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Speaker 1: It's the best Bits of the week with Morgan Number two.

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Speaker 1: What is of y'all so happy? It's another weekend and

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Speaker 1: I got to be hanging out with y'all. Right here,

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Speaker 1: this is best bit's just bits, but part one is

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Speaker 1: personally my favorite part of getting to do this podcast.

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Speaker 1: I get to bring on a show member and talk

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Speaker 1: to him about whatever I want to talk to him about,

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Speaker 1: and you know, some guidelines, but things that I come

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Speaker 1: up with. This weekend, I talked to Amy, and I

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Speaker 1: really hope you go listen to it, because not only

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Speaker 1: did we discuss the craziest thing that I've seen while driving,

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Speaker 1: and this tops the list of pretty much any story

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Speaker 1: I've ever heard, we also talked about our stupidest accomplishments

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Speaker 1: that we've had recently. And you know, I did get

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Speaker 1: a little vulnerable about my dating life and something that

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Speaker 1: I have had to learn and it's not been easy

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Speaker 1: for me. I'll just say that, And of course some

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Speaker 1: fun things with taking text messages out of context. That's

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Speaker 1: all I'm gonna say. Yeah, I'll leave that right there,

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Speaker 1: But until then, let's get started. I'm so excited to

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Speaker 1: bring y'all some of the biggest months from the week.

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Speaker 1: Number seven, if you win the super Bowl, each players

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Speaker 1: paid one hundred and fifty seven thousand dollars as the winner. Wow,

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Speaker 1: and lose the super Bowl, you're paid eighty two thousand dollars.

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Speaker 1: That's still good. It's still good. But I'm saying you

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Speaker 1: want to win the super Bowl, Yeah, that's one hundred

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Speaker 1: fifty grand. That's the incentive. So even if you barely play,

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Speaker 1: if you're on the team, yeah, if you're one of

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Speaker 1: the people who who are on the roster, you get

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Speaker 1: paid because you got to stay ready. Yeah. And if

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Speaker 1: you stay ready, you never got to get ready. That's right,

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Speaker 1: that's right. So number one, number two, a lot of

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Speaker 1: different factors when it comes to buying a commercial for

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Speaker 1: the Super Bowl. This average price for thirty seconds is

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Speaker 1: seven million dollars. And let's not be the ones that

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Speaker 1: come on to go moon. The commercials. Sugged commercials haven't

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Speaker 1: really been a thing for seven eight years. They do

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Speaker 1: try to put better commercials on, but now we're in

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Speaker 1: the land of everything's funny everywhere, all the time. Things

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Speaker 1: are compelling all the time. TikTok other commercials are funny,

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Speaker 1: viral campaigns that it's just it's not like they're going

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Speaker 1: to hold off in June. We got this great idea,

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Speaker 1: it's gonna go virals hold up for the super Bowl. No,

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Speaker 1: they do it. Then they do new stuff on the

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Speaker 1: Super Bowl, and the commercials are fun. Sometimes they're like, Wow,

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Speaker 1: it's funny to get see the celebrity. But let's not

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Speaker 1: beat the show that comes on and goes. The commercial suck.

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Speaker 1: It's just not that environment anymore. But they do. So

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Speaker 1: they're not as good. Yeah, they're not as good. They're

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Speaker 1: actually better. But everything else around it all year long

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Speaker 1: is better, which makes it seem not as good. Bud Wiser,

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Speaker 1: that's tissue holding on to nostalgia. Boy, yeah, that's pretty good.

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Speaker 1: The NFL doesn't pay bands or artists for performing at

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Speaker 1: the halftime show none. So you do the show, you

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Speaker 1: don't get paid. The artists aren't making a dime, but

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Speaker 1: they do at least get their expenses and production costs covered.

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Speaker 1: But they don't make anything. It's all just for promotion,

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Speaker 1: so they do it. The players in the super Bowl

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Speaker 1: get fancy cars to drive week of the game. That's

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Speaker 1: every player on both teams in the super Bowl gets

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Speaker 1: a very fancy loaner drive around all week. Yeah, that's

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Speaker 1: a lot of loaners. You're talking about fifty three man

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Speaker 1: rosters each. It's one hundred and six cars plus coaches. Yeah,

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Speaker 1: like how many of those exotic dealerships are there and

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Speaker 1: there are no cars on any lot there? And then

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Speaker 1: I'm sure they have rules like you can't drive risky

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Speaker 1: the week of the Super Bowl, right, I don't think

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Speaker 1: that's in the rule book, no risky driving. A single

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Speaker 1: ticket for admission to Super Bowl one between the Chiefs

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Speaker 1: and Packers costs six dollars if you wanted to go

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Speaker 1: to that game and that game did not sell out.

