28,800 --> 00:24:32,320
Speaker 2: I was a little surprised by them killing him this way,

447
00:24:32,640 --> 00:24:36,719
Speaker 2: only because when they walked down the street and we

448
00:24:36,840 --> 00:24:42,800
Speaker 2: first see the reapers, they had bodies strung up upside down,

449
00:24:42,840 --> 00:24:45,439
Speaker 2: hanging from light poles and shit, and they didn't let

450
00:24:45,480 --> 00:24:49,000
Speaker 2: him turn the zombies they killed those people, kill killed them,

451
00:24:49,040 --> 00:24:50,879
Speaker 2: you know, So I was a little surprised by it.

452
00:24:50,960 --> 00:24:53,960
Speaker 2: I was like, oh, maybe, uh, I don't know, maybe

453
00:24:53,960 --> 00:24:56,760
Speaker 2: they do some zombie shit too, Maybe the psychological warfare

454
00:24:57,000 --> 00:24:57,919
Speaker 2: on Darryl.

455
00:24:58,080 --> 00:24:58,520
Speaker 1: I don't know.

456
00:24:58,600 --> 00:25:01,080
Speaker 4: That's what I was thinking, you know, because he was like,

457
00:25:01,160 --> 00:25:03,680
Speaker 4: you knew him, So it's one of them things where

458
00:25:03,720 --> 00:25:05,640
Speaker 4: we're going to see how you respond to your quote

459
00:25:05,680 --> 00:25:07,720
Speaker 4: unquote buddy being a zombie.

460
00:25:07,520 --> 00:25:17,840
Speaker 1: Right, and then he motions towards Carver to come with him,

461
00:25:17,840 --> 00:25:20,840
Speaker 1: puts his arm around Carver. They walk off together kind

462
00:25:20,840 --> 00:25:21,879
Speaker 1: of smiling and laughing.

463
00:25:23,520 --> 00:25:26,359
Speaker 4: And I think Lea might be in trouble because you

464
00:25:26,400 --> 00:25:28,840
Speaker 4: know the way they was talking to yaking at each other,

465
00:25:29,359 --> 00:25:32,280
Speaker 4: laughing and looking back, and shit, this is something going on.

466
00:25:32,520 --> 00:25:34,520
Speaker 1: It like some real high school shit. I have no

467
00:25:34,600 --> 00:25:35,520
Speaker 1: idea what's going on.

468
00:25:35,560 --> 00:25:38,080
Speaker 2: What do you think that means for Darryl and Leacause

469
00:25:38,080 --> 00:25:40,320
Speaker 2: you said you think Lea might be in trouble?

470
00:25:40,359 --> 00:25:45,480
Speaker 3: How so, because the whole thing is from the beginning,

471
00:25:47,280 --> 00:25:48,399
Speaker 3: Pope's been telling.

472
00:25:48,160 --> 00:25:50,600
Speaker 4: Her, Hey, dog, a lot of these people don't trust you,

473
00:25:50,800 --> 00:25:54,960
Speaker 4: they don't trust your decision making, Like they don't trust

474
00:25:55,080 --> 00:25:56,919
Speaker 4: Darryl being here now.

475
00:25:57,000 --> 00:26:00,920
Speaker 3: They just don't trust it. And his thing was.

476
00:26:00,840 --> 00:26:02,639
Speaker 4: Like, but I trust you, you know, because he was

477
00:26:02,680 --> 00:26:04,920
Speaker 4: already mad that she took like a with a day

478
00:26:05,000 --> 00:26:07,680
Speaker 4: or half a day fucking wasting time tracking Daryl down

479
00:26:07,720 --> 00:26:11,119
Speaker 4: in the first place, and you know when they literally

480
00:26:11,119 --> 00:26:12,600
Speaker 4: could have been finding the rest.

481
00:26:12,400 --> 00:26:12,800
Speaker 3: Of the crew.

482
00:26:14,240 --> 00:26:20,920
Speaker 2: Yeah, it's so I mean, I was thinking if anyone

483
00:26:20,960 --> 00:26:23,720
Speaker 2: would be in trouble, have been Darryl right there. You know,

484
00:26:24,280 --> 00:26:29,080
Speaker 2: like if they don't trust somebody, it's not like, oh

485
00:26:29,119 --> 00:26:32,640
Speaker 2: we think she infiltrated us, It'd be like Daryl's compromised her.

486
00:26:32,720 --> 00:26:34,040
Speaker 1: Let's kill Darryl, you know.

487
00:26:34,280 --> 00:26:37,359
Speaker 4: Yeah, yeah, I think they think that Daryl has compromised her.

488
00:26:37,359 --> 00:26:41,400
Speaker 4: And also I think that it's one of those things

489
00:26:41,480 --> 00:26:45,240
Speaker 4: to where, you know, because it seems like she is

490
00:26:45,280 --> 00:26:46,439
Speaker 4: one of his favorites.

491
00:26:46,480 --> 00:26:49,480
Speaker 3: So you know, with that happening and him laughing and things.

492
00:26:49,240 --> 00:26:53,320
Speaker 4: Like that, and they've already shown that they're willing to

493
00:26:53,320 --> 00:26:55,280
Speaker 4: do shit without her because they set the house on

494
00:26:55,320 --> 00:26:58,040
Speaker 4: fire with her in it, So you know, they've shown

495
00:26:58,119 --> 00:27:00,640
Speaker 4: that they'll just do shit to fuck with her. And yeah,

496
00:27:00,800 --> 00:27:03,080
Speaker 4: his whole thing is mind game shit because you know

497
00:27:03,160 --> 00:27:05,840
Speaker 4: that don't make no sense for him, not like she said,

498
00:27:05,880 --> 00:27:07,679
Speaker 4: you always got my back, but you fucking set a

499
00:27:07,680 --> 00:27:08,800
Speaker 4: house on following me in it.

500
00:27:09,320 --> 00:27:12,920
Speaker 1: Yeah. Yeah, I feel it's such a weird ending.

501
00:27:14,000 --> 00:27:17,520
Speaker 2: Clearly they're building up, hoping Carver to be up to

502
00:27:17,960 --> 00:27:21,760
Speaker 2: the hoots and something. M All right, let's get to

503
00:27:21,800 --> 00:27:25,040
Speaker 2: the last two sections Alexandria and then Kanyie and Virgil.

504
00:27:25,240 --> 00:27:31,600
Speaker 2: I'll do Alexandria first, then Kanyie and Virgil. Alexandra's very

505
00:27:31,640 --> 00:27:35,560
Speaker 2: short back in Alexandra, Carroll and Aaron discuss how they're

506
00:27:35,560 --> 00:27:37,560
Speaker 2: gonna search for Kannie. They gonna get a big ass

507
00:27:37,560 --> 00:27:41,560
Speaker 2: group together, they're all gonna go out together, but there's

508
00:27:41,600 --> 00:27:46,720
Speaker 2: tied up in some committee type like the committee is

509
00:27:46,720 --> 00:27:49,000
Speaker 2: meeting to discuss how best to search, you know, like that.

510
00:27:49,040 --> 00:27:51,920
Speaker 1: Kind of shit. And honestly, it's one of those.

511
00:27:51,720 --> 00:27:56,680
Speaker 2: Things where, like I get why people sometimes just take

512
00:27:56,720 --> 00:27:58,080
Speaker 2: off because who got time for all that?

513
00:27:58,160 --> 00:28:02,359
Speaker 1: My sister's missing, right, and y'all on a boat that right.

514
00:28:03,760 --> 00:28:05,640
Speaker 2: If Connie was a white woman, I bet they would

515
00:28:05,640 --> 00:28:10,560
Speaker 2: have not just kidd, they would have.

516
00:28:10,480 --> 00:28:14,479
Speaker 1: Never stopped looking Niaga. Everybody would have been looking, If

517
00:28:14,480 --> 00:28:15,399
Speaker 1: reapers would have been.

518
00:28:15,240 --> 00:28:16,560
Speaker 3: Looking, she'd have been everywhere.

519
00:28:16,640 --> 00:28:19,159
Speaker 4: She'd have been on the Commonwealth front page, been on

520
00:28:19,280 --> 00:28:20,040
Speaker 4: all the pages.

521
00:28:20,240 --> 00:28:22,760
Speaker 1: Black women go missing, the ready to give up.

522
00:28:23,680 --> 00:28:25,880
Speaker 3: So we got the half neats.

523
00:28:26,240 --> 00:28:29,520
Speaker 2: Magna comes over and she's like, Kelly's missing, and they

524
00:28:29,600 --> 00:28:34,159
Speaker 2: realize immediately Kelly's gone after Connie her sister, and I

525
00:28:34,280 --> 00:28:38,480
Speaker 2: kind of low key hate Magna now because she's the

526
00:28:38,480 --> 00:28:41,400
Speaker 2: one that told Carol stopped even looking for Connie, and

527
00:28:41,440 --> 00:28:44,320
Speaker 2: how I was messing Kelly up that think her sister

528
00:28:44,400 --> 00:28:47,720
Speaker 2: was still out there and ship, now you got big

529
00:28:47,920 --> 00:28:49,160
Speaker 2: let's go find her energy.

530
00:28:50,200 --> 00:28:50,960
Speaker 1: I don't trust you.

531
00:28:52,080 --> 00:28:56,240
Speaker 2: Kelly, who is out by herself, finds a half eating

532
00:28:56,240 --> 00:28:59,240
Speaker 2: horse and an old campfire and a bag of abandoned gear.

