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Speaker 1: I am all in. Oh, just you, I am all

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Speaker 1: in with Scott Patterson and I Heart Radio podcast. Hey everybody,

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Speaker 1: it's Scott Patterson and this is the I Am all

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Speaker 1: In podcast I Heart Radio, one of them productions, The

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Speaker 1: Ins and Outs of Ins. This is season two, episode

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Speaker 1: eight seven. Hey I got it, Yes eight boom nailed it. Hello,

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Speaker 1: don't have to redo it. Thank you very much. What

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Speaker 1: an episode. This is my favorite episode so far. I

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Speaker 1: loved just about everything about this episode. I was. I

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Speaker 1: was charmed by the all of it. I was so

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Speaker 1: moved and so charmed and so pleased by this episode.

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Speaker 1: And I think it had Look, you know what I

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Speaker 1: think really matters. I I think guest stars matter. Elizabeth

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Speaker 1: Franz matters. She gave a brilliant performance in this and

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Speaker 1: she was the she. She was the treasure that everybody

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Speaker 1: was looking for for answers. You know, Emily went to her,

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Speaker 1: Laurel I went to her, everybody went to her. And um,

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Speaker 1: I just you know, I have never liked the characters

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Speaker 1: in this show more than I liked them or love

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Speaker 1: them in this episode. I mean, Elizabeth is Mia, the

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Speaker 1: inn owner, just so everything right, Mia, the the who

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Speaker 1: came into uh to drop in on Laurel line see

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Speaker 1: how things were going, and then they got into the hole.

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Speaker 1: Well let's get into it. So so I just I

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Speaker 1: have so much to say about this episode. I loved

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Speaker 1: it so much. I guess hello, Danielle Romo, Hello, Riley

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Speaker 1: Pelusis Hello Amy Sugarman, and I guess Riley give us

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Speaker 1: a rundown, give us synopsis. This is Season in two,

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Speaker 1: Episode eight, The Ins and Outs of Inns air date

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Speaker 1: November one. Laura, Lai and Suki have the first fight

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Speaker 1: of their long friendship when, upon hearing that the Independence

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Speaker 1: In may be sold, Laura Lee panics and decides that

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Speaker 1: their shared dream of opening the End together is doomed

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Speaker 1: to failure. Well, I'll tell you what, you know, there's

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Speaker 1: far more meat on the bone than just that. But

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Speaker 1: that was definitely the a story. Um, how does everybody

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Speaker 1: feel about? Okay, so let's unpack this. So yes, uh,

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Speaker 1: they go they you know, Mia shows up, drops in

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Speaker 1: on Laura Lie say hello, and that's perfect timing because

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Speaker 1: you know they want to buy uh, they want to

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Speaker 1: buy that old what is it? The old Independence Center

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Speaker 1: is the old Dragon Flying Rachel property. They want to

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Speaker 1: buy the Rachel property. We don't know how much it costs.

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Speaker 1: We do know that the independence in is five times

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Speaker 1: as much money to purchase, so that's out of the question.

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Speaker 1: If they want to sort of re tool that place

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Speaker 1: or just preserve it and and take over the business,

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Speaker 1: that's not going to be possible. Um. So they have

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Speaker 1: this this ramshackle, broken down property on the edge of

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Speaker 1: tail right, and they want to purchase it, refurbish it

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Speaker 1: and open up their own business. Good for them. Mia

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Speaker 1: shows up and they get into it and why haven't

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Speaker 1: you know? Suki and Lauraa get into the hole nuts

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Speaker 1: and bolts of it, and you know, you need to

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Speaker 1: tell her that you're thinking about leaving this job. And

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Speaker 1: then we find out that me is the one that

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Speaker 1: took her in when she was sixteen with a little

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Speaker 1: baby and took care of her and was her mother basically.

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Speaker 1: And it was very deep rooted and very moving actually

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Speaker 1: finding out all this information, all this expository and all

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Speaker 1: this exposition in this in this episode, and then we

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Speaker 1: get to the point where where Suki and Laura get

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Speaker 1: into this knockdown, dragging out verbal It was. It was

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Speaker 1: hard to watch because there's such good friends and it's

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Speaker 1: so great together and to see them in conflict like

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Speaker 1: that was was upsetting. It was it was truly upsetting.

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Speaker 1: And I think, uh and I and it really hit

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Speaker 1: me on a personal level when I realized why she

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Speaker 1: was having such a difficult why why Laurel I was

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Speaker 1: having such a difficult time letting go of the independence

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Speaker 1: and after she realized, Hey, this is where I had,

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Speaker 1: this is where I raised my baby. You know, this

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Speaker 1: is where I came. And you know, I know how

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Speaker 1: this feels because I just let go of my house

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Speaker 1: of eighteen years and this is where you know, we

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Speaker 1: have this is where we had our baby, and it

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Speaker 1: affected us deeply to sell that house, even though it

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Speaker 1: was time to go and you know, um and you know,

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Speaker 1: get into a new sort of situation. Um. But it's deeply,

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Speaker 1: deeply emotional and it was so beautifully drawn out in

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Speaker 1: this episode. Um, I'm glad they kissed and made up.

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Speaker 1: That's for But I think other highlights are, you know,

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Speaker 1: the the arc that is Jess and what he's going through,

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Speaker 1: and the chalk outline and the town meeting. I thought

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Speaker 1: the town meeting was a little extreme, but until I

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Speaker 1: realized how many incidents Jess authored in that town, you know,

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Speaker 1: in a negative sense. I was like, I thought it

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Speaker 1: was significant. Also because lor Lie it really was team Luke.

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Speaker 1: She was stood up in front of the town two

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Speaker 1: to have your back, and I thought that was that

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Speaker 1: was major. And also Rory stood up for me to

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Speaker 1: Jess like, don't you know this guy's just he's a pariah.

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Speaker 1: Now I didn't think I was a pariah. I was

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Speaker 1: always well and that worked. Suddenly the toasters fixed, Yes,

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Speaker 1: suddenly the toasters fixed. He just got a kind of

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Speaker 1: influence on him right away. You know, Milo knocked me

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Speaker 1: out in this episode. He really did. He showed what

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Speaker 1: a skilled, subtle actor he is um and he's just

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Speaker 1: really easy on the eyes. I mean, there isn't a

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Speaker 1: bad angle. And I just kept thinking, why didn't this

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Speaker 1: guy become a movie star because he had you know,

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Speaker 1: maybe he just didn't feel modern enough. I don't know

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Speaker 1: was he kind of does he at that time? Did

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Speaker 1: he feel like a throwback to just feels very James

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Speaker 1: Dean right right, I mean rebellious and sullen and withdrawn

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Speaker 1: and you know, soft spoken. I mean that's all very powerful.

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Speaker 1: But yeah, I think he's become a huge star right absolutely, No,

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Speaker 1: absolutely in television, yes, but not on the not on

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Speaker 1: the silver screen. And I always wonder why that never happened.

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Speaker 1: And I know that he I know that he had

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Speaker 1: some difficulty after Gilmore and after Heroes, trying to get

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Speaker 1: his own series, and you know, network executive saying to him,

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Speaker 1: you know, you're just not the lead of a series. Sorry.

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Speaker 1: Oh that happened to him a couple of times. And

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Speaker 1: because what's so fast sinating is I'm glad you bring

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Speaker 1: up Heroes. And then obviously this is us. He stands

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Speaker 1: out in in an ensemble cast like Gilmore Heroes, this

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Speaker 1: is Us. He becomes that shiny object. He really stands

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Speaker 1: out in each of those projects. I mean, talk about

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Speaker 1: if you were going to build an actor for stardom,

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Speaker 1: it would look and sound and feel like Milo. It

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Speaker 1: really would. Um. I love Jazz too, I love the character.

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Speaker 1: I think the chalk outline is hysterical. That was hilarious,

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Speaker 1: it really was, and so genius, like for the for

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Speaker 1: the bad Boy, he's not actually ever really harming anything.

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Speaker 1: I mean, I think when he stole the money that

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Speaker 1: was probably not good, but the chalk outline is literally harming. No,

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Speaker 1: one and hilarious because as Taylor Taylor at his best.

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Speaker 1: I thought Taylor was as best and most frothy. I mean,

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Speaker 1: it was just unhinged he came in the diner. I

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Speaker 1: love that scene between Luke and and Taylor the most,

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Speaker 1: the most. It was just such a grand scene. Um, anyway,

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Speaker 1: got so much going on this episode. There's so many

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Speaker 1: things to break down, because I want to hear you

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Speaker 1: talk about more about Mia and Lorelei, Lorelize fight with

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Speaker 1: Suki and Luke and lore Lye in this episode, and

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Speaker 1: then all the way I want to hear your thoughts

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Speaker 1: on Emily at the end. So I don't know where

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Speaker 1: to begin. Just you know, I'm going to start with

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Speaker 1: my favorite moment for Luke in the entire piece so

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Speaker 1: far and all of the episodes that I've seen so far,

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Speaker 1: I have not I have I have right commercial First,

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Speaker 1: let the people, Hey, al right, I guess we should

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Speaker 1: take a break. Huh. Let's take a break, and then

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Speaker 1: when we come back, I'm going to discuss my all

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Speaker 1: time favorite moments so far to date of for Luke.

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Speaker 1: We'll be back after these words. Yeah, al right, everybody,

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Speaker 1: we're back. We're gonna get into how I feel about

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Speaker 1: Luke and and his favorite. My favorite moment, uh seeing

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Speaker 1: Luca's when I really fell in love with the character

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Speaker 1: and realized what Luke really is to that town and

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Speaker 1: what he's capable of. I saw it in bits and

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Speaker 1: pieces watching these But now when Mea comes into the

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Speaker 1: diner and he sees her and he smiles, he lights up.

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Speaker 1: He comes out from behind the diner and he gives

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Speaker 1: her a big hug and he and he grabs her

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Speaker 1: by the shoulders, says, so good to see it. It

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Speaker 1: felt like a nineteen fifties movie where it was just

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Speaker 1: this reunion and it was just for me. It was

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Speaker 1: a beautiful moment, and it said everything there is to

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Speaker 1: say about that character, her and really about her character

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Speaker 1: about It's like her character was so beloved and so

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Speaker 1: wonderful that she made everybody else look great. She elevated

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Speaker 1: everybody's appeal. Um, So you know, guest, Stars Matter, I mean,

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Speaker 1: you dropped that into the middle of Stars Hollow, and

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Speaker 1: you've got to you've got somebody of the caliber of

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Speaker 1: Elizabeth France, because if you look at a resume, it's

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Speaker 1: filled with Emmy Awards, Tony Awards. Drama Desk Awards. I mean,

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Speaker 1: this is a very very accomplished actress on stage, uh

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Speaker 1: and in London, but all in New York on Broadway.

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Speaker 1: I mean, my god, so important because if she's only

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Speaker 1: had that impact on Laura la that's one thing, but

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Speaker 1: we really see her quote power over stars hollow because

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Speaker 1: of the impact she had on Luke. That's where you're like,

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Speaker 1: oh wow, this woman is the town queen, the town hero.

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Speaker 1: She's back and everyone loves her and she means so

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Speaker 1: much to everyone in the town. I've never seen Luke

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Speaker 1: look so good. I've never seen him so relaxed and happy.

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Speaker 1: He was just filled with warmth and love and and

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Speaker 1: just you know, and it's around Laurel. It's a little

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Speaker 1: nerve racking for him, right, so he's a little tense,

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Speaker 1: but he just he just relaxed with with Mia and

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Speaker 1: not hugging that. Oh my god. I just I guess

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Speaker 1: I'll say this because we'll talk about it many episodes.

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Speaker 1: It's very interesting that they recast her with Kathy Baker later,

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Speaker 1: So I guess, well, yes, and we'll talk about that

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Speaker 1: many moons from now. But yes, because I thought she

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Speaker 1: was so perfect, So maybe she was working or there's

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Speaker 1: some reason we'll discover very much in demand theater actress. Uh. Anyway, Um,

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Speaker 1: I've never liked Just so much. I have never liked

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Speaker 1: Luke so much. I have never liked laurel Ize much.

