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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I heart radio and his Drink Chas motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's like Green is your

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Speaker 1: boy in r He's a Miami hippoper pioneer. Is d

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Speaker 1: J e f N. Together they drinking up with some

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Speaker 1: of the biggest players in the most professional unprofessional podcast

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Speaker 1: and your number one source for drunk fat drinks motherfuckings

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Speaker 1: New year'sz Just time for Drink Champs. Drink up, motherfuck mother?

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Speaker 1: Would it could be? Hopefully? Would it super be? This

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Speaker 1: is your boy? And oh what up? Is d J

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Speaker 1: e f N and his Drink Chats. Motherfucker yap Yalla

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Speaker 1: made something Now when we interviewing this brother right here,

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Speaker 1: I've been um, I've been watching the progress, watching and

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Speaker 1: then I wanted to, you know, do my due diligence.

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Speaker 1: I could say to him a friend, but I wanted

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Speaker 1: to do my dudeen. Just because he's my friend doesn't

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Speaker 1: mean or a person that I you know, it doesn't

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Speaker 1: mean I'm not supposed to do the research I was

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Speaker 1: supposed to do. So I did it, and I can

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Speaker 1: see the transition. I could see him going from coming

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Speaker 1: in the game just not caring to understanding that the

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Speaker 1: lives just happening. This guy is a media mogul when

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Speaker 1: you see what he built from the ground up, come

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Speaker 1: from Stockholm, right stocked in. Okay, my back, I was

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Speaker 1: close enough. I'm dyslexic. I'm gonna blame it on dyslexia.

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Speaker 1: But the man came dominated has relationships with people like

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Speaker 1: Floyd Mayweather, Rihanna Dre and our friend friend of the show,

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Speaker 1: Mr Yazos. The man means so much when he covers

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Speaker 1: your story, your story will be covering. So in case

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Speaker 1: you don't know who the funk we're talking about, it's

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Speaker 1: your mother one the only motherfucker. Jason Lee makes a

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Speaker 1: goddamn but basically you drinking some as spade with me,

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Speaker 1: I don't give We don't know if people understand what

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Speaker 1: our show was about. Our show was really about giving

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Speaker 1: people their flowers. You understand, I'm saying so many people

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Speaker 1: that's where we started it. I know so many people

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Speaker 1: use that phrase now, but we we we didn't invent it,

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Speaker 1: but we made it popular. We realized that when you

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Speaker 1: have ten years or more in this game, when people

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Speaker 1: say is you're washed up and you're gone, and we

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Speaker 1: wanted to pick up our legends. So for you being here,

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Speaker 1: we want you to know we look at you as

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Speaker 1: a legend. We look at you as a motherfucking media mogul,

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Speaker 1: and we're gonna motherfucker's salute your motherfucker ask in your face.

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Speaker 1: But we're gonna also celebrate your ass and that and

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Speaker 1: that means because say you know, you know what I

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Speaker 1: will say is you're one of the few people that

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Speaker 1: have always given me love. When you saw me this

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Speaker 1: tee me the first time you saw me, I was

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Speaker 1: surprised that you even knew who I was. And I'm

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Speaker 1: very humble on what I do. But I did come

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Speaker 1: here today to talk my ship. Yes you did. Like

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Speaker 1: this year, motherfucker's gonna stop recognized because I really worked hard.

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Speaker 1: I'm black, I'm gay. Let's start with that. I still

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Speaker 1: damn black, and I'm out here and I started everything

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Speaker 1: from from the from the mudd, and I feel like

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Speaker 1: a lot of people have taken advantage of me being humble.

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Speaker 1: I'm still gonna be humble because that's just who I

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Speaker 1: am and that's where I come from. But I but

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Speaker 1: I also said, like this was the year two thoere,

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Speaker 1: I'm gonna step it up and not you and go

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Speaker 1: even harder than I ever have it. I've already started.

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Speaker 1: You got a phrase that you said that I like,

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Speaker 1: you said, we gotta cancel cancel culture. In fact fact

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Speaker 1: that was that was on the timing. Was that on time,

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Speaker 1: and nobody's gonna make no noise with me. Jesus, that

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Speaker 1: was on time, and you said you gotta cancel cancel culture.

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Speaker 1: I I need you to elaborate on that, because ahead,

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Speaker 1: but cancel culture really only exists. It only sticks for

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Speaker 1: black people, right like white people. They can get canceled

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Speaker 1: today and tomorrow. They can be on a whole another

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Speaker 1: magazine they could be, they can have another fortune fire,

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Speaker 1: and the companies support them. I'll give you an example

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Speaker 1: of that woman, Aquafina. Now, if you ever drink water,

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Speaker 1: Aquafina is the worst water you're ever gonna drink. You

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Speaker 1: could suck water out of a toilet and it would

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Speaker 1: taste comparable to Aquafina. There's an Asian actress named Aquafina.

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Speaker 1: I don't know what she acts in because I don't

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Speaker 1: look for her, but she apparently was canceled on Twitter

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Speaker 1: for black sent you know, using our our accent or whatever,

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Speaker 1: talking black, whatever the funk that means. And then I

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Speaker 1: was watching the super Bowl today along with all the

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Speaker 1: other niggas who stopped kneling for a cap and then

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Speaker 1: I saw her in the super Bowl commercial. Now, if

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Speaker 1: we do something, I ain't seen Whoopy in the super

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Speaker 1: Bowl commercial, but I see Aquafina super Bowl commercial. Cancel

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Speaker 1: culture really ain't real unless it's our culture it applies to,

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Speaker 1: because then they don't just cancel as they try to

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Speaker 1: destroy us. When I realized like a lot of the

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Speaker 1: reporting we were doing was kind of working in tandem

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Speaker 1: with that agenda, we switched it up and started looking

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Speaker 1: at the other side of it, like, Okay, well, if

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Speaker 1: you're gonna cancel Whoopy, why Joe Rogan still over there?

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Speaker 1: I to pay my next question? You know what I I mean?

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Speaker 1: I think let's let's get a little drinking us. Let's go.

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Speaker 1: Let's go. This is a setup, by the way, No,

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Speaker 1: because let me just say up. Let me just tell

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Speaker 1: you something. Why he sat me up? No, sat me

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Speaker 1: up because I told him and James I'm not drinking

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Speaker 1: a day. So let me just tell you something. Let

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Speaker 1: me just tell you something because I watched your interviews

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Speaker 1: and you're very You're very, very, very very ill. You

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Speaker 1: have a very like all of us have a unique

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Speaker 1: style to us. But what I'm saying is, but before

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Speaker 1: we get into that, what is the difference between Whoopie

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Speaker 1: and Joe Rogan? Besides the fact that of the obvious

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Speaker 1: black and white, what's the other difference? I don't think

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Speaker 1: there is any other difference. I mean, you know, we

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Speaker 1: live in a world where hashtag protect black women only

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Speaker 1: applies to making the statue when we're talking about who

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Speaker 1: shot her. It doesn't apply to all black women. Because

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Speaker 1: Whoopi Goldberg being a black icon, somebody who from when

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Speaker 1: I was a little kid, I watched every movie that

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Speaker 1: she's ever done. She's won every award in every lane

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Speaker 1: of the industry. She's literally one of our beacons of

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Speaker 1: like what we all can be coming for. She literally

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Speaker 1: was put on time out, like she literally was sat

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Speaker 1: down for two weeks. Like she's on a view without

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Speaker 1: a view, right, Like how do you put She's not

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Speaker 1: only on the view, she's the moderator of the view.

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Speaker 1: Her job is to moderate conversations that are very politically

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Speaker 1: charged or or racially charged. I mean, this is the

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Speaker 1: same person who walked off the set when Bill O'Reilly

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Speaker 1: was doing all his ship. But again, you know, she's

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Speaker 1: black and Joe Rogan is white. Joe Rogan still has

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Speaker 1: not lost a dollar from what I understand, and not

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Speaker 1: only he's not the lost of dollar, but Spotify actually

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Speaker 1: came out and showed support for him. Right, that's crazy.

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Speaker 1: It's not really crazy, though, And that's the thing. We

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Speaker 1: gotta stop with the selective anger and frustration with the

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Speaker 1: fact that we live and exist in a white world.

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Speaker 1: And until you own your own ship, like y'all own

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Speaker 1: your ship, do you own your own ship, you don't

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Speaker 1: have that freedom. I wake up every day. I don't

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Speaker 1: feel no shackle, I don't feel no chan I don't

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Speaker 1: feel no restriction. I talked to everybody from you. I

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Speaker 1: talked to leaders of the gay communite. I talked to

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Speaker 1: top Dog Whack. I talked to everybody and I and

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Speaker 1: I have a very this conversation with everybody because I

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Speaker 1: own me right. So, um, you had this this moment,

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Speaker 1: this you a b Madonna, Oh, Julian Fox, Kanye and

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Speaker 1: TMZ steals your footage? Yeah, the only they steal your

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Speaker 1: footage They don't even credit the y'all. They don't even

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Speaker 1: say it's right. You actually have a lawsuit against TMZ,

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Speaker 1: but we haven't filed it yet, but we are sending

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Speaker 1: them a letter to start the process. Yeah, I mean,

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Speaker 1: when's the I mean, it's not surprising that white people

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Speaker 1: still from black people and white people still from black culture, right.

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Speaker 1: I mean, Harvey has been a cocksucker mine for a

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Speaker 1: long time. And I don't know if it's just because

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Speaker 1: he's old or you know, he on his way out.

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Speaker 1: I heard he sold tim Z. That's what they do, right,

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Speaker 1: They might in trade. That's what they did the slaves too,

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Speaker 1: But I ain't know slave nigger. And this is what

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Speaker 1: I told tim Z. Right, you can use my content

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Speaker 1: like I use yours, But there's proper crediting. There's there's

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Speaker 1: just a culture that exists in licensing and you know,

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Speaker 1: yeah they yeah, I'm a sip flow you know now.

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Speaker 1: I mean, like there's just a proper way to handle business.

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Speaker 1: We've oh, I we have policies at Hollywood knock on

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Speaker 1: how my writers use their content. You just can't take

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Speaker 1: my courtesy. That not only that, though I knew how

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Speaker 1: iconic was, let me tell you how I got these

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Speaker 1: bitches together and set them up for a lawsuit. Right

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Speaker 1: once I saw what was happening, and you said, let's

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Speaker 1: all go take a photo, because you had everybody on there,

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Speaker 1: from Madonna to Ya to uh A B and even

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Speaker 1: my ass who was probably the least notable but still

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Speaker 1: in the Floyd maybe have all been canceled at some point.

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Speaker 1: Everybody a B canceled for taking off shirt. Floyd they

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Speaker 1: say he was a woman being not just taking I'm

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Speaker 1: you know, I'm just looking a you know Floyd who

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Speaker 1: they say was a woman bea there me for throwing

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Speaker 1: a drink on love and hip hop. Uh you know,

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Speaker 1: yeah every other day, you know. So I'm like, forgot

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Speaker 1: just canceled any Madonna for like, you know, all the

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Speaker 1: stuff she was doing back in the eighties. So when

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Speaker 1: I looked at the moment while it was happening, I

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Speaker 1: was like, Yo, this is iconic. So what I did

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Speaker 1: was before I posted it, we filed for copyright to

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Speaker 1: protect this, to protect it, And this is what everybody

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Speaker 1: who owns content to do. If you don't have a

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Speaker 1: copyright attorney or somebody to trademark your ship. All my

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Speaker 1: logos is trademark. Content is trademark. You can take it

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Speaker 1: and do what you want with it, but I'm gonna

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Speaker 1: get you on the back of the automatically flags. Right. Absolutely,

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Speaker 1: there's all types of you know, tools to manage all

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Speaker 1: that shi on every platform. So we had already filed

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Speaker 1: the copyright when I posted it. So when they posted

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Speaker 1: and then incredit me, and I put them on blasts

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Speaker 1: and then they then they read they took it down

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Speaker 1: and reposted it and then credited me. Like, now that

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Speaker 1: ain't how it works. Now you actually just devalue this

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Speaker 1: this mona Lisa of a moment. And when you look

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Speaker 1: back in history of what that how how dope that

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Speaker 1: moment was, That's what it's going to be looked at it.

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Speaker 1: And now you gotta pay me. And now what is

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Speaker 1: that moment? The moment is when this camera just movement.

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Speaker 1: It's not really content, just the camera just moment. Think

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Speaker 1: about it, if I think about it, if I put

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Speaker 1: out my cell phone right now, this is content. All

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Speaker 1: of us here, We all are here to benefit this moment.

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Speaker 1: Now other people outside can judge how valuable it is.

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Speaker 1: It's gonna be people in the comments and say why

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Speaker 1: are you interviewing that fagot because I'm leaving you, not

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Speaker 1: because I'm rich and you're not because I'm cute and

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Speaker 1: you're not, bitch. But yeah, I mean there's there's like

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Speaker 1: there's like people that are gonna look at this and say,

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Speaker 1: oh that that's not value. But then there's other people

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Speaker 1: that WI be like, hell, yeah that's valuable. Well guess

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Speaker 1: what we get to reap all the benefits of that value.

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Speaker 1: This is your ship, So why do I get to

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Speaker 1: be a pirate and take it? The same with music? Right, So,

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Speaker 1: what I'm saying is a person in digital content. My

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Speaker 1: music is any interview I do, any piece of property

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Speaker 1: I put out that I feel it's valuable, and they

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Speaker 1: get you they're gonna pay for or don't share it. Okay,

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Speaker 1: now I'm gonna switch this subject a little word after

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Speaker 1: I'm gonna sit real slowly. Yeah, yeah, let's listen after

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Speaker 1: I do this every interview, right, Um, I have social media,

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Speaker 1: but one of my most negative it is Twitter. So

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Speaker 1: before I get again, as I always, I saw any question,

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Speaker 1: this was the ironic park. I don't know if you noticed.

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Speaker 1: This was the ironic park. And I'm blowing something up.

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Speaker 1: I don't know if I should be blowing it. That's okay.

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Speaker 1: Peter Rosenberg hits me and goes that nigga had a

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Speaker 1: question for me. I know he ain't got a question,

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Speaker 1: so he goes, let me take my glass. He goes,

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Speaker 1: he goes, what you didn't know because even when I

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Speaker 1: googled you, that didn't pop up like that. Y'all have

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Speaker 1: problems because he's not important. So I mean, here's the deal, right,

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Speaker 1: you google me? You see my interview with you, three

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Speaker 1: billion impressions. You know, you see my maybe me hanging

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Speaker 1: out with Rihanna, She's a god. You see me. I mean,

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Speaker 1: all the people that I associate with are are relevant.

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Speaker 1: Peter Rosenberger privileged as white boy who grew up in

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Speaker 1: the suburbs, got a fucking job talking about hip hop

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Speaker 1: and became some guru that knows hip hop songs. You're

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Speaker 1: not fucking black. And you know the problem that I

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Speaker 1: have with Peter Rosenberg Before we get into all the details,

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Speaker 1: because I got put all the screenshots because I know

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Speaker 1: where he was gonna go to that. You know what's

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Speaker 1: so crazy. I've looked at this nigger in his face

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Speaker 1: and told him he was full of ship. Why are

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Speaker 1: you playing around on my playground? The internet is my playground.

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Speaker 1: I can make him my bitch boy, because the problem

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Speaker 1: now that he has a problem with me. The problem

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Speaker 1: now that he has a problem with me, is that

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Speaker 1: now all the little sitt he ever did, if he

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Speaker 1: ever wore skirty, if he ever some other bitch, whatever

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Speaker 1: he's ever done, it's going to come out. Why getting

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Speaker 1: a fight with me. I'm the floyd made whether the Internet.

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Speaker 1: But see what happened was he chose one day to

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Speaker 1: wake up in his tired ass bed, with his tired

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Speaker 1: ass life, looking at his stupid ass dog on his

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Speaker 1: way to his tired ass job. Hot ninety seven ain't

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Speaker 1: been hot since ninety seven? You know, hold, you know

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Speaker 1: he's never gonna do this before. It's crazy any that

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Speaker 1: dog my dogs is cuted in his dogs, you know,

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Speaker 1: like I literally be minding my business. I was minding

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Speaker 1: my business and here this nigga is all on social

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Speaker 1: media like a bit. Okay, so where did you start? Okay, yeah, okay,

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Speaker 1: we did the sake because yeah we don't. We don't

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Speaker 1: know because I mind you and he's drink Chams alumni.

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Speaker 1: You've been on he's a privileged white boy. I'm sure

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Speaker 1: he's been to a lot of schools. He's an alumni

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Speaker 1: of a lot of things where he's not an alumni

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Speaker 1: as Hollywood Unlock, but he has an open invitation. So

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Speaker 1: what happened? So all right? So I went, so I

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Speaker 1: really don't be doing interviews because I'm like, I really

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Speaker 1: want to go where the culture lives. This is important,

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Speaker 1: like I look at like where I'm going to my career.

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Speaker 1: This is important to me because I know how important

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Speaker 1: you are to the culture. Right on the show Breakfast

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Speaker 1: Club here uh ebro show was literally one of the

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Speaker 1: worst interviews I ever did. It was tired, it was late.

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Speaker 1: They were trying to gaslight me into being provocative, Like

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Speaker 1: you don't gotta do that. I can give you provocative

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Speaker 1: if I just opened my eyes and open my heart, right,

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Speaker 1: But they were trying to gaslight me, trying to get

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Speaker 1: trying to shoot on. Wendy Williams were really none of

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Speaker 1: them niggas would have a job without her anyway. Um

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Speaker 1: And I didn't really like the interview and thought it

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Speaker 1: was born into of my people. I never want to

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Speaker 1: go back so fast forward. Maybe they got wind of that.

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Speaker 1: I don't know the other day, I did Fuzzies Interview

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Speaker 1: Back podcast f Q. Yeah, Win did it and I

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Speaker 1: had a great time. Like I'm on this new like,

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Speaker 1: let's teamore Cappuccino, like, let's be positive. I lost all

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Speaker 1: this weight money weight down. I'm like, yo, let's be positive.

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Speaker 1: Did a good interview, and then they posted a clip

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Speaker 1: where I say, then he went on their posts and said,

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Speaker 1: why are you interviewing this clown giving him a platform

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Speaker 1: he doesn't deserve it? You know, he man of fact holder,

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Speaker 1: actually got the motherfucker she's getting ready through. I got

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Speaker 1: a whole bunch of so what he said. What he

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Speaker 1: said was by the way he went on their post.

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Speaker 1: This is literally on a post like I'm minding my

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Speaker 1: own business, and I told him please get off my

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Speaker 1: dick and go back to work. But let me tell

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Speaker 1: you what he said. He said, that's what you said, Okay,

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Speaker 1: he said, by the way, I respect you both and

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Speaker 1: have it for a long time. I'm just watching this.

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Speaker 1: We propped up yet another person who only cares about dirt,

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Speaker 1: gossip and bullshit. This dude has zero qualms about lying.

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Speaker 1: He's done it to me a couple of times already.

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Speaker 1: Don't know why you put him on their ship's corny

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Speaker 1: And I said, ha, ha, don't be mad because I

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Speaker 1: don't kiss your ass, your company man, and I'm self made.

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Speaker 1: There's a difference. Ps here we are here, you are

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Speaker 1: commenting like a fan. Don't you have a nine to

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Speaker 1: five to go to? That's where it started. Okay, Now

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Speaker 1: this was just literally a few days. Okay, Um, I

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Speaker 1: don't know what Hot ninety seven policies are for employees

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Speaker 1: playing around on the clock, but when he's clocked in,

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Speaker 1: he should mind his motherfucking business. And then I got

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Speaker 1: to thinking, like it's black But what happened before that? Nothing? Nothing,

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Speaker 1: I didn't have, no nothing. Okay, oh oh, I do

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Speaker 1: think I know what it was. I went on. I

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Speaker 1: went on the Breakfast Club to talk about Karen Sibyl.

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Speaker 1: You know, she try to take me out. She felt

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Speaker 1: like him. Um. And when I went on the show

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Speaker 1: they I had went on and looked at their commentary.

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Speaker 1: I walked, I watched to see what everybody was saying,

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Speaker 1: because you know, everybody that's listening doesn't really understand the

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Speaker 1: politics in the industry. There's a lot of there's a

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Speaker 1: lot of you know, there's a lot of bullshit going

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Speaker 1: on behind the scenes. You know, people got each other

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Speaker 1: back whatever, and I'm not mad with with that, but

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Speaker 1: I look at when they play with me, I'm like, Okay,

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Speaker 1: I'm fair to everybody, but then if you take sides

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Speaker 1: with somebody against me, then clearly you're not on you're

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Speaker 1: not on my side because you're not at least in

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Speaker 1: the middle. And when I looked at how they talked

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Speaker 1: about what happened with Karen and I, it was took

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Speaker 1: about Hot Night seven. Yes, they recapped everything that was happening.

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Speaker 1: You know, Ebro. I know he's getting older and he

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Speaker 1: has a lot of gray hair, but he was acting

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Speaker 1: very like did they did they recap um you and

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Speaker 1: Cameron's before they recap the episode um the episode the

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Speaker 1: breakfast Well, they're never gonna recap the Breakfast club because

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Speaker 1: they're getting they Yeah, they're getting beat by them and

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Speaker 1: every number in every every area of the business. But no,

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Speaker 1: they recapped the situation. Okay, that's what I'm asking. Okay,

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Speaker 1: but they hadn't done all their research. They didn't. They

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Speaker 1: don't Maybe they don't have a Googler, maybe they don't

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Speaker 1: have a computer over there. They didn't do any research.

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Speaker 1: And so the way they recapped it was very watered

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Speaker 1: down and it was very lazy. And that's what clearly

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Speaker 1: why their show is is falling behind power one of

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Speaker 1: five in the Breakfast Club. So I criticized and I

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Speaker 1: was just like, yo, this was lazy journalism. You clearly

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Speaker 1: didn't do your research. Um, and it was bullshit. I

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Speaker 1: think that's where I heard his feelings. Yeah, and then okay,

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Speaker 1: and so he waited, you know, he waited, Um, he waited,

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Speaker 1: and then I guess he took this as an opportunity

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Speaker 1: to jump into the conversation. So now here we go.

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Speaker 1: What I like about you is immediately you said, but

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Speaker 1: you gave him your platform to talk on him. It's

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Speaker 1: not the first time I've seen you he would, just

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Speaker 1: not the first time I've seen you say that, like

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Speaker 1: you have a discripinity with somebody and then say, you

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Speaker 1: know what, I'll write you on my plat for you. Now.

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Speaker 1: Is that solely because you can control the atmosphere or

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Speaker 1: is that because you feel everyone deserves a voice to speak? Well,

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Speaker 1: um too, I mean both one. I've already been on

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Speaker 1: their show and it was lame and it was boring

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Speaker 1: and they're lazy journalists, and honestly, like, I'm never going

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Speaker 1: back to that ship show. It's trash, uh And I

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Speaker 1: don't need it because I beat Hot nine and the

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Speaker 1: numbers on social media. I beat Peter Rosenberg and numbers

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Speaker 1: on social media. My impressions, my interviews. I don't know

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Speaker 1: the last time any interview they did got three billion impressions.

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Speaker 1: I'm waiting for them to show me. But you know,

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Speaker 1: back to Peter Rosenberger, we can talk about the lazy

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Speaker 1: suburbian brat. Okay, he said that. What did he say?

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Speaker 1: He said that when I when I interviewed on their show,

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Speaker 1: he said, our culture, our culture. Let's talk about appropriation,

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Speaker 1: culture appropriation, because I think they let this white boys

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Speaker 1: sit up. They were privileged for way too long. What

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Speaker 1: the funk mean you mean our culture? We don't share

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Speaker 1: this with you. You don't get a job, and then

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Speaker 1: all of a sudden it's your culture. You could be

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Speaker 1: a part of it. But to put me and him

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Speaker 1: in the same conversation. I went and looked at his

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Speaker 1: Wikipedia today. By the way, it's very very dry. All

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Speaker 1: that says is he plays in w W and fucking

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Speaker 1: has a radio show. All right, my nigga. Listen, I

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Speaker 1: got shot in the hood. I watched my brother get

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Speaker 1: his brains blown out in the hood. I've been in

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Speaker 1: My mother was a heroin at it, putting hair win

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Speaker 1: in her fucking veins. I've been in foster care. I've

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Speaker 1: been abused, I've been molested, I've been through all types

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Speaker 1: of ship. And the only dick I'm sucking is not

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Speaker 1: another nigga in my land in the industry, because I

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Speaker 1: don't need to. I got fucking money. I became a

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Speaker 1: millionaire on my own by my own hard work. So

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Speaker 1: when I look at him trying to put me in

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Speaker 1: him in the same conversation, that's like putting a fucking

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Speaker 1: jet in a fucking Greyhound bust in the same conversation.

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Speaker 1: You are what used to be. I'm what's next. And

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Speaker 1: the problem with a lot of these dinosaurs is they

403
00:19:45,640 --> 00:19:47,520
Speaker 1: have a problem with the fact that the nigga actually

404
00:19:47,520 --> 00:19:50,159
Speaker 1: built his own ship and demands that people respect him.

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Speaker 1: You ain't pulling up because I got a booker book

406
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Speaker 1: in him. He called me just like he loves you

407
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Speaker 1: and this show. He loves the fact that he learned

408
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Speaker 1: about me and my show and the fact that we

409
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Speaker 1: are fair. And when I look at Peter talking about

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Speaker 1: all I do was gossip, Nigga, didn't you ambush Kodak

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Speaker 1: Black and have him walk about the studio when you're

412
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Speaker 1: ambushing with the sex charges. But see, even in that interview,

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Speaker 1: he said to me, he said to y'all, this is

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Speaker 1: what y'all do. Y'all set us up. See in my interviews,

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Speaker 1: I've never had one person walk out on me. Never

416
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Speaker 1: I've had boom Game pull a gun on me in

417
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Speaker 1: an interview, but not walk out because he was pulled

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Speaker 1: because this was before he found Jesus. He was a crackhead,

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Speaker 1: you know what I mean, That's what they do. So

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Speaker 1: it wasn't like it wasn't like, you know what I mean,

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Speaker 1: I did something to provoke him. I don't provoke it.

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Speaker 1: I want you to look your best when you leave

423
00:20:37,320 --> 00:20:39,520
Speaker 1: talking to me. But for him to try to paint

424
00:20:39,560 --> 00:20:42,240
Speaker 1: this narrative on me, it's the same ship that white

425
00:20:42,280 --> 00:20:44,360
Speaker 1: people do the black people all the time. But him

426
00:20:44,400 --> 00:20:45,960
Speaker 1: gaslight ad me on social media. He thought I was

427
00:20:45,960 --> 00:20:48,359
Speaker 1: gonna stop. He followed me. He tried to DM me

428
00:20:48,440 --> 00:20:51,360
Speaker 1: like a bit, I'm not doing that you started online.

