1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh, I see you. Why oh and look 2 00:00:04,840 --> 00:00:13,080 Speaker 1: over there? How is that culture? Yes, goodness, ding dongs culture. 3 00:00:14,640 --> 00:00:18,119 Speaker 1: You're feeling coquettish. I can tell just a little swing 4 00:00:18,160 --> 00:00:20,480 Speaker 1: of the shoulders, you know you have love in your life. 5 00:00:23,800 --> 00:00:27,280 Speaker 1: I mean, because let's be real, who's out here in 6 00:00:27,360 --> 00:00:30,720 Speaker 1: Los Angeles like doing the damn thing on the rag 7 00:00:31,120 --> 00:00:33,760 Speaker 1: you'd be surprised. Oh wait a minute, this is this 8 00:00:33,800 --> 00:00:36,159 Speaker 1: will be dated absolutely by the time this comes out. 9 00:00:36,200 --> 00:00:38,920 Speaker 1: But apparently there was some Thank god, I'm off Twitter, 10 00:00:39,000 --> 00:00:40,879 Speaker 1: but the things that I pick up on every now 11 00:00:40,880 --> 00:00:44,559 Speaker 1: and then when I checked the lost culture Twitter, apparently 12 00:00:45,159 --> 00:00:48,920 Speaker 1: there was a gay Twitter controversy today because people I'm 13 00:00:48,960 --> 00:00:53,080 Speaker 1: not sure where people were planning through sub tweets, like 14 00:00:53,280 --> 00:00:58,480 Speaker 1: a sex party situation. And I don't really know the 15 00:00:58,520 --> 00:01:01,280 Speaker 1: specifics on this. I don't really. I'm sure I'll maybe 16 00:01:01,280 --> 00:01:05,000 Speaker 1: I'll catch wind of of details. But what is going 17 00:01:05,040 --> 00:01:08,440 Speaker 1: on gay people? Let's just gay sist men specifically, let's 18 00:01:08,520 --> 00:01:11,679 Speaker 1: just like chill out until we're until we get to 19 00:01:11,720 --> 00:01:15,000 Speaker 1: her community. Please, please please, I totally agree we need 20 00:01:15,040 --> 00:01:16,680 Speaker 1: to chill out with the sex party of it all. 21 00:01:16,840 --> 00:01:20,039 Speaker 1: It's like we don't need to recreate that experience that 22 00:01:20,160 --> 00:01:22,120 Speaker 1: badly that we're going to jap out of people's health. 23 00:01:22,400 --> 00:01:25,480 Speaker 1: I get if people want to have sex, sex, you 24 00:01:25,480 --> 00:01:27,760 Speaker 1: know what I mean, Like, I think everyone has figured 25 00:01:27,800 --> 00:01:31,000 Speaker 1: out how to have sex during the pandemic, but the 26 00:01:32,200 --> 00:01:37,319 Speaker 1: risk sex parties, yes, that that means we need something 27 00:01:37,360 --> 00:01:41,880 Speaker 1: else satisfied completely. That can wait, I think. And we 28 00:01:41,920 --> 00:01:46,840 Speaker 1: are not here to yuck anyone else's yum. No, that's 29 00:01:46,840 --> 00:01:49,520 Speaker 1: all it is. That's all it is, and and just 30 00:01:49,960 --> 00:01:52,680 Speaker 1: and and and that's that's truly it. That's truly it. 31 00:01:52,960 --> 00:01:55,440 Speaker 1: I am just like, oh my god, what is The 32 00:01:55,760 --> 00:01:58,559 Speaker 1: gays are truly losing it? I could I can't believe. 33 00:01:58,600 --> 00:02:00,400 Speaker 1: I did not hear about that as I I can 34 00:02:00,560 --> 00:02:04,200 Speaker 1: believe it, but I can't believe it. It's one of 35 00:02:04,240 --> 00:02:07,280 Speaker 1: those things. It's you know, I think that once everything 36 00:02:07,320 --> 00:02:10,000 Speaker 1: does return, things are going to be a zoo like 37 00:02:10,040 --> 00:02:12,520 Speaker 1: Ospinoff in l A is going to be an absolute 38 00:02:12,800 --> 00:02:17,760 Speaker 1: It's gonna be like the Refui because it's people will bleed, 39 00:02:18,040 --> 00:02:20,400 Speaker 1: people will get hurt. You know, it's gonna be a 40 00:02:21,040 --> 00:02:24,880 Speaker 1: site for hor eyes. So I think it will be 41 00:02:24,880 --> 00:02:28,160 Speaker 1: fun in a way like sore brown eyes because of 42 00:02:28,160 --> 00:02:29,880 Speaker 1: all the pecome out of flying around when you're eating. 43 00:02:29,919 --> 00:02:33,079 Speaker 1: But um, okay, so this is what I think. It'll 44 00:02:33,080 --> 00:02:37,040 Speaker 1: be really fun though the first like big holiday after 45 00:02:37,639 --> 00:02:40,720 Speaker 1: whenever everyone gets the vaccine. You know, what is something 46 00:02:40,760 --> 00:02:42,760 Speaker 1: that's weird to think about is like my friend brought 47 00:02:42,800 --> 00:02:44,760 Speaker 1: up the other day, what if you're in your friend group, 48 00:02:44,840 --> 00:02:46,280 Speaker 1: like the last one to get it. I'm like, you 49 00:02:46,320 --> 00:02:49,720 Speaker 1: miss a weekend the vaccine. But this is the thing. 50 00:02:49,840 --> 00:02:53,440 Speaker 1: I think it will just we'll we'll look up one 51 00:02:53,440 --> 00:02:55,320 Speaker 1: moment and be like, oh wait, no one's wearing masks, 52 00:02:55,320 --> 00:02:57,359 Speaker 1: Like it's it's acceptable to not wear a mask out 53 00:02:57,360 --> 00:03:02,720 Speaker 1: in public anymore. Amazing what s go see promatica ball, 54 00:03:03,919 --> 00:03:06,600 Speaker 1: you know, like, oh god, that'll be so fun. I 55 00:03:06,680 --> 00:03:09,200 Speaker 1: feel like the amount of this is what I hope 56 00:03:09,200 --> 00:03:11,360 Speaker 1: for in the world, is that the amount that's been 57 00:03:11,400 --> 00:03:16,079 Speaker 1: taken away and has been devoid of ability to continue, 58 00:03:16,960 --> 00:03:19,320 Speaker 1: Like now we'll come like like a lot of economists 59 00:03:19,360 --> 00:03:21,880 Speaker 1: are predicting like a huge boom a period of growth, 60 00:03:22,120 --> 00:03:27,239 Speaker 1: like like that's all on the horizon. But I think 61 00:03:27,280 --> 00:03:30,120 Speaker 1: specifically the stuff that was supposed to pop off and 62 00:03:30,200 --> 00:03:34,000 Speaker 1: launch March April, May, June, July, like that's like spring 63 00:03:34,000 --> 00:03:38,920 Speaker 1: through summer. We have to honor that specific window of 64 00:03:39,000 --> 00:03:41,800 Speaker 1: culture where things could not have, could not be, Like 65 00:03:42,440 --> 00:03:45,520 Speaker 1: the way Dualipa is doing it now is maybe it's 66 00:03:45,520 --> 00:03:47,200 Speaker 1: not even quite what I'm thinking, but it's like I 67 00:03:47,240 --> 00:03:50,600 Speaker 1: think we should have, like we should revisit as a 68 00:03:50,640 --> 00:03:55,800 Speaker 1: collective group of people at some point when it's safe again, 69 00:03:55,960 --> 00:03:58,360 Speaker 1: like future nostalgia, and be like, oh my god, let's 70 00:03:58,360 --> 00:03:59,960 Speaker 1: give this album the flight. And I know it's been 71 00:04:00,080 --> 00:04:01,640 Speaker 1: like a year and a half at this point, but 72 00:04:02,120 --> 00:04:05,360 Speaker 1: we have to honor this. You know, I have literally 73 00:04:05,760 --> 00:04:08,640 Speaker 1: not been able to be with you in space when stupid, 74 00:04:08,680 --> 00:04:11,920 Speaker 1: stupid love is on and I go, look at me, girl. 75 00:04:11,960 --> 00:04:14,600 Speaker 1: I think of you, literally, I think of you every 76 00:04:14,600 --> 00:04:16,640 Speaker 1: time because of how much fun we would have a 77 00:04:16,720 --> 00:04:20,240 Speaker 1: point that song in particular, what like I know what happened. 