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Speaker 1: Low ship.

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Speaker 2: I had somebody I loved up that month statement, I

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Speaker 2: don't care if I lose my job behind this.

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Speaker 1: We can go to war, Yeah, bro baby, we can

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Speaker 1: go to war with them or well they on your

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Speaker 1: side on this, we can was a gist. You can

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Speaker 1: go wall what over my song?

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Speaker 3: Bro blay on me?

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Speaker 2: Brother don al really crying that they came through, Like, hey,

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Speaker 2: expecial when I hear about the glow Glow being on

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Speaker 2: that they weren't really tribute. They weren't really tripping at

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Speaker 2: first about that song going up on ticket Tide. They

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Speaker 2: were trying to wait place because if I dropped the tape,

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Speaker 2: if I dropped the tape and they seen the glow realer.

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Speaker 1: They're like, oh four to grab me a Hordes performing

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Speaker 1: I Love Her from her debut album Glorious Picture Pain

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Speaker 1: Give It.

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Speaker 3: Up for Good.

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Speaker 1: He really piggyback and off got it. They really use

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Speaker 1: and got it. But it's been this So what they

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Speaker 1: gonna do is they extorting that friendship with them too.

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Speaker 1: Niggas ain't no Kevin, no cap that's his name?

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Speaker 3: What is he? Is? He?

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Speaker 1: Is he ops? Or is he homies? I don't know?

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Speaker 1: Is he ops? He's a.

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Speaker 2: You know, me and Kevin little hurt he had a

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Speaker 2: little minute ago and you know it's like that shit

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Speaker 2: still got a you know, I ain't feeling looks like

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Speaker 2: with him at he ain't. Man, I see somebody man

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Speaker 2: who out they holes getting out the money and sh

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Speaker 2: you know, and we don't.

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Speaker 1: Know bout it.

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Speaker 3: We don't decride like everybody else be doing. That's why

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Speaker 3: they don't like us. I ain't telling about the drop.

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Speaker 1: From the lafe. Yeah they what have you ran in

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Speaker 1: the Wifie and Luci?

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Speaker 4: All right, some more news here in Atlanta, Atlanta rapper

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Speaker 4: Wife and Lucci was released just a year after he was.

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Speaker 3: Sentenced to prison. These are pictures is.

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Speaker 4: Here reunited with his family. The rapper whose real name

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Speaker 4: is Ray Shawn Bennett. He pleaded guilty to you one

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Speaker 4: counter violation of the Street Gang Terrorism and Prevention Act.

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Speaker 4: He was sentenced to twenty years with ten to serve,

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Speaker 4: but after nearly three years in jail before sentencing, he's

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Speaker 4: now free due to parole recommendations.

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Speaker 1: YO, welcome to us up there podcast. I am your

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Speaker 1: active and attractive host for another episode. Y'all know the

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Speaker 1: vice man, I done got demming laced up my boost

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Speaker 1: and got back to my roots. You dig what I'm saying.

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Speaker 1: So you know everybody can't come on this platform. You

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Speaker 1: know what I'm saying. I'm not interested in speaking with everybody. Today.

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Speaker 1: We got one of my homeboys, man that I really

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Speaker 1: enjoyed music. Of course, y'all know that. I think the

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Speaker 1: young lady is a little legend. He's a legend in

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Speaker 1: his own right. He's a hustler and he got a

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Speaker 1: very bright future. We got O NBPZ number two. What's

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Speaker 1: going on? My brother return till it v Bro feeling good?

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Speaker 1: I'm like, you know, yes, lord man, I said, we

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Speaker 1: were just kicking it, just talking. You know, first of all,

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Speaker 1: how are you how you feeling? How is the game?

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Speaker 1: I'm doing good.

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Speaker 2: I ain't gonna lie peace for real, for real, like

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Speaker 2: they know, working, just hitting their games for real real?

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Speaker 1: Right. It's how's business man? You know it's it's constant

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Speaker 1: changes in the business. You know, this game is in

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Speaker 1: a very unique place. How you feel about business right now?

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Speaker 2: Business boomer could have business boom for so Yeah, it's awesome.

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Speaker 3: Ship.

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Speaker 2: Like I've been telling people, I got time in this music.

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Speaker 2: So is it like the proof the proof's starting to

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Speaker 2: be in the.

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Speaker 1: Pudding now for sure. We were just talking about Glowrilla,

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Speaker 1: and I think it's important that we champion Glow because she,

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Speaker 1: you know what I'm saying, for her to do what

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Speaker 1: she done for you in that moment was so dope.

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Speaker 1: But you have fans. Always tell you got fans out there,

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Speaker 1: they laying dormant, and they just they land in sniper position,

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Speaker 1: us at street guys, US at guys that come from

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Speaker 1: the underworld. We got to learn how to massage that shit,

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Speaker 1: you know what I'm saying. How did the Glorilla remix

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Speaker 1: for lay Down? For people who don't know, Pisa has

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Speaker 1: a song called lay Down and dropped in one year.

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Speaker 3: Shit twenty sixteen, December twenty.

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Speaker 1: Sixteen, That's crazy, dropped in December twenty sixteen, and then

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Speaker 1: twenty twenty four TikTok revived and rejuvenated that song and

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Speaker 1: brought it back. That's some craziest shit. It How you

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Speaker 1: feel about that? I used to all so I got that.

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Speaker 2: I used to be joking with my pot and she's like,

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Speaker 2: I need me a TikTok here around his boys it.

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Speaker 2: But I woke up one day and everybody was just

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Speaker 2: sending me some shit.

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Speaker 3: Like it was a dude there cater rid shot got

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Speaker 3: this who started?

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Speaker 1: Yeah, okay, he.

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Speaker 3: Was dazz into it. I'm like, I'm like, what the

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Speaker 3: fuck feeling.

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Speaker 2: But that's when I really noticed the power of Tiktoked, right, Bro,

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Speaker 2: that's TikTok is a power man.

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Speaker 1: Brought it all the way back. Oh craziness. Goddamn.

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Speaker 3: I see it going up. I see it going up.

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Speaker 2: But you know, being in the game for for seven years,

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Speaker 2: I'm like, it's all you always got to think for it,

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Speaker 2: like you gotta be forard thinger. So I'm like, I

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Speaker 2: see it going up, But what's the next step exactly?

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Speaker 1: They're gonna get tired of doing this day? Yeah yeah,

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Speaker 1: you know.

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Speaker 2: I'm like, what's the next step? What's the next step?

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Speaker 2: So I'm at the house that chilling one day, I'm like, man,

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Speaker 2: I d M Glowyala, man, man, I need you on

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Speaker 2: the remix because I seen you do to dead. I'm like, man,

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Speaker 2: I need you on the remix. But she d M

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Speaker 2: me right back, like she has send it through sat

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Speaker 2: there like three days and what.

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Speaker 1: I'm trying to take you, gangster bro, that's so much

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Speaker 1: I respect glow for that.

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Speaker 3: The Lord though, like you know, she could have seen

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Speaker 3: she give me.

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Speaker 1: She could have built the label. She could have sent

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Speaker 1: it to you for nothing and then had her people

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Speaker 1: invoice the lave.

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Speaker 3: Yeah yeah, we need that.

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Speaker 1: Yeah, man, that's so love. And and don't forgetting that.

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Speaker 1: I remember you to like Gloryala. Yeah, don't start there. Yeah,

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Speaker 1: I'm talking about you like Gloriala before she before she is, yeah,

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Speaker 1: before she turned it over. See, what people don't know

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Speaker 1: is you got people like academics and others in the

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Speaker 1: game that used to look at Glororeala and say, and

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Speaker 1: she need to stop trying to be sexy. She ugly,

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Speaker 1: she ain't gonna be able to do it. They must

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Speaker 1: ain't come from the hood. They must ain't see we

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Speaker 1: done saw the live next door to us. Man, be

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Speaker 1: like like whees she get that. But that's how you know,

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Speaker 1: the really from our culture, bro. They black, but they

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Speaker 1: really ain't from the culture. And it's mean you from

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Speaker 1: the exactly. And it's those things that shine bright to me.

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Speaker 1: It's those little bitty tweets. It's like when you hear

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Speaker 1: a blogger say, yo, Glorilla is a hood rat. She

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Speaker 1: could never look good. The label trying to make her

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Speaker 1: be sixy that'll never go. I'm looking at Glorilla knowing

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Speaker 1: that that's just a young street girl that I don't

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Speaker 1: seen a blow up in the hood before. I have

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Speaker 1: seen a glow up from a girl to be like, oh, ship,

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Speaker 1: she getting herself together, She's starting to look actually, you

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Speaker 1: know what I'm saying, Like, but that's how much they

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Speaker 1: look at black women that come from the ghetto. That's

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Speaker 1: if you ask, that's really, man, I feel like it's.

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Speaker 2: I feel like it's to a certain extent with the

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Speaker 2: niggas to you hear, yeah, like they be trying to

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Speaker 2: force the niggas clean up and ship like look at

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Speaker 2: young but like I know it. I know for a fake,

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Speaker 2: it's part of somebody on the level of.

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Speaker 1: That man clean up and stop doing that. He ain't going,

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Speaker 1: he ain't going. Yeah, but it's but then you.

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Speaker 2: Got people like you got people like, what's a bit?

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Speaker 3: What's she keep You know what I'm saying, she keeps coming.

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Speaker 2: He rigged riggs, he go to l a right, if

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Speaker 2: we stay frisking out of the car.

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Speaker 1: You know what I'm saying.

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Speaker 2: The way glow up, I bet a lot of people

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Speaker 2: like he went to school with probably wouldn't keep I mean,

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Speaker 2: wouldn't wouldn't they speak?

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Speaker 1: She keep it with he as far as being a person,

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Speaker 1: not even Yeah, yeah, and I think but she I

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Speaker 1: don't know. I think with women they get it hard,

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Speaker 1: especially like especially with Glow like bro, you gotta think

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Speaker 1: about what she looked like then and now. But I

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Speaker 1: know that's part of the process. I'm knowing that if

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Speaker 1: Shanta get some money, like her features is right, you

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Speaker 1: did what I'm saying, she ain't just I don't know what.

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Speaker 1: But it was so many guys in the culture man

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Speaker 1: that was so critical of that girl trying to when

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Speaker 1: she first was trying to like well weave and get

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Speaker 1: her makeup going and pushing back on that. It was

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Speaker 1: surprising to me. But you was with her when she

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Speaker 1: was badly like before now she just says she a

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Speaker 1: bad you know what I'm saying. But before then, yah, yeah,

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Speaker 1: nia know that though, so I already seen it. Yeah, you.

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Speaker 2: Know, you feel just how she killed herself. Then she's smut.

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Speaker 2: She ain't slow. You tell about what she's talking him?

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Speaker 3: She like, yeah, she's just playing the game right right right.

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Speaker 1: I appre I mean did you do you think that

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Speaker 1: the relationship with her is open to what y'all can

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Speaker 1: do something else like what's your what's your relationship with

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Speaker 1: as far as like did y'all build on that? Or

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Speaker 1: oh you're for sure? For so we had already been

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Speaker 1: you know.

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Speaker 3: Uh, I wouldn't say talking because they might run with

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Speaker 3: this ship.

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Speaker 1: Like what I'm saying, like we was talking talking, but

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Speaker 1: like look, look mutual.

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Speaker 2: It was like a little friendship like sh DM and

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Speaker 2: something like had a birthday like like that ship like this,

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Speaker 2: but I had never asked stuff for like a feature you.

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Speaker 1: Feel and that's but you got that bad though. You

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Speaker 1: got their kind of And now it's time though, ain't

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Speaker 1: no more time, ain't no more Now it's down. Now

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Speaker 1: it's time, and you got to start hitting that line. Hey,

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Speaker 1: I saw you like my ship, yeah, you know, and

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Speaker 1: our self a relationship because I'm working and I got

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Speaker 1: to make another hunting me and I got to make

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Speaker 1: ten minutes like this shit, bro, I'm so serious about

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Speaker 1: this because it's so much riding on it, you know

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Speaker 1: what I'm saying, Like when I go home, my mother

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Speaker 1: and them is living a certain way because of this shit.

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Speaker 1: In fact, so this shit is serious to me. Bro

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Speaker 1: So when a rapper played with me and consol act

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Speaker 1: like it's something we were just talking about one of

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Speaker 1: the homeboy like, bro, you got one more time and

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Speaker 1: I'm gonna let you know it ain't even worth for us.

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Speaker 1: Keep doing this right here, player number one, I can

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Speaker 1: do this shit by myself, like you can. You can

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Speaker 1: really drop an album solo as rare bro So back

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Speaker 1: to Glorilla though, Number one. The business behind that record

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Speaker 1: is that a three hundred record? Did they try to

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Speaker 1: at the end because they'll run a trick man at

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Speaker 1: the end, try to oh that song going? Let us

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Speaker 1: get a part of that before you get out of here.

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Speaker 1: You dig what I'm saying. What's the business? And the

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Speaker 1: layed our records? I was already gone.

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Speaker 3: You fee him boom.

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Speaker 2: So God damn when I when I when I uh,

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Speaker 2: I had did a distribution deal with with with hit

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Speaker 2: maker him. I did a distribution shout out hit maker

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Speaker 2: you feel me?

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Speaker 1: It's a hit maker which one from out of Memphis

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Speaker 1: or the light skin Nick it's baking out mephis Yeah.

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Speaker 3: They they threw okay okay, okay okay where they based

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Speaker 3: out of.

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Speaker 1: Florida. Okay, it's got a Florida, but.

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Speaker 2: It was like for a tape though, I feel me,

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Speaker 2: it was just like for one yeah, so boom. Then

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Speaker 2: the ship started going up on TikTok. So now I'm like, okay,

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Speaker 2: I hate been so I'm freeing and this happening to

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Speaker 2: me right now.

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Speaker 1: God, that's God. Let's God say keep pushing now what

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Speaker 1: I was.

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Speaker 3: Telling you what I was sitting there like, but that's God,

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Speaker 3: like you know.

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Speaker 2: They came with the hey, it's going on just the

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Speaker 2: song we signed you for it, like you know what

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Speaker 2: I'm saying because it was my first song. Then I

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Speaker 2: signed three hand like based out that song. I't had

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Speaker 2: no music when I signed three, I had for the

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Speaker 2: eight hour studio system and laid out and what I

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Speaker 2: made in that forty eight hours.

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Speaker 3: Studios that's wild.

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Speaker 2: So they came through like hey, especial when they heard

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Speaker 2: about the Glow Glow being on that, they weren't really tripping.

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Speaker 1: They weren't really.

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Speaker 2: Tripping at first about the the song going up on

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Speaker 2: ticket Tide.

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Speaker 3: They were trying to wait and play the.

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Speaker 1: See because they don'e punting on the niggas. So they

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Speaker 1: really came I dropped the tape. I dropped the tape

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Speaker 1: and they seen the glow realer pizza on them.

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Speaker 3: They're like, I don't know. So you know we had

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Speaker 3: we had a shout out, Seleen, I feel you know,

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Speaker 3: I love I grew up with that man. It's just

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Speaker 3: been boom. But god damn they get the coming hold.

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Speaker 1: On like oh who whoa, whoa whoa Like it was.

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Speaker 2: It was a big thing about that. But we came

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Speaker 2: to an amicable agreement. You feel me too. What you know,

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Speaker 2: I could put this song on my tape and they

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Speaker 2: released it through on as a single.

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Speaker 1: I knew they weren't gonna let you get away with

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Speaker 1: that more. But you probably could have got away with

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Speaker 1: that more.

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Speaker 3: I think I did.

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Speaker 1: Yeah, yeah, but but see they want a piece of

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Speaker 1: but this is what but see, this is what I'm

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Speaker 1: saying about business. Right, So when that's song go up,

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Speaker 1: we don't even answer the call. Fact what happens is

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Speaker 1: you're sending brought back through there because now I got

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Speaker 1: a little leverage. Y'all got to re up for three

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Speaker 1: million or something like you use the song to make

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Speaker 1: them do something else, whether it's just on this one project,

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Speaker 1: Like all right, so if if we gonna agree for

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Speaker 1: you guys to pump it through three hundred put four

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Speaker 1: hundred thousand in the marketing for that plus my percentages

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Speaker 1: and shit stayed the same. But instead of us fighting

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Speaker 1: about it, you know what I'm saying, do something to

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Speaker 1: make me feel good. You know what I'm saying, Yeah,

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Speaker 1: because I mean it is just business, but it's also

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Speaker 1: it's hurtful.

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Speaker 3: It's us feelings because from where we come from.

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Speaker 2: You it's like everything we do we put our heart

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Speaker 2: in it because this is all we got.

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Speaker 3: So things don't go right.

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Speaker 2: Be like, man, y'all gotta but at the end of

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Speaker 2: the day, you can't handle it like you're on a

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Speaker 2: linar street.

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Speaker 1: So you got to learn how to play the game. Fem.

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Speaker 2: I'm like, bro, instead of getting on the phone cutting

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Speaker 2: the boy that them what because I felt like they

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Speaker 2: were trying to take a moment from it, you feel

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Speaker 2: instead of getting on the phone cutting near But I'm like, look,

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Speaker 2: we can handle like this.

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Speaker 3: I feel you feel me. I'm happy with the with

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Speaker 3: the agreement.

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Speaker 1: Right right. Do you see the money coming in from there,

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Speaker 1: because that might make some money.

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Speaker 2: Yeah for sure, But you know I still't got little

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Speaker 2: recoop shit to do, but to recoup here, smile Lane.

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Speaker 1: They don't whoop you with the recoop too. That's why

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Speaker 1: I'm saying the business, but you gotta That's why today

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Speaker 1: I'm gonna make sure that we talk about your mental health, bro,

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Speaker 1: because you gotta make sure that you don't let them

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Speaker 1: nail your your confidence to the cross or demoralizing or

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Speaker 1: make you feel you know what I'm saying, because you

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Speaker 1: can start to feel like, you know, unfortunate for us

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Speaker 1: where we come from. It feels good to see somebody

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Speaker 1: in power believe in you. Yeah, but sometimes the Nile

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Speaker 1: don't have to push without nobody in power believing it.

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Speaker 1: And this ship, you know what I'm saying, and it

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Speaker 1: gets rough on you and I already made it past that,

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Speaker 1: and now you gotta look back at that like, oh shit,

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Speaker 1: I'm back pushing with these with my own you know

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Speaker 1: what I'm saying. Just two years are for real?

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Speaker 2: Yeah, like people in power believing in it, and then

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Speaker 2: they not for like two three years ever, something like

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Speaker 2: me and him right here on the road trying to

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Speaker 2: figure it out doing it.

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Speaker 1: How you deal with that ship though? Do it? Do

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Speaker 1: it affect you? At all. Ship.

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Speaker 2: Yeah, I'll be I'll be allied to be like, but

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Speaker 2: I'll be psyching myself out.

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Speaker 1: I've been doing that.

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Speaker 3: I was little like, I ain't never had ship.

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Speaker 2: So when somebody proposed me something as a kid, I

330
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Speaker 2: already tho. I threw it over my shoulder, like might

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Speaker 2: not have it.

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Speaker 3: So if they come with it, it made me ten

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Speaker 3: times more happier. But they don't.

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Speaker 1: I ain't even tripper, but you already won. See. And

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Speaker 1: also you gotta remember this. You can be someone getting

336
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Speaker 1: shy there, selling dog, driving a fork lift like you

337
00:15:53,800 --> 00:15:58,280
Speaker 1: do now ready conquered so much, so you gotta you

338
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Speaker 1: gotta learn how to harness your accomplishments. And understand, bro,

339
00:16:02,040 --> 00:16:04,360
Speaker 1: I could be anywhere. And this one man, I just

340
00:16:04,440 --> 00:16:07,760
Speaker 1: dropped the record with Glowriller. Fact after these folks slick

341
00:16:07,880 --> 00:16:10,360
Speaker 1: got out the way. You see what I'm saying. So

342
00:16:10,440 --> 00:16:13,480
Speaker 1: you in a blessed position. Sometimes we'll compare too much.

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00:16:14,040 --> 00:16:16,480
Speaker 1: We'll look at other folks, look what other people doing.

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Speaker 2: I hadn't seen Kevin Get's interview with where he has

345
00:16:19,920 --> 00:16:23,440
Speaker 2: seen something like that. He like comparison is the compare.

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Speaker 1: Thief for joy. That's a quote and thief joint.

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Speaker 3: I'm like, damn that I don't even be I'll be watching.

348
00:16:30,320 --> 00:16:33,080
Speaker 2: I like to get motivated and inspired you feeling, but

349
00:16:33,120 --> 00:16:35,560
Speaker 2: I don't watch compared to be like, damn, I could

350
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Speaker 2: be doing that now.

351
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Speaker 3: I feel like it's too.

