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Speaker 1: We've made it. You're here, baby, We're here. How are you? You?

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Speaker 1: Handsome devil? You know, I'm living the fucking dream. My

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Speaker 1: house shit is. I'm learning that everybody has house issues.

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Speaker 1: It's like they It's like Hollywood, everybody got daddy issues.

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Speaker 1: Everybody got house issues. Well, listen, Renovating a house the

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Speaker 1: most common thing. I know a couple of people going

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Speaker 1: through this. People, it's so stressful, and you're you're going

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Speaker 1: through it. Well, we're not renovating by choice, though, I

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Speaker 1: mean like we kind of have to renovate, like gas

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Speaker 1: lines were put in improperly, Like yo, whoever owned this

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Speaker 1: place before us or whoever? I don't know, man, Like

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Speaker 1: this place was not taken care of. And I feel

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Speaker 1: like Tom Hanks and my wife is Shelley Long and

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Speaker 1: money pity is the money Pit money Pit for those

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Speaker 1: of you too young to know the reference a classic

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Speaker 1: Tom Hanks film, Money Pit. You get a chance see

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Speaker 1: the movie. Well you look handsome, that's all that matters. Right,

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Speaker 1: I don't feel handsome right now? I feel worn right,

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Speaker 1: go on, feel I feel beaten, Go ahead, I feel draft.

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Speaker 1: Can I help you turn it around? No? You cannot

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Speaker 1: the Only thing that's gonna help me turn it around,

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Speaker 1: is if we do a good freaking podcast we're gonnarea

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Speaker 1: and we bring in john freaking see McGinley. The legend

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Speaker 1: is here. Do you want to go right to bringing

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Speaker 1: him in? He's here. We should shoot the ship with

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Speaker 1: him so he doesn't sit in the green room. All right,

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Speaker 1: let's bring Johnny c McGinley and everyone America's favorite actor

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Speaker 1: on the planet. It's coming in. Who little boys and girls,

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Speaker 1: there is is Hi Zachie, Hi Dandal, good to see.

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Speaker 1: How are you doing you handsome? Look how ripped he is?

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Speaker 1: How are you fi? I missed you the other night?

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Speaker 1: Oh man, I missed you the other night. I got ripped?

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Speaker 1: He is Donald. It just doesn't go away, audience, you

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Speaker 1: can see this. But the man is more ripped than

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Speaker 1: fucking average. He's like the rock. He's like that. He's

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Speaker 1: like an Irish rock. He is strong. Dude. I have

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Speaker 1: so many questions and so many things to say about

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Speaker 1: this episode. I can't even tell you. Well, we're gonna

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Speaker 1: get into it. We're gonna get into it. But Johnny's

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Speaker 1: a bliss. Johnny genuinely listens to the podcast, and he

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Speaker 1: loves the podcast. And he texts me all these nice

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Speaker 1: things and Johnny just so we can follow up, because

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Speaker 1: Johnny was at the event where Harrison Ford was and

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Speaker 1: and and Donald never got a chance to use what

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Speaker 1: he had rehearsed. Johnny right, he was never he never

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Speaker 1: got a chance to to You heard him run drills

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Speaker 1: with me, and he never got a chance to do it. Donald,

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Speaker 1: You you doing that improv with Zachy uh in the

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Speaker 1: episode prior to this one was Comedy Gold, Thank you.

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Speaker 1: Zachie told me about it and and his pitch was

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Speaker 1: really good. And then you two getting after it and

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Speaker 1: Zachie you doing Harrison's pretty good. Although someone it's pretty dark.

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Speaker 1: Someone told me, I sound like Baine, but it's somewhere

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Speaker 1: between Baine and Harrison Ford. Get right in there. Burn

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Speaker 1: was more like this, and you could Donald, you couldn't

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Speaker 1: come though, you didn't get because we had a blackout

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Speaker 1: power outage in our neighborhood and your kids weren't having it.

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Speaker 1: I can't leave my kids with the babysitter. My kids

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Speaker 1: are very young. I can't leave my kids with the

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Speaker 1: babysitter in a dark, cold house. Couldn't you have given

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Speaker 1: them flashlights and said daddy wants to go talk to

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Speaker 1: Harrison Ford. You know what I could have. I made

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Speaker 1: an executive decision as a father and instead of emotionally

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Speaker 1: scarring my children for my own personal benefit, right decided

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Speaker 1: to do the right thing like Spike Lee and stay

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Speaker 1: home with them. Zachie Zackie also had a blackout. Neo

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Speaker 1: also had a house guess, Josh Raydon, who I love,

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Speaker 1: and they they had a little bit of a tiff

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Speaker 1: at the party because Zach trying to direct Josh back

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Speaker 1: into his house as a guest. Yeah, it was pretty alleged.

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Speaker 1: It was completely dysfunctional. Johnny was privyed, so me and

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Speaker 1: Josh arguing because my power was out too and I

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Speaker 1: was going to go home, and he was like, well,

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Speaker 1: I'm gonna stay longer, and I was like okay. It

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Speaker 1: was like a couple's fight, and He's like, well, how

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Speaker 1: am I? And Johnny was in the middle. It was

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Speaker 1: literally like a comedy sketch, Johnny sitting in the middle

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Speaker 1: and Josh was like, how am I going to get

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Speaker 1: in if the powers out? And I go, well, the

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Speaker 1: gate probably should work. I think it's got a battery pack,

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Speaker 1: and he's like, well, what if it doesn't. I'm like, well,

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Speaker 1: then come to the main door. Which door I go?

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Speaker 1: Then you know, the door, the front door, and then

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Speaker 1: put the code in, and I'm like, Johnny, this is

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Speaker 1: the worst Airbnb guest I've ever had. He's and then

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Speaker 1: Johnny was just cracking up and picture John's head just

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Speaker 1: like ping ponging back and forth with me. And Raydon

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Speaker 1: got into this fight, and I'm like, just climb the fence.

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Speaker 1: He's like, I'm not climbing the fucking fence in the dark,

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Speaker 1: and I I go Johnny would climb the fence, and

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Speaker 1: Johnny Nazy goes I would I climb the fence. Those

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Speaker 1: are two different house guests, so different. Johnny I tried

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Speaker 1: to shame him. I'm like, look at john He's ripped.

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Speaker 1: He'd climb the fence. He's like, yeah, I'm not ripped

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Speaker 1: like that. What's the code for the front door? Having

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Speaker 1: having you two in an argument was that it was

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Speaker 1: it was made me happy. It made me happy. Well, Johnny, Okay, wait,

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Speaker 1: hold up, was fucking Harrison Ford there? Obviously? Yeah? Obviously

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Speaker 1: is it true that jay z was there? John No,

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Speaker 1: I lied to you about jay z Y. I spent

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Speaker 1: all my time with Harrison. I don't know. No, I

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Speaker 1: didn't see jay Z. He wasn't there. No, I was

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Speaker 1: fucking with him john and I told him that he

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Speaker 1: missed the great party Allen was Harrison there, but jay

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Speaker 1: Z was there. First thing I said to Harrison I said, Harrison,

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Speaker 1: you're so good on Billy's show. And he goes, oh,

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Speaker 1: is it Billy's show? Now? Yeah. I love people that

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Speaker 1: take the piss out of Bill because very few people do.

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Speaker 1: So I love people that like like Harrison. It'll be like, oh,

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Speaker 1: it's your show. I first of all, it was so

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Speaker 1: great to see you, man, I really it made me

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Speaker 1: so clear how much I missed you and how much

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Speaker 1: I love you and how much I love chatting with you.

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Speaker 1: And I spent like a good chunk of time just

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Speaker 1: cracking up with Johnny, and of course he was privy

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Speaker 1: to me and Josh Raydon's couple's fight, but also we

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Speaker 1: I wanted to talk to you about this cold Plunge

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Speaker 1: thing and tell our audience a little bit about because

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Speaker 1: Johnny is very into this whole sauna and cold plunge life,

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Speaker 1: and I'm seeing it everywhere with so many people that

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Speaker 1: I look up to. Whether they're super smart people with

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Speaker 1: a podcast, or they're very successful people. I know so

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Speaker 1: many people at the top of their game who are

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Speaker 1: doing this dopamine hit of going super hot and then

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Speaker 1: ice cold and starting their day like that. And Johnny,

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Speaker 1: you've been doing this forever, and I thought you could

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Speaker 1: just tell our audience a little bit about it. I'm

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Speaker 1: very interested in it. I am too. I really would

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Speaker 1: like to know about this, Johnny, because, as you know

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Speaker 1: I am. I hate the cold, but if it's gonna

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Speaker 1: put longevity into my life and make me healthier, I

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Speaker 1: really want to be a part of this. So all right, China,

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Speaker 1: go ahead. Tell us. So about twenty years ago, my

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Speaker 1: friend and namer Laird Hamilton, who's a it's kind of

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Speaker 1: a wealth of fitness and health information because people flock

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Speaker 1: from around the planet to share their stuff with them.

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Speaker 1: And one of the guys was Wim Hoff, who's kind

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Speaker 1: of the high priest of cold water plunges and all

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Speaker 1: this and breathing, and so Wim spent a lot of

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Speaker 1: time with this and then kind of took what Wim

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Speaker 1: had and put it on steroids, and what he had

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Speaker 1: was this hot and cold as it pertains to your

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Speaker 1: lymphatic system, and as it affects inflammation. So your lymph

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Speaker 1: attic system is something that circulates all the good stuff

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Speaker 1: throughout your body, and it usually takes six to twelve

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Speaker 1: hours for that to go around around all the good

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Speaker 1: chemicals in your body. And this accelerates that to about

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Speaker 1: an hour. And so you have all the good juice

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Speaker 1: going around, and you've accelerated that to an hour. And

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Speaker 1: the other thing it does is it deals with inflammation.

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Speaker 1: And since we all have inflammation, whether it's in your

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Speaker 1: joints or organs or your brain, somewhere, you have inflammation.

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Speaker 1: And this purports to help with inflammation. And those are

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Speaker 1: the two big highlights. But also you get a giant

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Speaker 1: dopamine hit, don't you. I mean it doesn't it like well,

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Speaker 1: or I don't know if it's endorphins or dopamine, but

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Speaker 1: like you feel fucking amazing. Right. Well, here's the thing.

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Speaker 1: Once you get into wherever your sensitivities are, either the

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Speaker 1: heat or the ice, your brain is telling the rest

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Speaker 1: of your body that you're in a great deal of jeopardy.

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Speaker 1: You're not, of course, You're just in a You're in

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Speaker 1: a steel tub with some ice in it. Or you're

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Speaker 1: in a in a in a hot hot house. Yeah,

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Speaker 1: so that you can open the door and leave. And

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Speaker 1: so the the hack is tricking your brain and shutting

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Speaker 1: that off and letting your body know that it is okay.

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Speaker 1: And so now all this inflammation is starting to subside,

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Speaker 1: and your lymphatic system is really charged. And that's what

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Speaker 1: you're perceiving as either dopamine or or this high that

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Speaker 1: you get afterwards. But it's just hacking the brain and

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Speaker 1: telling it that it's not, in fact, in any jeopardy.

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Speaker 1: It's fine, You're you're in an ice tub and everything's

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Speaker 1: going to be okay. And how do how do you

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Speaker 1: do this? Do you do it? Where you're in and

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Speaker 1: then you're out and then you're in? And is there

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Speaker 1: is a session? Is it? It's three rounds? Right, So

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Speaker 1: it's three rounds. We go fifteen minutes in the in

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Speaker 1: the heat, and then a hundred nose breadths in the

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Speaker 1: ice and then back into the heat. And so the

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Speaker 1: three rounds of that. But for you, Donald would start

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Speaker 1: at forty nose breath just okay, and so that all

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Speaker 1: your focus goes there instead of the pass in your chest.

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Speaker 1: You know, he was saying and I've seen other people

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Speaker 1: say this because I've been like, once you, once you

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Speaker 1: click on this Instagram wormhole, you're going to see some

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Speaker 1: many people doing Oh it go so deep. No, but

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Speaker 1: I'm really interested because so am I man, I've been

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Speaker 1: checking this out. Also, Johnny told me that what happens

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Speaker 1: is like you're going too panic mode, right, But but

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Speaker 1: then like your friend who's like you're who's done it,

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Speaker 1: Like Johnny would coach you, like, calm down, You're just

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Speaker 1: in full on fight or flight mode. You're just in

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Speaker 1: an ice tub. You're not going to die. And then

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Speaker 1: you focus on and you focus on your breathing and like,

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Speaker 1: if you can do that and train yourself, you can

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Speaker 1: go shorter or longer or and then develop this this

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Speaker 1: this skill set which is really powerful for a lot

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Speaker 1: of people, and it's good for circulation, it's good for

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Speaker 1: it's good for your heart. I think I told this

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Speaker 1: story on the podcast. I'll tell it quickly if I've

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Speaker 1: told this for Joell, remind me if I told this.

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Speaker 1: But when we were doing the ocean swim thing in

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Speaker 1: that episode where I'm like, I do the triathlon and

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Speaker 1: I'm the only one in a in a what he

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Speaker 1: called speedo. Yeah, pick an apple, put in your pocket.

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Speaker 1: Pick an apple, put in your pocket. Memember. I was

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Speaker 1: swimming wh when we shot that. The water was really cold.

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Speaker 1: It was like probably forty five degrees, but it was

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Speaker 1: a hot day. It was la and and and they

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Speaker 1: had a longboard. All the crew were who were in

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Speaker 1: the water. We had wet suits on, but I had

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Speaker 1: had a longboard for me to not be in the

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Speaker 1: there in a speedo for too long. So we would

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Speaker 1: get in and I would shoot, shoot, shoot, shoot, and

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Speaker 1: then I go, oh my god, I need a break,

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Speaker 1: and I get on the longboard. Sun was beating down

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Speaker 1: on me, and then I get in shoot shoo, shoot you.

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Speaker 1: I was basically doing a modified version of what Johnny's saying,

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Speaker 1: but I didn't know that I was doing anything special.

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Speaker 1: When we wrapped that, I went back to my trailer

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Speaker 1: and I don't remember it said something I remembered, and

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Speaker 1: it was probably sixteen years ago. I remember feeling such

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Speaker 1: a high, a natural, full body mental high, like I

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Speaker 1: had like just serotonin flowing through my body because your

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Speaker 1: organs were working at optimal level. Man, That's why, man,

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Speaker 1: with all of the junk that you had in your system. Yeah,

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Speaker 1: lymphatic system is just speeding through. Man. Do you know

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Speaker 1: how good that? Do you know how good no inflammation feels? Man?

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Speaker 1: No inflammation feels amazing. I don't know. Just joints on

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Speaker 1: your bloodstream, on your system, all of that. Man, That's

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Speaker 1: why I'm so interested in this. Man. I've been seeing

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Speaker 1: a lot of people on Instagram doing it. I had

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Speaker 1: a conversation with somebody at last night about it, and

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Speaker 1: they were talking about how they've got you know, apparently

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Speaker 1: the tub isn't the problem. It's the freaking the system

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Speaker 1: that you put into the tub that's expensive. And then

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Speaker 1: you can literally you can literally start with a with

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Speaker 1: a plastic barrel. I see people on Instagram with a

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Speaker 1: plastic barrel of ice water like right, but you can

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Speaker 1: get like like you can go nuts. This is a

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Speaker 1: good gift for yourself if you're out there and you

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Speaker 1: have the money to do it. Get you what I'm saying,

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Speaker 1: you don't, I'm donald, I hear you, and I'm saying

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Speaker 1: there's like refrigerated tubs that are very expensive, but you

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Speaker 1: can literally start with a plastic barrel. In fact, if

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Speaker 1: you watch Ted Lasso, those soccer players are getting into

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Speaker 1: fucking the trash cans, and Bill and Bill and Jason

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Speaker 1: put that in the show because when they went to

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Speaker 1: research the real guys, that's what those guys are getting

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Speaker 1: in those fucking blue recycling things. Yeah, so you can literally,

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Speaker 1: you can literally do it with that, I'm saying. But

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Speaker 1: if you got the dough and you want to go go, yeah, yeah,

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Speaker 1: but I think one before one spends the dough, one

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Speaker 1: should see if they can handle it in a plastic barrel.

