WEBVTT - The terrible things I've seen

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<v Speaker 1>I'm trying to find my faith. How do I find

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<v Speaker 1>my way? I am ex Canadian military and how do

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<v Speaker 1>I find God after what I've seen and what I've

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<v Speaker 1>done in the line of duty? This is podcast episode seventy.

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<v Speaker 1>Awesome question. And I have a lot of awesome questions

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<v Speaker 1>today that I'm going to dive into and this kind

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<v Speaker 1>of stuff. And as I'm going to say with this question, man,

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<v Speaker 1>I don't know. I don't know what you've been through,

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<v Speaker 1>and I can't pretend to know how I could possibly

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<v Speaker 1>understand what you've seen. But I do have my own

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<v Speaker 1>life experiences and I have my own story like we

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<v Speaker 1>all do. And I want to try to take a

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<v Speaker 1>question like this and all the other questions I have

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<v Speaker 1>today on episode seventy and treat them like we were

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<v Speaker 1>in the cab in my truck winds down, rolling down

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<v Speaker 1>a back road together and we're just talking. Or maybe

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<v Speaker 1>a better analogy is we're sitting around a campfire, you know,

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<v Speaker 1>late night, nothing but the stars staring at our boots,

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<v Speaker 1>sitting up there on the rock, you know, burning campfire,

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<v Speaker 1>and hey, man, can I ask you a question? How

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<v Speaker 1>do I find my faith? I'm ex Canadian military? How

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<v Speaker 1>do I find God after what I've seen. You know,

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<v Speaker 1>those are the kind of questions that you would ask

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<v Speaker 1>in a late night campfire with your buddy. And that's

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<v Speaker 1>how I want to answer it. Not that I would

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<v Speaker 1>have the answer to this the right answer, but I'm

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<v Speaker 1>going to have my way of helping navigate do that.

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<v Speaker 1>That's what we're gonna do today. And if you have

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<v Speaker 1>a question or on any topic, or a shout out

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<v Speaker 1>or anything at all, email Granger Smith Podcast at gmail

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<v Speaker 1>dot com. I would love to hear from you. I

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<v Speaker 1>would love to dive into it. We do this every

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<v Speaker 1>single Monday, wherever you are, whatever you're doing right now,

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<v Speaker 1>whether you're community work or you're over the road trucker,

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<v Speaker 1>or you get your headphones in and you're in the

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<v Speaker 1>middle of a workout or a walk, or maybe you're

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<v Speaker 1>just driving and you got it cranked up in your

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<v Speaker 1>car or your truck. Thank you for letting me come

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<v Speaker 1>through your speakers. Thank you for letting us have this

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<v Speaker 1>conversation every single Monday. Whatever platform you're listening on, I

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<v Speaker 1>appreciate you. Welcome to the podcast. This is episode seventy

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<v Speaker 1>did Can't in Decent Times and long line of my

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<v Speaker 1>fool of husping down on Back's rangy cool evage. Yeah

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<v Speaker 1>you're that gation. First of all, can we talk about

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<v Speaker 1>how this is episode seventy already? This is crazy to me.

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<v Speaker 1>It seems like yesterday I was like, I wonder if

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<v Speaker 1>I should start a podcast, and I believe it's it's

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<v Speaker 1>been for those of you that have followed this journey.

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<v Speaker 1>I think it's what two and a half years or

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<v Speaker 1>so since episode one. I guess I could look, but

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<v Speaker 1>I don't know. I'm gonna read some questions from you guys,

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<v Speaker 1>and it's just me today, which is fun. We can

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<v Speaker 1>get into the nitty gritty. If you have a question

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<v Speaker 1>for me, email Granger Smith Podcast at gmail dot com.

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<v Speaker 1>It could be about anything in life, anything at all.

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<v Speaker 1>Could be about music or life or marriage or kids

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<v Speaker 1>or problems, or could could just be a shout out hey.

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<v Speaker 1>It could be like what kind of mud tiers do

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<v Speaker 1>you use? It could be anything. This first question is

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<v Speaker 1>from Peyton and it's a music question. It says, Hey, Grangeer,

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<v Speaker 1>I I just wondering how could I get some advice

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<v Speaker 1>to improve my voice in songwriting so I could make

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<v Speaker 1>it when I get out of the army. By the way.

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<v Speaker 1>I saw you at Billy Bob's this year and instantly,

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<v Speaker 1>you instantly became my favorite artist, tend role model in

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<v Speaker 1>my life. So I figured i'd ask. I know it's

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<v Speaker 1>a long shot, and you took the hardest route as

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<v Speaker 1>an independent artist, which is the route I want to take.

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<v Speaker 1>PS as it is in Texas is the best song

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<v Speaker 1>in my opinion, and I was wondering if you could

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<v Speaker 1>give First Calve a shout out on your channel. I

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<v Speaker 1>got like thirty people hooked on it over here in

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<v Speaker 1>Fort Hood. Shout out the First Calve, Peyton, thank you

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<v Speaker 1>for writing buddy, Thank you for your service the First Calve.

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<v Speaker 1>I have a good relationship with First Calf because my

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<v Speaker 1>first entertainment toward Iraq in two thousand and seven, First

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<v Speaker 1>Calve was the majority that we saw over there deployed

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<v Speaker 1>in Iraq. I believe we went to The first fob

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<v Speaker 1>we went to was Warhorse and it was just full

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<v Speaker 1>of First Calf. So I met so many really good

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<v Speaker 1>men and women from First Calf over there, and at

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<v Speaker 1>the time they were coming from Fort Hood as well,

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<v Speaker 1>which is why it was such a cool tie for me.

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<v Speaker 1>So yeah, shout out to First Calve in my relationship

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<v Speaker 1>with them. Peyton, thank you for your service. Yeah, I

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<v Speaker 1>can give you a few a few little tricks. You said,

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<v Speaker 1>first of all, how to improve my voice and the

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<v Speaker 1>voice your Your vocal cords are a muscle. So if

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<v Speaker 1>you want to improve that muscle, you really look at

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<v Speaker 1>it like you would any other muscle on your body.

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<v Speaker 1>So if you want to have big biceps, you do

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<v Speaker 1>curls right, And if you want to fine tune those biceps,

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<v Speaker 1>you're gonna go lower on reps and higher and wait,

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<v Speaker 1>if you want to super tone, then you're gonna want

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<v Speaker 1>to go lower weight in a lot of reps. That's

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<v Speaker 1>how you need to look at your voice. What do

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<v Speaker 1>you want out of your voice? And work that like

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<v Speaker 1>a muscle. I remember early in my songwriting days, I

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<v Speaker 1>would go sit in my pickup truck outside of my

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<v Speaker 1>neighborhood and I would do this every night after dinner,

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<v Speaker 1>be about eight, I'd give my truck, I would drive

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<v Speaker 1>a few blocks till there were no more houses, and

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<v Speaker 1>I would crank up the radio whatever I was listening

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<v Speaker 1>to at the time, and I would sing for about

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<v Speaker 1>an hour and a half and time it for ninety minutes,

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<v Speaker 1>because that's about the amount of set I wanted to

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<v Speaker 1>sing ninety minutes. And I would do this and I

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<v Speaker 1>would just sing at the top of my lungs for

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<v Speaker 1>ninety minutes every single night to try to build something,

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<v Speaker 1>some kind of stamina in my vocal cords. And I

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<v Speaker 1>remember one night a police officer came and pulled up

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<v Speaker 1>right behind me and turned on his lights, and I

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<v Speaker 1>was thinking, oh, this is awkward. I knew I wasn't

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<v Speaker 1>doing anything wrong, but I just thought this is weird.

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<v Speaker 1>So the officer walks up. Go down your window, you know,

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<v Speaker 1>So I was like, yeah, hello, sir, and you know,

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<v Speaker 1>it's like the typical what seems to be the problem

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<v Speaker 1>officer And he said what are you doing? And I

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<v Speaker 1>had nothing besides the truth to tell him. I said, Man,

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<v Speaker 1>I know it sounds weird, sir. I'm sitting here in

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<v Speaker 1>my truck. I do this every night because I'm practicing

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<v Speaker 1>singing and trying to build up the strength of my

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<v Speaker 1>vocal cords. And he said, you're doing what I said, Yeah, yeah,

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<v Speaker 1>I know it sounds crazy, but I cheer. I crank

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<v Speaker 1>up the radio and then I sing along. I'm a

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<v Speaker 1>singer and I sing along or I'm a wannabe singer,

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<v Speaker 1>and I'm trying to get stamina in my voice by

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<v Speaker 1>singing a lot of songs for ninety minutes. And he

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<v Speaker 1>was like, did you know that in this spot where

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<v Speaker 1>you're sitting, we've been we've had a lot of calls

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<v Speaker 1>about lumber theft because of the new houses that are

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<v Speaker 1>being built around here. And you look like a pickup

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<v Speaker 1>truck that fits a description of somebody that was out

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<v Speaker 1>here stealing lumber. And I was like, no, I didn't

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<v Speaker 1>know that, and I'm just sitting here singing. He said

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<v Speaker 1>where do you live? And I said just just a

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<v Speaker 1>couple of streets over and he said, let's go show

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<v Speaker 1>me your house. So obviously he didn't believe me. So

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<v Speaker 1>I was like okay, so fired up. My truck drove down,

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<v Speaker 1>you know it. It was like a thirty second drive,

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<v Speaker 1>and I hit the buzz the garage door, and as

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<v Speaker 1>soon as my garage door started going up, he rolled

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<v Speaker 1>down his window and goes, okay, cool, be safe out there.

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<v Speaker 1>It's like that's all that's the proof he needed to

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<v Speaker 1>show that I actually did live there and I wasn't lying.

