WEBVTT - SEVYN STREETER - Fried Egg Bologna and Cheese Sandwich

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<v Speaker 1>What up you guys. It's your girl Seventh Street, and

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<v Speaker 1>I am here with my girl Colleen, and this is

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<v Speaker 1>eating while broke. So today I'm like cook y'all up

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<v Speaker 1>with a little a little hood classic that I ate

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<v Speaker 1>growing up. You know, when money get funny, sometimes you

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<v Speaker 1>can never go wrong with a classic Bologny egg and

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<v Speaker 1>cheese sandwich. But it gotta be fried to fried Bologni

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<v Speaker 1>egg and cheese. Said, Okay, don you fry the bologna. Yes,

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<v Speaker 1>we're gonna find some bologne, we too. Yeah, I didn't

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<v Speaker 1>know if these guys we were just gonna cook the

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<v Speaker 1>egg and melt the cheese on it. I didn't know.

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<v Speaker 1>I've never actually had a bolognaian egg sandwich. Really. Yes, okay,

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<v Speaker 1>well listen, I'm gonna put you on on So I

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<v Speaker 1>like to start makes just a little warm, Yes, okay,

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<v Speaker 1>I like to start with the bologney right because the

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<v Speaker 1>bologne is gonna take the longest to cook. You feel me,

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<v Speaker 1>so one piece for you want piece of me? I

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<v Speaker 1>won't be honest, though, I don't eat a lot of

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<v Speaker 1>bologna these days. I like to keep it a little clean.

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<v Speaker 1>I eat real clean now, but every now and then

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<v Speaker 1>it's just, you know, I just be craving the things

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<v Speaker 1>that I ain't growing up, you know what I mean.

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<v Speaker 1>And don't get it twisted, because I will go home

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<v Speaker 1>to this day right now, and if it's four o'clock

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<v Speaker 1>in the morning and me and my family, my mom,

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<v Speaker 1>my dad, my brother, we're just up chilling and we

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<v Speaker 1>just have one of those urges we we might make

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<v Speaker 1>a little belonging. Friday was for real. Wow. So how

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<v Speaker 1>does someone from Haynes, Florida, Haines City, Haines City, Florida,

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<v Speaker 1>which I did look up. It was too small town,

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<v Speaker 1>very small town. How does someone go from a small

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<v Speaker 1>town to you know, writing on Chris Brown's records, Kelly Rowland,

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<v Speaker 1>Alicia Keye, Like how and you're banging out hits, but

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<v Speaker 1>how do you go from you know, the small town

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<v Speaker 1>to man? I mean, um, you know what I sang

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<v Speaker 1>everywhere growing up? I was saying at weddings, funerals by

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<v Speaker 1>Mrs Talent, shows, malls like anywhere that I could, and um,

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<v Speaker 1>you know, throughout the years, singing kind of led me

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<v Speaker 1>into different spaces and led me into girl groups, would

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<v Speaker 1>let me into meeting Chris Brown, which led me into

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<v Speaker 1>writing for him, which you know, led him to me

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<v Speaker 1>being able to write for other artists because of what

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<v Speaker 1>I was able to do with him. So, um, it

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<v Speaker 1>was just a it's just a crazy it's a crazy journey,

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<v Speaker 1>but I wouldn't trade it for the world. Was he

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<v Speaker 1>the first person that you wrote for? He was my

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<v Speaker 1>first placement. My first placement was a song called Yet

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<v Speaker 1>three Times and um, yeah, it was my my baby.

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<v Speaker 1>Was my first time that I was like left in

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<v Speaker 1>a studio to to finish something up and I was

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<v Speaker 1>nervous as hell. Um, but it was it was a

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<v Speaker 1>good lesson for me because it was like, all right,

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<v Speaker 1>but write the hell out of his verse or you

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<v Speaker 1>know so, but you were now you were an artist, yes,

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<v Speaker 1>and then of course you're a songwriter. But how when

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<v Speaker 1>it came to Krish Brown, he saw so he sees you,

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<v Speaker 1>He's like, you're an amazing talent, come right for me?

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<v Speaker 1>Or was it like he saw that you wrote a

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<v Speaker 1>really good song. I literally we were working at the

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<v Speaker 1>same studio with him. I was in a group at

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<v Speaker 1>the time, and we were working at the same studio

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<v Speaker 1>off the hall and I saw him in the hallway

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<v Speaker 1>and I was like, hey, Chris, you know I heard

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<v Speaker 1>it was about to go, right, can I come and

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<v Speaker 1>write with you guys? And honestly, I never had a

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<v Speaker 1>righting placement. I never wrote had any placement. But I

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<v Speaker 1>don't know. I just feel like that was God's saying, Okay,

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<v Speaker 1>you should go ask him if you can write. Now.

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<v Speaker 1>That was awesome. That's awesome that you didn't. Ye, man, listen,

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<v Speaker 1>God is good. You gotta you weren't scared to do it,

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<v Speaker 1>or you were just like mama artists were in the

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<v Speaker 1>same place. It's you know what, at that point in

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<v Speaker 1>my career, you just learned that when you have the

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<v Speaker 1>urge and the feeling and the inkling to do something,

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<v Speaker 1>you probably should act on it at the moment. You know.

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<v Speaker 1>You know, I don't like to have wasted opportunities, you

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<v Speaker 1>know what I mean, And so I just I looked

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<v Speaker 1>at it as an opportunity. Oh girl, we over here.

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<v Speaker 1>It's frying, girl crying, it's frying and frying. Yeah. See,

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<v Speaker 1>I like for it to get a little burnt and

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<v Speaker 1>little crispy, you know, little burn, little crispy. Someone let

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<v Speaker 1>those you know, you won't let them sizzle a little bit? Yes,

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<v Speaker 1>So you went from girl group to us independent just

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<v Speaker 1>solo artists. And how was that transition? Did you lose

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<v Speaker 1>friends along the way? You know? What that that transition,

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<v Speaker 1>I will say, um, it was two folds. Um. In

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<v Speaker 1>terms of me being a songwriter, it was so beautiful.

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<v Speaker 1>It was amazing, you know what I mean, because I

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<v Speaker 1>got to be around a lot of amazing other songwriters

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<v Speaker 1>and um, you know, like I said, I didn't have

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<v Speaker 1>any place, but so I was really learning, you know,

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<v Speaker 1>and you know, Chris's Fame album and chris Is Fortune album.

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<v Speaker 1>I wrote seven songs with them on Fame, with seven

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<v Speaker 1>songs with him on Fortune, and I was just surrounded

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<v Speaker 1>by the most amazing creatives, Chris obviously being one of himself,

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<v Speaker 1>but just um, just so he writes with you guys. Yeah,

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<v Speaker 1>he's an amazing song absolutely an amazing songwriter. So, um,

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<v Speaker 1>I learned a lot. And so for my songwriting, it

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<v Speaker 1>was amazing. In terms of um, my me being an artist.

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<v Speaker 1>You know, I've been in girl groups pretty much all

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<v Speaker 1>my life. So that was a little bit of a

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<v Speaker 1>transition and kind of like okay, now you you know,

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<v Speaker 1>you're on your own, you're solo. What do you want

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<v Speaker 1>to sing about? What do you want to write about,

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<v Speaker 1>and um, you know it was the beginning of me

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<v Speaker 1>figuring out who I am in that sense, you know, yeah,

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<v Speaker 1>yeah that yeah. So when you were younger, did you

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<v Speaker 1>know you wanted to be a songwriter or it just

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<v Speaker 1>started to develop as your artistry grew, you know what

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<v Speaker 1>being Um, I always wanted to be a singer. I

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<v Speaker 1>did not realize the um, the value of being a songwriter.