352
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Speaker 1: It is rough, right, because if you're on a label

353
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Speaker 1: and you can see you seeing what Because I'm also

354
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Speaker 1: in that scenario, right, I'm signed. I understand what it's

355
00:16:46,080 --> 00:16:49,560
Speaker 1: like to have other shows, maybe bigger shows, like cause

356
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Speaker 1: you got to think I'm in the same space with

357
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Speaker 1: Breakfast Club Joe Budden, Like, my show is a part

358
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Speaker 1: of those large ELK shows. So when some comes down

359
00:17:00,360 --> 00:17:05,040
Speaker 1: the turnpipe for our heart, Breakfast Club is number one, right,

360
00:17:05,119 --> 00:17:08,320
Speaker 1: it's them, Like, so sometimes you have to deal with

361
00:17:08,560 --> 00:17:11,919
Speaker 1: like understanding, I know what y'all can do, but I

362
00:17:11,960 --> 00:17:16,960
Speaker 1: see what y'all doing for me, and my expectations from

363
00:17:17,000 --> 00:17:19,080
Speaker 1: what I see y'all doing from them and doing for me,

364
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Speaker 1: it's not. Yeah, it ain't clicking, but I can't be.

365
00:17:23,000 --> 00:17:26,760
Speaker 1: You can't take it personal. You gotta look at and

366
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Speaker 1: know how to work the building. Niggas got to learn

367
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Speaker 1: how to work these buildings. That's the number one thing.

368
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Speaker 1: It's like when you do get signed? Who is doing what?

369
00:17:35,800 --> 00:17:38,359
Speaker 1: And how can I get up under them? People that

370
00:17:39,080 --> 00:17:43,879
Speaker 1: the big wigs and all, they ain't emotionally attached to nothing.

371
00:17:44,000 --> 00:17:47,159
Speaker 1: They don't give a about an either way. But the

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Speaker 1: month it's head of marketing, this, the publicist, the head

373
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Speaker 1: of the strategy. These are the month Christmas gifts and

374
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Speaker 1: it's nigga running game like that, shooting Christmas gifts, Birthday cars.

375
00:18:00,200 --> 00:18:02,639
Speaker 1: Like I got with a publicist. I had a meeting,

376
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Speaker 1: right they were the first thing we're gonna do is

377
00:18:04,200 --> 00:18:06,359
Speaker 1: we're gonna send out the labels Da da da da da,

378
00:18:06,440 --> 00:18:07,919
Speaker 1: and we're gonna do this, and we're gonna send a

379
00:18:07,960 --> 00:18:09,600
Speaker 1: box to the dead. And I'm like, damn, I ain't

380
00:18:09,600 --> 00:18:11,680
Speaker 1: never thought about none of that. Then we're gonna throw

381
00:18:11,680 --> 00:18:14,000
Speaker 1: you a party because you gotta know everybody for you.

382
00:18:14,119 --> 00:18:16,639
Speaker 1: So if you are at a like for example, they

383
00:18:16,640 --> 00:18:18,840
Speaker 1: wanted to do it All Star weekend or the super Bowl.

384
00:18:19,800 --> 00:18:23,640
Speaker 1: They like loan, if you throw a dinner at one

385
00:18:23,640 --> 00:18:27,760
Speaker 1: of the weekends where all of there, it's gonna be leggy,

386
00:18:28,640 --> 00:18:30,960
Speaker 1: you see what I'm saying. So I was thinking, like,

387
00:18:31,040 --> 00:18:35,000
Speaker 1: oh shit, it's people that's actually running games like that.

388
00:18:35,720 --> 00:18:38,080
Speaker 1: What do you with your team, because that's what you

389
00:18:38,200 --> 00:18:41,760
Speaker 1: lose when you exit out of the building and you

390
00:18:41,920 --> 00:18:45,639
Speaker 1: leave from a contractual relationship with a label, you lose

391
00:18:45,680 --> 00:18:48,760
Speaker 1: some of those resources, some of that market and publicists,

392
00:18:49,080 --> 00:18:50,800
Speaker 1: some of that shit that they may not even be

393
00:18:50,960 --> 00:18:54,639
Speaker 1: utilizing for you anyway, but in the event they need to,

394
00:18:54,760 --> 00:18:57,399
Speaker 1: they got a number to call. You gotta replace that.

395
00:18:57,720 --> 00:18:59,280
Speaker 3: You think, alright, all right?

396
00:18:59,320 --> 00:19:01,880
Speaker 2: So, like I always been good at working rooms though

397
00:19:01,920 --> 00:19:04,440
Speaker 2: it is down, it's just yeah, like when I walked

398
00:19:04,520 --> 00:19:06,439
Speaker 2: my first started walking in three hundred office up?

399
00:19:07,000 --> 00:19:08,680
Speaker 3: What are you doing on the computer? Over there? Walk

400
00:19:08,680 --> 00:19:09,240
Speaker 3: over there?

401
00:19:09,359 --> 00:19:09,600
Speaker 1: What's that?

402
00:19:09,760 --> 00:19:10,960
Speaker 3: You know what I'm saying? What you're doing?

403
00:19:11,240 --> 00:19:12,919
Speaker 2: So I always been good at this. So I had

404
00:19:12,960 --> 00:19:14,840
Speaker 2: a good sense of like what everybody do, like in

405
00:19:15,320 --> 00:19:18,320
Speaker 2: Everybody Love Man THEMN. Matter of fact. The thing is

406
00:19:18,960 --> 00:19:21,879
Speaker 2: when when when I, uh, I ain't gonna say I

407
00:19:21,920 --> 00:19:23,760
Speaker 2: love three hundred cause it sounds kind of but when

408
00:19:23,760 --> 00:19:25,280
Speaker 2: we stopped doing bending together.

409
00:19:27,080 --> 00:19:30,400
Speaker 3: Like rate before that three hundred like chopped in hell?

410
00:19:30,520 --> 00:19:31,080
Speaker 1: You feel me?

411
00:19:31,280 --> 00:19:33,000
Speaker 3: Sure? Did you know what I'm saying? So all the

412
00:19:33,080 --> 00:19:35,320
Speaker 3: people I grew up with don't even work there no more.

413
00:19:35,320 --> 00:19:37,840
Speaker 2: It's probut they got probably like fourteen fifteen employees, Do

414
00:19:37,880 --> 00:19:39,320
Speaker 2: you still have relationship with you?

415
00:19:39,480 --> 00:19:39,959
Speaker 1: For sure?

416
00:19:39,960 --> 00:19:40,840
Speaker 3: All on be texting me.

417
00:19:40,840 --> 00:19:42,720
Speaker 1: I'll be texting the amount of guys they could still

418
00:19:42,760 --> 00:19:43,480
Speaker 1: make them call.

419
00:19:43,520 --> 00:19:46,160
Speaker 2: Heah for sure for shure then, but learning and see

420
00:19:46,160 --> 00:19:48,480
Speaker 2: them what they was doing when it was when I peeped,

421
00:19:48,480 --> 00:19:51,439
Speaker 2: like nobody was with the niggas. I got damn me

422
00:19:51,480 --> 00:19:53,880
Speaker 2: and kem. We built our own team, like I got

423
00:19:53,880 --> 00:19:56,080
Speaker 2: my own I got my own marketing person. You fear

424
00:19:56,359 --> 00:19:58,880
Speaker 2: my own digital, You fear me my own person who

425
00:19:58,920 --> 00:20:01,120
Speaker 2: make my uh my clover or it's all that ship

426
00:20:01,200 --> 00:20:03,280
Speaker 2: like you feel me on the studio, your feel So

427
00:20:03,280 --> 00:20:06,720
Speaker 2: it's like we we peat what was going on and

428
00:20:06,720 --> 00:20:08,000
Speaker 2: then we kind of made it for ourselves.

429
00:20:08,000 --> 00:20:09,640
Speaker 3: And it's kind of like I ain't gonna lie that ship.

430
00:20:10,119 --> 00:20:12,080
Speaker 1: I'm finally seeing the foods of that ship for real

431
00:20:12,200 --> 00:20:14,480
Speaker 1: and it's only gonna get better. But you gotta spend

432
00:20:14,520 --> 00:20:18,640
Speaker 1: some money you have. That's my my biggest thing right now.

433
00:20:18,640 --> 00:20:21,439
Speaker 1: It's like I'm saying, bro, you make it, you make up.

434
00:20:21,720 --> 00:20:24,080
Speaker 1: You make good money with this ship. But I'm a

435
00:20:24,160 --> 00:20:27,080
Speaker 1: street dudes on you know, And I have to talk

436
00:20:27,119 --> 00:20:30,120
Speaker 1: to QCP. Now, I gotta talk to some that made

437
00:20:30,160 --> 00:20:34,479
Speaker 1: some money because it don't make sense to me. So

438
00:20:34,640 --> 00:20:36,879
Speaker 1: it's like bru they saying what they saying.

439
00:20:40,920 --> 00:20:45,200
Speaker 2: Oh yeah, we just did a dinner you know, oh

440
00:20:45,359 --> 00:20:48,200
Speaker 2: my got bro. Hey the label usually pay for this dinner.

441
00:20:48,320 --> 00:20:49,000
Speaker 1: Yeah, so ball.

442
00:20:49,040 --> 00:20:50,879
Speaker 2: I'm like, man, I'm used to this like this, this

443
00:20:51,000 --> 00:20:53,280
Speaker 2: the type of lifetime use to your feels. So I'm like,

444
00:20:53,280 --> 00:20:54,800
Speaker 2: all right, boom when I go to New York, I

445
00:20:54,800 --> 00:20:58,280
Speaker 2: gotta eat up because I'm just what I'm used to say. Listen,

446
00:20:58,400 --> 00:21:04,720
Speaker 2: save money, they shut out, say they hit five, but

447
00:21:04,800 --> 00:21:05,679
Speaker 2: see he.

448
00:21:05,800 --> 00:21:08,040
Speaker 1: Go to game. This is where they whoop us at right,

449
00:21:08,200 --> 00:21:10,639
Speaker 1: they able to whoop us because our business don't be

450
00:21:10,720 --> 00:21:13,560
Speaker 1: our way structured. The label is structured in the way

451
00:21:13,560 --> 00:21:16,280
Speaker 1: where the five thousand is a right right off fixed.

452
00:21:16,440 --> 00:21:19,800
Speaker 1: Some nigs reaching and they show money and real talk.

453
00:21:19,880 --> 00:21:22,720
Speaker 1: Though that's what's making the niggash. It ain't doing no invention.

454
00:21:23,880 --> 00:21:26,200
Speaker 1: But if you know, if you know the text game

455
00:21:26,280 --> 00:21:29,840
Speaker 1: and understand how the washing the rents work, you see

456
00:21:29,880 --> 00:21:32,400
Speaker 1: what I'm saying. Because you know, again a nigga come

457
00:21:32,440 --> 00:21:34,800
Speaker 1: from the street and done done the thing where cod

458
00:21:35,119 --> 00:21:37,400
Speaker 1: or hey, I'm gonna leave my money, y'all won't send

459
00:21:37,480 --> 00:21:40,000
Speaker 1: the ship or whatever it might be. But Brou when

460
00:21:40,000 --> 00:21:42,360
Speaker 1: they look around and say, lord, you got to spend

461
00:21:43,200 --> 00:21:46,320
Speaker 1: eight grand on marketing and may nothing happen in eight

462
00:21:46,359 --> 00:21:50,399
Speaker 1: thousand for two months or a month, and may nothing happen.

463
00:21:50,680 --> 00:21:53,640
Speaker 1: You're gonna get some numbers and ship. But it ain't.

464
00:21:53,680 --> 00:21:56,840
Speaker 1: It's a what's the conversion of this? And they saying

465
00:21:56,880 --> 00:22:01,040
Speaker 1: it's visibility and it's brand building and it's and you're like, man,

466
00:22:01,200 --> 00:22:04,000
Speaker 1: but it's worth it if you're doing everything else. See

467
00:22:04,000 --> 00:22:07,440
Speaker 1: if you're only doing that exactly, but if you're doing

468
00:22:07,480 --> 00:22:09,840
Speaker 1: that in conjunction with an album coming out, what's some

469
00:22:09,920 --> 00:22:12,520
Speaker 1: merch next to it? What the that's when you get

470
00:22:12,520 --> 00:22:15,000
Speaker 1: to see it actually get to come back. You know

471
00:22:15,040 --> 00:22:17,480
Speaker 1: what I'm saying, You're gonna have to invest some money. Dogs,

472
00:22:18,000 --> 00:22:20,479
Speaker 1: It's crazy, bro, You're gonna have to invest some money though.

473
00:22:20,760 --> 00:22:23,119
Speaker 1: For sure you gotta pay the play. I mean, here

474
00:22:23,200 --> 00:22:26,160
Speaker 1: this is out since that was to understand that ship.

475
00:22:26,280 --> 00:22:28,760
Speaker 1: Yeah yeah, yeah, but you cant can't. You're not gonna

476
00:22:28,760 --> 00:22:32,520
Speaker 1: be You cannot be afraid to ask mar you met

477
00:22:32,520 --> 00:22:36,240
Speaker 1: alone this journey people that like you, and you know,

478
00:22:36,320 --> 00:22:39,200
Speaker 1: cause again with us, Brou, I don't even want to

479
00:22:39,240 --> 00:22:41,400
Speaker 1: see you at no fun. So I don't even really

480
00:22:41,440 --> 00:22:43,440
Speaker 1: want to come ask you this and you say no,

481
00:22:43,520 --> 00:22:47,080
Speaker 1: say you certa And I thought we were cooler in that,

482
00:22:47,760 --> 00:22:49,960
Speaker 1: Like it's so much just tied up in there, you

483
00:22:50,000 --> 00:22:53,160
Speaker 1: know what I'm saying. So and broke COmON was like, Bro,

484
00:22:53,280 --> 00:22:56,440
Speaker 1: come come down for the video, the glow, real little video.

485
00:22:57,359 --> 00:22:58,600
Speaker 1: Getting sick out man, the.

486
00:22:58,640 --> 00:23:06,520
Speaker 5: More because I show head out like ill man.

487
00:23:06,600 --> 00:23:09,199
Speaker 1: Like then as I love, I said, Bro, when I

488
00:23:09,200 --> 00:23:10,920
Speaker 1: see glow, I'm gonna get on the show.

489
00:23:11,280 --> 00:23:11,520
Speaker 3: I know.

490
00:23:11,680 --> 00:23:13,359
Speaker 1: But see that's staying with me. I know all the

491
00:23:13,480 --> 00:23:16,159
Speaker 1: niggas run all of that ship over there, but I

492
00:23:16,280 --> 00:23:18,840
Speaker 1: just won't hit them and just be like, yo, man,

493
00:23:19,119 --> 00:23:22,040
Speaker 1: plug me with glow. I just don't got it in me,

494
00:23:22,400 --> 00:23:24,080
Speaker 1: you know what I'm saying. But what I hope don't

495
00:23:24,119 --> 00:23:27,359
Speaker 1: happen is what I think you've done is way too

496
00:23:27,440 --> 00:23:30,840
Speaker 1: a nig away from the label and then start doing it.

497
00:23:30,880 --> 00:23:33,360
Speaker 1: Really the play is to really do it while you're

498
00:23:33,400 --> 00:23:37,760
Speaker 1: in the system, like when when you when y'all building

499
00:23:37,800 --> 00:23:40,479
Speaker 1: y'all marketing team to play is why I'm signing three

500
00:23:40,600 --> 00:23:43,440
Speaker 1: hundred and we moving now put you on email chain

501
00:23:43,520 --> 00:23:47,200
Speaker 1: with my marketing y'all kind of they start stealing ship

502
00:23:47,280 --> 00:23:49,920
Speaker 1: from you. And so when we do leave, we got

503
00:23:49,920 --> 00:23:52,440
Speaker 1: a few techniques. You know. It's it's just so much game.

504
00:23:54,680 --> 00:23:56,960
Speaker 2: And there's one thing though, I can say, and I

505
00:23:57,040 --> 00:24:00,680
Speaker 2: will have to thank you about bro you for show.

506
00:24:00,800 --> 00:24:04,040
Speaker 2: So they see like, all right, I'll get it business

507
00:24:04,080 --> 00:24:06,639
Speaker 2: together like our lads coming say. I'm like, yeah, I

508
00:24:06,640 --> 00:24:08,840
Speaker 2: gotta get it beness together now for sure, for sure,

509
00:24:08,880 --> 00:24:11,960
Speaker 2: and everything just start filling filling the place for real.

510
00:24:12,119 --> 00:24:14,040
Speaker 2: It once't we start focusing on them like man, hold

511
00:24:14,080 --> 00:24:15,760
Speaker 2: on man. So we really were going on around.

512
00:24:15,560 --> 00:24:18,159
Speaker 1: This business, right, what out have made? And how much more?

513
00:24:18,240 --> 00:24:21,040
Speaker 3: I ol like Nigga to ask them question. They're like,

514
00:24:21,040 --> 00:24:25,600
Speaker 3: all right, so we're just gonna yeah, so you fulfilled.

515
00:24:25,240 --> 00:24:29,000
Speaker 1: All your all you so you can just yeah yeah,

516
00:24:29,080 --> 00:24:31,920
Speaker 1: because they because they want to just keep eating them

517
00:24:31,920 --> 00:24:37,399
Speaker 1: for And the biggest thing or one of the techniques

518
00:24:37,440 --> 00:24:39,600
Speaker 1: that they have is that they convince you either that

519
00:24:39,640 --> 00:24:42,960
Speaker 1: the music isn't making money or they understand the fact

520
00:24:43,200 --> 00:24:45,439
Speaker 1: that you don't know how to make money with the music.

521
00:24:45,520 --> 00:24:48,720
Speaker 1: But they do see they got a system making running through.

522
00:24:49,000 --> 00:24:51,520
Speaker 1: Even if it's just twenty grand, fifty grand a month,

523
00:24:51,680 --> 00:24:54,800
Speaker 1: thirty grand a month, they know how to move it.

524
00:24:55,359 --> 00:24:58,520
Speaker 1: We just gotta believe in ourselves. Man, with the independent route.

525
00:24:58,720 --> 00:25:01,640
Speaker 1: You know what I'm saying. You you reached out to anybody

526
00:25:01,640 --> 00:25:04,720
Speaker 1: else like rappers? Yeah, anybody else. You're gonna deal with

527
00:25:05,480 --> 00:25:06,080
Speaker 1: what my.

528
00:25:06,080 --> 00:25:08,560
Speaker 2: Nig right a ris right rigs supposed to be sitting

529
00:25:08,560 --> 00:25:09,560
Speaker 2: the verse, big family.

530
00:25:09,640 --> 00:25:10,119
Speaker 1: That's dope.

531
00:25:10,600 --> 00:25:11,840
Speaker 3: Uh should I just reached that.

532
00:25:12,200 --> 00:25:13,680
Speaker 1: I just I don't want to put down.

533
00:25:14,440 --> 00:25:16,640
Speaker 2: I'm trying to take over the summer with his next moment,

534
00:25:16,880 --> 00:25:19,159
Speaker 2: trying to get this another girl on this song that

535
00:25:19,280 --> 00:25:21,120
Speaker 2: just made bro so hord.

536
00:25:21,119 --> 00:25:23,600
Speaker 3: I'm gonna listen here after so hard.

537
00:25:23,680 --> 00:25:23,800
Speaker 2: Bro.

538
00:25:24,000 --> 00:25:25,520
Speaker 3: Yeah, if I you who I'm trying to get on

539
00:25:25,560 --> 00:25:26,360
Speaker 3: their business.

540
00:25:26,880 --> 00:25:32,240
Speaker 1: It's old. Yeah, it's already over though because it's going. Yeah.

541
00:25:32,680 --> 00:25:38,080
Speaker 1: So the conversations, like the conversations at the label word,

542
00:25:38,160 --> 00:25:41,120
Speaker 1: what like what were they saying when I said when

543
00:25:41,119 --> 00:25:44,119
Speaker 1: they downside, what were the conversations like with them niggas

544
00:25:44,160 --> 00:25:47,679
Speaker 1: and where you felt like, yo, damn, feel like they

545
00:25:47,800 --> 00:25:49,760
Speaker 1: punting on this ship. You know what I'm saying.

546
00:25:49,920 --> 00:25:51,600
Speaker 3: It wasn't no conversation, That's the thing.

547
00:25:51,720 --> 00:25:53,639
Speaker 1: It's like they just went radio side.

548
00:25:53,840 --> 00:25:57,040
Speaker 2: It was on the one person talking to a Nigga seleene. Man,

549
00:25:57,160 --> 00:25:59,640
Speaker 2: he was asking the phone when that was Rial telling

550
00:25:59,640 --> 00:26:00,480
Speaker 2: me right?

551
00:26:00,880 --> 00:26:02,679
Speaker 1: And what was he saying? Like what was it?

552
00:26:03,119 --> 00:26:05,159
Speaker 2: Because you know, we ain't know what was going on?

553
00:26:05,280 --> 00:26:08,920
Speaker 2: We we ain't even know like that brother from tim

554
00:26:09,040 --> 00:26:09,560
Speaker 2: K came.

555
00:26:09,920 --> 00:26:15,720
Speaker 1: He know what I'm saying, which is loose son. Yeah,

556
00:26:16,000 --> 00:26:17,320
Speaker 1: so that's who three hundred soul to.

