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Speaker 1: It's the best bits of the week with Morgan. I

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Speaker 1: feel just the bits.

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Speaker 2: What's up, everybody, another happy weekend, Whether you are catching

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Speaker 2: up on the show, whether you're listening to listen to

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Speaker 2: the best bits. I'm just happy you're here, So thanks

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Speaker 2: for joining. Make sure you go check out Part one

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Speaker 2: and Part three this weekend. I am gonna be a

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Speaker 2: little biased here and say that Part one is one

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Speaker 2: of the best one we have done. In a hot minute,

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Speaker 2: me and Eddie, we're talking about Valentine's Day, and I

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Speaker 2: made him sing some songs, Like we can't play songs

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Speaker 2: on the podcast anymore.

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Speaker 3: But I had a whole breakup playlist for everybody this.

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Speaker 2: Week for Valentine's Day, and since we can't play the songs,

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Speaker 2: I made Eddie sing them. And I'm just gonna say,

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Speaker 2: even if you don't need breakup songs, you're gonna love this.

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Speaker 3: So go listen to Part one and Part three. We

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Speaker 3: answered some listener Q and A.

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Speaker 2: But if that wasn't enough of a reason to go

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Speaker 2: listen for you and you're still here, let's dive into

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Speaker 2: the bits from the show this week.

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Speaker 3: This week was Valentine's Day, so of course everybody.

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Speaker 2: Shared what their plans were, what they did, how it

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Speaker 2: went down, what they gifted. There was a lot of

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Speaker 2: details in Valentine's Day or aka the love Holiday that

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Speaker 2: happened this week. In spoiler alert, I didn't do anything.

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Speaker 2: I hung out with my Valentine that was my dog,

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Speaker 2: and I got myself some flowers, made some good food,

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Speaker 2: watch some rom coms.

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Speaker 3: So nothing crazy on my end.

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Speaker 2: You're not gonna hear my update in any of this,

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Speaker 2: but you will hear everybody else's. So happy Valentine's Day

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Speaker 2: to all those who celebrate number seven.

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Speaker 4: I don't think we have any great stories here, but

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Speaker 4: let's try Valentine's Day night for you guys. Not that

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Speaker 4: it's a huge deal to everybody, but Amy you go first. Nothing, okay, Eddie,

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Speaker 4: No great stories here.

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Speaker 5: Took the kids to Bible study at church and then

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Speaker 5: picked up True Food Kitchen.

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Speaker 4: My wife said, that's good, so we picked up that

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Speaker 4: last night too, you did. We were going to go

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Speaker 4: to dinner. Hold everything, but go ahead.

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Speaker 5: That's a fancy place because I wanted to go pick

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Speaker 5: up the food and my flip flops and shorts.

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Speaker 4: I'm like, whoa, I'm under dress. Oh it's not fancy.

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Speaker 4: There was Valentine's Night.

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Speaker 6: Oh maybe maybe all light maybe.

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Speaker 4: Yeah, not that fancy. So I picked up food.

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Speaker 5: We am back and and I think we watched a

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Speaker 5: little bit of Hope Floats.

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Speaker 4: Okay, that's kind of romantic.

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Speaker 5: Andrew Bullock and yeah, yeah, going down. We made it

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Speaker 5: about thirty minutes. And then how's it?

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Speaker 7: Man?

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Speaker 4: Does she fall asleep like you do with movies?

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Speaker 5: No, she usually finishes the movie and I fall asleep first.

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Speaker 5: When you mean that, you mean you fellas that was me?

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Speaker 5: Watchbox Ooh.

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Speaker 8: My wife cooked dinner for all of us, and then

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Speaker 8: she put the kids to bed as I headed out.

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Speaker 9: The door to my soccer game. And don't worry, we won.

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Speaker 4: That's all we cared about.

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Speaker 9: And when I got home, I scored in my soccer game.

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Speaker 4: Oh yeah.

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Speaker 9: When I got home, she was, oh, you know.

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Speaker 4: We had plans to go to dinner. Well, I got home.

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Speaker 4: And if they marked flowers up so much on Valentine's Day,

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Speaker 4: which of course they do. They mark everything up when

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Speaker 4: you need it, right, it's the point. But I had

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Speaker 4: ordered flowers a couple of weeks ago, and I went

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Speaker 4: and picked them up instead of having them delivered because

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Speaker 4: I didn't want to risk knowing what time we're going

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Speaker 4: to get there, and so I knew my wife was

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Speaker 4: not at home, so IONE picked them up and I

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Speaker 4: had a gift for and wrote her a big, long card.

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Speaker 4: She likes that more than any gift, just the thought

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Speaker 4: of it. Yeah. This wasn't like a note though, This

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Speaker 4: is like a pamphlet, just private to her. That's her

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Speaker 4: love language. Her love language is not even gifts. It's

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Speaker 4: like time and like uh, certain words, yeah, words.

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Speaker 10: Words of affirmation, and then the time you put into

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Speaker 10: writing those words.

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Speaker 3: Yeah.

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Speaker 4: So I gave her the flowers and they had the

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Speaker 4: gift and the card, and I wasn't feeling that good,

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Speaker 4: but I didn't want to be the person to be like,

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Speaker 4: I don't feel good because I had dinner set for

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Speaker 4: us last night. I think I know what I ate yesterday,

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Speaker 4: and my stomach is still kind of jacked up because

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Speaker 4: of it. I'm not sure that's what it was. I'm

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Speaker 4: gonna eat it again this morning to give a test. Well,

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Speaker 4: but here's why a lot of people I know, yeah,

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Speaker 4: a lot of people claim I did research like on

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Speaker 4: schools or COVID or I do. No, you just read

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Speaker 4: the internet I'm doing actual studies with the food, Like

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Speaker 4: real laboration, says a lab. My body's a lab. So

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Speaker 4: I ate something yesterday. I don't think it's good for

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Speaker 4: my stomach, but I'm gonna eat it again today. It's

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Speaker 4: not bad. Just so I was like, I do not

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Speaker 4: feel good, and she said, you know, I don't feel

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Speaker 4: great either. So we punted our dinner from last night.

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Speaker 4: We're gonna go out tomorrow night and just have a

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Speaker 4: nice dinner. But got charged like the fifty bucks for

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Speaker 4: the holding of the OA. No, I get it, they went,

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Speaker 4: I get it.

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Speaker 6: You could have sold it, I guess man.

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Speaker 4: I tried to. I tried to rally, and then when

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Speaker 4: I was like, she was like, I don't feel good either.

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Speaker 4: So we ended up ordering from True Food like Eddie

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Speaker 4: and his wife did, and we watched Fargo, and then

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Speaker 4: she got pretty sleepy in the Arkansas game didn't start

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Speaker 4: till late, so she fell asleep and I watched us

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Speaker 4: get crushed.

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Speaker 6: Oh yeah, that's right, they play.

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Speaker 4: Did you play Tennessee? Yeah, but you got to watch

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Speaker 4: it though. That's kind of cool, just a back end

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Speaker 4: of it. And it was a bad end. I know. Yeah,

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Speaker 4: you really didn't think you're gonna be able to watch it.

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Speaker 4: Nobody and I wasn't planning to watch it, and I

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Speaker 4: would rather not have. Yeah, I know it wasn't the best.

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Speaker 4: It wasn't the best because we just weren't feeling good.

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Speaker 6: But had she eaten what you ate or don't?

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Speaker 4: I don't know. Okay, we didn't compare notes, but I'm

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Speaker 4: gonna do research today.

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Speaker 5: Well, when you do research, you got to compare notes.

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Speaker 5: But this is like, this is my I'm doing it

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Speaker 5: in the lab.

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Speaker 4: But I was talking to a friend of mine who

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Speaker 4: doesn't live in the South, isn't from the South, and

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Speaker 4: I said, man, I think I got some stomach bug.

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Speaker 4: And he was like, what are you talking about? I said,

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Speaker 4: what do you mean? He said, what is a bug

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Speaker 4: in your stomach? And I thought to myself, because I

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Speaker 4: say that just so naturally. My grandma woud always say

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Speaker 4: it to me. That's what it means. Means you got

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Speaker 4: a bug in your stomach, means a stomach bug like

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Speaker 4: you're sick. You know, you got the you're throwing up,

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Speaker 4: or you're queasy, or you got diary or whatever it is,

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Speaker 4: but it's coming from your stomach. And I was like,

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Speaker 4: you never heard stomach bug, And he was like, what

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Speaker 4: kind of trailer park thing?

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Speaker 6: What?

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Speaker 4: I didn't realize that was mostly a Southern thing, a

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Speaker 4: stomach bug. And then I started thinking about it. What

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Speaker 4: does it even mean? Like there's the original, the root

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Speaker 4: of it. Did someone feel like there was a bug

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Speaker 4: in their stomach crawling around? It's like, oh, fill a

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Speaker 4: bug crawling around. I've just never thought about the words

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Speaker 4: because I've said it as such a natural part of

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Speaker 4: my vocabulary or description of my stomach feeling bad.

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Speaker 6: So what does this person say, like stomach.

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Speaker 4: Stick of their stomach or like thee my stomach gnoseous? Yeah, yeah, yeah,

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Speaker 4: I didn't realize stomach bug.

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Speaker 11: I do now.

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Speaker 4: It does feel very southern, but I use that. I

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Speaker 4: mean South Texas southern, yes, And I wouldn't say you're

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Speaker 4: from the South, but I'd say you're from the southern

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Speaker 4: part of the country.

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Speaker 6: Yeah.

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Speaker 10: I thought everybody said stomach bug or sometimes you just

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Speaker 10: say caught a bug.

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Speaker 6: Yeah, h don't even say where.

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Speaker 4: So I had a bug and still got a little

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Speaker 4: bit of bug this morning. But yeah, in Valentine's if

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Speaker 4: you're not like in a new new relationship, it definitely

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Speaker 4: isn't as novel, but hopefully you found a way to

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Speaker 4: sell up just to remind yourself that hopefully, you know,

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Speaker 4: you feel like you're lucky with the person you're with,

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Speaker 4: and you could tell them that yesterday or show them

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Speaker 4: that in some way, and hopefully you have a stomach bug.

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Speaker 5: He was like, what, what's Where's he from the Northeast?

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Speaker 4: And it could be it's just not a Northeast thing. Yeah,

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Speaker 4: I was called, Well, my wife calls sodas a coke,

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Speaker 4: and I think that's a very Southern thing. Everything's a coke? Yeah, right,

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Speaker 4: I don't. I don't anymore. I used to probably call

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Speaker 4: it all a coke. But what do you say? Well,

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Speaker 4: now I just say soda because I've had to learn

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Speaker 4: how to say it different because all the places we

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Speaker 4: are because people cokes brand, right, that's one kind of brand.

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Speaker 6: Yeah, But growing up, coke was doctor pepper.

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Speaker 4: Anything, any soda. We would say, can I have a coke?

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Speaker 4: What flavors do you guys have? Exactly? Yeah, what kind

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Speaker 4: of what kind of cokes do you have?

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Speaker 10: Which is the I guess the marketing that Coke did

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Speaker 10: on us, which.

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Speaker 4: Is, yeah, it was just a dominant brand it's like

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Speaker 4: a Kleenex. There's lots of different kinds of tissues, but

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Speaker 4: Kleenex is brand, which is crazy. You tip is a

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Speaker 4: cotton swam, although they're the only ones that make it

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Speaker 4: pretty much. Yeah, no, there's like a I don't know,

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Speaker 4: there's a huge market for like ten brands of Q tips.

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Speaker 4: But we were talking about that last night because I

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Speaker 4: kind of love like, you know, stomach bugs kind of

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Speaker 4: thing that people in Northeast don't say that much. But

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Speaker 4: she calls it a coke and I now call it

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Speaker 4: a soda because that's the universally accepted. But if you're

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Speaker 4: like the Midwest, you called a pop pop, Yeah, that's right.

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Speaker 4: And then I think on Fargo call it a pop?

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Speaker 4: You like a pop? Oh don't you know? Pop? So

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Speaker 4: I hope you guys had a good evening. You know,

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Speaker 4: we had a fine one. Morgan didn't do anything.

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Speaker 2: No, I just made myself some fetuccini, watched some romantic movies.

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Speaker 4: And I only know that I saw your Instagram.

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Speaker 3: I didn't just assume yeah no, I didn't post it.

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Speaker 2: I did it' I like I was chilling on the

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Speaker 2: couch and watching rom coms by myself.

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Speaker 4: Ray and Bay husband and wife.

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Speaker 12: Yeah, homemade card here at the studio, I stopped and

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Speaker 12: got gas station flowers, and then she made shrimp and

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Speaker 12: noodle and I was in bed by five, So I

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Speaker 12: don't know what she did for value.

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Speaker 4: Is that what you were printing on the printer?

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Speaker 12: Yeah, I did a picture of my cat and said

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Speaker 12: Happy Valentine's Day from us.

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Speaker 9: It was free.

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Speaker 4: It was awesome.

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Speaker 12: And then out at the gas station it was less

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Speaker 12: than five dollars too.

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Speaker 4: But I don't think you should brag about how much

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Speaker 4: you didn't spend. What I like is that you put

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Speaker 4: through effort. Yeah, Like maybe it's just like I at

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Speaker 4: work took some time and I did a homemade card.

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Speaker 4: But you don't have to be like it was free, right,

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Speaker 4: Like you don't.

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Speaker 12: Have to take take you down a notch, right, Not me.

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Speaker 12: I'm we're bawling on a budget right now. So I

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Speaker 12: just want to want it to be known. Why do

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Speaker 12: you want it to be known to her and me?

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Speaker 12: We don't spend money probably for the next couple of.

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Speaker 3: Years because you just bought a house.

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Speaker 4: Yeah yeah, all right, Well, everybody, hope you have a

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Speaker 4: good day today. I hope it's a good Valentine's Night

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Speaker 4: last night.

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Speaker 1: It's the best bits of the week with Morgan. Number two.

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Speaker 2: Imagine getting a paycheck that is one of your coworkers

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Speaker 2: and you guys are on the same level, same everything,

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Speaker 2: but somehow he makes more money than you and you

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Speaker 2: accidentally got this paycheck. Well, that's what happened to one

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Speaker 2: of Amy's friends, and now she's in quite the pickle.

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Speaker 3: Doesn't know how to handle it, doesn't know if she

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Speaker 3: should say anything.

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Speaker 2: You're gonna get the whole breakdown here and what everybody's

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Speaker 2: thoughts are, and maybe if you have thoughts too, you.

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Speaker 3: Can hit us up on social media. Let us know

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Speaker 3: what you think.

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Speaker 1: Number six.

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Speaker 4: I'm gonna protect the identity of the person that we're

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Speaker 4: talking about here, but Amy, I'm gonna come over to you.

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Speaker 4: So let's just say we'll just say a girl. We're

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Speaker 4: not saying if it's a girl or a guy. Let's

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Speaker 4: just say a girl that you know this happened to

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Speaker 4: with her pay Okay, so we know who it is.

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Speaker 4: We're going to switch up some of the facts, but

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Speaker 4: this is a true story. Go ahead.

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Speaker 10: She received an email from accounting at her company and

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Speaker 10: had attached payment like a breakdown of your paycheck, except

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Speaker 10: for it wasn't her paycheck. It was a paycheck of

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Speaker 10: a guy that she works with that she's they've both

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Speaker 10: been there the same amount of time and they do

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Speaker 10: the exact same thing, and his was significantly higher.

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Speaker 6: Like she was shocked, Like.

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Speaker 4: Man, that that's it. I mean, that's sucks that they

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Speaker 4: sent that to her. It also sucks if that's the

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Speaker 4: case and she's getting paid less for the same job.

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Speaker 4: And I need there's some details I need to know,

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Speaker 4: like or do they for sure have the same job,

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Speaker 4: for sure?

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Speaker 10: For sure, the same responsibility, same responsibility, the same amount

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Speaker 10: of time.

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Speaker 4: Is it a sales job to where he may be

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Speaker 4: making money because not.

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Speaker 10: A commission no longer now. In fact, they'll often work

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Speaker 10: alongside each other. That's how close they are and what

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Speaker 10: they do. I mean, it's it's exact.

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Speaker 4: She upset.

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Speaker 10: Yeah, no, very and she doesn't know how to handle it.

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Speaker 10: And so I thought, well, let me take this to

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Speaker 10: the guys.

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Speaker 4: That's a tough one, man. This is the easiest question

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Speaker 4: we've ever had.

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Speaker 6: Really, I mean, okay, what she just goes and demands equal.

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Speaker 4: Way, No, because yes, but not like that, because then

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Speaker 4: people get upset and hold resentment, and even though she

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Speaker 4: may get it, the vibe at work is going to

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Speaker 4: be off. People may treat her different.

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Speaker 6: She well, she is already getting treated different.

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Speaker 4: She got sent this by accident by a supervisory. Yeah, yep.

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Speaker 4: What you do is you have it in your email

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Speaker 4: and you forward forward it to your boss and your

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Speaker 4: boss's boss and back to accounting and you go, hey,

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Speaker 4: I don't think this was sent to me on purpose.

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Speaker 4: This was an accident. I'm sure, but I have a

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Speaker 4: lot of questions regarding what I saw in this when

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Speaker 4: I when I opened it that way, they know you

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Speaker 4: got it. I'm already nervous. This is you being It's

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Speaker 4: not confrontational, but it is you asking for their time

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Speaker 4: and energy regarding something that isn't comfortable and something that

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Speaker 4: she may be getting screwed on. But in a way

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Speaker 4: that isn't aggressive, because it's not like she went and

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Speaker 4: hacked in and got it, or it's not like she

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Speaker 4: went and asked the person, can I see yours? They

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Speaker 4: actually sent it to her. It wasn't like she was

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Speaker 4: trying to find it.

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Speaker 6: Yeah, it's like this fell into her last.

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Speaker 4: Yeah, you forward it to your boss, your boss's boss,

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Speaker 4: so doesn't look like you're jumping over their head. And

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Speaker 4: back to accounting. You said, I got this by accident,

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Speaker 4: and I have a lot of questions regarding the pay.

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Speaker 4: And I would have never even looked at this, but

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Speaker 4: it was sent to me, and I opened it because

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Speaker 4: I thought it was mine. And then when you go in,

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Speaker 4: they know as an accident, they know they screwed up.

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Speaker 4: They're probably already going oh, oh gosh. And then you

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Speaker 4: start to ask questions because you did nothing wrong by

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Speaker 4: opening an email that was sent to you, Like what

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Speaker 4: kind of questions you ask questions like, hey, I saw

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Speaker 4: that we'll just call him Chris. I saw that Chris

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Speaker 4: is making eleven dollars a year and I'm making eight.