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<v Speaker 1>And I didn't realize how therapeutic it was. Like songwriting

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<v Speaker 1>it's so therapeutic, even if I'm not writing for myself

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<v Speaker 1>and I'm writing for other people. It's like, let me

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<v Speaker 1>get these ideas and these emotions of offer me child.

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<v Speaker 1>So um, you know, when I was younger, I didn't

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<v Speaker 1>realize it. I just wanted to be a singer and

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<v Speaker 1>I wanted to day Hanson. Um. You know, when songwriting

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<v Speaker 1>came along, I started to realize there were so many

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<v Speaker 1>more benefits for one therapeutic for two. Um, obviously the

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<v Speaker 1>money is really great a lot more it pays really

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<v Speaker 1>really be great, and it pays you for a very

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<v Speaker 1>long time. And so um yeah, so it just kind

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<v Speaker 1>of came my baby too. Speaking of pay if you

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<v Speaker 1>don't mind for us, that really We really don't know

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<v Speaker 1>how the financials work because I know all the artists listening.

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<v Speaker 1>They you know, they want to be mainstream. They want

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<v Speaker 1>to be the seven mainstream. They're not thinking about the

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<v Speaker 1>artistry and the and the and songwriting and the publishing.

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<v Speaker 1>Can you explain kind of how that process works. First,

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<v Speaker 1>I'm about to smother me some some smothering me some

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<v Speaker 1>mayonnaise when its bread. Do you like mayonnaise? I love

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<v Speaker 1>may Okay, Mom, I got you. I'm glad you didn't

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<v Speaker 1>say miracle with I case. I'm not only like miracle WITHO.

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<v Speaker 1>And like potato salad, Okay, my grandma, my grandma Salaly

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<v Speaker 1>makes like the best potato salad. My grandma laws and

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<v Speaker 1>my grandma will. We do not get mad at me

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<v Speaker 1>because y'all potato salad is good too. Okay. You have

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<v Speaker 1>other things that there's like top tier. Um, but yeah,

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<v Speaker 1>I love I love mayle, and do not like miracle whippop. Now,

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<v Speaker 1>I will say this though I for years was never

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<v Speaker 1>a big mustard fan. Really they just kept up. But

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<v Speaker 1>you know, the older you get, the more and I've

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<v Speaker 1>had enough street callie dogs to know that throw all

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<v Speaker 1>the condiments on. There are doing. The more the merrier

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<v Speaker 1>you feel me like, put everything on my I need

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<v Speaker 1>everything hallapenos like there for all of it. I need

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<v Speaker 1>to look at my man too. So when did you

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<v Speaker 1>move to l A. I moved to l A two

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<v Speaker 1>thousand and two, So this is right when you're working

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<v Speaker 1>with Chris, right when you're released. No, no, no, this

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<v Speaker 1>was early. This was in I was in a group.

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<v Speaker 1>Then I was in a group called two and two

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<v Speaker 1>was a group called T T four, And then a

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<v Speaker 1>little bit after that, probably like maybe like five years

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<v Speaker 1>after that, there was my other group, Rich Girl, and

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<v Speaker 1>that was amazing, and then Chris came a little of

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<v Speaker 1>it later. So it's been a little minute l A.

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<v Speaker 1>It's kind of like a second home to me, um,

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<v Speaker 1>and I just love it because it allows me to

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<v Speaker 1>be my most creative self. Most of the most creative

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<v Speaker 1>people in the world out here. I love it. Did

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<v Speaker 1>you move here everybody yourself? No? I moved here with

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<v Speaker 1>my family, my mom, my dad, and my brother, which

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<v Speaker 1>also my brother just so happens to um. He produced

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<v Speaker 1>the record I'm Gonna Sit This Yes, nice and crispy

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<v Speaker 1>my brother. Um my brother actually produced the song on

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<v Speaker 1>my recent album is called nasty girl in this speech

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<v Speaker 1>from Via and you know, so it's like it's that

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<v Speaker 1>was a really full circle moment for me because, like

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<v Speaker 1>I said, I moved out here, moved out here with

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<v Speaker 1>my family, so to look up and it some years later,

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<v Speaker 1>I'm this is so fat and it's gonna be so

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<v Speaker 1>good and fat. I love it so good, fat good,

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<v Speaker 1>so so so good and fat. So this is a

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<v Speaker 1>family affair. It is my family. Like then my dogs,

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<v Speaker 1>like I mean, it's my like my road dogs, say,

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<v Speaker 1>called me down for a very long time. So from

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<v Speaker 1>the beginning, you were like I wanted to do singing,

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<v Speaker 1>and they said, all right, let's pack up our bags,

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<v Speaker 1>let's support, let's put her in every and everything we

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<v Speaker 1>need to be in. And you know, my brother played

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<v Speaker 1>instruments from a very young gay so he's very musical too.

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<v Speaker 1>And yeah, I was in a girl group when I

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<v Speaker 1>was fifteen years old, and me and my mother we

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<v Speaker 1>moved to California first, my brother and my uh and

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<v Speaker 1>my dad came like a year after that, and we

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<v Speaker 1>just I worked in that group until you know, for

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<v Speaker 1>a year or so, and then the group disbanded after

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<v Speaker 1>a year, and um, my family and I we stayed

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<v Speaker 1>in California for maybe like four more years, five more years,

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<v Speaker 1>uh huh. And then and then we moved back to Florida.

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<v Speaker 1>And when I moved back to Florida, that's when I

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<v Speaker 1>started to UM. I started to dabble in writing a

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<v Speaker 1>lot more. I was working with the Runners, and you know,

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<v Speaker 1>I've just gotten uh, you know, just kind of diving

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<v Speaker 1>into writing a lot. I like a lot of pepper.

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<v Speaker 1>Two by the way, Okay, I like that. I'm trying it.

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<v Speaker 1>However you eat it, I'm gonna try it, and I'm

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<v Speaker 1>gonna try to rate it too. Yes, I love a

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<v Speaker 1>lot of pepper. So go back to the songwriting. I

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<v Speaker 1>hate to read. Just to kind of educate everybody. How

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<v Speaker 1>does the process work? Do does the artists like say,

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<v Speaker 1>at Licia Keys, Does she comes to you and say, hey,

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<v Speaker 1>I'm feeling blue today, you write a song about me

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<v Speaker 1>feeling blue? Or do you just come over to her

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<v Speaker 1>house and hang out with her and swiss? No? Sometimes

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<v Speaker 1>sometimes it works like that. Sometimes I like to um,

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<v Speaker 1>I like to know what people are going through in

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<v Speaker 1>their lives before I write songs about them, You know

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<v Speaker 1>what I mean? UM. I think that's how how you

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<v Speaker 1>get the best performance. That's how people better, you know,

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<v Speaker 1>best connect to the records. You know, consumers are smart

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<v Speaker 1>and they don't give them enough credit, you know what

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<v Speaker 1>I mean. For being smart, they can feel when things

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<v Speaker 1>are not authentic, and you know, so I like to

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<v Speaker 1>know what Like, for example, if I were writing a

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<v Speaker 1>song about you, I would sit here and ask you,

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<v Speaker 1>are you in love? Are you? Are you? Are you

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<v Speaker 1>you know? Are you angry at someone? How do you

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<v Speaker 1>feel about yourself? You know what I mean? What? Um?