429
00:20:51,400 --> 00:20:53,920
Speaker 1: Now I'm gonna make you look like a motherfucking fool,

430
00:20:53,960 --> 00:20:57,720
Speaker 1: and that's exactly what he looked like. Well, hopefully working

431
00:20:57,760 --> 00:21:00,800
Speaker 1: out now there's no working it out. Definitely wasn't ready

432
00:21:00,800 --> 00:21:02,920
Speaker 1: for that's not working out. I told hor ninety seven

433
00:21:02,960 --> 00:21:05,800
Speaker 1: idem that might said weird deer management. We are no

434
00:21:05,840 --> 00:21:09,000
Speaker 1: longer posting any of your content because Peter Rosenberg has

435
00:21:09,040 --> 00:21:11,600
Speaker 1: been disrespectful and he's bullying us during Black history. But

436
00:21:11,760 --> 00:21:15,000
Speaker 1: signed the boss Jason, I ain't high nineties seven in

437
00:21:15,040 --> 00:21:17,320
Speaker 1: their contest, so any other person over high night. So

438
00:21:17,440 --> 00:21:19,440
Speaker 1: I'll give if you interview Jesus in the next coming,

439
00:21:19,880 --> 00:21:25,639
Speaker 1: you're not getting posted. Fuck y'all as a company us Jesus, Jesus,

440
00:21:25,680 --> 00:21:31,280
Speaker 1: can I get a blood holy ship? So let me

441
00:21:31,320 --> 00:21:33,800
Speaker 1: ask you, because this is something as I'm researching you,

442
00:21:34,880 --> 00:21:36,600
Speaker 1: this is something that I did not know. I feel

443
00:21:36,600 --> 00:21:38,159
Speaker 1: like I've been set up to. No, no, not you

444
00:21:38,240 --> 00:21:40,639
Speaker 1: good you good a great way in great in a

445
00:21:40,680 --> 00:21:42,919
Speaker 1: great way because we're gonna have fun, we celebrating you. You

446
00:21:42,800 --> 00:21:44,199
Speaker 1: You know what I'm saying. Come on, I'm gonna keep

447
00:21:44,200 --> 00:21:49,679
Speaker 1: your eight spade full. But yeah, we gonna get too

448
00:21:49,720 --> 00:21:51,760
Speaker 1: QuickTime Slom didn't did, It's gonna go. But this is

449
00:21:51,760 --> 00:21:53,960
Speaker 1: something that I did not know when I googled you

450
00:21:54,320 --> 00:21:57,920
Speaker 1: a couple of times, you and your what name was? Was?

451
00:21:57,920 --> 00:22:00,480
Speaker 1: Was like compared, like, what do you know? It's crazy.

452
00:22:00,520 --> 00:22:02,280
Speaker 1: I'm gonna tell y'all. Let me, y'all watch it right,

453
00:22:02,359 --> 00:22:04,200
Speaker 1: let me tell you about him. Okay, I think he

454
00:22:04,280 --> 00:22:07,400
Speaker 1: fucking slick because I do this, he think I'm slick.

455
00:22:07,480 --> 00:22:10,520
Speaker 1: First of all, this is a fun atmosphere. All the

456
00:22:10,600 --> 00:22:13,600
Speaker 1: laughter disarms you, all the drink. No, this maignula be

457
00:22:13,640 --> 00:22:19,200
Speaker 1: a messy right now. I didn't go in, but I'm

458
00:22:19,240 --> 00:22:22,000
Speaker 1: here for all this. I didn't go into it because

459
00:22:22,000 --> 00:22:25,840
Speaker 1: I didn't really understand it because again, y'all live in

460
00:22:25,880 --> 00:22:28,560
Speaker 1: this it's a totally different world that we live in.

461
00:22:28,600 --> 00:22:31,760
Speaker 1: It's the same world. But um, and when I seen

462
00:22:31,840 --> 00:22:34,280
Speaker 1: that y'all actually have back and forth, I didn't know that,

463
00:22:34,400 --> 00:22:37,560
Speaker 1: So like, can you walk us through that? Like, okay,

464
00:22:37,640 --> 00:22:41,680
Speaker 1: first let me say, um, I don't even hate Peter Rosberg.

465
00:22:41,720 --> 00:22:42,919
Speaker 1: I'm gonna get to you, Joe. I don't even hate

466
00:22:42,920 --> 00:22:44,560
Speaker 1: Peter Roseberg. I just want to put a bow on that.

467
00:22:44,760 --> 00:22:48,040
Speaker 1: He's just really irrelevant. And I met Yolanda Adams yesterday.

468
00:22:48,240 --> 00:22:50,800
Speaker 1: She knew who I was and she said, yeah, she

469
00:22:50,840 --> 00:22:52,840
Speaker 1: knew who I was, and I'm still humbled by people

470
00:22:52,880 --> 00:22:54,520
Speaker 1: knowing who I am because I love her so much.

471
00:22:54,560 --> 00:22:56,600
Speaker 1: And she said when she got on stage talking to

472
00:22:56,680 --> 00:22:59,120
Speaker 1: the group, sometimes you gotta let go and let guy.

473
00:22:59,200 --> 00:23:01,920
Speaker 1: So that was me letting gonna let god. I'm okay, okay,

474
00:23:02,160 --> 00:23:05,560
Speaker 1: all right, Joe. Yeah, when I got into this world,

475
00:23:05,640 --> 00:23:09,160
Speaker 1: I looked at Charlottemagne. The God is literally like the blueprint.

476
00:23:09,240 --> 00:23:11,240
Speaker 1: And then I looked at Joe Budden. It's like a

477
00:23:11,280 --> 00:23:14,640
Speaker 1: fearless ass ship talker because I don't really people think

478
00:23:14,640 --> 00:23:17,160
Speaker 1: I know everybody's tear or their business. I really don't know,

479
00:23:17,320 --> 00:23:19,040
Speaker 1: Like until I get into it with you, I really

480
00:23:19,080 --> 00:23:20,840
Speaker 1: don't be looking around what you're doing. When I get

481
00:23:20,840 --> 00:23:22,720
Speaker 1: into it what you then I'm all in your mama ship,

482
00:23:22,800 --> 00:23:24,560
Speaker 1: I'm in your daddy ship, I'm in your kids. I'm

483
00:23:24,560 --> 00:23:27,280
Speaker 1: looking at everything that's going on, all right, Joe Budden.

484
00:23:27,680 --> 00:23:31,480
Speaker 1: When I saw when I started my podcast, uh just

485
00:23:31,480 --> 00:23:33,600
Speaker 1: started as a radio show, first started as a podcast.

486
00:23:33,760 --> 00:23:36,880
Speaker 1: Past you're ready because you're interview Melissa fo We're gonna

487
00:23:38,480 --> 00:23:48,760
Speaker 1: keep the horming ready and you know so uh yeah, okay, wait,

488
00:23:48,840 --> 00:23:51,280
Speaker 1: so Joe, so I looked at Joe and I remember

489
00:23:51,320 --> 00:23:53,240
Speaker 1: I called Joe and I said, Yo, Joe, Me, you

490
00:23:53,280 --> 00:23:56,399
Speaker 1: and Charlotte Maagne literally like where the rebels on the

491
00:23:56,440 --> 00:23:58,919
Speaker 1: podcast and ship right now, Like three of us need

492
00:23:58,960 --> 00:24:02,679
Speaker 1: to come together and just do one episode somewhere anywhere.

493
00:24:02,800 --> 00:24:04,800
Speaker 1: And he was like, yo, you know that's gonna be

494
00:24:04,840 --> 00:24:06,680
Speaker 1: too expensive. I'm like, Nick, I do it for free

495
00:24:06,680 --> 00:24:08,199
Speaker 1: because I do it for the culture. Just do it,

496
00:24:08,560 --> 00:24:09,960
Speaker 1: you know. So I saw he was on his cocky

497
00:24:10,000 --> 00:24:11,840
Speaker 1: boy ship whatever. So that we had had lunch. What

498
00:24:12,200 --> 00:24:13,960
Speaker 1: point is this? Like what years is this was like

499
00:24:14,200 --> 00:24:16,600
Speaker 1: a couple of years ago. We met up for lunch

500
00:24:16,640 --> 00:24:18,680
Speaker 1: at the Mandrean Skybar in l A. It was just

501
00:24:18,720 --> 00:24:20,480
Speaker 1: a lunch thing, and he told me he respected me,

502
00:24:20,520 --> 00:24:22,320
Speaker 1: and I of course respected him and what he did,

503
00:24:22,680 --> 00:24:24,800
Speaker 1: you know what I mean in the podcast world, I've

504
00:24:24,800 --> 00:24:26,840
Speaker 1: been on the Breakfast Club like three times by that point.

505
00:24:26,840 --> 00:24:29,720
Speaker 1: So like I had had affection. I had affection for

506
00:24:29,720 --> 00:24:32,919
Speaker 1: what Charlottagne did and was following the blueprint and never

507
00:24:32,920 --> 00:24:35,160
Speaker 1: approach me about it because they always had some weird

508
00:24:35,160 --> 00:24:37,119
Speaker 1: ship going on, you know. And then I saw they

509
00:24:37,119 --> 00:24:40,359
Speaker 1: did someone revote to Joe and Joan Charogne he always

510
00:24:40,400 --> 00:24:42,160
Speaker 1: had some weird relationship. But then I saw they did

511
00:24:42,160 --> 00:24:43,679
Speaker 1: some one revolt and I'm like, okay, well now all

512
00:24:43,680 --> 00:24:45,080
Speaker 1: you gotta do is ad me we could do something.

513
00:24:45,080 --> 00:24:48,000
Speaker 1: But I love how he says revote, you know, say vote.

514
00:24:48,920 --> 00:24:50,880
Speaker 1: We're gonna get to that later too. It's in a note,

515
00:24:52,280 --> 00:24:56,560
Speaker 1: you know, it's I did my search, but as you're

516
00:24:56,560 --> 00:24:59,120
Speaker 1: gonna start. I hope everybody watching, everybody watching at home.

517
00:24:59,160 --> 00:25:02,680
Speaker 1: I hope I pray that you're that you're witnessing that

518
00:25:02,840 --> 00:25:06,440
Speaker 1: I am a victim. It is always once. It's always

519
00:25:06,560 --> 00:25:09,720
Speaker 1: one sided. Like look it, Peter was one. I was

520
00:25:09,760 --> 00:25:12,600
Speaker 1: doing an interview. I got attack this situation. I'm about

521
00:25:12,600 --> 00:25:15,439
Speaker 1: displaying you. I got attack the next thing. I just

522
00:25:15,480 --> 00:25:17,440
Speaker 1: hope everybody pays attention. There's a lot of people gonna

523
00:25:17,440 --> 00:25:19,440
Speaker 1: be in the comment saying fun can he's troublemaker easily

524
00:25:19,520 --> 00:25:22,000
Speaker 1: because whatever. But I'm just telling you pay attention. Okay.

525
00:25:22,480 --> 00:25:24,560
Speaker 1: I have lunch with Joe. He likes me, I like him.

526
00:25:24,560 --> 00:25:27,119
Speaker 1: We get in COVID. So it's two thousand nineteen. Now

527
00:25:27,119 --> 00:25:28,760
Speaker 1: you gotta be phrased that because the way you said

528
00:25:28,800 --> 00:25:33,000
Speaker 1: I like Joe like Joe, were getting covide he's not

529
00:25:33,119 --> 00:25:36,080
Speaker 1: like type. He doesn't have good skin. So look so

530
00:25:36,560 --> 00:25:39,800
Speaker 1: so so we have COVID. We have COVID happening, right,

531
00:25:39,840 --> 00:25:41,639
Speaker 1: so we all locked in our houses and he agreed

532
00:25:41,640 --> 00:25:43,960
Speaker 1: to do like a live interview with me on Instagram.

533
00:25:44,040 --> 00:25:45,919
Speaker 1: It wasn't like, no real ship, was just an Instagram thing.

534
00:25:45,960 --> 00:25:47,720
Speaker 1: But I was honored because he's Joe Budden and he

535
00:25:47,800 --> 00:25:49,720
Speaker 1: at the time, at the time, he was a he

536
00:25:49,880 --> 00:25:54,080
Speaker 1: was a premier podcaster, you know. So I interview him

537
00:25:54,160 --> 00:25:55,560
Speaker 1: and then I mean, we do that thing, and then

538
00:25:55,640 --> 00:25:58,240
Speaker 1: that's really it. That's the that's the nature of our relationship.

539
00:25:58,480 --> 00:26:00,639
Speaker 1: One lunch where I had probably a see is Your Salad?

540
00:26:01,119 --> 00:26:04,080
Speaker 1: And an Instagram live during COVID, that's it. Maybe a

541
00:26:04,160 --> 00:26:06,199
Speaker 1: text here and there. But now we're not friends. We're

542
00:26:06,240 --> 00:26:11,280
Speaker 1: not like me and Floyd or Yeah, we're just we're

543
00:26:11,320 --> 00:26:14,920
Speaker 1: just acquaintces and we're in the same industry. Okay. So

544
00:26:15,800 --> 00:26:17,399
Speaker 1: I get a call one day from to hearing who

545
00:26:17,440 --> 00:26:19,040
Speaker 1: says she wants to come on my show. Okay, well,

546
00:26:19,080 --> 00:26:20,280
Speaker 1: what are we gonna talk about? Let me talk to

547
00:26:20,320 --> 00:26:22,800
Speaker 1: my producer. She starts talking about producer and then she's

548
00:26:22,840 --> 00:26:24,600
Speaker 1: talking to my producer. Whatever she wants to talk about,

549
00:26:24,800 --> 00:26:26,320
Speaker 1: and whatever she wants to talk about is school. It

550
00:26:26,359 --> 00:26:28,280
Speaker 1: has nothing to do with Joe. When we get on

551
00:26:28,440 --> 00:26:31,200
Speaker 1: the show, she gets to talking and she basically says,

552
00:26:31,320 --> 00:26:34,680
Speaker 1: Joe beat her ass and kicked her down some stairs

553
00:26:34,720 --> 00:26:37,320
Speaker 1: allegedly or whatever. Now this is her interview, just like

554
00:26:37,440 --> 00:26:39,960
Speaker 1: this is my interview. You might have a relationship with

555
00:26:40,119 --> 00:26:42,240
Speaker 1: Peter Rosenberg, but you're giving me with the respect of

556
00:26:42,320 --> 00:26:44,280
Speaker 1: saying what I want to say. That's what makes this

557
00:26:44,359 --> 00:26:47,359
Speaker 1: a great show. I'm not a publicist. I am a

558
00:26:47,480 --> 00:26:51,640
Speaker 1: fucking podcaster, broadcaster, multimedia person. So in the interview, while

559
00:26:51,680 --> 00:26:54,080
Speaker 1: she's saying, I'm like, oh, ship, like this is this

560
00:26:54,280 --> 00:26:57,000
Speaker 1: is a lot. But I let her tell her story.

561
00:26:57,960 --> 00:27:00,159
Speaker 1: So after I tell her story, I did think, like,

562
00:27:00,160 --> 00:27:01,679
Speaker 1: should I call Joe and give him my heads up

563
00:27:01,760 --> 00:27:04,200
Speaker 1: because they just had a lunch. No, we had lunch

564
00:27:04,200 --> 00:27:06,040
Speaker 1: a while ago, all right, I don't even know what

565
00:27:06,080 --> 00:27:07,920
Speaker 1: I had lunch with two weeks ago, like you know

566
00:27:07,960 --> 00:27:10,159
Speaker 1: what I mean. So like I thought about it, but

567
00:27:10,200 --> 00:27:12,520
Speaker 1: I was like, no, because then if he goes live

568
00:27:13,240 --> 00:27:15,960
Speaker 1: and he starts attacking her, then it looks like I

569
00:27:16,080 --> 00:27:18,440
Speaker 1: gave him the heads up. When a woman was saying,

570
00:27:18,720 --> 00:27:20,680
Speaker 1: then it's like all these problems, you gotta think about

571
00:27:20,680 --> 00:27:22,359
Speaker 1: how the internet gonna act. So I said, you know what,

572
00:27:22,480 --> 00:27:24,720
Speaker 1: I'm just gonna let it go. Well, I happened to

573
00:27:24,800 --> 00:27:27,400
Speaker 1: release it on his birthday. I don't know his birthday.

574
00:27:27,680 --> 00:27:30,240
Speaker 1: I don't He's not in my birthday cantar. He's not

575
00:27:30,359 --> 00:27:32,879
Speaker 1: in my zodiac chart. Oh no, not about that. He

576
00:27:33,040 --> 00:27:35,160
Speaker 1: gets piste and he goes on this show and he's

577
00:27:35,200 --> 00:27:37,359
Speaker 1: basically says, lose my number, nigga, like the way you

578
00:27:37,440 --> 00:27:39,800
Speaker 1: say to something after you fucked him, Like, lose my number, nigga,

579
00:27:39,880 --> 00:27:45,160
Speaker 1: Like basically like I was a bit like lose my number, nigga? Like, goodly,

580
00:27:48,040 --> 00:27:50,000
Speaker 1: I got Rihanna's number. Nick, I don't give a funk

581
00:27:50,040 --> 00:27:53,600
Speaker 1: about your number, nigga. I got the Weekends number. I

582
00:27:53,600 --> 00:27:56,560
Speaker 1: don't give a about your number. I have never even

583
00:27:56,600 --> 00:28:01,120
Speaker 1: had a nigga called me and say lose my numbers deleted.

584
00:28:02,080 --> 00:28:03,639
Speaker 1: And that was it for me. And I went on

585
00:28:03,720 --> 00:28:06,000
Speaker 1: my show and I basically said, like, Nick, that was lame.

586
00:28:06,560 --> 00:28:10,200
Speaker 1: That's it. Now. When the Karen civil ship went down,

587
00:28:10,480 --> 00:28:13,200
Speaker 1: he popped up kind of supporting her. What makes sense,

588
00:28:13,520 --> 00:28:16,600
Speaker 1: She's a part of his podcast network. Well, but there's

589
00:28:16,600 --> 00:28:18,760
Speaker 1: a lot of people who supported Karen Dough at that time.

590
00:28:19,000 --> 00:28:21,520
Speaker 1: But let's just let's finish with a lot of people

591
00:28:21,520 --> 00:28:24,960
Speaker 1: supported Hillary Clinton. She lost Jesus. You know, like losers

592
00:28:25,040 --> 00:28:27,920
Speaker 1: have support too. And I looked at all that support

593
00:28:28,000 --> 00:28:31,800
Speaker 1: as like, y'all all in your line down right, losers

594
00:28:31,880 --> 00:28:35,560
Speaker 1: have support. I'm fucking winning out here. All my ship

595
00:28:35,760 --> 00:28:38,920
Speaker 1: is up. So when I look at the losers supporting

596
00:28:38,960 --> 00:28:41,840
Speaker 1: a loser, I'm like, bitch, you're gonna need me because

597
00:28:41,880 --> 00:28:44,239
Speaker 1: you're gonna suck a bit. You're not supposed to nig

598
00:28:44,520 --> 00:28:46,960
Speaker 1: and you're not gonna want me to say nothing, and

599
00:28:47,080 --> 00:28:49,480
Speaker 1: I'm gonna tell it and I'm gonna DM it to

600
00:28:49,600 --> 00:28:55,400
Speaker 1: your big So it's likely like for me. For me,

601
00:28:55,520 --> 00:28:57,480
Speaker 1: I would just be like, yo, I don't know what's

602
00:28:57,480 --> 00:28:58,920
Speaker 1: going on with you and that nigg over there, but

603
00:28:59,000 --> 00:29:01,680
Speaker 1: I'm not in that. That's a smart man. Any nigger

604
00:29:01,800 --> 00:29:04,040
Speaker 1: who wants to get on that cool, not a problem.

605
00:29:04,120 --> 00:29:06,560
Speaker 1: Your taxes better be in line, nigga, Your fucking ship

606
00:29:06,680 --> 00:29:08,800
Speaker 1: better be buttoned up, because when I find it, and

607
00:29:08,880 --> 00:29:11,920
Speaker 1: I've had a record of being petty, I'm trying to

608
00:29:11,960 --> 00:29:13,800
Speaker 1: be better and I pray every day to the Lord,

609
00:29:15,240 --> 00:29:17,520
Speaker 1: but sometimes he don't answer my calls. You know what

610
00:29:17,600 --> 00:29:25,400
Speaker 1: I mean? My god, No, I told, I told, I

611
00:29:25,520 --> 00:29:29,560
Speaker 1: told yesterday, I said. You know your song, Um, the

612
00:29:29,600 --> 00:29:31,440
Speaker 1: battle is not yours is the Lord's is one of

613
00:29:31,520 --> 00:29:34,640
Speaker 1: my favorite songs. But there are some battles that I say, no, nigga,

614
00:29:34,880 --> 00:29:38,600
Speaker 1: this one belongs to me. So when it comes to Joe,

615
00:29:39,440 --> 00:29:41,720
Speaker 1: I never hated Joe. I still don't hate Joe. Joe

616
00:29:41,840 --> 00:29:44,640
Speaker 1: is irrelevant in the Hollywood Unlocked space. He lost his

617
00:29:44,760 --> 00:29:47,160
Speaker 1: podcast co host. I guess there was some money ship

618
00:29:47,240 --> 00:29:49,920
Speaker 1: they all didn't get. Ain't that horrible when you get

619
00:29:50,000 --> 00:29:52,080
Speaker 1: to school or your lunch money got took from a bully.

620
00:29:52,800 --> 00:29:55,080
Speaker 1: I don't know what happened with them, because the way

621
00:29:55,120 --> 00:29:58,560
Speaker 1: we handled our business, everybody got paid, didn't make everybody

622
00:29:58,640 --> 00:30:01,640
Speaker 1: stay clearly as you know. But you know, everybody got paid,

623
00:30:02,160 --> 00:30:04,280
Speaker 1: and I look at it like yo, But that's the

624
00:30:04,440 --> 00:30:07,280
Speaker 1: fucking narcissism and Joe Budden that your world is so

625
00:30:07,440 --> 00:30:10,400
Speaker 1: convoluted by the bullshit that you don't realize. Nigga, you're

626
00:30:10,480 --> 00:30:14,160
Speaker 1: losing everything. Girls said you beat there not the first one.

627
00:30:14,480 --> 00:30:17,680
Speaker 1: Then your podcast host left, and then I'm the bad

628
00:30:17,720 --> 00:30:19,440
Speaker 1: guy because it happened to come out on your birthday

629
00:30:19,480 --> 00:30:22,560
Speaker 1: because I didn't actually have it in my calendar. I'm sorry,

630
00:30:22,640 --> 00:30:24,400
Speaker 1: I don't know what to tell you. Okay, I'm gonna

631
00:30:24,400 --> 00:30:26,040
Speaker 1: actually one more question to be gonna move on a

632
00:30:26,120 --> 00:30:30,840
Speaker 1: quick time? Okay, Now, am I doing good stuff? You're

633
00:30:30,840 --> 00:30:33,040
Speaker 1: doing fantastic? You know what? Are you having fun? I'm

634
00:30:33,080 --> 00:30:36,040
Speaker 1: having I'm gonna blame it on the alcohol, you know what.

635
00:30:36,440 --> 00:30:37,760
Speaker 1: Let me ask you. Okay, all right, I'm gonna ask

636
00:30:37,760 --> 00:30:39,640
Speaker 1: you to me. You got you gotta quick time on

637
00:30:39,640 --> 00:30:42,960
Speaker 1: slim ready, Okay, take a time, take your time, time,

638
00:30:43,080 --> 00:30:45,000
Speaker 1: quick time. You take your time on QuickTime slip. Okay.

639
00:30:47,240 --> 00:30:50,640
Speaker 1: You developed this relationships right with these people? Right? Uh?

640
00:30:51,240 --> 00:30:54,600
Speaker 1: Some people you six, I see envy says you. He's

641
00:30:54,600 --> 00:30:57,280
Speaker 1: like yoll called you to thank you, and you'll never

642
00:30:57,480 --> 00:30:59,640
Speaker 1: spoke about what y'are was thinking of. But I read

643
00:30:59,680 --> 00:31:01,480
Speaker 1: it me two in the lines, and I could see

644
00:31:01,800 --> 00:31:03,760
Speaker 1: that it was something that you could have probably blew

645
00:31:03,880 --> 00:31:06,120
Speaker 1: up or you could have mentioned or whatever, and you

646
00:31:06,240 --> 00:31:08,320
Speaker 1: didn't know whatever. Right, we did mention it, but we

647
00:31:08,400 --> 00:31:10,760
Speaker 1: mentioned it very fair, okay, very fit, when other people

648
00:31:10,800 --> 00:31:13,200
Speaker 1: were not. Okay, So I don't know what that is,

649
00:31:13,280 --> 00:31:15,760
Speaker 1: and it doesn't it doesn't matter because you didn't say

650
00:31:15,760 --> 00:31:18,640
Speaker 1: it on there. But have you ever has a friendship

651
00:31:18,760 --> 00:31:21,880
Speaker 1: ever came into the line of the story like you

652
00:31:21,920 --> 00:31:24,160
Speaker 1: know what I'm saying, Like like thee yeah, I got

653
00:31:24,280 --> 00:31:26,520
Speaker 1: no way. Yeah, Like I'll give you an example, like

654
00:31:26,680 --> 00:31:29,280
Speaker 1: this week, my friends over here shaking his head because

655
00:31:29,280 --> 00:31:30,840
Speaker 1: I write about him too. I mean, you know what

656
00:31:30,960 --> 00:31:35,280
Speaker 1: he calls. He's threatened me about your friends. But listen,

657
00:31:35,480 --> 00:31:38,600
Speaker 1: he's in the spotlight. This is why it's everybody. This

658
00:31:38,720 --> 00:31:40,720
Speaker 1: is what Rihanna said to me when she met me.

659
00:31:40,840 --> 00:31:42,560
Speaker 1: And this is why I love her, not just because

660
00:31:42,600 --> 00:31:45,880
Speaker 1: she is the most beautiful. She smelled good smells relations

661
00:31:45,920 --> 00:31:49,400
Speaker 1: to them. Yeah, I love her because the baby, it's

662
00:31:49,400 --> 00:31:54,080
Speaker 1: all of ours. I'm got a sad Rocky coming to right, okay,

663
00:31:54,280 --> 00:31:58,000
Speaker 1: so and I love Rocky all right? So um so yeah.

664
00:31:58,280 --> 00:32:00,440
Speaker 1: The first thing, first thing she said to me, what

665
00:32:00,600 --> 00:32:03,720
Speaker 1: she said, Um, I know that it's hard, she said,

666
00:32:03,840 --> 00:32:06,480
Speaker 1: I know, um that it's hard with somebody like me

667
00:32:06,600 --> 00:32:09,200
Speaker 1: being friends with somebody like you and having a friendship.

668
00:32:09,520 --> 00:32:11,360
Speaker 1: But as a business woman, I respect how you built

669
00:32:11,400 --> 00:32:14,080
Speaker 1: your brand. That's how she started our relationship, and and

670
00:32:14,160 --> 00:32:15,760
Speaker 1: it was it was the first time in a long

671
00:32:15,840 --> 00:32:17,600
Speaker 1: time I felt like a celebrity, actually saw me as

672
00:32:17,600 --> 00:32:19,400
Speaker 1: a person, didn't see me as a tool to use

673
00:32:19,440 --> 00:32:21,680
Speaker 1: to promote something or you know what I mean. And

674
00:32:22,080 --> 00:32:24,520
Speaker 1: y'all know, right, but but sorry to cut you off,

675
00:32:24,600 --> 00:32:27,320
Speaker 1: but let me ask you something in that situation right there,

676
00:32:27,720 --> 00:32:30,640
Speaker 1: What if you knew Rihanna was pregnant and who she

677
00:32:30,760 --> 00:32:34,280
Speaker 1: was pregnant by and this this this dating rumors that

678
00:32:34,360 --> 00:32:36,320
Speaker 1: it wasn't out, but this is the this is the

679
00:32:36,360 --> 00:32:38,840
Speaker 1: funny things. So would you have would you have that?