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Speaker 1: Yeah right, No, I think you're gonna be able to

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Speaker 1: handle Listen, now, you're the guy, because you're the guy

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Speaker 1: who goes and then spends fifteen grand and goes like,

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Speaker 1: I'm not doing that shit. I am that guy. But

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Speaker 1: I'd wind up doing it. If you came out of here,

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Speaker 1: I'd walk you through it. Johnny, I'm going to. Can

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Speaker 1: I come out, let's do a session together. Can we

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Speaker 1: convince my wife to do this bad boy too? Because

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Speaker 1: I'm sure she would benefit from this? Yeah? And will

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Speaker 1: she wear will she wear a bikini? When she does it?

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Speaker 1: Her nipples, her nipples get so hard, hold wow, and

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Speaker 1: uncomfortable with this? Uncomfortable with this? I'm sorry, I'm no,

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Speaker 1: I'm comfortable with it. Listen, she's not very hot, Johnny.

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Speaker 1: I'm not talking about Casey's I'm not gonna all right,

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Speaker 1: we'll talk about private parts another time. But you want no, no,

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Speaker 1: no, no no, no, no no no, I don't want. I

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Speaker 1: don't know. It's because she can talk about her nipples too.

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Speaker 1: I love it. Look at it, looking him, looking him squirm.

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Speaker 1: I'm just saying, when Casey joins us, she should probably

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Speaker 1: wear a bikini. But Johnny, can we come? We'd love come.

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Speaker 1: Let's do a session together. I want to come down there.

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Speaker 1: I'll be in there this after that. I was in

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Speaker 1: this morning, I'll be in there this afternoon. The answer

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Speaker 1: is yes. How's the how's the golf simulator? Oh dude,

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Speaker 1: you're just gonna come out here and have a man

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Speaker 1: vacation with you know, Johnny has the best house. There's

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Speaker 1: a golf simulator, there's cold plunges. I just need to know.

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Speaker 1: Has your game elevent Listen? I haven't played in over

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Speaker 1: a year now, I know I've been listening to you.

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Speaker 1: You're mister tennis. Now, I was playing a little tennis.

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Speaker 1: Chris Krab would have you believe that I play a

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Speaker 1: lot of tennis, But I played like listen, once you're

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Speaker 1: tennis is one of those sports that you don't need.

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Speaker 1: You could take a lot of time off, and when

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Speaker 1: you come back, if you're not out of shape, or

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Speaker 1: if you're still athletic, it's still there's not true. That's you. You.

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Speaker 1: You happen to be a very, very athletic. Donald's a

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Speaker 1: really good athlete. Donald comes There was a time when

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Speaker 1: I was taking lessons like every week and Donald was

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Speaker 1: not there. He was doing golf. And then he comes back.

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Speaker 1: We have the same teacher, and he comes back and

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Speaker 1: like he's shitty for like the first fifteen minutes, and

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Speaker 1: I'm like feeling so good because never am I better

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Speaker 1: at a sport than Donald. I was just like hitting

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Speaker 1: really well, and I was just like so happy. Like

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Speaker 1: sixteen minutes in, he starts doing trick shots. He's like

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Speaker 1: fully back, well, he's like doing through the leg shit.

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Speaker 1: You know what the trick trick shots are to fucking

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Speaker 1: just make it so that everybody runs, you know what

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Speaker 1: I mean. Nobody hitting back and forth to somebody is

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Speaker 1: some bullshit. Man, That's how you lose. You're gonna beat

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Speaker 1: me on consistency all day long. So my competitive spirit

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Speaker 1: gets in there, and now I'm freaking making it so

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Speaker 1: that you can't be comfortable anymore. Douts like a ping

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Speaker 1: pong spin on the ball. Nye, that's brutal. You gotta

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Speaker 1: you gotta, you gotta do something to switch it up. Listen. Yeah, yeah, dude,

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Speaker 1: I did that. Oh my god, I did that one.

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Speaker 1: Donald has the ability to do like this is what

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Speaker 1: he does. He's exactly right, he doesn't. He doesn't. He

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Speaker 1: gives up on consistency. So he does some like ping

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Speaker 1: pong fucking spin on the ball, and the ball does

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Speaker 1: something I've never seen a pro due do it. It's

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Speaker 1: just like, well, Donald got those good hands. Donald got

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Speaker 1: the hands, he got a hand eyed for Craig. Craig.

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Speaker 1: That's when my brother says, because my technique is horrible

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Speaker 1: in baseball, but I can still hit the baseball. Yeah,

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Speaker 1: because you got great hand. Yeah all right, listen, Johnny,

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Speaker 1: I'm gonna hit you up because I this is I

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Speaker 1: have a fear about this. And when I felt like

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Speaker 1: when I it was a sign from the universe. When

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Speaker 1: when when I talked to you about the other day

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Speaker 1: because I felt like I need someone, I need a

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Speaker 1: mentor not too Zakie. I could walk you, I could

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Speaker 1: take you through a session. It would be so comforting

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Speaker 1: to you, and you would feel so accomplished. When you

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Speaker 1: do the three sessions and you get in and out

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Speaker 1: of the ice three times, you will leave here. You

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Speaker 1: will feel so rejuvenated and you'll feel really proud of yourself,

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Speaker 1: which is terrific. Well, thank you. I totally want to

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Speaker 1: do it, Johnny, and I'm gonna take you up on that.

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Speaker 1: What do you do? Do you do it like every day?

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Speaker 1: Or is this? Is this an everyday thing? Or is

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Speaker 1: this a once a week thing? Like? What's the criteria?

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Speaker 1: I did it this morning. I did this morning after

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Speaker 1: the pool workout, And I'm gonna go down and get

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Speaker 1: Maxie and then I'm gonna get home later tonight around six.

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Speaker 1: I'll be back in there. Two rounds a day, Yeah,

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Speaker 1: sometimes more. I want to do it. One want to

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Speaker 1: You can do as many times as you want. Is

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Speaker 1: this it's a big It's a big leap for me

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Speaker 1: because I fucking hate cold water, But I really feel

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Speaker 1: like it's a challenge for me. It's like a life goal.

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Speaker 1: I want to conquer this bullshit. I got a lot

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Speaker 1: of things I want to plish in life. Well, we

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Speaker 1: have like a great master here a Yoda if you will, Donald,

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Speaker 1: that can teach us to conquer our fear of sitting

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Speaker 1: in ice water. I'm off for longevity. If this helps, Yeah,

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Speaker 1: let's go. I don't know if it helps with longevity

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Speaker 1: as much as it helps with inflammation. Inflammation. Inflammation is

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Speaker 1: an inflammation is a key to longevity, Alma, and also

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Speaker 1: helps with mental health. I hear people talking about how

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Speaker 1: it big time. Yeah, I hear it. That's for me,

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Speaker 1: that's real. That's not the least which because you feel

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Speaker 1: like you've accomplished something that was a goal. And yeah,

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Speaker 1: I don't know how many goals we have all the time,

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Speaker 1: and this is a tangible one that you could check off. Yeah, Donald, Yeah, Donald. Okay,

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Speaker 1: So we're going Casey to bikini up. Oh my god,

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Speaker 1: I'm gonna a bikini are up. We're gonna bring the

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Speaker 1: sun tan oil something small, something like illegal in certain

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Speaker 1: parts of Florida. I'm gonna make sure d different episode.

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Speaker 1: Al Right, Countess, send Donald's to the show. Show. We

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Speaker 1: made about a bunch of doctor nurses stories. So yead

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Speaker 1: around here, yea around here? Alright, eight oh four everybody.

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Speaker 1: This aired on January thirteenth, oh nine. That was very interesting.

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Speaker 1: That was fourteen years ago. Very wacky episode, very funny,

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Speaker 1: lots of stuff with the legendary Johnny c McGinley and

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Speaker 1: Donald Faizon. Yeah, together again. The team is together. See

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Speaker 1: it's good to be together again. Um. Directed by Ken Winningham.

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Speaker 1: Imagine that we've ever been gone to Sammy? To Sammy,

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Speaker 1: just a love letter to Ah. He's so good in

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Speaker 1: this right, absolute love letter. Sam has a lot to

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Speaker 1: do in this one. And it's amazing how much they

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Speaker 1: squeeze in this episode. There's there's so much. Um. All right,

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Speaker 1: well let's just start off at the top. Um. Okay,

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Speaker 1: So you popping down the hallway. First of all, this

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Speaker 1: is something that somebody said to me once. He was like, uh,

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Speaker 1: he was like, you guys are hilarious. I was like,

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Speaker 1: why is that. He's like, because you guys are bopping

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Speaker 1: down the hallway like you owned the play. Like if

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Speaker 1: you watch any episode of Scrubs, the Strut JD and

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Speaker 1: Turk Cab when they're with the pimps and stuff like that. Yeah.

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Speaker 1: I guess that continued on because we do that like

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Speaker 1: every episode. There's us freaking walking around like this is

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Speaker 1: my shit. Yeah, I thought, I thought, to Donald's point, Zachie,

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Speaker 1: I thought you were biting Travolta in Saturday Night Fever

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Speaker 1: when he's bringing the paint can down Queens Boulevard shot.

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Speaker 1: Such a good owing moment and John and John has

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Speaker 1: that strut, and you had John Strutt in this which

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Speaker 1: is a compliment, by the way, Well it's a tough strutt.

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Speaker 1: It ain't easy. Well, listen, JD has had uh seven

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Speaker 1: and a half years of being tortured by the janitor,

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Speaker 1: and for the first time in his whole medical career,

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Speaker 1: he doesn't have to worry about him. He thinks, right,

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Speaker 1: So he's feeling himself. A weight has been taken off

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Speaker 1: his shoulders. That's really good. He's like, I don't have

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Speaker 1: to look around the corner anymore. It's really good. He's

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Speaker 1: feeling himself. And as he says that, he runs into

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Speaker 1: the Todd who knocks him on his ass. He says, maybe,

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Speaker 1: which is disisgusting. It's disgusting. You don't want to but

404
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Speaker 1: he goes in for a kiss. Well, he's we know

405
00:21:49,160 --> 00:21:54,040
Speaker 1: that Todd. Is he beyond for a kiss. He's beyond bisexual.

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Speaker 1: He's he's he's into everything, anything and everything. He's just sexual,

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Speaker 1: he's just period. But it's not sexual. What he does

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Speaker 1: is not sexual. It's disgusting. It's not consensual, for sure.

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Speaker 1: He says he's not consensual. He says, I can feel

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Speaker 1: little j D five and I go no, no, thanks Todd.

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Speaker 1: He goes, but I can, and I want my five

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Speaker 1: kiss that was so funny, goes, but I can and

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Speaker 1: I want my five Okay, So, and then we go

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Speaker 1: through a sequence where JD and Elliott are are flirting,

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Speaker 1: of course again, and they're hanging out. Jad seems obsessed

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Speaker 1: with Oprah. Um, so, wait, who makes the cereal box

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Speaker 1: for him? Well? The cereal box is really wait no,

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Speaker 1: somebody made it so that when it opens up, it

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00:22:53,920 --> 00:22:56,800
Speaker 1: goes No, it's been rigged to have an Oprah voice

420
00:22:57,000 --> 00:23:01,720
Speaker 1: by Whitney in Payroll, who we see later. Yes, she's

421
00:23:01,920 --> 00:23:07,600
Speaker 1: she says, like, who wants him Oprah? Oh? Oh wait?

422
00:23:07,640 --> 00:23:11,440
Speaker 1: Did you did you infer that the the JD when

423
00:23:11,440 --> 00:23:13,959
Speaker 1: he said he had made had also made the box

424
00:23:14,040 --> 00:23:17,640
Speaker 1: or just the vocal mechan I thought he made the box? Also, Johnny,

425
00:23:17,640 --> 00:23:20,640
Speaker 1: what did you think? I thought the writers got so

426
00:23:20,720 --> 00:23:23,119
Speaker 1: drunk on the Oprah jokes that I just went along

427
00:23:23,119 --> 00:23:25,760
Speaker 1: with them. They stumbled into it, and they like they

428
00:23:25,880 --> 00:23:28,280
Speaker 1: just wanted to squeeze every drop of water out of

429
00:23:28,280 --> 00:23:30,359
Speaker 1: that joke. This must have been at the height of

430
00:23:30,400 --> 00:23:33,120
Speaker 1: the time where Oprah was giving away stuff, yelling all

431
00:23:33,119 --> 00:23:35,960
Speaker 1: the time, right, No, I think I think Tracy Morgan

432
00:23:36,080 --> 00:23:40,800
Speaker 1: did Oprah on a thirty rock and we were walking

433
00:23:40,800 --> 00:23:43,040
Speaker 1: He was like, you know what, I mean, what would open?

434
00:23:43,160 --> 00:23:46,080
Speaker 1: The question was what would Oprah do? And he was

435
00:23:46,160 --> 00:23:48,840
Speaker 1: dressed up as Oprah and he he went, what would

436
00:23:48,880 --> 00:23:55,600
Speaker 1: I do? But we were walking around doing Oprah on set.

437
00:23:56,119 --> 00:23:58,720
Speaker 1: I think this joke comes from like us being obsessed

438
00:23:58,760 --> 00:24:01,480
Speaker 1: with their no, no, I don't want perhaps, but I

439
00:24:01,520 --> 00:24:04,119
Speaker 1: just remember at the time Oprah was always giving away stuff,

440
00:24:04,119 --> 00:24:06,520
Speaker 1: and she kind of leaned into her own joke. She

441
00:24:06,680 --> 00:24:08,440
Speaker 1: was like, you get a car, You get a car,

442
00:24:08,480 --> 00:24:12,160
Speaker 1: You get a car. Yeah, all right, look under your seat,

443
00:24:12,680 --> 00:24:16,800
Speaker 1: Look under your seat, there's a car. Do you see

444
00:24:16,840 --> 00:24:19,200
Speaker 1: the keys, Oprah? How did you get that car under

445
00:24:19,240 --> 00:24:22,280
Speaker 1: my seat? I'm Oprah, dude. That shit was Have you

446
00:24:22,280 --> 00:24:25,080
Speaker 1: ever seen that? Have you ever seen that actual video

447
00:24:25,160 --> 00:24:27,160
Speaker 1: of her telling the audience that they get a car

448
00:24:27,359 --> 00:24:30,960
Speaker 1: they lose. You get a car, and you get a car,

449
00:24:31,119 --> 00:24:36,000
Speaker 1: and you and everybody get a car. Yeah. The video

450
00:24:36,040 --> 00:24:38,920
Speaker 1: of people, even when I wasn't cars, of the audience

451
00:24:38,920 --> 00:24:41,160
Speaker 1: when open would give shit away, they would you get

452
00:24:41,320 --> 00:24:44,639
Speaker 1: your mind and you get like you get lotion. You

453
00:24:44,680 --> 00:24:49,160
Speaker 1: and their heads. You're exploding thing, you know. I can't

454
00:24:49,200 --> 00:24:52,280
Speaker 1: even I can't even hear the word lotion now without

455
00:24:52,359 --> 00:24:55,040
Speaker 1: thinking of ted Levine telling the girl to put lotion

456
00:24:55,080 --> 00:24:58,560
Speaker 1: on it in silent lamp. I can't even hear that word.

457
00:24:59,200 --> 00:25:02,600
Speaker 1: I can't hear the word it puts the lotion. Yeah,

458
00:25:02,640 --> 00:25:05,000
Speaker 1: with the loan in the basket, will it put the

459
00:25:05,040 --> 00:25:08,960
Speaker 1: lotion in the basket. T is so good in that

460
00:25:09,200 --> 00:25:21,240
Speaker 1: it's please places. I watch all these movies because I

461
00:25:21,359 --> 00:25:24,480
Speaker 1: put a TV in the hot in the sauna behind

462
00:25:24,520 --> 00:25:27,760
Speaker 1: two pieces of plexiglass, because I'm such a I'm such

463
00:25:27,800 --> 00:25:31,080
Speaker 1: a news junkie that you can stay in the hot house.

464
00:25:31,119 --> 00:25:33,360
Speaker 1: I call at the hot house. I had the production

465
00:25:33,400 --> 00:25:37,439
Speaker 1: designer on Scrubs make this sign for me and says

466
00:25:37,480 --> 00:25:40,080
Speaker 1: the hot house. And it's still out there. And I

467
00:25:40,160 --> 00:25:42,120
Speaker 1: just watch all these movies, and I guess I must

468
00:25:42,119 --> 00:25:45,120
Speaker 1: have watched ted Levine the other day in in silence

469
00:25:45,119 --> 00:25:48,400
Speaker 1: of the lamps. Kind of random. That's kind of a rig.