0:11:05.640 --> 0:11:07.800
<v Speaker 1>What are your dreams? What are your goals? What are

0:11:07.840 --> 0:11:10.320
<v Speaker 1>your insecurities? What are the things that you think make

0:11:10.360 --> 0:11:14.880
<v Speaker 1>you bomb? Like? I want to know all of those things. So, um,

0:11:14.920 --> 0:11:17.480
<v Speaker 1>that's a lot of the process. Well, that's a part

0:11:17.520 --> 0:11:20.360
<v Speaker 1>of the process because you also have other times where like,

0:11:20.440 --> 0:11:23.320
<v Speaker 1>for example, right now, I just put out my album

0:11:23.559 --> 0:11:29.079
<v Speaker 1>Drunken Word, so with thoughts right and I have UM.

0:11:29.080 --> 0:11:32.760
<v Speaker 1>When I finished my projects, I usually have a lot

0:11:32.800 --> 0:11:35.400
<v Speaker 1>of songs left over. So what I like to do

0:11:35.559 --> 0:11:38.719
<v Speaker 1>is I like to shift those songs out to whatever

0:11:38.920 --> 0:11:42.720
<v Speaker 1>artists at Nah, It's like whatever artist is looking because

0:11:42.760 --> 0:11:46.439
<v Speaker 1>at this point I've got my creative juices off within

0:11:46.559 --> 0:11:49.440
<v Speaker 1>my project, you know what I mean. So Um, I don't.

0:11:49.520 --> 0:11:51.320
<v Speaker 1>I don't want to. I don't like to let records

0:11:51.400 --> 0:11:53.840
<v Speaker 1>just sit lay dormant on my you know, on my

0:11:53.880 --> 0:11:57.400
<v Speaker 1>hard drive. I want you know that the ideas came

0:11:57.480 --> 0:12:00.320
<v Speaker 1>to me because somebody needs to hear them, so they

0:12:00.360 --> 0:12:02.720
<v Speaker 1>don't do any good by just sitting on my laptop.

0:12:02.760 --> 0:12:04.440
<v Speaker 1>So I sell them that way too. How do you

0:12:04.520 --> 0:12:06.400
<v Speaker 1>select the ones that stay and the ones that go?

0:12:07.440 --> 0:12:09.720
<v Speaker 1>Now that that's the question I have been trying to

0:12:09.720 --> 0:12:12.560
<v Speaker 1>answer for a very long time. You just know when

0:12:12.600 --> 0:12:15.280
<v Speaker 1>you know, when you know what your body work is

0:12:15.280 --> 0:12:17.840
<v Speaker 1>supposed to feel like. And it's one of those things

0:12:17.880 --> 0:12:20.360
<v Speaker 1>no one can really tell you when that is, which

0:12:20.400 --> 0:12:22.319
<v Speaker 1>is like, you know, for me, it's been a for

0:12:22.600 --> 0:12:25.320
<v Speaker 1>year process, you know what I mean, you know, in

0:12:25.360 --> 0:12:28.280
<v Speaker 1>between projects. And I wouldn't trade that for the world.

0:12:28.280 --> 0:12:30.440
<v Speaker 1>I don't apologize for it. I think it was very

0:12:30.480 --> 0:12:34.040
<v Speaker 1>necessary and therapeutic, um in a lot of different ways.

0:12:34.120 --> 0:12:37.280
<v Speaker 1>But yeah, you just know when you know when your

0:12:37.320 --> 0:12:41.120
<v Speaker 1>project is done. You know, since you've been in the industry,

0:12:41.120 --> 0:12:45.480
<v Speaker 1>have you had any hiccups? Um? I mean I think

0:12:45.480 --> 0:12:47.680
<v Speaker 1>that kind of just comes along with it. Every artist

0:12:47.760 --> 0:12:53.040
<v Speaker 1>has their story, you know, Um, every artist has been uh,

0:12:53.200 --> 0:12:55.400
<v Speaker 1>you know, in situations that you thought we're gonna go

0:12:55.480 --> 0:12:57.280
<v Speaker 1>well and then ended up taking a left turn and

0:12:57.320 --> 0:12:59.440
<v Speaker 1>then you have to pivot from there. But I think

0:12:59.440 --> 0:13:02.280
<v Speaker 1>that that is that's just the part of it, and

0:13:02.320 --> 0:13:05.920
<v Speaker 1>that's the thing that makes us. Uh, that's how you learn,

0:13:06.160 --> 0:13:08.480
<v Speaker 1>you know what I mean. It makes you resilient. It

0:13:09.200 --> 0:13:11.280
<v Speaker 1>you know, puts more tools on your tool bell. You

0:13:11.360 --> 0:13:14.440
<v Speaker 1>learn how to you know, shake and move and and

0:13:14.440 --> 0:13:17.480
<v Speaker 1>and that whole type of things. So experiences, yeah, I

0:13:17.480 --> 0:13:19.600
<v Speaker 1>mean I've been in groups and groups have lost record

0:13:19.679 --> 0:13:22.679
<v Speaker 1>deals I have. It's just been a lot of different things,

0:13:22.720 --> 0:13:25.400
<v Speaker 1>you know. I've had songs that I love, you know,

0:13:25.840 --> 0:13:29.080
<v Speaker 1>get you know, look up and and the beats are

0:13:29.120 --> 0:13:31.600
<v Speaker 1>gone because somebody's It's a lot of different little things

0:13:31.679 --> 0:13:35.640
<v Speaker 1>I've had. Um, I've had people like within our industry

0:13:35.679 --> 0:13:39.559
<v Speaker 1>like you know, try to stop certain you know, deals

0:13:39.600 --> 0:13:42.320
<v Speaker 1>and things like that. So have I experienced it. I've

0:13:42.360 --> 0:13:45.640
<v Speaker 1>experienced it all. But UM, at the end of the day,

0:13:46.160 --> 0:13:48.960
<v Speaker 1>all it does is make me stronger. All it does

0:13:49.080 --> 0:13:51.880
<v Speaker 1>is um, all it does is at you know, it

0:13:51.960 --> 0:13:53.920
<v Speaker 1>just makes me more resilient. It just puts an even

0:13:53.920 --> 0:13:58.120
<v Speaker 1>bigger battery in my back, you know, does it like

0:13:58.240 --> 0:14:00.160
<v Speaker 1>what pulls you out of it is your mom um

0:14:00.520 --> 0:14:03.360
<v Speaker 1>coaching you through. Are you crying or well? What pulls

0:14:03.360 --> 0:14:05.360
<v Speaker 1>me out of it is that I actually love what

0:14:05.480 --> 0:14:07.960
<v Speaker 1>I do. So I think that it's it's like a

0:14:08.000 --> 0:14:13.800
<v Speaker 1>little ludicrous um for you know, for people to there's

0:14:13.840 --> 0:14:15.720
<v Speaker 1>nothing to put it this. There's nothing that's ever gonna happen.