680
00:32:39,120 --> 00:32:40,920
Speaker 1: This is the funny that. And when Rocky comes asked

681
00:32:40,960 --> 00:32:43,320
Speaker 1: him that question because when we were together in New

682
00:32:43,400 --> 00:32:46,400
Speaker 1: York at the Savage Finty party, it was some about

683
00:32:46,400 --> 00:32:48,480
Speaker 1: their energy that I felt, baby and I and I

684
00:32:48,640 --> 00:32:50,800
Speaker 1: literally have this thing where I can manifest or I

685
00:32:50,880 --> 00:32:52,840
Speaker 1: see or I feel, I feel stuff because I'm I'm

686
00:32:52,880 --> 00:32:54,760
Speaker 1: an EmPATH and I'm an energy person. I go at

687
00:32:54,800 --> 00:32:58,120
Speaker 1: people's energy. Right when when Rocky was kind into the side,

688
00:32:58,120 --> 00:33:00,280
Speaker 1: I looked at her, I said, are you you y'all

689
00:33:00,360 --> 00:33:03,280
Speaker 1: y'all trying to have a baby or something. She's like, no, no, no,

690
00:33:03,400 --> 00:33:04,520
Speaker 1: I said, what do you want to have a baby?

691
00:33:04,560 --> 00:33:05,880
Speaker 1: She said, Well, if it's meant to be, you know,

692
00:33:05,920 --> 00:33:07,960
Speaker 1: what I mean, we'll do it. I said, what about marriage?

693
00:33:08,000 --> 00:33:10,160
Speaker 1: You know? She was like you know, and she said

694
00:33:10,160 --> 00:33:11,960
Speaker 1: what she said, But we we kind of talked about

695
00:33:12,000 --> 00:33:15,080
Speaker 1: the baby thing, right, So we leave after that. Um,

696
00:33:15,800 --> 00:33:17,200
Speaker 1: I'm hitting her, like, you know, you said he was

697
00:33:17,200 --> 00:33:19,040
Speaker 1: gonna come over to the house. Are you coming over?

698
00:33:19,120 --> 00:33:21,040
Speaker 1: And she's like, oh, I'm out of town. I'm like, okay,

699
00:33:21,040 --> 00:33:22,600
Speaker 1: well are you in New York? I fly to New York.

700
00:33:22,680 --> 00:33:24,200
Speaker 1: I'm in New York too? Where you? Oh, I'm going

701
00:33:24,240 --> 00:33:26,720
Speaker 1: to Arbadas. So I'm like, girl, you trying to dodge

702
00:33:26,760 --> 00:33:28,680
Speaker 1: me now. So now I start thinking, RhE is up

703
00:33:28,720 --> 00:33:31,440
Speaker 1: to something. So she invites so I think she thought

704
00:33:31,600 --> 00:33:33,480
Speaker 1: I was on tour. So she invited me to a photoshop.

705
00:33:33,480 --> 00:33:35,040
Speaker 1: When get a photoshop, she kind of covering up a

706
00:33:35,080 --> 00:33:36,560
Speaker 1: little bit, so I'm kind of looking at and she's

707
00:33:36,560 --> 00:33:39,560
Speaker 1: not drinking, but they're giving me drinks. So then I

708
00:33:41,280 --> 00:33:43,240
Speaker 1: so I call her one day and I said, read, listen,

709
00:33:43,400 --> 00:33:46,040
Speaker 1: I just want to say if you're pregnant, I promise

710
00:33:46,080 --> 00:33:47,760
Speaker 1: you I won't even tell the world, like I won't

711
00:33:47,760 --> 00:33:50,720
Speaker 1: tell nobody. And she was like, oh no, Rocky and

712
00:33:50,800 --> 00:33:52,880
Speaker 1: I talked about it. You'll be the first and I

713
00:33:52,960 --> 00:33:55,640
Speaker 1: felt it was bullish, ill like you bullshit, But I

714
00:33:55,760 --> 00:33:57,000
Speaker 1: left her so much she could lie to me in

715
00:33:57,040 --> 00:33:59,760
Speaker 1: my face. I won't care, okay, but let me take

716
00:33:59,880 --> 00:34:02,120
Speaker 1: them to happen. So then I try to link up

717
00:34:02,160 --> 00:34:04,760
Speaker 1: with her a few times and she don't link So

718
00:34:04,880 --> 00:34:06,720
Speaker 1: when she when when the pregnancy came out, she sent

719
00:34:06,800 --> 00:34:09,080
Speaker 1: me the photo, send me the photo after it broke

720
00:34:09,120 --> 00:34:10,800
Speaker 1: and she said, me and Rocky talked about this and

721
00:34:10,840 --> 00:34:12,560
Speaker 1: we were supposed to let you know first, but I

722
00:34:12,680 --> 00:34:15,480
Speaker 1: am pregnant. Blah blah blah. The point is even the

723
00:34:15,560 --> 00:34:18,680
Speaker 1: people I'm the closest to still feel that they got

724
00:34:18,800 --> 00:34:21,279
Speaker 1: to be careful, which I respect, but they still give

725
00:34:21,320 --> 00:34:23,400
Speaker 1: me dignity. Like I'm not an animal, you know what

726
00:34:23,440 --> 00:34:25,839
Speaker 1: I mean. Like I'm not searching for a story because

727
00:34:25,840 --> 00:34:28,759
Speaker 1: I get the stories all day. So like if you're

728
00:34:28,840 --> 00:34:32,240
Speaker 1: ever in the studio and you're chilling in, you've happened

729
00:34:32,239 --> 00:34:33,680
Speaker 1: to walk into a room and you see it, whoo

730
00:34:33,840 --> 00:34:37,520
Speaker 1: whoop do whoop. So I have rules. Here's my rules.

731
00:34:37,640 --> 00:34:43,920
Speaker 1: No outing, Um, we don't attack children. And then private

732
00:34:43,960 --> 00:34:46,359
Speaker 1: time is private time. So if I'm in your private

733
00:34:46,360 --> 00:34:48,520
Speaker 1: if you bring me into your private space, I respect

734
00:34:48,600 --> 00:34:50,279
Speaker 1: that and I'm not going I don't. I don't even

735
00:34:50,320 --> 00:34:52,080
Speaker 1: like I tell my friends leave your phone in the cars,

736
00:34:52,160 --> 00:34:54,200
Speaker 1: leave your phone in your pockets, don't know social media,

737
00:34:54,680 --> 00:34:56,719
Speaker 1: you know. And then when they come in my personal space,

738
00:34:56,760 --> 00:34:59,360
Speaker 1: it's still personal time. There's none of that, you know

739
00:34:59,360 --> 00:35:00,959
Speaker 1: what I mean. But I still have to be very clear.

740
00:35:01,280 --> 00:35:03,080
Speaker 1: Don't party with me and think all of a sudden

741
00:35:03,160 --> 00:35:05,120
Speaker 1: that the ship you do on the internet is a secret,

742
00:35:05,360 --> 00:35:08,200
Speaker 1: because if you put it out there like where you

743
00:35:08,360 --> 00:35:11,600
Speaker 1: do something like like Karen allegedly stealing all that money,

744
00:35:11,960 --> 00:35:15,239
Speaker 1: that's where she got mad. She got mad when she

745
00:35:15,320 --> 00:35:16,959
Speaker 1: got mad. No, wait, no, I'm an ask you a question.

746
00:35:17,040 --> 00:35:20,720
Speaker 1: He asked the question right, Okay, she got mad because

747
00:35:20,760 --> 00:35:23,080
Speaker 1: she thought she was my friend, and the little ship

748
00:35:23,200 --> 00:35:25,920
Speaker 1: she was doing to take a little nigger money allegedly

749
00:35:26,960 --> 00:35:28,960
Speaker 1: was I was supposed to keep it a secret. Why

750
00:35:29,040 --> 00:35:31,440
Speaker 1: Because I had a credit repair company. We fixed your

751
00:35:31,480 --> 00:35:33,640
Speaker 1: badass credit. Because we lived in the same building, because

752
00:35:33,640 --> 00:35:36,360
Speaker 1: we see each other at the mailbox. No, I liked you.

753
00:35:36,560 --> 00:35:39,200
Speaker 1: I okay, I loved Karen civil, but she was a thief.

754
00:35:39,480 --> 00:35:41,800
Speaker 1: That's what they were saying. I'm not supposed to do

755
00:35:41,960 --> 00:35:44,640
Speaker 1: my job. No, I'm not a co conspirator. Y'all know

756
00:35:44,719 --> 00:35:46,480
Speaker 1: what that is. When you're in a car with somebody

757
00:35:46,520 --> 00:35:50,960
Speaker 1: do a drive by, you choose not to say when

758
00:35:51,000 --> 00:35:52,480
Speaker 1: she drove by and took that money, that was a

759
00:35:52,560 --> 00:35:58,239
Speaker 1: drive If you're in the car, you're guilty too, allegedly.

760
00:35:58,360 --> 00:35:59,920
Speaker 1: All right, let me ask you this is one more

761
00:36:00,000 --> 00:36:03,360
Speaker 1: even before getting the quick time, because I've noticed, like

762
00:36:04,400 --> 00:36:07,120
Speaker 1: there's been people that been getting mad at me, like

763
00:36:07,280 --> 00:36:09,200
Speaker 1: you see how you say a joke just now, I've

764
00:36:09,200 --> 00:36:14,279
Speaker 1: been trying to keep my straight face. Tis Yeah. There's

765
00:36:14,280 --> 00:36:16,680
Speaker 1: people that come to me like the show voice matters,

766
00:36:16,840 --> 00:36:19,319
Speaker 1: that's what let me ask you. Like, and there's people

767
00:36:19,400 --> 00:36:21,320
Speaker 1: that do have relationships with They're like, why do you

768
00:36:21,440 --> 00:36:24,000
Speaker 1: laugh like that? I'm like, the way I laugh offended you?

769
00:36:24,480 --> 00:36:27,040
Speaker 1: And have you ever gone through that? Like that's all

770
00:36:27,280 --> 00:36:29,680
Speaker 1: someone came on your show, just someone else and you

771
00:36:30,200 --> 00:36:32,600
Speaker 1: you kind of like, I think people pretty much write

772
00:36:32,640 --> 00:36:35,719
Speaker 1: me off as a mess, like fuck him, like that

773
00:36:35,880 --> 00:36:38,239
Speaker 1: guy he you know, at least behind my back, fuck him.

774
00:36:38,360 --> 00:36:41,520
Speaker 1: He's gonna say whatever because they already know I'm going

775
00:36:41,800 --> 00:36:44,640
Speaker 1: to laugh if it's funny. It's funny. I think the

776
00:36:44,680 --> 00:36:46,879
Speaker 1: reason because you know, you also have a different seat

777
00:36:46,920 --> 00:36:49,799
Speaker 1: like you're important, You're an important imprint in hip hop,

778
00:36:49,920 --> 00:36:53,440
Speaker 1: like you your legacy matters beyond what's happening in the

779
00:36:53,640 --> 00:36:56,480
Speaker 1: blogger sphere right now, and so your voice travels very

780
00:36:56,520 --> 00:36:59,560
Speaker 1: differently than my mind is. I started being messy and

781
00:37:00,080 --> 00:37:02,879
Speaker 1: started being messy because honestly, nobody gave me a fair chance.

782
00:37:03,000 --> 00:37:04,560
Speaker 1: Like nobody funk with me when I was trying to

783
00:37:04,640 --> 00:37:07,840
Speaker 1: do the whole let's be friends and talk about your fashion,

784
00:37:07,880 --> 00:37:09,560
Speaker 1: and it was like, no, we're not coming over there.

785
00:37:09,560 --> 00:37:12,040
Speaker 1: I was like, Okay, your man ugly, your kid didn't

786
00:37:12,040 --> 00:37:15,399
Speaker 1: here you this has music, whack suck your line? Fuck

787
00:37:15,480 --> 00:37:18,600
Speaker 1: you show. Your numbers is low, You're horrible, You're fat.

788
00:37:19,160 --> 00:37:21,680
Speaker 1: I was Then I had to because you know what,

789
00:37:21,800 --> 00:37:25,000
Speaker 1: they didn't risk when the numbers when um, I was like,

790
00:37:25,280 --> 00:37:30,120
Speaker 1: let's go, and God wasn't answering. God was like that's

791
00:37:30,160 --> 00:37:32,920
Speaker 1: just disconnected. Like no, but you know, honestly, like I

792
00:37:32,960 --> 00:37:35,480
Speaker 1: didn't even want to be that guy. The industry forced

793
00:37:35,520 --> 00:37:38,200
Speaker 1: me into that. You you're too respected and to love

794
00:37:38,320 --> 00:37:40,640
Speaker 1: to be that. So anything that looks outside the box

795
00:37:40,680 --> 00:37:45,080
Speaker 1: for you and be criticized, but who cares? Your winning? Okay,

796
00:37:46,320 --> 00:37:51,120
Speaker 1: So this is for a quick time oh yeah, by

797
00:37:51,160 --> 00:37:54,480
Speaker 1: the way, yes, because I gotta get We gotta give

798
00:37:54,480 --> 00:37:57,040
Speaker 1: your flowers while you here, like we said, like I said,

799
00:37:57,120 --> 00:37:59,280
Speaker 1: you mean so much to the coach of your music mobile.

800
00:37:59,480 --> 00:38:01,800
Speaker 1: You've been monkey footing and kicking down the doors on

801
00:38:01,920 --> 00:38:03,800
Speaker 1: your own builty ship, on your own so we literally

802
00:38:04,040 --> 00:38:06,799
Speaker 1: wanted to give you your own motherfucker flowers. Got him

803
00:38:06,880 --> 00:38:10,799
Speaker 1: shout out about the flowers. Saw the bucking flowers. Yes, yes,

804
00:38:11,560 --> 00:38:16,960
Speaker 1: your motherfucking flowers forever, Charlotte Magne, step your game. He

805
00:38:17,080 --> 00:38:19,040
Speaker 1: got been on your show four times and I ain't

806
00:38:19,040 --> 00:38:23,080
Speaker 1: got ship. I got drinks and some rog and according

807
00:38:23,120 --> 00:38:26,480
Speaker 1: to us our contract, we also got a rock bottom

808
00:38:26,520 --> 00:38:41,879
Speaker 1: for you too. Yeah, we get look get to that later.

809
00:38:41,960 --> 00:38:46,440
Speaker 1: That's two different companies, two different governies want to about this. Okay, okay,

810
00:38:46,560 --> 00:38:52,640
Speaker 1: which can't remember that one? Puffy? Now, I text you

811
00:38:52,760 --> 00:38:55,600
Speaker 1: the other day and you didn't text me back. Now

812
00:38:55,640 --> 00:38:58,680
Speaker 1: I know you're gonna see this, love, So let me

813
00:38:58,719 --> 00:39:02,160
Speaker 1: say this. When y'all watched the BlackBerry Bottle, I let

814
00:39:02,239 --> 00:39:04,560
Speaker 1: y'all do that for Cardi b surprise birthday probably got

815
00:39:04,640 --> 00:39:07,440
Speaker 1: several millions impressions, and I didn't even take a dollar

816
00:39:07,520 --> 00:39:09,960
Speaker 1: for it because I loved Rock, and I loved you,

817
00:39:10,520 --> 00:39:12,879
Speaker 1: and your people failed to call me to even say

818
00:39:12,960 --> 00:39:15,479
Speaker 1: thank you. Like. See the thing about it is they've

819
00:39:15,480 --> 00:39:17,000
Speaker 1: been shipping on me for a long time. But now

820
00:39:17,080 --> 00:39:21,120
Speaker 1: two thousand twenty two, no more. I said the other day,

821
00:39:21,160 --> 00:39:24,000
Speaker 1: I got bulletproof windows at my house. Now I will

822
00:39:24,120 --> 00:39:28,880
Speaker 1: lock myself. I don't even impact. I got my A

823
00:39:29,080 --> 00:39:31,840
Speaker 1: R fifty, all my rifles and pistols in my my

824
00:39:32,000 --> 00:39:34,200
Speaker 1: life and my stuff. I said, I would just lock

825
00:39:34,280 --> 00:39:36,719
Speaker 1: myself in my house now and just do my job,

826
00:39:36,880 --> 00:39:40,320
Speaker 1: because like bridge building is not easy in this business,

827
00:39:40,480 --> 00:39:42,080
Speaker 1: like especially when you start for yourself, Like I have

828
00:39:42,200 --> 00:39:44,400
Speaker 1: no political ties to nobody. I literally wake up every

829
00:39:44,480 --> 00:39:46,440
Speaker 1: day and just don't give a funk. Right, I care,

830
00:39:46,560 --> 00:39:49,120
Speaker 1: but I don't give a funk. I care about people,

831
00:39:49,200 --> 00:39:50,680
Speaker 1: but at the end of day, if you're not, I

832
00:39:50,719 --> 00:39:53,080
Speaker 1: don't get funk. So I look at like s Rock

833
00:39:53,440 --> 00:39:59,200
Speaker 1: being a symbol of like, uh, what of what a

834
00:39:59,320 --> 00:40:02,520
Speaker 1: man could be come from? Like puff story is like

835
00:40:02,719 --> 00:40:04,600
Speaker 1: a story that I followed. Right, this is a man

836
00:40:04,680 --> 00:40:07,920
Speaker 1: who had passion, determination, He took no for he did

837
00:40:08,000 --> 00:40:10,600
Speaker 1: not take no for answer. He built, he gated j LO.

838
00:40:11,680 --> 00:40:13,640
Speaker 1: I mean he was in the club with Jlo and

839
00:40:13,680 --> 00:40:16,680
Speaker 1: the shootout, and the shootout somebody else went to jail

840
00:40:16,760 --> 00:40:19,120
Speaker 1: for it. Shout out to Shan who was here to

841
00:40:20,440 --> 00:40:23,480
Speaker 1: somebody else went to jail for it. But you know,

842
00:40:23,680 --> 00:40:26,239
Speaker 1: but you know what though, come outside, James record. But

843
00:40:26,360 --> 00:40:28,799
Speaker 1: you know what, no, no shade though. When when when

844
00:40:28,880 --> 00:40:30,719
Speaker 1: you hanging out with the richest person in the room

845
00:40:30,800 --> 00:40:32,360
Speaker 1: or you the young guy, you're supposed to take the

846
00:40:32,480 --> 00:40:34,120
Speaker 1: l for him. So, I mean, I don't even want

847
00:40:34,120 --> 00:40:36,120
Speaker 1: to get into that with that. Sean we had Sean here. Yeah,

848
00:40:36,200 --> 00:40:39,080
Speaker 1: you've had everybody because they fun with you. So we

849
00:40:39,120 --> 00:40:41,680
Speaker 1: answered that. Yeah, okay, so now this is called quick

850
00:40:41,719 --> 00:40:44,000
Speaker 1: time with Slim. Alright, this is how the game goes.

851
00:40:44,760 --> 00:40:47,319
Speaker 1: Explain it clearly too. Yeah. I mean, I'm so ready

852
00:40:47,360 --> 00:40:48,879
Speaker 1: to move on to these other questions. So we're gonna

853
00:40:48,880 --> 00:40:52,239
Speaker 1: try to run through this fact. But yeah, thank you,

854
00:40:52,680 --> 00:40:54,360
Speaker 1: because we gonna run through it. We still got to

855
00:40:54,400 --> 00:40:57,000
Speaker 1: get to my cars. That yeah, that's that's very next

856
00:40:57,080 --> 00:40:59,040
Speaker 1: right after this trying to get the more This is

857
00:40:59,080 --> 00:41:00,879
Speaker 1: like we were trying to get you a drunk rock. Okay,

858
00:41:01,200 --> 00:41:04,359
Speaker 1: all right, so that's why I had to listen. So right,

859
00:41:04,360 --> 00:41:07,200
Speaker 1: so let's play in the game it's one or the other. Right,

860
00:41:07,719 --> 00:41:10,520
Speaker 1: if you pick both, you take a shot off your choice.

861
00:41:10,680 --> 00:41:14,000
Speaker 1: We can have. We got Japanese whiskey, we got so Rock,

862
00:41:14,560 --> 00:41:19,879
Speaker 1: we got if I'm yeah, so yeah. But we're gonna

863
00:41:19,880 --> 00:41:21,640
Speaker 1: say we drink with you. If you drink with you,

864
00:41:21,760 --> 00:41:24,920
Speaker 1: if you like if people that you like, both of

865
00:41:24,960 --> 00:41:26,520
Speaker 1: them that you like, and you want to drink. I'm

866
00:41:26,560 --> 00:41:28,600
Speaker 1: not going to be politically okay, alright, cool, so then

867
00:41:28,640 --> 00:41:32,920
Speaker 1: you won't be drinking. But all right, all right, okay,

868
00:41:33,360 --> 00:41:36,360
Speaker 1: I'm gonna do a shot just the case. Get a

869
00:41:36,400 --> 00:41:40,000
Speaker 1: shot glass ready, you have repressive we could we have

870
00:41:40,120 --> 00:41:41,880
Speaker 1: some of the ball back there. We will make it happen.

871
00:41:42,160 --> 00:41:52,200
Speaker 1: We have Delon. That's Mahanna. Fine, watch y'all this time, baby,

872
00:41:52,280 --> 00:41:56,360
Speaker 1: we got to guests to drink Delon baby. Okay, holding

873
00:41:58,480 --> 00:42:10,360
Speaker 1: what up? He want figure it out? Yeah, okay, this

874
00:42:10,440 --> 00:42:12,440
Speaker 1: is part of the Yeah, yeah, that's okay. If we

875
00:42:12,520 --> 00:42:14,200
Speaker 1: just you know, leaving right there. Okay, this is a

876
00:42:14,239 --> 00:42:16,359
Speaker 1: part of this is this is every fan's favorite part

877
00:42:16,400 --> 00:42:18,719
Speaker 1: of the game. And by the way, you're the first

878
00:42:20,719 --> 00:42:23,839
Speaker 1: openly game person that page that played this game, because

879
00:42:23,840 --> 00:42:28,160
Speaker 1: I've just been other games on it. We're gonna ask

880
00:42:28,160 --> 00:42:30,560
Speaker 1: you after this game, lay the names on the table.

881
00:42:30,840 --> 00:42:35,320
Speaker 1: Go yeah, yeah, yeah you really think you know? I

882
00:42:35,440 --> 00:42:37,520
Speaker 1: never really thought out my career. My career has sucked

883
00:42:37,560 --> 00:42:39,759
Speaker 1: up my dating life because I really like I like

884
00:42:40,040 --> 00:42:42,360
Speaker 1: dating deal guys so like, but they won't sunk with

885
00:42:42,400 --> 00:42:45,759
Speaker 1: me now because of my job. Like damn, like gonna

886
00:42:45,760 --> 00:42:54,680
Speaker 1: tell y'all got so great like i' even send your flowers.

887
00:42:57,040 --> 00:42:59,759
Speaker 1: I know what your stue is working. Are you ready?

888
00:43:00,520 --> 00:43:08,120
Speaker 1: Biggie Big Punt, Biggie podcast a radio podcast, Kanye Kanye

889
00:43:09,680 --> 00:43:14,040
Speaker 1: fave or pusher? You know what. I'm not familiar with

890
00:43:14,120 --> 00:43:18,200
Speaker 1: either really like that. So that's a shot either neither.

891
00:43:22,280 --> 00:43:24,759
Speaker 1: Wait if you say both, that's if you say both

892
00:43:24,800 --> 00:43:29,640
Speaker 1: are neither? That? No more shots that, y'all's the game.

893
00:43:30,160 --> 00:43:31,920
Speaker 1: Hold on, hold on, hold on, hold on, da let

894
00:43:31,960 --> 00:43:34,279
Speaker 1: me get my own. You're supposed to be ready for

895
00:43:34,360 --> 00:43:37,520
Speaker 1: this because y'all got real liquor here. Y'all need to Yeah,

896
00:43:37,520 --> 00:43:41,040
Speaker 1: we're not plucking around, no wonder Melissa spoke on me

897
00:43:41,120 --> 00:43:45,920
Speaker 1: in public. Hold on, hold on, hold on, And this

898
00:43:46,040 --> 00:43:48,840
Speaker 1: is to your career, everything you do. We respect you,

899
00:43:48,880 --> 00:43:53,799
Speaker 1: We love you. Overhead, thank you. Yeah, that's the last

900
00:43:53,800 --> 00:43:58,040
Speaker 1: shot I'm taking let's Queen Latifa like Queen lie motherfucking Tifa.

901
00:43:58,960 --> 00:44:00,799
Speaker 1: We both of them on drinks. By the way, both

902
00:44:00,840 --> 00:44:02,719
Speaker 1: of them you've had no we need both of them.

903
00:44:03,080 --> 00:44:05,319
Speaker 1: Danny don't answer her phone so cold that that's how

904
00:44:05,360 --> 00:44:09,279
Speaker 1: you know he's getting money. He didn't even call a Day.

905
00:44:10,239 --> 00:44:13,239
Speaker 1: Can you tell Day to call out cold? That black

906
00:44:13,280 --> 00:44:19,120
Speaker 1: a little baby, A little baby source for XXL. Well

907
00:44:20,239 --> 00:44:23,400
Speaker 1: source because it source. I'm with the source to the legendary.

908
00:44:25,080 --> 00:44:29,880
Speaker 1: This is a little controversy. Cardi b what the fun was?

909
00:44:29,960 --> 00:44:33,640
Speaker 1: What he was? Because that's what theres that? Because that's

910
00:44:33,719 --> 00:44:46,279
Speaker 1: my bitch. And no, because that's never happened. WHOA. My

911
00:44:46,520 --> 00:44:50,080
Speaker 1: job is to predict the next niggas movie. My job

912
00:44:50,560 --> 00:44:54,480
Speaker 1: fully impressed, bro, my job, hold up, hold up, that's

913
00:44:54,480 --> 00:44:57,239
Speaker 1: at just because of that shot. Just come of that

914
00:44:57,320 --> 00:45:02,160
Speaker 1: told that's my job because I need to understand. That's

915
00:45:02,160 --> 00:45:04,240
Speaker 1: my next question when we get out of this. CARDI

916
00:45:04,320 --> 00:45:06,880
Speaker 1: think you don't like her? Is that true? Who mean? Cardi?

917
00:45:07,400 --> 00:45:09,239
Speaker 1: She told me she don't think you like her. That's

918
00:45:09,280 --> 00:45:11,919
Speaker 1: definitely a rumor. You got me. We look she told

919
00:45:11,960 --> 00:45:14,359
Speaker 1: me that. I said, I said, there's no way. First

920
00:45:14,440 --> 00:45:17,200
Speaker 1: video you wanna put up Okay, we love Cardi, we

921
00:45:17,239 --> 00:45:20,360
Speaker 1: get Cardi here. Yes, please would love Cardill right now.

922
00:45:20,560 --> 00:45:25,040
Speaker 1: I don't know who case you do think. I'm please

923
00:45:25,080 --> 00:45:31,480
Speaker 1: following it right now. I'm following the right motherfucking now.

924
00:45:32,200 --> 00:45:34,800
Speaker 1: And I just hell yeah, we would love to have

925
00:45:34,880 --> 00:45:39,360
Speaker 1: her on the show. Yeah, I'm here with Nori And

926
00:45:39,400 --> 00:45:42,279
Speaker 1: he said he loves you, so we clear motherfucking now.