470
00:25:48,560 --> 00:25:52,160
Speaker 1: Nice rig. You got over there. Thank you. Daniel's been there,

471
00:25:52,200 --> 00:25:55,200
Speaker 1: by the way, Daniels helped me set up the Yeah,

472
00:25:55,359 --> 00:25:59,200
Speaker 1: Daniel got the whole tour. Hell yeah, Daniel's pretty amazing,

473
00:25:59,240 --> 00:26:01,480
Speaker 1: isn't It's me. It's a gorgeous spot and the hot

474
00:26:01,480 --> 00:26:05,800
Speaker 1: house is dope. Yeah, it's set up very nice, Daniel.

475
00:26:05,840 --> 00:26:09,120
Speaker 1: I like that T shirt. Shout out Dove, shout out easy.

476
00:26:09,960 --> 00:26:13,800
Speaker 1: It's a it's a delas soul song. It's so easy,

477
00:26:14,000 --> 00:26:17,000
Speaker 1: it's so easy. Hey, do you know where Judy is

478
00:26:17,040 --> 00:26:20,119
Speaker 1: in this episode? She's not shooting a movie. I know

479
00:26:20,200 --> 00:26:23,520
Speaker 1: she's not. We all missed episodes during this season because

480
00:26:23,680 --> 00:26:27,720
Speaker 1: of budget, and they did this budget. Remember we moved

481
00:26:27,720 --> 00:26:33,560
Speaker 1: to ABC season eight, so everyone I think, um, oh,

482
00:26:33,640 --> 00:26:38,400
Speaker 1: everyone takes including me, takes a few off this season

483
00:26:38,640 --> 00:26:43,159
Speaker 1: and uh and uh, this is Judy's turn to not

484
00:26:43,240 --> 00:26:46,639
Speaker 1: be in because I immediately missed. Jude, do you remember

485
00:26:46,680 --> 00:26:49,720
Speaker 1: Do you remember this though? Do you remember like I

486
00:26:49,800 --> 00:26:52,399
Speaker 1: remember remember this after you guys tell me stuff I

487
00:26:52,440 --> 00:26:56,120
Speaker 1: remember otherwise I don't remember stuff. Well, the funniest joke

488
00:26:56,160 --> 00:26:59,719
Speaker 1: in the whole episode happens very early on, and it's

489
00:26:59,400 --> 00:27:02,240
Speaker 1: just joke. Is this is a meme, this is I've

490
00:27:02,280 --> 00:27:06,000
Speaker 1: got people that do this as uh, what is the joke?

491
00:27:06,359 --> 00:27:09,760
Speaker 1: The joke Turks Turk is Turkey is touching a patient

492
00:27:09,840 --> 00:27:13,160
Speaker 1: and uh, what do you call it? Just feeling his

493
00:27:13,160 --> 00:27:16,119
Speaker 1: his an area of stomach and he and there's a

494
00:27:16,119 --> 00:27:19,920
Speaker 1: fart noise and Turk says, that's so right, it's perfectly normal,

495
00:27:20,040 --> 00:27:23,560
Speaker 1: natural and the patient says that was you. It goes,

496
00:27:23,640 --> 00:27:29,440
Speaker 1: I know, it's perfectly natural, natural, dude. I hadn't seen

497
00:27:29,480 --> 00:27:32,199
Speaker 1: that in a while, and I I had to pause

498
00:27:32,840 --> 00:27:37,000
Speaker 1: the playback to laugh so hard. It's a meme, dude,

499
00:27:37,160 --> 00:27:38,840
Speaker 1: Like there are people that are lip syncing this shit

500
00:27:38,920 --> 00:27:41,880
Speaker 1: on TikTok and stuff right now. Then Oh yeah, I'll

501
00:27:41,920 --> 00:27:46,159
Speaker 1: post it when that'll be my that'll be my Uh well,

502
00:27:46,200 --> 00:27:49,160
Speaker 1: your your performance of this episode, your performance of that joke.

503
00:27:49,280 --> 00:27:51,880
Speaker 1: I mean it was so dead pan and funny and

504
00:27:52,080 --> 00:27:55,080
Speaker 1: uh all right. So then then we get into this

505
00:27:55,160 --> 00:27:58,600
Speaker 1: main storyline between doctor Cox and Turk, which is that

506
00:27:58,760 --> 00:28:02,080
Speaker 1: doctor Cox does not trust any surgeon. He calls them

507
00:28:02,160 --> 00:28:06,520
Speaker 1: corpse carpenters, and um, you know, I've made your questions

508
00:28:06,560 --> 00:28:09,960
Speaker 1: about this all right, I want to hear you go ahead, Well,

509
00:28:09,960 --> 00:28:13,240
Speaker 1: what do we I don't know what we're doing. I mean,

510
00:28:13,359 --> 00:28:14,760
Speaker 1: I feel like I'm on the set right now and

511
00:28:14,800 --> 00:28:16,480
Speaker 1: I'm talking to them. I don't know what we're doing.

512
00:28:16,760 --> 00:28:18,840
Speaker 1: I mean, Cox has just gone out of his mind here.

513
00:28:19,040 --> 00:28:22,440
Speaker 1: They're just gonna take They're just gonna harvest organs and

514
00:28:22,600 --> 00:28:27,040
Speaker 1: put them wherever they want. Yeah, that's that's illegal, man,

515
00:28:27,560 --> 00:28:30,080
Speaker 1: I'm sure that's not to them. But he had he

516
00:28:30,200 --> 00:28:35,160
Speaker 1: had decided that that he had found a lucky solution

517
00:28:35,240 --> 00:28:37,800
Speaker 1: to this kidney problem. Yeah, they put him on a

518
00:28:37,920 --> 00:28:40,479
Speaker 1: donor list, and then they took what's then they're on

519
00:28:40,520 --> 00:28:43,440
Speaker 1: the donor list. I understand all that, but then one

520
00:28:43,760 --> 00:28:46,920
Speaker 1: one party says I don't want to participate, and so

521
00:28:47,120 --> 00:28:52,400
Speaker 1: Cox and Turko, well we're doing anyway. Yeah, yeah much? What? Well? No,

522
00:28:52,520 --> 00:28:55,480
Speaker 1: I think what wasn't it that they would do it simultaneos,

523
00:28:55,480 --> 00:28:57,960
Speaker 1: simultaneously so that there was no there was no fear

524
00:28:58,000 --> 00:29:02,320
Speaker 1: of them lose the person ballking right right right? The permission.

525
00:29:03,120 --> 00:29:05,120
Speaker 1: I just get that it was without permission. I was

526
00:29:05,200 --> 00:29:07,520
Speaker 1: under the permission. I was under the impression that it

527
00:29:07,560 --> 00:29:10,280
Speaker 1: was out there was was it was without their permission.

528
00:29:10,280 --> 00:29:13,640
Speaker 1: It's way too fuck up, even because they never explained

529
00:29:13,880 --> 00:29:18,640
Speaker 1: why they didn't want to do it correct Well, yeah,

530
00:29:18,720 --> 00:29:21,400
Speaker 1: that was unclear as I understood that the story point

531
00:29:21,600 --> 00:29:25,680
Speaker 1: was that it involved one person going early and doing

532
00:29:25,720 --> 00:29:27,520
Speaker 1: it and then the right jewels nodding and the other

533
00:29:27,600 --> 00:29:30,280
Speaker 1: person was nervous. Hey, we have no I'm gonna give

534
00:29:30,320 --> 00:29:33,320
Speaker 1: I'm gonna give a stranger my kidney. They ever said,

535
00:29:33,320 --> 00:29:35,800
Speaker 1: but I have no I have no guarantee that you

536
00:29:35,800 --> 00:29:38,160
Speaker 1: when you do yours, you're gonna give my husband yours.

537
00:29:38,480 --> 00:29:42,240
Speaker 1: They never explained this and in the show, so it

538
00:29:42,440 --> 00:29:44,720
Speaker 1: seemed at first I was like, what are you fucking racist?

539
00:29:45,120 --> 00:29:48,400
Speaker 1: Because other camp camp is brown and they're not, you

540
00:29:48,400 --> 00:29:49,880
Speaker 1: know what I mean? Like a lot of ship went

541
00:29:49,880 --> 00:29:51,880
Speaker 1: through my head, I said, and they were like, Yo,

542
00:29:52,000 --> 00:29:54,120
Speaker 1: we're just gonna do it. I was like, this is

543
00:29:54,200 --> 00:29:56,320
Speaker 1: highly illegal. I had at some point, and this is

544
00:29:56,320 --> 00:29:58,280
Speaker 1: going to come and bite them in the ass. You're right.

545
00:29:58,320 --> 00:30:00,080
Speaker 1: I had to do the math in my head and

546
00:30:00,160 --> 00:30:02,320
Speaker 1: put together the missing pieces. But yeah, there's a missing

547
00:30:02,320 --> 00:30:05,200
Speaker 1: story beat for the audience there. Um, we're gonna take

548
00:30:05,240 --> 00:30:07,680
Speaker 1: a break and when we come back, guess what's gonna happen?

549
00:30:07,680 --> 00:30:11,640
Speaker 1: We're gonna talk more about this bizarre issue about Cox

550
00:30:12,040 --> 00:30:22,720
Speaker 1: not trusting Turk. We'll be right back, and we're back.

551
00:30:23,360 --> 00:30:30,640
Speaker 1: Legendary Johnny Legendary Johnny c McGinley, who says, at the

552
00:30:30,760 --> 00:30:38,200
Speaker 1: end of the movie seven, somebody calls somebody amazing fucking

553
00:30:38,240 --> 00:30:42,320
Speaker 1: movie amazing part Can I tell no disrespect to the

554
00:30:42,360 --> 00:30:47,440
Speaker 1: farting by de Fizz? But I what I totally obviously

555
00:30:47,480 --> 00:30:52,200
Speaker 1: forget everything. But I didn't remember Jimmy the overly touch touchy,

556
00:30:52,400 --> 00:30:56,080
Speaker 1: orderly I was. That was laugh out loud. That shit

557
00:30:56,240 --> 00:31:00,280
Speaker 1: was the funniest shit you do that in twenty twenty three. No,

558
00:31:00,520 --> 00:31:02,680
Speaker 1: he would be fired again. He would get fired right,

559
00:31:02,720 --> 00:31:06,560
Speaker 1: but you could do it. It would just be no, no, okay,

560
00:31:06,600 --> 00:31:09,120
Speaker 1: that's a fight. That's a lot of because somebody's gonna

561
00:31:09,120 --> 00:31:11,120
Speaker 1: be like, yo, get the fuck off. Like even freaking

562
00:31:11,160 --> 00:31:13,680
Speaker 1: Ted says, dude, I do not like this, and he

563
00:31:13,840 --> 00:31:17,000
Speaker 1: still hugged and says it. He's still hugging him. It

564
00:31:17,080 --> 00:31:19,440
Speaker 1: was so right if you want to still be hugging

565
00:31:19,640 --> 00:31:21,600
Speaker 1: the minute he says I don't like to stop, and

566
00:31:21,640 --> 00:31:25,440
Speaker 1: you're like, oh, and then you grab his face just

567
00:31:25,760 --> 00:31:29,200
Speaker 1: fucking straight up. Hr listen, I said to the motherfucker.

568
00:31:29,400 --> 00:31:31,520
Speaker 1: I did not like it. And you know what he did.

569
00:31:31,720 --> 00:31:34,400
Speaker 1: He kept rubbing and then he grabbed my face. He

570
00:31:34,520 --> 00:31:37,080
Speaker 1: grabbed my mother fucking face. Now y'all need to come

571
00:31:37,120 --> 00:31:40,160
Speaker 1: down here and fire it is motherfucker right now? Did you?

572
00:31:40,480 --> 00:31:42,280
Speaker 1: I laughed though, Johnny. You see the blooper at the

573
00:31:42,400 --> 00:31:46,920
Speaker 1: end where we start laughing hilarious, there had to be

574
00:31:47,320 --> 00:31:49,880
Speaker 1: There had to be a thousand feet of bloopers with

575
00:31:49,960 --> 00:31:52,400
Speaker 1: you too. Well, obviously he was just making the ship

576
00:31:52,520 --> 00:31:55,600
Speaker 1: up and he's Terrence hilarious and an improval guy, and

577
00:31:55,640 --> 00:31:58,600
Speaker 1: he was just riffing this weirdest ship and that actor

578
00:31:58,760 --> 00:32:02,840
Speaker 1: is great. I just remember we're laughing so hard with him. Yeah,

579
00:32:02,840 --> 00:32:04,880
Speaker 1: who is he is? He? Is he a friend of

580
00:32:04,960 --> 00:32:07,680
Speaker 1: Neil's or is he somebody? You know? He's gone on

581
00:32:07,720 --> 00:32:13,640
Speaker 1: to be on Saturday Night Live, and like, oh yeah, yeah,

582
00:32:13,720 --> 00:32:15,800
Speaker 1: he's He went on after this show. He went on

583
00:32:15,880 --> 00:32:18,840
Speaker 1: to become a Where do you go after SNL? I

584
00:32:18,840 --> 00:32:21,840
Speaker 1: don't know where he is currently, but he's fucked hilarious.

585
00:32:21,960 --> 00:32:23,960
Speaker 1: He did Broadway for a bit, He's made a couple

586
00:32:23,960 --> 00:32:27,080
Speaker 1: of movies he's in. He never breaks when he's when

587
00:32:27,080 --> 00:32:31,640
Speaker 1: he's overly touching you, doesn't He never breaks and some

588
00:32:31,720 --> 00:32:33,080
Speaker 1: of the yeah, you know, a lot of the stuff

589
00:32:33,120 --> 00:32:35,880
Speaker 1: that he did on Scrubs, he took with him to

590
00:32:35,960 --> 00:32:39,560
Speaker 1: Saturday Night Live, like his Brad Pitton personation, you know

591
00:32:39,600 --> 00:32:42,120
Speaker 1: how we got to see that early on that goes

592
00:32:42,120 --> 00:32:45,240
Speaker 1: with him to SNL. Yeah, he was on SNL for

593
00:32:45,240 --> 00:32:51,800
Speaker 1: a pretty long time to him. Keenan, Bobby moynihan, Uh,

594
00:32:51,840 --> 00:32:53,640
Speaker 1: there's a few of them. They were all like they

595
00:32:53,680 --> 00:32:57,520
Speaker 1: were all click. Uh, you know, they've gone on to

596
00:32:57,560 --> 00:33:03,120
Speaker 1: do other things. Keenan On the Kelso's storyline, Kelso says, quote,

597
00:33:03,200 --> 00:33:06,520
Speaker 1: I'm like norm in this bitch as he walks into

598
00:33:06,640 --> 00:33:10,640
Speaker 1: the coffee Bucks because he's he's he's he's still hanging

599
00:33:10,640 --> 00:33:13,000
Speaker 1: out at the hospital's coffee Bucks, and he's sort of

600
00:33:13,360 --> 00:33:16,440
Speaker 1: shamed by everyone. Well, he's not shamed by everyone, He's

601
00:33:16,440 --> 00:33:20,320
Speaker 1: only shamed by the Bye Bye Ted. Everyone just wants

602
00:33:20,320 --> 00:33:24,640
Speaker 1: an explanation, Like, look, it really does seem like everybody's like,

603
00:33:25,120 --> 00:33:28,040
Speaker 1: you can they laugh at his jokes and everything still right.

604
00:33:28,080 --> 00:33:31,560
Speaker 1: So I don't everybody. I don't think everybody wants him gone.

605
00:33:31,560 --> 00:33:34,320
Speaker 1: They just want an explanation on why he's still there. Well,

606
00:33:34,440 --> 00:33:37,400
Speaker 1: Ted finally hits him up with don't you have anything

607
00:33:37,520 --> 00:33:42,440
Speaker 1: better to do? And Kelso's embarrassed. He says that he's

608
00:33:42,560 --> 00:33:46,200
Speaker 1: been planning to take Enid too wine country. Um, but

609
00:33:46,280 --> 00:33:51,440
Speaker 1: that's just because she winds wherever he takes her. And

610
00:33:51,840 --> 00:33:54,280
Speaker 1: but he's been embarrassed, and so he covers and says

611
00:33:54,360 --> 00:33:57,040
Speaker 1: that he's going to be leaving and going on a

612
00:33:57,200 --> 00:34:02,880
Speaker 1: trip with Enid. JD references the score sting he says

613
00:34:03,400 --> 00:34:08,719
Speaker 1: whenever anyone leaves bound, which is very meta because then

614
00:34:08,719 --> 00:34:10,880
Speaker 1: Elliott says, I'm going to leave and we hear the

615
00:34:10,920 --> 00:34:16,640
Speaker 1: score go bound. We're forgetting something. What is it? My friend?