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Speaker 1: I have never liked Rory so much. I have never

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Speaker 1: liked Dean so much. And I think the stars that

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Speaker 1: Paris was not in this episode. I was thaying that,

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Speaker 1: please don't enter stage left, Please keep her out of

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Speaker 1: this episode. Can we make a note, just a note

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Speaker 1: somewhere that we write down that I do believe you

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Speaker 1: will come around on Paris. Somebody just write that down

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Speaker 1: note today. I do think you will. But continue, it's just,

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Speaker 1: you know, Rory's yogic like balance of her psyche and

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Speaker 1: her emotions and her her her love and her warmth

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Speaker 1: toward other human beings, and her complete understanding of where

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Speaker 1: Paris is coming from and is managing her pain and

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Speaker 1: is going to help her along her path. I mean,

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Speaker 1: she's so much more mature. And I've stated this previously,

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Speaker 1: but but just just to have a break from Paris,

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Speaker 1: I think as a steady diet, It's like no, but

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Speaker 1: you know, maybe in a couple of episodes on Mister

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Speaker 1: and it will be really entertaining. But I would love

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Speaker 1: to get your thoughts on something. And I find this

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Speaker 1: to be well, I won't even say what I think

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Speaker 1: I want to. I've got a couple more minutes. Go ahead,

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Speaker 1: shoot away. So what do you think or feel of

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Speaker 1: Taylor often referring to Luke as a young man multiple times?

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Speaker 1: And I thought it was quite fascinating. That's just condescending,

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Speaker 1: you know, That's all it is. He's just condescending to

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Speaker 1: Luke and and Luke doesn't take the bait. And you know,

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Speaker 1: there's something I agree with you that it's condescending and

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Speaker 1: yet also endearing. There's something about so do you think

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Speaker 1: it's father? Yes, and that he's known him Taylor right,

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Speaker 1: Taylor's known Taylor knew his dad right obviously. And he

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Speaker 1: made a reference to wait, was that Brian who's coming

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Speaker 1: at you in the town meeting? Is it Brian Tarn?

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Speaker 1: Do you know? Okay? He also calls him young man

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Speaker 1: so and I thought that was hilarious with the two

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Speaker 1: of them arguing because they who was born first and

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Speaker 1: the whole, the whole thing. So I do think it

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Speaker 1: was It's condescending yet lovely. I liked the I think

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Speaker 1: it makes stars Hollow look like an even more appealing

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Speaker 1: place due to the fact that Taylor would convene a

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Speaker 1: meeting of the of the town of small business owners,

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Speaker 1: of the business owners and you know, try to draw

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Speaker 1: some resolution against Jess. I mean, what were they gonna do,

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Speaker 1: like aust him? Are they gonna right? And then let's

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Speaker 1: keep things moving here boys. You know, it's very It's

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Speaker 1: just like, oh my god, this is not a meeting.

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Speaker 1: This is a Thanksgiving family dinner. Luke wasn't invited. I mean,

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Speaker 1: that was That was quite the Luke rant. That was

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Speaker 1: quite the rant. It was great. That was That was

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Speaker 1: a Luke rant, and it was It was a nice

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Speaker 1: moment when Laurel I backed me up and finished that

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Speaker 1: scene has to be so hard to do. I mean,

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Speaker 1: it's all that dialogue and all those people and one

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Speaker 1: person screws it up and we're back to the beginning. No, yeah,

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Speaker 1: but that's not a big deal. That's that's not that

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Speaker 1: big of though. These actors are so good that they

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Speaker 1: don't screw up very much. Nobody misses the They all

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Speaker 1: hit their marks. It was so much to work with

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Speaker 1: these these these very talented individuals. They were you know,

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Speaker 1: they were on their cues and that's not easy to do.

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Speaker 1: I mean that back and forth, back and forth real quick,

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Speaker 1: without any without any gaps. I mean I'm interested. So

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Speaker 1: when you're doing, you know, doing a scene like that

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Speaker 1: and everyone's nailing it, is it like the perfect tennis

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Speaker 1: match or you know, winning a marathon some sort of

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Speaker 1: does it give you that sort of like adrenaline and

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Speaker 1: high like you know what? Yes? But do you know

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Speaker 1: what it feels like? It feels like real life. It

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Speaker 1: doesn't feel like you're in a scene acting. It feels

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Speaker 1: like you're really this is really happening because every everybody's

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Speaker 1: energy level and focus is the same. We're all on

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Speaker 1: the same wavelength and that's what makes it all possible

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Speaker 1: and it just makes it feel real. Wow, that's what

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Speaker 1: it feels like, And that's where you're trying to get,

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Speaker 1: you know, So there's some element and forgiving me fun

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Speaker 1: crazy of like that Sally Struthers is bad Bette to

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Speaker 1: you is Sally Struthers is bad bet Like do they

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Speaker 1: as the years go on, do characters sort of blur

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Speaker 1: with their their real life person? Yeah? I mean she's

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Speaker 1: just so upbeating positive anyway. But as you saw in

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Speaker 1: the Friends Giving, she's very introspective and philosophical, you know,

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Speaker 1: extremely bright. Not that Bad Bat wasn't, but she was

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Speaker 1: just a different kind of smart. Right. But but you know,

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Speaker 1: Sally herself is so self aware and she's so studied

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Speaker 1: and she just really knows who she is. And I

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Speaker 1: think Bad Bad is too, just in a different way. Um,

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Speaker 1: But yeah, but I mean, look, Sally is such a professional.

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Speaker 1: She comes on the set and she's on and her

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Speaker 1: job when she's not acting in between setups is to

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Speaker 1: keep that place light. And I think the real theater

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Speaker 1: professionals know how to do that because they want the

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Speaker 1: set to not get tight or tense or boring or

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Speaker 1: the energy low. They want to keep it up, so

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Speaker 1: they tell stories, they tell jokes, they sing songs, They

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Speaker 1: keep it up and lively, and they keep everybody happy

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Speaker 1: because they want those They want the atoms to be

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Speaker 1: flying around and everything positive. So that's when they do

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Speaker 1: their best work. It's really making me want to know

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Speaker 1: from you, what does it feel like to Scott Patterson

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Speaker 1: that you are Luke like? Truly? For millions of people,

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Speaker 1: you will never really be Scott You're always going to

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Speaker 1: have an element of oh, that's Luke to them. I

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Speaker 1: have that same thing with Sarah Jessica Parker, Like I

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Speaker 1: don't really know where Harry Bradshaw ends and Sarah Jessica

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Speaker 1: Parker begins because to me, I just worship them both

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Speaker 1: because I love Carrie Bradshaw. So, like, what does that

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Speaker 1: feel like to you, that like you are Luke. I

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Speaker 1: don't know that you'll have another role that defines you. No,

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Speaker 1: probably not know, most likely not. Um, what does it

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Speaker 1: feel like? It's just it's just such a it's just

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Speaker 1: another person. It's just a I don't know, I feel

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Speaker 1: like an accomplished craftsman who crafted a character, and I

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Speaker 1: feel like I did a good job so far from

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Speaker 1: what I'm saying. I'm not like, you know, a percent

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Speaker 1: on and there's some flaws here and there, but I

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Speaker 1: don't know, I just feel good about it, you know,

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Speaker 1: I feel good about it. I mean, I it's like

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Speaker 1: everywhere I go, people recognize me and they're just you know,

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Speaker 1: they get to have their I mean, there's a there's

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Speaker 1: a girl that him who I do videos for her mother,

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Speaker 1: sick mother up in Minnesota, and she they're just so nice.

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Speaker 1: They come up and say, oh my god, my mom

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Speaker 1: and I bonded over you, and she's not doing well

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Speaker 1: and she's going in for a surgery and a procedure.

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Speaker 1: Could you could you just say hi to her? Or

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Speaker 1: can I take a photo with you? You know, let's

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Speaker 1: let's so, I've done like two videos. Every time I

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Speaker 1: go into gym, I'm doing a video for her mom

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Speaker 1: because I want her mom to feel better. So it's

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Speaker 1: like it's almost like this gift where you know, you

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Speaker 1: can share this with people and it just lifts their spirits.

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Speaker 1: I mean, nobody's coming up to me as Scott and saying, hey,

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Speaker 1: you look like a real swell guy. My mom is

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Speaker 1: not feeling well. Could you make a little video for

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Speaker 1: It's just it's just due the fact that these people,

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Speaker 1: you know, bonded over this show, and you know, it's

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Speaker 1: it's it's a very it's and I don't want to

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Speaker 1: sound too cornball here, but it's kind of responsibility. I

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Speaker 1: feel a responsible I feel a responsibility to the fans.

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Speaker 1: I do. If someone met you and then they walk

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Speaker 1: away and they're like, Luke's an asshole, that'd be awful.

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Speaker 1: That's probably happened a future maybe at the golf course.

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Speaker 1: You know, it's interesting because only only two old men

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Speaker 1: who try to steal my golf balls when I'm not looking.

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Speaker 1: Then I'm a little bit like get away from It's

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Speaker 1: interesting to think about because Milo really is Jess, but

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Speaker 1: he also is the is the guy from this is? Uh? Now?

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Speaker 1: For Lauren, I think she is Laurel. I like, even

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Speaker 1: though she went on in Parenthood was amazing, I still

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Speaker 1: am like, she's still Laureally. She's not getting away from that.

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Speaker 1: You know about the girl from the Mighty Ducks, It's like,

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Speaker 1: that's Laurali in the Mighty although alexis to me when

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Speaker 1: I think of her now, it's hard for me to

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Speaker 1: not think of The Handmaid's Tale because the performance is

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Speaker 1: Sisterhood of the Traveling Pants. Come on, Alexi's Middell is

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Speaker 1: Sisterhood of the Traveling Pants. Riley backed me up. First

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Speaker 1: thing that comes to mind, I never never those I

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Speaker 1: never saw those movies. Although I hear they're delightful. I

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Speaker 1: wouldn't have even thought of that. To me, it's rory.

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Speaker 1: But then the Handmaid's Tale is just if you haven't

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Speaker 1: seen that, it is unbelievable. I mean it'll. But I

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Speaker 1: think if you're handed things that are well written and

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Speaker 1: well crafted to begin with, and you don't screw them up,

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Speaker 1: you've got half a shot at leaving some what of

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Speaker 1: a legacy, you know, behind, You've got a shot. And

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Speaker 1: I think that's what happened here with this character and

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Speaker 1: with other characters in the show. People are leaving behind

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Speaker 1: a legacy for for people to hang onto. Well. I

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Speaker 1: love that you bring that up, because in this maybe

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Speaker 1: one of the reasons this episode is so wonderful is

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Speaker 1: because we get a little glimpse of Luke as a kid,

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Speaker 1: just with the Mia and Taylor and then the Star

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Speaker 1: Trek references, Like there's just some things where we're like,

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Speaker 1: this guy was a kid once, which I don't think

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Speaker 1: many people think about because he's so gruff manly. Luke. Yeah,

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Speaker 1: you know, gosh, it's hard for me to really evaluate

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Speaker 1: Luke with this hard shell, you know. I just it's

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Speaker 1: just how it felt. It felt right, It's just like

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Speaker 1: this has to be, this is how it's going to be.

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Speaker 1: This character came alive in me, and this was the interpretation.

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Speaker 1: It's just an interpretation and different actors going to interpret

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Speaker 1: it differently. Um but it's just how I did it

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Speaker 1: and it's nothing like me. Well, there are some aspects,

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Speaker 1: but it's but it's I can't evaluate it. I can't

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Speaker 1: really I love his fierce loyalty. I don't. I don't

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Speaker 1: know why. I think. I don't understand as well as fans,

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Speaker 1: um are people that can be uh objective about it

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Speaker 1: um as to why he had such an ympy so likable.