927
00:45:48,440 --> 00:45:50,640
Speaker 1: But I don't have no wings and look at the cat.

928
00:45:50,719 --> 00:45:56,000
Speaker 1: But imagine, yeah, we can't see your face, we can't

929
00:45:56,040 --> 00:45:58,160
Speaker 1: see your fa We're clearing the air right now. I said,

930
00:46:00,360 --> 00:46:02,640
Speaker 1: tell her we got some mamajuana for her. Yeah, yeah,

931
00:46:02,680 --> 00:46:04,320
Speaker 1: we love you over here, Cardi. We would love you

932
00:46:04,400 --> 00:46:07,200
Speaker 1: to come and drink chests anytime you're ready. All right,

933
00:46:07,239 --> 00:46:12,640
Speaker 1: but instead of Linco, we're gonna smoke cigarettes. Cigarettes. We're

934
00:46:12,680 --> 00:46:16,759
Speaker 1: not doing a cigarette. I've never been before like this before.

935
00:46:17,120 --> 00:46:22,680
Speaker 1: That's another podcastigarette. Alright, mate, Champ, I'm gonna call you

936
00:46:22,760 --> 00:46:29,200
Speaker 1: back expect. Let's see that right there. That's Hollywood a lot.

937
00:46:29,239 --> 00:46:31,239
Speaker 1: We get straight to the motherfucking he like, we get

938
00:46:31,320 --> 00:46:33,880
Speaker 1: straight to it. And that's why people hate me because

939
00:46:34,280 --> 00:46:36,080
Speaker 1: I'm not waiting to see what the fun the shade

940
00:46:36,160 --> 00:46:39,120
Speaker 1: room and everybody doing, y'all do that. I'm gonna create

941
00:46:39,200 --> 00:46:40,799
Speaker 1: the news and we're gonna get card here and I'm

942
00:46:40,800 --> 00:46:43,839
Speaker 1: gonna come and drink that was hard right there by

943
00:46:43,880 --> 00:46:49,640
Speaker 1: the way and tupocket DMX, tupad okay Miami or l

944
00:46:49,719 --> 00:46:54,839
Speaker 1: A Miami taking the shot because I was gonna take no. Listen,

945
00:46:55,040 --> 00:46:56,160
Speaker 1: l A is where I live and where I make

946
00:46:56,200 --> 00:46:57,919
Speaker 1: my money. But it's a fake gass city and I'm

947
00:46:57,920 --> 00:47:00,520
Speaker 1: not working with those people out there like that. We're

948
00:47:00,520 --> 00:47:01,960
Speaker 1: gonna give me tell what I love about Miami, and

949
00:47:02,040 --> 00:47:04,120
Speaker 1: Miami is sexy. I got to the hotel that I

950
00:47:04,200 --> 00:47:06,480
Speaker 1: walked out solid at the water. I hit my nigg

951
00:47:06,520 --> 00:47:08,680
Speaker 1: I said, y'all need a boat on third Wednesday. I

952
00:47:08,840 --> 00:47:11,080
Speaker 1: just love the vibe here. I like going to Prime.

953
00:47:11,160 --> 00:47:13,359
Speaker 1: I like the club shout to my boy prince right here,

954
00:47:13,440 --> 00:47:15,439
Speaker 1: like all the clubs out here, and let the people

955
00:47:15,480 --> 00:47:18,239
Speaker 1: are beautiful, and I really feel like it's the East

956
00:47:18,280 --> 00:47:21,120
Speaker 1: Coast vibe of either Miami or New York. It's just

957
00:47:21,239 --> 00:47:23,239
Speaker 1: it is what it is. Either funk with you, we don't.

958
00:47:23,320 --> 00:47:24,800
Speaker 1: We eiven want to work with you. We don't, And

959
00:47:24,840 --> 00:47:26,239
Speaker 1: we want to have a good time and have sex

960
00:47:26,320 --> 00:47:28,560
Speaker 1: and get drunk and get high like l a. They'd

961
00:47:28,560 --> 00:47:31,000
Speaker 1: be like, what you do for a living, bitch, make

962
00:47:31,080 --> 00:47:40,200
Speaker 1: more money to you. Okay, dreau take a shot? No, no, no, no, no,

963
00:47:40,760 --> 00:47:44,480
Speaker 1: um you know what. Damn. Yeah, I'm gonna take a shot.

964
00:47:44,520 --> 00:47:46,799
Speaker 1: You know I like that. I'm gonna take a shot.

965
00:47:46,840 --> 00:47:48,800
Speaker 1: I'm gonna take your shot only because out of respect

966
00:47:48,880 --> 00:47:53,120
Speaker 1: for both they both icons that don't return his phone calls.

967
00:47:53,320 --> 00:48:04,239
Speaker 1: Maybe Okay, this is the last shot, So anything y'all say. Now,

968
00:48:04,280 --> 00:48:08,200
Speaker 1: I'm just sucking answering cool, hold on, but this is

969
00:48:08,280 --> 00:48:10,960
Speaker 1: this is this is great. This is great information. That's

970
00:48:11,000 --> 00:48:16,640
Speaker 1: great for me. Fat Joe or you know, you're a problem.

971
00:48:16,719 --> 00:48:18,319
Speaker 1: So I'm gonna tell you why. Because he's a nice guy.

972
00:48:19,120 --> 00:48:21,359
Speaker 1: You said that you sit the guests across from him,

973
00:48:21,880 --> 00:48:24,040
Speaker 1: disarmed and where they're like, oh he cool and ship

974
00:48:25,600 --> 00:48:30,800
Speaker 1: and then you over here throwing this messy Yeah he like,

975
00:48:31,160 --> 00:48:35,879
Speaker 1: well I got great hair, like figuring about something Jason

976
00:48:36,960 --> 00:48:45,840
Speaker 1: from Rick. We're also fat Joe. Fuck you know damn

977
00:48:46,040 --> 00:48:50,840
Speaker 1: I love them both. Okay, wait, may question because my

978
00:48:50,880 --> 00:48:53,680
Speaker 1: eyes get all right, that's like like five more damn,

979
00:48:54,200 --> 00:48:59,680
Speaker 1: and I'm answering every question. Don't worry, don't worry about

980
00:48:59,680 --> 00:49:01,279
Speaker 1: it then and then and then when I burned the

981
00:49:01,280 --> 00:49:04,440
Speaker 1: Internet down, lose every deal. No, I got you bro,

982
00:49:04,760 --> 00:49:06,080
Speaker 1: you know it warned me about the show there was

983
00:49:06,200 --> 00:49:12,960
Speaker 1: my public was likely not do that. It means we're

984
00:49:12,960 --> 00:49:17,200
Speaker 1: doing something right. That Internet we had, we had, we had,

985
00:49:17,280 --> 00:49:20,759
Speaker 1: yeah at Lisa keeps sitting that same chair, and we

986
00:49:20,840 --> 00:49:27,719
Speaker 1: got Missy or Eve, Missy a Sap, Rocky or Travis Y.

987
00:49:27,960 --> 00:49:31,160
Speaker 1: I'm riding I'm right with Rocky MTV raps or Rap

988
00:49:31,239 --> 00:49:36,239
Speaker 1: City MTV raps because they came back and my boy

989
00:49:36,280 --> 00:49:43,279
Speaker 1: considered as doing it. Okay, lynsa yaga Offendi. I knew

990
00:49:43,320 --> 00:49:46,120
Speaker 1: that question. I know that answer. Joe Button's or million

991
00:49:46,160 --> 00:49:49,520
Speaker 1: dollars worth a game? Oh fuck with million dollars worth

992
00:49:49,560 --> 00:49:54,520
Speaker 1: of game? All right? And you know people don't know

993
00:49:54,800 --> 00:49:56,960
Speaker 1: I book Floyd Mayweather for this ship, like people don't

994
00:49:57,040 --> 00:49:58,560
Speaker 1: be knowing what I'd be doing behind the scenes. They

995
00:49:58,640 --> 00:50:00,960
Speaker 1: just think I'm keeps, you know, and they had a

996
00:50:01,000 --> 00:50:03,279
Speaker 1: great show with him. So shout to them them up

997
00:50:03,520 --> 00:50:11,160
Speaker 1: Carbones or Problem one twelve, be careful, you know, shot,

998
00:50:11,440 --> 00:50:14,200
Speaker 1: No listen, I know Carbone is your spotty and I

999
00:50:14,280 --> 00:50:16,320
Speaker 1: do want it. I feel like you're going and I do,

1000
00:50:16,520 --> 00:50:18,560
Speaker 1: and I do want to go there tonight because it's

1001
00:50:18,600 --> 00:50:22,760
Speaker 1: a nigger in there. I'm trying to date. Okay, listen,

1002
00:50:22,960 --> 00:50:24,840
Speaker 1: I have no problem dating the server. Y'all got a

1003
00:50:24,840 --> 00:50:28,160
Speaker 1: problem with the service, and that's on y'all. Okay, look um,

1004
00:50:28,600 --> 00:50:30,360
Speaker 1: I got shot, probably one. You have always take care

1005
00:50:30,400 --> 00:50:35,600
Speaker 1: of me though I haven't been there. No Miles the owner. Okay, sorry,

1006
00:50:35,640 --> 00:50:38,520
Speaker 1: my bad. Shout to Derek to there's the homie. Okay,

1007
00:50:39,719 --> 00:50:42,000
Speaker 1: I want to go to carbona night. Okay, we're gonna

1008
00:50:42,000 --> 00:50:46,800
Speaker 1: pull up Rihanna, Rihanna, don't care. Don't say Beyonce, Rihanna.

1009
00:50:47,400 --> 00:50:50,400
Speaker 1: It was Beyonce. I love Beyonce, but Rihanna, why because

1010
00:50:50,440 --> 00:50:53,239
Speaker 1: I love Beyonce, but she's never gonna fuck with me

1011
00:50:53,360 --> 00:50:56,360
Speaker 1: the way Rihanna does on some real like genuine just

1012
00:50:56,640 --> 00:51:00,439
Speaker 1: I love you and I wanna know you. You smoke

1013
00:51:00,480 --> 00:51:02,680
Speaker 1: blunts with men before smoke blunts with her, But I

1014
00:51:02,719 --> 00:51:04,839
Speaker 1: would smoke blunts, And I told Rihanna, she's the only

1015
00:51:04,920 --> 00:51:07,160
Speaker 1: one that to make me go back. Actually, I had

1016
00:51:07,200 --> 00:51:08,400
Speaker 1: a three something with a nigga and the girl the

1017
00:51:08,480 --> 00:51:10,640
Speaker 1: other day, which was kind of weird, but I would,

1018
00:51:11,200 --> 00:51:15,000
Speaker 1: I would. I don't be ready for nothing. I would

1019
00:51:16,000 --> 00:51:18,200
Speaker 1: like some about Rihanna and this, and I tell her

1020
00:51:18,239 --> 00:51:19,919
Speaker 1: this too, and we'll be talking about it as probably

1021
00:51:19,920 --> 00:51:23,000
Speaker 1: don't want you around as loves me. But the way

1022
00:51:23,040 --> 00:51:25,000
Speaker 1: you're talking about now, I don't know. I ain't gonna

1023
00:51:25,000 --> 00:51:29,600
Speaker 1: lie like I'll fight that nigga. Now, I love Rocky,

1024
00:51:29,840 --> 00:51:31,200
Speaker 1: I really love I love both of me and I

1025
00:51:31,320 --> 00:51:33,160
Speaker 1: love them together. And honestly I said to them like

1026
00:51:33,320 --> 00:51:35,320
Speaker 1: like I'm so happy for both of them. But the

1027
00:51:35,400 --> 00:51:37,480
Speaker 1: thing about RhE is um she got she got b

1028
00:51:37,640 --> 00:51:40,920
Speaker 1: D like she really is. Like she's beautiful and she

1029
00:51:41,000 --> 00:51:43,360
Speaker 1: smells good and she's delicate as a woman, but she

1030
00:51:43,560 --> 00:51:46,000
Speaker 1: really like I don't know. I I told her, like

1031
00:51:46,239 --> 00:51:48,480
Speaker 1: you like a nigger to me. So because she smoked blunts,

1032
00:51:48,880 --> 00:51:52,000
Speaker 1: She's like, smoke blunt. You gotta be like a little

1033
00:51:52,080 --> 00:51:54,000
Speaker 1: funked up in the head, she called. She say that

1034
00:51:54,080 --> 00:51:56,960
Speaker 1: as I'm smoking a blunt. Yeah, yeah, she's I don't

1035
00:51:57,000 --> 00:52:00,640
Speaker 1: know she you met her, I've never met. I've met

1036
00:52:00,719 --> 00:52:03,359
Speaker 1: the early we we I met. What was her song

1037
00:52:03,560 --> 00:52:07,800
Speaker 1: DJ that long? Yeah? It was. What I love about

1038
00:52:07,840 --> 00:52:11,279
Speaker 1: her is she's she everything bro like Rocky. I'll tell you,

1039
00:52:11,360 --> 00:52:14,800
Speaker 1: I'll tell you. They get up. It was her and

1040
00:52:14,880 --> 00:52:17,560
Speaker 1: Tiana Tellor and that night Tiana Tellor was the big

1041
00:52:17,760 --> 00:52:20,359
Speaker 1: was the big girl. Someone else said this party too,

1042
00:52:21,000 --> 00:52:22,560
Speaker 1: about this party, and I told him I was dead

1043
00:52:22,640 --> 00:52:25,280
Speaker 1: but it was a def jam party and Tiana Tellor

1044
00:52:25,480 --> 00:52:28,520
Speaker 1: was the headliner and people were looking over we read

1045
00:52:28,600 --> 00:52:31,839
Speaker 1: it was crazy Typer sounds. Where was Rihanna? I think

1046
00:52:31,840 --> 00:52:36,280
Speaker 1: Syper said, Sound said on this show, shout to Tanna

1047
00:52:36,320 --> 00:52:38,160
Speaker 1: until I love her too, And it was amazing. This

1048
00:52:38,200 --> 00:52:40,200
Speaker 1: is the last one. Oh, I can't drink no more

1049
00:52:40,200 --> 00:52:42,200
Speaker 1: because I'm listen the last one. This is actually it's

1050
00:52:42,239 --> 00:52:45,120
Speaker 1: not really a trick question. It's actually not. It's not.

1051
00:52:45,200 --> 00:52:47,640
Speaker 1: It's actually everyone thinks it's a trick question. But it's

1052
00:52:47,640 --> 00:52:55,360
Speaker 1: not loyalty or respect. Damn um. You know what. Loyalty

1053
00:52:55,440 --> 00:52:57,600
Speaker 1: is important to me, bro, because I've been burned recently.

1054
00:52:57,680 --> 00:53:00,239
Speaker 1: I just got robbed, not robbed at gump point, but

1055
00:53:00,360 --> 00:53:02,880
Speaker 1: like somebody stole from me on my house. And I

1056
00:53:02,960 --> 00:53:06,759
Speaker 1: think loyalty is important and it's hard, and and as

1057
00:53:06,800 --> 00:53:09,600
Speaker 1: I'm navigating through this business and like now that everything

1058
00:53:09,719 --> 00:53:11,879
Speaker 1: is up and the money is crazy, I'm like I'm

1059
00:53:11,960 --> 00:53:13,600
Speaker 1: like trying to catch up with it all. Like I

1060
00:53:13,719 --> 00:53:15,520
Speaker 1: find myself trying to catch up with it all, and

1061
00:53:15,600 --> 00:53:18,160
Speaker 1: the people around me keep me grounded. I travel with

1062
00:53:18,200 --> 00:53:20,319
Speaker 1: the same people, I have the same people in my house.

1063
00:53:20,400 --> 00:53:22,279
Speaker 1: My employees have been with me from the beginning for

1064
00:53:22,320 --> 00:53:25,920
Speaker 1: the most part. Yeah, loyalty. I think loyal too, because

1065
00:53:26,080 --> 00:53:29,240
Speaker 1: respect what is that? Like niggas don't really respect nigga's nowadays,

1066
00:53:29,280 --> 00:53:30,640
Speaker 1: it's like what can I get from you? What can

1067
00:53:30,640 --> 00:53:33,239
Speaker 1: you get from me? It's this transactional thing going on,

1068
00:53:33,400 --> 00:53:37,319
Speaker 1: when really, if I funk with you, I literally wholeheartedly

1069
00:53:37,520 --> 00:53:40,200
Speaker 1: funk with you, Like just calling Cardi right now, like

1070
00:53:40,320 --> 00:53:41,920
Speaker 1: I want to see her here and I'm going to

1071
00:53:42,040 --> 00:53:44,719
Speaker 1: make sure that I get her here because we all win.

1072
00:53:45,400 --> 00:53:46,920
Speaker 1: And when she told me the other day, when I

1073
00:53:46,960 --> 00:53:48,239
Speaker 1: told I was doing your show, and she said, yo,

1074
00:53:48,280 --> 00:53:49,400
Speaker 1: I don't I don't know if they funk with me,

1075
00:53:49,440 --> 00:53:52,040
Speaker 1: Like I'm like your NOI is like the nicest And

1076
00:53:52,120 --> 00:53:54,239
Speaker 1: by the way, shout out to Nori's wife, can we

1077
00:53:54,320 --> 00:53:58,000
Speaker 1: get the show sponsored by the Juice bart part of

1078
00:53:58,120 --> 00:54:01,000
Speaker 1: this part of the show, because by the way, speak

1079
00:54:01,080 --> 00:54:05,520
Speaker 1: speaking to the other day the other day, you hung

1080
00:54:05,560 --> 00:54:07,960
Speaker 1: out with me. Thank you. By the way, thank Nori.

1081
00:54:08,120 --> 00:54:10,920
Speaker 1: Is the noise the setup, bro, because the James Crews.

1082
00:54:10,960 --> 00:54:13,400
Speaker 1: But you said something to me that I didn't actually notice.

1083
00:54:13,800 --> 00:54:16,480
Speaker 1: You said, man, you got all these rappers around here, right,

1084
00:54:17,239 --> 00:54:20,160
Speaker 1: And what I didn't notice is that's like who I

1085
00:54:20,280 --> 00:54:24,080
Speaker 1: actually be around. Have you ever like been in a

1086
00:54:24,160 --> 00:54:30,160
Speaker 1: situation where no James crew says, come over to this this, uh,

1087
00:54:30,800 --> 00:54:33,279
Speaker 1: this address with Nori right now, I'm like, okay, cool,

1088
00:54:33,280 --> 00:54:35,080
Speaker 1: I'm going to the juice bar. Oh ship, I'm gonna

1089
00:54:35,120 --> 00:54:38,560
Speaker 1: put my little workout outfit and the juice is great.

1090
00:54:38,760 --> 00:54:44,080
Speaker 1: I pulled up this Russell Salmons ben Zeno fucking job room.

1091
00:54:44,120 --> 00:54:46,080
Speaker 1: I'm like, yo, this is source of awards about to

1092
00:54:46,080 --> 00:54:50,000
Speaker 1: get shot. Uh, I'm not about to stay here like no,

1093
00:54:50,280 --> 00:54:53,399
Speaker 1: like i'd be hearing follow alert shots of Robin pulled

1094
00:54:53,480 --> 00:54:55,680
Speaker 1: up like you like. But it was so cool around me.

1095
00:54:55,719 --> 00:54:58,040
Speaker 1: I'm a different type of the thing I love about

1096
00:54:58,080 --> 00:54:59,520
Speaker 1: you and what I and I hope let me give

1097
00:54:59,520 --> 00:55:02,239
Speaker 1: you a flyer is real quick because you know, I

1098
00:55:02,400 --> 00:55:04,480
Speaker 1: hope you realize like how important you are to the

1099
00:55:04,560 --> 00:55:07,399
Speaker 1: culture and that you you are an icon and people

1100
00:55:07,520 --> 00:55:09,680
Speaker 1: respect you. And when I look at what you built

1101
00:55:09,719 --> 00:55:11,399
Speaker 1: at the table of the y'all built and the table

1102
00:55:11,480 --> 00:55:13,000
Speaker 1: that you're giving the people to be heard. Because I

1103
00:55:13,080 --> 00:55:15,560
Speaker 1: sat in the room with Kanye and Big Sean talking

1104
00:55:15,600 --> 00:55:19,520
Speaker 1: about this show, and I watched the conversation happened about

1105
00:55:19,600 --> 00:55:22,960
Speaker 1: both interviews that that they had here and how they

1106
00:55:23,160 --> 00:55:25,879
Speaker 1: both loved each other and respect each other. And Kanye said,

1107
00:55:25,880 --> 00:55:27,840
Speaker 1: I don't take back nothing. I said, you know, I

1108
00:55:27,840 --> 00:55:29,960
Speaker 1: don't take back nothing, I said, and and and Big

1109
00:55:30,040 --> 00:55:32,560
Speaker 1: Sean was giving him his flowers and having the conversation

1110
00:55:32,600 --> 00:55:35,120
Speaker 1: about all the things that were important, but that all

1111
00:55:35,160 --> 00:55:37,319
Speaker 1: came to a head on this show. So I want

1112
00:55:37,360 --> 00:55:41,040
Speaker 1: to give you your flowers too, because that's the way

1113
00:55:41,080 --> 00:55:43,480
Speaker 1: that is to that go hold on, hold on, because

1114
00:55:43,600 --> 00:55:47,279
Speaker 1: you definitely just lost on. So you was at that,

1115
00:55:47,440 --> 00:55:50,080
Speaker 1: so text me. You know, all he did was texta address.

1116
00:55:50,120 --> 00:55:51,960
Speaker 1: You know this is what you and you got in

1117
00:55:52,040 --> 00:55:54,719
Speaker 1: comment I'm not working with either one of you. And

1118
00:55:54,719 --> 00:55:56,200
Speaker 1: I told him I was coming up, and he just

1119
00:55:56,280 --> 00:55:59,480
Speaker 1: did an exclamation, I'm not with one because y'all are

1120
00:55:59,560 --> 00:56:05,319
Speaker 1: set up both love this ship. Wait, and I'm gonna

1121
00:56:05,360 --> 00:56:07,000
Speaker 1: tell you there is an intersection with me and him,

1122
00:56:07,040 --> 00:56:08,680
Speaker 1: and that's why I think I relate to him so

1123
00:56:08,760 --> 00:56:10,719
Speaker 1: much because both of us have been counted out and

1124
00:56:10,800 --> 00:56:12,680
Speaker 1: don't give a funk. But this is what I would

1125
00:56:12,680 --> 00:56:16,080
Speaker 1: say about both YouTube. Y'all to be creating situations that

1126
00:56:17,200 --> 00:56:20,879
Speaker 1: you don't tell nobody what they're walking into. But they're

1127
00:56:20,880 --> 00:56:23,279
Speaker 1: going to be important situations and you're gonna be all right,

1128
00:56:23,400 --> 00:56:25,120
Speaker 1: and you're gonna be all right. So the hold on,

1129
00:56:25,239 --> 00:56:29,400
Speaker 1: let's describe this big Sean. So he sent you an address.

1130
00:56:29,440 --> 00:56:30,960
Speaker 1: So he texted me an address, and I said, I

1131
00:56:31,040 --> 00:56:32,640
Speaker 1: got friends of myus because you know, it's later at night.

1132
00:56:32,640 --> 00:56:34,000
Speaker 1: I was tired, and I didn't really want to go,

1133
00:56:34,640 --> 00:56:38,400
Speaker 1: but because you know you can, I just said, all

1134
00:56:38,400 --> 00:56:40,319
Speaker 1: the haters out there that don't like Kanye West, he's

1135
00:56:40,360 --> 00:56:44,920
Speaker 1: sucking Kanye West like he is fucking He is an

1136
00:56:44,960 --> 00:56:47,560
Speaker 1: important part of our culture's fabric. And if you look

1137
00:56:47,600 --> 00:56:51,040
Speaker 1: at this documentary, you respect the fact that who he

1138
00:56:51,200 --> 00:56:53,680
Speaker 1: was back then, he knew he was as big as

1139
00:56:54,600 --> 00:56:57,520
Speaker 1: she was. Jesus that parable when she said the giant

1140
00:56:57,560 --> 00:56:59,800
Speaker 1: doesn't see himself and said, you know you can be

1141
00:57:00,040 --> 00:57:02,600
Speaker 1: the air and on the flap floor at the same

1142
00:57:02,680 --> 00:57:04,839
Speaker 1: time that she summed up my whole life. And when

1143
00:57:04,880 --> 00:57:06,719
Speaker 1: we went to the we went to the premier the

1144
00:57:06,800 --> 00:57:08,719
Speaker 1: other day, and when I saw his mother and him

1145
00:57:08,760 --> 00:57:11,360
Speaker 1: talking and how he behaved in front of how he was,

1146
00:57:11,640 --> 00:57:13,440
Speaker 1: how he's shrunk in front of her. I was like, Yo,

1147
00:57:13,560 --> 00:57:17,680
Speaker 1: that's that missing peace. That's why everybody online attacking me saying, oh,

1148
00:57:17,760 --> 00:57:19,520
Speaker 1: you signed with him? He is? He is? He does.

1149
00:57:19,560 --> 00:57:21,120
Speaker 1: I'm not gonna beat the nigger y'all want me to be.

1150
00:57:21,160 --> 00:57:22,800
Speaker 1: I'm not gonna be the tool to destroy him the

1151
00:57:22,800 --> 00:57:24,280
Speaker 1: way that you want me to. Because I see him

1152
00:57:24,280 --> 00:57:28,120
Speaker 1: in the proximity changes my perception. I'm a little closer

1153
00:57:28,120 --> 00:57:29,880
Speaker 1: to him than all of you, so I see him differently.

1154
00:57:30,000 --> 00:57:31,840
Speaker 1: If you don't want to receive him that way, then

1155
00:57:31,880 --> 00:57:33,880
Speaker 1: you're everybody that don't want to receive me that way.

1156
00:57:34,240 --> 00:57:36,800
Speaker 1: But but back to this situation. He texts me an address,

1157
00:57:36,880 --> 00:57:40,000
Speaker 1: so I pull up with my friends and uh, it's

1158
00:57:40,000 --> 00:57:44,360
Speaker 1: a lot of rappers. It's fibio whack game, Marilyn Manson,

1159
00:57:44,640 --> 00:57:59,880
Speaker 1: It's a lot going on in look, it's revolved strong factor.

1160
00:58:00,680 --> 00:58:05,480
Speaker 1: But you spell it f I though, well, but he's

1161
00:58:05,480 --> 00:58:07,320
Speaker 1: a nice guy too. Yeah, he's still on the street.

1162
00:58:07,360 --> 00:58:11,520
Speaker 1: So I'm keep it. But so far you're the guy

1163
00:58:11,560 --> 00:58:14,960
Speaker 1: behind me laughing like what I do know? So so

1164
00:58:15,200 --> 00:58:17,960
Speaker 1: French Mont. Okay, so I get there this is also

1165
00:58:18,000 --> 00:58:21,720
Speaker 1: the source of awards, by the way, right, So mine, no, no, no,

1166
00:58:22,800 --> 00:58:25,480
Speaker 1: because I've been shot before, like I had PTS in

1167
00:58:25,680 --> 00:58:28,080
Speaker 1: You're like, I've been shot, like laying on the ground

1168
00:58:28,160 --> 00:58:30,439
Speaker 1: shot like all these people time. I'll take a bullet

1169
00:58:30,440 --> 00:58:32,360
Speaker 1: for you, nigga. No, you do not want to do that,

1170
00:58:33,200 --> 00:58:34,680
Speaker 1: you know what I mean? Like I took one for

1171
00:58:34,840 --> 00:58:38,840
Speaker 1: nigga and that nigga should have got it and that's

1172
00:58:38,880 --> 00:58:45,080
Speaker 1: my brother. Okay, no, so no, so listen, so listen go.