78 00:04:20,240 --> 00:04:21,720 Speaker 1: We would go up to each other, tap on each 79 00:04:21,760 --> 00:04:26,080 Speaker 1: other and look at me. Honestly, I feel like the 80 00:04:26,160 --> 00:04:31,120 Speaker 1: last time I was like truly like joyful was probably 81 00:04:31,600 --> 00:04:34,480 Speaker 1: New York City Pride that summer when everyone was there, 82 00:04:35,040 --> 00:04:37,200 Speaker 1: like when we were at Ties Party. I think it 83 00:04:37,240 --> 00:04:40,159 Speaker 1: was the Devil's Playground at Bowery. Not Bowery, it was. 84 00:04:40,600 --> 00:04:43,960 Speaker 1: It was wester Hall, wester Hall, oldest night club in 85 00:04:43,960 --> 00:04:45,839 Speaker 1: the world. That's what I meant. Yeah, um, but yes, 86 00:04:46,000 --> 00:04:50,080 Speaker 1: I I specifically think you're onto something with Dewett and chromatica, etcetera. 87 00:04:50,080 --> 00:04:51,480 Speaker 1: And you know the first thing I'm doing is going 88 00:04:51,520 --> 00:04:53,960 Speaker 1: to see that Kelleg Farks in Vegas show. Oh my god, 89 00:04:54,360 --> 00:04:57,039 Speaker 1: first thing, and you'll have your vaccine car laminated and 90 00:04:57,120 --> 00:05:00,280 Speaker 1: say I got it, I got it. Oh, the chips 91 00:05:00,279 --> 00:05:02,520 Speaker 1: are the chips are in me. Let me in, sir. 92 00:05:02,800 --> 00:05:05,800 Speaker 1: I'm gonna wear my vaccine card like a choker, like 93 00:05:05,960 --> 00:05:08,039 Speaker 1: I want every want to see it, like, right, you 94 00:05:08,320 --> 00:05:11,920 Speaker 1: like a like a choke Yeah, like but literally choker. Sorry, 95 00:05:11,920 --> 00:05:13,600 Speaker 1: I don't know why I questioned that as soon as 96 00:05:13,640 --> 00:05:17,360 Speaker 1: you mentioned it. Um no, I know, choker reader. It's 97 00:05:17,440 --> 00:05:20,400 Speaker 1: day eight of the twelve Days of Culture. Yes, we're 98 00:05:20,480 --> 00:05:24,680 Speaker 1: we're we're edging ever closer toward Christmas. How do you 99 00:05:24,680 --> 00:05:26,480 Speaker 1: think it's coming so far? At twelve days of Culture? 100 00:05:26,560 --> 00:05:29,240 Speaker 1: I think we've made the point every day. The only 101 00:05:29,440 --> 00:05:31,919 Speaker 1: day that I feel like we really couldn't get on 102 00:05:31,960 --> 00:05:34,800 Speaker 1: the same page was yesterday. I just feel like the 103 00:05:34,880 --> 00:05:37,279 Speaker 1: last episode was because I feel like, and here's what 104 00:05:37,279 --> 00:05:39,920 Speaker 1: I want to say to you. If I pitch a 105 00:05:40,000 --> 00:05:44,600 Speaker 1: rule a day of culture and you don't agree. I 106 00:05:44,640 --> 00:05:48,720 Speaker 1: want I would have never said that because I never 107 00:05:48,800 --> 00:05:52,160 Speaker 1: disagreed with you, and I made that so clear yesterday. 108 00:05:52,360 --> 00:05:54,240 Speaker 1: You're right, you you did make that clear. I guess 109 00:05:54,320 --> 00:05:56,279 Speaker 1: what's shaking me is the fact that you had not 110 00:05:56,400 --> 00:05:58,760 Speaker 1: seen that movie and you took it out on me 111 00:05:58,880 --> 00:06:01,960 Speaker 1: by saying, well, it's as weird as if what's weirder 112 00:06:02,040 --> 00:06:04,280 Speaker 1: you're not seeing Jaws or me not seeing sound of music. 113 00:06:04,400 --> 00:06:08,440 Speaker 1: You brought it to a new compare it complete space. 114 00:06:08,880 --> 00:06:12,359 Speaker 1: You were bringing comparative literature to the conversation, and maybe 115 00:06:12,640 --> 00:06:15,000 Speaker 1: we're out to make me look like a fool. I'm sorry, 116 00:06:15,000 --> 00:06:17,719 Speaker 1: I'm bringing this combative energy. I'm sorry. I'm sorry. Wow, 117 00:06:17,760 --> 00:06:21,039 Speaker 1: I'm catching myself. Do you forgive me? I do forgive 118 00:06:21,040 --> 00:06:23,160 Speaker 1: you a forge of you immediately. And I just want 119 00:06:23,200 --> 00:06:26,480 Speaker 1: to say I think that the reason why I got 120 00:06:26,600 --> 00:06:30,240 Speaker 1: so edgy was because Jaws was such an important part 121 00:06:30,240 --> 00:06:32,880 Speaker 1: of the culture for me that to know that my 122 00:06:32,960 --> 00:06:36,120 Speaker 1: sister hadn't experienced that it just called me by surprise. 123 00:06:36,520 --> 00:06:41,320 Speaker 1: Luckily though that is not the case. But all this is, 124 00:06:41,360 --> 00:06:45,080 Speaker 1: this is the day that, as FDR said, we'll live 125 00:06:45,120 --> 00:06:47,960 Speaker 1: inn in for me. She was talking about this day, 126 00:06:48,000 --> 00:06:51,760 Speaker 1: which is September. I'm so sorry. I we have to 127 00:06:52,240 --> 00:06:58,279 Speaker 1: we have to say on the day Colture it was 128 00:07:01,600 --> 00:07:14,200 Speaker 1: September nine. Diana from the vm AS. This was a 129 00:07:14,320 --> 00:07:19,880 Speaker 1: moment of personal space invasion that was like the shot 130 00:07:20,000 --> 00:07:22,440 Speaker 1: heard around the world, the boob joggle around the world. 