533
00:29:00,040 --> 00:29:02,360
Speaker 4: I was like, she's out there, her hearing, ain't that.

534
00:29:02,440 --> 00:29:04,400
Speaker 4: Gral's like, this is not a good situation to be

535
00:29:04,400 --> 00:29:05,040
Speaker 4: by yourself.

536
00:29:05,640 --> 00:29:09,800
Speaker 1: Yeah, yeah, but it's her sister. R so.

537
00:29:12,560 --> 00:29:15,000
Speaker 2: And we and they've really established this with this character.

538
00:29:15,400 --> 00:29:17,400
Speaker 2: When it comes try and find her sister, Kelly will

539
00:29:17,400 --> 00:29:18,200
Speaker 2: go out on her own.

540
00:29:18,280 --> 00:29:19,040
Speaker 1: She don't give a fuck.

541
00:29:19,080 --> 00:29:20,040
Speaker 3: She's done it several times.

542
00:29:20,120 --> 00:29:22,760
Speaker 1: Yes, so you know I knew that.

543
00:29:22,840 --> 00:29:24,760
Speaker 2: When they fucking said we'll wait till the morning, I

544
00:29:24,800 --> 00:29:26,440
Speaker 2: was like, Kelly ain't waiting until the morning.

545
00:29:26,720 --> 00:29:27,920
Speaker 3: The morning ain't gonna happen.

546
00:29:28,240 --> 00:29:30,880
Speaker 4: So she was like, you to be all over in

547
00:29:30,920 --> 00:29:33,120
Speaker 4: the morning, and nope, I ain't gonna wait.

548
00:29:33,200 --> 00:29:34,920
Speaker 3: Might be dead back time we get to her, yeap.

549
00:29:35,160 --> 00:29:40,080
Speaker 2: So they find Kelly finds this camp uh site that

550
00:29:40,320 --> 00:29:43,720
Speaker 2: basically has a bunch of Connie stuff there, and one

551
00:29:43,720 --> 00:29:46,360
Speaker 2: of the bags has has a slingshot in it, which

552
00:29:46,400 --> 00:29:50,000
Speaker 2: is Kanye and Kelly's weapon of choice. Knye also finds

553
00:29:50,000 --> 00:29:53,200
Speaker 2: a notepad where I mean Kelly also finds a notepad

554
00:29:53,240 --> 00:30:00,160
Speaker 2: where Connie was communicating with somebody else. Uh yeah, and

555
00:30:00,160 --> 00:30:02,560
Speaker 2: and they had notes in there, Like it feels like

556
00:30:02,600 --> 00:30:03,800
Speaker 2: we're being watched.

557
00:30:04,240 --> 00:30:06,400
Speaker 1: He's late, we'll pick up at first light.

558
00:30:07,000 --> 00:30:09,520
Speaker 2: Now I don't know who that he is in that situation,

559
00:30:10,840 --> 00:30:14,200
Speaker 2: because like they were waiting on somebody or something to say,

560
00:30:14,280 --> 00:30:15,920
Speaker 2: he's late, we'll pick up at first light.

561
00:30:16,000 --> 00:30:16,440
Speaker 1: I don't know.

562
00:30:16,920 --> 00:30:19,480
Speaker 3: Hmmm, he's late. We'll pick up it for the open horse.

563
00:30:19,520 --> 00:30:21,720
Speaker 3: And so they may have somebody else in the group.

564
00:30:21,760 --> 00:30:24,640
Speaker 2: And the last time we saw Connie, Virgil stumbled upon

565
00:30:24,720 --> 00:30:28,960
Speaker 2: her on horseback. So the assumption obviously is his horse

566
00:30:29,000 --> 00:30:33,400
Speaker 2: got eaten by zombies. Somehow they got ambushed and they

567
00:30:33,440 --> 00:30:34,840
Speaker 2: had to take off running for it.

568
00:30:35,200 --> 00:30:38,720
Speaker 1: We'll get back to that later. Kelly.

569
00:30:39,680 --> 00:30:43,240
Speaker 2: Kelly can't get her horse to like crossed his mud

570
00:30:43,320 --> 00:30:44,160
Speaker 2: or something.

571
00:30:43,920 --> 00:30:46,680
Speaker 3: And the horse was like, uh, bitch, you said his mud. No,

572
00:30:46,760 --> 00:30:47,040
Speaker 3: thank you.

573
00:30:47,160 --> 00:30:50,840
Speaker 1: First of all, y'all ate my family, okay, right, so you.

574
00:30:50,920 --> 00:30:53,240
Speaker 3: Acting like I ain't seen my cousin over there did right?

575
00:30:53,440 --> 00:30:58,440
Speaker 2: So then uh, the horse ends up like Kelly tries

576
00:30:58,480 --> 00:31:02,520
Speaker 2: to pour the horse anyway and falls in mud. Yeah,

577
00:31:03,080 --> 00:31:05,920
Speaker 2: Kelly is muddy. And then Carol Magnet and Rosie to

578
00:31:05,960 --> 00:31:09,360
Speaker 2: catch up to her, and she shows Magnet evidence that

579
00:31:09,520 --> 00:31:11,880
Speaker 2: Conyie was at the camp and Kelly and them go

580
00:31:12,000 --> 00:31:15,080
Speaker 2: off together and Kelly is still covered in mud, but

581
00:31:15,240 --> 00:31:17,600
Speaker 2: they now it's hard for them going to find her sister,

582
00:31:17,960 --> 00:31:19,080
Speaker 2: which gives them better.

583
00:31:18,880 --> 00:31:21,360
Speaker 3: Odds than her walking up by herself.

584
00:31:21,440 --> 00:31:23,480
Speaker 1: And then finally they reach a fork in the road

585
00:31:23,680 --> 00:31:25,840
Speaker 1: and they asked Kelly which way she wants to go,

586
00:31:25,920 --> 00:31:28,320
Speaker 1: and she decides to go to the right, and we

587
00:31:28,400 --> 00:31:30,400
Speaker 1: can see as they walk to the right, there's a

588
00:31:30,440 --> 00:31:33,920
Speaker 1: mailbox that is covered up in grass, like it's on

589
00:31:33,960 --> 00:31:35,520
Speaker 1: the ground covered in grass.

590
00:31:36,560 --> 00:31:40,240
Speaker 2: And that's significant later all right, now let's get to

591
00:31:40,280 --> 00:31:44,440
Speaker 2: Connie and Virgil. That's everything with Alexandria. Connie and Virgil

592
00:31:44,480 --> 00:31:47,320
Speaker 2: are running hard as hell from something in the woods.

593
00:31:47,440 --> 00:31:49,760
Speaker 2: Yeah whatever, it was just wrestling in the grass and

594
00:31:49,800 --> 00:31:52,120
Speaker 2: they're filmed it. They filmed this like a horror movie,

595
00:31:52,120 --> 00:31:55,560
Speaker 2: Like there's a spider web they ran through and they're

596
00:31:55,600 --> 00:32:00,760
Speaker 2: running at a frantic pace and you know, it's extremely scary.

597
00:32:02,160 --> 00:32:05,160
Speaker 2: They find a house to hide in because they see

598
00:32:05,200 --> 00:32:09,760
Speaker 2: a mailbox that's not laying on the ground covered in grass.

599
00:32:10,080 --> 00:32:12,800
Speaker 2: It's almost as if it's a trap. But they see

600
00:32:12,800 --> 00:32:17,480
Speaker 2: a mailbox and and Virgil, who, honestly, I know we

601
00:32:17,560 --> 00:32:20,760
Speaker 2: said this last time, but I after this episode, I

602
00:32:20,760 --> 00:32:22,680
Speaker 2: can only reiterate useless.

603
00:32:23,680 --> 00:32:24,680
Speaker 1: I can't think of.

604
00:32:24,600 --> 00:32:27,520
Speaker 2: A person I'd less rather be stuck in the epoch

605
00:32:27,560 --> 00:32:31,280
Speaker 2: with on this show. I can't think of a person

606
00:32:31,520 --> 00:32:37,280
Speaker 2: who would be worse because he's basically Jerry from Rick

607
00:32:37,360 --> 00:32:37,880
Speaker 2: and Morty.

608
00:32:38,000 --> 00:32:41,320
Speaker 3: Yes, it's just like, dude, you're not.

609
00:32:41,360 --> 00:32:45,520
Speaker 1: Good at anything. Oh my god. And in this case,

610
00:32:46,240 --> 00:32:48,240
Speaker 1: he is like, we need to She said, we need to.

611
00:32:48,280 --> 00:32:50,920
Speaker 2: Keep running, and he's like, we need to run in

612
00:32:50,920 --> 00:32:54,200
Speaker 2: this house that that this.

613
00:32:54,280 --> 00:32:56,600
Speaker 1: Suddenly this mailbox is here, must be a house.

614
00:32:57,120 --> 00:33:00,680
Speaker 4: And she was like, no, something's chasing us, right, we

615
00:33:00,960 --> 00:33:02,479
Speaker 4: need to actually keep moving.

616
00:33:03,000 --> 00:33:04,200
Speaker 3: What the fuck are we stopping for?

