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Speaker 1: You know what I have that we have completely given

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Speaker 1: up is the sinking clap. I think I think it

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Speaker 1: was probably unnecessary, but we were just doing it for

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Speaker 1: like the.

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Speaker 2: First two is it for us?

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Speaker 3: Basely it wasn't for the engineer like it was for

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Speaker 3: It was for us, And.

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Speaker 2: It was also even if it was just for us,

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Speaker 2: it was terrible. It's never in sync. So we failed

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Speaker 2: ourselves too.

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Speaker 1: It's yeah. They were like, just don't just it's fun,

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Speaker 1: just stop it, stop it.

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Speaker 2: So I went to uh.

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Speaker 1: Christmas car Oh yeah, how was Christmas Con past weekend?

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Speaker 1: It was so much fun? Was this your first Christmas Con?

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Speaker 1: This was my first Christmas Con? And it is it's

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Speaker 1: that's for entertainment, So it's the same people that do

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Speaker 1: Nineties Con?

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Speaker 3: Okay, yes, and uh yeah.

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Speaker 1: It was so lovely and so well put together, and

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Speaker 1: it was really fun to see like a lot of

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Speaker 1: the co stars that I've worked with, like Andrew Walker

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Speaker 1: and David Hayden Jones and Cameron Mathison was there, like

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Speaker 1: people that I don't get to see because like kind

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Speaker 1: of once you work with them or once you you know,

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Speaker 1: like that's it, You're onto the three weeks and yeah,

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Speaker 1: but Lacy Shabert was there, and Nikki DeLoach love her

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Speaker 1: there was Yeah, it was just a ton of Danic

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Speaker 1: mckeller was there. It was really lovely, so much fun.

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Speaker 1: Like I, as you can tell, still don't.

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Speaker 3: Have a great voice as because yep.

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Speaker 1: As it goes, because I was talking to everybody. We

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Speaker 1: were also right next to the DJ booth, like not directly,

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Speaker 1: but like across the aisle from yeah, and so it

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Speaker 1: was louder, and so I really had to shout.

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Speaker 2: So if I sound especially horse today, that is why.

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Speaker 3: Okay, that's okay, we will allow it for today, because

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Speaker 3: it was for a good cause, a good reason, Yes,

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Speaker 3: it was.

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Speaker 1: It was so fun anyway, Great vendors did a panel.

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Speaker 1: Oh yeah, it was really it was really fund How.

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Speaker 3: It differs from nineties con if it's like kind of

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Speaker 3: the same. There's different flavors, a little overlap.

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Speaker 1: Of the ven diagrams, you know what I mean. But

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Speaker 1: I'd say nineties con is is very much nineties and

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Speaker 1: this is all very much like Hallmark Christmas Land.

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Speaker 3: Okay, so it's like Christmas threw up on a convention

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Speaker 3: center and god, oh.

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Speaker 1: Boy did it like everywhere. Yeah, So I went and

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Speaker 1: did that this weekend. But yeah, it was lovely.

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Speaker 3: Oh good, Well, welcome back. Glad to have you back.

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Speaker 3: You've been You've been traveling like crazy since October.

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Speaker 2: Also, I know, traveling a bunch always a good thing, though.

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Speaker 3: Always for good reasons.

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Speaker 1: But yeah, usually it's for work or something fun. Yeah,

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Speaker 1: but yeah, what about you?

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Speaker 2: What have you been up to?

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Speaker 3: I've done nothing. Well, we're recording this. It's still before Christmas.

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Speaker 3: I know it'll air after Christmas, but yeah, I'm just

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Speaker 3: in that Christmas frenzy of trying to find gifts and

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Speaker 3: not wanting to leave my house because the Christmas traffic

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Speaker 3: is terrible. I am really excited about my white elephant

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Speaker 3: gift for a Christmas party I'm going to tomorrow, which

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Speaker 3: we were talking about.

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Speaker 1: Is it the one that do I need to bring it.

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Speaker 3: To your house? No, Jody and I were discussing her

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Speaker 3: white elephant gift, which is not appropropriate white elephant gift

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Speaker 3: that we're not going to discuss on here. But yeah,

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Speaker 3: it's not safe for work or children's ears, but mine

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Speaker 3: is safe for work and children's aerias. Okay, so it's

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Speaker 3: like a theme gift. And I can say it because

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Speaker 3: obviously the party. The party is going to happen tomorrow

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Speaker 3: after this before this airs, so it's it's toilet themed.

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Speaker 1: Oho.

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Speaker 3: Okay, So the main part of this gift is a

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Speaker 3: squatty potty. Do you have a squatty potty?

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Speaker 1: I do not, but potty.

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Speaker 3: No, I don't you know what a squtty partty?

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Speaker 2: I know what a squatty potty is.

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Speaker 1: And also, by the way, I did think of you

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Speaker 1: this weekend though, because at Christmas Calm hotel we were staying.

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Speaker 2: At had the total toilet.

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Speaker 1: Yeah, so I was like, oh, Andrew would be so happy.

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Speaker 3: I would be so I do my I just love

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Speaker 3: my toto.

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Speaker 2: I almost took a picture and sent it to you,

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Speaker 2: and then I was like, no, that's weird.

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Speaker 1: No, it's not that.

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Speaker 2: We don't need to do that, I know.

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Speaker 1: And then I was like, no, she would have totally

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Speaker 1: gotten it, but I skipped it.

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Speaker 3: Well, you were busy, That's okay, but no, I've seen

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Speaker 3: far weirder pictures from you.

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Speaker 2: So it's true. That's actually very true.

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Speaker 1: Yeah, yeah, for sure.

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Speaker 3: So no, it's a squatty potty, which, for those of

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Speaker 3: you who don't know, it's like a little step stool

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Speaker 3: that you put right in front of your toilet and

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Speaker 3: it elevates you step on it, so it elevates your knees,

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Speaker 3: which is at the perfect angle for you know.

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Speaker 1: Get getting much better for your body's digestion and elimination systems.

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Speaker 3: Yeah, to go that way, it's kind of life changing.

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Speaker 3: So yeah, so I had I got a squatty potty,

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Speaker 3: a little thing of poopery naturally, right, and then the

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Speaker 3: tow of poo for as reading material.

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Speaker 1: I love that Winnie the Pooh, Yes, whenny, well, it's

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Speaker 1: sort of a double meaning here, so yeah, it's a

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Speaker 1: great like it's a complete that's actually really funny. That's

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Speaker 1: actually like funny and uh and I guess useful, you

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Speaker 1: know what I mean.

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Speaker 3: I'm curious how many times it gets stolen because this

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Speaker 3: is the game where you get to steal the gain.

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Speaker 2: Do you play this with your family or is this

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Speaker 2: just friends?

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Speaker 3: This is friends? This is all friends that we you know,

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Speaker 3: my friends host a Christmas party every year, so it's

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Speaker 3: a gathering and it's always fun to see what people bring.

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Speaker 3: So I'm like, okay, will this get stolen? Will it

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Speaker 3: be just horrifying? And nobody wants it? Maybe the men

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Speaker 3: at the party will want it, because men seem to

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Speaker 3: spend a lot of time in the bathroom, or at

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Speaker 3: least the men I hang out with. So I don't know.

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Speaker 3: I'm excited to see how it turns out.

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Speaker 2: Yeah, I think it's going to go over well. I

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Speaker 2: think it's going to go over well.

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Speaker 3: I hope. So it's different than chocolates or wine or

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Speaker 3: you know that's what those traditional Well.

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Speaker 1: You should have included chocolate with it, just you know,

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Speaker 1: get things going right. Yeah, I mean, really really finalize it.

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Speaker 1: Put the cherry on top.

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Speaker 3: So just speak.

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Speaker 1: Yeah, I was going to throw a Christmas party with

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Speaker 1: my friends. I talked about it a couple weeks ago.

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Speaker 1: I was like, okay, you guys, and then I'm just

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Speaker 1: I am done. It's doing it.

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Speaker 3: There's no time I want to you know, what we

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Speaker 3: should do, we should start advocating for after Christmas parties, because.

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Speaker 2: That's not what I think I'm gonna do.

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Speaker 1: Is I'm like, you know what, not even between Christmas

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Speaker 1: and but like maybe between Christmas and New Year. I

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Speaker 1: don't know it. Sometime in the first I'm gonna call

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Speaker 1: it slash my birthday because it's January nineteenth slash.

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Speaker 2: Holiday New Year's party. Yes, just yeah, because that's.

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Speaker 3: When you want to have a party, is when you're

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Speaker 3: done with the Christmas stress. Everybody with the cramming stuff

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Speaker 3: into right before Christmas, the parties, the gifts, the whatever,

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Speaker 3: the pod it's it's overwhelming. So but at once Christmas hits,

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Speaker 3: it's like quiet, which I love that it's quiet, but

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Speaker 3: I'm like.

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Speaker 1: Right now, it's the no man's land week where we

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Speaker 1: all lose our sense of time and space between like

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Speaker 1: christ and Hank is also going to be that week

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Speaker 1: because I believe Honkah starts on Christmas. Oh wow yeah,

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Speaker 1: so it's gonna be like that that. You know, it's uh,

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Speaker 1: there's a lot, there's a lot going on this holidays,

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Speaker 1: and so I am totally advocating for post Christmas party.

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Speaker 3: Let's do it, like yeah, I know, that's that's the

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Speaker 3: way to go, because then.

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Speaker 1: Have everyone bring their leftovers from whatever their families did

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Speaker 1: on Christmas. Yeah, and you bring that over and do

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Speaker 1: like a Boxing day thing or whatever.

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Speaker 3: Yeah, you know, and all the leftover like chocolates and

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Speaker 3: sweet like because.

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Speaker 1: Everybody just everything and everybody, yeah, bring everything that you

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Speaker 1: have and just like and then you can be like, Okay,

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Speaker 1: now it's out of the house, and it's you know.

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Speaker 3: I love that, I love that, this is very day.

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Speaker 1: Just throw it away.

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Speaker 3: Yeah, because we get so many sweet and I love it.

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Speaker 3: I love the chocolates, I love the cookies everything. But

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Speaker 3: it's impossible to eat that much and like right of.

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Speaker 1: Matter of days and and yeah, and you also then

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Speaker 1: find yourself trying to and I like, I have I

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Speaker 1: have to go to Trader Joe's in the next day

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Speaker 1: or two, and I know I'm just gonna make ridiculous

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Speaker 1: choices of all of their holiday themed stuff.

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Speaker 2: No, it's it's also I'm gonna have.

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Speaker 1: To wear it like a full spacesuit to fight my

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Speaker 1: way through Trader Joe's the weekend before.

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Speaker 3: You need a suit of armor to get through the crowds.

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Speaker 1: Right, Yeah, it's it's going to be a lot. I'm

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Speaker 1: going to be with me so.

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Speaker 3: Oh good, she can be helpful. Maybe I don't know, well, yeah,

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Speaker 3: will say teenagers teenagers are it's it's you.

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Speaker 1: I think she wants to go to her friends tomorrow though,

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Speaker 1: So that is going to be the carrot that I'm

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Speaker 1: tying to the end of a stick, like hey, you

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Speaker 1: want to you want to do things tomorrow, then I

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Speaker 1: need you to. I need you to help you.

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Speaker 3: You need to be Yeah, you need to be Mom's help.

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Speaker 1: She has band practice this weekend. Rettal band, So I

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Speaker 1: should say little band like it's not I don't mean.

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Speaker 3: It's when she put together Yeah.

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Speaker 1: Her her friends put together a band. She plays bass,

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Speaker 1: her friend is a singer, and then their other friend

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Speaker 1: she's the drummer, and they have.

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Speaker 2: A guitar player as well, think a boy.

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Speaker 1: But anyway, yeah, they rehearse on Saturdays at like four

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Speaker 1: point thirty. Yes, and there. I tried asking her about it,

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Speaker 1: and she's gonna hate that I can brought it up.

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Speaker 1: I tried asking her about it. It's like, so tell

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Speaker 1: me about your band.

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Speaker 2: She was like, oh my god, oh my god. We

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Speaker 2: would talk about it.

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Speaker 1: I was like, well, like what kind of music?

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Speaker 2: I don't know, like just this is like stuff.

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Speaker 1: I was like, okay, like stuff you're writing. Well, yeah,

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Speaker 1: like some of it it's fine, okay, could I put

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Speaker 1: my airbods in now? Right? Yeah? Yeah? This is great? Yeah? Bye?

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Speaker 3: This was Yeah.

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Speaker 1: I remember being that where you're like, oh my god,

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Speaker 1: just you asking about it ruins the coolness of it.

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Speaker 3: It really does. It really does. Like when your mom

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Speaker 3: would ask you after auditions, how did it go? Tell

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Speaker 3: me everything?

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Speaker 1: You're like, I don't know if there's about a way

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Speaker 1: to there's no way to not sound like excited mom like,

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Speaker 1: oh honey.

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Speaker 2: What'd you do?

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Speaker 1: And they just like stop it just don't and you're like,

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Speaker 1: I know, I can't. There's no other way for me

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Speaker 1: to ask. Yes.

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Speaker 3: So yeah, it's it's you're not gonna be cool for

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Speaker 3: like another ten years. We just accept it.

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Speaker 1: Oh I don't care about Yeah, no I'm not cool anymore. No,

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Speaker 1: that doesn't matter.

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Speaker 3: Now. That's so much pressure.

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Speaker 1: God, it's hard.

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Speaker 3: Whatever. They'll come around when they turn twenty five and

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Speaker 3: they're like frontal cortex has developed yet. Yeah, they'll be like, ah,

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Speaker 3: mom's right, Mom was right. I love it.

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Speaker 1: Well, shall we get into this, get into this recap.

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Speaker 3: Let's get into this recap. This is such a funny episode.

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Speaker 1: Which is just a just a walking HR complaint, like

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Speaker 1: a twenty two minute long like workplace video on sexual harassment.

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Speaker 3: Basically, they should show this episode at those mandatory such harassment.

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Speaker 3: These are the things you can't do. This is what

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Speaker 3: not to do. But Jesse's the recipient this time. He's

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Speaker 3: not using it. He's a recipient, which I thought was

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Speaker 3: an interesting twist.

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Speaker 1: My shoe is on the other foot.

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Speaker 3: Yeah, I loved it. I loved it. So let's get

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Speaker 3: into it. Welcome back to how Rude Tanneritos. I'm Andrea

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Speaker 3: bar and I'm Jodi Sweeten, and today we're discussing season four,

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Speaker 3: episode three, The IQ Man. It originally aired on October fifth,

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Speaker 3: nineteen ninety and it goes a little something like this.

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Speaker 3: Jesse and Joey's latest client asks them to compromise their

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Speaker 3: morals while shooting a commercial. Ooh, it was directed by

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Speaker 3: Joels Wick. Yo, we're definitely in our Joels Wick era. Now. Yes,

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Speaker 3: it was written by Dennis Rinstler and Mark Warren, who

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Speaker 3: we love. We had Mark Warren on the show a

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Speaker 3: few weeks ago, so make sure you check that out.

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Speaker 1: That was a fun episode.

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Speaker 3: Yeah, and we have some great guest stars. We have

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Speaker 3: James Hampton returning as mister Mala Testa. We love him,

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Speaker 3: and unfortunately this is his last appearance on Full House.

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Speaker 1: Yeah, I'm so sad. Kind of they have part ways.

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Speaker 3: They they part ways, and so I wish they could

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Speaker 3: have found another way to bring him back, because I

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Speaker 3: do enjoy his work.

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Speaker 1: But yeah, that's okay? And is it just me?

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Speaker 2: Or is it Mala Testa?

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Speaker 3: Like that?

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Speaker 1: Does that sound like someone with a bad attitude? I

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Speaker 1: don't know why, mister Mela Testa, Like, it's just it's

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Speaker 1: a lot of hard because mal is it means bad

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Speaker 1: right the prefix and then a Testa Like I'm hearing like.

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Speaker 3: He's testing testy bad or no, he's just.

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Speaker 1: Test He's like easily annoyed anyway what I hear every time? Yeah, like,

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Speaker 1: oh he's just in a bad mood. Yeah.

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Speaker 3: Always well named. Whichever writer named him good job.

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Speaker 1: Well that's what I was like, did it did that

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Speaker 1: occur to them? Or am I just crazy? No?

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Speaker 3: No, it's it sounds it's definitely a standout name. And

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Speaker 3: I can see where you're coming from with that. Next

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Speaker 3: we have Anne Marie McAvoy. She returns as Kathy Santoni

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Speaker 3: and this also is her last episode of Full House.

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Speaker 3: I know, I thought she was in more of them,

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Speaker 3: so I'm a little sad.

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Speaker 2: Yeah I did too.

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Speaker 3: This is I think she's talked about a lot.

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Speaker 2: She has referenced a lot.

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Speaker 1: She's referenced a sort of the the Yardstick of Pool,

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Speaker 1: I think in Kimmy and DJ's world.

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Speaker 3: Yeah, exactly. And then we have Jeanie Wilson as Miss Garland.

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Speaker 3: She is best known as Janet Fowler on Simon and Simon.

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Speaker 3: She played Rachel Adams in the nineteen eighty five series

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Speaker 3: Street Hawk, and she played Captain Betty in Stir Crazy,

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Speaker 3: also in nineteen nineteen eighty five. So yeah, she's great

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Speaker 3: in this role as the sexual harassers.

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Speaker 2: Right, she did a great job.

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Speaker 3: Last, but certainly not least, we have Keita as model.

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Speaker 3: She doesn't get a name, she's just the model.

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Speaker 1: She's just the model, right.

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Speaker 3: And she was a real life model who appeared in

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Speaker 3: seventeen Glamour Vanity Fair, and she was in two Alice

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Speaker 3: Cooper videos, Bed of Nails. She's like the main girl

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Speaker 3: in a Bed of Nails and House of Fire.

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Speaker 1: So I thought, yeah, she broke good friends with the

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Speaker 1: Cooper family. Who is he Brook?

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Speaker 2: You know Brook?

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Speaker 3: Oh?

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Speaker 1: Yeah Brook, my friend Brooke. Yeah, he and Alice's daughter

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Speaker 1: Calico one. I'm also friends with uh once a high

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Speaker 1: school together. Oh lovely, small world, small, very small world.

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Speaker 3: The house is small. No, just kidding too soon, so

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Speaker 3: we begin with the teaser. In Michelle's room, Michelle is

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Speaker 3: sitting in her rocking chair reading a bedtime story to Comet,

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Speaker 3: who's tucked in her bed. Oh so cute, so cute.

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Speaker 3: Danny calls out for her, but she quickly throws a

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Speaker 3: blanket over the dog and urges him not to bark.

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Speaker 3: He lets out a little bark, and she tells him

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Speaker 3: to sh Then she goes into bed right beside him

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Speaker 3: and pulls the comforter over her head too. Danny walks

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Speaker 3: in and realizes Michelle has already tucked herself in. He

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Speaker 3: sees a big lump under the covers and assumes it's her.

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Speaker 3: Michelle says, Daddy, I'm sleeping. Danny laughs and tells her, well, first,

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Speaker 3: I want my good night kiss. He pulls off the

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Speaker 3: covers to reveal Comet, who does, in fact give him

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Speaker 3: a lot of kisses. Commet, and I know the doggy slaver.

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Speaker 3: I love it. He questions Michelle, how did Comet get

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Speaker 3: into your bed? And Michelle innocently shrugs, you got me.

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Speaker 3: Danny restates the rules, no dog's in bed, and Michelle

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Speaker 3: wags her finger at Comet you're in big trouble, mister.

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Speaker 2: I can never abide by the no dog's in bedroom.

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Speaker 3: Oh no, well Lisa.

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Speaker 1: Doesn't sleep in that. Like once like you turn the

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Speaker 1: lights off, she gets very huffy and she's like, well,

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Speaker 1: I guess fine, Like she doesn't want to hang out

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Speaker 1: too much.

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Speaker 2: But that's one of the best.

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Speaker 3: Parts of having a dog is having the dog in

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Speaker 3: nice bed. Yeah, no, I love it. Holly doesn't sleep

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Speaker 3: in our bed anymore because it's too high and she

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Speaker 3: she'll just she'll fall off. She can't jump up, she

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Speaker 3: can't jump down.

