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Speaker 1: Writer, did somebody tell me that the Phillies have asked

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Speaker 1: us to throw out the first pitch? Um? We I

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Speaker 1: became friends this this summer when I went to Alaska.

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Speaker 1: One of the families that I was there with that

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Speaker 1: the father is Um, a producer manager. He does theatrical

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Speaker 1: events for the Phillies. So he said he was like, oh,

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Speaker 1: you gotta do something at the stadium, Like you come,

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Speaker 1: We'll do something. You guys can at least throw out

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Speaker 1: the first pitch. But they also they do concerts. They're

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Speaker 1: obviously like big concerts. Like when I saw him, he

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Speaker 1: had just the night before had had Elton John out. Um.

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Speaker 1: So I don't think we could sell out the stadium.

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Speaker 1: But they also have like mini theaters. I think there's

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Speaker 1: like other sections of the stadium where they do Philly

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Speaker 1: sell out the stadium. Guys. Well, you know what's interesting

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Speaker 1: is they have all those little kiosks everywhere, like the

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Speaker 1: food kiosks. So one of those would be perfect size

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Speaker 1: to do a Chubby's pop up. Those one of those

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Speaker 1: would be good for you. Will you could just have

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Speaker 1: a kiosk. I'll take over the stadium. Yeah, No, would

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Speaker 1: be perfect size for a Chubbies pop up because it's

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Speaker 1: not too biggest space and it's already set up, so

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Speaker 1: it would probably work. Would I would want good food

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Speaker 1: for Chubbies, Well, that's a good good burgers. That's a

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Speaker 1: good question is is they'd have to be good burgers

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Speaker 1: and what good dogs are? Just like what would be

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Speaker 1: what would be at Chubbies Just cheese steak would be

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Speaker 1: like the sort of know what if we just we

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Speaker 1: just did green beans and jello, That's what I mean.

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Speaker 1: And everything's cold and you can't choke anything down. You

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Speaker 1: can you can't take bites. You have to take fake

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Speaker 1: bites of burgers and leave her stuff around with your fork.

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Speaker 1: You put it towards your mouth and then just throw

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Speaker 1: it over your shoulder. You start choking because they're not cooked.

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Speaker 1: It's like Dr Peppy to lead it. I also have

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Speaker 1: a have a dream of the Chubbies that we do

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Speaker 1: things at having really good food. I think maybe because

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Speaker 1: I seem to remember the Chubbies set actually having the

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Speaker 1: worst fake food. For some reason, the food we had

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Speaker 1: in the Chubby scenes was even worse than the food

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Speaker 1: I remember from the cafeteria scene. I agree. I guess

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Speaker 1: it's just burgers and fries. Don't don't don't last now

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Speaker 1: more than you know what it should be like. You

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Speaker 1: know what Chubbies should be like. It should be like Rubies,

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Speaker 1: because Rubies was so Goobies is delicious. It's one of

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Speaker 1: the best burgers I've ever had in my life. And

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Speaker 1: it should be straight up like Rubies. Rubies is delicious,

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Speaker 1: My absolute favorite Diamond Dot all time. I mean, listen,

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Speaker 1: we're doing it again. We're doing writers least favorite thing,

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Speaker 1: which is starting our show off by talking about food

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Speaker 1: Donald's food to talk about. You know, we all Sue

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Speaker 1: and I made it three for three. I was telling

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Speaker 1: Danielle before on the way home we grabbed McDonald's after

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Speaker 1: the three of us McDonald's dot Our Lives show. It did.

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Speaker 1: People will know my wife was with me, so I

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Speaker 1: pretended I wasn't that hungry. Um, you know that kind

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Speaker 1: of thing, like I guess I'll just order for me.

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Speaker 1: Have I told that story? I must have told that.

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Speaker 1: But there is a story. Didn't you. Didn't you have

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Speaker 1: like a burger eating competition at one point in your

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Speaker 1: adolescence With myself, it wasn't like I thought you were

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Speaker 1: with your football team or something. And you ate like

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Speaker 1: thirty something cheeseburger. It was seventeen. It was seventeen one

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Speaker 1: sitting that's crazy that size? What kind the regular McDonald cheeseburgers? Okay, okay,

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Speaker 1: like like a happy cheeseburger. Correct. And I ran out

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Speaker 1: of money like ten in and people in the restaurant,

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Speaker 1: we're just buying me burgers because they wanted to see

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Speaker 1: if I could eat them. So I was probably like

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Speaker 1: I was probably thirteen, maybe it's like freshman in high

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Speaker 1: school at this point, and it was it was just

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Speaker 1: hey man, i'll buy him too, because I want to

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Speaker 1: see if he can hold them down kind of thing.

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Speaker 1: And I stopped at seventeen. Yeah, it was, oh my god,

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Speaker 1: Yeah it was awesome. Yeah, I can't. I've never I've

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Speaker 1: never watched like food eating competitions. I know that they're

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Speaker 1: like remarkable, and people makes me watch them. On the

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Speaker 1: fourth of July, we have to watch the hot dog

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Speaker 1: eating contest. That's not something you should be forced to do.

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Speaker 1: It's brilliant. The announcer for that genius is brilliant. It

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Speaker 1: is truly genius. But it's mostly the watching them dip

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Speaker 1: the buns into the liquid and then well, sometimes it's water.

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Speaker 1: Sometimes it's like fruit punch and the fingers come out

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Speaker 1: and it's just pink and disgusting and makes me sick

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Speaker 1: to my stomach. Have you ever seen Joey Chestnut trained

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Speaker 1: for the hot dog eating He's made like these mouth

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Speaker 1: things where he just choose on him, so he builds

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Speaker 1: up like his jawn muscle. He works in as if

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Speaker 1: he's training for a sport. It's insane to watch this

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Speaker 1: guy training to do this. It's they win money, right,

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Speaker 1: I mean, it's a really good amount of money, and

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Speaker 1: it's it's there's apparently an eating circuit that can get

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Speaker 1: really nasty, like they have. They have awful contests f

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Speaker 1: a l like the brains and stuff reality show compete

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Speaker 1: like about like the yeah, you're right, don't we make

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Speaker 1: a Christopher guest movie and Will Will be the star

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Speaker 1: than you? What a great idea? Have you seen? Chicken people?

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Speaker 1: Is that what it's called the one? The so speaking

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Speaker 1: of a Christopher guest type of movie, but that's actually real.

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Speaker 1: It's either on Netflix or Hulu, and it's people that

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Speaker 1: raise show chickens, so it's they show them like a

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Speaker 1: dog show. But it's all that I have to, and

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Speaker 1: you think it's fake, right, and it's not very real.

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Speaker 1: It's complete and totally real. And the cross breeding. And

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Speaker 1: I've been working on this one line of chickens for

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Speaker 1: twenty years. It's it's worth a watch. Okay, I'll watch

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Speaker 1: Chicken People. I'm into that. Welcome to Pond Meets World.

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Speaker 1: I'm Daniel Fishel, I'm Writer Strong, I am Wilfredell. We

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Speaker 1: watched an incredible episode. I have so much fun watching

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Speaker 1: this episode. And I realized Writer had the correct memory

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Speaker 1: or Will had the correct memory of of Lee doing

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Speaker 1: the southern accent. We were both right, because then yeah,

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Speaker 1: it was that was both of you. I think that

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Speaker 1: was both of you because I was like, I remember

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Speaker 1: a different one, and then I was like, oh my gosh,

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Speaker 1: it was both. I did not remember the tag of

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Speaker 1: this at all, Like there were so many moments of it.

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Speaker 1: I didn't remember every part of the show, none of this, none,

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Speaker 1: but both this and the next episode are indelible to me.

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Speaker 1: For some it's like it's like it's the middle of

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Speaker 1: the season where right Or zoned out and came back.

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Speaker 1: Because I remembered every line. It was so funny. The

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Speaker 1: costumes like yeah, it's it's but I also just remember,

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Speaker 1: I mean, this one's fun. It's differently right. We had

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Speaker 1: a swing set of the stage building Shakespeare. I everybody

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Speaker 1: in fun costumes and you got to see William Daniels

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Speaker 1: doing Shakespeare. It was great, It really was. Well, let

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Speaker 1: me tell, let us tell our listeners what we're talking about.

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Speaker 1: This is the synopsis is that Corey gets cast as

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Speaker 1: Hamlet in the school play, but when he thinks the

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Speaker 1: material is too soft, he quits. It was season one,

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Speaker 1: episode twenty, The Plays the Thing. It originally aired April.

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Speaker 1: It was directed by David Trainer, written by Ed Dector

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Speaker 1: and John Strauss, and as guest cast we had Ryan

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Speaker 1: Tomlinson as the spear carrier. I remember him. Actually, the

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Speaker 1: only thing I remembered was his face, because I saw

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Speaker 1: him in the background. I went, that guy's got lines,

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Speaker 1: like he he has lines, that's not an extra. I

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Speaker 1: remember he was week. I guess because he's again like

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Speaker 1: a just I have a very clear member of hanging

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Speaker 1: out with him and talking with him, and yeah, so funny.

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Speaker 1: I remember the overall feeling of this week being big,

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Speaker 1: like oh, we get to wear costumes and we're doing

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Speaker 1: a play, and like, I do remember that. I remember,

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Speaker 1: I remember that, and I remember being very excited that

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Speaker 1: I was Ophelia and um, knowing that like Lee and

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Speaker 1: I got to work together kind of in that really

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Speaker 1: funny way with him stepping on me. Like all of

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Speaker 1: that I remembered, um, But then there were so many things,

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Speaker 1: like I did not remember Ryan Tomlinson, and when he

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Speaker 1: started speaking all the way at the end of the episode,

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Speaker 1: I was like, whoa brand new character in the tag.

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Speaker 1: That seems like something we've never done before. So let's

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Speaker 1: jump into the recap. We start in Phoenie's classroom. Phoene

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Speaker 1: walks in and asked the class to let out their

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Speaker 1: most agonizing grown and then announces it's time for the

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Speaker 1: springtime class play and everyone grows again. But he has

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Speaker 1: been there, done that, writer. I know this. At the

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Speaker 1: very opening part of the scene is that the girl

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Speaker 1: that's you guys called see me, yes in the back

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Speaker 1: in the back, I'm sure you are left, Yeah, yeah,

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Speaker 1: the one behind Dusty, behind Dusty Yes, Okay, so I

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Speaker 1: really noticed her today. I was like, oh, that must

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Speaker 1: be see Me. And then and then Dusty has a

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Speaker 1: real big part in this one. He's everywhere. Dusty is

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Speaker 1: the star of the show Dusty, Where are You Dusty?

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Speaker 1: Still searching for Dusty? So Phoene hypes up the selection

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Speaker 1: this year and announces the class will be doing selected

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Speaker 1: scenes from Hamlet. Phoenie tells Sean he will be a

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Speaker 1: spear carrier, which doesn't have many lines to memorize. Topango

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Speaker 1: will play Ophelia, a challenging role who goes insane. Topanga

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Speaker 1: calls Corey a brillo head. I didn't know that that

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Speaker 1: ever came back after that first episode. I think this

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Speaker 1: might be the only time. It's also the only time

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Speaker 1: I feel like Topanca's and insulting. I got the same thing.

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Speaker 1: I kind of liked it because I kind of like

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Speaker 1: that there's a part of her that's I don't know,

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Speaker 1: there was something where fire. Yes, And I'm also still

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Speaker 1: I'm still real, I'm still a kid. I still have

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Speaker 1: this in my arsenal. And I know you don't like

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Speaker 1: to call you, so here's what I'm gonna say to

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Speaker 1: remind you to mind yourself. And there was something kind

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Speaker 1: of cool about that, Yeah, kind of new to Panga. Well,

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Speaker 1: there's something about this whole episode which is like everybody

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Speaker 1: is aware of Corey's character, you know what I mean.

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Speaker 1: At the end of this scene, obviously it's like t

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Speaker 1: up of like he talks all the time, he never

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Speaker 1: takes anything seriously. That and you know, setting up Corey,

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Speaker 1: and that's only possible after twenty episodes of establishing this character,

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Speaker 1: and and and it's fun that everybody sort of knows him.

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Speaker 1: You know, they don't know each other, of course, but

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Speaker 1: it's just it just goes to show like how how

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Speaker 1: a story can evolve, you know, when you've seen the

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Speaker 1: same characters doing similar situations over and over again. So

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Speaker 1: at this point we're very we can fun of him,

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Speaker 1: we can make fun of each other, and yeah, it's fun.

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Speaker 1: I also feel like this episode, obviously a number of

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Speaker 1: the shows had aired, so this audience seemed like one

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Speaker 1: of the first audiences that were straight up Boy Meats

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Speaker 1: World fans. They were in, you heard, they were reacting

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Speaker 1: to a whole bunch of stuff. It didn't seem like

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Speaker 1: a forced audience that we had some of the beginning

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Speaker 1: ones when people didn't know the show. It seemed like

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Speaker 1: we're now starting to get audiences that were coming specifically

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Speaker 1: to watch our show being done. It makes a big difference. Yeah,

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Speaker 1: it definitely makes a big difference when you just otherwise

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Speaker 1: have a bunch of people and they who are like,

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Speaker 1: what are we watching? And now we've got to watch

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Speaker 1: it three times in a row and now I'm bored,

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Speaker 1: and now I'm fake laughing and now I'm doing this.