616
00:34:16,800 --> 00:34:19,919
Speaker 1: The Janitor's back. The janitor is back, and he hasn't

617
00:34:19,960 --> 00:34:23,520
Speaker 1: been rehired back, He's just come back. Right this, they

618
00:34:23,520 --> 00:34:26,520
Speaker 1: introduced the janitor and Jimmy at the exact same time,

619
00:34:26,719 --> 00:34:28,799
Speaker 1: and I feel like they cut because this is right

620
00:34:28,800 --> 00:34:31,840
Speaker 1: before we cut into the show. This is the cold open.

621
00:34:32,360 --> 00:34:35,200
Speaker 1: They cut Jimmy putting his arm around the janitor. It

622
00:34:35,280 --> 00:34:37,960
Speaker 1: looks like because it looks like his hand is coming

623
00:34:38,040 --> 00:34:40,279
Speaker 1: up to touch him. Neil was probably like, I'm not

624
00:34:40,320 --> 00:34:44,960
Speaker 1: doing that pit yet. I feel like you guys touched

625
00:34:44,960 --> 00:34:48,719
Speaker 1: on at last episode of the podcast, and in this

626
00:34:48,760 --> 00:34:53,120
Speaker 1: one I could feel it tangibly that I feel like

627
00:34:53,160 --> 00:34:56,800
Speaker 1: the writer's room and Bill just kept putting more slack

628
00:34:56,840 --> 00:34:59,680
Speaker 1: in the leash for Neil. By season eight, they were like,

629
00:35:00,840 --> 00:35:04,120
Speaker 1: let Neil, Neil think of something. Yeah, nothing we're gonna

630
00:35:04,120 --> 00:35:05,400
Speaker 1: come up with is going to be as funny as

631
00:35:05,400 --> 00:35:07,759
Speaker 1: what comes out of his head. So Neil's will say

632
00:35:07,800 --> 00:35:13,520
Speaker 1: something here and he damn short does. Yeah, dude, I'm

633
00:35:13,520 --> 00:35:17,399
Speaker 1: still I'm still thinking about last week. Jenny Johnny got

634
00:35:18,360 --> 00:35:23,280
Speaker 1: it like you just know. So I passed Turk with Elliott,

635
00:35:23,280 --> 00:35:25,200
Speaker 1: and I say, I can feel when Turk is sad.

636
00:35:25,320 --> 00:35:31,200
Speaker 1: It's like a wave of heat. Turks Turks destruct because

637
00:35:31,320 --> 00:35:35,080
Speaker 1: he knows Cox doesn't trust him, right, isn't like that? No,

638
00:35:35,160 --> 00:35:37,359
Speaker 1: and he's really being a second for a while. Yeah,

639
00:35:37,440 --> 00:35:40,800
Speaker 1: he feels disrespected and he feels like he's being second guest,

640
00:35:41,080 --> 00:35:44,719
Speaker 1: and um, he doesn't understand it. Don't you think that's

641
00:35:44,719 --> 00:35:49,560
Speaker 1: a slippery slope when when you put current pop culture

642
00:35:49,680 --> 00:35:55,000
Speaker 1: jokes into shows. Um, when you referenced the Hills and

643
00:35:55,040 --> 00:35:59,000
Speaker 1: then then X years later, I wonder if anybody knows

644
00:35:59,040 --> 00:36:01,560
Speaker 1: what the Hills is. Yeah, there's not money anymore. The

645
00:36:01,680 --> 00:36:06,319
Speaker 1: Hills was a reality I know, a pseudo reality show, right,

646
00:36:06,480 --> 00:36:08,920
Speaker 1: but well he was like it was scripted, but they

647
00:36:08,960 --> 00:36:11,359
Speaker 1: was supposed to be reality. He's right. You listen to

648
00:36:11,400 --> 00:36:14,600
Speaker 1: a lot of the old rap songs from the nineties,

649
00:36:14,600 --> 00:36:16,880
Speaker 1: well not the nineties, from the early two thousands and

650
00:36:16,960 --> 00:36:19,160
Speaker 1: stuff like that, and there was a lot of jokes

651
00:36:19,200 --> 00:36:24,160
Speaker 1: about you know, things that don't even exist anymore, and

652
00:36:25,400 --> 00:36:29,560
Speaker 1: windows Excel and stuff like that, like no, no, not

653
00:36:29,640 --> 00:36:31,600
Speaker 1: a slide to jay Z. But jay Z had a

654
00:36:31,640 --> 00:36:35,040
Speaker 1: lot of pop culture lyrics back in the day. And

655
00:36:35,200 --> 00:36:38,160
Speaker 1: it's not like he's not the best rapper still, best

656
00:36:38,239 --> 00:36:41,080
Speaker 1: rapper alive still, but some of those things don't Who's

657
00:36:41,080 --> 00:36:43,680
Speaker 1: the best rapper? Who's the best rapper alive? Now? Donald?

658
00:36:43,960 --> 00:36:48,560
Speaker 1: Jay Z? Do you like? Do you like Drake? I

659
00:36:48,600 --> 00:36:51,359
Speaker 1: do like Drake. I think I'm not saying jay Z's

660
00:36:51,440 --> 00:36:57,240
Speaker 1: the best rapper period, but he is the best rapper alive. Dane,

661
00:36:57,239 --> 00:36:59,799
Speaker 1: Who do you think is the best rapper alive? Oh? Man,

662
00:37:00,000 --> 00:37:01,560
Speaker 1: don't know if I'm qualified to have an opinion on

663
00:37:01,600 --> 00:37:05,360
Speaker 1: this one. Why not? You're a DJ, You're a DJ channel.

664
00:37:05,640 --> 00:37:08,160
Speaker 1: I just don't listen to enough contemporary hip hop right

665
00:37:08,160 --> 00:37:09,640
Speaker 1: now that I feel like I'm missing out on a

666
00:37:09,680 --> 00:37:14,120
Speaker 1: lot of really talented people like Smino. Smino is really good. Look,

667
00:37:14,160 --> 00:37:16,759
Speaker 1: I don't listen to enough contemporary hip hop eitherough, but

668
00:37:16,920 --> 00:37:18,919
Speaker 1: you know, numbers don't lie, you know what I mean.

669
00:37:19,120 --> 00:37:21,160
Speaker 1: I think West Side Gun is a great mc joel.

670
00:37:21,480 --> 00:37:26,440
Speaker 1: I'm really into Mick Jenkins Jenkins rules. I was in

671
00:37:26,480 --> 00:37:28,400
Speaker 1: the gym the other day and I heard the lyric

672
00:37:29,000 --> 00:37:32,719
Speaker 1: it's a rowly, not a stop watch. Who's that? That's

673
00:37:32,840 --> 00:37:37,880
Speaker 1: freaking drake, don't stop watch. It's not a stop watch.

674
00:37:37,920 --> 00:37:41,560
Speaker 1: I just hit the switch. You're looking tight and nice

675
00:37:41,600 --> 00:37:43,880
Speaker 1: on Saturday night. Thank you. I'm trying to look like

676
00:37:44,120 --> 00:37:47,440
Speaker 1: he's He's very felt right now. I'm working hard at

677
00:37:47,600 --> 00:37:50,239
Speaker 1: ten nice. I was thinking of a man looking at

678
00:37:50,320 --> 00:37:52,960
Speaker 1: a man we were talking about because we were talking

679
00:37:53,000 --> 00:37:55,160
Speaker 1: to Brett Goldstein. Johnny and I were talking about Golstein,

680
00:37:55,239 --> 00:37:58,279
Speaker 1: and just as I touched his abdomen, I felt his

681
00:37:58,480 --> 00:38:02,600
Speaker 1: ad Brett Goldstein has ripped fucking fucking Hercules in the

682
00:38:02,719 --> 00:38:06,440
Speaker 1: Marvel universe. Every time I break up Hercules, he's either

683
00:38:06,600 --> 00:38:10,759
Speaker 1: doing a bit or so into his NDA that he

684
00:38:10,840 --> 00:38:13,560
Speaker 1: won't talk about it, because then as NA don't fucking

685
00:38:13,640 --> 00:38:15,680
Speaker 1: do it. Just don't bring it up. No, I'm not

686
00:38:15,719 --> 00:38:19,000
Speaker 1: gonna I go. Why are you so fucking ripped right now?

687
00:38:19,080 --> 00:38:20,879
Speaker 1: Is it because of hercules? And he's like, I don't

688
00:38:20,880 --> 00:38:23,839
Speaker 1: know what you're talking about. Yeah, Scott, like he's got

689
00:38:23,880 --> 00:38:29,160
Speaker 1: like yeah, yeah, ladies, Brett Goldstein, I know a lot

690
00:38:29,200 --> 00:38:31,200
Speaker 1: of you have crushes on him. Well, I'm here to

691
00:38:31,239 --> 00:38:36,399
Speaker 1: tell you he's got abs. He's got hercules abs. He's

692
00:38:36,440 --> 00:38:38,279
Speaker 1: working hard. Man. I don't know what it's for, but

693
00:38:38,320 --> 00:38:40,359
Speaker 1: he's working hard. Listen. I know a lot of shit

694
00:38:40,440 --> 00:38:42,040
Speaker 1: about a lot of shit, and I'm not gonna talk

695
00:38:42,080 --> 00:38:46,440
Speaker 1: shit about anything that sounds like a rob I know

696
00:38:46,480 --> 00:38:49,120
Speaker 1: a lot of shit. Listen. I've been running into people,

697
00:38:49,160 --> 00:38:52,080
Speaker 1: and I've I've heard some things about people and they

698
00:38:52,200 --> 00:38:54,000
Speaker 1: doing their thing, and I just want you to go

699
00:38:54,160 --> 00:38:56,879
Speaker 1: without saying your name. I'm so proud of all of y'all.

700
00:38:56,960 --> 00:38:59,799
Speaker 1: How about that I could apply to anyone listening, But

701
00:39:00,000 --> 00:39:03,560
Speaker 1: thank you Donald for saying supposed to. But they know

702
00:39:03,600 --> 00:39:06,520
Speaker 1: who they, they know who they are they and check

703
00:39:06,560 --> 00:39:08,640
Speaker 1: this out, check this out. Some of them don't even

704
00:39:08,640 --> 00:39:12,600
Speaker 1: know that I know, but trust me, I know right well.

705
00:39:12,640 --> 00:39:14,120
Speaker 1: The only clue I have to what the fuck you're

706
00:39:14,160 --> 00:39:17,240
Speaker 1: talking about, is that it came off of Brett Goldstein's abs.

707
00:39:18,000 --> 00:39:22,120
Speaker 1: Let's get back to the TV shows. Scrubs. Everybody scrubs.

708
00:39:23,040 --> 00:39:27,239
Speaker 1: So m Cox actually admits that he thinks Turk is

709
00:39:27,239 --> 00:39:29,879
Speaker 1: the best surgeon in the hospital, and then the shit

710
00:39:29,960 --> 00:39:33,120
Speaker 1: he's just doing that to pacify to it. No, I disagree.

711
00:39:33,200 --> 00:39:34,759
Speaker 1: I think he really does. But he's saying, I don't

712
00:39:34,880 --> 00:39:36,799
Speaker 1: care if you're the best. I'm still going to look

713
00:39:36,800 --> 00:39:38,960
Speaker 1: out for my patients, you know, for me. I know

714
00:39:39,040 --> 00:39:41,279
Speaker 1: you guys have issues with this, but I thought it

715
00:39:41,760 --> 00:39:46,000
Speaker 1: was showing, Look, Cox is the best doctor in the hospital,

716
00:39:46,400 --> 00:39:49,520
Speaker 1: and he does not care if it's the best surgeon

717
00:39:49,560 --> 00:39:51,880
Speaker 1: in the hospital. He's going to be there and eavesdrop

718
00:39:51,960 --> 00:39:54,080
Speaker 1: and make sure he does the right thing. That's how much.

719
00:39:54,120 --> 00:39:57,280
Speaker 1: That's the level of how much Cox cares about these patients.

720
00:39:57,800 --> 00:40:01,080
Speaker 1: He's going to micromanage every single fucking thing that happens

721
00:40:01,080 --> 00:40:03,480
Speaker 1: to them, or I think. I think what's happening is

722
00:40:03,520 --> 00:40:06,440
Speaker 1: he's just been given a ship ton of responsibility still

723
00:40:07,000 --> 00:40:10,440
Speaker 1: like before. It's it's he's back in the same situation

724
00:40:10,480 --> 00:40:15,799
Speaker 1: that he was in before. And yeah, okay, I will

725
00:40:15,840 --> 00:40:18,040
Speaker 1: say that he wants the best for his patients. But

726
00:40:18,120 --> 00:40:19,960
Speaker 1: I don't think he thinks Turk is the best. He

727
00:40:20,000 --> 00:40:23,279
Speaker 1: admits that Todd is the best, but Todd's bedside manners. Shit,

728
00:40:24,160 --> 00:40:25,640
Speaker 1: Oh is that what he said? I thought he said

729
00:40:25,640 --> 00:40:28,120
Speaker 1: that Turk was the best, and then he said, look

730
00:40:28,120 --> 00:40:31,520
Speaker 1: at your fellow, you know, yeah, because he's not. The

731
00:40:31,560 --> 00:40:36,080
Speaker 1: comparison of uh is like the best the best actor

732
00:40:36,080 --> 00:40:41,480
Speaker 1: on the Hills, which really took me. Yeah, that's where

733
00:40:41,480 --> 00:40:43,520
Speaker 1: The Hills comes up. He said, it's like asking who's

734
00:40:43,520 --> 00:40:46,960
Speaker 1: the best actor on the Hills. Well, it's clear as

735
00:40:47,040 --> 00:40:50,320
Speaker 1: Misha Barton. When The Hills was on you, did people

736
00:40:50,360 --> 00:40:54,920
Speaker 1: know that it was scripted? Yes, it's kind of like

737
00:40:55,000 --> 00:40:57,919
Speaker 1: it's kind of like ww F or what's it called

738
00:40:58,040 --> 00:41:00,719
Speaker 1: WWE now or it's like, wait, are you telling me

739
00:41:01,080 --> 00:41:05,560
Speaker 1: that The Hills was scripted? Yeah, it's like WWE in

740
00:41:05,600 --> 00:41:07,920
Speaker 1: that in that like the idea of what's going to

741
00:41:07,960 --> 00:41:10,120
Speaker 1: happen in this scene? Is are you going to tell

742
00:41:10,120 --> 00:41:14,800
Speaker 1: me next that freaking Newlyweds was scripted? I don't know

743
00:41:14,840 --> 00:41:17,840
Speaker 1: what you mean by Newlyweds. Oh shit, it's older than you.

744
00:41:18,719 --> 00:41:21,600
Speaker 1: You mean the Newlywed game? No, it's only Weeds, the

745
00:41:21,600 --> 00:41:28,319
Speaker 1: TV show with Jessica Simpson and Nick lash Well. Was

746
00:41:28,360 --> 00:41:33,480
Speaker 1: that scripts the number one freaking reality show? Right? But

747
00:41:33,719 --> 00:41:36,040
Speaker 1: was that scripted in a sense that they would say

748
00:41:36,120 --> 00:41:40,040
Speaker 1: like say, you guys talk about how you're freaking Hey,

749
00:41:40,160 --> 00:41:43,040
Speaker 1: let's I need to get you three together. I thought

750
00:41:43,040 --> 00:41:45,840
Speaker 1: it was really interesting when the writers when we joined,

751
00:41:45,960 --> 00:41:47,920
Speaker 1: remember we had to join the writers when they went

752
00:41:47,920 --> 00:41:49,960
Speaker 1: out on the writers strike, and we all wanted to

753
00:41:50,239 --> 00:41:54,399
Speaker 1: universal to march in line with them with placards. And

754
00:41:54,600 --> 00:41:57,520
Speaker 1: that's when it was exposed that there was fourteen writers

755
00:41:57,560 --> 00:42:00,880
Speaker 1: on Survivor, and there was fourteen writers on every single

756
00:42:00,920 --> 00:42:03,719
Speaker 1: one of these reality shows. Yeah, because they were all

757
00:42:03,800 --> 00:42:08,440
Speaker 1: on the picket line. Which was an AHA moment for me. Yeah,

758
00:42:08,480 --> 00:42:11,560
Speaker 1: I've Casey was the one that really explained it to me.

759
00:42:11,600 --> 00:42:15,239
Speaker 1: She was like, it's not that, it's like somebody's sitting there.