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Speaker 2: So she get her a little ramp. I got my

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Speaker 2: mom's dog.

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Speaker 3: Of Rampy, the ramp. She's she's not stable enough for

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Speaker 3: the ramp, so we got her like a big floor bed.

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Speaker 3: It's like it's meant for a human, but she sleeps

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Speaker 3: in it, and so sometimes it's big enough for us too.

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Speaker 3: So sometimes I'll sleep down there with her if you know,

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Speaker 3: if she's sad or if I'm I'm sad. So so

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Speaker 3: we still get to sleep with her, but just not

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Speaker 3: in the bed. Yeah, obvious. Yes, the best part of

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Speaker 3: having a dog is getting to cuddle.

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Speaker 1: And sleep with the dog.

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Speaker 3: Next we're in the kitchen, Stephanie is surrounded by a

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Speaker 3: mound of tissues as she nasally manifests I'm not gonna sneeze.

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Speaker 3: I'm not gonna sneeze. When her wish is granted, she sighs,

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Speaker 3: thank you nos. But a second later she ends up

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Speaker 3: sneezing and blowing the mountain of tissues away.

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Speaker 1: Incredibly unhygienic, all over the kitchen table. Group just all

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Speaker 1: over it. It doesn't cover, not even a bat wing nothing.

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Speaker 3: No, it was it was very you know, gross, But

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Speaker 3: obviously you weren't really sick.

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Speaker 1: I mean you sounded noough, it's not really sick. But yeah,

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Speaker 1: you did a great job.

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Speaker 3: It was very believable.

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Speaker 1: Thank you, thank you.

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Speaker 3: Uh so. Michelle says happy New Year, and Stephanie says

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Speaker 3: it's not a holiday, she just has a terrible cold.

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Speaker 3: Michelle proceeds to pick up Comet's water bowl and tells

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Speaker 3: steph that she'll make her all better. She grabs a

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Speaker 3: big generic curtain of fried chicken from the free Of.

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Speaker 2: Course she does.

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Speaker 4: It's it's almost weird at this point, like it's almost

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Speaker 4: just it's odd, not almost it is.

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Speaker 1: It's like it's like the weirdest running gag like because

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Speaker 1: it doesn't make sense.

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Speaker 3: It's just a thing that happened. And now it's like

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Speaker 3: the writers are poking fun at it. It's like big

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Speaker 3: inside joke. But nobody knows why.

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Speaker 1: Nobody knows why. No, yeah, I have no idea, but

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Speaker 1: I love.

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Speaker 3: That we get to see the receptacle. Now we get

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Speaker 3: to see the bucket.

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Speaker 2: Right, they just always have fried chicken in the fridge.

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Speaker 3: There's this there's a restaurant named Chicken Chickens where Jesse

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Speaker 3: gets all of his cold fried chicken.

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Speaker 1: I don't know. Yeah, it's hysterical.

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Speaker 3: I love it.

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Speaker 2: Do you think they they it starts cold?

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Speaker 1: Do you think they just they don't even eat it

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Speaker 1: when it's warm. They just stick it right in the fridge,

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Speaker 1: wait for it to cool off, and then they're like,

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Speaker 1: now we can eat it. Yeah.

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Speaker 3: I think I think Jesse's taste buds have acclimated so

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Speaker 3: that he only wants it cold. He doesn't want it hot.

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Speaker 3: It's not the same. It's gotta be cold.

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Speaker 1: It's such a strange, is it is.

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Speaker 3: It's weird, but it's funny. So Michelle swirls one chicken

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Speaker 3: leg around and commets bowl of water stephaniem.

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Speaker 1: It will be thrill.

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Speaker 3: Oh right, chicken flavored water.

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Speaker 2: Chickens, Yeah, chicken water.

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Speaker 3: Stephanie is confused. She says, what the heck are you doing,

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Speaker 3: and Michelle states the obvious, I'm making you chicken soup.

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Speaker 3: I mean I love it. Start, certainly a start, certainly

401
00:18:27,200 --> 00:18:30,639
Speaker 3: a start. Just then, Jesse and Joey run into the kitchen.

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Speaker 3: They're dressed in suits and they're ready for their big

403
00:18:33,480 --> 00:18:36,560
Speaker 3: pitch at work today. They pump each other up by

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00:18:36,560 --> 00:18:39,880
Speaker 3: doing a secret handshake of sorts. They give each other

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Speaker 3: a big high five, then some fist bumps follow by,

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Speaker 3: followed by what could have been a head butt, but

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Speaker 3: Jesse stops, admitting he doesn't want to go into this

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Speaker 3: pitch with a dented head.

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Speaker 1: Yeah, not a good look.

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Speaker 3: No, no, no head injuries please before Yeah, no pitch.

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00:18:55,960 --> 00:18:58,360
Speaker 3: They say goodbye to the girls, but just then Stephanie

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Speaker 3: lets out three huge sneezes back to back that stops

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Speaker 3: the guys in their tracks and prevents them from leaving.

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00:19:06,119 --> 00:19:09,880
Speaker 3: Stuph tells them not to worry, it's just her nose, throat, ears,

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Speaker 3: and chest, and then she sighs eight years old, and

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Speaker 3: I'm falling apart. Joey holds his hand against her forehead

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Speaker 3: before declaring, no school for you today, young lady, and

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Speaker 3: he instructs her to go straight to bed. Steph is

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Speaker 3: not happy about this. At school, they were going to

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Speaker 3: show a film strip on how they make cheese.

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Speaker 1: I thought she said we were going on a field trip.

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Speaker 3: Oh is it field trip or I don't know. I

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Speaker 3: didn't get you it's a field trip.

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Speaker 1: Trail strip about making cheese is even stranger than consistent

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Speaker 1: cold fried chicken. But yeah, I think I think it's

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Speaker 1: field trip that they were gonna I was going on

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Speaker 1: a field trip to show how they make cheese.

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Speaker 3: Okay, that makes a little more. That makes more sense,

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Speaker 3: more interesting than watching.

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Speaker 1: Yes, I don't think step would have been that bummed

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Speaker 1: about a film strip on cheese, although I don't know.

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Speaker 2: Look, I love cheese.

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Speaker 1: It is amazing, so maybe Steph takes it very seriously

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Speaker 1: as do I.

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00:20:08,040 --> 00:20:11,040
Speaker 3: Yeah, I was more distracted by the fact that Stephanie

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Speaker 3: has a thing for cheese as well, like cheese donuts

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Speaker 3: a couple.

438
00:20:14,760 --> 00:20:15,520
Speaker 1: Of seasons ago.

439
00:20:15,840 --> 00:20:18,600
Speaker 3: Yeah, like this is you have the cheese, Jesse has

440
00:20:18,640 --> 00:20:21,120
Speaker 3: the fried chicken, Like he's kind of got their thing

441
00:20:21,200 --> 00:20:23,800
Speaker 3: and yours must be cheese, so exactly.

442
00:20:24,640 --> 00:20:26,000
Speaker 2: But yeah.

443
00:20:25,160 --> 00:20:29,600
Speaker 1: I also was very impressed at how well Stephanie put

444
00:20:29,600 --> 00:20:33,160
Speaker 1: herself together for being sick, right, oh, prior to having

445
00:20:33,200 --> 00:20:35,560
Speaker 1: to go to school. It's like, it's gotta be what

446
00:20:35,960 --> 00:20:38,600
Speaker 1: seven to fifteen in the morning. Yes, she's completely ready,

447
00:20:38,720 --> 00:20:43,480
Speaker 1: she's completely ready dressed. I know when I'm sick and sneezing,

448
00:20:43,800 --> 00:20:44,720
Speaker 1: I don't look that cute.

449
00:20:44,760 --> 00:20:47,479
Speaker 3: Heck no, no, I look like a hot mess when

450
00:20:47,480 --> 00:20:50,399
Speaker 3: I'm saying but right, your hair is so cute and

451
00:20:50,440 --> 00:20:52,200
Speaker 3: it's freshly cut and quaffed.

452
00:20:52,760 --> 00:20:54,080
Speaker 2: Yeah. Yeah, this is a great.

453
00:20:53,920 --> 00:20:55,000
Speaker 3: Hair era for you.

454
00:20:55,119 --> 00:20:59,960
Speaker 1: It is very still the explosive bang yeah, like the

455
00:21:00,160 --> 00:21:03,080
Speaker 1: it's it's just like a puff yeah from my head.

456
00:21:03,920 --> 00:21:07,440
Speaker 1: But the hair, yeah, I cut the length and it's now. Yeah,

457
00:21:07,480 --> 00:21:10,359
Speaker 1: it's finally straight, like my hair is.

458
00:21:10,440 --> 00:21:13,080
Speaker 3: Yea, it looks at younger, but I think that's just

459
00:21:13,119 --> 00:21:16,960
Speaker 3: because the curls aren't shortening it anymore. Yeah, exactly the

460
00:21:16,960 --> 00:21:18,080
Speaker 3: same length that's always been.

461
00:21:18,119 --> 00:21:22,399
Speaker 1: But we've seen you for so many tightly. Yeah, you

462
00:21:22,440 --> 00:21:23,359
Speaker 1: look so much older.

463
00:21:23,400 --> 00:21:25,920
Speaker 3: I was like, oh, she's crowing up, and then I'm like,

464
00:21:25,920 --> 00:21:29,400
Speaker 3: wait a minute, Yeah, she's she's forty two. She's definitely

465
00:21:29,400 --> 00:21:33,880
Speaker 3: grown up now, yeah, slightly Okay, So Jesse and Joey

466
00:21:34,240 --> 00:21:37,760
Speaker 3: uh Are are puzzled about why Steph wants to go

467
00:21:37,800 --> 00:21:40,480
Speaker 3: on this field trip to see how cheese is made.

468
00:21:41,000 --> 00:21:42,639
Speaker 3: Uh and Stuff is like, oh, yeah, you know what,

469
00:21:42,640 --> 00:21:46,080
Speaker 3: You're right. This bed is sounding better and better, so

470
00:21:46,119 --> 00:21:47,920
Speaker 3: she runs out of the room to put herself to bed.

471
00:21:48,760 --> 00:21:52,040
Speaker 3: Michelle tries to follow behind, holding the big dog bowl

472
00:21:52,200 --> 00:21:56,399
Speaker 3: and she shouts, finish your soup, young lady. Michelle is

473
00:21:56,400 --> 00:21:59,440
Speaker 3: really leaning into this bossy really yeah, she's yeah.

474
00:21:59,440 --> 00:22:01,400
Speaker 1: I was like, here, there we go, Michelle bossy again.

475
00:22:01,400 --> 00:22:02,560
Speaker 2: I thought we learned last time.

476
00:22:03,080 --> 00:22:05,199
Speaker 1: We kind of tapered it down, but no, Michelle's back

477
00:22:05,240 --> 00:22:05,880
Speaker 1: to running the show.

478
00:22:05,960 --> 00:22:09,639
Speaker 3: The writers love nothing more than a bossy Michelle. Like.

479
00:22:09,680 --> 00:22:12,320
Speaker 3: That's a running theme for the rest of the series.

480
00:22:12,560 --> 00:22:16,160
Speaker 1: So along with cold Friendshick, Yes, there are two absolutes

481
00:22:16,200 --> 00:22:20,280
Speaker 1: in this world, Michelle is bowing them together. Magic comedy magic.

482
00:22:21,920 --> 00:22:25,760
Speaker 3: So just then Kimmy Gibbler walks in. She greets the

483
00:22:25,760 --> 00:22:30,440
Speaker 3: men Howdy boys, and Jesse sarcastically responds, Oh good, Kimmy's

484
00:22:30,440 --> 00:22:34,160
Speaker 3: gone country. Kimmy just smiles before screaming at the top

485
00:22:34,200 --> 00:22:39,199
Speaker 3: of her lungs. DJ on q DJ comes running down

486
00:22:39,240 --> 00:22:42,120
Speaker 3: the stairs and greets her, and of course Jesse is wincing.

487
00:22:43,280 --> 00:22:46,240
Speaker 3: Is this again? I'm starting to notice it. The guys

488
00:22:46,280 --> 00:22:48,560
Speaker 3: are getting very mean. They're starting to get mean.

489
00:22:48,640 --> 00:22:49,680
Speaker 2: Talk to Kimmy Gibbler.

490
00:22:49,920 --> 00:22:53,600
Speaker 3: She's getting more grating by the episode, and they are

491
00:22:53,640 --> 00:22:56,280
Speaker 3: getting more mean by the episode. This is the ramp up.

492
00:22:56,800 --> 00:23:00,320
Speaker 1: So I'm like, well, Jimmy is a teenager now, so oh,

493
00:23:00,359 --> 00:23:01,000
Speaker 1: this makes sense.

494
00:23:01,359 --> 00:23:03,520
Speaker 2: It makes sense in middle school. They're in middle school.

495
00:23:05,200 --> 00:23:08,199
Speaker 3: Most middle schoolers are no offense to middle schoolers listening

496
00:23:08,240 --> 00:23:10,080
Speaker 3: to this, but they are a little obnoxious.

497
00:23:10,160 --> 00:23:12,480
Speaker 1: I don't know that our I wouldn't imagine we have

498
00:23:12,560 --> 00:23:14,479
Speaker 1: too high of a population of middle schoolers that are

499
00:23:14,480 --> 00:23:16,240
Speaker 1: listening to our podcast, but I'm sure there's some that

500
00:23:16,280 --> 00:23:17,680
Speaker 1: listen along and no offense.

501
00:23:17,760 --> 00:23:21,240
Speaker 2: You will grow out of it, but this is Someday you.

502
00:23:21,240 --> 00:23:22,919
Speaker 1: Will be an adult and you will turn around and

503
00:23:22,960 --> 00:23:26,240
Speaker 1: realize that middle schoolers are potentially the most obnoxious age

504
00:23:26,280 --> 00:23:26,880
Speaker 1: of children ever.

505
00:23:27,040 --> 00:23:31,520
Speaker 3: Yes, kidman, really, yeah, Just God bless all of middle

506
00:23:31,520 --> 00:23:34,080
Speaker 3: school teachers out there, through no fault.

507
00:23:33,800 --> 00:23:37,680
Speaker 1: Of their own. They are just hormonal, change emotion monsters,

508
00:23:37,680 --> 00:23:40,280
Speaker 1: and they don't know what's happening, and there are a lot.

509
00:23:40,520 --> 00:23:42,119
Speaker 2: I'm very glad we have left middle school.

510
00:23:42,400 --> 00:23:46,119
Speaker 3: Yes, anyway, No, it's developmentally appropriate, so there's no shade

511
00:23:46,119 --> 00:23:48,679
Speaker 3: being thrown here. It is just it's a stage of

512
00:23:48,680 --> 00:23:50,439
Speaker 3: life that you just have to grin and bear it.

513
00:23:50,560 --> 00:23:50,760
Speaker 1: Yep.

514
00:23:52,000 --> 00:23:54,919
Speaker 3: So DJ notices Jesse and Joey in the kitchen, and

515
00:23:54,960 --> 00:23:58,439
Speaker 3: she's glad to see them. Danny walks in and overhears

516
00:23:58,480 --> 00:24:01,280
Speaker 3: her asking the guys, I'm in charge of career day,

517
00:24:01,400 --> 00:24:03,200
Speaker 3: will you come to my school next week and talk

518
00:24:03,200 --> 00:24:07,080
Speaker 3: about advertising? The guy's not, and Jesse gives his classic

519
00:24:07,359 --> 00:24:10,400
Speaker 3: I'm there for you, babe, and that's when Danny pipes up,

520
00:24:10,640 --> 00:24:13,800
Speaker 3: I'm there for you too, babe. DJ tries to play

521
00:24:13,800 --> 00:24:16,640
Speaker 3: it cool, insisting he must be too busy to come,

522
00:24:17,000 --> 00:24:19,879
Speaker 3: and Danny assures her he's never too busy to inspire

523
00:24:20,160 --> 00:24:25,080
Speaker 3: the youth of America. He beams, I'm sure this is

524
00:24:25,119 --> 00:24:27,120
Speaker 3: where it pays off really big to have a dad

525
00:24:27,119 --> 00:24:29,159
Speaker 3: who's the star of Wake Up San Francisco.

526
00:24:29,280 --> 00:24:30,080
Speaker 1: Huh.

527
00:24:30,440 --> 00:24:33,120
Speaker 3: DJ gives Kimmy a nervous smile, and Kimmy urges her

528
00:24:33,160 --> 00:24:36,359
Speaker 3: to tell him, but DJ doesn't think she can her

529
00:24:36,440 --> 00:24:39,080
Speaker 3: Dad is too happy about this love.

530
00:24:39,400 --> 00:24:43,000
Speaker 1: I love sitcoms when you're having a conversation a foot

531
00:24:43,000 --> 00:24:45,639
Speaker 1: away from the person, as if they can't hear you

532
00:24:46,359 --> 00:24:48,760
Speaker 1: because they're not in the shot, so your brain doesn't

533
00:24:48,800 --> 00:24:50,880
Speaker 1: like register. You're like, yeah, it's just between these two.

534
00:24:51,080 --> 00:24:53,879
Speaker 1: It's just so funny where you're like, uh, he hurt you.

535
00:24:54,200 --> 00:24:57,240
Speaker 1: He can completely hear you, definitely read your lips. He's

536
00:24:57,280 --> 00:25:01,960
Speaker 1: like right there, Yeah, he's right, he's in the conversation. Yeah.

537
00:25:02,080 --> 00:25:04,040
Speaker 3: DJ didn't even like pull her to the other side

538
00:25:04,080 --> 00:25:06,040
Speaker 3: of the set right there.

539
00:25:06,600 --> 00:25:08,200
Speaker 1: Do you think you can hear me if we're standing

540
00:25:08,280 --> 00:25:08,640
Speaker 1: right here?

541
00:25:10,320 --> 00:25:14,119
Speaker 3: Awes it comes. So the camera shows Danny he's just

542
00:25:14,200 --> 00:25:18,800
Speaker 3: grinning from ear to ear, and Kimmy nods he is happy.

543
00:25:19,080 --> 00:25:21,640
Speaker 3: I'll tell him. So she breaks the news. We don't

544
00:25:21,680 --> 00:25:23,960
Speaker 3: need Jim mister t we already booked a big TV

545
00:25:24,080 --> 00:25:27,080
Speaker 3: star and I like that I emphasized big. I'm sure.

546
00:25:27,520 --> 00:25:28,159
Speaker 1: I'm sure that was.

547
00:25:28,160 --> 00:25:29,679
Speaker 3: A note from Brian Klee and he was like, make

548
00:25:29,720 --> 00:25:32,800
Speaker 3: sure you emphasized big, and so I was like, oh, I.

549
00:25:32,760 --> 00:25:34,880
Speaker 2: Did good, really twisted knife.

550
00:25:35,640 --> 00:25:40,399
Speaker 3: Yes. So Danny's smile fades bigger than me, and DJ

551
00:25:40,480 --> 00:25:44,600
Speaker 3: tells him Jimmy Chung said he could get his aunt Connie,

552
00:25:45,320 --> 00:25:47,120
Speaker 3: and we were.

553
00:25:47,040 --> 00:25:48,960
Speaker 2: Back to Connie.

554
00:25:50,320 --> 00:25:51,359
Speaker 3: She must have been a very big.

555
00:25:53,119 --> 00:25:55,400
Speaker 2: Yeah, it's which rid.

556
00:25:56,440 --> 00:25:59,040
Speaker 1: Chicken and a bossy Michelle.

557
00:25:59,240 --> 00:26:02,600
Speaker 3: It's it's really it really dates the episode of like

558
00:26:02,680 --> 00:26:04,639
Speaker 3: what thing. I mean, at least Connie Chung. You know,

559
00:26:04,720 --> 00:26:06,560
Speaker 3: she's very popular back in nineteen ninety.