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Speaker 1: But we're now they're in and you've got him from

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Speaker 1: the second you start. It's it's great. It's totally changes

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Speaker 1: the show. So Phoene says Mincus will play Polonius, but

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Speaker 1: Minca says Polonius only has forty eight lines. He wants

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Speaker 1: to play the lead instead. Phoeny says Hamlet is hard

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Speaker 1: to cast because he gets on a lot of people's nerves.

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Speaker 1: He makes a lot of mistakes, and he never that's up,

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Speaker 1: And everyone does the slow turn to Corey and Corey says,

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Speaker 1: what do I have a booger? Which I thought was

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Speaker 1: very funny. And then we are into our opening credits

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Speaker 1: and we end up in the Matthews backyard slash side

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Speaker 1: yard backyard. Corey is practicing mini golf with Morgan pretending

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Speaker 1: to be a windmill, waving her arms and her legs

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Speaker 1: back and forth. And I thought this was interesting because

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Speaker 1: all of a sudden, it sets up that Corey like

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Speaker 1: that Corey and Allen are going to be teamed up

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Speaker 1: again in a mini golf tournament at the Jersey Shore.

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Speaker 1: And it's the first time we've ever mentioned a Jersey Shore.

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Speaker 1: There's no mention of even like a vacation ahead of time.

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Speaker 1: It's just like I for a second was like, wait

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Speaker 1: a minute, where's the show taking place? What do you

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Speaker 1: mean the Jersey Shore? Like what is going on? But

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Speaker 1: it then ends up being that there they take a

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Speaker 1: family trip to the Jersey Shore every year, and that

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Speaker 1: they compete in a golf tournament. Is it just the

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Speaker 1: four of you or there other people competing in this thing?

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Speaker 1: I think it's supposed to be a family thing. It's

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Speaker 1: always Mom and Eric versus Alan and Corey's like they've

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Speaker 1: gotten seven years and that I didn't remember this storyline

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Speaker 1: at all, Like no, because he does say I'm not

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Speaker 1: going to lose again in front of everyone on the

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Speaker 1: Jersey Shore, which makes me feel like it's a competition

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Speaker 1: that you as a family are you two are like

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Speaker 1: against each other, but there are also other people competing. Oh,

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Speaker 1: it's like a big family. Like maybe it's like a

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Speaker 1: market giant vacation like a like a work trip where

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Speaker 1: all the families compete against each other or something. What

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Speaker 1: does say market giant on the like when in the

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Speaker 1: course that they end up building and yeah, I mean, like,

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Speaker 1: is the idea there that that Alan and Amy built

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Speaker 1: an entire like they made all that or they took

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Speaker 1: it from And I think they made it. I think

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Speaker 1: they tried to make it look because one of the

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Speaker 1: things I noticed is like the one of the things

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Speaker 1: looks like it's Morgan's dollhouse, so they kind of grabbed

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Speaker 1: stuff that was there to kind of make it look.

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Speaker 1: I also love how again nobody else in the family

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Speaker 1: exists and it was called Corey's golf course. We'll get

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Speaker 1: into that later trauma. Also, Alan does say he put

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Speaker 1: the imperceptible groove in part of it, so that yeah,

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Speaker 1: so he did it himself, which again I'll get into

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Speaker 1: when we talk about it. Where did anyone come up

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Speaker 1: with the time for this? Parents easier to just drive

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Speaker 1: to the Jersey Shore than it does to building building

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Speaker 1: any of this. Really can't afford the drive there, but

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Speaker 1: you can afford a nine whole mini golf course in

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Speaker 1: your past, your own backyards. In your own backs backside yard,

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Speaker 1: Yes exactly. Eric comes out and he asks Corey for cash,

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Speaker 1: and Corey, very very in a very nondescript kind of

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Speaker 1: throwaway way, says, I'm allowance boy three. Now right, we've

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Speaker 1: had We've had three risk boy, allowance boy, not sidekick,

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Speaker 1: but something like accomplice. This is the first one that's

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Speaker 1: like he can tell he's not really committed. He's like

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Speaker 1: a boy's like, are we still doing this? We're still

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Speaker 1: doing this one still in the script and I am

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Speaker 1: once again they've decided now just full grund. Yeah, it's great,

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Speaker 1: it's really cool. And you've just gotten a haircut. I

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Speaker 1: could tell. I was like, Will's hair looks like it

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Speaker 1: was cut that day. It probably what but yours, I

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Speaker 1: noticed is steadily getting longer, longer than the one they're

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Speaker 1: just keeping the fugitive. It was like, oh, just let

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Speaker 1: him have long hair. Yeah, your hair, he's gotten so

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Speaker 1: long it's starting to curl again. It's like they straightened it,

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Speaker 1: but it's also still starting to In real life, I

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Speaker 1: would get wigs because they would just flip out on

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Speaker 1: the side. So that's why they would straighten it on

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Speaker 1: the show to keep it sort of contained in real life,

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Speaker 1: especially because like back then, I was washing my hair

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Speaker 1: every day, Like every time I would take a shower,

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Speaker 1: I would shampoo my hair, which, yeah, and it just

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Speaker 1: means that your hair gets super frizzy because I wouldn't

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Speaker 1: put any product in anything. My hair was just gigantic

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Speaker 1: and all over the place and flip it. It's funny though,

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Speaker 1: because there's times where it comes back around and curls

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Speaker 1: in and it almost looks like a mustache. It does.

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Speaker 1: It comes this way and comes it's very Yeah, it's

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Speaker 1: it's such a hair show. You know who else looks

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Speaker 1: like they just got a haircut in this episode? Dusty really? Yes,

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Speaker 1: In one of the classroom scenes maybe even that opening scene,

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Speaker 1: there was a great shot of Dusty and I was like,

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Speaker 1: Dusty fully just got a haircut. I mean, he must

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Speaker 1: have had a haircut the day before. It is crisp.

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Speaker 1: Let me tell you so. Eric says that they cut

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Speaker 1: salaries five percent at the market. And Eric says, if

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Speaker 1: Corey gives him five dollars, Eric will throw the golf

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Speaker 1: tournament this year. What does Eric need five dollars so

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Speaker 1: badly for? Right? And even if you cut five of

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Speaker 1: your salary, you still don't have five dollars. I mean,

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Speaker 1: you are living penny penny my friend. He to mouth

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Speaker 1: apparently for Eric, because it's like, I'll throw, I will

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Speaker 1: throw the tournament, I'll do all this stuff. I know,

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Speaker 1: I thought I thought the five dollars was I guess

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Speaker 1: they had to find the balance between asking Corey for

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Speaker 1: an amount of money he might actually have and maybe

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Speaker 1: you're collecting more money from other people. But I mean,

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Speaker 1: if you're throwing the tournament for five bucks, imagine what

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Speaker 1: you do for God, I don't even want to know

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Speaker 1: what Eric would do for fifty dollars. So they're going

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Speaker 1: back to our old theory. That kind of makes sense.

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Speaker 1: So if it's a Market Giant thing, because then when

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Speaker 1: he says we had to cancel a vacation, it's alan

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Speaker 1: not just canceling it for the family, He's canceling it

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Speaker 1: for all employees of Market Giant, to which kind of

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Speaker 1: gives it more gravitas. I think if that's accurate or not,

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Speaker 1: I mean they're just not clear. Now. It's a little

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Speaker 1: bit of a like really loose premise. They're like, let's

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Speaker 1: just there's a vacation and then they have to cancel it. Meanwhile,

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Speaker 1: the kids that don't handle it like okay, I could

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Speaker 1: be I mean that's the thing is like with sitcom.

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Speaker 1: You know, it could be a rewrite that came in

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Speaker 1: the day before we were shooting, and then you're like,

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Speaker 1: tell the art department they've got to build an entire

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Speaker 1: golf course in the backyard and they have twelve hours

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Speaker 1: to do that. I mean there's so many times and

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Speaker 1: stuff like that would happen, right, like, uh, that's just

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Speaker 1: the nature of the beast. Like if if a b

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Speaker 1: storyline suddenly changed, everybody would have to get different wardrobe

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Speaker 1: or different props, and you know, and it sends like

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Speaker 1: fifty people into like no sleep mode for two days,

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Speaker 1: you know, productions, intense productions that we would just show

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Speaker 1: up and be like, look minute, your golf course actors,

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Speaker 1: and we were just every credit. Yeah, thank you so

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Speaker 1: much to the props, art department, everyonebody, but everybody that

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Speaker 1: helped us, because we never probably gave you the proper

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Speaker 1: credit as the self absorbed young actors that we were,

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00:19:08,520 --> 00:19:11,480
Speaker 1: like we got square guns, like yeah to drive to

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Speaker 1: nine places to go get that at three o'clock in

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Speaker 1: the morning, thank you. And then I couldn't find the

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Speaker 1: one the producers wanted, so I built this one from

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Speaker 1: the heart in my own house. Were like, thanks so much, Jeff,

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Speaker 1: it's Jared whatever like that. You know, that was not true.

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Speaker 1: We were not like that. That makes us sound very bad.

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Speaker 1: We actually were not like that, not towards, not later.

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Speaker 1: I think at the beginning we were all still so

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Speaker 1: star star struck of kind of being there. At least

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Speaker 1: I know, I was that it was still the magic

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Speaker 1: of TV. It wasn't the work that tons of people

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Speaker 1: were putting in, you know. So, yeah, thank you. I

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Speaker 1: can't believe all this comes together magically. Can do? Yeah.

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Speaker 1: So Corey says he doesn't need Eric to rig the tournament,

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Speaker 1: but then Eric hits a hole in one and says, yeah,

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Speaker 1: you do. And then we're back in Phoenie's classroom. The

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Speaker 1: classes rehearsing Hamlet, with Corey rattle off Hamlet lines. Eventually

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Speaker 1: he calls it garbage. Corey thinks he can make the

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Speaker 1: play better and tells Pennie to make it like die Hard.

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Speaker 1: He says, all Hamlet does his talk even when no

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Speaker 1: one is there. Phoene says Hamlet is one of literature's

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Speaker 1: most human characters with consequences and decisions. And then to

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Speaker 1: Panga walks in her Ophelia dress. And I remember this costume,

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Speaker 1: of course, because it is everything little Danielle loves more

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Speaker 1: than anything. Coffee sleeves. It was. We could have almost

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Speaker 1: just warned that as to Panga, Like fact, there was

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Speaker 1: an episode where you just showed up in that. I

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Speaker 1: don't think anybody would have batted an eye. It would

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Speaker 1: have just been like, oh, this is part of the

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Speaker 1: character exactly. It's not that much different. And I go.

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Speaker 1: Growing up, I was absolutely obsessed with the Little Mermaid's

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Speaker 1: wedding dress where she had those big poofy white sleeves,

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Speaker 1: and so as a kid, any dress with a poof oh,

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Speaker 1: I loved it. So I remember, oh, yeah, the big

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Speaker 1: sleeve thing. I don't I don't get it, but it

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00:21:00,280 --> 00:21:03,960
Speaker 1: looks like the Pioneer woman. Now listen, they're girls there.

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00:21:04,000 --> 00:21:07,199
Speaker 1: There's like girl hot and guy hot. Things that girls

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00:21:07,200 --> 00:21:10,120
Speaker 1: think are hot most guys are like what is that?

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00:21:10,240 --> 00:21:11,920
Speaker 1: What do you doan? And then the things that guys

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Speaker 1: think are hot we just don't care about. Maybe not yeah,

386
00:21:15,280 --> 00:21:17,959
Speaker 1: because it was super addresses like that. She came out

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00:21:18,000 --> 00:21:19,159
Speaker 1: and she's like what do you think? I was like,

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Speaker 1: I think it looks like you're on the wagon train.

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Speaker 1: What do you want me to say? Like, what what

390
00:21:24,160 --> 00:21:27,000
Speaker 1: are you doing? Are we cooking over an open flame tonight?

391
00:21:27,040 --> 00:21:29,600
Speaker 1: Like what's happening? She's like this is the style? Like okay, great,

392
00:21:30,520 --> 00:21:35,520
Speaker 1: whatever made Dr Quinn exactly exactly? It's what it looked like.

393
00:21:37,880 --> 00:21:42,800
Speaker 1: And another Jean Claude van Damn reference. Listen, we've got

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Speaker 1: a fan on staff, right, there's gotta be because if

395
00:21:46,080 --> 00:21:49,159
Speaker 1: we we've had we'll have several over seven years, we

396
00:21:49,240 --> 00:21:51,960
Speaker 1: have Sean Claude van Damn references. It was one of

397
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Speaker 1: our writers. Like there's a Arnold Schwartzegger references we've met,

398
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Speaker 1: I mean, the relist. They were all. It was just

399
00:22:00,480 --> 00:22:02,600
Speaker 1: the arrow of like I mean, I still was the thing, right,

400
00:22:02,640 --> 00:22:05,480
Speaker 1: Like there's Neeson taken movies the last ten years ago,

401
00:22:05,560 --> 00:22:09,959
Speaker 1: Like every every decade has like that figure. By the way,

402
00:22:12,640 --> 00:22:14,560
Speaker 1: yeah it's but also not to get off topic, but

403
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Speaker 1: how many times can your kid be taken before it's

404
00:22:16,880 --> 00:22:20,440
Speaker 1: just your fault? There's like taken four an hour or whatever.