557
00:26:17,680 --> 00:26:23,399
Speaker 2: Basically you can stepped down. So we ain't know how

558
00:26:23,440 --> 00:26:25,720
Speaker 2: it was going up. So on the phone, bro, be

559
00:26:25,800 --> 00:26:28,000
Speaker 2: like you know, it's a lot of changes, Bro, you

560
00:26:28,040 --> 00:26:30,520
Speaker 2: feel me like we trying to get a budget. It's like, man,

561
00:26:30,520 --> 00:26:32,280
Speaker 2: we came through it right now, Man, the most we

562
00:26:32,280 --> 00:26:36,719
Speaker 2: can do is small legs no more like damn bro, Like,

563
00:26:37,000 --> 00:26:39,919
Speaker 2: oh my tru Now, I ain't eve gonna say it

564
00:26:40,000 --> 00:26:41,920
Speaker 2: was me trying I'm bad at tasting the ship.

565
00:26:42,280 --> 00:26:44,040
Speaker 3: He's trying to hit it about it though, like you

566
00:26:44,040 --> 00:26:45,359
Speaker 3: know what I'm saying, It's not.

567
00:26:47,320 --> 00:26:49,359
Speaker 2: Wasn't with There wasn't no conversation. You feel me and

568
00:26:49,400 --> 00:26:54,480
Speaker 2: then want well when out of the changes happened this ship

569
00:26:54,520 --> 00:26:57,080
Speaker 2: and then we found out what was going on, It's

570
00:26:57,080 --> 00:26:59,800
Speaker 2: like ship, I get it, you feel me, y'all really

571
00:27:00,040 --> 00:27:01,760
Speaker 2: couldn't afford it. You feel me and it's a lot

572
00:27:01,800 --> 00:27:03,800
Speaker 2: going on, right, it's a lot going on. Let me

573
00:27:03,840 --> 00:27:06,320
Speaker 2: go on by my way, right. And I kind of

574
00:27:06,320 --> 00:27:09,320
Speaker 2: felt Selene though you feel oh uh. He was like, man,

575
00:27:10,520 --> 00:27:12,560
Speaker 2: this is a song that you know, this this this

576
00:27:12,600 --> 00:27:13,720
Speaker 2: song is close to my heart.

577
00:27:13,800 --> 00:27:16,640
Speaker 3: I felt that. I feel like that was kind of genuine.

578
00:27:16,720 --> 00:27:20,200
Speaker 1: You feel I ain't feeling that. And salute to Selene,

579
00:27:20,640 --> 00:27:22,720
Speaker 1: salute to all my industry connects.

580
00:27:22,800 --> 00:27:22,960
Speaker 3: Right.

581
00:27:23,119 --> 00:27:27,120
Speaker 1: All I'm saying is, if it mean that much to you,

582
00:27:27,240 --> 00:27:30,040
Speaker 1: let's read this motherble to me and I got three

583
00:27:30,119 --> 00:27:33,120
Speaker 1: four more these jokes though. That's what I'm saying, right,

584
00:27:33,200 --> 00:27:38,560
Speaker 1: I'm saying, your your words gotta come with some some actions,

585
00:27:38,680 --> 00:27:42,640
Speaker 1: verifiable actions. You don't think afford it though, So then

586
00:27:42,800 --> 00:27:47,120
Speaker 1: so so let's hold off on the emotional extortion. Yeah,

587
00:27:47,240 --> 00:27:50,359
Speaker 1: let's hold off on the emotional extortion. You know what

588
00:27:50,400 --> 00:27:53,680
Speaker 1: I'm saying, cause that'll give me you know what I mean.

589
00:27:54,000 --> 00:27:57,440
Speaker 1: So that's what I'm saying, Like, let's not play that game.

590
00:27:59,400 --> 00:28:00,400
Speaker 1: I feel good.

591
00:28:00,640 --> 00:28:02,840
Speaker 3: But it's my new word.

592
00:28:05,080 --> 00:28:08,200
Speaker 2: You got it, nig I be kind of a friend,

593
00:28:08,280 --> 00:28:11,400
Speaker 2: niggas door man. Most you know, I got a good heart.

594
00:28:11,720 --> 00:28:14,160
Speaker 1: You know how I am? And they know that all

595
00:28:14,280 --> 00:28:17,200
Speaker 1: peas It really won't because you you making money. You

596
00:28:17,200 --> 00:28:20,639
Speaker 1: you don't gotta work your mama non you good? But

597
00:28:20,640 --> 00:28:23,080
Speaker 1: but but but they know in the back of Peasy man,

598
00:28:23,240 --> 00:28:26,800
Speaker 1: all he really want is a man with power to

599
00:28:26,880 --> 00:28:31,159
Speaker 1: believe in him. So anytime I need something from peas It,

600
00:28:31,520 --> 00:28:33,800
Speaker 1: I come play on that fact that I know, man,

601
00:28:33,880 --> 00:28:38,280
Speaker 1: I know you always had it a man, or you're

602
00:28:38,360 --> 00:28:40,800
Speaker 1: heard good, So I play to the man. It's close

603
00:28:40,840 --> 00:28:42,920
Speaker 1: to me, man like this the one man, you know

604
00:28:42,920 --> 00:28:45,880
Speaker 1: what I'm saying, not even to Bruh, just in general,

605
00:28:46,760 --> 00:28:49,640
Speaker 1: got to guard themselves out here, bro, and with this

606
00:28:49,800 --> 00:28:52,720
Speaker 1: business is far up because you gotta be open and guarded.

607
00:28:52,800 --> 00:28:55,360
Speaker 1: It's like a it's like a double women, you know

608
00:28:55,400 --> 00:28:57,160
Speaker 1: what I'm saying, because you do gott to be open

609
00:28:57,280 --> 00:29:00,040
Speaker 1: enough to receive the good people that's out there, but

610
00:29:00,120 --> 00:29:04,880
Speaker 1: you gotta also be stern insteadfast enough to make sure

611
00:29:04,920 --> 00:29:09,400
Speaker 1: you swatten down and stiff arming the bullshit. Bro. So

612
00:29:09,400 --> 00:29:12,440
Speaker 1: So basically, so you saying that you have a current

613
00:29:12,480 --> 00:29:16,280
Speaker 1: deal with three hundred and when they go through what

614
00:29:16,320 --> 00:29:18,360
Speaker 1: they go through, which as far as they're liquid, they

615
00:29:18,520 --> 00:29:24,280
Speaker 1: basically selling down size and reshaping, restructuring the entire business.

616
00:29:24,360 --> 00:29:28,000
Speaker 1: You get lost in that shuffle and then they come back.

617
00:29:28,080 --> 00:29:31,360
Speaker 1: They basically go radio silent while their process is going on.

618
00:29:31,520 --> 00:29:35,280
Speaker 1: And then when they pop back out, keV is not

619
00:29:35,360 --> 00:29:39,840
Speaker 1: there no more. And then what's Lucien's son name? I

620
00:29:39,880 --> 00:29:46,360
Speaker 1: forgot then what is it? Elliott? Elliott grays yup? So yeah,

621
00:29:46,400 --> 00:29:48,880
Speaker 1: so he's back there? Who all is on three hundred

622
00:29:48,960 --> 00:29:49,520
Speaker 1: right now? You know?

623
00:29:53,040 --> 00:29:55,720
Speaker 3: Uh, Hunto shout out so hard at mother.

624
00:29:56,160 --> 00:29:59,560
Speaker 1: See that's the thing. Hold on Huncho is hard. But

625
00:29:59,560 --> 00:30:02,000
Speaker 1: but but this is what I mean where you're gonna

626
00:30:02,040 --> 00:30:05,080
Speaker 1: have to emotionally check out of this game because at

627
00:30:05,120 --> 00:30:08,160
Speaker 1: the same time where they're telling Ken there's no budget available,

628
00:30:08,800 --> 00:30:12,280
Speaker 1: you gotta be watching what they're doing with hunt you right,

629
00:30:12,360 --> 00:30:16,240
Speaker 1: So clearly some some budget is available, you know what

630
00:30:16,280 --> 00:30:20,560
Speaker 1: I'm saying. Yeah, So that's when you can't be emotionally

631
00:30:20,720 --> 00:30:23,800
Speaker 1: tied to the business. You just gotta see that. Oh

632
00:30:23,880 --> 00:30:26,560
Speaker 1: they must not be believing in it anymore. Yeah, but

633
00:30:26,560 --> 00:30:28,240
Speaker 1: but you're saying it's Hunto and who else?

634
00:30:28,680 --> 00:30:33,000
Speaker 3: So I believe Megan.

635
00:30:33,240 --> 00:30:34,200
Speaker 1: I think Meg gone.

636
00:30:34,320 --> 00:30:42,640
Speaker 6: Yeah, I think they got it up. They got they

637
00:30:42,720 --> 00:30:45,000
Speaker 6: might got wide seal the label and not Thug.

638
00:30:45,560 --> 00:30:47,920
Speaker 1: So if they got Wye sealed the label. They got Gunner,

639
00:30:48,400 --> 00:30:54,320
Speaker 1: they got Grid. He just went with uh he just

640
00:30:58,040 --> 00:31:01,240
Speaker 1: they cool like them. They manager just hit me like, bro,

641
00:31:01,560 --> 00:31:04,280
Speaker 1: we you we gotta get bron your ship. I think

642
00:31:04,280 --> 00:31:08,280
Speaker 1: it was zenon someing know. Yeah, so they hit me.

643
00:31:08,320 --> 00:31:10,080
Speaker 1: So I said, I'm gonna come down to y'all spot,

644
00:31:10,080 --> 00:31:11,800
Speaker 1: and I'm gonna come down and see what y'all got

645
00:31:11,880 --> 00:31:12,120
Speaker 1: going on.

646
00:31:12,160 --> 00:31:14,280
Speaker 2: How you feel about them young they curving, They curving

647
00:31:14,320 --> 00:31:16,400
Speaker 2: the they curving the game for the young niggs. Everybody

648
00:31:16,440 --> 00:31:19,040
Speaker 2: want switches and ship they like. Man, I ain't been

649
00:31:19,080 --> 00:31:21,200
Speaker 2: in jail for that long. I ain't going to jail

650
00:31:21,240 --> 00:31:25,080
Speaker 2: that I'm getting people. Yeah, I feel like that is

651
00:31:25,120 --> 00:31:26,000
Speaker 2: the type of shi we need.

652
00:31:26,120 --> 00:31:29,280
Speaker 1: Yeah, for sure. I heard one of them niggas songs saying,

653
00:31:29,840 --> 00:31:32,280
Speaker 1: I ain't got no ego in l A. We donna

654
00:31:32,280 --> 00:31:36,640
Speaker 1: put the Jim up game. I said, it take no

655
00:31:36,800 --> 00:31:40,800
Speaker 1: ego to say that the get tough tough here. They

656
00:31:40,840 --> 00:31:43,080
Speaker 1: ain't saying that, you know what I'm saying. But I

657
00:31:43,160 --> 00:31:45,640
Speaker 1: respected that because he know they gonna spank a niggas

658
00:31:45,920 --> 00:31:50,000
Speaker 1: don't heat out there about this ship. Yeah, but yeah,

659
00:31:50,400 --> 00:31:54,080
Speaker 1: I mean they pretty cool. I think it's interesting how

660
00:31:56,360 --> 00:31:58,280
Speaker 1: two or three of them get a deal at once.

661
00:31:58,360 --> 00:32:01,440
Speaker 1: What this speaks to is that number one win a

662
00:32:01,520 --> 00:32:05,360
Speaker 1: copycat leave right. So the same way that the NFL

663
00:32:05,560 --> 00:32:08,240
Speaker 1: are looking see all the wild cat is and things

664
00:32:08,640 --> 00:32:12,880
Speaker 1: doing wild cat. Now, these labels really don't know the

665
00:32:12,920 --> 00:32:16,600
Speaker 1: next move. They're watching people like gott It, people like QCP,

666
00:32:16,600 --> 00:32:20,800
Speaker 1: people who really love the coaching, right, and so when

667
00:32:20,840 --> 00:32:22,560
Speaker 1: they make a move, they say, are you getting him?

668
00:32:22,600 --> 00:32:25,120
Speaker 1: We'll get him then, or they run together, cause we

669
00:32:25,200 --> 00:32:28,640
Speaker 1: really piggyback and off got it, they really use and

670
00:32:28,760 --> 00:32:31,360
Speaker 1: got it. But it's business. So what they gonna do

671
00:32:31,560 --> 00:32:34,520
Speaker 1: is they extorting that friendship of them too, Nicks. So

672
00:32:34,560 --> 00:32:37,400
Speaker 1: there's a friendship of zion are Do and the Montana

673
00:32:38,640 --> 00:32:42,000
Speaker 1: and so they know naturally they gonna run together. He

674
00:32:42,200 --> 00:32:44,520
Speaker 1: just got the Gotti stamp, so his shit come with

675
00:32:44,600 --> 00:32:49,000
Speaker 1: a different kind of yeah and a different coat sign

676
00:32:49,160 --> 00:32:52,000
Speaker 1: next to it. The three hundred machine is cool, but

677
00:32:52,120 --> 00:32:55,720
Speaker 1: it's like the Gottic cod sign. He can make certain calls,

678
00:32:56,200 --> 00:32:58,560
Speaker 1: mix and match you with certain people that make it

679
00:32:58,560 --> 00:33:01,200
Speaker 1: a little easier and get you a little accepted, a

680
00:33:01,280 --> 00:33:05,000
Speaker 1: quick quicker yeah yeah, yeah, But I think because of

681
00:33:05,400 --> 00:33:10,040
Speaker 1: Zoe and Montana's relationship naturally, it's gonna be some bleed

682
00:33:10,120 --> 00:33:13,640
Speaker 1: over Like now I know about one of them, but

683
00:33:13,760 --> 00:33:15,760
Speaker 1: because I know about him, I know about the other.

684
00:33:16,280 --> 00:33:16,520
Speaker 3: Yeah.

685
00:33:16,920 --> 00:33:21,040
Speaker 1: It's like with y'all like that you rollo and uh

686
00:33:21,360 --> 00:33:22,800
Speaker 1: cap uh.

687
00:33:22,960 --> 00:33:24,840
Speaker 2: Not really because you know, I moved to California right,

688
00:33:25,000 --> 00:33:26,960
Speaker 2: look you feel but when I had started, when I

689
00:33:27,000 --> 00:33:30,960
Speaker 2: had came back type ship, we were kind of like

690
00:33:31,000 --> 00:33:31,240
Speaker 2: you know.

691
00:33:31,120 --> 00:33:34,000
Speaker 3: What we were thinking that ship, even though you was

692
00:33:34,000 --> 00:33:34,800
Speaker 3: in California.

693
00:33:34,840 --> 00:33:38,800
Speaker 1: You gotta understand that your sound never represented in the

694
00:33:38,880 --> 00:33:42,520
Speaker 1: market ship. They're not looking at that as you know,

695
00:33:42,760 --> 00:33:45,440
Speaker 1: wherever you move, that don't mean shit. It's like what

696
00:33:45,560 --> 00:33:47,360
Speaker 1: you represent when we go in here and look at

697
00:33:47,360 --> 00:33:50,600
Speaker 1: these papers. That's a Southern artist. You know what I'm saying.

698
00:33:50,760 --> 00:33:53,640
Speaker 1: As far as how they be together, right, have y'all

699
00:33:53,640 --> 00:33:54,640
Speaker 1: ever been close like that?

700
00:33:54,920 --> 00:33:55,120
Speaker 3: No?

701
00:33:55,160 --> 00:33:57,960
Speaker 1: Not really, Yeah, but y'all knew each other.

702
00:33:58,520 --> 00:34:00,360
Speaker 3: We know each other and ship. You know, it was

703
00:34:00,440 --> 00:34:02,280
Speaker 3: just being like super duper closer.

704
00:34:02,960 --> 00:34:06,800
Speaker 1: I wanted to kick y'all three or tape. That'll be hard.

705
00:34:07,320 --> 00:34:11,920
Speaker 1: It'll be hard because I know Captain Rodriguez. They recently

706
00:34:11,920 --> 00:34:14,400
Speaker 1: squashed their beef. Yeah, you seen that.

707
00:34:14,719 --> 00:34:16,399
Speaker 3: It was like misunderstanding that shit.

708
00:34:16,440 --> 00:34:19,719
Speaker 2: It was like, I don't really know too much about

709
00:34:19,719 --> 00:34:22,080
Speaker 2: these situations and ship, but I feel like it was

710
00:34:22,200 --> 00:34:27,719
Speaker 2: just an uncomfortable situation, an uncomfortable situation that Ro you

711
00:34:27,719 --> 00:34:30,120
Speaker 2: know what I'm saying, Rolloh made the chruice kept didn't

712
00:34:30,120 --> 00:34:32,160
Speaker 2: make the same choice, and it was like, oh, it

713
00:34:32,239 --> 00:34:34,520
Speaker 2: was like confused. Behind that was like, damn, bro, I

714
00:34:34,560 --> 00:34:36,719
Speaker 2: can't even kick it with my dog because these people

715
00:34:36,800 --> 00:34:39,239
Speaker 2: might feel some type of way, you know, and bruh, Like, man,

716
00:34:39,280 --> 00:34:40,160
Speaker 2: I ain't even gonna.

717
00:34:39,960 --> 00:34:42,040
Speaker 1: Kick it with my dog on his situation, right.

718
00:34:42,280 --> 00:34:44,840
Speaker 2: So I respect the season on that, and I respect

719
00:34:45,000 --> 00:34:47,640
Speaker 2: the season on there, but they for show finally moved

720
00:34:47,640 --> 00:34:47,920
Speaker 2: through that.

721
00:34:48,000 --> 00:34:50,520
Speaker 3: She's like, man, that it is my people feel.

722
00:34:50,680 --> 00:34:53,440
Speaker 1: So everybody gotta respect that. Yeah. And you know Ralo

723
00:34:53,960 --> 00:34:57,160
Speaker 1: number one baby love like it ain't even know it

724
00:34:57,200 --> 00:35:00,719
Speaker 1: ain't even yeah he really that boy. I'm talking about

725
00:35:01,120 --> 00:35:05,239
Speaker 1: soul for him, you know, looking at it. At some point,

726
00:35:05,360 --> 00:35:08,040
Speaker 1: Ralo just bossed up, like, yo, I gotta fix I

727
00:35:08,400 --> 00:35:09,200
Speaker 1: want to fix.

728
00:35:09,000 --> 00:35:11,560
Speaker 3: That because I ain't gonna lie bring more money together, bro.

729
00:35:12,040 --> 00:35:15,560
Speaker 1: And the really vibe a certain way they vibe is

730
00:35:15,680 --> 00:35:20,320
Speaker 1: this like they kick it like yeah yeah yeah yeah.

731
00:35:20,360 --> 00:35:24,400
Speaker 1: So for somebody like you right, let's say, how do

732
00:35:24,480 --> 00:35:29,160
Speaker 1: you even let's say you want to do something with them?

733
00:35:29,880 --> 00:35:32,920
Speaker 1: How do you go about even doing that? Like, I

734
00:35:32,960 --> 00:35:34,279
Speaker 1: know y'all cool, but like.

735
00:35:34,280 --> 00:35:37,680
Speaker 2: She rallo ship, I can I can feel me. I

736
00:35:38,000 --> 00:35:40,759
Speaker 2: kept a little spurt you feel a little minute ago

737
00:35:40,800 --> 00:35:43,279
Speaker 2: and you know that s still got a You know

738
00:35:43,320 --> 00:35:44,560
Speaker 2: I ain't feeling with.

739
00:35:46,000 --> 00:35:47,960
Speaker 3: A man I see somebody.

740
00:35:48,400 --> 00:35:51,280
Speaker 2: Man, Yeah, I feel bad about this ship im mediately

741
00:35:51,520 --> 00:35:52,319
Speaker 2: that I see the two.

742
00:35:52,360 --> 00:35:53,239
Speaker 1: You feel me. I wasn't right.

743
00:35:53,320 --> 00:35:57,040
Speaker 3: That ain't no, that ain't no gangs ship keep it, you.

744
00:35:57,000 --> 00:35:57,600
Speaker 1: Know what I'm saying.

745
00:35:57,640 --> 00:36:01,640
Speaker 2: But as far as like doing phone right like d

746
00:36:01,760 --> 00:36:03,440
Speaker 2: M and right now, you feel you're gonna be like

747
00:36:03,480 --> 00:36:03,759
Speaker 2: sitting that.

748
00:36:04,440 --> 00:36:06,799
Speaker 1: Yeah, have you have you spoke so you ain't spoke

749
00:36:06,880 --> 00:36:09,399
Speaker 1: the cap but nothing ain't noney his free noney something

750
00:36:09,520 --> 00:36:10,239
Speaker 1: my old.

751
00:36:09,960 --> 00:36:11,839
Speaker 3: But my home but you know him my home boy

752
00:36:12,080 --> 00:36:12,400
Speaker 3: grew up.