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Speaker 1: The average cost this year is nine thousand dollars. You

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Speaker 1: can get them very very low for around four to

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Speaker 1: five thousand, and if you want to get one of

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Speaker 1: those suites, it's half million bucks. Oh man. And if

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Speaker 1: you want to wait till halftime, they say it's around

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Speaker 1: two to three thousand bucks. Still, if you want to

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Speaker 1: get a ticket from a scalpoar a half time, oh

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Speaker 1: well yeah, this is it's the only time where the

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Speaker 1: scalpers won't sell last minute because the games starting, because

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Speaker 1: they know they can pretty much sell all the way

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Speaker 1: to a half time that's bananas. And then when it

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Speaker 1: comes to the rings, everybody on the winning roster, coaches, executives,

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Speaker 1: practice squad players, everybody gets super Bowl ring. The players

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Speaker 1: in the practice squad usually get one that's a lesser value,

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Speaker 1: but it's still a ring. But the owner of the

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Speaker 1: teams can also award rings to whomever they choose, meaning

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Speaker 1: people that were just instrumental or gave good advice or

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Speaker 1: a great fans. Each franchise pays for one hundred and

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Speaker 1: fifty Super Bowl rings in the league also chips in,

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Speaker 1: so it's five six million bucks in rings. That's probably

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Speaker 1: something they're happy to pay. And those rings have a

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Speaker 1: lot of diamonds. A lot of diamonds are really cool.

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Speaker 1: The Lombardi Trophy, which you win, weighs seven pounds, but

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Speaker 1: if you were to melt it down, it's fifty thousand

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Speaker 1: dollars worth of material right there. The NFL won't hold

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Speaker 1: Super Bowls in cold stadiums now. That'd being said. They

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Speaker 1: did play in New York and it got pretty lucky. Yep,

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Speaker 1: So that that was the thing until they decided to

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Speaker 1: play in New York and everybody's like, what if it's

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Speaker 1: a snow Super Bowl. Then it turns out it was

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Speaker 1: actually fine. Yeah, but for the most part, it's in

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Speaker 1: Florida or Arizona, Arizona this year, or New Orleans. But

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Speaker 1: they're a dome. Yeah, Muslim are domes. They try to

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Speaker 1: make sure that it's either warm Weather city when I

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Speaker 1: went was into Miami or if it's in Indianapolis where

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Speaker 1: I went, it was a dome. Each team gets one

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Speaker 1: hundred and eight footballs. That's it. Practice and play, that's it.

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Speaker 1: No more footballs because they've all got to be pre

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Speaker 1: screened before because some people deflate them. And they got

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Speaker 1: to have that Super Bowl logo on there. Okay, you

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Speaker 1: guys want two different directions. Yeah, and then finally more

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Speaker 1: than one hundred million people watched Super Bowl every year. Now,

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Speaker 1: whenever we get to the Super Bowl halftime shows, can

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Speaker 1: you think of a halftime show that had country artists only?

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Speaker 1: And has that ever happened? Amy, I cannot think of

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Speaker 1: one lunchbox. I'm not a big halftime guy, so I

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Speaker 1: don't even remember. No Eddie, not in our lifetime. So

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Speaker 1: here are some people who performed at the Super Bowl

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Speaker 1: National anthem. Charlie Pride seventy four, Garth Brooks National Anthem

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Speaker 1: ninety three. That was a controversial one where he's like,

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Speaker 1: I'm not singing until you show my music video and

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Speaker 1: they're like no, the super Bowl is about to start,

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Speaker 1: Like yeah, but I need you to show you know,

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Speaker 1: we shall we shall be free. Yeah. And so they

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Speaker 1: even went to the stands to ask John bon Jovi

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Speaker 1: if he'd come out and sing it last minute, and

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Speaker 1: then guards are like, no, this video means a lot

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Speaker 1: I need. And so they played the video before the

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Speaker 1: super Bowl. So baller, that's so ball Here we go

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Speaker 1: nineteen ninety four, a halftime show that was all country.