617
00:33:04,280 --> 00:33:08,200
Speaker 2: And of course he doesn't do sign language, so it's

618
00:33:08,280 --> 00:33:10,920
Speaker 2: just her trying to communicate how much they really need

619
00:33:10,960 --> 00:33:13,160
Speaker 2: to keep going and him being like, nah, I think

620
00:33:13,600 --> 00:33:14,400
Speaker 2: I think we're good.

621
00:33:14,960 --> 00:33:15,120
Speaker 1: Yeah.

622
00:33:15,160 --> 00:33:18,200
Speaker 4: And the thing is when they first walk up to

623
00:33:18,280 --> 00:33:22,280
Speaker 4: the pathway, where it splits. They were going going in

624
00:33:22,480 --> 00:33:24,760
Speaker 4: two different directions, like he will he wanted to go

625
00:33:24,840 --> 00:33:26,640
Speaker 4: towards towards with a house was she was like, nope,

626
00:33:26,680 --> 00:33:27,760
Speaker 4: let's go in our direction.

627
00:33:28,080 --> 00:33:28,320
Speaker 1: Yeah.

628
00:33:28,320 --> 00:33:31,959
Speaker 2: So they end up going towards the house and they

629
00:33:32,000 --> 00:33:34,680
Speaker 2: get in there narrowly a voice and walkers. The walkers

630
00:33:34,720 --> 00:33:38,800
Speaker 2: basically pile onto the front door because there's so many

631
00:33:38,840 --> 00:33:42,960
Speaker 2: of them, and Connie tries to close the door behind him,

632
00:33:43,360 --> 00:33:45,240
Speaker 2: but she has to like stand at the door to

633
00:33:45,280 --> 00:33:49,360
Speaker 2: close it because it's so many fucking walkers. Virgil stumbles

634
00:33:49,440 --> 00:33:53,200
Speaker 2: into a walker that's already in there and takes the longest.

635
00:33:52,720 --> 00:33:53,720
Speaker 1: Time to kill this walker.

636
00:33:53,880 --> 00:33:58,280
Speaker 3: It was the worst, just struggle kills.

637
00:33:56,240 --> 00:34:01,560
Speaker 2: It just a struggle, just like he was fighting walker,

638
00:34:01,600 --> 00:34:04,480
Speaker 2: like it was a human, like wrestling.

639
00:34:05,880 --> 00:34:06,680
Speaker 1: The Star Trek.

640
00:34:06,600 --> 00:34:08,759
Speaker 3: Music started playing, longust flights.

641
00:34:11,480 --> 00:34:15,560
Speaker 1: Like that music started playing. It was just a struggle kill.

642
00:34:15,760 --> 00:34:20,440
Speaker 2: He finally does manage to kill it, and then Connie

643
00:34:21,360 --> 00:34:23,520
Speaker 2: closes the door and as I heard of walker's on

644
00:34:23,560 --> 00:34:24,320
Speaker 2: the other side.

645
00:34:24,760 --> 00:34:25,960
Speaker 1: Now this did.

646
00:34:26,400 --> 00:34:28,759
Speaker 2: It didn't bother me badly, but it was something I

647
00:34:29,000 --> 00:34:31,399
Speaker 2: kind of noticed. I'm not really sure how they got

648
00:34:31,440 --> 00:34:34,480
Speaker 2: the door closed, like how they got it closed and

649
00:34:34,560 --> 00:34:37,200
Speaker 2: locked enough for the walkers not to break in because

650
00:34:37,400 --> 00:34:38,520
Speaker 2: it just cuts the commercial.

651
00:34:38,520 --> 00:34:40,520
Speaker 1: And then when we come back, they walking around the house.

652
00:34:41,040 --> 00:34:42,280
Speaker 1: So I was just like, I guess.

653
00:34:42,080 --> 00:34:43,359
Speaker 3: I didn't want to show you that ship.

654
00:34:43,480 --> 00:34:45,680
Speaker 1: Yeah, I don't. I don't like did they find a lock?

655
00:34:45,800 --> 00:34:46,719
Speaker 1: Did they find a key?

656
00:34:46,840 --> 00:34:49,240
Speaker 3: Like? How did they did the zombies take a snack? Break?

657
00:34:49,280 --> 00:34:51,520
Speaker 1: Give up? How did they get to get out of that?

658
00:34:51,560 --> 00:34:53,560
Speaker 3: Because we're gonna take ten? Why y'all locked and do

659
00:34:53,640 --> 00:34:54,000
Speaker 3: on us?

660
00:34:54,080 --> 00:34:55,759
Speaker 2: That's why it felt like a horror movie to me,

661
00:34:55,920 --> 00:34:57,480
Speaker 2: is because some of the stuff that happened in here

662
00:34:57,600 --> 00:35:00,080
Speaker 2: was just very horror movie e where it was just like,

663
00:35:00,560 --> 00:35:02,480
Speaker 2: we don't need those zombies to be banging on the

664
00:35:02,520 --> 00:35:03,040
Speaker 2: door no more.

665
00:35:03,120 --> 00:35:03,799
Speaker 1: So they done it?

666
00:35:04,280 --> 00:35:05,000
Speaker 3: Ah?

667
00:35:05,080 --> 00:35:08,319
Speaker 2: But uh yeah, So they searched the house. They don't

668
00:35:08,320 --> 00:35:12,080
Speaker 2: see anyone living there, any signs of life. Virgil tells her, Hey,

669
00:35:12,120 --> 00:35:13,080
Speaker 2: I checked the whole house.

670
00:35:13,160 --> 00:35:14,800
Speaker 1: We safe. You need to get some rest.

671
00:35:15,160 --> 00:35:17,640
Speaker 3: Connie's like nah, his checking was horrible.

672
00:35:18,320 --> 00:35:21,279
Speaker 2: And Connie's like, nah, we don't. We don't need to

673
00:35:21,320 --> 00:35:23,279
Speaker 2: take no rest. I don't need to take no rest.

674
00:35:23,640 --> 00:35:26,120
Speaker 2: We not safe, And He's like, yes, we are, we safe.

675
00:35:26,840 --> 00:35:28,719
Speaker 2: You need some rest. You've been up for days. You

676
00:35:28,760 --> 00:35:32,520
Speaker 2: can hallucinate. You're gonna hallucinate and shit. And she's like, nah,

677
00:35:32,520 --> 00:35:34,640
Speaker 2: I'm gonna go search the house again, right, I don't I.

678
00:35:34,640 --> 00:35:36,400
Speaker 3: Don't trust you your looking around.

679
00:35:36,680 --> 00:35:38,320
Speaker 1: She looks around the house.

680
00:35:38,120 --> 00:35:41,759
Speaker 2: And sees that the eyes of all the portraits in

681
00:35:41,840 --> 00:35:43,319
Speaker 2: the house are scratched out.

682
00:35:43,760 --> 00:35:47,440
Speaker 4: Yes, And it's also one of those things where Vergil

683
00:35:47,520 --> 00:35:51,360
Speaker 4: did the opposite check of the Popa.

684
00:35:53,920 --> 00:35:55,880
Speaker 3: Was like, I opened the door I loved and he

685
00:35:55,960 --> 00:35:56,479
Speaker 3: turned around.

686
00:35:56,560 --> 00:35:59,960
Speaker 1: He's like, good enough, I ain't seen nothing moving.

687
00:36:00,120 --> 00:36:02,759
Speaker 2: He's liked, I look, you know, I kind of like

688
00:36:02,880 --> 00:36:03,839
Speaker 2: looked around a little bit.

689
00:36:05,239 --> 00:36:08,080
Speaker 1: And so she's like, nah, this don't feel right.

690
00:36:09,320 --> 00:36:11,080
Speaker 3: Yeah, like we're just being led to this house. This

691
00:36:11,160 --> 00:36:11,880
Speaker 3: doesn't make sense.

692
00:36:12,600 --> 00:36:14,880
Speaker 2: Uh. So she goes in the bathroom, looks through the

693
00:36:14,880 --> 00:36:17,840
Speaker 2: medicine cabinet, takes a look at herself in the mirror,

694
00:36:18,680 --> 00:36:21,919
Speaker 2: which she should she's fine, and then she looks through

695
00:36:22,719 --> 00:36:26,320
Speaker 2: there's a razor disposal. And this happens in old houses

696
00:36:26,440 --> 00:36:30,359
Speaker 2: where they have a it's a real thing. It's a

697
00:36:30,480 --> 00:36:32,440
Speaker 2: medicine cabinet, and then there's a razor.

698
00:36:32,600 --> 00:36:34,279
Speaker 1: There's a slit for razor disposal.

699
00:36:34,719 --> 00:36:37,600
Speaker 2: Basically, after a man shaved, he just throws his razor

700
00:36:38,160 --> 00:36:41,120
Speaker 2: into that little hole and it just piles up in

701
00:36:41,200 --> 00:36:42,319
Speaker 2: the wall behind there.

702
00:36:42,680 --> 00:36:44,680
Speaker 3: Oh you don't get it out, just stays there.

703
00:36:44,560 --> 00:36:48,319
Speaker 2: When you sell the house or you remodel. Oh this shit, yeah, yeah,

704
00:36:48,520 --> 00:36:51,640
Speaker 2: seen it all the time. That it's only in really

705
00:36:51,680 --> 00:36:52,320
Speaker 2: old houses.

706
00:36:52,320 --> 00:36:52,800
Speaker 1: I believe.

707
00:36:52,840 --> 00:36:55,760
Speaker 3: I don't think they do that shit anymoreangerous.