760
00:42:16,000 --> 00:42:18,640
Speaker 1: They come up with scenarios and they say, this is

761
00:42:18,680 --> 00:42:22,239
Speaker 1: what the scenario is, play it out. That must be

762
00:42:22,280 --> 00:42:25,919
Speaker 1: the Kardashian model, right, Like that's every model, that's every

763
00:42:25,920 --> 00:42:32,439
Speaker 1: model for every reality to the challenge. Yeah, you're mad

764
00:42:32,480 --> 00:42:34,759
Speaker 1: at so and so, and I need a shot of

765
00:42:34,800 --> 00:42:38,080
Speaker 1: you talking shit about them? Go right, these motherfucker's and

766
00:42:38,080 --> 00:42:40,359
Speaker 1: and this is another way to do it. We're gonna

767
00:42:40,360 --> 00:42:44,480
Speaker 1: get you all wasted out of your mind too, so

768
00:42:44,560 --> 00:42:47,960
Speaker 1: your emotions really fly. That's like the Bachelor and stuff.

769
00:42:48,000 --> 00:42:51,200
Speaker 1: Oh my gosh, that's why Bachelor in Paradise is the

770
00:42:51,200 --> 00:42:55,160
Speaker 1: best show ever. It's like, it's like ABC's version of porn. Man.

771
00:42:55,719 --> 00:43:01,120
Speaker 1: Oh my gosh, are you kidding me? It's it is

772
00:43:01,239 --> 00:43:06,120
Speaker 1: hell yea. Every week they get these guys plastered and say,

773
00:43:06,200 --> 00:43:10,400
Speaker 1: now have at it. They hook up. Oh my god.

774
00:43:12,040 --> 00:43:15,279
Speaker 1: Somebody will be like, it can't be that risk. Oh

775
00:43:15,320 --> 00:43:17,280
Speaker 1: my gosh. Somebody would be like, this is how crazy

776
00:43:17,280 --> 00:43:20,359
Speaker 1: it is. Somebody would be like, listen, while I'm on

777
00:43:20,400 --> 00:43:23,399
Speaker 1: this island, I'm just thinking about it's just you and

778
00:43:23,520 --> 00:43:26,160
Speaker 1: me and that's it. Okay, Let's just make sure that

779
00:43:26,160 --> 00:43:28,000
Speaker 1: it's you and me and the and the other person

780
00:43:28,080 --> 00:43:30,920
Speaker 1: will be like, Okay, while we're on this island, it's

781
00:43:30,960 --> 00:43:33,879
Speaker 1: you and me and nobody else. We're gonna do all

782
00:43:33,920 --> 00:43:35,680
Speaker 1: of the things that we We're gonna be in love.

783
00:43:36,320 --> 00:43:39,600
Speaker 1: The second somebody hotter than the person that they're talking

784
00:43:39,680 --> 00:43:42,560
Speaker 1: to walks in, the person is like, I know we

785
00:43:42,680 --> 00:43:48,160
Speaker 1: made this deal, but I'm gonna go on this day. Okay.

786
00:43:48,200 --> 00:43:50,759
Speaker 1: Every time, Like this shit is like every time and

787
00:43:50,960 --> 00:43:55,280
Speaker 1: never als man, this ship is so funny, it's so hilarious.

788
00:43:55,280 --> 00:44:00,000
Speaker 1: And then somebody mops around this beautiful desert island by themselves,

789
00:44:00,200 --> 00:44:03,400
Speaker 1: was drunk out of their mind in their feelings because

790
00:44:03,800 --> 00:44:07,040
Speaker 1: because they were stupid enough to trust somebody who went

791
00:44:07,080 --> 00:44:12,799
Speaker 1: on television to me, I haven't watched any shit like that,

792
00:44:12,840 --> 00:44:15,680
Speaker 1: and so long, I oh, it's the best, dude, It's

793
00:44:15,760 --> 00:44:19,480
Speaker 1: the best something that you and Casey will watch together

794
00:44:19,480 --> 00:44:21,600
Speaker 1: because she's the one that put me onto this ship.

795
00:44:21,960 --> 00:44:23,680
Speaker 1: Like this was one of those things where I was like,

796
00:44:23,719 --> 00:44:25,560
Speaker 1: I'm not watching this ship. Get the funk out of here.

797
00:44:25,680 --> 00:44:28,160
Speaker 1: And I sat in the same room and just listened

798
00:44:28,200 --> 00:44:30,920
Speaker 1: for like twenty minutes, and then afterwards I was like,

799
00:44:31,000 --> 00:44:34,680
Speaker 1: we gotta watch this again next week. Like there was

800
00:44:34,680 --> 00:44:37,000
Speaker 1: this one on the show named Jordan. He was the

801
00:44:37,040 --> 00:44:39,279
Speaker 1: best thing that ever happened, and he can't never be

802
00:44:39,440 --> 00:44:41,640
Speaker 1: Like these people find love and then you look him

803
00:44:41,719 --> 00:44:44,759
Speaker 1: up and then they're no longer together. Some people work out.

804
00:44:44,800 --> 00:44:54,200
Speaker 1: I love the show. Go ahead, Johnny, what are you

805
00:44:54,200 --> 00:44:56,160
Speaker 1: gonna say? Well, you know what happens. This used to

806
00:44:56,160 --> 00:44:59,320
Speaker 1: happen with Broadway musicals when great actors tell me the story,

807
00:45:00,000 --> 00:45:03,680
Speaker 1: the libretto, or like like Donald just did with this show,

808
00:45:03,880 --> 00:45:05,799
Speaker 1: and then they watch it. It's never as good as

809
00:45:05,800 --> 00:45:08,680
Speaker 1: when the great actor told me about it. Right, Well,

810
00:45:08,680 --> 00:45:12,759
Speaker 1: that's that's obviously the truth. Listen, they blow out that,

811
00:45:12,880 --> 00:45:15,560
Speaker 1: they blow out the thong, so you don't get to

812
00:45:15,560 --> 00:45:21,040
Speaker 1: see the ass and no booty on ABC. Someone should

813
00:45:21,680 --> 00:45:24,440
Speaker 1: fully like X version of this. Oh, I'm sure they

814
00:45:24,520 --> 00:45:26,719
Speaker 1: have it on Playboy. That's kind of what that's kind

815
00:45:26,719 --> 00:45:29,640
Speaker 1: of what Love Island is on Netflix. It's a love Island.

816
00:45:29,920 --> 00:45:32,120
Speaker 1: It's a little bit more as I mean, the next

817
00:45:32,200 --> 00:45:35,160
Speaker 1: level is someone's just gonna make one that's like they're

818
00:45:35,160 --> 00:45:41,160
Speaker 1: just really fucking and you're watching right sponsored by only fans. Yeah,

819
00:45:41,200 --> 00:45:43,200
Speaker 1: you gotta find a way to if you're gonna do that,

820
00:45:43,239 --> 00:45:44,640
Speaker 1: you got to find a way to make it so

821
00:45:44,680 --> 00:45:49,080
Speaker 1: it doesn't feel to cornish, you know, I know, But

822
00:45:49,120 --> 00:45:50,799
Speaker 1: don't you think it's headed that way. They're they're they're,

823
00:45:50,800 --> 00:45:53,680
Speaker 1: they're they're walking right up. Then they're walking right up

824
00:45:53,719 --> 00:45:55,719
Speaker 1: to the line. They know that there's an audience for it,

825
00:45:55,760 --> 00:45:57,880
Speaker 1: just no one's no one's cracked out how to do

826
00:45:57,920 --> 00:46:00,400
Speaker 1: it yet. Yeah, because the minute you start talking about

827
00:46:00,480 --> 00:46:02,480
Speaker 1: we're gonna have them fuck on live television, or we're

828
00:46:02,480 --> 00:46:05,399
Speaker 1: gonna have them fuck or something like that. Everybody's like, whoa, whoa, whoa, whoa, whoa.

829
00:46:05,440 --> 00:46:07,799
Speaker 1: I feel uncomfortable. I'm uncomfortable watching, I know, but that's

830
00:46:07,840 --> 00:46:10,759
Speaker 1: just moving the what do they call that? Everybody is

831
00:46:10,800 --> 00:46:14,160
Speaker 1: not the ot all love to watch the Overton Window.

832
00:46:14,280 --> 00:46:16,120
Speaker 1: That's like the like the how do you explain the

833
00:46:16,120 --> 00:46:18,160
Speaker 1: Overton Window? Dan? I mean, it's just like what people,

834
00:46:18,360 --> 00:46:21,640
Speaker 1: you know, decide is appropriate here. I'll look at the definition. Yeah,

835
00:46:21,719 --> 00:46:24,400
Speaker 1: it's like it's like what people decide is appropriate. Now

836
00:46:24,400 --> 00:46:27,000
Speaker 1: obviously that slides. That slides. Let me ask you a question.

837
00:46:27,280 --> 00:46:30,680
Speaker 1: If it's dead even one half says I don't find

838
00:46:30,719 --> 00:46:34,320
Speaker 1: that's appropriate, and the other half says, I find that's appropriate.

839
00:46:34,600 --> 00:46:38,040
Speaker 1: What's the middle? Then they start airing it. That's not

840
00:46:38,080 --> 00:46:39,560
Speaker 1: what we're talking about it, that's what we're talking about.

841
00:46:39,680 --> 00:46:41,560
Speaker 1: A pole would never work in this case, because people

842
00:46:41,560 --> 00:46:43,759
Speaker 1: are gonna say what they want you, what they think

843
00:46:43,800 --> 00:46:47,160
Speaker 1: is acceptable within the Overton window to say, right, but

844
00:46:47,400 --> 00:46:50,280
Speaker 1: exactly that's my But once it gets onto a channel,

845
00:46:50,440 --> 00:46:53,720
Speaker 1: whether it be you know, however, it would get on

846
00:46:53,960 --> 00:46:56,680
Speaker 1: probably the internet. I assume first. Then all of a sudden,

847
00:46:56,760 --> 00:46:59,839
Speaker 1: the Overton window slides, and people go, this is acceptable.

848
00:47:00,200 --> 00:47:02,440
Speaker 1: Oh shit, are you watching that new reality show where

849
00:47:02,440 --> 00:47:06,719
Speaker 1: they actually fuck it's insane? Exactly, that's the actual definition, Dan,

850
00:47:07,719 --> 00:47:10,000
Speaker 1: It is exactly that the spectrum of ideas on public

851
00:47:10,040 --> 00:47:13,440
Speaker 1: policy and social issues considered acceptable that by the general public.

852
00:47:14,000 --> 00:47:16,200
Speaker 1: But you can't know if it's acceptable or not until

853
00:47:16,200 --> 00:47:20,239
Speaker 1: it's actually tried out though, of course, but slide. They

854
00:47:20,280 --> 00:47:22,640
Speaker 1: have to happen, and then they're kind of like it's

855
00:47:22,840 --> 00:47:24,479
Speaker 1: you know, you could look at it with music too,

856
00:47:24,520 --> 00:47:27,479
Speaker 1: like what used to be considered very like experimental kinds

857
00:47:27,520 --> 00:47:30,440
Speaker 1: of music are now just pop music. Well they ultimately

858
00:47:30,480 --> 00:47:35,279
Speaker 1: here's a very clear example recreational marijuana being legal. Say

859
00:47:35,320 --> 00:47:38,640
Speaker 1: that the Overton window is just completely slid. So another

860
00:47:38,680 --> 00:47:43,680
Speaker 1: perfect example TV in the eighties and nineties TV now. Yeah,

861
00:47:44,000 --> 00:47:46,520
Speaker 1: the things you can get away with on television, on

862
00:47:46,600 --> 00:47:48,839
Speaker 1: network television, compared to the things that you can get

863
00:47:48,880 --> 00:47:51,280
Speaker 1: away with now are way different. I see what you're saying.

864
00:47:51,280 --> 00:47:54,680
Speaker 1: That is the venue for which the overtin window has adjusted. Yeah, yes,

865
00:47:55,239 --> 00:47:58,080
Speaker 1: the venue for which the Overton window has adjusted. Dannie,

866
00:47:58,120 --> 00:48:03,200
Speaker 1: you're so articulate by the way, did you see um,

867
00:48:04,040 --> 00:48:08,320
Speaker 1: Michael B. Jordan in that in that Calvin Klein out Jesus,

868
00:48:08,400 --> 00:48:11,839
Speaker 1: I think everybody who's seen it as at paused for

869
00:48:11,880 --> 00:48:15,680
Speaker 1: a second. It was like, huh. Remember we were talking

870
00:48:15,719 --> 00:48:17,360
Speaker 1: about this last week and I said I wanted to

871
00:48:17,360 --> 00:48:20,240
Speaker 1: get my body in the shape of that. I am

872
00:48:20,280 --> 00:48:24,239
Speaker 1: of the belief now that that might not be as

873
00:48:24,520 --> 00:48:30,600
Speaker 1: attainable as I boasted about last week. I will, I

874
00:48:30,719 --> 00:48:34,600
Speaker 1: will set out on this goal and I will. How

875
00:48:34,600 --> 00:48:36,839
Speaker 1: are you doing with it in some way? Dude? That'sh

876
00:48:36,840 --> 00:48:40,600
Speaker 1: It's difficult, man. I keep I keep pushing the date back.

877
00:48:40,719 --> 00:48:43,560
Speaker 1: And it's because I had so much weed in my

878
00:48:43,680 --> 00:48:46,680
Speaker 1: house that it was like and I don't want to

879
00:48:46,680 --> 00:48:48,480
Speaker 1: throw it away because I spent the money on it,

880
00:48:48,520 --> 00:48:52,080
Speaker 1: and it was a lot of money. Why I'm not

881
00:48:52,160 --> 00:48:57,480
Speaker 1: giving away my marijuana. Dog, shit is mine. Listen, disrespect,

882
00:48:57,719 --> 00:49:01,439
Speaker 1: no disrespect to anybody. Dog. I paid for it. It's

883
00:49:01,480 --> 00:49:04,520
Speaker 1: like I paid for morolos. I'm gonna eat morolos, Dude,

884
00:49:04,560 --> 00:49:06,319
Speaker 1: it's the same shit I paid for the weed. I'm

885
00:49:06,320 --> 00:49:09,319
Speaker 1: gonna smoke my motherfucking weed. But here's a good thing.

886
00:49:09,560 --> 00:49:13,160
Speaker 1: Here's a great thing, is that I'm out. I'm not

887
00:49:13,239 --> 00:49:16,240
Speaker 1: going to the dispensary to get more. I'm just gonna

888
00:49:16,239 --> 00:49:21,520
Speaker 1: suffer and suffer and suffer until it no longer feels

889
00:49:21,600 --> 00:49:24,480
Speaker 1: like I'm suffering, and then I will be on the

890
00:49:24,480 --> 00:49:26,920
Speaker 1: other side. But right now, I do not like the

891
00:49:26,960 --> 00:49:30,880
Speaker 1: way I feel. I feel lost, I feel in a

892
00:49:31,000 --> 00:49:33,880
Speaker 1: haze or in a daze, and I really want to

893
00:49:33,920 --> 00:49:36,520
Speaker 1: smoke weed, but I'm not going to, but I really

894
00:49:36,520 --> 00:49:39,440
Speaker 1: fucking want to. Well, there's this thing I'm ready and

895
00:49:39,480 --> 00:49:44,040
Speaker 1: called unpopular opinion, and it makes me think unpopular opinion,

896
00:49:44,160 --> 00:49:50,080
Speaker 1: but colon and they say weed isn't addictive. That's bullshit.

897
00:49:50,239 --> 00:49:53,640
Speaker 1: That's a line. Anybody who said that is lying. Well,

898
00:49:53,719 --> 00:49:55,279
Speaker 1: is there any way? Is there any way we as

899
00:49:55,320 --> 00:49:59,800
Speaker 1: your friends could help you? Yeah, I mean, just no judgments.

900
00:50:00,040 --> 00:50:01,640
Speaker 1: And this is something that I got to deal with,

901
00:50:01,760 --> 00:50:04,400
Speaker 1: you know what I'm saying. That's honestly, that's all it

902
00:50:04,440 --> 00:50:06,840
Speaker 1: boils down to, Like everybody's going to deal with addiction

903
00:50:06,920 --> 00:50:09,400
Speaker 1: in some way. I'm not saying this is a fucking

904
00:50:09,600 --> 00:50:12,000
Speaker 1: I'm not saying I'm on the level of heroin or

905
00:50:12,440 --> 00:50:16,280
Speaker 1: cocaine or anything like that. But I have a straight

906
00:50:16,360 --> 00:50:19,480
Speaker 1: up weed problem right now. If you having girl problems

907
00:50:19,480 --> 00:50:22,120
Speaker 1: I feel bad for you, son, I got ninety one

908
00:50:22,160 --> 00:50:27,640
Speaker 1: nine problems and is one. I got ninety nine problems,

909
00:50:27,680 --> 00:50:30,520
Speaker 1: then weed is one. Well, no judgment. We love you

910
00:50:30,560 --> 00:50:32,839
Speaker 1: and if you do want our support in anyway, I'm

911
00:50:32,880 --> 00:50:35,680
Speaker 1: here for you. I'll do anything for you. Um, definitely,

912
00:50:35,760 --> 00:50:38,359
Speaker 1: I think a good step would be to not buy more.