405
00:22:20,440 --> 00:22:24,359
Speaker 1: It's like, okay, maybe you're just not responsible. It's like

406
00:22:24,720 --> 00:22:26,960
Speaker 1: I've never seen it I've never seen. The first one

407
00:22:27,040 --> 00:22:29,000
Speaker 1: is brilliant, The first one is amazing, and then you're

408
00:22:29,040 --> 00:22:31,080
Speaker 1: like the second one, it's like I'm being taken again,

409
00:22:31,160 --> 00:22:34,560
Speaker 1: Like really maybe the same person. Well, now they get taken,

410
00:22:34,600 --> 00:22:38,040
Speaker 1: the parents get taken and the kid helps them. And

411
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Speaker 1: then by the third one you're like, Okay, you just

412
00:22:39,960 --> 00:22:42,200
Speaker 1: suck at this parenting thing, like maybe this is not

413
00:22:42,320 --> 00:22:45,160
Speaker 1: in your forte I know, I'm sorry, I don't want

414
00:22:45,160 --> 00:22:46,520
Speaker 1: to get off, but it's like by the third one,

415
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Speaker 1: you're gonna come on, you, come on now. I can't.

416
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Speaker 1: I can't. I can't be invested if you're gonna be

417
00:22:51,080 --> 00:22:54,159
Speaker 1: this lazy. I can't. Was this the first time Jedediah

418
00:22:54,240 --> 00:22:58,120
Speaker 1: was was mentioned? You've mentioned Jedediah before, right, because because

419
00:22:58,200 --> 00:23:02,200
Speaker 1: bookstore the base game, right, and the book and got

420
00:23:02,240 --> 00:23:06,440
Speaker 1: you right and the Unicorn bookstore, Rainbow Unicorn bookstore, right, Yeah,

421
00:23:06,480 --> 00:23:10,879
Speaker 1: and here he's so's yes and Jedediah jedted I had

422
00:23:10,920 --> 00:23:15,639
Speaker 1: made his costume last night and m I and I

423
00:23:15,640 --> 00:23:17,640
Speaker 1: did at that age, like that's what I took home

424
00:23:17,640 --> 00:23:21,000
Speaker 1: back four. I loved to say that. Yeah. So the

425
00:23:21,040 --> 00:23:22,800
Speaker 1: idea that it was like that was the joke that

426
00:23:22,880 --> 00:23:25,560
Speaker 1: a guy can sew was weird to me even then.

427
00:23:25,640 --> 00:23:28,119
Speaker 1: I remember being like, but I liked so well. Before

428
00:23:28,160 --> 00:23:29,840
Speaker 1: we even got to the sewing, Joe Corey says he

429
00:23:29,880 --> 00:23:31,919
Speaker 1: doesn't want to wear tights and said maybe if Hamlet

430
00:23:31,960 --> 00:23:34,160
Speaker 1: had worn pants, he could have made a decision or two,

431
00:23:34,760 --> 00:23:37,760
Speaker 1: and then Topanga calls him out and asks if that

432
00:23:37,840 --> 00:23:40,159
Speaker 1: was a sexist joke, and Corey says, well, that's what

433
00:23:40,200 --> 00:23:45,919
Speaker 1: I was shooting for, which was great, like just exactly

434
00:23:46,640 --> 00:23:49,760
Speaker 1: I actually, it's exactly right. You did it. I called

435
00:23:49,760 --> 00:23:51,200
Speaker 1: you out for it, and you were like, yes, yes,

436
00:23:51,200 --> 00:23:54,480
Speaker 1: I did. That's that totally worked for me. It was

437
00:23:54,560 --> 00:23:56,800
Speaker 1: mine follow up with the sewing that I was like,

438
00:23:56,960 --> 00:23:59,640
Speaker 1: that's a cheap shot, and you could kind of tell

439
00:23:59,720 --> 00:24:02,640
Speaker 1: me Ad didn't quite go for it. There was a

440
00:24:02,200 --> 00:24:05,720
Speaker 1: like at all, It's like why, I don't know, Like

441
00:24:05,760 --> 00:24:07,600
Speaker 1: I think we could have just cut that line, could

442
00:24:07,600 --> 00:24:09,600
Speaker 1: have just because I think it ends with Corey being like,

443
00:24:09,720 --> 00:24:12,080
Speaker 1: that's what I was hating for. It was a hat

444
00:24:12,119 --> 00:24:14,520
Speaker 1: on a hat and the second hat wasn't that funny.

445
00:24:14,920 --> 00:24:16,840
Speaker 1: It's a great joke. The Yeah, that's what I was

446
00:24:16,840 --> 00:24:19,160
Speaker 1: going for. Yeah, that's what I was shooting forward totally worked. Yeah,

447
00:24:19,240 --> 00:24:22,120
Speaker 1: I was a weird music cute? Did anybody else here?

448
00:24:22,160 --> 00:24:24,439
Speaker 1: There was? Just right after that the music change in

449
00:24:24,480 --> 00:24:27,280
Speaker 1: a very bizarre way, and it was like, what really

450
00:24:28,119 --> 00:24:31,840
Speaker 1: really weird music change right there? You didn't hear that?

451
00:24:32,320 --> 00:24:35,040
Speaker 1: Corey says, if Pheny won't listen to his ideas, then

452
00:24:35,119 --> 00:24:38,800
Speaker 1: he quit it. Which quit it? It was cute. I

453
00:24:38,840 --> 00:24:40,159
Speaker 1: like that. He put his hand on his heart too.

454
00:24:40,320 --> 00:24:42,960
Speaker 1: I quit it. And then he walks out and then

455
00:24:43,000 --> 00:24:46,439
Speaker 1: we're in the school hallway very quickly. Sorry, why did he?

456
00:24:46,800 --> 00:24:49,439
Speaker 1: I didn't fully get why he quit. It's just because

457
00:24:50,200 --> 00:24:52,240
Speaker 1: seen he wouldn't wouldn't change the play and he didn't

458
00:24:52,240 --> 00:24:53,640
Speaker 1: want to wear the cost he didn't want to. Yeah,

459
00:24:53,640 --> 00:24:56,320
Speaker 1: he wouldn't change the costume for Corey. We I mean

460
00:24:56,480 --> 00:24:59,760
Speaker 1: he also starts the saying hating the character, and right, yeah,

461
00:24:59,800 --> 00:25:01,560
Speaker 1: and I need to be like die Hard and why

462
00:25:01,560 --> 00:25:03,080
Speaker 1: can't we do this? It's yeah, it is. It's kind

463
00:25:03,119 --> 00:25:06,240
Speaker 1: of a whole overhaul. But the straw that really broke

464
00:25:06,359 --> 00:25:09,919
Speaker 1: the Corey's back was the type Penny, can we just

465
00:25:09,960 --> 00:25:12,680
Speaker 1: go back for a second. I very distinctly remember the

466
00:25:12,720 --> 00:25:16,239
Speaker 1: Jimmy Deane sausage theory line. Really do you remember this?

467
00:25:16,640 --> 00:25:20,520
Speaker 1: Because I remember being like, what, I didn't get it

468
00:25:20,560 --> 00:25:22,320
Speaker 1: at the time. Of course I didn't know who Francis

469
00:25:22,320 --> 00:25:24,480
Speaker 1: Bacon was. I didn't, you know. It's like such a

470
00:25:24,520 --> 00:25:27,679
Speaker 1: weird little but yeah, I totally That's what I remember

471
00:25:27,720 --> 00:25:30,360
Speaker 1: so much about this episode. Obviously, like with my costume

472
00:25:30,440 --> 00:25:33,439
Speaker 1: later and the facts, that's probably why. But even lines

473
00:25:33,520 --> 00:25:35,159
Speaker 1: like that. I didn't remember the sewing line, but I

474
00:25:35,160 --> 00:25:38,120
Speaker 1: remember the Jimmieting sausage line. Have you ever had had

475
00:25:38,119 --> 00:25:39,960
Speaker 1: a lot of fun and talked to a you know,

476
00:25:40,000 --> 00:25:43,359
Speaker 1: a Shakespeare historian or Shakespeare expert and jokingly said, you know,

477
00:25:43,400 --> 00:25:45,919
Speaker 1: it's Francis Bacon could have written them all and watched

478
00:25:45,960 --> 00:25:49,440
Speaker 1: the color drained from their faces. No, I've never had

479
00:25:49,480 --> 00:25:52,800
Speaker 1: that experience. That seems like a very niche experience to have,

480
00:25:53,760 --> 00:25:55,800
Speaker 1: you know, when you're talking with your Shakespeare scholars. I

481
00:25:55,800 --> 00:26:00,560
Speaker 1: have a friend Shakespeare historians historians, And if you made

482
00:26:00,600 --> 00:26:08,560
Speaker 1: the joke, yes, because a friend of mine was this

483
00:26:08,720 --> 00:26:10,879
Speaker 1: is a Shakespeare storian. And when I say that to her,

484
00:26:10,960 --> 00:26:12,680
Speaker 1: I saw one of our on running jokes like when

485
00:26:12,680 --> 00:26:14,679
Speaker 1: when you know so when Bacon was writing all the

486
00:26:14,680 --> 00:26:17,399
Speaker 1: plays and she's like, well, you just please. It's like

487
00:26:17,440 --> 00:26:20,040
Speaker 1: one of our favorite. You know, your normal Shakespearean jokes

488
00:26:20,040 --> 00:26:23,359
Speaker 1: that you have with people. Of course, all of you

489
00:26:23,400 --> 00:26:25,480
Speaker 1: who have had that experience, please send us an email.

490
00:26:25,520 --> 00:26:27,600
Speaker 1: I don't I can't wait for that happen. I can't

491
00:26:27,600 --> 00:26:29,800
Speaker 1: wait for anybody who's had that experience and made that

492
00:26:29,800 --> 00:26:32,240
Speaker 1: little Francis Bacon joke and then seeing the color drain

493
00:26:32,320 --> 00:26:34,840
Speaker 1: from their face. Yes, and tott if meet world is

494
00:26:35,359 --> 00:26:49,719
Speaker 1: hit us up exactly. So we're in the school hallway.

495
00:26:49,760 --> 00:26:52,880
Speaker 1: Sean asks Corey if Phoenie will give in to Corey's ideas,

496
00:26:53,080 --> 00:26:55,760
Speaker 1: and Corey says Phenie has no choice. No one else

497
00:26:55,800 --> 00:26:58,520
Speaker 1: knows all the lines. And then Mincus comes up behind

498
00:26:58,520 --> 00:27:04,040
Speaker 1: them in the hallway wearing you oh, just in his

499
00:27:04,200 --> 00:27:09,000
Speaker 1: all black vest suit thing, and he's reciting Hamlets lines.

500
00:27:10,280 --> 00:27:14,120
Speaker 1: He jokes about doing the role with a Scandinavian accent

501
00:27:14,640 --> 00:27:20,440
Speaker 1: and walks off, saying, softer now. The Pherophelia mysens be

502
00:27:20,480 --> 00:27:24,320
Speaker 1: always seems remembered, which I remember when he said it

503
00:27:24,400 --> 00:27:27,280
Speaker 1: at the table at the table read Do you guys

504
00:27:27,320 --> 00:27:31,200
Speaker 1: remember it? No? I know, but it's so funny. I mean,

505
00:27:31,520 --> 00:27:34,840
Speaker 1: he's just brilliant. I he did it at the table

506
00:27:34,880 --> 00:27:38,200
Speaker 1: read just it was the kind of laugh where you

507
00:27:38,280 --> 00:27:41,160
Speaker 1: have to fully reset the show almost where it's like

508
00:27:41,640 --> 00:27:44,680
Speaker 1: it is such an explosive laugh and every and then

509
00:27:44,680 --> 00:27:46,600
Speaker 1: it just kind of trickles off and then it starts

510
00:27:46,640 --> 00:27:48,679
Speaker 1: over again and you're like, okay, okay, okay, we have

511
00:27:48,760 --> 00:27:51,840
Speaker 1: to get back into the read. It was hilarious and

512
00:27:51,880 --> 00:27:53,840
Speaker 1: then all week and it just never got less funny.

