WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the best Bits of the week with Morgan Number two.

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<v Speaker 1>What is of y'all so happy? It's another weekend and

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<v Speaker 1>I got to be hanging out with y'all. Right here,

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<v Speaker 1>this is best bit's just bits, but part one is

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<v Speaker 1>personally my favorite part of getting to do this podcast.

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<v Speaker 1>I get to bring on a show member and talk

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<v Speaker 1>to him about whatever I want to talk to him about,

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<v Speaker 1>and you know, some guidelines, but things that I come

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<v Speaker 1>up with. This weekend, I talked to Amy, and I

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<v Speaker 1>really hope you go listen to it, because not only

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<v Speaker 1>did we discuss the craziest thing that I've seen while driving,

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<v Speaker 1>and this tops the list of pretty much any story

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<v Speaker 1>I've ever heard, we also talked about our stupidest accomplishments

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<v Speaker 1>that we've had recently. And you know, I did get

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<v Speaker 1>a little vulnerable about my dating life and something that

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<v Speaker 1>I have had to learn and it's not been easy

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<v Speaker 1>for me. I'll just say that, And of course some

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<v Speaker 1>fun things with taking text messages out of context. That's

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<v Speaker 1>all I'm gonna say. Yeah, I'll leave that right there,

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<v Speaker 1>But until then, let's get started. I'm so excited to

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<v Speaker 1>bring y'all some of the biggest months from the week.

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<v Speaker 1>Number seven, if you win the super Bowl, each players

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<v Speaker 1>paid one hundred and fifty seven thousand dollars as the winner. Wow,

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<v Speaker 1>and lose the super Bowl, you're paid eighty two thousand dollars.

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<v Speaker 1>That's still good. It's still good. But I'm saying you

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<v Speaker 1>want to win the super Bowl, Yeah, that's one hundred

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<v Speaker 1>fifty grand. That's the incentive. So even if you barely play,

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<v Speaker 1>if you're on the team, yeah, if you're one of

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<v Speaker 1>the people who who are on the roster, you get

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<v Speaker 1>paid because you got to stay ready. Yeah. And if

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<v Speaker 1>you stay ready, you never got to get ready. That's right,

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<v Speaker 1>that's right. So number one, number two, a lot of

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<v Speaker 1>different factors when it comes to buying a commercial for

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<v Speaker 1>the Super Bowl. This average price for thirty seconds is

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<v Speaker 1>seven million dollars. And let's not be the ones that

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<v Speaker 1>come on to go moon. The commercials. Sugged commercials haven't

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<v Speaker 1>really been a thing for seven eight years. They do

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<v Speaker 1>try to put better commercials on, but now we're in

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<v Speaker 1>the land of everything's funny everywhere, all the time. Things

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<v Speaker 1>are compelling all the time. TikTok other commercials are funny,

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<v Speaker 1>viral campaigns that it's just it's not like they're going

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<v Speaker 1>to hold off in June. We got this great idea,

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<v Speaker 1>it's gonna go virals hold up for the super Bowl. No,

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<v Speaker 1>they do it. Then they do new stuff on the

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<v Speaker 1>Super Bowl, and the commercials are fun. Sometimes they're like, Wow,

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<v Speaker 1>it's funny to get see the celebrity. But let's not

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<v Speaker 1>beat the show that comes on and goes. The commercial suck.

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<v Speaker 1>It's just not that environment anymore. But they do. So

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<v Speaker 1>they're not as good. Yeah, they're not as good. They're

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<v Speaker 1>actually better. But everything else around it all year long

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<v Speaker 1>is better, which makes it seem not as good. Bud Wiser,

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<v Speaker 1>that's tissue holding on to nostalgia. Boy, yeah, that's pretty good.

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<v Speaker 1>The NFL doesn't pay bands or artists for performing at

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<v Speaker 1>the halftime show none. So you do the show, you

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<v Speaker 1>don't get paid. The artists aren't making a dime, but

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<v Speaker 1>they do at least get their expenses and production costs covered.

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<v Speaker 1>But they don't make anything. It's all just for promotion,

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<v Speaker 1>so they do it. The players in the super Bowl

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<v Speaker 1>get fancy cars to drive week of the game. That's

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<v Speaker 1>every player on both teams in the super Bowl gets

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<v Speaker 1>a very fancy loaner drive around all week. Yeah, that's

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<v Speaker 1>a lot of loaners. You're talking about fifty three man

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<v Speaker 1>rosters each. It's one hundred and six cars plus coaches. Yeah,

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<v Speaker 1>like how many of those exotic dealerships are there and

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<v Speaker 1>there are no cars on any lot there? And then

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<v Speaker 1>I'm sure they have rules like you can't drive risky

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<v Speaker 1>the week of the Super Bowl, right, I don't think

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<v Speaker 1>that's in the rule book, no risky driving. A single

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<v Speaker 1>ticket for admission to Super Bowl one between the Chiefs

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<v Speaker 1>and Packers costs six dollars if you wanted to go

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<v Speaker 1>to that game and that game did not sell out.

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<v Speaker 1>The average cost this year is nine thousand dollars. You

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<v Speaker 1>can get them very very low for around four to

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<v Speaker 1>five thousand, and if you want to get one of

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<v Speaker 1>those suites, it's half million bucks. Oh man. And if

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<v Speaker 1>you want to wait till halftime, they say it's around

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<v Speaker 1>two to three thousand bucks. Still, if you want to

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<v Speaker 1>get a ticket from a scalpoar a half time, oh

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<v Speaker 1>well yeah, this is it's the only time where the

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<v Speaker 1>scalpers won't sell last minute because the games starting, because

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<v Speaker 1>they know they can pretty much sell all the way

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<v Speaker 1>to a half time that's bananas. And then when it

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<v Speaker 1>comes to the rings, everybody on the winning roster, coaches, executives,

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<v Speaker 1>practice squad players, everybody gets super Bowl ring. The players

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<v Speaker 1>in the practice squad usually get one that's a lesser value,

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<v Speaker 1>but it's still a ring. But the owner of the

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<v Speaker 1>teams can also award rings to whomever they choose, meaning

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<v Speaker 1>people that were just instrumental or gave good advice or

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<v Speaker 1>a great fans. Each franchise pays for one hundred and

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<v Speaker 1>fifty Super Bowl rings in the league also chips in,

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<v Speaker 1>so it's five six million bucks in rings. That's probably

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<v Speaker 1>something they're happy to pay. And those rings have a

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<v Speaker 1>lot of diamonds. A lot of diamonds are really cool.

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<v Speaker 1>The Lombardi Trophy, which you win, weighs seven pounds, but

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<v Speaker 1>if you were to melt it down, it's fifty thousand

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<v Speaker 1>dollars worth of material right there. The NFL won't hold

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<v Speaker 1>Super Bowls in cold stadiums now. That'd being said. They

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<v Speaker 1>did play in New York and it got pretty lucky. Yep,

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<v Speaker 1>So that that was the thing until they decided to

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<v Speaker 1>play in New York and everybody's like, what if it's

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<v Speaker 1>a snow Super Bowl. Then it turns out it was

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<v Speaker 1>actually fine. Yeah, but for the most part, it's in

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<v Speaker 1>Florida or Arizona, Arizona this year, or New Orleans. But

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<v Speaker 1>they're a dome. Yeah, Muslim are domes. They try to

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<v Speaker 1>make sure that it's either warm Weather city when I

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<v Speaker 1>went was into Miami or if it's in Indianapolis where

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<v Speaker 1>I went, it was a dome. Each team gets one

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<v Speaker 1>hundred and eight footballs. That's it. Practice and play, that's it.

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<v Speaker 1>No more footballs because they've all got to be pre

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<v Speaker 1>screened before because some people deflate them. And they got

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<v Speaker 1>to have that Super Bowl logo on there. Okay, you

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<v Speaker 1>guys want two different directions. Yeah, and then finally more

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<v Speaker 1>than one hundred million people watched Super Bowl every year. Now,

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<v Speaker 1>whenever we get to the Super Bowl halftime shows, can

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<v Speaker 1>you think of a halftime show that had country artists only?

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<v Speaker 1>And has that ever happened? Amy, I cannot think of

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<v Speaker 1>one lunchbox. I'm not a big halftime guy, so I

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<v Speaker 1>don't even remember. No Eddie, not in our lifetime. So

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<v Speaker 1>here are some people who performed at the Super Bowl

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<v Speaker 1>National anthem. Charlie Pride seventy four, Garth Brooks National Anthem

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<v Speaker 1>ninety three. That was a controversial one where he's like,

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<v Speaker 1>I'm not singing until you show my music video and

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<v Speaker 1>they're like no, the super Bowl is about to start,

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<v Speaker 1>Like yeah, but I need you to show you know,

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<v Speaker 1>we shall we shall be free. Yeah. And so they

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<v Speaker 1>even went to the stands to ask John bon Jovi

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<v Speaker 1>if he'd come out and sing it last minute, and

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<v Speaker 1>then guards are like, no, this video means a lot

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<v Speaker 1>I need. And so they played the video before the

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<v Speaker 1>super Bowl. So baller, that's so ball Here we go

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<v Speaker 1>nineteen ninety four, a halftime show that was all country.

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<v Speaker 1>What it was called? I thought they had I thought

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<v Speaker 1>they had named for it. But we had Clint Black,

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<v Speaker 1>Tanya Tucker, Travis Tritt and the Judds. A nineteen ninety

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<v Speaker 1>four all country Super Bowl halftime show. Since then, they

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<v Speaker 1>haven't done that. Jewel has sang the national anthem, Faith Hill,

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<v Speaker 1>Shania Twain popped up in at once, Faith Hill, did

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<v Speaker 1>America Beautiful, Carrie Underwood National Anthem, on and on and on.

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<v Speaker 1>But that's the deal. Chris Stapleton will sing it on Sunday,

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<v Speaker 1>the national Anthem, looking forward to it. I don't have

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<v Speaker 1>anything going on specifically, especially or just watch the game

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<v Speaker 1>until I like it. But I haven't. There's no party,

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<v Speaker 1>no gathering you No, I wouldn't. I didn't even know

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<v Speaker 1>if you were going to one. Oh yeah no, I

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<v Speaker 1>hadn't thought about it yet. Maybe Eddie. No, I want

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<v Speaker 1>to watch the game with my kids. So no party.

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<v Speaker 1>We're gonna definitely gonna have a spread though, wings, pizza, lunchbox.

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<v Speaker 1>I got my options open. I like that. Why am

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<v Speaker 1>I getting in there? Yeah that's good. Okay, say that

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<v Speaker 1>in high school? Like, what are you gonna do for

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<v Speaker 1>I got my options open? Yeah nothing? What would I do?

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<v Speaker 1>Go to work and go home be sad? Okay? I

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<v Speaker 1>hope everybody and hey, draft kings it up. I'm telling

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<v Speaker 1>you right now, I'm gonna telling you goin market. The

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<v Speaker 1>Chiefs are gonna win the game. What's it the end over?

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<v Speaker 1>You said it? I said it. They're even the underdog.

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<v Speaker 1>But you heard what I said, and I said what

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<v Speaker 1>I heard in the way out of the podcast. If

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<v Speaker 1>it's wrong? Do you have Chris Stapleton's number? Could you

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<v Speaker 1>text him? Text him over? I could? How long? I don't?

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<v Speaker 1>I don't text Chris? Okay? Do I have his number. Yes,

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<v Speaker 1>but I don't really just go like, what up, buddy,

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<v Speaker 1>Well this would be a good time too. M hmmm,

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<v Speaker 1>how long roughly is gonna is your national anthem gonna be? Roughly?

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<v Speaker 1>Do I have time to go to the bathroom? Or

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<v Speaker 1>do I not have time to go in the bathroom? More?

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<v Speaker 1>Let's say two minutes and he only had two minutes

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<v Speaker 1>to live? Could you fit it in? Come on, because

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<v Speaker 1>that's one of the beds ye under, thank you. It's

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<v Speaker 1>the best bits of the week with Morgan. Number two,

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<v Speaker 1>we found out something super disgusting about Lunchbox. He eats

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<v Speaker 1>while he's on the bathroom toilet, said you, yep, yep,

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<v Speaker 1>I said it. That is exactly what we found out

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<v Speaker 1>about him. Eddie Bobby caught him in the bathroom. He

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<v Speaker 1>was eating a protein bar while in the bathroom. Yes,

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<v Speaker 1>this was a real thing. Like I don't know how,

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<v Speaker 1>I don't know why, but here it is number six,

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<v Speaker 1>Lunchbox eats food in the bathroom while he's going to

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<v Speaker 1>the bathroom. And I know why. Yeah, man, I've happened

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<v Speaker 1>twice now where I walk in the bathroom and I

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<v Speaker 1>can hear the rapping and like the two insane disgusting.

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<v Speaker 1>Sitting on the toilet disgusting. What's the point? Why can't

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<v Speaker 1>you eat not in the bathroom? Well, I mean if

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<v Speaker 1>we only have a limited amount of time, don't have

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<v Speaker 1>limited time. You you're gone for twenty minutes sometimes, but

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<v Speaker 1>I'm hungry man, so I'd be gone for twenty five

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<v Speaker 1>Maybe you gotta cut into it. But you don't think

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<v Speaker 1>that's disgusting. I'm not sticking in the toilet. What I'm

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<v Speaker 1>not sticking the food in the toilet. You're not dipping it, right,

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<v Speaker 1>I'm not dipping it in the water like water down.