560
00:26:06,680 --> 00:26:09,720
Speaker 1: So yeah, I guess I don't know why we kept

561
00:26:10,040 --> 00:26:12,680
Speaker 1: bringing her up. I mean, what about Barbara Walters she'd

562
00:26:12,680 --> 00:26:15,480
Speaker 1: been around for a while. Yeah, that's right, and Sawyer.

563
00:26:15,520 --> 00:26:16,000
Speaker 1: I don't know.

564
00:26:16,080 --> 00:26:18,520
Speaker 3: Yeah, there was plenty to choose for anyway, but Connie

565
00:26:18,560 --> 00:26:19,439
Speaker 3: Chung was picked.

566
00:26:19,800 --> 00:26:23,800
Speaker 1: But hey, you know what, I applaud it. I yeah,

567
00:26:24,080 --> 00:26:27,480
Speaker 1: it's just again such a strange obsession.

568
00:26:27,600 --> 00:26:29,399
Speaker 3: Yeah, it's it is really funny.

569
00:26:30,240 --> 00:26:32,280
Speaker 1: What if Connie Chung knew about it? You know what

570
00:26:32,280 --> 00:26:34,240
Speaker 1: I mean? Do you think over the years people were like,

571
00:26:34,280 --> 00:26:36,040
Speaker 1: you know, you get mentioned on Full House a lot.

572
00:26:36,119 --> 00:26:38,479
Speaker 1: Why I wonder she was like, I have no idea.

573
00:26:39,280 --> 00:26:41,600
Speaker 3: I wonder, Well, they don't have to get clearance to

574
00:26:41,680 --> 00:26:43,679
Speaker 3: say her name, right, it's only if they have like

575
00:26:43,680 --> 00:26:48,280
Speaker 3: an image of her, so say someone's so Yeah, I

576
00:26:48,280 --> 00:26:50,399
Speaker 3: wonder if any fans told her that or if she

577
00:26:50,480 --> 00:26:52,439
Speaker 3: had kids that grew up to watch the show, like

578
00:26:52,440 --> 00:26:54,639
Speaker 3: hey mom, yeah that's funny.

579
00:26:54,800 --> 00:26:56,600
Speaker 2: I'm curid we should Well, we'll get her on the show.

580
00:26:56,960 --> 00:26:58,440
Speaker 2: We'll get her the extra career day.

581
00:26:58,560 --> 00:27:08,480
Speaker 1: Yeah, abjdy big news, it's happening.

582
00:27:08,680 --> 00:27:10,720
Speaker 2: Andrea Barberay Sweden.

583
00:27:10,800 --> 00:27:12,600
Speaker 1: We have merged merch people.

584
00:27:12,840 --> 00:27:15,920
Speaker 3: Yep, we are so excited about this. We've been talking

585
00:27:15,960 --> 00:27:16,960
Speaker 3: about this for a long time.

586
00:27:17,040 --> 00:27:19,879
Speaker 1: We really have. And uh, if you go to howarudemrch

587
00:27:20,040 --> 00:27:22,639
Speaker 1: dot com, you can check out all of the designs.

588
00:27:22,240 --> 00:27:23,480
Speaker 2: That we have that A.

589
00:27:23,600 --> 00:27:25,760
Speaker 1: B and I worked on ourselves. I mean we didn't

590
00:27:25,880 --> 00:27:27,840
Speaker 1: we didn't do the like the drawing of them, but

591
00:27:28,000 --> 00:27:28,360
Speaker 1: all of.

592
00:27:28,320 --> 00:27:30,080
Speaker 2: The ideas notes.

593
00:27:30,240 --> 00:27:32,800
Speaker 1: Ye. What we're saying is we want to hear from you. Okay,

594
00:27:33,080 --> 00:27:36,720
Speaker 1: so check out how rude merch dot com. Go get hoodies,

595
00:27:36,800 --> 00:27:39,560
Speaker 1: t shirts, all kinds of fun designs on there, and uh,

596
00:27:39,880 --> 00:27:41,320
Speaker 1: rep your Fana rito love.

597
00:27:42,200 --> 00:27:45,520
Speaker 3: So Danny is like you booked Connie Chung for career Day.

598
00:27:45,560 --> 00:27:47,080
Speaker 3: I've been trying to get her on my show for

599
00:27:47,200 --> 00:27:50,840
Speaker 3: years and Kimmy offers have your people call my people.

600
00:27:51,520 --> 00:27:54,720
Speaker 3: Danny scowls and says DJ, and DJ cuts them off.

601
00:27:54,720 --> 00:27:58,080
Speaker 3: I know, Dad, make new friends again. They say this

602
00:27:58,160 --> 00:28:00,160
Speaker 3: right in front of Kimmy. But she's front of Kimmy,

603
00:28:00,240 --> 00:28:03,280
Speaker 3: she doesn't. That doesn't bother her. There's there's much worse

604
00:28:03,320 --> 00:28:05,920
Speaker 3: insults to come. So I guess that just rolls off

605
00:28:05,920 --> 00:28:10,320
Speaker 3: her back. So next we are in Joey's room. Joey

606
00:28:10,359 --> 00:28:13,680
Speaker 3: and Jesse are leading their boss, mister Mali Testa, and

607
00:28:13,840 --> 00:28:15,680
Speaker 3: a woman downstairs.

608
00:28:15,640 --> 00:28:19,879
Speaker 2: Who gives a work presentation in their bedroom.

609
00:28:20,119 --> 00:28:22,439
Speaker 3: Well, I thought about this. I actually stopped and I

610
00:28:22,480 --> 00:28:23,880
Speaker 3: was like, what what?

611
00:28:24,200 --> 00:28:24,880
Speaker 1: They must have.

612
00:28:24,960 --> 00:28:29,640
Speaker 3: Moved the pitch because Stephanie's sick and they need to now,

613
00:28:29,680 --> 00:28:31,720
Speaker 3: they need to. This is the only time they supervised

614
00:28:31,800 --> 00:28:34,520
Speaker 3: children is when they're sick. Otherwise they don't need supervision.

615
00:28:34,880 --> 00:28:37,600
Speaker 3: So I but Danny was home too, So why didn't

616
00:28:37,680 --> 00:28:39,480
Speaker 3: Danny just watch Stephanie?

617
00:28:40,240 --> 00:28:43,120
Speaker 1: Unless you know how Danny is, he doesn't go in

618
00:28:43,200 --> 00:28:45,600
Speaker 1: to wake up San Francisco, and he wakes up San

619
00:28:45,640 --> 00:28:46,600
Speaker 1: Francisco very late.

620
00:28:48,000 --> 00:28:48,920
Speaker 3: Nine am wake up.

621
00:28:50,600 --> 00:28:53,160
Speaker 1: So Danny was probably maybe leaving for work. But but

622
00:28:53,200 --> 00:28:57,360
Speaker 1: why why couldn't you do this? Uh in the living

623
00:28:57,440 --> 00:29:00,920
Speaker 1: room or the kitchen or a place that's not your bedroom,

624
00:29:00,960 --> 00:29:03,480
Speaker 1: which just seems it was creepy, like like a strange

625
00:29:03,520 --> 00:29:07,960
Speaker 1: place I would be unnerves and Joey's bedroom with Puppetsy cartoons,

626
00:29:08,040 --> 00:29:10,320
Speaker 1: you know what I mean, like a lot of places

627
00:29:10,360 --> 00:29:13,400
Speaker 1: to be like, hey, come, we're professional advertising guys. Come

628
00:29:13,480 --> 00:29:15,520
Speaker 1: see my pop Eye puppet.

629
00:29:15,320 --> 00:29:18,320
Speaker 3: You know, like and the giant mannequin wearing a red

630
00:29:18,320 --> 00:29:19,960
Speaker 3: Wings Right uniforms.

631
00:29:20,120 --> 00:29:22,760
Speaker 1: Yes, yeah, just I don't know.

632
00:29:23,200 --> 00:29:25,720
Speaker 3: This was it was weird. If I if I was

633
00:29:25,840 --> 00:29:28,960
Speaker 3: led through someone's house and down into a basement.

634
00:29:28,600 --> 00:29:31,960
Speaker 2: Where there was a right, you'd be like, I'm dying.

635
00:29:32,320 --> 00:29:36,400
Speaker 1: This is it. I'm gonna die. They needed zoom now

636
00:29:36,600 --> 00:29:40,600
Speaker 1: more than ever. Just wow, yeah, or just you know,

637
00:29:40,680 --> 00:29:42,080
Speaker 1: move it to tomorrow. I don't know.

638
00:29:42,280 --> 00:29:44,760
Speaker 3: Yeah, I know they there should have been a throwaway

639
00:29:44,840 --> 00:29:47,239
Speaker 3: line about hey, thanks for changing this up.

640
00:29:47,280 --> 00:29:49,280
Speaker 1: Well they did say that change. I mean, I guess

641
00:29:49,840 --> 00:29:52,040
Speaker 1: you're right with the implication, but it still just seems

642
00:29:52,160 --> 00:29:54,840
Speaker 1: it's like an odd choice to do it in the bedroom.

643
00:29:54,960 --> 00:29:58,360
Speaker 3: It should have been it should have been it should

644
00:29:58,400 --> 00:30:00,240
Speaker 3: have been in my living room. I agree, that would

645
00:30:00,280 --> 00:30:02,560
Speaker 3: have been less creepy, and it's closer to the front

646
00:30:02,600 --> 00:30:03,959
Speaker 3: door so she could make an exit.

647
00:30:04,160 --> 00:30:08,360
Speaker 1: If again, this whole episode is just as an HR

648
00:30:08,520 --> 00:30:11,880
Speaker 1: report of what not to do. It is.

649
00:30:13,800 --> 00:30:17,680
Speaker 3: Okay. So the woman whose name is Miss Garland, she

650
00:30:17,840 --> 00:30:22,320
Speaker 3: eyes Jesse up and down and flirtatiously says, I'm sure

651
00:30:22,360 --> 00:30:22,760
Speaker 3: it will.

652
00:30:23,040 --> 00:30:24,200
Speaker 1: What is she responding to? Oh?

653
00:30:24,200 --> 00:30:26,600
Speaker 3: He says it's worth the inconvenience, and she says, I'm

654
00:30:26,640 --> 00:30:30,520
Speaker 3: sure it will. Yeah, she's she comes out, She comes

655
00:30:30,520 --> 00:30:32,160
Speaker 3: out out of the gate, straight out of the gate,

656
00:30:32,440 --> 00:30:33,320
Speaker 3: very strong.

657
00:30:34,040 --> 00:30:37,240
Speaker 2: In someone's room the house, Yes.

658
00:30:37,800 --> 00:30:41,760
Speaker 3: Next to the mannequin. So Jesse is oddly uncomfortable with this,

659
00:30:41,880 --> 00:30:44,520
Speaker 3: so he excuses himself, saying he's got to go get

660
00:30:44,600 --> 00:30:48,240
Speaker 3: ready in the getting ready area, which is.

661
00:30:48,200 --> 00:30:50,320
Speaker 2: The kitchen, because he knows upstairs.

662
00:30:50,520 --> 00:30:53,320
Speaker 1: Why wouldn't you reverse this and do the presentation in

663
00:30:53,400 --> 00:30:56,320
Speaker 1: the kitchen and have the getting ready spot in Joey's room.

664
00:30:56,720 --> 00:30:59,400
Speaker 3: None of this makes sense. None of this makes sense.

665
00:31:00,800 --> 00:31:04,160
Speaker 3: So mister Mella Testa ushers Miss Garland over to the bed.

666
00:31:04,240 --> 00:31:09,520
Speaker 2: To sit HR violation number forty seven.

667
00:31:10,600 --> 00:31:13,920
Speaker 3: He excitedly states, wait till you see what my boys

668
00:31:13,920 --> 00:31:16,600
Speaker 3: have cooked up for you. He pats Joey on the back,

669
00:31:16,680 --> 00:31:19,720
Speaker 3: telling him to take it away. So Joey begins the pitch,

670
00:31:19,920 --> 00:31:22,160
Speaker 3: telling Miss Garland they are going to make her new

671
00:31:22,240 --> 00:31:26,640
Speaker 3: men's cologne IQ the Smell of the Nineties. He sprays

672
00:31:26,680 --> 00:31:29,800
Speaker 3: the perfume multiple times in the air for added effect.

673
00:31:30,360 --> 00:31:31,560
Speaker 3: I guess it's technically color.

674
00:31:31,760 --> 00:31:34,280
Speaker 1: It's gonna have. Yeah, and he's gonna have some pretty

675
00:31:34,320 --> 00:31:36,200
Speaker 1: tough competition there, because I believe the Smell of the

676
00:31:36,280 --> 00:31:38,160
Speaker 1: nineties was indeed ck one.

677
00:31:38,640 --> 00:31:39,520
Speaker 2: I'm pretty sure.

678
00:31:39,520 --> 00:31:45,120
Speaker 1: That was the official smell of the nineties and all

679
00:31:45,200 --> 00:31:47,720
Speaker 1: of the Gen X millennials that are listening to this

680
00:31:47,960 --> 00:31:50,240
Speaker 1: no exactly, you can smell it and be like, oh

681
00:31:50,240 --> 00:31:55,560
Speaker 1: my god, sophomore year. Yeah, it's just yeah, so's IQ

682
00:31:55,960 --> 00:31:56,760
Speaker 1: has some stuff gone.

683
00:31:56,880 --> 00:32:00,160
Speaker 3: Yeah, IQ's that's maybe that's why where everything goes wrong

684
00:32:00,440 --> 00:32:03,640
Speaker 3: like that, it was the conception of this pitch that's wrong.

685
00:32:03,840 --> 00:32:06,560
Speaker 1: And he's also though this is kind of the precursor

686
00:32:06,640 --> 00:32:08,360
Speaker 1: to the dose a keys Man.

687
00:32:08,480 --> 00:32:09,920
Speaker 3: Oh yeah, yeah, that's right.

688
00:32:10,040 --> 00:32:15,040
Speaker 1: So I wonder, yeah, I wonder if we inspired.

689
00:32:15,040 --> 00:32:15,640
Speaker 3: I don't think we did.

690
00:32:15,720 --> 00:32:16,160
Speaker 1: I don't think.

691
00:32:16,240 --> 00:32:18,080
Speaker 3: Let's just say so, I mean we said we did.

692
00:32:18,120 --> 00:32:19,320
Speaker 2: We'll just take credit like we have.

693
00:32:19,240 --> 00:32:21,080
Speaker 3: For everything else, we'll take credit for this as well.

694
00:32:21,160 --> 00:32:25,120
Speaker 3: Of course, So am I where am I?

695
00:32:25,800 --> 00:32:26,080
Speaker 1: Okay?

696
00:32:26,160 --> 00:32:28,360
Speaker 3: Smell of the nineties, No, No, you're fine, You're fine.

697
00:32:28,720 --> 00:32:32,880
Speaker 3: So he's praised the perfume. Stephanie runs downstairs, completely oblivious

698
00:32:32,920 --> 00:32:35,480
Speaker 3: to the work that's happening. She calls out for Joey.

699
00:32:35,920 --> 00:32:38,240
Speaker 3: She hands him the nose drops and says, the sneeze

700
00:32:38,280 --> 00:32:40,000
Speaker 3: juice is clogging up my ears.

701
00:32:41,600 --> 00:32:43,360
Speaker 1: First of all, blow your nose and second of all,

702
00:32:43,520 --> 00:32:48,680
Speaker 1: nose drops. Why nasal spray? Yeah, but you can't drop

703
00:32:48,720 --> 00:32:51,560
Speaker 1: something into your nose because then you have to do

704
00:32:51,600 --> 00:32:53,920
Speaker 1: it in the manner that Stephanie does it anyway.

705
00:32:54,040 --> 00:32:56,920
Speaker 3: Oh yeah, yeah, why didn't she just use that the

706
00:32:57,560 --> 00:32:58,320
Speaker 3: way that you They.

707
00:32:58,200 --> 00:33:01,200
Speaker 1: Don't sniff up. I think they makes drops, you know what.

708
00:33:01,200 --> 00:33:05,240
Speaker 3: I mean, ear drops, but they don't drop well the

709
00:33:05,280 --> 00:33:10,880
Speaker 3: jokes and they had to show off your limberness.

710
00:33:11,840 --> 00:33:13,720
Speaker 1: Yeah, I can still do that, by the way. No,

711
00:33:14,120 --> 00:33:17,800
Speaker 1: shut up, Yeah show I'm not going to do it right. No,

712
00:33:18,520 --> 00:33:21,320
Speaker 1: my floor is disgustingly dirty first of all in this office.

713
00:33:22,040 --> 00:33:22,640
Speaker 1: But no I can.

714
00:33:23,200 --> 00:33:25,320
Speaker 3: Next time I see you, I'm going to demand that

715
00:33:25,360 --> 00:33:28,440
Speaker 3: you show me and I'm gonna take a picture. Okay,

716
00:33:28,480 --> 00:33:30,680
Speaker 3: as as evidence. Got it.

717
00:33:30,760 --> 00:33:33,280
Speaker 2: That's weirdly flexible back.

718
00:33:33,480 --> 00:33:35,080
Speaker 1: Really, Yeah, that's it.

719
00:33:35,520 --> 00:33:38,720
Speaker 3: I'm impressed. My back is stiffer than a board. So yeah,

720
00:33:38,920 --> 00:33:44,600
Speaker 3: very impressed, Jody. So Joey says, excuse me, he asked

721
00:33:44,640 --> 00:33:46,880
Speaker 3: steps to tilt back so he can apply the apply

722
00:33:46,920 --> 00:33:49,440
Speaker 3: the drops. She does this move where she tilts her

723
00:33:49,440 --> 00:33:53,120
Speaker 3: face upward and touches her toes to her head. This

724
00:33:53,320 --> 00:33:55,680
Speaker 3: was like, did they write this into the script because

725
00:33:55,800 --> 00:33:57,880
Speaker 3: you could do this? Or probably?

726
00:33:58,360 --> 00:33:58,880
Speaker 1: Yeah, I don't know.

727
00:33:58,920 --> 00:34:00,320
Speaker 2: I'm sure at some point I was on that like

728
00:34:00,320 --> 00:34:01,040
Speaker 2: what's what I could do?

729
00:34:01,120 --> 00:34:02,760
Speaker 1: And they did and they were like, hey, we should

730
00:34:02,760 --> 00:34:03,080
Speaker 1: put that in.

731
00:34:03,080 --> 00:34:03,560
Speaker 3: That's funny.

732
00:34:03,640 --> 00:34:03,960
Speaker 1: I don't know.

733
00:34:04,000 --> 00:34:07,800
Speaker 3: There we go. Well it was. It was impressive, very impressive. Yeah,

734
00:34:08,080 --> 00:34:11,280
Speaker 3: so Joey gives her the drops. Steph exclaims it's working,

735
00:34:12,000 --> 00:34:14,799
Speaker 3: and she happily announces she can breathe again. She takes

736
00:34:14,800 --> 00:34:19,719
Speaker 3: a big inhale and frowns. Something is really stinky. Mister

737
00:34:19,800 --> 00:34:23,960
Speaker 3: Mela Testa and Miss Garland give Joey a look. Joey admits, well,

738
00:34:24,000 --> 00:34:27,640
Speaker 3: we know it's not the smell of the nineties. That's

739
00:34:27,640 --> 00:34:30,400
Speaker 3: when Michelle walks downstairs carrying a cup of water with

740
00:34:30,480 --> 00:34:34,480
Speaker 3: a whole orange inside. She sees Stephanie and declares, there

741
00:34:34,520 --> 00:34:36,919
Speaker 3: you are, and she hands Steph the cup and tells

742
00:34:36,960 --> 00:34:40,120
Speaker 3: her I made you some orange juice. She's very literal

743
00:34:40,239 --> 00:34:43,439
Speaker 3: in the in this whole episode indeed, so Steph can't

744
00:34:43,440 --> 00:34:47,120
Speaker 3: deny that does look fresh, and Michelle commands you back

745
00:34:47,120 --> 00:34:51,480
Speaker 3: to bed right now. Move it, stroll Sergeant Michelle. Steph

746
00:34:51,520 --> 00:34:55,040
Speaker 3: tries to protest, but Michelle doubles down. I said move it, mister,

747
00:34:55,960 --> 00:35:00,560
Speaker 3: She's really just relishing this tyrant bo girls begin to

748
00:35:00,560 --> 00:35:03,359
Speaker 3: walk upstairs. Michelle turns to face the adults one last

749
00:35:03,360 --> 00:35:06,160
Speaker 3: time and throws her arms in the air, saying kids

750
00:35:07,320 --> 00:35:07,799
Speaker 3: and she had.