513
00:27:53,840 --> 00:27:55,800
Speaker 1: And watching it now, I was like, that's the moment

514
00:27:55,920 --> 00:27:59,720
Speaker 1: I remember more than anything. Right after he walked off

515
00:27:59,760 --> 00:28:03,000
Speaker 1: the at with doing the Swedish Chef, which is hysterical,

516
00:28:03,119 --> 00:28:07,960
Speaker 1: I wrote, how does he only have two episodes left? No,

517
00:28:09,119 --> 00:28:11,920
Speaker 1: I don't get it. I'm sorry. I know we've talked

518
00:28:11,960 --> 00:28:13,960
Speaker 1: about it a hundred times, but I don't get how

519
00:28:14,000 --> 00:28:17,480
Speaker 1: you watch these performances. Possibly the biggest mistake of boy

520
00:28:17,480 --> 00:28:20,280
Speaker 1: Meat's world history easily easily, in my opinion, the biggest

521
00:28:20,280 --> 00:28:26,159
Speaker 1: mistake in boy Me's world history. Yeah, you know what

522
00:28:26,200 --> 00:28:31,080
Speaker 1: I mean. Like, this episode is mildly funny without it's

523
00:28:31,119 --> 00:28:34,440
Speaker 1: a funny episode, I will be honest. Jensen's a little

524
00:28:34,440 --> 00:28:37,320
Speaker 1: concerned that the show won't be funny anymore. He's like,

525
00:28:37,359 --> 00:28:39,880
Speaker 1: how's this show even going to be funny without him?

526
00:28:39,920 --> 00:28:42,320
Speaker 1: So I don't know it is. It's the end up

527
00:28:42,360 --> 00:28:45,080
Speaker 1: day and I just keep going to that kid standing

528
00:28:45,080 --> 00:28:48,520
Speaker 1: next to Harley in hallway and Harley is his best friend.

529
00:28:49,200 --> 00:28:53,160
Speaker 1: Is comedy for years. Yeah, so yeah, it's such a

530
00:28:53,200 --> 00:28:56,920
Speaker 1: shame and harp on it, I know. Anyway, Okay, Corey

531
00:28:57,000 --> 00:29:00,240
Speaker 1: calls him Prince Hoggendoes, which I also thought was very

532
00:29:00,240 --> 00:29:03,200
Speaker 1: funny line that I didn't remember, and says Peney will

533
00:29:03,240 --> 00:29:05,120
Speaker 1: beg for him to come back to the play and

534
00:29:05,200 --> 00:29:11,720
Speaker 1: it'll be like hambo okay, pretty good, pretty good. And

535
00:29:11,760 --> 00:29:14,120
Speaker 1: then we're in the Matthews kitchen. Corey tells Eric he

536
00:29:14,240 --> 00:29:16,480
Speaker 1: just sank eighteen in a row. But Eric says the

537
00:29:16,520 --> 00:29:18,959
Speaker 1: tournament has been canceled because of the pay cuts at

538
00:29:19,000 --> 00:29:21,200
Speaker 1: the market and now they can't afford to go on

539
00:29:21,240 --> 00:29:23,520
Speaker 1: the trip. But Corey says Alan is the boss. He

540
00:29:23,520 --> 00:29:25,520
Speaker 1: can do whatever he wants. And then he goes into

541
00:29:25,560 --> 00:29:27,520
Speaker 1: the Matthews living room. He asks Alan why they're not

542
00:29:27,600 --> 00:29:33,080
Speaker 1: going on all over the place. She's sewing his shirt.

543
00:29:34,160 --> 00:29:38,160
Speaker 1: There's a hole in his shirt. She has to fix it.

544
00:29:38,160 --> 00:29:40,880
Speaker 1: It's very real though, because if you think about it,

545
00:29:40,920 --> 00:29:44,920
Speaker 1: there they have three children. He's the you know, the

546
00:29:44,920 --> 00:29:48,520
Speaker 1: the general manager of a grocery store, which is probably

547
00:29:48,560 --> 00:29:51,240
Speaker 1: a you know, pays well but not an exorbitant amount

548
00:29:51,240 --> 00:29:54,840
Speaker 1: of money. And she we kind of is also is

549
00:29:54,840 --> 00:29:57,240
Speaker 1: a homemaker, but it is also a part time real

550
00:29:57,360 --> 00:29:59,960
Speaker 1: estate agent, though that hasn't come back. I mean money,

551
00:30:00,000 --> 00:30:02,320
Speaker 1: you would be a very real issue for this family

552
00:30:03,600 --> 00:30:06,080
Speaker 1: that they're addressing it. Yeah, because if you think about

553
00:30:06,080 --> 00:30:08,200
Speaker 1: the fact that they probably had to live on a

554
00:30:08,320 --> 00:30:11,160
Speaker 1: very strict budget, where you have this much money per

555
00:30:11,160 --> 00:30:13,880
Speaker 1: month for food, this much for clothes. If you lose

556
00:30:13,960 --> 00:30:15,920
Speaker 1: five percent of your income, you're going to have to

557
00:30:15,920 --> 00:30:18,640
Speaker 1: do some re shuffling. It's not like it's not like

558
00:30:18,760 --> 00:30:21,280
Speaker 1: you just that's nothing, you know. So I can see

559
00:30:21,280 --> 00:30:23,600
Speaker 1: why maybe the bills were all out because they were

560
00:30:23,640 --> 00:30:27,000
Speaker 1: trying to do a rebudget. That makes sense, not just

561
00:30:27,080 --> 00:30:29,960
Speaker 1: that all the bills were due, but let's pull them

562
00:30:29,960 --> 00:30:32,680
Speaker 1: all out, see what we spend on average, and let's

563
00:30:32,680 --> 00:30:34,480
Speaker 1: see where we can cut, where we can tighten. And

564
00:30:34,520 --> 00:30:37,520
Speaker 1: of course the first thing that goes is the family vacation.

565
00:30:37,520 --> 00:30:39,560
Speaker 1: It's like, that's the first thing that goes. It has

566
00:30:39,600 --> 00:30:41,280
Speaker 1: to be, even though it was and this is kind

567
00:30:41,320 --> 00:30:43,560
Speaker 1: of what I liked about it. You're a family in Philadelphia,

568
00:30:43,920 --> 00:30:47,040
Speaker 1: a drive to the Jersey Shore is not a ridiculously

569
00:30:47,120 --> 00:30:49,760
Speaker 1: long drive. You're with your whole family. It's a good

570
00:30:49,760 --> 00:30:52,160
Speaker 1: fun place to go, and it would be in budget

571
00:30:52,280 --> 00:30:55,280
Speaker 1: of a kind of a lower middle class family, which

572
00:30:55,320 --> 00:30:58,080
Speaker 1: is what I think they are. Um So I liked

573
00:30:58,120 --> 00:31:00,560
Speaker 1: that it was. It was very real. It wasn't like

574
00:31:00,600 --> 00:31:03,400
Speaker 1: we can't go to Hawaii this year. That's things. It's

575
00:31:03,440 --> 00:31:06,600
Speaker 1: like first class, right we go, No, we go. We

576
00:31:06,640 --> 00:31:08,560
Speaker 1: get into the car as a family and we drive

577
00:31:08,640 --> 00:31:10,480
Speaker 1: and we go play a mini mini golf tournament. And

578
00:31:10,480 --> 00:31:12,280
Speaker 1: it's also shows why Corey is looking forward to it

579
00:31:12,320 --> 00:31:13,920
Speaker 1: so much, because they do it every year and it's

580
00:31:13,960 --> 00:31:16,440
Speaker 1: like the big family vacation. I thought it played very

581
00:31:16,600 --> 00:31:19,240
Speaker 1: very real to me, this whole kind of storyline, which

582
00:31:19,240 --> 00:31:21,200
Speaker 1: I thought was cool. I'd like to make a suggestion

583
00:31:21,280 --> 00:31:25,200
Speaker 1: that they everyone just has to lose one layer problem again,

584
00:31:25,360 --> 00:31:29,680
Speaker 1: That's what I say to remember save some shirts. Speaking

585
00:31:29,720 --> 00:31:32,320
Speaker 1: to shirts, I was watching this episode with my wife

586
00:31:32,320 --> 00:31:35,120
Speaker 1: and she went too much patterns in this scene. Have

587
00:31:35,200 --> 00:31:41,320
Speaker 1: you noticed Betsy's wearing a flower print sweatshirt on a

588
00:31:41,440 --> 00:31:46,560
Speaker 1: flower couch. Ben's wearing like a everybody's wearing different patterns,

589
00:31:46,600 --> 00:31:48,680
Speaker 1: and then she's got like what she's sewing is like

590
00:31:48,720 --> 00:31:52,680
Speaker 1: a pattern, a pattern, a pattern. It's like whoa. Once

591
00:31:52,680 --> 00:31:55,160
Speaker 1: she pointed it out, you can't unsee it. I was like,

592
00:31:55,160 --> 00:31:58,280
Speaker 1: oh god, yeah, too much pattern. It's like they must

593
00:31:58,280 --> 00:32:00,000
Speaker 1: have shown up on Thursday night, Like I can't belie

594
00:32:00,000 --> 00:32:06,120
Speaker 1: if nobody caught it. Like that's funny. I love. I

595
00:32:06,200 --> 00:32:08,800
Speaker 1: love when hearing like what your family each other's family

596
00:32:08,800 --> 00:32:10,800
Speaker 1: members point out about things. It makes me want to

597
00:32:10,800 --> 00:32:16,080
Speaker 1: go back and rewatch the whole episode. Um So, Alan

598
00:32:16,160 --> 00:32:18,480
Speaker 1: says that it wasn't up to him. It was Bob

599
00:32:18,520 --> 00:32:20,960
Speaker 1: Williams who made the decision for the pay cuts, and

600
00:32:21,000 --> 00:32:23,480
Speaker 1: Corey asks why he can't just fire Bob Williams, and

601
00:32:23,520 --> 00:32:26,200
Speaker 1: Alan says he can't fire the district manager that's one

602
00:32:26,200 --> 00:32:30,040
Speaker 1: of his bosses. Amy asks Corey what he suggests, what

603
00:32:30,120 --> 00:32:32,320
Speaker 1: he suggests they do about it, and Corey says they

604
00:32:32,360 --> 00:32:34,040
Speaker 1: should go in there and talk to everyone and if

605
00:32:34,040 --> 00:32:36,720
Speaker 1: it doesn't work out, he should just quit. And then

606
00:32:36,720 --> 00:32:39,120
Speaker 1: he ends by saying, throw some weight around, trust me

607
00:32:39,400 --> 00:32:43,960
Speaker 1: feels good. I thought that was again to Will's point

608
00:32:43,960 --> 00:32:46,880
Speaker 1: about how real this all feels. All of this is

609
00:32:46,920 --> 00:32:49,160
Speaker 1: just so real for a kid, where you really do

610
00:32:49,280 --> 00:32:51,880
Speaker 1: I remember being a teenager and thinking I knew everything,

611
00:32:52,000 --> 00:32:56,160
Speaker 1: and like, God, why don't my parents just ask me more?

612
00:32:56,280 --> 00:33:00,440
Speaker 1: I'd fixed this for them if they would just ask me. Yeah,

613
00:33:01,120 --> 00:33:03,720
Speaker 1: I mean, trust me, it's working. Okay, it's what I'm doing,

614
00:33:03,720 --> 00:33:06,200
Speaker 1: and it's totally working for me. My life is great

615
00:33:06,280 --> 00:33:08,840
Speaker 1: at twelve, so I kind of have this down. I

616
00:33:08,840 --> 00:33:11,840
Speaker 1: think I figured it out at your age. Yeah, of course.

617
00:33:13,040 --> 00:33:15,200
Speaker 1: And then we're back in the Matthews kitchen. Alan is

618
00:33:15,680 --> 00:33:19,960
Speaker 1: weirdly sitting on the island looks like Hamlet, looks like

619
00:33:20,080 --> 00:33:24,080
Speaker 1: Hamlet post. I did not even put that together. And

620
00:33:24,440 --> 00:33:31,280
Speaker 1: definitely no, I didn't sit on the island that Hamlet.

621
00:33:31,320 --> 00:33:37,040
Speaker 1: It's a total Hamlet post and the Hamlet. I didn't

622
00:33:37,040 --> 00:33:39,479
Speaker 1: put it together. But I'm also not super familiar with Hamlet,

623
00:33:39,520 --> 00:33:41,480
Speaker 1: to be honest, so I didn't put it together. And

624
00:33:41,520 --> 00:33:43,360
Speaker 1: I was like, what, why would he sit on the island.

625
00:33:43,400 --> 00:33:45,720
Speaker 1: There's a perfectly good share right there. It's the middle

626
00:33:45,720 --> 00:33:52,000
Speaker 1: of the night, the roe draped over, it's talking talking

627
00:33:52,000 --> 00:33:53,840
Speaker 1: to the melon, which is talking to the skull. So

628
00:33:53,880 --> 00:33:58,360
Speaker 1: it's straight Yeah, all right. I hope I'm not the

629
00:33:58,400 --> 00:34:00,240
Speaker 1: only person who didn't know. I hope there were other

630
00:34:00,280 --> 00:34:03,280
Speaker 1: listeners who are like, oh, otherwise it's just me. So

631
00:34:03,400 --> 00:34:04,960
Speaker 1: you really are the only one that hasn't had a

632
00:34:04,960 --> 00:34:08,040
Speaker 1: Shakespearean talk with a Shakespearean historian. Wow, yeah, I really am.