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<v Speaker 1>So long story short, I did that for a long

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<v Speaker 1>time until I started getting gigs too. That whether the

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<v Speaker 1>gigs took over that exercise, and then over a decade

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<v Speaker 1>of singing in gigs, then from there I would go, Okay,

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<v Speaker 1>why am I so sore today? The next morning I

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<v Speaker 1>would get really sore, and so then I would that

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<v Speaker 1>I would try to alter my singing and try to

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<v Speaker 1>put the voice in a different part of my throat.

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<v Speaker 1>I've told you, I think I've said on this podcast before.

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<v Speaker 1>The lower I put my chin and the deeper I

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<v Speaker 1>breathe in my adnomum instead of the top of my

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<v Speaker 1>lungs and raising my throat up, the more depth I

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<v Speaker 1>can get out of it, and the more strength I

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<v Speaker 1>can get out of it, and more importantly, the more

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<v Speaker 1>protection I have. It's like when you're running and you

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<v Speaker 1>want to use the proper form when you're running, otherwise

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<v Speaker 1>you're going to pull a hamstring or something. Everything that

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<v Speaker 1>applies in the body is the same with your vocal cords.

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<v Speaker 1>So it takes practice, it takes endurance, it takes literally

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<v Speaker 1>strength training, and it takes a knowledge of feeling the

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<v Speaker 1>way that it's supposed to go. And unfortunately for me,

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<v Speaker 1>that took years and years and years. For you, you know,

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<v Speaker 1>I feel like some people are just natural singers and

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<v Speaker 1>they just come out of the womb singing beautiful music.

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<v Speaker 1>I'm not that way. It took a lot of years

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<v Speaker 1>to kind of find where to put my voice on

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<v Speaker 1>a song. As far as writing, I get this question

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<v Speaker 1>a lot, how do you write songs? The brain is

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<v Speaker 1>a muscle to me. It might technically not be a

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<v Speaker 1>muscle for all you, for the cerebral surgeons out there,

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<v Speaker 1>but it takes practice, and it takes discipline, and it

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<v Speaker 1>takes a thousand bad songs to find maybe one half

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<v Speaker 1>good song. And I always in the songwriting discussion, I

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<v Speaker 1>always say start with an instrument. Start playing some kind

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<v Speaker 1>of instrument, because that instrument will then create a spark

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<v Speaker 1>that starts the fire of songwriting. And I love to

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<v Speaker 1>start with guitar. That's me. I also like piano, but

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<v Speaker 1>technically you could start anything with anything. I probably not violin.

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<v Speaker 1>You probably can't write very many good songs to just

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<v Speaker 1>a violin. Great instrument to play, but you need to

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<v Speaker 1>start with some kind of the instrument that makes chords

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<v Speaker 1>and let that inspire you. And after that, after you're

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<v Speaker 1>playing chords, it's just poetry. You're just writing poets. Everyone

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<v Speaker 1>could write a poem. It doesn't even have to rhyme technically,

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<v Speaker 1>just words to chords, and there's no bad way to start,

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<v Speaker 1>or you could start that way, but it takes discipline,

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<v Speaker 1>and you're in the army, you're in first calf. Discipline

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<v Speaker 1>is the name of the game. So thanks for writing, anybody,

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<v Speaker 1>and we could elaborate on another question later at some point.

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<v Speaker 1>Maybe next question comes from Justin. He says, Hey, Grangeer,

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<v Speaker 1>this is Justin from Overton, Texas. I enjoy all of

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<v Speaker 1>your content and I've been a fan of yours for

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<v Speaker 1>many years. My question is a bit more broad and

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<v Speaker 1>not so direct. Everyone seems to think that your job

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<v Speaker 1>is all glitz and glam. I would be curious to

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<v Speaker 1>know how you pay state taxes in the states that

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<v Speaker 1>require it and all the states that you perform it.

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<v Speaker 1>How does that work and how does it affect your

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<v Speaker 1>overall income? Yeah, good question, Justin. And so basically, it

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<v Speaker 1>happens a gig by gig basis, we will play something

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<v Speaker 1>in Minnesota, and when we settle up, when Chris, my

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<v Speaker 1>tour manager, gets the money and the contracts signed, there's

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<v Speaker 1>a tax form signed with that as well. At the

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<v Speaker 1>end of the year, we'll get forty seven tax forms

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<v Speaker 1>from forty seven different states or whatever we played that year,

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<v Speaker 1>and it says the state, the city, and how much

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<v Speaker 1>income my touring company made in that state. Sometimes it's

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<v Speaker 1>very little if it's just one gig, and sometimes it's

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<v Speaker 1>a lot if it's a state that we've returned to

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<v Speaker 1>three or four or five times outside of our home

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<v Speaker 1>state of Texas. So it's that simple, it really is.

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<v Speaker 1>Typically we get paid by a check and you know,

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<v Speaker 1>there's a couple of signatures involved, and tax forms come

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<v Speaker 1>at the end of the touring season. We make allowances,

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<v Speaker 1>you know, for what we need to withhold for each state,

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<v Speaker 1>knowing that every state is different. Here's a question that

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<v Speaker 1>says job denial advice, and that makes me curious. Say, hey, Granger,

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<v Speaker 1>my name is Dylan. I'm from Laramie, Wyoming, and I

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<v Speaker 1>was just recently denied a job in my dream career,

0:14:53.880 --> 0:14:56.640
<v Speaker 1>law enforcement. I was wondering if you have any tips

0:14:56.800 --> 0:14:59.480
<v Speaker 1>or advice on how to keep my head up. I've

0:14:59.480 --> 0:15:01.640
<v Speaker 1>been trying to get in this field for three years

0:15:02.240 --> 0:15:05.560
<v Speaker 1>and I've been faced with constant denial and this one,

0:15:06.160 --> 0:15:08.920
<v Speaker 1>this most recent one, was the hardest because I don't

0:15:09.000 --> 0:15:12.360
<v Speaker 1>know the exact reason why I was denied. Any advice

0:15:12.400 --> 0:15:15.160
<v Speaker 1>would be greatly appreciated. I love listening to your music,

0:15:15.280 --> 0:15:18.560
<v Speaker 1>watching all your videos, especially the Earl truck restoration, as

0:15:18.600 --> 0:15:22.160
<v Speaker 1>I've been recently working on nineteen eighty eight Chevy truck.

0:15:22.280 --> 0:15:24.840
<v Speaker 1>Being from Wyoming, That's why I love dirt Roads holds

0:15:24.920 --> 0:15:27.400
<v Speaker 1>a whold special place in my heart. Keep up the

0:15:27.480 --> 0:15:31.920
<v Speaker 1>good work eee. I appreciate it. Dylan, thanks for writing in.

0:15:32.720 --> 0:15:36.880
<v Speaker 1>I'm sorry that you feel discouraged in your job. Hunt.

0:15:37.800 --> 0:15:41.480
<v Speaker 1>I admire your willingness to get into law enforcement and

0:15:41.600 --> 0:15:46.760
<v Speaker 1>during this crazy time. Hats off for that. A couple things,

0:15:47.760 --> 0:15:51.160
<v Speaker 1>and for everybody listening all of these I don't have

0:15:51.280 --> 0:15:52.960
<v Speaker 1>all the right answers. I'm not going to give you

0:15:53.080 --> 0:15:55.440
<v Speaker 1>all the right answers. I don't study these questions and

0:15:55.520 --> 0:15:58.360
<v Speaker 1>I don't take notes, So everything I say needs to

0:15:58.400 --> 0:16:00.680
<v Speaker 1>be taken with a grain of salt. And just remember

0:16:01.680 --> 0:16:03.840
<v Speaker 1>this is like me and a buddy sitting in the

0:16:03.920 --> 0:16:07.600
<v Speaker 1>living room having a conversation. You take what you like

0:16:08.240 --> 0:16:11.640
<v Speaker 1>and you reject what you don't. There's some things that

0:16:11.720 --> 0:16:13.840
<v Speaker 1>I'm going to be very absolute in my opinion on

0:16:14.560 --> 0:16:17.920
<v Speaker 1>there's others. I'm not going to know the right answer

0:16:18.800 --> 0:16:21.200
<v Speaker 1>all of it combined, you take it or leave it.

0:16:22.160 --> 0:16:24.440
<v Speaker 1>So me and you sitting in a room. My first

0:16:24.560 --> 0:16:29.160
<v Speaker 1>thing for you, Dylan, is dialing in on when you

0:16:29.200 --> 0:16:31.000
<v Speaker 1>said this most recent one was the hardest because I

0:16:31.040 --> 0:16:34.040
<v Speaker 1>don't know the exact reason why I was denied. Find out.

0:16:35.120 --> 0:16:40.480
<v Speaker 1>Find out tomorrow. Whenever they open up at seven am,

0:16:40.600 --> 0:16:43.320
<v Speaker 1>or whenever they open up, I would either have them

0:16:43.360 --> 0:16:45.640
<v Speaker 1>on the phone, I would get them to reply to

0:16:45.680 --> 0:16:48.320
<v Speaker 1>an email, or I would be waiting in the office

0:16:48.520 --> 0:16:52.160
<v Speaker 1>and say, hey, sorry to bother you guys. I'm Dylan.

0:16:52.480 --> 0:16:56.040
<v Speaker 1>I recently applied for a job. I got denied. For

0:16:56.360 --> 0:17:01.400
<v Speaker 1>my career sake and for my future, I could really

0:17:01.440 --> 0:17:06.879
<v Speaker 1>benefit with knowing why I got denied. I'm assuming this

0:17:07.000 --> 0:17:11.240
<v Speaker 1>isn't some kind of you know, secret information that they

0:17:11.320 --> 0:17:16.240
<v Speaker 1>can't give you. I'm assuming that any decent person would say, yeah,

0:17:16.600 --> 0:17:19.200
<v Speaker 1>let's see it says right here X here this is why.