0:14:15.760 --> 0:14:18.840
<v Speaker 1>It's going to ever make me stop doing music. You

0:14:18.880 --> 0:14:22.640
<v Speaker 1>feel me like literally nothing. And I never been a

0:14:22.680 --> 0:14:25.600
<v Speaker 1>time where you've doubted it. It's never been a time

0:14:25.600 --> 0:14:27.960
<v Speaker 1>that I've doubted my purpose. There have been times where

0:14:28.320 --> 0:14:32.040
<v Speaker 1>I've doubted, um, how things were going to get from

0:14:32.040 --> 0:14:35.440
<v Speaker 1>one space to another, but I never doubted Can you

0:14:35.440 --> 0:14:39.000
<v Speaker 1>give me an example of that, um, Well, in between deals,

0:14:39.200 --> 0:14:41.760
<v Speaker 1>in between deals, in between albums, when you're when you're

0:14:41.800 --> 0:14:45.160
<v Speaker 1>trying to creatively figure out where you're gonna go next,

0:14:45.200 --> 0:14:46.880
<v Speaker 1>What is it gonna be next? What is your music

0:14:46.920 --> 0:14:49.720
<v Speaker 1>gonna sound like next? You know what? What label are

0:14:49.720 --> 0:14:52.040
<v Speaker 1>you gonna be? A who's gonna understand your your art?

0:14:52.560 --> 0:14:56.520
<v Speaker 1>Those people don't realize that the transitional periods in between

0:14:56.560 --> 0:14:58.960
<v Speaker 1>when we give you guys one project to the next,

0:14:59.280 --> 0:15:02.360
<v Speaker 1>that's a lot that goes on there. So you really

0:15:02.440 --> 0:15:05.600
<v Speaker 1>have to um, you kind of and there you can't

0:15:05.640 --> 0:15:08.640
<v Speaker 1>get around it. You just have to go through it,

0:15:09.120 --> 0:15:12.200
<v Speaker 1>you know. So it's um. It's one of those things

0:15:12.240 --> 0:15:16.120
<v Speaker 1>that I'm I'm so appreciative for it. I really really,

0:15:16.160 --> 0:15:24.280
<v Speaker 1>I really truly am. I really truly am Your parents

0:15:24.400 --> 0:15:28.040
<v Speaker 1>make the adjustment from Florida, small town, small city in

0:15:28.080 --> 0:15:31.200
<v Speaker 1>Florida to l A was a big investment. I had

0:15:31.200 --> 0:15:34.080
<v Speaker 1>a match absolutely. So did you feel any type of

0:15:34.160 --> 0:15:36.680
<v Speaker 1>responsibility like to pay back or do you feel pressure

0:15:36.760 --> 0:15:39.720
<v Speaker 1>where they just like, no, my parents have never made

0:15:39.760 --> 0:15:42.320
<v Speaker 1>me feel like that. They really honestly have it until

0:15:42.320 --> 0:15:46.080
<v Speaker 1>this day. Like they are my writers. Like they go

0:15:46.240 --> 0:15:48.960
<v Speaker 1>so hard. Anybody know me, they know they go so hard.

0:15:49.040 --> 0:15:52.480
<v Speaker 1>So UM, any pressure to to know, not no pressure.

0:15:52.520 --> 0:15:55.040
<v Speaker 1>That's family. That's what you do for family, you know

0:15:55.080 --> 0:15:57.520
<v Speaker 1>what I mean. But I love um. You know in

0:15:57.600 --> 0:15:59.640
<v Speaker 1>every way that I can for the rest of my life.

0:16:00.000 --> 0:16:04.160
<v Speaker 1>I tend on repaying it and vote in different ways,

0:16:04.240 --> 0:16:05.800
<v Speaker 1>you know what I mean. But it comes from a

0:16:05.840 --> 0:16:09.800
<v Speaker 1>place of genuine love and not like pressure. Absolutely, I

0:16:09.840 --> 0:16:14.040
<v Speaker 1>love that. I love that. That's prettiful. It's a blessing.

0:16:14.680 --> 0:16:17.760
<v Speaker 1>So we're almost halfway through your meal. I'm excited to

0:16:17.840 --> 0:16:21.840
<v Speaker 1>eat it. I'm hungry. It smells good. I've never had

0:16:21.880 --> 0:16:26.800
<v Speaker 1>a fried bologny egg sandwich, so I'm looking forward to this. Girl,

0:16:27.120 --> 0:16:31.200
<v Speaker 1>I got you. Okay, So your favorite song on your

0:16:31.400 --> 0:16:34.760
<v Speaker 1>album at the moment, My favorite song is a song

0:16:34.840 --> 0:16:38.720
<v Speaker 1>called Fallback. So fallback? When you were writing this record,

0:16:38.960 --> 0:16:40.960
<v Speaker 1>wrote it by yourself or with writers? I wrote it

0:16:41.000 --> 0:16:44.480
<v Speaker 1>by myself. So what were you going through when I

0:16:44.520 --> 0:16:49.120
<v Speaker 1>wrote Fallback? I was falling out of a situation with

0:16:49.200 --> 0:16:53.520
<v Speaker 1>someone and someone that I cared about very deeply. But

0:16:53.880 --> 0:16:57.240
<v Speaker 1>um really started to realize that we were a lot

0:16:57.280 --> 0:17:01.360
<v Speaker 1>more similar than I thought, and maybe not in in

0:17:01.400 --> 0:17:03.480
<v Speaker 1>a lot of great ways, but also and not in

0:17:03.720 --> 0:17:07.840
<v Speaker 1>not you know, not so good ways as well. Um,

0:17:07.880 --> 0:17:11.640
<v Speaker 1>you know, we kind of live similar lifestyles and uh,

0:17:11.720 --> 0:17:14.520
<v Speaker 1>you know, sometimes that can clash a little bit because

0:17:14.560 --> 0:17:17.800
<v Speaker 1>people are um a little bit that they'll feel something

0:17:17.840 --> 0:17:20.000
<v Speaker 1>but be a little bit hesitant to actually just, you

0:17:20.040 --> 0:17:22.520
<v Speaker 1>know what, just dive all the way into it. And

0:17:22.600 --> 0:17:27.240
<v Speaker 1>so fallback is about, um, that space where you know

0:17:27.359 --> 0:17:30.399
<v Speaker 1>that it could it could move forward, but for you

0:17:30.400 --> 0:17:33.560
<v Speaker 1>know what, it's a little you know, a fallback. I

0:17:33.560 --> 0:17:36.760
<v Speaker 1>won't hold that against you, because love is scary. Yeah. Yeah,

0:17:36.760 --> 0:17:38.600
<v Speaker 1>So that's what Fallback is about. You've been in love

0:17:38.720 --> 0:17:42.120
<v Speaker 1>multiple times, and I mean I think, you know, I've

0:17:42.160 --> 0:17:45.000
<v Speaker 1>been in different versions of love, you know what I mean?

0:17:45.240 --> 0:17:47.520
<v Speaker 1>I like that, Yeah, because it's like I think I'm

0:17:47.560 --> 0:17:50.720
<v Speaker 1>still you know, I think you never truly have this

0:17:50.880 --> 0:17:53.760
<v Speaker 1>whole idea of what love is. I think that as

0:17:54.119 --> 0:17:56.360
<v Speaker 1>I get older, I add a little bit more love

0:17:56.440 --> 0:17:59.000
<v Speaker 1>knowledge onto my love to belt. So you know, I've

0:17:59.000 --> 0:18:00.960
<v Speaker 1>been in love a few times. Your parents have been

0:18:01.000 --> 0:18:03.720
<v Speaker 1>together a long time, Yes, they have. Feel like they're

0:18:03.880 --> 0:18:06.880
<v Speaker 1>the bar. Um. I don't think there is a bar

0:18:07.000 --> 0:18:11.000
<v Speaker 1>when it comes to to to love and relationships. I

0:18:11.040 --> 0:18:15.280
<v Speaker 1>think it's a very you know, um, you know, what's

0:18:15.280 --> 0:18:18.080
<v Speaker 1>the word I'm looking for. It's a very singular thing.