913
00:50:39,280 --> 00:50:43,880
Speaker 1: I agree. Um, all right, let's get back to the

914
00:50:43,960 --> 00:50:48,960
Speaker 1: Scrubs show. Kelso, we catch Elliot and I catch Kelso.

915
00:50:49,000 --> 00:50:53,640
Speaker 1: He's hiding out at another coffee Bucks, and um, I

916
00:50:53,800 --> 00:50:57,560
Speaker 1: tell him that Elliot's granny panties are actually her granny's panties.

917
00:50:59,120 --> 00:51:03,360
Speaker 1: That is discussed, and then we have a fantasy sequence

918
00:51:03,360 --> 00:51:08,040
Speaker 1: where Jad imagines Elliott being sexy. This was very naughty shit,

919
00:51:10,880 --> 00:51:14,120
Speaker 1: I want to say. I just want to say, in

920
00:51:14,480 --> 00:51:21,480
Speaker 1: all without trying to sound like a creep, Holy fuck, Sarah,

921
00:51:21,600 --> 00:51:26,200
Speaker 1: what the hell were you like? Is that creatine? Like

922
00:51:27,920 --> 00:51:31,160
Speaker 1: she was not only ripped, but she was buff. She

923
00:51:31,280 --> 00:51:34,880
Speaker 1: was like looked like she was freaking lifting them weights,

924
00:51:35,040 --> 00:51:38,480
Speaker 1: like she was very propressing them things. You know what

925
00:51:38,480 --> 00:51:43,279
Speaker 1: I'm saying. Toned and sexy and uh, she looks she

926
00:51:43,320 --> 00:51:47,000
Speaker 1: looked like she was eating chicken and broccoli. Probably she

927
00:51:47,080 --> 00:51:51,879
Speaker 1: looked absolutely beautiful. She looked like a nineteen fifties star

928
00:51:52,000 --> 00:51:54,640
Speaker 1: out of Valley of the Dolls or right, you know

929
00:51:54,840 --> 00:51:57,120
Speaker 1: who was it, Fara Faster? Who is it in a

930
00:51:57,440 --> 00:51:59,520
Speaker 1: fifty foot woman? And also what was the one that

931
00:52:00,520 --> 00:52:05,439
Speaker 1: Jane Fonda did Barbarella and uh oh, Shena That's who

932
00:52:05,480 --> 00:52:09,879
Speaker 1: she looked like, Shena freaking uh with the leather. Yeah,

933
00:52:09,920 --> 00:52:12,560
Speaker 1: she had sort of a warrior princess outfit on. Yeah,

934
00:52:12,600 --> 00:52:15,360
Speaker 1: yeah she did not the warrior princess Shena back in

935
00:52:15,400 --> 00:52:19,839
Speaker 1: a day, the one with the little Tanya Roberts. Tanya Roberts, Yes, yeah,

936
00:52:19,920 --> 00:52:23,080
Speaker 1: Tanya Roberts. Yes. And then when she cut to me

937
00:52:23,160 --> 00:52:25,360
Speaker 1: and I, you know, I was obviously going to the

938
00:52:25,400 --> 00:52:28,560
Speaker 1: gym because I liked your clothes off. I didn't look

939
00:52:28,600 --> 00:52:31,279
Speaker 1: too shabby. Yeah, I took my shirt off. Yeah, I

940
00:52:31,320 --> 00:52:34,080
Speaker 1: was working on with the bills trainer. Then Urgan, you

941
00:52:34,120 --> 00:52:36,040
Speaker 1: didn't get the lights though she got the lights. They

942
00:52:36,040 --> 00:52:37,560
Speaker 1: didn't give you the lights. They didn't give me the

943
00:52:37,560 --> 00:52:39,960
Speaker 1: beauty lights. No, no, well hers was a fantasy and

944
00:52:40,000 --> 00:52:42,760
Speaker 1: mine was spoke meant to be. Actually in the coffee shop,

945
00:52:43,200 --> 00:52:45,399
Speaker 1: he took her shirt off to get the stage She's

946
00:52:45,440 --> 00:52:49,560
Speaker 1: like back, and I did that lean back to make

947
00:52:49,600 --> 00:52:52,839
Speaker 1: my abs look better. You know that lean back, lean

948
00:52:52,880 --> 00:52:57,680
Speaker 1: back back, lean back back. So then we go to

949
00:52:57,719 --> 00:53:01,000
Speaker 1: this wacky black hole world. Well, hold up, let's go back.

950
00:53:01,520 --> 00:53:04,279
Speaker 1: You're skipping ahead. First of all, we need to talk

951
00:53:04,280 --> 00:53:07,879
Speaker 1: about the janitor and how he fires the really nice janitor. Yes,

952
00:53:08,840 --> 00:53:10,640
Speaker 1: and then we find out that the yeah that was

953
00:53:10,680 --> 00:53:14,840
Speaker 1: fucked up, that dude had two episodes. He was the

954
00:53:14,920 --> 00:53:18,759
Speaker 1: nicest dude ever gets fired. I skipped to fund the

955
00:53:18,760 --> 00:53:21,440
Speaker 1: second funniest thing in the whole fucking show. I apologize audience.

956
00:53:21,560 --> 00:53:23,960
Speaker 1: When we have that fantasy where we're hooking up and

957
00:53:24,000 --> 00:53:31,480
Speaker 1: our hands clutch on them. O, my god, was Donald

958
00:53:31,840 --> 00:53:34,440
Speaker 1: was Donald's hand on top of your Yes? It was

959
00:53:34,560 --> 00:53:37,319
Speaker 1: he was? He was? You were you were? You were?

960
00:53:39,719 --> 00:53:44,319
Speaker 1: You were? I was the recipient, Yes, you recipient of

961
00:53:44,400 --> 00:53:47,360
Speaker 1: it was the recipient of the goods you were receiving,

962
00:53:47,640 --> 00:53:51,839
Speaker 1: Jack Donald. I remember us laughing. So even shooting that,

963
00:53:52,480 --> 00:53:55,360
Speaker 1: even just shooting the clutching of the hands, we were

964
00:53:55,400 --> 00:54:00,239
Speaker 1: cracking because the shot was so funny. We may see

965
00:54:02,360 --> 00:54:04,719
Speaker 1: so many people. You see my hand come down and

966
00:54:04,719 --> 00:54:08,560
Speaker 1: then you see his come down and clunch it. That

967
00:54:08,680 --> 00:54:11,280
Speaker 1: made so many people happy, so many people have wanted

968
00:54:11,320 --> 00:54:13,400
Speaker 1: that to happen for so long. Oh man, I laughed

969
00:54:13,440 --> 00:54:15,840
Speaker 1: so hard I laughed. So there's no never been a

970
00:54:15,880 --> 00:54:18,480
Speaker 1: shot of two hands that made me laugh harder than

971
00:54:18,480 --> 00:54:21,920
Speaker 1: that shot. Oh it's hard not to. It's hard not

972
00:54:21,960 --> 00:54:26,360
Speaker 1: to go off into your own private idaho on that one. Boy. Yeah, well,

973
00:54:26,800 --> 00:54:29,919
Speaker 1: I'm sure some fans did they pause. It's pretty darn good.

974
00:54:30,719 --> 00:54:34,640
Speaker 1: So um, let's see the janitor um was never hired back,

975
00:54:34,680 --> 00:54:38,440
Speaker 1: and he's making Ted mop for him. He's he's convinced

976
00:54:38,480 --> 00:54:42,960
Speaker 1: Ted that's he's he's injured because he's rusty from mopping

977
00:54:43,719 --> 00:54:46,280
Speaker 1: and uh and that, and so Ted is so happy

978
00:54:46,280 --> 00:54:48,960
Speaker 1: to have him back that Ted, who's not a very

979
00:54:48,960 --> 00:54:53,080
Speaker 1: good momper, has has taken over all of the cleaning responsibilities.

980
00:54:53,640 --> 00:54:57,359
Speaker 1: But but everything about, everything about Sammy's physicality in this

981
00:54:57,400 --> 00:55:01,759
Speaker 1: episode just yields huge dividends from him running around the

982
00:55:01,760 --> 00:55:05,719
Speaker 1: hallway to him not being able to mop, you know.

983
00:55:06,320 --> 00:55:11,040
Speaker 1: And what's crazy is sam was a tremendous athlete, like, yeah,

984
00:55:11,080 --> 00:55:17,319
Speaker 1: a tremedial. Oh my goodness, when I took listen, it

985
00:55:17,440 --> 00:55:19,600
Speaker 1: was so deceiving. And when I say he was a

986
00:55:19,600 --> 00:55:22,319
Speaker 1: good basketball player, I mean he was a very good,

987
00:55:22,400 --> 00:55:28,200
Speaker 1: smart and athletic dude. Athletic dude like you know what

988
00:55:28,200 --> 00:55:30,719
Speaker 1: I mean. Character he played, you know, he was not

989
00:55:30,800 --> 00:55:33,120
Speaker 1: like that at all, not like that. And if you

990
00:55:33,160 --> 00:55:35,880
Speaker 1: look at Sam out well, look at him outside of

991
00:55:35,920 --> 00:55:37,640
Speaker 1: the outside of the show, if you look at his

992
00:55:37,680 --> 00:55:41,240
Speaker 1: body when he would wear normal clothes, Sam had. Sam

993
00:55:41,320 --> 00:55:45,160
Speaker 1: was fit, always looked fit, took what I mean, could

994
00:55:45,160 --> 00:55:48,440
Speaker 1: he drain threes? Donald No, he was more of an

995
00:55:48,440 --> 00:55:52,319
Speaker 1: inside player. But and he was unorthodox too, like he

996
00:55:52,320 --> 00:55:54,000
Speaker 1: didn't buy it. Wasn't like he was a lefty or

997
00:55:54,000 --> 00:55:56,960
Speaker 1: anything like that. He just you don't expect somebody that

998
00:55:57,040 --> 00:55:59,440
Speaker 1: looked like Sam when you work with him to be

999
00:55:59,520 --> 00:56:04,600
Speaker 1: that good sports and he's phenomenal. He was phenomenal. Wow.

1000
00:56:05,120 --> 00:56:08,759
Speaker 1: Like my brother, my brother high praises for Sam's basketball,

1001
00:56:09,600 --> 00:56:13,239
Speaker 1: like high praises. And my brother doesn't talk nice about everybody,

1002
00:56:13,520 --> 00:56:15,360
Speaker 1: but he talked nice about Sam all the time. He

1003
00:56:15,400 --> 00:56:19,480
Speaker 1: was like, dude. Like. So, we played an NBA Entertainment League, right.

1004
00:56:20,080 --> 00:56:22,040
Speaker 1: I tried so hard to get to Sam to play

1005
00:56:22,080 --> 00:56:24,799
Speaker 1: in the NBA Entertainment League. He would always say no

1006
00:56:25,200 --> 00:56:27,400
Speaker 1: because we would play on Sundays and he was a

1007
00:56:27,520 --> 00:56:31,280
Speaker 1: huge Patriots fan. Right, But we would try so hard

1008
00:56:31,640 --> 00:56:34,120
Speaker 1: to get him to play basketball with us because we

1009
00:56:34,200 --> 00:56:36,920
Speaker 1: knew if we got him, people would look at him

1010
00:56:36,920 --> 00:56:40,080
Speaker 1: and be like, Ah, he's not gonna do anything, And

1011
00:56:40,120 --> 00:56:44,520
Speaker 1: we knew that he would just destroy everybody. Right, Sam

1012
00:56:44,600 --> 00:56:47,560
Speaker 1: was such an amazing athlete and so and and and

1013
00:56:47,640 --> 00:56:51,239
Speaker 1: the character that he played on television made you think, oh,

1014
00:56:51,280 --> 00:56:53,680
Speaker 1: this is gonna be a piece of cake. That's that's

1015
00:56:53,719 --> 00:56:57,080
Speaker 1: also that's also saying how great of an actor he was. Also, like,

1016
00:56:57,160 --> 00:56:59,160
Speaker 1: he was so good at what he did that you

1017
00:56:59,160 --> 00:57:02,600
Speaker 1: would believe that he was that person and he wasn't

1018
00:57:02,600 --> 00:57:06,279
Speaker 1: at all. This is funny because that Bill has the

1019
00:57:06,360 --> 00:57:09,479
Speaker 1: rights of the janitor saying something that Bill always says.

1020
00:57:09,600 --> 00:57:12,520
Speaker 1: And now if you're watching Shrinking, he's written it into

1021
00:57:12,600 --> 00:57:16,360
Speaker 1: Michael Yury's character saying it. But it's the phrase everything

1022
00:57:16,360 --> 00:57:20,000
Speaker 1: always works out for me. Oh that's right. So Bill

1023
00:57:20,120 --> 00:57:24,360
Speaker 1: put it into Shrinking, Right, But don't you feel that

1024
00:57:24,400 --> 00:57:28,640
Speaker 1: way that everything works out for him? Know that if

1025
00:57:28,680 --> 00:57:31,720
Speaker 1: you are of that mind state set, absolutely, I think

1026
00:57:31,760 --> 00:57:33,560
Speaker 1: what you manifest you put out there, and if you

1027
00:57:33,640 --> 00:57:36,280
Speaker 1: genuinely believe this as Bill does, you have to genuinely

1028
00:57:36,320 --> 00:57:39,320
Speaker 1: believe it you can manifest every day things working out

1029
00:57:39,320 --> 00:57:41,840
Speaker 1: for you. And I think Bill lives by that, and

1030
00:57:41,920 --> 00:57:44,520
Speaker 1: he's one of the most successful people in town because

1031
00:57:44,600 --> 00:57:47,560
Speaker 1: he fully believes and manifests everything works out for me.

1032
00:57:49,160 --> 00:57:51,280
Speaker 1: And I think he's living proof that if you have

1033
00:57:51,440 --> 00:57:57,120
Speaker 1: the the will and the commitment to a mantra, that

1034
00:57:57,200 --> 00:58:01,120
Speaker 1: you can make anything happen. But it's funny. It's very

1035
00:58:01,120 --> 00:58:04,720
Speaker 1: obnoxious to people that that don't believe it, and he

1036
00:58:05,240 --> 00:58:08,240
Speaker 1: and you kind of roll your eyes. But anyway, so

1037
00:58:08,280 --> 00:58:09,880
Speaker 1: he gave it to the janitor here. But just a

1038
00:58:09,880 --> 00:58:14,280
Speaker 1: funny connection to shrinking is that it's now a catchphrase

1039
00:58:14,320 --> 00:58:17,480
Speaker 1: for Michael Yary and shrinking the Janitor pulls it off

1040
00:58:17,480 --> 00:58:21,000
Speaker 1: here too. He's living the dream. Not only does he

1041
00:58:21,040 --> 00:58:22,720
Speaker 1: get a pay raise, not only does he get a

1042
00:58:22,760 --> 00:58:25,280
Speaker 1: pay raise, but he's now back on the books right.

1043
00:58:25,360 --> 00:58:26,919
Speaker 1: And they didn't need have to go for a job

1044
00:58:27,000 --> 00:58:29,360
Speaker 1: interview or anything. He just had to convince the lady

1045
00:58:29,360 --> 00:58:32,840
Speaker 1: with the checks that he's supposed to get one. And

1046
00:58:32,880 --> 00:58:35,720
Speaker 1: it's great. Bouncing that off of Ted, bouncing that off

1047
00:58:35,760 --> 00:58:38,920
Speaker 1: of Sammy is just great. He convinces the woman that

1048
00:58:39,000 --> 00:58:42,960
Speaker 1: he's gets double his salary and she just accepts it.

1049
00:58:42,960 --> 00:58:45,240
Speaker 1: She's not a very good accountant. You, No, she is not.