633
00:34:08,239 --> 00:34:11,760
Speaker 1: I apparently that's like very common, not in my life.

634
00:34:12,440 --> 00:34:17,200
Speaker 1: Um so uh. And then he just leaves by the way,

635
00:34:17,280 --> 00:34:19,840
Speaker 1: just leaves the melon. I know, we didn't even we

636
00:34:19,840 --> 00:34:22,920
Speaker 1: didn't even get all that. He's sitting on the counter.

637
00:34:22,960 --> 00:34:25,640
Speaker 1: Amy walks downstairs. He asks if Amy sees him as

638
00:34:25,640 --> 00:34:27,839
Speaker 1: a spear carrier or if his employees just see him

639
00:34:27,840 --> 00:34:30,759
Speaker 1: as a pushover company man. Amy and Allen know he

640
00:34:30,840 --> 00:34:33,360
Speaker 1: needs to talk to Bob Williams, and Alan practices what

641
00:34:33,400 --> 00:34:35,400
Speaker 1: he's going to say in the form of a cantaloupe.

642
00:34:35,680 --> 00:34:39,080
Speaker 1: He does it at first, very common, rational, weirdest looking cantaloupe.

643
00:34:39,080 --> 00:34:42,160
Speaker 1: I remever, sank you that's all said the entire night.

644
00:34:42,360 --> 00:34:44,520
Speaker 1: I was like, what is that? Is that? Is that

645
00:34:44,560 --> 00:34:49,799
Speaker 1: a coconut? Is it? Harry? Is it supposed to look

646
00:34:49,840 --> 00:34:54,440
Speaker 1: more like a skull? Maybe? But I was like, what

647
00:34:54,600 --> 00:34:57,520
Speaker 1: is that thing that they're holding? I thought that the

648
00:34:57,600 --> 00:35:00,920
Speaker 1: dramatic lighting, the moonlight lighting, which is coming from a

649
00:35:01,000 --> 00:35:03,440
Speaker 1: skylight above them, Like why is the why is there

650
00:35:03,440 --> 00:35:06,960
Speaker 1: moonlight coming from directly above? This episode had very dramatic

651
00:35:07,080 --> 00:35:09,440
Speaker 1: lighting and change because you know later with Bill, which

652
00:35:09,440 --> 00:35:11,959
Speaker 1: makes sense, but this lighting was so over the top

653
00:35:12,000 --> 00:35:15,719
Speaker 1: and him sitting, but the cantaloupe in the lighting just

654
00:35:15,920 --> 00:35:20,080
Speaker 1: looked weird, like I think it could. I think it

655
00:35:20,160 --> 00:35:24,239
Speaker 1: was supposed to be slightly rotten so that when he

656
00:35:24,320 --> 00:35:26,719
Speaker 1: drops it it explodes. I mean, like, I think that's

657
00:35:26,760 --> 00:35:29,080
Speaker 1: the point. And if if you have a fresh candleloupe,

658
00:35:29,080 --> 00:35:31,200
Speaker 1: if you drop it from the three ft or four feet,

659
00:35:31,760 --> 00:35:33,759
Speaker 1: it's probably not going to have that big break that.

660
00:35:34,120 --> 00:35:36,040
Speaker 1: But Sue said the same things, like what the hell

661
00:35:36,120 --> 00:35:38,520
Speaker 1: is that? I thought the exact same thing, And then

662
00:35:38,600 --> 00:35:40,399
Speaker 1: just now when you said, oh, it's like when he's

663
00:35:40,440 --> 00:35:42,239
Speaker 1: talking to the skull, the very first thing that popped

664
00:35:42,280 --> 00:35:44,399
Speaker 1: in my mind was, Oh, that's why the that's why

665
00:35:44,400 --> 00:35:47,320
Speaker 1: the candleloupe was like that. It was narrow. It's narrow

666
00:35:47,360 --> 00:35:48,920
Speaker 1: and kind of tall, the way a skull would be.

667
00:35:48,960 --> 00:35:50,880
Speaker 1: And also some of the like in dense would be

668
00:35:50,960 --> 00:35:54,759
Speaker 1: like I sockets nose, So I I think it was

669
00:35:54,800 --> 00:35:57,920
Speaker 1: a very conscious choice for it to also yes a

670
00:35:57,960 --> 00:36:00,319
Speaker 1: little rotten so that it would get the looks like

671
00:36:00,360 --> 00:36:09,440
Speaker 1: a skull exactly. That looks mel exactly. It just looks weird,

672
00:36:09,480 --> 00:36:14,680
Speaker 1: though I find it. So it was melon, Yes, melon,

673
00:36:15,040 --> 00:36:17,080
Speaker 1: not a melon. I like. I don't like that. I

674
00:36:17,080 --> 00:36:20,760
Speaker 1: don't trust that melan. I didn't either. It's a shifty melon.

675
00:36:21,400 --> 00:36:25,040
Speaker 1: Shady about that melon. Melon, that's our new T shirt.

676
00:36:25,440 --> 00:36:32,600
Speaker 1: Shady melon. Alan holds a sunglasses, shady melon. That's a

677
00:36:32,640 --> 00:36:37,560
Speaker 1: shady melon. That's a melon with a past. Trust that

678
00:36:37,640 --> 00:36:41,319
Speaker 1: mel just got out of jail. I just don't trust it. Man, Like,

679
00:36:41,400 --> 00:36:42,960
Speaker 1: you can sleep on the couch for a week, but

680
00:36:43,000 --> 00:36:44,600
Speaker 1: then you gotta be out of here. Melon. I just

681
00:36:44,880 --> 00:36:47,879
Speaker 1: can't do it. And then he steals all your booth exactly.

682
00:36:48,520 --> 00:36:52,200
Speaker 1: We all know that. We all know that melon. We

683
00:36:52,840 --> 00:36:57,840
Speaker 1: all have that melon in our lives somewhere. So after

684
00:36:57,880 --> 00:37:01,279
Speaker 1: Amy leaves, Alan says to the bob cantaloupe, let me

685
00:37:01,320 --> 00:37:03,560
Speaker 1: show you what I've always wanted to do to your head.

686
00:37:03,880 --> 00:37:06,320
Speaker 1: And he drops the cantaloupe, which splats on the floor,

687
00:37:06,840 --> 00:37:09,120
Speaker 1: and then he turns around and he just leaves it there,

688
00:37:09,160 --> 00:37:11,319
Speaker 1: but he walks away, saying, now my wife would call

689
00:37:11,400 --> 00:37:16,800
Speaker 1: that cranky. Just goes upstairs. I guess he's the first

690
00:37:16,840 --> 00:37:19,120
Speaker 1: one up and plans on cleaning it up, but now

691
00:37:19,600 --> 00:37:22,759
Speaker 1: later that she had to clean it up. Yes, it's

692
00:37:22,800 --> 00:37:26,480
Speaker 1: just like with woman. Yeah, I can't go to sleep

693
00:37:26,520 --> 00:37:30,080
Speaker 1: if there's a one dirty dish in the sink, I

694
00:37:30,080 --> 00:37:33,080
Speaker 1: can't do it. So the idea of going to bed

695
00:37:33,400 --> 00:37:38,280
Speaker 1: with a broken, shady melon dishes over and just leaving

696
00:37:38,280 --> 00:37:40,680
Speaker 1: them at your house, I had this very much the

697
00:37:40,719 --> 00:37:44,360
Speaker 1: same will. I love doing dishes. I love doing dishes.

698
00:37:44,400 --> 00:37:46,560
Speaker 1: I put on music like so and I cook together,

699
00:37:46,920 --> 00:37:49,160
Speaker 1: and then I put on some music and the water

700
00:37:49,280 --> 00:37:52,399
Speaker 1: is all nice and warm and everything gets all soapy.

701
00:37:51,640 --> 00:37:55,239
Speaker 1: I love doing I don't care. I don't do them

702
00:37:55,239 --> 00:37:59,640
Speaker 1: in your batman under pear or sometimes it depends on

703
00:37:59,640 --> 00:38:05,919
Speaker 1: how I'm feeling. That's not washing away job. I hope

704
00:38:05,960 --> 00:38:10,040
Speaker 1: that you put on a cape every tipe, dishwashing cape

705
00:38:10,960 --> 00:38:15,000
Speaker 1: you No, I like to feel I don't know the dishes, yeah, no,

706
00:38:15,080 --> 00:38:16,920
Speaker 1: I like the feel of it there. Yeah, that's funny.

707
00:38:17,640 --> 00:38:19,480
Speaker 1: I don't care about doing dishes like I have. I

708
00:38:19,560 --> 00:38:21,799
Speaker 1: use my dishwasher. I basically just rinse everything and put

709
00:38:21,840 --> 00:38:23,759
Speaker 1: it in the dishwasher, because you know, obviously big things

710
00:38:23,760 --> 00:38:26,880
Speaker 1: you wash. But I am very much a person who

711
00:38:27,040 --> 00:38:30,279
Speaker 1: feels my environment really sets the tone for my mood

712
00:38:30,320 --> 00:38:32,879
Speaker 1: that day. And if I'm in a very cluttered kind

713
00:38:32,880 --> 00:38:36,000
Speaker 1: of claustrophobic thing, I will feel out of sorts. And

714
00:38:36,080 --> 00:38:38,200
Speaker 1: so at night, after the kids go to bed, I

715
00:38:38,239 --> 00:38:41,200
Speaker 1: spend twenty to thirty minutes walking around picking up the things,

716
00:38:41,280 --> 00:38:43,799
Speaker 1: moving things back, making sure everything's like in its place

717
00:38:43,840 --> 00:38:46,160
Speaker 1: and cleaned. And then I can like look around the house,

718
00:38:46,160 --> 00:38:47,480
Speaker 1: turn off the lights, and go to sleep and wake

719
00:38:47,560 --> 00:38:49,439
Speaker 1: up the next day like ready for a new day.

720
00:38:49,640 --> 00:38:52,319
Speaker 1: Do you make your bed first thing in the morning. No,

721
00:38:52,600 --> 00:38:54,080
Speaker 1: I actually don't make my bed first thing in the

722
00:38:54,120 --> 00:38:56,520
Speaker 1: morning because Jensen sleeps in later than I do. So

723
00:38:56,600 --> 00:38:59,720
Speaker 1: I wake up and come downstairs, have my cup of coffee,

724
00:38:59,719 --> 00:39:02,160
Speaker 1: do my little morning meditation, and then get the kids up.

725
00:39:02,400 --> 00:39:04,880
Speaker 1: Then when once Adler's gone to school, then I get

726
00:39:04,920 --> 00:39:07,520
Speaker 1: ready for my day. And that's when the bed gets made.

727
00:39:08,000 --> 00:39:10,239
Speaker 1: That's like my feet hit the ground, and because Sue

728
00:39:10,239 --> 00:39:11,839
Speaker 1: gets up before me, but my feet hit the ground

729
00:39:11,920 --> 00:39:15,000
Speaker 1: and the bed is made in like thirty seconds. Yeah,

730
00:39:15,040 --> 00:39:17,520
Speaker 1: I have to have to start with the hospital corners.

731
00:39:18,440 --> 00:39:20,400
Speaker 1: Not that I mean I like it. I like a

732
00:39:20,480 --> 00:39:22,759
Speaker 1: nice clean bed. You know, there was that admiral who

733
00:39:22,760 --> 00:39:25,200
Speaker 1: gave that great, that great speech at the one of

734
00:39:25,239 --> 00:39:27,279
Speaker 1: the graduations. I forget his name, but he gave one

735
00:39:27,320 --> 00:39:28,880
Speaker 1: of the most famous speeches a couple years ago that

736
00:39:28,880 --> 00:39:30,560
Speaker 1: people watch we talks about the first thing you should

737
00:39:30,560 --> 00:39:32,480
Speaker 1: do is make your bed, because then if the rest

738
00:39:32,520 --> 00:39:35,120
Speaker 1: of your day is terrible, you've already accomplished one thing,

739
00:39:35,840 --> 00:39:37,200
Speaker 1: and when you come back at the end of the day,

740
00:39:37,239 --> 00:39:38,880
Speaker 1: you get to get into a nice clean bed, and

741
00:39:38,880 --> 00:39:41,160
Speaker 1: you get to accomplish one thing first thing in the morning.

742
00:39:41,200 --> 00:39:43,320
Speaker 1: The next day too. It was really cool. So I've

743
00:39:43,320 --> 00:39:44,520
Speaker 1: but I've been like that since I was a kid.

744
00:39:44,520 --> 00:39:46,719
Speaker 1: I always made my bed. I just yeah, you know

745
00:39:46,719 --> 00:39:53,200
Speaker 1: who doesn't make their bed? Shady melon shade even when

746
00:39:54,280 --> 00:39:58,560
Speaker 1: he's on he soils every We all know that melon.

747
00:39:59,280 --> 00:40:01,880
Speaker 1: So we're in this hallway. Sean arrives in his costume.