0:17:19.960 --> 0:17:24.159
<v Speaker 1>So find out find out why. That is going to

0:17:24.200 --> 0:17:27.920
<v Speaker 1>be the key for you moving forward in your what

0:17:28.040 --> 0:17:32.960
<v Speaker 1>you call a dream career. After that, after you find

0:17:33.000 --> 0:17:37.000
<v Speaker 1>out what it is, man would uh, I would keep

0:17:37.080 --> 0:17:39.640
<v Speaker 1>knocking down doors till you find define the one that's

0:17:39.640 --> 0:17:43.479
<v Speaker 1>easy to open. And if that means you need more training,

0:17:43.920 --> 0:17:47.440
<v Speaker 1>if that means you need more schooling, I don't know.

0:17:47.600 --> 0:17:51.600
<v Speaker 1>I don't know the application for law enforcement. If you

0:17:51.720 --> 0:17:54.639
<v Speaker 1>need a little extra padding for your resume, like you

0:17:54.720 --> 0:17:58.080
<v Speaker 1>need to be a mall cop for six months, or

0:17:58.160 --> 0:18:03.080
<v Speaker 1>if you need to work for Brinks security trucks for

0:18:03.240 --> 0:18:09.160
<v Speaker 1>six months. These are all things. Everything I'm saying requires

0:18:09.280 --> 0:18:12.280
<v Speaker 1>a sacrifice, and everything in life that you really want

0:18:13.000 --> 0:18:17.000
<v Speaker 1>requires a sacrifice for every every every time you come

0:18:17.040 --> 0:18:20.320
<v Speaker 1>to a crossroads in life, you have two ways to go.

0:18:22.000 --> 0:18:24.120
<v Speaker 1>I'm not saying you only have two ways. I'm saying,

0:18:24.200 --> 0:18:29.560
<v Speaker 1>when you have two ways, the harder path, the harder direction,

0:18:30.760 --> 0:18:35.359
<v Speaker 1>usually leads to the greater yield, the greater reward. And

0:18:35.480 --> 0:18:37.959
<v Speaker 1>right now you're at this crossroads. You could quit your

0:18:38.040 --> 0:18:41.040
<v Speaker 1>dream as law enforcement. That'd be the easy way. Or

0:18:41.080 --> 0:18:44.119
<v Speaker 1>you could grind it out and keep going even though

0:18:44.160 --> 0:18:47.680
<v Speaker 1>you've been denied. Hey being denied. Let's see, did you

0:18:47.680 --> 0:18:53.119
<v Speaker 1>say how many times just deny it? You said you've

0:18:53.160 --> 0:18:57.400
<v Speaker 1>been trying for three years, So dude, three years. If

0:18:57.440 --> 0:18:59.520
<v Speaker 1>you look at it this way. In the music business,

0:19:00.000 --> 0:19:02.000
<v Speaker 1>if you had been denied for three years in a row,

0:19:02.480 --> 0:19:05.200
<v Speaker 1>you'd be like, that'd be like nothing. In the music business,

0:19:05.400 --> 0:19:08.560
<v Speaker 1>it takes fifteen years to finally make some tractions. So

0:19:09.080 --> 0:19:11.480
<v Speaker 1>you and me are not on different paths here. Three

0:19:11.560 --> 0:19:14.439
<v Speaker 1>years is nothing. Look call me in ten years when

0:19:14.480 --> 0:19:18.760
<v Speaker 1>you're still getting denied. And if you're getting denied every time,

0:19:19.320 --> 0:19:23.320
<v Speaker 1>you're finding out the reason and then you correct that reason,

0:19:23.600 --> 0:19:25.920
<v Speaker 1>Like find out why you got denied this last time,

0:19:26.520 --> 0:19:30.600
<v Speaker 1>and work to correct that and then hey, go back

0:19:30.600 --> 0:19:35.440
<v Speaker 1>to the same department. Say hey, I'm Dylan. Eight months ago,

0:19:35.480 --> 0:19:38.000
<v Speaker 1>I came through here, I applied for this position, and

0:19:38.080 --> 0:19:39.879
<v Speaker 1>I was denied because of this. And I want to

0:19:39.920 --> 0:19:43.760
<v Speaker 1>show you now how I have corrected that problem and

0:19:43.800 --> 0:19:46.760
<v Speaker 1>I've made myself better for you. Look them in the eye,

0:19:47.359 --> 0:19:51.560
<v Speaker 1>and I dare someone to deny you that at that point, right,

0:19:52.760 --> 0:19:56.960
<v Speaker 1>be diligent. Look them in the eye, speak clearly to them.

0:19:58.320 --> 0:20:01.840
<v Speaker 1>Dress appropriately. It's appropriately you probably do if you're going

0:20:01.880 --> 0:20:04.520
<v Speaker 1>to law enforcement, but dress dress sharp. Come in there,

0:20:04.600 --> 0:20:08.320
<v Speaker 1>you mean business. This is my dream. Tell them that, Hey,

0:20:08.440 --> 0:20:11.560
<v Speaker 1>mister so and so, I'm Dylan. I played eight months ago.

0:20:11.720 --> 0:20:15.000
<v Speaker 1>I've been trying for three years. This is my dream job.

0:20:15.240 --> 0:20:17.720
<v Speaker 1>Last time I was denied. I was told this. I

0:20:17.800 --> 0:20:20.240
<v Speaker 1>have since corrected that over the last eight months. I

0:20:20.359 --> 0:20:22.359
<v Speaker 1>want you to re look at my resume and here

0:20:22.440 --> 0:20:26.919
<v Speaker 1>we go again. Let there be silence, let him look

0:20:26.920 --> 0:20:28.680
<v Speaker 1>at you back in the eye, and let him tell

0:20:28.720 --> 0:20:30.680
<v Speaker 1>you that it's not going to work at that point.

0:20:32.560 --> 0:20:37.200
<v Speaker 1>If it doesn't keep going, that's my advice, or don't.

0:20:37.880 --> 0:20:40.360
<v Speaker 1>If you don't care, then don't. But if you really

0:20:40.440 --> 0:20:44.159
<v Speaker 1>do it's your dream, go get it. Man. Take the

0:20:44.240 --> 0:20:47.920
<v Speaker 1>path of most resistance, not the one of least resistance.

0:20:48.600 --> 0:20:54.239
<v Speaker 1>Thanks for typing in, buddy. Let me, let me, let

0:20:54.280 --> 0:20:56.840
<v Speaker 1>me get around here, Here we go. I got time.

0:20:56.880 --> 0:21:05.960
<v Speaker 1>We got time for another question. This question from Scott

0:21:06.640 --> 0:21:09.760
<v Speaker 1>says girl dad advice in the subject line, Hey grandeer,

0:21:09.800 --> 0:21:13.080
<v Speaker 1>my name is Scott. I'm from North Carolina. My wife

0:21:13.160 --> 0:21:16.400
<v Speaker 1>is pregnant. We just found out today it's a girl.

0:21:17.200 --> 0:21:19.520
<v Speaker 1>You're actually the first person I'm telling through this email

0:21:20.960 --> 0:21:24.120
<v Speaker 1>this is our first baby. I'm so excited and so terrified.

0:21:24.640 --> 0:21:27.200
<v Speaker 1>What advice do you have for first time dads, or

0:21:27.280 --> 0:21:30.520
<v Speaker 1>specifically first time girl dads. I'm a longtime fan and

0:21:30.560 --> 0:21:32.200
<v Speaker 1>I appreciate all you do. Can't wait to see you

0:21:32.240 --> 0:21:36.000
<v Speaker 1>in North Carolina. Thank you, Scott. Shout out to North Carolina,

0:21:36.600 --> 0:21:39.440
<v Speaker 1>shout out to girl dads and this message. By the way,

0:21:39.560 --> 0:21:45.520
<v Speaker 1>this email came in October sixth, so you might have

0:21:45.520 --> 0:21:47.760
<v Speaker 1>already had her, but we're a few months late reading this.

0:21:48.760 --> 0:21:55.600
<v Speaker 1>And ironically, October sixth is my daughter's birthday, London's birthday,

0:21:55.800 --> 0:21:59.000
<v Speaker 1>so it's ironic you wrote about girl dad's advice on

0:21:59.160 --> 0:22:03.960
<v Speaker 1>London's birthday. I'm gonna I'm gonna recommend a book that

0:22:04.000 --> 0:22:10.639
<v Speaker 1>I've said several times on here called Captivating, and the

0:22:10.760 --> 0:22:14.840
<v Speaker 1>author is Eldridge. I've said this. There's a book for

0:22:15.359 --> 0:22:19.960
<v Speaker 1>boys called Wild at Heart and a book for girls

0:22:20.040 --> 0:22:25.080
<v Speaker 1>called Captivating. I would highly recommend Wild at Heart for boys.

0:22:26.200 --> 0:22:28.520
<v Speaker 1>If you are a boy, or if you're having a boy,

0:22:29.280 --> 0:22:33.160
<v Speaker 1>I would highly recommend Captivating if you're a dad raising

0:22:33.200 --> 0:22:36.760
<v Speaker 1>a girl, if you're a woman raising a girl as well,

0:22:36.920 --> 0:22:39.320
<v Speaker 1>or if you are a girl. I just really like

0:22:39.400 --> 0:22:47.840
<v Speaker 1>those books and they're written by Eldridge, and Captivating talks

0:22:47.920 --> 0:22:55.920
<v Speaker 1>about how little girls are built differently, they have different

0:22:56.040 --> 0:23:02.200
<v Speaker 1>needs and sometimes a man doesn't quite understand that. What

0:23:02.320 --> 0:23:06.159
<v Speaker 1>I mean is boys need boys need to be they

0:23:06.240 --> 0:23:09.560
<v Speaker 1>need to have an adventure. They need to have a mission.