708
00:36:56,080 --> 00:37:02,759
Speaker 1: Yeah, But then he fucking I mean, she uh, she

709
00:37:03,360 --> 00:37:06,320
Speaker 1: looks through the hole because she thought she saw something moving,

710
00:37:06,880 --> 00:37:09,920
Speaker 1: and when she does, there's an eye staring back at her,

711
00:37:10,080 --> 00:37:13,920
Speaker 1: and the eye is so jaundiced. I'm like, oh, it's

712
00:37:13,920 --> 00:37:16,880
Speaker 1: Michael Jordan, Like, what is Michael Jordan? What is cheese

713
00:37:16,960 --> 00:37:18,000
Speaker 1: oys doing back there?

714
00:37:19,440 --> 00:37:20,200
Speaker 3: I'm not the eyes.

715
00:37:21,520 --> 00:37:26,040
Speaker 2: It was just some yellow, just just dry, no vazine

716
00:37:26,120 --> 00:37:29,240
Speaker 2: type of eyes staring back at her. And I thought

717
00:37:29,320 --> 00:37:31,560
Speaker 2: maybe it must be a zombie like our zombies in

718
00:37:31,560 --> 00:37:34,560
Speaker 2: the wall. But then the eye moved away real fast

719
00:37:34,560 --> 00:37:36,320
Speaker 2: when she looked back, and I was like, well, zombie

720
00:37:36,320 --> 00:37:39,440
Speaker 2: wouldn't have moved real fast, but who knows. So she

721
00:37:39,600 --> 00:37:41,919
Speaker 2: runs it tells Virgil, and once again she does great

722
00:37:41,960 --> 00:37:45,880
Speaker 2: acting because you know, she's emoting completely with her body

723
00:37:45,880 --> 00:37:48,640
Speaker 2: because she's not able to use her voice, so she's

724
00:37:48,680 --> 00:37:51,080
Speaker 2: just like running and look a panic and terror on

725
00:37:51,120 --> 00:37:51,640
Speaker 2: her face.

726
00:37:51,920 --> 00:37:55,360
Speaker 3: Right, and he is the worst, right, And.

727
00:37:55,280 --> 00:37:59,880
Speaker 2: So she tells Virgil, but he can't understand obviously because

728
00:37:59,920 --> 00:38:01,200
Speaker 2: she's doing sign language.

729
00:38:01,200 --> 00:38:03,359
Speaker 1: And he's like, what, I don't get it. Slow down,

730
00:38:03,440 --> 00:38:06,760
Speaker 1: what what are you talking about? Something? You was looking

731
00:38:06,800 --> 00:38:07,279
Speaker 1: at a wall?

732
00:38:07,400 --> 00:38:08,080
Speaker 3: What happened?

733
00:38:08,520 --> 00:38:11,520
Speaker 2: And so she scratches into uh, she tries to write

734
00:38:11,520 --> 00:38:14,319
Speaker 2: on a notepad with the pencil, breaks fight and then

735
00:38:14,440 --> 00:38:15,879
Speaker 2: she because she's so like.

736
00:38:17,600 --> 00:38:20,000
Speaker 1: And then she scratches, takes his n even scratches into.

737
00:38:19,840 --> 00:38:24,520
Speaker 2: A painting not alone, and he's like, what what that means?

738
00:38:25,520 --> 00:38:28,160
Speaker 3: I mean I don't see what you mean? Were not alone?

739
00:38:28,239 --> 00:38:31,080
Speaker 3: I mean I half asked, glanced around. I told you

740
00:38:31,200 --> 00:38:32,000
Speaker 3: wasn't nobody in here.

741
00:38:32,120 --> 00:38:35,720
Speaker 2: And he basically says, listen, you've been up for days.

742
00:38:35,840 --> 00:38:39,200
Speaker 2: You might've just hallucinated, because I believe you saw something,

743
00:38:39,239 --> 00:38:43,400
Speaker 2: but it probably wasn't real. And so she takes Virgil

744
00:38:43,480 --> 00:38:46,279
Speaker 2: to look through the razor hole. He doesn't seem to

745
00:38:46,320 --> 00:38:49,200
Speaker 2: believe her because she hadn't slept, like, you know, you

746
00:38:49,280 --> 00:38:49,920
Speaker 2: made this up?

747
00:38:50,040 --> 00:38:52,799
Speaker 3: Yeah, she was like, no, I know what I saw.

748
00:38:52,880 --> 00:38:56,600
Speaker 2: He's like, I don't believe black women free r Kelly.

749
00:38:56,600 --> 00:38:59,000
Speaker 2: You don't support him at all, Bill Cosy.

750
00:38:58,680 --> 00:39:03,319
Speaker 1: Was trying to buy NBC. Uh. And then while she's like, well,

751
00:39:03,360 --> 00:39:04,120
Speaker 1: I don't give a fuck.

752
00:39:04,200 --> 00:39:08,160
Speaker 2: I'm not staying here, right, so you can't make me

753
00:39:08,200 --> 00:39:12,960
Speaker 2: stay And I'm legitimately scared and I know what I saw.

754
00:39:13,320 --> 00:39:16,520
Speaker 2: I'm getting the fuck out of here. And so she

755
00:39:16,640 --> 00:39:20,920
Speaker 2: goes to leave and a fucking door closes by itself,

756
00:39:20,960 --> 00:39:24,200
Speaker 2: separating both of them. Yes, some honeed house level ship

757
00:39:24,840 --> 00:39:25,520
Speaker 2: just out of nowhere.

758
00:39:25,560 --> 00:39:26,320
Speaker 3: That door just shut.

759
00:39:26,400 --> 00:39:28,840
Speaker 4: So I was like, the is it Scooby Dooby dude,

760
00:39:29,200 --> 00:39:31,279
Speaker 4: Well what's happening here?

761
00:39:31,719 --> 00:39:34,360
Speaker 2: And then we get what I think is just some

762
00:39:34,480 --> 00:39:39,160
Speaker 2: phenomenal fa uh work right here with this scene where

763
00:39:39,680 --> 00:39:42,040
Speaker 2: as soon as the door shuts, the sound and the

764
00:39:42,080 --> 00:39:42,959
Speaker 2: scene turns off.

765
00:39:43,400 --> 00:39:48,839
Speaker 1: Yes, because she's she's deaf and mute, so so we're

766
00:39:48,880 --> 00:39:51,000
Speaker 1: getting it from from her perspective.

767
00:39:51,080 --> 00:39:55,160
Speaker 2: This ship is a horror movie because she can't hear

768
00:39:55,320 --> 00:39:56,520
Speaker 2: what's going on in the house.

769
00:39:56,600 --> 00:40:00,360
Speaker 1: It's dark. She's she now knows something's in there because

770
00:40:00,800 --> 00:40:02,399
Speaker 1: they fucking separated her. For sure.

771
00:40:02,440 --> 00:40:05,960
Speaker 2: It's not a hallucination anymore. And it becomes a horror movie.

772
00:40:08,360 --> 00:40:10,480
Speaker 2: It's like, if you're in the chat I'm playing. The

773
00:40:10,520 --> 00:40:14,640
Speaker 2: scene obviously is very quiet, but like.

774
00:40:14,680 --> 00:40:16,520
Speaker 1: She has such expressive eyes.

775
00:40:17,760 --> 00:40:21,840
Speaker 2: She is terrified, right because you couldn't hear somebody yelling

776
00:40:21,920 --> 00:40:27,240
Speaker 2: at you, footsteps behind you, anything. We see something moved

777
00:40:28,000 --> 00:40:30,920
Speaker 2: at the corner of her eye, but she doesn't see it.

778
00:40:32,680 --> 00:40:35,200
Speaker 2: And then finally when she gets around the corner, she

779
00:40:35,239 --> 00:40:38,400
Speaker 2: starts to touch the walls so she can try to

780
00:40:38,440 --> 00:40:43,080
Speaker 2: feel the vibration in the wall, and she feels a rumbling.

781
00:40:43,840 --> 00:40:46,480
Speaker 2: And once she feels a rumbling, she realizes something is

782
00:40:46,520 --> 00:40:50,080
Speaker 2: coming at her running and she just talks off running

783
00:40:50,120 --> 00:40:53,040
Speaker 2: and once she starts running, the sound comes back that

784
00:40:53,880 --> 00:40:54,640
Speaker 2: they did that.

785
00:40:54,840 --> 00:40:55,839
Speaker 1: They did that shit.

786
00:40:56,280 --> 00:40:58,600
Speaker 2: I was like, oh shit, because it's like it turned

787
00:40:58,600 --> 00:41:02,200
Speaker 2: back to her horror movie. He's like a run and

788
00:41:02,320 --> 00:41:06,840
Speaker 2: the thing chasing her looked like motherfucking uh the Dollumn.

789
00:41:07,280 --> 00:41:09,840
Speaker 1: Yes, it looked like Gollum from Lord of the Rings.

790
00:41:10,040 --> 00:41:13,240
Speaker 4: Because the thing is when she you know something behind

791
00:41:13,280 --> 00:41:15,279
Speaker 4: but when she initially stop running, you don't see it.

792
00:41:15,400 --> 00:41:17,480
Speaker 3: You just see her take off running. Then they's time

793
00:41:17,520 --> 00:41:19,480
Speaker 3: to camera around her you and I was like, the

794
00:41:19,600 --> 00:41:20,279
Speaker 3: fuck is.