753
00:36:12,440 --> 00:36:16,319
Speaker 2: Nigga talked to him brothers like man, ship, Well this

754
00:36:16,480 --> 00:36:20,439
Speaker 2: with Brad told me like like man here tripping brothers.

755
00:36:20,640 --> 00:36:22,000
Speaker 3: She said about my mama.

756
00:36:22,120 --> 00:36:26,440
Speaker 2: And I feel him though I respect the Yeah, you

757
00:36:26,480 --> 00:36:28,360
Speaker 2: know what I'm saying, I do what Nigga fixed that

758
00:36:28,520 --> 00:36:31,359
Speaker 2: though you can't that's deep. You really can't you feel

759
00:36:31,520 --> 00:36:34,000
Speaker 2: because I told Pooter man I have I've been apologized

760
00:36:34,040 --> 00:36:36,759
Speaker 2: that mama though she had d M like yeah, I'm like,

761
00:36:36,800 --> 00:36:39,239
Speaker 2: I apologize that wrong because I felt wrong soon as

762
00:36:39,280 --> 00:36:40,200
Speaker 2: I said, like.

763
00:36:40,280 --> 00:36:42,040
Speaker 3: Damn yeah that bro mama.

764
00:36:42,160 --> 00:36:42,399
Speaker 1: Yeah.

765
00:36:43,080 --> 00:36:45,520
Speaker 2: But when she DM got apologized, I have to go

766
00:36:45,560 --> 00:36:50,120
Speaker 2: that for old you feel Yeah, then Poor said that

767
00:36:50,200 --> 00:36:52,879
Speaker 2: I had told Poodle like man saying nigga, I apologized

768
00:36:52,920 --> 00:36:53,959
Speaker 2: by saying that about the mama.

769
00:36:54,400 --> 00:36:56,440
Speaker 1: Right, yeah, what you what you what? You said something

770
00:36:56,440 --> 00:36:58,960
Speaker 1: in a song? Or was it it was an interview?

771
00:36:59,160 --> 00:37:03,160
Speaker 1: You take you were drunk on that. I'm always though, yeah,

772
00:37:03,640 --> 00:37:05,279
Speaker 1: got your little lid feeling good.

773
00:37:06,080 --> 00:37:08,800
Speaker 3: But this is the thing though, this was what people do

774
00:37:08,920 --> 00:37:09,920
Speaker 3: when people don't understand.

775
00:37:09,960 --> 00:37:15,000
Speaker 2: But the interview our fresh out ankle, our fresh out ankle, monitor.

776
00:37:15,160 --> 00:37:17,040
Speaker 1: Little pot in the head die you feel?

777
00:37:17,719 --> 00:37:21,000
Speaker 2: So I was feeling a lot of like aggression like

778
00:37:21,040 --> 00:37:23,799
Speaker 2: on and on our angers, and I'm thinking, I'm going

779
00:37:23,840 --> 00:37:26,200
Speaker 2: to go sit down. You feel I'm I'm telling my

780
00:37:26,280 --> 00:37:28,439
Speaker 2: policy man, they off me two years, I'll go sit

781
00:37:28,520 --> 00:37:30,319
Speaker 2: right now. You feel like I'm ship like that.

782
00:37:30,360 --> 00:37:33,040
Speaker 1: Like I'm you ready to lead it on down? They

783
00:37:33,120 --> 00:37:33,759
Speaker 1: got good.

784
00:37:33,800 --> 00:37:36,120
Speaker 3: I'm preparing myself like, man, what it is?

785
00:37:36,239 --> 00:37:37,200
Speaker 1: Yeah, you know what I'm saying.

786
00:37:37,239 --> 00:37:39,360
Speaker 2: So when I got answer, ship, I feel like the

787
00:37:39,440 --> 00:37:42,319
Speaker 2: king of the world. Then I'm still mad, like ho, bro,

788
00:37:43,000 --> 00:37:44,080
Speaker 2: the world been doing.

789
00:37:43,880 --> 00:37:46,840
Speaker 3: All this talking, all this ships been going on, man

790
00:37:46,680 --> 00:37:47,360
Speaker 3: for everybody.

791
00:37:47,400 --> 00:37:48,200
Speaker 1: That's our feeling.

792
00:37:49,360 --> 00:37:51,640
Speaker 2: On the one I said something, but yeah, that's the

793
00:37:51,680 --> 00:37:55,279
Speaker 2: only thing that take back though. You feel like that's

794
00:37:55,280 --> 00:37:56,680
Speaker 2: the only thing I see in the interview that I

795
00:37:56,719 --> 00:37:57,120
Speaker 2: take baking.

796
00:37:57,160 --> 00:37:57,520
Speaker 3: That was wrong.

797
00:37:57,560 --> 00:37:59,480
Speaker 2: I shouldn't said that about it, mother, But everything else

798
00:37:59,600 --> 00:38:02,040
Speaker 2: I meant the that's big, that's big though.

799
00:38:02,160 --> 00:38:05,719
Speaker 1: Yeah. Yeah, yeah, but I think because I think he

800
00:38:05,800 --> 00:38:09,040
Speaker 1: was on eighty of them platform. Yeah, I know AD

801
00:38:09,239 --> 00:38:12,560
Speaker 1: eight them. You know, I interview ad them after the

802
00:38:12,640 --> 00:38:15,440
Speaker 1: no jumping thing. I ain't talk to him many a

803
00:38:15,520 --> 00:38:19,000
Speaker 1: lot of times, I think because these you want to

804
00:38:19,040 --> 00:38:22,000
Speaker 1: have a relationship with academics. You know, when I come

805
00:38:22,040 --> 00:38:25,799
Speaker 1: off how I and then I don't care about nothing, nobody, no,

806
00:38:26,000 --> 00:38:28,040
Speaker 1: not really had words, but you know how I am.

807
00:38:28,280 --> 00:38:31,279
Speaker 1: I'm gonna just call it how I see a passionate person. Yeah,

808
00:38:31,600 --> 00:38:36,799
Speaker 1: and then yeah, so so you know, sometimes I feel like,

809
00:38:36,960 --> 00:38:40,560
Speaker 1: you know, people want to preserve their relationship with act

810
00:38:40,600 --> 00:38:43,000
Speaker 1: when act don't even give a fuck, right because me

811
00:38:43,040 --> 00:38:46,440
Speaker 1: and Charlemagne, it's my brother acting. Charlemagne is cool. So

812
00:38:46,520 --> 00:38:48,920
Speaker 1: I'm knowing how I feel. I'm knowing what's going on.

813
00:38:49,000 --> 00:38:51,520
Speaker 1: I ain't no, it's just he know how I am,

814
00:38:51,640 --> 00:38:53,600
Speaker 1: the game, know how I am. I'm gonna speak on

815
00:38:53,640 --> 00:38:55,640
Speaker 1: what I speak on. I'm gonna put some facts next

816
00:38:55,640 --> 00:38:58,240
Speaker 1: to it. I'm gonna move on. Now. If it's a problem,

817
00:38:58,280 --> 00:38:59,920
Speaker 1: let me know it's a problem, so I can have

818
00:39:00,080 --> 00:39:02,640
Speaker 1: didn't like it's a problem. But if it's a press conference,

819
00:39:02,719 --> 00:39:05,160
Speaker 1: let's just talk about it. But if you know so,

820
00:39:05,600 --> 00:39:08,960
Speaker 1: I think on their platform at the time eight E them,

821
00:39:09,600 --> 00:39:12,919
Speaker 1: they platform wasn't even it wasn't big then it wasn't

822
00:39:12,960 --> 00:39:16,360
Speaker 1: really it was it was you really helped it basically.

823
00:39:16,400 --> 00:39:20,400
Speaker 1: It's what I'm saying. That clip went crazy, that no

824
00:39:20,560 --> 00:39:26,479
Speaker 1: clap clip that month went stupid crazy for them. What's

825
00:39:26,480 --> 00:39:27,600
Speaker 1: your relationship with them?

826
00:39:27,600 --> 00:39:27,759
Speaker 3: Now?

827
00:39:27,800 --> 00:39:33,920
Speaker 1: Do you still run? Yeah? Okay, cool, cool, cool? They

828
00:39:33,960 --> 00:39:36,440
Speaker 1: got I like what they've done with media on the

829
00:39:36,440 --> 00:39:40,719
Speaker 1: West Coast. They've birthed a little corner, you know what

830
00:39:40,760 --> 00:39:43,560
Speaker 1: I'm saying, so you can actually get some money. So

831
00:39:43,640 --> 00:39:45,120
Speaker 1: I respect that, you know what I mean? Then I'm

832
00:39:45,120 --> 00:39:47,279
Speaker 1: gonna go out there and tap down with all of

833
00:39:47,320 --> 00:39:49,600
Speaker 1: their platforms one time for the one time.

834
00:39:50,320 --> 00:39:53,320
Speaker 3: You know what I'm saying. Oh man, that's gonna be Liza.

835
00:39:53,880 --> 00:39:56,000
Speaker 1: I'm gonna do that one time for the well I'm saying,

836
00:39:56,040 --> 00:39:58,360
Speaker 1: and they come on back probably when I dove for it.

837
00:39:58,480 --> 00:40:01,080
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Speaker 1: the movement, and let's get back to the episode. But

857
00:41:12,320 --> 00:41:14,960
Speaker 1: l Russell was telling me he wants me to be

858
00:41:15,040 --> 00:41:20,839
Speaker 1: there when he does the uh boosy and uh. I

859
00:41:20,880 --> 00:41:26,240
Speaker 1: think it was boosy juvenile. It was something he putting together.

860
00:41:26,640 --> 00:41:27,360
Speaker 1: But he wanted me to.

861
00:41:27,360 --> 00:41:32,000
Speaker 3: Be the man. You know, I guess to.

862
00:41:31,960 --> 00:41:39,160
Speaker 1: Put the man for shows. Yeah, we gotta beat up,

863
00:41:39,920 --> 00:41:43,200
Speaker 1: shut out to Russell. Man, he's doing good in the world.

864
00:41:43,239 --> 00:41:45,839
Speaker 1: But man, he's a good braid. Yeah yeah, yeah. So

865
00:41:46,239 --> 00:41:49,120
Speaker 1: I'm glad you're feeling good man and you've got yourself

866
00:41:49,160 --> 00:41:52,799
Speaker 1: in a better space. But I you, like I said,

867
00:41:52,800 --> 00:41:54,279
Speaker 1: you gotta be ready to invest, bro.

868
00:41:54,400 --> 00:41:57,480
Speaker 3: Yeah, I'm ready. I ain't gonna lie. Oh, I'm on

869
00:41:57,719 --> 00:41:58,680
Speaker 3: there for real, for real.

870
00:41:59,160 --> 00:42:02,160
Speaker 2: I feel like like I had seen some of my

871
00:42:02,160 --> 00:42:04,640
Speaker 2: my Instagram the other day, Like I never wanted to

872
00:42:04,640 --> 00:42:07,040
Speaker 2: be an overnight subcists. You feel like I never wanted

873
00:42:07,080 --> 00:42:08,800
Speaker 2: that anyway you feel so, I feel like this is

874
00:42:08,840 --> 00:42:12,240
Speaker 2: the best way because like everything I've been through, everything

875
00:42:12,320 --> 00:42:15,120
Speaker 2: I know in my life, I learned from mistakes or

876
00:42:15,200 --> 00:42:16,480
Speaker 2: like you know, up and shit.

877
00:42:16,560 --> 00:42:18,799
Speaker 3: So I ain't no difference with the rap game.

878
00:42:18,840 --> 00:42:20,239
Speaker 2: I had to go through some shit so I can

879
00:42:20,320 --> 00:42:22,279
Speaker 2: learn it and then make sure all my people don't

880
00:42:22,320 --> 00:42:23,680
Speaker 2: go through it if they trying to do the same

881
00:42:23,719 --> 00:42:26,680
Speaker 2: thing I'm doing. You feel, Yeah, so shit is like

882
00:42:27,719 --> 00:42:29,840
Speaker 2: shit I learned. It's kind of I don't put it

883
00:42:29,880 --> 00:42:32,000
Speaker 2: into emotional enough for real. Yeah, for sure.

884
00:42:32,360 --> 00:42:36,080
Speaker 1: I just think, you know, three hundred downsides and it

885
00:42:36,400 --> 00:42:41,000
Speaker 1: did hurt them, but it was Yeah. But I always

886
00:42:41,040 --> 00:42:43,600
Speaker 1: find it interesting how they can tell one artist on

887
00:42:43,640 --> 00:42:46,960
Speaker 1: this label, man the budgets, man, we're trying to get

888
00:42:46,960 --> 00:42:49,560
Speaker 1: this ship cleared. And then I can look over and

889
00:42:49,600 --> 00:42:53,719
Speaker 1: I'm on the label, and I look over and I see, boy,

890
00:42:53,800 --> 00:42:57,080
Speaker 1: they spending money like a month for such and such.

891
00:42:58,040 --> 00:43:03,160
Speaker 3: Not even just for bo. So it ain't an envious thing.

892
00:43:03,239 --> 00:43:05,080
Speaker 2: It's not a hating thing, and none of that is

893
00:43:05,160 --> 00:43:08,360
Speaker 2: like hold on, It's like if all of us plants.

894
00:43:08,600 --> 00:43:11,399
Speaker 3: Everybody plants, you feel men they keep pulling water over

895
00:43:11,440 --> 00:43:14,760
Speaker 3: the ship like that. We ain't getting nothing but sunlight

896
00:43:14,880 --> 00:43:15,359
Speaker 3: right here.

897
00:43:15,360 --> 00:43:18,239
Speaker 2: I need I need some wad over the money like

898
00:43:18,239 --> 00:43:19,920
Speaker 2: the thing like that you feel because I have been

899
00:43:20,000 --> 00:43:21,560
Speaker 2: rooting bro since he first came in.

900
00:43:22,520 --> 00:43:23,520
Speaker 3: I'm not even just them.

901
00:43:23,600 --> 00:43:28,640
Speaker 2: I'm watching them spending money on autists that don't have a.

902
00:43:27,640 --> 00:43:29,200
Speaker 1: Quarter fan based or nothing.

903
00:43:29,239 --> 00:43:31,600
Speaker 3: You ain't got no plant in the game, like you ain't.

904
00:43:32,239 --> 00:43:33,960
Speaker 3: You ain't been doing shit. But they come with.

905
00:43:36,840 --> 00:43:40,560
Speaker 1: Yeah. And that's what's fun because you're gonna sit there

906
00:43:40,600 --> 00:43:45,560
Speaker 1: and say, I'm a proven act, like I'm on the road,

907
00:43:45,640 --> 00:43:48,919
Speaker 1: I'm being booked. I'm sure y'all making money each month

908
00:43:48,960 --> 00:43:51,960
Speaker 1: off the streams. I can see that we're streaming, we're moving.

909
00:43:52,040 --> 00:43:56,160
Speaker 1: There's some legendary songs in here, right, there's some there's

910
00:43:56,160 --> 00:43:58,319
Speaker 1: some songs in your catalog that they can work and

911
00:43:58,360 --> 00:44:00,560
Speaker 1: move around and make money out for you knowing this,

912
00:44:00,760 --> 00:44:04,200
Speaker 1: like for you guys to I always wonder how they

913
00:44:04,200 --> 00:44:07,080
Speaker 1: got away with that. How can a business get away

914
00:44:07,120 --> 00:44:10,359
Speaker 1: with cracking that meeting at ten o'clock, looking at one

915
00:44:10,440 --> 00:44:14,719
Speaker 1: person is saying, Yo, everything's tied up, the businesses down.

916
00:44:14,800 --> 00:44:17,440
Speaker 1: We can't get anything green lit. And they will have

917
00:44:17,520 --> 00:44:21,440
Speaker 1: another meeting that same day and they can have the

918
00:44:21,480 --> 00:44:25,600
Speaker 1: opposite conversation, always wide open. Anything you want to do,

919
00:44:25,640 --> 00:44:28,919
Speaker 1: we'll green lighted. And it's like you think we don't

920
00:44:28,960 --> 00:44:31,040
Speaker 1: notice that. And I just hope that you know what

921
00:44:31,080 --> 00:44:34,520
Speaker 1: I'm saying, like like I said earlier, just don't let

922
00:44:34,520 --> 00:44:34,919
Speaker 1: that ship.

923
00:44:37,400 --> 00:44:38,759
Speaker 3: Like I said, like if I were a little bro,

924
00:44:38,800 --> 00:44:39,920
Speaker 3: I been faking myself.

925
00:44:40,160 --> 00:44:40,560
Speaker 1: I give it.

926
00:44:42,600 --> 00:44:45,040
Speaker 2: Because I know God got me. I think when I

927
00:44:45,040 --> 00:44:48,239
Speaker 2: always up in the morning, I think of the baby given.

928
00:44:49,239 --> 00:44:54,320
Speaker 1: You don't want, you're not already want, already want?

929
00:44:54,320 --> 00:44:55,399
Speaker 3: Telling them about the drop list?

930
00:44:58,400 --> 00:45:02,520
Speaker 1: What is that? What is that?

931
00:45:03,000 --> 00:45:04,520
Speaker 3: I was on the drop list? Man?

932
00:45:04,600 --> 00:45:07,000
Speaker 2: They they did, I was on the drop list like

933
00:45:07,239 --> 00:45:11,080
Speaker 2: all right from the life. Yeah, they dropped me like basically,

934
00:45:11,320 --> 00:45:13,799
Speaker 2: but I'm thinking ship.

935
00:45:16,160 --> 00:45:18,000
Speaker 1: Right, Yeah, they having meetings about it.

936
00:45:18,719 --> 00:45:22,160
Speaker 3: That's what That's what mappened, was like the meanings. Yeah, yeah,

937
00:45:22,880 --> 00:45:24,000
Speaker 3: on the drop list or whatever.

938
00:45:25,480 --> 00:45:29,279
Speaker 1: It's blessing bro man about it. But this is the

939
00:45:29,320 --> 00:45:33,000
Speaker 1: thing why they ain't telling you what? Okay? What is

940
00:45:33,080 --> 00:45:36,279
Speaker 1: going on? Like I'm saying, how can I do something

941
00:45:36,280 --> 00:45:38,240
Speaker 1: because what y'all need me to? I can keep gates

942
00:45:38,280 --> 00:45:40,760
Speaker 1: and go runner put them both on one What we need,

943
00:45:40,840 --> 00:45:45,759
Speaker 1: like what are we doing?

944
00:45:47,400 --> 00:45:48,920
Speaker 3: They had to give me, Yeah, they had to.

945
00:45:48,840 --> 00:45:54,280
Speaker 1: Give me yeah right, they get from up under that option.

946
00:45:55,520 --> 00:45:57,120
Speaker 3: Yeah, they had to give me a mother.

947
00:45:57,680 --> 00:45:58,560
Speaker 1: Yeah yeah.

948
00:45:59,520 --> 00:46:01,120
Speaker 3: So it's like we just gotta let them go because

949
00:46:01,120 --> 00:46:03,040
Speaker 3: it's not moving. But so they let them go type shit.

950
00:46:03,719 --> 00:46:05,920
Speaker 1: Boy, they gave you that meal, they gave it me.

951
00:46:06,040 --> 00:46:08,040
Speaker 1: They been happy because they would have made that back

952
00:46:08,080 --> 00:46:11,520
Speaker 1: off the first war, and then that everything else is

953
00:46:11,880 --> 00:46:15,000
Speaker 1: is free money again. See that's what they got to know.

954
00:46:15,080 --> 00:46:16,800
Speaker 1: That's that you don't done that for them.

955
00:46:16,680 --> 00:46:17,920
Speaker 3: Before multiple time.

956
00:46:18,040 --> 00:46:21,600
Speaker 1: That's what I'm saying. So that's when it gets not

957
00:46:21,640 --> 00:46:24,080
Speaker 1: necessarily from a business perspective, because you got all right

958
00:46:24,160 --> 00:46:26,040
Speaker 1: to sign who you won't let go who you want.

959
00:46:26,080 --> 00:46:30,400
Speaker 1: But from a creative perspective, it can hurt an vision

960
00:46:30,480 --> 00:46:33,319
Speaker 1: when the niggas saying how they don't see it, how

961
00:46:33,360 --> 00:46:35,759
Speaker 1: they not seeing you? Think it's you, Just the same

962
00:46:35,760 --> 00:46:36,880
Speaker 1: way with the woman.

963
00:46:36,680 --> 00:46:39,120
Speaker 2: Who that's all I was saying, like yeah, see this

964
00:46:39,200 --> 00:46:42,839
Speaker 2: ship like everything everything happy, like not even a two

965
00:46:42,920 --> 00:46:45,400
Speaker 2: my own nothing, bro, but everything be heaping it for

966
00:46:45,520 --> 00:46:48,480
Speaker 2: me like real deal organically, like I don't be trying

967
00:46:48,640 --> 00:46:49,279
Speaker 2: like you feel me.

