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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama, Girl drama, girl, all

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Speaker 2: about them high school queens. We'll take you for a

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Speaker 2: ride and our comic girl sharing for the right team

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Speaker 2: drama queens.

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Speaker 3: Jaylie's up girl fashion. But you'll tough, girl, you could

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Speaker 3: sit with us.

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Speaker 1: Girl drama, Queen drama, Queens Drama, Queens drama drama, Queens

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Speaker 1: Drama Queens.

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Speaker 4: For those of you just joining in. So far, we

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Speaker 4: have decided that if Dan Scott was a drag queen,

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Speaker 4: his name would be Lucy Furr. And so is exhausted

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Speaker 4: and misread the synopsis in a hilarious way. So do

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Speaker 4: you want to take a crack at it and give

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Speaker 4: us the rundown, redeem.

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Speaker 5: Yourself and see if I can do it right?

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Speaker 3: Yeah, hey, guys, I'm an adult who can read. We

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Speaker 3: are here today with season nine, Episode five, The Killing Moon.

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Speaker 3: This originally aired February eighth, twenty twelve, and Oh boy,

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Speaker 3: is it a doozy. Nathan is missing and Haley fears

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Speaker 3: the worst. As Quinn distracts Jamie, Haley searches for Nathan.

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Speaker 3: Clay finally gets answers about his condition. Meanwhile, Julian attempts

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Speaker 3: to get back to a normal life, while Brooke and

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Speaker 3: Millicent try to give Tara a chance. Do we I

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Speaker 3: don't know. This was directed by our very own Greg

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Speaker 3: Prange and written by the wonderful SHANEA Fuel. Woo yay

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Speaker 3: and tell him what they've won. Friends, Because it's not

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Speaker 3: just the three of us talking about today's episode, is it.

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Speaker 4: No, it's not. It's one of my all time most

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Speaker 4: favorite humans. Tyler Elizabeth Marie Hilton, old name.

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Speaker 6: I so very hit hear it all together.

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Speaker 4: Welcome Tyler, Thank you guys.

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Speaker 3: I was wondering if if after Rob said that, you

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Speaker 3: were going to say, Chris Keller likes it.

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Speaker 7: Oh man, Tyler Elizabeth Many Hilton likes it.

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Speaker 4: Yeah, yeah.

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Speaker 3: Could you imagine if we were like, what do you

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Speaker 3: think you learned about yourself from the show, and you

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Speaker 3: were like, I also like to talk in the third person.

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Speaker 7: Tyler Hilton thought it was a great episode, and Tyler

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Speaker 7: Hilton especially like Tyler Hilton's work in the episode.

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Speaker 5: Have any of you known someone that speaks about himself

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Speaker 5: in the third person for real in real life?

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Speaker 6: No?

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Speaker 4: An ironically no, but I actually see it happens a

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Speaker 4: lot on reality television, not surprising. Wait what yeah, are

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Speaker 4: you kidding me?

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Speaker 7: You guys, what do you mean like the situation? I

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Speaker 7: think he did that kind of stuff.

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Speaker 4: Maybe, Yeah, it's like every other season on Survivor there

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Speaker 4: is someone who talks in the third person. Yeah, it's weird.

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Speaker 5: It's really I keep trying to, you know, as an actor,

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Speaker 5: when I see strange behavior, I try and do it

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Speaker 5: so I can see what it feels like in my body,

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Speaker 5: Like why would someone would motivate someone to do that?

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Speaker 7: Like?

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Speaker 5: Why what does that feel like? It's so strange. I

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Speaker 5: can't wrap my brain around, Like I'm having the empathy

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Speaker 5: part of me is having a hard time understanding what

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Speaker 5: would motivate someone to do that? I really can't. I

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Speaker 5: can't grasp it.

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Speaker 3: I just feel like it would make me very uncomfortable.

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Speaker 4: For only two people have ever really pulled it off,

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Speaker 4: and that is the dude from Big Lebowski, the Dude

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Speaker 4: and you as Chris Keller.

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Speaker 7: Yeah, you are making me wonder for the first time

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Speaker 7: of Chris Keller isn't his real name? Because it's only

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Speaker 7: the kind of thing you can only do with not

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Speaker 7: your birth name, you know.

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Speaker 6: Like the dude in the situation your brand.

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Speaker 7: Yeah, like what if his name is like Ryan, you

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Speaker 7: know whatever, but like he'd like one day.

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Speaker 6: He woke up, he's like, it's Chris Keller, bitches or

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Speaker 6: whatever you're not.

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Speaker 7: But I don't know if you can do that with

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Speaker 7: the name your parents give you a birth that's really strange.

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Speaker 5: That's yeah, there's got to be either like sociopath. Yeah,

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Speaker 5: it's like dissociative behavior, or it's not your real name.

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Speaker 6: Yeah, yes, yes, yeah, where.

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Speaker 5: You speak about yourself almost.

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Speaker 7: Like when they do like a Young Eldon Young Chris

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Speaker 7: Keller spin off.

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Speaker 6: We'll figure out the backstory there.

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Speaker 5: Why does that not exist? Pitch it now? Tyler Hilton

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Speaker 5: pitched that right now.

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Speaker 3: The fact that they did not do that with Michael

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Speaker 3: May as soon as our show is crazy.

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Speaker 5: We're all just quiet imagining it now. I'm like drifting

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Speaker 5: off into the.

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Speaker 4: Well, let's jump into the episode.

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Speaker 5: Yeah, lots lotson to love about this episode.

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Speaker 7: I thought, yes, and you know, it's not weird for

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Speaker 7: you guys to be watching the show. But I have

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Speaker 7: to say, first of all, it is so weird for

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Speaker 7: me to be watching the show again. Like last time,

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Speaker 7: I was gone. Don the quains.

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Speaker 6: Yes, I didn't watch the episode. I just came in

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Speaker 6: and be like, hey, hey, what I was.

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Speaker 7: I haven't told Brabo was like, I am really having

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Speaker 7: resistance to pushing play here because like, I don't even

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Speaker 7: know if I watched the episode at the time.

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Speaker 6: I read the scripts. We saw blah blah blah.

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Speaker 7: See.

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Speaker 6: Yeah, but I don't know.

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Speaker 7: If I've ever even watched a full episode of the

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Speaker 7: show start to do.

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Speaker 6: I don't know, I don't remember.

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Speaker 7: And I was really nervous watching it because that was

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Speaker 7: just like really.

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Speaker 6: Yeah, I mean, I don't know.

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Speaker 7: Maybe you guys have to think back to like starting

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Speaker 7: the podcast, like I don't know, I was it weird

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Speaker 7: for you to watch even the first season, because like.

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Speaker 5: I was gonna mention seasons then now, yeah, like I

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Speaker 5: can relate to what you're saying because you haven't been

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Speaker 5: doing this with us for the whole time. But for sure,

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Speaker 5: when things started, I was definitely nervous to push play.

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Speaker 5: There were a lot of times I was like, I

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Speaker 5: know what's happening in the next episode. I don't want

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Speaker 5: to watch myself. I know what was happening in my life.

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Speaker 5: When we were shooting the next episode, I don't want

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Speaker 5: to watch this.

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Speaker 4: Yeah, there's a lot.

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Speaker 5: And by the way, most of us had not seen well,

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Speaker 5: none of us had seen the whole show in its entirety,

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Speaker 5: because we just didn't. We were working on it, we

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Speaker 5: just weren't watching it. So yeah, you join the club,

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Speaker 5: You're you're right in good company.

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Speaker 7: A few times in the beginning, I remember we would

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Speaker 7: have viewing parties at your house, so via, but they

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Speaker 7: would we would all watch the first scene and then

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Speaker 7: we'd all just be talking and partying.

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Speaker 6: After that.

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Speaker 4: We never watched anything, sounds like I was.

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Speaker 6: I watched it in a tour van.

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Speaker 7: We were just on tour last week and we were

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Speaker 7: all watching it as a band, and it was like

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Speaker 7: easier for me to but I was just like, oh

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Speaker 7: my god, I can't sit in a room by myself

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Speaker 7: and just be watching this. This is too uncomfortable. It's

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Speaker 7: but anyway, it was really fun.

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Speaker 6: I loved it.

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Speaker 7: It was actually so cool seeing you guys and fun

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Speaker 7: reliving it. But I did have it was so nerve wracking,

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Speaker 7: but really fun.

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Speaker 3: How was it for you? Because for us, it was

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Speaker 3: always so fun when Chris Keller would come back a

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Speaker 3: because obviously we've all been friends for one hundred years

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Speaker 3: and be because you were always such a delight to

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Speaker 3: add into the story, Like you got to be a

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Speaker 3: chaos goblin in the best way, I think, especially in

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Speaker 3: season nine. But what was it like for you to

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Speaker 3: have these majorly important story lines and then you know,

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Speaker 3: go be Tyler Hilton, go make music, go live your life,

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Speaker 3: and then come back into the show. Did it always

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Speaker 3: feel easy to come.

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Speaker 6: Back or with it was weird? That's such a good question.

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Speaker 7: And in the beginning, I was nervous because I was

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Speaker 7: like trying to get myself going, like I wanted people

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Speaker 7: to know who I was, and I didn't have I

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Speaker 7: didn't have a lot of name recognition, so I was

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Speaker 7: new to everything and people would stop me in airports

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Speaker 7: all the time and be like, I hate you, I

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Speaker 7: hate that you're breaking up naked, and I almost trying

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Speaker 7: to promote my first record, I was like, Wow, doing

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Speaker 7: the show was a huge mistake, Like I'm trying to

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Speaker 7: like get something going here, and it's like I'm getting

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Speaker 7: known for this whole other thing. And so there was

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Speaker 7: like a lot of like but I was having so

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Speaker 7: much fun doing it. By the time I came back

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Speaker 7: for seven nine. I feel like I had been I'd

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Speaker 7: done so many other things, had been doing music for

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Speaker 7: so long, and felt like this thing. It shows people

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Speaker 7: loved Chris Keller by that point, you know, they were

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Speaker 7: like they got what was going on, and they understood, like,

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Speaker 7: there's no threat here. Yeah, just a hilarious little that's

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Speaker 7: buzzing around. He's harmless. And so then everyone could just

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Speaker 7: relax and like him, you know, or something.

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Speaker 6: And so then by the.

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Speaker 7: Time I came back to Steve than nine, I was like, oh,

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Speaker 7: game on, Like I get what's going on. I get

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Speaker 7: what the deal is, and this is gonna be so

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Speaker 7: fun and I know, like qualms leading all the way

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Speaker 7: into it and having so much fun. I'm so glad

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Speaker 7: I got that second time around with him because it

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Speaker 7: was a blast.

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Speaker 6: You know. But yeah, it's funny.

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Speaker 3: I'm so happy. You look like you're having a ball.

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Speaker 6: Oh my god.

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Speaker 3: Either you're having less fun in this episode. Rob's not

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Speaker 3: really fun either, but Chris Kelly is having a great time.

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Speaker 5: Yeah.

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Speaker 4: And to be clear, my pause at the start of

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Speaker 4: the episode, yeah, I was gonna say I wasn't pausing

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Speaker 4: because I didn't like the episode. I was pausing because

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Speaker 4: my first note is about Dan just being off the

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Speaker 4: charts shady and how it.

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Speaker 8: Is he's he's being so egregiously shifty that it almost

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Speaker 8: makes me wonder if, like I was, maybe I still

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Speaker 8: think he's behind the Nathan thing.

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Speaker 4: But it's like it's so heavy handed some of the

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Speaker 4: stuff with Haley, and I was like, what is he

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Speaker 4: even trying to hide it?

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Speaker 5: Like what his choice? Like Paul? We know Paul so

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Speaker 5: intentional about his choices, so there has to be a reason.

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Speaker 4: Yeah. For example, the first scene we see Haley's getting

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Speaker 4: the babies or if she's feeding lydia. And it was

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Speaker 4: made clear in the previous episode that Dan knows that

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Speaker 4: Nathan is getting home that night because they have that

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Speaker 4: exchange when he's like, I'll leave when he gets here.

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Speaker 4: So the fact that he wakes up the next morning

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Speaker 4: and by breakfast time there is still no Nathan, and

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Speaker 4: his question too is just is everything all right?

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Speaker 5: Yeah?

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Speaker 4: To me, it's like, no, you know your son should

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Speaker 4: be there by then, So it seemed like you were

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Speaker 4: being intentionally obtuse or just like I you know, like clueless.

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Speaker 5: Yeah, I guess I assumed that she probably would have

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Speaker 5: just told him like the yeah, he didn't. I think

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Speaker 5: he took a later flight or something, but he should

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Speaker 5: have had some kind of follow up question. It's strange.

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Speaker 3: Yeah, even if he had opened the episode with do

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Speaker 3: you know if Nathan got on a later flight? Yeah,

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Speaker 3: it would have tracked a story. What's interesting to me

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Speaker 3: about what you're saying and I'm so curious about your experience.

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Speaker 3: Sorry to jump to the end, but in that sequence

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Speaker 3: with Haley and Dan in the kitchen where he is

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Speaker 3: so it's like he is the guy right before he

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Speaker 3: kills the person in every scary movie, and it's like,

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Speaker 3: do you think that they that they said to Paul,

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Speaker 3: we need you to seem guilty at this point. We

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Speaker 3: need to give Haley a reason to suspect you, and

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Speaker 3: then you get to be a hero. Like I almost

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Speaker 3: wonder if he was instructed or if the idea, you know,

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Speaker 3: among him, the writers and everyone was to almost have

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Speaker 3: him overplay the bad guy to misdirect the audience. Yes

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Speaker 3: that I think it's really he gave me the creepy

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Speaker 3: creepies holding your shoulder. I didn't like it.