0:18:18.080 --> 0:18:22.000
<v Speaker 1>It's a very uh uh, you know, case by case thing,

0:18:22.040 --> 0:18:25.240
<v Speaker 1>you know, a relationship by relationship thing. Every relationship has

0:18:25.280 --> 0:18:29.520
<v Speaker 1>its own rules and ways and tribes and and whatever

0:18:29.560 --> 0:18:32.119
<v Speaker 1>that is. It's like that's their business and that's what

0:18:32.200 --> 0:18:34.119
<v Speaker 1>works for them, and that's what works for them, and

0:18:34.160 --> 0:18:36.760
<v Speaker 1>that's what works for them. So you know, you find

0:18:36.800 --> 0:18:40.919
<v Speaker 1>what works for you. Yeah, yeah, definitely. So what are

0:18:40.960 --> 0:18:43.720
<v Speaker 1>your expectations for this next record? Like what would you

0:18:43.760 --> 0:18:48.480
<v Speaker 1>like to see happen? I would like to see all

0:18:48.520 --> 0:18:52.320
<v Speaker 1>of my fans um to just I want them to

0:18:53.520 --> 0:18:56.560
<v Speaker 1>get to a place where this song begins to speak

0:18:56.600 --> 0:18:59.000
<v Speaker 1>for them, and the record of the product we're goin

0:18:59.119 --> 0:19:01.040
<v Speaker 1>to speak for them. That's all I really want. I

0:19:01.080 --> 0:19:05.080
<v Speaker 1>want them to feel like they I want them to

0:19:05.080 --> 0:19:10.720
<v Speaker 1>feel seen and heard and understood. And if they don't

0:19:10.760 --> 0:19:12.919
<v Speaker 1>have the words to express themselves, I want them to

0:19:12.960 --> 0:19:15.240
<v Speaker 1>be able to put in the product to say this

0:19:15.320 --> 0:19:17.840
<v Speaker 1>is exactly how I feel, because I think that that's

0:19:17.840 --> 0:19:22.160
<v Speaker 1>what music is about. It's about helping people, um, communicate

0:19:22.200 --> 0:19:27.639
<v Speaker 1>and express themselves. You san it almost time, Yeah, exactly.

0:19:27.760 --> 0:19:32.080
<v Speaker 1>We have a nice shop growing up. Who were your

0:19:32.320 --> 0:19:43.879
<v Speaker 1>inspirations growing up? My inspirations were Um, Whitney Houston, right, Carrie? Um?

0:19:44.080 --> 0:19:47.520
<v Speaker 1>Who else? Did I love? Brandy? Monica? And you wrote

0:19:47.520 --> 0:19:49.520
<v Speaker 1>for all of them? Well, not all of them. You

0:19:49.520 --> 0:19:51.720
<v Speaker 1>wrote for Brandy. You wrote for Brandy And that was

0:19:51.760 --> 0:19:55.840
<v Speaker 1>like a game come true for me. Were you nervous

0:19:55.840 --> 0:19:58.240
<v Speaker 1>at all? Or you get to actually work with them

0:19:58.359 --> 0:20:00.720
<v Speaker 1>or is it you send it in? No, I get

0:20:00.760 --> 0:20:04.600
<v Speaker 1>to actually work with them, and uh it was I

0:20:05.040 --> 0:20:07.600
<v Speaker 1>lost my mind when she walked in the studio. I

0:20:07.640 --> 0:20:10.399
<v Speaker 1>really did lost my whole line and we wrote I

0:20:10.400 --> 0:20:13.800
<v Speaker 1>wrote a song with Chris Um for her call Slower,

0:20:14.560 --> 0:20:17.399
<v Speaker 1>and it was just at the first of all, she

0:20:17.480 --> 0:20:20.200
<v Speaker 1>killed that record. Just to even hear her sing words

0:20:20.240 --> 0:20:22.040
<v Speaker 1>that we had come up with, the melodies that we

0:20:22.119 --> 0:20:25.160
<v Speaker 1>had come up with, was like some whole other ship

0:20:25.320 --> 0:20:27.520
<v Speaker 1>for me. I lost. I lost my mind. Yeah, that

0:20:27.720 --> 0:20:30.119
<v Speaker 1>I lost my mind. And then seeing your name on

0:20:30.160 --> 0:20:32.840
<v Speaker 1>her album, seeing my name on a Brandy album because

0:20:32.840 --> 0:20:35.920
<v Speaker 1>all my life all I did was read the booklet. Yeah,

0:20:36.080 --> 0:20:38.640
<v Speaker 1>I remember those days. I read them all. Remember those

0:20:38.720 --> 0:20:41.560
<v Speaker 1>days when the booklet the booklets and you could read

0:20:41.560 --> 0:20:46.400
<v Speaker 1>the lyrics. Yes, I would live. Yeah. So it was amazing. Wow.

0:20:46.440 --> 0:20:48.960
<v Speaker 1>Did you did you go through the phase of recording

0:20:48.960 --> 0:20:52.399
<v Speaker 1>the radio at any point? Recording the radio? You know,

0:20:52.440 --> 0:20:54.520
<v Speaker 1>you put the cassette. This was before you know, you

0:20:54.520 --> 0:20:56.840
<v Speaker 1>had the cassette. You really couldn't. For nothing, you put

0:20:56.840 --> 0:20:59.119
<v Speaker 1>the cassette and you record the radio. You know. I

0:20:59.119 --> 0:21:03.159
<v Speaker 1>didn't record the radio. I didn't record the radio. But

0:21:03.160 --> 0:21:06.560
<v Speaker 1>but the booklet vibe was definitely thing like, it was

0:21:06.680 --> 0:21:11.080
<v Speaker 1>definitely definitely my thing. Well that's good. You weren't stealing music,

0:21:11.160 --> 0:21:16.720
<v Speaker 1>little little music beat over here. Sorry, music lover music.

0:21:16.800 --> 0:21:19.640
<v Speaker 1>I was music lover on a budget. Okay, listen here

0:21:20.119 --> 0:21:23.959
<v Speaker 1>listening bro listen eating on eating broke music and you

0:21:24.000 --> 0:21:27.720
<v Speaker 1>have music while broke. Okay, music broke. You know. The

0:21:27.800 --> 0:21:30.280
<v Speaker 1>second I had money, I paid for my record store. Man.

0:21:30.600 --> 0:21:32.159
<v Speaker 1>You know. Amen, Today I want you to bite in

0:21:32.200 --> 0:21:34.119
<v Speaker 1>it for it gets cold. Yes, I want to try this.

0:21:34.280 --> 0:21:38.320
<v Speaker 1>Here we go. This looks delicious to look at the layers, crisp.

0:21:41.160 --> 0:21:46.520
<v Speaker 1>It's pretty good, right, it's good warm, it's a vibe,

0:21:47.440 --> 0:21:51.720
<v Speaker 1>it's a whole vibe. It's a classic a fried egg,

0:21:51.960 --> 0:21:54.760
<v Speaker 1>bologna and cheese sandwich. And it's really quick and it's

0:21:54.760 --> 0:22:00.440
<v Speaker 1>super quick, super duper quick. Okay, and the mustard as

0:22:00.480 --> 0:22:02.399
<v Speaker 1>a nice kick, right, and then if you want, like

0:22:02.440 --> 0:22:05.199
<v Speaker 1>you put a little lettuce and tomato on there, you know.