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<v Speaker 1>I just wonder if I'm the only one, like, what

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<v Speaker 1>is explained to me? What could be wrong with that eating?

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<v Speaker 1>You ever hear this saying don't eat where you poop,

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<v Speaker 1>Like there's a real reason. I mean, it just can't

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<v Speaker 1>be healthy. Well, your gross, your your toothbrush is in

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<v Speaker 1>the bathroom. Yeah, but I put the lid down when

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<v Speaker 1>I flush, and there's also a door so it doesn't

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<v Speaker 1>the particles don't flush over the top of the toothbrush

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<v Speaker 1>if just one. Yeah, it's also the image of like

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<v Speaker 1>in out. That's a tough one too. Yeah. Well, yeah,

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<v Speaker 1>there's a lot of maybe maybe everybody don't think this

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<v Speaker 1>is great. I done eating while you're going to the bathroom?

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<v Speaker 1>Gross or not? Amy gross? Yeah? Gross? I mean Eddie gross, disgusting,

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<v Speaker 1>Morgan gross, Ray disgusting, a gross. Okay, just make it sure.

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<v Speaker 1>It's called multitasking, you guys, turn not a multitasking you

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<v Speaker 1>guys talk about haven't being efficient with your time? We'll

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<v Speaker 1>go what boom, because this is the only way that

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<v Speaker 1>you multitask or have any sort of efficiency. One stone?

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<v Speaker 1>Do you do this at home? Yeah? No, two birds,

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<v Speaker 1>one protein bar? Okay, yeah too, that's fine. But that's

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<v Speaker 1>what I'm saying, Like you're hungry, Like, let's say you

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<v Speaker 1>get done working out, Bob, when you got to go

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<v Speaker 1>to the bathroom, you need that protein bar going the bathroom,

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<v Speaker 1>eat it while you're going to the bathroom. No, I

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<v Speaker 1>got to the bathroom, watch my hands, I come out

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<v Speaker 1>and then I eat. Well, I don't Why does it

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<v Speaker 1>always bathroom stuff with him? It's like what Keith Urban

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<v Speaker 1>was washing his hands and he goes into the bathroom

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<v Speaker 1>to hang out with him, and he shared the sink

0:10:42.559 --> 0:10:46.240
<v Speaker 1>with they're watching hands. It's a single person sink because

0:10:46.240 --> 0:10:48.360
<v Speaker 1>it's a tiny sink and he puts his hands in

0:10:48.360 --> 0:10:51.520
<v Speaker 1>with Keith Urban. Yeah that was pretty cool. But I'm

0:10:51.520 --> 0:10:53.480
<v Speaker 1>just saying I don't see anything wrong with it. I've

0:10:53.520 --> 0:10:55.280
<v Speaker 1>done it my whole life. You sit on the pot

0:10:55.520 --> 0:11:03.199
<v Speaker 1>and you eat my stomach. P Morgan, Will you put

0:11:03.200 --> 0:11:05.920
<v Speaker 1>this pole up on the website? Yeah? By will You're

0:11:05.960 --> 0:11:10.280
<v Speaker 1>gonna be surprised. Maybe I will be surprised. You wait,

0:11:10.360 --> 0:11:13.680
<v Speaker 1>a miracle will speak. A lot of people don't have time, man,

0:11:14.520 --> 0:11:16.240
<v Speaker 1>but you have time for everything, and you go you

0:11:16.240 --> 0:11:21.360
<v Speaker 1>don't multitask anything that's actually worthy of efficiency. Well, you

0:11:21.400 --> 0:11:23.000
<v Speaker 1>just made a noise. It made nothing there. I was

0:11:23.000 --> 0:11:25.160
<v Speaker 1>gonna say facebook chat and do the show, but I'm

0:11:25.200 --> 0:11:29.240
<v Speaker 1>in Facebook chatting lately. So it's the best bits of

0:11:29.320 --> 0:11:37.000
<v Speaker 1>the week with Morgan. Number two, we had Ernest stop

0:11:37.040 --> 0:11:38.959
<v Speaker 1>by the studio and it was super fun to hear

0:11:38.960 --> 0:11:41.920
<v Speaker 1>from him. He's so insanely talented in a lot of ways,

0:11:41.920 --> 0:11:44.160
<v Speaker 1>not only as an artist but also as a songwriter.

0:11:44.400 --> 0:11:47.280
<v Speaker 1>He's written songs with Jelly Roll, Kane Brown, of course,

0:11:47.360 --> 0:11:49.840
<v Speaker 1>Morgan Wall and so many more. But he shared some

0:11:49.880 --> 0:11:52.360
<v Speaker 1>of the stories behind those songs that we now know

0:11:52.520 --> 0:11:55.160
<v Speaker 1>as hit songs. So these were the stories behind him

0:11:55.160 --> 0:11:57.000
<v Speaker 1>and he also talked about the deluxe album that he

0:11:57.040 --> 0:12:00.400
<v Speaker 1>has coming up of Flower Shops, and there's thirteen brand

0:12:00.440 --> 0:12:03.040
<v Speaker 1>new songs on it, which is wild for a deluxe album.

0:12:03.080 --> 0:12:05.520
<v Speaker 1>Most of the time a deluxe includes like three, maybe

0:12:05.559 --> 0:12:08.480
<v Speaker 1>two new songs, but no, not Ernest. He put out

0:12:08.600 --> 0:12:12.400
<v Speaker 1>thirteen new songs with this deluxe album. So check out

0:12:12.400 --> 0:12:14.960
<v Speaker 1>this interview. You're gonna love it. Ernest. It's such a

0:12:14.960 --> 0:12:17.400
<v Speaker 1>good guy, or as some people in Nashville call him,

0:12:17.400 --> 0:12:19.960
<v Speaker 1>Earns number five. If you don't know him by his

0:12:20.040 --> 0:12:22.280
<v Speaker 1>name his face, you'd know him by a ton of

0:12:22.400 --> 0:12:25.240
<v Speaker 1>number one songs he's written for other people. Wasted on

0:12:25.280 --> 0:12:27.800
<v Speaker 1>You from Morgan Wallen Breaking up was easy in the

0:12:27.880 --> 0:12:30.760
<v Speaker 1>nineties from Sam Hunt more than my hometown. From Morgan Wallen.

0:12:31.000 --> 0:12:33.920
<v Speaker 1>I could keep going, but I won't right now. But

0:12:34.040 --> 0:12:37.319
<v Speaker 1>also born and raised in Nashville, started playing guitar and

0:12:37.360 --> 0:12:40.559
<v Speaker 1>banjo at like nine ten years old. It's almost like

0:12:40.559 --> 0:12:42.079
<v Speaker 1>I love country music but also love to rap a

0:12:42.120 --> 0:12:45.160
<v Speaker 1>little bit. He's got this song here flower Shops with

0:12:45.240 --> 0:12:50.560
<v Speaker 1>Morgan Wallen right now. He's got a new album out today,

0:12:50.559 --> 0:12:54.679
<v Speaker 1>and he's here. Here is Ernest. The Friday Morning Conversation

0:12:54.880 --> 0:12:57.280
<v Speaker 1>with Ernest going to see you, buddy. He's good to

0:12:57.280 --> 0:12:59.720
<v Speaker 1>see you too, Bobby. For everybody out there, this is

0:13:00.000 --> 0:13:03.000
<v Speaker 1>all Hour Shops with Morgan Wallen. A little song you

0:13:03.000 --> 0:13:08.960
<v Speaker 1>may know, the jam by the way, thank You, and

0:13:09.040 --> 0:13:11.120
<v Speaker 1>the record is out, but now you put out like

0:13:11.160 --> 0:13:13.280
<v Speaker 1>a second half to this record. It's a lot of songs.

0:13:13.280 --> 0:13:15.559
<v Speaker 1>So the deluxe album, how many more songs you put

0:13:15.600 --> 0:13:20.480
<v Speaker 1>out today? Thirteen? Why continue this? Yeah, I just was.

0:13:20.920 --> 0:13:23.720
<v Speaker 1>I never stopped writing in that world when I finished

0:13:23.720 --> 0:13:27.280
<v Speaker 1>the Flowershops album, just kept writing. I love the way

0:13:27.320 --> 0:13:29.440
<v Speaker 1>it sounds. I like, it was just fun writing those

0:13:29.440 --> 0:13:32.920
<v Speaker 1>songs and looked up six or seven months later and

0:13:32.960 --> 0:13:35.360
<v Speaker 1>had a bunch of them and instead of naming a

0:13:35.400 --> 0:13:38.160
<v Speaker 1>new album and doing a whole new thing with similar

0:13:38.160 --> 0:13:40.600
<v Speaker 1>sounding songs and storylines, yeah, I just wanted to do

0:13:40.600 --> 0:13:42.520
<v Speaker 1>a part two thing. I never find even money in

0:13:42.520 --> 0:13:44.400
<v Speaker 1>my pocket. This guy found like twelve new songs for

0:13:44.400 --> 0:13:46.720
<v Speaker 1>a whole album, like I never just find a five.

0:13:46.800 --> 0:13:48.599
<v Speaker 1>And you're like, well, I got twelve or thirteen, So

0:13:50.240 --> 0:13:52.880
<v Speaker 1>two dozen roses. The deluxe versions out today with Ernest

0:13:53.240 --> 0:13:54.959
<v Speaker 1>and I just want to give you some sample here

0:13:55.000 --> 0:13:56.679
<v Speaker 1>of what kind of songwriter he is. So you go

0:13:56.760 --> 0:13:58.160
<v Speaker 1>check this out, but he's written a lot of songs

0:13:58.160 --> 0:14:00.000
<v Speaker 1>that you would know and love, which, by the way,

0:14:00.320 --> 0:14:02.520
<v Speaker 1>Jelly Rolls Son of a Center, right, could you play that?

0:14:07.160 --> 0:14:11.680
<v Speaker 1>So Jelly Rolls, you guys are similar in that, you know,

0:14:11.800 --> 0:14:14.679
<v Speaker 1>Jelly roll is the hip hop artist too, but he's

0:14:14.760 --> 0:14:18.400
<v Speaker 1>for real deal country music. Same thing with you. I

0:14:18.440 --> 0:14:21.000
<v Speaker 1>mean you look at you, you're for sure a country yeah,

0:14:21.000 --> 0:14:25.080
<v Speaker 1>but you also can rap. Yeah yeah, Jelly Rolls, you

0:14:25.120 --> 0:14:26.440
<v Speaker 1>know he I looked up to him when I was

0:14:26.480 --> 0:14:29.720
<v Speaker 1>in high school as a rapper in Nashville, and the

0:14:29.760 --> 0:14:31.960
<v Speaker 1>fact that we've been able to go from where we

0:14:32.040 --> 0:14:35.480
<v Speaker 1>came from to having a song on country radio is

0:14:35.520 --> 0:14:38.600
<v Speaker 1>just it's the beauty and the magic in Nashville for sure.

0:14:38.800 --> 0:14:44.720
<v Speaker 1>One Mississippi from Kane Brown. I'm telling you he's so versatile.

0:14:45.040 --> 0:14:47.080
<v Speaker 1>What about you and Kane? This one here? Did you

0:14:47.120 --> 0:14:49.200
<v Speaker 1>get this to Kane or how did this work? Kane?

0:14:49.800 --> 0:14:52.080
<v Speaker 1>Kane had a session with Jesse Frazier and he brought

0:14:52.160 --> 0:14:55.840
<v Speaker 1>in Levan, a guy they just like messaged them, right, yeah, yeah, yeah.

0:14:56.000 --> 0:15:00.480
<v Speaker 1>It was Levan's first right in Nashville, and we wrote

0:15:00.480 --> 0:15:03.200
<v Speaker 1>One Mississippi and I told Lavon I think after that

0:15:03.280 --> 0:15:06.240
<v Speaker 1>day I was like, just know this never happened. You

0:15:06.240 --> 0:15:07.840
<v Speaker 1>don't just come to town to write a number one

0:15:07.840 --> 0:15:10.760
<v Speaker 1>song like that doesn't happen. Ernest is in studio. I

0:15:10.800 --> 0:15:13.680
<v Speaker 1>want to play what have I Got to Lose? Now?

0:15:14.120 --> 0:15:16.360
<v Speaker 1>And I picked? I like, did you pick that? Yeah?

0:15:16.360 --> 0:15:18.160
<v Speaker 1>I did? Thank you? Well, I don't know. I mean,

0:15:18.200 --> 0:15:19.720
<v Speaker 1>I don't I don't know why you would thank me,

0:15:19.760 --> 0:15:21.520
<v Speaker 1>because there something about this song you want to tell me.

0:15:21.840 --> 0:15:23.840
<v Speaker 1>I wrote it with Dean Dilon. It's featuring Dean Dillon

0:15:24.000 --> 0:15:25.560
<v Speaker 1>is super special to me. I love this song. You

0:15:25.600 --> 0:15:26.960
<v Speaker 1>didn't have to say that super fast. You could have

0:15:26.960 --> 0:15:31.720
<v Speaker 1>said it slow right, smoke a cigar and here here

0:15:31.920 --> 0:15:41.200
<v Speaker 1>is what have I got to lose? So when you

0:15:41.280 --> 0:15:44.400
<v Speaker 1>talk about Dean Dillon, So I watched Dean Dillon do

0:15:44.880 --> 0:15:47.720
<v Speaker 1>a songwriting session and he was talking about writing songs

0:15:47.760 --> 0:15:50.040
<v Speaker 1>for George Strait and it's gotta be so cool. This

0:15:50.120 --> 0:15:52.520
<v Speaker 1>is like when you say, wow, Dean Dillon, like you're

0:15:52.560 --> 0:15:54.200
<v Speaker 1>writing with a guy who wrote songs for George Straight

0:15:54.240 --> 0:15:56.280
<v Speaker 1>and Toby Keith and all the legends, right yeah. And

0:15:56.320 --> 0:15:58.520
<v Speaker 1>he was telling a story about how George Strait called

0:15:58.600 --> 0:16:03.400
<v Speaker 1>him and said, Dana needs some songs, and Dean Dylon.