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Speaker 5: Well, it had to be scary enough for Haley to think,

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Speaker 5: I've got to pretend my way out of this situation

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Speaker 5: and get away from him. Yeah, like that had to

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Speaker 5: be there had to be motive for her, like a

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Speaker 5: real threat. There a real threat. So and Dan has

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Speaker 5: seemed the only other times I've seen Dan desperate as

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Speaker 5: Haley was it was a it was a desperation that

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Speaker 5: was pleading to be understood. And this was a desperation.

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Speaker 5: There was like an anger in it. There was like

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Speaker 5: a it didn't feel like a poor me desperation, which

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Speaker 5: is how Dan usually plays it. So there was because

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Speaker 5: there was something so aggressive about it that I think

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Speaker 5: that gave Haley the motivation to go. So I think

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Speaker 5: you're right there. There probably was some kind of push

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Speaker 5: to like more and more and more. You've just got

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Speaker 5: to make it so intense and I don't.

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Speaker 3: Know, Yeah, I don't know.

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Speaker 5: I mean it was scary. I wish I had watched

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Speaker 5: it twice because it did. Yeah, yeah, go ahead, Rob,

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Speaker 5: I can see you want to say something and I'm fumbling.

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Speaker 4: Well, it just it felt like the world's least enthusiastic gaslighting, where.

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Speaker 6: The situation record actually the situation.

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Speaker 4: At hand is actually so serious, and the fact that

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Speaker 4: he's a convincing you you're crazy, but then also doing

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Speaker 4: it just like he's just worked a twelve hour shift.

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Speaker 4: He's like, Hey, it's fine, You're it's fine, you're being creative.

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Speaker 4: It was that was odd to me, Like, I feel like,

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Speaker 4: if you are going to get like it just it

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Speaker 4: just didn't match, Like the energy didn't match the stakes

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Speaker 4: and the severity of the scene. I thought, that's why

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Speaker 4: I was. I was very confused. That's actually kind of

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Speaker 4: to me. What made it more menacing was the fact

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Speaker 4: that he wasn't really trying to plead. He was just like,

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Speaker 4: I'm just gonna say this and hopefully you know, to

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Speaker 4: just accept it, you know what I mean.

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Speaker 5: Heyy, just let me explain. Let me explain. It felt

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Speaker 5: like he was trying to say, like you don't understand,

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Speaker 5: like I'm basically I'm trying to build a relationship. I

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Speaker 5: had to get in the door the moment that he

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Speaker 5: gave me the baseball in the picture, he was vulnerable

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Speaker 5: and it was my only chance to have a relationship

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Speaker 5: with my son, and like, don't you understand. I mean,

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Speaker 5: that's those are the words coming out of his mouth.

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Speaker 5: But the energy, like everything about what he was saying

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Speaker 5: wasn't what he usually does, which is the shrink back,

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Speaker 5: Like can't you see, like just feel bad for me,

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Speaker 5: Please feel bad for me. It was aggressive.

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Speaker 3: Yeah, well, but to your point, when the script delivered,

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Speaker 3: everyone got to the last page and read Haley calls

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Speaker 3: nine one one and says, there is a murderer in

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Speaker 3: my house. So if that has to be the end

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Speaker 3: of the script, you have to reverse engineer Yeah, the

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Speaker 3: whole episode to make that choice make sense. So you're right.

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Speaker 3: I bet it was the sort of thing where, because

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Speaker 3: that had to happen, Paul had to make choices that

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Speaker 3: were atypical and were threatening and were things that could

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Speaker 3: cause that reaction for you as an actor to genuinely

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Speaker 3: in a scene with him, feel afraid enough to call

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Speaker 3: nine one one.

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Speaker 5: Yeah, I don't think Haley's ever felt afraid with Dan.

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Speaker 5: I'm trying to think back to their interactions over the years,

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Speaker 5: and she's disliked him intensely, She's hated him, She's been

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Speaker 5: grateful to him, she's been appreciative of the fact that

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Speaker 5: he is a dangerous man because it worked to her

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Speaker 5: advantage when it rescued her son and when it helped

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Speaker 5: Nathan with the Renee situation, and when I don't know.

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Speaker 5: I feel like there's a lot of those scenarios where

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Speaker 5: like the things she hates the most about him also

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Speaker 5: rescued her in certain situations and people she loves. So

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Speaker 5: it's a very complex, disturbing dynamic. But I don't think

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Speaker 5: she's ever actually been afraid of him, like her own

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Speaker 5: safety with him. That was the first time ever.

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Speaker 4: Okay, strap on your tinfoil hats with me for a second.

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Speaker 5: Let's go.

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Speaker 4: I agree. I agree with you. So if to me

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Speaker 4: what they asked Dan to do this episode was so

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Speaker 4: heavy handed and kind of out of character that it

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Speaker 4: did feel to me like this is the intentional misdirect.

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Speaker 4: We're gonna make him look so guilty so that everyone

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Speaker 4: understands that way, there's a twist. Here's what I think

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Speaker 4: is actually gonna happen. I think it's too mister Rex, right.

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Speaker 4: I think there's this obvious one we're seeing right now,

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Speaker 4: but I still think Dan is behind it. So for

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Speaker 4: me going forward, my belief is I am waiting to

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Speaker 4: have the Dan Scott didn't do this, or that Dan

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Speaker 4: Scott was behind the kidnapping be disproved.

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Speaker 5: Does that make sense that I was waitingroved.

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Speaker 4: I am exactly. My thesis going into the rest of

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Speaker 4: the season is that Dan Scott is the actual perpetrator

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Speaker 4: behind Nathan's kidnapping, and now I am I am still

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Speaker 4: on board, even though I know we're about to see

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Speaker 4: some flip and that it was a business understanding. I

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Speaker 4: think that is the writer's room being clever, and I

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Speaker 4: am still I still think that that is the thing,

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Speaker 4: and so I am I am until it has disproven

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Speaker 4: for me very clearly. I still think many.

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Speaker 7: Do you guys know what happened to the end, because

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Speaker 7: I don't remember. So I'm actually living this too.

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Speaker 5: Like, no, we don't remember, no clue.

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Speaker 7: Like four people who were on the show got the scripts,

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Speaker 7: filmed it and just forgotten that.

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Speaker 3: I was just like, you're obviously there because there's a

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Speaker 3: there's a So so you probably you didn't see episode

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Speaker 3: nine oh one? Did you know the first episode of

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Speaker 3: season nine?

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Speaker 6: No?

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Speaker 3: Okay? So it opens with a with a flash forward montage.

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Speaker 6: Oh right, that's what I'll tell you guys about that

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Speaker 6: first page that I read.

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Speaker 5: Yeah, you was just talking about this in the Q

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Speaker 5: and A that we did in the previous Yes, So

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Speaker 5: it opens with him cockying the guy I.

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Speaker 7: Realized that was a jump forward. I was just saying,

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Speaker 7: that sounds the first page forward, right.

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Speaker 9: Yeah, And I remember it like a crazy thing because

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Speaker 9: you're like, Chris Keller's literally there for something major and

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Speaker 9: you don't remember either, which does the rest of us

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Speaker 9: feel better because we had no clue.

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Speaker 6: But I don't know if I'm a pawn. I can't

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Speaker 6: remember if I was a pawn in the game or

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Speaker 6: we were doing it together.

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Speaker 10: I do I know.

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Speaker 5: In this I appreciated the fact that when Haley's trying

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Speaker 5: to go to the police, like you sort of dropped

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Speaker 5: the Chris Keller act. You were like, no, seriously, yeah,

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Speaker 5: let me actually help you because this this is real life.

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Speaker 5: And I like to play and keep life fun and interesting,

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Speaker 5: but this is serious. Let's actually take care of this together.

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Speaker 5: I loved that. So yeah, I think he willingly walked

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Speaker 5: into this.

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Speaker 4: Yeah, I will say scene though I was surprised because

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Speaker 4: what I thought was gonna happen was Chris is being

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Speaker 4: very mouthy to the cop, just being an absolute ass.

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Speaker 5: Okay, well, by the way, that's Steven Elliott, who was

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Speaker 5: Na James's stand in.

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Speaker 2: Yeah, that's awesome.

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Speaker 4: But when when Chris says to Haley, Hey, give me

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Speaker 4: a beat, I'm going to talk to him. What I

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Speaker 4: one hundred percent expected to have happened was Haley walked

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Speaker 4: away and Chris turns and goes, hey, sorry, I just

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Speaker 4: had to look tough for my friend, dude, Like, like,

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Speaker 4: I expected a complete deflation, a humble thing, and the

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Speaker 4: fact that you that didn't happen it kind of made

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Speaker 4: me go Okay, So Chris isn't quite as smart as

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Speaker 4: I thought he was. Like, if he really was suave,

384
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Speaker 4: I don't think he would have hammered on the dude

385
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Speaker 4: for sixty seconds about being lazy and bad at his

386
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Speaker 4: job and then turning around and going, hey, but can

387
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Speaker 4: I get a favor? Can I get a favorite?

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Speaker 6: Yeah?

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Speaker 7: No, I think I think that it's broad, broad movements

390
00:19:12,600 --> 00:19:15,120
Speaker 7: with him, not fine little cuts. I think he's barely

391
00:19:15,160 --> 00:19:18,960
Speaker 7: getting by on huge Chris Keller strokes wherever he goes

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Speaker 7: hoping and praying it works out.

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Speaker 4: Yeah, he's operating with the saw, not a scalpel exactly. Yeah,

394
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Speaker 4: but it was still great. It was It was a

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Speaker 4: nice It was a nice scene.

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Speaker 7: I think, uh, like like when he said that, like, sorry,

397
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Speaker 7: flight attendant, I know forgot about that I was like, oh, yeah,

398
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Speaker 7: he is out to lunch, like totally out to lunch.

399
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Speaker 7: Even when he's like oh my god, he's even wrong

400
00:19:46,600 --> 00:19:47,840
Speaker 7: on that, he's just.

401
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Speaker 5: That'll be great, that'll help out, not even thinking.

402
00:19:52,480 --> 00:19:55,440
Speaker 6: Like help, I never maybe suld she'll be there, maybe

403
00:19:55,480 --> 00:19:56,000
Speaker 6: she'll help.

404
00:19:56,600 --> 00:19:58,399
Speaker 5: Yeah, even though I never called her the next day,

405
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Speaker 5: of course she's still gonna help. No, she got a

406
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Speaker 5: chance with Chris.

407
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Speaker 6: Keller living another storyline, you know.

408
00:20:04,440 --> 00:20:04,880
Speaker 5: Yeah.

409
00:20:05,160 --> 00:20:06,040
Speaker 4: Yeah.

410
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Speaker 3: It's so nice though, And it's such great injection of

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Speaker 3: comedy into these moments of tension, like all you know, Joy,

412
00:20:15,440 --> 00:20:18,919
Speaker 3: all your scenes in this episode are stressed and emotional

413
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Speaker 3: and terrified and begging for help. And there is something

414
00:20:23,280 --> 00:20:28,840
Speaker 3: so funny about Chris being so who he is and

415
00:20:29,040 --> 00:20:33,240
Speaker 3: utterly ridiculous that it gives Haley just a moment to

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Speaker 3: get a breath, you know, even you just being like

417
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Speaker 3: I can't I can't be you need help, but you

418
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Speaker 3: can't believe it's got to be this guy for sure,

419
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Speaker 3: And it's so it's it's really refreshing as an audience

420
00:20:45,800 --> 00:20:48,840
Speaker 3: member to get the moment of levity when you're worried

421
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Speaker 3: for this character that you love to watch.

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Speaker 7: It is nice putting those two together too. I was

423
00:20:53,359 --> 00:20:56,760
Speaker 7: thinking like, like, Haley's been so moral and so just

424
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Speaker 7: like she the total opposite of Chris. You've been steady

425
00:21:01,480 --> 00:21:04,800
Speaker 7: and true and about one thing that's been the total

426
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Speaker 7: opposite thing of Chris. I mean, I feel like the

427
00:21:06,600 --> 00:21:10,040
Speaker 7: other you guys have had, you know, vacillating between different things.

428
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Speaker 7: Hailey is just you know, she keeps song, keeping on

429
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Speaker 7: and for her to have Chris is the guy that's like,

430
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Speaker 7: there could not be a less Haily person, you.

431
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Speaker 6: Know, to be her partners.

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Speaker 5: It's feel like the overall overworking theme of the episode

433
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Speaker 5: is help. Like look people like seeking for help, and

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00:21:30,320 --> 00:21:32,320
Speaker 5: that's sort of that's what's jumping out.

435
00:21:34,040 --> 00:21:39,000
Speaker 4: Boy, or people actively avoiding help. Looking at you, Clay,

436
00:21:39,480 --> 00:21:40,000
Speaker 4: I mean.

437
00:21:40,359 --> 00:21:44,320
Speaker 5: Wow, that really blew me away. When if you've repressed

438
00:21:44,320 --> 00:21:46,800
Speaker 5: something that's causing all this destruction in your life and

439
00:21:46,840 --> 00:21:48,640
Speaker 5: Clay is like, I don't want to know what it is.

440
00:21:52,160 --> 00:21:53,080
Speaker 7: I don't know what it is.

441
00:21:54,880 --> 00:21:56,919
Speaker 4: Yeah, it was it was like going like, oh, you

442
00:21:56,920 --> 00:21:58,879
Speaker 4: have a rusty nail on your foot that's going to

443
00:21:58,960 --> 00:22:00,879
Speaker 4: give you tetanus and potently kill you. And he's like,

444
00:22:00,920 --> 00:22:02,320
Speaker 4: let's just slap a band aid on it.

445
00:22:02,680 --> 00:22:04,880
Speaker 5: Like, we're gonna be fine. It'll throw into my skin,

446
00:22:04,960 --> 00:22:05,720
Speaker 5: it's no problem.