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Speaker 4: We've been here at the same time, Like what is

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Speaker 4: he doing differently than I'm doing. You don't go in

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Speaker 4: going I demand more. That's what you're doing, but you're

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Speaker 4: doing it in a way that doesn't put anyone on

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Speaker 4: their heels where they can answer the question and like, oh, wow, yeah,

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Speaker 4: I'm glad you found that we are going to bump

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Speaker 4: you up. We didn't notice that your salary had been

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Speaker 4: you know, you hadn't gotten raise so I think that's

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Speaker 4: how you do it a little bit.

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Speaker 10: I mean, because you have to assume that it's potentially

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Speaker 10: this way because she's a woman and he's a man.

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Speaker 4: Or you find that we're mixing the genders. Now we're

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Speaker 4: not okay, or you find out or not, or you

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Speaker 4: find out why it really is like because there really

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Speaker 4: actually may be a reason as well that you don't know.

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Speaker 4: But you're about to find out one way or the other,

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Speaker 4: about to get your raise without being confrontational about it,

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Speaker 4: because then if they do nothing, like no, that's just

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Speaker 4: how it is. Well, then you can get confrontational, but

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Speaker 4: you just don't want to if you don't have to

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Speaker 4: hurt the vibe at work. Hurt the vibe at work.

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Speaker 4: There comes a time when you have to. But first

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Speaker 4: you just go, hey, I saw this. Obviously I wasn't

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Speaker 4: pursuing this, but it leads me to some questions now

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Speaker 4: that I have this information. And if they don't have

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Speaker 4: good answers, showtime, baby.

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Speaker 5: What if they're like Jimmy's here like till eleven o'clock

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Speaker 5: at night every night.

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Speaker 4: No, there is a reason. Yeah, that's the reason. In

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Speaker 4: the salary position time almost as at matter it's how

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Speaker 4: effective you are at your job.

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Speaker 8: But you're about to find out if Jimmy is just

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Speaker 8: more value valued at your company.

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Speaker 9: That could be it.

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Speaker 6: Yeah, because Jimmy's a man.

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Speaker 9: No, No, it.

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Speaker 8: Doesn't have to be.

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Speaker 4: The thing is, you may find out what Jimmy does

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Speaker 4: that is actually different.

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Speaker 9: You can assume it's because he's a ma This is different.

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Speaker 4: He's standing up to it, really, but you have to

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Speaker 4: go and play it passively.

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Speaker 10: The only thing I could think of, and I was

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Speaker 10: talking her about it, is okay, maybe he came in

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Speaker 10: with more experience.

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Speaker 4: They'll tell you whatever the case is, they'll tell you

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Speaker 4: what it is, and it's up to you to decide

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Speaker 4: whether that's a good enough answer or not. Because if

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Speaker 4: you feel like it's not and they're only paying him

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Speaker 4: because he's a dude, then again, which showtime baby places obviously,

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Speaker 4: so let us know how that turns out. Poor Jimmy

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Speaker 4: like it probably doesn't know either, right, Jimmy's like thinking

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Speaker 4: he's just making his living. He doesn't know he's making

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Speaker 4: more than other people. And now all of a sudden,

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Speaker 4: Jimmy's paycheck gets sent over. Man, we should do that here?

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Speaker 10: Has anybody here ever been sent to anybody else's no paycheck.

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Speaker 9: I've seen someone on a printer.

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Speaker 4: You have who has a paycheck on a printer?

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Speaker 9: One of the bosses printed it for some reason. I

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Speaker 9: don't know. Maybe I guess.

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Speaker 8: Here Like here, I was like, day, okay, okay, I

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Speaker 8: got any of your position.

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Speaker 4: Okay, But I don't think they would give you that position.

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Speaker 8: No, no, no, I don't think they would either.

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Speaker 9: But I just saw it and I was like, dang.

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Speaker 4: But also, that's not a position that you're right.

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Speaker 8: Beside, right right, it's a different position. But I was

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Speaker 8: just like, I didn't know that position made that.

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Speaker 4: If it if you knew that, would you have gone

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Speaker 4: for that position? Who?

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Speaker 8: Maybe I don't know. It may be a lot of responsibility,

390
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Speaker 8: but I don't know. I'm not quite sure what the

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Speaker 8: person does.

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Speaker 9: But they are doing all right.

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Speaker 4: It's Eddie.

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Speaker 9: There's no one in this room.

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Speaker 1: It's the best bits of the week with Morgan number two.

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Speaker 2: I always think it's great to get a guy's perspective,

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Speaker 2: and for me, all the guys on the show are

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Speaker 2: like my big brothers, and when I bring dating segments

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Speaker 2: to the show, it's fun to hear their perspective, whether

400
00:17:03,480 --> 00:17:05,360
Speaker 2: they think I mean a little crazy or like I'm

401
00:17:05,359 --> 00:17:08,040
Speaker 2: spot on. It's just fun to hear what they might think.

402
00:17:08,320 --> 00:17:11,000
Speaker 2: So I brought this five date dilemma I have. I've

403
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Speaker 2: been going out with a guy for five dates, and

404
00:17:13,160 --> 00:17:15,119
Speaker 2: I just was questioning a lot of things. So I

405
00:17:15,200 --> 00:17:17,480
Speaker 2: got their advice what they think I should do, and

406
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Speaker 2: surprisingly the whole show was pretty much on the same

407
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Speaker 2: page with this one.

408
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Speaker 3: So maybe it's a no brainer. I don't know. Listen

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Speaker 3: and you decide for yourself number five?

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Speaker 4: Or do you feel like you're a self sabotager when

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Speaker 4: it comes to dating.

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Speaker 2: I never felt that way originally, but yes lately, because

413
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Speaker 2: I'm just I assume that the other shoe was.

414
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Speaker 3: Always going to drop.

415
00:17:37,400 --> 00:17:40,000
Speaker 4: You feel like it's eventually going to go bad anyway,

416
00:17:40,040 --> 00:17:41,159
Speaker 4: so why not run it yourself?

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00:17:41,400 --> 00:17:41,760
Speaker 3: Yeah?

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Speaker 2: At this point, because I'm like, I don't need to get.

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Speaker 3: Hurt, so I'll just cut ties now and get out.

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Speaker 4: So where are you now with this guy?

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Speaker 3: So we've been on five dates?

422
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Speaker 4: Is this Twister guy?

423
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Speaker 3: This is Twister guy?

424
00:17:52,440 --> 00:17:52,760
Speaker 4: Got it?

425
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Speaker 3: Yeah? Akay, cowboy Cowboy?

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Speaker 2: Yes, we've been on five dates and we facetimed a lot,

427
00:17:59,040 --> 00:18:02,159
Speaker 2: but I just don't feel like he's taking the initiative,

428
00:18:02,880 --> 00:18:05,640
Speaker 2: Like he's not being like, hey, I like you, or hey,

429
00:18:05,720 --> 00:18:07,520
Speaker 2: like I want to see you again, but like he's

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Speaker 2: still texting me and facetiming me all the time.

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Speaker 4: Do you feel like he's not taking the initiative because

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Speaker 4: he's maybe playing this with other people too.

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Speaker 2: I don't know, like, and I just don't know if

434
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Speaker 2: I'm being like so sensitive and I'm I rush things.

435
00:18:20,880 --> 00:18:22,479
Speaker 2: I don't feel like I'm rushing. I mean, it's been

436
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Speaker 2: five dates.

437
00:18:23,520 --> 00:18:25,479
Speaker 4: What do you expect to happen after five dates? As

438
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Speaker 4: far as were you to not maybe define the relationship,

439
00:18:28,040 --> 00:18:30,360
Speaker 4: but at least to find something yeah, or just.

440
00:18:30,359 --> 00:18:32,640
Speaker 2: Be like take the initiative to be like, hey, I'm

441
00:18:32,680 --> 00:18:34,600
Speaker 2: interested in you and I would like to see you

442
00:18:34,640 --> 00:18:36,600
Speaker 2: again and make a plan to see each other again.

443
00:18:36,800 --> 00:18:37,880
Speaker 3: Well, that hasn't happened.

444
00:18:38,000 --> 00:18:39,280
Speaker 4: He doesn't make a plan to see you again.

445
00:18:39,480 --> 00:18:41,200
Speaker 11: No, but like you plan to the five dates?

446
00:18:41,480 --> 00:18:41,720
Speaker 13: No?

447
00:18:41,720 --> 00:18:45,040
Speaker 2: No, no, he planned the first two and then I

448
00:18:45,200 --> 00:18:46,760
Speaker 2: kind of helped with the last three.

449
00:18:47,040 --> 00:18:48,840
Speaker 3: He started it and then I kind of helped.

450
00:18:48,840 --> 00:18:50,639
Speaker 4: I don't like how this feels, especially early on.

451
00:18:51,240 --> 00:18:52,560
Speaker 3: That's see, That's how I feel.

452
00:18:52,560 --> 00:18:54,720
Speaker 2: But I can't tell if I'm just being too harsh

453
00:18:54,800 --> 00:18:58,960
Speaker 2: or too critical, and I just don't. He keeps texting me,

454
00:18:59,040 --> 00:19:01,680
Speaker 2: he keeps facetiming me, which is showing me that he's interested.

455
00:19:01,760 --> 00:19:04,879
Speaker 2: But is he not interested enough to put an extra effort.

456
00:19:04,680 --> 00:19:07,400
Speaker 4: Or is he just let me say this. He may

457
00:19:07,400 --> 00:19:09,439
Speaker 4: be super interested in you, but or is he just

458
00:19:09,520 --> 00:19:13,439
Speaker 4: keeping you around because he's keeping a few people around.

459
00:19:13,480 --> 00:19:15,040
Speaker 4: That would be what I would be worrying about.

460
00:19:15,240 --> 00:19:16,760
Speaker 3: Yeah, like he's trying to build a roster.

461
00:19:17,320 --> 00:19:20,720
Speaker 4: Yeah, or you're a backup, or he's got threes deciding within.

462
00:19:20,800 --> 00:19:23,120
Speaker 4: You could be furt I don't know. It does feel weird.

463
00:19:23,119 --> 00:19:25,200
Speaker 4: When I started dating my wife, I was just asking

464
00:19:25,280 --> 00:19:26,119
Speaker 4: all the time, you do this one?

465
00:19:26,160 --> 00:19:26,359
Speaker 6: Do that? What?

466
00:19:26,480 --> 00:19:29,159
Speaker 4: Do this? What? Like I was taking big initiative because

467
00:19:29,200 --> 00:19:31,280
Speaker 4: I didn't want to let that slip away, because I

468
00:19:31,320 --> 00:19:33,840
Speaker 4: was like, dang, she's so cool. If I don't do it,

469
00:19:33,880 --> 00:19:37,240
Speaker 4: somebody else is going to Like I worried that would happen.

470
00:19:37,840 --> 00:19:40,840
Speaker 4: So and again, everybody's different. I feel like if you

471
00:19:41,000 --> 00:19:46,040
Speaker 4: really wanted to be in it, he would make more

472
00:19:46,080 --> 00:19:48,200
Speaker 4: of an effort to get you in it with him.

473
00:19:48,400 --> 00:19:49,439
Speaker 3: See That's how I'm feeling.

474
00:19:49,560 --> 00:19:51,879
Speaker 4: But not every dude's like that, why don't you do

475
00:19:51,960 --> 00:19:54,920
Speaker 4: since you're doing these uncomfortable things right like you're yeah,

476
00:19:54,960 --> 00:19:57,240
Speaker 4: why don't you just ask him? Hey, what's up? Like?

477
00:19:57,520 --> 00:19:59,639
Speaker 4: What would you ask him if it wasn't weird, if

478
00:19:59,680 --> 00:20:00,960
Speaker 4: it wasn't weird, and you can ask him anything, the

479
00:20:00,960 --> 00:20:01,840
Speaker 4: whole world would ask him.

480
00:20:01,840 --> 00:20:03,520
Speaker 3: Okay, So I did kind of do this.

481
00:20:04,000 --> 00:20:07,719
Speaker 2: So after the twister date, he hadn't like really followed up.

482
00:20:07,720 --> 00:20:09,800
Speaker 2: He'd been like, that was really fun, and that was it.

483
00:20:09,840 --> 00:20:11,480
Speaker 2: He wasn't like, hey, I want again.

484
00:20:11,760 --> 00:20:13,360
Speaker 4: I bet you he's got other girls.

485
00:20:14,000 --> 00:20:17,119
Speaker 2: And so I literally just kind of like I started

486
00:20:17,160 --> 00:20:19,760
Speaker 2: matching his effort and I just kind of pulled back

487
00:20:20,359 --> 00:20:22,159
Speaker 2: and he was like, well, why didn't you ask me

488
00:20:22,200 --> 00:20:26,400
Speaker 2: to hang out? And I'm like, I feel like you

489
00:20:26,440 --> 00:20:28,359
Speaker 2: don't like me, so why would I ask you to

490
00:20:28,400 --> 00:20:28,800
Speaker 2: hang out?

491
00:20:28,880 --> 00:20:30,119
Speaker 4: Could he be intimidated by you?

492
00:20:30,640 --> 00:20:31,919
Speaker 3: There's always a possibility.

493
00:20:31,960 --> 00:20:34,040
Speaker 2: I get told that a lot, but I also just

494
00:20:34,080 --> 00:20:35,800
Speaker 2: don't feel like I want somebody who's going to be

495
00:20:35,800 --> 00:20:36,560
Speaker 2: intimidated by me.

496
00:20:36,640 --> 00:20:38,320
Speaker 10: I agree with that too, And it sounds to me

497
00:20:38,359 --> 00:20:40,320
Speaker 10: like you want someone that's going to take initiative and

498
00:20:40,359 --> 00:20:42,639
Speaker 10: plan things. And if he's already showing you he can't

499
00:20:42,680 --> 00:20:44,560
Speaker 10: do that for dates three, four.

500
00:20:44,359 --> 00:20:46,280
Speaker 4: And five, or he doesn't want to do that.

501
00:20:46,440 --> 00:20:48,840
Speaker 3: Yeah, yeah, And I even told him like I.

502
00:20:48,800 --> 00:20:50,920
Speaker 4: Was like, hey, I broke. Does he have decent jobs?

503
00:20:50,920 --> 00:20:52,080
Speaker 3: I don't know he has a decent job.

504
00:20:52,640 --> 00:20:54,879
Speaker 2: And I've even told him like I want someone who

505
00:20:54,960 --> 00:20:57,679
Speaker 2: takes initiative and plan things. I gave him the guidebook

506
00:20:57,720 --> 00:21:00,800
Speaker 2: to be like this is what I need and we're

507
00:21:00,840 --> 00:21:01,760
Speaker 2: not having the follow up.

508
00:21:01,880 --> 00:21:03,960
Speaker 4: Let's go up to the dudes here, guys, let's go

509
00:21:04,000 --> 00:21:06,359
Speaker 4: to Ray first. Ray Mundo, you and babe been married

510
00:21:06,400 --> 00:21:08,240
Speaker 4: for a bit. Now, what are your thoughts?

511
00:21:08,359 --> 00:21:10,400
Speaker 12: Yeah, the I would imagine you guys would be hanging

512
00:21:10,440 --> 00:21:12,040
Speaker 12: out a lot more than you have. It just seems

513
00:21:12,119 --> 00:21:15,760
Speaker 12: like it's forced. A relationship's never forced. This thing's done though.

514
00:21:15,600 --> 00:21:17,600
Speaker 4: Okay, Eddie, Yeah, I'm with Ray on this.

515
00:21:17,640 --> 00:21:19,600
Speaker 5: It's just the whole, like this is what I want,

516
00:21:19,640 --> 00:21:21,919
Speaker 5: This is what I need after like five dates to

517
00:21:21,960 --> 00:21:24,040
Speaker 5: me is too much, like I don't understand why people

518
00:21:24,080 --> 00:21:24,600
Speaker 5: just can't have.

519
00:21:24,520 --> 00:21:26,879
Speaker 4: Fun and let it build. So it's her fault.

520
00:21:26,960 --> 00:21:28,639
Speaker 5: Well, I think it's both of their faults, like with

521
00:21:28,800 --> 00:21:31,240
Speaker 5: too much of just like you, even if he's intimidated

522
00:21:31,240 --> 00:21:34,000
Speaker 5: by it, like what intimidated by what like maybe there's

523
00:21:34,000 --> 00:21:36,359
Speaker 5: too many demands. I don't know, okay, but you know

524
00:21:36,400 --> 00:21:38,439
Speaker 5: what I mean, it's just like the intimidation factors, like

525
00:21:38,760 --> 00:21:40,320
Speaker 5: it should be a fun relationship.

526
00:21:40,400 --> 00:21:43,120
Speaker 4: I agree, But at what point then do you go, Hey,

527
00:21:43,119 --> 00:21:46,120
Speaker 4: I do really like you, and maybe I'll just chill

528
00:21:46,160 --> 00:21:47,720
Speaker 4: and get other people for a minute to see if

529
00:21:48,400 --> 00:21:49,360
Speaker 4: we end up being a thing.

530
00:21:49,840 --> 00:21:52,240
Speaker 5: Yeah, I think there's just so many games involved here,

531
00:21:52,359 --> 00:21:55,040
Speaker 5: Like what if he's playing too cool? Sometimes girls are like, yeah,

532
00:21:55,560 --> 00:21:57,080
Speaker 5: is coming on too quick? Coming on too quick? And

533
00:21:57,119 --> 00:21:57,919
Speaker 5: maybe he'd been told.

534
00:21:57,800 --> 00:22:00,960
Speaker 9: I don't want to be Abbey level like that. That's

535
00:22:01,000 --> 00:22:01,680
Speaker 9: a little like.

536
00:22:01,720 --> 00:22:03,640
Speaker 4: You find a way to hit Abby when she's not.

537
00:22:05,720 --> 00:22:07,960
Speaker 8: Like when I listen to Morgan, I don't get more

538
00:22:08,080 --> 00:22:10,920
Speaker 8: Abby vibes from Morgan where she's all in after one

539
00:22:10,960 --> 00:22:11,760
Speaker 8: hour of talking.

540
00:22:12,240 --> 00:22:15,520
Speaker 9: But I think this dude is sort of like.