748
00:40:02,040 --> 00:40:05,680
Speaker 1: He is now polonious. When Corey dropped out, you look

749
00:40:05,760 --> 00:40:08,200
Speaker 1: so great this scene. Writer, you could tell that I

750
00:40:08,239 --> 00:40:11,000
Speaker 1: just love wearing the fat keeping I keep doing like

751
00:40:11,040 --> 00:40:14,239
Speaker 1: little fat jiggles, like facides and I'm like, I'm an

752
00:40:14,239 --> 00:40:16,600
Speaker 1: actor in a costume. Let me be funny. And the

753
00:40:16,640 --> 00:40:20,840
Speaker 1: death scene gets a dial all over the place so great.

754
00:40:22,320 --> 00:40:25,560
Speaker 1: Seawan says, it's really cool because an Act three, scene four,

755
00:40:25,640 --> 00:40:28,800
Speaker 1: Polonius dies and then you acted out and the way

756
00:40:28,880 --> 00:40:32,080
Speaker 1: you bounce off the lockers and fall to the ground

757
00:40:33,200 --> 00:40:36,080
Speaker 1: jump up. Man, it was so fun. I was like

758
00:40:36,160 --> 00:40:39,000
Speaker 1: having fun through you. This is the first time we

759
00:40:39,080 --> 00:40:44,080
Speaker 1: kind of see Sean excited about something at school. I think, right,

760
00:40:44,200 --> 00:40:46,480
Speaker 1: it's like the first you see him light up because

761
00:40:46,480 --> 00:40:48,160
Speaker 1: of a project at school. It was a cool side

762
00:40:48,160 --> 00:40:50,560
Speaker 1: of him that you really got to see before. And like,

763
00:40:50,640 --> 00:40:53,279
Speaker 1: Sean clearly should have been a theater major, Like he

764
00:40:53,719 --> 00:40:55,879
Speaker 1: clearly should have been in theater. He loves it. He

765
00:40:55,960 --> 00:40:57,840
Speaker 1: loved it. And I hate to do this because I

766
00:40:57,880 --> 00:41:01,560
Speaker 1: hate calling out background, but a young woman walks through

767
00:41:01,600 --> 00:41:03,680
Speaker 1: the scene right when you are both there, and it

768
00:41:03,719 --> 00:41:06,560
Speaker 1: goes to the locker behind you, and she's not good.

769
00:41:07,320 --> 00:41:10,080
Speaker 1: She's got a weird like she's making this weird face

770
00:41:10,120 --> 00:41:12,520
Speaker 1: as she walks by, like somebody just told her something

771
00:41:12,560 --> 00:41:16,800
Speaker 1: horrible or some complex. You know, it's but I noticed

772
00:41:16,800 --> 00:41:21,160
Speaker 1: her because she was alone, just stands there at the light.

773
00:41:21,200 --> 00:41:23,560
Speaker 1: I think it's I think it's awkward. It's just bad

774
00:41:23,680 --> 00:41:26,440
Speaker 1: direction in general, because like I think they had to

775
00:41:26,520 --> 00:41:28,560
Speaker 1: keep the hallway empty for me to be able to

776
00:41:28,560 --> 00:41:30,880
Speaker 1: do the death scene. So they were like no, so

777
00:41:30,960 --> 00:41:33,520
Speaker 1: it's like a completely empty hallway except recording and me.

778
00:41:33,719 --> 00:41:36,200
Speaker 1: And then she comes in after my death scene and

779
00:41:36,239 --> 00:41:39,279
Speaker 1: it's just awkwardly there alone. It's it's bad torect weird.

780
00:41:39,560 --> 00:41:43,560
Speaker 1: It was weird in the room right now. I actually

781
00:41:44,920 --> 00:41:50,040
Speaker 1: horrible time mean that. I didn't mean, no, she's just

782
00:41:50,120 --> 00:41:52,879
Speaker 1: it's like somebody just told her her uncle was shady melon.

783
00:41:52,960 --> 00:41:55,360
Speaker 1: That's why it came out. It's Sarah. She comes in

784
00:41:55,400 --> 00:41:56,680
Speaker 1: that this kind of weird look at her face and

785
00:41:56,719 --> 00:41:58,200
Speaker 1: then just has to stand there and you're right, it

786
00:41:58,280 --> 00:42:00,560
Speaker 1: is just bad direction, bad direction, Like it was so

787
00:42:00,640 --> 00:42:02,520
Speaker 1: because I noticed, and I didn't think she was bad.

788
00:42:02,560 --> 00:42:04,799
Speaker 1: I just was like, why why am I noticing this person?

789
00:42:04,800 --> 00:42:06,960
Speaker 1: It's because she's the only one in the hall. But

790
00:42:07,000 --> 00:42:08,719
Speaker 1: maybe that's what Maybe that's what it was. It was

791
00:42:08,760 --> 00:42:11,279
Speaker 1: just it was so so weird that it came off

792
00:42:11,320 --> 00:42:12,960
Speaker 1: as she was dad when she was and it was

793
00:42:13,080 --> 00:42:16,000
Speaker 1: just direct. Also, it never bumped me if it wouldn't

794
00:42:16,000 --> 00:42:17,640
Speaker 1: have bumped me if there was nobody in the hallway,

795
00:42:17,680 --> 00:42:20,799
Speaker 1: because you guys are in play rehearsal. It seems like

796
00:42:21,000 --> 00:42:23,600
Speaker 1: it seems like there are other the kids are doing

797
00:42:23,640 --> 00:42:28,640
Speaker 1: other things, so it was basical correct exact classes in

798
00:42:28,719 --> 00:42:33,439
Speaker 1: session right now. Yes, So Seawan says Mincus is doing

799
00:42:33,520 --> 00:42:36,960
Speaker 1: pretty bad as Hamlet and that Mincus won't back out.

800
00:42:37,000 --> 00:42:38,839
Speaker 1: He asks Corey to come back to the play as

801
00:42:38,880 --> 00:42:41,040
Speaker 1: a favor. Shawn says he may have to quit, but

802
00:42:41,040 --> 00:42:43,120
Speaker 1: too many people are relying on him, and even his

803
00:42:43,239 --> 00:42:45,880
Speaker 1: dad is coming to watch the play. So you actually

804
00:42:45,880 --> 00:42:47,359
Speaker 1: don't say that you may have to quit. You say

805
00:42:47,360 --> 00:42:49,359
Speaker 1: you will not, absolutely not. You've got people who rely

806
00:42:49,440 --> 00:42:52,200
Speaker 1: on you, which I thought is so cute. We see

807
00:42:52,239 --> 00:42:55,359
Speaker 1: Sean have responsibility and he takes it seriously and he

808
00:42:55,440 --> 00:42:58,200
Speaker 1: likes it. And that your dad, who possibly abuses you,

809
00:42:58,800 --> 00:43:02,359
Speaker 1: it's gonna come and watch you in a school boat,

810
00:43:05,160 --> 00:43:08,960
Speaker 1: is your dad? Shady melon is kind of a shady

811
00:43:08,960 --> 00:43:15,160
Speaker 1: melon is kind of a shady melon. Corey realizes he's

812
00:43:15,160 --> 00:43:17,480
Speaker 1: alone as the quitter after Sean rejects his offer to

813
00:43:17,480 --> 00:43:19,560
Speaker 1: play hoops and runs to catch up with his friends.

814
00:43:19,960 --> 00:43:23,879
Speaker 1: By the way, Dusty one of the people who walk

815
00:43:24,000 --> 00:43:26,080
Speaker 1: by when you go, hey, wait for me, and he

816
00:43:26,160 --> 00:43:29,279
Speaker 1: shakes his head like no way, dude, and walks off.

817
00:43:29,600 --> 00:43:32,560
Speaker 1: And then you say, if they disobey me again, I'll

818
00:43:32,800 --> 00:43:39,160
Speaker 1: sit on emphasize fat suit with a little yeah, so

819
00:43:40,480 --> 00:43:43,080
Speaker 1: get one of one of the many dusty features in

820
00:43:43,080 --> 00:43:45,680
Speaker 1: this episode. And then we're in the school theater. Mincas

821
00:43:45,760 --> 00:43:48,000
Speaker 1: is rehearsing and he's facing the back of the stage.

822
00:43:48,040 --> 00:43:49,840
Speaker 1: Phoene stops him and tells him to put on his

823
00:43:49,960 --> 00:43:53,399
Speaker 1: glasses so he can face the correct direction. And even

824
00:43:53,440 --> 00:43:56,320
Speaker 1: though Minca says glasses aren't right for the period piece

825
00:43:57,160 --> 00:43:59,840
Speaker 1: and also almost stepping off the stage and and Build

826
00:44:00,040 --> 00:44:03,759
Speaker 1: stopping him was hysteric commitment. Man, he was going to

827
00:44:03,840 --> 00:44:08,359
Speaker 1: do it unless it was great. Yeah, it really was

828
00:44:08,680 --> 00:44:11,080
Speaker 1: really well done. And also I love that you can

829
00:44:11,080 --> 00:44:18,520
Speaker 1: tell Lee Wade like sixteen pounds because just stopped, He's

830
00:44:18,560 --> 00:44:20,160
Speaker 1: like putting his full weight on your stomach and you

831
00:44:20,200 --> 00:44:23,680
Speaker 1: have to act like it means something. I know. I

832
00:44:23,760 --> 00:44:28,240
Speaker 1: also love the fact that Mincus is bad at something

833
00:44:28,560 --> 00:44:32,120
Speaker 1: I know, just flat out bad at it, and everyone's

834
00:44:32,160 --> 00:44:34,640
Speaker 1: kind of stuck with Mincas doing this this thing, which

835
00:44:34,920 --> 00:44:37,240
Speaker 1: I look that he's bad at it for funny reasons.

836
00:44:37,360 --> 00:44:39,440
Speaker 1: You know, he's bad because it takes it too serious,

837
00:44:39,560 --> 00:44:42,680
Speaker 1: exactly super close into it. It's great, but he's just

838
00:44:42,840 --> 00:44:46,279
Speaker 1: he's not good at it. It's it's hysterical. Yeah, well,

839
00:44:46,320 --> 00:44:48,640
Speaker 1: Mincas tries to do his Hamlet lines in a Southern

840
00:44:48,680 --> 00:44:52,919
Speaker 1: accent with his foot onto Panana. Oh my gosh, it's

841
00:44:52,960 --> 00:44:55,680
Speaker 1: so funny. He does such obviously, he does such a

842
00:44:55,719 --> 00:44:58,640
Speaker 1: great Southern accent, and Penga can't breathe, so she pushes

843
00:44:58,719 --> 00:45:02,000
Speaker 1: him off, and then he says, I can't work like this.

844
00:45:02,320 --> 00:45:05,719
Speaker 1: I can't work like this. I remember remember that. I

845
00:45:05,760 --> 00:45:10,040
Speaker 1: remember this that I remember, guys, I've said it my

846
00:45:10,120 --> 00:45:19,040
Speaker 1: whole life, not remembering that. It was. Anytime I'm anywhere

847
00:45:19,120 --> 00:45:22,600
Speaker 1: and something isn't working, I'll say I can't, I guess.

848
00:45:22,840 --> 00:45:25,000
Speaker 1: And I didn't know where it came from. I just

849
00:45:25,040 --> 00:45:27,359
Speaker 1: thought it was like in a movie or something I saw,

850
00:45:27,680 --> 00:45:29,759
Speaker 1: or like I didn't help. And then I watched the

851
00:45:29,800 --> 00:45:31,919
Speaker 1: episode and I had to pause, and I said, I've

852
00:45:31,920 --> 00:45:37,080
Speaker 1: been saying it my whole life. You've been quoting, quoting

853
00:45:37,120 --> 00:45:39,880
Speaker 1: your own world, And I didn't know I've done that

854
00:45:39,920 --> 00:45:43,839
Speaker 1: with multiple lines, like multiple things, and already this season

855
00:45:43,880 --> 00:45:45,799
Speaker 1: I've seen a few of them. Yeah, and this is

856
00:45:45,880 --> 00:45:47,480
Speaker 1: this is definitely one of them. Like, well, I know

857
00:45:47,719 --> 00:45:50,360
Speaker 1: the inflection, and it's because there were great moments in

858
00:45:50,360 --> 00:45:52,360
Speaker 1: our lives, like we were there on show night. Lee

859
00:45:52,480 --> 00:45:55,160
Speaker 1: delivered the line like this. Obviously he probably delivered it

860
00:45:55,200 --> 00:45:57,560
Speaker 1: like it all week, and it got to laugh every rehearsal.

861
00:45:57,560 --> 00:45:59,719
Speaker 1: It gotta laugh every table read. So it's just like

862
00:46:00,120 --> 00:46:02,200
Speaker 1: grained in our brains is like a funny way to

863
00:46:02,239 --> 00:46:05,160
Speaker 1: say something, but it actually doesn't make sense to anybody

864
00:46:05,160 --> 00:46:09,759
Speaker 1: else reference to our own show. Yeah, I can't believe

865
00:46:09,800 --> 00:46:13,920
Speaker 1: we do that. That's embarrassing, is it? Or is it

866
00:46:13,920 --> 00:46:16,640
Speaker 1: actually kind of cool? Well? He was cool, but also

867
00:46:16,680 --> 00:46:18,719
Speaker 1: I'm like embarrassed that. Then if anybody were to say

868
00:46:18,719 --> 00:46:20,640
Speaker 1: to me, like, oh, that's funny, I would be like, yeah,

869
00:46:20,880 --> 00:46:23,319
Speaker 1: I just made it up, Like I don't know, I would.