0:16:03.440 --> 0:16:06.600
<v Speaker 1>You gotta think of like old western Dean Dalan's got

0:16:06.640 --> 0:16:10.040
<v Speaker 1>long hair, mustache, cowboy hat. I don't know, maybe seventy.

0:16:10.040 --> 0:16:11.720
<v Speaker 1>I don't know. Hold Dean Dylan, is you think he's seventy?

0:16:11.760 --> 0:16:16.520
<v Speaker 1>He's timeless? Okay, timeless, that's all. And Dean Dylan's like, well,

0:16:16.760 --> 0:16:18.960
<v Speaker 1>I got some songs. I got this song called the Chair,

0:16:19.640 --> 0:16:22.280
<v Speaker 1>I got this song. And George's like, just get out here.

0:16:22.320 --> 0:16:25.200
<v Speaker 1>And so Dean said, we're picked up, described her crap.

0:16:25.240 --> 0:16:26.800
<v Speaker 1>George said, where are you when you come back? He goes,

0:16:26.840 --> 0:16:28.200
<v Speaker 1>I ain't telling you where I am, and who knows

0:16:28.200 --> 0:16:29.840
<v Speaker 1>if I'll ever come back. Yeah, he said, but we

0:16:29.880 --> 0:16:32.520
<v Speaker 1>got our stuff. We drove out and he said George

0:16:32.560 --> 0:16:34.240
<v Speaker 1>needed some songs. He goes, you know, I didn't like

0:16:34.280 --> 0:16:36.880
<v Speaker 1>funny songs. I don't like funny songs, he said, but

0:16:36.920 --> 0:16:38.440
<v Speaker 1>this has made me a lot of money. And then

0:16:38.440 --> 0:16:43.560
<v Speaker 1>he goes into I got some motion property man. So

0:16:43.680 --> 0:16:46.800
<v Speaker 1>for you to write that, to write with him, that's awesome, dude. Yeah,

0:16:46.800 --> 0:16:49.480
<v Speaker 1>that was like a bucket list dream come true to

0:16:49.480 --> 0:16:50.920
<v Speaker 1>get to write with Dean. And so it was a

0:16:51.520 --> 0:16:53.160
<v Speaker 1>shot in the dark to see if he wanted to

0:16:53.160 --> 0:16:55.840
<v Speaker 1>feature on it. Just because I couldn't stop listening to

0:16:55.880 --> 0:16:58.440
<v Speaker 1>the voice note from that day of Dean just picking

0:16:58.520 --> 0:17:01.440
<v Speaker 1>through it. So yeah, I like, would you please sing

0:17:01.480 --> 0:17:03.440
<v Speaker 1>this second verse? And he was honored too, and we've

0:17:03.440 --> 0:17:05.680
<v Speaker 1>become kind of good budds through that, Isn't that What's

0:17:05.680 --> 0:17:09.439
<v Speaker 1>crazy about this world is you have relationships with people

0:17:09.480 --> 0:17:13.160
<v Speaker 1>that you almost get giddy talking about that you even

0:17:13.200 --> 0:17:15.679
<v Speaker 1>know them. Yeah, that's how I mean, Dean Dillon, I

0:17:15.760 --> 0:17:17.679
<v Speaker 1>just went into a story. I just get so excited

0:17:17.720 --> 0:17:20.080
<v Speaker 1>talking about that part of country music. Yeah, like the

0:17:20.240 --> 0:17:23.520
<v Speaker 1>old school that. Yeah, the stuff that I cut my

0:17:23.560 --> 0:17:25.879
<v Speaker 1>teeth on before I even knew who Dean Dylan was.

0:17:26.640 --> 0:17:30.040
<v Speaker 1>So it was kind of like getting star struck all

0:17:30.080 --> 0:17:31.960
<v Speaker 1>over again. And then sitting in there and listening to

0:17:32.000 --> 0:17:35.560
<v Speaker 1>his voice on it. You hear how influential he was

0:17:36.320 --> 0:17:40.600
<v Speaker 1>on George Strait's career vocally, And guys that are cutting

0:17:40.600 --> 0:17:42.480
<v Speaker 1>a Dean Dylan song want to sing it like Dean,

0:17:42.800 --> 0:17:45.880
<v Speaker 1>which is like the ultimate respect as a songwriter because

0:17:45.880 --> 0:17:48.280
<v Speaker 1>they want to do the song it's most justice. Well,

0:17:48.320 --> 0:17:50.600
<v Speaker 1>he doesn't do funny songs, but he don't made a

0:17:50.600 --> 0:17:53.600
<v Speaker 1>whole lot of money on that. Yeah, Okay, Ernest is

0:17:53.640 --> 0:17:55.080
<v Speaker 1>here We're gonna come back with him in a second

0:17:55.400 --> 0:17:58.720
<v Speaker 1>two dozen Roses. The Deluxe version is out today, track

0:17:58.800 --> 0:18:01.159
<v Speaker 1>twelve through twenty four. Or just if you didn't you

0:18:01.200 --> 0:18:02.960
<v Speaker 1>haven't checked out the record already, should check it out

0:18:02.960 --> 0:18:04.920
<v Speaker 1>because I want to play flower shops here. But then

0:18:04.920 --> 0:18:07.080
<v Speaker 1>there are twelve new songs. I think the math's riding

0:18:07.160 --> 0:18:10.040
<v Speaker 1>that twelve thirteen new songs. Yeah, like I said, I

0:18:10.040 --> 0:18:14.600
<v Speaker 1>think you have chickens at your house, I do, Thank

0:18:14.640 --> 0:18:18.840
<v Speaker 1>you Delaney. She has eight chickens, eight and always had chickens.

0:18:18.880 --> 0:18:20.919
<v Speaker 1>This is a new thing. She had chickens when she

0:18:21.040 --> 0:18:24.520
<v Speaker 1>was a kid. Her mom had chickens, but um, you know,

0:18:24.520 --> 0:18:26.639
<v Speaker 1>we had the garden going and the garden was popping,

0:18:27.280 --> 0:18:30.240
<v Speaker 1>and she was like, I think I want chickens. Is

0:18:30.280 --> 0:18:34.000
<v Speaker 1>there an egg like um overload at your house. There's

0:18:34.040 --> 0:18:36.480
<v Speaker 1>about to be we have we have a lot of eggs,

0:18:36.520 --> 0:18:38.560
<v Speaker 1>like we'd probably get eight a week now, but only

0:18:38.600 --> 0:18:41.680
<v Speaker 1>one chickens laying. So it's about to be We're about

0:18:41.720 --> 0:18:43.639
<v Speaker 1>to be the neighborhood plugs. Well know what it's like

0:18:43.680 --> 0:18:45.720
<v Speaker 1>to have a bunch of chickens around. Growing up in Arkansas.

0:18:45.760 --> 0:18:47.520
<v Speaker 1>When you have chickens, there's two there's just so many

0:18:47.520 --> 0:18:50.040
<v Speaker 1>eggs are begging people to take eggs, yes constantly, Yeah

0:18:50.080 --> 0:18:51.879
<v Speaker 1>you want some eggs, Hey you want some eggs? How

0:18:51.880 --> 0:18:53.840
<v Speaker 1>about you need eggs? Yeah? So I never met you?

0:18:54.040 --> 0:18:58.840
<v Speaker 1>So yeah, So you've been married for how long? Five

0:18:59.440 --> 0:19:02.920
<v Speaker 1>five years? And your child is named after a very

0:19:02.920 --> 0:19:06.639
<v Speaker 1>famous country music landmark here in town, the Ryman Auditorium, Right,

0:19:06.680 --> 0:19:10.359
<v Speaker 1>young Ryman. Whenever you guys were discussing the name, whose

0:19:10.400 --> 0:19:13.600
<v Speaker 1>idea was it and was there any pushed back at all? Um?

0:19:14.640 --> 0:19:17.640
<v Speaker 1>Not really. My last name is Smith, so we had

0:19:17.680 --> 0:19:20.000
<v Speaker 1>to get interesting on the first first half of it,

0:19:20.720 --> 0:19:22.760
<v Speaker 1>and her last name being Royer, we were playing with

0:19:22.800 --> 0:19:28.000
<v Speaker 1>different r names and Ryman a it's a great place.

0:19:28.040 --> 0:19:30.000
<v Speaker 1>But I just think it's a Nashville staple and it

0:19:30.080 --> 0:19:33.840
<v Speaker 1>speaks well and it has a holiness to it. So

0:19:33.920 --> 0:19:36.360
<v Speaker 1>his full name is Ryman, Saint Smith. If you ever

0:19:36.400 --> 0:19:39.000
<v Speaker 1>wanted to do this, he could just be Ryman's Saint. So,

0:19:39.200 --> 0:19:41.320
<v Speaker 1>I don't know Ryman Ryman. Just as soon as we

0:19:41.359 --> 0:19:43.560
<v Speaker 1>said it out loud, it was like, that's cool. Yeah,

0:19:43.760 --> 0:19:46.960
<v Speaker 1>it is cool. I just wonder if there was ever like,

0:19:47.000 --> 0:19:49.080
<v Speaker 1>I don't know man, should we call him Rhyman? Should

0:19:49.080 --> 0:19:52.439
<v Speaker 1>call him Oprey, Oprey. He's a good dog. Name that

0:19:52.560 --> 0:19:55.639
<v Speaker 1>is Ernest is in studio with us. He's got a

0:19:55.640 --> 0:19:58.800
<v Speaker 1>new record that's out today. Though, before we get to

0:19:58.800 --> 0:20:01.240
<v Speaker 1>a new song, just some other songs, because Ernest has

0:20:01.240 --> 0:20:03.280
<v Speaker 1>written so many number ones for way other for a

0:20:03.280 --> 0:20:05.600
<v Speaker 1>bunch of people too. Breaking up was easy in the

0:20:05.680 --> 0:20:13.760
<v Speaker 1>nineties from Sam Hunt. A lot of people say Sam

0:20:14.560 --> 0:20:16.720
<v Speaker 1>Is when he writes, is so particular and it takes

0:20:16.760 --> 0:20:20.480
<v Speaker 1>him a long time because he is a perfectionist. What

0:20:20.600 --> 0:20:24.760
<v Speaker 1>can you lend to that. I've had both experiences with Sam.

0:20:24.880 --> 0:20:28.239
<v Speaker 1>I've had days where me and Charlie Handsome in him

0:20:28.280 --> 0:20:31.000
<v Speaker 1>went in for maybe six months and just every few

0:20:31.040 --> 0:20:33.080
<v Speaker 1>days he'd show up by Big Loud and we'd write.

0:20:33.440 --> 0:20:35.760
<v Speaker 1>And a bunch of those ideas were just verse chorus

0:20:35.800 --> 0:20:38.919
<v Speaker 1>ideas that never got finished or that maybe will one day.

0:20:39.200 --> 0:20:42.960
<v Speaker 1>And then for this song, we had a cabin in

0:20:43.080 --> 0:20:45.920
<v Speaker 1>Franklin and we wrote it like a classic two and

0:20:45.960 --> 0:20:48.480
<v Speaker 1>a half hour. Sam had the Sam had the idea

0:20:48.640 --> 0:20:51.679
<v Speaker 1>jotted in his journal. He's a pen writer and he

0:20:51.720 --> 0:20:53.359
<v Speaker 1>had Breaking up was easy in the nineties and like

0:20:53.640 --> 0:20:55.840
<v Speaker 1>some melody started pouring out. We straight up just sat

0:20:55.840 --> 0:20:57.399
<v Speaker 1>and wrote the song. And had a demo by the

0:20:57.480 --> 0:20:58.879
<v Speaker 1>end of the day. So what's it like to have

0:20:58.880 --> 0:21:02.280
<v Speaker 1>a melody pour out? If a melody's coming to me easily,

0:21:02.640 --> 0:21:05.240
<v Speaker 1>it's like a puzzle. I can kind of feel where

0:21:05.280 --> 0:21:08.120
<v Speaker 1>it's all going. So you'll, let's say where we're gonna

0:21:08.280 --> 0:21:11.119
<v Speaker 1>just bear with me for a second, like our audience

0:21:11.160 --> 0:21:12.639
<v Speaker 1>to kind of feel a bit of what it's like

0:21:12.680 --> 0:21:15.240
<v Speaker 1>to write a song. Okay, So you and I it's

0:21:15.320 --> 0:21:17.399
<v Speaker 1>ten am. We've decided we're gonna write today. We've kind

0:21:17.440 --> 0:21:19.760
<v Speaker 1>of set aside ten to three, Yeah, to write. That's

0:21:19.800 --> 0:21:23.600
<v Speaker 1>that seems to kind of ten o'clock. And I come

0:21:23.600 --> 0:21:25.640
<v Speaker 1>in and I've got like six ideas. I'm excited because

0:21:25.640 --> 0:21:28.280
<v Speaker 1>I get to write with Ernest Hey, multi hitmaker. Not

0:21:28.320 --> 0:21:30.200
<v Speaker 1>only that he's got two dozen rows of that deluxe

0:21:30.240 --> 0:21:32.080
<v Speaker 1>versions out today. I haven't say that in the writing

0:21:32.119 --> 0:21:34.879
<v Speaker 1>session to get I'm like, hey man, great job. So

0:21:34.920 --> 0:21:38.280
<v Speaker 1>I pull out my notes here and um, for example,

0:21:38.400 --> 0:21:41.160
<v Speaker 1>there's a song that I have an idea for where

0:21:41.160 --> 0:21:43.359
<v Speaker 1>I got trapped into Sephora. It's called a Loan in

0:21:43.400 --> 0:21:45.680
<v Speaker 1>Sephora where I got law. I think Keith Urban texts

0:21:45.720 --> 0:21:48.639
<v Speaker 1>me that, um, I saw his wife Nicole come in

0:21:48.680 --> 0:21:51.639
<v Speaker 1>there and he said she saw you alone in Sephora

0:21:51.720 --> 0:21:54.240
<v Speaker 1>and I was like, well, that's that's there's the time embarrassing.