1050
00:58:46,080 --> 00:58:50,040
Speaker 1: She's not good an account she really shouldn't. I want

1051
00:58:50,040 --> 00:58:52,360
Speaker 1: to know what her story is. You know, in modern

1052
00:58:52,440 --> 00:58:54,280
Speaker 1: day television they'll go off and like just tell a

1053
00:58:54,360 --> 00:58:57,040
Speaker 1: random person in the show's full story. I'd like to

1054
00:58:57,040 --> 00:58:58,479
Speaker 1: know what a day in the life of that really

1055
00:58:58,520 --> 00:59:01,520
Speaker 1: bad account woman is like, because, yeah, that's pretty good.

1056
00:59:01,600 --> 00:59:04,520
Speaker 1: She's not really doing a very good job watching the

1057
00:59:04,560 --> 00:59:07,240
Speaker 1: hospital's money. Let's take a break. We'll be right back

1058
00:59:07,280 --> 00:59:16,160
Speaker 1: after these fine words. Okay, I have a question. Who

1059
00:59:16,160 --> 00:59:22,800
Speaker 1: directed this episode? Okay, I love Ken winning him. I

1060
00:59:22,800 --> 00:59:26,640
Speaker 1: don't understand why you guys were in a black room. Okay,

1061
00:59:26,640 --> 00:59:29,360
Speaker 1: that's not Ken, that's Bill Um. I think if you

1062
00:59:29,440 --> 00:59:32,160
Speaker 1: remember back in the day, there's a deep cut, there

1063
00:59:32,240 --> 00:59:37,880
Speaker 1: was a very dramatic ish episode of Family Ties where

1064
00:59:38,440 --> 00:59:42,240
Speaker 1: Michael J. Fox I believe, lost a Michael Alex pe

1065
00:59:42,320 --> 00:59:45,040
Speaker 1: Keaton lost a friend. Do you remember his best friend? Yeah?

1066
00:59:45,680 --> 00:59:49,840
Speaker 1: And they did a very stylized version of it where,

1067
00:59:49,880 --> 00:59:51,960
Speaker 1: if you recall, it was kind of broke the fourth

1068
00:59:51,960 --> 00:59:53,960
Speaker 1: wall of the sitcom and it was black and he

1069
00:59:54,040 --> 00:59:56,480
Speaker 1: was walking through the sets. Do you remember this? Yes?

1070
00:59:57,240 --> 00:59:59,240
Speaker 1: All right, So in my mind. This was sort of

1071
00:59:59,280 --> 01:00:02,160
Speaker 1: Bill's own homage to that. It obviously is an out

1072
01:00:02,160 --> 01:00:03,960
Speaker 1: of the box idea for Scrubs. We never really did

1073
01:00:04,000 --> 01:00:07,200
Speaker 1: anything quite like this, but in his mind, we just

1074
01:00:07,280 --> 01:00:10,520
Speaker 1: disappear into this sort of black void and finally tackle

1075
01:00:10,640 --> 01:00:13,760
Speaker 1: the difficult conversations of are we going to really do

1076
01:00:13,840 --> 01:00:16,360
Speaker 1: this again or not? So it wasn't a Ken thing.

1077
01:00:16,400 --> 01:00:19,640
Speaker 1: I think it was a Bill writing it thing. Okay,

1078
01:00:20,000 --> 01:00:23,000
Speaker 1: it took me out of the episode. Yeah, I just said,

1079
01:00:23,000 --> 01:00:25,280
Speaker 1: I don't think I remember shooting it and didn't. And

1080
01:00:25,360 --> 01:00:27,320
Speaker 1: what I didn't feel like I was very good at it.

1081
01:00:27,360 --> 01:00:29,960
Speaker 1: I thought I was. I didn't know, I didn't know

1082
01:00:29,960 --> 01:00:32,120
Speaker 1: mind the lines well enough, and I remember thinking at

1083
01:00:32,120 --> 01:00:34,800
Speaker 1: the time I wasn't president or up up to the

1084
01:00:34,880 --> 01:00:36,800
Speaker 1: task to do it as well as it needed to

1085
01:00:36,800 --> 01:00:39,240
Speaker 1: be done. I disagree one hundred percent with you right there.

1086
01:00:39,240 --> 01:00:41,360
Speaker 1: I think you both did a great job, and I

1087
01:00:41,400 --> 01:00:45,200
Speaker 1: think it was missing. I think what was missing was

1088
01:00:45,880 --> 01:00:51,880
Speaker 1: the ambiance in the background. I think the singling out.

1089
01:00:52,880 --> 01:00:55,960
Speaker 1: When you single something out and you take away everything,

1090
01:00:57,520 --> 01:01:01,360
Speaker 1: it's really really, really really really hard to keep the

1091
01:01:01,400 --> 01:01:05,600
Speaker 1: audience captivated. That's just me and I know it. Probably

1092
01:01:05,640 --> 01:01:07,800
Speaker 1: it might have worked for family ties. But I don't

1093
01:01:07,840 --> 01:01:10,600
Speaker 1: you know, I have a hard time just when movies

1094
01:01:10,720 --> 01:01:13,880
Speaker 1: are just a black set, or when TV shows or

1095
01:01:13,880 --> 01:01:17,480
Speaker 1: when plays are just a black set. I think. I

1096
01:01:17,520 --> 01:01:19,800
Speaker 1: think what you're also saying is that in this I

1097
01:01:19,880 --> 01:01:23,080
Speaker 1: feel a lot in different forms of entertainment that the

1098
01:01:23,320 --> 01:01:28,760
Speaker 1: style choice upstage the performance absolutely well, it also takes

1099
01:01:28,760 --> 01:01:32,560
Speaker 1: away from the performance because in real life, you're fidgeting,

1100
01:01:32,880 --> 01:01:37,040
Speaker 1: you're grabbing things, regardless of what's going on in the conversation.

1101
01:01:37,120 --> 01:01:39,120
Speaker 1: Even if you're present and you guys are eye to

1102
01:01:39,200 --> 01:01:41,600
Speaker 1: eye and looking and stuff like that, your body is

1103
01:01:41,640 --> 01:01:44,760
Speaker 1: doing other things. When you take away all of that,

1104
01:01:45,160 --> 01:01:47,280
Speaker 1: you know what I mean, and it's just you and

1105
01:01:47,320 --> 01:01:50,960
Speaker 1: the other person a table and you're sitting there. You're

1106
01:01:51,120 --> 01:01:58,440
Speaker 1: forced to just focus on that, and that's not necessarily realistic. Now,

1107
01:01:58,440 --> 01:02:00,200
Speaker 1: I hear you, but I but all I'm saying is

1108
01:02:00,240 --> 01:02:03,480
Speaker 1: I feel many times as I watch content that I go,

1109
01:02:03,520 --> 01:02:06,120
Speaker 1: oh my god, you have such fucking amazing actors and

1110
01:02:06,200 --> 01:02:09,320
Speaker 1: such incredible dialogue. All this style that you've put on

1111
01:02:09,360 --> 01:02:12,920
Speaker 1: it is about you, the filmmaker or the showrunner, and like,

1112
01:02:13,000 --> 01:02:15,160
Speaker 1: just let these fucking people talk, like I want to,

1113
01:02:15,160 --> 01:02:19,080
Speaker 1: just you're upstaging the performances with your style, do you

1114
01:02:19,120 --> 01:02:22,120
Speaker 1: know what I mean? Yeah, And and I don't know,

1115
01:02:22,160 --> 01:02:24,280
Speaker 1: this might be this might be an example of that

1116
01:02:24,320 --> 01:02:26,560
Speaker 1: for you, is what I was saying. It's it's hard

1117
01:02:26,560 --> 01:02:28,760
Speaker 1: to if the whole show was like that, I could

1118
01:02:28,800 --> 01:02:32,040
Speaker 1: totally by this point, I would totally be invested in

1119
01:02:32,080 --> 01:02:34,800
Speaker 1: everything like that. But because this came out of nowhere

1120
01:02:35,200 --> 01:02:39,360
Speaker 1: with no it wasn't even like it wasn't even like,

1121
01:02:39,440 --> 01:02:42,400
Speaker 1: you know, with everything that's going on in this room,

1122
01:02:42,440 --> 01:02:45,240
Speaker 1: I only have eyes for you, you know what I mean.

1123
01:02:45,600 --> 01:02:47,640
Speaker 1: It wasn't even like that. It was just out of nowhere.

1124
01:02:47,680 --> 01:02:51,680
Speaker 1: Everything disappeared. There was a quick line Donald and I

1125
01:02:51,680 --> 01:02:54,640
Speaker 1: don't know, I just for full coverage where they were

1126
01:02:54,720 --> 01:02:56,439
Speaker 1: like and suddenly it was like we were the only

1127
01:02:56,440 --> 01:02:59,720
Speaker 1: two people in the room. I think, I think take

1128
01:03:00,040 --> 01:03:01,920
Speaker 1: I think taking people out of the room is a

1129
01:03:01,920 --> 01:03:03,680
Speaker 1: better thing to do than just all of a sudden

1130
01:03:03,680 --> 01:03:10,160
Speaker 1: making it so that the room doesn't exist anymore. So, Um,

1131
01:03:10,200 --> 01:03:13,560
Speaker 1: there's a moment where um, Jimmy is who does he

1132
01:03:13,600 --> 01:03:16,000
Speaker 1: say this too? Is it me? All the energies in you,

1133
01:03:16,360 --> 01:03:19,520
Speaker 1: I'm just opening the channels. This is at the end,

1134
01:03:19,560 --> 01:03:24,000
Speaker 1: This is this is during the no no, no, no no,

1135
01:03:24,040 --> 01:03:26,320
Speaker 1: this was this was no I'm this I'm still within

1136
01:03:26,360 --> 01:03:28,680
Speaker 1: the show and he's working on me. He says that,

1137
01:03:28,800 --> 01:03:33,360
Speaker 1: oh yeah, all the energies in you. I'm just opening

1138
01:03:33,400 --> 01:03:36,880
Speaker 1: the channels and I'm like, God, that made me laught

1139
01:03:36,960 --> 01:03:40,640
Speaker 1: so hard. Yeah, me too. And then Todd. I think

1140
01:03:40,640 --> 01:03:43,480
Speaker 1: the first and only time Todd is the source of

1141
01:03:43,520 --> 01:03:46,200
Speaker 1: the wisdom of the episode. He said life would be

1142
01:03:46,240 --> 01:03:50,840
Speaker 1: so much easier for everyone if we just trusted each other. Yeah,

1143
01:03:50,880 --> 01:03:55,160
Speaker 1: that was strange. It's impossible. It's like a stopped clock

1144
01:03:55,280 --> 01:03:59,040
Speaker 1: being right twice a day. Todd finally has a piece

1145
01:03:59,080 --> 01:04:02,680
Speaker 1: of wisdom that was very strange. I think he's a

1146
01:04:03,000 --> 01:04:06,760
Speaker 1: Bill wanted to have him be the bizarrely be the

1147
01:04:06,800 --> 01:04:10,320
Speaker 1: source of the of the wisdom. It's the episode is

1148
01:04:10,360 --> 01:04:13,400
Speaker 1: about trust. Is Elliott Gonna and jd Are they gonna

1149
01:04:13,440 --> 01:04:17,040
Speaker 1: trust each other? Is doctor Cox the you know, best

1150
01:04:17,080 --> 01:04:20,040
Speaker 1: doctor or leader of the hospital gonna trust a surgeon

1151
01:04:20,120 --> 01:04:23,680
Speaker 1: and Turk? Are those patients gonna trust each other? For

1152
01:04:23,760 --> 01:04:27,320
Speaker 1: this kid bizarre kidney swap that we talked about. But

1153
01:04:27,400 --> 01:04:30,880
Speaker 1: it's also about it's also about why we do what

1154
01:04:31,000 --> 01:04:33,200
Speaker 1: we do, Like that was a major part about it too,

1155
01:04:33,280 --> 01:04:35,720
Speaker 1: like coming back from the act, right, why would you

1156
01:04:35,720 --> 01:04:39,240
Speaker 1: think we're dating? Why won't they do the transplant? Why

1157
01:04:39,280 --> 01:04:42,520
Speaker 1: would you still work here? You know, the why is

1158
01:04:42,560 --> 01:04:45,160
Speaker 1: a big question. Well it's the it's the number one

1159
01:04:45,240 --> 01:04:47,240
Speaker 1: question coming back from the act right. And I thought

1160
01:04:47,280 --> 01:04:51,320
Speaker 1: that was really interesting that. I mean, of course it's

1161
01:04:51,320 --> 01:04:53,520
Speaker 1: a sitcom and that's what we do, but I know,

1162
01:04:53,600 --> 01:04:56,160
Speaker 1: I thought it was very interesting that you know, who

1163
01:04:56,160 --> 01:05:00,120
Speaker 1: gives a shit if JD and Elliot or dating? And

1164
01:05:00,120 --> 01:05:03,439
Speaker 1: that's what Kelso says at the end. Yeah, Kelso, he says,

1165
01:05:03,600 --> 01:05:07,040
Speaker 1: is uh. Kelso really drops the quote of the episode.

1166
01:05:07,080 --> 01:05:10,280
Speaker 1: He says, who the hell cares what anyone else thinks?

1167
01:05:10,280 --> 01:05:12,600
Speaker 1: Just look into your heart and do whatever the hell

1168
01:05:12,640 --> 01:05:15,680
Speaker 1: makes you're happy. And you've been quoting that for so long,

1169
01:05:15,920 --> 01:05:19,600
Speaker 1: Zach on this podcast, and I didn't remember when it

1170
01:05:19,640 --> 01:05:21,880
Speaker 1: came in. And when I heard that ship, it was

1171
01:05:21,920 --> 01:05:25,320
Speaker 1: like an epiphany. It was like, that's you're absolutely fucking

1172
01:05:25,440 --> 01:05:27,640
Speaker 1: and I've been listening to you say this shit. You

1173
01:05:27,720 --> 01:05:30,479
Speaker 1: said this to people that have called in, you said

1174
01:05:30,480 --> 01:05:32,480
Speaker 1: this to people that have you know what I mean, Like,

1175
01:05:33,760 --> 01:05:36,280
Speaker 1: this is something that has consistently and you give it,

1176
01:05:36,440 --> 01:05:40,919
Speaker 1: You've given it to Ken too, you know, saying how

1177
01:05:42,480 --> 01:05:44,640
Speaker 1: that line has resonated with you. And it wasn't until

1178
01:05:44,640 --> 01:05:47,480
Speaker 1: I heard it today that it really fucking stuck with me.

1179
01:05:47,520 --> 01:05:49,280
Speaker 1: You know. Yeah. I think a lot of Scrubs fans

1180
01:05:49,360 --> 01:05:52,000
Speaker 1: like that, and I responded to that over the years,

1181
01:05:52,120 --> 01:05:54,720
Speaker 1: and I think it's a good, really mantra for for

1182
01:05:54,800 --> 01:05:57,000
Speaker 1: living your life, particularly in the in the modern era,

1183
01:05:57,120 --> 01:06:00,680
Speaker 1: when so many people can weigh in on on your

1184
01:06:00,720 --> 01:06:04,280
Speaker 1: own choices. I got goosebumps at the end when they

1185
01:06:04,280 --> 01:06:07,360
Speaker 1: grabbed hands. I'm not gonna lie, I'm not ashamed. I shouted,

1186
01:06:08,960 --> 01:06:13,520
Speaker 1: look at the happening like oh boy, yeah, no, like

1187
01:06:13,800 --> 01:06:16,320
Speaker 1: in the best way, because it's such a slow, steady

1188
01:06:16,360 --> 01:06:18,240
Speaker 1: build for these two and then the show kind of

1189
01:06:18,280 --> 01:06:20,800
Speaker 1: like drops it for so long, and then to see

1190
01:06:20,840 --> 01:06:23,480
Speaker 1: you guys just be friend like you and are so adorable,

1191
01:06:23,520 --> 01:06:25,920
Speaker 1: it's just like, oh, it's friend dates. We're just hanging out,

1192
01:06:25,960 --> 01:06:28,000
Speaker 1: and it's kind of like if you've ever seen two

1193
01:06:28,040 --> 01:06:29,800
Speaker 1: friends like kind of fall in love or you're like,

1194
01:06:30,600 --> 01:06:32,800
Speaker 1: oh no, they're doing you know, before they know they're

1195
01:06:32,800 --> 01:06:34,880
Speaker 1: not quite catching up to like where they're feeling. It

1196
01:06:34,920 --> 01:06:36,720
Speaker 1: was that kind of feeling. I was very excited I

1197
01:06:36,760 --> 01:06:38,640
Speaker 1: love the end of this episode. I gotta tell you,

1198
01:06:38,680 --> 01:06:41,680
Speaker 1: I was not expecting to be affected by it. But

1199
01:06:41,760 --> 01:06:44,080
Speaker 1: when I when I when JD grabs her hand, I

1200
01:06:44,720 --> 01:06:47,880
Speaker 1: fully got goosebumps. I was like, oh God, I'm really

1201
01:06:47,960 --> 01:06:51,920
Speaker 1: rooting for them. I'm like, I'm truly invested. I feel

1202
01:06:51,920 --> 01:06:55,439
Speaker 1: like it didn't come on suddenly either, though. I feel

1203
01:06:55,480 --> 01:06:58,280
Speaker 1: like what I wrote this down, I feel like what

1204
01:06:58,400 --> 01:07:01,000
Speaker 1: Bill did and how he's placed this from when the

1205
01:07:01,000 --> 01:07:03,320
Speaker 1: time you guys had broken up into you know what

1206
01:07:03,320 --> 01:07:06,120
Speaker 1: I mean into now. It's not like this comes out

1207
01:07:06,120 --> 01:07:09,240
Speaker 1: of nowhere. And also, I think he knows he's wrapping

1208
01:07:09,720 --> 01:07:13,280
Speaker 1: me up, us up, you know, like the future of

1209
01:07:13,400 --> 01:07:15,560
Speaker 1: what was going to happen next season was very unclear.