0:23:10.640 --> 0:23:12.920
<v Speaker 1>They are. They a lot of times naturally want to

0:23:14.000 --> 0:23:15.919
<v Speaker 1>have you know, they want to be a superhero. They

0:23:15.960 --> 0:23:21.560
<v Speaker 1>want to be a protector and they need that. Wild

0:23:22.080 --> 0:23:26.800
<v Speaker 1>adventure girls a lot of times. I'm not speaking for everybody.

0:23:26.800 --> 0:23:29.560
<v Speaker 1>I'm just speaking what this book says, and good general

0:23:29.640 --> 0:23:35.440
<v Speaker 1>advice here. Girls want to feel captivating. They want to

0:23:35.520 --> 0:23:38.640
<v Speaker 1>feel like they're the only one in the room. When

0:23:38.680 --> 0:23:41.359
<v Speaker 1>they talk, they want you to listen. They want to

0:23:41.840 --> 0:23:43.960
<v Speaker 1>when they put on clothes, they want you to go,

0:23:44.720 --> 0:23:48.080
<v Speaker 1>oh my god, you are so beautiful. They want you

0:23:48.160 --> 0:23:52.960
<v Speaker 1>to be captivated by them, not distracted. I had to

0:23:53.040 --> 0:23:55.040
<v Speaker 1>learn that, and I read the book and then I

0:23:55.080 --> 0:23:57.920
<v Speaker 1>started raising London and then I saw this is so

0:23:58.160 --> 0:24:01.560
<v Speaker 1>true as I watched her and there's moments in that

0:24:01.600 --> 0:24:03.400
<v Speaker 1>book and I tried to emulate when she was little.

0:24:03.440 --> 0:24:06.359
<v Speaker 1>And I remember her being three years old and putting

0:24:06.359 --> 0:24:09.040
<v Speaker 1>on her little Cinderella dress and twirling and watching it.

0:24:09.160 --> 0:24:11.000
<v Speaker 1>You know, she's looking down and she's seeing it twirl

0:24:11.680 --> 0:24:14.159
<v Speaker 1>and she say, look, daddy, and it's like that's the

0:24:14.240 --> 0:24:17.320
<v Speaker 1>moment when she's when she's twirling her dress and she says, look, daddy,

0:24:17.880 --> 0:24:20.440
<v Speaker 1>you better not be looking at your phone. You better

0:24:20.520 --> 0:24:25.960
<v Speaker 1>not be looking, you know, at the TV. It's important

0:24:26.000 --> 0:24:30.240
<v Speaker 1>to stop right then and look at her and affirm

0:24:31.000 --> 0:24:34.919
<v Speaker 1>to her she's captivating. It's important for her right then,

0:24:35.000 --> 0:24:38.240
<v Speaker 1>at three years old, so young, to start developing that

0:24:38.359 --> 0:24:43.200
<v Speaker 1>where you go, baby girl, you are something that is

0:24:43.920 --> 0:24:46.680
<v Speaker 1>so neat, that is so pretty, or you're so beautiful

0:24:46.800 --> 0:24:50.600
<v Speaker 1>or wow, that's amazing, any of those adjectives that makes

0:24:50.640 --> 0:24:55.879
<v Speaker 1>her feel wanted and special and needed and important and

0:24:56.119 --> 0:25:00.680
<v Speaker 1>strong and beautiful and courageous and smart, all of those

0:25:00.720 --> 0:25:05.760
<v Speaker 1>things where she feels that from her father figure. Because

0:25:05.760 --> 0:25:07.920
<v Speaker 1>if you don't give it to her at a young age.

0:25:08.960 --> 0:25:11.080
<v Speaker 1>You all know that the way that this history ends,

0:25:11.600 --> 0:25:13.800
<v Speaker 1>if the dads don't give it to him at a

0:25:13.840 --> 0:25:19.240
<v Speaker 1>young age, they will find it from another man. Don't

0:25:19.280 --> 0:25:22.520
<v Speaker 1>you want it to be you first? Don't you want

0:25:22.560 --> 0:25:25.439
<v Speaker 1>to be the first person that tells her she's captivating

0:25:26.560 --> 0:25:32.159
<v Speaker 1>instead of someone you don't get to choose. That is

0:25:32.280 --> 0:25:37.399
<v Speaker 1>my advice. I grew up with two brothers. I didn't

0:25:37.640 --> 0:25:41.000
<v Speaker 1>know the dynamic of girls, and I still don't totally.

0:25:41.040 --> 0:25:43.760
<v Speaker 1>I mean a lot of times I refer back to

0:25:43.840 --> 0:25:46.359
<v Speaker 1>Amber and I just go, hey, this is a girl thing.

0:25:46.520 --> 0:25:48.159
<v Speaker 1>I don't really know how to deal with this, can

0:25:48.240 --> 0:25:51.640
<v Speaker 1>you please? She's so emotional, like London could just start

0:25:51.760 --> 0:25:54.840
<v Speaker 1>crying because the wind's blowing a certain direction, and I

0:25:54.920 --> 0:25:58.639
<v Speaker 1>don't know why she's crying, and then that crying turns

0:25:58.680 --> 0:26:02.080
<v Speaker 1>into more crying, and I'm just like, maybe I don't

0:26:02.119 --> 0:26:06.359
<v Speaker 1>know why you're crying, and but that's that she doesn't

0:26:06.480 --> 0:26:10.119
<v Speaker 1>care if I know why. She just wants me to

0:26:10.200 --> 0:26:15.920
<v Speaker 1>hold her and love her and tell her that she's important,

0:26:17.000 --> 0:26:24.160
<v Speaker 1>that she matters. So there's that's the that's the young

0:26:24.200 --> 0:26:26.000
<v Speaker 1>girl advice. I think as it gets older, as she

0:26:26.080 --> 0:26:31.520
<v Speaker 1>gets older, that advice expands. There's there's a lot more

0:26:31.920 --> 0:26:33.639
<v Speaker 1>there's a lot more depth to that conversation when she

0:26:33.760 --> 0:26:36.399
<v Speaker 1>becomes a teenager, and there's plenty of time for that.

0:26:36.680 --> 0:26:39.760
<v Speaker 1>The cool thing about having a baby is that there's

0:26:40.880 --> 0:26:45.240
<v Speaker 1>there's nice there's nice timing that I believe God gave

0:26:45.359 --> 0:26:50.800
<v Speaker 1>us nice timing in between each new life adventure, where

0:26:50.840 --> 0:26:53.720
<v Speaker 1>there's nine months of pregnancy and it gives you plenty

0:26:53.760 --> 0:26:58.800
<v Speaker 1>of time, and then there's the year of infancy and

0:26:58.880 --> 0:27:00.359
<v Speaker 1>that gives you plenty of time to get ready for

0:27:01.320 --> 0:27:04.919
<v Speaker 1>the year or two toddlers, which gives you the plenty

0:27:04.920 --> 0:27:09.400
<v Speaker 1>of time into the young kids, so it's paced. Life

0:27:09.480 --> 0:27:15.960
<v Speaker 1>is paced just perfectly. Humans are paced just perfectly. I

0:27:16.000 --> 0:27:21.520
<v Speaker 1>would say, above all, love her and just enjoy being

0:27:21.600 --> 0:27:25.800
<v Speaker 1>a girl dad. There's nothing quite like it. It's amazing.

0:27:25.880 --> 0:27:30.280
<v Speaker 1>It's a privilege. Although there's so many babies born, every

0:27:30.320 --> 0:27:33.119
<v Speaker 1>one of them is a miracle and every one of

0:27:33.160 --> 0:27:35.720
<v Speaker 1>them is a blessing. And when you hold that little

0:27:35.720 --> 0:27:37.920
<v Speaker 1>baby girl and you look into her eyes and you

0:27:38.040 --> 0:27:42.840
<v Speaker 1>see her look back at you, there's something so spiritual

0:27:43.080 --> 0:27:47.000
<v Speaker 1>and special about that that can't be emulated in anything

0:27:47.080 --> 0:27:51.399
<v Speaker 1>else on the planet. So congratulations Scott, thanks for writing

0:27:51.480 --> 0:27:55.760
<v Speaker 1>in such a cool question, and take a quick break.

0:27:55.800 --> 0:28:03.480
<v Speaker 1>We'll be right back. Have some sponsors for the podcast today.

0:28:03.480 --> 0:28:05.639
<v Speaker 1>I want to talk about I don't know about you,

0:28:05.760 --> 0:28:09.800
<v Speaker 1>but I always feel like I'm looking down at my screen.

0:28:09.960 --> 0:28:12.320
<v Speaker 1>It seems like now more than ever, and I will

0:28:12.400 --> 0:28:14.400
<v Speaker 1>try to put limits on that. Whether you're an average

0:28:14.440 --> 0:28:18.280
<v Speaker 1>news watcher or in serious need of a distraction, unplugging

0:28:18.320 --> 0:28:21.840
<v Speaker 1>yourself is easier said than done, right, So one of

0:28:21.880 --> 0:28:23.959
<v Speaker 1>my favorite ways to rest my eyes and still get

0:28:24.000 --> 0:28:27.520
<v Speaker 1>the contact i'm itching for is by putting on Raycon

0:28:27.760 --> 0:28:32.800
<v Speaker 1>wireless earbuds. It's listening at its best, and whether you're

0:28:32.800 --> 0:28:36.679
<v Speaker 1>watching your favorite news podcast or bringing up an audio

0:28:36.840 --> 0:28:40.160
<v Speaker 1>book or powering through your workout with a pumped up playlist,

0:28:40.720 --> 0:28:42.520
<v Speaker 1>a pair of Raycons in your ears can make all

0:28:42.520 --> 0:28:45.560
<v Speaker 1>the difference. I was actually just using Raycons this morning

0:28:45.640 --> 0:28:49.720
<v Speaker 1>in the gym, listening to a strength training exercise and

0:28:49.800 --> 0:28:53.160
<v Speaker 1>it kind of guides me through it. And Raycons are awesome.