0:21:54.240 --> 0:21:56.399
<v Speaker 1>So I wrote that down, so let's we were to

0:21:56.400 --> 0:21:57.639
<v Speaker 1>say it was serious. And I was like, okay, I

0:21:57.960 --> 0:21:59.399
<v Speaker 1>have this idea called a loan and Sephora, and I

0:21:59.400 --> 0:22:03.280
<v Speaker 1>really want to cap sure that I shouldn't be there.

0:22:03.359 --> 0:22:07.760
<v Speaker 1>And it feels kind of awkward. Okay, the smells aren't

0:22:07.760 --> 0:22:10.119
<v Speaker 1>really what I'm accustomed to, and everybody's looking at me

0:22:10.720 --> 0:22:13.240
<v Speaker 1>like why are you. I wasn't buying anything I don't

0:22:13.280 --> 0:22:16.520
<v Speaker 1>do with my hands, right, I ain't even there for you,

0:22:16.840 --> 0:22:20.159
<v Speaker 1>just alone and Sephora. So I say, now we're on

0:22:20.240 --> 0:22:25.119
<v Speaker 1>something smells kind of funny. I feel kind of weird

0:22:25.520 --> 0:22:29.119
<v Speaker 1>all of this makeup, and I'm growing a beard boom

0:22:31.320 --> 0:22:35.440
<v Speaker 1>dang somewhere and some more with no plan at all,

0:22:35.960 --> 0:22:41.120
<v Speaker 1>and I ain't even here for you. I'm just aloning Sephorah.

0:22:41.600 --> 0:22:47.439
<v Speaker 1>I mean, so that's that's how I write. That's a melody,

0:22:47.560 --> 0:22:50.520
<v Speaker 1>and then you collect the check and that's it. Dang.

0:22:51.560 --> 0:22:53.919
<v Speaker 1>I love my country one that he wrote with Floria

0:22:53.920 --> 0:22:59.359
<v Speaker 1>Georgia line here you go with Morgan Wallam more than

0:22:59.400 --> 0:23:03.680
<v Speaker 1>my hometown. How many songs you think you Morgan Walla,

0:23:04.640 --> 0:23:06.760
<v Speaker 1>just guess rough number, not gonna hold you to it

0:23:07.080 --> 0:23:10.800
<v Speaker 1>more than twenty, Yeah, I'd say like seventy. How many

0:23:10.840 --> 0:23:15.040
<v Speaker 1>are good? Realistically there's probably a good idea and fifty

0:23:15.080 --> 0:23:18.320
<v Speaker 1>of them, And how many are great? I think ninety

0:23:18.359 --> 0:23:20.159
<v Speaker 1>eight percent of the songs that he's cut that we

0:23:20.200 --> 0:23:24.680
<v Speaker 1>wrote are great songs. What about him? And you vibe

0:23:24.720 --> 0:23:28.640
<v Speaker 1>so well when you write? We both kind of do

0:23:28.720 --> 0:23:30.680
<v Speaker 1>the same thing, like I just did, Like we're both

0:23:30.880 --> 0:23:34.040
<v Speaker 1>down to pivot so fast. If another idea pops up

0:23:34.040 --> 0:23:36.960
<v Speaker 1>in the middle of the first one, and it just

0:23:37.119 --> 0:23:39.080
<v Speaker 1>never it never feels like a writing session. We're just

0:23:39.160 --> 0:23:42.359
<v Speaker 1>kicking it and music's happening. Ernest is here, Flower Shops

0:23:42.359 --> 0:23:45.120
<v Speaker 1>two dozen Roses, a deluxe version out today, new songs

0:23:45.160 --> 0:23:47.320
<v Speaker 1>that come out the second half of the original album.

0:23:47.600 --> 0:23:50.200
<v Speaker 1>Pick a song here that you'd like to tell me about,

0:23:50.240 --> 0:23:52.400
<v Speaker 1>because obviously I have them all and I have my thoughts.

0:23:52.440 --> 0:23:54.040
<v Speaker 1>At last break, I talked about one of mine. What

0:23:54.080 --> 0:23:57.280
<v Speaker 1>do you want to talk about here? I chose this Fire.

0:23:57.800 --> 0:24:01.520
<v Speaker 1>It's the first song on the deluxe And like, but

0:24:01.600 --> 0:24:04.119
<v Speaker 1>you mean like track twelve or thirteen? Yeah, right, and

0:24:04.240 --> 0:24:06.399
<v Speaker 1>on the vinyl it will be the beginning of the

0:24:06.480 --> 0:24:10.240
<v Speaker 1>B sides. So wrote this with Julian Bonetta, Rocky Block,

0:24:10.320 --> 0:24:13.159
<v Speaker 1>John Ryan, and we didn't know what we were going

0:24:13.240 --> 0:24:17.199
<v Speaker 1>to write. But there's this thing called AI and Julian

0:24:17.320 --> 0:24:20.040
<v Speaker 1>was like, let's just put in country song titles on

0:24:20.119 --> 0:24:22.880
<v Speaker 1>AI and there was a list of like twenty songs

0:24:23.400 --> 0:24:25.560
<v Speaker 1>and this fire was like the second one, so I

0:24:25.600 --> 0:24:28.440
<v Speaker 1>was like cool, So we just started playing around. Um,

0:24:28.680 --> 0:24:30.879
<v Speaker 1>Illegal Smile was a song I've been listening to a

0:24:30.880 --> 0:24:33.840
<v Speaker 1>good bit mister John Pryn and it's kind of got

0:24:33.840 --> 0:24:38.360
<v Speaker 1>a cool tempo change or field change. So we kind

0:24:38.359 --> 0:24:40.960
<v Speaker 1>of ran with it and and it sets the scenery

0:24:41.040 --> 0:24:43.520
<v Speaker 1>for the rest of the thirteen songs or whatever it is.

0:24:43.600 --> 0:24:50.919
<v Speaker 1>Here is this fire from Ernest. It's good man, thank you,

0:24:51.080 --> 0:24:53.160
<v Speaker 1>that's good who because you used to be the guy

0:24:53.200 --> 0:24:55.800
<v Speaker 1>that people were like, next one up, big town. Now

0:24:55.840 --> 0:24:57.800
<v Speaker 1>you're here, You've written a bunch of songs, you're doing

0:24:57.800 --> 0:24:59.840
<v Speaker 1>it as an artist. But who do you see now

0:25:00.000 --> 0:25:02.399
<v Speaker 1>where you're like, man, just wait, like that's about to

0:25:02.440 --> 0:25:07.359
<v Speaker 1>be something. Man, there's a The market's awesome right now

0:25:07.359 --> 0:25:10.160
<v Speaker 1>because there's a lot of there's a lot of cool artists. Um,

0:25:10.280 --> 0:25:13.560
<v Speaker 1>I'm excited for this kid, Cody Lowden. I actually just

0:25:13.600 --> 0:25:16.480
<v Speaker 1>signed him over it Earns Cadillac. But he's a great

0:25:16.520 --> 0:25:19.639
<v Speaker 1>writer and great singer. Um. I think Connor Smith is

0:25:19.640 --> 0:25:21.320
<v Speaker 1>going to have him a good moment and he's already

0:25:21.320 --> 0:25:24.800
<v Speaker 1>having it. Um. But he's just talented kid. The power

0:25:24.840 --> 0:25:28.000
<v Speaker 1>of the songwriter, the songwriter artist is back, which I

0:25:28.080 --> 0:25:30.560
<v Speaker 1>love because people are gonna be telling their own stories.

0:25:31.000 --> 0:25:33.520
<v Speaker 1>So we'll see there's more people popping up all the time.

0:25:33.880 --> 0:25:36.040
<v Speaker 1>I think Meg Maroney's having a moment, good for her.

0:25:36.080 --> 0:25:39.680
<v Speaker 1>Two things that are back won the songwriter. Two the vest.

0:25:39.920 --> 0:25:43.400
<v Speaker 1>The vest is back, baby, Yeah, the vest is back. Good.

0:25:43.560 --> 0:25:46.560
<v Speaker 1>I never have the confidence to wear a vest, and

0:25:46.560 --> 0:25:48.040
<v Speaker 1>here you are a full leather vest with like a

0:25:48.080 --> 0:25:51.760
<v Speaker 1>Pontiac logo. What's that logo? It's a Cadillac. Oh is

0:25:51.760 --> 0:25:53.520
<v Speaker 1>that what your car is? Or you had that made

0:25:53.520 --> 0:25:55.600
<v Speaker 1>about your car? Yeah? I had it made about my car.

0:25:56.560 --> 0:25:59.320
<v Speaker 1>I just got a pair of pants that match. What's

0:25:59.320 --> 0:26:02.200
<v Speaker 1>it cost to get invest like that made? Seriously? Oh,

0:26:02.320 --> 0:26:05.119
<v Speaker 1>like some of a number one check? It was like

0:26:05.640 --> 0:26:07.479
<v Speaker 1>two hundred bucks? Yeah, it was probably I think it

0:26:07.520 --> 0:26:09.920
<v Speaker 1>was like what was like seven hundred fifty bucks or something.

0:26:10.040 --> 0:26:12.359
<v Speaker 1>So that's like a gift. That's like I did it. Yeah,

0:26:12.359 --> 0:26:14.600
<v Speaker 1>this was a gift to myself. And the pants have

0:26:14.720 --> 0:26:16.879
<v Speaker 1>flames and a big chrome wheel on them too. I

0:26:16.880 --> 0:26:20.080
<v Speaker 1>didn't have that much confidence. It's like leather. I didn't

0:26:20.080 --> 0:26:22.880
<v Speaker 1>have that much confidence. That's my veigas outfit. I'm into

0:26:22.920 --> 0:26:25.000
<v Speaker 1>it because it's like you're just like this, let's go,

0:26:25.119 --> 0:26:27.080
<v Speaker 1>here we go. And you had this Bobby's idle hour.

0:26:27.400 --> 0:26:30.040
<v Speaker 1>I feel like that's an homage, yes, or an accident

0:26:30.240 --> 0:26:34.640
<v Speaker 1>to me, Yeah, both wanted accidental homage. Well, look, man,

0:26:34.760 --> 0:26:36.960
<v Speaker 1>you know I'm a big fan. Um, I've been over

0:26:37.040 --> 0:26:38.800
<v Speaker 1>on your podcast, you've been over to my house. I

0:26:38.840 --> 0:26:42.600
<v Speaker 1>just I think I love how you do it. Thank you, congratulations.

0:26:42.680 --> 0:26:45.600
<v Speaker 1>Keep on writing the great songs and also singing them,

0:26:45.600 --> 0:26:47.680
<v Speaker 1>so you guys check it out. Flower Shops the album

0:26:48.080 --> 0:26:49.920
<v Speaker 1>that has been out, but now it's even longer. It's

0:26:49.960 --> 0:26:52.080
<v Speaker 1>basically it's put on Weight. It has put on weight.

0:26:52.160 --> 0:26:53.920
<v Speaker 1>It's the album. It's just put on I've lost some

0:26:53.960 --> 0:26:57.400
<v Speaker 1>weight and the album put on weight. Yes weight, Yeah,

0:26:57.440 --> 0:27:00.399
<v Speaker 1>that's where it went. There are thirteen more original songs

0:27:00.400 --> 0:27:02.359
<v Speaker 1>over there, so and Ernest is a co writer on

0:27:02.359 --> 0:27:04.040
<v Speaker 1>all the songs because dang it, why would he not

0:27:04.080 --> 0:27:06.760
<v Speaker 1>be Yeah, because the guy writes songs. He's also out.

0:27:06.920 --> 0:27:08.760
<v Speaker 1>He'll be on Morgan Wallins One Night at a Time

0:27:08.760 --> 0:27:11.480
<v Speaker 1>world Tour. It's him. Bailey Zimmerman. That's another guy that's

0:27:11.520 --> 0:27:14.800
<v Speaker 1>like popping. Just yeah, it wouldn't have been fair to

0:27:14.880 --> 0:27:16.840
<v Speaker 1>use him as an example of somebody that will be

0:27:16.880 --> 0:27:19.720
<v Speaker 1>coming up. He has, he done came up. But like

0:27:20.440 --> 0:27:23.160
<v Speaker 1>his story is so crazy. He does he didn't sing, Yeah,

0:27:23.200 --> 0:27:24.879
<v Speaker 1>he just singing at a basketball court. And then but

0:27:24.880 --> 0:27:26.959
<v Speaker 1>at one time to one video on TikTok, Yeah, and

0:27:26.960 --> 0:27:28.760
<v Speaker 1>he's like, oh, I guess I can sing. That's man.