1210
01:07:16,920 --> 01:07:19,600
Speaker 1: I think he knows that he's gonna stick the landing

1211
01:07:20,320 --> 01:07:25,240
Speaker 1: with me and Elliott and then do a proper ending

1212
01:07:25,280 --> 01:07:28,000
Speaker 1: of season eight, right like like we know we do

1213
01:07:28,080 --> 01:07:33,240
Speaker 1: that amazing, incredible walking down the hallway and the images

1214
01:07:33,280 --> 01:07:36,080
Speaker 1: of our future. And so he's building. He knows he's

1215
01:07:36,120 --> 01:07:39,040
Speaker 1: as a showrunner, he's got to get to there by

1216
01:07:39,040 --> 01:07:41,640
Speaker 1: the by the end, because I was gonna says he

1217
01:07:41,760 --> 01:07:46,520
Speaker 1: put he planted a hopeful seed in every season there's

1218
01:07:46,520 --> 01:07:50,360
Speaker 1: a hopeful seed. Even in the season where JD breaks

1219
01:07:50,360 --> 01:07:54,200
Speaker 1: her heart completely, he still plants a hopeful seed that

1220
01:07:54,280 --> 01:07:57,800
Speaker 1: they can get back together. Every year, you love planting seeds.

1221
01:07:58,400 --> 01:08:02,920
Speaker 1: I planted at least six of them that you know about. Um,

1222
01:08:03,000 --> 01:08:10,640
Speaker 1: so we said at least um. Well, that brings us

1223
01:08:10,680 --> 01:08:17,160
Speaker 1: to the end of the episode. Um, Johnny. Any ending thoughts,

1224
01:08:17,200 --> 01:08:18,880
Speaker 1: Just that you guys are crushing this thing. I don't

1225
01:08:18,880 --> 01:08:21,559
Speaker 1: know how you've been doing the perseverance you guys have

1226
01:08:21,640 --> 01:08:25,160
Speaker 1: exercised in your podcast. It's just I know there's sometimes

1227
01:08:25,160 --> 01:08:27,960
Speaker 1: when you don't feel like doing it and maybe it's

1228
01:08:27,960 --> 01:08:30,400
Speaker 1: a bummer, but you and Joel and Daniel and d

1229
01:08:30,600 --> 01:08:32,400
Speaker 1: you guys just crushing this thing. I'm so proud of you.

1230
01:08:32,479 --> 01:08:34,639
Speaker 1: It's so fresh every time you do it. And there's

1231
01:08:34,640 --> 01:08:37,719
Speaker 1: got to be times where it's just like discipist bringing

1232
01:08:37,760 --> 01:08:42,599
Speaker 1: the boulder of the god damn mountain everything when we're

1233
01:08:42,640 --> 01:08:44,840
Speaker 1: doing it. I do dread it sometimes when we're when

1234
01:08:44,840 --> 01:08:46,840
Speaker 1: I'm supposed to do it, But the second I see

1235
01:08:46,880 --> 01:08:51,439
Speaker 1: that's what I mean action. When somebody calls action, you're

1236
01:08:51,439 --> 01:08:54,720
Speaker 1: gonna do something. But prior to it, uh, you know,

1237
01:08:54,760 --> 01:08:56,400
Speaker 1: if you have a cold or if you just broke up,

1238
01:08:56,479 --> 01:08:59,120
Speaker 1: or if somebody passed. There's a million things and it

1239
01:08:59,200 --> 01:09:01,320
Speaker 1: doesn't matter. It's somebody calls action, or if the curtain

1240
01:09:01,360 --> 01:09:04,240
Speaker 1: goes up, you gotta do something. But it's it's the

1241
01:09:04,320 --> 01:09:07,519
Speaker 1: in betweens, which is the heavy lifting. Hey man Well

1242
01:09:07,600 --> 01:09:11,960
Speaker 1: said every actress should hear that as a deep Johnny,

1243
01:09:12,000 --> 01:09:14,479
Speaker 1: I'm gonna come out. I'm gonna. I want to come

1244
01:09:14,560 --> 01:09:15,960
Speaker 1: with him. I want to. I want it to be

1245
01:09:16,000 --> 01:09:19,280
Speaker 1: a mandate with all of us. I hope you guys

1246
01:09:19,320 --> 01:09:24,200
Speaker 1: aren't just adul Are you around? Um? Are you around Saturday? Johnny? Yes,

1247
01:09:24,479 --> 01:09:27,120
Speaker 1: I am not all right? Well I might I might

1248
01:09:27,160 --> 01:09:29,639
Speaker 1: hit you up for Saturday, uh, because I'm going away.

1249
01:09:29,680 --> 01:09:32,000
Speaker 1: I'm going on a tour for my new film. Hey John,

1250
01:09:32,040 --> 01:09:35,439
Speaker 1: I'm having a um a screening of my film. I'd

1251
01:09:35,439 --> 01:09:39,400
Speaker 1: love you to come on the twenty third of March

1252
01:09:39,439 --> 01:09:42,640
Speaker 1: if you're in town. What day of the week is that?

1253
01:09:42,640 --> 01:09:44,760
Speaker 1: That is a Thursday. The film comes out in March

1254
01:09:44,840 --> 01:09:48,840
Speaker 1: twenty fourth on a on a Friday. Um, And I'm

1255
01:09:48,880 --> 01:09:50,760
Speaker 1: about to go on a tour, so U let's do

1256
01:09:50,840 --> 01:09:54,360
Speaker 1: a little housekeeping, Joel. We're gonna be off for um

1257
01:09:54,479 --> 01:09:56,599
Speaker 1: one week and then we're gonna do a special top

1258
01:09:56,640 --> 01:09:59,360
Speaker 1: secret episode for you that's a surprise, and then we're

1259
01:09:59,400 --> 01:10:02,240
Speaker 1: gonna be off another week, right, we might be. I

1260
01:10:02,280 --> 01:10:04,360
Speaker 1: need to figure out my hiatus week. Cathy and I

1261
01:10:04,439 --> 01:10:06,479
Speaker 1: are working on it, and I'll send everyone a calendar

1262
01:10:06,479 --> 01:10:09,599
Speaker 1: and i'll update the fans, you know, if you're listening,

1263
01:10:09,680 --> 01:10:13,360
Speaker 1: like they'll be new episodes and some classic episodes mixed in. Yeah,

1264
01:10:13,400 --> 01:10:15,880
Speaker 1: an audience, I just want to tell you, Um, um,

1265
01:10:15,960 --> 01:10:18,120
Speaker 1: Donald is starting his new show and I'm going on

1266
01:10:18,120 --> 01:10:21,160
Speaker 1: a press tour to promote a good person. So um,

1267
01:10:21,160 --> 01:10:24,240
Speaker 1: the schedule will be a smigen wonky um. But um,

1268
01:10:24,400 --> 01:10:29,160
Speaker 1: we are bringing you a very cool surprise we can't

1269
01:10:29,160 --> 01:10:31,960
Speaker 1: tell you yet. Episode. Excited for them, I'm excited for

1270
01:10:32,000 --> 01:10:34,880
Speaker 1: them to end. Two means not only for them, I'm

1271
01:10:34,920 --> 01:10:38,040
Speaker 1: not I'm not only excited for the audience. I'm excited

1272
01:10:38,080 --> 01:10:41,559
Speaker 1: for the for the people who aren't necessarily listeners to

1273
01:10:41,640 --> 01:10:47,679
Speaker 1: fake Doctor's real friends, to see the capacity of I'm surprise.

1274
01:10:47,920 --> 01:10:50,840
Speaker 1: I'm not going to give it away. A firepower that

1275
01:10:50,920 --> 01:10:56,440
Speaker 1: you're bringing, that we're bringing. It's going to be a surprise, everybody. Wow. Yeah,

1276
01:10:56,560 --> 01:10:58,880
Speaker 1: we'll tell you. We'll tell you, Johnny when we get

1277
01:10:58,920 --> 01:11:01,760
Speaker 1: off the air. No, by the way, did you hear

1278
01:11:01,760 --> 01:11:03,599
Speaker 1: when Sarah thought we did this live? And then when

1279
01:11:03,600 --> 01:11:05,599
Speaker 1: we go to commercial, we really sit around and chat

1280
01:11:05,600 --> 01:11:09,960
Speaker 1: and wait for the commercials to end. She's the best,

1281
01:11:10,640 --> 01:11:14,720
Speaker 1: She's amazing, She's the best. I love her so much.

1282
01:11:14,760 --> 01:11:16,920
Speaker 1: What was the day of the special episode? As Joe?

1283
01:11:16,920 --> 01:11:18,679
Speaker 1: We're probably gonna air that one on the twenty first,

1284
01:11:18,760 --> 01:11:22,960
Speaker 1: so okay, yeah, all right, um, so okay wait before

1285
01:11:23,000 --> 01:11:26,040
Speaker 1: we go, Yeah, we're wrapping up ahead the Mandalorian. We're

1286
01:11:26,080 --> 01:11:28,200
Speaker 1: not going to talk about that at all. No, we've

1287
01:11:28,200 --> 01:11:33,320
Speaker 1: had We've had a VERI. You're yelling. You're yelling because

1288
01:11:33,320 --> 01:11:37,320
Speaker 1: we're talking passion, and we talked about yelling. We talked

1289
01:11:37,360 --> 01:11:40,760
Speaker 1: about we talked about we did audience does not want

1290
01:11:40,800 --> 01:11:43,559
Speaker 1: to be yelled at, Honey. I am sorry, and I

1291
01:11:43,600 --> 01:11:48,240
Speaker 1: am sorry, but it is Thursday. Is a good motherfucker.

1292
01:11:48,320 --> 01:11:53,960
Speaker 1: I mean, it's it's it's listen, man, there are two versions.

1293
01:11:54,120 --> 01:11:56,439
Speaker 1: Just keep it with all due respect, please keep it short,

1294
01:11:56,520 --> 01:12:01,519
Speaker 1: like it's two versions of story our wars. Now, there's

1295
01:12:01,560 --> 01:12:05,519
Speaker 1: what the fans want and then there's the storytelling. This

1296
01:12:05,640 --> 01:12:10,120
Speaker 1: is a very fan heavy show. So if you're a

1297
01:12:10,120 --> 01:12:12,400
Speaker 1: fan of Star Wars. You tune into this, You're gonna

1298
01:12:12,400 --> 01:12:15,000
Speaker 1: get what you want if you're a story driven Star

1299
01:12:15,040 --> 01:12:17,840
Speaker 1: Wars fan and doors for you. If you like me

1300
01:12:17,920 --> 01:12:28,360
Speaker 1: and you love it all, it's wonderful. Nah, you're ridiculous beautiful.

1301
01:12:28,640 --> 01:12:31,040
Speaker 1: You know. I love that Star Wars makes you so happy.

1302
01:12:31,120 --> 01:12:32,559
Speaker 1: I hope that I can one day make you as

1303
01:12:32,600 --> 01:12:35,040
Speaker 1: happy as George. You make me. Listen, dude, you make

1304
01:12:35,080 --> 01:12:37,600
Speaker 1: me so, you make me. I'm jealous. I'm jealous of

1305
01:12:37,640 --> 01:12:41,400
Speaker 1: how happy George Lucas makes you. It's not just George Lucas,

1306
01:12:41,400 --> 01:12:45,439
Speaker 1: it's also John Fabera. Yeah, and all listen, but I'm

1307
01:12:45,479 --> 01:12:47,479
Speaker 1: gonna tell you something right now. You make me happier

1308
01:12:47,520 --> 01:12:52,200
Speaker 1: than they ever. Thank you. In the cold tub with

1309
01:12:52,240 --> 01:12:55,160
Speaker 1: you and just be receiving your your We should go

1310
01:12:55,200 --> 01:12:59,760
Speaker 1: in the tub together, maybe in the tub story now. Listen,

1311
01:12:59,800 --> 01:13:01,840
Speaker 1: it's like it's like one of those small little barrels.

1312
01:13:01,880 --> 01:13:05,519
Speaker 1: I want to get in there with you, face to face. Yeah,

1313
01:13:05,600 --> 01:13:07,559
Speaker 1: I want to feel your breath. I need your heat,

1314
01:13:07,720 --> 01:13:09,680
Speaker 1: or maybe I need the heat from you. Think we

1315
01:13:09,680 --> 01:13:11,400
Speaker 1: shouldn't go in face to face, we just go in there,

1316
01:13:11,479 --> 01:13:14,720
Speaker 1: but we'll go in there spooning. I need your heat

1317
01:13:14,720 --> 01:13:20,400
Speaker 1: recommend you going as a spoon warmth. You guys going

1318
01:13:20,439 --> 01:13:26,960
Speaker 1: in together is in the mouth. He doesn't need you

1319
01:13:27,000 --> 01:13:29,200
Speaker 1: to blow somebody and he doesn't want is ice tub

1320
01:13:29,320 --> 01:13:32,599
Speaker 1: fucking ruined by us spooning it? We will not ruin it.

1321
01:13:33,040 --> 01:13:35,640
Speaker 1: We will not ruin it. There will be no fluids.

1322
01:13:36,040 --> 01:13:38,360
Speaker 1: There will be nothing like that. No, there would be

1323
01:13:38,400 --> 01:13:43,360
Speaker 1: no fluids exchange. All I'm saying is I need your heat. Yeah,

1324
01:13:43,400 --> 01:13:45,080
Speaker 1: I need your heat. I need to hold you, I

1325
01:13:45,160 --> 01:13:47,240
Speaker 1: need your warm On the edge of the tub, We're

1326
01:13:47,240 --> 01:13:49,120
Speaker 1: gonna on the edge of the on the edge of

1327
01:13:49,120 --> 01:13:51,000
Speaker 1: the tub, we're gonna grip each other's hands like in

1328
01:13:51,040 --> 01:14:01,840
Speaker 1: the episode. All Right, that's it, everybody. Please check out

1329
01:14:02,160 --> 01:14:05,160
Speaker 1: A Good Person trailer. It's on YouTube. I'm doing a

1330
01:14:05,160 --> 01:14:08,439
Speaker 1: whole tour around the country and the United Kingdom to

1331
01:14:08,640 --> 01:14:12,680
Speaker 1: promote A Good Person, starring Morgan Freeman and the legendary

1332
01:14:12,840 --> 01:14:15,080
Speaker 1: Florence Pugh and Molly Shannon. Please check it out. It's

1333
01:14:15,080 --> 01:14:18,519
Speaker 1: coming to a theater near you on March twenty fourth. Johnny,

1334
01:14:18,600 --> 01:14:20,559
Speaker 1: we love you so much. I love you guys, Thank

1335
01:14:20,600 --> 01:14:22,479
Speaker 1: you so much for being on the show today. All Right,

1336
01:14:22,520 --> 01:14:27,200
Speaker 1: that's a show. Donald Countess album six seven stories by

1337
01:14:27,320 --> 01:14:31,920
Speaker 1: show we made about a bunch of doctor nurses and

1338
01:14:34,960 --> 01:14:44,360
Speaker 1: stories net so yeada around here, a YadA around here,

1339
01:14:43,360 --> 01:14:48,000
Speaker 1: a m