968
00:46:49,280 --> 00:46:51,680
Speaker 3: I don't do no gimmicks. I don't do none of

969
00:46:51,719 --> 00:46:54,000
Speaker 3: that ship like my core fan.

970
00:46:54,120 --> 00:46:56,520
Speaker 2: Basically you feel me is like I got the blessing

971
00:46:56,600 --> 00:46:57,239
Speaker 2: for my court fan.

972
00:46:57,320 --> 00:46:58,400
Speaker 3: Basically loage enough to.

973
00:46:59,440 --> 00:47:01,959
Speaker 1: Move around and then make the ship grow.

974
00:47:02,000 --> 00:47:03,839
Speaker 2: You feel so it's like, damn, y'all don't see this

975
00:47:03,880 --> 00:47:06,840
Speaker 2: as a as a as a corporation like gam you don't.

976
00:47:07,160 --> 00:47:10,480
Speaker 3: Or it's like you're overlooking it that haveing like damn,

977
00:47:10,520 --> 00:47:11,319
Speaker 3: who I made man?

978
00:47:11,360 --> 00:47:14,000
Speaker 2: When I stepped throw somebody shoe or something like, I

979
00:47:14,000 --> 00:47:15,560
Speaker 2: ain't say excuse me the right.

980
00:47:15,400 --> 00:47:18,359
Speaker 3: Time, was like it'd be like it'll with your head.

981
00:47:18,440 --> 00:47:20,279
Speaker 3: But at the end of the day, you just can't.

982
00:47:20,320 --> 00:47:20,680
Speaker 1: You can't.

983
00:47:20,800 --> 00:47:23,080
Speaker 2: Like like you said, Broy, I can't let this get

984
00:47:23,120 --> 00:47:25,480
Speaker 2: to them and I gotta keep they keep moving, bro,

985
00:47:25,600 --> 00:47:27,560
Speaker 2: keep thorst at a while, Ye'll report the tell and

986
00:47:27,640 --> 00:47:28,560
Speaker 2: keep Thorst at the wall.

987
00:47:28,600 --> 00:47:29,680
Speaker 3: Basically, something gonna stick.

988
00:47:29,680 --> 00:47:31,799
Speaker 1: It definitely gonna stick. What you was doing in New York.

989
00:47:32,120 --> 00:47:33,600
Speaker 3: Oh, I had went to the next game.

990
00:47:33,480 --> 00:47:36,239
Speaker 2: With a little bad Yeah, I've seen that. That was

991
00:47:36,280 --> 00:47:41,320
Speaker 2: the game flow seas out. Yeah, it's hard. That's everybody

992
00:47:41,320 --> 00:47:43,080
Speaker 2: out the whole love me Before I left the game,

993
00:47:43,560 --> 00:47:46,839
Speaker 2: mother time right to the form, Well, Okay, I got

994
00:47:46,880 --> 00:47:47,640
Speaker 2: a little margarite.

995
00:47:47,680 --> 00:47:51,560
Speaker 1: I should have got there them ceas to be expensive like.

996
00:47:52,080 --> 00:47:57,960
Speaker 1: But what I've noticed is that people like the person

997
00:47:58,040 --> 00:48:03,560
Speaker 1: that say less and some certain corporations they have floor seats.

998
00:48:04,280 --> 00:48:08,799
Speaker 1: Like when say you in negotiations with Netflix and they

999
00:48:08,880 --> 00:48:11,360
Speaker 1: fly you up and they'd be like, hey, when you

1000
00:48:11,480 --> 00:48:13,359
Speaker 1: hear Friday, if you want to go to the game

1001
00:48:13,520 --> 00:48:15,160
Speaker 1: or you want to go to we got you that

1002
00:48:15,280 --> 00:48:20,720
Speaker 1: ship be crazy to win and dining process of someone

1003
00:48:20,840 --> 00:48:23,200
Speaker 1: trying to get you to do business. You know what

1004
00:48:23,239 --> 00:48:26,040
Speaker 1: I'm saying. It's like it's a it's a it's a

1005
00:48:26,120 --> 00:48:27,600
Speaker 1: hell of a thing, Mama.

1006
00:48:27,680 --> 00:48:30,440
Speaker 3: It's going down and we're here forever and this sh

1007
00:48:30,560 --> 00:48:35,279
Speaker 3: ain't going no. Well, straight to a I'm then talking

1008
00:48:35,320 --> 00:48:40,239
Speaker 3: ship Ah they rep I need them ill and not

1009
00:48:40,360 --> 00:48:43,000
Speaker 3: be bro. I need me now.

1010
00:48:44,760 --> 00:48:48,000
Speaker 1: Reflu they gonna come home down.

1011
00:48:55,800 --> 00:48:56,600
Speaker 3: I recruit on that.

1012
00:48:58,480 --> 00:49:02,399
Speaker 2: Lift there it is lit only a certain decision fast

1013
00:49:02,440 --> 00:49:03,879
Speaker 2: so they can't collect.

1014
00:49:03,600 --> 00:49:06,520
Speaker 1: The more money out of the sit there. All right,

1015
00:49:06,560 --> 00:49:15,480
Speaker 1: it's dope, that's the business. Dog Get what that that's

1016
00:49:15,560 --> 00:49:17,719
Speaker 1: the That's when you're gonna start seeing it and when

1017
00:49:17,960 --> 00:49:20,719
Speaker 1: this is what I'm saying, like when you're gonna have

1018
00:49:20,800 --> 00:49:23,719
Speaker 1: to start making them calls because this is your money

1019
00:49:23,800 --> 00:49:25,719
Speaker 1: now that I fake. Nigga might don't want to make

1020
00:49:25,800 --> 00:49:27,960
Speaker 1: them when it's all your hands in the job, but

1021
00:49:28,120 --> 00:49:31,200
Speaker 1: now this is my pack. I'm hustling. Hey, gays, man,

1022
00:49:31,239 --> 00:49:32,160
Speaker 1: I need you jump on this.

1023
00:49:32,600 --> 00:49:35,000
Speaker 3: What all the row way? What's going on?

1024
00:49:35,560 --> 00:49:37,959
Speaker 1: You know what I'm saying, Like cause you raw wave?

1025
00:49:38,160 --> 00:49:41,920
Speaker 3: And then it's another thing like when when when when

1026
00:49:42,000 --> 00:49:42,800
Speaker 3: when a label.

1027
00:49:42,600 --> 00:49:44,479
Speaker 2: Asks if for something you I'm sure you, I'm pretty

1028
00:49:44,680 --> 00:49:47,560
Speaker 2: you know, nig gonna up to its like and then

1029
00:49:47,600 --> 00:49:49,800
Speaker 2: it's like, this is a big ass label, so inninge

1030
00:49:50,040 --> 00:49:53,720
Speaker 2: just ining just rapper that's gonna up to your fear gonna.

1031
00:49:53,600 --> 00:49:53,880
Speaker 4: Up to.

1032
00:49:55,640 --> 00:49:57,600
Speaker 1: And they and they ain't tripping because they passing it

1033
00:49:57,680 --> 00:49:58,640
Speaker 1: to you exactly.

1034
00:49:58,719 --> 00:50:00,560
Speaker 2: And it's still coming out of my pocket the exactly

1035
00:50:00,680 --> 00:50:03,560
Speaker 2: day instead of me just having the money and doing

1036
00:50:03,600 --> 00:50:06,200
Speaker 2: it myself. I feelings like, bro, I'm I'm coming in

1037
00:50:06,280 --> 00:50:09,800
Speaker 2: a dope like that broke with so you want me

1038
00:50:09,880 --> 00:50:10,239
Speaker 2: to ride?

1039
00:50:10,280 --> 00:50:10,919
Speaker 3: You know what I'm saying.

1040
00:50:12,640 --> 00:50:14,359
Speaker 1: That's how they don't do it. Yeah, and then they

1041
00:50:14,440 --> 00:50:16,680
Speaker 1: gonna get it done and they gonna respect that, you

1042
00:50:16,760 --> 00:50:19,800
Speaker 1: know what I'm saying. Because people people know, like, like

1043
00:50:19,920 --> 00:50:22,120
Speaker 1: you say, there's a difference. You inflated with the labels,

1044
00:50:22,160 --> 00:50:24,920
Speaker 1: and because they inflated with each other, it's all inflation.

1045
00:50:25,400 --> 00:50:28,880
Speaker 1: That's how they pencil whoop and keep a d you know,

1046
00:50:28,960 --> 00:50:31,960
Speaker 1: to keep in the rig game is the most powerful

1047
00:50:32,040 --> 00:50:34,399
Speaker 1: game in the music industry. You know what I'm saying

1048
00:50:34,520 --> 00:50:38,200
Speaker 1: is to pencil whoop. You with expenses and and and

1049
00:50:38,600 --> 00:50:41,960
Speaker 1: just recordings and just we've spent so much money over

1050
00:50:42,040 --> 00:50:45,319
Speaker 1: here and the moneys went there, and oh man, it's

1051
00:50:45,440 --> 00:50:48,200
Speaker 1: just we're bleeding money. You know what I'm saying, What

1052
00:50:48,280 --> 00:50:51,840
Speaker 1: are y'all doing? We want to look at it, and

1053
00:50:52,360 --> 00:50:54,360
Speaker 1: sometimes you have to add in them and people some

1054
00:50:54,520 --> 00:50:56,440
Speaker 1: people take out in it this disrespect.

1055
00:50:57,280 --> 00:50:58,759
Speaker 3: I learned that too, like I did.

1056
00:50:59,480 --> 00:51:01,759
Speaker 2: It's like I'm just trying to see where all the

1057
00:51:01,840 --> 00:51:04,600
Speaker 2: money been going for the past, Like what's been going on?

1058
00:51:05,480 --> 00:51:08,839
Speaker 3: If a person taking that disrespect, they cheat, I'm going on, they.

1059
00:51:08,880 --> 00:51:12,920
Speaker 1: Cheat because they disrespects, like it's part of the bilding.

1060
00:51:13,480 --> 00:51:16,520
Speaker 2: It was like if I I ain't even for the

1061
00:51:16,560 --> 00:51:20,360
Speaker 2: turning into dopest ship, but it's like, come on, like

1062
00:51:20,360 --> 00:51:21,080
Speaker 2: where the money going?

1063
00:51:21,120 --> 00:51:21,840
Speaker 3: What's it going on?

1064
00:51:22,080 --> 00:51:22,279
Speaker 1: Yeah?

1065
00:51:22,640 --> 00:51:24,239
Speaker 2: What are you paying for the stuff that you said

1066
00:51:24,280 --> 00:51:26,800
Speaker 2: you was paying for with this money, show me or

1067
00:51:26,800 --> 00:51:29,520
Speaker 2: what you buying couches exactly and ship for your big

1068
00:51:29,600 --> 00:51:32,680
Speaker 2: as message. Well, I'm taking care of my whole family,

1069
00:51:33,320 --> 00:51:35,000
Speaker 2: you know what I mean. You're living out with my budget.

1070
00:51:35,560 --> 00:51:36,440
Speaker 2: That's what I want to know.

1071
00:51:37,000 --> 00:51:39,360
Speaker 1: That's listen a lot of times that's what's going on,

1072
00:51:39,560 --> 00:51:44,200
Speaker 1: Like rappers budgets is creating a lot of these dudes

1073
00:51:44,239 --> 00:51:47,880
Speaker 1: lifestyles and nods and some of these dudes that's eating

1074
00:51:47,960 --> 00:51:50,880
Speaker 1: off the budget. Oh they knocking y'all lass.

1075
00:51:50,719 --> 00:51:53,200
Speaker 2: Separene into something and ors like not this ain't even

1076
00:51:53,200 --> 00:51:55,040
Speaker 2: got nothing to do through how to run some A

1077
00:51:55,200 --> 00:51:57,160
Speaker 2: and R first than the artists.

1078
00:51:56,920 --> 00:51:59,879
Speaker 1: And what I'm trying to or down the ice style

1079
00:52:02,320 --> 00:52:04,640
Speaker 1: rap and getting here in front of two hundred people.

1080
00:52:08,800 --> 00:52:12,920
Speaker 1: It's like, did you know that your lay down record

1081
00:52:13,160 --> 00:52:17,799
Speaker 1: was on that piff? Yeah? I did with them.

1082
00:52:17,920 --> 00:52:21,560
Speaker 3: Yeah, I ain't deal with them. They just grabould come out.

1083
00:52:22,600 --> 00:52:28,239
Speaker 1: Yeah, she got millions because number one, not only it

1084
00:52:28,320 --> 00:52:32,480
Speaker 1: ain't necessarily because of the view yeah, and it ain't

1085
00:52:32,520 --> 00:52:35,400
Speaker 1: necessarily because of the view count. Right. What happens is

1086
00:52:37,080 --> 00:52:39,880
Speaker 1: is that one of the biggest assets that you have

1087
00:52:40,040 --> 00:52:42,960
Speaker 1: as an artist is your ability to centralize your audience.

1088
00:52:43,080 --> 00:52:45,800
Speaker 1: You need for people to know, yeah where this is

1089
00:52:45,880 --> 00:52:49,560
Speaker 1: where you find peace, not over there sometime not over

1090
00:52:49,640 --> 00:52:53,160
Speaker 1: there when music come out, Yeah, this where you come to.

1091
00:52:53,440 --> 00:52:55,600
Speaker 1: And when I seen it on that PIFF, I was like,

1092
00:52:55,640 --> 00:52:57,520
Speaker 1: I wanted did he do a deal with them or what?

1093
00:52:57,960 --> 00:52:59,040
Speaker 3: That was another thing.

1094
00:52:59,680 --> 00:53:03,520
Speaker 2: So we posted this song to my YouTube. Dam and

1095
00:53:03,600 --> 00:53:06,000
Speaker 2: Dad pillf had posted. I said, I'm like, I had

1096
00:53:06,040 --> 00:53:09,000
Speaker 2: it on my YouTube, so I wasn't yourn. So when

1097
00:53:09,040 --> 00:53:11,200
Speaker 2: we when we came to that amicable agreement, I was

1098
00:53:11,239 --> 00:53:13,600
Speaker 2: telling you about the song was usually get off my

1099
00:53:13,680 --> 00:53:16,240
Speaker 2: YouTube and then repose.

1100
00:53:16,320 --> 00:53:19,520
Speaker 1: I'm like they had it chock down and repost.

1101
00:53:19,680 --> 00:53:21,760
Speaker 3: I'm like, what happened?

1102
00:53:22,360 --> 00:53:22,920
Speaker 1: So boom?

1103
00:53:23,800 --> 00:53:28,719
Speaker 2: At first they was like they was like, all right, y'all,

1104
00:53:28,960 --> 00:53:31,200
Speaker 2: this this is not right. This is not been handled right.

1105
00:53:31,880 --> 00:53:34,080
Speaker 2: Send us the assets to the song. And then when

1106
00:53:34,160 --> 00:53:36,400
Speaker 2: we're we post, y'all can take y'alls down, just keep

1107
00:53:36,440 --> 00:53:37,200
Speaker 2: it up until.

1108
00:53:36,960 --> 00:53:40,960
Speaker 3: We yeah, like hold on, h I'm like, how did

1109
00:53:40,960 --> 00:53:45,160
Speaker 3: that work? I'm like no, because when when how is

1110
00:53:45,239 --> 00:53:45,680
Speaker 3: y'all in this?

1111
00:53:45,800 --> 00:53:48,880
Speaker 2: You feel like this ain't like we stole something from

1112
00:53:48,920 --> 00:53:51,719
Speaker 2: all of that, So I'm like, what the when we

1113
00:53:51,760 --> 00:53:55,040
Speaker 2: came to the agreement. It's like all the song put

1114
00:53:55,080 --> 00:53:57,480
Speaker 2: out as a single, threw on it. But I put

1115
00:53:57,520 --> 00:53:59,719
Speaker 2: the song on my tape through Hitmaker, feel through the

1116
00:53:59,760 --> 00:54:00,720
Speaker 2: dish buse did.

1117
00:54:02,120 --> 00:54:03,239
Speaker 3: Through my level over kid.

1118
00:54:03,280 --> 00:54:05,200
Speaker 1: You right, so boring.

1119
00:54:05,560 --> 00:54:08,000
Speaker 3: I guess when they put the single out through Warner.

1120
00:54:08,360 --> 00:54:09,799
Speaker 2: We don't take it down and put it back cup

1121
00:54:09,840 --> 00:54:11,760
Speaker 2: type of shit you feel that's crazy?

1122
00:54:12,040 --> 00:54:12,680
Speaker 3: Yeah, ain't.

1123
00:54:12,880 --> 00:54:16,839
Speaker 1: That's but I think it's the relationship that they even

1124
00:54:16,960 --> 00:54:19,680
Speaker 1: have with these platforms like YouTube or they can call

1125
00:54:19,840 --> 00:54:23,640
Speaker 1: in and get something took down. I know that, But

1126
00:54:23,760 --> 00:54:26,360
Speaker 1: that's what's so crazy is like they can just literally

1127
00:54:26,440 --> 00:54:29,160
Speaker 1: be like, yo, that's I take that down and that's

1128
00:54:29,239 --> 00:54:32,920
Speaker 1: clearly your record. So I can imagine if they had

1129
00:54:32,920 --> 00:54:35,520
Speaker 1: all the paperwork showing that it was actually their song. Great,

1130
00:54:35,680 --> 00:54:37,719
Speaker 1: you know those tools are there for that reason, but

1131
00:54:38,480 --> 00:54:41,279
Speaker 1: this is clearly your song. And they still have the

1132
00:54:41,320 --> 00:54:44,759
Speaker 1: ability to call and say and they come down and

1133
00:54:44,880 --> 00:54:46,600
Speaker 1: then all my bad put it back up and they

1134
00:54:46,680 --> 00:54:49,920
Speaker 1: put it you know what I'm saying, that's some crazy

1135
00:54:50,000 --> 00:54:52,520
Speaker 1: ship Because I can't call YouTube and do that. I

1136
00:54:52,600 --> 00:54:54,600
Speaker 1: can tell the man and people got my address in

1137
00:54:54,680 --> 00:54:56,640
Speaker 1: their ship. Man, they still leave it up for three

1138
00:54:56,760 --> 00:54:59,520
Speaker 1: four days at least to they have to look into

1139
00:54:59,640 --> 00:55:02,440
Speaker 1: it and all that these folks is ain't take that down? Man,

1140
00:55:02,960 --> 00:55:07,160
Speaker 1: come down, that's wild. So what the what the but

1141
00:55:07,320 --> 00:55:09,920
Speaker 1: I'm glad you're eating up. So with the YouTube part

1142
00:55:10,040 --> 00:55:14,560
Speaker 1: of it, why why would they take yours down to

1143
00:55:14,640 --> 00:55:15,440
Speaker 1: leave that pips?

1144
00:55:15,680 --> 00:55:17,759
Speaker 2: I don't know, that's what That's what I didn't get

1145
00:55:17,920 --> 00:55:19,520
Speaker 2: and that's what I ain't gonna I was calling here

1146
00:55:19,520 --> 00:55:21,200
Speaker 2: about this ship. So I'm like, bro, that pip got

1147
00:55:21,239 --> 00:55:23,279
Speaker 2: more views than me on my song and like what

1148
00:55:24,040 --> 00:55:26,720
Speaker 2: this heap? It's like, oh, it must have been a mistake.

1149
00:55:26,880 --> 00:55:28,640
Speaker 2: We're gonna figure it out, know is that?

1150
00:55:28,880 --> 00:55:31,080
Speaker 1: Like hold on, give me but y'all was able to

1151
00:55:31,120 --> 00:55:31,560
Speaker 1: take mine?

1152
00:55:31,640 --> 00:55:33,400
Speaker 3: Like what happened?

1153
00:55:34,400 --> 00:55:36,480
Speaker 1: Y'all can't call and just take it down the same way.

1154
00:55:36,560 --> 00:55:39,319
Speaker 3: The same way y'all did do. It's a trigger game.

1155
00:55:40,680 --> 00:55:46,239
Speaker 1: That's ugly. I seen it. He did more like I

1156
00:55:46,320 --> 00:55:51,359
Speaker 1: don't know why, but he'll been on. If we ain't

1157
00:55:51,400 --> 00:55:54,440
Speaker 1: a part of this, it ain't gonna be nothing. You

1158
00:55:54,560 --> 00:55:57,200
Speaker 1: can't put it out trying to smash that type of

1159
00:55:57,400 --> 00:55:57,840
Speaker 1: they try to.

1160
00:55:58,040 --> 00:56:00,960
Speaker 2: Yeah, they try to smish a mad though, like like

1161
00:56:01,160 --> 00:56:03,920
Speaker 2: like you guys, people, I love y'all deal man, like

1162
00:56:04,000 --> 00:56:04,680
Speaker 2: shout out y'all.

1163
00:56:04,800 --> 00:56:06,279
Speaker 3: I grew up with y'all. How could I hate you

1164
00:56:06,400 --> 00:56:09,560
Speaker 3: out here? It's like this the business. I'm just I'm

1165
00:56:09,640 --> 00:56:10,480
Speaker 3: just learning the business.