447
00:22:06,600 --> 00:22:11,840
Speaker 3: Yeah, it'll be okay. It's it is really interesting, though, Rob,

448
00:22:11,880 --> 00:22:16,119
Speaker 3: and this is it hats off to you because rather

449
00:22:16,280 --> 00:22:19,439
Speaker 3: than make such a big deal out of what you

450
00:22:19,480 --> 00:22:24,439
Speaker 3: were being told, you were almost so pragmatic that I

451
00:22:24,560 --> 00:22:27,919
Speaker 3: was like, what's going on here? You're like, well, what

452
00:22:27,960 --> 00:22:29,879
Speaker 3: are my options? I don't really want to deal with this.

453
00:22:30,560 --> 00:22:33,800
Speaker 3: And when we finally get the window into Clay saying

454
00:22:35,480 --> 00:22:40,680
Speaker 3: Sarah died, I remember every minute of it. If anything's

455
00:22:40,720 --> 00:22:44,000
Speaker 3: worse than that, to the point that my brain doesn't

456
00:22:44,040 --> 00:22:46,040
Speaker 3: want to know it. I don't want to know it.

457
00:22:46,640 --> 00:22:53,719
Speaker 3: I went, oh the way trauma changes a brain, Like

458
00:22:53,760 --> 00:22:57,520
Speaker 3: I get what's going on here and it and it

459
00:22:57,600 --> 00:23:00,359
Speaker 3: felt like a moment where I got to understand what

460
00:23:00,440 --> 00:23:03,280
Speaker 3: was going on in Clay's world in a way that

461
00:23:03,440 --> 00:23:06,119
Speaker 3: worked so well because of how you played it. And

462
00:23:06,200 --> 00:23:09,960
Speaker 3: I know, as any of us would like, I know

463
00:23:10,080 --> 00:23:14,120
Speaker 3: you had issues with the storyline, but like you really

464
00:23:14,800 --> 00:23:16,679
Speaker 3: you made like a good sandwich out of this.

465
00:23:17,880 --> 00:23:23,720
Speaker 4: Oh thanks, I gotta say. I mean, the material for

466
00:23:23,760 --> 00:23:27,359
Speaker 4: the four episodes preceding this was far more confusing and

467
00:23:27,440 --> 00:23:30,200
Speaker 4: problematic for me than the therapy stuff.

468
00:23:30,440 --> 00:23:32,680
Speaker 5: At least they finally explained fugue state.

469
00:23:33,000 --> 00:23:35,959
Speaker 4: Yes, at least they explained that. And also, as strange

470
00:23:35,960 --> 00:23:39,360
Speaker 4: as it seems to have someone be sitting in front

471
00:23:39,400 --> 00:23:41,560
Speaker 4: of a person who could help them and have and

472
00:23:41,600 --> 00:23:45,119
Speaker 4: then have Clay saying no, I actually can totally understand that.

473
00:23:45,200 --> 00:23:48,960
Speaker 4: I mean, anyone who's ever been overwhelmed knows that even

474
00:23:49,119 --> 00:23:53,119
Speaker 4: asking or being asked to add the slightest change to

475
00:23:53,200 --> 00:23:56,720
Speaker 4: your plate is too much. So even though it could

476
00:23:56,800 --> 00:23:59,000
Speaker 4: be advantageous from the long run, I get it. If

477
00:23:59,000 --> 00:24:01,760
Speaker 4: he's tapped out with grief or if he's just overwhelmed

478
00:24:01,760 --> 00:24:04,320
Speaker 4: in life, especially with all of this crazy stuff happening

479
00:24:04,359 --> 00:24:08,280
Speaker 4: to him. I understand him just going no, I'm going

480
00:24:08,280 --> 00:24:10,199
Speaker 4: to exist from the neck up. I'm going to be

481
00:24:10,240 --> 00:24:13,600
Speaker 4: pragmatic and I'm good. I don't have the bandwidth for that,

482
00:24:14,240 --> 00:24:17,480
Speaker 4: you know, So I was I welcome this. And also

483
00:24:17,560 --> 00:24:22,320
Speaker 4: because David Ronia, who plays the doctor, I had worked

484
00:24:22,359 --> 00:24:24,159
Speaker 4: with on Lipstick Jungle, so it was getting to like

485
00:24:24,240 --> 00:24:27,000
Speaker 4: work with a friend again and he was great. So

486
00:24:28,040 --> 00:24:31,280
Speaker 4: this is strange as this storyline is and is going

487
00:24:31,320 --> 00:24:35,040
Speaker 4: to become, it was a welcome reprieve for me from

488
00:24:35,240 --> 00:24:37,200
Speaker 4: what we were doing the last three episodes.

489
00:24:37,600 --> 00:24:39,000
Speaker 5: Yeah, I liked it.

490
00:24:39,000 --> 00:24:41,359
Speaker 3: It also felt like we really got back a piece

491
00:24:41,400 --> 00:24:45,240
Speaker 3: of the Clay we've been missing, watching Clay and Logan

492
00:24:46,200 --> 00:24:50,720
Speaker 3: immediately bond over airplanes and all their really nerdy little

493
00:24:50,720 --> 00:24:53,520
Speaker 3: facts and the things that they're into. And I got

494
00:24:53,560 --> 00:24:56,400
Speaker 3: to see some joy on your face again, And it

495
00:24:56,480 --> 00:25:01,439
Speaker 3: felt really nice because we're watching your character want to

496
00:25:01,480 --> 00:25:04,600
Speaker 3: push away this experience, but we are seeing that getting

497
00:25:04,680 --> 00:25:10,040
Speaker 3: closer to himself, to whatever is going on with him

498
00:25:10,760 --> 00:25:13,800
Speaker 3: is helping. And it's like, I don't know, there was

499
00:25:13,840 --> 00:25:17,240
Speaker 3: just something really nice about watching the two of you

500
00:25:17,400 --> 00:25:19,800
Speaker 3: and you kind of even getting a little nugget of

501
00:25:19,800 --> 00:25:22,600
Speaker 3: wisdom from the kid. You know, flying is the best.

502
00:25:22,440 --> 00:25:25,040
Speaker 6: Part I love. I know, I love you guys together.

503
00:25:25,480 --> 00:25:26,720
Speaker 5: He's such a good actor.

504
00:25:27,760 --> 00:25:32,679
Speaker 4: Piercekagnon is his name. She had just done Looper with

505
00:25:32,760 --> 00:25:35,919
Speaker 4: Bruce Willis and Joseph Gordon. Levitt hadn't come out yet,

506
00:25:35,960 --> 00:25:40,560
Speaker 4: but he was so good and I had so much

507
00:25:40,600 --> 00:25:43,240
Speaker 4: fun working with him, and I have to say, knowing

508
00:25:43,400 --> 00:25:48,159
Speaker 4: what is to come, it's fun rewatching this and finding

509
00:25:48,160 --> 00:25:51,160
Speaker 4: the breadcrumbs. Yeah, so you know.

510
00:25:51,680 --> 00:25:52,280
Speaker 6: That's something else.

511
00:25:52,359 --> 00:25:53,920
Speaker 7: Rob and I Evan Coleman, and I ended up working

512
00:25:53,960 --> 00:25:58,640
Speaker 7: with Pierson extant with where Hillary and jefferyn also after this,

513
00:25:59,040 --> 00:26:02,920
Speaker 7: and so so it's like my little Robots for two

514
00:26:02,960 --> 00:26:04,119
Speaker 7: seasons that I worked on.

515
00:26:04,200 --> 00:26:05,240
Speaker 6: Literally, that was the character.

516
00:26:05,480 --> 00:26:07,560
Speaker 7: So Pearson and I were like, we're like a duo

517
00:26:07,680 --> 00:26:09,720
Speaker 7: for like two seasons on the show. And so it's

518
00:26:09,720 --> 00:26:11,880
Speaker 7: funny that it was right after he worked with Rob

519
00:26:11,920 --> 00:26:14,959
Speaker 7: that whole, and so we were so close because we

520
00:26:15,000 --> 00:26:17,440
Speaker 7: had just left Wilmington and then went on this other

521
00:26:17,480 --> 00:26:20,040
Speaker 7: show together and I didn't know him as well, but yeah,

522
00:26:20,040 --> 00:26:23,919
Speaker 7: he's like unbelievable, unbelievable actor, unbelievable.

523
00:26:24,119 --> 00:26:26,960
Speaker 5: So what is he doing now? And find out I.

524
00:26:27,040 --> 00:26:28,280
Speaker 6: Just checked in with him and I told him.

525
00:26:28,320 --> 00:26:29,879
Speaker 7: I was like, dude, Rob and I were just talking

526
00:26:29,880 --> 00:26:31,639
Speaker 7: about you, like you and I've been hanging and we

527
00:26:31,720 --> 00:26:32,600
Speaker 7: forgot Yeah.

528
00:26:32,800 --> 00:26:34,080
Speaker 4: Isn't he in high school?

529
00:26:34,600 --> 00:26:34,959
Speaker 6: Yeah?

530
00:26:35,480 --> 00:26:37,640
Speaker 5: Must be we're so old.

531
00:26:37,720 --> 00:26:40,560
Speaker 4: Yeah, but he's great and I yeah. And so it

532
00:26:40,600 --> 00:26:43,199
Speaker 4: was nice to see Clay being happy with baby Lydia

533
00:26:43,600 --> 00:26:45,800
Speaker 4: because I agree with you. It's just like, let's let's

534
00:26:45,840 --> 00:26:47,760
Speaker 4: see some more colors.

535
00:26:47,800 --> 00:26:51,880
Speaker 5: Besides, just although it did bump me that Quinn had

536
00:26:51,880 --> 00:26:54,760
Speaker 5: to come visit him, he is twenty four hours to

537
00:26:54,800 --> 00:26:57,000
Speaker 5: be in this facility to try and heal, Like, can

538
00:26:57,040 --> 00:26:58,320
Speaker 5: you not just give him a day?

539
00:27:00,240 --> 00:27:02,400
Speaker 4: Because goes back to what we're saying last episode where

540
00:27:02,480 --> 00:27:07,000
Speaker 4: Quinn's entire existence is class just ridiculous.

541
00:27:07,840 --> 00:27:09,919
Speaker 5: But it was nice seeing him with Lydia. That was sweet.

542
00:27:10,720 --> 00:27:13,440
Speaker 4: Why why is Tara so mean?

543
00:27:14,160 --> 00:27:15,199
Speaker 5: I don't understand.

544
00:27:15,520 --> 00:27:17,159
Speaker 4: Does she have a crush on you? Why is she

545
00:27:17,280 --> 00:27:19,240
Speaker 4: so obsessed with being mean to you?

546
00:27:20,800 --> 00:27:22,200
Speaker 5: Yeah? I don't, I don't know.

547
00:27:22,600 --> 00:27:24,639
Speaker 4: She's the new kid on the block. You didn't steal

548
00:27:24,680 --> 00:27:29,760
Speaker 4: something from her, She poached your chef, she slanders your business,

549
00:27:30,280 --> 00:27:33,600
Speaker 4: and now she brings cockroaches like she's in a prank

550
00:27:33,640 --> 00:27:35,600
Speaker 4: war with you that you didn't even know you were in.

551
00:27:36,280 --> 00:27:38,600
Speaker 5: She just seems to enjoy causing trouble no matter where

552
00:27:38,640 --> 00:27:41,080
Speaker 5: she goes, even with the situation with Chase and she's

553
00:27:41,160 --> 00:27:44,879
Speaker 5: cheating on her boyfriend and yeah, like yes, it's fine.

554
00:27:44,920 --> 00:27:46,879
Speaker 5: I mean, I can accept all these things about a character,

555
00:27:46,920 --> 00:27:48,639
Speaker 5: but give me a reason. I would just like to

556
00:27:48,720 --> 00:27:51,320
Speaker 5: know so it's not just two dimensional.

557
00:27:51,280 --> 00:27:57,280
Speaker 4: Just sop enjoyed. Did in watching this storyline with U, Chase, Tara,

558
00:27:57,359 --> 00:28:01,280
Speaker 4: and Chris, did either of you bump the fact that Chase,

559
00:28:01,359 --> 00:28:04,359
Speaker 4: once he discovers who Terra is, just keeps hooking up

560
00:28:04,359 --> 00:28:04,680
Speaker 4: with her.

561
00:28:05,200 --> 00:28:07,400
Speaker 5: Yeah, yeah, scrass.

562
00:28:07,680 --> 00:28:09,280
Speaker 4: He's done some growing recently.

563
00:28:09,480 --> 00:28:12,919
Speaker 7: Michael May's character keeps like being like, oh, but you

564
00:28:12,960 --> 00:28:14,199
Speaker 7: know you wouldn't do that, would you?

565
00:28:14,320 --> 00:28:16,359
Speaker 6: Like it really lays on the guilt pick, and you know,

566
00:28:16,400 --> 00:28:18,000
Speaker 6: he just goes for it. Yeah, it's great.

567
00:28:18,119 --> 00:28:20,679
Speaker 3: Yeah, yeah, I love that. Michael May is like, well

568
00:28:20,720 --> 00:28:22,360
Speaker 3: you didn't know, and he's.

569
00:28:22,119 --> 00:28:27,080
Speaker 5: Like, yeah, I love it first yeah, yeah.

570
00:28:27,119 --> 00:28:31,919
Speaker 3: And what would have what would have been better is

571
00:28:31,960 --> 00:28:37,679
Speaker 3: if he'd stopped it sooner, there'd been some some device

572
00:28:37,760 --> 00:28:40,080
Speaker 3: to get them in the space with you know, Michael May.

573
00:28:40,680 --> 00:28:42,560
Speaker 3: And then he did what he did, which is you

574
00:28:42,680 --> 00:28:45,160
Speaker 3: let the kid down, and he's like, screw it, I'm

575
00:28:45,240 --> 00:28:50,640
Speaker 3: going for this. Like, but it's like you you've you've

576
00:28:50,680 --> 00:28:53,440
Speaker 3: never not done You've apparently been sleeping with this girl

577
00:28:53,480 --> 00:28:56,280
Speaker 3: every night, so like, are we supposed to be so

578
00:28:56,400 --> 00:28:58,240
Speaker 3: shocked that you're going to do it again even though

579
00:28:58,280 --> 00:28:58,680
Speaker 3: you said.