870
00:46:23,480 --> 00:46:24,920
Speaker 1: I didn't know. I thought I actually got it from

871
00:46:24,960 --> 00:46:27,239
Speaker 1: I must have seen it in some movie somewhere. I

872
00:46:27,320 --> 00:46:29,359
Speaker 1: never would have thought it was a boy meets world line.

873
00:46:29,640 --> 00:46:31,360
Speaker 1: But I've been saying it my whole life, and writer

874
00:46:31,520 --> 00:46:36,680
Speaker 1: has too. It's so funny, all right, the best Leonora's okay.

875
00:46:36,880 --> 00:46:39,719
Speaker 1: Phoenie ends rehearsals for the day and Corey asks how.

876
00:46:40,000 --> 00:46:43,160
Speaker 1: He asks Phoenie how the play is going, and Phoene

877
00:46:43,200 --> 00:46:45,479
Speaker 1: says not, Well, Corey admits he didn't think his qudding

878
00:46:45,480 --> 00:46:47,680
Speaker 1: would affect the place so much, and Phoenie says he

879
00:46:47,680 --> 00:46:50,359
Speaker 1: didn't either, to be honest. Corey says he'll come back,

880
00:46:50,440 --> 00:46:53,400
Speaker 1: but Phoenie says Mincus is his Hamlet, and he offers

881
00:46:53,440 --> 00:46:56,359
Speaker 1: Corey the spear carrier role, and then he says there

882
00:46:56,400 --> 00:46:59,840
Speaker 1: are no small parts, only small actors. Corey says he

883
00:47:00,000 --> 00:47:02,080
Speaker 1: didn't have quit if the school was doing something cooler,

884
00:47:02,200 --> 00:47:05,719
Speaker 1: like scenes from the Terminator or a Steven Seagal soliloquy.

885
00:47:05,800 --> 00:47:09,480
Speaker 1: And then Penny turns off the lights and recites Hamlet,

886
00:47:09,880 --> 00:47:16,120
Speaker 1: and we see the amazing William Daniels do Shakespeare. Shakespeare awesome,

887
00:47:16,400 --> 00:47:20,319
Speaker 1: it was awesome. What other kids show would do this?

888
00:47:20,560 --> 00:47:23,600
Speaker 1: I mean, we were at Heart quote unquote a kid

889
00:47:23,680 --> 00:47:28,200
Speaker 1: show and you've got William Daniels doing Hamlet. Yeah, well

890
00:47:28,239 --> 00:47:31,720
Speaker 1: you know we we we recap that episode with the

891
00:47:31,800 --> 00:47:35,759
Speaker 1: kid gloves, with the graduate shot, and you say, I

892
00:47:35,760 --> 00:47:37,640
Speaker 1: felt like this whole episode was an excuse for that.

893
00:47:38,200 --> 00:47:40,760
Speaker 1: This felt like this whole episode could be an excuse

894
00:47:40,800 --> 00:47:44,400
Speaker 1: for this scene. And it's worth it. And this is

895
00:47:44,400 --> 00:47:46,439
Speaker 1: what you do. This is what you do. You set

896
00:47:46,520 --> 00:47:49,760
Speaker 1: up a moment where you allow Bill Daniels to deliver

897
00:47:50,320 --> 00:47:54,359
Speaker 1: a Shakespearean moment and it's totally worth it. And ex

898
00:47:56,280 --> 00:47:59,280
Speaker 1: also to the credit of the episode. What a great

899
00:47:59,320 --> 00:48:01,440
Speaker 1: idea to have a bunch of kids and basically it's

900
00:48:01,440 --> 00:48:04,879
Speaker 1: an episode of BTS behind It's a BTS episode behind

901
00:48:04,880 --> 00:48:07,480
Speaker 1: the high school like a junior high school play, you know,

902
00:48:07,640 --> 00:48:10,040
Speaker 1: which is like a great idea where you can you

903
00:48:10,120 --> 00:48:13,120
Speaker 1: let kids go with tons of hijinks. And then Bill

904
00:48:13,239 --> 00:48:16,799
Speaker 1: Daniels as Hamlet is just and from an acting standpoint,

905
00:48:17,040 --> 00:48:21,919
Speaker 1: watching him just let the words do the work. Yeah,

906
00:48:22,320 --> 00:48:24,840
Speaker 1: I mean when you get Shakespeare, which is which is

907
00:48:24,840 --> 00:48:27,280
Speaker 1: so funny because it's it's essentially what Lee is doing

908
00:48:27,440 --> 00:48:29,960
Speaker 1: as Minkus in the show is he's putting so much

909
00:48:29,960 --> 00:48:32,800
Speaker 1: into it and he's he's getting so big and Bill doesn't.

910
00:48:32,840 --> 00:48:36,279
Speaker 1: Bill just kind of and he says the words and

911
00:48:36,640 --> 00:48:40,160
Speaker 1: perfectly and and feels the sentiment and just lets the

912
00:48:40,200 --> 00:48:43,360
Speaker 1: words do the work. And it's brilliant. It's so brilliant.

913
00:48:43,880 --> 00:48:46,520
Speaker 1: What a scene. It was just Yeah, totally worth the

914
00:48:46,520 --> 00:48:48,759
Speaker 1: price of admission. Yeah. In fact, well I would say

915
00:48:48,800 --> 00:48:51,719
Speaker 1: the lighting and the music I bothered me because I

916
00:48:51,760 --> 00:48:54,880
Speaker 1: felt like it was trying too hard to like say Hey, kids,

917
00:48:54,960 --> 00:48:57,600
Speaker 1: this is a dramatic moment that scares Corey when the

918
00:48:57,640 --> 00:49:00,160
Speaker 1: reality is like the words, we're doing it. Bill's perform

919
00:49:00,400 --> 00:49:02,480
Speaker 1: was doing it in a way that's more intrusive that

920
00:49:02,560 --> 00:49:05,319
Speaker 1: the show was sort of like hideon and underlying it.

921
00:49:05,520 --> 00:49:08,200
Speaker 1: And Bill didn't like his performances, like how he probably

922
00:49:08,200 --> 00:49:11,360
Speaker 1: would actually have played Hamlets the ghost, you know, like

923
00:49:11,560 --> 00:49:13,000
Speaker 1: how he would have actually played it if he were

924
00:49:13,000 --> 00:49:15,680
Speaker 1: casting that role, which is the better way to go. Yeah, So,

925
00:49:15,719 --> 00:49:17,160
Speaker 1: in a weird way, I wish they had pulled back

926
00:49:17,160 --> 00:49:19,200
Speaker 1: on the lighting and the dramatics of it a little

927
00:49:19,239 --> 00:49:21,440
Speaker 1: bit more, because it was it was just this understated

928
00:49:21,440 --> 00:49:23,960
Speaker 1: performance where he just he's saying the words and you

929
00:49:24,000 --> 00:49:25,759
Speaker 1: feel the sentiment and you got I got a chill.

930
00:49:25,760 --> 00:49:27,960
Speaker 1: It was like, wow, that's how it's supposed to be. Well,

931
00:49:28,000 --> 00:49:31,480
Speaker 1: he proves Corey wrong. It does scare and interest him.

932
00:49:31,600 --> 00:49:34,759
Speaker 1: And guys, when we had Bill on the show, didn't

933
00:49:34,800 --> 00:49:37,480
Speaker 1: he say Hamlet is a role he wished he had played.

934
00:49:39,719 --> 00:49:42,560
Speaker 1: You know, That's what Bonnie said. Was it Hamlet or

935
00:49:42,600 --> 00:49:45,879
Speaker 1: was it McBeth? It was Hamlet. I think it was Hamlet. Yeah,

936
00:49:45,920 --> 00:49:47,440
Speaker 1: I think it was. I think we asked him if

937
00:49:47,480 --> 00:49:49,040
Speaker 1: there was anything he ever wanted to play, and Bonnie

938
00:49:49,120 --> 00:49:53,080
Speaker 1: said he should have done Hamlet. Well, we are in

939
00:49:53,120 --> 00:49:56,279
Speaker 1: the Matthews living room. Eric gets excited, thinking Alan has

940
00:49:56,320 --> 00:49:59,120
Speaker 1: come home, but it's only Corey Amy and Allan um.

941
00:49:59,160 --> 00:50:01,320
Speaker 1: Amy says Alan went down to talk to the regional

942
00:50:01,360 --> 00:50:04,399
Speaker 1: manager about the pay cuts, and Corey says Alan can't

943
00:50:04,440 --> 00:50:06,799
Speaker 1: talk to Bob Williams because they'll fire him, and he

944
00:50:06,840 --> 00:50:09,120
Speaker 1: goes to stop him, but then Alan comes through the door.

945
00:50:10,160 --> 00:50:12,480
Speaker 1: Alan says it wasn't the easiest meeting he's ever had,

946
00:50:12,520 --> 00:50:14,959
Speaker 1: and he didn't get the money he wanted. He didn't

947
00:50:15,040 --> 00:50:17,160
Speaker 1: quit even though he was tempted, and he because he

948
00:50:17,200 --> 00:50:19,680
Speaker 1: didn't want to let his family down. Corey says he

949
00:50:19,680 --> 00:50:21,640
Speaker 1: wishes he didn't quit his play because he let a

950
00:50:21,640 --> 00:50:23,480
Speaker 1: lot of people down and compares being a lead in

951
00:50:23,520 --> 00:50:26,759
Speaker 1: a play to being a dad. Morgan yells to Amy

952
00:50:26,800 --> 00:50:28,640
Speaker 1: that Alan is home so they can start, but Amy

953
00:50:28,719 --> 00:50:31,279
Speaker 1: runs up to tell her not yet. Corey says it's okay,

954
00:50:31,280 --> 00:50:33,520
Speaker 1: they're not going to the Jersey Shore, and he's okay

955
00:50:33,560 --> 00:50:36,440
Speaker 1: if he never sees Goofy golf again. Alan says, then

956
00:50:36,440 --> 00:50:38,879
Speaker 1: he's going to be really disappointed when he sees what's

957
00:50:38,920 --> 00:50:42,680
Speaker 1: in the back Can we just take a step back that?

958
00:50:43,000 --> 00:50:45,719
Speaker 1: I love that. When then when Corey makes a comparison

959
00:50:45,719 --> 00:50:47,959
Speaker 1: like it's like being a dad, rust He's like, no,

960
00:50:48,120 --> 00:50:52,120
Speaker 1: you know, like you're trying to make a connection here.

961
00:50:52,239 --> 00:50:53,800
Speaker 1: I just thought that was funny because that's what the

962
00:50:53,840 --> 00:50:56,040
Speaker 1: episode is doing, right, The show is trying to make

963
00:50:56,080 --> 00:50:58,440
Speaker 1: this connection. I like that we just addressed it like.

964
00:50:58,480 --> 00:51:01,239
Speaker 1: Corey's like, it doesn't actually less it and Rusty's like, no,

965
00:51:01,400 --> 00:51:03,759
Speaker 1: that doesn't make any sense at all. I thought that

966
00:51:03,800 --> 00:51:05,640
Speaker 1: was a great little touch to say the thing and

967
00:51:05,680 --> 00:51:09,400
Speaker 1: then dismiss it. Yeah. So then they run to the

968
00:51:09,520 --> 00:51:15,120
Speaker 1: backyard and he sees Goofy Golf is set up and

969
00:51:15,160 --> 00:51:17,839
Speaker 1: he says how much he loves Goofy golf. Corey says

970
00:51:17,840 --> 00:51:19,400
Speaker 1: it's great because now they don't have to drive to

971
00:51:19,440 --> 00:51:22,680
Speaker 1: the Jersey shore to play. Morgan, Eric and Amy come

972
00:51:22,680 --> 00:51:25,280
Speaker 1: out in their gear to play golf and offer Alan

973
00:51:25,320 --> 00:51:28,600
Speaker 1: and Corey one chance to back out now, and Corey

974
00:51:28,680 --> 00:51:32,600
Speaker 1: says he quit quitting, and uh, there you know, it's

975
00:51:32,600 --> 00:51:37,000
Speaker 1: revealed that there's a their cheaters. There's a imperceptible quite

976
00:51:37,320 --> 00:51:41,200
Speaker 1: were cheaters on Corey's uh personal golf course. That. No,

977
00:51:41,280 --> 00:51:43,799
Speaker 1: it's not the Matthews family golf course just for core

978
00:51:43,960 --> 00:51:47,600
Speaker 1: It's not my family, it's just Corey. Forget. There is

979
00:51:47,640 --> 00:51:50,359
Speaker 1: the one who was the most disappointed about the thing

980
00:51:50,440 --> 00:51:53,319
Speaker 1: being canceled. I had a professional sign made for the

981
00:51:53,400 --> 00:51:56,680
Speaker 1: love of God like it was like hand calligrapheed. What's

982
00:51:56,680 --> 00:51:59,440
Speaker 1: what's going on here? You got other kids allan so

983
00:51:59,640 --> 00:52:03,160
Speaker 1: much money. He's still bad at TV dad. You know

984
00:52:03,160 --> 00:52:07,600
Speaker 1: what I will never get over. Look at me, TV Dad.