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Speaker 1: Because I will say this, even though it's like a

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Speaker 1: little bit embarrassing and I'm not fishing no, but this

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Speaker 1: is what I will say. Twenty years ago, when I

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Speaker 1: watched this show for the first time, it was like

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Speaker 1: the ultimate crush on Luke and I think I'm telling

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Speaker 1: you I think that I think a lot of puzz pause,

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Speaker 1: hang on, we need to discuss I don't I still do,

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Speaker 1: because you feel it's really weird. When I watched these episodes,

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Speaker 1: it's not this same. I don't you guys don't good

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Speaker 1: on Luke and I even now when I watch it,

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Speaker 1: I still crush on Luke. Oh my god, somebody. I

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Speaker 1: hope people defend me on this. I'm not saying I'm like, oh,

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Speaker 1: I love Scott like it's like I love Luke, you'll

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Speaker 1: covering her eyes. I would like to know that Amy's

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Speaker 1: as red as her red sweater that she's wearing. I'm

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Speaker 1: telling you the people look. I think I think I

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Speaker 1: walked into something that was so well drawn to begin

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Speaker 1: with that it was going to be very difficult to

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Speaker 1: look bad in that role, no matter who you put

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Speaker 1: in there. But I think I gave it a specific flavor.

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Speaker 1: Somebody else could have given it another flavor, maybe equally

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Speaker 1: as appealing. Who knows, But it just felt because all

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Speaker 1: that comes to mind is Eric Sulton Back to the

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Speaker 1: Future and it's it's so bad and Michael J. Fox

403
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Speaker 1: is it one of my favorite movies of all time?

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00:25:03,119 --> 00:25:06,000
Speaker 1: And Eric stold. So I don't think that any actor

405
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Speaker 1: can just nail apart. It's like, it's gotta right, it's

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Speaker 1: gotta be a perfect fit. And I think right, I

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Speaker 1: believe that. And I feel the same way about Lauren

408
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Speaker 1: playing Laura Line. I agree with you. I agree with you.

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Speaker 1: I think that was her role that she was meant

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Speaker 1: to play. And I think Luke was my role that

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Speaker 1: I was meant to play. Nobody else could have played it.

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Speaker 1: Um and there you go. It's just I mean it's

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Speaker 1: like you hang in there long enough, you know something

414
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Speaker 1: might come. Can we talk about toaster gate? Toaster gate?

415
00:25:43,960 --> 00:25:46,639
Speaker 1: So Luke working on the toast Do we need to

416
00:25:46,640 --> 00:25:49,000
Speaker 1: take a break and then we'll talk about toaster gate. Yeah,

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00:25:49,080 --> 00:25:51,040
Speaker 1: let's take a break. You know what before we get

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Speaker 1: let's leave the fans just panting with anticipation over a

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Speaker 1: toaster gate. What could that possibly bring. We're gonna take

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Speaker 1: a break. We're gonna tell all off. Everybody's taking a knee.

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Speaker 1: We're gonna get some gatorade. We're gonna be fine. Alright, alright,

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00:26:04,600 --> 00:26:12,280
Speaker 1: al everybody. We'll be back after these words. Yeah, al right, everybody,

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Speaker 1: we're back, and we're going to talk about toaster gate.

424
00:26:16,359 --> 00:26:23,199
Speaker 1: Dubbed by Amy Sugarman. Uh that sugarman, sugar shock. Uh?

425
00:26:24,240 --> 00:26:26,439
Speaker 1: Are you going to open that store? Are we do

426
00:26:26,560 --> 00:26:32,600
Speaker 1: want to open that store? Su Amy? Sugar Shack Chocolate,

427
00:26:32,680 --> 00:26:37,200
Speaker 1: Tory Chocolate, Arrian, Let's keep We'll keep trying. I don't know,

428
00:26:37,280 --> 00:26:39,160
Speaker 1: did you say there's not a lot of money in chocolate.

429
00:26:41,480 --> 00:26:44,640
Speaker 1: I think chocolate is a tough business, and I think

430
00:26:44,640 --> 00:26:48,639
Speaker 1: it's it's a highly saturated field. I love asking you

431
00:26:48,640 --> 00:26:52,159
Speaker 1: about money, particularly right now as Laurel. I went to

432
00:26:52,280 --> 00:26:56,760
Speaker 1: Luke to learn about her LLC and all the right thing, right,

433
00:26:56,840 --> 00:27:01,080
Speaker 1: building the moat around your personal money in your home

434
00:27:03,680 --> 00:27:09,360
Speaker 1: toaster gate. Well, alright, so listen when when the young

435
00:27:09,440 --> 00:27:12,040
Speaker 1: uns get taken out to the wood ship to get

436
00:27:12,240 --> 00:27:15,960
Speaker 1: get their cane in. Uh, and they learned their lessons

437
00:27:16,480 --> 00:27:20,719
Speaker 1: from their sore rumps. Uh. Then they come in and

438
00:27:20,760 --> 00:27:23,119
Speaker 1: fix the toaster, but they don't tell you about it.

439
00:27:23,160 --> 00:27:27,280
Speaker 1: They just do it grudgingly, right, and uh, you know,

440
00:27:27,440 --> 00:27:30,680
Speaker 1: Luke was sitting there fixing a toaster. I guess Jess

441
00:27:30,800 --> 00:27:33,639
Speaker 1: is some kind of mechanical genius because he saw that

442
00:27:33,680 --> 00:27:35,720
Speaker 1: it wasn't working and it wasn't gonna work the way

443
00:27:35,760 --> 00:27:37,520
Speaker 1: I was doing it because I was like jamming a

444
00:27:37,520 --> 00:27:43,320
Speaker 1: screwdriver down. Yeah, well it was unplugged. I mean, I mean,

445
00:27:43,359 --> 00:27:46,240
Speaker 1: I'm not an idiot, right, I'm I'm not gonna like,

446
00:27:47,359 --> 00:27:55,520
Speaker 1: can you imagine that looks electrocuted or electrocuted. So anyway,

447
00:27:55,680 --> 00:27:58,240
Speaker 1: Jess comes along Chris. He says, you're not doing it right. Whatever,

448
00:27:58,359 --> 00:28:03,640
Speaker 1: And then then after his tongue lashing from Rory, that's

449
00:28:03,640 --> 00:28:07,000
Speaker 1: what I was going to ask over his mischief, right,

450
00:28:07,840 --> 00:28:10,800
Speaker 1: And of course Jess always uses that to provoke, and

451
00:28:10,960 --> 00:28:13,920
Speaker 1: Dean was provoked, and I love Dean's little look at

452
00:28:13,960 --> 00:28:16,960
Speaker 1: him as he was walking away, like what just happened?

453
00:28:17,480 --> 00:28:21,159
Speaker 1: It's like, I want to kick this kid's head. I

454
00:28:21,160 --> 00:28:23,280
Speaker 1: don't know if i'd mess with Dean. I mean we're talking,

455
00:28:23,600 --> 00:28:27,800
Speaker 1: you know my what Spilo five nine and and and

456
00:28:27,880 --> 00:28:30,000
Speaker 1: Jared six four. I mean they're gonna they're gonna go

457
00:28:30,119 --> 00:28:32,600
Speaker 1: up against each He's gonna go up against six four

458
00:28:34,480 --> 00:28:41,080
Speaker 1: every time. Jez scrappy? Is he scrappy? He's smart. That's

459
00:28:41,120 --> 00:28:44,320
Speaker 1: why Jess is like a freaking genius. But keep going

460
00:28:44,360 --> 00:28:49,960
Speaker 1: about toaster Gate. He kind of is right character. Um,

461
00:28:50,000 --> 00:28:52,960
Speaker 1: So then you know, towards the end UH of the episode,

462
00:28:54,200 --> 00:28:56,160
Speaker 1: Luke sees that the toaster is fixed, and we all

463
00:28:56,160 --> 00:28:59,760
Speaker 1: see that it's it's it's Jesse's doing because Jess walking

464
00:29:00,080 --> 00:29:04,200
Speaker 1: lance glance ry the glance right right, and then the

465
00:29:04,200 --> 00:29:08,040
Speaker 1: glance at Rory, and then it's like Mr Cool is

466
00:29:08,040 --> 00:29:11,960
Speaker 1: out the door, He's got everything under control. Yeah, Mr

467
00:29:12,040 --> 00:29:16,440
Speaker 1: Cool's out the door. But exactly Mr Cool's out the door. Yeah.

468
00:29:16,480 --> 00:29:24,640
Speaker 1: I think it's major because Rory is the really the

469
00:29:24,720 --> 00:29:29,440
Speaker 1: only one that's got an influence over Jess. And she

470
00:29:29,680 --> 00:29:35,640
Speaker 1: really does. That scene was major when she's talking to

471
00:29:35,760 --> 00:29:41,400
Speaker 1: him and saying, you're hurting Luke and I can't stand

472
00:29:41,440 --> 00:29:46,400
Speaker 1: here and allow it. Right, Well, you're dealing with a

473
00:29:46,440 --> 00:29:50,920
Speaker 1: sixteen year old girl who has substance, who is still

474
00:29:51,000 --> 00:29:53,280
Speaker 1: sixteen year old girl, but she's a little more mature

475
00:29:53,320 --> 00:29:55,400
Speaker 1: for her age than your average sixteen year old girl.

476
00:29:56,240 --> 00:29:58,400
Speaker 1: And yeah, you're a great looking guy and you're super

477
00:29:58,440 --> 00:30:00,560
Speaker 1: cool and you're James Dean, come back to life, the

478
00:30:00,560 --> 00:30:05,640
Speaker 1: whole deal. But that don't impress me none unless you're

479
00:30:05,640 --> 00:30:07,800
Speaker 1: a good person, you know, because we live in a

480
00:30:07,840 --> 00:30:11,080
Speaker 1: small town here, and your values are not aligning with

481
00:30:11,120 --> 00:30:15,800
Speaker 1: these town values. Yeah, okay, so you know, you go

482
00:30:15,920 --> 00:30:21,280
Speaker 1: be cute somewhere else. Yeah, that's finally she stood up

483
00:30:21,320 --> 00:30:26,440
Speaker 1: for Luke. I loved it, both did in this episode.

484
00:30:26,720 --> 00:30:30,200
Speaker 1: And uh, I liked it too. I thought they that's

485
00:30:30,280 --> 00:30:35,200
Speaker 1: their boy you know. It was very BOYFRIENDI fatherly, just

486
00:30:35,520 --> 00:30:43,040
Speaker 1: very like it was important. That's That's was my takeaway. Yeah,

487
00:30:43,240 --> 00:30:46,840
Speaker 1: really solidified them as a unit, at least on a

488
00:30:46,880 --> 00:30:50,760
Speaker 1: friendship level, potentially a romantic level, and how she views

489
00:30:51,080 --> 00:30:53,760
Speaker 1: Luke and how her real feelings came out about Luke,

490
00:30:53,800 --> 00:30:56,760
Speaker 1: about what a what a good influence. He's been on

491
00:30:56,840 --> 00:30:59,120
Speaker 1: her life and has had her back. So it's like,

492
00:30:59,400 --> 00:31:02,120
Speaker 1: you know, we don't do that around here, buddy. You know,

493
00:31:02,960 --> 00:31:06,320
Speaker 1: she'll stomp on him. She'll she'll stomp on him. He

494
00:31:06,360 --> 00:31:09,160
Speaker 1: messes with he continues to miss them. Luke. So yeah,

495
00:31:09,160 --> 00:31:12,280
Speaker 1: I think it's nothing Luke did or said. That was

496
00:31:12,320 --> 00:31:14,640
Speaker 1: the wake up call. Rory gave him the wake up.

497
00:31:15,080 --> 00:31:19,520
Speaker 1: So for me, the two most important moments were Toastergate

498
00:31:20,280 --> 00:31:27,760
Speaker 1: and Emily Is both brief moments. But Emily and Mia, Wow,

499
00:31:28,640 --> 00:31:31,520
Speaker 1: yeah that was that was heavy. It was a tear

500
00:31:31,640 --> 00:31:34,720
Speaker 1: jerking moment for sure. Not a dry eye in my

501
00:31:34,880 --> 00:31:37,960
Speaker 1: media room, let me yeah. And okay, so let me

502
00:31:38,000 --> 00:31:42,040
Speaker 1: ask you this to start. You're Mia, Loria comes to

503
00:31:42,080 --> 00:31:45,240
Speaker 1: her in, she's cold, she's wet, she's got the baby.