580
00:28:58,600 --> 00:29:00,520
Speaker 5: You wish they would have done something where it's like

581
00:29:00,560 --> 00:29:03,640
Speaker 5: every maybe she's pushing really hard and he's like, no,

582
00:29:03,800 --> 00:29:05,880
Speaker 5: stop it, leave me alone. I don't but he gives

583
00:29:05,920 --> 00:29:07,600
Speaker 5: in every time if there's some kind of thing where

584
00:29:07,600 --> 00:29:12,320
Speaker 5: he's like actively trying to avoid her, and then it

585
00:29:12,440 --> 00:29:16,200
Speaker 5: still keeps happening. At least there's some kind of conflict

586
00:29:16,800 --> 00:29:19,920
Speaker 5: he's just openly continuing on.

587
00:29:20,640 --> 00:29:25,000
Speaker 3: It's just weird. Also, I I just have a question

588
00:29:25,120 --> 00:29:28,520
Speaker 3: because at one point, there's like the great scene, she

589
00:29:28,640 --> 00:29:30,920
Speaker 3: runs into the studio and like jumps into your lap

590
00:29:30,920 --> 00:29:33,720
Speaker 3: and he's like gotta go, And I'm like, was it

591
00:29:33,920 --> 00:29:36,680
Speaker 3: so insane for you to be like, Hi, Steven's girlfriend,

592
00:29:36,800 --> 00:29:37,400
Speaker 3: let's make.

593
00:29:37,280 --> 00:29:40,160
Speaker 6: Out in front of your girlfriend? Oh my god, I

594
00:29:40,160 --> 00:29:41,840
Speaker 6: didn't know we were allowed to say that or not.

595
00:29:41,920 --> 00:29:44,480
Speaker 7: It was it's worth and it was like and it

596
00:29:44,560 --> 00:29:47,280
Speaker 7: happened right from the first or second episode, and it

597
00:29:47,360 --> 00:29:48,840
Speaker 7: was just like it'd be the three of us on

598
00:29:48,960 --> 00:29:55,520
Speaker 7: set and be like action. I'd be like, sorry, buds,

599
00:29:55,720 --> 00:29:57,840
Speaker 7: it's like fine, and they like laughed about it was

600
00:29:57,880 --> 00:30:01,280
Speaker 7: like you know, but it was yeah, you know.

601
00:30:02,320 --> 00:30:02,560
Speaker 6: Yeah.

602
00:30:02,920 --> 00:30:05,040
Speaker 7: There's actually been a few times, I think earlier in

603
00:30:05,080 --> 00:30:07,320
Speaker 7: the show, I was in bed with you and you

604
00:30:07,360 --> 00:30:09,400
Speaker 7: and Chad were together or something like.

605
00:30:09,560 --> 00:30:11,600
Speaker 6: There's a few times where the girls I've.

606
00:30:11,440 --> 00:30:13,959
Speaker 7: Been with, I've been in the same room with like, oh,

607
00:30:14,120 --> 00:30:17,720
Speaker 7: young person and I'm like, oh, okay, couldn't have so?

608
00:30:19,080 --> 00:30:19,240
Speaker 6: Well?

609
00:30:19,280 --> 00:30:24,800
Speaker 3: You also just realize our job is high school forever, yeah.

610
00:30:24,600 --> 00:30:27,320
Speaker 7: Or like a boyfriend who's like not in state right now,

611
00:30:27,480 --> 00:30:28,840
Speaker 7: or on set you know, but.

612
00:30:28,880 --> 00:30:33,560
Speaker 3: Whatever, we're staring at me, at me.

613
00:30:33,800 --> 00:30:35,080
Speaker 6: Yeah.

614
00:30:35,120 --> 00:30:38,520
Speaker 4: Speaking of the terror of it all, the scene where

615
00:30:39,720 --> 00:30:44,440
Speaker 4: Brooke and Millie go over to whatever what is Arra's

616
00:30:44,480 --> 00:30:45,600
Speaker 4: cafe's name? Do we know it?

617
00:30:45,960 --> 00:30:47,080
Speaker 5: Tree Hill Coffee?

618
00:30:47,120 --> 00:30:52,640
Speaker 4: Okay, whatever cafe and Chase and Terror in their kind

619
00:30:52,640 --> 00:30:56,280
Speaker 4: of canoodling where she's canodling up on him, and Brook

620
00:30:56,320 --> 00:31:00,040
Speaker 4: has a line, first of all, ill and I I

621
00:31:00,200 --> 00:31:04,400
Speaker 4: love that line, And I realized Brooke recently said that

622
00:31:04,480 --> 00:31:07,880
Speaker 4: line to Victoria. You've already said that line this season

623
00:31:08,400 --> 00:31:09,840
Speaker 4: when you come back to your house.

624
00:31:09,840 --> 00:31:11,000
Speaker 3: I've been saying it forever.

625
00:31:12,160 --> 00:31:15,360
Speaker 4: Oh okay, because I I just thought, oh, does it like,

626
00:31:15,400 --> 00:31:17,160
Speaker 4: did the writers realize they did this? Because yeah, you

627
00:31:17,200 --> 00:31:20,040
Speaker 4: come back to your apartment and it's when your dad

628
00:31:20,120 --> 00:31:22,760
Speaker 4: is sort of bouncing around and Victoria's sort of just

629
00:31:23,000 --> 00:31:25,040
Speaker 4: like like unloads on you, and then she starts to

630
00:31:25,040 --> 00:31:28,480
Speaker 4: talk about her sex life and your response is okay,

631
00:31:28,520 --> 00:31:30,960
Speaker 4: first of all, ew So when this happened, I was

632
00:31:31,000 --> 00:31:33,800
Speaker 4: like hilarious line. I love it, And is this becoming

633
00:31:33,800 --> 00:31:34,520
Speaker 4: a catchphrase?

634
00:31:34,880 --> 00:31:36,240
Speaker 5: I guess so I love that.

635
00:31:37,720 --> 00:31:40,040
Speaker 6: First person of all, I love it.

636
00:31:42,840 --> 00:31:46,560
Speaker 3: I love it, Okay, I like that that she.

637
00:31:48,120 --> 00:31:50,360
Speaker 5: Brings. I like in real life. I know the plant

638
00:31:50,440 --> 00:31:52,840
Speaker 5: had cockroaches in it, But in real life, this this

639
00:31:52,960 --> 00:31:56,000
Speaker 5: in person friend request, I think is adorable. I would

640
00:31:56,040 --> 00:31:57,360
Speaker 5: like to I would like to see more of that

641
00:31:57,400 --> 00:31:59,480
Speaker 5: in real life. I just wanted to say that I had.

642
00:31:59,440 --> 00:32:01,600
Speaker 7: To look at what you just came out, Like, where

643
00:32:01,600 --> 00:32:03,680
Speaker 7: were we at in the social media timeline?

644
00:32:04,040 --> 00:32:07,160
Speaker 5: It was just just happening. Oh yeah, yeah, Facebook, all

645
00:32:07,360 --> 00:32:07,880
Speaker 5: all the stuff.

646
00:32:07,960 --> 00:32:08,120
Speaker 4: Yeah.

647
00:32:08,120 --> 00:32:09,800
Speaker 7: I was trying to remember if I had a BlackBerry

648
00:32:09,880 --> 00:32:12,160
Speaker 7: or iPhone at that point, like if I'd made the jump.

649
00:32:12,240 --> 00:32:14,000
Speaker 7: But I don't know where we were at because we

650
00:32:14,040 --> 00:32:17,040
Speaker 7: started the show with like razors, I think all of us, and.

651
00:32:16,960 --> 00:32:18,600
Speaker 6: I don't know what we were using all of us

652
00:32:18,880 --> 00:32:20,440
Speaker 6: that last season, you know, but.

653
00:32:21,560 --> 00:32:23,880
Speaker 3: I had made the jump, but I feel like I

654
00:32:23,880 --> 00:32:27,000
Speaker 3: still had my BlackBerry for work, Like I didn't want

655
00:32:27,000 --> 00:32:29,160
Speaker 3: to email on my iPhone for a while, and I

656
00:32:29,200 --> 00:32:30,440
Speaker 3: don't know when that stopped.

657
00:32:30,760 --> 00:32:31,640
Speaker 6: That was really weird.

658
00:32:31,680 --> 00:32:34,600
Speaker 3: What I will say hit me, which I thought was

659
00:32:34,600 --> 00:32:39,560
Speaker 3: so interesting is that the early jokes about the internet,

660
00:32:39,640 --> 00:32:41,960
Speaker 3: like in person friend request, wish there was an in

661
00:32:41,960 --> 00:32:46,240
Speaker 3: person block, but like, it's so funny to me about

662
00:32:46,240 --> 00:32:50,680
Speaker 3: how new it all still was. But I realized with

663
00:32:50,760 --> 00:32:54,320
Speaker 3: that hideous note that she left on Julian's car, I

664
00:32:54,400 --> 00:32:57,240
Speaker 3: was like, oh, this was the comment section before there

665
00:32:57,320 --> 00:32:58,320
Speaker 3: was a comment section.

666
00:32:59,400 --> 00:33:01,400
Speaker 5: Oh yeah, yeah for sure.

667
00:33:02,440 --> 00:33:05,360
Speaker 3: Like people just say the most heinous, horrible shit and

668
00:33:05,400 --> 00:33:06,280
Speaker 3: they're like, deal with it.

669
00:33:06,560 --> 00:33:09,160
Speaker 7: Wait, speaking of you getting upset there, Like you know

670
00:33:09,200 --> 00:33:10,760
Speaker 7: they have those rooms where you can just get out

671
00:33:10,760 --> 00:33:12,280
Speaker 7: your aggression by breaking stuff.

672
00:33:12,640 --> 00:33:13,320
Speaker 3: Rage rooms.

673
00:33:13,960 --> 00:33:16,760
Speaker 6: Rage rooms just so nuts.

674
00:33:17,280 --> 00:33:21,840
Speaker 5: It was so trashing a restaurant, yes, you guys.

675
00:33:21,920 --> 00:33:25,040
Speaker 3: The whole storyline with her in this episode was so

676
00:33:25,200 --> 00:33:28,000
Speaker 3: fun because I got to go on like an earlier

677
00:33:28,040 --> 00:33:32,120
Speaker 3: season Brooke tear and you know, come to eviscerate someone

678
00:33:32,160 --> 00:33:34,600
Speaker 3: being mean, except now it's you know, for you and

679
00:33:34,680 --> 00:33:38,720
Speaker 3: I and this sort of tag team good cap bad

680
00:33:38,760 --> 00:33:41,840
Speaker 3: cop of Brooke and Millie really makes me laugh. And

681
00:33:41,880 --> 00:33:44,120
Speaker 3: then we get to the end of the episode and

682
00:33:44,200 --> 00:33:48,840
Speaker 3: it was like I just got to go absolutely ballistic

683
00:33:49,880 --> 00:33:52,960
Speaker 3: and they were like destroy everything and I was like

684
00:33:53,000 --> 00:33:55,760
Speaker 3: everything and they said everything I said, okay, So I'm

685
00:33:55,760 --> 00:33:58,520
Speaker 3: like going through just smashing things and you know, throwing

686
00:33:58,560 --> 00:34:01,680
Speaker 3: all this stuff everywhere. And I get down the counter

687
00:34:02,360 --> 00:34:05,760
Speaker 3: and after I throw all the cake tins and whatever

688
00:34:06,360 --> 00:34:09,640
Speaker 3: of pastries, the next thing are all these like big

689
00:34:09,719 --> 00:34:13,600
Speaker 3: bottles of syrup. And I shove the bottles of syrup

690
00:34:13,680 --> 00:34:17,120
Speaker 3: off the counter, like behind the counter toward the coffee machine,

691
00:34:17,360 --> 00:34:20,160
Speaker 3: and they got coun and they run in and they

692
00:34:20,160 --> 00:34:23,680
Speaker 3: go not those those belong to Port City Java.

693
00:34:23,680 --> 00:34:27,000
Speaker 5: Come on, you guys.

694
00:34:27,480 --> 00:34:30,080
Speaker 3: So I felt so bad because I broke all of

695
00:34:30,160 --> 00:34:34,120
Speaker 3: Port City Java's actual like flavored zerrup coffee.

696
00:34:34,480 --> 00:34:36,480
Speaker 5: That's no, that is totally come on.

697
00:34:36,640 --> 00:34:40,480
Speaker 4: That's that's that's so hard to clean up too, glasses syrup.

698
00:34:40,840 --> 00:34:43,040
Speaker 5: Well, the fact that they that they yelled cut, why

699
00:34:43,080 --> 00:34:44,840
Speaker 5: didn't they just let you keep go? If the damage

700
00:34:44,880 --> 00:34:47,200
Speaker 5: is already done, they could at least use the footage.

701
00:34:47,560 --> 00:34:50,680
Speaker 3: I don't know. They came in and then it was like, oh,

702
00:34:50,760 --> 00:34:53,200
Speaker 3: we're going to have this. They had like the vat

703
00:34:53,239 --> 00:34:55,520
Speaker 3: of mashed potatoes. And then they put the plexi over

704
00:34:55,560 --> 00:34:57,279
Speaker 3: the camera and I got to throw it over the

705
00:34:57,360 --> 00:35:00,680
Speaker 3: lens and that was also really fun. But by then

706
00:35:00,800 --> 00:35:03,200
Speaker 3: I was like, look, mad, Look mad, I'm so sorry.