751
00:35:07,680 --> 00:35:09,000
Speaker 2: Also, shouldn't Michelle be.

752
00:35:09,000 --> 00:35:10,720
Speaker 1: At school at pre school?

753
00:35:10,719 --> 00:35:14,120
Speaker 3: Oh yeah, well somebody needed to watch you because Danny's

754
00:35:14,120 --> 00:35:15,640
Speaker 3: off at work. The guys are doing a pitch and.

755
00:35:15,640 --> 00:35:18,319
Speaker 1: The base guys a pitch downstairs. Someone had a babysit. Okay,

756
00:35:18,360 --> 00:35:18,600
Speaker 1: got it.

757
00:35:19,000 --> 00:35:21,880
Speaker 3: So Michelle gets to skip school to watch Stephanie get ready,

758
00:35:22,200 --> 00:35:24,919
Speaker 3: give her you know, not so useful food and drink.

759
00:35:25,520 --> 00:35:25,800
Speaker 1: Yes.

760
00:35:26,000 --> 00:35:28,239
Speaker 3: Joey returns back to the pitch and he sets the

761
00:35:28,239 --> 00:35:31,239
Speaker 3: scene for the ad for their idea. There will be

762
00:35:31,280 --> 00:35:34,919
Speaker 3: a goddess and an IQ man, and that's when Jesse

763
00:35:35,040 --> 00:35:38,560
Speaker 3: shows up, dressed in suave clothing paired with eyed glasses

764
00:35:38,840 --> 00:35:42,680
Speaker 3: and carrying a book to tie the look together. This

765
00:35:42,760 --> 00:35:44,600
Speaker 3: reminded me he should have warned this and no more

766
00:35:44,640 --> 00:35:47,000
Speaker 3: mister gut dumb guy, where he was trying to impress

767
00:35:47,040 --> 00:35:49,480
Speaker 3: all the intellects like this was right.

768
00:35:49,480 --> 00:35:53,520
Speaker 1: He I mean, the smoking jacket instantly raises your IQ.

769
00:35:53,960 --> 00:35:56,799
Speaker 1: It's like thirty points and glasses too, yeah right, like

770
00:35:56,840 --> 00:36:00,640
Speaker 1: he glasses, yeah, he nails. People never wear glasses, right right,

771
00:36:01,239 --> 00:36:01,719
Speaker 1: Oh that's right.

772
00:36:01,800 --> 00:36:03,960
Speaker 3: I should put on my glasses. I'm not even wearing them.

773
00:36:05,320 --> 00:36:08,279
Speaker 3: Oh now I can see there we go. Let's start

774
00:36:08,360 --> 00:36:13,239
Speaker 3: to show over guys, not just kidding. So Jesse's really

775
00:36:13,360 --> 00:36:16,200
Speaker 3: going the extra mile here. He is doing everything with

776
00:36:16,400 --> 00:36:20,200
Speaker 3: added dramatization. Oh my god. Joey's walking them through the

777
00:36:20,200 --> 00:36:23,000
Speaker 3: commercial and Joey's playing the role of the goddess. He

778
00:36:23,080 --> 00:36:27,000
Speaker 3: explains that the goddess becomes entranced with the IQ man.

779
00:36:27,880 --> 00:36:30,840
Speaker 3: Joey acts enthralled by Jesse, but they are barely holding

780
00:36:30,840 --> 00:36:32,920
Speaker 3: it together at this point because they've turned their heads

781
00:36:32,960 --> 00:36:35,400
Speaker 3: towards each other. Oh my god, John can't hold it

782
00:36:35,480 --> 00:36:36,280
Speaker 3: like he cannot.

783
00:36:36,440 --> 00:36:39,120
Speaker 2: I could we feel his pain.

784
00:36:39,440 --> 00:36:42,880
Speaker 1: I know absolutely what that is when you're like I

785
00:36:42,920 --> 00:36:44,479
Speaker 1: can't we have to do this bit and it's gonna

786
00:36:44,480 --> 00:36:46,920
Speaker 1: be hilarious if we could not laugh at ourselves. Yeah, no,

787
00:36:47,000 --> 00:36:50,279
Speaker 1: I'm sure that that was like the seventeenth take that

788
00:36:50,320 --> 00:36:51,080
Speaker 1: they had to do.

789
00:36:52,239 --> 00:36:54,279
Speaker 3: Yeah, I'm sure they couldn't get a clean take where

790
00:36:54,320 --> 00:36:57,560
Speaker 3: both guys weren't now laughing, so they this is what

791
00:36:57,600 --> 00:36:59,719
Speaker 3: they got, you know, it's just john. It makes it

792
00:36:59,760 --> 00:37:02,160
Speaker 3: fun in my opinion, Like I thought, oh, I love

793
00:37:02,239 --> 00:37:06,480
Speaker 3: seeing a break. It's great, so great. So the IQ

794
00:37:06,640 --> 00:37:09,720
Speaker 3: man requests that if the goddess loves him, she should

795
00:37:09,760 --> 00:37:12,920
Speaker 3: love him for his IQ, and the commercial ends by

796
00:37:13,000 --> 00:37:17,759
Speaker 3: showing the bottle of IQ cologne. Mister Melatesta is anxiously

797
00:37:17,800 --> 00:37:20,960
Speaker 3: biting his finger as Miss Garland gives her honest opinion

798
00:37:21,440 --> 00:37:25,000
Speaker 3: that made absolutely no sense at all. The men sigh

799
00:37:25,040 --> 00:37:28,479
Speaker 3: with defeat, but she continues, it's the perfect cologne ad.

800
00:37:28,880 --> 00:37:29,759
Speaker 3: You've got the job.

801
00:37:30,760 --> 00:37:32,280
Speaker 2: They really are weird.

802
00:37:32,600 --> 00:37:35,680
Speaker 1: Yeah, they're a really weird cologne, like Colonne and perfume things.

803
00:37:35,680 --> 00:37:37,839
Speaker 3: You're like, they don't yet it doesn't make sense. It's

804
00:37:37,880 --> 00:37:40,360
Speaker 3: like abstract paintings. You're like, I feel like I should

805
00:37:40,440 --> 00:37:41,879
Speaker 3: understand this and I don't, like, you.

806
00:37:41,840 --> 00:37:44,800
Speaker 1: Know, and it's and it's always someone then whispering something

807
00:37:44,800 --> 00:37:46,120
Speaker 1: into it and you're like what.

808
00:37:45,840 --> 00:37:47,800
Speaker 3: What You're like, why are you taking this so seriously?

809
00:37:47,880 --> 00:37:50,120
Speaker 3: You know, you just want to smell good. It's not

810
00:37:50,160 --> 00:37:51,440
Speaker 3: that serious, dude, It's.

811
00:37:51,280 --> 00:37:52,920
Speaker 1: Not Yeah, why are you running through a forest? You

812
00:37:52,920 --> 00:37:54,560
Speaker 1: know what I mean, You're not if you're running, I

813
00:37:54,560 --> 00:37:57,000
Speaker 1: mean that would be one to stop running and you

814
00:37:57,000 --> 00:37:58,040
Speaker 1: want to smell us that, you know?

815
00:37:58,760 --> 00:38:04,520
Speaker 3: Yes, exactly, So everyone is overjoyed. Joey tells her they

816
00:38:04,520 --> 00:38:08,280
Speaker 3: will direct the commercial. A little presumptuous there, but okay,

817
00:38:08,400 --> 00:38:11,759
Speaker 3: he's he's enthusiastic, and Jesse promises they will find the

818
00:38:11,800 --> 00:38:13,120
Speaker 3: perfect IQ man.

819
00:38:12,960 --> 00:38:15,080
Speaker 2: For her because they're casting too.

820
00:38:16,880 --> 00:38:21,439
Speaker 3: They're crossing over all unions here, like unions, what's those?

821
00:38:21,480 --> 00:38:23,480
Speaker 1: What are those? Yeah? Who cares?

822
00:38:23,680 --> 00:38:24,640
Speaker 3: They want to do it all?

823
00:38:25,239 --> 00:38:29,400
Speaker 1: Yeah. So uh and and don't even have degrees in marketing,

824
00:38:29,440 --> 00:38:31,400
Speaker 1: which is astounding, you know what I mean, They just

825
00:38:31,520 --> 00:38:33,120
Speaker 1: they just walked right in.

826
00:38:34,200 --> 00:38:36,879
Speaker 3: They lucked themselves into this job, right.

827
00:38:37,880 --> 00:38:38,800
Speaker 2: Yeah.

828
00:38:38,880 --> 00:38:42,320
Speaker 3: The Hoobris here, the Hoobris is really enormous.

829
00:38:41,800 --> 00:38:44,760
Speaker 1: The luck of these two, you know, I mean, wow.

830
00:38:44,640 --> 00:38:49,160
Speaker 3: I love it. So Miss Garland is She's still shaking

831
00:38:49,239 --> 00:38:51,600
Speaker 3: Jesse's hand at this point she refuses to let go,

832
00:38:52,400 --> 00:38:55,080
Speaker 3: and she tells them we've already found the perfect man.

833
00:38:55,719 --> 00:39:00,719
Speaker 3: She stares deep into Jesse's soul and says you and

834
00:39:00,800 --> 00:39:04,440
Speaker 3: Jesse's voice cracks me. He waves off the comment and

835
00:39:04,480 --> 00:39:07,080
Speaker 3: tells her, oh, he's not a model, and she states

836
00:39:07,280 --> 00:39:07,840
Speaker 3: you're hot.

837
00:39:08,960 --> 00:39:09,680
Speaker 2: Did you hear?

838
00:39:09,880 --> 00:39:14,399
Speaker 1: And some people in the audience go, that's right, there's

839
00:39:14,440 --> 00:39:17,160
Speaker 1: something they like agree you hear them after she says

840
00:39:17,160 --> 00:39:17,880
Speaker 1: you're hot.

841
00:39:17,920 --> 00:39:19,160
Speaker 3: I did hear that? Yes?

842
00:39:19,239 --> 00:39:19,960
Speaker 2: Yeah, there's like.

843
00:39:19,920 --> 00:39:22,920
Speaker 1: Three female voices that were probably in the live audience

844
00:39:22,960 --> 00:39:25,040
Speaker 1: that were like, you're right. Yes.

845
00:39:25,120 --> 00:39:27,600
Speaker 3: Because Jesse tries to he's like nah, he's trying to

846
00:39:27,640 --> 00:39:32,080
Speaker 3: blow her off, but the audience is like, yeah, right, yeah,

847
00:39:32,239 --> 00:39:36,320
Speaker 3: I grewound it because I did find that really funny. Yeah.

848
00:39:36,400 --> 00:39:39,399
Speaker 3: So Miss Garland continues with the compliments and finishes by

849
00:39:39,440 --> 00:39:42,520
Speaker 3: saying you've got great hair, and Jesse admits, okay, well

850
00:39:42,560 --> 00:39:45,960
Speaker 3: you got one right, But as he tries to protest

851
00:39:46,040 --> 00:39:49,120
Speaker 3: the offer once again, Joey chimes in he'd love to

852
00:39:49,200 --> 00:39:52,520
Speaker 3: do this, and in response, Jesse asks to be excused

853
00:39:52,520 --> 00:39:55,799
Speaker 3: for a moment. He grabs Joey by the nostrils and

854
00:39:55,920 --> 00:40:00,040
Speaker 3: drags him towards the opposite end of the room. That

855
00:40:00,040 --> 00:40:01,439
Speaker 3: that was painful, just watching that.

856
00:40:01,400 --> 00:40:05,760
Speaker 1: Was very painful. Yeah, and this began the dynamics sometimes

857
00:40:05,800 --> 00:40:09,279
Speaker 1: between Jesse and Joey were like joe Jesse sort of

858
00:40:09,320 --> 00:40:10,560
Speaker 1: treated Joey like a child.

859
00:40:10,719 --> 00:40:11,520
Speaker 3: Yeah you know what I mean.

860
00:40:11,600 --> 00:40:14,600
Speaker 1: Yeah, but I didn't love but whatever it made for funny.

861
00:40:14,600 --> 00:40:16,399
Speaker 1: It was a funny banter, you know what I mean.

862
00:40:16,440 --> 00:40:19,759
Speaker 1: But sometimes I'd be like, oh, let's don't do that.

863
00:40:19,800 --> 00:40:22,239
Speaker 3: I can totally see that, and I agree because well,

864
00:40:22,640 --> 00:40:24,399
Speaker 3: I used to think it was funny, like he would

865
00:40:24,400 --> 00:40:25,759
Speaker 3: smack him on the back of the head. But that

866
00:40:25,840 --> 00:40:28,879
Speaker 3: was like brothers. They were brothers teasing each other, but

867
00:40:28,960 --> 00:40:31,239
Speaker 3: like grabbing him by the nostrils. There was just something a.

868
00:40:31,200 --> 00:40:33,960
Speaker 1: Little front of your boom about it. And someone else Yeah, yeah,

869
00:40:33,960 --> 00:40:34,520
Speaker 1: it's like he's.

870
00:40:34,400 --> 00:40:36,799
Speaker 3: Shaming him almost, So yeah, I agree, Jesse kind of

871
00:40:36,920 --> 00:40:39,799
Speaker 3: he does go a little overboard with treating Yeah, it's

872
00:40:39,800 --> 00:40:46,240
Speaker 3: like treating Jesse Jesse overboard. No, So he's dragging Joey

873
00:40:46,360 --> 00:40:48,160
Speaker 3: by the nose. They go to the opposite end of

874
00:40:48,160 --> 00:40:49,880
Speaker 3: the room, so at least they're not having this conversation

875
00:40:50,000 --> 00:40:52,680
Speaker 3: right in front of mister Malatesta. Right, they're doing it

876
00:40:52,719 --> 00:40:55,000
Speaker 3: at least three feet at least, which is just like

877
00:40:55,160 --> 00:40:59,160
Speaker 3: Miles in sign like you can't hear anything. No, Jesse

878
00:40:59,320 --> 00:41:02,200
Speaker 3: refuses to prance around like a slab of beef for

879
00:41:02,239 --> 00:41:05,240
Speaker 3: this commercial, and Joey argues this is the biggest break

880
00:41:05,239 --> 00:41:08,640
Speaker 3: of their careers, and then mister Malatesta joins in on

881
00:41:08,680 --> 00:41:12,200
Speaker 3: this conversation. He tells Jesse his options either you do it,

882
00:41:12,640 --> 00:41:14,200
Speaker 3: you do it, or you do it.

883
00:41:15,360 --> 00:41:19,040
Speaker 1: Wow. That's that's pretty sure that you can't do that,

884
00:41:19,719 --> 00:41:26,480
Speaker 1: right right? Yeah, yeah, that's it's a lawsuits, a lawsuit.

885
00:41:26,480 --> 00:41:27,000
Speaker 3: It happened.

886
00:41:27,080 --> 00:41:30,080
Speaker 1: Yeah, yeah, particularly when said in someone's bedroom. I just

887
00:41:30,120 --> 00:41:33,279
Speaker 1: think it's really adds an extra layer of life.

888
00:41:33,640 --> 00:41:37,560
Speaker 3: Okay, this this episode could not be made today, like

889
00:41:37,640 --> 00:41:39,000
Speaker 3: it would not it would not fly.

890
00:41:39,200 --> 00:41:39,680
Speaker 1: I mean.

891
00:41:41,400 --> 00:41:43,480
Speaker 3: Few, Yeah, thank goodness.

892
00:41:43,560 --> 00:41:45,560
Speaker 2: Huh this is yeah, Yeah, we'll get there.

893
00:41:45,560 --> 00:41:47,160
Speaker 1: Oka. Anyway, we're gonna stop talking now. I'm sorry.

894
00:41:47,160 --> 00:41:49,640
Speaker 3: You're good, No, you're fine. Next, in the living room,

895
00:41:49,680 --> 00:41:52,080
Speaker 3: it's a new day. Dj and Kimmy walk into the

896
00:41:52,120 --> 00:41:54,920
Speaker 3: room ready to leave for school. They say hi to

897
00:41:55,000 --> 00:41:58,160
Speaker 3: Danny and Becky and Danny wishes them a great career day.

898
00:41:58,719 --> 00:42:01,919
Speaker 3: He jokingly asks to send his regards to Connie Chung.

899
00:42:03,120 --> 00:42:06,520
Speaker 3: Kimmy immediately responds with a compliment, boy, mister t you

900
00:42:06,600 --> 00:42:10,799
Speaker 3: sure look snappy in earth tones. Danny is suspicious. What

901
00:42:10,840 --> 00:42:15,680
Speaker 3: do you want, gibbler? DJ responds, remember Jimmy Chung, the

902
00:42:15,719 --> 00:42:21,239
Speaker 3: pathological liar. Danny nodds he couldn't get his aunt Connie. Huh.

903
00:42:21,600 --> 00:42:25,839
Speaker 3: Kimmy clarifies he doesn't have an aunt Connie, and DJ

904
00:42:25,920 --> 00:42:30,960
Speaker 3: adds his name isn't even Chung. Danny is wonder what

905
00:42:31,000 --> 00:42:35,000
Speaker 3: it is. Yeah, wouldn't the teacher what his last name is? Right?

906
00:42:35,640 --> 00:42:38,000
Speaker 1: It's Johnson? And they're like, you know what I mean,

907
00:42:38,040 --> 00:42:40,120
Speaker 1: You're like, we kind of knew, like we kind of

908
00:42:40,160 --> 00:42:43,520
Speaker 1: had an idea, dude, We just thought maybe.

909
00:42:43,760 --> 00:42:46,400
Speaker 3: This kid, he is a pathological liar.

910
00:42:46,960 --> 00:42:50,040
Speaker 1: Right, But I remember those middle schoolers, man, they will

911
00:42:50,080 --> 00:42:52,120
Speaker 1: they'll they will lie about it and be like, oh yeah,

912
00:42:52,120 --> 00:42:53,200
Speaker 1: so and so's my cousin.

913
00:42:53,719 --> 00:42:56,160
Speaker 3: They lie for no reason to like, there's no reason.

914
00:42:56,200 --> 00:42:57,600
Speaker 3: That's just lying just to lie.

915
00:42:57,520 --> 00:42:59,000
Speaker 1: To be just to lie and be cool.

916
00:42:59,080 --> 00:43:03,600
Speaker 3: Yep, yep. So Danny is very excited about this. He says,

917
00:43:03,920 --> 00:43:05,799
Speaker 3: looks like you two are in the market for a

918
00:43:05,880 --> 00:43:09,760
Speaker 3: major TV star, and then he leans in close closely

919
00:43:09,800 --> 00:43:13,160
Speaker 3: to Kimmy, mocking her. Kimmy, Kimmy, Kimmy, why don't you

920
00:43:13,200 --> 00:43:17,799
Speaker 3: have your people call my people? Just then Becky chimes in,

921
00:43:17,920 --> 00:43:19,920
Speaker 3: I'll do it, and the girls thank her and begin

922
00:43:20,040 --> 00:43:20,600
Speaker 3: to walk away.

923
00:43:21,080 --> 00:43:24,279
Speaker 1: There you go, see reasonable adult. Just hey, you know what,

924
00:43:24,360 --> 00:43:28,720
Speaker 1: I'll step in. Yeah, thank you, Becky. So, Danny, Becky's

925
00:43:28,719 --> 00:43:33,320
Speaker 1: the only she's one of like the reasonable people in

926
00:43:34,040 --> 00:43:34,800
Speaker 1: most situations.

927
00:43:34,840 --> 00:43:38,600
Speaker 3: She's the only normal one. She's the voice of reason. Yeah,

928
00:43:38,640 --> 00:43:41,839
Speaker 3: so Danny, this was unexpected for Danny. He runs after

929
00:43:41,880 --> 00:43:44,919
Speaker 3: the girls, desperately reminding them it was only a joke.