1173
00:58:45,920 --> 00:58:48,600
Speaker 1: So so I pull up and it's clearly like Source

1174
00:58:48,640 --> 00:58:51,320
Speaker 1: of Wars two thousand twenties two, right, and like, and

1175
00:58:51,400 --> 00:58:52,800
Speaker 1: I usually have my gun on me because I'm a

1176
00:58:52,840 --> 00:58:54,640
Speaker 1: concealed weapons holder. I got a license for it, and

1177
00:58:54,680 --> 00:58:56,920
Speaker 1: I followed the law, by the way, anybody not mad

1178
00:58:57,320 --> 00:58:59,320
Speaker 1: mad at me about this interview? Um, I do call

1179
00:58:59,400 --> 00:59:02,440
Speaker 1: the police because I'm not in the streets. Yeah I'm not.

1180
00:59:04,560 --> 00:59:07,919
Speaker 1: I think I got the FBI here and the same tip.

1181
00:59:11,120 --> 00:59:13,560
Speaker 1: But anyway, all right, So so I get there, right,

1182
00:59:13,600 --> 00:59:15,480
Speaker 1: and so they're like, yeah, he wants to see you.

1183
00:59:15,520 --> 00:59:17,400
Speaker 1: I'm like, okay, So I walk in the back and

1184
00:59:17,440 --> 00:59:19,120
Speaker 1: I walk in this room. They opened the door and

1185
00:59:19,960 --> 00:59:23,080
Speaker 1: the lights are down and it's pushed your tea French Montana,

1186
00:59:23,520 --> 00:59:26,640
Speaker 1: Big Sean and Yeah and me, and I'm like, I don't,

1187
00:59:26,720 --> 00:59:29,560
Speaker 1: I don't, just I don't need to be here whatever

1188
00:59:29,680 --> 00:59:32,200
Speaker 1: y'all for Niggers is talking about like I don't want

1189
00:59:32,240 --> 00:59:34,919
Speaker 1: to know, you know what I mean, because because part

1190
00:59:34,960 --> 00:59:37,280
Speaker 1: of me is like celebrities get uncomfortable thinking I'm gonna

1191
00:59:37,280 --> 00:59:39,760
Speaker 1: spill their teeth. But Yeah is bringing me in like

1192
00:59:39,840 --> 00:59:41,320
Speaker 1: fun that we're not doing it behind this since we're

1193
00:59:41,320 --> 00:59:43,320
Speaker 1: doing it in your face. I'm like, Yo, this is

1194
00:59:43,360 --> 00:59:45,560
Speaker 1: a different movement. I'm with it, let's go. But I

1195
00:59:45,680 --> 00:59:47,960
Speaker 1: love the fact that these two black men who clearly

1196
00:59:47,960 --> 00:59:50,360
Speaker 1: are both successful, who have a respect from one another,

1197
00:59:50,600 --> 00:59:54,680
Speaker 1: who were honest and purely transparent on this show, We're

1198
00:59:54,680 --> 00:59:57,000
Speaker 1: able to get it off but then come back together

1199
00:59:57,040 --> 00:59:59,760
Speaker 1: and have a respectful conversation and and Kanye looked at

1200
00:59:59,840 --> 01:00:01,280
Speaker 1: him and he said, I don't take back ship I

1201
01:00:01,360 --> 01:00:05,240
Speaker 1: said about you. Everything I said, I mean it, and

1202
01:00:05,360 --> 01:00:07,920
Speaker 1: Big Sean said and everything I said I mean. But

1203
01:00:08,000 --> 01:00:10,280
Speaker 1: I wanted to get to a place of healing and

1204
01:00:10,880 --> 01:00:14,160
Speaker 1: they and they did it in a respectful way, but

1205
01:00:14,240 --> 01:00:16,440
Speaker 1: a very serious and honest way. And then we went

1206
01:00:16,520 --> 01:00:20,360
Speaker 1: and had drinks and um, everything was cool. That's dope,

1207
01:00:20,440 --> 01:00:21,960
Speaker 1: that's I'm glad they worked. But look at what this

1208
01:00:22,000 --> 01:00:24,760
Speaker 1: show was doing back every day because I'm gonna be

1209
01:00:24,840 --> 01:00:27,680
Speaker 1: honest with you. I'm gonna be honest with you when yeah,

1210
01:00:28,000 --> 01:00:30,400
Speaker 1: like like it's like your interview. I'll see how you

1211
01:00:30,640 --> 01:00:33,320
Speaker 1: describe your interview. You just called me. It was like

1212
01:00:33,360 --> 01:00:34,960
Speaker 1: on the Thursday, and it's like, yo, can we feel

1213
01:00:35,160 --> 01:00:37,480
Speaker 1: you know, you change it every time the day it

1214
01:00:37,560 --> 01:00:39,000
Speaker 1: was a Saturday and we didn't know. It was like

1215
01:00:39,600 --> 01:00:41,480
Speaker 1: just because I feel a m It was like, alright,

1216
01:00:41,560 --> 01:00:43,840
Speaker 1: cool act we had it all together. You look at

1217
01:00:43,840 --> 01:00:46,960
Speaker 1: these niggs. Didn't gonna work out like that was the

1218
01:00:47,000 --> 01:00:52,240
Speaker 1: earliest drinks, the earliest drink. No, No, Timberland seven in

1219
01:00:52,280 --> 01:00:56,240
Speaker 1: the morning Sunday morning. First of all, we don't do

1220
01:00:56,360 --> 01:01:00,760
Speaker 1: Sunday morning. Could Timerland and Swiss? That was an early

1221
01:01:00,800 --> 01:01:06,160
Speaker 1: one to yeah, yeah, can we say something yeah about

1222
01:01:06,200 --> 01:01:09,040
Speaker 1: this seven am? Yeah. I loved the earlier in the morning.

1223
01:01:09,280 --> 01:01:11,040
Speaker 1: This guy he texts out five in the morning every

1224
01:01:11,120 --> 01:01:13,720
Speaker 1: Now I'm earlier in the morning to do. I'm so anyway,

1225
01:01:13,800 --> 01:01:15,360
Speaker 1: I don't have it never anymore. I have to communicate,

1226
01:01:15,480 --> 01:01:16,640
Speaker 1: you know, I got you I got you. I got

1227
01:01:16,840 --> 01:01:18,120
Speaker 1: so let me just tell you something. Let me tell you.

1228
01:01:18,200 --> 01:01:19,480
Speaker 1: Let me tell you what you taught me. Being that

1229
01:01:19,520 --> 01:01:21,840
Speaker 1: we talked about this is the best thing he taught.

1230
01:01:22,520 --> 01:01:26,240
Speaker 1: What's freedom? Like, you know, you got this money and

1231
01:01:26,280 --> 01:01:27,560
Speaker 1: you could do what the funk you want and you

1232
01:01:27,600 --> 01:01:29,040
Speaker 1: could buy what the funk you want. I thought that

1233
01:01:29,160 --> 01:01:32,200
Speaker 1: was freedom. Freedom really is doing what the funk you want,

1234
01:01:32,360 --> 01:01:34,080
Speaker 1: when the funk you want, and how the funk you

1235
01:01:34,120 --> 01:01:36,200
Speaker 1: want to do it. Like he was literally just hanging

1236
01:01:36,240 --> 01:01:38,520
Speaker 1: out and he would just be like, y'are going there?

1237
01:01:38,680 --> 01:01:41,200
Speaker 1: Can I come? And I'm like, don't you gotta go

1238
01:01:41,280 --> 01:01:43,720
Speaker 1: on a private jet? Like like don't you gotta go

1239
01:01:43,880 --> 01:01:47,120
Speaker 1: fly away? And he'll just do whatever we were doing.

1240
01:01:47,280 --> 01:01:51,160
Speaker 1: And that ship, to me, was was something that I

1241
01:01:51,240 --> 01:01:54,080
Speaker 1: didn't know. I didn't understand. It's empowering. Yeah, I didn't

1242
01:01:54,120 --> 01:01:55,760
Speaker 1: understand freedom. So that's why when you see him in

1243
01:01:55,800 --> 01:01:58,680
Speaker 1: Believe with Shine and like I could literally tell you

1244
01:01:58,800 --> 01:02:01,120
Speaker 1: that that must have happened like twenty minutes before, like

1245
01:02:01,280 --> 01:02:02,760
Speaker 1: let's just go to Believes and he was just like

1246
01:02:03,200 --> 01:02:05,600
Speaker 1: fuck it, I'm in and just went like to me,

1247
01:02:06,920 --> 01:02:10,120
Speaker 1: that was the real what you said? That was? That

1248
01:02:10,240 --> 01:02:12,800
Speaker 1: was what was that was was pure about DMX two

1249
01:02:12,960 --> 01:02:15,680
Speaker 1: because DMX had freedom like DMX would just go. So

1250
01:02:15,800 --> 01:02:18,720
Speaker 1: that's the beautiful thing that he taught me. And let

1251
01:02:18,760 --> 01:02:20,800
Speaker 1: me add to this. So when we were talking about

1252
01:02:20,840 --> 01:02:23,160
Speaker 1: Black Future Month, because it's Black History Month now, right,

1253
01:02:23,320 --> 01:02:25,439
Speaker 1: and I think the thing that people don't understand about,

1254
01:02:25,480 --> 01:02:27,400
Speaker 1: which I'm sure you guys do because you sat with him, right,

1255
01:02:27,720 --> 01:02:30,360
Speaker 1: is he thinks very abstract. It's not linear. It's very

1256
01:02:30,680 --> 01:02:34,640
Speaker 1: like he sees. It's multiple, multiple thought patterns. And he's

1257
01:02:34,640 --> 01:02:37,160
Speaker 1: ahead of our time, right. So, and I'm gonna give

1258
01:02:37,240 --> 01:02:38,880
Speaker 1: him his credit as a genius. But one thing that

1259
01:02:38,960 --> 01:02:40,800
Speaker 1: he said to me is he said, Black History Month

1260
01:02:40,960 --> 01:02:43,640
Speaker 1: reminds us all the time. Every year. This is the

1261
01:02:43,680 --> 01:02:46,040
Speaker 1: month they remind us about the lynchings and slaver and

1262
01:02:46,560 --> 01:02:48,280
Speaker 1: what we're doing to invest in the future. Let's do

1263
01:02:48,400 --> 01:02:50,760
Speaker 1: Black Future, mother. We're not going to discard the past,

1264
01:02:50,840 --> 01:02:53,040
Speaker 1: but we need to focus on the future. And so

1265
01:02:53,280 --> 01:02:54,800
Speaker 1: I'm talking to Hi about this. I'm like, yo, you

1266
01:02:54,880 --> 01:02:56,960
Speaker 1: know what, I love this narrative so much. We gotta

1267
01:02:57,000 --> 01:02:58,920
Speaker 1: get all the people in the room. He said, what

1268
01:02:59,040 --> 01:03:00,439
Speaker 1: you want to do, I said, let's you the Black

1269
01:03:00,520 --> 01:03:03,760
Speaker 1: Future Brunch. I'll bring in the fifty of the of

1270
01:03:03,840 --> 01:03:06,200
Speaker 1: the most powerful people in media that look like us,

1271
01:03:06,280 --> 01:03:09,280
Speaker 1: that tell our stories, from Vogue to a Vanity Fair

1272
01:03:09,400 --> 01:03:13,520
Speaker 1: to Shade Room to Forbes and Hollywood un and let's billboard,

1273
01:03:13,560 --> 01:03:15,880
Speaker 1: let's host them. He didn't want to do it in

1274
01:03:15,920 --> 01:03:17,480
Speaker 1: two weeks, he didn't want to do it in any

1275
01:03:17,560 --> 01:03:19,960
Speaker 1: said let's do it. This is a sense of urgency

1276
01:03:20,000 --> 01:03:22,840
Speaker 1: with him. I'm like, what freedom. But but but then

1277
01:03:22,880 --> 01:03:25,240
Speaker 1: I'm like, okay, money, freedom. So I put us all

1278
01:03:25,320 --> 01:03:28,000
Speaker 1: together and we have this amazing event and he sits

1279
01:03:28,040 --> 01:03:29,600
Speaker 1: at the table when he hears everybody out, and he

1280
01:03:29,680 --> 01:03:32,400
Speaker 1: shares his perspective, and we have this powerful exchange that's

1281
01:03:32,440 --> 01:03:34,400
Speaker 1: turned into a movement that I hope, hope hoping you

1282
01:03:34,480 --> 01:03:37,600
Speaker 1: guys have become a part of. And you also said something, uh,

1283
01:03:37,800 --> 01:03:41,880
Speaker 1: and recently you said that there's a lot of things

1284
01:03:42,480 --> 01:03:45,280
Speaker 1: that he does that you don't agree with. Of course,

1285
01:03:45,560 --> 01:03:49,080
Speaker 1: I'm never gonna support Trump. I'm never gonna publicly support Trump.

1286
01:03:49,120 --> 01:03:52,160
Speaker 1: There's nothing Trump can do. I don't give a fuck again,

1287
01:03:52,560 --> 01:03:55,520
Speaker 1: no respect. If Jesus came down and said the only

1288
01:03:55,600 --> 01:03:57,840
Speaker 1: way into the gates of heaven is if you hang

1289
01:03:57,920 --> 01:04:00,400
Speaker 1: with Trump, I'm sorry I'm gonna go to hell. I've

1290
01:04:00,440 --> 01:04:02,840
Speaker 1: been burning my whole life not I'm not clammitiate. I

1291
01:04:02,920 --> 01:04:06,200
Speaker 1: only had that twice. I'm gonna be fine, be fine.

1292
01:04:06,760 --> 01:04:10,240
Speaker 1: I'm not fucking with Trump. But I also know that

1293
01:04:10,480 --> 01:04:14,160
Speaker 1: I've had an interview with with Kanye where he's apologized

1294
01:04:14,160 --> 01:04:16,560
Speaker 1: for the red hat. So I've seen both sides of it.

1295
01:04:16,720 --> 01:04:19,200
Speaker 1: Right Um. By the way, I'm not a Biden. I

1296
01:04:19,240 --> 01:04:21,880
Speaker 1: don't Biden in them right now. I mean, what are

1297
01:04:21,920 --> 01:04:26,040
Speaker 1: they doing for I mean, I mean, we're passing all

1298
01:04:26,040 --> 01:04:28,840
Speaker 1: these bills. Where's the anti lynching bill? I mean, there's

1299
01:04:28,840 --> 01:04:31,160
Speaker 1: no anti Lenchener. But anyway, uh No. But what I

1300
01:04:31,240 --> 01:04:33,360
Speaker 1: like about Yeah is that he really is what he

1301
01:04:33,440 --> 01:04:35,760
Speaker 1: says he does. I say to him, Yo, we need

1302
01:04:35,800 --> 01:04:37,280
Speaker 1: to do X Y D. Put me in the text

1303
01:04:37,280 --> 01:04:38,960
Speaker 1: of the president of Adidas. Put me in the text

1304
01:04:39,000 --> 01:04:40,439
Speaker 1: with the president of Gap, put me in the text

1305
01:04:40,480 --> 01:04:42,680
Speaker 1: with people to find out how they're spending money in

1306
01:04:42,760 --> 01:04:45,680
Speaker 1: our community, with our media companies, to tell our stories.

1307
01:04:46,000 --> 01:04:47,440
Speaker 1: And I just feel like he's one of the very

1308
01:04:47,480 --> 01:04:49,160
Speaker 1: few people at his level who when he said you're

1309
01:04:49,160 --> 01:04:51,080
Speaker 1: gonna do something, he actually doesn't. I'm taking a shot

1310
01:04:51,160 --> 01:04:54,640
Speaker 1: for that. I'm taking my eyes have got low. I'm

1311
01:04:54,720 --> 01:04:58,360
Speaker 1: just gonna okay, but you might want to take these

1312
01:04:58,400 --> 01:05:02,160
Speaker 1: glasses off for this one, okay, because this show was

1313
01:05:02,200 --> 01:05:07,680
Speaker 1: a pierced set up because not a drinking, not the

1314
01:05:10,000 --> 01:05:13,680
Speaker 1: m good at Japanese whiskey. I wanted to take a

1315
01:05:13,680 --> 01:05:15,600
Speaker 1: shot with James cous at some point he's gonna come

1316
01:05:15,640 --> 01:05:21,320
Speaker 1: back shout to jams. But the Melissa four situations is

1317
01:05:21,400 --> 01:05:25,200
Speaker 1: it a situation? Is I'm gonna the reason why? Now.

1318
01:05:25,240 --> 01:05:27,840
Speaker 1: I love Melissa enough to pay attention to every word,

1319
01:05:27,920 --> 01:05:30,120
Speaker 1: so I want to be very clear. I don't see

1320
01:05:30,160 --> 01:05:33,360
Speaker 1: it as a situation and I don't want to situation

1321
01:05:33,520 --> 01:05:36,360
Speaker 1: because I had a certain level of love for her

1322
01:05:36,440 --> 01:05:38,400
Speaker 1: that I've never given to a lot of people. I don't.

1323
01:05:38,520 --> 01:05:41,640
Speaker 1: Latifa has gotten it, she's gotten it, Cardi has it

1324
01:05:41,760 --> 01:05:43,640
Speaker 1: when it comes, and Marianna has it. But like in

1325
01:05:43,800 --> 01:05:45,920
Speaker 1: terms of industry females, there's not a lot that have

1326
01:05:46,040 --> 01:05:48,920
Speaker 1: got Claudia and Jordan's had it at one point, Uh,

1327
01:05:49,200 --> 01:05:52,160
Speaker 1: Melissa was like I loved her a lot, you know,

1328
01:05:52,200 --> 01:05:54,640
Speaker 1: I cared about her a lot as a friend. We're

1329
01:05:54,680 --> 01:05:57,120
Speaker 1: no longer friends, but that's okay. That was her choice.

1330
01:05:57,240 --> 01:06:02,120
Speaker 1: I just know it is what it is is working together.

1331
01:06:02,200 --> 01:06:04,439
Speaker 1: You got this show show was we lit? She gets

1332
01:06:04,480 --> 01:06:09,120
Speaker 1: into this car accident, she doesn't return to work, but

1333
01:06:10,920 --> 01:06:16,480
Speaker 1: she's outside outside outside what's outside of me? You know

1334
01:06:16,560 --> 01:06:21,040
Speaker 1: what outside mean? She was outside like she was coming out,

1335
01:06:21,160 --> 01:06:23,880
Speaker 1: she was going to clubs or certain things were saying

1336
01:06:23,880 --> 01:06:26,720
Speaker 1: this eustside yeah yeah, yeah yeah, but saying she is

1337
01:06:26,960 --> 01:06:29,520
Speaker 1: saying that she wasn't. I'm asking this is the room on.

1338
01:06:29,880 --> 01:06:34,400
Speaker 1: This is not Norma's news, this is not drinks should

1339
01:06:34,400 --> 01:06:39,840
Speaker 1: be a segment, But is that what happened? Because you

1340
01:06:39,920 --> 01:06:42,280
Speaker 1: guys got this show's popping and then this accident does

1341
01:06:42,360 --> 01:06:44,800
Speaker 1: happen in my corrector, So kind of back up a

1342
01:06:44,800 --> 01:06:46,800
Speaker 1: little bit, just because I want to be very respectful

1343
01:06:46,800 --> 01:06:49,640
Speaker 1: of the situation, because there's a history here, right. Uh.

1344
01:06:49,840 --> 01:06:53,360
Speaker 1: Melissa and I became friends a long time ago, and

1345
01:06:53,800 --> 01:06:55,800
Speaker 1: just as friends, I would go to her house is

1346
01:06:55,840 --> 01:06:59,200
Speaker 1: when she was living in New York, and she uh

1347
01:06:59,560 --> 01:07:01,880
Speaker 1: welcome me into her life through a third party, and

1348
01:07:02,120 --> 01:07:03,640
Speaker 1: I just loved how she was. Just she seemed like

1349
01:07:03,680 --> 01:07:08,640
Speaker 1: a real chick, you know, sexy, funny, smartest, beautiful, all

1350
01:07:08,680 --> 01:07:11,400
Speaker 1: those things and fun. I didn't really know about all that,

1351
01:07:11,520 --> 01:07:13,880
Speaker 1: but I found out later, um, and that didn't matter

1352
01:07:13,920 --> 01:07:18,520
Speaker 1: to me, but like, but like she was cool. And

1353
01:07:18,640 --> 01:07:20,919
Speaker 1: then to the industry, to hip hop, she was most

1354
01:07:20,960 --> 01:07:24,080
Speaker 1: Afford you know whatever, and I know who she was,

1355
01:07:24,480 --> 01:07:26,320
Speaker 1: but we be I became friends with the person, not

1356
01:07:26,520 --> 01:07:28,400
Speaker 1: not the video girl. Like I don't given about the

1357
01:07:28,440 --> 01:07:30,200
Speaker 1: video girl. I don't care about you know, I know

1358
01:07:30,280 --> 01:07:31,960
Speaker 1: all the video girls don't care about that. I don't

1359
01:07:31,960 --> 01:07:34,600
Speaker 1: care about their occupation. I care about people. So we

1360
01:07:34,880 --> 01:07:37,640
Speaker 1: we built a friendship, and our relationship was so good

1361
01:07:37,800 --> 01:07:40,480
Speaker 1: that when we would talk, it would be hilarious that

1362
01:07:40,520 --> 01:07:42,600
Speaker 1: I was like, Yo, this is funny. Ship. So when

1363
01:07:42,600 --> 01:07:44,040
Speaker 1: I got in love and hip hop and needed to

1364
01:07:44,560 --> 01:07:47,360
Speaker 1: create a platform where people could see me because I

1365
01:07:47,400 --> 01:07:49,480
Speaker 1: feel like love and hip hop will literally create an

1366
01:07:49,520 --> 01:07:52,760
Speaker 1: image of you that may not be or do things

1367
01:07:52,800 --> 01:07:54,360
Speaker 1: in a way that you don't agree with someone like y'all.

1368
01:07:54,400 --> 01:07:56,120
Speaker 1: Need to create a platform of my own where people

1369
01:07:56,120 --> 01:07:57,680
Speaker 1: can see what the funk I am because I'm much

1370
01:07:57,720 --> 01:08:00,800
Speaker 1: more than this show. Once I did that, I was

1371
01:08:00,960 --> 01:08:02,560
Speaker 1: I came up with the idea. I was like, yo,

1372
01:08:02,640 --> 01:08:04,440
Speaker 1: I gotta have Melissa Afford on it, because the way

1373
01:08:04,480 --> 01:08:07,840
Speaker 1: we talk, it's just no pressure, it's natural, Like we

1374
01:08:07,880 --> 01:08:10,120
Speaker 1: don't need notes, we don't need we don't need production.

1375
01:08:10,160 --> 01:08:11,880
Speaker 1: We just need to turn on the mic and talk.

1376
01:08:12,280 --> 01:08:14,000
Speaker 1: And so when I called her, she had just moved

1377
01:08:14,000 --> 01:08:16,160
Speaker 1: back to l A. She had just came through the

1378
01:08:16,240 --> 01:08:18,400
Speaker 1: lawsuit with Bravo and where she would hit in the head,

1379
01:08:18,439 --> 01:08:20,519
Speaker 1: and she got to check and she didn't have nothing

1380
01:08:20,560 --> 01:08:23,360
Speaker 1: else going on. Keeping one thousand and I didn't have

1381
01:08:23,479 --> 01:08:24,960
Speaker 1: nothing else going on. Love and hip hop and love

1382
01:08:24,960 --> 01:08:27,320
Speaker 1: and hip hop don't pay ship. So I was like, Okay,

1383
01:08:27,439 --> 01:08:29,320
Speaker 1: let's do this podcast. We don't know how we're gonna

1384
01:08:29,360 --> 01:08:31,320
Speaker 1: get the money, but we're gonna start a podcast. Let's

1385
01:08:31,320 --> 01:08:34,080
Speaker 1: just talk our ship. And we did, and the show

1386
01:08:34,200 --> 01:08:37,240
Speaker 1: just took off in a way that we had never imagined.

1387
01:08:38,520 --> 01:08:40,320
Speaker 1: So while the show took off, we were also trying

1388
01:08:40,360 --> 01:08:42,080
Speaker 1: to figure out how to make money because we weren't

1389
01:08:42,120 --> 01:08:44,000
Speaker 1: making money doing this show we were doing on Dash

1390
01:08:44,360 --> 01:08:46,639
Speaker 1: DJ skiing them don't pay no money, but they give

1391
01:08:46,680 --> 01:08:50,040
Speaker 1: you free infrastructure. So I foke with them. Yeah, So

1392
01:08:50,120 --> 01:08:52,360
Speaker 1: I started bringing my guests in and we became the

1393
01:08:52,439 --> 01:08:54,719
Speaker 1: biggest show on Dash when we started like getting crazy

1394
01:08:54,800 --> 01:08:57,280
Speaker 1: numbers online. So I built Hollywood Online. Now here's where

1395
01:08:57,280 --> 01:09:01,000
Speaker 1: the real problem started. I own Hollywood on knocked On

1396
01:09:01,160 --> 01:09:03,400
Speaker 1: this show, she said she was the most famous person

1397
01:09:03,520 --> 01:09:06,280
Speaker 1: when she came on the podcast. She's the same person

1398
01:09:06,400 --> 01:09:09,160
Speaker 1: on the same podcast that said fame as a drug,

1399
01:09:09,280 --> 01:09:11,439
Speaker 1: so she must have smoked something before she came and

1400
01:09:11,520 --> 01:09:14,280
Speaker 1: talked to her ship here. I don't give a funk

1401
01:09:14,320 --> 01:09:17,160
Speaker 1: about fame. Give me the fucking money. All I want

1402
01:09:17,240 --> 01:09:18,800
Speaker 1: is sucking money. If I walked down the street right

1403
01:09:18,840 --> 01:09:20,880
Speaker 1: now and the nigga don't know me, I don't care.

1404
01:09:21,400 --> 01:09:24,200
Speaker 1: But guess what that motherfucking cash app that PayPal and

1405
01:09:24,280 --> 01:09:26,400
Speaker 1: then wires happened all day every day. I got a

1406
01:09:26,439 --> 01:09:30,880
Speaker 1: million dollars last week, one wire. So I don't care

1407
01:09:30,880 --> 01:09:33,320
Speaker 1: about fame. I don't care about if people notice in me.

1408
01:09:33,520 --> 01:09:35,760
Speaker 1: Like that ship. She says she don't care about it,

1409
01:09:35,840 --> 01:09:37,920
Speaker 1: but she really does, especially when you were hot in

1410
01:09:37,960 --> 01:09:40,519
Speaker 1: the nineties, but you're not hot right now. We live

1411
01:09:40,560 --> 01:09:42,400
Speaker 1: in the Amber Rose, in the Karuci world. It's different.