131 00:07:23,160 --> 00:07:26,960 Speaker 1: Will Kim, the little little juggle of her around the 132 00:07:27,000 --> 00:07:32,800 Speaker 1: world say that? No, the little the world her around 133 00:07:32,880 --> 00:07:34,480 Speaker 1: the world. I mean, if we had title of U 134 00:07:34,600 --> 00:07:36,920 Speaker 1: for these episodes, I'd be title of up. Yeah, I mean, 135 00:07:37,080 --> 00:07:40,120 Speaker 1: I think clearly. So it's so funny that this is 136 00:07:41,320 --> 00:07:43,240 Speaker 1: this is something that I noticed with this moment, with 137 00:07:43,320 --> 00:07:47,080 Speaker 1: this day, I should say, Okay, I tell you, I 138 00:07:47,120 --> 00:07:51,040 Speaker 1: say the words vm AS, Diana Ross, what's Diana Ross? 139 00:07:51,040 --> 00:07:52,640 Speaker 1: A little Kim? And that tells the whole story? Is 140 00:07:52,680 --> 00:07:56,760 Speaker 1: that correct? I say the words Britney spears Madonna. That 141 00:07:56,800 --> 00:07:59,880 Speaker 1: tells the whole story? Correct? Yes, there's a third verse 142 00:08:00,040 --> 00:08:03,640 Speaker 1: and missing in both of those scenarios, it was Christina 143 00:08:03,680 --> 00:08:06,840 Speaker 1: or Donna. Do you know who the third the third 144 00:08:06,840 --> 00:08:10,400 Speaker 1: person was for Little Kim and um Diana Ross. I 145 00:08:10,440 --> 00:08:15,560 Speaker 1: feel like because it's we've forgotten about her presence, at 146 00:08:15,600 --> 00:08:17,679 Speaker 1: least I'm not at least at least I have until 147 00:08:17,760 --> 00:08:21,240 Speaker 1: very recently. So it was Little Kim Diana Ross and 148 00:08:21,440 --> 00:08:24,440 Speaker 1: I'm gonna guess. I don't know why I'm gonna guess. 149 00:08:24,720 --> 00:08:30,440 Speaker 1: Wasn't Anna stage Mary J Blige? Mary see, I knew 150 00:08:30,440 --> 00:08:34,520 Speaker 1: it was another singer? Oh my god, Mary J was there, 151 00:08:34,800 --> 00:08:37,679 Speaker 1: And isn't it true that she had like a what 152 00:08:37,720 --> 00:08:39,160 Speaker 1: do you mean to take? Like? She was like not 153 00:08:39,440 --> 00:08:41,439 Speaker 1: did she say something? Or she did? She did? She? 154 00:08:42,040 --> 00:08:45,720 Speaker 1: So this is what happened. Mary J Blige and Little 155 00:08:45,800 --> 00:08:49,080 Speaker 1: Kim were on stage together presenting best I think it 156 00:08:49,120 --> 00:08:51,160 Speaker 1: was might have invest in new artists. No, no, no no, no, no, 157 00:08:51,200 --> 00:08:55,560 Speaker 1: it was some some video. Um they brought out Diana 158 00:08:55,600 --> 00:08:59,520 Speaker 1: to make this huge entrance and she walks out and 159 00:09:00,400 --> 00:09:03,400 Speaker 1: was was sort of in her in her sort of 160 00:09:03,960 --> 00:09:07,640 Speaker 1: comfort zone. Or she she she was inconsiderate of other 161 00:09:07,679 --> 00:09:10,760 Speaker 1: people's personal space. Is enough to jiggle the boob. So 162 00:09:10,800 --> 00:09:13,240 Speaker 1: she well, first she she did like, oh look at 163 00:09:13,280 --> 00:09:16,600 Speaker 1: this and did boo boo that. So I'm so sorry. 164 00:09:16,600 --> 00:09:20,440 Speaker 1: I keep it, I I keep them delineating this story. 165 00:09:20,480 --> 00:09:23,960 Speaker 1: But um, Mary J. Blige and Diana Ross hug sare 166 00:09:23,960 --> 00:09:26,240 Speaker 1: a long hug. You can tell they love each other 167 00:09:26,400 --> 00:09:31,040 Speaker 1: Mary so happy to see Diana and Diana boop boobs 168 00:09:31,040 --> 00:09:34,640 Speaker 1: little Kim. And you look at Mary, her face falls. 169 00:09:36,040 --> 00:09:42,640 Speaker 1: She is disgusted by this, just just very controversial to 170 00:09:42,679 --> 00:09:47,119 Speaker 1: her to this, to to marry and she she disapproves. 171 00:09:47,160 --> 00:09:49,280 Speaker 1: And I don't know, I don't know who she's disapproving of, 172 00:09:49,440 --> 00:09:51,560 Speaker 1: probably Diana because she was what she's been with Kim 173 00:09:51,640 --> 00:09:54,240 Speaker 1: all along. I think, do you think she's mad at 174 00:09:54,280 --> 00:09:59,080 Speaker 1: Diana Ross. I think that she is disappointed that she 175 00:09:59,120 --> 00:10:01,079 Speaker 1: had to see the and I think that it's kind 176 00:10:01,080 --> 00:10:03,560 Speaker 1: of like, oh god, I think it's one of those 177 00:10:03,559 --> 00:10:07,000 Speaker 1: but because the fact of the matter is you let 178 00:10:07,000 --> 00:10:09,840 Speaker 1: Diana Ross get away with everything because she is there. 179 00:10:11,520 --> 00:10:16,520 Speaker 1: But but but this was a moment in time where 180 00:10:16,600 --> 00:10:18,360 Speaker 1: you know, you got a question. And I think that 181 00:10:18,960 --> 00:10:21,280 Speaker 1: I saw Mary J watch What Happens Live, and what 182 00:10:21,360 --> 00:10:24,160 Speaker 1: did she say? I think that recently, I think she 183 00:10:24,280 --> 00:10:27,640 Speaker 1: said something like, yeah, it was a weird thing or something. 184 00:10:28,000 --> 00:10:30,320 Speaker 1: And I believe didn't Mariah talk about it in her book, 185 00:10:30,400 --> 00:10:33,000 Speaker 1: I think alluded to it was talking about it like 186 00:10:33,040 --> 00:10:35,800 Speaker 1: this approving too. It's like that like she's like I 187 00:10:35,840 --> 00:10:37,679 Speaker 1: haven't in a way that was like I've never had 188 00:10:37,720 --> 00:10:39,560 Speaker 1: to do stuff like that. I think that was like 189 00:10:39,600 --> 00:10:42,400 Speaker 1: the subtext. Yeah, but it's funny because like at the 190 00:10:42,440 --> 00:10:45,800 Speaker 1: time people did just We're just kind of like, oh yeah, 191 00:10:45,840 --> 00:10:47,679 Speaker 1: I mean, that was a funny thing that happened. It's 192 00:10:47,720 --> 00:10:50,200 Speaker 1: kind of like remember when at the v m as 193 00:10:50,360 --> 00:10:53,080 Speaker 1: Jim Carrey was getting an award from Alicia Silverstone and 194 00:10:53,120 --> 00:10:56,080 Speaker 1: he just literally kissed her on the mouth. People would do. 195 00:10:56,120 --> 00:10:58,680 Speaker 1: People were doing this left and right at word shows 196 00:10:58,760 --> 00:11:01,280 Speaker 1: back in the day, and Adrian Brody did it to 197 00:11:01,600 --> 00:11:05,760 Speaker 1: halle Berry and it was just like, you can't just 198 00:11:05,880 --> 00:11:08,560 Speaker 1: do that. But at the time it was like the 199 00:11:08,679 --> 00:11:12,760 Speaker 1: hilarious kiss that happened. But you can see on Hallie 200 00:11:13,400 --> 00:11:17,360 Speaker 1: she doesn't like it, but Little Kim played along with it. 201 00:11:17,400 --> 00:11:19,800 Speaker 1: Halle Berry played along with it. Did Alicia Silverston play 202 