1166
00:56:11,080 --> 00:56:13,120
Speaker 2: So it's like I have the right to speak on

1167
00:56:13,280 --> 00:56:15,319
Speaker 2: the business, just in case it's some young guys out

1168
00:56:15,360 --> 00:56:17,600
Speaker 2: here who growing up want to be a rapper. You

1169
00:56:17,719 --> 00:56:19,960
Speaker 2: feel me, you know what I mean. I'm just I'm

1170
00:56:20,280 --> 00:56:24,520
Speaker 2: I'm not running them. I'm I'm I'm I'm teaching them.

1171
00:56:24,560 --> 00:56:28,920
Speaker 1: And yeah, and also this is not only their experience,

1172
00:56:29,040 --> 00:56:33,560
Speaker 1: but your experience. And also this platform me and everything

1173
00:56:33,680 --> 00:56:37,920
Speaker 1: I stand for is edutainment, education on to learn. We

1174
00:56:38,080 --> 00:56:42,520
Speaker 1: have a responsibility to over communicate because of the road travel. Right,

1175
00:56:42,640 --> 00:56:44,680
Speaker 1: you come from Alabama when all the way out to

1176
00:56:44,760 --> 00:56:47,400
Speaker 1: the west and was able to get on in heaven.

1177
00:56:47,880 --> 00:56:51,440
Speaker 1: If God sees fit, that's one person life you can

1178
00:56:51,600 --> 00:56:54,879
Speaker 1: change with with your story of what you've been through.

1179
00:56:55,440 --> 00:56:57,200
Speaker 1: No one can feel a way about that. We have

1180
00:56:57,320 --> 00:56:59,719
Speaker 1: a duty. We have a duty to do that. So

1181
00:56:59,800 --> 00:57:02,200
Speaker 1: you not doing anything wrong. You have yet to use

1182
00:57:02,239 --> 00:57:07,640
Speaker 1: any derogatory terms. You haven't emotionally attacked anyone. You're just

1183
00:57:07,760 --> 00:57:10,520
Speaker 1: saying some of the tactics in business, and so I

1184
00:57:10,600 --> 00:57:13,080
Speaker 1: don't I don't see anyone being able to look at

1185
00:57:13,120 --> 00:57:15,320
Speaker 1: that and see and feel any kind of weather, you

1186
00:57:15,400 --> 00:57:20,920
Speaker 1: know what I'm saying. Yeah, But so when they came

1187
00:57:21,000 --> 00:57:23,520
Speaker 1: at you and they say, yo, put this song out

1188
00:57:23,640 --> 00:57:26,520
Speaker 1: through us. If we can't put it out, we're gonna

1189
00:57:26,560 --> 00:57:28,560
Speaker 1: stop the song, how do they plan on doing that?

1190
00:57:28,720 --> 00:57:31,040
Speaker 1: Making the calls like they I don't.

1191
00:57:30,800 --> 00:57:34,120
Speaker 2: Even know I had somebody I loved up that much. Say, man,

1192
00:57:34,120 --> 00:57:36,640
Speaker 2: I don't care if I lose my job behind this.

1193
00:57:37,040 --> 00:57:38,000
Speaker 3: We can go to war.

1194
00:57:40,160 --> 00:57:43,280
Speaker 1: Verbatim. We can go to war with them, or well

1195
00:57:43,320 --> 00:57:49,080
Speaker 1: they on your side, we can against you. You can

1196
00:57:49,160 --> 00:57:52,160
Speaker 1: go to the war. What over my song?

1197
00:57:52,320 --> 00:57:55,080
Speaker 3: Bro blowing me brother than the red of crying that bitch.

1198
00:57:55,120 --> 00:57:58,080
Speaker 2: I'm also when I first like because I'm so happy

1199
00:57:58,080 --> 00:58:00,000
Speaker 2: about that shit happening for a nigga.

1200
00:58:00,160 --> 00:58:02,280
Speaker 1: Right, I can imagine you know what I'm saying. Basically,

1201
00:58:02,320 --> 00:58:03,760
Speaker 1: after the move, they just put them.

1202
00:58:03,720 --> 00:58:06,960
Speaker 3: On Joe kind of my mama. Yeah yeah, me and

1203
00:58:07,040 --> 00:58:08,880
Speaker 3: my mama happy. So y'all trying to.

1204
00:58:08,880 --> 00:58:11,080
Speaker 2: Take this moment from me and you say I don't

1205
00:58:11,080 --> 00:58:13,560
Speaker 2: care about little my job and we can go to walk.

1206
00:58:13,960 --> 00:58:15,600
Speaker 3: I was really grabb chop man.

1207
00:58:15,680 --> 00:58:21,360
Speaker 1: I'm trying to figure out it was in your face

1208
00:58:21,440 --> 00:58:24,320
Speaker 1: when they said this over the phone. Okay, but they

1209
00:58:24,440 --> 00:58:27,080
Speaker 1: really told you that. I'm I'm really to go to war.

1210
00:58:27,560 --> 00:58:32,720
Speaker 1: Your so about this? Every y'all got all these wise,

1211
00:58:34,120 --> 00:58:34,560
Speaker 1: I don't know.

1212
00:58:35,720 --> 00:58:39,280
Speaker 2: The only thing I can say is I think that,

1213
00:58:41,080 --> 00:58:45,320
Speaker 2: all right, a person of high power passed you feeling

1214
00:58:45,440 --> 00:58:48,400
Speaker 2: me off to somebody else that that got put into

1215
00:58:48,560 --> 00:58:51,000
Speaker 2: a hot power position, and that person made a mistake.

1216
00:58:51,600 --> 00:58:55,880
Speaker 2: You feel by like basically like nah, like they got

1217
00:58:55,920 --> 00:58:58,600
Speaker 2: their favorites and the lad feelous like that person made

1218
00:58:58,640 --> 00:58:59,120
Speaker 2: that mistake.

1219
00:58:59,560 --> 00:59:01,880
Speaker 3: And Bro says he didn't know about it.

1220
00:59:01,960 --> 00:59:04,479
Speaker 2: You feel me, so he like, man, he I guess

1221
00:59:04,520 --> 00:59:07,320
Speaker 2: he felt betrayed you feeling which I feel you feeling.

1222
00:59:08,120 --> 00:59:09,680
Speaker 3: But at the end of the day, this is my

1223
00:59:09,840 --> 00:59:12,160
Speaker 3: whole life, right, you know what I mean? So I

1224
00:59:12,280 --> 00:59:14,000
Speaker 3: have to goal what was right for me.

1225
00:59:15,520 --> 00:59:17,280
Speaker 1: It was I have to go it was right, you

1226
00:59:17,400 --> 00:59:19,960
Speaker 1: know what I'm thinking though now, and I'm thinking about it.

1227
00:59:22,920 --> 00:59:25,840
Speaker 1: Whoever this person is at this label probably was in

1228
00:59:25,920 --> 00:59:29,200
Speaker 1: a scenario whatever about to lose their job, because how

1229
00:59:29,240 --> 00:59:31,080
Speaker 1: do you go on to meeting and explain that the

1230
00:59:31,200 --> 00:59:35,200
Speaker 1: next he just let go. Look it's literally just got

1231
00:59:35,280 --> 00:59:38,959
Speaker 1: a song that's going viral on TikTok now got well

1232
00:59:39,080 --> 00:59:45,200
Speaker 1: on it, right. And so if you were appointed the

1233
00:59:45,360 --> 00:59:49,840
Speaker 1: person who were looking over his ship and responsible for

1234
00:59:50,520 --> 00:59:54,600
Speaker 1: delegating resources and looking at our artists and you know,

1235
00:59:54,680 --> 00:59:57,960
Speaker 1: putting people in position, and you let this slip by you,

1236
00:59:58,640 --> 01:00:01,240
Speaker 1: especially with the current deal they may have had in place,

1237
01:00:01,360 --> 01:00:03,800
Speaker 1: that splits they may have had in place, they probably said,

1238
01:00:04,720 --> 01:00:07,480
Speaker 1: my boy, your whole job was to find these kind

1239
01:00:07,520 --> 01:00:11,200
Speaker 1: of shits with the guy. So now he turns on

1240
01:00:11,400 --> 01:00:13,360
Speaker 1: you because he know he can't really go in there

1241
01:00:13,400 --> 01:00:17,280
Speaker 1: with them big wigs and explain like, we have nothing

1242
01:00:17,280 --> 01:00:20,320
Speaker 1: to do with this song. You know what I'm saying

1243
01:00:21,080 --> 01:00:23,880
Speaker 1: that that's embarrassing. Yeah, and also your job is on

1244
01:00:24,000 --> 01:00:26,880
Speaker 1: the line, so he may be telling you I'm gonna

1245
01:00:26,920 --> 01:00:30,439
Speaker 1: lose my job if if, if you don't just sign

1246
01:00:30,520 --> 01:00:32,080
Speaker 1: it over. Because here's the thing I want to be

1247
01:00:32,160 --> 01:00:36,040
Speaker 1: clear about, and the record labels know this, if they

1248
01:00:36,160 --> 01:00:38,240
Speaker 1: had the legal right to do that, it will be

1249
01:00:38,400 --> 01:00:39,440
Speaker 1: no conversation with you.

1250
01:00:40,240 --> 01:00:45,280
Speaker 7: The mere fact that they're even that's the mere fact

1251
01:00:45,320 --> 01:00:47,640
Speaker 7: that they're even in the negotiating that we can go

1252
01:00:47,720 --> 01:00:49,320
Speaker 7: to war where we don't have to go to war

1253
01:00:49,360 --> 01:00:52,160
Speaker 7: if your paperwork is right and you truly own the record.

1254
01:00:52,880 --> 01:00:56,160
Speaker 1: You see what I'm saying. Ain't no war, You see

1255
01:00:56,200 --> 01:00:58,040
Speaker 1: what I'm saying. But it's only a war because the

1256
01:00:58,160 --> 01:01:01,760
Speaker 1: paperwork ain't right. And and y'all slick need me to

1257
01:01:01,880 --> 01:01:05,280
Speaker 1: sign something for y'all to have participation in this month.

1258
01:01:06,000 --> 01:01:08,120
Speaker 1: You get what I'm saying. So he looking at you, saying,

1259
01:01:08,520 --> 01:01:10,440
Speaker 1: I just don't know how I feel, Bro, we can

1260
01:01:10,560 --> 01:01:15,280
Speaker 1: go to war about your song. It's wold, Bro, that's

1261
01:01:15,360 --> 01:01:20,760
Speaker 1: some wow or shit like. That's completely like I can't

1262
01:01:20,800 --> 01:01:24,920
Speaker 1: even imagine at home, boy, that's this dude record. You

1263
01:01:25,000 --> 01:01:26,640
Speaker 1: know what I'm saying, But I'm telling you what it is.

1264
01:01:26,720 --> 01:01:28,720
Speaker 1: It's the pressure of now he got to go explain

1265
01:01:28,800 --> 01:01:33,280
Speaker 1: to Eliot and all of the people, the big wigs

1266
01:01:33,320 --> 01:01:35,760
Speaker 1: that sitting at the conference room. He got to explain,

1267
01:01:35,800 --> 01:01:37,080
Speaker 1: all right, what are we doing with Peas? Do we

1268
01:01:37,120 --> 01:01:39,800
Speaker 1: see the record going on? TikTok? Yeah, we let him

1269
01:01:39,840 --> 01:01:45,360
Speaker 1: go three months ago? Excuse me, you dig what I'm saying? Yeah,

1270
01:01:45,560 --> 01:01:47,720
Speaker 1: let we let him go? Well didn't that isn't that

1271
01:01:47,800 --> 01:01:51,440
Speaker 1: record a part of our Oh let's look, actually it's not.

1272
01:01:54,520 --> 01:01:58,640
Speaker 1: I'm go fix that like I can see someone telling

1273
01:01:58,760 --> 01:02:01,160
Speaker 1: somebody in the meeting, go fix that, and so that

1274
01:02:01,360 --> 01:02:03,640
Speaker 1: draws him to a conversation with you. We can go

1275
01:02:03,720 --> 01:02:06,480
Speaker 1: to war about then, Mama, Like he's spass it out

1276
01:02:06,600 --> 01:02:09,720
Speaker 1: because they don't want to lose their job. You know

1277
01:02:09,760 --> 01:02:11,800
Speaker 1: what I'm saying. But he's still wrong if you ask me,

1278
01:02:12,600 --> 01:02:16,760
Speaker 1: so what was that? What else was saying on that conversation?

1279
01:02:16,960 --> 01:02:18,720
Speaker 1: Like what do they like?

1280
01:02:19,400 --> 01:02:19,880
Speaker 3: My heart?

1281
01:02:20,440 --> 01:02:23,240
Speaker 2: A whole lot of like my feelings, my feelings, my feelings,

1282
01:02:23,280 --> 01:02:23,680
Speaker 2: my heart.

1283
01:02:24,400 --> 01:02:26,680
Speaker 1: Man, Like this is close to me, So go get

1284
01:02:26,720 --> 01:02:28,680
Speaker 1: the bank roll, go get the check book.

1285
01:02:28,720 --> 01:02:30,560
Speaker 3: Come on with him, because I've been doing it over

1286
01:02:30,640 --> 01:02:31,720
Speaker 3: and over again.

1287
01:02:32,240 --> 01:02:34,520
Speaker 2: It took a little longer this time, but it's been

1288
01:02:34,800 --> 01:02:37,840
Speaker 2: I've been proving myself, you know, being it, but not

1289
01:02:37,920 --> 01:02:40,800
Speaker 2: saying that I deserve anything for pooling myself. You feelhim,

1290
01:02:40,800 --> 01:02:45,400
Speaker 2: but I do because in the rep game, you're nothing

1291
01:02:45,480 --> 01:02:48,440
Speaker 2: if you don't outdo yourself every time. You feel me,

1292
01:02:48,720 --> 01:02:50,640
Speaker 2: So it's like I've been out doing myself. So why

1293
01:02:50,680 --> 01:02:54,240
Speaker 2: am I not getting with these little lame mans? Police says,

1294
01:02:55,200 --> 01:02:58,480
Speaker 2: You feel him to be real, like up the culture,

1295
01:02:58,520 --> 01:03:00,360
Speaker 2: you feel me don't got no careers, But I don't

1296
01:03:00,360 --> 01:03:01,280
Speaker 2: know how to talk to people.

1297
01:03:01,320 --> 01:03:03,520
Speaker 3: Walk in the room and they make the whole room uncomfortable.

1298
01:03:03,760 --> 01:03:06,640
Speaker 2: How these getting three or four men and you got

1299
01:03:06,720 --> 01:03:10,600
Speaker 2: a nice, smiling, beautiful black man like myself, talented.

1300
01:03:11,000 --> 01:03:13,280
Speaker 3: Yeah, every room light up that I walk in. They

1301
01:03:13,320 --> 01:03:14,760
Speaker 3: don't get by six men.

1302
01:03:14,920 --> 01:03:18,440
Speaker 1: Yeah, and you can't make sense of You're thinking to yourself,

1303
01:03:18,520 --> 01:03:19,840
Speaker 1: what the fuck I'm done?

1304
01:03:22,440 --> 01:03:24,120
Speaker 3: You hear man? I know I'm a good person. I

1305
01:03:24,120 --> 01:03:25,480
Speaker 3: ain't did nothing nobody.

1306
01:03:25,440 --> 01:03:27,120
Speaker 1: And even if I did, if they don't got the

1307
01:03:27,200 --> 01:03:31,160
Speaker 1: nuts to address it, we can't fix it. Feel me like, Yeah,

1308
01:03:31,320 --> 01:03:34,360
Speaker 1: like what trick bag? Y'all got a like what the fuck?

1309
01:03:34,560 --> 01:03:39,280
Speaker 1: I don't understand it? But dog guess it's a crazy game.

1310
01:03:39,440 --> 01:03:42,560
Speaker 1: It's deep though. This is hard, harder than football. Y'all

1311
01:03:42,640 --> 01:03:45,400
Speaker 1: gonna let me go. How long has it? How long

1312
01:03:45,480 --> 01:03:50,920
Speaker 1: were you parted ways from them when it's conversation about hey,

1313
01:03:51,000 --> 01:03:53,840
Speaker 1: we're gonna participate and lay down now all of a sudden,

1314
01:03:54,560 --> 01:03:55,480
Speaker 1: like I'm going back.

1315
01:03:57,360 --> 01:04:01,360
Speaker 5: I did the hey did the TI type ships? So

1316
01:04:01,440 --> 01:04:03,440
Speaker 5: I have been before we did the other deal with

1317
01:04:03,520 --> 01:04:08,760
Speaker 5: he make uh after it was after? Yeah, it was

1318
01:04:08,840 --> 01:04:10,600
Speaker 5: after it was I'd say back.

1319
01:04:13,160 --> 01:04:17,800
Speaker 1: Three hundred them, Yeah, yeah, ten K right, ain't nothing

1320
01:04:17,960 --> 01:04:22,480
Speaker 1: not right, So so tin K right, the ice spice

1321
01:04:22,520 --> 01:04:24,840
Speaker 1: and all of them was under the tripping red was

1322
01:04:24,920 --> 01:04:25,520
Speaker 1: under tin K.

1323
01:04:25,760 --> 01:04:27,720
Speaker 3: It was like too much like too.

1324
01:04:29,960 --> 01:04:34,000
Speaker 1: With ten K, which is still kind of right. Yeah yeah,

1325
01:04:34,600 --> 01:04:39,120
Speaker 1: because that's Universal downsize. Yeah yeah, yeah, that's that's the

1326
01:04:39,200 --> 01:04:41,640
Speaker 1: record business downsides and now you there. Everybody used to

1327
01:04:41,680 --> 01:04:44,240
Speaker 1: have their own building, but they but they was it

1328
01:04:44,360 --> 01:04:47,560
Speaker 1: was always all an illusion, right because it was always

1329
01:04:47,680 --> 01:04:50,600
Speaker 1: Universal at the top. And what will happen is they'll

1330
01:04:50,720 --> 01:04:54,240
Speaker 1: down serve you the one of these subsidiaries. But if

1331
01:04:54,280 --> 01:04:56,720
Speaker 1: you get big enough, Universal will pluck you.

1332
01:04:56,840 --> 01:05:02,400
Speaker 3: From beside the alam mop up right or downstream.

1333
01:05:02,640 --> 01:05:05,360
Speaker 1: So that's what Universal didn't participate in a lot of

1334
01:05:05,400 --> 01:05:08,040
Speaker 1: ship until it makes sense for them to actually be

1335
01:05:08,200 --> 01:05:12,640
Speaker 1: like yeah, yeah, but they really own all.

1336
01:05:12,520 --> 01:05:15,440
Speaker 3: These ships too. All these ships really still under them.

1337
01:05:15,920 --> 01:05:17,920
Speaker 1: You know what I'm saying. It's like a crazy monopoly

1338
01:05:18,080 --> 01:05:21,880
Speaker 1: they have on the business. I really really don't look

1339
01:05:21,920 --> 01:05:27,240
Speaker 1: at it. Yeah, they running some ship together. But let's

1340
01:05:27,240 --> 01:05:30,440
Speaker 1: talk about this because that's what scenario Drake is in.

1341
01:05:31,120 --> 01:05:39,200
Speaker 1: He's understanding. Yeah, so he's understanding that, hey, Universal is

1342
01:05:41,680 --> 01:05:45,560
Speaker 1: a very big company. Right when when Drake represents raps

1343
01:05:45,640 --> 01:05:48,040
Speaker 1: market share, right, He's pretty big and rap, but bro

1344
01:05:48,320 --> 01:05:53,280
Speaker 1: Universal has Taylor Swift and Billy Irish like in all

1345
01:05:53,360 --> 01:05:56,600
Speaker 1: these white folks and these big country artists and rock

1346
01:05:56,640 --> 01:05:59,600
Speaker 1: and roll, it's just such a big entity Tim McGraw

1347
01:05:59,720 --> 01:06:06,400
Speaker 1: and Miley Cyrus and like Taylor Swift and so it's

1348
01:06:06,560 --> 01:06:10,400
Speaker 1: extremely huge. What's your feelings on what Drake and his

1349
01:06:10,600 --> 01:06:14,040
Speaker 1: relationship with Universal and his label is. Because he's sewing

1350
01:06:14,120 --> 01:06:18,400
Speaker 1: for people who don't know, he's sewing, allegedly Swing Universal

1351
01:06:18,560 --> 01:06:21,400
Speaker 1: for the Not Like Us song coming out. What he's

1352
01:06:21,480 --> 01:06:26,840
Speaker 1: allegend is is that basically he's been behind the scenes

1353
01:06:26,920 --> 01:06:29,840
Speaker 1: and he's been able to see exactly how everything works.

1354
01:06:30,400 --> 01:06:33,720
Speaker 1: And so the way that they're treating the Kendrick Lamar song,

1355
01:06:33,920 --> 01:06:38,240
Speaker 1: he says it's unfair to him because they're not pushing

1356
01:06:38,320 --> 01:06:42,640
Speaker 1: his music in the same way. What's your feelings on

1357
01:06:42,840 --> 01:06:46,240
Speaker 1: his whole relationship with Universal and what's your understanding of

1358
01:06:46,320 --> 01:06:47,320
Speaker 1: what's going on with him?