707
00:35:03,239 --> 00:35:05,239
Speaker 3: I'm so sorry I did that. I broke it. I'm sorry, Okay,

708
00:35:05,239 --> 00:35:07,759
Speaker 3: I'm angry. I swear like I just remember the end

709
00:35:07,800 --> 00:35:12,920
Speaker 3: of that scene feeling like I wanted to die because

710
00:35:12,920 --> 00:35:15,719
Speaker 3: I destroyed their stuff. But it's all right.

711
00:35:16,200 --> 00:35:19,040
Speaker 5: Warner Brothers has enough money. I'm sure that they replaced them.

712
00:35:19,719 --> 00:35:21,719
Speaker 4: I bet it was cathartic for you. I mean, after

713
00:35:22,560 --> 00:35:24,920
Speaker 4: you're in your ninth year on this show, I mean,

714
00:35:24,960 --> 00:35:26,520
Speaker 4: there is a lot of stuff you have had to

715
00:35:26,600 --> 00:35:29,359
Speaker 4: swallow and hold on to quietly that I bet it

716
00:35:29,400 --> 00:35:31,680
Speaker 4: felt good as hell to crack that door open a

717
00:35:31,719 --> 00:35:33,520
Speaker 4: little bit and let some of it pour out.

718
00:35:35,600 --> 00:35:36,200
Speaker 3: Totally.

719
00:35:36,600 --> 00:35:40,680
Speaker 4: I have to say, I thought the note. Discovering that

720
00:35:40,800 --> 00:35:43,480
Speaker 4: Tara was the one who wrote the note, felt like

721
00:35:43,640 --> 00:35:49,440
Speaker 4: it was just one step too far, because I understand

722
00:35:49,520 --> 00:35:53,520
Speaker 4: a sort of friendly rivalry competition. We both are in

723
00:35:53,560 --> 00:35:56,120
Speaker 4: the same business, we're across the street from each other.

724
00:35:57,520 --> 00:36:00,440
Speaker 4: So everything up to this point I can go, all right,

725
00:36:00,480 --> 00:36:02,560
Speaker 4: you're just that type of person, you know, You're like,

726
00:36:02,680 --> 00:36:06,000
Speaker 4: you like to start shit and okay, but then that one,

727
00:36:06,840 --> 00:36:12,480
Speaker 4: that move just felt so cruel and below the belt

728
00:36:12,800 --> 00:36:16,640
Speaker 4: that it I kind of had to go, Okay, wait,

729
00:36:16,680 --> 00:36:19,359
Speaker 4: who is this person, like, what's what's actually wrong with

730
00:36:19,440 --> 00:36:22,920
Speaker 4: this person? Because that's that's a whole different thing. It

731
00:36:23,000 --> 00:36:23,439
Speaker 4: had to.

732
00:36:23,400 --> 00:36:26,880
Speaker 5: Justify Brooks doing that though, Like, I can't think of

733
00:36:26,920 --> 00:36:31,600
Speaker 5: any other reason why brook would have you permission in

734
00:36:31,640 --> 00:36:32,360
Speaker 5: a sense.

735
00:36:32,160 --> 00:36:35,320
Speaker 4: To I get that. I'm just saying, it's an odd

736
00:36:35,320 --> 00:36:38,400
Speaker 4: thing for someone who doesn't even know Oh for sure

737
00:36:38,600 --> 00:36:41,280
Speaker 4: those people to be like, like, let's be honest, that's

738
00:36:41,520 --> 00:36:44,000
Speaker 4: arguably one of the very worst things you could have

739
00:36:44,040 --> 00:36:46,359
Speaker 4: happened to you as a parent. So to have some

740
00:36:46,680 --> 00:36:49,960
Speaker 4: random lob that dig at you.

741
00:36:50,040 --> 00:36:52,640
Speaker 5: Well, that's why it's like the comment section, like Sophia's saying, like,

742
00:36:52,840 --> 00:36:57,239
Speaker 5: because it's it's just, Yeah, I guess the permission that

743
00:36:57,280 --> 00:37:01,040
Speaker 5: people feel to be able to say horrible, awful things,

744
00:37:02,000 --> 00:37:06,280
Speaker 5: you know, quote unquote anonymously, Tara was sort of giving

745
00:37:06,320 --> 00:37:07,960
Speaker 5: us a taste. I guess she's the type of person

746
00:37:08,000 --> 00:37:13,080
Speaker 5: that felt that kind felt something that was advanced in

747
00:37:13,120 --> 00:37:16,440
Speaker 5: a negative way for that time period that so many

748
00:37:16,480 --> 00:37:19,000
Speaker 5: people now feel as a as a daily part of

749
00:37:19,000 --> 00:37:19,640
Speaker 5: their routine.

750
00:37:19,800 --> 00:37:23,480
Speaker 3: Apparently, Yeah, it's become so common for people to just

751
00:37:23,560 --> 00:37:27,160
Speaker 3: be so hideous with people they don't know about lives

752
00:37:27,200 --> 00:37:27,759
Speaker 3: they don't know.

753
00:37:27,960 --> 00:37:29,719
Speaker 4: Wait on the Internet, the sort of.

754
00:37:33,120 --> 00:37:34,440
Speaker 5: My Internet is upply.

755
00:37:34,800 --> 00:37:37,239
Speaker 4: I'm I'm on Twitter, and I haven't noticed that I

756
00:37:37,400 --> 00:37:40,120
Speaker 4: love the world Wide Web puppies and rainbow.

757
00:37:41,440 --> 00:37:43,600
Speaker 7: I've also wondered why I haven't seen any fans wear

758
00:37:43,800 --> 00:37:46,040
Speaker 7: burn babies, not burgers or whatever.

759
00:37:47,520 --> 00:37:49,920
Speaker 6: You just don't see that. What a crazy note that

760
00:37:50,120 --> 00:37:51,279
Speaker 6: was though it.

761
00:37:51,200 --> 00:37:52,320
Speaker 5: Was absolutely insane.

762
00:37:52,719 --> 00:37:54,640
Speaker 6: For like a second, I had to giggle because it

763
00:37:54,680 --> 00:37:55,160
Speaker 6: was so.

764
00:37:58,960 --> 00:38:01,719
Speaker 5: That's exactly what Robison so And to your point, rob

765
00:38:02,200 --> 00:38:04,560
Speaker 5: now we need a reason now now it's like, okay,

766
00:38:04,760 --> 00:38:07,040
Speaker 5: so fine, that was enough motivation. We got the big

767
00:38:07,080 --> 00:38:09,920
Speaker 5: blow up of broke in the cafe, and it's a

768
00:38:09,960 --> 00:38:12,600
Speaker 5: big moment for the show. Okay, Writer's Room, you got

769
00:38:12,640 --> 00:38:14,360
Speaker 5: your thing, but I need to pay off as an

770
00:38:14,400 --> 00:38:17,200
Speaker 5: audience member. You better explain to me in the next

771
00:38:17,200 --> 00:38:20,480
Speaker 5: episode why this girl is so psychotic, Like what is

772
00:38:20,520 --> 00:38:21,279
Speaker 5: going on with her?

773
00:38:21,840 --> 00:38:24,600
Speaker 4: That's exactly it is that she now needs to be

774
00:38:24,719 --> 00:38:27,239
Speaker 4: more than the girl bouncing between the two guys like

775
00:38:27,320 --> 00:38:30,800
Speaker 4: you now have to explain to us why that happened,

776
00:38:30,880 --> 00:38:31,960
Speaker 4: because I.

777
00:38:32,040 --> 00:38:33,880
Speaker 7: Just this is why the show is so good, because

778
00:38:33,920 --> 00:38:36,560
Speaker 7: I was so nervous to watch this first episode. At

779
00:38:36,600 --> 00:38:38,440
Speaker 7: the end of the episode, I was like, I need

780
00:38:38,480 --> 00:38:40,560
Speaker 7: to know what happens next. And that's what I did

781
00:38:40,600 --> 00:38:42,160
Speaker 7: when I first got on the show and I watched

782
00:38:42,200 --> 00:38:43,680
Speaker 7: the first season, I was like, I don't know about

783
00:38:43,680 --> 00:38:45,840
Speaker 7: the show. I watched the first episode and I crushed

784
00:38:45,840 --> 00:38:47,960
Speaker 7: the first season in a weekend. And that's what the

785
00:38:48,000 --> 00:38:50,759
Speaker 7: show does. That there's something. It's like that sweet salty thing.

786
00:38:50,920 --> 00:38:52,600
Speaker 7: You need to take another bike, take another bike, like

787
00:38:52,920 --> 00:38:55,080
Speaker 7: I just like, and we were talking about this, I

788
00:38:55,120 --> 00:38:56,520
Speaker 7: was like, I was just thinking, I wonder if I

789
00:38:56,520 --> 00:38:59,080
Speaker 7: should watch the next episode. I can't remember what happens

790
00:38:59,120 --> 00:38:59,920
Speaker 7: if Tara and I want to.

791
00:39:00,600 --> 00:39:01,960
Speaker 6: And that's what the show does.

792
00:39:02,320 --> 00:39:04,760
Speaker 3: Yes, coming back, it's so smart.

793
00:39:04,840 --> 00:39:06,680
Speaker 4: Drama oo mommy drama.

794
00:39:06,760 --> 00:39:07,800
Speaker 6: Ooh mommy.

795
00:39:09,040 --> 00:39:09,480
Speaker 5: Drama.

796
00:39:09,520 --> 00:39:10,360
Speaker 3: Ooh mommy.

797
00:39:10,840 --> 00:39:13,640
Speaker 4: All that is so good.

798
00:39:13,760 --> 00:39:25,720
Speaker 10: Good.

799
00:39:26,560 --> 00:39:28,719
Speaker 4: Back to that scene with Brooke and Milly in the

800
00:39:28,880 --> 00:39:31,960
Speaker 4: Tree Hill Cafe after Brook has the great line of

801
00:39:32,040 --> 00:39:36,360
Speaker 4: first of all, okay, first of all, I love seeing

802
00:39:36,400 --> 00:39:39,040
Speaker 4: Milli and Brook back together. I love seeing Millie not

803
00:39:39,200 --> 00:39:42,240
Speaker 4: having to take part in the sad storyline they've given

804
00:39:42,480 --> 00:39:44,840
Speaker 4: Mouth and Millie this season, so to see her getting

805
00:39:44,840 --> 00:39:47,520
Speaker 4: to do stuff with you, I was like, Oh, that's right,

806
00:39:47,680 --> 00:39:51,239
Speaker 4: this is that amazing actor and a phenomenal character that

807
00:39:51,320 --> 00:39:55,319
Speaker 4: we've grown to love. I adored her coming in to

808
00:39:55,400 --> 00:39:58,480
Speaker 4: have your back in Tree Hill Cafe and doing her

809
00:39:58,680 --> 00:40:01,080
Speaker 4: best singer at the end of it when you when

810
00:40:01,080 --> 00:40:03,680
Speaker 4: Brooke is really kind of coming down on her and

811
00:40:03,760 --> 00:40:06,799
Speaker 4: she says I think like I think. Brook says an

812
00:40:06,800 --> 00:40:08,799
Speaker 4: effect like I can be a bitch or something like that,

813
00:40:08,880 --> 00:40:12,440
Speaker 4: and Millie's line is, look up bitch in the dictionary

814
00:40:12,480 --> 00:40:15,640
Speaker 4: and you'll see Brooke and your face is kind of like.

815
00:40:17,280 --> 00:40:23,680
Speaker 3: Okayo, yeah, good, good, try good, try sweet, exactly exactly,

816
00:40:23,800 --> 00:40:25,960
Speaker 3: and then she just goes to talk and it's just

817
00:40:28,600 --> 00:40:31,360
Speaker 3: Milli's trying so hard to hit that level of rage.

818
00:40:31,920 --> 00:40:37,920
Speaker 5: Oh god, so good. Well it's fun. I was going

819
00:40:38,000 --> 00:40:40,120
Speaker 5: to move on to h to stay in the topic

820
00:40:40,200 --> 00:40:43,520
Speaker 5: of Brooke and Julian just move into this storyline with Austin,

821
00:40:43,600 --> 00:40:48,840
Speaker 5: because you know he's continuing. I don't know, I'm not

822
00:40:50,840 --> 00:40:52,960
Speaker 5: I guess I'm a little torn between if they're pulling

823
00:40:52,960 --> 00:40:55,800
Speaker 5: it out too much and drawing drawing out the storyline

824
00:40:55,840 --> 00:40:58,920
Speaker 5: too much, or if this feels real like as as Dad's.

825
00:40:59,239 --> 00:41:00,880
Speaker 5: Do you guys think this is realistic?

826
00:41:02,200 --> 00:41:05,080
Speaker 4: That's hard to say, I especially I love the way

827
00:41:05,200 --> 00:41:08,319
Speaker 4: Brooke starts off the episode. To me, that was I

828
00:41:08,360 --> 00:41:10,560
Speaker 4: just thought, like, Yeah, this is how you show up

829
00:41:10,600 --> 00:41:13,000
Speaker 4: for your person, this is being a good teammate.

830
00:41:13,200 --> 00:41:16,880
Speaker 6: I felt that really really cool, really cool.

831
00:41:17,040 --> 00:41:19,320
Speaker 4: Here's what I would say about it. Have your grief,

832
00:41:19,920 --> 00:41:23,879
Speaker 4: totally get it. But his behavior it starts to become

833
00:41:23,960 --> 00:41:27,680
Speaker 4: self indulgent. Yeah, when you choose to go to a

834
00:41:27,719 --> 00:41:29,839
Speaker 4: bar and then you pick a fight that you know

835
00:41:29,920 --> 00:41:33,120
Speaker 4: you are just you're going into to lose, that's self

836
00:41:33,120 --> 00:41:36,680
Speaker 4: indulgent because you don't know something bad could actually happen

837
00:41:36,719 --> 00:41:38,880
Speaker 4: to you. And like, so you're doing this to punish

838
00:41:38,960 --> 00:41:41,400
Speaker 4: yourself and your family maybe the one who actually suffers.