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Speaker 1: What it was called? I thought they had I thought

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Speaker 1: they had named for it. But we had Clint Black,

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Speaker 1: Tanya Tucker, Travis Tritt and the Judds. A nineteen ninety

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Speaker 1: four all country Super Bowl halftime show. Since then, they

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Speaker 1: haven't done that. Jewel has sang the national anthem, Faith Hill,

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Speaker 1: Shania Twain popped up in at once, Faith Hill, did

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Speaker 1: America Beautiful, Carrie Underwood National Anthem, on and on and on.

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Speaker 1: But that's the deal. Chris Stapleton will sing it on Sunday,

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Speaker 1: the national Anthem, looking forward to it. I don't have

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Speaker 1: anything going on specifically, especially or just watch the game

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Speaker 1: until I like it. But I haven't. There's no party,

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Speaker 1: no gathering you No, I wouldn't. I didn't even know

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Speaker 1: if you were going to one. Oh yeah no, I

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Speaker 1: hadn't thought about it yet. Maybe Eddie. No, I want

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Speaker 1: to watch the game with my kids. So no party.

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Speaker 1: We're gonna definitely gonna have a spread though, wings, pizza, lunchbox.

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Speaker 1: I got my options open. I like that. Why am

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Speaker 1: I getting in there? Yeah that's good. Okay, say that

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Speaker 1: in high school? Like, what are you gonna do for

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Speaker 1: I got my options open? Yeah nothing? What would I do?

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Speaker 1: Go to work and go home be sad? Okay? I

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Speaker 1: hope everybody and hey, draft kings it up. I'm telling

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Speaker 1: you right now, I'm gonna telling you goin market. The

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Speaker 1: Chiefs are gonna win the game. What's it the end over?

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Speaker 1: You said it? I said it. They're even the underdog.

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Speaker 1: But you heard what I said, and I said what

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Speaker 1: I heard in the way out of the podcast. If

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Speaker 1: it's wrong? Do you have Chris Stapleton's number? Could you

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Speaker 1: text him? Text him over? I could? How long? I don't?

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Speaker 1: I don't text Chris? Okay? Do I have his number. Yes,

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Speaker 1: but I don't really just go like, what up, buddy,

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Speaker 1: Well this would be a good time too. M hmmm,

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Speaker 1: how long roughly is gonna is your national anthem gonna be? Roughly?

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Speaker 1: Do I have time to go to the bathroom? Or

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Speaker 1: do I not have time to go in the bathroom? More?

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Speaker 1: Let's say two minutes and he only had two minutes

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Speaker 1: to live? Could you fit it in? Come on, because

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Speaker 1: that's one of the beds ye under, thank you. It's

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Speaker 1: the best bits of the week with Morgan. Number two,

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Speaker 1: we found out something super disgusting about Lunchbox. He eats

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Speaker 1: while he's on the bathroom toilet, said you, yep, yep,

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Speaker 1: I said it. That is exactly what we found out

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Speaker 1: about him. Eddie Bobby caught him in the bathroom. He

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Speaker 1: was eating a protein bar while in the bathroom. Yes,

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Speaker 1: this was a real thing. Like I don't know how,

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Speaker 1: I don't know why, but here it is number six,

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Speaker 1: Lunchbox eats food in the bathroom while he's going to

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Speaker 1: the bathroom. And I know why. Yeah, man, I've happened

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Speaker 1: twice now where I walk in the bathroom and I

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Speaker 1: can hear the rapping and like the two insane disgusting.

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Speaker 1: Sitting on the toilet disgusting. What's the point? Why can't

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Speaker 1: you eat not in the bathroom? Well, I mean if

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Speaker 1: we only have a limited amount of time, don't have

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Speaker 1: limited time. You you're gone for twenty minutes sometimes, but

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Speaker 1: I'm hungry man, so I'd be gone for twenty five

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Speaker 1: Maybe you gotta cut into it. But you don't think

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Speaker 1: that's disgusting. I'm not sticking in the toilet. What I'm

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Speaker 1: not sticking the food in the toilet. You're not dipping it, right,

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Speaker 1: I'm not dipping it in the water like water down.

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Speaker 1: I just wonder if I'm the only one, like, what

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Speaker 1: is explained to me? What could be wrong with that eating?