00:11:19,840 --> 00:11:22,440 Speaker 1: along with it? Alicia was like I think Alicia was 203 00:11:22,440 --> 00:11:26,200 Speaker 1: a little bit more visibly. This was this in the 204 00:11:26,200 --> 00:11:30,800 Speaker 1: two thousand's. I'm actually gonna look this up. Really, this 205 00:11:30,880 --> 00:11:34,800 Speaker 1: was like early on, like when Alicia Silverstone was like 206 00:11:34,800 --> 00:11:37,000 Speaker 1: at the beginning of her career. Okay, so this is 207 00:11:37,000 --> 00:11:42,360 Speaker 1: what it is. She looks amazing, She's giving the awards 208 00:11:43,240 --> 00:11:47,200 Speaker 1: the world, so he wins it and he goes up 209 00:11:47,240 --> 00:11:55,720 Speaker 1: to her and oh, no, I gas. She she hated it. 210 00:11:55,760 --> 00:11:59,160 Speaker 1: Oh my god, Okay, we're gonna do this all right. Um, 211 00:11:59,360 --> 00:12:04,560 Speaker 1: she really hated it. That's rough to watch. Now it's said. 212 00:12:05,360 --> 00:12:07,920 Speaker 1: Just just type in gym Alicia's Overstone and watch the 213 00:12:07,960 --> 00:12:11,280 Speaker 1: YouTube video that says Alicia's over OK the Emmys, but 214 00:12:11,480 --> 00:12:13,680 Speaker 1: I'm going to look up when it happened. This was 215 00:12:13,800 --> 00:12:20,079 Speaker 1: kind of crazy. We're literally kind of discovering. Are you 216 00:12:20,120 --> 00:12:25,959 Speaker 1: watching it? Yeah? She is so uncomfortable. Oh my god, 217 00:12:26,240 --> 00:12:27,959 Speaker 1: I'm sorry I did. I don't listen to anything you're 218 00:12:27,960 --> 00:12:30,200 Speaker 1: saying while I was watching it. No, I was just saying, like, 219 00:12:30,320 --> 00:12:34,320 Speaker 1: isn't it crazy? That's that's really rough. You don't love 220 00:12:34,360 --> 00:12:36,040 Speaker 1: to see. And the thing is like, it's it's kind 221 00:12:36,040 --> 00:12:39,160 Speaker 1: of like around this time this was happening a lot. 222 00:12:39,280 --> 00:12:41,480 Speaker 1: Did I funk up by including this day? I mean, 223 00:12:41,520 --> 00:12:44,040 Speaker 1: it's it's it's it's a huge day in culture. But 224 00:12:44,840 --> 00:12:49,479 Speaker 1: we're using this as an opportunity to examine award show behavior, 225 00:12:49,559 --> 00:12:54,440 Speaker 1: which is always embarrassing, humiliating, awful. There's no way you 226 00:12:54,480 --> 00:12:57,360 Speaker 1: actually genuinely look cool and an award show. I'm sorry, 227 00:12:57,360 --> 00:12:59,960 Speaker 1: there just isn't there's just such an air of desper 228 00:13:00,160 --> 00:13:03,440 Speaker 1: ration in the whole setting of it. Well, I think 229 00:13:03,480 --> 00:13:09,600 Speaker 1: that what's happened is we actually in a way internalized 230 00:13:09,640 --> 00:13:12,959 Speaker 1: this behavior to the point where we didn't think it 231 00:13:13,000 --> 00:13:17,120 Speaker 1: was weird, en mean, and now I think we're like, 232 00:13:17,480 --> 00:13:19,560 Speaker 1: here's what I think. I think we chose this as 233 00:13:19,559 --> 00:13:21,520 Speaker 1: an iconic day in culture, and it was. It is 234 00:13:21,559 --> 00:13:23,920 Speaker 1: one of the days of culture. It just is. But 235 00:13:24,080 --> 00:13:27,800 Speaker 1: along the way we realized, huh, maybe Diana Ross sucked 236 00:13:27,880 --> 00:13:30,920 Speaker 1: up here because we're looking at other cases of it 237 00:13:31,200 --> 00:13:33,920 Speaker 1: and it's like, yesh, and I don't think people this 238 00:13:34,000 --> 00:13:36,120 Speaker 1: is weird. But I don't think people talk about that 239 00:13:37,880 --> 00:13:43,480 Speaker 1: enough because that is weird. And also another thing is 240 00:13:44,040 --> 00:13:48,800 Speaker 1: the Adrian Brodie halle Berry of it all weird and 241 00:13:48,920 --> 00:13:51,600 Speaker 1: when no one no one really talked about the fact 242 00:13:51,640 --> 00:13:54,320 Speaker 1: that he just did. I think it was always like 243 00:13:54,440 --> 00:13:56,480 Speaker 1: they kissed. It was like, I don't think she was 244 00:13:56,520 --> 00:13:58,160 Speaker 1: gonna be I don't think she was in on that. 245 00:13:58,320 --> 00:14:00,880 Speaker 1: I feel like I've heard a conversation around this in 246 00:14:00,960 --> 00:14:05,000 Speaker 1: recent years where specifically, maybe only with the halle Berry 247 00:14:05,040 --> 00:14:07,320 Speaker 1: and Juan Bertie thing, where it's like you can see 248 00:14:07,320 --> 00:14:09,559 Speaker 1: on her face that she hated that. And do you 249 00:14:09,600 --> 00:14:12,600 Speaker 1: remember the next year when he presented to Charlie's Thearren 250 00:14:12,679 --> 00:14:15,000 Speaker 1: and he did that joke before where he gives up 251 00:14:15,000 --> 00:14:16,920 Speaker 1: the breath. I remember even as like, what like a 252 00:14:17,040 --> 00:14:19,840 Speaker 1: thirteen fourteen year old rolling my fucking eyes at home, 253 00:14:20,080 --> 00:14:24,400 Speaker 1: just being like, oh like you nightmare, nightmare. He's disinvited, 254 00:14:24,520 --> 00:14:25,880 Speaker 1: He's never coming. He's like one of the few people 255 00:14:25,880 --> 00:14:27,760 Speaker 1: who will never be invited to us. And I'll band 256 00:14:28,680 --> 00:14:30,680 Speaker 1: he's not doing it. I don't mean to shoot on 257 00:14:30,720 --> 00:14:34,360 Speaker 1: Adrian Bertie's career, but he's um, he's he's bad that. 258 00:14:34,520 --> 00:14:37,040 Speaker 1: The thing is like that next year after that, I 259 00:14:37,080 --> 00:14:39,960 Speaker 1: remember when Charlie's Theren did win the Oscar. Here's what sucked. 260 00:14:40,320 --> 00:14:42,760 Speaker 1: This woman has just won an Oscar and on her 261 00:14:42,760 --> 00:14:45,200 Speaker 1: way up to the podium, she has to think about 262 00:14:45,280 --> 00:14:48,560 Speaker 1: this bit that you did. Where where now she has 263 00:14:48,600 --> 00:14:50,840 Speaker 1: to do, in the moment of her professional career and 264 00:14:50,880 --> 00:14:53,880 Speaker 1: accepting an oscar, think about how to complete this bit 265 00:14:53,960 --> 00:14:57,160 Speaker 1: you started. And they did kiss on the lips very quickly. 