0:27:28.800 --> 0:27:32.440
<v Speaker 1>The crazy thing. TikTok will shoot some people up through

0:27:32.440 --> 0:27:34.919
<v Speaker 1>the stratosphere that never had any business being there. And

0:27:34.960 --> 0:27:38.800
<v Speaker 1>then it can also used to do Yeah, it's the opposite.

0:27:38.880 --> 0:27:40.919
<v Speaker 1>It stuck me down into the depths of it can

0:27:40.960 --> 0:27:45.080
<v Speaker 1>do that too, both Chinese. Basically China owns it and

0:27:45.080 --> 0:27:47.800
<v Speaker 1>they're operating our world. Now there you are, Yeah, you're

0:27:47.800 --> 0:27:50.439
<v Speaker 1>responsible for the balloon. I am not this one the

0:27:50.480 --> 0:27:52.760
<v Speaker 1>last one yet. Okay, there he is, Ernest, and I'll

0:27:52.800 --> 0:27:54.320
<v Speaker 1>be putting out the song that I wrote by myself

0:27:54.359 --> 0:27:58.840
<v Speaker 1>alone and Sephora with no penalties or lawsuits soon. All right,

0:27:59.000 --> 0:28:04.200
<v Speaker 1>get the record there, he is honest, everybody. It's the

0:28:04.240 --> 0:28:08.720
<v Speaker 1>best bits of the week with Morgan. Number two, a

0:28:08.920 --> 0:28:11.600
<v Speaker 1>listener called into the show and wanted to know what

0:28:11.680 --> 0:28:15.159
<v Speaker 1>animated characters do the show most look alike after she

0:28:15.240 --> 0:28:17.600
<v Speaker 1>watched the show and thought Bobby looked like this very

0:28:17.640 --> 0:28:21.199
<v Speaker 1>specific animated character. So Mikey did some comparisons and he

0:28:21.240 --> 0:28:24.119
<v Speaker 1>came up with some things that are party spot on

0:28:24.160 --> 0:28:26.760
<v Speaker 1>for some people and interesting for others, but definitely check

0:28:26.760 --> 0:28:29.000
<v Speaker 1>it out. And I'm still very honored that one of

0:28:29.040 --> 0:28:31.280
<v Speaker 1>our listeners on the Facebook page said, I looked like

0:28:31.359 --> 0:28:35.120
<v Speaker 1>the Lizzie McGuire cartoon. Not Lizzie McGuire from the TV show,

0:28:35.119 --> 0:28:37.080
<v Speaker 1>but if you watch that TV show, she had her

0:28:37.080 --> 0:28:39.560
<v Speaker 1>own little animated cartoon character that came in and out

0:28:39.600 --> 0:28:42.560
<v Speaker 1>of different episodes, and that is apparently who I look like.

0:28:42.600 --> 0:28:44.080
<v Speaker 1>And you know what, I'll take it all day long.

0:28:44.120 --> 0:28:48.080
<v Speaker 1>I love that comparison. Number four a voicemail from Jessica

0:28:48.120 --> 0:28:52.240
<v Speaker 1>and San Diego. I was recently watching a movie with

0:28:52.280 --> 0:28:55.320
<v Speaker 1>my kids at Lampos. I feel like the main character,

0:28:55.680 --> 0:28:58.920
<v Speaker 1>Milosach looks so much like Bobby and has some of

0:28:59.000 --> 0:29:02.440
<v Speaker 1>his mannerism too. So if you had to assign each

0:29:02.440 --> 0:29:05.560
<v Speaker 1>other cartoon characters and you have to come up with

0:29:05.720 --> 0:29:10.120
<v Speaker 1>something different than Doug Funny for Lunchbox, who would everyone be?

0:29:10.960 --> 0:29:13.120
<v Speaker 1>Mike did this last night here? So who Mike depicted

0:29:13.720 --> 0:29:18.560
<v Speaker 1>for me? Steve Smith for American Dad, the Kid the Son. Yeah, okay, yeah,

0:29:18.880 --> 0:29:22.840
<v Speaker 1>looks just like you. Amy would be Sleeping Beauty. Well,

0:29:22.840 --> 0:29:28.480
<v Speaker 1>that's pretty that's nice. I get Eddie gets Speedy Gonzalez,

0:29:28.520 --> 0:29:34.960
<v Speaker 1>that's messed up. Lunchbox gets Pigpen from Charlie. Charlie Brown,

0:29:35.040 --> 0:29:37.200
<v Speaker 1>the dirty kid. He does look like pig pen, you do.

0:29:37.360 --> 0:29:39.240
<v Speaker 1>That's rude. I don't even know who that is. He's

0:29:39.240 --> 0:29:42.920
<v Speaker 1>got the cloud of dust falling. Raymundo got Mighty Mouse.

0:29:44.960 --> 0:29:49.920
<v Speaker 1>That's funny, and Scuba. Steve got Mister Clean, the cleaning guy,

0:29:49.920 --> 0:29:53.680
<v Speaker 1>but with a beard. Yeah that is okay, Well, that's

0:29:53.800 --> 0:29:58.600
<v Speaker 1>that's that. That's pretty good. I mean the Gonzalez, Hey,

0:29:58.640 --> 0:30:01.600
<v Speaker 1>I didn't do it. I thought Mighty Mouse a little

0:30:01.640 --> 0:30:09.320
<v Speaker 1>more cocoa man. That's me Animations. It's the best bits

0:30:09.360 --> 0:30:14.720
<v Speaker 1>of the week with Morgan number two in the world

0:30:14.720 --> 0:30:18.840
<v Speaker 1>of Lunchbox. He also went to some bathrooms, public bathrooms,

0:30:18.840 --> 0:30:21.000
<v Speaker 1>I should say, not his personal ones at home or

0:30:21.040 --> 0:30:23.520
<v Speaker 1>not at work. He went to some public bathrooms and

0:30:23.640 --> 0:30:27.080
<v Speaker 1>made some confessions while strangers were sitting in the other stalls,

0:30:27.120 --> 0:30:29.080
<v Speaker 1>and he talked a lot about a lot of things.

0:30:29.120 --> 0:30:30.400
<v Speaker 1>Some of it may be true. I don't know. We

0:30:30.400 --> 0:30:33.520
<v Speaker 1>don't actually know where these confessions come from, whether he

0:30:33.560 --> 0:30:35.600
<v Speaker 1>makes them up, whether they're true in his life, who knows.

0:30:35.960 --> 0:30:38.120
<v Speaker 1>But he made some confessions to strangers. And it got

0:30:38.160 --> 0:30:40.400
<v Speaker 1>awkward because you're sitting in a bathroom toilet and somebody's

0:30:40.400 --> 0:30:42.880
<v Speaker 1>talking to you on the other stall. Definitely weird, but

0:30:42.960 --> 0:30:46.240
<v Speaker 1>it happened. Number three, lunchbox, Explain what you're doing here.

0:30:46.600 --> 0:30:49.200
<v Speaker 1>I go into a bathroom and I sit in the stall,

0:30:49.240 --> 0:30:50.680
<v Speaker 1>and then I wait for people to sit in the

0:30:50.680 --> 0:30:52.960
<v Speaker 1>stall next to me on either side, and then I

0:30:53.040 --> 0:30:56.920
<v Speaker 1>knock on the stall and start talking to him. It's

0:30:56.920 --> 0:31:00.560
<v Speaker 1>so awkward. I love it. I have secondary aker. Yeah,

0:31:00.560 --> 0:31:03.160
<v Speaker 1>it's like I confess things. I asked for opinions, I

0:31:03.160 --> 0:31:05.720
<v Speaker 1>asked for advice. It's really just, you know, it's more

0:31:05.760 --> 0:31:09.600
<v Speaker 1>like confessional. Like you go to the church your Catholic Yeah, yeah,

0:31:09.680 --> 0:31:11.640
<v Speaker 1>you can't see the person, so you just talk to

0:31:11.640 --> 0:31:14.600
<v Speaker 1>her about life the person, Yeah, the priest. So Lunchblox

0:31:14.640 --> 0:31:16.880
<v Speaker 1>does bathroom confessions. This is the Las Vegas. You don't

0:31:16.920 --> 0:31:19.000
<v Speaker 1>know what they're gonna say. While he was in Vegas,

0:31:19.080 --> 0:31:20.960
<v Speaker 1>he went into a public restroom, sat in stall and

0:31:21.000 --> 0:31:25.760
<v Speaker 1>just knocked, hoping he'd get a response. Here is confession

0:31:25.840 --> 0:31:30.960
<v Speaker 1>number one, Stall three, when I've install four question for

0:31:31.120 --> 0:31:35.440
<v Speaker 1>you that so like, I've been wearing my wife's underwear

0:31:35.480 --> 0:31:38.560
<v Speaker 1>for like a month and it's like really comfortable. But

0:31:38.560 --> 0:31:40.680
<v Speaker 1>she keeps she doesn't know, and she's always like, man,

0:31:40.720 --> 0:31:44.560
<v Speaker 1>I can't find my underwear, And I'm like, should I

0:31:44.560 --> 0:31:49.640
<v Speaker 1>tell her if she's gonna find that weird? What's that? Well?

0:31:49.680 --> 0:31:51.240
<v Speaker 1>I mean I want you know what I mean, Like

0:31:51.240 --> 0:31:52.960
<v Speaker 1>I wear a different pair and then I wash it,

0:31:53.040 --> 0:31:55.880
<v Speaker 1>and you know, she's like, oh I found it. Yeah.

0:31:55.960 --> 0:32:00.400
<v Speaker 1>Do you think that's weird? It's an unusual. Do you

0:32:00.440 --> 0:32:02.720
<v Speaker 1>ever wear your wife's underwear? Do you want me to

0:32:02.760 --> 0:32:04.440
<v Speaker 1>slide you a pair of my wife's under the stall?

0:32:05.760 --> 0:32:08.880
<v Speaker 1>Are you sure you can try it on? You? Leaving?

0:32:09.560 --> 0:32:12.280
<v Speaker 1>I have a great one. Man. I hope I didn't

0:32:12.320 --> 0:32:17.760
<v Speaker 1>make an awkward Yeah, all right, cool man probably made

0:32:17.760 --> 0:32:21.080
<v Speaker 1>that would cut it on early it wasn't done. Yep.

0:32:21.560 --> 0:32:23.240
<v Speaker 1>I want to want to talk to anybody in there.

0:32:24.120 --> 0:32:27.680
<v Speaker 1>All right, here's this one is fringey two. Because he

0:32:27.720 --> 0:32:30.680
<v Speaker 1>asked for help. I go ahead, Stall four? What's up it?

0:32:30.760 --> 0:32:35.160
<v Speaker 1>Stall five? Oh man, my shoe came on time. I

0:32:35.160 --> 0:32:36.640
<v Speaker 1>was worried if I slided or if you can tie

0:32:36.640 --> 0:32:40.240
<v Speaker 1>it for me. I'm busy wiping. Oh no, just tie

0:32:40.280 --> 0:32:44.440
<v Speaker 1>it real quick. I'm sorry. I mean, I'm just I'm

0:32:44.480 --> 0:32:48.080
<v Speaker 1>in the middle wiping and I can't. I'm just seeing

0:32:48.080 --> 0:32:49.480
<v Speaker 1>if you could help me. I didn't want to make

0:32:49.520 --> 0:32:54.160
<v Speaker 1>it awkward. I'm sorry. Are you leaving? Yeah? Are you

0:32:54.200 --> 0:33:00.240
<v Speaker 1>gonna tie my shoe? No? Oh? Are you sure? Are

0:33:00.240 --> 0:33:06.640
<v Speaker 1>you still there? Four? I mean he's gonna beat up, Yes,

0:33:06.680 --> 0:33:09.840
<v Speaker 1>he is. One of these days you're gonna walk out

0:33:09.880 --> 0:33:14.920
<v Speaker 1>and just get I mean, what was that? Not funny? Shoe?

0:33:14.960 --> 0:33:16.600
<v Speaker 1>People put their foot under the stalls some time to

0:33:16.600 --> 0:33:21.640
<v Speaker 1>hook up, right, Yes, I'm not slid my shoe. That's

0:33:21.680 --> 0:33:24.360
<v Speaker 1>the move, right, yeah, yeah, I don't know remember that one? Yeah?