839
00:41:41,480 --> 00:41:44,319
Speaker 5: Yeah, right, Look, it would have been in the last episode.

840
00:41:44,640 --> 00:41:46,759
Speaker 5: If they had done that in the previous episode, where

841
00:41:46,800 --> 00:41:49,560
Speaker 5: it was all part of the same immediate storm, emotional storm,

842
00:41:49,600 --> 00:41:51,919
Speaker 5: I could have I guess I would have believed it more.

843
00:41:52,000 --> 00:41:56,279
Speaker 3: But yeah, but the fact that they stretched it and

844
00:41:56,320 --> 00:42:00,680
Speaker 3: then this episode he's going from grieving and and feeling

845
00:42:00,719 --> 00:42:05,520
Speaker 3: so much shame to his shame kind of metastasizing into anger.

846
00:42:06,080 --> 00:42:09,520
Speaker 3: What frustrates me is him going and getting the shit

847
00:42:09,600 --> 00:42:12,200
Speaker 3: kicked out of himself. If he loses teeth, if his

848
00:42:12,360 --> 00:42:14,920
Speaker 3: ribs get broken. How's he gonna help me with too?

849
00:42:14,960 --> 00:42:15,200
Speaker 5: Baby?

850
00:42:15,320 --> 00:42:21,080
Speaker 3: Yes, And that's the difference I think between the reality

851
00:42:21,160 --> 00:42:25,400
Speaker 3: of a situation and you know what winds up on camera.

852
00:42:25,520 --> 00:42:30,879
Speaker 3: Sometimes I like that we're not just glossing over it

853
00:42:30,960 --> 00:42:34,520
Speaker 3: too soon and not letting a man have feelings. But

854
00:42:35,600 --> 00:42:41,840
Speaker 3: the disregard for himself and his role as a parent

855
00:42:42,880 --> 00:42:46,680
Speaker 3: is a little hard to stomach. And it does feel like,

856
00:42:47,840 --> 00:42:49,759
Speaker 3: I don't know, it just feels like it's shifting in

857
00:42:49,800 --> 00:42:52,280
Speaker 3: this way. And maybe that's kind of the point.

858
00:42:52,440 --> 00:42:55,200
Speaker 5: Yeah, maybe they'll address it in the next episode.

859
00:42:55,719 --> 00:42:59,640
Speaker 7: I appreciate so much the way Brooke reacted that, him

860
00:42:59,640 --> 00:43:02,279
Speaker 7: saying I need more anger towards me. It makes me

861
00:43:02,360 --> 00:43:05,040
Speaker 7: be like, no, we don't want to promote that. We

862
00:43:05,080 --> 00:43:07,440
Speaker 7: want to support the fact that she was so big

863
00:43:07,600 --> 00:43:11,239
Speaker 7: about it, you know that. You know anyway, I feel

864
00:43:11,280 --> 00:43:11,759
Speaker 7: the same way.

865
00:43:11,800 --> 00:43:14,680
Speaker 3: Well, And what I loved about the conversation they had

866
00:43:14,800 --> 00:43:16,919
Speaker 3: is that rather than be like Julian and how many

867
00:43:16,920 --> 00:43:18,920
Speaker 3: times do I have to tell you it was an

868
00:43:19,000 --> 00:43:21,680
Speaker 3: accident and dah dah da da, she starts to say, well,

869
00:43:21,719 --> 00:43:24,399
Speaker 3: here are all the things I did. Yeah, I knew

870
00:43:24,440 --> 00:43:26,200
Speaker 3: neither of us had slept I knew this, that and

871
00:43:26,239 --> 00:43:29,399
Speaker 3: the other, and in a way, without saying it, you

872
00:43:29,440 --> 00:43:32,520
Speaker 3: see him look at her like, well, that's ridiculous, and

873
00:43:32,560 --> 00:43:35,480
Speaker 3: she's like yeah, and it's ridiculous that you think it's

874
00:43:35,480 --> 00:43:39,359
Speaker 3: all your fault. Yeah, like it in an interesting way,

875
00:43:39,400 --> 00:43:42,520
Speaker 3: calling out the realities of having not one but two

876
00:43:43,040 --> 00:43:46,520
Speaker 3: infants and trying to juggle work and careers and all

877
00:43:46,560 --> 00:43:49,920
Speaker 3: the things, and the sleep deprivation, like it was important

878
00:43:49,960 --> 00:43:53,520
Speaker 3: to ground them back in reality, and it felt so

879
00:43:53,680 --> 00:43:57,879
Speaker 3: effective that then when he completely leaves reality and does

880
00:43:57,960 --> 00:44:00,479
Speaker 3: this like he's gotten hit in the bar, he's gotten

881
00:44:00,560 --> 00:44:02,480
Speaker 3: dragged in the back, his face is bloody, and then

882
00:44:02,480 --> 00:44:05,120
Speaker 3: he's asking the guy for more, I'm like, all right,

883
00:44:05,800 --> 00:44:06,799
Speaker 3: it's like a hat on a hat.

884
00:44:06,920 --> 00:44:08,640
Speaker 4: One thing I will say about it, though, that I

885
00:44:08,719 --> 00:44:11,359
Speaker 4: actually enjoyed, And it's very interesting because I didn't pick

886
00:44:11,440 --> 00:44:14,279
Speaker 4: up on the how you were saying the note was

887
00:44:14,320 --> 00:44:17,080
Speaker 4: like the original comment section because this was the early

888
00:44:17,120 --> 00:44:20,239
Speaker 4: days of the internet, so I didn't pick up on

889
00:44:20,280 --> 00:44:22,040
Speaker 4: that when I watched it. But what I did notice

890
00:44:22,200 --> 00:44:26,960
Speaker 4: was when he it's it's the confirmation bias, right, And

891
00:44:27,040 --> 00:44:31,799
Speaker 4: especially as actors who are being discussed online, you can

892
00:44:31,880 --> 00:44:35,879
Speaker 4: find someone to support any idea you have about yourself, right,

893
00:44:36,239 --> 00:44:38,759
Speaker 4: And so it's very interesting to me that Austin or

894
00:44:38,800 --> 00:44:41,680
Speaker 4: that Julians, he's around me, he's around his doctor, he's

895
00:44:41,719 --> 00:44:44,000
Speaker 4: around Brooks, and all these people being like, you're human,

896
00:44:44,400 --> 00:44:47,279
Speaker 4: cut yourself some slack, give yourself some grace. And then

897
00:44:47,320 --> 00:44:52,440
Speaker 4: the one random anonymous note from a stranger, he goes,

898
00:44:52,520 --> 00:44:54,880
Speaker 4: you see, I knew it. None of you were telling me.

899
00:44:54,920 --> 00:44:57,560
Speaker 4: And I as I watched, I went, oh, my god,

900
00:44:57,600 --> 00:45:00,239
Speaker 4: this is the internet because this is a thing, right member.

901
00:45:00,800 --> 00:45:02,839
Speaker 4: When there was an IMDb a message board, I could

902
00:45:02,920 --> 00:45:06,520
Speaker 4: read forty comments about myself and I will only remember

903
00:45:06,560 --> 00:45:08,239
Speaker 4: the one that rips on.

904
00:45:10,160 --> 00:45:10,279
Speaker 7: Right.

905
00:45:10,440 --> 00:45:11,000
Speaker 6: I know it.

906
00:45:11,080 --> 00:45:14,520
Speaker 4: I do have weird eyebrows or like whatever, and I

907
00:45:14,560 --> 00:45:17,160
Speaker 4: was like, oh, this is this is what's happening with him?

908
00:45:17,239 --> 00:45:20,279
Speaker 4: Like that confirmation maass is so strong. So that was

909
00:45:20,320 --> 00:45:23,320
Speaker 4: the one thing I will say that I I I

910
00:45:24,040 --> 00:45:26,440
Speaker 4: agree it wasn't a smart move as a responsible father,

911
00:45:27,160 --> 00:45:30,920
Speaker 4: but I thought justified, you know that him going to

912
00:45:31,080 --> 00:45:31,560
Speaker 4: that length.

913
00:45:32,400 --> 00:45:37,520
Speaker 3: I liked that too, because it's such a human instinct.

914
00:45:38,200 --> 00:45:41,200
Speaker 3: And if that felt so grounded, I guess it was

915
00:45:41,360 --> 00:45:45,560
Speaker 3: just how far they took the fight. Yeah, you know,

916
00:45:46,280 --> 00:45:48,800
Speaker 3: I was like, man, this is pretty gnarly.

917
00:45:49,040 --> 00:45:50,880
Speaker 6: I do want to stay in like a small defense

918
00:45:50,920 --> 00:45:51,399
Speaker 6: of his action.

919
00:45:51,560 --> 00:45:54,080
Speaker 7: There is a small, small percentage of me And I

920
00:45:54,120 --> 00:45:56,640
Speaker 7: meant to say this earlier. That does a little bit understand.

921
00:45:56,920 --> 00:45:59,080
Speaker 7: I think when you're like frustrated because you don't know

922
00:45:59,120 --> 00:46:02,439
Speaker 7: how to punish yourself, and you're like, I just need

923
00:46:02,560 --> 00:46:04,960
Speaker 7: some repercussion, you know what I mean? And I think

924
00:46:05,000 --> 00:46:07,239
Speaker 7: as that builds and builds, I don't know when I

925
00:46:07,239 --> 00:46:09,680
Speaker 7: can't remember when we realize he got the idea, like

926
00:46:09,719 --> 00:46:11,800
Speaker 7: if he if he didn't know he was going to

927
00:46:11,840 --> 00:46:13,279
Speaker 7: be doing that till he got to the bar, or

928
00:46:13,280 --> 00:46:15,560
Speaker 7: if he went to the bar for that, But they're

929
00:46:16,239 --> 00:46:19,560
Speaker 7: I do, in a small, small way, not to that degree, understand,

930
00:46:19,600 --> 00:46:23,040
Speaker 7: being like, someone just punished me. I think there's some

931
00:46:23,160 --> 00:46:25,680
Speaker 7: like religions in some cultures that are like this too,

932
00:46:26,000 --> 00:46:28,360
Speaker 7: someone just punished me, so I can move on, you know.

933
00:46:28,680 --> 00:46:31,600
Speaker 7: And I think his like version of that was super intense,

934
00:46:31,719 --> 00:46:34,640
Speaker 7: but also like and he took it too far. But

935
00:46:35,080 --> 00:46:36,520
Speaker 7: I think guilt is funny like that.

936
00:46:37,000 --> 00:46:39,680
Speaker 5: Yeah, we were talking about this in a previous episode too,

937
00:46:39,760 --> 00:46:44,800
Speaker 5: that there's there's no particular like linear course to grief

938
00:46:44,840 --> 00:46:47,759
Speaker 5: it just sort of does what it does. And you know,

939
00:46:47,800 --> 00:46:54,000
Speaker 5: you think about parents who's like, one child dies and

940
00:46:54,239 --> 00:46:58,960
Speaker 5: the parent often will go through a season that hopefully

941
00:46:59,040 --> 00:47:01,160
Speaker 5: is short but could last for a very long time

942
00:47:01,239 --> 00:47:04,840
Speaker 5: where they feel they're they're spending so much time punishing

943
00:47:04,880 --> 00:47:08,000
Speaker 5: themselves that their other kid kind of grows up going like,

944
00:47:08,080 --> 00:47:09,960
Speaker 5: well I'm still here too, you know, and the and

945
00:47:10,000 --> 00:47:13,600
Speaker 5: the spouse is saying, well, hey, I still need help,

946
00:47:13,840 --> 00:47:16,560
Speaker 5: but they can't stop punishing themselves, so they end up

947
00:47:16,640 --> 00:47:21,080
Speaker 5: checking out of the other lives in their life, which

948
00:47:21,239 --> 00:47:25,440
Speaker 5: is a very real thing that happens. So, I mean,

949
00:47:25,520 --> 00:47:28,640
Speaker 5: I do appreciate that it's it's interesting that it's being explored.

950
00:47:29,600 --> 00:47:31,680
Speaker 5: Maybe there was just something about the way, like the

951
00:47:31,680 --> 00:47:33,520
Speaker 5: fact that it's being drawn out in this way. I

952
00:47:33,520 --> 00:47:35,880
Speaker 5: don't know, there's something that rang untrue. But also I

953
00:47:36,080 --> 00:47:39,120
Speaker 5: really get it.

954
00:47:39,560 --> 00:47:42,080
Speaker 3: Okay, yes, and thank you, because that makes me realize

955
00:47:42,080 --> 00:47:44,600
Speaker 3: I should I should clarify my my sort of earlier

956
00:47:44,680 --> 00:47:50,120
Speaker 3: observation about how far it goes. I think what it

957
00:47:50,239 --> 00:47:55,480
Speaker 3: is is, I absolutely get the kind of manic behavior.

958
00:47:55,520 --> 00:47:58,200
Speaker 3: The grieving isn't helping, The shame is getting worse now,

959
00:47:58,200 --> 00:48:00,680
Speaker 3: it's turning into anger. Which is such a such a

960
00:48:00,680 --> 00:48:05,279
Speaker 3: stage of grief. Right, But I think what it is,

961
00:48:05,360 --> 00:48:09,080
Speaker 3: it's not that it doesn't feel rooted. Austin did a

962
00:48:09,080 --> 00:48:12,040
Speaker 3: beautiful job of showing that. It's that I think it

963
00:48:12,120 --> 00:48:16,120
Speaker 3: was a poor choice in either you know, the final

964
00:48:16,200 --> 00:48:19,520
Speaker 3: pass of the approved script, which those decisions always came

965
00:48:19,520 --> 00:48:24,480
Speaker 3: from the top, or or the choice rather than to

966
00:48:24,960 --> 00:48:28,279
Speaker 3: have them keep fighting in the bar and Julian to

967
00:48:28,320 --> 00:48:30,279
Speaker 3: get thrown into something and be like is that all

968
00:48:30,320 --> 00:48:34,440
Speaker 3: you got? And then get hit again, right, it felt

969
00:48:34,840 --> 00:48:37,000
Speaker 3: the hat on the hat is the choice to move

970
00:48:37,040 --> 00:48:39,839
Speaker 3: them out to the back alley and have the fight

971
00:48:39,920 --> 00:48:43,040
Speaker 3: continue and then have him start getting kicked in the

972
00:48:43,120 --> 00:48:44,200
Speaker 3: ribs over and over again.