266 00:14:57,440 --> 00:15:00,440 Speaker 1: She's like yeah, sure, she was joined was like why not, 267 00:15:00,600 --> 00:15:04,920 Speaker 1: Like it's to to to to echo that into the 268 00:15:04,960 --> 00:15:09,160 Speaker 1: next year is so dumb? Is is adell Dezim a 269 00:15:09,240 --> 00:15:13,040 Speaker 1: similar offense. No, no, I mean, Adele Desim is just 270 00:15:13,120 --> 00:15:16,480 Speaker 1: an unpreparedness. And and for me, there's nothing negative about 271 00:15:16,480 --> 00:15:19,600 Speaker 1: a dull Dezim because brought into the next Dezim was 272 00:15:19,600 --> 00:15:23,840 Speaker 1: supposed to happen by God. God, I agree, and he exists. 273 00:15:24,280 --> 00:15:26,400 Speaker 1: I believe that. Did you pray for art that day? 274 00:15:26,560 --> 00:15:28,560 Speaker 1: I did. I did an art prayer that day. I 275 00:15:28,640 --> 00:15:31,440 Speaker 1: forgot um that there's actually been three times I prayed 276 00:15:31,440 --> 00:15:36,600 Speaker 1: for art Fergie's national anthem when Folklore was released Adult Dezim. 277 00:15:36,600 --> 00:15:38,520 Speaker 1: I prayed for art that day. The only wayon I 278 00:15:38,520 --> 00:15:40,360 Speaker 1: bring up Adele Desim is one because it's the number 279 00:15:40,360 --> 00:15:43,040 Speaker 1: one moment in culture history and to a you won't 280 00:15:43,040 --> 00:15:46,760 Speaker 1: see it in the twelve Days of Culture unfortunately. Sorry 281 00:15:47,160 --> 00:15:51,840 Speaker 1: no repeats from the last the last, But I only 282 00:15:51,880 --> 00:15:54,400 Speaker 1: bring that up because Adele Desim was sort of re 283 00:15:55,480 --> 00:15:57,480 Speaker 1: hashed the next year, and I was like, and I 284 00:15:57,480 --> 00:16:00,120 Speaker 1: thought even that year as like poor Dena, men's all, 285 00:16:00,200 --> 00:16:03,480 Speaker 1: I can't ever catch a break from this adults same stuff. 286 00:16:04,080 --> 00:16:09,040 Speaker 1: You know, yeah, I would say, like it would really 287 00:16:09,120 --> 00:16:11,960 Speaker 1: depend on how cool you were about that situation, you 288 00:16:11,960 --> 00:16:14,200 Speaker 1: know what I mean, Like, well, she must have to 289 00:16:14,280 --> 00:16:17,440 Speaker 1: be because it was so ubiquitous another the other thing 290 00:16:17,560 --> 00:16:19,800 Speaker 1: is like something you do to someone else and then 291 00:16:19,880 --> 00:16:22,160 Speaker 1: continue as a bit for yourself. I don't know. I 292 00:16:22,200 --> 00:16:24,240 Speaker 1: didn't love Adrian Brodie after that whole thing, but I 293 00:16:24,280 --> 00:16:28,480 Speaker 1: will say this, this is so frustrated attracted to him 294 00:16:28,480 --> 00:16:31,680 Speaker 1: sexually and like in an intense way. No, honey, I 295 00:16:31,720 --> 00:16:36,680 Speaker 1: don't know what to say about you can, um, you can. 296 00:16:36,880 --> 00:16:39,880 Speaker 1: You can go find that person anywhere, you really can. 297 00:16:40,240 --> 00:16:45,320 Speaker 1: I think yea, literally, I'm sorry, there's nothing that exceptional 298 00:16:45,320 --> 00:16:49,440 Speaker 1: about him. I'm sorry, I'm I'm a what no, no, no. 299 00:16:49,480 --> 00:16:51,000 Speaker 1: I used to you know, I kind of used to 300 00:16:51,080 --> 00:16:53,920 Speaker 1: like his like hair, like he's got a little bit 301 00:16:53,960 --> 00:16:57,840 Speaker 1: of like a crooked nose and like like a like 302 00:16:57,920 --> 00:17:00,360 Speaker 1: I loved remember what he was like. He was legit 303 00:17:00,400 --> 00:17:05,240 Speaker 1: the romantic lead in King Kong, a disaster. This Adrian 304 00:17:05,320 --> 00:17:08,120 Speaker 1: Brodie thing went beat. But then I think, like everyone 305 00:17:08,119 --> 00:17:10,199 Speaker 1: in the industry wised up to the fact that he 306 00:17:10,320 --> 00:17:13,680 Speaker 1: was probably a bad person or impossible to work with 307 00:17:13,880 --> 00:17:18,440 Speaker 1: or inappropriate. So what is the SNL thing? He said? 308 00:17:18,520 --> 00:17:21,720 Speaker 1: He introduced the musical guests like a Rastafarian costume. The 309 00:17:21,800 --> 00:17:26,440 Speaker 1: musical guest was Sean Paul and then he put on 310 00:17:26,480 --> 00:17:30,800 Speaker 1: a fake, a fake, just just a wig with dreadlocks 311 00:17:30,920 --> 00:17:37,480 Speaker 1: and set it in a patoire. So that's okay, See 312 00:17:37,520 --> 00:17:40,240 Speaker 1: this is what I'm It's like he's he's a nightmare. 313 00:17:40,600 --> 00:17:44,880 Speaker 1: He's a nightmare, and that kind of masculinity, that kind 314 00:17:44,880 --> 00:17:51,200 Speaker 1: of sensibility lives on today in screaming, screaming volume. So 315 00:17:52,160 --> 00:17:55,400 Speaker 1: it's it's it's it's too bad unfortunately. So I think 316 00:17:55,440 --> 00:17:58,640 Speaker 1: the comparison is like Diana Ross comes along and jovels 317 00:17:58,680 --> 00:18:01,240 Speaker 1: the boob of little Kim, and I think she's doing 318 00:18:01,280 --> 00:18:04,440 Speaker 1: it all in good fun. But it does say something about, 319 00:18:04,520 --> 00:18:06,320 Speaker 1: like when a woman is dressed this way, you feel 320 00:18:06,320 --> 00:18:08,720 Speaker 1: like you can do anything right, because she was famously 321 00:18:08,720 --> 00:18:13,920 Speaker 1: wearing the pasty, So it's dare you know, But it's 322 00:18:14,000 --> 00:18:16,679 Speaker 1: more of a we have to recognize that this is 323 00:18:16,720 --> 00:18:20,480 Speaker 1: not the truth. Like she's in an like a like 324 00:18:20,520 --> 00:18:23,240 Speaker 1: a costume or an outfit. That doesn't mean you can 325 00:18:23,320 --> 00:18:27,000 Speaker 1: just even if you're a woman, come along and side there. 326 00:18:27,040 --> 00:18:30,600 Speaker 1: I mean, the contemporary narrative around Diana Ross is she 327 00:18:30,960 --> 00:18:35,480 Speaker 1: is um the beloved icon of RuPaul. She is the 328 00:18:35,800 --> 00:18:40,840 Speaker 1: queen of Motown stepmother. No, not stepmother. She is, is 329 00:18:40,880 --> 00:18:43,960 Speaker 1: it Ashley Simpson, Yes, Ashley Simpson and spends the holidays 330 00:18:43,960 --> 00:18:47,480 Speaker 1: with the Simpsons. Spends the holidays with Ashley Simpson and Jessica. 