930
00:43:45,480 --> 00:43:47,799
Speaker 3: He says, I don't even have any people. You're my

931
00:43:47,880 --> 00:43:51,520
Speaker 3: people and DJ Grin's as she tells him, don't worry, Dad,

932
00:43:51,680 --> 00:43:53,440
Speaker 3: you can do it. I should have asked you in

933
00:43:53,480 --> 00:43:56,680
Speaker 3: the first place. I just got caught up in chung Mania.

934
00:43:58,120 --> 00:44:01,160
Speaker 1: Okay, I mean who didn't you know? Righting the nation?

935
00:44:01,400 --> 00:44:03,720
Speaker 5: Yeah.

936
00:44:03,840 --> 00:44:06,440
Speaker 3: So, next we are on the set of the iq

937
00:44:06,640 --> 00:44:10,000
Speaker 3: Man commercial. Jesse and Joey walk onto the set, but

938
00:44:10,040 --> 00:44:11,840
Speaker 3: they're completely caught off guard.

939
00:44:12,320 --> 00:44:15,440
Speaker 1: They ordered maybe because they've never directed a commercial before.

940
00:44:15,600 --> 00:44:15,920
Speaker 1: I don't know.

941
00:44:16,000 --> 00:44:17,920
Speaker 3: They weren't involved with the set and design.

942
00:44:18,360 --> 00:44:20,480
Speaker 1: They weren't. Yeah, No, they just showed up. Yeah, there

943
00:44:20,520 --> 00:44:24,120
Speaker 1: was not a production meeting. Nobody taught. No, there wasn't

944
00:44:24,280 --> 00:44:26,840
Speaker 1: right the everyone and just went, Hey, I'm gonna do

945
00:44:26,880 --> 00:44:27,239
Speaker 1: my thing.

946
00:44:27,400 --> 00:44:28,799
Speaker 2: Let's just show up and see what we got.

947
00:44:29,000 --> 00:44:29,320
Speaker 1: Yeah.

948
00:44:29,480 --> 00:44:31,920
Speaker 3: No, they show up like when the talent shows up

949
00:44:31,960 --> 00:44:35,239
Speaker 3: at the last minute. Yeah, they weren't there at six

950
00:44:35,280 --> 00:44:37,479
Speaker 3: am to help set up the cameras or go over

951
00:44:37,560 --> 00:44:40,400
Speaker 3: the itinerary for the day. No, they just wanted and

952
00:44:40,480 --> 00:44:45,120
Speaker 3: they're like a production team for that obviously. It's Yeah.

953
00:44:45,160 --> 00:44:47,800
Speaker 3: So they said they ordered a library set, but instead

954
00:44:47,800 --> 00:44:52,680
Speaker 3: the whole place has transformed into a bathroom set. Joey

955
00:44:52,680 --> 00:44:56,200
Speaker 3: pulls out his megaphone and channels his inner director. He

956
00:44:56,280 --> 00:45:00,000
Speaker 3: demands them to strike the set, but mister Mellotesta quickly

957
00:45:00,000 --> 00:45:02,600
Speaker 3: he jumps in, telling them this was Miss Garland's idea.

958
00:45:03,120 --> 00:45:05,319
Speaker 3: Joey gets right back on the megaphone, telling everyone to

959
00:45:05,400 --> 00:45:08,719
Speaker 3: get back to work. Miss Garland tells Jesse that she

960
00:45:08,880 --> 00:45:12,440
Speaker 3: just couldn't see the IQ man in a library. In fact,

961
00:45:12,520 --> 00:45:14,640
Speaker 3: the more she thought about it, the more she saw

962
00:45:14,719 --> 00:45:18,000
Speaker 3: him in this shower. She holds up the eighty bitty

963
00:45:18,040 --> 00:45:21,560
Speaker 3: towel she'd like Jesse to wear instead of their original idea,

964
00:45:21,560 --> 00:45:24,839
Speaker 3: which was a smoking jacket. Jesse stares at the hand

965
00:45:24,920 --> 00:45:28,359
Speaker 3: towel in shock. This was like a This wasn't even

966
00:45:28,400 --> 00:45:31,279
Speaker 3: like a face cloth, like this was tiny. It was

967
00:45:31,320 --> 00:45:33,480
Speaker 3: like a doll's cloth, right, yeah, it was.

968
00:45:34,320 --> 00:45:37,040
Speaker 1: Yeah, this small, I mean it was a washcloth.

969
00:45:37,120 --> 00:45:39,799
Speaker 3: Yeah, face wash cloth. It was very small. It was.

970
00:45:39,960 --> 00:45:42,200
Speaker 3: And you know what, if the genders were reversed, this

971
00:45:42,320 --> 00:45:44,560
Speaker 3: never would have made it to the air, never.

972
00:45:44,320 --> 00:45:46,879
Speaker 1: Would have made no although you know, although no, that's

973
00:45:46,920 --> 00:45:47,279
Speaker 1: not true.

974
00:45:47,280 --> 00:45:49,880
Speaker 2: It was in nineteen eighty eight.

975
00:45:49,719 --> 00:45:53,200
Speaker 1: Eighty nine, nineteen ninety, not on a family sitting on

976
00:45:53,200 --> 00:45:53,760
Speaker 1: on this city.

977
00:45:53,960 --> 00:45:57,359
Speaker 2: Yeah, true, this you absolutely could have done it. Are

978
00:45:57,400 --> 00:45:57,880
Speaker 2: you kidding?

979
00:45:58,080 --> 00:46:01,000
Speaker 3: Yeah? Okay maybe, yeah, it's it's I.

980
00:46:00,960 --> 00:46:03,200
Speaker 1: Think you absolutely could have gotten away with And I'm

981
00:46:03,200 --> 00:46:06,080
Speaker 1: sure other shows did that were on, you know, like

982
00:46:06,960 --> 00:46:08,320
Speaker 1: at nine or ten pm.

983
00:46:08,520 --> 00:46:10,560
Speaker 3: Yeah, yeah, it would have. It would have to be yeah,

984
00:46:10,600 --> 00:46:13,920
Speaker 3: not a sitcom, not a family sitcom, because it wouldn't

985
00:46:13,920 --> 00:46:15,680
Speaker 3: be played for it wouldn't be funny. In my opinion,

986
00:46:15,680 --> 00:46:17,919
Speaker 3: it wouldn't be people wouldn't be laughing at this. They'd

987
00:46:17,920 --> 00:46:18,720
Speaker 3: be like, oh god.

988
00:46:18,600 --> 00:46:21,280
Speaker 1: Well right, you're laughing at it because it's the it's

989
00:46:21,400 --> 00:46:23,160
Speaker 1: the situation reversed.

990
00:46:22,840 --> 00:46:25,920
Speaker 3: Right right, that's what makes it funny. But yeah, I

991
00:46:26,000 --> 00:46:28,920
Speaker 3: know this this and this is only the beginning. It

992
00:46:28,960 --> 00:46:34,399
Speaker 3: gets worse. So we have a suspenseful commercial break. When

993
00:46:34,440 --> 00:46:37,520
Speaker 3: we come back, we're still on the set, Joey calls action.

994
00:46:38,280 --> 00:46:41,120
Speaker 3: Jesse pokes his head ever so slightly out of the

995
00:46:41,160 --> 00:46:44,600
Speaker 3: shower curtain to recite his lines. After he's done, he

996
00:46:44,640 --> 00:46:48,400
Speaker 3: quickly retreats back behind the curtain. Joey yell's cut. He

997
00:46:48,480 --> 00:46:51,640
Speaker 3: reminds Jesse that the concept is the IQ man, not

998
00:46:51,760 --> 00:46:56,480
Speaker 3: the IQ head. Jesse tells him too bad, but Joey

999
00:46:56,480 --> 00:46:59,919
Speaker 3: decides some ice cold water could help him overcome his shine.

1000
00:47:00,719 --> 00:47:03,640
Speaker 3: He turns on the shower and almost immediately Jesse jumps

1001
00:47:03,640 --> 00:47:06,080
Speaker 3: out of the shower, wearing a full length towel over

1002
00:47:06,120 --> 00:47:09,319
Speaker 3: his torso and a towel hanging around his neck. And

1003
00:47:09,360 --> 00:47:11,680
Speaker 3: the audience, of course hoots and hollers for this.

1004
00:47:11,760 --> 00:47:14,640
Speaker 1: Oh yeah, I was just impressed that that bathroom was

1005
00:47:14,680 --> 00:47:16,560
Speaker 1: a working bathroom if they just changed it at the

1006
00:47:16,640 --> 00:47:18,400
Speaker 1: last minute. They were like, no, we're actually gonna build

1007
00:47:18,640 --> 00:47:19,240
Speaker 1: a full bathroom.

1008
00:47:19,280 --> 00:47:21,440
Speaker 3: Yeah, how did they get the plumbing? Like normally those

1009
00:47:21,480 --> 00:47:22,200
Speaker 3: things don't work.

1010
00:47:22,320 --> 00:47:27,200
Speaker 1: So yeah, shape shifting backyards and instant builds sets.

1011
00:47:27,600 --> 00:47:30,759
Speaker 3: It's great. And John has a nice fake tan here,

1012
00:47:31,000 --> 00:47:33,080
Speaker 3: like he really, you know, got ready for the party.

1013
00:47:33,200 --> 00:47:34,920
Speaker 2: That's not a fake. That was a fake tan.

1014
00:47:34,960 --> 00:47:35,600
Speaker 3: It looked in hand.

1015
00:47:36,400 --> 00:47:38,800
Speaker 1: Do you remember how dark John used to get in

1016
00:47:38,840 --> 00:47:39,520
Speaker 1: the summertime?

1017
00:47:39,719 --> 00:47:44,200
Speaker 3: It's true, Yeah, okay, he does remember him in Hawaii

1018
00:47:44,239 --> 00:47:45,479
Speaker 3: episode he was very dark.

1019
00:47:45,520 --> 00:47:47,800
Speaker 1: Why it was this soup? No, this was probably we'd

1020
00:47:47,880 --> 00:47:50,200
Speaker 1: just come back, like it was the early season, so

1021
00:47:50,239 --> 00:47:51,320
Speaker 1: it was July August.

1022
00:47:51,400 --> 00:47:54,160
Speaker 3: Oh, so he's it's summertime, so he was summertime.

1023
00:47:54,280 --> 00:47:54,959
Speaker 1: He was tan.

1024
00:47:55,160 --> 00:47:57,239
Speaker 2: Okay, that is absolutely his skin guller.

1025
00:47:57,360 --> 00:47:59,520
Speaker 3: It looked it looked like flawless skin, which yeah, I

1026
00:47:59,520 --> 00:48:01,680
Speaker 3: guess he does also have flawless skin. I thought it

1027
00:48:01,719 --> 00:48:02,359
Speaker 3: was like he was.

1028
00:48:02,320 --> 00:48:05,960
Speaker 1: There was a little little body makeup involved, you know,

1029
00:48:06,120 --> 00:48:08,759
Speaker 1: a little shimmings out, but like, yeah.

1030
00:48:08,520 --> 00:48:10,600
Speaker 3: They gave him a little glisten. Yeah.

1031
00:48:10,719 --> 00:48:13,320
Speaker 1: No, he was twenty six in Greek, you know what

1032
00:48:13,360 --> 00:48:13,640
Speaker 1: I mean?

1033
00:48:13,680 --> 00:48:17,680
Speaker 3: Like he is great, such good skin, like such amazing skin.

1034
00:48:17,760 --> 00:48:20,279
Speaker 3: He still has such amazing skin. I always want to

1035
00:48:20,280 --> 00:48:24,520
Speaker 3: know what his facial skincare routine is. So as Jesse

1036
00:48:24,600 --> 00:48:28,200
Speaker 3: tries to wop as Jesse tries to wipe theop.

1037
00:48:30,360 --> 00:48:32,239
Speaker 1: Indeed, he tries to wop.

1038
00:48:32,480 --> 00:48:36,759
Speaker 3: Sorry, he tries to wipe the cold water off of

1039
00:48:36,800 --> 00:48:39,759
Speaker 3: his body. Miss Garland approaches him and tells him but

1040
00:48:39,800 --> 00:48:42,640
Speaker 3: there's no need to dry off. In fact, she'd like

1041
00:48:42,680 --> 00:48:46,600
Speaker 3: to see his body wetter, and Joey nods the wetter

1042
00:48:46,680 --> 00:48:47,040
Speaker 3: the better.

1043
00:48:47,960 --> 00:48:50,799
Speaker 1: Oh wow, wow, this.

1044
00:48:50,800 --> 00:48:55,280
Speaker 3: Is escalating very fast, right. Jesse asks to be excused again,

1045
00:48:55,640 --> 00:48:58,600
Speaker 3: this time grabbing both of Joey's nostrils as he pulls

1046
00:48:58,640 --> 00:49:02,120
Speaker 3: him away. He tells Joey that this is exactly what

1047
00:49:02,200 --> 00:49:04,520
Speaker 3: he was talking about. He's nothing but a big mac

1048
00:49:04,560 --> 00:49:07,799
Speaker 3: in a towel. He reminds Joey he's not a hamburger,

1049
00:49:07,880 --> 00:49:11,839
Speaker 3: He's a human being. Joey assures him that as long

1050
00:49:11,840 --> 00:49:14,960
Speaker 3: as he's the director, Jesse will be treated with dignity

1051
00:49:15,120 --> 00:49:18,680
Speaker 3: and respect, and then, not one second later, he shouts

1052
00:49:18,680 --> 00:49:20,879
Speaker 3: for someone to come and hose Jesse down to get

1053
00:49:20,880 --> 00:49:24,479
Speaker 3: that wet look. So now it's time for take two.

1054
00:49:25,040 --> 00:49:28,799
Speaker 3: Joey asks for more steam, which fogs Jesse's eyeglasses and

1055
00:49:28,840 --> 00:49:32,799
Speaker 3: makes it harder for him to breathe. Just then, the

1056
00:49:32,840 --> 00:49:38,160
Speaker 3: Goddess appears in a lovely, sparkly gown. Right, She wonders

1057
00:49:38,160 --> 00:49:41,080
Speaker 3: if it's his eyes that she can't resist. Well, the

1058
00:49:41,080 --> 00:49:44,000
Speaker 3: eyes are currently hidden behind the steam, so Jesse quickly

1059
00:49:44,000 --> 00:49:47,080
Speaker 3: wipes the water droplets off of his glasses to make

1060
00:49:47,120 --> 00:49:51,959
Speaker 3: this work. After some unsuccessful dialogue, Jesse reminds everyone he's

1061
00:49:51,960 --> 00:49:55,040
Speaker 3: in a bath towel here. Everyone lets out a sigh

1062
00:49:55,080 --> 00:49:59,239
Speaker 3: of disappointment. When Jesse admits it's just not working. Miss

1063
00:49:59,320 --> 00:50:03,240
Speaker 3: Garland nods agreement, You're right, it's not working. That towel

1064
00:50:03,320 --> 00:50:05,799
Speaker 3: is much too big. She pulls out a pair of

1065
00:50:05,800 --> 00:50:09,240
Speaker 3: scissors and begins to lunge towards Jesse so she can

1066
00:50:09,280 --> 00:50:10,680
Speaker 3: cut it into her desired length.

1067
00:50:10,880 --> 00:50:13,160
Speaker 2: This woman has become homicidal.

1068
00:50:13,760 --> 00:50:17,160
Speaker 3: She's unhinged, she's obsessed. She really needs a restraining her.

1069
00:50:17,360 --> 00:50:22,879
Speaker 4: You know this is I actually feel bad for Jesse,

1070
00:50:22,920 --> 00:50:26,719
Speaker 4: and I'm like, wow, this woman is right. She's so aggressive,

1071
00:50:27,040 --> 00:50:29,680
Speaker 4: she's I'm like woman, she needs the cold.

1072
00:50:29,400 --> 00:50:34,839
Speaker 3: Shower, like just right, darious. So Jesse runs away from her,

1073
00:50:34,880 --> 00:50:38,560
Speaker 3: but Miss Garland chases after him. Jesse begs his boss

1074
00:50:38,560 --> 00:50:41,319
Speaker 3: to do something, but mister, all mister Mela Testa does

1075
00:50:41,360 --> 00:50:43,759
Speaker 3: is remind him that she is the client, and so

1076
00:50:43,840 --> 00:50:46,240
Speaker 3: he stands behind her one hundred percent.

1077
00:50:46,880 --> 00:50:48,440
Speaker 2: This is how it happens.

1078
00:50:48,520 --> 00:50:51,719
Speaker 1: This is it. This literally this. They should just show

1079
00:50:51,760 --> 00:50:54,600
Speaker 1: this episode in like hr things and be like, see

1080
00:50:54,600 --> 00:50:56,759
Speaker 1: all of this, never do this.

1081
00:50:56,520 --> 00:50:58,359
Speaker 3: This is you will get fired for all of this,

1082
00:50:58,440 --> 00:51:02,640
Speaker 3: all of it, every single beat. Jesse declares, I will

1083
00:51:02,640 --> 00:51:06,600
Speaker 3: not stand here and be exploited by you. Mister Malatesta argues,

1084
00:51:06,800 --> 00:51:09,280
Speaker 3: as long as you're working for me, you'll do exactly

1085
00:51:09,400 --> 00:51:14,320
Speaker 3: as she says. Ooh, but Jesse doesn't back down. He says, Okay,

1086
00:51:14,400 --> 00:51:17,440
Speaker 3: from now on, we don't work for you. We quit.

1087
00:51:19,080 --> 00:51:21,400
Speaker 3: He begins to storm away, and mister Malatesta tries to

1088
00:51:21,400 --> 00:51:23,880
Speaker 3: tell him he's making the biggest mistake of his life,

1089
00:51:24,440 --> 00:51:27,680
Speaker 3: and Jesse concludes, No, the biggest mistake I ever made

1090
00:51:27,840 --> 00:51:32,320
Speaker 3: was working for a spineless jellyfish like you. This is

1091
00:51:32,360 --> 00:51:34,759
Speaker 3: getting nasty now, now it's getting a little bit Wow.

1092
00:51:35,280 --> 00:51:37,200
Speaker 3: I'm proud of Jesse for standing up for himself.

1093
00:51:37,480 --> 00:51:38,560
Speaker 1: You know that's good.

1094
00:51:39,120 --> 00:51:42,799
Speaker 2: Look, mister Malatesta was obviously wrong.

1095
00:51:43,000 --> 00:51:46,240
Speaker 3: Yeah, you support your employee, you know, you support your people.

1096
00:51:47,320 --> 00:51:49,160
Speaker 3: I mean, there's a diplomatic way to go about it.

1097
00:51:49,200 --> 00:51:51,839
Speaker 3: But man, this was I felt bad I did feel

1098
00:51:51,880 --> 00:51:55,600
Speaker 3: bad for Jesse. Yeah, so Joey tries to save this.

1099
00:51:56,160 --> 00:51:58,560
Speaker 3: She tries to save their butts by telling mister Malatesta.

1100
00:51:58,880 --> 00:52:02,400
Speaker 3: In some areas, less jellyfish is considered a delicates a

1101
00:52:02,400 --> 00:52:07,880
Speaker 3: Delicatessy dela delicates delicate, Dela delicacy. Oh my gosh, I

1102
00:52:07,920 --> 00:52:13,439
Speaker 3: need somebody shake my head. I'm struggling today. Drink more tea.

1103
00:52:14,280 --> 00:52:17,480
Speaker 3: So mister Mellotestas smirks, You're a good man, Gladstone. You

1104
00:52:17,520 --> 00:52:20,680
Speaker 3: know just when to kiss up, and Joey sighs, I

1105
00:52:20,719 --> 00:52:23,440
Speaker 3: am a kiss up, aren't I, and the boss nods

1106
00:52:23,640 --> 00:52:26,880
Speaker 3: one of the best. Joey turns to Jesse with sorrow.

1107
00:52:27,000 --> 00:52:30,359
Speaker 3: He asks I sold you out, didn't I, and Jesse

1108
00:52:30,440 --> 00:52:34,320
Speaker 3: corrects him, you hosed me down. We're partners and friends.