973
00:48:44,280 --> 00:48:47,799
Speaker 5: Yeah, that's the part of dramas, Yeah, because the part

974
00:48:48,160 --> 00:48:51,040
Speaker 5: it feels like, Okay, now we're just trying to explain

975
00:48:51,120 --> 00:48:53,960
Speaker 5: something to the audience that they clearly already understand. That

976
00:48:54,000 --> 00:48:57,080
Speaker 5: becomes like they got it much less about Julian and

977
00:48:57,160 --> 00:48:59,720
Speaker 5: much more about writers not understanding their audience.

978
00:48:59,719 --> 00:49:03,840
Speaker 7: Isn't elegence and the kids all totally you're right, like,

979
00:49:03,920 --> 00:49:05,759
Speaker 7: you know, maybe get a hit in the face a little,

980
00:49:05,800 --> 00:49:07,680
Speaker 7: you know, it's like the kid you know.

981
00:49:07,760 --> 00:49:08,239
Speaker 5: That's right.

982
00:49:08,400 --> 00:49:11,160
Speaker 3: Yeah, like what I would have loved. He gets hit

983
00:49:11,239 --> 00:49:14,920
Speaker 3: down on the ground, cut back to the guy just

984
00:49:15,000 --> 00:49:17,839
Speaker 3: finishing punching him, picking him up and slamming him into

985
00:49:17,840 --> 00:49:19,960
Speaker 3: the wall. Maybe they break like one of those bar

986
00:49:20,080 --> 00:49:22,880
Speaker 3: wall mirror you know that has some beer on it. Whatever.

987
00:49:23,840 --> 00:49:26,600
Speaker 3: And then, as Julian says, is that all you got?

988
00:49:26,680 --> 00:49:29,000
Speaker 3: Like if the bartender had tried to pull that guy

989
00:49:29,040 --> 00:49:31,560
Speaker 3: off of him and he got one more shot straight

990
00:49:31,560 --> 00:49:34,440
Speaker 3: in his nose or whatever, it would have been so

991
00:49:34,840 --> 00:49:38,959
Speaker 3: effective and the escalation would have meant more to us

992
00:49:39,080 --> 00:49:41,040
Speaker 3: as an audience because you'd be scared that he was

993
00:49:41,080 --> 00:49:43,040
Speaker 3: going to get hurt. When they wind up in the

994
00:49:43,080 --> 00:49:46,640
Speaker 3: back alley, you're going, wait, how long is this? And

995
00:49:46,680 --> 00:49:49,160
Speaker 3: it takes you out of Yeah, it takes you out

996
00:49:49,160 --> 00:49:51,000
Speaker 3: of the scene. And then it doesn't feel real. It

997
00:49:51,000 --> 00:49:53,480
Speaker 3: feels like we're trying to do like a dirty, hairy

998
00:49:53,920 --> 00:49:55,520
Speaker 3: moment and it's like it doesn't.

999
00:49:55,320 --> 00:49:59,440
Speaker 7: Feel was like, thank you pated the guy and there's

1000
00:49:59,480 --> 00:50:04,440
Speaker 7: older and walked down the bar, and I was like, I.

1001
00:50:04,480 --> 00:50:12,280
Speaker 4: Would have saved a location move as well. Feel me, guys, smart.

1002
00:50:10,360 --> 00:50:12,120
Speaker 3: With the money, smart with the writing.

1003
00:50:12,520 --> 00:50:18,840
Speaker 4: I would argue that Julian put the baby and about

1004
00:50:18,840 --> 00:50:23,520
Speaker 4: as much danger as the doctor and that hospital scene did.

1005
00:50:24,120 --> 00:50:27,839
Speaker 4: When she sets a one year old on top of

1006
00:50:27,880 --> 00:50:31,720
Speaker 4: the patient table and then proceeds to turn her back

1007
00:50:32,120 --> 00:50:34,960
Speaker 4: on the child and talk to Julian.

1008
00:50:34,760 --> 00:50:38,640
Speaker 6: I was horrified. I just thought I missed something like

1009
00:50:38,680 --> 00:50:40,800
Speaker 6: I'm sure there's a hand something.

1010
00:50:41,239 --> 00:50:43,520
Speaker 4: Do you know how many parents are behind or in

1011
00:50:43,560 --> 00:50:47,279
Speaker 4: the cast and crew. I couldn't believe that no one went, hey, whoa, whoa,

1012
00:50:47,760 --> 00:50:49,839
Speaker 4: someone tell her she needs to keep an arm on

1013
00:50:49,880 --> 00:50:50,440
Speaker 4: that baby.

1014
00:50:50,640 --> 00:50:54,840
Speaker 5: Yeah, especially because that was Rick Clark's baby.

1015
00:50:55,800 --> 00:51:01,520
Speaker 4: That's right, So I would I would in that moment.

1016
00:51:01,640 --> 00:51:05,440
Speaker 4: The doctor was every bit as reckless as poor Julian.

1017
00:51:07,360 --> 00:51:12,040
Speaker 3: Well, and when she close up writing the prescription, that

1018
00:51:12,080 --> 00:51:16,000
Speaker 3: takes two hands, and then it had to be like,

1019
00:51:16,080 --> 00:51:18,840
Speaker 3: there's so much in the episode that's so good. And

1020
00:51:18,880 --> 00:51:21,120
Speaker 3: then they made that poor woman with a straight face,

1021
00:51:21,160 --> 00:51:25,400
Speaker 3: say you should fill this prescription immediately, and it says

1022
00:51:25,480 --> 00:51:27,680
Speaker 3: one day of rest and relaxation.

1023
00:51:27,960 --> 00:51:31,000
Speaker 4: I was like, can I also tell you, as a

1024
00:51:31,080 --> 00:51:35,560
Speaker 4: parent who's frequently tired, there's one thing, especially when we

1025
00:51:35,560 --> 00:51:37,960
Speaker 4: were really going through, when the kiddos just weren't sleeping,

1026
00:51:38,320 --> 00:51:41,319
Speaker 4: there's one thing. I got so tired of hearing it

1027
00:51:41,360 --> 00:51:43,719
Speaker 4: was people telling me, you know what, you should just

1028
00:51:43,800 --> 00:51:47,040
Speaker 4: like sleep in. You should get some rest. Bitch. Do

1029
00:51:47,120 --> 00:51:49,640
Speaker 4: you think I am choosing to go play pickleball as

1030
00:51:49,680 --> 00:51:53,239
Speaker 4: opposed to like, no, I am surviving. I don't have

1031
00:51:53,320 --> 00:51:55,520
Speaker 4: three hours in the day that I can be resting.

1032
00:51:55,560 --> 00:51:58,880
Speaker 4: It's a full time gig man. So that's why she's like,

1033
00:51:59,040 --> 00:52:01,200
Speaker 4: you should just take a day out off. What what

1034
00:52:01,280 --> 00:52:03,480
Speaker 4: do you not get about one year old twins?

1035
00:52:04,000 --> 00:52:07,800
Speaker 7: Oh my gosh, yeah, you know. I always did want twins.

1036
00:52:07,840 --> 00:52:10,040
Speaker 7: I always thought that'd be really cool. But there was

1037
00:52:10,080 --> 00:52:12,799
Speaker 7: something about watching this episode that made me realize, like

1038
00:52:13,840 --> 00:52:15,879
Speaker 7: everyone always shakes their head up and goes, no, man,

1039
00:52:15,920 --> 00:52:18,279
Speaker 7: it's crazy, but I always thought it'd be fun, but

1040
00:52:18,320 --> 00:52:20,400
Speaker 7: it would be tough, would be really tough.

1041
00:52:20,719 --> 00:52:24,080
Speaker 4: I told Jenny I really wanted twins, and she said,

1042
00:52:24,120 --> 00:52:26,799
Speaker 4: you have no idea what you're asking for. And then

1043
00:52:27,080 --> 00:52:29,920
Speaker 4: we had our son, and I realized I was in

1044
00:52:30,120 --> 00:52:32,960
Speaker 4: so over my head that I can't even fathom what

1045
00:52:33,080 --> 00:52:35,000
Speaker 4: two At the same time as a first time dad.

1046
00:52:34,840 --> 00:52:37,719
Speaker 3: Would have been like, yeah, I am I am the

1047
00:52:37,760 --> 00:52:40,440
Speaker 3: most I mean, I am in awe of all of

1048
00:52:40,480 --> 00:52:42,480
Speaker 3: our friends. But like when I tell you, there are

1049
00:52:42,560 --> 00:52:45,840
Speaker 3: moments where I just out of the nowhere go like God,

1050
00:52:46,920 --> 00:52:49,960
Speaker 3: Brian Greenberg and Jamie they just did two. They did it.

1051
00:52:50,000 --> 00:52:54,040
Speaker 3: They did like I just think about them and how crazy.

1052
00:52:54,360 --> 00:52:57,319
Speaker 3: Oh yeah, there was a point I went I went

1053
00:52:57,360 --> 00:53:01,160
Speaker 3: over there before the boys were a year old. I

1054
00:53:01,200 --> 00:53:04,000
Speaker 3: was like over there to visit them one day and

1055
00:53:04,200 --> 00:53:06,040
Speaker 3: I just had this moment where I was like, I

1056
00:53:06,040 --> 00:53:10,400
Speaker 3: don't really have anything to do like this early evening,

1057
00:53:10,960 --> 00:53:13,040
Speaker 3: do like a hand with Bath. And they both were

1058
00:53:13,080 --> 00:53:16,920
Speaker 3: like what. I was like, I'll stay and like they

1059
00:53:17,000 --> 00:53:21,799
Speaker 3: never would have asked. Friend, you are as as hard

1060
00:53:21,840 --> 00:53:25,640
Speaker 3: as it is to navigate an infant. Then when there's

1061
00:53:25,760 --> 00:53:28,880
Speaker 3: two of them slippery, it's like one is one and

1062
00:53:29,120 --> 00:53:32,480
Speaker 3: like and then two is like eight of them. It

1063
00:53:32,520 --> 00:53:33,200
Speaker 3: was so scary.

1064
00:53:33,280 --> 00:53:35,399
Speaker 7: It's like I need to clan you, grip you while

1065
00:53:35,440 --> 00:53:37,880
Speaker 7: my hands are soapy, and hope that you don't drown

1066
00:53:37,960 --> 00:53:42,640
Speaker 7: like bath. Yeah, and like bent over and then also

1067
00:53:42,719 --> 00:53:45,440
Speaker 7: like scrubbing and getting something done to It's scary.

1068
00:53:45,680 --> 00:53:48,680
Speaker 5: Did we talk yet about the look on Austin's face

1069
00:53:48,680 --> 00:53:51,960
Speaker 5: when she hands him that prescription. No.

1070
00:53:54,680 --> 00:53:58,200
Speaker 3: I talked about the fact that that poor woman was

1071
00:53:58,320 --> 00:54:00,360
Speaker 3: asked with a straight face to do.

1072
00:54:01,480 --> 00:54:04,919
Speaker 5: Beautiful The look he gave her was exactly the look

1073
00:54:04,960 --> 00:54:07,560
Speaker 5: that I had on my face when she handed it

1074
00:54:07,600 --> 00:54:10,560
Speaker 5: to him. I was like, come on, get real.

1075
00:54:11,280 --> 00:54:14,600
Speaker 4: And and also I would say, arguably the in a

1076
00:54:14,600 --> 00:54:18,240
Speaker 4: lot happens in this episode, Arguably the most unrealistic moment

1077
00:54:18,880 --> 00:54:23,040
Speaker 4: is a doctor taking extra time to write a tongue

1078
00:54:23,080 --> 00:54:29,239
Speaker 4: in cheek prescription. Doctors are perpetually spread too thin and overworked.

1079
00:54:29,280 --> 00:54:31,320
Speaker 4: Like you, you'll walk in and be like, yes, probably

1080
00:54:31,320 --> 00:54:34,319
Speaker 4: Tom's slidest here the thing. Bye. This doctor's like, I'm

1081
00:54:34,320 --> 00:54:36,279
Speaker 4: going to I'm gonna make it funny. Hold on, let

1082
00:54:36,320 --> 00:54:37,880
Speaker 4: me write it down, as.

1083
00:54:41,400 --> 00:54:43,960
Speaker 3: With the serial numbers, because they're so important that they

1084
00:54:44,200 --> 00:54:46,719
Speaker 3: they're trying to make sure they're not counterfeited. And she's like,

1085
00:54:46,840 --> 00:54:47,520
Speaker 3: let me just give you.

1086
00:54:52,800 --> 00:54:57,839
Speaker 4: The scene with between Quinn and Dan when they're at

1087
00:54:57,880 --> 00:55:02,719
Speaker 4: Clay's house, Jamie's swimming, and it was so lovely. But

1088
00:55:02,880 --> 00:55:08,200
Speaker 4: I really appreciated the moment when Quinn says to him,

1089
00:55:09,719 --> 00:55:11,239
Speaker 4: you know you did. He goes, he goes, how's your

1090
00:55:11,280 --> 00:55:15,280
Speaker 4: boyfriend doing? She goes, he's he's getting help. And there's

1091
00:55:15,280 --> 00:55:17,359
Speaker 4: a beat and she goes, you know you didn't need

1092
00:55:17,400 --> 00:55:20,840
Speaker 4: to drown Clay And then perfect Dan Way, Paul just

1093
00:55:20,920 --> 00:55:25,239
Speaker 4: goes it worked last time, and Quick kind of goes,

1094
00:55:26,440 --> 00:55:31,680
Speaker 4: yeah that sounds right. Yeah, but I just I loved

1095
00:55:31,800 --> 00:55:33,920
Speaker 4: that exchange in the two of them. That was we

1096
00:55:34,000 --> 00:55:36,200
Speaker 4: got to see a couple of fun dynamics of characters

1097
00:55:36,400 --> 00:55:39,120
Speaker 4: interacting that we don't get to see often. This episode

1098
00:55:39,239 --> 00:55:41,160
Speaker 4: and all of them were fun to watch.