0:28:53.280 --> 0:28:55.840
<v Speaker 1>There's no dangling wires or stems to get in your way.

0:28:56.040 --> 0:29:00.600
<v Speaker 1>Raycon's come in stylish colors, but always with a comfortable

0:29:00.760 --> 0:29:04.479
<v Speaker 1>in ear fit for a more discrete look. Raycons are

0:29:04.560 --> 0:29:07.400
<v Speaker 1>just built to perform anywhere, at any time. With water

0:29:07.520 --> 0:29:11.200
<v Speaker 1>and sweat resistant construction and Bluetooth. It pairs quickly and seamlessly,

0:29:11.760 --> 0:29:16.240
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<v Speaker 1>offer code granger make ship happen. Here's another question about songwriting.

0:34:02.800 --> 0:34:07.120
<v Speaker 1>It's from Bart from Cherryville, North Carolina. Shout out to

0:34:07.200 --> 0:34:11.160
<v Speaker 1>North Carolina. Bart says, as a songwriter myself, how do

0:34:11.280 --> 0:34:13.640
<v Speaker 1>you write? Do you write down a line and go

0:34:13.800 --> 0:34:16.640
<v Speaker 1>back to it later. Do you just start a song

0:34:16.719 --> 0:34:18.880
<v Speaker 1>and finish it? Do you write every day? Do you

0:34:18.960 --> 0:34:21.239
<v Speaker 1>have a certain amount of songs that you try to write.

0:34:22.360 --> 0:34:24.200
<v Speaker 1>I have listened to your music for years and love

0:34:24.280 --> 0:34:29.120
<v Speaker 1>it and purchased your projects, including Country Things. Yeee. Thank you, Bart,

0:34:29.160 --> 0:34:32.799
<v Speaker 1>thanks for writing. And I guess I guess I could

0:34:32.840 --> 0:34:36.520
<v Speaker 1>never answer the songwriting question enough because I will probably

0:34:36.600 --> 0:34:39.400
<v Speaker 1>answer it different every time, and I've almost answered it

0:34:39.560 --> 0:34:43.239
<v Speaker 1>pretty much in this podcast. But I'll say to you

0:34:43.440 --> 0:34:45.719
<v Speaker 1>to your specific question, how do you write? You write

0:34:45.719 --> 0:34:48.840
<v Speaker 1>a line, do you go back to it later? And

0:34:49.000 --> 0:34:54.680
<v Speaker 1>my answer to you, Bart is all of it. Everything

0:34:54.719 --> 0:34:59.520
<v Speaker 1>you said. I wish that it was the same pattern

0:34:59.600 --> 0:35:03.759
<v Speaker 1>every time would make it easier, but my songwriting is

0:35:03.880 --> 0:35:08.719
<v Speaker 1>different every time, depending on the inspiration behind it. I

0:35:08.800 --> 0:35:14.759
<v Speaker 1>can't control the inspiration. It just happens. Sometimes i'm Sometimes

0:35:15.200 --> 0:35:17.920
<v Speaker 1>there's an idea I really want to write, and so

0:35:18.080 --> 0:35:21.239
<v Speaker 1>I try to hash out that song. Sometimes there's an

0:35:21.280 --> 0:35:23.839
<v Speaker 1>idea that I didn't intend to write, It just came

0:35:23.880 --> 0:35:28.359
<v Speaker 1>to me and so I start. And most times I'm

0:35:28.360 --> 0:35:32.520
<v Speaker 1>writing two or three or four at once. So when

0:35:32.520 --> 0:35:34.359
<v Speaker 1>I'm writing for an album, like right now, I don't

0:35:34.400 --> 0:35:37.399
<v Speaker 1>have anything on my books, nothing, and I'm total clean

0:35:37.480 --> 0:35:40.919
<v Speaker 1>slate since Country Things came out the album. But during

0:35:40.960 --> 0:35:43.080
<v Speaker 1>the height of writing for an album, I could have

0:35:43.360 --> 0:35:46.120
<v Speaker 1>seven songs going at once. One of them has a verse,

0:35:46.880 --> 0:35:49.920
<v Speaker 1>one of them has everything but the bridge. One of

0:35:49.960 --> 0:35:52.520
<v Speaker 1>them just has a line and a bunch of melody.

0:35:53.360 --> 0:35:56.640
<v Speaker 1>One of them has a title and nothing else. One

0:35:56.680 --> 0:35:59.160
<v Speaker 1>of them has just a melody that's complete but no

0:35:59.280 --> 0:36:06.279
<v Speaker 1>words at all. And that's typical. And sometimes one song

0:36:06.360 --> 0:36:09.200
<v Speaker 1>will jump up and finish before the rest of them

0:36:09.200 --> 0:36:11.279
<v Speaker 1>that I've already been working on way before that. So

0:36:11.360 --> 0:36:15.920
<v Speaker 1>there's just no rhyme or reason. Well, there is rhyme technically,

0:36:16.960 --> 0:36:25.880
<v Speaker 1>but I let me walk you through an intentional writing

0:36:26.640 --> 0:36:32.399
<v Speaker 1>day for me, meaning there's a clean slate throughout the year.

0:36:34.080 --> 0:36:38.040
<v Speaker 1>On my phone, I have an iPhone and I use notes,

0:36:38.160 --> 0:36:40.680
<v Speaker 1>the little yellow app for those of you with iPhone.

0:36:41.480 --> 0:36:44.399
<v Speaker 1>I use Notes, and I have a page on those

0:36:44.440 --> 0:36:52.319
<v Speaker 1>notes that says song ideas, slash titles, and wherever I am,

0:36:52.719 --> 0:36:55.640
<v Speaker 1>whoever I'm talking to, or maybe I'm watching a movie

0:36:55.800 --> 0:36:59.640
<v Speaker 1>or a Netflix series or something, the wind blows a

0:36:59.680 --> 0:37:03.279
<v Speaker 1>certain way, and I'll go, huh, that's a cool idea

0:37:03.320 --> 0:37:07.560
<v Speaker 1>for a title. I mean literally, you could say the

0:37:07.680 --> 0:37:10.759
<v Speaker 1>wind blows a certain way whatever. It doesn't matter what

0:37:10.920 --> 0:37:13.319
<v Speaker 1>the title is. It could be if you take all

0:37:13.360 --> 0:37:15.759
<v Speaker 1>your favorite songs and just read the titles. Some of

0:37:15.800 --> 0:37:18.719
<v Speaker 1>them aren't special at all, they just become songs. Some

0:37:18.880 --> 0:37:22.960
<v Speaker 1>of them are very special. But I'll have this running

0:37:23.040 --> 0:37:29.080
<v Speaker 1>list the old there's probably three hundred lines on this notepad,

0:37:30.800 --> 0:37:34.479
<v Speaker 1>the oldest ones being from like two thousand and six,

0:37:35.360 --> 0:37:39.239
<v Speaker 1>two thousand and five, So there's a fifteen year list going.

0:37:40.160 --> 0:37:42.680
<v Speaker 1>And some of those poor ideas will probably never get written.

0:37:43.320 --> 0:37:46.279
<v Speaker 1>Some of them. I came up with the idea last

0:37:46.320 --> 0:37:48.799
<v Speaker 1>week and now I'm already writing it. Some of them

0:37:49.520 --> 0:37:52.080
<v Speaker 1>are seven years old, and I'll look back and I go, wow,

0:37:52.600 --> 0:37:55.080
<v Speaker 1>I wrote that seven years ago. That's actually pretty cool.

0:37:56.719 --> 0:37:59.440
<v Speaker 1>What I do then is I also have voice memos

0:37:59.480 --> 0:38:01.799
<v Speaker 1>on the iPhone. Thank god for the iPhone these days.

0:38:01.880 --> 0:38:05.040
<v Speaker 1>Right this used to be a tape recorder and spiral notepads.

0:38:06.719 --> 0:38:10.080
<v Speaker 1>I'll use that voice recorder and I'll think of a

0:38:10.160 --> 0:38:13.680
<v Speaker 1>melody like do do do whatever, and I'll pick up

0:38:13.719 --> 0:38:19.360
<v Speaker 1>my iPhone and I'll go do whatever. And then sometimes

0:38:19.440 --> 0:38:22.800
<v Speaker 1>it could be a line that I that's tied to

0:38:22.840 --> 0:38:25.080
<v Speaker 1>a melody, and I'll record that on the voice memo.