0:22:06.560 --> 0:22:10.240
<v Speaker 1>But so, what is something that your fans don't know

0:22:10.280 --> 0:22:12.960
<v Speaker 1>about you? You're loyal fans, by the way, because I

0:22:13.000 --> 0:22:16.480
<v Speaker 1>see them on your and staff and then all the comments.

0:22:16.560 --> 0:22:21.399
<v Speaker 1>But my fans, what don't they know about me? Um?

0:22:21.440 --> 0:22:24.040
<v Speaker 1>I really want to think about that. Yeah, I think

0:22:24.080 --> 0:22:26.840
<v Speaker 1>about it because it would be nice. It would be

0:22:26.960 --> 0:22:30.080
<v Speaker 1>nice to watch this episode and say, oh my gosh,

0:22:30.320 --> 0:22:33.720
<v Speaker 1>I did not know that about seven. I mean, you

0:22:33.760 --> 0:22:37.120
<v Speaker 1>don't have a crush on Chris at all. No. No,

0:22:37.600 --> 0:22:41.320
<v Speaker 1>maybe maybe that's something that they would be surprised And no, no,

0:22:41.920 --> 0:22:45.840
<v Speaker 1>like it was always just family. Whoever you worked with

0:22:45.840 --> 0:22:48.840
<v Speaker 1>that you got star struck. Alicia Keys star struggle. Let

0:22:48.840 --> 0:22:53.640
<v Speaker 1>me think, Alicia, Alicia's walked in here. I love Alicia.

0:22:54.320 --> 0:22:56.520
<v Speaker 1>I definitely got started when it was Alicia, we are.

0:22:56.600 --> 0:22:58.960
<v Speaker 1>The way our session started was on his zoom, like

0:22:59.000 --> 0:23:02.160
<v Speaker 1>on a on his zoom at the time. Yeah, and um,

0:23:02.200 --> 0:23:04.920
<v Speaker 1>even through a zoom, I was like nervous as ship,

0:23:05.280 --> 0:23:07.159
<v Speaker 1>like did you just make the disclaimer? Like look their

0:23:07.200 --> 0:23:10.280
<v Speaker 1>Alicia Keys. No, I had to like put on a

0:23:10.320 --> 0:23:12.240
<v Speaker 1>good face like yeah, look now I'm good, Like, yeah,

0:23:12.440 --> 0:23:13.760
<v Speaker 1>what do you need for the record? You good? And

0:23:13.760 --> 0:23:15.720
<v Speaker 1>then when we hung up, then I lost my mind.

0:23:17.040 --> 0:23:20.360
<v Speaker 1>Then I lost it. But no, I love me some Alicia.

0:23:20.480 --> 0:23:23.080
<v Speaker 1>Did you feel like the day leading up to those

0:23:23.119 --> 0:23:27.160
<v Speaker 1>moments where like, say, Alicia Keys, where you're excited Brandy,

0:23:27.320 --> 0:23:30.000
<v Speaker 1>did you feel like knowing that was coming up in

0:23:30.000 --> 0:23:31.560
<v Speaker 1>the middle of your day, in the beginning of your day,

0:23:31.600 --> 0:23:36.560
<v Speaker 1>did you feel like the time takes a lot slower? Um,

0:23:36.800 --> 0:23:39.000
<v Speaker 1>do I feel like it was the time was slower. Yeah.

0:23:39.119 --> 0:23:41.720
<v Speaker 1>You know, when you're hot, you're anticipating something, Yeah, and

0:23:41.720 --> 0:23:44.720
<v Speaker 1>you're like it's taking forever. You know, You're like, why

0:23:44.720 --> 0:23:48.560
<v Speaker 1>can't it be two o'clock? Um? Now I get lost

0:23:48.560 --> 0:23:50.720
<v Speaker 1>in music when I do it, and I don't even

0:23:50.760 --> 0:23:53.040
<v Speaker 1>have I don't even know what time is when I work.

0:23:53.840 --> 0:23:56.119
<v Speaker 1>I really don't. I don't. And I'll stay up for

0:23:56.200 --> 0:23:59.960
<v Speaker 1>days and just work and work and work. I'll work

0:24:00.280 --> 0:24:04.120
<v Speaker 1>each shower, work each showered, work, each shower. I think

0:24:04.160 --> 0:24:06.280
<v Speaker 1>there's something to be said when you do something that

0:24:06.359 --> 0:24:11.040
<v Speaker 1>you genuinely are passionate about. You know what happens if

0:24:11.040 --> 0:24:14.520
<v Speaker 1>someone hasn't found what they're passionate about. What advice would

0:24:14.520 --> 0:24:17.960
<v Speaker 1>you give them? Though? Um, For one, I'll say, I'll

0:24:17.960 --> 0:24:20.320
<v Speaker 1>just tell them what worked for me. I mean, I

0:24:20.359 --> 0:24:23.639
<v Speaker 1>have a really great relationship with God. I you know,

0:24:23.760 --> 0:24:26.800
<v Speaker 1>I'd wake up every morning, I've watched my sermons, I pray,

0:24:26.880 --> 0:24:29.600
<v Speaker 1>I meditate, I write all of my thoughts down. If

0:24:29.600 --> 0:24:32.960
<v Speaker 1>I'm not writing them down, I'm recording them in my phone. Um,

0:24:33.240 --> 0:24:35.359
<v Speaker 1>listen to yourself. Let you keep a path with you,

0:24:35.480 --> 0:24:37.720
<v Speaker 1>or you just write. Um. Sometimes I keep a drawing

0:24:37.760 --> 0:24:40.520
<v Speaker 1>on with me sometimes I do. Um, sorry, I'm about

0:24:40.560 --> 0:24:46.840
<v Speaker 1>to take a bite. Take a bite sous that you eat? Chairs, chairs,

0:24:47.119 --> 0:24:50.680
<v Speaker 1>chairs to another successful episode of eating wall broom, m

0:24:51.359 --> 0:24:57.240
<v Speaker 1>just so good. That was so good, Daddy, Mama Jay,

0:24:57.680 --> 0:25:01.520
<v Speaker 1>I made Ardellico. Si. Okay, yes, come on, you know

0:25:01.600 --> 0:25:05.960
<v Speaker 1>what time it is? Yes? I really wanted to know

0:25:06.320 --> 0:25:09.040
<v Speaker 1>a time of something that your fans really don't know

0:25:09.080 --> 0:25:15.320
<v Speaker 1>about you. I mean, okay, do me this one? In

0:25:15.480 --> 0:25:23.160
<v Speaker 1>what area of my life? Personal? Personal? Okay? Love, family, girlfriends,

0:25:24.359 --> 0:25:29.080
<v Speaker 1>love love? We always love love songs? Right, I do love,

0:25:29.200 --> 0:25:34.119
<v Speaker 1>I do? I do? Um okay? Uh? Past? Present, future?

0:25:35.560 --> 0:25:37.920
<v Speaker 1>Which one is the juiciest? You let me know? You

0:25:38.440 --> 0:25:42.399
<v Speaker 1>gotta pick a box past present. I feel like past

0:25:42.560 --> 0:25:46.720
<v Speaker 1>it's gonna be juicier because future is always bright, right,

0:25:46.920 --> 0:25:50.880
<v Speaker 1>I mean that's what we hope and present could possibly

0:25:50.880 --> 0:25:53.000
<v Speaker 1>be bright. I feel like past is always drama filled.