504
00:31:45,360 --> 00:31:48,040
Speaker 1: Do you do what she did? Or do you do

505
00:31:48,120 --> 00:31:53,960
Speaker 1: what Emily said she should have done? That was crucial

506
00:31:54,200 --> 00:31:57,800
Speaker 1: line and what a what a great line, you know.

507
00:31:58,760 --> 00:32:00,000
Speaker 1: And I'll set it up for the other and say,

508
00:32:00,040 --> 00:32:03,480
Speaker 1: already know. But it's like Emily said to her, Yes,

509
00:32:03,520 --> 00:32:06,520
Speaker 1: I took her in and took care of her. And

510
00:32:06,600 --> 00:32:08,880
Speaker 1: Emily said, did it ever occur to you to maybe

511
00:32:08,880 --> 00:32:13,760
Speaker 1: just turn her around and send her home. And it

512
00:32:13,880 --> 00:32:18,120
Speaker 1: was just so I mean, that's the thing about Kelly Bishop,

513
00:32:18,240 --> 00:32:22,240
Speaker 1: how she can play a scene on so many different

514
00:32:22,320 --> 00:32:26,680
Speaker 1: levels emotionally, the range of her feelings and the range

515
00:32:26,720 --> 00:32:32,600
Speaker 1: of her emotions. Um that that that was dancing across

516
00:32:32,640 --> 00:32:34,840
Speaker 1: her face, and you could just the flicker in her

517
00:32:34,840 --> 00:32:38,960
Speaker 1: eyes about the guilt she felt and the anger that

518
00:32:39,080 --> 00:32:43,360
Speaker 1: she felt that she wasn't um that Mia didn't turn

519
00:32:43,400 --> 00:32:45,960
Speaker 1: around and send her home. It's her daughter, that's my

520
00:32:46,080 --> 00:32:49,720
Speaker 1: granddaughter and my daughter. How dare you? You know? Why

521
00:32:49,760 --> 00:32:52,880
Speaker 1: didn't you? And then the regret as she turned around

522
00:32:52,920 --> 00:32:57,840
Speaker 1: and the grand lady that she is thanking showing that

523
00:32:57,960 --> 00:33:01,600
Speaker 1: vulnerability and saying thank you at the end of it

524
00:33:02,000 --> 00:33:05,360
Speaker 1: broke my heart. I agree, it's just heartbreaking right now

525
00:33:05,400 --> 00:33:09,200
Speaker 1: talking about it because I don't know, you know, usually

526
00:33:09,960 --> 00:33:12,440
Speaker 1: I'm like, that person's right, that person is wrong. I

527
00:33:12,560 --> 00:33:17,520
Speaker 1: don't know who was right or wrong in that she

528
00:33:17,720 --> 00:33:20,520
Speaker 1: was right and she was wrong, I guess, but you know,

529
00:33:20,600 --> 00:33:22,760
Speaker 1: she heard on the side of caution. She listened to

530
00:33:22,800 --> 00:33:28,040
Speaker 1: a sixteen year old girl's tail of She felt abandoned

531
00:33:28,040 --> 00:33:30,840
Speaker 1: by her family, she felt out of touch with her family,

532
00:33:30,960 --> 00:33:33,920
Speaker 1: she felt like all this life was being shoved down

533
00:33:33,920 --> 00:33:36,120
Speaker 1: her throat and she had to escape because she didn't

534
00:33:36,120 --> 00:33:40,000
Speaker 1: feel it, she didn't want it. Obviously, there's a lot

535
00:33:40,040 --> 00:33:42,960
Speaker 1: we don't know it right, right, right, So it's it's

536
00:33:43,040 --> 00:33:45,760
Speaker 1: it's active in our minds and our imaginations about what

537
00:33:45,880 --> 00:33:49,360
Speaker 1: really went down, the nuance of that scene. I mean,

538
00:33:49,440 --> 00:33:52,440
Speaker 1: I could, I could just start crying right now, because

539
00:33:53,240 --> 00:33:55,800
Speaker 1: when she walks away and she you know, she bombed,

540
00:33:55,840 --> 00:33:58,080
Speaker 1: she kind of mic drops her like I would have

541
00:33:58,120 --> 00:34:00,360
Speaker 1: turned her around and sent her back to her family.

542
00:34:00,680 --> 00:34:02,360
Speaker 1: And then she walks to the door and she looks

543
00:34:02,400 --> 00:34:05,000
Speaker 1: back and says, oh my god, I'm crying. I can't

544
00:34:05,040 --> 00:34:11,080
Speaker 1: And I say this when she said, oh my, do

545
00:34:11,160 --> 00:34:15,799
Speaker 1: you have pictures? And then Nia says, I'll have a

546
00:34:15,840 --> 00:34:19,120
Speaker 1: box to you tomorrow, and the like conversation with two

547
00:34:19,120 --> 00:34:26,000
Speaker 1: of them. It's because because it's the loss of time,

548
00:34:26,120 --> 00:34:30,680
Speaker 1: it's the loss. It's a mother's loss of her daughter

549
00:34:31,760 --> 00:34:35,080
Speaker 1: because she is lost to her. They are two completely

550
00:34:35,239 --> 00:34:39,200
Speaker 1: separate entities, they are not bonded, and she wants to

551
00:34:39,200 --> 00:34:42,399
Speaker 1: be so bad and it's the same pain you felt

552
00:34:42,400 --> 00:34:46,080
Speaker 1: when she realized, let's reach out and give any virtual good.

553
00:34:46,680 --> 00:34:50,560
Speaker 1: It's because and then Nia is so fine and says,

554
00:34:50,600 --> 00:34:54,520
Speaker 1: I'll have the box to tomorrow. I mean, the level

555
00:34:54,520 --> 00:35:00,520
Speaker 1: of humanity in that scene was second to none. I

556
00:35:00,520 --> 00:35:02,880
Speaker 1: mean there's a lot of humanity in that show. I

557
00:35:02,920 --> 00:35:05,719
Speaker 1: mean there's a lot of goodness and and values in

558
00:35:05,800 --> 00:35:08,279
Speaker 1: that show. At that moment, I don't know that there's

559
00:35:08,280 --> 00:35:11,880
Speaker 1: been a more humanity in anything, because it was just

560
00:35:12,160 --> 00:35:17,080
Speaker 1: so stark, so so clear of the loss of my

561
00:35:17,200 --> 00:35:20,479
Speaker 1: daughter and Emily feeling it's so deeply and how she's

562
00:35:20,520 --> 00:35:24,520
Speaker 1: going to express that to me because she was angry

563
00:35:24,560 --> 00:35:27,480
Speaker 1: at her. She she tongue last year a little bit,

564
00:35:27,520 --> 00:35:31,840
Speaker 1: she thanked her, She was grateful for her. You're the

565
00:35:31,880 --> 00:35:34,880
Speaker 1: woman that replaced me. You're the woman that I should

566
00:35:34,880 --> 00:35:37,680
Speaker 1: have been to my daughter. If I were more like you, Mia,

567
00:35:37,800 --> 00:35:41,200
Speaker 1: I would not have lost her. Me And knowing who

568
00:35:41,280 --> 00:35:45,160
Speaker 1: she was and knowing I knew you'd come, I knew

569
00:35:45,200 --> 00:35:48,960
Speaker 1: we would have this moment. M hmm, it was fate. Yeah,

570
00:35:49,000 --> 00:35:52,120
Speaker 1: it was. It was the most maybe the most powerful

571
00:35:52,160 --> 00:35:56,400
Speaker 1: moment of the show. Yeah. I would say up there,

572
00:35:56,920 --> 00:35:59,880
Speaker 1: Richard's heart attack stands out to me as that was

573
00:36:00,280 --> 00:36:04,240
Speaker 1: very significant. But that right, but that was out of nowhere.

574
00:36:04,320 --> 00:36:06,920
Speaker 1: That just sort of came out of nowhere. It was powerful.

575
00:36:06,960 --> 00:36:09,520
Speaker 1: I agree with you, but I think that I think

576
00:36:09,560 --> 00:36:13,200
Speaker 1: that moment had that moment had been set up since

577
00:36:13,320 --> 00:36:17,160
Speaker 1: day one. Yeah, I can't think of another moment so far.

578
00:36:18,760 --> 00:36:21,920
Speaker 1: And each episode kept tilling the soil and planting the seeds,

579
00:36:22,000 --> 00:36:24,279
Speaker 1: and you know, we were watching this moment grow and

580
00:36:24,320 --> 00:36:26,720
Speaker 1: grow and grow until it finally matured in that scene

581
00:36:26,719 --> 00:36:30,959
Speaker 1: and it was like it was devastay. I did too.

582
00:36:31,000 --> 00:36:34,520
Speaker 1: I mean I I cried my eyes out last night.

583
00:36:35,760 --> 00:36:38,840
Speaker 1: It was it was And then my wife, my wife

584
00:36:38,880 --> 00:36:40,920
Speaker 1: knocks on the door says, are you okay? No, just

585
00:36:40,920 --> 00:36:43,360
Speaker 1: watching the football game. You know, I'm a little upset.

586
00:36:45,280 --> 00:36:50,760
Speaker 1: The fight, the fight between Loralai and Suki was also

587
00:36:53,440 --> 00:36:59,279
Speaker 1: not as emotional but more painful, Like, oh god, that

588
00:36:59,400 --> 00:37:04,680
Speaker 1: kind of took a back. Yeah, this was more Yeah,

589
00:37:04,840 --> 00:37:08,560
Speaker 1: that fight between Laurela and not to jump around, but um,

590
00:37:08,600 --> 00:37:12,680
Speaker 1: that's kind of what we do here. Uh, we don't

591
00:37:12,680 --> 00:37:16,719
Speaker 1: have any plans, but you know that's the beauty of it.

592
00:37:16,760 --> 00:37:18,319
Speaker 1: That's what I love about it. It's just you know,

593
00:37:18,400 --> 00:37:22,319
Speaker 1: I love freestyling with you guys. Um, but you know,

594
00:37:22,960 --> 00:37:27,319
Speaker 1: it's it lacked, it lacks some impact. But it was

595
00:37:27,360 --> 00:37:30,880
Speaker 1: also very necessary that maybe that arc, you know, that

596
00:37:31,040 --> 00:37:33,759
Speaker 1: storyline with the fight and then getting back, you know,

597
00:37:34,040 --> 00:37:39,760
Speaker 1: making up. You know, that's all necessary to show the stakes,

598
00:37:40,000 --> 00:37:42,600
Speaker 1: how how high the stakes are for those two that

599
00:37:44,560 --> 00:37:48,160
Speaker 1: I was all m m. Because then Emily comes on

600
00:37:48,280 --> 00:37:50,799
Speaker 1: stage and it's all over, folks, because you know, this

601
00:37:50,880 --> 00:37:53,160
Speaker 1: is this is what it's about. Right, It's like keeping

602
00:37:53,400 --> 00:37:56,800
Speaker 1: to the portrait. You know, it's not it's not called

603
00:37:56,800 --> 00:38:01,120
Speaker 1: Gilmore girls in the chef, right, was just just holding

604
00:38:01,120 --> 00:38:07,040
Speaker 1: her arm up. Everybody needs to send in their weird

605
00:38:07,120 --> 00:38:12,440
Speaker 1: ass portraits, like I mean, I've seen some creepy ones,

606
00:38:12,520 --> 00:38:14,120
Speaker 1: like have you ever that I don't know. I don't

607
00:38:14,160 --> 00:38:16,759
Speaker 1: think it's a thing as much anymore. But when I

608
00:38:16,800 --> 00:38:19,719
Speaker 1: was young, everyone was getting their portrait done and I

609
00:38:19,800 --> 00:38:23,200
Speaker 1: used quotes and it was so the paintings turned out

610
00:38:23,480 --> 00:38:30,120
Speaker 1: so creepy. I was not, uh ever, asked to pose

611
00:38:30,239 --> 00:38:33,160
Speaker 1: for a portrait. I was not privy. I was not

612
00:38:34,080 --> 00:38:38,000
Speaker 1: aware that anybody in in my neighborhood was posing for portraits.