0:38:25.800 --> 0:38:29.640
<v Speaker 1>So then the day that I'm writing, I usually do

0:38:29.719 --> 0:38:32.279
<v Speaker 1>my best writing in the mornings, I'll sit down, cup

0:38:32.360 --> 0:38:36.680
<v Speaker 1>of coffee, no distractions, airplane mode on the phone, and

0:38:37.680 --> 0:38:40.680
<v Speaker 1>I'll put a guitar in my lap, and I'll start

0:38:40.880 --> 0:38:44.239
<v Speaker 1>hunting down the voice memos versus the notes, and I'll

0:38:44.280 --> 0:38:49.600
<v Speaker 1>find which which voice memo matches which note meaning, which

0:38:49.680 --> 0:38:56.200
<v Speaker 1>melody matches which song title or line, and I'll look

0:38:56.320 --> 0:38:59.960
<v Speaker 1>through depending on the mood I'm in. Maybe i'll start

0:39:00.160 --> 0:39:02.719
<v Speaker 1>with melodies and I'll start listening and I'll get to

0:39:03.280 --> 0:39:07.680
<v Speaker 1>melody number six and I'll go, ah, man, that sounds

0:39:07.719 --> 0:39:10.160
<v Speaker 1>like today, and that's like rain. Maybe it's raining outside

0:39:10.239 --> 0:39:15.000
<v Speaker 1>or something. The day can match the song totally. It's

0:39:15.080 --> 0:39:19.040
<v Speaker 1>kind of raining outside. And by the way, sometimes the

0:39:19.160 --> 0:39:21.640
<v Speaker 1>day that the song can match the day in an

0:39:21.640 --> 0:39:23.880
<v Speaker 1>opposite way, like it's raining. But I'm gonna write a

0:39:23.920 --> 0:39:27.239
<v Speaker 1>sunshine song because I really miss the sun. All right.

0:39:27.320 --> 0:39:30.000
<v Speaker 1>It's wintertime and I really want to write a summertime song,

0:39:30.239 --> 0:39:33.000
<v Speaker 1>or it could just be summer, and I'm really inspired

0:39:33.080 --> 0:39:34.960
<v Speaker 1>by that, so I write that. But I take the

0:39:35.040 --> 0:39:37.840
<v Speaker 1>melody number seven and I go, I love this this,

0:39:37.960 --> 0:39:40.759
<v Speaker 1>I'm really feeling this today, and then I start I

0:39:40.920 --> 0:39:43.200
<v Speaker 1>keep that playing on loop and I'll start going through

0:39:43.360 --> 0:39:46.080
<v Speaker 1>down the list of my notes, and I'll go not

0:39:46.239 --> 0:39:48.000
<v Speaker 1>that one, not that one, not that one, could be

0:39:48.080 --> 0:39:50.439
<v Speaker 1>that one, not that one, could not that one, maybe

0:39:50.520 --> 0:39:53.600
<v Speaker 1>that one. Ooh, that's a good one. So then i'll

0:39:53.600 --> 0:39:58.360
<v Speaker 1>have three. Maybe I could be in a yes, And

0:39:58.440 --> 0:40:03.279
<v Speaker 1>I'll try to sing that line to that melody in

0:40:03.400 --> 0:40:08.680
<v Speaker 1>some way. And sometimes they they're perfect match, and sometimes

0:40:08.719 --> 0:40:10.640
<v Speaker 1>they're not. Sometimes I have to force it. Sometimes I

0:40:10.680 --> 0:40:14.120
<v Speaker 1>have to slow the melody down or raise the key

0:40:14.400 --> 0:40:19.160
<v Speaker 1>or lower the key. It's a big math problem. And

0:40:19.320 --> 0:40:22.439
<v Speaker 1>some days this process is like boom boom, boom, Wow,

0:40:22.520 --> 0:40:25.960
<v Speaker 1>there's a song. And some days I start that process

0:40:26.239 --> 0:40:28.800
<v Speaker 1>and years go by and there's nothing more than just

0:40:29.080 --> 0:40:32.239
<v Speaker 1>the original melody number seven and the line that I liked.

0:40:34.280 --> 0:40:37.200
<v Speaker 1>It's a long game. I think I said that earlier

0:40:37.200 --> 0:40:39.480
<v Speaker 1>to the guy trying to get the h the job

0:40:39.560 --> 0:40:41.960
<v Speaker 1>in the police academy or the police department. It's these

0:40:42.000 --> 0:40:47.839
<v Speaker 1>are long, long term commitments. It's it's never a quick thing.

0:40:47.960 --> 0:40:51.359
<v Speaker 1>You you put, you put the effort into this kind

0:40:51.400 --> 0:40:55.160
<v Speaker 1>of career, and you you set your goals for a

0:40:55.320 --> 0:41:00.879
<v Speaker 1>long long time and one day this is somebody told

0:41:00.920 --> 0:41:04.160
<v Speaker 1>me this. Even the blind hog will find an a

0:41:04.239 --> 0:41:07.680
<v Speaker 1>corn every once in a while. Take it like you will,

0:41:07.960 --> 0:41:09.839
<v Speaker 1>even the blind hog go find an acorn every once

0:41:09.840 --> 0:41:14.400
<v Speaker 1>in a while. Thank you, bart. Okay, let's go to

0:41:14.480 --> 0:41:21.440
<v Speaker 1>the next question here, say grandeer, my name is Jason.

0:41:21.640 --> 0:41:27.319
<v Speaker 1>I'm from Summit Hill, Pennsylvania. Shout out to Pennsylvania. If

0:41:27.360 --> 0:41:30.120
<v Speaker 1>for some crazy reason, the music industry was non existent

0:41:30.239 --> 0:41:32.759
<v Speaker 1>come tomorrow, what would you do as a backup plan

0:41:33.520 --> 0:41:36.040
<v Speaker 1>slash career moving forward in order to pay the bills

0:41:36.080 --> 0:41:38.680
<v Speaker 1>and support your family? Have you ever put any thought

0:41:38.760 --> 0:41:40.600
<v Speaker 1>into such a thing? Thanks for your time, See you

0:41:40.640 --> 0:41:46.120
<v Speaker 1>down the road. So, Jason, you mean like twenty twenty,

0:41:47.480 --> 0:41:50.720
<v Speaker 1>because that didn't That pretty much happened. The music industry

0:41:50.920 --> 0:41:53.480
<v Speaker 1>pretty much became non existent in twenty twenty and it

0:41:53.640 --> 0:41:58.560
<v Speaker 1>still is in twenty twenty one. So yeah, buddy, absolutely,

0:41:59.239 --> 0:42:00.720
<v Speaker 1>I think about it all the time, and I've always

0:42:00.760 --> 0:42:03.279
<v Speaker 1>thought about it, And it's one of the reasons I

0:42:03.880 --> 0:42:06.600
<v Speaker 1>that Ye Apparel is such a blessing because Ye Apparel

0:42:07.239 --> 0:42:11.360
<v Speaker 1>is completely independent of my music. Meaning if I stopped

0:42:11.480 --> 0:42:15.840
<v Speaker 1>putting out music today, I'm still in the apparel business.

0:42:15.920 --> 0:42:20.800
<v Speaker 1>I still have this miniature empire that me and my

0:42:20.920 --> 0:42:25.160
<v Speaker 1>brothers have built, so so proud of that, and that's

0:42:25.200 --> 0:42:28.360
<v Speaker 1>a great fallback plan. I have a I will say this, Jason,

0:42:28.400 --> 0:42:32.000
<v Speaker 1>I have a thousand jobs. I have not counted them,

0:42:32.200 --> 0:42:36.759
<v Speaker 1>but I have you know, my my job as an influencer,

0:42:37.120 --> 0:42:40.560
<v Speaker 1>which includes well it kind of includes this podcast, you know,

0:42:40.640 --> 0:42:44.920
<v Speaker 1>because I'll I read my my ads on this podcast

0:42:45.000 --> 0:42:48.120
<v Speaker 1>and that definitely helps pay the bills. I have cameo

0:42:48.719 --> 0:42:51.680
<v Speaker 1>which I'll go in there every day and do cameos

0:42:51.800 --> 0:43:01.080
<v Speaker 1>for video messages for people. I have my YouTube hustle

0:43:01.239 --> 0:43:03.320
<v Speaker 1>that I have going on. I have e Life the

0:43:03.360 --> 0:43:05.680
<v Speaker 1>Grangdersmith channel, which is this podcast is on the Grander

0:43:05.719 --> 0:43:08.840
<v Speaker 1>Smith channel. Then I have the Smith My Family channel,

0:43:08.880 --> 0:43:12.759
<v Speaker 1>so we have advertising through that. We also get paid

0:43:12.800 --> 0:43:17.000
<v Speaker 1>through Google AdSense through those how many views we get.

0:43:17.960 --> 0:43:22.640
<v Speaker 1>So those are, to name a few, just my few

0:43:22.960 --> 0:43:27.440
<v Speaker 1>side hustles. I also have songwriting, which I just got

0:43:27.480 --> 0:43:30.680
<v Speaker 1>a Darryl Worley cut which is awesome. I don't know

0:43:30.719 --> 0:43:32.719
<v Speaker 1>if you guys remember Daryl, but I just got the

0:43:32.800 --> 0:43:35.520
<v Speaker 1>message today that song I wrote a long time ago

0:43:36.360 --> 0:43:41.480
<v Speaker 1>is going on his newest album. So I have a

0:43:41.560 --> 0:43:45.800
<v Speaker 1>lot of a lot of irons in the fire. I

0:43:47.000 --> 0:43:49.719
<v Speaker 1>work with a lot of different people doing a lot

0:43:49.800 --> 0:43:56.800
<v Speaker 1>of different things, and if the music business crashed for

0:43:56.880 --> 0:44:00.759
<v Speaker 1>the rest of twenty twenty one, that's the backup plan.

0:44:01.160 --> 0:44:06.839
<v Speaker 1>If your question meant to be if you hadn't done

0:44:06.960 --> 0:44:09.600
<v Speaker 1>music to begin with, what would you be doing now?