331 00:18:47,960 --> 00:18:52,600 Speaker 1: And yeah, I don't know how involved the dad is. 332 00:18:52,720 --> 00:18:54,600 Speaker 1: To get the word. When we say the dad, we 333 00:18:54,680 --> 00:18:58,800 Speaker 1: famously mean um their gay dad, Joe Simpson. Joe, that's right, 334 00:18:58,880 --> 00:19:01,399 Speaker 1: who now hangs out with lots of um Well we 335 00:19:01,440 --> 00:19:11,320 Speaker 1: can only describe as twinks. A lot of darkness in 336 00:19:11,320 --> 00:19:13,880 Speaker 1: the world. Well, there's so much darkness in the world, 337 00:19:13,960 --> 00:19:19,439 Speaker 1: bowing pandemic, gay twitter, orgy planning, like like, I'm sorry, 338 00:19:19,440 --> 00:19:22,240 Speaker 1: I'm sorry, beyond the panel to me, like you can't, 339 00:19:22,600 --> 00:19:26,960 Speaker 1: I'm sorry. No no, no, no, no, no no no, Yeah, everybody, 340 00:19:28,000 --> 00:19:30,880 Speaker 1: we're all going through it. Some of us are doing 341 00:19:30,920 --> 00:19:35,000 Speaker 1: better than others, but it's it's still like I'm lonely 342 00:19:35,040 --> 00:19:37,720 Speaker 1: as hell up here. I'm not I'm not going to 343 00:19:37,880 --> 00:19:41,480 Speaker 1: these anyway. I don't know. I'm sorry. I mean, look, 344 00:19:41,520 --> 00:19:43,560 Speaker 1: if you really wanted to figure out group sex, you 345 00:19:43,600 --> 00:19:47,520 Speaker 1: could definitely do that with two other people. And and 346 00:19:47,560 --> 00:19:49,879 Speaker 1: the thing is, like, I mean, I don't know, there 347 00:19:49,920 --> 00:19:52,720 Speaker 1: must be something about it that's better than I realized. 348 00:19:52,960 --> 00:19:57,520 Speaker 1: If you want to act out your darkest bassist fantasies 349 00:19:57,840 --> 00:20:02,480 Speaker 1: by yourself a game console and buy Cyberpunk seven so 350 00:20:02,520 --> 00:20:06,000 Speaker 1: you can. What is this because you you totally um 351 00:20:06,160 --> 00:20:08,600 Speaker 1: were wrapped up in it the other night. It's this 352 00:20:08,840 --> 00:20:11,200 Speaker 1: open world video game that has been in the development 353 00:20:11,240 --> 00:20:13,160 Speaker 1: for like eight years. It's made by the same people 354 00:20:13,200 --> 00:20:15,719 Speaker 1: who made this game called The Witcher three, which is 355 00:20:15,880 --> 00:20:18,200 Speaker 1: which some people regard as like one of the best 356 00:20:18,240 --> 00:20:22,600 Speaker 1: games ever made. I never couldn't really ever get into Witcher. 357 00:20:22,640 --> 00:20:25,560 Speaker 1: I'm sorry, gamer readers. I'm not a Witcher, not a 358 00:20:25,560 --> 00:20:30,800 Speaker 1: Witcher queen, but he's not the Witcher with Henry Um. Yes, 359 00:20:30,840 --> 00:20:32,760 Speaker 1: so the show is based on the video game hit 360 00:20:32,880 --> 00:20:35,520 Speaker 1: video game and it just came out and it's it 361 00:20:35,600 --> 00:20:38,919 Speaker 1: takes place in this dystopian world of course, based on 362 00:20:39,000 --> 00:20:44,280 Speaker 1: based on The Witcher. Oh yes, well Witcher is Witcher 363 00:20:44,359 --> 00:20:46,240 Speaker 1: was was books. Oh yes, that's what Hans is saying. 364 00:20:46,280 --> 00:20:49,640 Speaker 1: But Cyberpunk was this tabletop RPG that was in the 365 00:20:49,680 --> 00:20:51,240 Speaker 1: big in the eighties, Like it was like a Dungeons 366 00:20:51,240 --> 00:20:53,040 Speaker 1: and Dragons type of thing in the eighties, but it 367 00:20:53,040 --> 00:20:55,160 Speaker 1: took place in the future, so they developed a game 368 00:20:55,200 --> 00:20:56,800 Speaker 1: out of it. It's a big open world game. You 369 00:20:56,840 --> 00:21:01,640 Speaker 1: can customize your genitals. Um, there's no there's no assigned 370 00:21:01,720 --> 00:21:04,800 Speaker 1: like gender. It's very like cool, it's very like you 371 00:21:04,960 --> 00:21:06,919 Speaker 1: just kind of do whatever you want and then you 372 00:21:06,920 --> 00:21:12,080 Speaker 1: can go just have sex with anybody and that's wonderful. 373 00:21:12,160 --> 00:21:16,200 Speaker 1: Customizable siving is sizing, yes, yes, so so Hans says 374 00:21:16,280 --> 00:21:18,840 Speaker 1: show end game both based on the books to penis 375 00:21:18,840 --> 00:21:23,240 Speaker 1: options with customizable sizing cutter uncut, or you can have 376 00:21:23,920 --> 00:21:25,800 Speaker 1: a vagina, or you can have no genitals at all. 377 00:21:26,359 --> 00:21:28,840 Speaker 1: You can have you can customize your pube shaving. I 378 00:21:28,920 --> 00:21:33,080 Speaker 1: have my my character has heart shaped pubes. Beautiful, beautiful game, 379 00:21:33,160 --> 00:21:35,119 Speaker 1: beautiful game. Can I ask you questions sort of as 380 00:21:35,200 --> 00:21:37,640 Speaker 1: the audience, as someone who doesn't under who doesn't understand 381 00:21:37,640 --> 00:21:42,520 Speaker 1: the game, why do you need genitals as the character? 382 00:21:42,680 --> 00:21:45,040 Speaker 1: Like why and when? Why are they getting so grandu 383 00:21:45,119 --> 00:21:48,640 Speaker 1: and specific about the size, shape and texture of penises, 384 00:21:48,640 --> 00:21:50,880 Speaker 1: Like are you fucking sucking in the game, But you're 385 00:21:50,920 --> 00:21:55,240 Speaker 1: not using You're not like using your genitals in any 386 00:21:55,240 --> 00:21:58,480 Speaker 1: sort of interactive way. It's just I think it's truly 387 00:21:58,520 --> 00:22:02,639 Speaker 1: just like a funny. There's a whole culture around these 388 00:22:02,760 --> 00:22:05,879 Speaker 1: kinds of games, around the character builds around customizing your 389 00:22:05,960 --> 00:22:09,520 Speaker 1: character to look such a specific way. And since this 390 00:22:09,560 --> 00:22:13,359 Speaker 1: takes place in the futuristic world where like there is 391 00:22:13,400 --> 00:22:17,679 Speaker 1: no gender, like like nothing matters. It's like, let's just 392 00:22:17,720 --> 00:22:21,280 Speaker 1: take it to the full tilt and like make every 393 00:22:21,359 --> 00:22:24,280 Speaker 1: part of this Like because you're customizing your limbs, you 394 00:22:24,359 --> 00:22:26,920 Speaker 1: might be able to Hans, can you customize your genitals? 