0:25:53.359 --> 0:25:59.600
<v Speaker 1>I'm gonna go with past. Past. Um okay, so past,

0:25:59.680 --> 0:26:07.280
<v Speaker 1>real relationships, past, past breakups, past loves of my life? Past?

0:26:08.040 --> 0:26:14.960
<v Speaker 1>Uh past the best sex ever? Had? I think my

0:26:15.040 --> 0:26:20.359
<v Speaker 1>friends pas, who did I write, you know, writing certain

0:26:20.359 --> 0:26:22.840
<v Speaker 1>what were certain songs about in their songs that I wrote?

0:26:22.880 --> 0:26:25.639
<v Speaker 1>Can I get multiples, just to multiples and I'll let

0:26:25.680 --> 0:26:28.639
<v Speaker 1>you go. I promise you, all right, Okay, Um, we

0:26:28.680 --> 0:26:31.600
<v Speaker 1>want to know the best sex for all the guys. Okay, okay,

0:26:32.080 --> 0:26:36.560
<v Speaker 1>look guys behind the camera, like what and then what

0:26:36.640 --> 0:26:38.879
<v Speaker 1>was all the one? I'm sorry, I got so excited.

0:26:38.880 --> 0:26:44.159
<v Speaker 1>It's okay past Um we said, oh past songwriting like

0:26:44.440 --> 0:26:49.440
<v Speaker 1>writing songs? Yes, that one. Okay. Um, Well, if we're

0:26:49.440 --> 0:26:52.199
<v Speaker 1>talking about sex, and I love mixing sex sets and

0:26:52.240 --> 0:26:55.080
<v Speaker 1>food is actually a good limits a good some good

0:26:55.080 --> 0:26:57.399
<v Speaker 1>food and some good little sexy food and having a

0:26:57.400 --> 0:26:59.720
<v Speaker 1>good night and a good glass of wine and a

0:26:59.760 --> 0:27:02.840
<v Speaker 1>good even like set it up. That's where that's where

0:27:02.840 --> 0:27:04.720
<v Speaker 1>we really begin with like good sex, you know what

0:27:04.760 --> 0:27:07.440
<v Speaker 1>I mean? Like you got wine and dine. It doesn't

0:27:07.440 --> 0:27:09.119
<v Speaker 1>have to have to be super fancy. It could be

0:27:09.200 --> 0:27:12.960
<v Speaker 1>whatever it is. But um, some good food, some good wine,

0:27:13.160 --> 0:27:17.480
<v Speaker 1>some good music, and you know, pay attention to you know,

0:27:17.560 --> 0:27:20.520
<v Speaker 1>women were very sensual, pay attention to our bodies. We're

0:27:20.520 --> 0:27:22.399
<v Speaker 1>gonna tell you exactly what it is that we like.

0:27:22.640 --> 0:27:25.760
<v Speaker 1>We're gonna tell you what feels good. We're gonna at least,

0:27:25.960 --> 0:27:28.000
<v Speaker 1>you know, we should. I think women should be more

0:27:28.040 --> 0:27:30.359
<v Speaker 1>vocal about that too, yeah, yeah, like all in the

0:27:30.400 --> 0:27:34.120
<v Speaker 1>facing owning and we don't do that's I think, And

0:27:34.200 --> 0:27:36.280
<v Speaker 1>I hate to be fully transparent, but I think that

0:27:36.320 --> 0:27:39.840
<v Speaker 1>really comes down to like how comfortable you are with yourself,

0:27:40.000 --> 0:27:44.040
<v Speaker 1>Like you gotta get with yourself first before gate with

0:27:44.080 --> 0:27:46.119
<v Speaker 1>someone else. I hate to say it, but it's true.

0:27:46.920 --> 0:27:49.000
<v Speaker 1>To be comfortable with you'll get to know yourself. You

0:27:49.000 --> 0:27:51.560
<v Speaker 1>know yourself, No, no one makes yourself tick, you know

0:27:51.600 --> 0:27:54.199
<v Speaker 1>what I mean. It's a very important thing. Um, and

0:27:54.240 --> 0:27:58.000
<v Speaker 1>then be with some you know, when when sex is

0:27:58.040 --> 0:28:00.960
<v Speaker 1>with someone that you're really comfortable with, it's a really

0:28:01.000 --> 0:28:05.520
<v Speaker 1>beautiful thing. It's a really really beautiful thing. And you know,

0:28:05.520 --> 0:28:07.720
<v Speaker 1>I have a record on my album call change my Mind,

0:28:08.080 --> 0:28:11.359
<v Speaker 1>and change my Mind speaks about being in such a

0:28:11.440 --> 0:28:14.800
<v Speaker 1>space with someone to wear. Um, you may try a

0:28:14.800 --> 0:28:16.439
<v Speaker 1>few things that you didn't think that you would want

0:28:16.480 --> 0:28:19.600
<v Speaker 1>to try before a life before and you know, so

0:28:20.119 --> 0:28:22.320
<v Speaker 1>all of it goes hand in hand. I like to

0:28:22.320 --> 0:28:25.080
<v Speaker 1>write about real life and um, you know, me and

0:28:25.080 --> 0:28:28.320
<v Speaker 1>my girlfriends have juicy conversations and a lot of my

0:28:28.520 --> 0:28:30.720
<v Speaker 1>like my brother type guy friends. You know, I write

0:28:30.720 --> 0:28:33.000
<v Speaker 1>with a lot of men, so these are like a

0:28:33.040 --> 0:28:35.840
<v Speaker 1>lot of our dialogue and like studio. And that's how

0:28:35.840 --> 0:28:37.800
<v Speaker 1>we how y'all think we write the sex records and

0:28:37.800 --> 0:28:41.320
<v Speaker 1>how we write it's these conversations that makes sense. Yeah,

0:28:41.680 --> 0:28:47.040
<v Speaker 1>we're human. It's human nature, all right. Now, love one. Um,

0:28:47.440 --> 0:28:50.600
<v Speaker 1>we're gonna hear a name drop here. I don't know.

0:28:50.720 --> 0:28:52.480
<v Speaker 1>We were trying. We're trying to hear name drops on

0:28:52.600 --> 0:28:57.280
<v Speaker 1>both Okay, so go on new name drop. You know,

0:28:57.400 --> 0:28:59.440
<v Speaker 1>it's just it's just one of those things I just

0:29:00.080 --> 0:29:04.720
<v Speaker 1>I love to pull from. Um. You know, I'm a

0:29:04.840 --> 0:29:07.040
<v Speaker 1>very I'm a first of all with cancer, so I'm

0:29:07.160 --> 0:29:11.120
<v Speaker 1>very into with my emotions and very sensitive and um,

0:29:11.160 --> 0:29:13.719
<v Speaker 1>but I think that that's one of my superpowers. And

0:29:14.640 --> 0:29:16.840
<v Speaker 1>you know when I have records like say like it

0:29:16.880 --> 0:29:20.720
<v Speaker 1>won't Stop, or like before I do, or even on

0:29:20.720 --> 0:29:24.040
<v Speaker 1>on my new projects songs like you know Taboo. Taboo

0:29:24.120 --> 0:29:27.200
<v Speaker 1>was a beautiful record about um. You know, if you

0:29:27.320 --> 0:29:31.080
<v Speaker 1>you ever meet someone and things feel so great that

0:29:31.200 --> 0:29:34.240
<v Speaker 1>you know, naturally we like to go is this too

0:29:34.240 --> 0:29:37.360
<v Speaker 1>good to be true? Right? That's a normal thing, because

0:29:38.080 --> 0:29:40.560
<v Speaker 1>let's be honest, meeting people that you actually vibe with

0:29:40.640 --> 0:29:42.760
<v Speaker 1>and you know, you can check off a few that

0:29:42.960 --> 0:29:46.520
<v Speaker 1>it's it's rare. But when you know you know it's

0:29:46.520 --> 0:29:50.120
<v Speaker 1>so taboo is a song about um not being afraid

0:29:50.240 --> 0:29:53.640
<v Speaker 1>of that you know, uh, you know too good to

0:29:53.680 --> 0:29:55.640
<v Speaker 1>be true thing. It's like, too good doesn't have to

0:29:55.680 --> 0:29:58.320
<v Speaker 1>be taboo. Why can I just want to be with you?