0:44:09.719 --> 0:44:12.799
<v Speaker 1>That's another kind of common question, and maybe that's more

0:44:13.040 --> 0:44:17.040
<v Speaker 1>of what you meant, Jason, Then I would say, and

0:44:17.160 --> 0:44:21.760
<v Speaker 1>I have a degree in history, and that would probably

0:44:21.880 --> 0:44:25.520
<v Speaker 1>lead me to being a coach. I really like I

0:44:25.640 --> 0:44:28.239
<v Speaker 1>really like coaches and what they did for me in

0:44:28.360 --> 0:44:34.359
<v Speaker 1>my life and the ability to inspire young people through

0:44:34.480 --> 0:44:39.040
<v Speaker 1>athletics and life is definitely a passion of mine. And

0:44:39.120 --> 0:44:44.480
<v Speaker 1>I could see myself and Little Town High School being

0:44:44.560 --> 0:44:49.480
<v Speaker 1>the history teacher and the football coach. I could definitely

0:44:49.520 --> 0:44:53.360
<v Speaker 1>see that, and I would enjoy that a lot. I

0:44:53.360 --> 0:44:58.520
<v Speaker 1>would also enjoy being in agriculture, being in farming, being

0:44:58.600 --> 0:45:01.520
<v Speaker 1>in ranching. I'd love that to love that aspect. So

0:45:02.680 --> 0:45:04.719
<v Speaker 1>the problem with being an agriculture at a at a

0:45:06.040 --> 0:45:09.480
<v Speaker 1>manageable scale is that you these days you almost have

0:45:09.640 --> 0:45:13.319
<v Speaker 1>to inherit the big farm in Iowa or the big

0:45:13.520 --> 0:45:16.360
<v Speaker 1>ranch in Texas. You almost have to just inherit it

0:45:16.440 --> 0:45:20.560
<v Speaker 1>from your family line to get into it, because no

0:45:20.600 --> 0:45:23.640
<v Speaker 1>one wants to go and you know, drop millions of

0:45:23.719 --> 0:45:27.120
<v Speaker 1>bucks and a farm in Illinois and start from scratch,

0:45:27.600 --> 0:45:31.360
<v Speaker 1>you know, farm and corn. So yeah, I think I

0:45:31.480 --> 0:45:34.759
<v Speaker 1>think those are your answers. Jason, thank you for writing

0:45:34.800 --> 0:45:38.080
<v Speaker 1>in and shout out to Pennsylvania. Love you people in Pennsylvania.

0:45:41.400 --> 0:45:44.960
<v Speaker 1>Here is a question that that I saw come through

0:45:48.160 --> 0:45:51.840
<v Speaker 1>and this question is from Chad. He said, I'm trying

0:45:51.880 --> 0:45:55.120
<v Speaker 1>to find my faith. How do I find my way?

0:45:56.040 --> 0:46:00.359
<v Speaker 1>I'm an ex Canadian military and how do I find

0:46:00.440 --> 0:46:03.719
<v Speaker 1>God after what I've seen and did in the line

0:46:03.719 --> 0:46:06.760
<v Speaker 1>of duty? I look forward to your podcast and YouTube channels.

0:46:08.440 --> 0:46:11.719
<v Speaker 1>Thank you, Chad. Thanks for writing in. Don't know where

0:46:11.719 --> 0:46:15.920
<v Speaker 1>you're from. I'm assuming Canada. Thank you for your service,

0:46:17.239 --> 0:46:19.920
<v Speaker 1>and thank you for your question. Let me go back

0:46:19.960 --> 0:46:22.840
<v Speaker 1>to saying that guys, I don't have I don't have

0:46:22.960 --> 0:46:25.200
<v Speaker 1>all the answers. I would just treat this as me,

0:46:25.520 --> 0:46:28.600
<v Speaker 1>me and you, Chad, we're just buds. We're cruising down

0:46:28.600 --> 0:46:34.560
<v Speaker 1>the road in a truck, windows down and you asked

0:46:34.600 --> 0:46:36.640
<v Speaker 1>me this. Hey, Bud, I'm trying to find my faith.

0:46:36.880 --> 0:46:39.799
<v Speaker 1>How to find my way? How do I find God

0:46:39.840 --> 0:46:42.000
<v Speaker 1>after what I've seen and did in the line of duty?

0:46:42.080 --> 0:46:45.480
<v Speaker 1>And the reason I even give that. The reason I

0:46:45.560 --> 0:46:49.120
<v Speaker 1>have to say that is because I don't know what

0:46:49.239 --> 0:46:51.000
<v Speaker 1>you did and saw in the line of duty, and

0:46:51.040 --> 0:46:55.040
<v Speaker 1>I can't begin to act like I know about that.

0:46:58.560 --> 0:47:05.120
<v Speaker 1>And it's a terrible price that we have to pay

0:47:06.239 --> 0:47:14.000
<v Speaker 1>for the freedom that we enjoy. That the sacrifice is

0:47:14.040 --> 0:47:18.800
<v Speaker 1>made by men and women like you come with the

0:47:18.960 --> 0:47:29.120
<v Speaker 1>repercressions of the devastating mental health issue that follows the

0:47:29.200 --> 0:47:34.960
<v Speaker 1>fact that you're asking me and wondering is awesome and

0:47:35.760 --> 0:47:43.520
<v Speaker 1>so encouraging, because the other path is the total self indulgence.

0:47:44.719 --> 0:47:47.880
<v Speaker 1>Everything you buy chakes you faster and faster and faster

0:47:48.560 --> 0:47:53.000
<v Speaker 1>and gets you drunker and drunker and drunker, or you're

0:47:53.080 --> 0:48:02.560
<v Speaker 1>slipping into a terrible depression of some sort. And so

0:48:02.719 --> 0:48:05.520
<v Speaker 1>you're asking what I think, in my opinion, is the

0:48:05.680 --> 0:48:08.120
<v Speaker 1>right questions, how to find my faith, how to find

0:48:08.120 --> 0:48:15.880
<v Speaker 1>my way? If you're asking me, Granger Smith, I'm going

0:48:15.960 --> 0:48:19.280
<v Speaker 1>to say all of your answers are in the Bible.

0:48:20.680 --> 0:48:22.560
<v Speaker 1>And then you come back to me, as in our

0:48:22.600 --> 0:48:25.400
<v Speaker 1>conversation in the truck, and you say, the Bible's so

0:48:26.280 --> 0:48:33.040
<v Speaker 1>big and it's so boring and ominous, and what is it?

0:48:33.640 --> 0:48:36.600
<v Speaker 1>And where do I even start? Like there's all these

0:48:36.719 --> 0:48:39.360
<v Speaker 1>pages in there, and I don't know, don't understand it,

0:48:40.000 --> 0:48:43.520
<v Speaker 1>and don't like everyone just choose their own religion, and

0:48:44.480 --> 0:48:47.399
<v Speaker 1>isn't it all the same? Like, isn't God just there?

0:48:47.480 --> 0:48:50.120
<v Speaker 1>And you just it's all the same and it doesn't matter,

0:48:50.200 --> 0:48:52.879
<v Speaker 1>you just pick one. Why does it matter to find

0:48:52.920 --> 0:48:58.080
<v Speaker 1>the Bible? I'll tell you why it matters. The one

0:48:58.120 --> 0:49:01.680
<v Speaker 1>of the many reasons why it matters is you have

0:49:01.800 --> 0:49:05.880
<v Speaker 1>been called to search for it, which is why you

0:49:06.040 --> 0:49:09.640
<v Speaker 1>emailed me. Whether you like it or not, or whether

0:49:09.800 --> 0:49:12.799
<v Speaker 1>anyone listening to this podcast right now wherever you are,

0:49:13.320 --> 0:49:19.279
<v Speaker 1>disagrees with me, it's the truth. Chad was called to

0:49:19.400 --> 0:49:23.760
<v Speaker 1>write this email to fill a void that he feels

0:49:23.840 --> 0:49:28.080
<v Speaker 1>like he is missing that he can't fill with a girl,

0:49:28.960 --> 0:49:33.560
<v Speaker 1>or with a child, or with a pretty sunset or

0:49:33.600 --> 0:49:39.840
<v Speaker 1>a vacation a Disney World or a red camaro or

0:49:39.880 --> 0:49:46.359
<v Speaker 1>a skydiving or the bottom of a whiskey bottle. There's

0:49:46.400 --> 0:49:51.440
<v Speaker 1>something more. And all of us are built with a

0:49:52.280 --> 0:49:57.200
<v Speaker 1>God shaped hole in our soul, and there's only one

0:49:57.840 --> 0:50:01.000
<v Speaker 1>thing that could fit a God sh aped hole, and

0:50:01.120 --> 0:50:09.440
<v Speaker 1>that's God. It's really hard to deny that that truth.

0:50:10.480 --> 0:50:13.520
<v Speaker 1>When you see a question like this from Chad, who's

0:50:13.560 --> 0:50:17.680
<v Speaker 1>obviously looking for that to fill that void in his soul.

0:50:19.719 --> 0:50:25.040
<v Speaker 1>So at this point, the windows are down, we're cruising.

0:50:26.000 --> 0:50:29.879
<v Speaker 1>You ask me where do I even start? And I say,

0:50:31.280 --> 0:50:35.839
<v Speaker 1>you start in the New Testament. Start in Matthew chapter one.

0:50:37.520 --> 0:50:39.680
<v Speaker 1>That's a good place to start. You could start at

0:50:39.680 --> 0:50:41.760
<v Speaker 1>the beginning. You could start at Genesis, the Old Testament.