1359
01:06:47,800 --> 01:06:49,640
Speaker 3: My understanding this shit it's sound like a dog fight.

1360
01:06:49,640 --> 01:06:50,400
Speaker 3: It sound like shit.

1361
01:06:51,120 --> 01:06:52,880
Speaker 2: It's not like bake your dog fight, both of you

1362
01:06:53,040 --> 01:06:55,360
Speaker 2: my dolls, but shit, maybe it's dog wan type shit,

1363
01:06:55,440 --> 01:06:56,320
Speaker 2: but this dog.

1364
01:06:56,320 --> 01:06:57,760
Speaker 1: You remember I mean Kendrick and Drake.

1365
01:06:57,840 --> 01:07:02,400
Speaker 3: Yeh feel like a dog, right, So I ain't I

1366
01:07:02,480 --> 01:07:07,280
Speaker 3: feel like what I really feel like. I don't think

1367
01:07:07,320 --> 01:07:08,520
Speaker 3: you can go to war with computer.

1368
01:07:08,960 --> 01:07:12,800
Speaker 2: Yeah, I feel like, is he the you just gotta

1369
01:07:12,840 --> 01:07:14,120
Speaker 2: learn how to play the game. And I feel like

1370
01:07:14,160 --> 01:07:17,320
Speaker 2: he know the game enough. He should know the game

1371
01:07:17,480 --> 01:07:21,320
Speaker 2: enough to know the know the route he's to take

1372
01:07:21,400 --> 01:07:23,320
Speaker 2: with that. Shif you feel me, I can't call it

1373
01:07:23,440 --> 01:07:24,640
Speaker 2: you feel because I do.

1374
01:07:24,760 --> 01:07:26,920
Speaker 1: You think Drake is big enough to go to war

1375
01:07:27,040 --> 01:07:29,040
Speaker 1: with him? I still think he lose.

1376
01:07:30,360 --> 01:07:31,840
Speaker 3: Why Michael Jackson done lost.

1377
01:07:32,560 --> 01:07:36,200
Speaker 1: That was before technology. So if we want to argue

1378
01:07:36,240 --> 01:07:38,240
Speaker 1: the other side, we can say, yo, that's before the

1379
01:07:38,360 --> 01:07:41,640
Speaker 1: direct to consume a business. But it was in place, right,

1380
01:07:41,800 --> 01:07:44,440
Speaker 1: So Drake has a unique situation. I just think he

1381
01:07:44,800 --> 01:07:52,080
Speaker 1: may have waited and let the play developation. I think

1382
01:07:52,160 --> 01:07:55,680
Speaker 1: Drake is big enough to have some global interests, right,

1383
01:07:55,800 --> 01:07:59,120
Speaker 1: I think that. No, that yeah, I think he can

1384
01:07:59,160 --> 01:08:01,120
Speaker 1: make him pull some all money. And and the reason

1385
01:08:01,200 --> 01:08:03,880
Speaker 1: I say that is because I'm always watching business. Right,

1386
01:08:03,960 --> 01:08:07,200
Speaker 1: So when I look at boxing, for example, boxing was

1387
01:08:07,280 --> 01:08:10,560
Speaker 1: dead or dying for the casual fan, and they have

1388
01:08:10,680 --> 01:08:14,320
Speaker 1: a guy by the name of Turkish Alashik who's now

1389
01:08:14,480 --> 01:08:17,840
Speaker 1: came into boxing. His name is your excellency, and so

1390
01:08:18,000 --> 01:08:20,680
Speaker 1: what he's no neighbor. Yeah he got paper paper, the

1391
01:08:20,720 --> 01:08:24,080
Speaker 1: eatning here or come with the white They Saudi Arabian

1392
01:08:25,400 --> 01:08:27,639
Speaker 1: see this is a different thing. They just love boxing.

1393
01:08:27,760 --> 01:08:29,560
Speaker 1: So he come in with the money. So now you

1394
01:08:29,680 --> 01:08:32,040
Speaker 1: see the money ain't even a thing, honey, mean for

1395
01:08:32,080 --> 01:08:34,719
Speaker 1: you twenty me what y'all gonna do? So he piped

1396
01:08:34,760 --> 01:08:37,960
Speaker 1: the whole shit back up the boxing. Now Javonte don't

1397
01:08:38,000 --> 01:08:42,080
Speaker 1: like him as much because right he's friends with all

1398
01:08:42,160 --> 01:08:45,200
Speaker 1: the other people who are not cool with Javonte. But

1399
01:08:45,520 --> 01:08:49,040
Speaker 1: what I'm speaking about is boxing would have died in

1400
01:08:49,160 --> 01:08:52,760
Speaker 1: the traditional form without the global interest. I look at

1401
01:08:52,840 --> 01:08:56,320
Speaker 1: Drake and say, maybe at some point you have you

1402
01:08:56,439 --> 01:08:59,400
Speaker 1: have a global entity that comes in and says, yes,

1403
01:08:59,720 --> 01:09:05,720
Speaker 1: let's utilize your market share, your your celebrity, and let

1404
01:09:05,880 --> 01:09:08,200
Speaker 1: us dump the money into the other side of what

1405
01:09:08,640 --> 01:09:12,000
Speaker 1: Universal was doing. And now we'll try to compete with Universal,

1406
01:09:12,800 --> 01:09:15,840
Speaker 1: you know, because it's all French money. That's what Kanye

1407
01:09:16,040 --> 01:09:19,599
Speaker 1: was talking about, like it's all those big banks off. Sure,

1408
01:09:19,720 --> 01:09:22,400
Speaker 1: that's really once you really follow the money all the

1409
01:09:22,439 --> 01:09:25,759
Speaker 1: way up the food chain. It's bigger than Lucien Grange

1410
01:09:25,840 --> 01:09:29,040
Speaker 1: and some of these guys they worked for. Allegedly, according

1411
01:09:29,080 --> 01:09:35,480
Speaker 1: to Kanye, French banks have a huge investment into Universal,

1412
01:09:35,560 --> 01:09:38,160
Speaker 1: which controls literally all of rap. Oh you know what

1413
01:09:38,200 --> 01:09:38,599
Speaker 1: I'm saying.

1414
01:09:38,640 --> 01:09:40,920
Speaker 3: So they.

1415
01:09:42,600 --> 01:09:47,599
Speaker 1: With the with the Universal. What do you say global entes? Right?

1416
01:09:47,720 --> 01:09:50,160
Speaker 1: I think I think Drake, Yeah, I think Drake can

1417
01:09:50,240 --> 01:09:54,000
Speaker 1: have some global hinde knowledge in the money from right,

1418
01:09:54,040 --> 01:09:56,920
Speaker 1: he's already made it big. So he comes out so

1419
01:09:57,080 --> 01:09:59,920
Speaker 1: all right, Drake puts his head down. He comes out

1420
01:10:01,200 --> 01:10:03,760
Speaker 1: with no more Universal, but with a billion and a

1421
01:10:03,880 --> 01:10:07,559
Speaker 1: half dollars. His brand, his music is talent. The same

1422
01:10:07,600 --> 01:10:10,160
Speaker 1: way with you you look up for you come out

1423
01:10:10,200 --> 01:10:12,479
Speaker 1: the label with whatever you come out with. It's like

1424
01:10:12,560 --> 01:10:15,240
Speaker 1: they delivering a baby. You know what I'm saying. You

1425
01:10:15,400 --> 01:10:17,439
Speaker 1: come out with whatever you come out with. And I'm

1426
01:10:17,520 --> 01:10:20,120
Speaker 1: thinking that Drake still comes out on the other side

1427
01:10:20,160 --> 01:10:25,759
Speaker 1: of Universal with enough cat shade and enough time because

1428
01:10:25,760 --> 01:10:31,320
Speaker 1: he's still young and enough talent to where if any event,

1429
01:10:31,479 --> 01:10:34,719
Speaker 1: some global interest was there. Because I mean, it's big business.

1430
01:10:34,800 --> 01:10:37,439
Speaker 1: This is billions of dollars, Drake.

1431
01:10:37,720 --> 01:10:39,320
Speaker 3: This ain't no little nick.

1432
01:10:39,400 --> 01:10:41,920
Speaker 1: Telling twenty thousand When he come out. This is the

1433
01:10:41,960 --> 01:10:45,240
Speaker 1: big boy, This is the person that Universal has used

1434
01:10:45,240 --> 01:10:48,920
Speaker 1: for the last ten years to take all the reps

1435
01:10:49,040 --> 01:10:51,639
Speaker 1: market share. So we have a real opportunity. And that's

1436
01:10:51,680 --> 01:10:55,240
Speaker 1: the reason why I talk about the Turkish Alex sheet,

1437
01:10:55,840 --> 01:10:59,519
Speaker 1: your excellency, guy, is because Boxing was already Boxing the

1438
01:10:59,600 --> 01:11:03,799
Speaker 1: celebrity this while already there. You know, the superstar fighters

1439
01:11:03,840 --> 01:11:05,920
Speaker 1: were already there. He just comes in with the money

1440
01:11:06,040 --> 01:11:10,840
Speaker 1: aspect of it and reactivates the fans. And so that's

1441
01:11:10,920 --> 01:11:14,439
Speaker 1: what I think. But you see it hard to to

1442
01:11:14,680 --> 01:11:16,160
Speaker 1: and a lot of people do a lot of people

1443
01:11:16,200 --> 01:11:17,920
Speaker 1: see it hard for him to win against the life.

1444
01:11:18,320 --> 01:11:21,320
Speaker 2: Yeah, I see, I see from from from where I'm

1445
01:11:21,360 --> 01:11:24,200
Speaker 2: looking at from and I'm in the stadium, I'm in

1446
01:11:24,280 --> 01:11:24,599
Speaker 2: the game.

1447
01:11:25,200 --> 01:11:26,920
Speaker 3: But from where I'm sitting there.

1448
01:11:28,200 --> 01:11:31,439
Speaker 1: Like a mean walk, what do you think they'll do

1449
01:11:31,600 --> 01:11:31,920
Speaker 1: to him?

1450
01:11:32,120 --> 01:11:35,680
Speaker 2: Because I feel like I feel like it's a lot,

1451
01:11:36,320 --> 01:11:38,680
Speaker 2: it's a lot that come with this ship like you

1452
01:11:38,840 --> 01:11:41,360
Speaker 2: got you got, you got blogs and ship that I

1453
01:11:41,520 --> 01:11:45,200
Speaker 2: was watching the blogger, right, I was watching the blogger

1454
01:11:46,280 --> 01:11:46,920
Speaker 2: and he he.

1455
01:11:47,080 --> 01:11:48,160
Speaker 3: Was live on stream.

1456
01:11:48,880 --> 01:11:51,439
Speaker 2: But me, I be I analyzed, I got twenty twenty

1457
01:11:51,520 --> 01:11:55,320
Speaker 2: visits called me eyes and Pope Eye and log so boom,

1458
01:11:56,120 --> 01:11:58,760
Speaker 2: he's streaming, right, so he pull up a YouTube video

1459
01:11:58,840 --> 01:12:01,320
Speaker 2: or to roll a loud perform. You people like this that,

1460
01:12:03,080 --> 01:12:04,720
Speaker 2: so he pull up a video or the row and

1461
01:12:04,760 --> 01:12:06,680
Speaker 2: Low performance. But when he pulled up the video, you

1462
01:12:06,760 --> 01:12:08,720
Speaker 2: know YouTube, when you're done watching the video got the

1463
01:12:08,880 --> 01:12:09,439
Speaker 2: red line.

1464
01:12:09,840 --> 01:12:11,880
Speaker 1: So I'm like, okay, he already watched this video.

1465
01:12:11,840 --> 01:12:14,840
Speaker 2: Be folks, So now I'm watching he's going to he

1466
01:12:15,040 --> 01:12:19,360
Speaker 2: picked he like he like uh he picking a certain

1467
01:12:19,439 --> 01:12:21,840
Speaker 2: part of a person's performance where it's dead, the crowd

1468
01:12:21,960 --> 01:12:22,280
Speaker 2: not mover.

1469
01:12:22,800 --> 01:12:25,040
Speaker 3: He like, see the world not with them, more people

1470
01:12:25,080 --> 01:12:27,320
Speaker 3: ain't up them.

1471
01:12:28,080 --> 01:12:31,080
Speaker 2: Then a click another another part of the video or

1472
01:12:31,080 --> 01:12:33,680
Speaker 2: another person whereform us where it's the lyttiest part of

1473
01:12:33,720 --> 01:12:37,599
Speaker 2: their performance bem and like tornish and bruh nane feel.

1474
01:12:38,000 --> 01:12:40,000
Speaker 3: I'm like, man, it's a lot going on. Like it's

1475
01:12:40,080 --> 01:12:42,559
Speaker 3: like he had to get paid for that. Can't nobody

1476
01:12:42,680 --> 01:12:43,519
Speaker 3: tell me he didn't.

1477
01:12:43,680 --> 01:12:45,920
Speaker 1: That's why you gotta be tapped in with media, bro,

1478
01:12:46,160 --> 01:12:50,640
Speaker 1: because people like me not able to come out and

1479
01:12:50,840 --> 01:12:52,679
Speaker 1: add context to certain things.

1480
01:12:53,320 --> 01:12:53,439
Speaker 3: Right.

1481
01:12:53,560 --> 01:12:56,640
Speaker 1: The rap guys always tell him that they can't win

1482
01:12:56,720 --> 01:12:59,920
Speaker 1: a media award because the dude can literally go live.

1483
01:13:00,040 --> 01:13:01,720
Speaker 1: I can go live every day and talk about it.

1484
01:13:03,520 --> 01:13:05,320
Speaker 1: You can't do that. You got to go rap, You

1485
01:13:05,400 --> 01:13:06,479
Speaker 1: got to go to the studio.

1486
01:13:06,680 --> 01:13:07,920
Speaker 3: You just all got to come out.

1487
01:13:08,080 --> 01:13:09,920
Speaker 1: Yeah, you got a lot of ship you doing. I

1488
01:13:10,000 --> 01:13:14,600
Speaker 1: can litterally every single day be swinging folks opinion about you.

1489
01:13:15,000 --> 01:13:16,799
Speaker 1: You know what I'm saying, And it can hurt your brand.

1490
01:13:18,040 --> 01:13:22,320
Speaker 1: But I think Drake is already dealing with the public. Yeah,

1491
01:13:22,520 --> 01:13:26,760
Speaker 1: the perception battle when the smear campaign. You know what

1492
01:13:26,800 --> 01:13:27,240
Speaker 1: I'm saying.

1493
01:13:27,640 --> 01:13:33,759
Speaker 3: Campaign, Oh they strong, Yeah, yeah, that's shit powerful.

1494
01:13:34,080 --> 01:13:37,960
Speaker 1: But you know, I also think have you heard drake

1495
01:13:38,080 --> 01:13:38,519
Speaker 1: new album?

1496
01:13:39,120 --> 01:13:39,400
Speaker 3: I heard?

1497
01:13:40,439 --> 01:13:41,240
Speaker 1: What do you think about it?

1498
01:13:41,360 --> 01:13:41,760
Speaker 3: I like it?

1499
01:13:41,800 --> 01:13:42,120
Speaker 1: I like it.

1500
01:13:42,160 --> 01:13:43,679
Speaker 3: I like give me a whog.

1501
01:13:44,240 --> 01:13:48,240
Speaker 1: I like that brass there you know, yeah that deal.

1502
01:13:48,400 --> 01:13:51,560
Speaker 1: So yeah, there's a couple of other one fuck with

1503
01:13:51,640 --> 01:13:52,320
Speaker 1: Drake as an artist.

1504
01:13:52,400 --> 01:13:53,880
Speaker 3: Maybe it was up to me, I would choose.

1505
01:13:54,479 --> 01:13:57,800
Speaker 2: I would choose Draken's So Drake's music over kenj Lamar music.

1506
01:13:58,160 --> 01:14:01,120
Speaker 2: But I love how intentional Kens Lamoi is with his music,

1507
01:14:01,200 --> 01:14:04,519
Speaker 2: like he like you can tell, you can tell it's

1508
01:14:04,600 --> 01:14:06,599
Speaker 2: very intentional when he put it out, Like I tried

1509
01:14:06,640 --> 01:14:08,600
Speaker 2: to do this and and I did it.

1510
01:14:09,600 --> 01:14:12,439
Speaker 1: I worried then white folks wasn't really feeling that Super

1511
01:14:12,520 --> 01:14:16,160
Speaker 1: Bowl they was. They were saying, what is this ship?

1512
01:14:16,360 --> 01:14:18,280
Speaker 1: Have been seeing a couple of reviewers, they were saying,

1513
01:14:18,840 --> 01:14:21,320
Speaker 1: and got hup here and did a subliminal message, I

1514
01:14:21,479 --> 01:14:25,000
Speaker 1: just want to hear some songs. I don't want to

1515
01:14:25,040 --> 01:14:27,880
Speaker 1: see y'all letting me going on.

1516
01:14:29,040 --> 01:14:32,240
Speaker 2: I liked the performance feeling, but I feel like it

1517
01:14:32,400 --> 01:14:36,960
Speaker 2: was so much hype around the performance that it didn't deliver.

1518
01:14:37,479 --> 01:14:39,280
Speaker 3: It didn't deliver as much as people thought.

1519
01:14:39,600 --> 01:14:42,920
Speaker 1: Yeah, under delivered. I also think, you know, I, me

1520
01:14:42,960 --> 01:14:46,080
Speaker 1: and Charlemagne been talking about it a lot, and Charlemagne

1521
01:14:46,080 --> 01:14:49,479
Speaker 1: always he's big on not giving your haters that that

1522
01:14:49,840 --> 01:14:53,000
Speaker 1: that that look on such a big stage, you know,

1523
01:14:53,160 --> 01:14:56,120
Speaker 1: so he basically saying, I wouldn't have done that ship.

1524
01:14:56,200 --> 01:15:00,200
Speaker 1: I would have went up being done my records. But

1525
01:15:00,360 --> 01:15:03,840
Speaker 1: for me, it didn't. It didn't give what people were

1526
01:15:03,920 --> 01:15:06,599
Speaker 1: anticipating it, if you know what I'm saying. I think

1527
01:15:06,680 --> 01:15:09,760
Speaker 1: it was good. The second half of it was it

1528
01:15:09,880 --> 01:15:12,280
Speaker 1: got better. The first half. I couldn't even hear his mic.

1529
01:15:12,800 --> 01:15:13,680
Speaker 3: Yeah, I couldn't really hear.

1530
01:15:14,240 --> 01:15:16,720
Speaker 1: I was like, Yo, this is not this is this

1531
01:15:16,960 --> 01:15:21,400
Speaker 1: is not good. Everybody's looking especially form my culture because

1532
01:15:27,120 --> 01:15:31,200
Speaker 1: it was all watching Bro and also with the the

1533
01:15:31,360 --> 01:15:34,400
Speaker 1: Drake new album will Party next Door some sixty songs

1534
01:15:34,439 --> 01:15:37,400
Speaker 1: for you. What they're saying too, is that he's running

1535
01:15:37,479 --> 01:15:44,240
Speaker 1: a business play because again he's Swing Universal, so there

1536
01:15:44,360 --> 01:15:48,400
Speaker 1: was a lot he's sing them, right, so this is

1537
01:15:48,479 --> 01:15:53,840
Speaker 1: the thing. But here's the thing, right, So he's Swing Universal,

1538
01:15:53,960 --> 01:15:56,120
Speaker 1: so he couldn't put it out through Universal, but this

1539
01:15:56,320 --> 01:15:59,280
Speaker 1: is what he had in his contract. According to sources,

1540
01:15:59,360 --> 01:16:03,000
Speaker 1: they're saying his contract read in a way where he

1541
01:16:03,240 --> 01:16:06,560
Speaker 1: was able to put out singles and other music for

1542
01:16:06,680 --> 01:16:09,559
Speaker 1: people who were on his label. So for people who

1543
01:16:09,640 --> 01:16:14,960
Speaker 1: don't know, Party next Door so excellent. It's actually saund right.

1544
01:16:15,040 --> 01:16:17,120
Speaker 1: So this is how we circumvence and kind of get

1545
01:16:17,160 --> 01:16:21,760
Speaker 1: around the loopholes of the contract and the I'm sorry

1546
01:16:21,960 --> 01:16:25,960
Speaker 1: the album actually came out under Sony, but I don't

1547
01:16:25,960 --> 01:16:28,559
Speaker 1: see Sony putting no marketing in it. They ain't doing nothing.

1548
01:16:28,560 --> 01:16:30,599
Speaker 1: They just gonna let the chips fall what they made.