1109
00:52:35,160 --> 00:52:38,520
Speaker 3: Joey grabs his partner and stands firm when addressing his boss.

1110
00:52:39,040 --> 00:52:41,200
Speaker 3: This man is not a hamburger, and I am not

1111
00:52:41,280 --> 00:52:45,160
Speaker 3: a side of fries, and you, sir, are a chicken McNugget.

1112
00:52:46,160 --> 00:52:49,080
Speaker 3: Jesse wonders if he's quitting or ordering a happy meal.

1113
00:52:50,360 --> 00:52:53,120
Speaker 3: Joey's got to work on his his you know smack talk.

1114
00:52:53,000 --> 00:52:55,799
Speaker 2: Game here is not is not great.

1115
00:52:55,840 --> 00:52:59,239
Speaker 3: It wasn't his finest moment, but now that's okay. Joey

1116
00:52:59,280 --> 00:53:02,719
Speaker 3: tells mister malle Testa they are quitting. The do walk out,

1117
00:53:02,800 --> 00:53:05,360
Speaker 3: and Jesse announces that they have better places to be

1118
00:53:06,320 --> 00:53:09,919
Speaker 3: before exiting, Joey wonders, we just lost our jobs. Where

1119
00:53:09,920 --> 00:53:16,600
Speaker 3: are we going? And Jesse shrugs, career day, Hey, great timing, right, perfect? Yeah, No,

1120
00:53:16,760 --> 00:53:18,719
Speaker 3: I was very proud of Jesse for standing up for

1121
00:53:18,840 --> 00:53:21,879
Speaker 3: himself and not taking it like this is definitely yeah,

1122
00:53:22,040 --> 00:53:27,719
Speaker 3: this reversal unacceptable behavior. Yeah, I'm I'm very proud of him.

1123
00:53:27,800 --> 00:53:32,279
Speaker 1: I was actually I was actually like surprised, Yeah, it

1124
00:53:32,280 --> 00:53:34,840
Speaker 1: could have gone a very different way, you know, Like no,

1125
00:53:34,920 --> 00:53:37,440
Speaker 1: I mean I was just surprised that like we we

1126
00:53:37,480 --> 00:53:39,960
Speaker 1: went there on the show, like it was so overtly

1127
00:53:41,160 --> 00:53:44,840
Speaker 1: like sexualized. I was, you know, I was like, huh, okay.

1128
00:53:44,719 --> 00:53:47,000
Speaker 3: Yeah, I think I think back then though, it wasn't

1129
00:53:47,600 --> 00:53:51,080
Speaker 3: it women could do like women could sort of treat

1130
00:53:51,120 --> 00:53:54,439
Speaker 3: men like beefcakes, and it wasn't as well makedown upon

1131
00:53:54,480 --> 00:53:55,240
Speaker 3: as it is today.

1132
00:53:56,000 --> 00:53:58,240
Speaker 1: Yeah, well I think that went both ways.

1133
00:53:58,560 --> 00:54:01,560
Speaker 3: True, true, but yeah, I could have come.

1134
00:54:01,640 --> 00:54:04,360
Speaker 1: I think it was probably funny because this was usually

1135
00:54:04,360 --> 00:54:07,319
Speaker 1: how women were treated, and so it's funny because now

1136
00:54:07,360 --> 00:54:08,200
Speaker 1: a woman's doing it.

1137
00:54:08,239 --> 00:54:11,680
Speaker 3: Now a woman's doing it. And I think Jesse could

1138
00:54:11,719 --> 00:54:17,560
Speaker 3: have responded by being flattered or being a tray bey No,

1139
00:54:17,640 --> 00:54:21,120
Speaker 3: which is I was true, He's not like sorry, ma'm

1140
00:54:21,200 --> 00:54:24,200
Speaker 3: I have a girl friend like yeah, which missus Garland

1141
00:54:24,200 --> 00:54:26,719
Speaker 3: wouldn't have cared like she's just bulldozed.

1142
00:54:26,280 --> 00:54:28,239
Speaker 1: Right when I but like still, I was like, you

1143
00:54:28,280 --> 00:54:30,439
Speaker 1: didn't even say it at all at any point.

1144
00:54:30,560 --> 00:54:33,040
Speaker 3: No, he kept it about her behavior, that her behavior

1145
00:54:33,480 --> 00:54:36,240
Speaker 3: was inappropriate. It's not about Becky. Even if he was single,

1146
00:54:36,480 --> 00:54:37,759
Speaker 3: this would not have been appropriate.

1147
00:54:37,960 --> 00:54:40,160
Speaker 1: No, no, no, no, definitely I'm not that and that's

1148
00:54:40,200 --> 00:54:41,719
Speaker 1: not what I'm saying. But I was just surprised that

1149
00:54:41,800 --> 00:54:44,799
Speaker 1: Jesse didn't bring up the fact, like to use that

1150
00:54:44,880 --> 00:54:47,919
Speaker 1: as one of the first reasons to be like no, no, no, no, yeah.

1151
00:54:47,960 --> 00:54:49,680
Speaker 3: That could have been part of his line of defense.

1152
00:54:49,800 --> 00:54:51,600
Speaker 3: It was just like, hey, I got a girlfriend. You're

1153
00:54:51,640 --> 00:54:54,680
Speaker 3: being inappropriate, right, yeah, try.

1154
00:54:54,520 --> 00:54:56,120
Speaker 2: And delay tactic.

1155
00:54:56,280 --> 00:55:06,680
Speaker 1: Yeah, hey, Fana Ritos, I know you've all been waiting

1156
00:55:06,719 --> 00:55:11,080
Speaker 1: for this. It's out. We have merch I know how

1157
00:55:11,320 --> 00:55:14,479
Speaker 1: rude merch dot com you can go there. We've got

1158
00:55:14,680 --> 00:55:17,839
Speaker 1: several different designs that A. B and I personally came

1159
00:55:17,960 --> 00:55:21,040
Speaker 1: up with worked on. We think you're gonna like them,

1160
00:55:21,120 --> 00:55:23,879
Speaker 1: and you know, if you don't, then don't buy one.

1161
00:55:23,880 --> 00:55:26,440
Speaker 1: But if you do, you can have any of the art.

1162
00:55:26,440 --> 00:55:28,640
Speaker 1: You can put on a hoodie on a T shirt

1163
00:55:29,600 --> 00:55:31,200
Speaker 1: or hood of your T shirt. I think for now,

1164
00:55:31,200 --> 00:55:33,040
Speaker 1: but you know what, we might move into more things.

1165
00:55:33,400 --> 00:55:35,800
Speaker 1: We are so excited that we get to start here.

1166
00:55:36,120 --> 00:55:38,919
Speaker 1: We have a world of small The house is full

1167
00:55:39,000 --> 00:55:41,560
Speaker 1: T shirt. There's a pink bunny. There might even be

1168
00:55:41,600 --> 00:55:44,719
Speaker 1: an amphibian. There might that we love and that you

1169
00:55:44,800 --> 00:55:48,080
Speaker 1: too love. So if you need a turtle on a shirt,

1170
00:55:49,040 --> 00:55:52,360
Speaker 1: then you need to head to Howard Merch dot com

1171
00:55:52,719 --> 00:55:54,919
Speaker 1: and you can get all of the best how Rude

1172
00:55:54,920 --> 00:55:56,080
Speaker 1: merch for yourself.

1173
00:55:56,239 --> 00:55:59,120
Speaker 3: So next at career day, the class is clapping for

1174
00:55:59,160 --> 00:56:02,719
Speaker 3: a man who has just finished speaking. DJ walks up

1175
00:56:02,719 --> 00:56:04,840
Speaker 3: to the man and says, thank you, mister Kraus for

1176
00:56:04,960 --> 00:56:09,440
Speaker 3: introducing us to the wonderful world of meat. Then she

1177
00:56:09,480 --> 00:56:12,520
Speaker 3: addresses the class. Now, as we move into the field

1178
00:56:12,560 --> 00:56:15,800
Speaker 3: of TV entertainment, I'd like to apologize once again for

1179
00:56:15,880 --> 00:56:20,919
Speaker 3: the unfortunate Connie Chung incident. They all sigh with disappointment,

1180
00:56:21,000 --> 00:56:25,160
Speaker 3: but DJ tries to rally some enthusiasm, but just as exciting,

1181
00:56:25,360 --> 00:56:27,799
Speaker 3: we have the co host of Wake Up San Francisco,

1182
00:56:28,200 --> 00:56:30,880
Speaker 3: Let's give it up for Danny Tanner and Rebecca Donaldson.

1183
00:56:31,560 --> 00:56:34,839
Speaker 3: She gives them some cheers a Lah Arsenio hall going,

1184
00:56:36,440 --> 00:56:38,200
Speaker 3: and when she realizes no one else from the class

1185
00:56:38,239 --> 00:56:40,279
Speaker 3: is cheering along with her, she gets quiet and says,

1186
00:56:40,280 --> 00:56:45,000
Speaker 3: who who is right here? Danny starts off by saying,

1187
00:56:45,080 --> 00:56:48,200
Speaker 3: wake up Van adda junior High. The two talk show

1188
00:56:48,200 --> 00:56:51,480
Speaker 3: hosts introduce themselves as they begin to explain their job,

1189
00:56:52,400 --> 00:56:57,000
Speaker 3: but the class is finding zero amusement in this. Danny pivots,

1190
00:56:57,360 --> 00:57:01,000
Speaker 3: looking at your beautiful, shiny, round little faces. I'm reminded

1191
00:57:01,000 --> 00:57:04,000
Speaker 3: of my first job in television. But before he can

1192
00:57:04,000 --> 00:57:07,800
Speaker 3: tell this too long and too boring story, Becky points

1193
00:57:07,800 --> 00:57:09,560
Speaker 3: out that there is a question coming from one of

1194
00:57:09,560 --> 00:57:16,480
Speaker 3: the kids, already saved by Becky again, right, well sort of, yeah, yeah, true,

1195
00:57:16,560 --> 00:57:18,760
Speaker 3: Well she stopped him from telling the story, so well

1196
00:57:18,800 --> 00:57:19,160
Speaker 3: that's true.

1197
00:57:19,240 --> 00:57:20,200
Speaker 2: Yeah, yeah, yeah, yeah.

1198
00:57:20,240 --> 00:57:21,400
Speaker 1: Danny's not good at reading a room.

1199
00:57:21,440 --> 00:57:24,320
Speaker 3: He really isn't. But then the girl stands up the

1200
00:57:24,320 --> 00:57:28,080
Speaker 3: student and we see it's Kathy Santoni. She asks how

1201
00:57:28,120 --> 00:57:32,920
Speaker 3: tall is Connie Chung. Danny is stunned. He smiles, Connie

1202
00:57:33,000 --> 00:57:35,880
Speaker 3: Chung is not here, but I am and I'm six four,

1203
00:57:36,080 --> 00:57:39,240
Speaker 3: thank you very much. That's when Kimmy pipes up. But

1204
00:57:39,320 --> 00:57:43,520
Speaker 3: if she were here, how tall would she be? Kathy adds,

1205
00:57:43,680 --> 00:57:46,920
Speaker 3: who does Connie's hair? And then the whole classroom starts

1206
00:57:46,960 --> 00:57:49,120
Speaker 3: shouting questions about Connie Chung.

1207
00:57:50,800 --> 00:57:54,200
Speaker 1: There's a common experience. I mean, she really just you know,

1208
00:57:54,720 --> 00:57:56,120
Speaker 1: this is a very hot topic.

1209
00:57:56,480 --> 00:57:59,840
Speaker 3: The kids were obviously disappointed, you know, they were expecting

1210
00:58:00,280 --> 00:58:04,400
Speaker 3: Chung and they got Danny Tanner. So but DJ's had enough.

1211
00:58:04,800 --> 00:58:07,560
Speaker 3: She interrupts all of this chatter and she stands and shouts,

1212
00:58:07,640 --> 00:58:10,720
Speaker 3: that's it. Connie Chung couldn't make it, so just get

1213
00:58:10,760 --> 00:58:11,240
Speaker 3: over it.

1214
00:58:12,120 --> 00:58:14,400
Speaker 1: Where's the teacher? I was just gonna say, where's the

1215
00:58:14,480 --> 00:58:16,959
Speaker 1: teacher in all of this? Do we ever even see

1216
00:58:16,760 --> 00:58:18,840
Speaker 1: the teacher putting your own class?

1217
00:58:19,560 --> 00:58:21,680
Speaker 2: She's acting like their supervision.

1218
00:58:21,880 --> 00:58:24,920
Speaker 1: She's leading the supervisor to be found.

1219
00:58:25,000 --> 00:58:27,720
Speaker 3: No, it's just DJ's leading the class in everything.

1220
00:58:27,840 --> 00:58:29,520
Speaker 2: I mean, she's in charge of career day.

1221
00:58:29,560 --> 00:58:32,040
Speaker 1: But I feel like if the class started getting unruly

1222
00:58:32,080 --> 00:58:33,720
Speaker 1: that the teacher would step in.

1223
00:58:34,080 --> 00:58:35,040
Speaker 3: No, DJ is now.

1224
00:58:36,560 --> 00:58:39,120
Speaker 1: Break Yeah.

1225
00:58:39,160 --> 00:58:42,400
Speaker 3: So just then Jesse and Joey entered the classroom. DJ

1226
00:58:42,720 --> 00:58:45,920
Speaker 3: is ecstatic to see them. She cuts Danny and Rebecca's

1227
00:58:45,920 --> 00:58:49,400
Speaker 3: time short, introducing Jesse and Joey right away from the

1228
00:58:49,440 --> 00:58:53,360
Speaker 3: exciting world of advertising. Jesse cuts Oppolis and Joey Gladstone.

1229
00:58:54,160 --> 00:58:56,080
Speaker 3: She makes her way over to Danny and Rebecca and

1230
00:58:56,120 --> 00:59:00,840
Speaker 3: gives them a dismissive thanks guys, and Danny questions, thanks guys,

1231
00:59:01,240 --> 00:59:04,680
Speaker 3: the butcher had ten minutes, and DJ shrugs, sorry, but

1232
00:59:04,760 --> 00:59:08,440
Speaker 3: class is almost over. Plus, the butcher gave out miniature salamis,

1233
00:59:08,960 --> 00:59:11,720
Speaker 3: and the entire class holds up their tiny salamis on

1234
00:59:11,760 --> 00:59:12,600
Speaker 3: a string.

1235
00:59:12,360 --> 00:59:14,240
Speaker 1: To prove it great snack.

1236
00:59:16,280 --> 00:59:19,200
Speaker 3: There's a lot of like meat references in this entire episode,

1237
00:59:19,200 --> 00:59:20,680
Speaker 3: but like I said, there is.

1238
00:59:21,120 --> 00:59:25,040
Speaker 1: So there is so many things here that that looking

1239
00:59:25,080 --> 00:59:29,080
Speaker 1: at it now, are like wildly shocked that that this

1240
00:59:29,280 --> 00:59:31,200
Speaker 1: was the show that everyone's like I could watch it

1241
00:59:31,280 --> 00:59:32,880
Speaker 1: and not worry about anything with my kids. I'm like,

1242
00:59:32,920 --> 00:59:36,120
Speaker 1: I don't know. There's some references to anyway, and you

1243
00:59:36,160 --> 00:59:39,680
Speaker 1: know it's intentional, not it's silly, fun, over the top whatever.

1244
00:59:39,720 --> 00:59:43,000
Speaker 1: We're not being total sticks in the mud. Everyone calmed down, right,

1245
00:59:43,040 --> 00:59:44,040
Speaker 1: we're just saying.

1246
00:59:43,760 --> 00:59:44,280
Speaker 2: That it is.

1247
00:59:44,520 --> 00:59:47,280
Speaker 3: You know, it's obvious because the writers knew what they

1248
00:59:47,320 --> 00:59:49,880
Speaker 3: were doing, Like, they did not write this innocently thinking

1249
00:59:49,960 --> 00:59:52,040
Speaker 3: oh you know, no, that right they're talking about.

1250
00:59:52,040 --> 00:59:53,480
Speaker 1: I guess it's kind of like that thing like in

1251
00:59:53,520 --> 00:59:55,760
Speaker 1: a Pixar movie where they throw in a couple jokes

1252
00:59:55,800 --> 00:59:57,720
Speaker 1: for the adults who are watching, and you're like, oh, okay,

1253
00:59:57,760 --> 00:59:58,280
Speaker 1: I get it.

1254
00:59:58,200 --> 01:00:00,920
Speaker 3: And as a kid, yeah, as kids it was, we

1255
01:00:00,960 --> 01:00:03,200
Speaker 3: didn't catch it, but the adults are like, oh, yeah,

1256
01:00:03,240 --> 01:00:06,920
Speaker 3: I got it, and I know what's happening. So Danny

1257
01:00:07,080 --> 01:00:10,160
Speaker 3: tries to tell her he is not above bribes. In fact,

1258
01:00:10,160 --> 01:00:12,600
Speaker 3: he'd like to hand out autograph pictures of his face

1259
01:00:12,680 --> 01:00:15,640
Speaker 3: to everyone. Becky doesn't let it go on from there.

1260
01:00:15,680 --> 01:00:16,880
Speaker 3: She tells him it's over.

1261
01:00:17,760 --> 01:00:19,080
Speaker 1: Thanks Becky, Thank you, Becky.

1262
01:00:19,680 --> 01:00:22,120
Speaker 3: They sit back down and Jesse and Joey take the podium.

1263
01:00:22,480 --> 01:00:25,600
Speaker 3: The class cheers for them, and Jesse starts, when you

1264
01:00:25,640 --> 01:00:28,040
Speaker 3: really stop and think about it, the whole career thing

1265
01:00:28,160 --> 01:00:32,240
Speaker 3: is overrated. There are more important things in life. Joey agrees,

1266
01:00:32,640 --> 01:00:35,960
Speaker 3: like a well balanced breakfast, and Jesse adds and really

1267
01:00:35,960 --> 01:00:39,960
Speaker 3: cool sunglasses. The two list off some other important things.

1268
01:00:40,040 --> 01:00:43,919
Speaker 3: But Kimmy's catching on. She asks, did you too lose

1269
01:00:43,960 --> 01:00:48,200
Speaker 3: your jobs or something? And Jesse's eyes narrow, zip it, gibbler.

1270
01:00:49,280 --> 01:00:51,200
Speaker 3: She's just stating with kind of off.

1271
01:00:51,520 --> 01:00:54,360
Speaker 1: Yeah, yeah, Joey, you're the one here lying to a

1272
01:00:54,360 --> 01:00:55,760
Speaker 1: classroom full of middle school students.

1273
01:00:55,800 --> 01:00:59,760
Speaker 3: Broez, Well, they could have still given advice about the advertising,

1274
01:01:00,520 --> 01:01:02,920
Speaker 3: you know. Just because they lost their jobs or they

1275
01:01:02,960 --> 01:01:04,920
Speaker 3: quit their jobs, it doesn't mean they've lost all the

1276
01:01:04,960 --> 01:01:06,439
Speaker 3: knowledge that they have, right.

1277
01:01:06,560 --> 01:01:08,680
Speaker 1: The joke's got a yeah, the years and years of

1278
01:01:08,720 --> 01:01:12,400
Speaker 1: accumulated knowledge of their advertising career.

1279
01:01:12,200 --> 01:01:16,840
Speaker 3: The one season or whatever it was. So Joey proudly

1280
01:01:16,880 --> 01:01:19,480
Speaker 3: states that they have something much more important than jobs.

1281
01:01:19,640 --> 01:01:24,120
Speaker 3: They have integrity, and Kathy Santoni enthusiastically asks how much

1282
01:01:24,160 --> 01:01:30,880
Speaker 3: does that pay an hour? The bell rings, the bell rings,

1283
01:01:30,960 --> 01:01:33,919
Speaker 3: the class is dismissed. Joey tries to end their point

1284
01:01:33,960 --> 01:01:37,600
Speaker 3: by shouting out words of encouragement. Remember, kids, always keep

1285
01:01:37,640 --> 01:01:41,040
Speaker 3: your heads up high and always carry exact bus change.