613
00:38:38,120 --> 00:38:41,600
Speaker 1: We were a portrait family, but we did photo. We

614
00:38:41,719 --> 00:38:44,319
Speaker 1: had to go and get our photo. And I'm not

615
00:38:44,360 --> 00:38:48,480
Speaker 1: saying sears like this was like, but in my town, yes,

616
00:38:48,560 --> 00:38:51,160
Speaker 1: there was this artist and she did all the portraits

617
00:38:51,440 --> 00:38:53,880
Speaker 1: and it's quite expensive. And it was exactly like that

618
00:38:53,920 --> 00:38:55,880
Speaker 1: where you had to sit there for a hundred hours

619
00:38:55,880 --> 00:38:59,480
Speaker 1: and like pose and then they got painted and then

620
00:38:59,480 --> 00:39:04,200
Speaker 1: they You know, that's really nice. That's a nice family

621
00:39:04,239 --> 00:39:06,960
Speaker 1: thing to do. I mean, that's a nice bonding experience.

622
00:39:08,520 --> 00:39:10,919
Speaker 1: I don't know, I think, Yeah, I'm curious how many

623
00:39:10,920 --> 00:39:14,160
Speaker 1: people have some great I think I actually might. I

624
00:39:14,200 --> 00:39:16,000
Speaker 1: guess I think I might do that with my family.

625
00:39:16,040 --> 00:39:20,160
Speaker 1: You should, Yeah, I think I'm gonna do it. That's

626
00:39:20,200 --> 00:39:22,080
Speaker 1: kind of nice. I'd love to have a can hold

627
00:39:22,120 --> 00:39:25,160
Speaker 1: his arm up with a swan in front of him

628
00:39:26,080 --> 00:39:31,560
Speaker 1: with a robot. God, you guys have to take I

629
00:39:31,680 --> 00:39:33,759
Speaker 1: cried so much. I'm literally going to have to take

630
00:39:33,800 --> 00:39:37,880
Speaker 1: advil after this show. Oh, because you're you're blocked up.

631
00:39:40,239 --> 00:39:44,120
Speaker 1: Oh my goodness, Oh my gosh. Yeah. It was. It

632
00:39:44,160 --> 00:39:47,239
Speaker 1: was a powerful, powerful episode. It really showed everybody in

633
00:39:47,280 --> 00:39:50,359
Speaker 1: their best light and their most vulnerable, and they're most

634
00:39:50,440 --> 00:39:53,640
Speaker 1: giving and their most supportive. And it was just a

635
00:39:53,760 --> 00:39:56,279
Speaker 1: joy to watch that happen and setting us so on

636
00:39:56,320 --> 00:40:01,200
Speaker 1: a trajectory and so many things. Yeah, and I knew

637
00:40:01,360 --> 00:40:04,279
Speaker 1: any moment that Paris was not going to show up,

638
00:40:04,400 --> 00:40:06,640
Speaker 1: and I was just so relieved I needed a break

639
00:40:06,680 --> 00:40:11,319
Speaker 1: from her. But I going to grow on you, I do,

640
00:40:12,080 --> 00:40:13,399
Speaker 1: I do. I want to get to the point where

641
00:40:13,440 --> 00:40:18,719
Speaker 1: I'm entertained by it. But it's just Harris is my favorite.

642
00:40:19,400 --> 00:40:22,400
Speaker 1: Really yeah, I just think she's she's turned into a

643
00:40:22,440 --> 00:40:24,880
Speaker 1: cartoon and it's kind of over for that character. For me.

644
00:40:25,680 --> 00:40:31,640
Speaker 1: I don't get why anybody she needs to be in therapy.

645
00:40:31,719 --> 00:40:34,680
Speaker 1: It's just like it's it's too It's just too much,

646
00:40:34,920 --> 00:40:38,480
Speaker 1: which is why she's my favorite Character's too hateful, I

647
00:40:38,560 --> 00:40:44,879
Speaker 1: will say. Also, I love food in the show looks

648
00:40:44,920 --> 00:40:48,359
Speaker 1: so incredible. Like there's a scene where Laura goes into

649
00:40:48,360 --> 00:40:52,360
Speaker 1: the kitchen and I'm like, literally, that food. This is

650
00:40:52,360 --> 00:40:57,920
Speaker 1: the most delicious, beautiful looking television food I've ever seen

651
00:40:58,320 --> 00:41:02,359
Speaker 1: in my home. It's really they did a great job

652
00:41:02,400 --> 00:41:06,239
Speaker 1: on that. Um I was salivating. I mean, I watched

653
00:41:06,280 --> 00:41:08,640
Speaker 1: the episode after dinner and I was got hungry again,

654
00:41:08,680 --> 00:41:12,799
Speaker 1: so I had to get a second Hopings kitchen. And

655
00:41:12,840 --> 00:41:16,040
Speaker 1: it's like it's a testament to Melissa's acting because she's

656
00:41:16,080 --> 00:41:19,399
Speaker 1: so good at at acting like a chef and doing

657
00:41:20,239 --> 00:41:23,120
Speaker 1: homework and all of that stuff she's doing is what

658
00:41:23,200 --> 00:41:25,719
Speaker 1: a chef would be doing. I thought the same thing.

659
00:41:25,760 --> 00:41:28,120
Speaker 1: So it looks like, oh, this is a real chef

660
00:41:28,200 --> 00:41:30,960
Speaker 1: preparing a real meal and it's very special, and oh

661
00:41:31,040 --> 00:41:34,239
Speaker 1: you can smell it, you want to taste it. I mean,

662
00:41:34,280 --> 00:41:37,280
Speaker 1: it feels like it's almost time. It's almost that time.

663
00:41:37,960 --> 00:41:40,360
Speaker 1: I don't know what else? What else haven't we Uh,

664
00:41:40,680 --> 00:41:43,319
Speaker 1: there's got to be something that we didn't. We didn't come.

665
00:41:43,520 --> 00:41:46,080
Speaker 1: We nailed it. I think we'll talk more about your

666
00:41:46,160 --> 00:41:49,759
Speaker 1: star trek love and pop culture. I think there was

667
00:41:49,800 --> 00:41:53,359
Speaker 1: some mention of Luke skateboarding, which I thought, Oh, that's

668
00:41:53,840 --> 00:41:57,319
Speaker 1: that's an unexpected I didn't picture that. I did. I'd

669
00:41:57,360 --> 00:41:59,520
Speaker 1: skateboarded as a kid too. That's when it was the

670
00:41:59,600 --> 00:42:03,719
Speaker 1: craze was just beginning. I was out in front of

671
00:42:03,719 --> 00:42:06,040
Speaker 1: my house, skateborn down the street with all my friends.

672
00:42:07,400 --> 00:42:09,720
Speaker 1: Oh you know, I do have one question, and everyone's

673
00:42:09,719 --> 00:42:12,799
Speaker 1: gonna be mad that I don't know this, But is

674
00:42:13,239 --> 00:42:16,320
Speaker 1: the woman that owns the Rachel property the same woman

675
00:42:16,320 --> 00:42:20,280
Speaker 1: that did the wedding cake? Is that the same bakery?

676
00:42:20,520 --> 00:42:24,399
Speaker 1: Is that? Who that is? Does anyone known? You? Try

677
00:42:24,440 --> 00:42:27,960
Speaker 1: to figure that out? So and we might have to

678
00:42:27,960 --> 00:42:30,120
Speaker 1: do it next week because it might be a little

679
00:42:30,120 --> 00:42:33,320
Speaker 1: bit more of a dig. But is that the same woman?

680
00:42:34,000 --> 00:42:36,840
Speaker 1: But isn't it? But isn't an interesting Her function in

681
00:42:36,880 --> 00:42:42,239
Speaker 1: the show was to set up because she couldn't let

682
00:42:42,280 --> 00:42:43,840
Speaker 1: go of the dragon play in because it was like

683
00:42:43,840 --> 00:42:46,880
Speaker 1: her child. She didn't have any she didn't have any children,

684
00:42:47,320 --> 00:42:50,320
Speaker 1: and everybody was dead. She was the last one a

685
00:42:50,400 --> 00:42:54,000
Speaker 1: line larious by the way. Her only family was that

686
00:42:54,000 --> 00:42:57,040
Speaker 1: that broken down dragonflay In. So she's definitely not going

687
00:42:57,080 --> 00:42:58,600
Speaker 1: to sell it. S like, what are you gonna do

688
00:42:58,600 --> 00:43:01,040
Speaker 1: with it after you die? But they don't to say.

689
00:43:01,080 --> 00:43:03,840
Speaker 1: And then the shock and then the shock on Laurelized

690
00:43:03,920 --> 00:43:06,759
Speaker 1: face when MIAs seemed pleased that she was leaving because

691
00:43:06,800 --> 00:43:08,640
Speaker 1: oh gosh, now I can take one of the offers

692
00:43:09,280 --> 00:43:12,280
Speaker 1: and I can sell it and move on the independence

693
00:43:12,280 --> 00:43:14,360
Speaker 1: in that is I'm talking about, and it just and

694
00:43:14,360 --> 00:43:18,200
Speaker 1: then it hit laurelh my god, It's like my life

695
00:43:18,239 --> 00:43:20,279
Speaker 1: is really changing and I'm like getting out of my

696
00:43:20,280 --> 00:43:22,399
Speaker 1: comfort zone a little here. I'm so comfortable in this town.

697
00:43:22,400 --> 00:43:24,000
Speaker 1: I love this town, I love this job, I love

698
00:43:24,040 --> 00:43:27,080
Speaker 1: these people. This woman has been so supportive. I raised

699
00:43:27,080 --> 00:43:31,720
Speaker 1: my baby here, you know, And now it's just gonna

700
00:43:31,719 --> 00:43:33,920
Speaker 1: be in New Ownership and I'm not going to be

701
00:43:33,960 --> 00:43:36,360
Speaker 1: here anymore, and I will say before we do. Popults

702
00:43:36,360 --> 00:43:39,600
Speaker 1: are subtle but important. Was the mention of Richard in

703
00:43:39,719 --> 00:43:45,319
Speaker 1: Akron that it's like he's gone to Akron to sort

704
00:43:45,320 --> 00:43:49,600
Speaker 1: of do this crappy insurance thing so that we don't

705
00:43:49,640 --> 00:43:54,279
Speaker 1: forget Richard's work is a little messed up right now.

706
00:43:54,960 --> 00:44:03,360
Speaker 1: So yeah, they're too too exactly. There are to um

707
00:44:03,520 --> 00:44:06,319
Speaker 1: two places in this episode that bugged me that I

708
00:44:06,360 --> 00:44:10,560
Speaker 1: didn't think really I thought they should have. I did

709
00:44:10,560 --> 00:44:13,000
Speaker 1: not like the opening. I did not like how it

710
00:44:13,080 --> 00:44:15,680
Speaker 1: made Laurel I look, I didn't that dinner table stuff

711
00:44:15,760 --> 00:44:20,960
Speaker 1: was Yeah, the portrait conversation with Moral I being so

712
00:44:21,040 --> 00:44:24,839
Speaker 1: antagonistic and childish about it, and I just thought, boy,

713
00:44:24,880 --> 00:44:26,920
Speaker 1: this is over the top. I mean, aren't we beyond

714
00:44:26,920 --> 00:44:31,200
Speaker 1: this now? Um? Sorry, that's just how I felt. You know.