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Speaker 1: You ever hear this saying don't eat where you poop,

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Speaker 1: Like there's a real reason. I mean, it just can't

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Speaker 1: be healthy. Well, your gross, your your toothbrush is in

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Speaker 1: the bathroom. Yeah, but I put the lid down when

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Speaker 1: I flush, and there's also a door so it doesn't

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Speaker 1: the particles don't flush over the top of the toothbrush

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Speaker 1: if just one. Yeah, it's also the image of like

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Speaker 1: in out. That's a tough one too. Yeah. Well, yeah,

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Speaker 1: there's a lot of maybe maybe everybody don't think this

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Speaker 1: is great. I done eating while you're going to the bathroom?

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Speaker 1: Gross or not? Amy gross? Yeah? Gross? I mean Eddie gross, disgusting,

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Speaker 1: Morgan gross, Ray disgusting, a gross. Okay, just make it sure.

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Speaker 1: It's called multitasking, you guys, turn not a multitasking you

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Speaker 1: guys talk about haven't being efficient with your time? We'll

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Speaker 1: go what boom, because this is the only way that

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Speaker 1: you multitask or have any sort of efficiency. One stone?

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Speaker 1: Do you do this at home? Yeah? No, two birds,

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Speaker 1: one protein bar? Okay, yeah too, that's fine. But that's

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Speaker 1: what I'm saying, Like you're hungry, Like, let's say you

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Speaker 1: get done working out, Bob, when you got to go

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Speaker 1: to the bathroom, you need that protein bar going the bathroom,

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Speaker 1: eat it while you're going to the bathroom. No, I

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Speaker 1: got to the bathroom, watch my hands, I come out

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Speaker 1: and then I eat. Well, I don't Why does it

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Speaker 1: always bathroom stuff with him? It's like what Keith Urban

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Speaker 1: was washing his hands and he goes into the bathroom

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Speaker 1: to hang out with him, and he shared the sink

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Speaker 1: with they're watching hands. It's a single person sink because

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Speaker 1: it's a tiny sink and he puts his hands in

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Speaker 1: with Keith Urban. Yeah that was pretty cool. But I'm

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Speaker 1: just saying I don't see anything wrong with it. I've

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Speaker 1: done it my whole life. You sit on the pot

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Speaker 1: and you eat my stomach. P Morgan, Will you put

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Speaker 1: this pole up on the website? Yeah? By will You're

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Speaker 1: gonna be surprised. Maybe I will be surprised. You wait,

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Speaker 1: a miracle will speak. A lot of people don't have time, man,

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Speaker 1: but you have time for everything, and you go you

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Speaker 1: don't multitask anything that's actually worthy of efficiency. Well, you

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Speaker 1: just made a noise. It made nothing there. I was

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Speaker 1: gonna say facebook chat and do the show, but I'm

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Speaker 1: in Facebook chatting lately. So it's the best bits of

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Speaker 1: the week with Morgan. Number two, we had Ernest stop

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Speaker 1: by the studio and it was super fun to hear

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Speaker 1: from him. He's so insanely talented in a lot of ways,

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Speaker 1: not only as an artist but also as a songwriter.

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Speaker 1: He's written songs with Jelly Roll, Kane Brown, of course,

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Speaker 1: Morgan Wall and so many more. But he shared some

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Speaker 1: of the stories behind those songs that we now know

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Speaker 1: as hit songs. So these were the stories behind him

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Speaker 1: and he also talked about the deluxe album that he

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Speaker 1: has coming up of Flower Shops, and there's thirteen brand

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Speaker 1: new songs on it, which is wild for a deluxe album.

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Speaker 1: Most of the time a deluxe includes like three, maybe

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Speaker 1: two new songs, but no, not Ernest. He put out

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Speaker 1: thirteen new songs with this deluxe album. So check out

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Speaker 1: this interview. You're gonna love it. Ernest. It's such a

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Speaker 1: good guy, or as some people in Nashville call him,

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Speaker 1: Earns number five. If you don't know him by his

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Speaker 1: name his face, you'd know him by a ton of

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Speaker 1: number one songs he's written for other people. Wasted on

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Speaker 1: You from Morgan Wallen Breaking up was easy in the

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Speaker 1: nineties from Sam Hunt more than my hometown. From Morgan Wallen.