1412
01:09:42,439 --> 01:09:45,320
Speaker 1: You got the the Ris and the different girls online,

1413
01:09:45,320 --> 01:09:47,080
Speaker 1: the Jada way. That's who are sucking up the internet

1414
01:09:47,120 --> 01:09:48,840
Speaker 1: the way she used to suck up videos. And I

1415
01:09:48,960 --> 01:09:51,040
Speaker 1: know that that's probably something she gotta deal with. I've

1416
01:09:51,080 --> 01:09:53,719
Speaker 1: never publicly disrespected. I'm not going to disrespect her today.

1417
01:09:53,720 --> 01:09:56,320
Speaker 1: But I wanted to add context because the thing I

1418
01:09:57,200 --> 01:09:59,920
Speaker 1: consciously don't do is talk about her in public, because

1419
01:10:00,040 --> 01:10:02,799
Speaker 1: that's a that's like, that's like my neighbor in Apartment

1420
01:10:02,880 --> 01:10:05,680
Speaker 1: thirty two. We don't live next to each other no more,

1421
01:10:05,720 --> 01:10:07,560
Speaker 1: so why are we even talking about each other? I

1422
01:10:07,600 --> 01:10:09,720
Speaker 1: went to expect I did bring you up. You know

1423
01:10:09,720 --> 01:10:11,720
Speaker 1: what you did, because you did. But it was a

1424
01:10:11,800 --> 01:10:13,599
Speaker 1: couple of things that happened. And I watched that video

1425
01:10:14,040 --> 01:10:16,680
Speaker 1: probably fifty times, because I'm very much of it. I'm

1426
01:10:16,840 --> 01:10:20,920
Speaker 1: very I look at No. Fifty, he's as fifty. I

1427
01:10:21,000 --> 01:10:22,560
Speaker 1: can tell you that the point of your video, I

1428
01:10:22,640 --> 01:10:25,000
Speaker 1: think started at the fifty point mark in your video.

1429
01:10:26,680 --> 01:10:29,680
Speaker 1: I had I had my team prop it and give

1430
01:10:29,720 --> 01:10:33,160
Speaker 1: me just that. There was a couple of nuances that

1431
01:10:33,240 --> 01:10:35,400
Speaker 1: I saw. First of all, you messy as hell. You

1432
01:10:35,479 --> 01:10:38,840
Speaker 1: saw Mr Green, Mr Green, Mr Green video right there,

1433
01:10:38,840 --> 01:10:41,679
Speaker 1: the Dominican. That was at the end of all my part.

1434
01:10:41,760 --> 01:10:44,280
Speaker 1: I was focused on myfice. She was a couple of

1435
01:10:44,360 --> 01:10:46,600
Speaker 1: things that happened. No, we're not gonna blame it on

1436
01:10:46,680 --> 01:10:49,240
Speaker 1: the alcohol, because last week I was drunk and got

1437
01:10:49,280 --> 01:10:51,280
Speaker 1: on the mic and was and Little Kim was at

1438
01:10:51,320 --> 01:10:52,679
Speaker 1: my party, and I was talking a lot of ship

1439
01:10:52,760 --> 01:10:54,840
Speaker 1: on that mic that I saw a post online. But

1440
01:10:54,880 --> 01:10:56,800
Speaker 1: I meant everything I said, because when you drunk, that's

1441
01:10:56,800 --> 01:10:58,680
Speaker 1: when you tell the truth. I gave. This should get

1442
01:10:58,720 --> 01:11:01,479
Speaker 1: you courage. It. I got it like popping another bottle.

1443
01:11:01,520 --> 01:11:16,439
Speaker 1: Goddamn No, But let me say this finish. But let

1444
01:11:16,520 --> 01:11:18,400
Speaker 1: me say this, and let me and let me say this.

1445
01:11:18,520 --> 01:11:21,640
Speaker 1: And I want to preface it with I have I

1446
01:11:21,760 --> 01:11:24,080
Speaker 1: have a ton of respect for what Melissa Ford did

1447
01:11:24,120 --> 01:11:27,360
Speaker 1: as a contributor to my movement, to my journey. She's

1448
01:11:27,360 --> 01:11:29,000
Speaker 1: been a part of that. That's She's gonna always be

1449
01:11:29,040 --> 01:11:32,360
Speaker 1: a part of that history. Was at the beginning of

1450
01:11:32,400 --> 01:11:36,280
Speaker 1: Hollywood Unlocked. No, and that's the problem. I started Hollywood

1451
01:11:36,320 --> 01:11:39,360
Speaker 1: Unlock from an Instagram and the I two thousand and

1452
01:11:39,400 --> 01:11:43,120
Speaker 1: fifteen in an Instagram in in in a in a

1453
01:11:43,560 --> 01:11:46,640
Speaker 1: in a studio apartment where I had an idea of

1454
01:11:46,680 --> 01:11:48,759
Speaker 1: what Hollywood Alot could be. What I had an idea

1455
01:11:48,840 --> 01:11:52,120
Speaker 1: what the space needed. And I launched that with no

1456
01:11:52,240 --> 01:11:54,040
Speaker 1: idea where the funk it was gonna go. I call

1457
01:11:54,080 --> 01:11:55,360
Speaker 1: him on. I got on love and hip hop. I

1458
01:11:55,439 --> 01:11:57,800
Speaker 1: did a lot of ship to get my brand out there.

1459
01:11:57,960 --> 01:12:00,400
Speaker 1: The brand was already brand was so lit a five.

1460
01:12:01,280 --> 01:12:04,920
Speaker 1: Melissa was a caveat to that. But when she came here,

1461
01:12:05,000 --> 01:12:07,439
Speaker 1: she she made it seem like because she was the

1462
01:12:07,520 --> 01:12:10,519
Speaker 1: most famous person that meant something. Fame don't mean ship

1463
01:12:11,160 --> 01:12:13,760
Speaker 1: because she wasn't more famous than everybody we interview. She

1464
01:12:13,920 --> 01:12:16,960
Speaker 1: never booked a guest, she never paid for production. She

1465
01:12:17,080 --> 01:12:21,880
Speaker 1: showed up sometimes unprepared and did her job and got

1466
01:12:22,000 --> 01:12:24,400
Speaker 1: her flowers the way she was supposed to. You know

1467
01:12:24,439 --> 01:12:26,840
Speaker 1: what I mean? All the ship she so anyway, let

1468
01:12:26,880 --> 01:12:29,400
Speaker 1: me back up when I saw her on the show,

1469
01:12:29,560 --> 01:12:31,920
Speaker 1: speak on me and the show. There's a lot of

1470
01:12:32,000 --> 01:12:34,320
Speaker 1: ships she left out her in the co host when

1471
01:12:34,360 --> 01:12:37,519
Speaker 1: you manage a show, when you own a show, it's

1472
01:12:37,560 --> 01:12:39,800
Speaker 1: not just what you see on the video. It's what

1473
01:12:39,960 --> 01:12:44,320
Speaker 1: you don't see right production, some people not showing up,

1474
01:12:44,760 --> 01:12:47,920
Speaker 1: co host getting charges, co host doing it was all

1475
01:12:48,000 --> 01:12:49,719
Speaker 1: types of ship happened on my show that I gotta

1476
01:12:49,800 --> 01:12:52,160
Speaker 1: keep front facing. I gotta be like, yo, it's Hollywood

1477
01:12:52,200 --> 01:12:54,080
Speaker 1: unlocked them Jasonly, Yo, what's so We interviewing so and

1478
01:12:54,160 --> 01:12:55,920
Speaker 1: so today, But you don't know behind the scenes. It's

1479
01:12:55,920 --> 01:12:59,920
Speaker 1: all types of certain so much circus ship going on right,

1480
01:13:00,800 --> 01:13:03,479
Speaker 1: that I'm balancing to grown adults who got their own

1481
01:13:03,560 --> 01:13:07,519
Speaker 1: ship going on. That's impacting my show, that's impacting my brand.

1482
01:13:08,120 --> 01:13:10,280
Speaker 1: One thing that I'm focused on that I'm always be

1483
01:13:10,400 --> 01:13:13,439
Speaker 1: loyal to is I'm focused on quality over quantity. Who

1484
01:13:13,560 --> 01:13:16,680
Speaker 1: was my quality based followership? And how do I keep

1485
01:13:16,760 --> 01:13:19,080
Speaker 1: feeding them ship? If I have a hundred thousand fans

1486
01:13:19,400 --> 01:13:22,719
Speaker 1: who buy a forty dollar T shirt, that's forty dollars

1487
01:13:22,760 --> 01:13:24,680
Speaker 1: times a hundred thousand. You could do the math right,

1488
01:13:25,720 --> 01:13:32,200
Speaker 1: stay with you because everybody online don't matter m Everybody

1489
01:13:32,280 --> 01:13:34,400
Speaker 1: watching this interview, they're gonna matter in terms of the

1490
01:13:34,439 --> 01:13:37,320
Speaker 1: click contribution and the comic contribution, but ultimately what they

1491
01:13:37,360 --> 01:13:39,439
Speaker 1: say don't matter to me because you're not stopping my

1492
01:13:39,479 --> 01:13:44,160
Speaker 1: bank account. With Melissa, when we got together, you know,

1493
01:13:44,479 --> 01:13:46,439
Speaker 1: I really felt like we had something powerful, But I

1494
01:13:46,520 --> 01:13:50,800
Speaker 1: really felt like she didn't see the long term opportunity

1495
01:13:51,520 --> 01:13:55,880
Speaker 1: good we got, meaning that once we got the show,

1496
01:13:56,120 --> 01:13:58,679
Speaker 1: I told her, We're gonna get radio, We're gonna get TV.

1497
01:13:59,120 --> 01:14:00,880
Speaker 1: It's gonna be a talk show, it's gonna it's gonna

1498
01:14:00,880 --> 01:14:02,760
Speaker 1: be all of those things just got put in the work.

1499
01:14:03,080 --> 01:14:05,400
Speaker 1: Floyd Mayweather was one of the early people to get

1500
01:14:05,439 --> 01:14:07,640
Speaker 1: on in sponsor the show. That's the podcast, correct, that's

1501
01:14:07,680 --> 01:14:09,040
Speaker 1: the podcast. That's when we didn't know how to make

1502
01:14:09,080 --> 01:14:11,280
Speaker 1: the money because he and them didn't have no Yeah,

1503
01:14:11,320 --> 01:14:13,200
Speaker 1: we had Remember when we started Drink Chance. I had

1504
01:14:13,240 --> 01:14:15,479
Speaker 1: a dash radio show before, so you know, that's when

1505
01:14:15,520 --> 01:14:17,240
Speaker 1: we recorded the first Drink Chance. So you know what

1506
01:14:17,320 --> 01:14:20,280
Speaker 1: it is. There's no money. There's no money, but there's

1507
01:14:20,280 --> 01:14:24,000
Speaker 1: a platform. And so we knew that. So Floyd started

1508
01:14:24,160 --> 01:14:27,080
Speaker 1: supporting the show, giving her money and me money, supporting

1509
01:14:27,200 --> 01:14:29,720
Speaker 1: us be building this thing because he believed in After

1510
01:14:29,800 --> 01:14:35,880
Speaker 1: we interviewed him, and then long story short, Hollywood on

1511
01:14:35,880 --> 01:14:38,000
Speaker 1: a lot kind of took off. I went on wilding out.

1512
01:14:38,120 --> 01:14:40,479
Speaker 1: I went on loving hip hop. I started getting featured

1513
01:14:40,560 --> 01:14:47,080
Speaker 1: the headline in all of the pickup, the headline and

1514
01:14:47,160 --> 01:14:49,240
Speaker 1: all of the pickup, whether it was Vogue, Vanity Fair,

1515
01:14:49,320 --> 01:14:52,120
Speaker 1: Teams or whatever was Jason Lee, Jason Lee, Jason Lee.

1516
01:14:52,240 --> 01:14:54,160
Speaker 1: And I don't know how Beyonce feels with Kelly and

1517
01:14:54,200 --> 01:14:57,040
Speaker 1: them girls. I'm just Jason. I show up and do

1518
01:14:57,120 --> 01:14:59,920
Speaker 1: what the trying to say. Your show was like destiny.

1519
01:15:00,160 --> 01:15:01,960
Speaker 1: I'm just saying that Michelle don't come to work Beyonce

1520
01:15:02,120 --> 01:15:03,800
Speaker 1: not gonna give a funk. The fans still gonna come

1521
01:15:04,880 --> 01:15:14,040
Speaker 1: because y'all are definitely child I'm Beyonce, and I'm not

1522
01:15:14,120 --> 01:15:16,560
Speaker 1: even trying to be shady. I booked the guests, I

1523
01:15:16,600 --> 01:15:18,559
Speaker 1: shoot the guests, I lead all the ship to make

1524
01:15:18,600 --> 01:15:20,439
Speaker 1: it go viral. I'm the person that puts senses to

1525
01:15:20,479 --> 01:15:23,400
Speaker 1: all the blogs. I handle all the press. I'm sucking Beyonce,

1526
01:15:23,960 --> 01:15:25,920
Speaker 1: and that's what it is. And I've never said that

1527
01:15:26,080 --> 01:15:30,280
Speaker 1: because and I owned the brand. When she got into

1528
01:15:30,360 --> 01:15:34,920
Speaker 1: a car accident, I think her for her shot. First

1529
01:15:34,920 --> 01:15:36,719
Speaker 1: of all, shout out to Money Love. I love Money

1530
01:15:36,760 --> 01:15:40,560
Speaker 1: Love Money. I was so disappointed in you because I

1531
01:15:40,680 --> 01:15:43,080
Speaker 1: only funk with Money because of Latifa, because that's my girl.

1532
01:15:43,160 --> 01:15:45,240
Speaker 1: Like I've known Latifa since I was fifteen, forty four

1533
01:15:45,280 --> 01:15:48,479
Speaker 1: years I'm about to be forty five. Monty Love has

1534
01:15:48,479 --> 01:15:50,120
Speaker 1: always been sweet to me. I always been nice for her.

1535
01:15:50,160 --> 01:15:52,560
Speaker 1: I thought she was a little she was she was

1536
01:15:52,920 --> 01:15:55,719
Speaker 1: she was, I know she she was Melissa's sidekicking that interview,

1537
01:15:56,000 --> 01:15:58,880
Speaker 1: and I felt like she needed to. There was a

1538
01:15:58,920 --> 01:16:01,800
Speaker 1: little shady ship. I just sorry. I've been drinking, y'all,

1539
01:16:01,800 --> 01:16:06,280
Speaker 1: so blame no, no, no, no, no, no, I was

1540
01:16:06,400 --> 01:16:08,760
Speaker 1: watching the show. I was watching the show when you

1541
01:16:08,800 --> 01:16:12,320
Speaker 1: asked her about Hollywood Unlock, and Money was like, oh you,

1542
01:16:12,760 --> 01:16:15,920
Speaker 1: And then she was like they had already had a

1543
01:16:15,960 --> 01:16:18,880
Speaker 1: conversation with each other about me, to not talk about you,

1544
01:16:19,200 --> 01:16:22,280
Speaker 1: to not talk about me or about me whatever, Like

1545
01:16:22,960 --> 01:16:24,880
Speaker 1: I've never talked to Money about Melissa and I have

1546
01:16:25,080 --> 01:16:26,720
Speaker 1: and I know monies. She had my number and I

1547
01:16:26,760 --> 01:16:28,840
Speaker 1: got her number. But I thought like it was pretty

1548
01:16:28,880 --> 01:16:32,360
Speaker 1: interesting the nice nastiness that was happening during that interview,

1549
01:16:32,560 --> 01:16:35,120
Speaker 1: because you know, although she said I'm liquacious and I

1550
01:16:35,240 --> 01:16:37,599
Speaker 1: am um, I think there were a lot of things

1551
01:16:37,720 --> 01:16:39,479
Speaker 1: left off the table that if she was going to

1552
01:16:39,600 --> 01:16:42,080
Speaker 1: actually speak on the relationships, she should have spoke to

1553
01:16:42,400 --> 01:16:45,720
Speaker 1: like through it. Let's one through real quick. If you

1554
01:16:45,800 --> 01:16:48,360
Speaker 1: work at McDonald's and you get in a car accident,

1555
01:16:49,000 --> 01:16:52,639
Speaker 1: you do not get to take a year off. That's

1556
01:16:52,720 --> 01:16:55,680
Speaker 1: number one. But I gave her all the time. There

1557
01:16:55,720 --> 01:16:57,519
Speaker 1: was an open ended like do whatever now, mind you

1558
01:16:57,560 --> 01:17:02,200
Speaker 1: we serve an audience. If you serve French fries at McDonald's,

1559
01:17:02,280 --> 01:17:04,599
Speaker 1: your audience pulls up every day to that window one

1560
01:17:04,680 --> 01:17:09,560
Speaker 1: and fries you can't They don't give a fun and

1561
01:17:09,600 --> 01:17:11,679
Speaker 1: then fries better have salt on them and they better

1562
01:17:11,760 --> 01:17:14,080
Speaker 1: taste the way the fries's tastes the last time, because

1563
01:17:14,280 --> 01:17:16,200
Speaker 1: or you'll lose a loyal customer. So let's get to

1564
01:17:16,240 --> 01:17:18,000
Speaker 1: the point. She did not come back to work. When

1565
01:17:18,040 --> 01:17:19,960
Speaker 1: I think about Hollywood on Lock, she didn't come back

1566
01:17:20,000 --> 01:17:22,320
Speaker 1: for such a long time. That wasn't even an issue

1567
01:17:22,360 --> 01:17:24,720
Speaker 1: for me. It was the issue that when she came back,

1568
01:17:25,120 --> 01:17:28,040
Speaker 1: she had this revelation that she didn't own Hollywood on Locks.

1569
01:17:28,960 --> 01:17:32,080
Speaker 1: Because this rumored that she didn't, she wasn't coming in

1570
01:17:32,200 --> 01:17:34,519
Speaker 1: saying that she was her she was training with Hollywood.

1571
01:17:34,560 --> 01:17:37,200
Speaker 1: He well, she was doing a lot of things, but

1572
01:17:37,280 --> 01:17:39,719
Speaker 1: I wasn't judging her healing process because I was giving

1573
01:17:39,760 --> 01:17:41,560
Speaker 1: her the latitude to do what she needed to do

1574
01:17:41,720 --> 01:17:44,920
Speaker 1: to heal. And I was making a lot of excuses

1575
01:17:45,040 --> 01:17:48,200
Speaker 1: for people seeing things online where she was out and about,

1576
01:17:48,280 --> 01:17:50,080
Speaker 1: But then also on the show that she was absent

1577
01:17:50,160 --> 01:17:53,200
Speaker 1: from going to Drake parties and she like that doing

1578
01:17:53,240 --> 01:17:55,840
Speaker 1: whatever she chose to do in her social work when

1579
01:17:55,840 --> 01:18:01,080
Speaker 1: I hit it now, but but it was that. But

1580
01:18:01,160 --> 01:18:03,519
Speaker 1: it was also the fact that I think that she

1581
01:18:03,720 --> 01:18:05,639
Speaker 1: just really took issue with the fact that I own

1582
01:18:05,720 --> 01:18:08,040
Speaker 1: Hollywood unlocked, and she felt that she had contributed so

1583
01:18:08,120 --> 01:18:10,280
Speaker 1: much that she should have owned some of it. And

1584
01:18:11,000 --> 01:18:14,280
Speaker 1: I'm sorry, No, I owned ninety seven percent now because

1585
01:18:14,320 --> 01:18:16,920
Speaker 1: I put working and it raised a little money to

1586
01:18:17,000 --> 01:18:20,360
Speaker 1: keep its advocate. So a little bit for people who

1587
01:18:20,479 --> 01:18:26,519
Speaker 1: did think that she started with you would a percentage

1588
01:18:26,760 --> 01:18:30,320
Speaker 1: of ownership. You know, you're giving her a tiny percentage

1589
01:18:30,600 --> 01:18:33,280
Speaker 1: ownership with that would have rectified the situation and kept

1590
01:18:33,320 --> 01:18:36,000
Speaker 1: the show a live as the fans originally fell in

1591
01:18:36,040 --> 01:18:38,280
Speaker 1: love with it. Well, the show is still alive, and

1592
01:18:38,360 --> 01:18:40,120
Speaker 1: the show is thriving, doing a lot better than it

1593
01:18:40,280 --> 01:18:42,120
Speaker 1: was then, and the fans are still there. And those

1594
01:18:42,160 --> 01:18:43,960
Speaker 1: that left we don't care, and those that are new,

1595
01:18:44,080 --> 01:18:46,880
Speaker 1: we love them. But you're lucky. But like, like, like Joe,

1596
01:18:46,920 --> 01:18:50,400
Speaker 1: what's Unfortunately he's not the best businessman. You know, I'm

1597
01:18:50,400 --> 01:18:53,479
Speaker 1: a businessman and I'm not emotional driven by emotion like

1598
01:18:53,720 --> 01:18:55,920
Speaker 1: Melissa's showing up or not showing up. Beyonce is still

1599
01:18:55,960 --> 01:19:00,200
Speaker 1: gonna get on stage when Michelle falls down. She donna

1600
01:19:00,200 --> 01:19:02,559
Speaker 1: look at her like bitch by She's gonna keep damching

1601
01:19:03,479 --> 01:19:06,160
Speaker 1: because Beyonce ain't looking in the review mirrorge, she ain't

1602
01:19:06,200 --> 01:19:08,640
Speaker 1: looking to the side Beyonce has focused on Beyonce and

1603
01:19:08,760 --> 01:19:12,720
Speaker 1: Jays in the background, saying go bit like, let's keep

1604
01:19:12,760 --> 01:19:16,200
Speaker 1: it one thousand right, Like I'm not sitting here where

1605
01:19:16,280 --> 01:19:19,280
Speaker 1: I sit worried about what nobody's doing. If you're my

1606
01:19:19,400 --> 01:19:21,280
Speaker 1: co host and you want to act up by bitch

1607
01:19:22,080 --> 01:19:25,080
Speaker 1: because I'm not heard any of them. They said. With

1608
01:19:25,200 --> 01:19:27,800
Speaker 1: the Beyonce A Podcast, we still got a TV show

1609
01:19:27,840 --> 01:19:30,479
Speaker 1: out of it. We still got nashally syndicated. We launched

1610
01:19:30,479 --> 01:19:32,200
Speaker 1: in fifty two markets on I heard in the show

1611
01:19:32,280 --> 01:19:34,160
Speaker 1: that I owned and grew to seventy two markets in

1612
01:19:34,200 --> 01:19:36,160
Speaker 1: the deal that I walked away from because I felt like,

1613
01:19:36,400 --> 01:19:38,240
Speaker 1: y'all niggas don't have enough money over there for me,

1614
01:19:39,320 --> 01:19:43,160
Speaker 1: and so ultimately she let her ego get involved. Now

1615
01:19:43,240 --> 01:19:45,200
Speaker 1: here's the deal. She came back. The only reason she

1616
01:19:45,360 --> 01:19:47,560
Speaker 1: came back is because I brought April Jones in and

1617
01:19:47,640 --> 01:19:49,000
Speaker 1: we kept it moving and we got the show on

1618
01:19:49,080 --> 01:19:52,360
Speaker 1: Loving Hip Hop. It was like, yeah, Jones is the

1619
01:19:52,439 --> 01:19:54,639
Speaker 1: girl who was naming Dr Dre, who has made by Omara,

1620
01:19:54,680 --> 01:19:56,439
Speaker 1: who was sucking fist, who was not what t dis

1621
01:19:56,479 --> 01:19:59,519
Speaker 1: You know what I mean, It's hard to follow saying

1622
01:19:59,640 --> 01:20:03,000
Speaker 1: I I know exactly you told all right. So, so

1623
01:20:04,120 --> 01:20:05,880
Speaker 1: when I brought April Jones and she hit me back

1624
01:20:05,960 --> 01:20:08,599
Speaker 1: like I missed the show, I'm like, well, the show

1625
01:20:08,680 --> 01:20:11,320
Speaker 1: misses you too. And I was tired of April because

1626
01:20:11,360 --> 01:20:12,960
Speaker 1: she had no perspective, she had no point of view,

1627
01:20:13,000 --> 01:20:16,479
Speaker 1: and she was tired. She was lazy, she was like irrelevant, right,

1628
01:20:16,560 --> 01:20:18,320
Speaker 1: So I was like, yeo, Melissa, at least she good talk.

1629
01:20:18,760 --> 01:20:20,840
Speaker 1: So I said, Okay, cool, fun, let's work it out.

1630
01:20:20,840 --> 01:20:22,720
Speaker 1: We're gonna working into my We're gonna working into my

1631
01:20:22,800 --> 01:20:25,200
Speaker 1: storyline on love and hip I'm gonna fire April and camera.

1632
01:20:25,240 --> 01:20:27,639
Speaker 1: I'm gonna bring you back. And I didn't tell April

1633
01:20:27,640 --> 01:20:29,880
Speaker 1: that's why she didn't like me. But whatever it's she did, like,

1634
01:20:30,000 --> 01:20:32,479
Speaker 1: deal with it. You're crying the trailer and I'm gonna

1635
01:20:32,479 --> 01:20:35,280
Speaker 1: be Okay. Beyonce never thought about Michelle crying? Are you crazy?

1636
01:20:36,360 --> 01:20:40,200
Speaker 1: I'm Beyonce. Bit So let's talk about the love of

1637
01:20:40,280 --> 01:20:42,280
Speaker 1: hip hop? Wait wait, wait, So I bring Melissa four

1638
01:20:42,360 --> 01:20:48,800
Speaker 1: back from the dead. I bring her back. She's back

1639
01:20:48,840 --> 01:20:51,160
Speaker 1: on the show. Fans are happy. It's a storyline on

1640
01:20:51,160 --> 01:20:52,400
Speaker 1: love and hip hop. They don't give her no lines

1641
01:20:52,439 --> 01:20:54,559
Speaker 1: up because showing no contract. It's my contract. It's my show.

1642
01:20:54,720 --> 01:20:56,880
Speaker 1: She's the more famous one, but I'm the more popping

1643
01:20:56,960 --> 01:21:00,360
Speaker 1: of the time. So then I bring her back on

1644
01:21:00,439 --> 01:21:06,519
Speaker 1: the show, and it's not the same. See chemistry. When

1645
01:21:06,520 --> 01:21:08,320
Speaker 1: the chemistry off, I don't give a funk what these

1646
01:21:08,360 --> 01:21:10,280
Speaker 1: cameras don't care how much alcohol y'all got went. Once

1647
01:21:10,320 --> 01:21:13,360
Speaker 1: the chemistry is lost, it's done. The chemistry was gone.

1648
01:21:13,840 --> 01:21:15,960
Speaker 1: We were just little. It was all about businesses from

1649
01:21:16,000 --> 01:21:18,719
Speaker 1: that point on, because I felt like she was back

1650
01:21:19,439 --> 01:21:22,559
Speaker 1: because she needed the show, not because she wanted the show.

1651
01:21:23,439 --> 01:21:26,120
Speaker 1: And we both were there because we wanted the show originally.

1652
01:21:26,760 --> 01:21:29,760
Speaker 1: That's why I was special, and she was amazing when

1653
01:21:29,800 --> 01:21:32,120
Speaker 1: she was there first. When she came back, she blame

1654
01:21:32,200 --> 01:21:35,479
Speaker 1: it on the the the accident, but I really think

1655
01:21:35,520 --> 01:21:37,240
Speaker 1: it's because I didn't push that go fund me account

1656
01:21:37,280 --> 01:21:39,240
Speaker 1: that her and Chlodie and Jordan came up with. I

1657
01:21:39,320 --> 01:21:41,400
Speaker 1: don't push folks go fund me account. So you know why,

1658
01:21:41,760 --> 01:21:43,840
Speaker 1: now hold on listen, that's what if you speak on me,

1659
01:21:44,120 --> 01:21:45,760
Speaker 1: you opened up the door for me to talk about it.