795
00:41:20,360 --> 00:41:24,160
Speaker 2: That it's and it appears to be a person with

796
00:41:24,320 --> 00:41:27,520
Speaker 2: long like a look like Tarzan, with rags on them

797
00:41:27,640 --> 00:41:31,920
Speaker 2: and no shirt, long ass stringy hair, all.

798
00:41:31,760 --> 00:41:34,800
Speaker 1: Of them just a just a just a.

799
00:41:34,600 --> 00:41:40,480
Speaker 2: Tan, I mean, just a pasty, pale white man. It's

800
00:41:40,560 --> 00:41:43,200
Speaker 2: just just no tan on him. He hasn't been outside

801
00:41:43,200 --> 00:41:49,160
Speaker 2: in a long time, and he's running on all fours. Yes, nigga,

802
00:41:49,600 --> 00:41:52,600
Speaker 2: I don't know. Only thing scary than a human being

803
00:41:52,680 --> 00:41:55,800
Speaker 2: running at you on all fours is a motherfucker roach flying.

804
00:41:56,800 --> 00:41:59,160
Speaker 3: Yeah, roach fly was good as same vibe.

805
00:41:59,400 --> 00:41:59,720
Speaker 1: Friend.

806
00:42:00,160 --> 00:42:02,640
Speaker 3: Come on, I'm gonna spray you both with buck spray.

807
00:42:02,600 --> 00:42:03,280
Speaker 1: Both of y'all.

808
00:42:03,320 --> 00:42:05,920
Speaker 2: That's the same fucking like. I think I would just

809
00:42:05,960 --> 00:42:07,279
Speaker 2: piss myself and freeze up.

810
00:42:07,360 --> 00:42:09,239
Speaker 3: Yes, that that's because I'm the first time I seen

811
00:42:09,280 --> 00:42:09,560
Speaker 3: that shit.

812
00:42:09,640 --> 00:42:12,640
Speaker 2: I was like, if a motherfucker just come at me

813
00:42:12,760 --> 00:42:14,960
Speaker 2: on all fours, I don't know what I'll do, y'all.

814
00:42:15,040 --> 00:42:16,719
Speaker 1: I don't know what I think. I'll just be like, well,

815
00:42:16,760 --> 00:42:18,520
Speaker 1: I guess this is when I get turned to a zombie.

816
00:42:19,520 --> 00:42:20,640
Speaker 1: I didn't know niggas gonna be.

817
00:42:20,600 --> 00:42:22,719
Speaker 3: Out here, not prepared.

818
00:42:31,280 --> 00:42:33,960
Speaker 2: Like this motherfucker look like what white people think Jesus

819
00:42:33,960 --> 00:42:38,160
Speaker 2: look like. On the cross. So she gets she gets

820
00:42:38,239 --> 00:42:42,400
Speaker 2: to a door and basically uses her body to wedge

821
00:42:42,400 --> 00:42:44,799
Speaker 2: the door to make sure that the door's kind of

822
00:42:44,800 --> 00:42:47,640
Speaker 2: wedge shut so you can't like break the door down.

823
00:42:49,280 --> 00:42:54,120
Speaker 1: And you just hit the banging on the door commercial. Yeah,

824
00:42:54,320 --> 00:42:58,800
Speaker 1: once once again goes to commercial, comes back, the banging stops.

825
00:42:58,800 --> 00:43:00,800
Speaker 1: She's walking around. She walk around the basement.

826
00:43:00,960 --> 00:43:04,080
Speaker 2: I was like, I don't know, bring something upstairs wedget

827
00:43:04,239 --> 00:43:09,320
Speaker 2: between them. Like, but yeah, she makes it into the basement,

828
00:43:09,440 --> 00:43:12,600
Speaker 2: blocks the door to leg. She's she starts exploring the

829
00:43:12,640 --> 00:43:15,719
Speaker 2: basement after the banging stops, and it's filled with the

830
00:43:15,760 --> 00:43:19,520
Speaker 2: bones of just humans. And I'm talking about bones, Okay.

831
00:43:19,680 --> 00:43:21,120
Speaker 3: Yeah. I was like, I don't think you need to

832
00:43:21,160 --> 00:43:24,760
Speaker 3: be down here, lesh goone r. I look like, oh

833
00:43:24,880 --> 00:43:26,520
Speaker 3: my gosh, you need to get the fuck out.

834
00:43:26,440 --> 00:43:30,440
Speaker 2: In Like they apparently took humans, put these motherfuckers in

835
00:43:30,560 --> 00:43:35,000
Speaker 2: some illuminum for at three hundred and fifty degrees you

836
00:43:35,120 --> 00:43:37,839
Speaker 2: know where, and they just slow roasted these humans till

837
00:43:38,000 --> 00:43:40,000
Speaker 2: the meat just fell off the bone.

838
00:43:39,800 --> 00:43:42,000
Speaker 3: Apparently, so it looks like a dragon.

839
00:43:42,080 --> 00:43:44,440
Speaker 4: You know how whenever they show like dragons and they

840
00:43:44,480 --> 00:43:46,520
Speaker 4: show all the bones up into the dragon, that's like

841
00:43:46,680 --> 00:43:47,760
Speaker 4: just a bunch of drass.

842
00:43:48,280 --> 00:43:53,440
Speaker 2: These were bones, y'all, not remains of bones like.

843
00:43:53,840 --> 00:43:54,719
Speaker 1: Some shit you see.

844
00:43:54,719 --> 00:43:58,239
Speaker 2: And they picked them clean it like Powers of the Caribbean,

845
00:43:59,200 --> 00:44:04,440
Speaker 2: like bone bones. Okay, like these motherfuckers crock potted these humans.

846
00:44:05,600 --> 00:44:11,040
Speaker 1: These these are it's a man frying Yeah, no, not

847
00:44:11,120 --> 00:44:13,720
Speaker 1: even everfrin everyfriy. Don't make it fall off the bone

848
00:44:13,800 --> 00:44:14,000
Speaker 1: like that.

849
00:44:14,120 --> 00:44:17,560
Speaker 2: This ship was falling off the bone like they stewed

850
00:44:17,560 --> 00:44:22,680
Speaker 2: these niggas. Okay, So I didn't have a name for this,

851
00:44:22,880 --> 00:44:27,040
Speaker 2: for this whatever this person was, h I just started

852
00:44:27,080 --> 00:44:28,560
Speaker 2: calling him savage, you know.

853
00:44:29,080 --> 00:44:31,319
Speaker 1: So she looks around the house. Was wrong.

854
00:44:31,480 --> 00:44:33,279
Speaker 2: And then so once you see all the bones, I'm like,

855
00:44:33,360 --> 00:44:35,480
Speaker 2: oh wait, one.

856
00:44:35,280 --> 00:44:38,759
Speaker 1: Person ate all these people? Like did he just stay

857
00:44:38,800 --> 00:44:40,920
Speaker 1: here and trap people all this.

858
00:44:41,080 --> 00:44:45,279
Speaker 2: Time for like like on day wanted the z pop?

859
00:44:45,360 --> 00:44:46,960
Speaker 2: Did he just go time to grow my hair out,

860
00:44:47,040 --> 00:44:50,600
Speaker 2: rip off all his clothes, throw a low lone cloth

861
00:44:50,600 --> 00:44:52,279
Speaker 2: pH on And was like, I guess this is what I.

862
00:44:52,200 --> 00:44:53,880
Speaker 1: Do now, eat people.

863
00:44:54,160 --> 00:44:56,840
Speaker 2: I guess cause you know, it's not like you're gonna

864
00:44:56,840 --> 00:44:59,200
Speaker 2: find a bunch of other motherfuckers that's into this.

865
00:44:59,320 --> 00:45:02,120
Speaker 1: You know what I'm saying. How you meet somebody.

866
00:45:01,800 --> 00:45:03,520
Speaker 2: Hey say it at the same time, what you went

867
00:45:03,560 --> 00:45:06,279
Speaker 2: too one?

868
00:45:06,760 --> 00:45:07,120
Speaker 1: Yeah?

869
00:45:07,960 --> 00:45:11,960
Speaker 2: Uh, I guess honestly, I guess.

870
00:45:12,080 --> 00:45:14,240
Speaker 1: Uh. The website in this case.

871
00:45:14,080 --> 00:45:17,320
Speaker 2: Would be to meet up with people like this black

872
00:45:17,320 --> 00:45:21,000
Speaker 2: people meet dot com. Oh no, hold on care hold

873
00:45:21,040 --> 00:45:27,960
Speaker 2: on Black people n e a t dot com. I

874
00:45:28,000 --> 00:45:33,799
Speaker 2: think that because because Connie and Virgil black. If you're

875
00:45:33,800 --> 00:45:36,719
Speaker 2: interested in eat some some black euele, this was the

876
00:45:36,840 --> 00:45:39,360
Speaker 2: house for you. Okay, you know we taste spicy. Okay,

877
00:45:39,800 --> 00:45:41,799
Speaker 2: they was like, oh what is this this? Uh, I'm

878
00:45:41,840 --> 00:45:44,000
Speaker 2: gonna have some high blood pressure. It's some good sodium

879
00:45:44,239 --> 00:45:44,839
Speaker 2: in this meat.

880
00:45:46,880 --> 00:45:47,719
Speaker 1: So then.