1099
00:55:43,160 --> 00:55:44,600
Speaker 3: Yeah, it definitely works.

1100
00:55:44,719 --> 00:55:47,200
Speaker 6: Is barbarall and Woods in this season? Where I was like,

1101
00:55:47,640 --> 00:55:48,120
Speaker 6: where is she?

1102
00:55:48,480 --> 00:55:51,400
Speaker 5: Think she is? I feel like she's not? No debt, No,

1103
00:55:51,640 --> 00:55:53,960
Speaker 5: I know, there's so many moments that we really missed

1104
00:55:53,960 --> 00:55:58,400
Speaker 5: her with a wish, Yeah, exactly.

1105
00:56:00,040 --> 00:56:01,720
Speaker 4: Who likes that? That is correct?

1106
00:56:05,239 --> 00:56:07,439
Speaker 5: I know, I really wish we'd had Barbara. We needed

1107
00:56:07,480 --> 00:56:11,160
Speaker 5: some Barbara and Samoira on the on the back end here.

1108
00:56:11,760 --> 00:56:27,400
Speaker 4: Yeah, all right. We got a listener question. Laney asks,

1109
00:56:27,600 --> 00:56:30,120
Speaker 4: if you were good enough to be a professional athlete,

1110
00:56:30,480 --> 00:56:31,840
Speaker 4: what would be your sport?

1111
00:56:32,719 --> 00:56:32,959
Speaker 5: Oh?

1112
00:56:34,719 --> 00:56:35,600
Speaker 4: Soccer for me?

1113
00:56:36,880 --> 00:56:40,600
Speaker 7: Okay, you know what, I just did this Christmas movie

1114
00:56:40,600 --> 00:56:41,719
Speaker 7: where I played a hockey player.

1115
00:56:41,880 --> 00:56:43,120
Speaker 6: Never played hockey in my life.

1116
00:56:43,440 --> 00:56:46,239
Speaker 7: Had so much fun with these guys, and I think

1117
00:56:46,280 --> 00:56:49,640
Speaker 7: it would be hockey because these guys are like the

1118
00:56:49,760 --> 00:56:51,439
Speaker 7: pirates of the athletic world.

1119
00:56:51,600 --> 00:56:57,000
Speaker 6: They're like they're like smarmy, funny, like they're hippy.

1120
00:56:57,680 --> 00:57:02,480
Speaker 7: Yeah, they're just there's something roguish about hockey players and

1121
00:57:02,600 --> 00:57:04,360
Speaker 7: it's so fun.

1122
00:57:04,680 --> 00:57:06,920
Speaker 6: And I was like, oh, I didn't know this was

1123
00:57:07,000 --> 00:57:10,239
Speaker 6: the vibe. I'm into it, and they go, there's something

1124
00:57:10,239 --> 00:57:12,280
Speaker 6: about it. I just like loved it. I'm so charmed

1125
00:57:12,320 --> 00:57:14,200
Speaker 6: by it. So hockey. I want to be around those

1126
00:57:14,280 --> 00:57:15,080
Speaker 6: kind of dudes more.

1127
00:57:16,400 --> 00:57:17,760
Speaker 3: That is so funny.

1128
00:57:18,520 --> 00:57:21,040
Speaker 5: Now that you're talking about hockey. I probably would enjoy

1129
00:57:21,120 --> 00:57:21,840
Speaker 5: playing hockey too.

1130
00:57:22,040 --> 00:57:23,640
Speaker 6: Are we about to remake depending edge?

1131
00:57:24,080 --> 00:57:24,560
Speaker 5: Let's do it?

1132
00:57:26,400 --> 00:57:27,000
Speaker 6: Oh my god?

1133
00:57:27,920 --> 00:57:33,880
Speaker 3: Topic I would want it to be tennis. I really

1134
00:57:33,960 --> 00:57:36,680
Speaker 3: want to be a good tennis player. I enjoy it

1135
00:57:36,960 --> 00:57:40,040
Speaker 3: so much, and so if I could be a pro

1136
00:57:40,880 --> 00:57:44,439
Speaker 3: tennis pro, yeah, hot and a life for sure.

1137
00:57:45,000 --> 00:57:47,840
Speaker 7: Let's be old tennis players together, all of us, and

1138
00:57:47,920 --> 00:57:50,200
Speaker 7: let's catch up over tennis. I haven't seen you in

1139
00:57:50,280 --> 00:57:52,120
Speaker 7: so long. We got a book of time in the court.

1140
00:57:52,720 --> 00:57:53,160
Speaker 6: Catch up.

1141
00:57:53,560 --> 00:57:55,360
Speaker 3: Oh yeah, we should just we should hit the court.

1142
00:57:55,560 --> 00:57:58,240
Speaker 7: Yeah, I'll call Robin Joy and we'll do doubles. I

1143
00:57:58,480 --> 00:57:59,640
Speaker 7: mean you to catch up with them.

1144
00:58:01,080 --> 00:58:04,160
Speaker 5: So can we just start? Somebody needs to buy everybody's

1145
00:58:04,280 --> 00:58:07,400
Speaker 5: tennis lessons for Christmas, so that we can all show

1146
00:58:07,440 --> 00:58:12,360
Speaker 5: group in our neighborhoods wherever we are. But every time

1147
00:58:12,400 --> 00:58:15,040
Speaker 5: we're together, somebody books a court and we can actually play.

1148
00:58:15,120 --> 00:58:16,680
Speaker 7: And then when we do a convention, we can all

1149
00:58:16,800 --> 00:58:19,439
Speaker 7: like book some time and truly catch up on the court.

1150
00:58:19,600 --> 00:58:19,920
Speaker 7: Love this.

1151
00:58:20,840 --> 00:58:23,440
Speaker 3: Wait, should we take our first group lesson this fall and.

1152
00:58:23,480 --> 00:58:27,360
Speaker 4: Willing to show it and we record it and then

1153
00:58:27,400 --> 00:58:28,400
Speaker 4: we put it on YouTube?

1154
00:58:29,440 --> 00:58:30,959
Speaker 6: Yeah, I'm actually.

1155
00:58:32,880 --> 00:58:33,360
Speaker 5: Set it up.

1156
00:58:33,480 --> 00:58:33,680
Speaker 3: Done.

1157
00:58:34,600 --> 00:58:35,720
Speaker 4: Shall we spin a wheel?

1158
00:58:36,280 --> 00:58:36,480
Speaker 5: Yeah?

1159
00:58:37,160 --> 00:58:38,080
Speaker 3: What a good question?

1160
00:58:38,600 --> 00:58:39,000
Speaker 6: What is this?

1161
00:58:39,600 --> 00:58:41,760
Speaker 5: Okay, it's most likely too, so you know in high

1162
00:58:41,800 --> 00:58:44,600
Speaker 5: school yearbooks they've got the most likely to blah blah blah.

1163
00:58:44,880 --> 00:58:46,080
Speaker 5: This is the thing we do at the end of

1164
00:58:46,120 --> 00:58:50,040
Speaker 5: every episode, and we have a virtual wheel and give to.

1165
00:58:50,120 --> 00:58:53,760
Speaker 7: Us most likely to build a separate closet for just

1166
00:58:53,880 --> 00:58:57,439
Speaker 7: their shoes. Characters are actors, Like, are we talking about

1167
00:58:57,440 --> 00:58:58,200
Speaker 7: the characters in the show?

1168
00:58:59,000 --> 00:59:02,680
Speaker 3: We do both? Yeah, I mean I would say between characters,

1169
00:59:02,720 --> 00:59:04,840
Speaker 3: it's probably a tie between Brooke Davis.

1170
00:59:04,560 --> 00:59:10,040
Speaker 5: And oh my god, Yeah, you know, like all of

1171
00:59:10,120 --> 00:59:10,720
Speaker 5: his notes.

1172
00:59:12,000 --> 00:59:15,200
Speaker 4: Okay, which which of the real life I mean, I'm

1173
00:59:15,200 --> 00:59:17,560
Speaker 4: guessing it's got to be a woman, because let's be honest,

1174
00:59:17,600 --> 00:59:20,640
Speaker 4: your your shoe collections are definitely far superior.

1175
00:59:20,280 --> 00:59:23,000
Speaker 5: To all one thousand percent. Would build a closet for

1176
00:59:23,120 --> 00:59:24,320
Speaker 5: my shoes? Are you kidding me?

1177
00:59:24,560 --> 00:59:24,760
Speaker 4: Yes?

1178
00:59:25,040 --> 00:59:27,000
Speaker 5: But I don't know many women that wouldn't if you

1179
00:59:27,080 --> 00:59:27,960
Speaker 5: had the space for it.

1180
00:59:28,320 --> 00:59:30,520
Speaker 4: So it's a tie all of the female cast members.

1181
00:59:31,280 --> 00:59:31,760
Speaker 5: I don't know.

1182
00:59:32,840 --> 00:59:34,440
Speaker 6: Yeah, I don't know.

1183
00:59:34,520 --> 00:59:36,760
Speaker 5: Would you? So do you have a closet for your shoes?

1184
00:59:37,000 --> 00:59:37,440
Speaker 10: I don't.

1185
00:59:37,960 --> 00:59:39,760
Speaker 3: It would be nice if I could see them.

1186
00:59:39,640 --> 00:59:41,600
Speaker 5: All, That's what I'm saying, just to have it all

1187
00:59:41,680 --> 00:59:43,560
Speaker 5: laid out so they're not all like tucked away in

1188
00:59:43,640 --> 00:59:44,400
Speaker 5: random spots.

1189
00:59:44,680 --> 00:59:44,840
Speaker 7: Yeah.

1190
00:59:44,920 --> 00:59:46,640
Speaker 3: Maybe I was going to say, I feel like that's

1191
00:59:46,640 --> 00:59:50,520
Speaker 3: something she tells about she has the most amazing shoe collection. Yes,

1192
00:59:51,760 --> 00:59:52,360
Speaker 3: I feel like.

1193
00:59:54,280 --> 00:59:54,720
Speaker 5: She wins.

1194
00:59:55,040 --> 00:59:56,920
Speaker 4: Yeah, right, she wins.

1195
00:59:58,080 --> 00:59:59,080
Speaker 3: She has the best shoes.

1196
00:59:59,480 --> 01:00:03,960
Speaker 4: Tyler, we should take Marie Hilton. Thank you for taking

1197
01:00:04,680 --> 01:00:06,880
Speaker 4: two hours out of your day for a Q and

1198
01:00:06,960 --> 01:00:09,520
Speaker 4: A and an episode and just bring in so much

1199
01:00:09,960 --> 01:00:12,600
Speaker 4: joy and laughter with you to the Drama Queens podcast.

1200
01:00:12,680 --> 01:00:15,400
Speaker 6: You guys, I love with the Queens. I love it.

1201
01:00:15,880 --> 01:00:17,959
Speaker 6: And Rob you're such a great queen. What a great adda.

1202
01:00:18,080 --> 01:00:18,840
Speaker 3: We love having you.

1203
01:00:19,120 --> 01:00:21,400
Speaker 4: Thank you, buddy, isn't Eva.

1204
01:00:21,280 --> 01:00:22,920
Speaker 6: Can't wait to play tennis in Momington.

1205
01:00:23,200 --> 01:00:24,800
Speaker 4: Yeah, yes, let's do it.

1206
01:00:25,560 --> 01:00:26,560
Speaker 6: See you guys on the court.

1207
01:00:26,960 --> 01:00:27,240
Speaker 7: All right.

1208
01:00:27,320 --> 01:00:31,360
Speaker 5: Next episode, Season nine, Episode six, Catastrophe and the Cure.

1209
01:00:32,280 --> 01:00:33,400
Speaker 5: Let's see what happens.

1210
01:00:33,960 --> 01:00:34,960
Speaker 6: See you all you guys.

1211
01:00:35,600 --> 01:00:36,680
Speaker 5: Hey, thanks for listening.

1212
01:00:36,880 --> 01:00:39,040
Speaker 3: Don't forget to leave us a review. You can also

1213
01:00:39,160 --> 01:00:41,800
Speaker 3: follow us on Instagram at Drama Queen's O.

1214
01:00:41,920 --> 01:00:46,080
Speaker 7: T H or email us at Drama Queens at iHeartRadio

1215
01:00:46,200 --> 01:00:46,640
Speaker 7: dot com.

1216
01:00:47,240 --> 01:00:48,200
Speaker 10: See you next time.

1217
01:00:49,480 --> 01:00:52,800
Speaker 3: We all about that high school drama. Girl Drama Girl,

1218
01:00:52,920 --> 01:00:53,640
Speaker 3: all about them.

1219
01:00:53,600 --> 01:00:56,760
Speaker 2: High school queens. We'll take you for a ride at

1220
01:00:56,800 --> 01:01:00,360
Speaker 2: our comic Girl Sharing for the right team. Drama Queens,

1221
01:01:00,440 --> 01:01:03,680
Speaker 2: Jamise my Girl, off Girl Fashion with your tough girl,

1222
01:01:03,800 --> 01:01:04,680
Speaker 2: you could sit with us

1223
01:01:04,800 --> 01:01:08,840
Speaker 1: Girl Drama Queens, Drama Queise Drama, Queens Drama Drama, Queens

1224
01:01:08,920 --> 01:01:09,800
Speaker 1: Drama Queens