541
00:22:15,720 --> 00:22:18,719
Speaker 8: Man, I'll get my cake when I want cake, But

542
00:22:19,040 --> 00:22:21,679
Speaker 8: on Wednesdays, I'm gonna go get cookies over here, and

543
00:22:21,760 --> 00:22:24,280
Speaker 8: on Thursdays, I'm gonna get ice cream over here. You

544
00:22:24,320 --> 00:22:25,720
Speaker 8: know what I mean? On Saturday, if I got no

545
00:22:26,200 --> 00:22:28,520
Speaker 8: ice cream or cookies, I guess I'll go get some cake.

546
00:22:28,840 --> 00:22:31,399
Speaker 4: Do you feel like he interesting dedicates the weekends like

547
00:22:31,400 --> 00:22:32,679
Speaker 4: the primetime spots to you.

548
00:22:33,320 --> 00:22:35,040
Speaker 2: Yeah, I mean the last time we hung out was

549
00:22:35,040 --> 00:22:37,560
Speaker 2: a Saturday night. This is also what gets me though,

550
00:22:37,760 --> 00:22:40,160
Speaker 2: is like he can text me a lot and FaceTime

551
00:22:40,240 --> 00:22:42,840
Speaker 2: me in evenings, like I don't think he's going on

552
00:22:42,880 --> 00:22:43,760
Speaker 2: other dates?

553
00:22:44,119 --> 00:22:45,800
Speaker 4: Is he ever in like it looks like a restroom

554
00:22:45,840 --> 00:22:48,760
Speaker 4: like astant.

555
00:22:48,080 --> 00:22:51,000
Speaker 2: No, But I'm like, if you can FaceTime me for

556
00:22:51,080 --> 00:22:54,119
Speaker 2: an hour, why don't you just ask me to hang out?

557
00:22:54,359 --> 00:22:58,399
Speaker 4: So even if he doesn't have a roster, which I

558
00:22:58,440 --> 00:23:01,440
Speaker 4: don't think he does, personality, he doesn't seem like one

559
00:23:02,119 --> 00:23:04,960
Speaker 4: that you and him would thrive together because it feels

560
00:23:04,960 --> 00:23:06,720
Speaker 4: like he may be a bit shy.

561
00:23:07,200 --> 00:23:09,560
Speaker 3: And that's kind of what I'm thinking. I feel like.

562
00:23:09,560 --> 00:23:12,200
Speaker 2: I want someone who wants to take an initiative, wants

563
00:23:12,240 --> 00:23:14,560
Speaker 2: to show up in the same effort that I'm putting in.

564
00:23:14,640 --> 00:23:16,560
Speaker 6: I don't. I don't think you well, I don't know

565
00:23:16,600 --> 00:23:19,040
Speaker 6: if you just said think or feel you know that's

566
00:23:19,080 --> 00:23:21,400
Speaker 6: what you want. Yeah, I've heard you sorry I multiple times,

567
00:23:21,440 --> 00:23:22,240
Speaker 6: So you know.

568
00:23:22,119 --> 00:23:23,679
Speaker 4: Why don't you just say that to him? Do you

569
00:23:23,720 --> 00:23:24,520
Speaker 4: like him?

570
00:23:25,000 --> 00:23:25,360
Speaker 3: I do?

571
00:23:25,440 --> 00:23:27,439
Speaker 2: But this has been off putting, Like I definitely have

572
00:23:27,440 --> 00:23:28,560
Speaker 2: a little bit of an ache now.

573
00:23:28,480 --> 00:23:30,840
Speaker 4: Then you got to just give it one final honest

574
00:23:30,920 --> 00:23:34,080
Speaker 4: go and go like, hey, look, I really like you,

575
00:23:34,240 --> 00:23:37,159
Speaker 4: Like what are we doing here? You don't have to

576
00:23:37,160 --> 00:23:40,639
Speaker 4: say a relationship, but like I need you to take

577
00:23:41,520 --> 00:23:45,399
Speaker 4: a little bit of some authority here and like I

578
00:23:45,440 --> 00:23:46,919
Speaker 4: need you to plan stuff. I need you to be

579
00:23:46,960 --> 00:23:48,439
Speaker 4: that dude because for me, that's what I'm looking for.

580
00:23:48,480 --> 00:23:49,560
Speaker 4: And if he doesn't, then who cares?

581
00:23:49,880 --> 00:23:50,600
Speaker 3: Is it too much?

582
00:23:50,640 --> 00:23:53,120
Speaker 2: After I've already kind of said it once and it's

583
00:23:53,119 --> 00:23:54,880
Speaker 2: only been five dates, Like, is it just too.

584
00:23:54,840 --> 00:23:55,640
Speaker 3: Much and it's just not working?

585
00:23:55,640 --> 00:23:57,000
Speaker 4: Well, I wouldn't do it right now. Maybe go on

586
00:23:57,080 --> 00:23:59,760
Speaker 4: like two more dates and then you at seven dates

587
00:23:59,800 --> 00:24:00,560
Speaker 4: you can pretty much.

588
00:24:00,480 --> 00:24:02,600
Speaker 3: Say but to day, if we're going to go on.

589
00:24:04,480 --> 00:24:07,320
Speaker 8: Six months instead of say, hey, you know how you

590
00:24:07,359 --> 00:24:09,160
Speaker 8: faced on me for an hour last night, why didn't

591
00:24:09,160 --> 00:24:09,760
Speaker 8: you just come over?

592
00:24:10,600 --> 00:24:12,480
Speaker 6: Why don't you just He'll be like, well, you didn't

593
00:24:12,480 --> 00:24:12,919
Speaker 6: invite me.

594
00:24:13,080 --> 00:24:14,080
Speaker 4: For you can do that.

595
00:24:14,080 --> 00:24:15,600
Speaker 3: You can, That's what I'm worried about.

596
00:24:15,200 --> 00:24:18,080
Speaker 4: You could feel that out. He may just be so

597
00:24:18,200 --> 00:24:20,160
Speaker 4: passive though, I mean, what if he's just an extremely

598
00:24:20,200 --> 00:24:21,880
Speaker 4: passive guy like that?

599
00:24:22,119 --> 00:24:24,240
Speaker 2: Yeah, a little bit he's very laid back, and I

600
00:24:24,359 --> 00:24:27,399
Speaker 2: just maybe I just can't date somebody that's super passive.

601
00:24:27,080 --> 00:24:28,600
Speaker 4: Like Eddie's super laid back and past him and we

602
00:24:28,720 --> 00:24:31,960
Speaker 4: date wonderfully. I'm type A and he's very passive.

603
00:24:32,640 --> 00:24:34,679
Speaker 3: But see, I don't want to be that like I.

604
00:24:34,840 --> 00:24:37,360
Speaker 2: You know, there's a lot online about like the feminine

605
00:24:37,400 --> 00:24:39,679
Speaker 2: masculine energy. I very much want to be in my

606
00:24:39,760 --> 00:24:42,960
Speaker 2: feminine energy. I don't want to take the masculine role.

607
00:24:43,040 --> 00:24:46,080
Speaker 2: I've had to and I've been in those relationships and

608
00:24:46,119 --> 00:24:47,320
Speaker 2: those weren't enjoyable for me.

609
00:24:47,359 --> 00:24:49,439
Speaker 4: Then you can't stay in this purgatory place regardless. You

610
00:24:49,440 --> 00:24:51,280
Speaker 4: either got to cut it and run, or you got

611
00:24:51,320 --> 00:24:53,000
Speaker 4: to make one more statement of hey, this is what

612
00:24:53,040 --> 00:24:54,359
Speaker 4: I'm looking for, and if he doesn't give it to you,

613
00:24:54,400 --> 00:24:56,639
Speaker 4: then you go, because you're just in a purgatory. You're

614
00:24:56,640 --> 00:24:58,399
Speaker 4: gonna be miserable, regardless you're in the middle space.

615
00:24:58,520 --> 00:25:00,560
Speaker 3: I know, I just couldn't tell if I was self

616
00:25:00,560 --> 00:25:01,400
Speaker 3: sabotaging though.

617
00:25:01,359 --> 00:25:05,160
Speaker 4: Or I think now you're maybe holding on a little

618
00:25:05,160 --> 00:25:08,160
Speaker 4: too long. Okay, yeah, so all right, well good luck.

619
00:25:08,240 --> 00:25:10,080
Speaker 4: Let us know. I think you flight twister with them'll

620
00:25:10,080 --> 00:25:11,479
Speaker 4: come right over again. Forgot about it.

621
00:25:11,640 --> 00:25:16,800
Speaker 14: Probably it's the best bits of the week with Morgan.

622
00:25:16,880 --> 00:25:20,760
Speaker 1: Number two, the big.

623
00:25:20,520 --> 00:25:23,639
Speaker 2: Game happened last weekend and it was so exciting the

624
00:25:23,720 --> 00:25:24,320
Speaker 2: Chiefs won.

625
00:25:24,840 --> 00:25:26,159
Speaker 3: Is that a spoiler alert? I hope not.

626
00:25:26,240 --> 00:25:28,280
Speaker 2: I mean, there was like literally one hundred over one

627
00:25:28,359 --> 00:25:30,119
Speaker 2: hundred million people watching, so I don't think it's a

628
00:25:30,119 --> 00:25:33,919
Speaker 2: spoiler alert at this point. But Bobby commented on the

629
00:25:34,119 --> 00:25:38,119
Speaker 2: viral Travis Kelsey video with Andy Reid where he was

630
00:25:38,160 --> 00:25:40,480
Speaker 2: bumping into him and yelling in his face, and Bobby

631
00:25:40,480 --> 00:25:42,840
Speaker 2: shared his thoughts. It was interesting, and I know a

632
00:25:42,840 --> 00:25:45,560
Speaker 2: lot of you guys have passionate opinions on this specific topic.

633
00:25:45,640 --> 00:25:48,760
Speaker 2: I also know that by the time you're probably listening

634
00:25:48,760 --> 00:25:51,199
Speaker 2: to this, Travis Kelcey himself has even talked about it

635
00:25:51,240 --> 00:25:53,119
Speaker 2: and made a statement on it, so as Andy.

636
00:25:52,880 --> 00:25:55,280
Speaker 3: Reid, there's a lot here. But Bobby broke it down

637
00:25:55,320 --> 00:25:56,240
Speaker 3: and shared what he thinks.

638
00:25:56,800 --> 00:25:58,639
Speaker 4: Number four, how much of the game did you watch?

639
00:26:00,280 --> 00:26:02,119
Speaker 6: Not the overtime part or whatever?

640
00:26:06,640 --> 00:26:09,040
Speaker 10: I like, I had to make up and figure out

641
00:26:09,880 --> 00:26:10,960
Speaker 10: who one I yah.

642
00:26:11,160 --> 00:26:15,560
Speaker 4: I decided to go what point did you turn it off? Well?

643
00:26:15,560 --> 00:26:17,800
Speaker 6: I went and got in the shower towards.

644
00:26:18,840 --> 00:26:21,600
Speaker 10: Honestly, it was starting the fourth quarter maybe, and then

645
00:26:21,600 --> 00:26:23,600
Speaker 10: I started doing my bedtime routine and then my friend

646
00:26:23,600 --> 00:26:25,440
Speaker 10: that was over. She was like, I think I'm gonna

647
00:26:25,480 --> 00:26:28,560
Speaker 10: go home and go to bed. I'm like, okaydbye, so round.

648
00:26:28,560 --> 00:26:30,560
Speaker 4: Then when did you find out who won?

649
00:26:30,920 --> 00:26:31,479
Speaker 3: This morning?

650
00:26:32,119 --> 00:26:32,320
Speaker 4: When?

651
00:26:32,440 --> 00:26:36,520
Speaker 6: When I woke up I checked? And how I found out?

652
00:26:36,520 --> 00:26:40,520
Speaker 10: As I saw Taylor Swift kissing Travis Kelcey and it's

653
00:26:40,560 --> 00:26:42,800
Speaker 10: like Taylor won her first Super Bowl. I was like, sweet,

654
00:26:43,359 --> 00:26:45,800
Speaker 10: got it, got it. But I honestly didn't care who won.

655
00:26:46,280 --> 00:26:48,440
Speaker 10: I was not rooting for anybody in particular.

656
00:26:48,640 --> 00:26:50,320
Speaker 4: Yeah, that's cool, it's a great game.

657
00:26:50,480 --> 00:26:51,440
Speaker 6: When did you find out?

658
00:26:52,280 --> 00:26:53,120
Speaker 4: Well, I watched it.

659
00:26:53,800 --> 00:26:56,879
Speaker 6: Obvious a lot of money, but it just kept going.

660
00:26:57,400 --> 00:26:59,040
Speaker 4: It did, but that made it really good if you

661
00:26:59,119 --> 00:27:01,280
Speaker 4: were My wife was the same way. She was like,

662
00:27:02,080 --> 00:27:03,480
Speaker 4: how long is thing going to go on? And she's

663
00:27:03,480 --> 00:27:04,720
Speaker 4: a sports fan, but even then she was like, just

664
00:27:04,720 --> 00:27:05,920
Speaker 4: somebody wins. I can go to bed.

665
00:27:05,920 --> 00:27:07,800
Speaker 10: Because even by the fourth quarter, which is part of

666
00:27:07,840 --> 00:27:09,080
Speaker 10: the normal plan, it's.

667
00:27:10,760 --> 00:27:12,480
Speaker 4: Yeah, I want to go talk to Katie and Maryland

668
00:27:12,520 --> 00:27:15,359
Speaker 4: real quick. Who's on the phone, Katie, Welcome to the

669
00:27:15,400 --> 00:27:16,720
Speaker 4: Bobby Bone Show. What's going on?

670
00:27:17,000 --> 00:27:17,200
Speaker 10: Hi?

671
00:27:17,320 --> 00:27:19,159
Speaker 7: How are you guys? Pretty huge fans.

672
00:27:19,240 --> 00:27:20,760
Speaker 4: Thank you very much. What would you like to say?

673
00:27:21,119 --> 00:27:23,720
Speaker 7: I'm just trying to find out what your opinion was

674
00:27:23,760 --> 00:27:28,760
Speaker 7: on Travis Chelsea grabbing Andy Reid and shaking and throwing,

675
00:27:29,680 --> 00:27:32,439
Speaker 7: almost knocking him over because he wanted it looked like

676
00:27:32,440 --> 00:27:33,800
Speaker 7: I guess he wanted to be in the play.

677
00:27:35,040 --> 00:27:36,400
Speaker 4: So I don't know if he grabbed him and through

678
00:27:36,480 --> 00:27:38,159
Speaker 4: him so much. It was a bad look. I mean

679
00:27:38,200 --> 00:27:40,000
Speaker 4: I could see Taylor dump and Travis Kelsey just because

680
00:27:40,000 --> 00:27:41,360
Speaker 4: of that. Oh yeah, there's a bad look.

681
00:27:41,440 --> 00:27:42,400
Speaker 6: Well tell me more.

682
00:27:42,280 --> 00:27:46,960
Speaker 4: Big and when football is a game of emotion. But still,

683
00:27:46,960 --> 00:27:48,600
Speaker 4: you don't you don't. You don't do that. You don't

684
00:27:48,640 --> 00:27:50,760
Speaker 4: go over to your head coach. By the way, the

685
00:27:50,800 --> 00:27:52,680
Speaker 4: head coach is in front of the sideline, so it's

686
00:27:52,800 --> 00:27:56,040
Speaker 4: very visible. It's not like this, yeah, and get right

687
00:27:56,040 --> 00:27:59,600
Speaker 4: in his face and he he bumped him, but it

688
00:27:59,680 --> 00:28:00,879
Speaker 4: was very aggressive looking.

689
00:28:01,119 --> 00:28:04,840
Speaker 5: Andy Reid was startled, knocked him over because yeah, he's

690
00:28:04,840 --> 00:28:05,600
Speaker 5: in his sixties.

691
00:28:06,280 --> 00:28:08,800
Speaker 4: Like if you want, even if you want to yell okay,

692
00:28:08,880 --> 00:28:11,520
Speaker 4: just make sure you don't touch him because he Kelsey's

693
00:28:11,520 --> 00:28:14,399
Speaker 4: like a six y five dude. It wasn't good. It

694
00:28:14,440 --> 00:28:17,120
Speaker 4: did not look good. I could see if that got

695
00:28:17,160 --> 00:28:19,520
Speaker 4: real ugly today, if it continued to be part of

696
00:28:19,520 --> 00:28:23,360
Speaker 4: the story. It's such a bad look that I could

697
00:28:23,359 --> 00:28:26,119
Speaker 4: see Taylor dumping them for that. Wow. I mean he

698
00:28:26,119 --> 00:28:28,240
Speaker 4: gets down his face and it's like this and Andyody

699
00:28:28,359 --> 00:28:29,879
Speaker 4: kind of walked and then he just kind of bumps

700
00:28:29,880 --> 00:28:31,800
Speaker 4: into him, but he's screaming at him because he basically

701
00:28:31,840 --> 00:28:33,000
Speaker 4: once of all, I think he had one catch in

702
00:28:33,000 --> 00:28:33,600
Speaker 4: the first half.

703
00:28:34,240 --> 00:28:36,280
Speaker 6: So have you ever seen a player behave that.

704
00:28:36,280 --> 00:28:40,479
Speaker 4: Way, not a star player on that level in that

705
00:28:40,560 --> 00:28:45,240
Speaker 4: type of game. No, it was wildly aggressive.

706
00:28:44,920 --> 00:28:47,160
Speaker 9: And luckily they won, or else it would be more

707
00:28:47,160 --> 00:28:48,480
Speaker 9: of a story.

708
00:28:48,720 --> 00:28:51,800
Speaker 4: I think I saw Ray comment last night on it. Yeah,

709
00:28:51,800 --> 00:28:53,800
Speaker 4: I said, is that what he does to Taylor? Then

710
00:28:53,920 --> 00:28:56,360
Speaker 4: got like and then got like ten thousand lines on

711
00:28:56,400 --> 00:28:57,440
Speaker 4: the ESPN page. No.

712
00:28:57,480 --> 00:28:59,760
Speaker 10: I mean, honestly, my thought just now was like, oh,

713
00:28:59,920 --> 00:29:03,000
Speaker 10: is this indicative of other behavior that like nobody sees.

714
00:29:02,840 --> 00:29:05,040
Speaker 4: Like if things aren't going right, this is how someone

715
00:29:05,160 --> 00:29:09,200
Speaker 4: acts or rex. It wasn't good when most of the

716
00:29:09,280 --> 00:29:11,440
Speaker 4: time in a very physical game, very emotional game, you

717
00:29:11,440 --> 00:29:14,000
Speaker 4: give the benefit of the doubt. You go listen, everybody's

718
00:29:14,680 --> 00:29:17,080
Speaker 4: up and emotional, but it's ugly. Would you guys agree.