715
00:44:31,760 --> 00:44:34,120
Speaker 1: These openings are hard, and I just I just didn't

716
00:44:34,160 --> 00:44:36,880
Speaker 1: like her character. It's like her care you know, I

717
00:44:37,160 --> 00:44:41,160
Speaker 1: go back and forth between really loving her and then

718
00:44:41,200 --> 00:44:43,759
Speaker 1: just sort of disliking her in these moments where she's

719
00:44:43,800 --> 00:44:47,560
Speaker 1: antagonizing her mother so much and to the point where

720
00:44:47,600 --> 00:44:50,799
Speaker 1: Emily just like slammed her fork down on the or

721
00:44:50,800 --> 00:44:53,480
Speaker 1: the salt shaker down on the table, just like, hey stop.

722
00:44:54,960 --> 00:44:57,719
Speaker 1: It's like, I don't blame her. Uh. And then you

723
00:44:57,760 --> 00:45:02,920
Speaker 1: know those jokes for me with me and and that

724
00:45:03,000 --> 00:45:05,480
Speaker 1: I can't I couldn't understand a word. And then Michelle

725
00:45:05,520 --> 00:45:08,600
Speaker 1: was like speaking, and then Rory was interpreting. Oh he

726
00:45:08,600 --> 00:45:11,040
Speaker 1: says he doesn't like you. Oh he says you should

727
00:45:11,280 --> 00:45:13,320
Speaker 1: get the heck out of here. You know, I didn't

728
00:45:13,360 --> 00:45:15,719
Speaker 1: find that funny or endearing in any way. Show. Yeah,

729
00:45:15,960 --> 00:45:17,520
Speaker 1: I mean that's fair. I just thought it was kind

730
00:45:17,520 --> 00:45:21,400
Speaker 1: of clumsy. So you know, look, as much as I

731
00:45:21,440 --> 00:45:23,640
Speaker 1: love this episode for me, it's my favorite episode so far,

732
00:45:23,760 --> 00:45:26,239
Speaker 1: there was a couple of clutches for me. And that's fair, right,

733
00:45:26,280 --> 00:45:29,120
Speaker 1: I Like, you know, you can't can't all be and

734
00:45:29,239 --> 00:45:31,600
Speaker 1: all the unicorns and rainbows and perfect. We have to

735
00:45:31,600 --> 00:45:35,719
Speaker 1: have some things that you're like, right, So we're gonna

736
00:45:35,760 --> 00:45:39,000
Speaker 1: do a pop culture Riley, We're gonna get into pop culture.

737
00:45:39,040 --> 00:45:42,280
Speaker 1: But Amy, that was a great call um so fran Weston,

738
00:45:42,440 --> 00:45:44,600
Speaker 1: who owns a little bakery. She was also in Red

739
00:45:44,680 --> 00:45:47,120
Speaker 1: Light on the Wedding Night, and she will be in

740
00:45:47,200 --> 00:45:53,439
Speaker 1: one more episode season three, episode eighteen, Happy birthday. Okay, good, Yeah,

741
00:45:57,000 --> 00:46:00,560
Speaker 1: you're on Riley. Let's light it up pop callure with

742
00:46:00,760 --> 00:46:05,799
Speaker 1: Riley pellucis Lady gentlemen, whoa, let's say that again? Who

743
00:46:10,960 --> 00:46:15,800
Speaker 1: with pop culture? Thank you so much for the introduction. Um,

744
00:46:15,840 --> 00:46:18,600
Speaker 1: so first, I'm so excited for this pop culture this episode.

745
00:46:18,640 --> 00:46:21,279
Speaker 1: There's some really great stuff in here. So first off,

746
00:46:21,360 --> 00:46:23,759
Speaker 1: Laura La is warning Rory not to ask Emily any

747
00:46:23,760 --> 00:46:26,600
Speaker 1: further about at dinner about the portrait, and Laura La

748
00:46:26,680 --> 00:46:29,520
Speaker 1: says danger Will Robinson. Danger. This is a reference to

749
00:46:29,600 --> 00:46:32,319
Speaker 1: Laws in Space in American science fiction television series, which

750
00:46:32,320 --> 00:46:35,200
Speaker 1: originally aired between nineteen sixty five and nineteen sixty eight

751
00:46:35,239 --> 00:46:38,600
Speaker 1: on CBS. The show's most famous catchphrase is, in fact,

752
00:46:38,680 --> 00:46:42,160
Speaker 1: danger Will Robinson. The phrase was actually uttered only once

753
00:46:42,320 --> 00:46:45,719
Speaker 1: in the entire eight three episode series. Is That Right?

754
00:46:47,560 --> 00:46:50,080
Speaker 1: And The series was rebooted in two thousand eighteen, and

755
00:46:50,120 --> 00:46:52,600
Speaker 1: the season three premiere was actually last week on the

756
00:46:52,600 --> 00:46:56,480
Speaker 1: sci Fi channel. Um. June Lockhart from the original series

757
00:46:56,480 --> 00:46:59,120
Speaker 1: had the biggest parking space on the twentieth Century Fox

758
00:46:59,160 --> 00:47:03,359
Speaker 1: lot because she would often drive her favorite vehicle to work,

759
00:47:03,400 --> 00:47:08,960
Speaker 1: which was fire engine. And Will Robinson was played by

760
00:47:09,000 --> 00:47:12,759
Speaker 1: Bill Mooney and the robot costume was top heavy with

761
00:47:14,080 --> 00:47:17,600
Speaker 1: upper section a D D five lower section. I'm not

762
00:47:17,640 --> 00:47:20,120
Speaker 1: really sure how anyone moves in that kind of costume.

763
00:47:20,719 --> 00:47:24,040
Speaker 1: And there was actually a Lost in Space film starring

764
00:47:24,040 --> 00:47:28,920
Speaker 1: William Hurt, Matt LeBlanc, Gary Oldman, and Heather Graham. I

765
00:47:28,920 --> 00:47:31,920
Speaker 1: wanted to become an actor because of William Hurts performance

766
00:47:31,960 --> 00:47:36,600
Speaker 1: and altered States in the early eighties. That's what made

767
00:47:36,600 --> 00:47:39,760
Speaker 1: me want to become a Riley that I wanted to add.

768
00:47:39,880 --> 00:47:44,000
Speaker 1: When you just revealed that they only said danger Will

769
00:47:44,160 --> 00:47:48,160
Speaker 1: Robinson once, it made me look up this and it

770
00:47:48,200 --> 00:47:51,000
Speaker 1: will lead us into some of our Star Trek pop culture,

771
00:47:51,520 --> 00:47:55,840
Speaker 1: you know, beam me up, Scottie. Though it has become

772
00:47:56,200 --> 00:48:00,200
Speaker 1: irrevocably associated with the series and films, the exact is

773
00:48:00,400 --> 00:48:05,040
Speaker 1: was never actually spoken in any Star Trek television episodes

774
00:48:05,440 --> 00:48:13,080
Speaker 1: or film. How is that possible? Shatner. So we might

775
00:48:13,120 --> 00:48:15,160
Speaker 1: have to do some more digging on that. But that's

776
00:48:15,160 --> 00:48:19,279
Speaker 1: what's so crazy, Like people say dameser Will Robinson in

777
00:48:19,400 --> 00:48:23,000
Speaker 1: pact like all the time? How the timing? We just

778
00:48:23,080 --> 00:48:25,000
Speaker 1: I just did New York Comic Con and I was

779
00:48:25,040 --> 00:48:27,680
Speaker 1: sitting at a table in the green room with William Shatner.

780
00:48:27,760 --> 00:48:30,480
Speaker 1: I could have asked him, oh, before he went to

781
00:48:30,560 --> 00:48:33,960
Speaker 1: space or after before like a couple of days before

782
00:48:33,960 --> 00:48:37,000
Speaker 1: he went to space, he was talking about going to space.

783
00:48:37,040 --> 00:48:39,960
Speaker 1: We're all sitting around listening to Riley. Can we do

784
00:48:40,000 --> 00:48:43,000
Speaker 1: the Star Trek ones now? Because Riley and I were

785
00:48:43,040 --> 00:48:45,640
Speaker 1: going over this yesterday and we had the big debate

786
00:48:45,719 --> 00:48:50,359
Speaker 1: because who's hotter Shatner or Chris Pine. And here's the thing.

787
00:48:51,480 --> 00:48:55,440
Speaker 1: Shatner was a hottie when he was on Star Trek.

788
00:48:55,480 --> 00:48:57,920
Speaker 1: Like I get now he's ninety, but like when he

789
00:48:58,000 --> 00:49:03,200
Speaker 1: was Captain Kirk in the g TV show, Babe, he

790
00:49:03,320 --> 00:49:08,239
Speaker 1: was a babe. I'm going to refuse myself from this conversation.

791
00:49:09,480 --> 00:49:14,640
Speaker 1: I'm a photo. Really, go ahead, have had it well?

792
00:49:14,640 --> 00:49:16,920
Speaker 1: Speaking of beat me up Scotty was actually said in

793
00:49:16,920 --> 00:49:20,120
Speaker 1: this episode. Lorelei says, Yeah, the town's too dull to

794
00:49:20,160 --> 00:49:22,879
Speaker 1: work up a real murder. Roy says, but you're one

795
00:49:22,920 --> 00:49:25,120
Speaker 1: beat me up Scotty reference away from being the victim

796
00:49:25,160 --> 00:49:30,160
Speaker 1: of one. I'm holding up a photo of Shatner when

797
00:49:30,200 --> 00:49:34,279
Speaker 1: he was in his early days as Captain Kirk. It's

798
00:49:34,320 --> 00:49:41,520
Speaker 1: like Marlon brownerous, continue, look at that. There you go.

799
00:49:42,640 --> 00:49:44,520
Speaker 1: So as we talked about. Beat me Up Scotti is

800
00:49:44,560 --> 00:49:47,239
Speaker 1: a popular catchphrase that made its way into culture from

801
00:49:47,239 --> 00:49:50,480
Speaker 1: the television series Star Trek. The original series um Actually,

802
00:49:50,480 --> 00:49:53,320
Speaker 1: when NBC was promoting Star Trek and magazines, all shots

803
00:49:53,320 --> 00:49:56,400
Speaker 1: of spots pointed, eyebrows and ears were airbrushed out of

804
00:49:56,440 --> 00:49:58,880
Speaker 1: the pictures because NBC thought that no one would want

805
00:49:58,880 --> 00:50:01,360
Speaker 1: to watch the show due to box resemblance to the Devil,

806
00:50:02,520 --> 00:50:07,839
Speaker 1: which is weird. However, this concern is quickly invalidated upon

807
00:50:07,880 --> 00:50:10,239
Speaker 1: the series airing, with Spock becoming not only one of

808
00:50:10,239 --> 00:50:13,520
Speaker 1: the most popular characters, but also a sex symbol with

809
00:50:13,640 --> 00:50:21,600
Speaker 1: young female agree. I think those guys were hotties back then,

810
00:50:25,120 --> 00:50:29,480
Speaker 1: and as we talked about on October. On October, actor

811
00:50:29,480 --> 00:50:33,360
Speaker 1: William Shatner UM is best known for Captain James Kirk

812
00:50:33,680 --> 00:50:36,640
Speaker 1: went to Space for Real aboard the Blue Origin New

813
00:50:36,719 --> 00:50:42,440
Speaker 1: Shepherd Rocket and this is Cool. Lucile Ball heavily advocated

814
00:50:42,440 --> 00:50:44,560
Speaker 1: for the show and it was largely her influence with

815
00:50:44,680 --> 00:50:47,400
Speaker 1: NBC which led to the Second Chance after rejection of

816
00:50:47,440 --> 00:50:53,040
Speaker 1: the original pilot. Shatner, Nichols, t K, and Koenig are

817
00:50:53,280 --> 00:50:57,120
Speaker 1: for remaining members that are still alive today and as

818
00:50:57,120 --> 00:51:00,520
Speaker 1: we previously mentioned. Adam Nimoy directed season one, episode three

819
00:51:00,520 --> 00:51:02,319
Speaker 1: of Kill Me Now and Gilmour Girls, and his father

820
00:51:02,480 --> 00:51:09,240
Speaker 1: is Leonard Spock, who pays Leonard was there at the Rats.