0:29:58.720 --> 0:30:00.480
<v Speaker 1>Why can you just want to be with me too?

0:30:00.680 --> 0:30:02.920
<v Speaker 1>You know what I mean? So um in terms of love,

0:30:03.600 --> 0:30:07.200
<v Speaker 1>I've definitely experienced that before, So that record is drawn

0:30:07.280 --> 0:30:10.480
<v Speaker 1>from that situation. I like that. I'll say this for

0:30:10.600 --> 0:30:12.640
<v Speaker 1>myself and then I'm gonna let you go because I

0:30:12.640 --> 0:30:15.680
<v Speaker 1>know you're on a very crazy schedule. Two things I

0:30:15.760 --> 0:30:18.240
<v Speaker 1>learned when it came to relationships. One, when you meet

0:30:18.280 --> 0:30:22.280
<v Speaker 1>someone and you guys have this like this, like why

0:30:22.280 --> 0:30:25.240
<v Speaker 1>are we just so in sync? And I went to counting.

0:30:25.280 --> 0:30:28.880
<v Speaker 1>What they had said was whatever feelings and emotions you

0:30:28.920 --> 0:30:33.959
<v Speaker 1>had from your childhood are being a like brought up

0:30:33.960 --> 0:30:37.000
<v Speaker 1>and that's why you feel that stronger connection. But sometimes

0:30:37.000 --> 0:30:40.240
<v Speaker 1>it's good and bad, you know, and you don't realize

0:30:40.240 --> 0:30:42.880
<v Speaker 1>it's bad. Told something you carry over that needs to

0:30:42.920 --> 0:30:45.320
<v Speaker 1>be left in your name. You don't need to carry

0:30:45.360 --> 0:30:49.160
<v Speaker 1>those on. And then some things you know they do.

0:30:49.320 --> 0:30:54.240
<v Speaker 1>But that's why it's important death conversations about it to

0:30:54.280 --> 0:30:56.040
<v Speaker 1>talk about it, and then for people who don't know

0:30:56.040 --> 0:30:58.120
<v Speaker 1>how to talk about it. That's why I take what

0:30:58.160 --> 0:31:01.960
<v Speaker 1>I do so seriously because music really is a universal language.

0:31:02.040 --> 0:31:05.160
<v Speaker 1>I don't care. You don't have to speak English, Spanish, French, whatever.

0:31:06.000 --> 0:31:10.040
<v Speaker 1>If you feel something and music can help you express it,

0:31:10.400 --> 0:31:12.600
<v Speaker 1>all you gotta do is press play. Yeah, you know

0:31:12.640 --> 0:31:15.600
<v Speaker 1>what I mean. Everybody's not good and expressing how they feel,

0:31:15.720 --> 0:31:18.880
<v Speaker 1>so you know music can be that tool. Yes. And

0:31:18.920 --> 0:31:21.920
<v Speaker 1>then the last thing I wanted to say was, and

0:31:22.000 --> 0:31:24.400
<v Speaker 1>I don't know if you've had this discussion with your girlfriends,

0:31:24.400 --> 0:31:27.080
<v Speaker 1>but when girls pick guys, we tend to lean towards

0:31:27.120 --> 0:31:30.120
<v Speaker 1>what's safe. Well, actually, I take that back. I feel

0:31:30.120 --> 0:31:33.360
<v Speaker 1>like when guys date, they date, when they make it

0:31:33.440 --> 0:31:37.400
<v Speaker 1>a girlfriend or wife, they make sure she's safe. When girls,

0:31:37.480 --> 0:31:40.000
<v Speaker 1>they we tend to like be drawn to the players

0:31:40.120 --> 0:31:43.719
<v Speaker 1>and the more riskier guys. I mean, we have a

0:31:43.760 --> 0:31:46.440
<v Speaker 1>balance definitely between hot and cold. But I definitely think

0:31:46.560 --> 0:31:49.880
<v Speaker 1>women take the most risks when it comes dating, dating

0:31:49.880 --> 0:31:55.320
<v Speaker 1>and serious relationships. I think that I don't I don't

0:31:55.440 --> 0:31:57.640
<v Speaker 1>think I won't say the most, but we do take

0:31:57.760 --> 0:32:01.560
<v Speaker 1>risks for sure, because you always hear um, you know,

0:32:01.600 --> 0:32:05.120
<v Speaker 1>we always hear that good girls like bad boys. We

0:32:05.200 --> 0:32:08.200
<v Speaker 1>get that. But also I think that it just sometimes

0:32:08.240 --> 0:32:13.240
<v Speaker 1>it's seemingly sometimes. Um, you know, let's say, men may

0:32:13.320 --> 0:32:15.840
<v Speaker 1>think that things are one way, but then you know,

0:32:15.920 --> 0:32:17.600
<v Speaker 1>things turn out to be a whole other way. Like

0:32:17.920 --> 0:32:20.080
<v Speaker 1>you can never judge a book by its cover. So

0:32:20.160 --> 0:32:25.000
<v Speaker 1>we tell my hobby that all the time. Girls, you

0:32:25.040 --> 0:32:27.479
<v Speaker 1>know what I'm saying, very ill, my brother that all

0:32:27.520 --> 0:32:29.720
<v Speaker 1>the time. Yeah, don't never get a twisted girls and

0:32:29.800 --> 0:32:33.719
<v Speaker 1>girls are very smart. Okay, yes they are. Um. Anyways,

0:32:33.880 --> 0:32:36.520
<v Speaker 1>I just wanted to say thank you so much for

0:32:36.560 --> 0:32:40.239
<v Speaker 1>coming out feeding me. I look forward to sharing this

0:32:40.360 --> 0:32:43.400
<v Speaker 1>recipe and the Eating Wall Broke book. You guys can

0:32:43.480 --> 0:32:47.880
<v Speaker 1>check out sevens recipe and eat what we eat while

0:32:47.920 --> 0:32:54.920
<v Speaker 1>you listen who our episode, Yes and thoughts. Yes, please

0:32:55.040 --> 0:32:57.360
<v Speaker 1>please go out check out the album. I know I'll

0:32:57.400 --> 0:32:59.360
<v Speaker 1>be listening to it on the way home. Thank you,

0:33:00.000 --> 0:33:05.520
<v Speaker 1>all right, have a good bunny, guys. Fine For more

0:33:05.560 --> 0:33:08.400
<v Speaker 1>Eating While Broke from I Heart Radio and The Black Effect,

0:33:08.560 --> 0:33:11.680
<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

0:33:11.760 --> 0:33:15.120
<v Speaker 1>you listen to your favorite shows. Eating Well Broken