719
00:29:17,240 --> 00:29:19,600
Speaker 9: Oh yeah, I was like, this is awkward.

720
00:29:19,240 --> 00:29:21,320
Speaker 4: And usually we don't all agree on stuff like this

721
00:29:21,840 --> 00:29:24,080
Speaker 4: is bad, and I've never seen him act like that. Yeah, either,

722
00:29:24,320 --> 00:29:25,040
Speaker 4: like that was weird.

723
00:29:25,080 --> 00:29:27,680
Speaker 1: He's probably like golfriend's watch make stupid.

724
00:29:30,760 --> 00:29:33,880
Speaker 8: I mean Andy Reid looked like oh no, like he

725
00:29:33,960 --> 00:29:35,200
Speaker 8: had no idea how to handle it.

726
00:29:35,920 --> 00:29:37,240
Speaker 4: Katie, what did you think about it?

727
00:29:37,480 --> 00:29:40,760
Speaker 7: Well, so here's the deal. We're I'm a Maryland so

728
00:29:40,800 --> 00:29:44,760
Speaker 7: we're Baltimore fans. So after the whole incident with Justin

729
00:29:44,800 --> 00:29:49,200
Speaker 7: Tucker and him tossing his helmet and stuff dis respectfully,

730
00:29:49,760 --> 00:29:52,080
Speaker 7: I'm just like, this is just one more saying. I mean,

731
00:29:52,120 --> 00:29:55,640
Speaker 7: it's really bad. Me have a coach like that. And

732
00:29:55,680 --> 00:29:58,320
Speaker 7: he did stumble it was bad.

733
00:29:58,640 --> 00:30:00,680
Speaker 4: So what happened with Jessin Tucker needs to kick her.

734
00:30:00,760 --> 00:30:03,120
Speaker 4: I'm big Justin Tucker guy. I like Justin talk to

735
00:30:03,200 --> 00:30:06,360
Speaker 4: him a little bit. Justin Tucker was kicking. He was

736
00:30:06,400 --> 00:30:08,640
Speaker 4: just messing with my homes and Kelsey but just kicking

737
00:30:08,640 --> 00:30:10,560
Speaker 4: where they were coming to warm up, and so he

738
00:30:10,600 --> 00:30:13,800
Speaker 4: didn't stop kicking. So Kelsey grabbed his ball and Steven

739
00:30:13,840 --> 00:30:14,880
Speaker 4: through it.

740
00:30:15,240 --> 00:30:17,560
Speaker 8: I'm team Travis on that one. Like she's saying it

741
00:30:17,600 --> 00:30:20,000
Speaker 8: was so disrespectful. But it's like where they were warming up,

742
00:30:20,000 --> 00:30:22,320
Speaker 8: it was like, all right, Tucker, get out of here.

743
00:30:22,400 --> 00:30:24,880
Speaker 4: Yeah, I didn't feel just Tucker even admitted he was

744
00:30:24,920 --> 00:30:27,600
Speaker 4: just messing with them. So that part, to me doesn't

745
00:30:27,640 --> 00:30:29,360
Speaker 4: bother me. But last night with Andy Reid.

746
00:30:29,240 --> 00:30:32,280
Speaker 10: Was pretty Could you imagine if like we wanted to

747
00:30:32,280 --> 00:30:33,960
Speaker 10: be in a segment or something, we just come over

748
00:30:34,040 --> 00:30:34,440
Speaker 10: and start.

749
00:30:35,000 --> 00:30:36,840
Speaker 4: But I'm also not sixty five or.

750
00:30:36,800 --> 00:30:39,640
Speaker 6: Sixty I.

751
00:30:43,720 --> 00:30:45,240
Speaker 3: Didn't get to talk last break.

752
00:30:46,400 --> 00:30:47,240
Speaker 4: Yeah, it wasn't good.

753
00:30:47,560 --> 00:30:48,720
Speaker 9: Maybe you should look up the video.

754
00:30:48,920 --> 00:30:49,600
Speaker 6: No, no, I won't.

755
00:30:49,880 --> 00:30:50,719
Speaker 4: Well you haven't seen it.

756
00:30:51,120 --> 00:30:51,880
Speaker 6: No, I had no ida.

757
00:30:51,920 --> 00:30:54,080
Speaker 10: I thought this happened in overtime because I missed it,

758
00:30:54,160 --> 00:30:56,440
Speaker 10: but it would have been when it was first half.

759
00:30:56,440 --> 00:30:57,040
Speaker 4: Its first half.

760
00:30:57,040 --> 00:31:01,959
Speaker 14: Okay, it's the best bits of the week with Morgan.

761
00:31:02,040 --> 00:31:02,520
Speaker 1: Number two.

762
00:31:04,040 --> 00:31:07,640
Speaker 2: After months and months of practicing, Abby finally had her

763
00:31:07,680 --> 00:31:10,800
Speaker 2: guitar recital in studio. She told the show she really

764
00:31:10,840 --> 00:31:13,080
Speaker 2: wanted to learn guitar, so Bobby put a time on

765
00:31:13,120 --> 00:31:15,880
Speaker 2: it and said, you have six months learn guitar, come

766
00:31:15,920 --> 00:31:18,440
Speaker 2: in and play as a song, And that's exactly what happened.

767
00:31:18,480 --> 00:31:21,040
Speaker 2: So you're about to hear for the first time. Abby

768
00:31:21,080 --> 00:31:24,400
Speaker 2: Lee Anderson playing guitar number three.

769
00:31:24,560 --> 00:31:27,440
Speaker 4: Very exciting for us because our very own Abby is

770
00:31:27,480 --> 00:31:29,520
Speaker 4: going to do her first ever recital here on the show.

771
00:31:29,720 --> 00:31:32,640
Speaker 4: She has her guitar had Abby. We're so excited.

772
00:31:32,840 --> 00:31:34,880
Speaker 3: Yeah, thank you, Yeah, I am too.

773
00:31:35,080 --> 00:31:38,000
Speaker 4: We're going to officially play your interview music in a second.

774
00:31:38,000 --> 00:31:40,720
Speaker 4: But six months or so ago, Abby was talking about

775
00:31:40,760 --> 00:31:41,840
Speaker 4: playing at a bar, but she had to hire a

776
00:31:41,880 --> 00:31:45,080
Speaker 4: guitar player, and then sometimes there'd be an issue. Abby,

777
00:31:45,080 --> 00:31:46,479
Speaker 4: why don't you learn to play guitar yourself?

778
00:31:46,520 --> 00:31:48,640
Speaker 8: No, I did I encourage her. I said, you're wasting

779
00:31:48,640 --> 00:31:50,760
Speaker 8: your own money. I'm the one that put this. I

780
00:31:50,800 --> 00:31:55,240
Speaker 8: inspired this, I did, I did. I inspired this.

781
00:31:56,120 --> 00:31:59,880
Speaker 4: You can't take credit for her playing guitar, so Abby,

782
00:32:00,120 --> 00:32:02,640
Speaker 4: with you playing guitar, you went and you're making yourself

783
00:32:02,680 --> 00:32:06,040
Speaker 4: very uncomfortable. You never played publicly before, right, You've been

784
00:32:06,040 --> 00:32:10,400
Speaker 4: practicing at home, and Lunchbox deserves all the credit ahead

785
00:32:10,400 --> 00:32:10,680
Speaker 4: of time.

786
00:32:10,840 --> 00:32:12,960
Speaker 11: Okay, I think he did it for this moment right

787
00:32:12,960 --> 00:32:14,000
Speaker 11: here to laugh at you.

788
00:32:14,080 --> 00:32:16,960
Speaker 9: Yes, but would you remember done it without me doing that?

789
00:32:18,560 --> 00:32:24,200
Speaker 9: I may have thank you. That was a she accepted

790
00:32:24,240 --> 00:32:24,560
Speaker 9: that I was.

791
00:32:24,960 --> 00:32:28,000
Speaker 4: This segment is not about you. This is about Abby. Abby,

792
00:32:28,240 --> 00:32:30,320
Speaker 4: We're going to play this official music and then we're

793
00:32:30,360 --> 00:32:32,880
Speaker 4: going to kind of feel what you're feeling. Okay, all right,

794
00:32:32,960 --> 00:32:41,840
Speaker 4: hit it. Here we go the Friday morning conversation with So, Abby,

795
00:32:41,840 --> 00:32:42,960
Speaker 4: what kind of guitar do you have there?

796
00:32:43,160 --> 00:32:43,280
Speaker 12: So?

797
00:32:43,360 --> 00:32:46,680
Speaker 11: This is a tailor. It is a GS mini. I

798
00:32:46,680 --> 00:32:47,680
Speaker 11: got a smaller one.

799
00:32:48,000 --> 00:32:49,560
Speaker 4: I play a mini and I do comedy. You do

800
00:32:50,360 --> 00:32:53,720
Speaker 4: red mini. Yeah, so congratulations on your your guitar. Did

801
00:32:53,760 --> 00:32:54,600
Speaker 4: you buy that? Yeah?

802
00:32:54,640 --> 00:32:57,840
Speaker 11: I did. For this, I really got into the whole thing.

803
00:32:57,920 --> 00:32:59,640
Speaker 4: And then how often have you been practicing?

804
00:33:00,080 --> 00:33:01,840
Speaker 11: Every day? Early every day?

805
00:33:01,840 --> 00:33:04,040
Speaker 4: Are you negative nervous or positive nervous? Right now?

806
00:33:04,440 --> 00:33:07,680
Speaker 11: I'm positive, but I'm because every time I play by

807
00:33:07,720 --> 00:33:10,760
Speaker 11: myself at home, like, I sound really good, and then

808
00:33:10,800 --> 00:33:12,280
Speaker 11: if I play for one of my friends or something,

809
00:33:12,320 --> 00:33:14,200
Speaker 11: I just I kind of tight.

810
00:33:14,480 --> 00:33:17,959
Speaker 4: Yes, yeah, okay, so what song in this recital are

811
00:33:17,960 --> 00:33:18,960
Speaker 4: you gonna play for us? First?

812
00:33:19,360 --> 00:33:22,040
Speaker 11: So I have Tennessee Orange by Megan.

813
00:33:21,880 --> 00:33:24,800
Speaker 4: Maroney and we're not gonna do the full song.

814
00:33:25,200 --> 00:33:27,480
Speaker 11: Right, it's really long. I practiced it last night and

815
00:33:27,480 --> 00:33:28,840
Speaker 11: I was like, man, this is just going on.

816
00:33:28,920 --> 00:33:30,440
Speaker 4: So, so what are you gonna do? Like a verse

817
00:33:30,440 --> 00:33:31,400
Speaker 4: and chorus, Yeah.

818
00:33:31,200 --> 00:33:32,960
Speaker 11: I can start like the second verse.

819
00:33:32,760 --> 00:33:35,840
Speaker 4: And whenever whatever you want, Abby is here. And how

820
00:33:35,840 --> 00:33:38,200
Speaker 4: do you are your fingers calloused? Like to the point

821
00:33:38,280 --> 00:33:39,320
Speaker 4: where it doesn't hurt anymore?

822
00:33:39,440 --> 00:33:39,840
Speaker 11: Yeah?

823
00:33:39,920 --> 00:33:40,400
Speaker 6: Yeah they are?

824
00:33:40,480 --> 00:33:42,640
Speaker 4: Okay, you guys reading any questions for our Abbey Lee

825
00:33:42,680 --> 00:33:44,880
Speaker 4: Anderson playing the guitar for the very first time. She's

826
00:33:44,880 --> 00:33:46,160
Speaker 4: been singing for a while. But here we go.

827
00:33:46,200 --> 00:33:48,440
Speaker 11: I think the MIC's falling, So is it okay?

828
00:33:48,560 --> 00:33:50,760
Speaker 4: I deal with it right? Hey, you're doing a live show.

829
00:33:51,280 --> 00:33:53,600
Speaker 4: You say it's show Bisbee, It's show bis Baby.

830
00:33:53,840 --> 00:33:59,920
Speaker 11: Well yeah, thank you, thank you so much.

831
00:34:00,560 --> 00:34:02,480
Speaker 4: All right, Abby? Are you ready to knock our socks off?

832
00:34:03,040 --> 00:34:06,600
Speaker 4: I'm ready with Tennessee Orange From Megan Maroney, a verse

833
00:34:06,600 --> 00:34:08,040
Speaker 4: in a chorus, Here we go.

834
00:34:08,680 --> 00:34:14,000
Speaker 11: Took me to Knoxville last Saturday, and I wore the

835
00:34:14,120 --> 00:34:20,360
Speaker 11: head on. He's dashed to the games, sure was, and nothings,

836
00:34:20,400 --> 00:34:27,040
Speaker 11: but I fell for him under those me But I'll

837
00:34:27,200 --> 00:34:32,920
Speaker 11: met somebody and he's confluence. He opens the door and

838
00:34:33,040 --> 00:34:37,720
Speaker 11: he don't make me cry. Here come away Fromboddy.

839
00:34:38,160 --> 00:34:39,800
Speaker 4: Heels like calm me.

840
00:34:40,320 --> 00:34:47,760
Speaker 11: He's got me doing things I've never done. And Georgia

841
00:34:48,000 --> 00:34:53,880
Speaker 11: dain't call in sin I'm wearing Tennessee orange.

842
00:34:56,400 --> 00:34:58,719
Speaker 4: I can tell she's so nervous because her hand's even

843
00:34:58,719 --> 00:35:00,520
Speaker 4: shaking when she's trying to strump. Do you see that

844
00:35:00,920 --> 00:35:04,959
Speaker 4: you're shaking? Yeah, it's normal. You only get nervous because

845
00:35:05,000 --> 00:35:07,799
Speaker 4: things madd good or bad. You get nervous because thing's mad.

846
00:35:07,800 --> 00:35:08,520
Speaker 11: I don't want to.

847
00:35:08,520 --> 00:35:13,000
Speaker 4: Shake though, Okay, I'll take a breath. Yes, how did

848
00:35:13,040 --> 00:35:14,200
Speaker 4: you feel about that performance?

849
00:35:15,239 --> 00:35:17,880
Speaker 11: Since my hands were shaking, they weren't like exactly on

850
00:35:18,040 --> 00:35:20,319
Speaker 11: the chords, so they were a little off.

851
00:35:20,440 --> 00:35:21,960
Speaker 4: I would even say there are artists that come in

852
00:35:21,960 --> 00:35:23,600
Speaker 4: that are really good that sometimes mess uphile they're playing.

853
00:35:23,600 --> 00:35:25,000
Speaker 4: But you know, the difference is they just keep going

854
00:35:25,000 --> 00:35:26,480
Speaker 4: and they don't even act like it's a thing. It's

855
00:35:26,480 --> 00:35:28,920
Speaker 4: just part of it. So instead of and you do

856
00:35:29,000 --> 00:35:31,200
Speaker 4: this too when you're doing karaoke, be like oh, instead

857
00:35:31,200 --> 00:35:32,960
Speaker 4: of being like, oh, just keep going, who cares, We're

858
00:35:33,000 --> 00:35:33,680
Speaker 4: not even gonna know?

859
00:35:33,920 --> 00:35:36,680
Speaker 11: Yes, just keep going. You need a breath, Just keep going.

860
00:35:36,760 --> 00:35:39,480
Speaker 4: Breath you take a breath. Yeah, let's do this. Why

861
00:35:39,480 --> 00:35:41,400
Speaker 4: don't we play a song? Let abby gain or composure.

862
00:35:41,400 --> 00:35:43,720
Speaker 4: That was a rehearsal firm. That rehearsal for the recital

863
00:35:43,760 --> 00:35:45,359
Speaker 4: and it was good. Abby, you're doing great. We're gonna

864
00:35:45,360 --> 00:35:47,000
Speaker 4: do that one again. And do you have another song

865
00:35:47,000 --> 00:35:47,640
Speaker 4: you're gonna do too?

866
00:35:47,680 --> 00:35:47,840
Speaker 11: I do.

867
00:35:47,960 --> 00:35:48,560
Speaker 4: What's the other song?

868
00:35:48,600 --> 00:35:51,920
Speaker 11: It's a fun one. Fishing in the dark along with me.

869
00:35:52,200 --> 00:35:57,080
Speaker 4: Okay, Abby's here, take your breath, let's box your thoughts. Rehearsals.

870
00:35:57,120 --> 00:36:02,960
Speaker 9: Rehearsal, Yeah, rehearsals a little Okay. I was going into it.

871
00:36:02,960 --> 00:36:04,279
Speaker 8: I thought it was gonna be rough because she was

872
00:36:04,360 --> 00:36:06,680
Speaker 8: cramming another room, having Eddie teacher a couple of things

873
00:36:06,719 --> 00:36:07,000
Speaker 8: that was.

874
00:36:07,000 --> 00:36:08,200
Speaker 4: Like, or go over stuff with that.

875
00:36:10,160 --> 00:36:12,040
Speaker 9: I was like, man, dude, she's cramming right now.

876
00:36:12,640 --> 00:36:14,040
Speaker 6: Cool artists do that backstage.

877
00:36:14,080 --> 00:36:16,560
Speaker 4: Yeah, they do it here in the greens right. Okay, Abby,

878
00:36:16,560 --> 00:36:18,839
Speaker 4: take a breath. That was rehearsal we did a minute ago.

879
00:36:19,200 --> 00:36:21,680
Speaker 4: You guys heard that. That was just us tinkering around.

880
00:36:21,680 --> 00:36:23,160
Speaker 4: We didn't know where on the air. I was just

881
00:36:23,200 --> 00:36:24,600
Speaker 4: like testing out her new guitar.

882
00:36:25,280 --> 00:36:28,279
Speaker 11: Yeah right, yeah, right now I'm ready.

883
00:36:28,000 --> 00:36:31,719
Speaker 4: A little calmer, Yes, I think so. Breath there you

884
00:36:31,719 --> 00:36:35,200
Speaker 4: go through your nose at your mouth. You've been waiting

885
00:36:35,200 --> 00:36:37,879
Speaker 4: for this moment. I have it gonna be so much

886
00:36:37,920 --> 00:36:40,120
Speaker 4: better after this moment, Regardless of how good you do here,

887
00:36:40,239 --> 00:36:43,239
Speaker 4: because you've done the experience, you've seen. If you mess up,

888
00:36:43,440 --> 00:36:47,040
Speaker 4: life doesn't end. If you do great, you're not elected president.