1286
01:01:41,640 --> 01:01:44,680
Speaker 2: But obviously, when the bus used to cost change.

1287
01:01:44,440 --> 01:01:47,080
Speaker 3: Yeah, you used to have to put quarters into me.

1288
01:01:47,120 --> 01:01:48,720
Speaker 1: You're still going to pay to get on the bus,

1289
01:01:48,760 --> 01:01:51,520
Speaker 1: but now it's it's like an app or you just

1290
01:01:51,560 --> 01:01:53,960
Speaker 1: it's certainly not anything below a dollar.

1291
01:01:54,120 --> 01:01:56,520
Speaker 3: Yeah, no, it's all electronic now. But you used to

1292
01:01:56,560 --> 01:01:58,520
Speaker 3: have to have coins to get.

1293
01:01:58,360 --> 01:02:01,320
Speaker 1: On the bus. But I'm sure it was like a quarter.

1294
01:02:01,680 --> 01:02:04,439
Speaker 1: Now it's like a dollar fifty. Arry, Yeah, no, it's

1295
01:02:04,480 --> 01:02:05,320
Speaker 1: true inflation.

1296
01:02:06,680 --> 01:02:10,320
Speaker 3: So the junior hires are no longer paying attention to them.

1297
01:02:10,680 --> 01:02:13,439
Speaker 3: Danny pats his friend on the back and sarcastically tells him,

1298
01:02:13,880 --> 01:02:17,400
Speaker 3: I think you really moved them. DJ admits, I feel

1299
01:02:17,440 --> 01:02:20,560
Speaker 3: so bad for you guys. What happened? Jesse tells her

1300
01:02:20,600 --> 01:02:23,120
Speaker 3: their boss to push them too far so they quit.

1301
01:02:24,000 --> 01:02:27,200
Speaker 3: Danny pipes up, look, I'm the last one to give advice.

1302
01:02:28,160 --> 01:02:31,200
Speaker 3: When they all look at him with confusion, he corrects himself, Okay,

1303
01:02:31,240 --> 01:02:33,720
Speaker 3: I'm the first one to give advice. Maybe you guys

1304
01:02:33,760 --> 01:02:37,160
Speaker 3: should go into business for yourselves. He explains all of

1305
01:02:37,160 --> 01:02:39,320
Speaker 3: the things they could do with their own company, and

1306
01:02:39,400 --> 01:02:43,200
Speaker 3: that seems to spike some interest. DJ chimes in, we

1307
01:02:43,320 --> 01:02:45,600
Speaker 3: just learned about this. Why don't you get a small

1308
01:02:45,600 --> 01:02:48,920
Speaker 3: business loan? Becky agrees this is a great idea. They

1309
01:02:48,920 --> 01:02:51,480
Speaker 3: have the experience, the talent, the contacts.

1310
01:02:52,080 --> 01:02:55,160
Speaker 1: Totally. Yeah, Bank would love to throw a loan at

1311
01:02:55,160 --> 01:02:57,680
Speaker 1: these one living in a basement and one living in

1312
01:02:57,720 --> 01:03:00,480
Speaker 1: a kid's former bedroom.

1313
01:03:00,760 --> 01:03:04,240
Speaker 3: There's no stable incomes.

1314
01:03:04,120 --> 01:03:06,960
Speaker 1: As a motorcycle riding musician, yeah I mean, and a

1315
01:03:07,440 --> 01:03:10,400
Speaker 1: stand up comedian. Those are the two jobs. Let me

1316
01:03:10,440 --> 01:03:12,960
Speaker 1: tell you. They banks just throw money at you like

1317
01:03:13,040 --> 01:03:17,760
Speaker 1: a reliable income. Say no more, give me your.

1318
01:03:17,560 --> 01:03:19,160
Speaker 3: Your last two years of employment.

1319
01:03:19,200 --> 01:03:20,280
Speaker 1: They don't have it.

1320
01:03:20,240 --> 01:03:21,600
Speaker 2: It's just like, yeah, this is a great.

1321
01:03:21,440 --> 01:03:27,520
Speaker 3: Ideas, guys, this is a pipe dream. But that's okay.

1322
01:03:27,560 --> 01:03:30,919
Speaker 3: Everyone's pumped. They cheer for the guys. Jesse and Joey

1323
01:03:31,000 --> 01:03:34,000
Speaker 3: hug each other and Jesse exclaims, we have our own business.

1324
01:03:34,720 --> 01:03:37,440
Speaker 3: And then reality seeps in and he questions, what the

1325
01:03:37,480 --> 01:03:42,440
Speaker 3: hell just happened. So in the living room, Stephanie is

1326
01:03:42,440 --> 01:03:45,120
Speaker 3: holding a piece of notebook paper and Michelle grabs it

1327
01:03:45,160 --> 01:03:49,800
Speaker 3: from her and sneezes directly into it. Stephanie holds snot

1328
01:03:49,800 --> 01:03:54,200
Speaker 3: covered paper and exclaims, how rude. Michelle states, you gave

1329
01:03:54,240 --> 01:03:57,600
Speaker 3: me your cold, now take it back. Steph holds her

1330
01:03:57,640 --> 01:04:00,520
Speaker 3: hands and holds up her hands and surrender. No can

1331
01:04:00,640 --> 01:04:02,760
Speaker 3: do once it's out of my nose, It's out of

1332
01:04:02,800 --> 01:04:07,440
Speaker 3: my hands, and Michelle narrows her eyes in response. Just then,

1333
01:04:07,520 --> 01:04:09,800
Speaker 3: Joey walks through the door carrying a bag of groceries.

1334
01:04:10,120 --> 01:04:12,280
Speaker 3: He happily makes his way over to the girls and

1335
01:04:12,360 --> 01:04:16,120
Speaker 3: asks Michelle how she's doing. Michelle points to Stephanie and

1336
01:04:16,160 --> 01:04:20,320
Speaker 3: complains she made me sick, and steph clarifies I gave

1337
01:04:20,360 --> 01:04:23,840
Speaker 3: her my cold. Joey tells Michelle he's sorry this happened,

1338
01:04:23,840 --> 01:04:27,120
Speaker 3: but there is some good news since she took such

1339
01:04:27,160 --> 01:04:30,480
Speaker 3: good care of Stephie. He's sure Steffie will take really

1340
01:04:30,480 --> 01:04:33,240
Speaker 3: good care of her, and he looks to Steffie to

1341
01:04:33,280 --> 01:04:37,720
Speaker 3: back him up. She admits nice guilt trip Joey. He

1342
01:04:37,760 --> 01:04:41,000
Speaker 3: gives her a smile and then leaves them. Steph tells

1343
01:04:41,040 --> 01:04:43,760
Speaker 3: her little sister, in the words of Michelle Tanner, you

1344
01:04:44,200 --> 01:04:48,320
Speaker 3: upstairs into bed. Move it, mister, move it. And Michelle

1345
01:04:48,400 --> 01:04:49,560
Speaker 3: is like, chill out, dude.

1346
01:04:50,400 --> 01:04:53,480
Speaker 1: Yeah, ah see, how does it feel, Michelle? The roles

1347
01:04:53,480 --> 01:04:54,760
Speaker 1: are reversed, right.

1348
01:04:54,880 --> 01:04:57,880
Speaker 3: Yes, this was a cute little little.

1349
01:04:57,680 --> 01:04:59,360
Speaker 1: Beast storyline between you two.

1350
01:04:59,440 --> 01:05:01,919
Speaker 3: I think this is this when you start having more

1351
01:05:02,000 --> 01:05:04,640
Speaker 3: storylines with Michelle, like they started pairing.

1352
01:05:04,360 --> 01:05:04,840
Speaker 1: You guys out.

1353
01:05:05,080 --> 01:05:07,120
Speaker 2: Yeah yeah, and we were just really close.

1354
01:05:07,200 --> 01:05:09,360
Speaker 1: See and Ashley Mary Kate were close, so we had

1355
01:05:09,400 --> 01:05:12,280
Speaker 1: some it was fun to like write storylines kind of

1356
01:05:12,480 --> 01:05:13,000
Speaker 1: between us.

1357
01:05:13,040 --> 01:05:15,200
Speaker 3: So it's cute, very very cute, and you could definitely

1358
01:05:15,280 --> 01:05:17,760
Speaker 3: you alone could carry a scene and the Yeah, the

1359
01:05:17,800 --> 01:05:19,760
Speaker 3: two of the two, you and the girls worked really

1360
01:05:19,760 --> 01:05:24,600
Speaker 3: well together. So next in the kitchen, Jesse walks downstairs

1361
01:05:24,640 --> 01:05:27,560
Speaker 3: and tells Joey he has some bad news. The bank

1362
01:05:27,720 --> 01:05:31,520
Speaker 3: turned down the business loan for Double J Creative Services,

1363
01:05:32,360 --> 01:05:35,440
Speaker 3: and Joey wonders, how could they do that. Jesse lists

1364
01:05:35,440 --> 01:05:37,560
Speaker 3: off a few good reasons that would explain it.

1365
01:05:38,480 --> 01:05:41,080
Speaker 1: Yeah, just the tip of the iceberg.

1366
01:05:42,520 --> 01:05:45,440
Speaker 3: Then Danny walks in. He heard what happened at the bank,

1367
01:05:45,640 --> 01:05:48,120
Speaker 3: and he has something that could make them feel a

1368
01:05:48,120 --> 01:05:51,880
Speaker 3: lot better. Jesse sighs, begging him not to sing the

1369
01:05:51,920 --> 01:05:56,640
Speaker 3: Impossible Dream again. He responds, no, I'm just gonna humme

1370
01:05:56,640 --> 01:05:59,440
Speaker 3: it while you take a look at this. So he

1371
01:05:59,520 --> 01:06:02,560
Speaker 3: proceeds to hum the song as promised while pulling a

1372
01:06:02,640 --> 01:06:06,400
Speaker 3: check out of his pocket. Once Jesse takes a closer look,

1373
01:06:06,560 --> 01:06:10,960
Speaker 3: he realizes it's a personal check from Danny Tanner. Danny's

1374
01:06:11,000 --> 01:06:14,800
Speaker 3: humming starts to get louder and more boisterous. Joey takes

1375
01:06:14,800 --> 01:06:17,600
Speaker 3: the check and examines it, finally begging Danny to stop

1376
01:06:17,680 --> 01:06:22,240
Speaker 3: with the humming, which was very aggressive. Yeah, he asks

1377
01:06:22,240 --> 01:06:24,720
Speaker 3: his best friend why he's giving them all this money,

1378
01:06:25,200 --> 01:06:28,840
Speaker 3: and Danny admits, because I believe in you guys. After all,

1379
01:06:29,080 --> 01:06:31,160
Speaker 3: after all you've done for me, I'm happy to do

1380
01:06:31,200 --> 01:06:31,880
Speaker 3: this for you.

1381
01:06:32,760 --> 01:06:35,120
Speaker 1: And he clear you've already given him free rooting and board.

1382
01:06:35,280 --> 01:06:38,320
Speaker 3: Honestly, I was thinking this too, like, I mean, yeah,

1383
01:06:38,360 --> 01:06:39,080
Speaker 3: they help out with the.

1384
01:06:39,120 --> 01:06:42,520
Speaker 1: Kids for me. With the kids, you say, kids are

1385
01:06:42,800 --> 01:06:45,080
Speaker 1: on supervise alf the time, and getting it all backing

1386
01:06:45,120 --> 01:06:46,040
Speaker 1: cars into the kitchen.

1387
01:06:46,920 --> 01:06:48,720
Speaker 3: Right, I've done your house.

1388
01:06:48,800 --> 01:06:49,840
Speaker 1: How does he have all this money?

1389
01:06:49,880 --> 01:06:52,400
Speaker 2: He just had to rebuild his bottom story.

1390
01:06:52,120 --> 01:06:54,800
Speaker 3: Of his house, right the kitchen, the car in the kitchen. Yeah,

1391
01:06:54,880 --> 01:06:57,400
Speaker 3: Danny must be doing very well. As talks to.

1392
01:06:57,840 --> 01:07:00,920
Speaker 1: The Tanners, there's some there's some money there or something.

1393
01:07:01,040 --> 01:07:03,120
Speaker 1: There's gotta be the Tanners come from something.

1394
01:07:03,160 --> 01:07:06,640
Speaker 3: Well, maybe there's that Pam's life insurance policy, and so

1395
01:07:06,720 --> 01:07:08,600
Speaker 3: maybe that's how he's paying for all this stuff. I

1396
01:07:08,600 --> 01:07:08,920
Speaker 3: don't know.

1397
01:07:09,040 --> 01:07:11,240
Speaker 2: Well so so.

1398
01:07:10,560 --> 01:07:14,400
Speaker 1: So the cuts up a lot money. I don't think

1399
01:07:14,440 --> 01:07:17,439
Speaker 1: that's true though, because then he ran a he had

1400
01:07:17,480 --> 01:07:22,320
Speaker 1: the extremina business and that he seemed relatively blue collar. Yeah, yeah,

1401
01:07:22,360 --> 01:07:24,160
Speaker 1: who knows, who knows where they're getting all this money.

1402
01:07:24,240 --> 01:07:26,960
Speaker 1: All I'm saying is suspicious.

1403
01:07:27,000 --> 01:07:28,320
Speaker 3: It's suspicious.

1404
01:07:29,200 --> 01:07:29,439
Speaker 2: Yeah.

1405
01:07:29,480 --> 01:07:32,120
Speaker 1: Well, and I'm curious they get these jobs so easily,

1406
01:07:32,440 --> 01:07:40,200
Speaker 1: Like there look somewhere, something is something. It's the teflon Dan,

1407
01:07:40,560 --> 01:07:42,880
Speaker 1: you know what I mean. It's yeah, that's he's uh,

1408
01:07:43,000 --> 01:07:47,360
Speaker 1: he's a mom boss basically, Yeah, who uh works at

1409
01:07:47,400 --> 01:07:49,080
Speaker 1: a morning show to cover up.

1410
01:07:49,440 --> 01:07:51,960
Speaker 3: Yeah, to cover up the Yeah, he's like the Shenanigans.

1411
01:07:51,960 --> 01:07:54,400
Speaker 1: The money, the money. Yeah.

1412
01:07:54,520 --> 01:07:57,480
Speaker 3: I am curious about the economics of the Tanner household,

1413
01:07:57,520 --> 01:08:01,280
Speaker 3: Like how do you like to do jesse By groceries?

1414
01:08:01,560 --> 01:08:04,720
Speaker 3: Does Joey By like the household? I like, is it what?

1415
01:08:04,720 --> 01:08:07,440
Speaker 3: What are their contributions? You know, like Danny's obviously carrying

1416
01:08:07,440 --> 01:08:08,200
Speaker 3: the market locked.

1417
01:08:08,040 --> 01:08:08,800
Speaker 2: In with groceries.

1418
01:08:08,840 --> 01:08:11,680
Speaker 1: Okay, maybe he bought those groceries and.

1419
01:08:11,440 --> 01:08:12,800
Speaker 2: They pay for their utilities.

1420
01:08:12,880 --> 01:08:15,480
Speaker 3: Okay, let's I would feel better if that was true,

1421
01:08:15,520 --> 01:08:19,240
Speaker 3: Like then they contribute something monetarily to the house since

1422
01:08:19,240 --> 01:08:20,479
Speaker 3: they're not rent.

1423
01:08:21,040 --> 01:08:23,639
Speaker 2: Danny's like small business loan I got.

1424
01:08:23,479 --> 01:08:25,680
Speaker 1: You, yeah, just out of his pocket.

1425
01:08:25,479 --> 01:08:28,000
Speaker 3: Very casually too. I wonder how much that check was working.

1426
01:08:28,600 --> 01:08:31,160
Speaker 1: I'm going to say a least five figures, at least

1427
01:08:31,560 --> 01:08:35,800
Speaker 1: at least probably like fifteen grand. Yeah, well what do they.

1428
01:08:35,720 --> 01:08:38,160
Speaker 3: Need to Well, they need a studio, they need equipment,

1429
01:08:38,760 --> 01:08:40,839
Speaker 3: they need a lot of stuff. So yeah, it's definitely

1430
01:08:41,040 --> 01:08:41,920
Speaker 3: got to be a high number.

1431
01:08:42,120 --> 01:08:43,040
Speaker 1: Yeah.

1432
01:08:44,240 --> 01:08:46,479
Speaker 3: Uh so, Jesse takes a look at the check. Again,

1433
01:08:46,960 --> 01:08:49,519
Speaker 3: that's a lot of money you are. So did you

1434
01:08:49,560 --> 01:08:54,120
Speaker 3: say partner, and Jesse explains, silent partner. I'll be totally

1435
01:08:54,160 --> 01:08:58,360
Speaker 3: closed mouth, mind my own business. My lips are sealed.

1436
01:08:58,600 --> 01:09:02,280
Speaker 3: Jesse interrupts, that's what it is.

1437
01:09:02,320 --> 01:09:05,840
Speaker 1: What Danny is a loan shark.

1438
01:09:06,320 --> 01:09:07,360
Speaker 3: He's a loan shark.

1439
01:09:07,600 --> 01:09:10,719
Speaker 2: He's a loan shark, he says, silent partner.

1440
01:09:10,800 --> 01:09:13,519
Speaker 1: So basically he's like one of those dudes that just

1441
01:09:13,600 --> 01:09:15,559
Speaker 1: has money. And he's like, I'm your silent partner, but

1442
01:09:15,640 --> 01:09:17,719
Speaker 1: I get eighty percent of your company. But you couldn't

1443
01:09:17,720 --> 01:09:18,320
Speaker 1: do it without me.

1444
01:09:18,760 --> 01:09:20,080
Speaker 2: Total mob boss dude.

1445
01:09:20,120 --> 01:09:23,599
Speaker 1: Oh that's what it is. Yeah, Yeah, that's interesting.

1446
01:09:23,960 --> 01:09:27,840
Speaker 2: He's got his hands in a little bit of everything. Advertising, TV.

1447
01:09:28,720 --> 01:09:34,880
Speaker 1: Yeah, you know, car repair, car constructions, come on cars

1448
01:09:34,920 --> 01:09:38,360
Speaker 1: and construction. All we need now is that he owns

1449
01:09:38,400 --> 01:09:42,559
Speaker 1: like a trash disposal company, and we know exactly what

1450
01:09:42,640 --> 01:09:44,040
Speaker 1: Danny Tanner is up to exactly.

1451
01:09:44,880 --> 01:09:49,000
Speaker 3: Well, excuse me, I'm burping. What was I gonna say?

1452
01:09:49,040 --> 01:09:49,960
Speaker 1: I'm glad you announced it.

1453
01:09:50,280 --> 01:09:56,679
Speaker 3: Sorry, it's the t Yeah what Well, I was wondering,

1454
01:09:56,720 --> 01:09:58,320
Speaker 3: like why didn't they Why didn't Danny just set it

1455
01:09:58,400 --> 01:10:00,439
Speaker 3: up like a loan, like, hey, you guys can pay

1456
01:10:00,479 --> 01:10:01,680
Speaker 3: me back because he.

1457
01:10:01,640 --> 01:10:04,920
Speaker 1: Wants to cut, wants to cut as that's not what

1458
01:10:05,000 --> 01:10:09,519
Speaker 1: you do. Yeah, I'll give you the money. I mean,

1459
01:10:09,520 --> 01:10:12,920
Speaker 1: that's technically an investor. But I think, but I think,

1460
01:10:13,080 --> 01:10:16,120
Speaker 1: I mean, he he you know, he's taking eighties like

1461
01:10:16,160 --> 01:10:19,160
Speaker 1: he's taken eighty percent anywhere to live without me, He's

1462
01:10:19,200 --> 01:10:21,360
Speaker 1: got a lot to hold over their heads telling you

1463
01:10:21,479 --> 01:10:27,120
Speaker 1: this is this is the whole another layer shark, Danny

1464
01:10:27,200 --> 01:10:32,680
Speaker 1: Tanner is. He's like running a criminal enterprise. It's a

1465
01:10:32,760 --> 01:10:37,759
Speaker 1: cover up, all of it, clean freak because he's constantly

1466
01:10:37,760 --> 01:10:40,760
Speaker 1: wiping down fingerprints like no, no, no, no, no, I can't

1467
01:10:40,800 --> 01:10:45,519
Speaker 1: have anything here. No laundry. He's laundering money, that's what

1468
01:10:45,560 --> 01:10:48,720
Speaker 1: he's doing. Yes, yeah, loves to do laundry.