821
00:51:09,880 --> 00:51:12,759
Speaker 1: George Taka is, so I can't believe you met all

822
00:51:12,800 --> 00:51:15,279
Speaker 1: these guys and you didn't like tell us. Oh my god.

823
00:51:15,280 --> 00:51:17,439
Speaker 1: Now I found a picture of Shatner with his shirt off,

824
00:51:21,800 --> 00:51:26,160
Speaker 1: telling the post. Maybe you're having your own little experience.

825
00:51:27,000 --> 00:51:33,720
Speaker 1: I'm a trekker, like I love Star Trek, the real Trek.

826
00:51:33,760 --> 00:51:35,920
Speaker 1: He's call it being a trekker. And I know this

827
00:51:36,040 --> 00:51:38,600
Speaker 1: because I took a whole class of college about Star Trek.

828
00:51:38,960 --> 00:51:42,279
Speaker 1: My favorite Star Trek is Star Trek for the Voyage Home.

829
00:51:42,760 --> 00:51:45,960
Speaker 1: I've seen it like fifty times. Speaking of Sulu Um,

830
00:51:46,239 --> 00:51:50,400
Speaker 1: Bootsy and Luke are having their their arguments, showing photos

831
00:51:50,400 --> 00:51:55,359
Speaker 1: of William Shatner, Um and foods. He says. Luke has

832
00:51:55,360 --> 00:51:57,000
Speaker 1: been on my case since the first grade when he

833
00:51:57,000 --> 00:52:00,200
Speaker 1: wrongly accused me of sabotaging clay imprint that he made

834
00:52:00,200 --> 00:52:02,520
Speaker 1: of his hand and Loraa licens Oh think heart? Was

835
00:52:02,520 --> 00:52:06,160
Speaker 1: he dressed like Sulullo? Woman? Was such a good line.

836
00:52:07,440 --> 00:52:11,600
Speaker 1: You gotta played tars and it looks like listening knows.

837
00:52:11,640 --> 00:52:15,840
Speaker 1: I'm just holding up shirtless shots of Shatner. That's easy

838
00:52:15,880 --> 00:52:19,400
Speaker 1: to say. It's getting very blue in here on this episode.

839
00:52:19,440 --> 00:52:21,359
Speaker 1: We're gonna have to change. You're gonna go there, We're

840
00:52:21,360 --> 00:52:23,080
Speaker 1: gonna be called in front of the ratings. Boy. We

841
00:52:23,160 --> 00:52:26,520
Speaker 1: put a couple of shirtless shots and Instagram so everyone

842
00:52:26,600 --> 00:52:31,040
Speaker 1: can judge for themselves. So many things for the Instagram

843
00:52:31,680 --> 00:52:33,799
Speaker 1: poster gate. I want to know what the people think.

844
00:52:34,160 --> 00:52:38,759
Speaker 1: And can we put a shirtless shot of George here

845
00:52:39,320 --> 00:52:43,760
Speaker 1: and let's ask him on the to be the right thing? Na?

846
00:52:44,600 --> 00:52:46,560
Speaker 1: Or should Mia have done what Emily said? But anyway,

847
00:52:46,600 --> 00:52:50,080
Speaker 1: I digress, continue Riley. So Sula was portrayed by George

848
00:52:50,120 --> 00:52:52,719
Speaker 1: t kay And so Sula didn't have a first name

849
00:52:52,719 --> 00:52:54,919
Speaker 1: in the series, but he did get his first name

850
00:52:55,000 --> 00:52:57,239
Speaker 1: in the source books, but it was not spoken on

851
00:52:57,280 --> 00:53:03,000
Speaker 1: screen until Star Trek eleven, Undiscovered Star Trek six, Undiscovered Country.

852
00:53:03,080 --> 00:53:06,520
Speaker 1: So I'm thrown off to handle it anymore. You're you

853
00:53:06,640 --> 00:53:10,160
Speaker 1: keep going, Riley, You're doing great. I think Dr Laura

854
00:53:10,160 --> 00:53:14,600
Speaker 1: would give me the same advice. So it's good, Okay,

855
00:53:14,600 --> 00:53:17,319
Speaker 1: Moving on, lorrel I says she was scowling in the

856
00:53:17,360 --> 00:53:19,799
Speaker 1: family portrait. Laurel I says, I was going for a

857
00:53:19,840 --> 00:53:23,000
Speaker 1: Billy Idol thing. So. Billy Idol first achieved fame in

858
00:53:23,080 --> 00:53:25,920
Speaker 1: nineteen seventies, emerging from the London punk rock scene as

859
00:53:25,960 --> 00:53:27,920
Speaker 1: the lead singer of the group Generation X, and then

860
00:53:27,960 --> 00:53:31,440
Speaker 1: decided to go solo in Billy had a signature scal

861
00:53:31,560 --> 00:53:34,920
Speaker 1: which is what Loreli is referring to, and he played

862
00:53:35,000 --> 00:53:38,160
Speaker 1: himself in the Adam Sandler movie The Wedding Singer. He

863
00:53:38,239 --> 00:53:41,120
Speaker 1: nearly landed a much bigger role when he was considered

864
00:53:41,160 --> 00:53:44,319
Speaker 1: for the part of the T one thousand in Terminator too.

865
00:53:44,920 --> 00:53:48,600
Speaker 1: Some of Billy's biggest hits were Rebel Yell, White, Wedding, Nightcrawling,

866
00:53:48,719 --> 00:53:51,400
Speaker 1: and Eyes Without a Face. I used to live in

867
00:53:51,480 --> 00:53:54,880
Speaker 1: Billy Idol's apartment. My first apartment in New York City

868
00:53:55,880 --> 00:53:59,239
Speaker 1: was Billy Idol's old apartment, and I slept in his bed.

869
00:54:00,239 --> 00:54:03,719
Speaker 1: It was a round bed round yes, it was a

870
00:54:03,800 --> 00:54:07,440
Speaker 1: huge loft department. Some lawyer had rented it and he

871
00:54:07,480 --> 00:54:09,440
Speaker 1: was looking for a roommate. My very first night in

872
00:54:09,480 --> 00:54:12,960
Speaker 1: New York, my friend Yvonne took me to Nell's and

873
00:54:13,040 --> 00:54:16,080
Speaker 1: nobody got into Nell's. Madonna didn't even get to Nels Yvonne.

874
00:54:16,080 --> 00:54:19,359
Speaker 1: They opened up the gates for her the velvet rope.

875
00:54:19,360 --> 00:54:21,680
Speaker 1: We walked into Nells and here we are in Fairyland

876
00:54:22,120 --> 00:54:26,799
Speaker 1: and u um and I met this lawyer guy and

877
00:54:26,840 --> 00:54:30,640
Speaker 1: he said, you know, I'm looking for a roommate. Said, okay,

878
00:54:30,960 --> 00:54:32,680
Speaker 1: it was Billy Idol's a apart. We used to get

879
00:54:32,680 --> 00:54:34,720
Speaker 1: all his mail there. He kept getting We kept getting

880
00:54:34,760 --> 00:54:37,680
Speaker 1: Billy Idol's mail there and as I think his girlfriend

881
00:54:37,680 --> 00:54:40,440
Speaker 1: at the time, anyway, we would find a lot of

882
00:54:40,520 --> 00:54:45,680
Speaker 1: role up dollar bills. I'll say that this is the eighties.

883
00:54:46,400 --> 00:54:49,640
Speaker 1: Emily is having Rory pose for her portrait and Emily says, oh,

884
00:54:49,680 --> 00:54:51,879
Speaker 1: now you have a problem with swans and thrones. Laura

885
00:54:51,960 --> 00:54:55,280
Speaker 1: I says, because Swanson throne screamed one thing. Mom Siegfried

886
00:54:55,360 --> 00:54:58,120
Speaker 1: and Roy so sig Freedom woy Aer duo of German

887
00:54:58,160 --> 00:55:01,520
Speaker 1: American magicians and entertainers, best known for their appearances with

888
00:55:01,600 --> 00:55:04,439
Speaker 1: white lions and white tigers. In two thousand three, Roy

889
00:55:04,560 --> 00:55:07,520
Speaker 1: was attacked by a tiger on stage, leaving him partially paralyzed.

890
00:55:07,800 --> 00:55:11,600
Speaker 1: He never actually blamed the tiger, and actually he claimed

891
00:55:11,680 --> 00:55:14,719
Speaker 1: that the tigers saved his life, which I don't know.

892
00:55:15,400 --> 00:55:17,520
Speaker 1: It's very interesting in two thousand and four. Their act

893
00:55:17,600 --> 00:55:20,160
Speaker 1: became the basis for the animated sitcom Father of the Pride.

894
00:55:20,400 --> 00:55:22,760
Speaker 1: That's so random, but not the Father of the Bride

895
00:55:22,760 --> 00:55:26,719
Speaker 1: like Steve Martin one obviously, for no, it was like

896
00:55:26,760 --> 00:55:32,840
Speaker 1: a animated sitcom. Oh, Father, Father Pride, Father of the Pride.

897
00:55:34,040 --> 00:55:36,560
Speaker 1: I get it because of the lions Pride. I thought

898
00:55:36,600 --> 00:55:42,680
Speaker 1: you said, Father Pride. Um Sigfried sadly passed away from

899
00:55:42,680 --> 00:55:46,200
Speaker 1: pancreatic cancer in January of two thou and Roy passed

900
00:55:46,200 --> 00:55:52,040
Speaker 1: away in May to COVID complications. So Um Michelle Lowlyne

901
00:55:52,040 --> 00:55:55,040
Speaker 1: Suki are brainstorming on potential names for their in and

902
00:55:55,120 --> 00:55:58,879
Speaker 1: Michelle says, how about the money Pit, which is very

903
00:55:59,000 --> 00:56:02,680
Speaker 1: cheek and reference not only two. Money Pit is six

904
00:56:02,719 --> 00:56:05,920
Speaker 1: American comedy film starring Tom Hanks and Shelley Long as

905
00:56:05,920 --> 00:56:08,839
Speaker 1: a couple who attempt to renovate a recently purchase house,

906
00:56:09,320 --> 00:56:11,480
Speaker 1: but also cheeky because it's logical and it's gonna be

907
00:56:11,480 --> 00:56:14,640
Speaker 1: a money pit. For the scene with the bathtub falling

908
00:56:14,800 --> 00:56:17,640
Speaker 1: two floors down after being filled with water, Tom Hanks

909
00:56:17,680 --> 00:56:20,759
Speaker 1: does an obnoxious laugh which sounds like the imitation of

910
00:56:20,800 --> 00:56:23,960
Speaker 1: a sea lion. This clip of him laughing is commonly

911
00:56:24,040 --> 00:56:27,280
Speaker 1: used for the Universal Backlaw Tour when the tour guides

912
00:56:27,360 --> 00:56:31,040
Speaker 1: joke with the visitors during breaks and filming. Tom Hanks

913
00:56:31,040 --> 00:56:34,120
Speaker 1: like to drive around the vintage vintage Lincoln Model L

914
00:56:34,200 --> 00:56:38,200
Speaker 1: series classic car, which is featured in the movie, and

915
00:56:38,200 --> 00:56:42,640
Speaker 1: apparently Real Hell's Angel Bikers from Real Hell's Angel Chapter

916
00:56:42,800 --> 00:56:46,000
Speaker 1: portrayed the Hell's Angel Bikers in the movie. And finally,

917
00:56:46,080 --> 00:56:48,880
Speaker 1: Walter Fielding mentions to one of his colleagues about not

918
00:56:49,040 --> 00:56:52,560
Speaker 1: naming yourself Meryl Streep, and Tom Hanks would actually go

919
00:56:52,640 --> 00:56:55,280
Speaker 1: on and start with Meryl in the two thousand seventeen

920
00:56:55,400 --> 00:56:58,040
Speaker 1: the post This next one is my favorite. Everyone is

921
00:56:58,040 --> 00:57:00,919
Speaker 1: making claims about what Jess has done. Stars Hollow Laura

922
00:57:01,000 --> 00:57:03,720
Speaker 1: la says I heard he controls the weather and wrote

923
00:57:03,719 --> 00:57:09,120
Speaker 1: the screenplay A Glitter, Glitter, Glitterous This who thousand and

924
00:57:09,160 --> 00:57:13,120
Speaker 1: one American romantic musical drama film starring Mariah Carey, Max Beasley,

925
00:57:13,160 --> 00:57:16,080
Speaker 1: and Rapper de Brat. In an interview with Watch What

926
00:57:16,120 --> 00:57:19,240
Speaker 1: Happens Live in two thousand nine, Mariah Carey said that

927
00:57:19,280 --> 00:57:22,040
Speaker 1: she regrets making the film. It was such a bomb

928
00:57:22,200 --> 00:57:28,080
Speaker 1: and it sucked. It was so else. I really loved

929
00:57:28,160 --> 00:57:32,480
Speaker 1: the film. Is it one of those watchable Sunday afternoon films.