889
00:36:47,280 --> 00:36:48,719
Speaker 4: So that way you can just keep going. That's what

890
00:36:48,840 --> 00:36:50,520
Speaker 4: I do. I've bombed out before, and you know what,

891
00:36:50,560 --> 00:36:53,319
Speaker 4: I realized, A life ain't Over's really not that bad.

892
00:36:53,680 --> 00:36:56,080
Speaker 4: But I needed to bomb to be able to see that.

893
00:36:56,120 --> 00:36:57,840
Speaker 4: So I was comfortable with knowing my worst case scenario.

894
00:36:57,880 --> 00:36:59,080
Speaker 4: And then I've done suff I've crushed it, and you

895
00:36:59,120 --> 00:37:02,960
Speaker 4: know what, I didn't get a accommodation. So let that

896
00:37:03,160 --> 00:37:07,040
Speaker 4: be your leader. Okay, Abby's here, She's got her guitar.

897
00:37:07,360 --> 00:37:10,480
Speaker 4: She's not never played in public. This is her guitar recital.

898
00:37:10,600 --> 00:37:13,319
Speaker 4: While she's singing, you know, I think of me thing

899
00:37:13,360 --> 00:37:15,200
Speaker 4: if you did Megan Maroney, Tennessee Orange. You guys think

900
00:37:15,200 --> 00:37:16,400
Speaker 4: that would be good? Oh? Just on the top of

901
00:37:16,400 --> 00:37:18,360
Speaker 4: my head, I think that would be first. Did you

902
00:37:18,360 --> 00:37:19,040
Speaker 4: try to play that one?

903
00:37:19,160 --> 00:37:20,000
Speaker 11: Yeah, let's do it.

904
00:37:20,040 --> 00:37:22,200
Speaker 4: Here she is in her recital. It's Abbie Lee Anderson.

905
00:37:22,640 --> 00:37:24,160
Speaker 4: All right, Abby.

906
00:37:24,360 --> 00:37:30,440
Speaker 11: Mom calling, I've got some news. Don't you tell daddy

907
00:37:30,840 --> 00:37:38,000
Speaker 11: you blowfuse. Don't worry. I'm new and okay, I know

908
00:37:38,200 --> 00:37:41,719
Speaker 11: he raised me to know where I from wrong. He

909
00:37:41,880 --> 00:37:46,239
Speaker 11: ain't what you think, and I'm still writing songs. Just

910
00:37:46,440 --> 00:37:52,440
Speaker 11: have a thought at see the day. I've never failed

911
00:37:52,440 --> 00:37:58,360
Speaker 11: this way. I met somebody and he's got blues. He

912
00:37:58,600 --> 00:38:04,040
Speaker 11: opens the door any don't make me crying. Pro went

913
00:38:04,160 --> 00:38:09,320
Speaker 11: from buddy, feel like calm. He's got me doing things

914
00:38:09,719 --> 00:38:18,520
Speaker 11: I've never done in Georgia, coming to sing ilmwre in Tennessee.

915
00:38:18,920 --> 00:38:28,759
Speaker 4: O nice Joe, you for your vulnerability and you're doing

916
00:38:28,760 --> 00:38:29,439
Speaker 4: a great job.

917
00:38:30,320 --> 00:38:30,960
Speaker 11: Thank you, Thank you.

918
00:38:31,360 --> 00:38:34,319
Speaker 4: So here's what I want to say too, and ask

919
00:38:34,440 --> 00:38:36,839
Speaker 4: you did you find it difficult to sing and play

920
00:38:36,840 --> 00:38:38,840
Speaker 4: at the same time because of different things happening?

921
00:38:39,280 --> 00:38:42,160
Speaker 11: Yes, And there's even like more strumming. You're supposed to

922
00:38:42,200 --> 00:38:42,360
Speaker 11: do this.

923
00:38:42,440 --> 00:38:43,920
Speaker 4: You have to put yourself down. You don't put yourself

924
00:38:43,920 --> 00:38:44,719
Speaker 4: that's true that.

925
00:38:45,080 --> 00:38:47,000
Speaker 11: I don't think it is when you're just strumming down once,

926
00:38:47,200 --> 00:38:48,799
Speaker 11: I don't think it is. But it took me a

927
00:38:48,800 --> 00:38:51,160
Speaker 11: while to get that. Yeah, like a long time. It's

928
00:38:51,200 --> 00:38:53,480
Speaker 11: just like you strum through and then you hum it

929
00:38:53,640 --> 00:38:54,640
Speaker 11: and then you start singing.

930
00:38:54,680 --> 00:38:57,120
Speaker 4: You did a great job. How do you feel about that?

931
00:38:58,120 --> 00:39:00,960
Speaker 11: Pretty good? Yeah? Pretty good? Does sound like on my couch?

932
00:39:01,000 --> 00:39:02,840
Speaker 4: But good lunchbox your thoughts.

933
00:39:04,040 --> 00:39:06,160
Speaker 9: Yeah, good job, Abby, there you go all right.

934
00:39:06,200 --> 00:39:08,799
Speaker 4: Now it's like a clip we have of him saying

935
00:39:08,800 --> 00:39:10,320
Speaker 4: anything positive. We play it.

936
00:39:10,960 --> 00:39:13,760
Speaker 9: I mean it wasn't perfect, but you kept going.

937
00:39:13,560 --> 00:39:18,440
Speaker 4: Hey, art isn't Yeah what what art is perfect? Ever?

938
00:39:18,840 --> 00:39:21,120
Speaker 4: You're right, Abby? Are you ready? What's the next song?

939
00:39:21,200 --> 00:39:22,280
Speaker 4: Unity for us and your recital?

940
00:39:22,520 --> 00:39:24,800
Speaker 11: Fishing in the dark. You guys have to sing with me?

941
00:39:25,440 --> 00:39:28,920
Speaker 4: Well, no, no, no, you got this. You don't need us.

942
00:39:28,920 --> 00:39:31,040
Speaker 4: Maybe maybe a second or third time. You need to

943
00:39:31,080 --> 00:39:31,759
Speaker 4: hold your paper for you.

944
00:39:32,480 --> 00:39:35,160
Speaker 11: These are like my this is just the words.

945
00:39:35,480 --> 00:39:38,000
Speaker 4: Okay the bull put it on the ground. Ready, Abby,

946
00:39:39,200 --> 00:39:41,200
Speaker 4: and ready, here's a nitty gritty dirt band.

947
00:39:42,239 --> 00:39:48,800
Speaker 11: Coming up to night showing through the cricket sob and

948
00:39:49,000 --> 00:39:56,320
Speaker 11: bugs are floating on the breese baby across the field

949
00:39:56,440 --> 00:40:02,080
Speaker 11: where the creek turns back. Stum, I'm gonna take it

950
00:40:02,160 --> 00:40:07,200
Speaker 11: to a special place then nobody knows. Baby. Get ready,

951
00:40:12,840 --> 00:40:15,920
Speaker 11: you and me co and fishing and the dog line

952
00:40:16,080 --> 00:40:19,560
Speaker 11: on our backs and mountain stars with the cool grass

953
00:40:19,560 --> 00:40:26,680
Speaker 11: scrolls down by the river in the full moonlight. We'll

954
00:40:26,719 --> 00:40:35,759
Speaker 11: be funy, loving, loving, not just moving slow staying the

955
00:40:35,920 --> 00:40:49,000
Speaker 11: hole out through. You're so good to be Okay, okay, yeah, tempo, Yeah.

956
00:40:48,440 --> 00:40:50,959
Speaker 4: But I love your heart and you're I mean, listen,

957
00:40:50,960 --> 00:40:52,560
Speaker 4: you're on it most of the time. You just don't

958
00:40:52,560 --> 00:40:54,920
Speaker 4: you just can't. Don't quit practicing, I mean nothing the

959
00:40:54,960 --> 00:40:56,399
Speaker 4: best way. Don't give up now because we did.

960
00:40:56,320 --> 00:40:59,480
Speaker 6: The bit, yeah, like I mean, think of this is

961
00:40:59,480 --> 00:40:59,799
Speaker 6: so much.

962
00:41:00,040 --> 00:41:01,960
Speaker 4: And it's also going to make you a better singer too,

963
00:41:02,000 --> 00:41:04,279
Speaker 4: because you won't worry as much about singing. You'll sing

964
00:41:04,280 --> 00:41:05,840
Speaker 4: what naturally comes out of you, and it'll just so

965
00:41:05,880 --> 00:41:08,520
Speaker 4: happen to match the the key that you're You're just

966
00:41:08,560 --> 00:41:09,719
Speaker 4: gonna be a better singer. I want you learn to

967
00:41:09,719 --> 00:41:10,080
Speaker 4: play guitar.

968
00:41:10,480 --> 00:41:13,600
Speaker 11: Yes, So how did you How did you think?

969
00:41:13,640 --> 00:41:14,440
Speaker 4: I thought was pretty good?

970
00:41:14,480 --> 00:41:16,160
Speaker 11: Better than you thought? Are worse.

971
00:41:17,719 --> 00:41:20,680
Speaker 4: About what I thought? Good? Like you didn't know how

972
00:41:20,680 --> 00:41:22,239
Speaker 4: to play. Six months later, you play two songs in

973
00:41:22,280 --> 00:41:22,960
Speaker 4: the national.

974
00:41:22,719 --> 00:41:24,560
Speaker 6: Radio Shay, okay, I was impressed.

975
00:41:24,600 --> 00:41:27,360
Speaker 4: Yeah, me too. Now now we will we have to

976
00:41:27,360 --> 00:41:28,840
Speaker 4: go to a break in a few minutes. But do

977
00:41:28,880 --> 00:41:30,040
Speaker 4: you want us to sing it with you now that

978
00:41:30,040 --> 00:41:30,600
Speaker 4: we've heard you?

979
00:41:30,760 --> 00:41:33,120
Speaker 11: Yeah, the chorus or the whole thing.

980
00:41:33,200 --> 00:41:35,759
Speaker 4: Well, we'll just do background vocals and really, but but

981
00:41:35,800 --> 00:41:38,680
Speaker 4: don't worry about us. You, you do you, and you're

982
00:41:38,680 --> 00:41:41,680
Speaker 4: just comfortable. You're you're hanging out with your friends, relaxing. Good,

983
00:41:42,120 --> 00:41:45,600
Speaker 4: all right, Abby, go ahead, yellow coming.

984
00:41:45,520 --> 00:41:50,800
Speaker 11: Up to shining through the trees. Cricket song singing and

985
00:41:51,040 --> 00:41:55,160
Speaker 11: line and bugs are floating on the breese. Baby, get

986
00:41:55,360 --> 00:42:00,719
Speaker 11: ready across the field where the creek turns back by

987
00:42:00,760 --> 00:42:05,600
Speaker 11: the little storeroom. I'm gonna take it to a special

988
00:42:05,760 --> 00:42:08,120
Speaker 11: place then nobody knows.

989
00:42:08,480 --> 00:42:10,120
Speaker 4: Baby, get ready.

990
00:42:15,080 --> 00:42:18,240
Speaker 11: You and me go a fishing in the dog line

991
00:42:18,360 --> 00:42:21,840
Speaker 11: on our vacks and count the stars with a congress

992
00:42:22,000 --> 00:42:29,160
Speaker 11: grows down by the river in the moon. Lie, we'll

993
00:42:29,200 --> 00:42:32,040
Speaker 11: be fine and love in the middle of not just

994
00:42:32,320 --> 00:42:40,960
Speaker 11: move and slow, stay in the hole. A flo feels

995
00:42:40,960 --> 00:42:42,680
Speaker 11: so good to be with.

996
00:42:44,200 --> 00:42:48,840
Speaker 4: Job, Yeah, good job, and your pays was good. Everything

997
00:42:48,920 --> 00:42:52,560
Speaker 4: was good, okay, Amy, give me a couple of words

998
00:42:52,560 --> 00:42:53,960
Speaker 4: real quick, Adams first recital.

999
00:42:54,200 --> 00:42:56,759
Speaker 10: I well, I already said impressed, and I stand by

1000
00:42:56,840 --> 00:43:03,000
Speaker 10: that proud, like genuinely proud of you and then also motivated, like.

1001
00:43:02,960 --> 00:43:05,920
Speaker 6: I'm sitting here thinking. You know, I don't know what

1002
00:43:05,960 --> 00:43:06,399
Speaker 6: it is.

1003
00:43:06,560 --> 00:43:07,080
Speaker 3: It could be.

1004
00:43:07,160 --> 00:43:09,000
Speaker 10: It doesn't have to be an instrument, but it could

1005
00:43:09,040 --> 00:43:11,279
Speaker 10: be that if anybody else is thinking about picking up

1006
00:43:11,360 --> 00:43:14,120
Speaker 10: something or a hobby or starting something, and they feel like, oh,

1007
00:43:14,160 --> 00:43:25,440
Speaker 10: it's too late in life, Like, no, I'm not a hundred.

1008
00:43:19,560 --> 00:43:19,640
Speaker 2: But.

1009
00:43:24,520 --> 00:43:27,080
Speaker 10: I mean I guess more so, I'm thinking to myself

1010
00:43:27,080 --> 00:43:28,920
Speaker 10: like I'm about to turn forty three and there's things

1011
00:43:28,960 --> 00:43:32,200
Speaker 10: I want to do, and I'm like, now, Abby's motivating me.

1012
00:43:32,360 --> 00:43:35,080
Speaker 5: It's good job, Abby, Eddie quickly, Oh yeah, look the

1013
00:43:35,120 --> 00:43:37,879
Speaker 5: ball's rolling. I mean, Abby, this is going to open

1014
00:43:37,960 --> 00:43:39,799
Speaker 5: up your musical career in a different way.

1015
00:43:39,840 --> 00:43:41,320
Speaker 4: You're gonna be able to go to writing sessions and

1016
00:43:41,640 --> 00:43:44,200
Speaker 4: with your guitar. She yeah, she's made money play music.

1017
00:43:44,320 --> 00:43:46,360
Speaker 4: Oh yeah, and you'll be able to go is a

1018
00:43:46,360 --> 00:43:48,439
Speaker 4: song on the radio. You'll be able to write and

1019
00:43:48,600 --> 00:43:51,080
Speaker 4: you'll be able to play like songwriter stuff too. It's like,

1020
00:43:51,120 --> 00:43:52,640
Speaker 4: Abbie can play with this. You've got to just play

1021
00:43:52,640 --> 00:43:55,240
Speaker 4: a couple of songs. Yeah, Lunchbox.

1022
00:43:55,719 --> 00:43:59,160
Speaker 8: I'd like to say that I'm glad that I'm so inspiring.

1023
00:43:59,200 --> 00:44:01,839
Speaker 8: I didn't know I can fire people to make change.

1024
00:44:02,400 --> 00:44:05,000
Speaker 8: And I mean, I think another year and you might

1025
00:44:05,000 --> 00:44:07,399
Speaker 8: be able to play live somewhere in the year.

1026
00:44:08,120 --> 00:44:10,080
Speaker 9: Okay, I mean I don't.

1027
00:44:10,320 --> 00:44:12,879
Speaker 8: I mean, you're not good enough to go play live

1028
00:44:12,920 --> 00:44:16,160
Speaker 8: now with a guitar, but another year you might be

1029
00:44:16,200 --> 00:44:16,600
Speaker 8: able to.

1030
00:44:16,719 --> 00:44:19,200
Speaker 4: I'm proud of you. It took real it took real

1031
00:44:19,480 --> 00:44:21,879
Speaker 4: vulnerability to come up and do that and learn something

1032
00:44:21,920 --> 00:44:23,080
Speaker 4: new and put it on the show. So I'm proud

1033
00:44:23,120 --> 00:44:29,640
Speaker 4: of you. Thank you. That's great. Keep practicing, Okay, it's.

1034
00:44:29,480 --> 00:44:32,440
Speaker 1: The best bits of the week with Morgan.

1035
00:44:32,520 --> 00:44:40,520
Speaker 3: Number two, Ian mun Sig stopped by the studio.

1036
00:44:40,640 --> 00:44:43,040
Speaker 2: Not only did he give us some amazing performances, but

1037
00:44:43,120 --> 00:44:44,920
Speaker 2: she can go check out on our YouTube page.

1038
00:44:45,040 --> 00:44:45,960
Speaker 3: But we also just talked to.

1039
00:44:45,960 --> 00:44:48,359
Speaker 2: Him about life and Wyoming and growing up there and

1040
00:44:48,680 --> 00:44:51,040
Speaker 2: how he really feels about people who litter. And then

1041
00:44:51,080 --> 00:44:53,640
Speaker 2: there's this song that he has that's about cow poop

1042
00:44:54,320 --> 00:44:58,440
Speaker 2: literally like Kalmaneur and he shares why and how and

1043
00:44:58,560 --> 00:45:01,600
Speaker 2: the whole inspiration behind that song, and it was hilarious.

1044
00:45:01,640 --> 00:45:02,680
Speaker 3: You'll get a good laugh out of it.

1045
00:45:02,719 --> 00:45:04,640
Speaker 2: And maybe if you live on a farm or grew

1046
00:45:04,719 --> 00:45:07,040
Speaker 2: up where there's like Calvinu where this song hits home

1047
00:45:07,080 --> 00:45:07,319
Speaker 2: for you.

1048
00:45:07,960 --> 00:45:11,000
Speaker 1: Number two on the Bobby Bones Show.

1049
00:45:11,120 --> 00:45:14,040
Speaker 4: Now it's up, buddy. It's really good to see again.

1050
00:45:14,080 --> 00:45:16,000
Speaker 4: I saw you a couple weeks ago. I'm to be honest,

1051
00:45:16,000 --> 00:45:16,560
Speaker 4: I fell in love.

1052
00:45:16,800 --> 00:45:18,080
Speaker 6: Yeah, I remember you talking about it.

1053
00:45:18,080 --> 00:45:19,160
Speaker 4: I came in. I was like, I had hearts in

1054
00:45:19,160 --> 00:45:21,560
Speaker 4: my eyes like bugs bunny. I was like, that was like,

1055
00:45:21,600 --> 00:45:24,000
Speaker 4: that's my guy. No, it's just you know, you do

1056
00:45:24,120 --> 00:45:27,560
Speaker 4: music and such. I'm not going to say original, but

1057
00:45:28,120 --> 00:45:30,600
Speaker 4: it's your own way from where you're from. You know,

1058
00:45:30,880 --> 00:45:33,440
Speaker 4: you definitely have stayed with your style. How would you

1059
00:45:33,480 --> 00:45:36,040
Speaker 4: explain your style to somebody if they if they were like, hey,

1060
00:45:36,080 --> 00:45:38,560
Speaker 4: I know your cousin, he says you do music Ian, Yeah,

1061
00:45:38,560 --> 00:45:39,759
Speaker 4: what kind of music do you do?