0:50:41.800 --> 0:50:46.840
<v Speaker 1>But the Old Testament, there's a lot of things in

0:50:46.960 --> 0:50:54.160
<v Speaker 1>the in that Bible, in that big, confusing, multi paged

0:50:54.920 --> 0:50:57.759
<v Speaker 1>mass of a book, there's a lot of things in

0:50:57.840 --> 0:51:03.000
<v Speaker 1>there that are not they're not written excuse me for

0:51:05.760 --> 0:51:13.839
<v Speaker 1>a young seeker, if that makes sense. There's a lot

0:51:13.880 --> 0:51:19.640
<v Speaker 1>of things that are solid food when some people still

0:51:19.719 --> 0:51:24.480
<v Speaker 1>need breast milk. And that's not in any way demeaning

0:51:24.560 --> 0:51:28.640
<v Speaker 1>to you, Chad, but you need breast milk right now.

0:51:29.120 --> 0:51:33.880
<v Speaker 1>You need the basics, the most broken down version of

0:51:34.000 --> 0:51:38.240
<v Speaker 1>food to digest. And so I would start in Matthew.

0:51:39.360 --> 0:51:43.080
<v Speaker 1>There's a million devotionals you could read. There's a million

0:51:43.239 --> 0:51:48.320
<v Speaker 1>YouTube videos or pastors or churches you could go to.

0:51:49.080 --> 0:51:51.520
<v Speaker 1>But it's funny. My bust Dripper Bull brought this up

0:51:51.560 --> 0:51:55.080
<v Speaker 1>to me and he said, it's almost like if you don't.

0:51:55.680 --> 0:51:58.799
<v Speaker 1>If you don't start with the story of Christ, then

0:52:00.520 --> 0:52:03.760
<v Speaker 1>you're risking walking into a church as if you're walking

0:52:03.880 --> 0:52:07.000
<v Speaker 1>into a movie that's already played halfway through and you

0:52:07.080 --> 0:52:10.239
<v Speaker 1>have to try to catch up. So I would say,

0:52:12.880 --> 0:52:17.799
<v Speaker 1>open up that book to Matthew, and before you even

0:52:17.880 --> 0:52:23.759
<v Speaker 1>touch a word of it, you say, God, it's me Chad.

0:52:25.719 --> 0:52:30.000
<v Speaker 1>I know that I haven't really talked to you before,

0:52:31.960 --> 0:52:36.320
<v Speaker 1>and I know that I'm searching for you, and I

0:52:36.360 --> 0:52:38.719
<v Speaker 1>don't know if I'm worthy even to talk to an

0:52:38.960 --> 0:52:44.200
<v Speaker 1>almighty creator. But if you're up there, if you're listening,

0:52:47.000 --> 0:52:48.960
<v Speaker 1>I want to read this book and try to understand it.

0:52:49.200 --> 0:52:52.200
<v Speaker 1>Can you help me understand it? Can you if this

0:52:52.360 --> 0:52:54.840
<v Speaker 1>is real? Can you make these words real to me?

0:52:55.680 --> 0:52:58.880
<v Speaker 1>Can you make this fit that heart shaped void in

0:52:59.040 --> 0:53:02.640
<v Speaker 1>my soul? Can when you do that for me? And

0:53:02.719 --> 0:53:08.839
<v Speaker 1>then start and keep an open mind about it, keep

0:53:08.880 --> 0:53:13.040
<v Speaker 1>your ears open, keep your eyes open, and soak it

0:53:13.120 --> 0:53:16.200
<v Speaker 1>in because Chad, what you're going to find in there

0:53:16.960 --> 0:53:20.360
<v Speaker 1>is all the answers, a million times more than I

0:53:20.400 --> 0:53:23.400
<v Speaker 1>could ever begin to even start with. But you saying,

0:53:24.040 --> 0:53:26.080
<v Speaker 1>how do I find God after what I've seen and

0:53:26.280 --> 0:53:28.320
<v Speaker 1>did in the line of duty? Your answer is in

0:53:28.480 --> 0:53:32.880
<v Speaker 1>that book because in that New Testament, everything that you

0:53:33.080 --> 0:53:41.080
<v Speaker 1>did is forgiven. Everything is forgiven everything. And there's people

0:53:41.160 --> 0:53:44.439
<v Speaker 1>in there that wrote those books that did a lot

0:53:44.560 --> 0:53:48.720
<v Speaker 1>of bad things. They saw a lot of bad things,

0:53:51.040 --> 0:53:59.399
<v Speaker 1>and through that word they were saved. And I'm trying

0:53:59.440 --> 0:54:03.759
<v Speaker 1>to pick my word words here because there's some Like

0:54:03.880 --> 0:54:08.200
<v Speaker 1>I said, it's breast milk, right, And I want you.

0:54:08.440 --> 0:54:10.960
<v Speaker 1>I hope you wrote this to me on November the ninth.

0:54:12.480 --> 0:54:15.919
<v Speaker 1>I hope that you write back in in a couple

0:54:16.080 --> 0:54:21.040
<v Speaker 1>months after this podcast airs and you say, hey, I

0:54:21.120 --> 0:54:23.440
<v Speaker 1>did it, and be honest with me. I did it,

0:54:23.680 --> 0:54:26.560
<v Speaker 1>and it wasn't for me. I didn't get anything out

0:54:26.600 --> 0:54:31.440
<v Speaker 1>of it or man read. I started reading it and

0:54:31.560 --> 0:54:34.360
<v Speaker 1>I realized, as I'm trying to understand it, I realized,

0:54:35.120 --> 0:54:39.560
<v Speaker 1>I think this book actually understands me, and the questions

0:54:39.640 --> 0:54:44.400
<v Speaker 1>I had, they're answered right here. And I know it

0:54:44.520 --> 0:54:47.200
<v Speaker 1>was written a long time ago, and I know that

0:54:48.960 --> 0:54:51.959
<v Speaker 1>that these words have been historically proven to be true

0:54:52.000 --> 0:54:54.800
<v Speaker 1>and not changed because the Dead Sea scrolls that we

0:54:54.880 --> 0:54:57.840
<v Speaker 1>found recently, these words are real. They're not just some

0:54:58.840 --> 0:55:02.400
<v Speaker 1>medieval translation that some king decided to I realize that,

0:55:03.360 --> 0:55:07.640
<v Speaker 1>and I realize that although it was for a lot

0:55:07.719 --> 0:55:11.440
<v Speaker 1>of people. That kind of sounds like it's talking straight

0:55:11.760 --> 0:55:16.960
<v Speaker 1>to me, and that is that little peace that fits

0:55:17.080 --> 0:55:23.319
<v Speaker 1>straight into that God hole in your soul. And don't

0:55:23.360 --> 0:55:27.239
<v Speaker 1>let me be the testimony for you. You be your

0:55:27.239 --> 0:55:32.520
<v Speaker 1>own testimony. Because proof in this stuff, proof in this

0:55:32.719 --> 0:55:36.840
<v Speaker 1>faith doesn't just come because you just randomly believe it.

0:55:37.920 --> 0:55:42.000
<v Speaker 1>It comes because you feel the transformation inside you, like

0:55:42.200 --> 0:55:45.040
<v Speaker 1>I have gone through in the last two years. You

0:55:45.280 --> 0:55:48.560
<v Speaker 1>feel that change, you feel that restoration, and you go

0:55:50.280 --> 0:55:53.920
<v Speaker 1>I know it's real, not just because of some fairy

0:55:54.000 --> 0:55:56.759
<v Speaker 1>tale or because what people tell me, or because what

0:55:56.920 --> 0:55:58.879
<v Speaker 1>they say I'm supposed to believe what I don't see,

0:55:59.000 --> 0:56:02.200
<v Speaker 1>not because of that, because I feel it, because I

0:56:02.280 --> 0:56:07.000
<v Speaker 1>feel that void has gone and I feel peace when

0:56:07.040 --> 0:56:09.560
<v Speaker 1>I have seen things that I shouldn't. I'm speaking for

0:56:09.680 --> 0:56:12.759
<v Speaker 1>myself me, Granger Smith. I have seen things that my

0:56:13.000 --> 0:56:19.000
<v Speaker 1>eyes should not have seen that I can't erase. And

0:56:19.120 --> 0:56:23.520
<v Speaker 1>the only thing that will give me peace from those

0:56:23.760 --> 0:56:28.880
<v Speaker 1>visions that human eyes should not see is that word,

0:56:29.600 --> 0:56:37.479
<v Speaker 1>that truth in that book. Thanks for writing in Chad.

0:56:38.440 --> 0:56:42.360
<v Speaker 1>I love you, bro. I hope this I hope this

0:56:42.600 --> 0:56:45.080
<v Speaker 1>podcast means something to you, and I hope It gives

0:56:45.080 --> 0:56:47.520
<v Speaker 1>you a little bit of a call to action, a

0:56:47.560 --> 0:56:49.640
<v Speaker 1>little bit of urgency, and I hope you're right back

0:56:49.680 --> 0:56:54.520
<v Speaker 1>in and I'll remember your name and I wish you

0:56:54.560 --> 0:57:00.000
<v Speaker 1>the best. Thank you, guys. That's all I got. Seey'll next, Monk.

0:57:01.600 --> 0:57:04.560
<v Speaker 1>Thanks for joining me on the Grangersmith Podcast. I appreciate

0:57:04.840 --> 0:57:06.799
<v Speaker 1>all of you guys. You could help me out by

0:57:06.920 --> 0:57:10.719
<v Speaker 1>rating this podcast on iTunes. If you're on YouTube, subscribe

0:57:10.760 --> 0:57:13.480
<v Speaker 1>to this channel. Hit that little like button and the

0:57:13.520 --> 0:57:17.200
<v Speaker 1>notification spell so that you never miss anytime I upload

0:57:17.560 --> 0:57:19.720
<v Speaker 1>a video. If you have a question for me that

0:57:19.760 --> 0:57:23.720
<v Speaker 1>you would like me to answer, email Grangersmith Podcast at

0:57:23.840 --> 0:57:26.080
<v Speaker 1>gmail dot com. Yi