930
00:57:32,920 --> 00:57:38,240
Speaker 1: I loved glitter I loved it. I love the music.

931
00:57:38,560 --> 00:57:43,000
Speaker 1: I loved it was glittery. You know, like you loved

932
00:57:43,040 --> 00:57:45,720
Speaker 1: loved it or you hate watch? Did you guys know

933
00:57:45,800 --> 00:57:48,000
Speaker 1: that's a thing heat watching. We can talk that about

934
00:57:48,120 --> 00:57:51,920
Speaker 1: talk about that another time. He loved it. No, I

935
00:57:51,960 --> 00:57:54,760
Speaker 1: fully bought it. Time to watch things that they hate.

936
00:57:55,360 --> 00:57:58,000
Speaker 1: Sometimes I do. You've done some free time? Sometimes I

937
00:57:58,000 --> 00:58:01,160
Speaker 1: can make time. So the original cut for the film

938
00:58:01,240 --> 00:58:03,760
Speaker 1: ran at two and a half hours because of the music,

939
00:58:03,800 --> 00:58:06,040
Speaker 1: as noted by a director, was which is what made

940
00:58:06,040 --> 00:58:10,440
Speaker 1: the editing process so difficult. During filming, tracks using backup

941
00:58:10,440 --> 00:58:12,880
Speaker 1: singer Mary and Tatum were used in play some Riant

942
00:58:12,920 --> 00:58:16,959
Speaker 1: Carrey's voice. To avoid bootlegging, Carry recorded her vocals close

943
00:58:17,000 --> 00:58:19,919
Speaker 1: to release date of the soundtrack and let and all

944
00:58:19,920 --> 00:58:22,040
Speaker 1: the lead vocals were used. And they can't wait until

945
00:58:22,080 --> 00:58:26,680
Speaker 1: Scar has to review in the movie reviews, I'll be

946
00:58:26,760 --> 00:58:30,439
Speaker 1: counting down the days, everybody, you and Henry, that would

947
00:58:30,440 --> 00:58:35,200
Speaker 1: be funny. That's probably a good idea to review that movie.

948
00:58:36,920 --> 00:58:39,320
Speaker 1: And that's it for your pop culture. Riley, what's your

949
00:58:39,320 --> 00:58:42,919
Speaker 1: favorite line? Thank you? I love when they're going back

950
00:58:42,920 --> 00:58:44,680
Speaker 1: and forth with the names because I just feel like

951
00:58:44,720 --> 00:58:46,880
Speaker 1: it's just all the names are so abstorted, or the

952
00:58:46,960 --> 00:58:50,000
Speaker 1: inn in it's like an end that's in with the

953
00:58:50,080 --> 00:58:56,560
Speaker 1: in crowd. To sit down, Danielle. Okay, so mine is

954
00:58:56,960 --> 00:59:00,560
Speaker 1: from It was one of the first scenes. It's really

955
00:59:00,560 --> 00:59:04,160
Speaker 1: not like a line per se. It's just like I

956
00:59:04,440 --> 00:59:06,760
Speaker 1: when when they said it, it was delivered so well,

957
00:59:06,760 --> 00:59:10,080
Speaker 1: and I just could not stop laughing Um, LAURAAI goes

958
00:59:10,240 --> 00:59:13,280
Speaker 1: get out of here and Emily Emily goes, I will

959
00:59:13,400 --> 00:59:15,720
Speaker 1: not get out of here. I don't know why. I

960
00:59:15,840 --> 00:59:20,480
Speaker 1: just loved it so much. So in the town meeting,

961
00:59:21,720 --> 00:59:25,800
Speaker 1: the town meeting is happening and Mrs Lanahan says something

962
00:59:26,160 --> 00:59:30,040
Speaker 1: and LAURAA leans down and says, you really shouldn't be

963
00:59:30,120 --> 00:59:36,200
Speaker 1: driving anymore. Mm hmmm mm hmm. All right, I'm gonna

964
00:59:36,240 --> 00:59:38,720
Speaker 1: tell you the best line in the whole thing, and

965
00:59:38,720 --> 00:59:40,760
Speaker 1: it's gonna blow all your best lines out of the water,

966
00:59:41,720 --> 00:59:45,200
Speaker 1: because this was the best line in the whole episode. Okay,

967
00:59:46,520 --> 00:59:50,240
Speaker 1: And I'm not backing down from this line. And it

968
00:59:50,320 --> 00:59:53,120
Speaker 1: happened in the very first scene at the dinner table,

969
00:59:53,800 --> 00:59:55,600
Speaker 1: when Laurel I was being a pain in the neck

970
00:59:56,320 --> 00:59:58,600
Speaker 1: and Emily said, Laurel, I should I get you a

971
00:59:58,640 --> 01:00:00,560
Speaker 1: little mirror so that you could look at yourself while

972
01:00:00,560 --> 01:00:04,040
Speaker 1: you're having this conversation with yourself. That was funny too.

973
01:00:05,200 --> 01:00:09,920
Speaker 1: I mean that was like old school just dropping it.

974
01:00:10,160 --> 01:00:13,919
Speaker 1: Just that's a mic drop line. Terrific line. Good friend,

975
01:00:14,040 --> 01:00:15,720
Speaker 1: and I think Luke had a couple of good lines.

976
01:00:15,760 --> 01:00:19,920
Speaker 1: There was a million good lines in this episode, yeah,

977
01:00:20,440 --> 01:00:28,760
Speaker 1: including was he wearing a su shirt? My kids? What's

978
01:00:28,840 --> 01:00:31,240
Speaker 1: next week? Riley? Are we going to read the Are

979
01:00:31,240 --> 01:00:32,920
Speaker 1: we going to read the good the bad reviews? We're

980
01:00:32,920 --> 01:00:35,560
Speaker 1: out of time for that. But we forgot fashion. Everybody

981
01:00:35,560 --> 01:00:38,120
Speaker 1: needs to say their favorite fashion moment? Riley, do you

982
01:00:38,120 --> 01:00:43,360
Speaker 1: have a favorite fashion moment? I do have a favorite

983
01:00:43,360 --> 01:00:48,440
Speaker 1: fashion moment. I loved Lane's blue kind of teal turtleneck

984
01:00:48,600 --> 01:00:51,880
Speaker 1: with her denim jacket over it when they're looking at

985
01:00:51,960 --> 01:00:55,200
Speaker 1: like the chalk outline. That is very cloil. Did you

986
01:00:55,200 --> 01:01:00,520
Speaker 1: grab a fashion moment? I forgot, uh, I forgot to

987
01:01:00,520 --> 01:01:04,880
Speaker 1: do it. But our lovely producer Riley Um added some

988
01:01:04,920 --> 01:01:09,880
Speaker 1: pictures to Rundown, so I'm stealing one from there, but

989
01:01:11,080 --> 01:01:13,600
Speaker 1: I gotta give it to Dean with the long red

990
01:01:13,720 --> 01:01:17,560
Speaker 1: T shirt and the puffer jacket best over it. I

991
01:01:17,680 --> 01:01:19,840
Speaker 1: just like, I won't forget for next week to add

992
01:01:19,840 --> 01:01:25,520
Speaker 1: this to my list of tasks. I blew it this week.

993
01:01:26,040 --> 01:01:29,960
Speaker 1: I'll say, Jesus God, crying all over the place, falling

994
01:01:30,000 --> 01:01:34,760
Speaker 1: apart emotionally all over. I mean, it's unbelievable. So what's

995
01:01:34,760 --> 01:01:37,920
Speaker 1: your what's yours? I forgot to look so just I

996
01:01:37,960 --> 01:01:39,560
Speaker 1: have to have a pass this week, and I'll do

997
01:01:39,600 --> 01:01:41,640
Speaker 1: it because I'm not gonna half acid and make it

998
01:01:41,720 --> 01:01:44,320
Speaker 1: up right now. I'm gonna do it real, So I'll

999
01:01:44,360 --> 01:01:47,960
Speaker 1: start mine next week. I remember last week. Yeah, I'm

1000
01:01:47,960 --> 01:01:51,680
Speaker 1: gonna again. I'm gonna refuse myself from this segment. But

1001
01:01:51,800 --> 01:01:55,360
Speaker 1: the people love it fashion segment. The people love it,

1002
01:01:55,440 --> 01:01:58,200
Speaker 1: so we can just the girls can handle this one,

1003
01:01:58,640 --> 01:02:01,200
Speaker 1: all right. I'll tell you I think I like Luke's

1004
01:02:01,240 --> 01:02:08,200
Speaker 1: shirt when he hugs Yeah. Yeah, okay, I don't know

1005
01:02:08,240 --> 01:02:10,520
Speaker 1: why it had some red in it, right, Okay, there

1006
01:02:10,520 --> 01:02:13,280
Speaker 1: you go soon next week. We really do need to

1007
01:02:13,320 --> 01:02:16,720
Speaker 1: read the reviews because I especially like the one that

1008
01:02:16,800 --> 01:02:20,520
Speaker 1: said shut up Amy. They're sitting right here screaming at me.

1009
01:02:20,520 --> 01:02:22,920
Speaker 1: They're both screaming at me right now. Literally over for

1010
01:02:22,960 --> 01:02:26,360
Speaker 1: twenty minutes too long. M H. Next, when are we

1011
01:02:26,360 --> 01:02:30,200
Speaker 1: gonna get with it? Next week We'll start with it, everybody.

1012
01:02:30,200 --> 01:02:32,040
Speaker 1: That's gonna be a rap on the ins and outs

1013
01:02:32,040 --> 01:02:34,400
Speaker 1: of inns. Thanks for downloading, Best fans on the planet.

1014
01:02:34,440 --> 01:02:36,480
Speaker 1: I'm Scott Patterson and this is the I Am All

1015
01:02:36,520 --> 01:02:39,320
Speaker 1: In Podcast with iHeart Radio, one of leven productions. Thank you,

1016
01:02:39,400 --> 01:02:45,680
Speaker 1: Riley Pelucis, Thank you, Danielle Roma, thank you Amy Sugarman. Again. Thanks,

1017
01:02:45,760 --> 01:02:48,280
Speaker 1: best fans on the planet. Thanks for the downloads, and

1018
01:02:48,560 --> 01:03:21,320
Speaker 1: h we will see you next time. M Hey everybody,

1019
01:03:21,320 --> 01:03:24,640
Speaker 1: and don't forget follow us on Instagram at I Am

1020
01:03:24,720 --> 01:03:29,200
Speaker 1: All In Podcast and Emailie at Gilmore at I heart

1021
01:03:29,320 --> 01:03:32,439
Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking

1022
01:03:32,480 --> 01:03:34,240
Speaker 1: for the best cup of coffee in the world, go

1023
01:03:34,320 --> 01:03:38,080
Speaker 1: to my website for my company scott EP dot com,

1024
01:03:38,200 --> 01:03:40,360
Speaker 1: s C O T T y P dot com, scott

1025
01:03:40,400 --> 01:03:51,320
Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.