1549
01:16:30,840 --> 01:16:34,000
Speaker 1: You know, it's Drake. Let's see what happens. Because they

1550
01:16:34,040 --> 01:16:36,640
Speaker 1: don't necessarily want to pump it up either because Universal

1551
01:16:36,720 --> 01:16:39,679
Speaker 1: they're all in bed together, you know what I'm saying.

1552
01:16:39,720 --> 01:16:43,080
Speaker 1: They all kind of like represent the same ship. And

1553
01:16:43,479 --> 01:16:45,839
Speaker 1: if Drake wins the lawsuit, it's a problem.

1554
01:16:47,560 --> 01:16:49,839
Speaker 3: You think you want we need that action.

1555
01:16:50,479 --> 01:16:53,479
Speaker 1: With the with the lawsuits, No, not with that one.

1556
01:16:53,640 --> 01:16:56,640
Speaker 1: With the with the defamation, I don't. I thought he

1557
01:16:56,760 --> 01:17:02,280
Speaker 1: had more action and its defamation though.

1558
01:17:04,280 --> 01:17:07,360
Speaker 3: And they got news people saying that they got news ain't.

1559
01:17:07,360 --> 01:17:11,400
Speaker 1: Say right, but it's protected under art, and I think

1560
01:17:11,520 --> 01:17:14,320
Speaker 1: that's the that's the problem you're gonna have, is that

1561
01:17:14,560 --> 01:17:16,560
Speaker 1: it's like it's protected on the art. And also you

1562
01:17:16,640 --> 01:17:21,160
Speaker 1: gotta remember he's dealing with Universal. Universal again, Interscope is

1563
01:17:21,200 --> 01:17:24,000
Speaker 1: a subsidiary of Universal. They were there for fifty and

1564
01:17:24,760 --> 01:17:27,320
Speaker 1: g on it and game and all these shooting and

1565
01:17:27,360 --> 01:17:30,360
Speaker 1: they were there for poking Biggie. Yeah, so they not

1566
01:17:30,520 --> 01:17:33,240
Speaker 1: running from the words. They looking at that ship petty.

1567
01:17:34,120 --> 01:17:36,280
Speaker 1: They said, Bro, there's some petty ship we don't need

1568
01:17:36,479 --> 01:17:40,760
Speaker 1: to get shot out of outside of radio stations. It's

1569
01:17:40,800 --> 01:17:45,200
Speaker 1: so like. And then with the defamation thing, I'm almost

1570
01:17:45,320 --> 01:17:47,479
Speaker 1: certain he don't have a case because if he did,

1571
01:17:47,560 --> 01:17:50,240
Speaker 1: the NFL wouldn't let him do it. Matter of fact,

1572
01:17:50,360 --> 01:17:53,160
Speaker 1: I think they have had literally the biggest lawyers in

1573
01:17:53,240 --> 01:17:55,879
Speaker 1: the game looking at the lawsuit and saying, yo, greenlight,

1574
01:17:56,000 --> 01:17:58,680
Speaker 1: go ahead and do it on Super Bowl, doing on Grammars. Yeah,

1575
01:17:58,720 --> 01:18:01,080
Speaker 1: this ship he talking about ain't hit it. Yeah, I

1576
01:18:01,120 --> 01:18:03,760
Speaker 1: don't think so. Now I will say this, I think

1577
01:18:03,800 --> 01:18:09,080
Speaker 1: he's reversed engineering his audience because if you remember, and

1578
01:18:09,120 --> 01:18:11,080
Speaker 1: that's why I tell you to stick with your sound,

1579
01:18:11,240 --> 01:18:14,240
Speaker 1: and that's what we're finna talk to talk about because

1580
01:18:14,360 --> 01:18:16,719
Speaker 1: the labels sometimes to try to get you to switch

1581
01:18:16,880 --> 01:18:20,040
Speaker 1: or go this rate of different tempo, which is cool,

1582
01:18:21,160 --> 01:18:24,479
Speaker 1: but double down to your niche and serve your people

1583
01:18:24,640 --> 01:18:27,440
Speaker 1: right if they know you for serving chicken at Popeyes,

1584
01:18:28,000 --> 01:18:30,479
Speaker 1: serve chicken at Popeyes, that don't mean you can't have

1585
01:18:30,560 --> 01:18:33,200
Speaker 1: a chicken sound with your chicken wing, a chicken leg

1586
01:18:33,400 --> 01:18:37,880
Speaker 1: or chicken breast, a chicken thigh, barbecue chicken, spicy chicken.

1587
01:18:38,240 --> 01:18:38,559
Speaker 3: You dig.

1588
01:18:38,840 --> 01:18:42,439
Speaker 1: But I got to stick with chicken. You see what

1589
01:18:42,520 --> 01:18:46,680
Speaker 1: I'm saying. No and shit that go well with chicken, right,

1590
01:18:46,880 --> 01:18:50,360
Speaker 1: but you gotta stick with your expertise. Now, speaking about Drake,

1591
01:18:50,640 --> 01:18:53,879
Speaker 1: I think he's reversed engineering his audience because if you remember,

1592
01:18:54,400 --> 01:18:56,719
Speaker 1: all of the niggles slow to get on the Drake,

1593
01:18:57,520 --> 01:19:00,160
Speaker 1: not Fak. It was the females that brought Drake yea

1594
01:19:00,240 --> 01:19:02,880
Speaker 1: had I don't put me on. So it feels like

1595
01:19:02,960 --> 01:19:05,519
Speaker 1: he's trying to reverse engineering and go back through the

1596
01:19:05,640 --> 01:19:09,080
Speaker 1: females and get us back through the women because we

1597
01:19:09,160 --> 01:19:11,960
Speaker 1: ain't hearing him right now, kenduring them, donet put up.

1598
01:19:12,320 --> 01:19:14,800
Speaker 1: They done black design a type of shit. Yeah, they

1599
01:19:14,880 --> 01:19:18,280
Speaker 1: done black this mother god man. So you know with

1600
01:19:18,479 --> 01:19:21,479
Speaker 1: this album that he dropped, you know, I just think,

1601
01:19:23,320 --> 01:19:26,599
Speaker 1: I just think that the people are gonna be harshly

1602
01:19:26,760 --> 01:19:29,640
Speaker 1: judging it. I'm also hearing it. They're pulling tricks on

1603
01:19:29,720 --> 01:19:32,760
Speaker 1: the back end to inflate the numbers. You know what

1604
01:19:32,800 --> 01:19:35,360
Speaker 1: I'm saying said they Lord, have you ever done anything

1605
01:19:35,439 --> 01:19:35,640
Speaker 1: like that?

1606
01:19:35,920 --> 01:19:38,600
Speaker 3: Hell now, I just see any the good ship though you.

1607
01:19:38,680 --> 01:19:41,439
Speaker 1: Got the start though, this is the game right that?

1608
01:19:41,680 --> 01:19:45,280
Speaker 1: Because think about Travis Scott. Travis Scott was on the

1609
01:19:45,840 --> 01:19:49,559
Speaker 1: charts one time, not even long ago, sold three hundred

1610
01:19:49,560 --> 01:19:52,920
Speaker 1: and fifty thousand. Nobody I know.

1611
01:19:53,360 --> 01:19:55,479
Speaker 2: Listen to the song and then you go to the

1612
01:19:55,479 --> 01:19:58,400
Speaker 2: show down the music. How could you gauge how could

1613
01:19:58,400 --> 01:20:02,599
Speaker 2: you gauge the like the the consumption of the music

1614
01:20:02,640 --> 01:20:04,640
Speaker 2: if it's like fabricating.

1615
01:20:04,760 --> 01:20:07,320
Speaker 1: But you playing the game of numbers with the label,

1616
01:20:07,640 --> 01:20:11,000
Speaker 1: so you can't worry about. It ain't really fabricated, it's

1617
01:20:11,160 --> 01:20:15,000
Speaker 1: just I'll tell you what's happening. So they're they're utilizing

1618
01:20:15,080 --> 01:20:19,120
Speaker 1: the bundle method. So yeah, so that's what Travis Scott

1619
01:20:19,320 --> 01:20:21,200
Speaker 1: is doing. So when you see him spike back up

1620
01:20:21,240 --> 01:20:23,960
Speaker 1: and sell three seventy five, it's because he got some

1621
01:20:24,120 --> 01:20:27,439
Speaker 1: shoes attached toward right. So like if you going by

1622
01:20:27,479 --> 01:20:30,560
Speaker 1: the shoes, the album, come with the shoes, so you

1623
01:20:30,640 --> 01:20:32,320
Speaker 1: won't even give them the album.

1624
01:20:32,560 --> 01:20:34,360
Speaker 3: They're right, they're right there, right there, right, we were talking.

1625
01:20:34,240 --> 01:20:37,759
Speaker 1: About this, right, yeah, so you wouldn't even care about

1626
01:20:37,800 --> 01:20:40,479
Speaker 1: the album, like you might got a free Travis Scott album.

1627
01:20:40,560 --> 01:20:42,880
Speaker 1: You don't even know you really wanted to shoes. But

1628
01:20:43,080 --> 01:20:46,679
Speaker 1: all of it counts towards right. So that's the game

1629
01:20:46,800 --> 01:20:49,400
Speaker 1: that that that they're utilizing and what their legend is

1630
01:20:49,520 --> 01:20:54,720
Speaker 1: Drake them because Academics had came out and said that

1631
01:20:54,880 --> 01:20:57,439
Speaker 1: he was hearing from Universal and people that work from

1632
01:20:57,560 --> 01:21:02,240
Speaker 1: Universal that they was gonna sabotage Drake. I call cap

1633
01:21:02,360 --> 01:21:05,320
Speaker 1: on that because if anybody in the world looks at

1634
01:21:05,439 --> 01:21:08,280
Speaker 1: Academics in the last year, you say he's been kind

1635
01:21:08,320 --> 01:21:12,360
Speaker 1: of the voice piece of Drake. Why would someone that

1636
01:21:12,560 --> 01:21:16,320
Speaker 1: Universal that's gonna sabotage Drake. Come tell academics, who's the

1637
01:21:16,479 --> 01:21:19,760
Speaker 1: voice of Drake. It don't to me, it don't make sense.

1638
01:21:19,840 --> 01:21:24,120
Speaker 1: This is high level chest. This is a low level mistake. Like,

1639
01:21:24,280 --> 01:21:26,160
Speaker 1: you know, you speak for Drake. Why I'm gonna come

1640
01:21:26,280 --> 01:21:28,880
Speaker 1: tell you that we gonna sabotage Ain't he's suing us?

1641
01:21:29,920 --> 01:21:35,599
Speaker 1: That don't make sense to me. But but but yeah,

1642
01:21:35,680 --> 01:21:38,040
Speaker 1: what was I saying? Okay, but the bundle things, so

1643
01:21:38,120 --> 01:21:40,599
Speaker 1: they say he was. So what they're saying is Drake

1644
01:21:40,720 --> 01:21:43,000
Speaker 1: them lowered the price to four ninety nine for the

1645
01:21:43,120 --> 01:21:46,200
Speaker 1: album three ninety nine, shit like that to you know,

1646
01:21:46,400 --> 01:21:48,599
Speaker 1: make people get it. Yeah, try to do some merch

1647
01:21:48,760 --> 01:21:51,160
Speaker 1: and shoes and shit with it, you know what I'm saying.

1648
01:21:51,240 --> 01:21:53,840
Speaker 1: But are you gonna take advantage of the bundle thing?

1649
01:21:53,960 --> 01:21:56,639
Speaker 3: Oh hey, that's a good ass Ida though for show

1650
01:21:56,760 --> 01:21:57,080
Speaker 3: for show.

1651
01:21:57,320 --> 01:21:59,599
Speaker 2: See after you was talking about bad YouTube views and shit,

1652
01:22:00,040 --> 01:22:03,040
Speaker 2: and I'm thinking, like the basis like trying to like

1653
01:22:03,160 --> 01:22:04,080
Speaker 2: real deal fabrication.

1654
01:22:04,200 --> 01:22:05,000
Speaker 3: Yeah, that's not fair.

1655
01:22:05,200 --> 01:22:07,320
Speaker 1: Nah, they can't. They ain't doing it on that level.

1656
01:22:07,400 --> 01:22:11,200
Speaker 1: I mean maybe they are. But this ship count towards Billboard,

1657
01:22:11,280 --> 01:22:14,040
Speaker 1: This ship count count. This is the real ship. Yeah,

1658
01:22:14,200 --> 01:22:17,120
Speaker 1: so for somebody like you, and.

1659
01:22:17,200 --> 01:22:19,519
Speaker 2: If they go back and if they consider an auditude,

1660
01:22:20,560 --> 01:22:23,960
Speaker 2: what if they go back and try to see like, okay,

1661
01:22:24,160 --> 01:22:28,120
Speaker 2: is this is this like solidified like numbers, like if

1662
01:22:28,120 --> 01:22:28,720
Speaker 2: you know me like that?

1663
01:22:28,840 --> 01:22:31,639
Speaker 1: Yeah, it's that's a out of real boom.

1664
01:22:31,720 --> 01:22:33,360
Speaker 3: So even if they go back and look at he

1665
01:22:34,360 --> 01:22:36,639
Speaker 3: did say that for real though, because they bought these shoes. Yeah,

1666
01:22:36,800 --> 01:22:39,519
Speaker 3: and they wouldn't real it ain't a thousand folds in

1667
01:22:39,560 --> 01:22:40,040
Speaker 3: the White House.

1668
01:22:41,200 --> 01:22:44,280
Speaker 1: No, no, No, that's the see. And if I were

1669
01:22:44,360 --> 01:22:48,160
Speaker 1: you or somebody like Little Baby or I would easily

1670
01:22:48,320 --> 01:22:52,479
Speaker 1: go and get with a known stylist or known brand,

1671
01:22:54,240 --> 01:22:57,280
Speaker 1: will drop out, will drop a collabed piece just for

1672
01:22:57,439 --> 01:22:59,519
Speaker 1: the album. You dig what I'm saying.

1673
01:23:01,040 --> 01:23:01,920
Speaker 3: Yeah, And but.

1674
01:23:03,479 --> 01:23:07,640
Speaker 1: If I'm gonna do this in the contract, it need

1675
01:23:07,800 --> 01:23:11,160
Speaker 1: to read that that other person, that entity, we need

1676
01:23:11,240 --> 01:23:15,360
Speaker 1: to have fifty k of marketing or something in the

1677
01:23:15,479 --> 01:23:19,040
Speaker 1: contract because they're eat, we're gonna market We're on an

1678
01:23:19,120 --> 01:23:23,200
Speaker 1: album push. So yeah, we're marketing and we're helping y'all.

1679
01:23:23,320 --> 01:23:26,200
Speaker 1: So now we need it from y'all side, an investment

1680
01:23:26,320 --> 01:23:32,040
Speaker 1: on y'all side. Traditionally, in the in the apparel infrastructure

1681
01:23:32,040 --> 01:23:35,200
Speaker 1: where y'all run ads or do something to help out side.

1682
01:23:35,720 --> 01:23:38,800
Speaker 1: You know what I'm saying now, where it's just one side,

1683
01:23:38,840 --> 01:23:41,240
Speaker 1: if one hand watched the other both watch the face. Yeah,

1684
01:23:41,560 --> 01:23:44,200
Speaker 1: but I would definitely do that like a collab piece.

1685
01:23:44,439 --> 01:23:47,479
Speaker 1: Not won't even gotta do a bunch of pieces. One

1686
01:23:47,600 --> 01:23:48,639
Speaker 1: piece collab piece.

1687
01:23:48,720 --> 01:23:51,639
Speaker 3: They buy this, they get the album download link.

1688
01:23:52,520 --> 01:23:54,400
Speaker 1: You know what I'm saying with they purchase and they

1689
01:23:54,520 --> 01:23:57,160
Speaker 1: counts as a seale and you can start selling them

1690
01:23:57,240 --> 01:24:02,960
Speaker 1: three months before your shit even come out. This the

1691
01:24:03,080 --> 01:24:07,080
Speaker 1: games they play though, So when you drop, not only

1692
01:24:07,160 --> 01:24:10,640
Speaker 1: do you got that lay down that's been streaming for

1693
01:24:10,800 --> 01:24:13,719
Speaker 1: five months that's slick on the album to help the number,

1694
01:24:14,280 --> 01:24:17,600
Speaker 1: but also we throw in all of those shirts and

1695
01:24:17,800 --> 01:24:21,240
Speaker 1: smirch and bundles wet undone. You dig and then if

1696
01:24:21,600 --> 01:24:23,800
Speaker 1: you get even colder, once you get big as drake

1697
01:24:23,880 --> 01:24:27,320
Speaker 1: to where you're serving so many people, Travis Scott too,

1698
01:24:27,360 --> 01:24:29,960
Speaker 1: you're serving so many people to wear a ticket come

1699
01:24:30,040 --> 01:24:33,519
Speaker 1: in there. So now you gotta show tickets. You got

1700
01:24:33,600 --> 01:24:36,519
Speaker 1: a ticket price, I'm sorry, you got a ticket sale

1701
01:24:36,600 --> 01:24:39,559
Speaker 1: on under your belt. You got an album sell under

1702
01:24:39,600 --> 01:24:42,879
Speaker 1: your belt and a merch cell all with one Swien.

1703
01:24:43,960 --> 01:24:46,360
Speaker 1: You know what I'm saying, and that's inflating the number.

1704
01:24:46,760 --> 01:24:50,479
Speaker 1: Whoever that's a bad thing, not well, people try to

1705
01:24:50,600 --> 01:24:54,360
Speaker 1: make it like it's a bad thing. I don't think.

1706
01:24:55,880 --> 01:24:59,240
Speaker 3: That's that's that's that's that's marketing at his fas.

1707
01:25:01,439 --> 01:25:03,479
Speaker 1: And then somebody like you can get with a hell

1708
01:25:03,640 --> 01:25:07,360
Speaker 1: star or billionaire boards club, it could be in it,

1709
01:25:07,479 --> 01:25:09,240
Speaker 1: you know, all the it could be one of them

1710
01:25:09,360 --> 01:25:10,400
Speaker 1: kind of like uh.

1711
01:25:11,479 --> 01:25:15,200
Speaker 2: Collaborative projects or even one of the young rich, young

1712
01:25:15,320 --> 01:25:21,000
Speaker 2: black Even with people who selling marijuana legally, you feel like,

1713
01:25:21,360 --> 01:25:23,479
Speaker 2: oh and ship like okay, you buy you buy my

1714
01:25:23,920 --> 01:25:26,559
Speaker 2: blue straight and you get the you feel even when

1715
01:25:26,560 --> 01:25:30,360
Speaker 2: you buy a for you by count all that count.

1716
01:25:30,439 --> 01:25:33,120
Speaker 1: That's what I'm saying. So you gotta utilize it. Make

1717
01:25:33,160 --> 01:25:35,040
Speaker 1: sure you take advantage of that ship. You know what

1718
01:25:35,040 --> 01:25:37,920
Speaker 1: I'm saying. That's the new That's how Travis Scott because

1719
01:25:37,960 --> 01:25:41,120
Speaker 1: he and the reason I mentioned Travis Scott is because

1720
01:25:41,439 --> 01:25:44,000
Speaker 1: he was the person that done that, not the person

1721
01:25:44,200 --> 01:25:46,800
Speaker 1: everybody does it, all the big artists do it. Yeah,

1722
01:25:47,080 --> 01:25:50,200
Speaker 1: but he just did it with the shoes. But because

1723
01:25:50,920 --> 01:25:53,040
Speaker 1: he did a drop with the shoes, of course, the

1724
01:25:53,120 --> 01:25:55,760
Speaker 1: next week and the next week, the hype isn't there

1725
01:25:55,800 --> 01:25:58,720
Speaker 1: for the shoe anymore. You did because the people that

1726
01:25:58,840 --> 01:26:00,920
Speaker 1: wanted it got it. That's that's what made the numbers

1727
01:26:01,000 --> 01:26:04,800
Speaker 1: so high. Next week it was the biggest drop off

1728
01:26:05,479 --> 01:26:11,000
Speaker 1: of any album ever because the true numbers are now

1729
01:26:11,120 --> 01:26:13,160
Speaker 1: back of just the streaming. So I think it might

1730
01:26:13,200 --> 01:26:15,680
Speaker 1: have did three hundred and seventy five thousand one week

1731
01:26:15,720 --> 01:26:18,439
Speaker 1: and then fifty eight thousand the next week. But that

1732
01:26:18,560 --> 01:26:24,240
Speaker 1: should show someone like y'all the power in the bundle thing. Yeah,

1733
01:26:24,400 --> 01:26:27,639
Speaker 1: stayd nigg hating and they looking back man tricking the numbers,

1734
01:26:27,680 --> 01:26:30,479
Speaker 1: inflating the numbers, that bullshit ain't instead of saying.

1735
01:26:30,840 --> 01:26:34,840
Speaker 3: That was a hell of a little tricky done now, Yeah, like.

1736
01:26:34,920 --> 01:26:38,160
Speaker 1: You gotta pay attention to that man. What have you

1737
01:26:38,320 --> 01:26:40,400
Speaker 1: ran in the WiFi and Lucas since he got