985
00:52:07,719 --> 00:52:13,040
Speaker 1: I try too. There's real there's real feelings under these

986
00:52:13,120 --> 00:52:19,640
Speaker 1: huge long flannel shirts and hands and feelings are feelings

987
00:52:19,719 --> 00:52:23,359
Speaker 1: under here. This is how you turn a normal kid

988
00:52:24,200 --> 00:52:26,600
Speaker 1: into shady melon. That is how it is happened. If

989
00:52:29,920 --> 00:52:34,080
Speaker 1: in the sun and then we get a really fun

990
00:52:34,400 --> 00:52:38,720
Speaker 1: tag or a bright it's the tool theater. The Hamlet

991
00:52:38,760 --> 00:52:41,799
Speaker 1: play is on. Mincus is doing his hamlet. Corey and

992
00:52:41,880 --> 00:52:46,000
Speaker 1: another student, actor Ryan Tomlinson are playing the spear carriers,

993
00:52:46,560 --> 00:52:48,759
Speaker 1: and he is just so bored. He says, if I

994
00:52:48,800 --> 00:52:51,200
Speaker 1: was any more bored, I'd be dead. Corey tells to

995
00:52:51,280 --> 00:52:53,919
Speaker 1: have some pride, make being a spear carrier his own.

996
00:52:54,239 --> 00:52:56,720
Speaker 1: So the other student walks over to Sean and pops

997
00:52:56,719 --> 00:52:59,960
Speaker 1: his inflatable belly with the spear, which for some reason

998
00:53:00,000 --> 00:53:02,799
Speaker 1: and immediately makes all of us start fighting each other.

999
00:53:05,440 --> 00:53:08,000
Speaker 1: Once your thing is is popped, your belly is popped,

1000
00:53:08,000 --> 00:53:09,879
Speaker 1: and you push him. The rest of us just start

1001
00:53:09,960 --> 00:53:13,360
Speaker 1: pushing and shoving each other, which makes absolutely no sense,

1002
00:53:13,400 --> 00:53:16,000
Speaker 1: but it's sure is funny. Minca's falls off the stage

1003
00:53:16,040 --> 00:53:18,800
Speaker 1: and everyone starts pushing each other. To Panga and Dusty

1004
00:53:18,880 --> 00:53:24,200
Speaker 1: are fighting. I was very excited about this. Eventually, Corey

1005
00:53:24,280 --> 00:53:26,319
Speaker 1: pushes to Panga off the stage with the back of

1006
00:53:26,360 --> 00:53:29,000
Speaker 1: his spear and he's the last one left on spage

1007
00:53:29,000 --> 00:53:31,760
Speaker 1: stage and he has this perfect little moment of doing

1008
00:53:32,000 --> 00:53:36,920
Speaker 1: a little a little jig, and Indy was jumping up

1009
00:53:36,920 --> 00:53:40,880
Speaker 1: and down on the couch like and I was like,

1010
00:53:41,000 --> 00:53:42,600
Speaker 1: what is going on? What do you He's like, he

1011
00:53:42,680 --> 00:53:46,200
Speaker 1: just loves the chaos. He's like and he's like he's flexing,

1012
00:53:46,280 --> 00:53:48,560
Speaker 1: he's showing his muscles. He just thought it was the

1013
00:53:48,600 --> 00:53:51,640
Speaker 1: funniest thing that, like, Corey took over the show and

1014
00:53:51,880 --> 00:53:54,920
Speaker 1: ruined everything. Oh Andy was so happy. He's just like

1015
00:53:55,040 --> 00:53:56,840
Speaker 1: bouncing up and down at the end of this episode.

1016
00:53:57,239 --> 00:53:59,480
Speaker 1: So do we have a too much shirts? Uh? No?

1017
00:53:59,800 --> 00:54:01,680
Speaker 1: I did. I did actually record but it wasn't much

1018
00:54:01,719 --> 00:54:03,440
Speaker 1: more than like, what are you doing? He's just like

1019
00:54:03,480 --> 00:54:07,839
Speaker 1: he was bouncing off. I was like, you just love

1020
00:54:07,920 --> 00:54:10,319
Speaker 1: chaos was basically what I just said was all it was.

1021
00:54:11,960 --> 00:54:14,040
Speaker 1: But that's the thing that shows you perfectly. Again, we

1022
00:54:14,160 --> 00:54:16,320
Speaker 1: keep talking about this. Indie got something out of the show.

1023
00:54:16,400 --> 00:54:18,360
Speaker 1: We got something out of the show. It's it worked

1024
00:54:18,360 --> 00:54:24,000
Speaker 1: for everybody. Yea four quad you know this actually did.

1025
00:54:24,360 --> 00:54:27,440
Speaker 1: This did remind me of my real life. My first

1026
00:54:27,480 --> 00:54:32,879
Speaker 1: acting job. I played a guard in some horrible children's play.

1027
00:54:32,920 --> 00:54:36,239
Speaker 1: I was five years old my first play, and my

1028
00:54:36,280 --> 00:54:38,360
Speaker 1: brother and I were just guards. We had no lines,

1029
00:54:39,160 --> 00:54:43,400
Speaker 1: and we decided to come up with a bit in

1030
00:54:43,400 --> 00:54:44,759
Speaker 1: the front of the state. We just had to stand

1031
00:54:44,800 --> 00:54:46,880
Speaker 1: at the front of the stage for an entire like

1032
00:54:47,040 --> 00:54:49,920
Speaker 1: scene while this stuff was going on, and we my

1033
00:54:49,960 --> 00:54:52,520
Speaker 1: mom built us. My mom made our costumes. We had

1034
00:54:52,520 --> 00:54:54,319
Speaker 1: these was like a Russian I don't even know what

1035
00:54:54,320 --> 00:54:56,560
Speaker 1: the play was, but we were like Russian guards. We

1036
00:54:56,600 --> 00:54:59,480
Speaker 1: had these like big furry hats that my mom sewed

1037
00:54:59,520 --> 00:55:02,080
Speaker 1: for us. And we decided to come up with a

1038
00:55:02,080 --> 00:55:04,800
Speaker 1: whole bit where I pulled out a carrot and started

1039
00:55:04,800 --> 00:55:07,799
Speaker 1: eating it and then he like made me put it

1040
00:55:07,840 --> 00:55:11,719
Speaker 1: away and then like and then I tried to do

1041
00:55:11,760 --> 00:55:13,440
Speaker 1: it again, and he like went and grabbed the carrot

1042
00:55:13,480 --> 00:55:15,160
Speaker 1: for me and like walked to the other side of

1043
00:55:15,200 --> 00:55:18,080
Speaker 1: the stage and then he starts eating the carrot like

1044
00:55:18,080 --> 00:55:19,920
Speaker 1: this whole like and we just came up with this

1045
00:55:19,960 --> 00:55:22,320
Speaker 1: whole bit. And it got to the point where, I

1046
00:55:22,360 --> 00:55:24,040
Speaker 1: mean we only did the play I think, like three

1047
00:55:24,040 --> 00:55:25,959
Speaker 1: times over a weekend, but it got to the point

1048
00:55:25,960 --> 00:55:28,120
Speaker 1: where everybody was laughing at us and we were stealing

1049
00:55:28,120 --> 00:55:29,840
Speaker 1: the show. You know, this is a bunch of like

1050
00:55:29,920 --> 00:55:31,560
Speaker 1: eight year olds behind us, and we were like the

1051
00:55:31,600 --> 00:55:34,120
Speaker 1: younger kids that were just given the Like Anyway, I

1052
00:55:34,160 --> 00:55:36,240
Speaker 1: totally thought it was like this actually happened in my life,

1053
00:55:36,280 --> 00:55:38,560
Speaker 1: like where I was basically a spear carrier and trying

1054
00:55:38,600 --> 00:55:41,040
Speaker 1: to come up with a bit to steal the show. Wow.

1055
00:55:42,120 --> 00:55:44,280
Speaker 1: Do you think you told the writers about this experience

1056
00:55:44,280 --> 00:55:50,080
Speaker 1: and they were like, we're gonna so I wrote this episode,

1057
00:55:50,120 --> 00:55:53,160
Speaker 1: is what we're saying. Yes, basically you didn't create this podcast,

1058
00:55:53,200 --> 00:55:55,040
Speaker 1: but you did write this episode, and you did give

1059
00:55:55,080 --> 00:55:58,759
Speaker 1: you credit where credit is due. Shady Melon, I'd like

1060
00:55:58,800 --> 00:56:00,319
Speaker 1: to thank you for coming up with the dear for

1061
00:56:00,360 --> 00:56:06,239
Speaker 1: this podcast and all our stuff. Yeah, thank you guys

1062
00:56:06,239 --> 00:56:08,279
Speaker 1: for being here with us. This has been Pod Meets World.

1063
00:56:08,280 --> 00:56:10,480
Speaker 1: You can follow us on Instagram pod Meets World Show.

1064
00:56:11,320 --> 00:56:13,640
Speaker 1: You can also send us your emails pod Meets World

1065
00:56:13,640 --> 00:56:18,040
Speaker 1: Show at gmail dot com. And we've got March March

1066
00:56:18,600 --> 00:56:21,320
Speaker 1: Pod Meets the World Show dot com. Our next episode

1067
00:56:21,320 --> 00:56:24,120
Speaker 1: that we will be recapping is season one, episode twenty one,

1068
00:56:24,320 --> 00:56:29,640
Speaker 1: Boy Meets Girl. It originally aired May six. That's the

1069
00:56:29,719 --> 00:56:35,799
Speaker 1: day after my birthday. Oh, I got nothing. I don't know.

1070
00:56:36,360 --> 00:56:39,000
Speaker 1: I don't know what you want us to say. Nothing.

1071
00:56:39,320 --> 00:56:41,359
Speaker 1: It's not even the day of my birthday, which would

1072
00:56:41,400 --> 00:56:44,680
Speaker 1: almost be worth mentioning, but the day after my birthday.

1073
00:56:44,719 --> 00:56:48,600
Speaker 1: It's a couple of months before months and like seven

1074
00:56:48,640 --> 00:56:52,319
Speaker 1: months before good but Ryder and I are both born

1075
00:56:52,360 --> 00:57:01,480
Speaker 1: in the eleven Soul Brothers Brothers. Hey, half, I'm gonna

1076
00:57:01,080 --> 00:57:08,200
Speaker 1: i'm coincidence, it's not. I'm gonna put my arms bill. Hey.

1077
00:57:08,320 --> 00:57:12,960
Speaker 1: There's start above the pyramid with the eleven eleven for

1078
00:57:13,040 --> 00:57:15,640
Speaker 1: Boy Meets World. If you take it twenty and you

1079
00:57:15,680 --> 00:57:18,400
Speaker 1: look in the window of the Capitol, there's there is

1080
00:57:18,440 --> 00:57:23,240
Speaker 1: a looking out with holding up the number of left

1081
00:57:23,720 --> 00:57:26,840
Speaker 1: telling you what our shirts need to be is I'm

1082
00:57:26,840 --> 00:57:31,560
Speaker 1: a shady melon. He's wearing a shirt that just has

1083
00:57:31,600 --> 00:57:35,360
Speaker 1: the number eleven on it. Yeah, because it means something.

1084
00:57:36,360 --> 00:57:40,280
Speaker 1: This means something, all right, who wants to send us out?

1085
00:57:40,440 --> 00:57:46,520
Speaker 1: We love you all, We love you all, pot dismissed up.

1086
00:57:48,480 --> 00:57:50,840
Speaker 1: Hood Meats World is an I heart podcast produced and

1087
00:57:50,880 --> 00:57:53,600
Speaker 1: hosted by Daniel Fishel Wilford, l and Right Or Strong.

1088
00:57:53,720 --> 00:57:57,080
Speaker 1: Executive producers Jensen Carp and Amy Sugarman, Executive in charge

1089
00:57:57,080 --> 00:58:00,720
Speaker 1: of production, Daniel Romo, producer and editor, Tara sup Buc producer,

1090
00:58:00,800 --> 00:58:04,240
Speaker 1: Jackie Rodriguez, engineer and Boy Meets World super fan Eastern Allen.

1091
00:58:04,320 --> 00:58:06,640
Speaker 1: Our theme song is by Kyle Morton of Typhoon and

1092
00:58:06,680 --> 00:58:08,959
Speaker 1: you can follow us on Instagram at Pod Meets World

1093
00:58:08,960 --> 00:58:11,840
Speaker 1: Show or email us at Pod Meets World Show at

1094
00:58:11,880 --> 00:58:13,240
Speaker 1: gmail dot com