395 00:22:27,000 --> 00:22:29,800 Speaker 1: Can you have robotic genitals? Sorry? Can you have replaced 396 00:22:29,800 --> 00:22:33,720 Speaker 1: your genitals with robotic genitals? With with cyber genitals? No? 397 00:22:33,920 --> 00:22:37,960 Speaker 1: He doesn't think so. Anyway, It's funny because like, if 398 00:22:38,000 --> 00:22:40,359 Speaker 1: I could customize my own body in a video game, 399 00:22:40,480 --> 00:22:43,840 Speaker 1: I probably would look like like the way they do 400 00:22:43,880 --> 00:22:47,920 Speaker 1: in the video games anyway, which is tight, tight, rock 401 00:22:48,080 --> 00:22:54,439 Speaker 1: hard abs, small waist, huge, smooth but big, huge tips 402 00:22:54,480 --> 00:22:59,119 Speaker 1: that sit high and right and like like um sort 403 00:22:59,160 --> 00:23:04,760 Speaker 1: of asymmetrical brunette haircut like beat face and like big biceps, 404 00:23:05,400 --> 00:23:07,639 Speaker 1: like like you're a bat woman, I love you you 405 00:23:07,640 --> 00:23:09,359 Speaker 1: would be? And then what and what? And then what 406 00:23:09,400 --> 00:23:12,720 Speaker 1: are your genitals? Do you have a deck? I don't create. 407 00:23:12,760 --> 00:23:14,800 Speaker 1: If I have to create genitals for the game, I 408 00:23:14,800 --> 00:23:18,359 Speaker 1: would like to. I love that. But see the people 409 00:23:18,400 --> 00:23:21,199 Speaker 1: are taking issue with Cyberpunkford not being able to customize 410 00:23:21,200 --> 00:23:25,520 Speaker 1: body type, like you can only be one silhouette everything else. 411 00:23:25,520 --> 00:23:27,560 Speaker 1: It's like the height of your cheekbones you can like 412 00:23:27,640 --> 00:23:32,679 Speaker 1: specify within like centimeters. But anyway, if they're gonna go 413 00:23:32,760 --> 00:23:34,879 Speaker 1: the whole way, they should go the whole way. I know, 414 00:23:35,160 --> 00:23:37,639 Speaker 1: I kind of think it's a huge. It's a huge 415 00:23:37,640 --> 00:23:40,680 Speaker 1: sort of I'm just surprised they're making the genitals such 416 00:23:40,720 --> 00:23:44,320 Speaker 1: a thing. It's because it's a funny like press. It's 417 00:23:44,320 --> 00:23:47,040 Speaker 1: a funny like guerrilla marketing scheme. I think where it's 418 00:23:47,040 --> 00:23:49,520 Speaker 1: like all people are talking about on Twitter is the 419 00:23:49,520 --> 00:23:51,600 Speaker 1: fact that you can customize their genitals. It's and it's 420 00:23:51,600 --> 00:23:54,280 Speaker 1: a way of sort of tacitly promoting the game. Does 421 00:23:54,280 --> 00:23:57,520 Speaker 1: that make sounds hell yeah, yeah, definitely yeah. Um anyway, 422 00:23:57,560 --> 00:24:00,760 Speaker 1: it's kind of fun, it's really dark, it's really overwhelming. 423 00:24:01,240 --> 00:24:04,520 Speaker 1: Um Han says there's a great bug where the genitals 424 00:24:04,560 --> 00:24:06,439 Speaker 1: poke out of the pants, but it's more likely to 425 00:24:06,480 --> 00:24:10,400 Speaker 1: happen if you choose a do And let me tell you, 426 00:24:10,440 --> 00:24:12,760 Speaker 1: I chose a moderately size dong because I was like, 427 00:24:13,119 --> 00:24:16,960 Speaker 1: I this might as well reflect reality for me, and 428 00:24:17,000 --> 00:24:19,040 Speaker 1: I don't have that bug where my where my dick 429 00:24:19,080 --> 00:24:21,480 Speaker 1: pops out of my pants. I guess it's just like 430 00:24:21,520 --> 00:24:24,120 Speaker 1: if I was creating a character that needed to be mobile. 431 00:24:24,960 --> 00:24:28,800 Speaker 1: Um from experience, I know that it's not good for 432 00:24:28,840 --> 00:24:34,800 Speaker 1: them to have a huge penis because I know I 433 00:24:34,840 --> 00:24:37,480 Speaker 1: think that I I know how difficult it is to 434 00:24:37,560 --> 00:24:43,280 Speaker 1: navigate the world with my enormous, thick dick. It's not 435 00:24:43,359 --> 00:24:46,960 Speaker 1: as tactical as Hans says, So I would never impose 436 00:24:47,160 --> 00:24:50,840 Speaker 1: a video game character with this dong er. I have 437 00:24:51,280 --> 00:24:58,639 Speaker 1: this absolute boat, this big fucking The only word you 438 00:24:58,680 --> 00:25:02,520 Speaker 1: could use is long. And let me tell you something. 439 00:25:02,600 --> 00:25:05,840 Speaker 1: It's like a crocodile's tail. If you get hit by it, 440 00:25:05,960 --> 00:25:10,880 Speaker 1: you're fucking dead. So you better wish that I am 441 00:25:11,000 --> 00:25:13,720 Speaker 1: not in a room where they are playing do a 442 00:25:13,840 --> 00:25:18,960 Speaker 1: lip of future nostalgia, especially the Levitating remix featuring Madonna 443 00:25:18,960 --> 00:25:22,200 Speaker 1: and MS Elliott, because if they are playing that, I'm 444 00:25:22,320 --> 00:25:30,800 Speaker 1: swinging my reptilian crocodilian penis and it has green spikes. 445 00:25:31,640 --> 00:25:39,040 Speaker 1: Crocodiles are green. Yeah, um, I think or that's alligators. No, no, no, 446 00:25:39,080 --> 00:25:41,920 Speaker 1: I don't know. Are they all brown? Well? The only 447 00:25:41,960 --> 00:25:44,920 Speaker 1: difference an alligators and crocodiles is alligators are in Florida 448 00:25:44,920 --> 00:25:49,359 Speaker 1: and North America, and crocodiles are in other parts of 449 00:25:49,400 --> 00:25:55,000 Speaker 1: the world. Parts of Now this has been a really 450 00:25:55,000 --> 00:25:59,000 Speaker 1: interesting conversation because we were I was ready to celebrate Diana, 451 00:25:59,080 --> 00:26:00,800 Speaker 1: but then we were like, wait minute. But then we 452 00:26:00,840 --> 00:26:05,080 Speaker 1: were like, wait, she's sort of assaulting someone. The answer 453 00:26:05,160 --> 00:26:08,280 Speaker 1: is yes, but I believe that she wouldn't do it again. 