0:33:24.400 --> 0:33:26.640
<v Speaker 1>Yeah the congressman. Yeah, well that's the move. If you

0:33:26.720 --> 0:33:28.080
<v Speaker 1>if you're in a stall and you slide your foot

0:33:28.120 --> 0:33:29.880
<v Speaker 1>under and you're like wiggle it, that means if they

0:33:29.920 --> 0:33:33.760
<v Speaker 1>wiggle back rendezvous, it's time to go. Yeah, but this

0:33:33.840 --> 0:33:36.360
<v Speaker 1>I was asking for a shoe tie, and that means

0:33:36.400 --> 0:33:39.400
<v Speaker 1>you might think you whatever I mean, he was upping

0:33:39.480 --> 0:33:43.240
<v Speaker 1>out bathroom confession. Thank you, lunchbox, You're welcome. Crune meter

0:33:43.920 --> 0:33:47.400
<v Speaker 1>seven and a half. Seven and a half. It's the

0:33:47.440 --> 0:33:52.040
<v Speaker 1>best bits of the week with Morgan. Number two, we

0:33:52.160 --> 0:33:54.960
<v Speaker 1>heard all about Bobby's time in Pebble Beach for the

0:33:55.000 --> 0:33:58.760
<v Speaker 1>golf tournament. Not only did he meet some crazy celebrities

0:33:58.760 --> 0:34:01.960
<v Speaker 1>and have a great time, he also accidentally hit a

0:34:02.000 --> 0:34:03.960
<v Speaker 1>girl in the face with his golf ball. Yeah, a

0:34:04.000 --> 0:34:06.640
<v Speaker 1>whole thing happened. And he shared on the show this

0:34:06.680 --> 0:34:09.160
<v Speaker 1>week if he may or may not get sued. I

0:34:09.200 --> 0:34:11.080
<v Speaker 1>believe that was on one of our podcasts. That's not

0:34:11.160 --> 0:34:13.879
<v Speaker 1>this segment right here, but he talked about like if

0:34:13.880 --> 0:34:15.839
<v Speaker 1>there's a potential for him to get sued, And that's

0:34:15.920 --> 0:34:18.319
<v Speaker 1>kind of interesting to hear about too, because dang, there

0:34:18.760 --> 0:34:21.279
<v Speaker 1>is kind of a liability. But apparently not, he's not

0:34:21.320 --> 0:34:24.240
<v Speaker 1>getting sued anytime soon. So you can hear his stories

0:34:24.280 --> 0:34:26.160
<v Speaker 1>from Pebble Beach, and of course that one on the

0:34:26.200 --> 0:34:29.360
<v Speaker 1>post show from this week. But this is Bobby talking

0:34:29.400 --> 0:34:34.239
<v Speaker 1>about playing Golf's Ray Romano number two. Yeah, so what

0:34:34.440 --> 0:34:37.040
<v Speaker 1>was really cool last week? I went over and I'm

0:34:37.040 --> 0:34:38.719
<v Speaker 1>not a good golfer, never grew up around golf. We

0:34:38.719 --> 0:34:41.040
<v Speaker 1>didn't really have golf where I grew up. So I

0:34:41.080 --> 0:34:43.680
<v Speaker 1>get to go do this thing over in northern California,

0:34:43.760 --> 0:34:46.040
<v Speaker 1>like mon Terray Pebble Beach. Only thought i'd ever see

0:34:46.080 --> 0:34:49.319
<v Speaker 1>it on TV. And I go and like I got

0:34:49.360 --> 0:34:52.080
<v Speaker 1>to be friends with Ray Romano. Oh yeah, I saw that.

0:34:52.080 --> 0:34:54.480
<v Speaker 1>That's cool. It was so cool, and don't I don't

0:34:54.480 --> 0:34:56.200
<v Speaker 1>even want to like we get We talked about it a

0:34:56.160 --> 0:34:57.600
<v Speaker 1>a little bit on the Post Show yesterday because I

0:34:57.640 --> 0:34:59.560
<v Speaker 1>don't want it to feel like I'm bragging. But mostly

0:34:59.560 --> 0:35:02.319
<v Speaker 1>it's like I can't believe it. But there were so

0:35:02.360 --> 0:35:05.120
<v Speaker 1>many cool stories. But I'll tell you this one time.

0:35:05.640 --> 0:35:08.799
<v Speaker 1>And I took Eddie with me because I've also learned

0:35:08.800 --> 0:35:10.480
<v Speaker 1>that nothing that I do is fine if I don't

0:35:10.480 --> 0:35:13.880
<v Speaker 1>get to take somebody that I just love. And I

0:35:13.920 --> 0:35:16.279
<v Speaker 1>do love you, Eddie, I love you too. That if

0:35:16.360 --> 0:35:17.960
<v Speaker 1>that it's not fun unless they get to do it

0:35:18.000 --> 0:35:20.520
<v Speaker 1>with you. And so I take Eddie and we're playing

0:35:20.520 --> 0:35:22.000
<v Speaker 1>this little thing and Ray Romondo and I are on

0:35:22.040 --> 0:35:24.560
<v Speaker 1>a team, unless like on TV, the people just stand

0:35:24.640 --> 0:35:28.640
<v Speaker 1>all around the green like really close, way too close,

0:35:29.520 --> 0:35:32.239
<v Speaker 1>especially for an amateur. I'm not good at golf. I'm okay,

0:35:32.280 --> 0:35:34.279
<v Speaker 1>I'm not good, and so I hit a ball in

0:35:34.280 --> 0:35:35.799
<v Speaker 1>the air and it's okay, it's pretty good, but it's

0:35:35.800 --> 0:35:37.839
<v Speaker 1>a little over the people. It's like eight foot off

0:35:37.840 --> 0:35:39.480
<v Speaker 1>to the side of the green. If we were just

0:35:39.480 --> 0:35:41.160
<v Speaker 1>playing ourselves, I'd be like, heck of a shot at me,

0:35:42.360 --> 0:35:45.080
<v Speaker 1>and it lands, and then all of a sudden it

0:35:45.080 --> 0:35:48.120
<v Speaker 1>starts to roll toward the whole. And then golf it's

0:35:48.239 --> 0:35:54.560
<v Speaker 1>very composed. You're supposed to be like, thankle golf plant,

0:35:54.640 --> 0:35:55.960
<v Speaker 1>but I don't do that. I was running through. I

0:35:55.960 --> 0:35:57.239
<v Speaker 1>just happy hit a good shot in front of people,

0:35:57.239 --> 0:35:59.120
<v Speaker 1>because I get so nervous. I'm not running down giving

0:35:59.160 --> 0:36:02.719
<v Speaker 1>everybody five let's go. I come back and somebody goes, hey,

0:36:02.760 --> 0:36:04.160
<v Speaker 1>I think you hit somebody with the ball, and that's

0:36:04.160 --> 0:36:07.399
<v Speaker 1>why it rolled over to the green, and I was like, wait,

0:36:07.440 --> 0:36:09.160
<v Speaker 1>what I mean? I was going crazy. I was so

0:36:09.160 --> 0:36:10.839
<v Speaker 1>happy that ball rolled like four feet from the hole,

0:36:11.400 --> 0:36:13.600
<v Speaker 1>and so I said, what do you mean? So Eddie

0:36:13.640 --> 0:36:15.120
<v Speaker 1>and I walked down there. I had a girl right

0:36:15.120 --> 0:36:19.000
<v Speaker 1>in the face with the ball, and in her face

0:36:19.080 --> 0:36:21.920
<v Speaker 1>was swollen. She had an ice pack on. It's on

0:36:21.960 --> 0:36:25.120
<v Speaker 1>my Instagram now. And it wasn't a bout a shot.

0:36:25.239 --> 0:36:27.239
<v Speaker 1>I just want to say that again. It was for me.

0:36:27.239 --> 0:36:29.160
<v Speaker 1>It was a pretty good shot, but hit her right

0:36:29.160 --> 0:36:31.680
<v Speaker 1>in the face. And so I said what happened and

0:36:31.760 --> 0:36:33.960
<v Speaker 1>she goes, oh, I wasn't. The deal was there were

0:36:34.000 --> 0:36:36.080
<v Speaker 1>a lot of like real celebrities there and when I

0:36:36.080 --> 0:36:37.880
<v Speaker 1>was hitting, she didn't care because I'm not a celebrity

0:36:37.880 --> 0:36:41.280
<v Speaker 1>to her, and so she wasn't watching. And the balls

0:36:41.320 --> 0:36:43.440
<v Speaker 1>went whack right in her face and it rolled, It

0:36:43.440 --> 0:36:45.280
<v Speaker 1>bounced off her, rolled right to the hole. It was amazing.

0:36:45.320 --> 0:36:47.560
<v Speaker 1>I mean not amazing. It was terrible. But I went

0:36:47.600 --> 0:36:49.719
<v Speaker 1>over to her talked to her. I was like, are

0:36:49.719 --> 0:36:52.360
<v Speaker 1>you good. She's like, I'm good. Face just swallen. And

0:36:52.440 --> 0:36:54.440
<v Speaker 1>I got one of these big signs and I signed it,

0:36:54.520 --> 0:36:56.880
<v Speaker 1>I'm sorry I hit you in the face. PS. It

0:36:56.920 --> 0:36:59.200
<v Speaker 1>was a pretty good shot though, And then I and

0:36:59.200 --> 0:37:01.640
<v Speaker 1>then I happened. After Bucks, somebody randomly gave me a

0:37:01.680 --> 0:37:03.120
<v Speaker 1>friend earlier that day, Jimmy, and I gave it to

0:37:03.160 --> 0:37:05.040
<v Speaker 1>her and I was like, thanks for the help, but

0:37:05.360 --> 0:37:08.120
<v Speaker 1>it's really scary hitting into people. Oh, I'm sure that's

0:37:08.160 --> 0:37:09.520
<v Speaker 1>why I'm not going to be a pro golfer. I'm

0:37:09.520 --> 0:37:12.400
<v Speaker 1>saying it now that I would be a pro golfer.

0:37:13.160 --> 0:37:15.000
<v Speaker 1>But I had a great experience. And if you listen

0:37:15.040 --> 0:37:16.759
<v Speaker 1>to the post show yesterday, I talked about it a

0:37:16.840 --> 0:37:20.160
<v Speaker 1>little bit. It was so I tell you. The coolest

0:37:20.160 --> 0:37:21.399
<v Speaker 1>part was, I don't know if you know who Steve

0:37:21.400 --> 0:37:23.200
<v Speaker 1>Young is. We played a quarterback for the forty nine

0:37:23.280 --> 0:37:25.600
<v Speaker 1>ers Hall of Famer. Do you know who that is? Really? Yeah,

0:37:26.040 --> 0:37:28.480
<v Speaker 1>he asked for a picture with me. What exactly? I

0:37:28.520 --> 0:37:31.279
<v Speaker 1>couldn't believe it. Why exactly? I thought it was a

0:37:31.360 --> 0:37:34.880
<v Speaker 1>joke for real? Yes, he listens to the show? Oh oky?

0:37:36.880 --> 0:37:40.560
<v Speaker 1>Now also quick question back to the ball. If it

0:37:40.560 --> 0:37:42.840
<v Speaker 1>hadn't hit her face and actually rolled in, would that

0:37:42.880 --> 0:37:44.760
<v Speaker 1>be a hole in? Would that's right? And it would

0:37:44.760 --> 0:37:47.799
<v Speaker 1>count yep, even though it hit her face, because it

0:37:47.880 --> 0:37:50.320
<v Speaker 1>it's a tree if it's anything, okay, wow? Oh no,

0:37:50.360 --> 0:37:52.080
<v Speaker 1>that's why I started celebrating. I thought it hit like

0:37:52.120 --> 0:37:54.600
<v Speaker 1>a hill or something. Oh. I was going hard. I

0:37:54.640 --> 0:37:56.840
<v Speaker 1>was giving people fives running through I thought I was

0:37:56.920 --> 0:37:58.680
<v Speaker 1>King Dingling of the golf golf spot. And then I

0:37:58.680 --> 0:38:00.160
<v Speaker 1>came back and they're like, bro, yea somebody in the face.

0:38:00.680 --> 0:38:02.759
<v Speaker 1>But it's on my Instagram. But that's what's up. We're here.

0:38:02.760 --> 0:38:04.440
<v Speaker 1>We live and learn, don't we Yeah, we do. And

0:38:04.520 --> 0:38:08.279
<v Speaker 1>I learned say everybody back away, I'm hitting. I did

0:38:08.280 --> 0:38:11.200
<v Speaker 1>be Aaron Rodgers though in a game though too. I

0:38:11.280 --> 0:38:13.680
<v Speaker 1>hate anybody in the face. So like you could, can

0:38:13.719 --> 0:38:15.919
<v Speaker 1>you go up to the thing and say, okay, step back?

0:38:16.560 --> 0:38:21.480
<v Speaker 1>I mean you can, probably won't. It's the best bits

0:38:21.480 --> 0:38:25.880
<v Speaker 1>of the week with Morgan number two and also in

0:38:25.920 --> 0:38:28.480
<v Speaker 1>that world of cool things Bobby's gotten to do this

0:38:28.480 --> 0:38:31.680
<v Speaker 1>past weekend, he co hosted the Grammys on E and

0:38:31.680 --> 0:38:33.440
<v Speaker 1>he got to talk to a whole lot of people,

0:38:33.719 --> 0:38:36.719
<v Speaker 1>Shannaia Twain my idol, being one of them. I love her.

0:38:36.920 --> 0:38:38.279
<v Speaker 1>He talked to her. He talked to a whole lot

0:38:38.320 --> 0:38:40.799
<v Speaker 1>of different people at Brandy Carlisle. There's a lot of

0:38:40.800 --> 0:38:42.719
<v Speaker 1>exciting people that stopped by. And he got to wear

0:38:42.760 --> 0:38:45.200
<v Speaker 1>a really cool suit jacket and when I say really cool,

0:38:45.239 --> 0:38:46.839
<v Speaker 1>I mean a four thousand dollars one. Then he talked

0:38:46.880 --> 0:38:49.640
<v Speaker 1>about it was like the first opening thing you mentioned

0:38:49.719 --> 0:38:51.839
<v Speaker 1>while he was on the red carpet, but he talked

0:38:51.880 --> 0:38:54.400
<v Speaker 1>about that experience what it was like out in California

0:38:54.480 --> 0:38:57.200
<v Speaker 1>for those, which was right after his Pebble Beach golf tournament.