1062
00:45:40,200 --> 00:45:45,560
Speaker 15: I always like to tell them first where I'm from,

1063
00:45:45,600 --> 00:45:49,120
Speaker 15: So I say, Wyoming. A lot of my music is

1064
00:45:49,160 --> 00:45:55,040
Speaker 15: about you know, mountains, horses, ranches, cowboys, coyotes, stuff like that.

1065
00:45:55,320 --> 00:45:56,960
Speaker 16: You know, so you say it how I say it.

1066
00:45:57,000 --> 00:45:59,359
Speaker 4: Nobody else says coyotes coyote. I know they make fun

1067
00:45:59,400 --> 00:46:01,400
Speaker 4: of me all the time because I naturally say coyote

1068
00:46:01,400 --> 00:46:01,920
Speaker 4: from Arkansas.

1069
00:46:02,040 --> 00:46:04,040
Speaker 16: Yeah, I wonder, I wonder for brothers.

1070
00:46:05,160 --> 00:46:06,200
Speaker 4: Never mind, we don't want the same.

1071
00:46:06,280 --> 00:46:11,440
Speaker 15: I wasn't thinking that ahead. I always thought that it

1072
00:46:11,520 --> 00:46:14,600
Speaker 15: was a regional thing. So like in the Rockies, we

1073
00:46:14,680 --> 00:46:18,640
Speaker 15: call them that because instead of a cute coyote that's

1074
00:46:18,680 --> 00:46:20,480
Speaker 15: out there it's like, no, that's a coyote.

1075
00:46:20,480 --> 00:46:23,080
Speaker 16: We need to exterminate that coyote.

1076
00:46:23,120 --> 00:46:25,799
Speaker 4: Yeah, we call them coyotes too, but we had them around. Yeah,

1077
00:46:25,920 --> 00:46:27,760
Speaker 4: that would like kill small animals.

1078
00:46:27,800 --> 00:46:30,280
Speaker 15: That's why you call them coyote because it's not them around.

1079
00:46:30,320 --> 00:46:32,440
Speaker 15: You're like that those are kind of a paint.

1080
00:46:32,400 --> 00:46:34,719
Speaker 4: Because Wiley coyote kind of likable. Yes, yes, if his

1081
00:46:34,800 --> 00:46:36,120
Speaker 4: name is Wiley coyote, kill him.

1082
00:46:37,320 --> 00:46:39,600
Speaker 16: I'm saying, it's exactly that's exactly what I think.

1083
00:46:39,840 --> 00:46:41,520
Speaker 4: You're just you know, you're so authentic to where you're

1084
00:46:41,520 --> 00:46:43,680
Speaker 4: from because you did grow up there like that that

1085
00:46:43,840 --> 00:46:46,000
Speaker 4: was your life. And i'd like to do this, and

1086
00:46:46,040 --> 00:46:47,959
Speaker 4: we don't always do this with artists, but I would

1087
00:46:48,000 --> 00:46:49,360
Speaker 4: like for you to play a song early in the

1088
00:46:49,400 --> 00:46:52,000
Speaker 4: interview so people can kind of feel your vibe. Are

1089
00:46:52,040 --> 00:46:53,319
Speaker 4: you gonna do heart heartbreaking?

1090
00:46:53,600 --> 00:46:54,239
Speaker 9: I am yeah.

1091
00:46:54,320 --> 00:46:56,040
Speaker 4: Do you want to do that on first or second? Well,

1092
00:46:56,200 --> 00:46:56,839
Speaker 4: it's up to you.

1093
00:46:57,200 --> 00:46:59,839
Speaker 16: If we're introducing them to the West.

1094
00:46:59,560 --> 00:47:03,120
Speaker 4: Okay, I'd rather do then let's go white white Buffalo. Okay,

1095
00:47:03,160 --> 00:47:05,080
Speaker 4: all right, okay, cool, everything's all right with me.

1096
00:47:05,160 --> 00:47:05,640
Speaker 16: Awesome man.

1097
00:47:05,719 --> 00:47:07,440
Speaker 4: All right, here is by the way, this is in

1098
00:47:07,640 --> 00:47:11,080
Speaker 4: monse Love. This dude, and this is White Buffalo. And

1099
00:47:11,080 --> 00:47:14,239
Speaker 4: by the way, his documentary White Buffalo Voices of the West,

1100
00:47:14,239 --> 00:47:16,680
Speaker 4: it's now out. It is yep, you congratulates. We'll talk

1101
00:47:16,680 --> 00:47:17,279
Speaker 4: about that in a second.

1102
00:47:17,320 --> 00:47:18,120
Speaker 16: Awesome man, All right, here we go.

1103
00:47:18,120 --> 00:47:24,040
Speaker 4: Here's in Munson. I think he's so good. Dude. If

1104
00:47:24,120 --> 00:47:26,680
Speaker 4: I were at one of your shows, I think I

1105
00:47:26,719 --> 00:47:29,000
Speaker 4: would be torn on if I wanted to also at

1106
00:47:29,040 --> 00:47:29,720
Speaker 4: the same time.

1107
00:47:29,600 --> 00:47:35,239
Speaker 13: Go or if I'd be like, wait, shut up, this

1108
00:47:35,320 --> 00:47:38,120
Speaker 13: is powerful. I know which one i'd want to do,

1109
00:47:38,360 --> 00:47:40,560
Speaker 13: because I would either want everybody to be quiet and

1110
00:47:40,600 --> 00:47:42,799
Speaker 13: let you do it because that's like that feels like

1111
00:47:42,840 --> 00:47:44,839
Speaker 13: you're actually where you grew up, thank you.

1112
00:47:45,239 --> 00:47:47,319
Speaker 4: Or I'd be like, everybody should do it. What do

1113
00:47:47,360 --> 00:47:48,200
Speaker 4: they do at your shows?

1114
00:47:48,320 --> 00:47:51,120
Speaker 16: Man? It's usually half and half and I'm not gonna lie.

1115
00:47:51,320 --> 00:47:53,600
Speaker 15: It's usually pretty ugly when it gets to that part

1116
00:47:53,840 --> 00:47:55,959
Speaker 15: because there's all these hammered people in the front.

1117
00:47:56,920 --> 00:47:59,920
Speaker 16: Oh, it's like, come on, guys, come on.

1118
00:48:00,239 --> 00:48:03,000
Speaker 4: So the album is White Buffalo and then the documentary

1119
00:48:03,040 --> 00:48:07,040
Speaker 4: White Buffalo Voices of the West, Cowboys, ranchers, Native Americans

1120
00:48:07,120 --> 00:48:09,919
Speaker 4: and kind of the relationship and how they all live

1121
00:48:10,520 --> 00:48:14,440
Speaker 4: and work together in harmony. Hopefully. Yeah, to keep the

1122
00:48:14,520 --> 00:48:16,640
Speaker 4: land healthy. Am I accurate in saying that?

1123
00:48:16,719 --> 00:48:17,279
Speaker 9: Absolutely?

1124
00:48:17,320 --> 00:48:18,000
Speaker 16: Man, you nailed it.

1125
00:48:18,000 --> 00:48:22,480
Speaker 15: That's the best description that I've heard yet.

1126
00:48:22,600 --> 00:48:24,480
Speaker 4: So why is that important to you to make sure

1127
00:48:24,520 --> 00:48:26,239
Speaker 4: that message is continually put out?

1128
00:48:26,560 --> 00:48:30,040
Speaker 15: The land is the most important part of where I

1129
00:48:30,040 --> 00:48:34,680
Speaker 15: grew up. That's why people fall in love with the

1130
00:48:34,680 --> 00:48:37,399
Speaker 15: West and the Rockies because of the land. Man, and

1131
00:48:38,120 --> 00:48:43,480
Speaker 15: I think that there's not enough education about what goes

1132
00:48:43,600 --> 00:48:46,919
Speaker 15: into keeping it that way and the people out there

1133
00:48:46,960 --> 00:48:49,279
Speaker 15: that are trying to keep it that way and have

1134
00:48:49,360 --> 00:48:56,359
Speaker 15: always lived their life like that, and ranchers, cowboys, Native Americans,

1135
00:48:56,600 --> 00:48:58,760
Speaker 15: they are all those people.

1136
00:48:59,080 --> 00:49:02,560
Speaker 4: If someone listening right now was thinking, I think I'm

1137
00:49:02,560 --> 00:49:06,560
Speaker 4: gonna litter today, what did you tell them? Oh gosh, fine,

1138
00:49:06,680 --> 00:49:08,600
Speaker 4: he's a man of a man yeah yeah, oh yeah

1139
00:49:08,600 --> 00:49:11,560
Speaker 4: no literally yeah yeah yeah, see, I told you, don't

1140
00:49:11,600 --> 00:49:16,640
Speaker 4: do it. Wants to find them, find then kill them. Fine, yeah,

1141
00:49:17,440 --> 00:49:20,240
Speaker 4: well find them with.

1142
00:49:20,080 --> 00:49:23,040
Speaker 16: A D on the air, find find them and then

1143
00:49:23,160 --> 00:49:23,719
Speaker 16: find them.

1144
00:49:23,880 --> 00:49:25,160
Speaker 4: Ok, yeah, yeah, yeah yeah.

1145
00:49:25,960 --> 00:49:29,359
Speaker 15: But there's like those like two hundred dollars fee if

1146
00:49:29,400 --> 00:49:31,560
Speaker 15: you literal on the interstate, it's like two hundred dollars.

1147
00:49:32,040 --> 00:49:34,959
Speaker 16: There should be like two thousand dollars if you literal or.

1148
00:49:34,880 --> 00:49:38,439
Speaker 4: Death by Ian. That's what I think. So two things

1149
00:49:38,440 --> 00:49:39,880
Speaker 4: that we're gonna come back with the en in a second.

1150
00:49:39,920 --> 00:49:43,480
Speaker 4: So White Buffalo Voices of the West is the documentary

1151
00:49:43,600 --> 00:49:47,320
Speaker 4: and you can get it on you know, Apple, Google Play, uh, YouTube,

1152
00:49:47,320 --> 00:49:50,640
Speaker 4: rentolds and the places. Really have you got pretty good

1153
00:49:50,640 --> 00:49:52,080
Speaker 4: feedback on it people watching it? Yeah?

1154
00:49:52,120 --> 00:49:52,839
Speaker 16: Man, it's been great.

1155
00:49:53,040 --> 00:49:58,080
Speaker 15: It's been overwhelming positive response so.

1156
00:49:58,000 --> 00:50:01,680
Speaker 1: Far on the Bobby Bones show.

1157
00:50:01,760 --> 00:50:05,520
Speaker 4: Now, and what was your house like growing up? And

1158
00:50:05,520 --> 00:50:07,640
Speaker 4: what was around you? How much land was around you?

1159
00:50:08,480 --> 00:50:11,600
Speaker 15: So I grew up on a eighty acre ranch, but

1160
00:50:12,480 --> 00:50:15,200
Speaker 15: we were the smallest one at eighty yeah, eighty acres

1161
00:50:15,280 --> 00:50:18,000
Speaker 15: yeah yeah, which I mean like here it's like, oh

1162
00:50:18,000 --> 00:50:20,000
Speaker 15: my gosh, that's huge in Wyoming.

1163
00:50:20,080 --> 00:50:21,520
Speaker 16: That's very small. Yeah.

1164
00:50:21,560 --> 00:50:22,880
Speaker 4: How far was school away from you?

1165
00:50:23,280 --> 00:50:23,440
Speaker 11: So?

1166
00:50:23,680 --> 00:50:25,319
Speaker 16: School actually wasn't too bad.

1167
00:50:25,360 --> 00:50:29,200
Speaker 15: We lived a few miles away from a town of

1168
00:50:29,600 --> 00:50:33,080
Speaker 15: five hundred, so that's what the school was. You know,

1169
00:50:33,760 --> 00:50:36,680
Speaker 15: probably twenty kids in each grade, which was perfect.

1170
00:50:36,880 --> 00:50:37,520
Speaker 16: It was awesome.

1171
00:50:38,800 --> 00:50:42,879
Speaker 15: And then the nearest like Walmart and stuff was half

1172
00:50:42,960 --> 00:50:43,480
Speaker 15: hour away.

1173
00:50:43,560 --> 00:50:44,960
Speaker 4: Did you guys do like we used to do, Like

1174
00:50:44,960 --> 00:50:46,640
Speaker 4: if you'd go to Walmart? That was going to town.

1175
00:50:46,719 --> 00:50:48,719
Speaker 4: Oh yeah, yep, absolutely, And if you went to town,

1176
00:50:48,800 --> 00:50:50,919
Speaker 4: if I'm going to town, do you need anything? Yep?

1177
00:50:50,960 --> 00:50:51,280
Speaker 9: Exactly?

1178
00:50:51,440 --> 00:50:53,799
Speaker 4: Was that? Yep? Is that how it was it you guys? Yep? Yeah,

1179
00:50:53,800 --> 00:50:57,439
Speaker 4: because Walmart was where town started with us Walmart if

1180
00:50:57,440 --> 00:51:00,000
Speaker 4: Walmart and everything beyond was town, yep. So we would

1181
00:51:00,120 --> 00:51:03,000
Speaker 4: drive in. And growing up in Wyoming, at what age

1182
00:51:03,000 --> 00:51:04,800
Speaker 4: did you start to actually drive things?

1183
00:51:05,239 --> 00:51:05,840
Speaker 16: Drive things?

1184
00:51:05,840 --> 00:51:06,000
Speaker 4: Oh?

1185
00:51:06,080 --> 00:51:11,720
Speaker 15: Gosh, early, probably five years old is when my dad

1186
00:51:12,600 --> 00:51:19,239
Speaker 15: let me slash made me drive our truck in the

1187
00:51:19,280 --> 00:51:21,799
Speaker 15: past year while he stacked hay bales with my two

1188
00:51:21,800 --> 00:51:22,400
Speaker 15: older brothers.

1189
00:51:23,160 --> 00:51:23,399
Speaker 4: Five.

1190
00:51:23,680 --> 00:51:26,920
Speaker 15: Yeah, but he puts it on cruise control three miles

1191
00:51:26,920 --> 00:51:29,759
Speaker 15: an hour and he's just like, okay, all you have

1192
00:51:29,800 --> 00:51:33,440
Speaker 15: to do straight just because you can't reach the pedole,

1193
00:51:33,520 --> 00:51:36,600
Speaker 15: Like no, no, no, So you just do this at five.

1194
00:51:36,640 --> 00:51:37,799
Speaker 4: Do you think I'm making a break for it at

1195
00:51:37,840 --> 00:51:39,920
Speaker 4: like seven, because I think that for me would be like,

1196
00:51:39,960 --> 00:51:41,879
Speaker 4: all right, I've been doing it for a while, let's

1197
00:51:41,920 --> 00:51:45,200
Speaker 4: give it a run. That holl And Hay all of

1198
00:51:45,200 --> 00:51:46,120
Speaker 4: the worst job's ever had.

1199
00:51:46,280 --> 00:51:48,120
Speaker 16: Oh dude, it's it's miserable.

1200
00:51:48,120 --> 00:51:49,920
Speaker 4: And it didn't matter if you were throwing it in

1201
00:51:50,120 --> 00:51:51,799
Speaker 4: or if you were or catching.

1202
00:51:51,520 --> 00:51:53,680
Speaker 16: It yes, and or equally is bad.

1203
00:51:53,760 --> 00:51:56,280
Speaker 4: But I'm so glad I did it because I hated

1204
00:51:56,280 --> 00:51:59,520
Speaker 4: it so much. It shows me, you know what, this

1205
00:51:59,600 --> 00:52:01,720
Speaker 4: might be hard sometimes, but I ain't nothing like that. Yeah,

1206
00:52:01,800 --> 00:52:03,680
Speaker 4: what is your family like? I know you're you come

1207
00:52:03,680 --> 00:52:07,719
Speaker 4: from a musical family. Their brothers, yep. How do they

1208
00:52:07,719 --> 00:52:09,560
Speaker 4: feel about your success now? And are they kind of

1209
00:52:09,560 --> 00:52:13,560
Speaker 4: proud that you've stayed the same? Yes, in say in

1210
00:52:13,600 --> 00:52:14,480
Speaker 4: that a complimentary way.

1211
00:52:14,680 --> 00:52:14,879
Speaker 11: Yeah.

1212
00:52:14,920 --> 00:52:18,160
Speaker 15: Man, you know, my brothers and my dad, they are

1213
00:52:18,920 --> 00:52:25,480
Speaker 15: real cowboys. They play western music, not really even the

1214
00:52:25,520 --> 00:52:29,160
Speaker 15: country and western, just just western.

1215
00:52:29,320 --> 00:52:29,560
Speaker 10: You know.

1216
00:52:30,200 --> 00:52:36,960
Speaker 15: So I've always been into hip hop music, jazz music,

1217
00:52:37,040 --> 00:52:41,160
Speaker 15: rock music, all of it, and so I've always kind

1218
00:52:41,200 --> 00:52:44,719
Speaker 15: of had that spin on my own kind of country music.

1219
00:52:44,840 --> 00:52:46,239
Speaker 9: So they've always.

1220
00:52:47,400 --> 00:52:49,440
Speaker 16: Known that, and I think that they're just really.

1221
00:52:50,760 --> 00:52:54,880
Speaker 15: Proud that I'm taking the spirit of the West but

1222
00:52:55,360 --> 00:53:00,480
Speaker 15: making music away that's kind of all my own, which

1223
00:53:00,480 --> 00:53:00,960
Speaker 15: is really cool.

1224
00:53:00,960 --> 00:53:02,719
Speaker 4: Are the Munkey Boys coming out with you on the road?

1225
00:53:03,000 --> 00:53:03,160
Speaker 11: Uh?

1226
00:53:03,200 --> 00:53:03,839
Speaker 9: They are? Yeah?

1227
00:53:03,880 --> 00:53:04,839
Speaker 4: How is that gonna work?

1228
00:53:05,880 --> 00:53:12,239
Speaker 15: They they usually just take the van and they do

1229
00:53:13,400 --> 00:53:15,480
Speaker 15: those three on stage, my dad and my two older brothers,

1230
00:53:16,000 --> 00:53:20,799
Speaker 15: and then they do a trio, and then at the

1231
00:53:20,960 --> 00:53:24,319
Speaker 15: end of our performance, I get all of them on

1232
00:53:24,360 --> 00:53:25,080
Speaker 15: stage and then.