454 00:26:08,720 --> 00:26:11,200 Speaker 1: She wouldn't do it again. Little Kim, I mean, I 455 00:26:11,240 --> 00:26:12,760 Speaker 1: don't really know. I don't really know how Little Kim 456 00:26:12,800 --> 00:26:14,560 Speaker 1: deals about it. I mean, in the moment, she's kind 457 00:26:14,600 --> 00:26:18,800 Speaker 1: of playing along, laughing, being like it's such an honor 458 00:26:19,560 --> 00:26:21,960 Speaker 1: to be with Diana Ross because then Diana who is 459 00:26:21,960 --> 00:26:24,399 Speaker 1: because what I didn't tell you is and maybe you 460 00:26:24,400 --> 00:26:26,680 Speaker 1: remember this, but Diana like sort of like pulls in 461 00:26:26,960 --> 00:26:29,200 Speaker 1: Little Kim and Mary J. Blinde like close Georgy goes 462 00:26:29,240 --> 00:26:31,359 Speaker 1: look at us the new Supremes, and Little Kim is 463 00:26:31,400 --> 00:26:36,679 Speaker 1: like yes, And Mary J. Blige is stone based, stone cold, 464 00:26:36,880 --> 00:26:41,960 Speaker 1: just nothing, giving you nothing. If you're a little Kim, 465 00:26:42,000 --> 00:26:43,640 Speaker 1: you kind of have to be like that at that moment, 466 00:26:43,680 --> 00:26:45,640 Speaker 1: because what are you gonna do be the person who 467 00:26:46,000 --> 00:26:48,720 Speaker 1: screamed at Mary J. Are not not married? That you 468 00:26:48,760 --> 00:26:52,080 Speaker 1: screwed the person that snapped at Diana Ross for doing 469 00:26:52,119 --> 00:26:55,320 Speaker 1: that at the time, Guaranteed Little Kim would have gotten 470 00:26:55,359 --> 00:26:59,080 Speaker 1: the worst edit and the worst read from the media 471 00:26:59,320 --> 00:27:03,400 Speaker 1: had she not acting exactly the way she did, had 472 00:27:03,440 --> 00:27:08,240 Speaker 1: she even like micro grimaced, no, then she would have 473 00:27:08,280 --> 00:27:12,359 Speaker 1: been like the like rapper bitch who dared disrespect Diana 474 00:27:12,400 --> 00:27:17,119 Speaker 1: Ross who was just having fun. Who's to say if 475 00:27:17,160 --> 00:27:20,040 Speaker 1: that happened today, that would be the same thing, Like 476 00:27:20,080 --> 00:27:23,679 Speaker 1: it's still tough, like to be in a moment like 477 00:27:23,720 --> 00:27:27,360 Speaker 1: that and no in this in that second that that's happening, 478 00:27:27,400 --> 00:27:29,399 Speaker 1: that there's going to be a narrative about it. Like 479 00:27:29,440 --> 00:27:31,120 Speaker 1: I'd be so in my head if I was like 480 00:27:33,080 --> 00:27:36,560 Speaker 1: these people put in these public situations like after Kanyeia, 481 00:27:36,600 --> 00:27:41,080 Speaker 1: that's a tailor. Oh, I mean that might have been 482 00:27:41,119 --> 00:27:45,760 Speaker 1: reset in terms of award show behavior though, to be honest, Yeah, 483 00:27:45,880 --> 00:27:48,240 Speaker 1: now well now thank god they have to social distance. 484 00:27:48,320 --> 00:27:52,879 Speaker 1: No one can get up to Taylor's mood. Man, I 485 00:27:52,880 --> 00:27:54,200 Speaker 1: don't think she wont one this year. I know she 486 00:27:54,240 --> 00:27:56,560 Speaker 1: did win win this year. She wont a moon man. 487 00:27:56,880 --> 00:28:03,119 Speaker 1: Maybe she'll win him a lot forevermore is um I 488 00:28:03,119 --> 00:28:06,320 Speaker 1: don't like the choker aesthetic by making ever more color 489 00:28:06,840 --> 00:28:09,960 Speaker 1: I'm sorry, or maybe it's a maybe it's a hint 490 00:28:10,040 --> 00:28:11,919 Speaker 1: into the new aesthetic. We still at this time have 491 00:28:12,000 --> 00:28:14,560 Speaker 1: not heard it. At this point, it's been out for 492 00:28:14,600 --> 00:28:18,360 Speaker 1: a week. But y'all, you're listening to a world. You're 493 00:28:18,359 --> 00:28:21,280 Speaker 1: listening to us dispatch from a world where every Moore 494 00:28:21,320 --> 00:28:24,960 Speaker 1: has not been released. So we will know within hours 495 00:28:25,000 --> 00:28:30,119 Speaker 1: if the colorful album art say something or it's just 496 00:28:30,200 --> 00:28:33,520 Speaker 1: a breaking off an aesthetic, and therefore can never have 497 00:28:33,560 --> 00:28:38,400 Speaker 1: bones respect for well, I look, can I just say 498 00:28:38,440 --> 00:28:40,400 Speaker 1: something not to pat ourselves on the back to me? 499 00:28:40,520 --> 00:28:43,400 Speaker 1: You can say anything to me. I think we're giving 500 00:28:43,920 --> 00:28:47,280 Speaker 1: a beautiful mosaic or no, just we're giving variety in 501 00:28:47,360 --> 00:28:51,200 Speaker 1: each episode of twelve different kinds of discus texture. It 502 00:28:51,240 --> 00:28:54,520 Speaker 1: is very Rathco what we're doing, very Rothcoe. We're giving 503 00:28:54,640 --> 00:28:58,520 Speaker 1: different It literally is. Yes, we're giving different kinds of 504 00:28:58,600 --> 00:29:01,280 Speaker 1: discussions in different episodes. We're giving you chaos in one, 505 00:29:01,320 --> 00:29:08,000 Speaker 1: we're giving you sober room ruminations on on assault, giving 506 00:29:08,760 --> 00:29:13,680 Speaker 1: of feelings, blocks of feelings, and you better believe we're 507 00:29:13,680 --> 00:29:18,960 Speaker 1: gonna give you more blocks right blocks and coming tomorrow. 508 00:29:21,000 --> 00:29:23,240 Speaker 1: But for now, what we want to say to the 509 00:29:23,360 --> 00:29:28,680 Speaker 1: day September nine, when Diana Ross jiggles little Kim Tip 510 00:29:28,840 --> 00:29:31,680 Speaker 1: from below at the vietnames. What you want to say? 511 00:29:35,920 --> 00:29:44,360 Speaker 1: Thank you giving me the business and every day? Thank you? 512 00:29:45,440 --> 00:29:49,080 Speaker 1: What is it? And I'm just going off with the 513 00:29:49,120 --> 00:29:51,080 Speaker 1: key you're sitting in the beginning, which is so here 514 00:29:51,080 --> 00:29:58,960 Speaker 1: we go, want to thank you? Are you sure you're 515 00:29:58,960 --> 00:30:01,360 Speaker 1: tipping too far to dipping too for a day? Thank you? 516 00:30:02,400 --> 00:30:07,560 Speaker 1: We're giving me the I don't think it's well, I 517 00:30:07,560 --> 00:30:09,880 Speaker 1: don't know. I think we're actually we're both right, We're 518 00:30:09,960 --> 00:30:13,040 Speaker 1: both right. Sorry, man, I'm you. Will you forgive me 519 00:30:13,080 --> 00:30:15,800 Speaker 1: again for me? Will you forgive me again for being 520 00:30:15,840 --> 00:30:19,200 Speaker 1: a bit? I'll forgive you again. I don't think you 521 00:30:19,240 --> 00:30:21,120 Speaker 1: really were a bit. I think you're trying to constructively 522 00:30:21,120 --> 00:30:23,680 Speaker 1: help me. I was in the wrong key. Nothing worse 523 00:30:23,720 --> 00:30:25,400 Speaker 1: for a gay person to be than in the wrong 524 00:30:25,480 --> 00:30:30,239 Speaker 1: key in the middle of the ocean, except excepted that 525 00:30:30,480 --> 00:30:34,000 Speaker 1: gay twitter orgy. Have fun, have fun fucking a blue 526 00:30:34,080 --> 00:30:38,880 Speaker 1: check with three followers, Hey mama, have fun contracting the virus. 527 00:30:39,360 --> 00:30:47,800 Speaker 1: Hey MoMA, Hey mama, congratulations on that virus. Good looking 528 00:30:47,840 --> 00:30:52,320 Speaker 1: that vaccine you speak of By