0:38:57.239 --> 0:38:59.000
<v Speaker 1>So he came back pretty tired. He had done a

0:38:59.080 --> 0:39:01.160
<v Speaker 1>lot of things. But this is Bobby talking about his

0:39:01.280 --> 0:39:05.279
<v Speaker 1>time co hosting The Grammy's Red Carpet on each number one.

0:39:05.400 --> 0:39:07.040
<v Speaker 1>I want to say this. I didn't watch a single

0:39:07.120 --> 0:39:08.719
<v Speaker 1>bit of the Grammy's last night. I don't even know

0:39:08.719 --> 0:39:11.640
<v Speaker 1>who won. I finished my part, did the Red Carpet.

0:39:12.680 --> 0:39:15.360
<v Speaker 1>I walked off, got in a car, got in a plane,

0:39:15.360 --> 0:39:17.640
<v Speaker 1>came right home, landed at one thirty or two this morning,

0:39:17.840 --> 0:39:21.080
<v Speaker 1>came here, did the show, and that was it. So

0:39:21.120 --> 0:39:23.719
<v Speaker 1>I don't know anything that happened. But did you guys

0:39:23.800 --> 0:39:27.080
<v Speaker 1>watch the Grammys? No? No, your part, but that's it?

0:39:27.120 --> 0:39:29.719
<v Speaker 1>Oh thanks, Yeah, red Carpet, that's it. I watched a

0:39:29.719 --> 0:39:31.160
<v Speaker 1>little bit of the I watched the Red Carpet, and

0:39:31.160 --> 0:39:32.719
<v Speaker 1>then I watched a little bit of the Grammys because

0:39:32.719 --> 0:39:34.319
<v Speaker 1>I wanted to see, Okay, what are we gonna do here?

0:39:34.800 --> 0:39:37.160
<v Speaker 1>First two performers. I was like, all right, what does

0:39:37.239 --> 0:39:42.600
<v Speaker 1>start with bad Bunny? Okay? But in Spanish, in Spanish,

0:39:42.600 --> 0:39:45.320
<v Speaker 1>that's what's up? Yeah, I guess you know Bad Bunny

0:39:45.360 --> 0:39:48.799
<v Speaker 1>is the most streamed artist of the world. I learned

0:39:48.800 --> 0:39:51.200
<v Speaker 1>that on the Red Carpet because I don't know Spanish though,

0:39:51.280 --> 0:39:52.840
<v Speaker 1>that's what I'm saying. I didn't know Spanish, so I

0:39:52.840 --> 0:39:54.480
<v Speaker 1>had no idea what was going on. I was like,

0:39:55.640 --> 0:39:58.439
<v Speaker 1>but I do watch Lost in German and I like it.

0:39:58.840 --> 0:40:01.440
<v Speaker 1>So if somehow they could do Spanish and I could

0:40:01.480 --> 0:40:04.440
<v Speaker 1>read the subtitles while I was listening, but even then

0:40:04.480 --> 0:40:08.360
<v Speaker 1>that'd be weird. Yeah, I will say my kids liked

0:40:08.600 --> 0:40:11.799
<v Speaker 1>Bad Bunny, like they because his name is Bunny though no,

0:40:11.920 --> 0:40:14.520
<v Speaker 1>just because they didn't know him. No, they've just danced

0:40:14.520 --> 0:40:16.960
<v Speaker 1>to the music. Um. And then the next person was

0:40:16.960 --> 0:40:20.040
<v Speaker 1>the girl you interviewed on the Red Carpet, which I

0:40:20.080 --> 0:40:23.640
<v Speaker 1>don't know her, Brandy Carlisle. Brandy Carlisle is awesome. Yeah,

0:40:23.719 --> 0:40:28.279
<v Speaker 1>she's sang was she good? Fine? Whatever? I didn't know

0:40:28.320 --> 0:40:30.440
<v Speaker 1>the song. Yeah, I was like, cool, you're also not

0:40:30.480 --> 0:40:33.319
<v Speaker 1>a big music person. Yeah, that's and I'm the first

0:40:33.320 --> 0:40:36.000
<v Speaker 1>two performers. I was like, man, that's really in the

0:40:36.040 --> 0:40:38.360
<v Speaker 1>show for me, Like, I'm there whatever, I want to

0:40:38.360 --> 0:40:40.719
<v Speaker 1>see something cool. But then I did watch the Chris

0:40:40.760 --> 0:40:44.040
<v Speaker 1>Stapleton with Stevie wonder was that good? That was so cool?

0:40:45.000 --> 0:40:49.000
<v Speaker 1>So cool? Yeah, I saw none of it. So Scooba,

0:40:49.040 --> 0:40:51.520
<v Speaker 1>did you watch some performances I did. Yeah, I saw

0:40:51.560 --> 0:40:53.560
<v Speaker 1>the fifty Years of Hip Hop, which that was awesome.

0:40:53.760 --> 0:40:55.399
<v Speaker 1>Was it good? Yeah? One thing I was confused about,

0:40:55.400 --> 0:40:56.879
<v Speaker 1>maybe you guys can shed light night. I don't want

0:40:56.880 --> 0:40:59.279
<v Speaker 1>to start any controversy here, but I was watching the

0:40:59.400 --> 0:41:03.080
<v Speaker 1>country category, which I hadn't really cared about until years,

0:41:03.480 --> 0:41:05.800
<v Speaker 1>and I saw the artists who I recognized their albums,

0:41:05.800 --> 0:41:09.759
<v Speaker 1>like Luke Combs, Miranda Lambert, Mary Morris, and then they

0:41:09.760 --> 0:41:13.120
<v Speaker 1>go Willie Nelson. I'm like, only Nelson, no disrespect. Guys

0:41:13.120 --> 0:41:16.000
<v Speaker 1>got an incredible career, never knew he had an album out,

0:41:16.120 --> 0:41:19.120
<v Speaker 1>and then he wins. I feel terrible for the people

0:41:19.160 --> 0:41:22.000
<v Speaker 1>who Well. The difference is the Grammys are a committee

0:41:22.000 --> 0:41:24.480
<v Speaker 1>of people who just sit in a room and select, like, oh,

0:41:24.560 --> 0:41:28.600
<v Speaker 1>I know Willie Nelson. Check no, but yeah, will he's

0:41:28.600 --> 0:41:31.000
<v Speaker 1>getting old. Yeah. But that's not the only reason. I

0:41:31.040 --> 0:41:32.600
<v Speaker 1>swear to God, it's not. If he would have died,

0:41:32.640 --> 0:41:35.480
<v Speaker 1>I would have said probably, but he didn't die. There

0:41:35.480 --> 0:41:36.920
<v Speaker 1>were some of those. I saw a few of those

0:41:36.920 --> 0:41:39.600
<v Speaker 1>that happened last night. For example, song of the Year.

0:41:39.680 --> 0:41:41.680
<v Speaker 1>Overall Song of the Year went to Bonnie Rate just

0:41:41.760 --> 0:41:45.520
<v Speaker 1>like that, against a bunch of big, massive pop songs too.

0:41:45.880 --> 0:41:50.439
<v Speaker 1>So what's happening is, for the most part, people vote

0:41:50.440 --> 0:41:53.480
<v Speaker 1>on the Grammys, but if the little boardroom people don't

0:41:53.480 --> 0:41:55.759
<v Speaker 1>agree on it at least hot this is how it

0:41:55.840 --> 0:41:59.319
<v Speaker 1>used to be, they'll change it. Wow. Okay, so I

0:41:59.400 --> 0:42:02.160
<v Speaker 1>felt terrible. I saw Luca all excited and then they

0:42:02.160 --> 0:42:05.239
<v Speaker 1>were just completely defeated. Inflatable. And it's not based on

0:42:05.560 --> 0:42:09.960
<v Speaker 1>streams or or anything. It's just really based on who

0:42:10.239 --> 0:42:16.319
<v Speaker 1>The Grammys are known as a cultural we're culturally better

0:42:16.840 --> 0:42:19.960
<v Speaker 1>and sometimes we don't go with what I mean. I

0:42:20.080 --> 0:42:21.600
<v Speaker 1>bet your best new artists I haven't looked yet is

0:42:21.640 --> 0:42:25.399
<v Speaker 1>somebody we don't know. Samara Joy until this, I didn't

0:42:25.400 --> 0:42:26.880
<v Speaker 1>know every well. I believe she's a jazz singer and

0:42:26.920 --> 0:42:28.759
<v Speaker 1>she's awesome, but I would never have stumbled onto her

0:42:28.760 --> 0:42:31.400
<v Speaker 1>had I not been doing research for my role. The

0:42:31.520 --> 0:42:39.400
<v Speaker 1>Grammys try to use their platform to celebrate music that

0:42:39.560 --> 0:42:45.440
<v Speaker 1>isn't just commercially viable and successful, but also the people

0:42:45.480 --> 0:42:48.880
<v Speaker 1>that they select to be the gatekeepers as well as

0:42:48.880 --> 0:42:51.359
<v Speaker 1>the voters. They want them to pick it based on

0:42:53.239 --> 0:42:56.479
<v Speaker 1>the quality and integrity of it, and I respect that. Yeah,

0:42:56.480 --> 0:42:59.239
<v Speaker 1>but this category felt a little weird about. I can

0:42:59.320 --> 0:43:02.520
<v Speaker 1>understand why that would be. People were getting upset it

0:43:02.600 --> 0:43:04.359
<v Speaker 1>for the same exact reason about Bonnie Rate winning Song

0:43:04.360 --> 0:43:05.839
<v Speaker 1>of the Year, because it was up against like Harry

0:43:05.840 --> 0:43:09.239
<v Speaker 1>Styles and other songs. You know. Yeah, so, but the

0:43:09.280 --> 0:43:11.879
<v Speaker 1>Grammys they're known for that. I think I've spoken out

0:43:12.080 --> 0:43:14.520
<v Speaker 1>a couple of times before about how the Grammys there

0:43:14.520 --> 0:43:18.160
<v Speaker 1>are times whenever things are happening culturally, and the Grammys

0:43:18.160 --> 0:43:21.400
<v Speaker 1>will make sure to reflect that culturally with their award winning. Yeah,

0:43:22.239 --> 0:43:26.279
<v Speaker 1>so it'd be awesome to get a Grammy. And if

0:43:26.320 --> 0:43:27.759
<v Speaker 1>they want me to come hosted, I love them. If

0:43:27.800 --> 0:43:30.839
<v Speaker 1>they don't, well I got a problem with them. Now

0:43:30.920 --> 0:43:33.560
<v Speaker 1>I don't. But that's that's really why they don't really

0:43:33.600 --> 0:43:36.040
<v Speaker 1>go let's look at numbers of people who stream music.

0:43:36.080 --> 0:43:37.799
<v Speaker 1>They just try to go, what do we really thinks

0:43:37.800 --> 0:43:39.879
<v Speaker 1>the best? And what does the people who vote? Who

0:43:39.880 --> 0:43:41.600
<v Speaker 1>have to be an elevated You can't just vote, you

0:43:41.600 --> 0:43:43.120
<v Speaker 1>can't get online and vote. You have to be in

0:43:43.160 --> 0:43:46.480
<v Speaker 1>an elevated position. It's a Grammy, like I get to vote. Yeah,

0:43:46.520 --> 0:43:48.280
<v Speaker 1>but I don't even know who they are sometimes I don't.

0:43:49.200 --> 0:43:50.840
<v Speaker 1>I don't even vote people in office. I don't know

0:43:50.840 --> 0:43:53.000
<v Speaker 1>who they are, which is good because you don't want

0:43:53.000 --> 0:43:55.239
<v Speaker 1>to be voting, right. Yeah, but who Scooba is saying?

0:43:55.239 --> 0:43:58.440
<v Speaker 1>When I saw that category and the winner, I just thought, man,

0:43:58.480 --> 0:44:00.640
<v Speaker 1>that's a hey man, thanks for everything you've done for

0:44:00.680 --> 0:44:04.040
<v Speaker 1>country music. Thing like, well, this could be your last album.

0:44:04.080 --> 0:44:07.760
<v Speaker 1>I would disagree. They gave Bonnie Rate the Lifetime Achievement

0:44:07.760 --> 0:44:12.279
<v Speaker 1>Award last year. I know, but I'm saying they can

0:44:12.280 --> 0:44:13.920
<v Speaker 1>do that to Willie if they wanted to say thank

0:44:13.960 --> 0:44:16.000
<v Speaker 1>you for everything. They can't given a Willie a Lifetime

0:44:16.040 --> 0:44:18.879
<v Speaker 1>Achievement Award this year. But that wasn't that. They must

0:44:18.880 --> 0:44:21.480
<v Speaker 1>have listened to his record and said, god, dang, that's

0:44:21.480 --> 0:44:23.719
<v Speaker 1>still really good. We must we need to I haven't

0:44:23.760 --> 0:44:25.239
<v Speaker 1>heard it, have you guys heard it? No? But that's

0:44:25.239 --> 0:44:28.480
<v Speaker 1>also what happens where you go and listen to it. Yeah, yeah, yeah,

0:44:28.600 --> 0:44:29.920
<v Speaker 1>And I will say one quick note about you in

0:44:29.960 --> 0:44:31.080
<v Speaker 1>the right car. But I finally got a chance to

0:44:31.080 --> 0:44:33.920
<v Speaker 1>click it on and you're one liner at the end

0:44:34.000 --> 0:44:38.640
<v Speaker 1>with Brett Randy Carlisle's great Mount Rushmore, the Mount Rushmore

0:44:38.680 --> 0:44:40.520
<v Speaker 1>of the greatest singers, there's three of your heads and

0:44:40.520 --> 0:44:43.160
<v Speaker 1>one of Asha McBride. I was like, I say that, yeah,

0:44:43.160 --> 0:44:44.840
<v Speaker 1>it was, it was. It took her by surprise. She

0:44:44.920 --> 0:44:47.799
<v Speaker 1>was like whoa, okay, and her reaction was fantastic And

0:44:48.040 --> 0:44:49.839
<v Speaker 1>they turned back around and smile and you're like, got him,

0:44:50.120 --> 0:44:51.719
<v Speaker 1>And I was that was awesome. Thanks man. I don't

0:44:51.719 --> 0:44:53.360
<v Speaker 1>remember saying that, but it is pretty funny. Huh. They

0:44:53.360 --> 0:44:55.000
<v Speaker 1>did a pretty good job. I like that. Thank you.