881
00:45:49,239 --> 00:45:52,920
Speaker 2: She looks around and you can see and hear that

882
00:45:54,320 --> 00:45:56,400
Speaker 2: the house starts rumbling the floor.

883
00:45:56,760 --> 00:45:59,959
Speaker 1: Uh, something falls on the floor and breaks, and you can.

884
00:45:59,840 --> 00:46:03,640
Speaker 2: See the shadow of the savage trying to get in upstairs.

885
00:46:04,080 --> 00:46:06,919
Speaker 2: And so she crawls into a vent, which brings her

886
00:46:07,000 --> 00:46:10,240
Speaker 2: to like a place between the walls of the next

887
00:46:11,040 --> 00:46:12,719
Speaker 2: or the first floor of the house. So she's now

888
00:46:12,760 --> 00:46:18,319
Speaker 2: walking in between the walls and she peeps through a

889
00:46:18,360 --> 00:46:23,160
Speaker 2: hole and sees some walkers. But it looked like that

890
00:46:23,280 --> 00:46:26,200
Speaker 2: was a hallucination. So like when I went back and

891
00:46:26,239 --> 00:46:30,359
Speaker 2: rewatched it, Yeah, yeah, that didn't really happen. But then

892
00:46:30,400 --> 00:46:32,640
Speaker 2: she looks again out the same hole and it's actually

893
00:46:33,640 --> 00:46:37,600
Speaker 2: a room. And when she looks at the room, she

894
00:46:37,640 --> 00:46:40,239
Speaker 2: sees Virgil running to the room, blocked the door with

895
00:46:41,000 --> 00:46:44,520
Speaker 2: a dresser because the same person must be chasing him too.

896
00:46:45,440 --> 00:46:48,560
Speaker 2: Connie sees Virgil through the hole in the wall starts

897
00:46:48,600 --> 00:46:50,480
Speaker 2: banging on the wall to get his attention.

898
00:46:50,239 --> 00:46:52,279
Speaker 3: And it just scares him, which I could understand him

899
00:46:52,280 --> 00:46:52,880
Speaker 3: being scared.

900
00:46:52,920 --> 00:46:55,120
Speaker 2: He thinks it's one of these fucking people that's in

901
00:46:55,120 --> 00:46:57,480
Speaker 2: the wall, because from what she told him, they in

902
00:46:57,520 --> 00:46:59,920
Speaker 2: the walls. So he pulls out his night starts approaching

903
00:47:00,120 --> 00:47:02,759
Speaker 2: the banging on the wall. And I'm like, oh God,

904
00:47:02,840 --> 00:47:04,400
Speaker 2: I hope you don't stab con That's.

905
00:47:04,239 --> 00:47:06,040
Speaker 3: What I said. I tell her about to fuck up

906
00:47:06,080 --> 00:47:06,600
Speaker 3: up now.

907
00:47:06,760 --> 00:47:09,080
Speaker 2: Like this useless ass nigga finally got the balls to

908
00:47:09,160 --> 00:47:09,920
Speaker 2: stab somebody.

909
00:47:09,920 --> 00:47:11,440
Speaker 1: That's gonna be Connie.

910
00:47:11,680 --> 00:47:11,799
Speaker 4: Uh.

911
00:47:12,000 --> 00:47:16,520
Speaker 2: But then as he starts walking towards her, she has

912
00:47:16,560 --> 00:47:20,359
Speaker 2: his attention as he's looking at this hole in the

913
00:47:20,400 --> 00:47:22,920
Speaker 2: wall trying to like see where the banging's coming from,

914
00:47:23,280 --> 00:47:28,600
Speaker 2: and he can't see. Somebody's behind him. It's that savage,

915
00:47:28,600 --> 00:47:30,400
Speaker 2: dirty Tarzan looking motherfucker.

916
00:47:31,120 --> 00:47:32,400
Speaker 3: And then coming from a hole.

917
00:47:32,320 --> 00:47:35,080
Speaker 2: In the floor, like yeah, and it was so like

918
00:47:35,160 --> 00:47:37,560
Speaker 2: this motherfucker looked like the thing from the Ring.

919
00:47:38,200 --> 00:47:41,360
Speaker 3: Yes, because because he started download and he slowly.

920
00:47:41,040 --> 00:47:44,040
Speaker 4: Started getting big, I was like, oh, this famous travel

921
00:47:44,120 --> 00:47:45,239
Speaker 4: around the house.

922
00:47:45,040 --> 00:47:47,200
Speaker 1: Like this was some Japanese horror movie. Shit.

923
00:47:47,440 --> 00:47:51,320
Speaker 2: This nigga, this pale ass nigga crawling on all floors, uh,

924
00:47:51,880 --> 00:47:56,120
Speaker 2: creeping up on on on Virgil and then standing and

925
00:47:56,680 --> 00:48:00,640
Speaker 2: uh so quietly too. He attacks Virgil from behind and

926
00:48:00,680 --> 00:48:03,040
Speaker 2: the reason he Connie can't warn him because.

927
00:48:02,800 --> 00:48:05,439
Speaker 1: She can't say anything. He can't see her hands only.

928
00:48:05,560 --> 00:48:09,200
Speaker 1: The only method of communication she has is banging on

929
00:48:09,239 --> 00:48:10,279
Speaker 1: the wall, and of.

930
00:48:10,200 --> 00:48:14,040
Speaker 2: Course that just makes him go towards the wall. Anyway,

931
00:48:14,120 --> 00:48:17,000
Speaker 2: Virgil does struggle fight.

932
00:48:16,840 --> 00:48:18,680
Speaker 3: This another struga fight.

933
00:48:19,200 --> 00:48:23,640
Speaker 2: The dude actually has Virgil about to pass out, like

934
00:48:23,800 --> 00:48:27,960
Speaker 2: he strangles Virgil to the point of like unconsciousness almost,

935
00:48:28,480 --> 00:48:31,440
Speaker 2: but the knocking on the wall by Connie distracts the.

936
00:48:31,440 --> 00:48:34,160
Speaker 1: Savage for a second. It eases off of Virgil.

937
00:48:34,239 --> 00:48:37,360
Speaker 2: Virgil is able to stab the savage, and the savage

938
00:48:37,360 --> 00:48:38,480
Speaker 2: crawls back into the wall.

939
00:48:39,040 --> 00:48:41,279
Speaker 3: Yeah, but gets some mottle hot heart points.

940
00:48:41,400 --> 00:48:52,280
Speaker 2: So then so then uh, Virgil, Virgil stabs verbal Virgil

941
00:48:52,320 --> 00:48:56,200
Speaker 2: stabs the wall where Connie is probably thinking she's one

942
00:48:56,280 --> 00:49:00,040
Speaker 2: of those people that just attacked him or something, and

943
00:49:00,040 --> 00:49:03,160
Speaker 2: and eventually realizes it's actually Connie and pulls her out

944
00:49:03,160 --> 00:49:05,520
Speaker 2: of the wall and she just hugs on him and

945
00:49:05,560 --> 00:49:08,959
Speaker 2: then they have a heart to heart where I would

946
00:49:09,080 --> 00:49:12,279
Speaker 2: play it for y'all, but I hate it. I won't

947
00:49:12,320 --> 00:49:14,399
Speaker 2: like this is the only party episode. I really hate it,

948
00:49:14,600 --> 00:49:17,560
Speaker 2: and I think it's just because I hate Virgil. But

949
00:49:18,520 --> 00:49:22,680
Speaker 2: my God, to get to the point, like I couldn't

950
00:49:22,719 --> 00:49:25,839
Speaker 2: like this conversation was so dumb. He like, he kept

951
00:49:25,880 --> 00:49:27,680
Speaker 2: trying to show her how he was a good I

952
00:49:27,680 --> 00:49:31,240
Speaker 2: guess Macheane must have changed his ways and they wanted

953
00:49:31,280 --> 00:49:35,400
Speaker 2: to show how this fucking like how his one interaction

954
00:49:35,480 --> 00:49:39,160
Speaker 2: with Micheaun made him a courageous person. But the sum

955
00:49:39,280 --> 00:49:41,800
Speaker 2: of it all up, he's willing to sacrifice his life

956
00:49:41,920 --> 00:49:47,160
Speaker 2: now for Connie. And he's like, listen, whatever you gotta

957
00:49:47,239 --> 00:49:49,000
Speaker 2: do to get out of here, you just do it.

958
00:49:49,520 --> 00:49:53,759
Speaker 2: Don't worry about me. I'm gonna be okay, but you know,

959
00:49:53,880 --> 00:49:56,719
Speaker 2: you gotta get out. It's important that you escape. You

960
00:49:56,800 --> 00:49:59,360
Speaker 2: got a family, and I know about family. I lost

961
00:49:59,400 --> 00:50:01,959
Speaker 2: mine in his he popped, but you got a chance

962
00:50:02,000 --> 00:50:02,880
Speaker 2: to find yours.

963
00:50:02,880 --> 00:50:07,240
Speaker 1: And I don't like niggas. Shut the fuck up because

964
00:50:07,280 --> 00:50:10,200
Speaker 1: she didn't even want that, So what are you talking about.

965
00:50:10,520 --> 00:50:12,400
Speaker 3: She was like, we're gonna get through this. Toge like

966
00:50:12,640 --> 00:50:15,520
Speaker 3: just take, no, just give take. Try to give her

967
00:50:15,560 --> 00:50:16,920
Speaker 3: a knife, and like you take.