1233
00:53:25,000 --> 00:53:25,640
Speaker 16: We do US four.

1234
00:53:25,680 --> 00:53:28,040
Speaker 4: It's all back together. It's like the Eagles getting back together.

1235
00:53:28,080 --> 00:53:31,080
Speaker 4: Oh yeah, it happens every night. And they're all related

1236
00:53:31,160 --> 00:53:34,319
Speaker 4: and they don't hate each other. You know, that's pretty cool.

1237
00:53:34,600 --> 00:53:36,600
Speaker 4: His name is Ian Munsick. I'm such a massive fan.

1238
00:53:36,840 --> 00:53:38,440
Speaker 4: Will you do heartbreaking now?

1239
00:53:38,480 --> 00:53:38,680
Speaker 9: Yes?

1240
00:53:38,680 --> 00:53:39,120
Speaker 16: Absolutely?

1241
00:53:39,160 --> 00:53:40,880
Speaker 4: All right, here we go. This is Ian Munsick with

1242
00:53:41,120 --> 00:53:46,239
Speaker 4: Heartbreak King. Come on, man, that is awesome. Due's so good,

1243
00:53:46,400 --> 00:53:48,360
Speaker 4: thank you, and I say off. And we live in

1244
00:53:48,360 --> 00:53:50,960
Speaker 4: the land of giants when it comes to music and performance.

1245
00:53:50,960 --> 00:53:53,480
Speaker 4: And but it's you know, certain people come in and

1246
00:53:53,520 --> 00:53:56,759
Speaker 4: you go, yeah, that's it, that's it. Yeah, and it's

1247
00:53:57,120 --> 00:53:58,719
Speaker 4: it's just it like you are who you are, you are,

1248
00:53:58,719 --> 00:54:02,040
Speaker 4: which music says also really good, and don't be fooled.

1249
00:54:02,440 --> 00:54:06,640
Speaker 4: He can play basketball too, really really yeah. Yeah don't

1250
00:54:07,480 --> 00:54:08,880
Speaker 4: I don't know if he plays in boots and a bolo,

1251
00:54:09,040 --> 00:54:10,880
Speaker 4: but I know because that'd be cool. But I know

1252
00:54:10,960 --> 00:54:13,120
Speaker 4: that he's a baller for sure, because as soon as

1253
00:54:13,160 --> 00:54:14,759
Speaker 4: I said Ian was coming over the house few weeks ago,

1254
00:54:14,760 --> 00:54:17,879
Speaker 4: when my buddy's like, yeah, he goes hard. He plays ball.

1255
00:54:18,600 --> 00:54:20,760
Speaker 16: I go hard, but I don't know if I actually

1256
00:54:20,760 --> 00:54:21,279
Speaker 16: play ball.

1257
00:54:21,360 --> 00:54:23,000
Speaker 15: I just go hard, man, because the one thing that

1258
00:54:23,040 --> 00:54:25,840
Speaker 15: you can always control is your effort.

1259
00:54:26,440 --> 00:54:29,840
Speaker 16: I go hard, but I don't know how graceful it is.

1260
00:54:29,840 --> 00:54:31,560
Speaker 4: Why I didn't say graceful. I just said you play ball.

1261
00:54:32,600 --> 00:54:34,400
Speaker 4: People want you. He's not last pick. How about that?

1262
00:54:34,600 --> 00:54:34,799
Speaker 2: Yeah?

1263
00:54:34,840 --> 00:54:35,280
Speaker 4: Yeah?

1264
00:54:35,400 --> 00:54:37,319
Speaker 6: Is that something your dad would say to you?

1265
00:54:37,480 --> 00:54:40,080
Speaker 10: Or where did you get that saying the what the

1266
00:54:40,120 --> 00:54:42,160
Speaker 10: one thing you can always control is your effort?

1267
00:54:42,239 --> 00:54:42,399
Speaker 6: No?

1268
00:54:42,560 --> 00:54:44,399
Speaker 16: I just made that up right now.

1269
00:54:45,960 --> 00:54:50,080
Speaker 4: That was beautiful. Yeah. Do you remember meeting Eddie in

1270
00:54:50,120 --> 00:54:50,439
Speaker 4: my house?

1271
00:54:50,600 --> 00:54:52,799
Speaker 15: I do, yes, Yes, you guys are about to work

1272
00:54:52,840 --> 00:54:54,120
Speaker 15: out and do some ropes and I was like, oh

1273
00:54:54,200 --> 00:54:55,640
Speaker 15: my gosh, I'm glad I'm getting out of here because

1274
00:54:55,640 --> 00:54:56,839
Speaker 15: the ropes are the worst thing in the world.

1275
00:54:57,360 --> 00:55:00,080
Speaker 4: Right then, Okay, here's all I want to say. And

1276
00:55:00,000 --> 00:55:01,560
Speaker 4: and I did an hour together, and I encourage you

1277
00:55:01,719 --> 00:55:03,160
Speaker 4: to listen to that because it's really good to know

1278
00:55:03,280 --> 00:55:05,840
Speaker 4: him and his upbringing and the story about his wife.

1279
00:55:05,840 --> 00:55:08,560
Speaker 4: And I'm a massive fan. His name is Ian Munsick.

1280
00:55:09,120 --> 00:55:11,920
Speaker 4: The documentary, which you can get in all the places Apple,

1281
00:55:12,000 --> 00:55:16,840
Speaker 4: Google Play, YouTube, Renols, is called White Buffalo Voices of

1282
00:55:16,840 --> 00:55:19,080
Speaker 4: the West the record, which, by the way, on the record,

1283
00:55:19,360 --> 00:55:20,680
Speaker 4: I just want to ask you one and I wasn't

1284
00:55:20,680 --> 00:55:22,359
Speaker 4: gonna ask this. I'll ask it off theater, but I'll

1285
00:55:22,360 --> 00:55:25,120
Speaker 4: ask you to hear the record again, White Buffalo. And

1286
00:55:25,160 --> 00:55:27,960
Speaker 4: then he's out on tour and go to ian Munsick

1287
00:55:27,960 --> 00:55:29,600
Speaker 4: dot com. He's got a lot of great people playing

1288
00:55:29,600 --> 00:55:32,959
Speaker 4: with him and a lot of shows. But the song

1289
00:55:33,000 --> 00:55:37,480
Speaker 4: that's called cal s in the morning. He's got a

1290
00:55:37,480 --> 00:55:38,960
Speaker 4: song called calc in the Morning.

1291
00:55:39,040 --> 00:55:42,399
Speaker 15: Interesting, Yeah, I talk about that cowpoop in the morning, Yeah,

1292
00:55:42,400 --> 00:55:42,839
Speaker 15: cow poop.

1293
00:55:42,920 --> 00:55:43,719
Speaker 4: Yeah, I'll say that.

1294
00:55:44,600 --> 00:55:47,879
Speaker 15: Man I had been away from home for a long time,

1295
00:55:48,480 --> 00:55:51,760
Speaker 15: away from Wyoming, and we got back on the ranch

1296
00:55:51,840 --> 00:55:56,719
Speaker 15: and it was late September, which is the most beautiful

1297
00:55:56,719 --> 00:56:00,279
Speaker 15: time of year out there, and we lease our past.

1298
00:56:00,320 --> 00:56:03,600
Speaker 15: You're out for our neighbor's cows to graze on always

1299
00:56:03,719 --> 00:56:06,840
Speaker 15: that time of year. And man I woke up in

1300
00:56:06,880 --> 00:56:10,160
Speaker 15: the morning, went outside and the first thing I smelled

1301
00:56:10,320 --> 00:56:14,239
Speaker 15: was that, and I was like, man, I love that smell.

1302
00:56:14,600 --> 00:56:15,399
Speaker 16: I really do.

1303
00:56:16,120 --> 00:56:18,880
Speaker 15: And and then I was like, you know what, I

1304
00:56:18,880 --> 00:56:21,040
Speaker 15: need to write that, And then we kind of twisted it.

1305
00:56:21,120 --> 00:56:24,480
Speaker 16: Whereas like the girl does not like that smell. So

1306
00:56:24,560 --> 00:56:25,520
Speaker 16: it's not going to work out.

1307
00:56:26,200 --> 00:56:28,720
Speaker 4: So does it make you have to have an explicit

1308
00:56:28,760 --> 00:56:30,160
Speaker 4: on your album because the S word is on it?

1309
00:56:30,239 --> 00:56:32,920
Speaker 10: Unfortunately, Yes it does, man, But like you say that

1310
00:56:33,000 --> 00:56:37,200
Speaker 10: repeatedly in the song. Yes, yeah, that's the chorus that

1311
00:56:38,080 --> 00:56:40,879
Speaker 10: I mean, I get it, the title of the song.

1312
00:56:40,920 --> 00:56:42,640
Speaker 6: And maybe it's not showing up a lot.

1313
00:56:42,800 --> 00:56:46,280
Speaker 15: Yeah, no, we say that, and then and the hook

1314
00:56:46,400 --> 00:56:50,800
Speaker 15: is I'd rather smell cow poop in the morning than.

1315
00:56:50,800 --> 00:56:53,480
Speaker 16: Put up with her bullpoop every night.

1316
00:56:54,400 --> 00:56:56,080
Speaker 9: Boom, so nice little you.

1317
00:56:56,080 --> 00:56:59,239
Speaker 4: Know what about this song called Coyotes? Don't kid he

1318
00:56:59,239 --> 00:57:01,080
Speaker 4: didn't have that? Have that? I just kid, that's funny.

1319
00:57:01,120 --> 00:57:05,200
Speaker 4: That's the next album. Yeah, you guys go follow Ian.

1320
00:57:05,360 --> 00:57:08,200
Speaker 4: I love this guy, Ian mun sick of one.

1321
00:57:08,239 --> 00:57:10,520
Speaker 10: And I don't know if I can say yeah, come on,

1322
00:57:10,880 --> 00:57:11,280
Speaker 10: I don't.

1323
00:57:11,160 --> 00:57:11,960
Speaker 11: Think we can say it.

1324
00:57:12,080 --> 00:57:14,040
Speaker 6: I don't even know how to nothing else.

1325
00:57:14,360 --> 00:57:16,439
Speaker 4: Well, now you've built it up. I know you can't

1326
00:57:16,680 --> 00:57:19,640
Speaker 4: probly live up to what you've built. So it's we

1327
00:57:19,640 --> 00:57:26,760
Speaker 4: can always believe. That's actually really good, amy, like really good.

1328
00:57:26,880 --> 00:57:28,280
Speaker 4: That's like a country rap song.

1329
00:57:29,320 --> 00:57:32,560
Speaker 12: Wow, yeah that is a ryot teh wow.

1330
00:57:33,480 --> 00:57:36,920
Speaker 4: Hey, okay, okay, we had to beep it it worked,

1331
00:57:37,320 --> 00:57:39,960
Speaker 4: you guys follow at Ian munsick Ian, great to see

1332
00:57:39,960 --> 00:57:40,400
Speaker 4: you man.

1333
00:57:40,440 --> 00:57:41,120
Speaker 16: Thank you for having us.

1334
00:57:41,120 --> 00:57:43,960
Speaker 4: Shout out your boy here who was also on the fiddle. Timmy, Timmy,

1335
00:57:45,720 --> 00:57:48,320
Speaker 4: Hey Timmy, and you can just yell one word. Do

1336
00:57:48,400 --> 00:57:50,040
Speaker 4: you have your own bowloa? Does Ian make you wear

1337
00:57:50,080 --> 00:57:52,480
Speaker 4: one too? I got a couple, You got a couple,

1338
00:57:52,520 --> 00:57:54,200
Speaker 4: but yeah, got it.

1339
00:57:54,400 --> 00:57:56,200
Speaker 5: You know when Timmy comes out of the shows, everyone

1340
00:57:56,200 --> 00:57:58,160
Speaker 5: starts chanting Timmy to me.

1341
00:57:58,320 --> 00:57:59,040
Speaker 16: Every single night.

1342
00:57:59,480 --> 00:58:01,120
Speaker 4: Why.

1343
00:58:02,120 --> 00:58:05,560
Speaker 15: I always like to say, it's strictly because he's holding

1344
00:58:05,600 --> 00:58:08,880
Speaker 15: the instrument that he's holding. It has nothing to do

1345
00:58:08,960 --> 00:58:11,720
Speaker 15: with how he plays it or how he looks. It's

1346
00:58:11,800 --> 00:58:12,800
Speaker 15: only just because he.

1347
00:58:12,760 --> 00:58:15,040
Speaker 4: Plays the fiddle. Well you look, which isn't true. Timmy,

1348
00:58:15,080 --> 00:58:19,360
Speaker 4: you look great. It's okay, scoo, but we're done now,

1349
00:58:19,440 --> 00:58:21,360
Speaker 4: it's Goodda comes sprinting in to put a Mikeemare's mouth.

1350
00:58:21,440 --> 00:58:24,480
Speaker 4: Now interview's over, Hey Timmy, would you just make a sound?

1351
00:58:25,120 --> 00:58:30,120
Speaker 4: Sounds there? You go? All right? There is Anne munsig

1352
00:58:30,160 --> 00:58:31,840
Speaker 4: and thanks buddy, thank you for having me.

1353
00:58:33,160 --> 00:58:37,000
Speaker 1: It's the best bits of the week with Morgan number.

1354
00:58:36,720 --> 00:58:40,120
Speaker 2: Two and then coming in at this number one spot,

1355
00:58:40,160 --> 00:58:44,160
Speaker 2: Bobby shared his thoughts on Beyonce having a country album.

1356
00:58:44,240 --> 00:58:46,960
Speaker 2: She announced during the Super Bowl that she's releasing a

1357
00:58:47,000 --> 00:58:49,640
Speaker 2: full country album. She dropped two of the songs We

1358
00:58:49,680 --> 00:58:52,080
Speaker 2: did play Texas hold him on the show quite a.

1359
00:58:52,000 --> 00:58:55,000
Speaker 3: Few times, and he just shared what he thinks about it.

1360
00:58:55,000 --> 00:58:57,360
Speaker 2: Everybody's so up in arms about it on social media

1361
00:58:57,440 --> 00:58:59,800
Speaker 2: and has a lot of opinions about yet again, and

1362
00:58:59,840 --> 00:59:02,600
Speaker 2: are artists crossing over into country music? And there's a

1363
00:59:02,640 --> 00:59:05,680
Speaker 2: lot of passionate opinions, and so Bobby shared his and

1364
00:59:05,720 --> 00:59:09,080
Speaker 2: what he thinks and also gave some perspective with Kenny Rogers.

1365
00:59:09,400 --> 00:59:11,640
Speaker 2: So you'll want to hear this if you're just a

1366
00:59:11,640 --> 00:59:14,800
Speaker 2: little on the fence about country artists and maybe new

1367
00:59:14,880 --> 00:59:16,440
Speaker 2: artists jumping into the genre.

1368
00:59:16,960 --> 00:59:20,480
Speaker 4: Number One, you ever stumble into something late and you're like,

1369
00:59:20,520 --> 00:59:22,320
Speaker 4: how did I not find this earlier? Because it is

1370
00:59:22,360 --> 00:59:24,640
Speaker 4: so good. That's how I feel with that show Fargo.

1371
00:59:24,920 --> 00:59:27,720
Speaker 4: I know, still not seen the movie, but I'm watching

1372
00:59:27,760 --> 00:59:30,520
Speaker 4: it all off, like I watched season five A plus,

1373
00:59:30,560 --> 00:59:35,600
Speaker 4: watch season two A plus. We're in season one A okay, so.

1374
00:59:35,600 --> 00:59:36,840
Speaker 6: Far waiting for the plus.

1375
00:59:36,760 --> 00:59:39,600
Speaker 4: Yeah, and the seasons, don't even watch them separately. I'm told,

1376
00:59:40,400 --> 00:59:42,520
Speaker 4: but it's just so good and it's been out for

1377
00:59:42,560 --> 00:59:45,240
Speaker 4: like ten years since the beginning, and so it's one

1378
00:59:45,240 --> 00:59:46,640
Speaker 4: of those things where it's like, how did I not

1379
00:59:46,720 --> 00:59:51,400
Speaker 4: even know that this existed? And so they have a

1380
00:59:51,400 --> 00:59:53,640
Speaker 4: lot of decent music too. And I'm watching that Fargo

1381
00:59:53,680 --> 00:59:55,440
Speaker 4: season two and it was based in the seventies, like

1382
00:59:55,520 --> 00:59:58,000
Speaker 4: nineteen seventy nine, and you'll see where I'm going here.

1383
00:59:58,320 --> 01:00:00,840
Speaker 4: But there's a scene in this song Longest playing. It's

1384
01:00:01,520 --> 01:00:04,880
Speaker 4: the song that goes I just dropped in to see

1385
01:00:05,000 --> 01:00:08,320
Speaker 4: what condition my condition was in. And so they're playing

1386
01:00:08,360 --> 01:00:10,280
Speaker 4: it all throughout the scene. It's like it's like a

1387
01:00:10,320 --> 01:00:12,280
Speaker 4: chase scene or something. You come over and make good

1388
01:00:12,360 --> 01:00:15,880
Speaker 4: music and show that like you're telling stories, you're authentic.

1389
01:00:15,920 --> 01:00:19,720
Speaker 4: Come on that guy that's Kenny Rogers, obviously Darius Now

1390
01:00:19,760 --> 01:00:22,600
Speaker 4: these are people too that made their full I'm going

1391
01:00:22,640 --> 01:00:25,080
Speaker 4: to be a country artist. You have like post Malone,

1392
01:00:25,080 --> 01:00:29,680
Speaker 4: where everybody's going, we can't wait because I can't. It's

1393
01:00:29,680 --> 01:00:32,040
Speaker 4: gonna be awesome. I think post Mallow's country album, it's

1394
01:00:32,040 --> 01:00:35,760
Speaker 4: gonna be awesome. Whenever he did the Cmas, it was

1395
01:00:35,800 --> 01:00:38,040
Speaker 4: really cool. It was him, Morgan Wallen and Hardy and

1396
01:00:38,080 --> 01:00:40,000
Speaker 4: we're like, let's go that's that should be pretty cool.