0:44:55.440 --> 0:44:59.800
<v Speaker 1>Um yes, I'll step in and not defend the Grammy's,

0:44:59.800 --> 0:45:03.920
<v Speaker 1>but say I think they do their job of really

0:45:04.719 --> 0:45:11.319
<v Speaker 1>highlighting what they feel is that top quality when you

0:45:11.360 --> 0:45:14.600
<v Speaker 1>can't really define a top quality in art. But I

0:45:14.600 --> 0:45:16.279
<v Speaker 1>don't listen to that Willie record either. I will tell

0:45:16.320 --> 0:45:18.560
<v Speaker 1>you this. I became friends with his son, Lucas Nelson

0:45:18.640 --> 0:45:23.239
<v Speaker 1>over that week. First of all, awesome, dude should not

0:45:23.280 --> 0:45:25.400
<v Speaker 1>be as nice as he is because he's so talented.

0:45:25.680 --> 0:45:28.719
<v Speaker 1>And when you're so talented, you can just be on

0:45:28.760 --> 0:45:31.240
<v Speaker 1>the floor and spinning people's faces. So how I do it?

0:45:32.320 --> 0:45:35.200
<v Speaker 1>That dude's awesome as a dude. I've never anything like

0:45:35.200 --> 0:45:38.320
<v Speaker 1>them before singing. Oh yeah, you posted a video of

0:45:38.360 --> 0:45:40.800
<v Speaker 1>him singing in a Mystagram. Oh it's like it's a different,

0:45:40.840 --> 0:45:43.279
<v Speaker 1>it's a different it's like stables and esque. Yeah, and

0:45:43.400 --> 0:45:45.759
<v Speaker 1>I can get to that later. Were you at that one,

0:45:45.840 --> 0:45:50.080
<v Speaker 1>Eddie or did you client Lee? I've had a boner

0:45:50.120 --> 0:45:53.680
<v Speaker 1>ever since. Whoa yeah? Really yeah? Oh boy, I'm tired.

0:45:53.719 --> 0:45:55.799
<v Speaker 1>See I just say, desk in front of you. That's

0:45:55.800 --> 0:45:57.360
<v Speaker 1>what I'm saying. I like a boner from music, not

0:45:57.480 --> 0:46:01.799
<v Speaker 1>like literal for his oh okay, album of the Year,

0:46:01.840 --> 0:46:04.360
<v Speaker 1>Harry's House, Harry Styles. I saw some Swifties. We're upset

0:46:04.360 --> 0:46:06.000
<v Speaker 1>with that, and I get it. But that Harry's House

0:46:06.040 --> 0:46:07.880
<v Speaker 1>album is awesome. It's a great album. I mean I

0:46:07.920 --> 0:46:10.040
<v Speaker 1>know every song on it. I was listening to it

0:46:10.040 --> 0:46:11.279
<v Speaker 1>when it was coming out, but now because I picked it,

0:46:11.280 --> 0:46:13.080
<v Speaker 1>because Kaitlyn picked it, and I was forced to hear it,

0:46:13.120 --> 0:46:14.160
<v Speaker 1>and I would come on the air and be like,

0:46:14.320 --> 0:46:17.239
<v Speaker 1>I'm gonna admit to you, it's really good. Is it

0:46:17.320 --> 0:46:21.120
<v Speaker 1>a dead giveaway if they perform that they're it is

0:46:21.239 --> 0:46:24.759
<v Speaker 1>not because and I tell you not. Even at the CMAS. Now,

0:46:24.760 --> 0:46:27.400
<v Speaker 1>there are sometimes where maybe the producers will have a feeling,

0:46:27.520 --> 0:46:29.759
<v Speaker 1>but they are legally locked up and they don't. You.

0:46:30.000 --> 0:46:34.320
<v Speaker 1>People cannot know, even the people at the like Goldenheimer

0:46:34.320 --> 0:46:36.960
<v Speaker 1>and Schmidt whomever are running the company that gets the votes.

0:46:37.520 --> 0:46:39.920
<v Speaker 1>Not even everybody there gets to know. It's like select people,

0:46:40.080 --> 0:46:43.240
<v Speaker 1>and they will stand back. They're locked with the winner

0:46:43.920 --> 0:46:46.520
<v Speaker 1>for a bunch of reasons. But as someone who's presented,

0:46:46.680 --> 0:46:50.360
<v Speaker 1>they would not give me the card even until ninety

0:46:50.400 --> 0:46:52.560
<v Speaker 1>seconds until whatever. So there was no way that I

0:46:52.560 --> 0:46:57.200
<v Speaker 1>could tip somebody off for gambling for all these reasons. Wow,

0:46:57.760 --> 0:47:00.080
<v Speaker 1>I thought that was all drama did too. Now the

0:47:00.120 --> 0:47:02.160
<v Speaker 1>American Music Awards stuff like that, they didn't they know

0:47:02.280 --> 0:47:04.080
<v Speaker 1>people get to go. Then they're like, you're you one,

0:47:04.160 --> 0:47:10.120
<v Speaker 1>so you can perform Grammys, CMAS. I don't know. I

0:47:10.160 --> 0:47:16.600
<v Speaker 1>think probably a CMS, Oscars, Oscars, Emmy's, Tony's. I don't

0:47:16.600 --> 0:47:18.320
<v Speaker 1>know what. Just yelling awards at this point. So I

0:47:18.320 --> 0:47:22.960
<v Speaker 1>don't know. Zes No, that one. I know for sure

0:47:22.960 --> 0:47:27.719
<v Speaker 1>they know um but yeah, no they don't know. Um.

0:47:27.800 --> 0:47:32.800
<v Speaker 1>But Harry, that's a great record of the year, Lizzo, Um,

0:47:32.840 --> 0:47:34.640
<v Speaker 1>I knew it. I guess I don't have a feeling

0:47:34.640 --> 0:47:36.680
<v Speaker 1>about it. I did talk to Bonnie Rate. She was awesome. Yeah,

0:47:36.719 --> 0:47:40.560
<v Speaker 1>I interviewed her. Uh. Samara Joy Best New Artist, she's

0:47:40.600 --> 0:47:42.480
<v Speaker 1>a jazz singer. She's really good. Now, it's not the

0:47:42.560 --> 0:47:44.359
<v Speaker 1>kind of music that I would normally listen to because

0:47:44.360 --> 0:47:46.839
<v Speaker 1>I wouldn't mean she's really good. Do you know who

0:47:46.840 --> 0:47:48.200
<v Speaker 1>else is really good? Who was a jazz singer and

0:47:48.239 --> 0:47:51.200
<v Speaker 1>she's a country singer too? Is Madeline Edwards? Who's going

0:47:51.280 --> 0:47:53.239
<v Speaker 1>to come in and perform? Oh? Do we know when

0:47:54.840 --> 0:47:56.960
<v Speaker 1>she's coming in this week? Okay, and then we'll play

0:47:56.960 --> 0:47:59.560
<v Speaker 1>her this week or next week. Yeah, gosh, she's good.

0:47:59.640 --> 0:48:01.799
<v Speaker 1>I did a bobbycast with her and she was doing

0:48:01.840 --> 0:48:03.719
<v Speaker 1>the voice thing as a jazz singer. That's kind of

0:48:03.760 --> 0:48:08.879
<v Speaker 1>like exactly like that. Oh it sounds really good. Yeah,

0:48:08.880 --> 0:48:10.560
<v Speaker 1>thank you. I've been working on my jazz. It's like

0:48:10.600 --> 0:48:12.600
<v Speaker 1>a drowning bird though. I'm telling you, Mike, you remember

0:48:12.600 --> 0:48:14.360
<v Speaker 1>when she did it, and I was just asking for

0:48:14.360 --> 0:48:17.239
<v Speaker 1>an example because she had to like make money, so

0:48:17.280 --> 0:48:18.600
<v Speaker 1>she learned how to do all this kind of singing

0:48:18.600 --> 0:48:22.920
<v Speaker 1>in a restaurant. Wow, that's cool, dude. It's unreal that

0:48:23.040 --> 0:48:24.920
<v Speaker 1>what she can have, what she can do is she's

0:48:24.960 --> 0:48:28.360
<v Speaker 1>gonna do it. Our million dollars Show with Us Willie

0:48:28.400 --> 0:48:32.040
<v Speaker 1>Nelison won Best Country Album, Best Country Duo Group Performance.

0:48:32.120 --> 0:48:35.280
<v Speaker 1>Carly and Ashley McBride Best Country song Cody Johns until

0:48:35.320 --> 0:48:37.719
<v Speaker 1>you can't. That's cool because I always say, when you

0:48:37.760 --> 0:48:39.359
<v Speaker 1>got a dream, chase it, because a dream won't chase

0:48:39.360 --> 0:48:43.440
<v Speaker 1>you back. I stole it from that song Harry Styles,

0:48:43.480 --> 0:48:47.959
<v Speaker 1>Harry's House, Best Pop Vocal Album, Best Solo Adele Sam

0:48:48.000 --> 0:48:50.200
<v Speaker 1>Smith Can Petra's Best Pop Performance to a Group, Best

0:48:50.239 --> 0:48:52.799
<v Speaker 1>Performance Brandy Carlisle Broken Horses. I did ask her about

0:48:52.800 --> 0:48:54.400
<v Speaker 1>that song because I liked that song, Broken Horses, and

0:48:54.440 --> 0:48:56.279
<v Speaker 1>I said, why do you record it like that? And

0:48:56.320 --> 0:48:58.000
<v Speaker 1>I think she was a little like huh. And I

0:48:58.040 --> 0:48:59.239
<v Speaker 1>was like, cause you record it and you sing it

0:48:59.360 --> 0:49:01.799
<v Speaker 1>so hard, like she goes hard hard, like, then you

0:49:01.800 --> 0:49:03.560
<v Speaker 1>have to perform it like that every time. And she

0:49:03.600 --> 0:49:05.560
<v Speaker 1>was like, I've never gonna ask that question. And I

0:49:05.600 --> 0:49:08.360
<v Speaker 1>was like, because I'm psychotic, and I wonder I wouldn't

0:49:08.360 --> 0:49:09.560
<v Speaker 1>do it like that because I don't have to perform

0:49:09.600 --> 0:49:13.320
<v Speaker 1>it like that every time. Ozzie Osborne, Kendrick Lamar. Okay,

0:49:13.400 --> 0:49:17.080
<v Speaker 1>well there was the Grammys. It's the best Bits of

0:49:17.080 --> 0:49:21.640
<v Speaker 1>the Week with Morgan number two as usual. I had

0:49:21.680 --> 0:49:24.600
<v Speaker 1>a fabulous time hanging out with y'all this weekend. I mean,

0:49:24.600 --> 0:49:27.759
<v Speaker 1>basically it's just me hanging out by myself, but I

0:49:27.880 --> 0:49:30.080
<v Speaker 1>know that y'all are listening with me, and that brings

0:49:30.080 --> 0:49:31.840
<v Speaker 1>me some comfort while I'm sitting here in a studio

0:49:31.880 --> 0:49:34.600
<v Speaker 1>by myself, just recording random things and talking to myself,

0:49:35.040 --> 0:49:38.400
<v Speaker 1>sounding like a crazy little little woman here, you know whatever.

0:49:38.719 --> 0:49:40.600
<v Speaker 1>But I love y'all. I'm glad you're here. I'm glad

0:49:40.600 --> 0:49:43.040
<v Speaker 1>you listened. I hope you enjoyed the bits this week.

0:49:43.120 --> 0:49:45.120
<v Speaker 1>Make sure you follow me on social media at web

0:49:45.120 --> 0:49:47.440
<v Speaker 1>girl Morgan All the Things. I got some fun content

0:49:47.520 --> 0:49:51.000
<v Speaker 1>up there. I'm gonna I'm trying to convince Lunchbox to

0:49:51.000 --> 0:49:53.200
<v Speaker 1>do some more videos, so hopefully that will happen soon.

0:49:53.560 --> 0:49:56.359
<v Speaker 1>And of course follow the show at Bobby Bones Show

0:49:56.480 --> 0:49:59.920
<v Speaker 1>on All the Things. I hope you'll have a fabulous weekend. Bye,

0:50:00.200 --> 0:50:03.000
<v Speaker 1>get your bones off Bobby Bones.