1469
01:10:48,920 --> 01:10:54,800
Speaker 3: Sure, Okay, this changes everything, Like this explains so much,

1470
01:10:55,600 --> 01:11:02,559
Speaker 3: it really does. Okay, So Jesse is like, hey, you're

1471
01:11:02,600 --> 01:11:06,439
Speaker 3: in Danny's ecstatic. He puts his arms around the guys.

1472
01:11:06,640 --> 01:11:11,440
Speaker 3: He enthusiastically calls them double J and D creative services.

1473
01:11:12,080 --> 01:11:14,240
Speaker 3: Jesse and Joey look at him with concern, and he

1474
01:11:14,360 --> 01:11:17,280
Speaker 3: quickly corrects himself. Well, of course the D is silent.

1475
01:11:18,040 --> 01:11:20,760
Speaker 3: He can't he can't give away that he's their cover.

1476
01:11:20,840 --> 01:11:22,759
Speaker 1: Now, yeah, I mean, how are you gonna Yeah.

1477
01:11:23,000 --> 01:11:25,479
Speaker 3: He's gotta you gotta stay hidden in the in the shadows. Yes.

1478
01:11:26,560 --> 01:11:29,000
Speaker 3: So Danny begins to hum the Impossible Dream once again,

1479
01:11:29,240 --> 01:11:32,120
Speaker 3: but this time Jesse and Joey join in with him,

1480
01:11:32,400 --> 01:11:39,280
Speaker 3: and that's our show. Yay, that was a thing that

1481
01:11:39,320 --> 01:11:39,919
Speaker 3: we watched.

1482
01:11:40,320 --> 01:11:45,799
Speaker 1: Oh it was wow. Yeah, I gotta say, for season

1483
01:11:45,880 --> 01:11:48,920
Speaker 1: four being people's favorites, we are really not off to

1484
01:11:48,960 --> 01:11:49,559
Speaker 1: a great start.

1485
01:11:50,920 --> 01:11:53,000
Speaker 3: This wasn't a bad episode, but it's not one that

1486
01:11:53,120 --> 01:11:55,120
Speaker 3: it's gonna like stand out in my mind.

1487
01:11:55,240 --> 01:11:58,560
Speaker 1: You know, it didn't feel uh, I don't know, it

1488
01:11:58,680 --> 01:11:59,719
Speaker 1: just felt felt.

1489
01:11:59,640 --> 01:12:02,800
Speaker 3: Really you feel like filler. Maybe did it like a

1490
01:12:02,800 --> 01:12:03,519
Speaker 3: little bit of a.

1491
01:12:03,439 --> 01:12:06,639
Speaker 1: Filler episode, Like it felt like a sea cruise episode

1492
01:12:06,680 --> 01:12:10,759
Speaker 1: where it was like, really, isn't this isn't really like what.

1493
01:12:10,920 --> 01:12:11,680
Speaker 2: Full House is?

1494
01:12:11,720 --> 01:12:13,160
Speaker 1: Oh, I see you know what I mean.

1495
01:12:13,240 --> 01:12:16,480
Speaker 3: Yeah, with the sexual innuendos, the sexual harassment.

1496
01:12:16,520 --> 01:12:19,600
Speaker 1: Again, it was funny and silly and whatever, you know,

1497
01:12:19,680 --> 01:12:21,320
Speaker 1: but I've just it felt it had that.

1498
01:12:21,920 --> 01:12:23,400
Speaker 2: It wasn't Secrews, No, it had that.

1499
01:12:23,360 --> 01:12:26,840
Speaker 3: Tinge was tinged with sea cruise of it, you know

1500
01:12:26,880 --> 01:12:30,559
Speaker 3: what I mean, just a slight sprinkling of like this

1501
01:12:30,640 --> 01:12:33,839
Speaker 3: isn't this isn't what we do. Yeah, it was definitely teetering.

1502
01:12:33,880 --> 01:12:35,040
Speaker 3: It wasnless to.

1503
01:12:35,040 --> 01:12:40,000
Speaker 1: Get you know, this new uh uh entertainment company started

1504
01:12:40,600 --> 01:12:41,679
Speaker 1: money laundering skame.

1505
01:12:43,680 --> 01:12:48,200
Speaker 3: So double j Yeah, right, well I think I I

1506
01:12:48,240 --> 01:12:50,679
Speaker 3: don't know. Yeah, it wasn't my favorite, but it wasn't

1507
01:12:50,680 --> 01:12:54,519
Speaker 3: my least favorite. I enjoyed watching. Maybe the point of

1508
01:12:54,560 --> 01:12:57,160
Speaker 3: it was to show Jesse's growth, like he didn't immediately

1509
01:12:57,240 --> 01:12:59,639
Speaker 3: date this girl or start making out with her in.

1510
01:12:59,600 --> 01:13:00,599
Speaker 1: Front of everybody.

1511
01:13:00,840 --> 01:13:03,759
Speaker 3: Becky, Yeah, but you know you never there was Elena

1512
01:13:04,000 --> 01:13:07,280
Speaker 3: a few episodes ago that was That's true. So I

1513
01:13:07,320 --> 01:13:09,680
Speaker 3: think this shows that Jesse is not no longer as

1514
01:13:09,960 --> 01:13:11,200
Speaker 3: you know, girl crazy.

1515
01:13:11,280 --> 01:13:11,600
Speaker 1: He's not.

1516
01:13:11,720 --> 01:13:15,000
Speaker 3: He's resisting her advances, he's and he's not putting up

1517
01:13:15,000 --> 01:13:16,920
Speaker 3: with it. He quits the job, he quits for he

1518
01:13:17,000 --> 01:13:21,000
Speaker 3: quits the Mala testa job. So it's showing growth for Jesse.

1519
01:13:21,120 --> 01:13:24,080
Speaker 3: That's that's how I'm interpreting this. Okay, you know it

1520
01:13:24,160 --> 01:13:26,559
Speaker 3: was just maybe not as well executed as it could

1521
01:13:26,560 --> 01:13:28,200
Speaker 3: have been, but right whatever.

1522
01:13:28,280 --> 01:13:30,439
Speaker 1: Well, also, they need to not have an office to

1523
01:13:30,479 --> 01:13:31,880
Speaker 1: go to. They need to just do all their work

1524
01:13:31,880 --> 01:13:32,960
Speaker 1: in the basement.

1525
01:13:32,760 --> 01:13:35,800
Speaker 3: Right, yeah, they did. So It's true they transformed, don't they.

1526
01:13:36,120 --> 01:13:38,719
Speaker 3: Is this the season they transform it into a recording

1527
01:13:38,800 --> 01:13:39,719
Speaker 3: studio or something.

1528
01:13:40,439 --> 01:13:43,040
Speaker 1: No, that's maybe I don't know what they're recording jingles

1529
01:13:43,120 --> 01:13:45,960
Speaker 1: or when they Yeah, you know, again with another twenty

1530
01:13:45,960 --> 01:13:47,519
Speaker 1: five thousand dollars investment from Danny.

1531
01:13:47,600 --> 01:13:50,480
Speaker 3: Yeah, Dan, sorry, Danny will make that back immediately.

1532
01:13:50,120 --> 01:13:53,920
Speaker 1: With his longer Yeah yeah, yeah, just washing money.

1533
01:13:55,880 --> 01:13:58,120
Speaker 3: I know we've gotten away from everywhere he looks, mainly

1534
01:13:58,120 --> 01:14:00,840
Speaker 3: because there's nothing to look at. But there's some this episode.

1535
01:14:01,000 --> 01:14:03,960
Speaker 1: There were some this episode. We probably have the same

1536
01:14:04,720 --> 01:14:08,160
Speaker 1: one for sure, for sure, for sure, which is that

1537
01:14:08,280 --> 01:14:12,160
Speaker 1: there are several crew members in uh in the I

1538
01:14:12,240 --> 01:14:13,440
Speaker 1: was gonna say in the shower.

1539
01:14:13,200 --> 01:14:17,360
Speaker 5: Scene, but basically in the in the the shower set, yes, yes,

1540
01:14:17,400 --> 01:14:22,360
Speaker 5: the IQ, Yes, there are a few Keith Richmond Richmond

1541
01:14:23,000 --> 01:14:26,280
Speaker 5: are our stage manager. Who was he was playing this?

1542
01:14:26,439 --> 01:14:30,800
Speaker 5: He's he was he's been another wake up San Francisco scenes.

1543
01:14:30,960 --> 01:14:32,120
Speaker 5: But yeah, he's in the.

1544
01:14:31,880 --> 01:14:34,560
Speaker 1: There's only one stage manager in all of San Francis.

1545
01:14:34,400 --> 01:14:36,439
Speaker 3: He used for wow talking about job.

1546
01:14:36,280 --> 01:14:37,280
Speaker 2: Security right.

1547
01:14:39,200 --> 01:14:42,120
Speaker 1: Or again he's hanging out with Danny, you know what

1548
01:14:42,160 --> 01:14:42,439
Speaker 1: I mean.

1549
01:14:43,640 --> 01:14:47,880
Speaker 3: He's part of the cover up. Yes, yes, yeah, yes,

1550
01:14:47,920 --> 01:14:51,360
Speaker 3: we Keith Richmond and then the in the classroom scene.

1551
01:14:51,400 --> 01:14:53,240
Speaker 3: Did you see Bridge at cameras?

1552
01:14:53,840 --> 01:14:56,360
Speaker 1: Yes, yes, that was the other one. Bridge at camera.

1553
01:14:56,360 --> 01:15:00,160
Speaker 3: Is Candace's oldest sister. She was also a stand in

1554
01:15:00,320 --> 01:15:03,240
Speaker 3: on our show because she's she's a little bit on

1555
01:15:03,240 --> 01:15:05,439
Speaker 3: the shorter side, so she could stand in for the kids,

1556
01:15:05,960 --> 01:15:07,680
Speaker 3: and it was great having her on the show and

1557
01:15:07,720 --> 01:15:09,240
Speaker 3: it was great that she could be part of the

1558
01:15:09,240 --> 01:15:10,160
Speaker 3: customer scene.

1559
01:15:10,160 --> 01:15:13,599
Speaker 1: Oh yeah, Bridget was such a part of the show family.

1560
01:15:13,800 --> 01:15:15,559
Speaker 3: Yeah, oh I love that. I love that.

1561
01:15:15,720 --> 01:15:18,040
Speaker 1: So yep, yeah, did you have any others? No? Those

1562
01:15:18,040 --> 01:15:20,320
Speaker 1: were the two I didn't. Yeah, those were the only

1563
01:15:20,360 --> 01:15:21,479
Speaker 1: two that I had too. Yeah.

1564
01:15:21,640 --> 01:15:23,719
Speaker 3: Now that we're in season four, it's harder and harder

1565
01:15:23,720 --> 01:15:26,439
Speaker 3: to find these little East eggs.

1566
01:15:26,040 --> 01:15:28,720
Speaker 1: So well, so yeah, I'm always looking for like, did

1567
01:15:28,720 --> 01:15:30,880
Speaker 1: we shoot off off the set. Did we get a

1568
01:15:30,960 --> 01:15:32,639
Speaker 1: catch a light in something? You know it was silly,

1569
01:15:32,800 --> 01:15:35,679
Speaker 1: like did we leave a cup somewhere? Yeah, sort of moments.

1570
01:15:35,720 --> 01:15:39,479
Speaker 3: No, yeah, the cup. But yeah, no, it was it was.

1571
01:15:40,320 --> 01:15:42,640
Speaker 3: It was a fine episode, you know, it was. It

1572
01:15:42,640 --> 01:15:44,439
Speaker 3: was a tweet, it was it was.

1573
01:15:44,560 --> 01:15:47,599
Speaker 1: Yeah, it was a twenty two minute experience.

1574
01:15:47,920 --> 01:15:48,519
Speaker 3: Was it was?

1575
01:15:48,560 --> 01:15:52,519
Speaker 1: That was not terribly painful. Yeah. Yeah, let's you know what,

1576
01:15:52,600 --> 01:15:55,479
Speaker 1: let's see we we're maybe we're just on an upward

1577
01:15:55,600 --> 01:15:58,320
Speaker 1: to trajectory. You couldn't say that word.

1578
01:15:58,720 --> 01:16:01,240
Speaker 3: I hope, so because yeah, I I need some bangers.

1579
01:16:01,320 --> 01:16:04,439
Speaker 3: I need like thirteen candles, and I made the house.

1580
01:16:05,200 --> 01:16:07,280
Speaker 2: Maybe people were excited at the Greek one.

1581
01:16:07,800 --> 01:16:09,400
Speaker 3: A lot of people did like the Greek I read

1582
01:16:09,479 --> 01:16:14,120
Speaker 3: some comments they the Greek episode. I mean it was hysterical,

1583
01:16:14,439 --> 01:16:16,320
Speaker 3: if you know, it was defensive.

1584
01:16:17,479 --> 01:16:19,120
Speaker 1: I'm starting on me. I just make fun of things.

1585
01:16:19,120 --> 01:16:20,920
Speaker 3: But but yeah, I know they everyone I think loved

1586
01:16:20,960 --> 01:16:23,360
Speaker 3: the Greek episode more than we did for sure.

1587
01:16:23,720 --> 01:16:26,080
Speaker 1: Okay, but what Yeah, I don't know.

1588
01:16:26,160 --> 01:16:28,360
Speaker 3: Nothing is standing out to me yet as like.

1589
01:16:28,320 --> 01:16:31,920
Speaker 1: Oh I remember this episode three it's only yeah true, Okay,

1590
01:16:31,920 --> 01:16:33,599
Speaker 1: so we've got a whole season to go.

1591
01:16:34,040 --> 01:16:36,680
Speaker 3: We we got time. We got time. Indeed, I will

1592
01:16:36,720 --> 01:16:38,920
Speaker 3: reserve my judgment of season four for a while.

1593
01:16:39,000 --> 01:16:41,719
Speaker 1: Yeah, it's just we were, you know, kind of getting

1594
01:16:42,200 --> 01:16:43,240
Speaker 1: the train moving here.

1595
01:16:43,280 --> 01:16:45,559
Speaker 3: Well, last season we started with Hawaii, so it's.

1596
01:16:45,520 --> 01:16:50,320
Speaker 1: Like that, you start, right, Yeah, you don't, that's it,

1597
01:16:50,600 --> 01:16:55,120
Speaker 1: you kind of Hawaii and then Beach Boys was season ender. Yeah, no,

1598
01:16:55,200 --> 01:16:58,879
Speaker 1: there's a season ender on two into Hawaii.

1599
01:16:59,560 --> 01:17:02,120
Speaker 3: Yes, no, that's a high eductation.

1600
01:17:02,800 --> 01:17:04,840
Speaker 1: We're a little Jada, So I'm gonna I'm gonna have

1601
01:17:04,880 --> 01:17:05,439
Speaker 1: to settle down.

1602
01:17:05,520 --> 01:17:08,280
Speaker 3: Maybe the maybe Jeff was just setting the bar very

1603
01:17:08,320 --> 01:17:10,519
Speaker 3: low at the start of season four because it can

1604
01:17:10,560 --> 01:17:13,599
Speaker 3: only go up from here, right, you know, right? So yeah,

1605
01:17:13,640 --> 01:17:15,799
Speaker 3: I have high expectations for the rest of the season.

1606
01:17:15,920 --> 01:17:16,400
Speaker 1: I do too.

1607
01:17:16,560 --> 01:17:16,960
Speaker 3: I do too.

1608
01:17:17,000 --> 01:17:18,200
Speaker 2: I think some big things are going to happen.

1609
01:17:18,240 --> 01:17:21,439
Speaker 1: Well, our next episode is season four, episode four, slumber Party,

1610
01:17:21,960 --> 01:17:24,680
Speaker 1: which aired October twelfth, nineteen ninety And I'm not is

1611
01:17:24,680 --> 01:17:27,479
Speaker 1: this the honey the one? It might be the honeybe

1612
01:17:27,479 --> 01:17:28,040
Speaker 1: Slumper Party.

1613
01:17:28,040 --> 01:17:28,840
Speaker 3: Oh that's a good one.

1614
01:17:28,920 --> 01:17:33,320
Speaker 1: Okay, Yeah, this is a this is a fun one

1615
01:17:33,360 --> 01:17:35,240
Speaker 1: with with Joey and Steph. I think that's the one.

1616
01:17:35,280 --> 01:17:36,760
Speaker 3: Oh, I love this way if it's the one we're

1617
01:17:36,800 --> 01:17:39,880
Speaker 3: thinking of. I love this one. Yes, yeah, so.

1618
01:17:39,800 --> 01:17:41,320
Speaker 2: That'll be our next recap.

1619
01:17:42,360 --> 01:17:44,759
Speaker 1: And uh remember, if you want to really be happy,

1620
01:17:44,840 --> 01:17:48,719
Speaker 1: you should be following us on Instagram at Howard tanner

1621
01:17:48,760 --> 01:17:51,080
Speaker 1: Rito's where we post a lot of behind the scenes

1622
01:17:51,120 --> 01:17:53,080
Speaker 1: stuff links to things. You can also check out the

1623
01:17:54,040 --> 01:17:56,960
Speaker 1: three part episode swap, the pod swap that we did

1624
01:17:57,240 --> 01:18:01,160
Speaker 1: with Boy Meets World and and get a Deja Vus

1625
01:18:01,280 --> 01:18:03,280
Speaker 1: with Christine Lincoln and Stecy Keenan.

1626
01:18:03,720 --> 01:18:08,960
Speaker 2: Also make sure to go to our merch site. We have, yes,

1627
01:18:09,680 --> 01:18:10,360
Speaker 2: we have merch.

1628
01:18:10,479 --> 01:18:14,000
Speaker 1: We have t shirts, We've got pink Bunny shirts, We've

1629
01:18:14,040 --> 01:18:16,559
Speaker 1: got I Love That Amphibian shirts, turtles.

1630
01:18:17,120 --> 01:18:18,599
Speaker 2: The world is small, but the house is full.

1631
01:18:18,640 --> 01:18:20,880
Speaker 1: We've got all kinds of stuff, shirts, hoodies, all kinds

1632
01:18:20,920 --> 01:18:22,840
Speaker 1: of fun stuff. So make sure you go and check

1633
01:18:22,880 --> 01:18:25,360
Speaker 1: that out. And our merch site is how Rude merch

1634
01:18:25,600 --> 01:18:28,960
Speaker 1: dot com. Link is in our bio on Instagram as well.

1635
01:18:29,680 --> 01:18:32,680
Speaker 1: And make sure you're listening and liking and subscribing to

1636
01:18:32,720 --> 01:18:35,639
Speaker 1: the podcast on whatever platform you're listening to it, and

1637
01:18:36,160 --> 01:18:39,400
Speaker 1: we will see you next time. So remember the world

1638
01:18:39,439 --> 01:18:43,599
Speaker 1: is small, but the towel was smaller. Oh oh, I.

1639
01:18:43,560 --> 01:18:44,639
Speaker 2: Wasn't expecting that.

1640
01:18:45,240 --> 01:18:47,000
Speaker 1: Yes, I know, I like this. That one was a

1641
01:18:47,000 --> 01:18:48,439
Speaker 1: good one. How it king to me just now and

1642
01:18:48,439 --> 01:18:50,160
Speaker 1: I was like, okay, that's good. Oh you're sharp. You're

1643
01:18:50,200 --> 01:18:52,920
Speaker 1: sharp today's and some days are better than some days

1644
01:18:52,920 --> 01:18:53,679
Speaker 1: are better than others.

1645
01:18:53,960 --> 01:19:01,040
Speaker 3: I'm glad one of us was sharp at least a