1397
01:00:40,160 --> 01:00:42,960
Speaker 4: And there have been other artists that have crossed over

1398
01:00:43,040 --> 01:00:46,680
Speaker 4: just for a second. Cheryl Crow Okay, I think Cheryl

1399
01:00:46,760 --> 01:00:49,800
Speaker 4: just kind of exists. I think her music lives. It

1400
01:00:49,840 --> 01:00:53,560
Speaker 4: has always been that. But country music is a little

1401
01:00:53,640 --> 01:00:56,200
Speaker 4: is way more broad now. But there have even been

1402
01:00:56,280 --> 01:00:59,680
Speaker 4: times where there have been things that quote unquote aren't country,

1403
01:01:00,120 --> 01:01:02,640
Speaker 4: like when Bob Wills and Texas Playboys, Like when they

1404
01:01:02,720 --> 01:01:06,520
Speaker 4: first use an electric steel guitar that was screened from

1405
01:01:06,800 --> 01:01:10,840
Speaker 4: every valley and mountain. That's not country and that's so country.

1406
01:01:11,440 --> 01:01:17,120
Speaker 4: My point, anyone that's ever taken country music and turned

1407
01:01:17,160 --> 01:01:19,560
Speaker 4: it a little bit to a version that we know

1408
01:01:19,640 --> 01:01:22,200
Speaker 4: now at one time was told that's not country. You

1409
01:01:22,200 --> 01:01:23,560
Speaker 4: can go to Garth or you can go to Whyland.

1410
01:01:23,640 --> 01:01:28,200
Speaker 4: The one consistent in music has been well, that's not country,

1411
01:01:28,320 --> 01:01:32,480
Speaker 4: except it turns out that's exactly what country is. That

1412
01:01:32,560 --> 01:01:35,640
Speaker 4: being said, I don't think Beyonce's trying to come over

1413
01:01:35,680 --> 01:01:37,480
Speaker 4: and be a full time country music artist. And I

1414
01:01:37,480 --> 01:01:39,400
Speaker 4: also think it's a little bit of fake outrage by

1415
01:01:39,400 --> 01:01:42,560
Speaker 4: people like I can't believe she's doing country. She put

1416
01:01:42,640 --> 01:01:45,440
Speaker 4: up and listen, I'm not a massive Beyonce fan. The

1417
01:01:45,480 --> 01:01:48,040
Speaker 4: song's pretty good, and I didn't listen to it at

1418
01:01:48,080 --> 01:01:49,919
Speaker 4: first because I was like, you know what, I'm gonna

1419
01:01:50,000 --> 01:01:51,880
Speaker 4: let everybody have their minute with it, fight about it,

1420
01:01:53,480 --> 01:01:54,720
Speaker 4: and then I'm gonna listen to it and just see

1421
01:01:54,720 --> 01:01:58,040
Speaker 4: if I actually liked the song. It's good, and you

1422
01:01:58,080 --> 01:02:00,160
Speaker 4: want to talk about your hypocritical if you're like like

1423
01:02:00,160 --> 01:02:02,400
Speaker 4: post Malone coming but not Beyonce. Beyonce has been on

1424
01:02:02,440 --> 01:02:06,120
Speaker 4: the Cmas. Beyonce did Sugarland. Beyonce has a history.

1425
01:02:05,880 --> 01:02:07,040
Speaker 6: Too of Texas Girl.

1426
01:02:07,360 --> 01:02:10,120
Speaker 4: It's crazy to me how people get upset about it.

1427
01:02:11,000 --> 01:02:13,680
Speaker 4: But also if the song wasn't good, I would just

1428
01:02:13,680 --> 01:02:16,560
Speaker 4: be like, ah, the song's not good. And I don't

1429
01:02:16,560 --> 01:02:19,440
Speaker 4: program music. I don't even program music on the show

1430
01:02:19,520 --> 01:02:21,880
Speaker 4: for the most part, unless I'm just like, let's play this,

1431
01:02:22,280 --> 01:02:24,479
Speaker 4: ray find the song, Yeah, ray find the song because

1432
01:02:24,480 --> 01:02:27,120
Speaker 4: I don't have time to program music. But I did

1433
01:02:27,160 --> 01:02:30,160
Speaker 4: go into it going, okay, let's see if this is

1434
01:02:30,200 --> 01:02:32,480
Speaker 4: if I even like it. I hoped I would like

1435
01:02:32,520 --> 01:02:34,680
Speaker 4: it a little bit, but if I didn't, I was

1436
01:02:34,680 --> 01:02:36,480
Speaker 4: gonna come on and go Hey. There's been a lot

1437
01:02:36,480 --> 01:02:39,800
Speaker 4: of artists who've tried what country music doesn't like not

1438
01:02:39,840 --> 01:02:44,200
Speaker 4: me what country music finger quotes doesn't like artists who

1439
01:02:44,360 --> 01:02:48,360
Speaker 4: settle to do country, meaning they've been successful in another

1440
01:02:48,360 --> 01:02:50,760
Speaker 4: place and they can't find that success anymore. So they're like,

1441
01:02:50,760 --> 01:02:52,280
Speaker 4: I'm just gonna go try some country stuff.

1442
01:02:52,840 --> 01:02:54,120
Speaker 16: That's not what Beyonce's doing.

1443
01:02:54,560 --> 01:02:57,280
Speaker 4: She's found success. Arguably the only person bigger than Beyonce

1444
01:02:57,360 --> 01:02:59,520
Speaker 4: is Taylor Swift. And that's arguably, but I would say

1445
01:02:59,720 --> 01:03:05,280
Speaker 4: Taylor then Beyonce, but barely. So I'm watching all the

1446
01:03:05,320 --> 01:03:09,360
Speaker 4: fake outrage and my new thing to do on Twitter

1447
01:03:09,400 --> 01:03:10,960
Speaker 4: is to get on and say some stuff to make

1448
01:03:11,000 --> 01:03:12,960
Speaker 4: everybody upset. They never look at replies. I just get

1449
01:03:13,000 --> 01:03:15,880
Speaker 4: off of it. Everyone up But yeah, because if I'm

1450
01:03:15,920 --> 01:03:17,480
Speaker 4: not there to look at it, it doesn't really happen.

1451
01:03:17,960 --> 01:03:19,520
Speaker 4: So tree falls in the woods, like I pushed the

1452
01:03:19,520 --> 01:03:21,200
Speaker 4: tree down and then closed my ears and ran out.

1453
01:03:22,280 --> 01:03:24,160
Speaker 4: And so I'm on last night because people are yelling

1454
01:03:24,200 --> 01:03:26,600
Speaker 4: at me like that's not country, and that's okay. You

1455
01:03:26,600 --> 01:03:29,000
Speaker 4: can have your definition of what's country and what's not country,

1456
01:03:29,160 --> 01:03:31,960
Speaker 4: but you don't get to be the king Dingling of

1457
01:03:32,120 --> 01:03:35,840
Speaker 4: all country music and what's considered traditional country.

1458
01:03:35,880 --> 01:03:36,000
Speaker 8: Now.

1459
01:03:36,040 --> 01:03:39,000
Speaker 4: At one point was like, that's not country. That's the

1460
01:03:39,040 --> 01:03:42,680
Speaker 4: one thing that has been consistent in country music. It's

1461
01:03:42,720 --> 01:03:44,440
Speaker 4: really the only thing that's been consistent because at one

1462
01:03:44,480 --> 01:03:47,200
Speaker 4: point electric guitars in country music. Are you out of

1463
01:03:47,240 --> 01:03:50,440
Speaker 4: your mind? That's not country. And whenever you look at

1464
01:03:50,480 --> 01:03:53,880
Speaker 4: the history of country music, it wasn't start about white

1465
01:03:53,880 --> 01:03:56,800
Speaker 4: folks in the South. It was people coming over on

1466
01:03:56,960 --> 01:03:59,880
Speaker 4: the Africans coming over on slave ships bringing their banjo

1467
01:04:00,040 --> 01:04:03,640
Speaker 4: type instruments. The Europeans bring in their fiddle type instruments.

1468
01:04:05,160 --> 01:04:07,640
Speaker 4: That's where country started. So I guess if you're gonna go,

1469
01:04:07,760 --> 01:04:12,000
Speaker 4: that's not country. Nothing's country unless it's from Africa or

1470
01:04:12,320 --> 01:04:16,680
Speaker 4: from Europe with those instruments. And so last night some

1471
01:04:16,760 --> 01:04:18,600
Speaker 4: woman hit me up. I was in the middle of

1472
01:04:18,600 --> 01:04:20,320
Speaker 4: tweeting before I got off Twitter all the way. I

1473
01:04:20,360 --> 01:04:24,520
Speaker 4: was posted a little tweet tweet tweetweet, and she was like, yeah,

1474
01:04:24,520 --> 01:04:28,080
Speaker 4: but it was a real rudimentary form of the banjo.

1475
01:04:28,720 --> 01:04:32,680
Speaker 4: I said, yeah, every invention ever if you look back

1476
01:04:32,720 --> 01:04:35,160
Speaker 4: the first car, that was a rudimentary version of the

1477
01:04:35,200 --> 01:04:38,480
Speaker 4: first car compared to what we have now. But the

1478
01:04:38,520 --> 01:04:40,880
Speaker 4: song's good. If the song wasn't good, I would just

1479
01:04:40,920 --> 01:04:45,120
Speaker 4: be like, hey, good luck. But I do like the song. Now,

1480
01:04:45,200 --> 01:04:47,320
Speaker 4: just for the record, it doesn't even matter if it's Luke,

1481
01:04:47,360 --> 01:04:51,040
Speaker 4: Bryan or Stapleton or Miranda. If they put out a

1482
01:04:51,040 --> 01:04:54,560
Speaker 4: brand new song, it doesn't get slammed to number five

1483
01:04:54,600 --> 01:04:56,680
Speaker 4: on the charts in the first two, three, four weeks.

1484
01:04:57,560 --> 01:05:00,360
Speaker 4: It takes a bit. Luke combs right like his number

1485
01:05:00,400 --> 01:05:03,640
Speaker 4: ones in his fly so to Morgan Wallan still take eight, nine,

1486
01:05:03,640 --> 01:05:07,400
Speaker 4: ten weeks. So I'm not going to get into the

1487
01:05:07,440 --> 01:05:10,280
Speaker 4: whole should we or shouldn't we not play Beyonce because

1488
01:05:10,320 --> 01:05:12,440
Speaker 4: that's gonna be up to the public to determine, just

1489
01:05:12,480 --> 01:05:14,919
Speaker 4: like they do everything else. I remember Morgan Wallan wasn't

1490
01:05:14,920 --> 01:05:17,600
Speaker 4: a country artest when he started. He went on the

1491
01:05:17,680 --> 01:05:19,960
Speaker 4: voices like a soul singer, pop singer. But you can

1492
01:05:20,000 --> 01:05:23,280
Speaker 4: also be multiple things at once, Like I'm a trailer

1493
01:05:23,320 --> 01:05:25,000
Speaker 4: park kid from Arkansas, but a lot of people see

1494
01:05:25,040 --> 01:05:27,240
Speaker 4: me as like rapper.

1495
01:05:27,440 --> 01:05:30,400
Speaker 5: Sure, yeah, of course, jelly wrong. Yeah yeah, well that's

1496
01:05:30,400 --> 01:05:35,000
Speaker 5: a good one. Amy. So do program directors like do

1497
01:05:35,120 --> 01:05:37,240
Speaker 5: they listen to the audience and be like, oh, you

1498
01:05:37,240 --> 01:05:38,800
Speaker 5: know what, they like this, We'll play more of this,

1499
01:05:38,920 --> 01:05:40,080
Speaker 5: or do they just kind of decide it.

1500
01:05:40,320 --> 01:05:43,600
Speaker 4: Both yes and no. They do so much research now

1501
01:05:43,640 --> 01:05:47,040
Speaker 4: by actually doing what they call call out research, where yes,

1502
01:05:47,160 --> 01:05:51,080
Speaker 4: they do. Again, this is not my area of expertise,

1503
01:05:51,080 --> 01:05:53,840
Speaker 4: but at one point I was involved more music programming.

1504
01:05:54,400 --> 01:05:56,600
Speaker 4: They'll do call out research in a couple of ways

1505
01:05:56,960 --> 01:06:00,600
Speaker 4: where you will get in touch with people who listen

1506
01:06:00,680 --> 01:06:03,400
Speaker 4: to the format they're called like a p one and

1507
01:06:03,440 --> 01:06:05,440
Speaker 4: you'll play them all these songs and they rate them

1508
01:06:05,440 --> 01:06:08,400
Speaker 4: by like a survey on the phone or on the internet,

1509
01:06:09,480 --> 01:06:10,600
Speaker 4: and like, hey, do you wanna take this? Yeah? Do

1510
01:06:10,600 --> 01:06:12,440
Speaker 4: you like this song? Yeah? Do you like how the

1511
01:06:12,480 --> 01:06:13,960
Speaker 4: song sound? It's a new song. You not heard this one?

1512
01:06:13,960 --> 01:06:15,680
Speaker 4: Do you think? And then they'll base it on that.

1513
01:06:15,880 --> 01:06:19,080
Speaker 4: Oh ok, there's almost I say almost, there's almost no

1514
01:06:19,320 --> 01:06:24,000
Speaker 4: version at least within our company of just going you know,

1515
01:06:24,360 --> 01:06:26,760
Speaker 4: there's no data on this, and I think this song's awesome,

1516
01:06:26,800 --> 01:06:29,240
Speaker 4: so let's just play it all the time. Yeah. Mostly

1517
01:06:29,280 --> 01:06:31,240
Speaker 4: it's Hey, we believe in this artist and this song,

1518
01:06:31,280 --> 01:06:33,480
Speaker 4: and they have a history of doing great things one

1519
01:06:33,520 --> 01:06:35,760
Speaker 4: after the other, so we're gonna give it a benefit

1520
01:06:35,800 --> 01:06:37,480
Speaker 4: of the doubt, maybe playing overnights a little bit and

1521
01:06:37,520 --> 01:06:44,520
Speaker 4: see then how it tests. So not really, it's like

1522
01:06:44,600 --> 01:06:47,240
Speaker 4: request requests were killed once fan group started calling in

1523
01:06:47,280 --> 01:06:50,520
Speaker 4: books and being like, I just want to request this song. Yeah,

1524
01:06:50,640 --> 01:06:52,880
Speaker 4: you'd have ninety four in a row some artists you

1525
01:06:52,880 --> 01:06:56,600
Speaker 4: haven't heard and you're like, well that feels fishy. All

1526
01:06:56,680 --> 01:07:00,520
Speaker 4: that to say, you ain't that matter about it anyway?

1527
01:07:00,520 --> 01:07:03,280
Speaker 4: People that are mad, you just need something to yell about.

1528
01:07:03,880 --> 01:07:06,080
Speaker 10: Yeah, I was gonna say, like, focus your attention on

1529
01:07:06,240 --> 01:07:07,320
Speaker 10: something that really matters.

1530
01:07:07,440 --> 01:07:09,200
Speaker 4: Yeah, And if you're over there yelling at me on Twitter,

1531
01:07:09,400 --> 01:07:12,240
Speaker 4: I don't see it. I will not go back today.

1532
01:07:12,800 --> 01:07:14,120
Speaker 4: I might go back and add a couple, but I

1533
01:07:14,120 --> 01:07:18,800
Speaker 4: won't look at it. I was getting hit hard. I

1534
01:07:18,800 --> 01:07:21,320
Speaker 4: was getting you just all the numbers. I was getting

1535
01:07:21,320 --> 01:07:24,600
Speaker 4: it pretty hard. That's okay, it didn't matter. But anyway,

1536
01:07:24,640 --> 01:07:26,240
Speaker 4: this song, I'm just gonna play the song too, because

1537
01:07:26,440 --> 01:07:28,640
Speaker 4: if I would, if Carrie was singing the song or

1538
01:07:28,720 --> 01:07:31,840
Speaker 4: Miranda was singing this song, you'd be like, that's a

1539
01:07:31,840 --> 01:07:36,400
Speaker 4: cool country song because it's not like there aren't rhythmic

1540
01:07:36,440 --> 01:07:39,520
Speaker 4: influences first of all in country music period and secondly

1541
01:07:39,560 --> 01:07:42,080
Speaker 4: in the music we do now, Like every third Morgan Wallance,

1542
01:07:42,080 --> 01:07:44,800
Speaker 4: I was gonna e O eight in it, and that's cool.

1543
01:07:46,240 --> 01:07:49,960
Speaker 1: It's the best bits of the week with Morgan number two.

1544
01:07:51,160 --> 01:07:53,840
Speaker 3: All right, that's it for just the bits. If this

1545
01:07:53,920 --> 01:07:55,560
Speaker 3: is where I leave you, then I hope you have.

1546
01:07:55,600 --> 01:07:59,200
Speaker 2: A safe and fabulous weekend, and thanks for joining and

1547
01:07:59,400 --> 01:08:02,160
Speaker 2: spending some of your weekend with me. If not, be

1548
01:08:02,200 --> 01:08:04,120
Speaker 2: sure to check out Part one and Part three. I

1549
01:08:04,120 --> 01:08:06,280
Speaker 2: think you guys will really enjoy it this weekend. Part one,

1550
01:08:06,800 --> 01:08:09,240
Speaker 2: like I said, great laughs, You're gonna really miss out

1551
01:08:09,240 --> 01:08:13,200
Speaker 2: if you don't hear Eddie wrongly singing my list.

1552
01:08:12,960 --> 01:08:13,760
Speaker 3: Of breakup songs.

1553
01:08:14,240 --> 01:08:16,479
Speaker 2: And Part three we answered listener questions and a lot

1554
01:08:16,479 --> 01:08:18,280
Speaker 2: of them had to do with Eddie and his family

1555
01:08:18,400 --> 01:08:21,280
Speaker 2: and life at home. So if you want to hear

1556
01:08:21,360 --> 01:08:23,120
Speaker 2: more about that more personal side of.

1557
01:08:23,120 --> 01:08:25,320
Speaker 3: Eddie, go check out Part three. All right, y'all, see

1558
01:08:25,360 --> 01:08:25,719
Speaker 3: you later.

1559
01:08:26,439 --> 01:08:29,320
Speaker 1: That's the best bits of the week with Morgan. Thanks

1560
01:08:29,320 --> 01:08:31,400
Speaker 1: for listening. Be sure to check out the other two

1561
01:08:31,439 --> 01:08:32,360
Speaker 1: parts this weekend.

1562
01:08:32,439 --> 01:08:35,680
Speaker 14: Go follow the show on all social platforms.

1563
01:08:35,360 --> 01:08:36,559
Speaker 4: Show and follow ed

1564
01:08:36,600 --> 01:08:39,280
Speaker 1: Web girl Morgan to submit your listener questions for next

1565
01:08:39,280 --> 01:08:40,440
Speaker 1: week's episode.