1660
01:21:46,320 --> 01:21:48,080
Speaker 1: When Melissa was in a car accident, I was on

1661
01:21:48,200 --> 01:21:51,479
Speaker 1: stage whiling out. I'm sorry. I have a job, I

1662
01:21:51,560 --> 01:21:54,799
Speaker 1: have an obligation to MTV. I cannot walk off the stage.

1663
01:21:54,920 --> 01:21:57,000
Speaker 1: But I did walk off, and I called my team

1664
01:21:57,040 --> 01:21:59,360
Speaker 1: and I said, Melissa was in an accident. Get to

1665
01:21:59,439 --> 01:22:02,800
Speaker 1: the hospital. I called my assistant, order her flowers right now,

1666
01:22:02,920 --> 01:22:04,360
Speaker 1: check in with her, let her know I will check

1667
01:22:04,439 --> 01:22:05,800
Speaker 1: on her as soon as I get off the stage.

1668
01:22:05,840 --> 01:22:07,360
Speaker 1: But I'm at work and I cannot walk off. We're

1669
01:22:07,360 --> 01:22:13,200
Speaker 1: in the middle of live taping, Okay, So I sent

1670
01:22:13,400 --> 01:22:15,960
Speaker 1: I sent my friend to her bedside to spend the

1671
01:22:16,080 --> 01:22:17,400
Speaker 1: night with her to make sure she was good. And

1672
01:22:17,479 --> 01:22:19,479
Speaker 1: I sent flowers and I called our calls to sent them.

1673
01:22:19,520 --> 01:22:21,439
Speaker 1: So I did all of that from Atlanta, where I

1674
01:22:21,560 --> 01:22:24,800
Speaker 1: was taping, whiling out when I got off and I called,

1675
01:22:24,840 --> 01:22:26,320
Speaker 1: I cannot get in touch with The next thing I

1676
01:22:26,439 --> 01:22:27,960
Speaker 1: get is there's a go fund me account for a

1677
01:22:28,040 --> 01:22:30,200
Speaker 1: hundred thousand dollars. I'm like, I don't even share go

1678
01:22:30,320 --> 01:22:32,720
Speaker 1: fund me accounts as a practice, because if I share

1679
01:22:32,800 --> 01:22:35,760
Speaker 1: yoga fund me account when your daughter needs it, when

1680
01:22:35,800 --> 01:22:37,920
Speaker 1: your family personally, I need to share everybody. You can't

1681
01:22:38,000 --> 01:22:40,519
Speaker 1: let everybody's fund And it's hard because then I'm asking

1682
01:22:40,560 --> 01:22:43,439
Speaker 1: people to pay money for my fans. I love my fans.

1683
01:22:43,520 --> 01:22:45,760
Speaker 1: I don't use my fans. I don't even even ask

1684
01:22:45,800 --> 01:22:48,120
Speaker 1: them to go fund me. Just buy whatever you want

1685
01:22:48,160 --> 01:22:49,479
Speaker 1: to buy and show up when you want. But if

1686
01:22:49,520 --> 01:22:51,920
Speaker 1: you don't, it's your choice, you know what I mean. So,

1687
01:22:52,080 --> 01:22:54,960
Speaker 1: like Claudia launched this go fund me account trying to

1688
01:22:55,000 --> 01:22:57,280
Speaker 1: help her for a hundred thousand dollars. I don't even

1689
01:22:57,320 --> 01:22:59,200
Speaker 1: know what the bill amount is. I ain't see no bill.

1690
01:22:59,360 --> 01:23:01,439
Speaker 1: I'm sorry, I cannot do it, but I'll give you money.

1691
01:23:02,560 --> 01:23:04,800
Speaker 1: She got mad that I didn't supposed to go fund

1692
01:23:04,840 --> 01:23:08,679
Speaker 1: me account and let her. I dare her to tweet

1693
01:23:08,720 --> 01:23:10,920
Speaker 1: and post because there's so many texts and emails that

1694
01:23:11,000 --> 01:23:13,880
Speaker 1: they don't. I'm the receive King Beyonce. Don't do it

1695
01:23:15,240 --> 01:23:17,120
Speaker 1: and don't speak on me no more anybody out there

1696
01:23:17,160 --> 01:23:18,640
Speaker 1: speaking on me. I'm telling right now, you open up

1697
01:23:18,640 --> 01:23:21,960
Speaker 1: the floodgates for me coming for you. So once I

1698
01:23:22,040 --> 01:23:24,559
Speaker 1: didn't post to go fund me account, I didn't ask.

1699
01:23:24,600 --> 01:23:29,280
Speaker 1: It was not that Nori did this because because because

1700
01:23:29,280 --> 01:23:31,840
Speaker 1: it's to be clear, let's be clear, obviously when you

1701
01:23:31,960 --> 01:23:35,960
Speaker 1: google her name, um y'all story pops up. So it

1702
01:23:36,320 --> 01:23:40,200
Speaker 1: was to be fair, I didn't actually know anything, but continue,

1703
01:23:40,680 --> 01:23:42,479
Speaker 1: But why not have her on your platform now, and

1704
01:23:42,760 --> 01:23:44,439
Speaker 1: I'm gonna get to I'm gonna get to I'm gonna

1705
01:23:44,439 --> 01:23:45,800
Speaker 1: get to it. I'm gone to it. He's saying that

1706
01:23:45,840 --> 01:23:47,680
Speaker 1: he won't have it on. No, no, no, I'm just

1707
01:23:47,720 --> 01:23:50,000
Speaker 1: bringing up he can come on. But let me let

1708
01:23:50,040 --> 01:23:51,880
Speaker 1: me lay it all out, because my fans have never

1709
01:23:52,000 --> 01:23:56,559
Speaker 1: heard this. Please, and they're listening right now because they've

1710
01:23:56,560 --> 01:23:58,640
Speaker 1: never heard it. They don't even know why Jevoni left.

1711
01:23:58,680 --> 01:24:00,200
Speaker 1: But that's in my next book, How I Stopped giving

1712
01:24:00,240 --> 01:24:02,800
Speaker 1: a start of winning. It's almost done. Um, that's the

1713
01:24:02,880 --> 01:24:06,120
Speaker 1: name of the book at dot com. How I Stopped

1714
01:24:06,760 --> 01:24:10,479
Speaker 1: giving a funk it started winning. Okay, So so when

1715
01:24:10,520 --> 01:24:12,479
Speaker 1: I don't post the go fund me, it gets really weird.

1716
01:24:12,680 --> 01:24:16,360
Speaker 1: It's like, Jason don't support Jason's not supporting. Jason got money,

1717
01:24:16,439 --> 01:24:18,960
Speaker 1: Jason will help you, but Jason's not posting to go

1718
01:24:19,040 --> 01:24:20,840
Speaker 1: fund me for a hundred thousand dollars when I don't

1719
01:24:20,840 --> 01:24:23,439
Speaker 1: know the whole situation. She wouldn't get on the phone

1720
01:24:23,479 --> 01:24:25,679
Speaker 1: with me. Nobody would explain it to me. I didn't

1721
01:24:25,720 --> 01:24:27,760
Speaker 1: talk to quite, so I did not support the go

1722
01:24:27,880 --> 01:24:30,880
Speaker 1: fund me account. The relationship was never the same after that.

1723
01:24:31,640 --> 01:24:33,560
Speaker 1: Once she came on the show. The energy was so

1724
01:24:33,720 --> 01:24:36,600
Speaker 1: weird that me trying to get something out of a

1725
01:24:36,720 --> 01:24:39,760
Speaker 1: guest was it felt like work. Nothing that I do

1726
01:24:39,960 --> 01:24:41,840
Speaker 1: right now feels like work. This doesn't feel like work.

1727
01:24:41,880 --> 01:24:44,720
Speaker 1: I'm having a great time. I'm enjoying myself. We are

1728
01:24:44,800 --> 01:24:46,600
Speaker 1: having a great time having to keep continuing. So she

1729
01:24:46,680 --> 01:24:49,000
Speaker 1: comes back. So she comes back, and I fired April

1730
01:24:49,080 --> 01:24:51,519
Speaker 1: boom if works in my storyline, love hip hops or whatever.

1731
01:24:52,680 --> 01:24:55,519
Speaker 1: Then her mother dies, her mother gets sick, and the

1732
01:24:55,920 --> 01:24:58,000
Speaker 1: or I don't remember she died, or she got sick,

1733
01:24:58,160 --> 01:25:01,360
Speaker 1: and like again, like I'm in both situations. I can't

1734
01:25:01,400 --> 01:25:03,240
Speaker 1: be there. I can't say, yo, you got a job

1735
01:25:03,320 --> 01:25:06,439
Speaker 1: to do. I'm just like, damn now, the regular worker

1736
01:25:06,479 --> 01:25:08,519
Speaker 1: out there right now working at the hospital. I used

1737
01:25:08,560 --> 01:25:11,519
Speaker 1: to represent healthcare workers, right, you got what's called fml A.

1738
01:25:11,640 --> 01:25:13,160
Speaker 1: You don't have a lot of time to leave when

1739
01:25:13,200 --> 01:25:15,599
Speaker 1: your parents died. You maybe got a week, maybe ten

1740
01:25:15,680 --> 01:25:18,200
Speaker 1: days if your contract is good, But you ain't got

1741
01:25:18,280 --> 01:25:21,479
Speaker 1: a year. My nigga a year like a year. I

1742
01:25:21,600 --> 01:25:23,439
Speaker 1: gave her all the time she needed, and the way

1743
01:25:23,479 --> 01:25:25,560
Speaker 1: she thanked me was an email saying, I'm leaving the

1744
01:25:25,600 --> 01:25:28,800
Speaker 1: show because my life is going to different directions. Maybe

1745
01:25:28,840 --> 01:25:32,080
Speaker 1: it was the inheritance money. I don't know, but you

1746
01:25:32,080 --> 01:25:34,800
Speaker 1: you got your little money and now you're good and

1747
01:25:34,880 --> 01:25:37,559
Speaker 1: you don't need to work. She and followed me on Instagram.

1748
01:25:37,640 --> 01:25:40,080
Speaker 1: She blocked my staff, real fucking petty, We wasn't even

1749
01:25:40,160 --> 01:25:42,120
Speaker 1: checking for you. What were gonna do? How many backshots

1750
01:25:42,160 --> 01:25:45,320
Speaker 1: that we gotta check for on your fucking Instagram? But

1751
01:25:45,439 --> 01:25:47,320
Speaker 1: I looked at it like, Okay, cool, you want to

1752
01:25:47,360 --> 01:25:50,120
Speaker 1: be petty with me when you know how to play damn.

1753
01:25:50,320 --> 01:25:52,120
Speaker 1: But if I say anything, I'm the big bad wolf

1754
01:25:52,400 --> 01:25:54,559
Speaker 1: sucking with another black woman. So I left it alone

1755
01:25:54,640 --> 01:25:56,439
Speaker 1: until she came here, and I was looking at like yo.

1756
01:25:57,400 --> 01:26:00,200
Speaker 1: Even though she didn't really attack me here, she she

1757
01:26:00,360 --> 01:26:02,840
Speaker 1: did a little nice nastiness to let it be known

1758
01:26:02,880 --> 01:26:04,439
Speaker 1: that there was some tea that she didn't really want

1759
01:26:04,479 --> 01:26:06,960
Speaker 1: to talk about. And that's her m O. I'm a

1760
01:26:07,040 --> 01:26:10,160
Speaker 1: stray shooter and she's very much a thrower rocket high

1761
01:26:10,200 --> 01:26:12,880
Speaker 1: your hander. So what I would love her to do

1762
01:26:13,040 --> 01:26:14,880
Speaker 1: is come up here and talk about how she and

1763
01:26:15,000 --> 01:26:16,560
Speaker 1: I had to carry the show when our third co

1764
01:26:16,680 --> 01:26:19,160
Speaker 1: host did some foul ship that drove us to a

1765
01:26:19,200 --> 01:26:22,439
Speaker 1: point where we had to buckle up, where she knows

1766
01:26:22,479 --> 01:26:24,240
Speaker 1: how much of a hit I took online from the

1767
01:26:24,320 --> 01:26:26,880
Speaker 1: fans when they were doing personal ship in their lives

1768
01:26:27,280 --> 01:26:30,840
Speaker 1: when it was causing complications for me. The other thing

1769
01:26:30,920 --> 01:26:33,200
Speaker 1: that happened to that I thought was very interesting was

1770
01:26:34,080 --> 01:26:36,879
Speaker 1: when she did come back, she created her own podcast

1771
01:26:36,920 --> 01:26:38,720
Speaker 1: because she felt like she should have own Hollywood and

1772
01:26:38,960 --> 01:26:41,639
Speaker 1: was since she didn't. She launched I'm Here for the Food,

1773
01:26:42,320 --> 01:26:44,880
Speaker 1: and she had two co hosts that were great. She

1774
01:26:45,040 --> 01:26:47,479
Speaker 1: fired one because she disagreed with her, because that's what

1775
01:26:47,560 --> 01:26:49,320
Speaker 1: happens in her world. If you don't agree with her,

1776
01:26:49,320 --> 01:26:52,000
Speaker 1: you gotta go. Look at every girl she ever competed

1777
01:26:52,040 --> 01:26:55,919
Speaker 1: with gotta go. Then the second girl blew to Losema

1778
01:26:56,280 --> 01:26:58,880
Speaker 1: she didn't really care for her because the fans loved her.

1779
01:26:59,320 --> 01:27:01,160
Speaker 1: See on my show, it's not about who the fans

1780
01:27:01,240 --> 01:27:02,880
Speaker 1: love the most. I just want them to love the show.

1781
01:27:03,400 --> 01:27:05,519
Speaker 1: You can hate me. Every single comment can be like

1782
01:27:05,640 --> 01:27:07,920
Speaker 1: go fuck fuck you, nigga sucker. I'll be like, okay,

1783
01:27:07,920 --> 01:27:12,040
Speaker 1: after work, I don't care. I'm Beyonce. But if you

1784
01:27:12,160 --> 01:27:15,240
Speaker 1: love the show, we win. We all win. If you're

1785
01:27:15,280 --> 01:27:19,560
Speaker 1: the most popular, you win, the show wins. She she

1786
01:27:19,760 --> 01:27:22,320
Speaker 1: didn't like the girl, so when she sent me a

1787
01:27:22,400 --> 01:27:24,840
Speaker 1: note to quit, and I had to find a replacement.

1788
01:27:25,080 --> 01:27:28,040
Speaker 1: All my fans were saying, your color is all you

1789
01:27:28,120 --> 01:27:30,800
Speaker 1: do is love models, pretty girls. We don't see nothing

1790
01:27:30,840 --> 01:27:32,800
Speaker 1: that looks like us on your show. We need somebody

1791
01:27:32,800 --> 01:27:35,479
Speaker 1: that holds us down. And her co host, who she

1792
01:27:35,560 --> 01:27:38,880
Speaker 1: didn't like, was blue to Losema a writer from the Grill,

1793
01:27:38,960 --> 01:27:42,880
Speaker 1: a journalist with opinion, smartest, fuck thick, black chocolate girl

1794
01:27:42,920 --> 01:27:45,840
Speaker 1: who stood firm and what she believed when it came

1795
01:27:45,880 --> 01:27:48,919
Speaker 1: to colorism and fighting the people who pushed that agenda.

1796
01:27:49,240 --> 01:27:51,080
Speaker 1: So she was the natural person for me to talk to.

1797
01:27:51,280 --> 01:27:53,880
Speaker 1: She was the first person I called, She had interviewed me,

1798
01:27:54,240 --> 01:27:56,920
Speaker 1: and she was the only option to replace Melissa Ford.

1799
01:27:57,160 --> 01:27:59,479
Speaker 1: She thought, you hired the girl I don't like, some

1800
01:27:59,560 --> 01:28:01,680
Speaker 1: real medio type ship because she don't think like a

1801
01:28:01,720 --> 01:28:05,799
Speaker 1: boss like I do. She thinks like Michelle. So ultimately

1802
01:28:05,920 --> 01:28:08,160
Speaker 1: the show kept going, and then and then bad We

1803
01:28:08,280 --> 01:28:11,120
Speaker 1: get the nastist you caught that Yeah, yeah, those bars

1804
01:28:11,400 --> 01:28:13,759
Speaker 1: thats bars I called it. Then we got the Nashi

1805
01:28:13,840 --> 01:28:16,120
Speaker 1: syndicated show partnership I heard where I owned the show

1806
01:28:16,560 --> 01:28:20,040
Speaker 1: Billboard Boom Billboard is talking about billboard dot com. Then

1807
01:28:20,160 --> 01:28:23,040
Speaker 1: Boom Fox sold TV show. Money is crazy. We're getting

1808
01:28:23,040 --> 01:28:26,240
Speaker 1: crazy money. We all million millions of cars every weekend,

1809
01:28:26,720 --> 01:28:29,439
Speaker 1: all of them too. And where you at sitting at

1810
01:28:29,520 --> 01:28:33,439
Speaker 1: home pushing fucking photos on Instagram that you took with

1811
01:28:33,720 --> 01:28:37,920
Speaker 1: my photographer. She had a problem finding her own life,

1812
01:28:38,080 --> 01:28:41,360
Speaker 1: and when she quit, I hopefully believe that she found

1813
01:28:41,400 --> 01:28:44,320
Speaker 1: her own life. And when she unfollowed me, I was like,

1814
01:28:44,520 --> 01:28:46,479
Speaker 1: thank you Lord, you have set me free. I can

1815
01:28:46,560 --> 01:28:49,760
Speaker 1: on follow her back. And she was gone, and the

1816
01:28:50,000 --> 01:28:51,920
Speaker 1: and it's closed. They asked me about it every time

1817
01:28:51,960 --> 01:28:53,439
Speaker 1: I go somewhere. This is the last one talk about

1818
01:28:53,439 --> 01:28:55,599
Speaker 1: Meista for because as far as I'm concerned, she's as

1819
01:28:55,640 --> 01:28:57,880
Speaker 1: dead as a lot of the careers we've spoken about tonight,

1820
01:28:58,280 --> 01:29:00,880
Speaker 1: I am not speaking on her no more because she's

1821
01:29:00,920 --> 01:29:03,679
Speaker 1: irrelevant in my world. But the pettiness needs to stop,

1822
01:29:03,720 --> 01:29:05,880
Speaker 1: and I'm telling her, like, just go ahead and be happy,

1823
01:29:05,960 --> 01:29:08,040
Speaker 1: like find you and Nigga have a kid and just

1824
01:29:08,280 --> 01:29:10,759
Speaker 1: like v you, but like leave me and Hollywood unlocked

1825
01:29:10,760 --> 01:29:14,360
Speaker 1: alone because we are not thinking about you. She got awkward,

1826
01:29:15,520 --> 01:29:19,040
Speaker 1: so not really, it just got honest because see the

1827
01:29:19,120 --> 01:29:21,200
Speaker 1: things she didn't do was be honest. Here she could

1828
01:29:21,240 --> 01:29:24,679
Speaker 1: have like the whole harmony love thing mony money said,

1829
01:29:24,680 --> 01:29:26,360
Speaker 1: I'm flying back and forth to l A. She gonna

1830
01:29:26,400 --> 01:29:28,120
Speaker 1: keep draining your bank account. The fly to her, I

1831
01:29:28,160 --> 01:29:32,519
Speaker 1: bet you she don't fly to you. She got mad

1832
01:29:32,560 --> 01:29:34,360
Speaker 1: at Floyd Mayweather because he didn't send her no money

1833
01:29:34,360 --> 01:29:36,920
Speaker 1: after the accident. Floyd didn't know her that You're not

1834
01:29:36,960 --> 01:29:39,600
Speaker 1: one of Floyd's bitches, So why was he supposed to

1835
01:29:39,640 --> 01:29:41,080
Speaker 1: do bring you He's supposed to bring you money in

1836
01:29:41,120 --> 01:29:44,640
Speaker 1: the birking, It wasn't his job. So I think the

1837
01:29:44,760 --> 01:29:47,040
Speaker 1: thing that we have to just be honest about here

1838
01:29:47,120 --> 01:29:49,680
Speaker 1: is that there was a conversation that wasn't fully had

1839
01:29:49,760 --> 01:29:51,080
Speaker 1: when she was here, and I wish you would have

1840
01:29:51,080 --> 01:29:52,519
Speaker 1: had it. I would love to have it with her,

1841
01:29:53,120 --> 01:29:54,320
Speaker 1: but she did and followed me, so I don't even

1842
01:29:54,360 --> 01:29:57,960
Speaker 1: know where she had this these days, you know. Okay,

1843
01:29:58,040 --> 01:30:02,120
Speaker 1: So moving on. I've got a couple more questions, like

1844
01:30:02,280 --> 01:30:04,599
Speaker 1: moving on, But let me give you what's a great

1845
01:30:04,640 --> 01:30:08,439
Speaker 1: groupie story where you got grouping like with the celebrity whatever,

1846
01:30:08,560 --> 01:30:12,200
Speaker 1: whatever you want. I don't want to talk about group

1847
01:30:12,240 --> 01:30:14,080
Speaker 1: because I had one, but it was it was a problem,

1848
01:30:14,120 --> 01:30:16,200
Speaker 1: and I just let's just move on. No groupy story.

1849
01:30:16,479 --> 01:30:18,800
Speaker 1: Damn you you already calculated it in you know, yeah,

1850
01:30:18,840 --> 01:30:21,800
Speaker 1: you have to. I have to think a step ahead. No,

1851
01:30:22,040 --> 01:30:24,640
Speaker 1: you know, like, I'm not really into the groupie thing.

1852
01:30:24,760 --> 01:30:27,720
Speaker 1: Like if a person I meet starts talking about celebrity,

1853
01:30:28,200 --> 01:30:31,000
Speaker 1: then I'm off it because honestly, I'm just Jason. Like

1854
01:30:31,160 --> 01:30:33,320
Speaker 1: I literally the only reason where the jewelry to day

1855
01:30:33,360 --> 01:30:35,240
Speaker 1: is because I know Peter Rooseberg broke asked, was sitting

1856
01:30:35,240 --> 01:30:36,760
Speaker 1: at home watching this in view? I had to let

1857
01:30:36,800 --> 01:30:42,320
Speaker 1: that nigga know, let that nigga know I wrote it.

1858
01:30:42,400 --> 01:30:45,240
Speaker 1: I wrote I've read this ship for that suburban asked, nigga,

1859
01:30:45,520 --> 01:30:47,960
Speaker 1: who's a part of our culture? I don't believe you

1860
01:30:48,040 --> 01:30:51,120
Speaker 1: man for you, Peter. So this is a question we

1861
01:30:51,200 --> 01:30:54,920
Speaker 1: asked all of our guests. I'm sorry, I'm not drinking

1862
01:30:54,960 --> 01:30:59,760
Speaker 1: no more, especially male guess asked, do you ask do

1863
01:30:59,880 --> 01:31:05,920
Speaker 1: I I ain't asked last night? No, no, no, yes, listen, listen,

1864
01:31:06,320 --> 01:31:10,840
Speaker 1: yeah I don take yes, yes, yes I too now

1865
01:31:11,160 --> 01:31:14,040
Speaker 1: now now yes, you know the thing you need to

1866
01:31:14,040 --> 01:31:15,720
Speaker 1: start asking these males that come on your shows that

1867
01:31:15,760 --> 01:31:18,200
Speaker 1: they get their asks. Eight And because that's that's how

1868
01:31:18,360 --> 01:31:20,920
Speaker 1: I ain't gonna say his name to Daddy had his

1869
01:31:21,040 --> 01:31:24,960
Speaker 1: legs up and he's into that he's eating. You know,

1870
01:31:25,040 --> 01:31:27,200
Speaker 1: it's crazy. I'm gay and I don't even be having

1871
01:31:27,280 --> 01:31:29,080
Speaker 1: my legs in the air, like I feel really gay

1872
01:31:29,120 --> 01:31:33,479
Speaker 1: when that happened, Oh my god, I'd be like, yo,

1873
01:31:33,640 --> 01:31:39,200
Speaker 1: it's really no. There are there is places. Listen, listen, listen,

1874
01:31:39,560 --> 01:31:44,600
Speaker 1: there is there is a barometer. Now you're gonna have

1875
01:31:44,640 --> 01:31:47,320
Speaker 1: gay people mad at you don't go to the bathroom

1876
01:31:47,400 --> 01:31:49,439
Speaker 1: right now. I don't give a funk about gay Let

1877
01:31:49,479 --> 01:31:52,000
Speaker 1: me tell about gay people. Oh my god, No, here's

1878
01:31:52,000 --> 01:31:55,040
Speaker 1: the here's here's the funk with the LGBT community, because

1879
01:31:55,040 --> 01:31:57,840
Speaker 1: I'm somewhere in the spectrum right But like, can we

1880
01:31:57,920 --> 01:32:00,360
Speaker 1: get to a place going back to canceling council? Could

1881
01:32:00,360 --> 01:32:01,760
Speaker 1: we go back to a place where we just say

1882
01:32:01,880 --> 01:32:04,040
Speaker 1: reckless ship and don't give a fun of course, like

1883
01:32:04,320 --> 01:32:06,920
Speaker 1: comedians need to be comedians. Dave Chappelle is one of

1884
01:32:06,920 --> 01:32:09,599
Speaker 1: the most brilliant people in the fucking world, and when

1885
01:32:09,640 --> 01:32:11,439
Speaker 1: he did his last stand up, I did not understand

1886
01:32:11,479 --> 01:32:13,040
Speaker 1: why my community was mad. I feel like we're just

1887
01:32:13,160 --> 01:32:16,320
Speaker 1: looking for propaganda to start a fight, right and I

1888
01:32:16,439 --> 01:32:18,120
Speaker 1: feel like we got to get to a place where

1889
01:32:18,200 --> 01:32:20,120
Speaker 1: hip hop should be able to talk his ship can

1890
01:32:20,200 --> 01:32:22,120
Speaker 1: meet comedy should be able to talk to ship without

1891
01:32:22,160 --> 01:32:25,519
Speaker 1: us feeling they're saying this generational though, like millennials are

1892
01:32:25,560 --> 01:32:28,120
Speaker 1: more sensitive as a sensitive as they couldn't have existed

1893
01:32:28,120 --> 01:32:31,080
Speaker 1: in the nineties. There's no way Eddie Murphy raw like,

1894
01:32:31,200 --> 01:32:34,160
Speaker 1: that's one of the most brilliant companies special I've ever seen.

1895
01:32:34,360 --> 01:32:37,840
Speaker 1: And I'm gay as hell, Like I'm gay as fucking proud.

1896
01:32:38,000 --> 01:32:40,120
Speaker 1: I'm gonna stand up the first time that someone in

1897
01:32:40,200 --> 01:32:47,120
Speaker 1: that because because there's not there's not a straight nigger

1898
01:32:47,120 --> 01:32:49,200
Speaker 1: in this room threatened by me because you want pussy,

1899
01:32:49,240 --> 01:32:51,280
Speaker 1: you don't want what I want. And if you're straight

1900
01:32:51,400 --> 01:32:53,080
Speaker 1: nigga and you want pussy, because I got brothers who

1901
01:32:53,120 --> 01:32:55,840
Speaker 1: want pussy, They're not worried about what I'm doing. The

1902
01:32:55,880 --> 01:32:59,439
Speaker 1: next person unless they wanted that, I'll give it to him.