968
00:50:16,800 --> 00:50:18,840
Speaker 1: The knife, I'm gonna just sacrifice myself.

969
00:50:18,840 --> 00:50:22,160
Speaker 2: She's like no, And I know, like, on some end,

970
00:50:22,160 --> 00:50:24,600
Speaker 2: it's honorable, you know that he would do that because

971
00:50:24,640 --> 00:50:26,240
Speaker 2: obviously it's his fucking fault.

972
00:50:26,920 --> 00:50:28,279
Speaker 1: She being told him.

973
00:50:28,080 --> 00:50:29,799
Speaker 4: Right that they got that house in the face space

974
00:50:29,840 --> 00:50:31,520
Speaker 4: because she actually wanted to go in another direction.

975
00:50:31,719 --> 00:50:33,920
Speaker 2: Yeah, so I get, you know how it is an

976
00:50:33,920 --> 00:50:39,960
Speaker 2: honorable situation, but it's like his delivery was so terrible that.

977
00:50:40,000 --> 00:50:42,279
Speaker 1: It's just like I'm just like, shut the fuck up.

978
00:50:42,520 --> 00:50:45,279
Speaker 1: Just do what you're gonna do already. Don't nobody want

979
00:50:45,280 --> 00:50:49,480
Speaker 1: to hear all this shit, you know? But yeah, you know,

980
00:50:49,600 --> 00:50:51,560
Speaker 1: he basically tells her.

981
00:50:51,480 --> 00:50:54,720
Speaker 2: That Michean saved him and ship and blah blah blah.

982
00:50:54,760 --> 00:51:00,480
Speaker 1: So then they decide. Connie says, no, we gotta do together.

983
00:51:00,480 --> 00:51:02,239
Speaker 1: Shut the fuck up, which is what you gotta do

984
00:51:02,239 --> 00:51:05,040
Speaker 1: with somebody like Virgil, Like you got that off your chest,

985
00:51:05,080 --> 00:51:08,040
Speaker 1: You're good, Okay. Anyway, we're getting out of here together.

986
00:51:08,560 --> 00:51:09,319
Speaker 1: Shut the fuck up.

987
00:51:09,680 --> 00:51:13,120
Speaker 2: So then they go out in the hallway and Connie

988
00:51:13,200 --> 00:51:16,680
Speaker 2: has a knife and Virgil has a bad post.

989
00:51:18,360 --> 00:51:21,680
Speaker 1: And these motherfuckers start coming out the walls. Y'all. It's

990
00:51:21,719 --> 00:51:22,319
Speaker 1: more than one.

991
00:51:22,920 --> 00:51:25,400
Speaker 3: It's more than one. It's like a whole fucking family.

992
00:51:25,600 --> 00:51:27,440
Speaker 1: It was like a dozen of them. Now where did

993
00:51:27,560 --> 00:51:30,200
Speaker 1: all these white people?

994
00:51:30,760 --> 00:51:36,200
Speaker 2: I didn't see no black cannibal savage people's these culture

995
00:51:36,239 --> 00:51:37,560
Speaker 2: appropriating motherfuckers.

996
00:51:37,560 --> 00:51:40,640
Speaker 1: Where did they meet? How did they get together? How

997
00:51:40,640 --> 00:51:41,120
Speaker 1: did they get there?

998
00:51:41,239 --> 00:51:44,560
Speaker 2: Was this like if Terminus lost funding, I don't know, Like,

999
00:51:44,600 --> 00:51:48,319
Speaker 2: how would this happen? And everybody's own team were just

1000
00:51:48,360 --> 00:51:49,920
Speaker 2: wearing drawers and eating people.

1001
00:51:50,640 --> 00:51:54,560
Speaker 4: Yeah, And it wouldn't be surprising if the wrestling in

1002
00:51:54,560 --> 00:51:55,920
Speaker 4: the grass was them.

1003
00:51:55,719 --> 00:51:58,799
Speaker 1: Leading, I wouldn't be surprising. That's exactly what it was.

1004
00:51:59,480 --> 00:52:01,280
Speaker 2: That's what was chasing, And that's why they was running

1005
00:52:01,320 --> 00:52:02,680
Speaker 2: so hard, because I was like, there's not like they

1006
00:52:02,800 --> 00:52:06,560
Speaker 2: running from zombies. They running hard as fuck. And you

1007
00:52:06,600 --> 00:52:09,040
Speaker 2: could and you didn't see what chasing. You just kept

1008
00:52:09,040 --> 00:52:12,440
Speaker 2: seeing rustling in the grass and hearing sounds. So it

1009
00:52:12,520 --> 00:52:18,919
Speaker 2: looks like these things, these people, these pharaoh humans get out,

1010
00:52:19,160 --> 00:52:21,920
Speaker 2: chase prey to this house, heard them and corner them

1011
00:52:21,960 --> 00:52:22,719
Speaker 2: and then eat them.

1012
00:52:23,040 --> 00:52:25,240
Speaker 4: Yes, and it looks like they have ways of running

1013
00:52:25,280 --> 00:52:27,360
Speaker 4: all around the house, like they actually have ways of

1014
00:52:27,400 --> 00:52:30,200
Speaker 4: getting outside and getting back in, like really really quickly,

1015
00:52:30,680 --> 00:52:34,160
Speaker 4: probably tunnels and shit over the years that they built.

1016
00:52:34,560 --> 00:52:42,080
Speaker 1: So they start escaping. I will give it the vergon.

1017
00:52:42,400 --> 00:52:44,239
Speaker 2: He had this bad post and he got to work,

1018
00:52:45,640 --> 00:52:47,240
Speaker 2: like he gave a couple of them some business.

1019
00:53:09,920 --> 00:53:11,319
Speaker 1: You gave a couple of the business with.

1020
00:53:11,360 --> 00:53:13,640
Speaker 3: That that wood bed pole right upside the head.

1021
00:53:13,760 --> 00:53:17,320
Speaker 1: Yeah, I appreciate it. Say oops, up side your head.

1022
00:53:17,520 --> 00:53:18,640
Speaker 3: Oop, still head.

1023
00:53:21,239 --> 00:53:25,439
Speaker 2: This bitch here right, she jumps out of no whell girl,

1024
00:53:25,440 --> 00:53:26,759
Speaker 2: you need to be in a w N B A.

1025
00:53:26,920 --> 00:53:30,480
Speaker 2: She jumped from on the top of a bookshelf and

1026
00:53:30,719 --> 00:53:33,319
Speaker 2: tackled this motherfucker from behind and stabed him in the

1027
00:53:33,360 --> 00:53:48,840
Speaker 2: back like three times. And so Connie cuts the woman's

1028
00:53:48,960 --> 00:53:52,080
Speaker 2: arm and then the savage creeps back into the wall.

1029
00:53:55,200 --> 00:53:59,360
Speaker 3: Get up. I thought, well, we're gonna lose worth in

1030
00:53:59,400 --> 00:53:59,719
Speaker 3: the game.

1031
00:54:00,200 --> 00:54:02,400
Speaker 2: He did say he was going to sacrifice himself. I

1032
00:54:02,440 --> 00:54:03,960
Speaker 2: was like, I guess he got the opportunity.

1033
00:54:04,040 --> 00:54:04,600
Speaker 3: Yes he did.

1034
00:54:05,360 --> 00:54:05,680
Speaker 1: Uh.

1035
00:54:05,719 --> 00:54:09,160
Speaker 2: So then she carries Virgil into another into the four

1036
00:54:09,239 --> 00:54:12,640
Speaker 2: yer where they first entered the house with the where

1037
00:54:13,200 --> 00:54:19,279
Speaker 2: he struggle killed that walker, and uh, they started to

1038
00:54:19,280 --> 00:54:28,919
Speaker 2: be surrounded by the savages and and and they're start

1039
00:54:29,000 --> 00:54:31,680
Speaker 2: and they're crawling towards him, like like I heard a

1040
00:54:31,800 --> 00:54:34,840
Speaker 2: hyena or some shit like that. Like, uh, it's a

1041
00:54:34,880 --> 00:54:39,560
Speaker 2: real scary sight. So Connie covers herself in that walker,

1042
00:54:39,600 --> 00:54:42,880
Speaker 2: that that walker that Virgil kills. She stands Virgil up

1043
00:54:42,920 --> 00:54:44,919
Speaker 2: against the wall so he can lean on it because

1044
00:54:44,920 --> 00:54:48,080
Speaker 2: he can't stand really because he got stabbed, and she

1045
00:54:48,200 --> 00:54:52,719
Speaker 2: covers herself in walker guts and then leans up to

1046
00:54:52,880 --> 00:54:57,440
Speaker 2: shield him. You know, because black women got to save everybody. Okay,

1047
00:54:58,520 --> 00:55:01,160
Speaker 2: you know this this micheon, how they just black women

1048
00:55:01,280 --> 00:55:09,319
Speaker 2: keep saving this nigga. And the savages start approaching her

1049
00:55:10,560 --> 00:55:14,680
Speaker 2: and him cornering them, and she opens up the front

1050
00:55:14,719 --> 00:55:16,800
Speaker 2: door where the herd of Walker's word. The whole time,

1051
00:55:17,400 --> 00:55:21,520
Speaker 2: the walkers come in and start eating motherfucking savages.

1052
00:55:21,320 --> 00:55:24,640
Speaker 3: Right, because they've been doing everything till aboard them, right. Oh,

1053
00:55:24,680 --> 00:55:27,400
Speaker 3: and them them zombies is giving them their work.

1054
00:55:27,760 --> 00:55:30,719
Speaker 2: Yeah, because the savages don't really have a lot of weapons.

1055
00:55:30,719 --> 00:55:35,080
Speaker 2: They don't have any guns, right, like they they apparently

1056
00:55:35,120 --> 00:55:39,680
Speaker 2: have gone full savage, like they're not like they're not

1057
00:55:39,760 --> 00:55:44,080
Speaker 2: doing this thing where like the savages are, you know,

1058
00:55:44,320 --> 00:55:48,200
Speaker 2: start using tactics and technology and ship. They just jump

1059
00:55:48,280 --> 00:55:50,760
Speaker 2: down there and start trying to fight them like apes

1060
00:55:50,880 --> 00:55:51,200
Speaker 2: or something.

1061
00:55:51,239 --> 00:55:53,000
Speaker 3: Yeah. And they was like, oh, let me, let me

1062
00:55:53,000 --> 00:55:53,759
Speaker 3: get some of this meat.

1063
00:55:54,080 --> 00:55:56,280
Speaker 1: Yeah, So of course they gets the bone.

1064
00:55:56,800 --> 00:55:57,040
Speaker 3: Uh.

1065
00:55:57,080 --> 00:56:01,000
Speaker 2: So the savages, the savages get ate. Then Connie and

1066
00:56:01,120 --> 00:56:04,080
Speaker 2: Virgil make it outside. He's so fucked up, like he

1067
00:56:04,239 --> 00:56:08,319
Speaker 2: just added laid out because he's that fucked up, and

1068
00:56:08,360 --> 00:56:08,839
Speaker 2: there was.

1069
00:56:08,840 --> 00:56:10,840
Speaker 3: So many of them, them niggas came out, some of

1070
00:56:10,920 --> 00:56:12,000
Speaker 3: them survived.

1071
00:56:12,640 --> 00:56:13,600
Speaker 1: Yeah, I was gonna yes.

1072
00:56:13,719 --> 00:56:17,600
Speaker 2: So then while he's laying down, two more savages come out,

1073
00:56:18,239 --> 00:56:20,480
Speaker 2: and right and now, of course Kytie I think at

1074
00:56:20,480 --> 00:56:22,879
Speaker 2: this point Mike still have her knife, but they don't

1075
00:56:22,880 --> 00:56:23,800
Speaker 2: have a lot of weapons.

1076
00:56:24,160 --> 00:56:26,040
Speaker 1: Mergil definitely can't fight.

1077
00:56:26,360 --> 00:56:31,120
Speaker 2: And once the savage comes his fighter looking ass fego

1078
00:56:31,239 --> 00:56:31,960
Speaker 2: looking ass.

1079
00:56:31,760 --> 00:56:34,120
Speaker 1: Out of the uh, out of the house.

1080
00:56:34,840 --> 00:56:34,960
Speaker 2: Uh.

1081
00:56:35,120 --> 00:56:39,200
Speaker 1: He gets brained by a slingshot rock from Kelly. It's

1082
00:56:39,280 --> 00:56:40,400
Speaker 1: Kelly uh.

1083
00:56:40,440 --> 00:56:42,839
Speaker 2: And then Kelly down kills another one with a Rock

1084
00:56:43,320 --> 00:56:48,719
Speaker 2: and then the rest of the crew, Rosita, Carol, and

1085
00:56:48,760 --> 00:56:56,000
Speaker 2: Magna start killing just regular walkers and that, and then

1086
00:56:56,280 --> 00:57:00,640
Speaker 2: Connie and Kelly have a reunion because you know, she

1087
00:57:00,760 --> 00:57:01,720
Speaker 2: finally got saved.

1088
00:57:02,200 --> 00:57:03,280
Speaker 1: So that was cool.

1089
00:57:05,680 --> 00:57:09,680
Speaker 2: So, I mean, just very intense episode, very intense ending,

1090
00:57:12,000 --> 00:57:19,440
Speaker 2: but you know, I thought it was good, Karen, mm hmm.

1091
00:57:19,880 --> 00:57:22,760
Speaker 2: Well you look forward to next week mm hmm.

1092
00:57:23,560 --> 00:57:26,800
Speaker 4: Shee what's up with Darryl and that crew, the New Gang,

1093
00:57:27,280 --> 00:57:34,680
Speaker 4: to see what's up with Maggie and them. Also what's

1094
00:57:34,760 --> 00:57:35,960
Speaker 4: up in the Commonwealth too.

1095
00:57:36,960 --> 00:57:40,919
Speaker 2: Yeah, yeah, I want to now, just want to see

1096
00:57:40,920 --> 00:57:41,640
Speaker 2: what's going.

1097
00:57:41,440 --> 00:57:44,720
Speaker 3: On with Darryl and.

1098
00:57:46,440 --> 00:57:50,560
Speaker 2: Connie and Leah in this love triangle, you know what

1099
00:57:50,560 --> 00:57:53,040
Speaker 2: I mean, because some you know, some got to give.

1100
00:57:54,320 --> 00:57:58,040
Speaker 1: You can't be out there, you know, you can't be

1101
00:57:58,120 --> 00:57:58,680
Speaker 1: out there.

1102
00:57:58,640 --> 00:58:02,000
Speaker 2: Uh fucking around Darryl.

1103
00:58:02,120 --> 00:58:06,240
Speaker 1: Okay, your girl is back and we're not with this bullshit. Okay,

1104
00:58:06,800 --> 00:58:07,440
Speaker 1: not with it.

1105
00:58:07,800 --> 00:58:10,200
Speaker 2: Get Lea's asked to fuck up out of there though

1106
00:58:10,240 --> 00:58:11,280
Speaker 2: the black woman is back.

1107
00:58:11,320 --> 00:58:13,400
Speaker 3: You ain't learning sound language for nothing.

1108
00:58:13,400 --> 00:58:17,680
Speaker 2: Right, And what's Lee gonna think if she finds out

1109
00:58:17,720 --> 00:58:22,200
Speaker 2: you know, Darryl's betrayed her after all this time? And

1110
00:58:24,440 --> 00:58:27,240
Speaker 2: you know, like, yeah, what's what is she gonna think?

1111
00:58:27,400 --> 00:58:29,160
Speaker 2: Because I got a feeling that she ain't she ain't

1112
00:58:29,160 --> 00:58:32,720
Speaker 2: gonna like this shit. We got one comment that I'll

1113
00:58:32,760 --> 00:58:36,560
Speaker 2: read since we're not doing a feedback show. Fireman says, Hey,

1114
00:58:36,640 --> 00:58:40,520
Speaker 2: Rod and Karen fireworks here. One of the few Lawyer

1115
00:58:40,560 --> 00:58:44,200
Speaker 2: Walking Dead watches remaining love to recasts. I enjoyed this episode,

1116
00:58:44,280 --> 00:58:47,160
Speaker 2: and after not having Connie for about twenty years, I'm

1117
00:58:47,200 --> 00:58:49,160
Speaker 2: glad we got a Connie heavy up where she was

1118
00:58:49,160 --> 00:58:52,840
Speaker 2: accompanied by Franklin Saint's father. They did a great job

1119
00:58:52,880 --> 00:58:55,360
Speaker 2: when they muted the sound at times. At times they

1120
00:58:55,400 --> 00:58:58,040
Speaker 2: had me thinking something was wrong with my TV. Last

1121
00:58:58,120 --> 00:59:01,320
Speaker 2: opinion I had was with he have was with Darryl.

1122
00:59:01,800 --> 00:59:03,760
Speaker 2: He was convincing me to try to.

1123
00:59:03,720 --> 00:59:06,840
Speaker 1: Prove his loyal loyally to post group. Oh, he was

1124
00:59:06,840 --> 00:59:07,480
Speaker 1: convincing to me.

1125
00:59:07,640 --> 00:59:10,080
Speaker 2: Yeah, but I know as a man who was getting

1126
00:59:10,120 --> 00:59:12,400
Speaker 2: about a milli episode, he got a plan and will

1127
00:59:12,440 --> 00:59:14,840
Speaker 2: work it out in the n until next.

1128
00:59:14,640 --> 00:59:17,080
Speaker 1: Time fireworks out, Yeah, and the spin off show coming.

1129
00:59:17,520 --> 00:59:18,160
Speaker 3: He can't down.

1130
00:59:18,600 --> 00:59:20,840
Speaker 1: He got that plot armor. He's gonna be just fine.

1131
00:59:21,440 --> 00:59:23,680
Speaker 1: All right, y'all. That's it, man, Thank y'all for listening.

1132
00:59:23,680 --> 00:59:24,840
Speaker 1: We appreciate y'all.

1133
00:59:25,280 --> 00:59:29,640
Speaker 2: We'll see y'all next week, probably a Sunday if your

1134
00:59:29,680 --> 00:59:32,280
Speaker 2: premium will probably do the nerd off in Bolls Deep,

1135
00:59:32,320 --> 00:59:34,280
Speaker 2: so you know y'all will get a little some something,

1136
00:59:35,200 --> 00:59:36,960
Speaker 2: But until then, I love you.

1137
00:59:37,280 --> 00:59:37,560
Speaker 1: Why