1903
01:32:59,479 --> 01:33:01,400
Speaker 1: But like, just at least put your agenda on the table.

1904
01:33:01,439 --> 01:33:03,519
Speaker 1: Don't play with me in politics, be bad police. And

1905
01:33:03,520 --> 01:33:04,920
Speaker 1: this is a new bottle of eight. I'm not dropping.

1906
01:33:07,600 --> 01:33:14,920
Speaker 1: This is not I'm not getting the baby, yo. Yeah yeah,

1907
01:33:15,800 --> 01:33:17,680
Speaker 1: let me just tell yourself. And this is real And

1908
01:33:17,720 --> 01:33:20,519
Speaker 1: I don't mean like saying like this, but I want

1909
01:33:20,560 --> 01:33:23,479
Speaker 1: to address it. My friends are staying stop drinking. No, no, no,

1910
01:33:24,240 --> 01:33:26,800
Speaker 1: because you know why, if there was a straight man here,

1911
01:33:27,160 --> 01:33:29,080
Speaker 1: you know I would be doing the same thing. So

1912
01:33:29,280 --> 01:33:32,040
Speaker 1: I can't I appreciate you know what I mean? I

1913
01:33:32,120 --> 01:33:34,240
Speaker 1: got this is the same thing, and you're my friend,

1914
01:33:34,600 --> 01:33:38,040
Speaker 1: so that I'm going. I'm going get you drunk as

1915
01:33:38,120 --> 01:33:40,280
Speaker 1: much as I can, as much as I can, and

1916
01:33:41,120 --> 01:33:43,040
Speaker 1: I don't get myself drunk with with you. You get

1917
01:33:43,080 --> 01:33:48,200
Speaker 1: me too drunk. I didn't seen production problem. Okay, all right,

1918
01:33:48,360 --> 01:33:51,960
Speaker 1: but now this is this is something because when Nikki

1919
01:33:52,080 --> 01:33:55,960
Speaker 1: came out Niki, Yes, I'm sorry, I'm calling him my

1920
01:33:56,040 --> 01:33:57,960
Speaker 1: first name. I ain't that cool. I gotta I gotta

1921
01:33:58,000 --> 01:34:02,720
Speaker 1: get my life together. When Nicki Minaj first came out,

1922
01:34:03,960 --> 01:34:06,200
Speaker 1: it felt like you was a ball. It felt like

1923
01:34:06,240 --> 01:34:10,320
Speaker 1: he was down with the team somewhere along the way.

1924
01:34:11,960 --> 01:34:14,120
Speaker 1: I don't know if it was personal with you and

1925
01:34:14,520 --> 01:34:17,920
Speaker 1: her or you had just fell in love of Cardis

1926
01:34:18,080 --> 01:34:22,400
Speaker 1: that much what happened where you went from team Manage

1927
01:34:23,360 --> 01:34:27,639
Speaker 1: to team Bardy and you ain't going back? Okay? Um, first,

1928
01:34:27,760 --> 01:34:30,920
Speaker 1: I was team Little Kim because she came out in

1929
01:34:31,000 --> 01:34:34,160
Speaker 1: an era where I was friends with Queen Latifa but

1930
01:34:34,280 --> 01:34:37,360
Speaker 1: saw a female rapp is one thing, and then you

1931
01:34:37,479 --> 01:34:40,679
Speaker 1: had little Kim com who was just a whole different beasts,

1932
01:34:40,760 --> 01:34:44,080
Speaker 1: you know, And so I became a little Kim fanatic

1933
01:34:44,200 --> 01:34:46,840
Speaker 1: early when Nikki so then this is not when you

1934
01:34:46,880 --> 01:34:50,240
Speaker 1: blog it because this was like a kid continue whatever whatever,

1935
01:34:50,400 --> 01:34:55,400
Speaker 1: six seventy. Then when Nikki came out, female rap was

1936
01:34:55,439 --> 01:34:57,800
Speaker 1: kind of dormant on radio or mainstream because it was

1937
01:34:57,920 --> 01:35:01,800
Speaker 1: just men dominated. Then when Nikki came out and was like, Yo,

1938
01:35:02,040 --> 01:35:05,800
Speaker 1: the resurgence of female rap, like this, queenland Tifa m

1939
01:35:05,880 --> 01:35:10,880
Speaker 1: c light Yo Yo, Missy Nicki, nick Kim Nicki like Yo,

1940
01:35:11,520 --> 01:35:14,479
Speaker 1: the resurgence of female rap was sexy to me because

1941
01:35:14,520 --> 01:35:17,040
Speaker 1: she was like, she was on these nigga's heads, Nicky

1942
01:35:17,120 --> 01:35:21,200
Speaker 1: got bars. Nicki is a phenomenal artist. She's an icon

1943
01:35:21,320 --> 01:35:24,880
Speaker 1: in her own right. And I was a fan of

1944
01:35:25,040 --> 01:35:27,240
Speaker 1: her music, and I'm still a fan of her music.

1945
01:35:27,360 --> 01:35:29,559
Speaker 1: Let's be very clear. I still listen to Nicki Minaj.

1946
01:35:30,520 --> 01:35:33,240
Speaker 1: What I did not like about Nikki, as I've said before,

1947
01:35:33,560 --> 01:35:36,760
Speaker 1: is when she fell out with Cardi, she made it

1948
01:35:36,840 --> 01:35:42,040
Speaker 1: a personal thing with with people, with everybody releasing phone numbers.

1949
01:35:42,400 --> 01:35:44,439
Speaker 1: I tried to piece it up with those two because

1950
01:35:44,640 --> 01:35:47,920
Speaker 1: cardis never still to this day talk bad about Nikki.

1951
01:35:48,640 --> 01:35:51,040
Speaker 1: We ain't hating over here. We're trying to keep it moving.

1952
01:35:51,400 --> 01:35:54,960
Speaker 1: But but it was you were on team Niki. Know what.

1953
01:35:55,600 --> 01:35:58,160
Speaker 1: I was never a bar But let's be those those

1954
01:35:58,320 --> 01:36:01,519
Speaker 1: those people are sick like they they literally they literally

1955
01:36:01,560 --> 01:36:08,320
Speaker 1: are no no, they're literally chemically imbalanced. Si could this

1956
01:36:08,520 --> 01:36:12,360
Speaker 1: chain right here was created from a barb attacking me

1957
01:36:12,960 --> 01:36:15,599
Speaker 1: online in d C when he was like, oh, you're

1958
01:36:15,640 --> 01:36:17,479
Speaker 1: taking a train because I was speaking to Howard University

1959
01:36:17,520 --> 01:36:19,400
Speaker 1: or you're taking a train O gagging and gagging gagging.

1960
01:36:19,400 --> 01:36:20,840
Speaker 1: I'm like, okay, bitch, I'm gonna tell you gagging. I

1961
01:36:20,880 --> 01:36:22,880
Speaker 1: create a whole show called gagging, but Jay sling and

1962
01:36:22,960 --> 01:36:24,519
Speaker 1: then I got this change just to keep putting it

1963
01:36:24,520 --> 01:36:26,640
Speaker 1: in their face. Right, But what is gagging me? I

1964
01:36:26,680 --> 01:36:30,280
Speaker 1: don't I'm saying gagging. Gagging in our community means like

1965
01:36:30,960 --> 01:36:33,080
Speaker 1: like those different meanings for it. Yes, So like in

1966
01:36:33,120 --> 01:36:34,720
Speaker 1: the Trake commune, that's like a bit stucking on your

1967
01:36:34,760 --> 01:36:37,679
Speaker 1: dick or something. Right in our community is like oh ship,

1968
01:36:37,840 --> 01:36:40,880
Speaker 1: Like damn, Like I'm surprised this nigga, like he ain't

1969
01:36:40,880 --> 01:36:43,439
Speaker 1: got no money, Like I'm shocked, like I'm shocked, Like

1970
01:36:43,600 --> 01:36:48,000
Speaker 1: that's what it means. Yeah, okay, So with Nikki, I've

1971
01:36:48,040 --> 01:36:50,599
Speaker 1: never hated Niggy. She did an interview, she did her

1972
01:36:51,080 --> 01:36:54,640
Speaker 1: radio ship, and she said that she called me a cocksucker, Like,

1973
01:36:54,800 --> 01:36:57,160
Speaker 1: how my cocksucker when your brother is on his way

1974
01:36:57,200 --> 01:37:01,160
Speaker 1: to prison for sucking like well for doing things with

1975
01:37:01,320 --> 01:37:03,840
Speaker 1: kids like what like? And I'm a person like I

1976
01:37:03,960 --> 01:37:06,920
Speaker 1: felt like it was a personal attacks that became personal.

1977
01:37:07,800 --> 01:37:09,760
Speaker 1: That's the first and last time that I've ever been

1978
01:37:09,880 --> 01:37:12,439
Speaker 1: unobjective with Hollywood or not, because it literally became a

1979
01:37:12,520 --> 01:37:14,240
Speaker 1: personal thing. It was less about Cardi and her, it

1980
01:37:14,280 --> 01:37:16,479
Speaker 1: was more about me and her. But I think we're

1981
01:37:16,520 --> 01:37:19,240
Speaker 1: in a place now where she recently reached out, and

1982
01:37:19,360 --> 01:37:21,160
Speaker 1: I'm now in a place in my life where I'm

1983
01:37:21,200 --> 01:37:25,560
Speaker 1: open to a conversation with Nicki Minaj's Nope, privately and

1984
01:37:25,680 --> 01:37:28,439
Speaker 1: publicly though, because it's not gonna be a let's come

1985
01:37:28,479 --> 01:37:29,800
Speaker 1: together and be friends. Because I don't want to be

1986
01:37:29,840 --> 01:37:31,160
Speaker 1: your friend. I will never be her friend because I

1987
01:37:31,200 --> 01:37:32,840
Speaker 1: don't trust her. I don't think she's a girl you

1988
01:37:32,920 --> 01:37:35,360
Speaker 1: can trust. She's one of those girls who she'll shake

1989
01:37:35,400 --> 01:37:37,200
Speaker 1: your hand, but she got a razor blade in her pocket.

1990
01:37:37,280 --> 01:37:39,280
Speaker 1: You know what I mean. But I'm down to talk

1991
01:37:39,320 --> 01:37:41,320
Speaker 1: to her. But I've seen she's been doing press lately,

1992
01:37:41,400 --> 01:37:44,320
Speaker 1: and whoever she's working with now, they are helping her

1993
01:37:44,439 --> 01:37:47,040
Speaker 1: soften her image where she seems a little bit more relatable.

1994
01:37:47,280 --> 01:37:49,639
Speaker 1: But I don't buy it. I think it's all a game,

1995
01:37:49,760 --> 01:37:51,920
Speaker 1: and I think it's all a facade. And that's why

1996
01:37:51,960 --> 01:37:53,479
Speaker 1: if I do interview her, it has to be a

1997
01:37:53,560 --> 01:37:55,519
Speaker 1: real conversation. It's not gonna be a radio run where

1998
01:37:55,560 --> 01:37:58,120
Speaker 1: she talked about whatever the fun her song is with

1999
01:37:58,360 --> 01:38:00,320
Speaker 1: a little baby, because I don't care about that. I

2000
01:38:00,360 --> 01:38:03,120
Speaker 1: want to get straight to like, like, no chaser, Let's

2001
01:38:03,160 --> 01:38:05,120
Speaker 1: get to the real ship. And I don't think she'll

2002
01:38:05,160 --> 01:38:08,840
Speaker 1: pull up for that. Let me ask you. Recently, it

2003
01:38:08,920 --> 01:38:12,479
Speaker 1: seems like Perez, Hilton and Kanye has been going on.

2004
01:38:12,760 --> 01:38:21,320
Speaker 1: Yes really yeah, And Perez used to have personally attacked

2005
01:38:21,400 --> 01:38:25,160
Speaker 1: me without having any yes. Yeah, back in the days,

2006
01:38:25,200 --> 01:38:28,200
Speaker 1: I mean predent no no, no, no, We've got over it.

2007
01:38:28,400 --> 01:38:33,080
Speaker 1: We've big boys. Yeah yeah, but you know this is

2008
01:38:33,120 --> 01:38:35,519
Speaker 1: just a separate thing. But it kind of felt like

2009
01:38:35,840 --> 01:38:39,560
Speaker 1: Perez was kind of like targeting Kanye. Right, what do

2010
01:38:39,640 --> 01:38:42,240
Speaker 1: you feel? What is your respective on that? Okay, and

2011
01:38:42,240 --> 01:38:43,600
Speaker 1: I'm gonna say this because I know I'm going on

2012
01:38:43,720 --> 01:38:45,880
Speaker 1: his podcast soon and he's gonna probably use this clip.

2013
01:38:46,040 --> 01:38:48,640
Speaker 1: You know, I with Perez because Perez was one of

2014
01:38:48,720 --> 01:38:50,439
Speaker 1: the few people that do what I do in my

2015
01:38:50,600 --> 01:38:54,760
Speaker 1: lane back then. Um, and he's known infamously known for

2016
01:38:55,040 --> 01:38:58,280
Speaker 1: photos where he has the dots and the script. You know,

2017
01:38:58,439 --> 01:39:00,920
Speaker 1: that's what he did. That, that's what he did, that's

2018
01:39:00,960 --> 01:39:03,200
Speaker 1: his thing. He called me a douchebag. I didn't even

2019
01:39:03,240 --> 01:39:05,400
Speaker 1: know what a douche bag meant. That's his thing, he

2020
01:39:05,520 --> 01:39:09,400
Speaker 1: writes on the the thing that the thing that I'm

2021
01:39:09,800 --> 01:39:11,920
Speaker 1: here's the I respect what Press has done and we

2022
01:39:11,960 --> 01:39:15,080
Speaker 1: have a relationship. Where I'm confused is when I got

2023
01:39:15,120 --> 01:39:17,200
Speaker 1: into a Karen said, well, Perez was the one person,

2024
01:39:17,280 --> 01:39:19,680
Speaker 1: one of two people who called me and said just

2025
01:39:19,880 --> 01:39:21,800
Speaker 1: let that go because it's not even worth it. Like

2026
01:39:21,920 --> 01:39:23,720
Speaker 1: stay focused on what you're doing, because you're doing great,

2027
01:39:23,760 --> 01:39:26,120
Speaker 1: done work. But like with yeah, it's sort of like

2028
01:39:26,200 --> 01:39:28,840
Speaker 1: with mental health being a real thing and you kind

2029
01:39:28,880 --> 01:39:31,600
Speaker 1: of attacking him from mental health. It's almost like the

2030
01:39:31,680 --> 01:39:34,960
Speaker 1: insensitivity of Press hilt in his back, and maybe that's

2031
01:39:35,040 --> 01:39:36,640
Speaker 1: what he needs to do to continue to keep his

2032
01:39:36,760 --> 01:39:39,040
Speaker 1: thing buzzing. I don't know what his business model is, right,

2033
01:39:39,120 --> 01:39:41,679
Speaker 1: My business model is just stay with the funk, you feel,

2034
01:39:41,800 --> 01:39:43,680
Speaker 1: what the funk you think, and whether it's right or wrong,

2035
01:39:43,720 --> 01:39:45,880
Speaker 1: it's what you're saying think and it's with the times,

2036
01:39:45,920 --> 01:39:48,200
Speaker 1: because I'm with the times. But I don't know. I

2037
01:39:48,280 --> 01:39:50,400
Speaker 1: know that Yeah has been posting him and then you know,

2038
01:39:50,520 --> 01:39:52,360
Speaker 1: he's invited me on his podcast for the first time.

2039
01:39:52,400 --> 01:39:54,920
Speaker 1: Some shorts about that, because this is what I feel, like,

2040
01:39:55,080 --> 01:39:58,840
Speaker 1: you know, for me, him being from Miami, him being

2041
01:39:59,040 --> 01:40:02,240
Speaker 1: of Latinos, you believe, I felt like, you know, when

2042
01:40:02,280 --> 01:40:04,559
Speaker 1: he because there was a police support about me having

2043
01:40:04,640 --> 01:40:07,320
Speaker 1: a fight or some dumb ship right just like like

2044
01:40:07,640 --> 01:40:10,400
Speaker 1: almost like ten years ago, twelve years ago, and he

2045
01:40:10,520 --> 01:40:12,760
Speaker 1: just immitted it was like, oh my god, because the

2046
01:40:13,200 --> 01:40:15,519
Speaker 1: kids said that, I said, you don't know who I am,

2047
01:40:15,600 --> 01:40:18,360
Speaker 1: that this doesn't even sound like me. That's not Yeah,

2048
01:40:18,400 --> 01:40:21,519
Speaker 1: nothing that was written I was there, Yeah, nothing that

2049
01:40:21,680 --> 01:40:24,320
Speaker 1: was written sound like me. So all I felt was

2050
01:40:24,400 --> 01:40:26,360
Speaker 1: like like the you know, because at this time I

2051
01:40:26,400 --> 01:40:28,960
Speaker 1: didn't know about blogs, I didn't know about all this,

2052
01:40:29,280 --> 01:40:32,360
Speaker 1: and all he did was just take whatever the police support, which,

2053
01:40:32,479 --> 01:40:35,160
Speaker 1: by the way, these kids had to say that because afterwards,

2054
01:40:35,600 --> 01:40:39,280
Speaker 1: as they arrested me, police was like, oh, you know,

2055
01:40:39,400 --> 01:40:42,320
Speaker 1: that was Nori, So the kids obviously had to change

2056
01:40:42,360 --> 01:40:45,600
Speaker 1: their story and say that. And then Perez quoted that

2057
01:40:45,760 --> 01:40:47,760
Speaker 1: as if it was me who did that, and I

2058
01:40:47,840 --> 01:40:51,880
Speaker 1: took it so personal and um, but that's why we

2059
01:40:52,000 --> 01:40:54,360
Speaker 1: have to be responsible when we report the facts right

2060
01:40:54,479 --> 01:40:57,200
Speaker 1: like we don't. That's why that's what that right there

2061
01:40:57,560 --> 01:41:00,400
Speaker 1: is why i'mself frustrated with Peter because not do the

2062
01:41:00,479 --> 01:41:03,000
Speaker 1: same ship they do. The difference is I don't have

2063
01:41:03,080 --> 01:41:06,160
Speaker 1: a booker making me interview somebody. People actually pull up

2064
01:41:06,160 --> 01:41:08,559
Speaker 1: because they want to funk with me. And I think

2065
01:41:08,600 --> 01:41:10,800
Speaker 1: that the challenge that I have is that people would

2066
01:41:10,800 --> 01:41:12,800
Speaker 1: throw a label on me to try to minimize me

2067
01:41:12,920 --> 01:41:15,040
Speaker 1: or will categorize me because they are threatened by the

2068
01:41:15,080 --> 01:41:17,439
Speaker 1: fact that I'm moving up on their ass and I'm

2069
01:41:17,479 --> 01:41:19,320
Speaker 1: self made, you know what I mean. And so I

2070
01:41:19,439 --> 01:41:22,439
Speaker 1: think with like Perez, you know, I really didn't. I

2071
01:41:22,520 --> 01:41:24,799
Speaker 1: don't know where he's coming from a because it's pretty interesting,

2072
01:41:24,800 --> 01:41:26,760
Speaker 1: but again it's all proximity. He not close to him,

2073
01:41:26,760 --> 01:41:28,439
Speaker 1: so he's not close to the situation and he's on

2074
01:41:28,520 --> 01:41:31,000
Speaker 1: the outside but still making fund of mental health. I

2075
01:41:31,040 --> 01:41:33,120
Speaker 1: think is laying. I got my own mental health issues.

2076
01:41:33,160 --> 01:41:35,040
Speaker 1: I went through my own battles of depression, you know,

2077
01:41:35,439 --> 01:41:37,680
Speaker 1: especially when going through the process of losing weight. I

2078
01:41:37,760 --> 01:41:39,519
Speaker 1: had to fall in love with myself again. A shout

2079
01:41:39,560 --> 01:41:42,599
Speaker 1: to Tiffany Haddas, who was the person that helped figure

2080
01:41:42,640 --> 01:41:45,680
Speaker 1: that out, and we would yeah, I'll tell me, yeah

2081
01:41:45,720 --> 01:41:47,120
Speaker 1: she was. Yeah, she was one of the people that

2082
01:41:47,160 --> 01:41:48,840
Speaker 1: helped me fall back in love with myself. So, like,

2083
01:41:49,000 --> 01:41:50,479
Speaker 1: mental health is a real thing, So I don't think

2084
01:41:50,520 --> 01:41:53,080
Speaker 1: it should be joked about. We've never made one joke

2085
01:41:53,120 --> 01:41:56,680
Speaker 1: about mental health or drug addiction never. It's just not

2086
01:41:56,840 --> 01:41:59,760
Speaker 1: something we do. Wow, that's real, ship man, that's real.

2087
01:42:00,760 --> 01:42:04,400
Speaker 1: So it's the last question we're wrapping it out. Sure,

2088
01:42:05,520 --> 01:42:07,920
Speaker 1: how do we fix it with camera? Simbil we understand

2089
01:42:08,000 --> 01:42:11,360
Speaker 1: we don't the next questions that in, No, we don't.

2090
01:42:11,360 --> 01:42:14,040
Speaker 1: But I will say this is the absolute entire last

2091
01:42:14,280 --> 01:42:17,000
Speaker 1: interview conversation I will ever have about that name. I

2092
01:42:17,080 --> 01:42:20,519
Speaker 1: wish caring the best. Um. I think that although we're

2093
01:42:20,560 --> 01:42:23,680
Speaker 1: not suing her because time the statue of limitations run out,

2094
01:42:23,680 --> 01:42:26,160
Speaker 1: and honestly, chasing her down with the FBI and trying

2095
01:42:26,200 --> 01:42:28,200
Speaker 1: to put her in prison would be a full time job.

2096
01:42:28,560 --> 01:42:30,800
Speaker 1: The industry, in the in the culture knows what she

2097
01:42:31,000 --> 01:42:33,000
Speaker 1: is now. I've talked to heads of labels, heads of

2098
01:42:33,439 --> 01:42:36,639
Speaker 1: organizations who have seen her and seen it all unfold.

2099
01:42:36,720 --> 01:42:38,639
Speaker 1: I don't need to do any more damage. I want

2100
01:42:38,960 --> 01:42:42,040
Speaker 1: her to live her best life. I know after she

2101
01:42:42,120 --> 01:42:44,759
Speaker 1: went vegan, she had iron issues. Take your iron pills,

2102
01:42:44,960 --> 01:42:47,760
Speaker 1: live the best life you can. Just stay out my

2103
01:42:47,840 --> 01:42:50,240
Speaker 1: motherfucking way. Like, as long as she ain't in my way,

2104
01:42:50,240 --> 01:42:52,200
Speaker 1: I don't care. The next time she get in my way,

2105
01:42:52,240 --> 01:42:55,559
Speaker 1: I'm taking her and anybody all the way the motherfuck out,

2106
01:42:56,240 --> 01:43:00,200
Speaker 1: because that's what Beyonce would do or John Gotti. No.

2107
01:43:00,320 --> 01:43:02,240
Speaker 1: But I mean, I'm just saying, like I'm not looking

2108
01:43:02,640 --> 01:43:05,320
Speaker 1: I'm not counting nobody's money. I'm not looking at what

2109
01:43:05,400 --> 01:43:09,000
Speaker 1: nobody's doing. Like I'm just not checking for nobody. I'm

2110
01:43:09,120 --> 01:43:12,639
Speaker 1: literally living my best life right now, doing what makes

2111
01:43:12,720 --> 01:43:15,800
Speaker 1: me happy. And and and I'm not saying I'm a victim.

2112
01:43:15,840 --> 01:43:18,080
Speaker 1: I'm not because people can say, oh, well, you write

2113
01:43:18,080 --> 01:43:20,320
Speaker 1: all these stories and you deserve whatever you get. That's fine,

2114
01:43:20,360 --> 01:43:22,080
Speaker 1: But like it's sort of like when you're getting the

2115
01:43:22,120 --> 01:43:25,479
Speaker 1: Floyd ring. In the ring with Floyd, you know, what

2116
01:43:25,720 --> 01:43:28,360
Speaker 1: you're going to and what's gonna happen, And I'm fine

2117
01:43:28,400 --> 01:43:30,320
Speaker 1: with that. But I don't have a problem with her.

2118
01:43:30,479 --> 01:43:33,000
Speaker 1: I'm not a friend and I don't support her, but um,

2119
01:43:33,240 --> 01:43:38,160
Speaker 1: I definitely don't want to really discuss her. Yo, it's

2120
01:43:38,200 --> 01:43:40,479
Speaker 1: been a pleasure. I'm going to take a shot to

2121
01:43:40,520 --> 01:43:46,639
Speaker 1: get out of here. Let's take a shot one last yeah. Yeah,

2122
01:43:46,640 --> 01:43:49,519
Speaker 1: because listen, man, this is about you, celebrating you. We

2123
01:43:49,600 --> 01:43:53,080
Speaker 1: wanted to give you wait to see this come out first. Openly,

2124
01:43:54,200 --> 01:43:57,479
Speaker 1: you know I'm not the first games, not the first game.

2125
01:43:57,920 --> 01:43:59,960
Speaker 1: I don't think that. List If you pointing out people

2126
01:44:00,680 --> 01:44:05,200
Speaker 1: want somebody in production, just send me to listen. We

2127
01:44:05,240 --> 01:44:06,800
Speaker 1: don't even want to go down that road. You know.

2128
01:44:06,920 --> 01:44:10,360
Speaker 1: This is one chance to you, bro Yo, side a

2129
01:44:10,360 --> 01:44:18,479
Speaker 1: little man, Jason, take pictures, Take pictures in a couple

2130
01:44:18,479 --> 01:44:21,479
Speaker 1: of drops, and then be good. Hold you see this

2131
01:44:21,600 --> 01:44:25,280
Speaker 1: is fun, us out and I was watching. Thanks for

2132
01:44:25,360 --> 01:44:27,880
Speaker 1: joining us for another episode of Drink Champs hosted by

2133
01:44:27,920 --> 01:44:30,439
Speaker 1: Yours truly d J E F and n O R E.

2134
01:44:30,920 --> 01:44:32,960
Speaker 1: Please make sure to follow us on all our socials

2135
01:44:33,240 --> 01:44:36,360
Speaker 1: that's at Drink Champs across all platforms. At the Real

2136
01:44:36,439 --> 01:44:40,320
Speaker 1: noriegan I g at Noriega on Twitter, mine is at

2137
01:44:40,360 --> 01:44:43,360
Speaker 1: Who's Crazy on I g at d j e f

2138
01:44:43,479 --> 01:44:45,920
Speaker 1: N on Twitter, and most importantly, stay up to date

2139
01:44:46,000 --> 01:44:49,120
Speaker 1: with the latest releases, news and merch by going to

2140
01:44:49,240 --> 01:44:58,479
Speaker 1: drink Champs dot com. For more podcasts from My Heart Radio,

2141
01:44:58,880 --> 01:45:02,560
Speaker 1: visit the iHeart Radio app, Apple podcast, or wherever you

2142
01:45:02,680 --> 01:45:08,160
Speaker 1: listen to your favorite shows. H