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Speaker 1: I could keep going, but I won't right now. But

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Speaker 1: also born and raised in Nashville, started playing guitar and

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Speaker 1: banjo at like nine ten years old. It's almost like

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Speaker 1: I love country music but also love to rap a

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Speaker 1: little bit. He's got this song here flower Shops with

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Speaker 1: Morgan Wallen right now. He's got a new album out today,

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Speaker 1: and he's here. Here is Ernest. The Friday Morning Conversation

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Speaker 1: with Ernest going to see you, buddy. He's good to

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Speaker 1: see you too, Bobby. For everybody out there, this is

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Speaker 1: all Hour Shops with Morgan Wallen. A little song you

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Speaker 1: may know, the jam by the way, thank You, and

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Speaker 1: the record is out, but now you put out like

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Speaker 1: a second half to this record. It's a lot of songs.

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Speaker 1: So the deluxe album, how many more songs you put

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Speaker 1: out today? Thirteen? Why continue this? Yeah, I just was.

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Speaker 1: I never stopped writing in that world when I finished

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Speaker 1: the Flowershops album, just kept writing. I love the way

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Speaker 1: it sounds. I like, it was just fun writing those

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Speaker 1: songs and looked up six or seven months later and

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Speaker 1: had a bunch of them and instead of naming a

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Speaker 1: new album and doing a whole new thing with similar

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Speaker 1: sounding songs and storylines, yeah, I just wanted to do

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Speaker 1: a part two thing. I never find even money in

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Speaker 1: my pocket. This guy found like twelve new songs for

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Speaker 1: a whole album, like I never just find a five.

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Speaker 1: And you're like, well, I got twelve or thirteen, So

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Speaker 1: two dozen roses. The deluxe versions out today with Ernest

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Speaker 1: and I just want to give you some sample here

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Speaker 1: of what kind of songwriter he is. So you go

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Speaker 1: check this out, but he's written a lot of songs

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Speaker 1: that you would know and love, which, by the way,

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Speaker 1: Jelly Rolls Son of a Center, right, could you play that?

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Speaker 1: So Jelly Rolls, you guys are similar in that, you know,

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Speaker 1: Jelly roll is the hip hop artist too, but he's

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Speaker 1: for real deal country music. Same thing with you. I

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Speaker 1: mean you look at you, you're for sure a country yeah,

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Speaker 1: but you also can rap. Yeah yeah, Jelly Rolls, you

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Speaker 1: know he I looked up to him when I was

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Speaker 1: in high school as a rapper in Nashville, and the

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Speaker 1: fact that we've been able to go from where we

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Speaker 1: came from to having a song on country radio is

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Speaker 1: just it's the beauty and the magic in Nashville for sure.

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Speaker 1: One Mississippi from Kane Brown. I'm telling you he's so versatile.

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Speaker 1: What about you and Kane? This one here? Did you

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Speaker 1: get this to Kane or how did this work? Kane?

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Speaker 1: Kane had a session with Jesse Frazier and he brought

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Speaker 1: in Levan, a guy they just like messaged them, right, yeah, yeah, yeah.

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Speaker 1: It was Levan's first right in Nashville, and we wrote

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Speaker 1: One Mississippi and I told Lavon I think after that

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Speaker 1: day I was like, just know this never happened. You

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Speaker 1: don't just come to town to write a number one

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Speaker 1: song like that doesn't happen. Ernest is in studio. I

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Speaker 1: want to play what have I Got to Lose? Now?

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Speaker 1: And I picked? I like, did you pick that? Yeah?

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Speaker 1: I did? Thank you? Well, I don't know. I mean,

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Speaker 1: I don't I don't know why you would thank me,

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Speaker 1: because there something about this song you want to tell me.

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Speaker 1: I wrote it with Dean Dilon. It's featuring Dean Dillon

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Speaker 1: is super special to me. I love this song. You

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Speaker 1: didn't have to say that super fast. You could have

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Speaker 1: said it slow right, smoke a cigar and here here

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Speaker 1: is what have I got to lose? So when you

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Speaker 1: talk about Dean Dillon, So I watched Dean Dillon do

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Speaker 1: a songwriting session and he was talking about writing songs

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Speaker 1: for George Strait and it's gotta be so cool. This

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Speaker 1: is like when you say, wow, Dean Dillon, like you're

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Speaker 1: writing with a guy who wrote songs for George Straight

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Speaker 1: and Toby Keith and all the legends, right yeah. And

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Speaker 1: he was telling a story about how George Strait called

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Speaker 1: him and said, Dana needs some songs, and Dean Dylon.

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Speaker 1: You gotta think of like old western Dean Dalan's got

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Speaker 1: long hair, mustache, cowboy hat. I don't know, maybe seventy.

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Speaker 1: I don't know. Hold Dean Dylan, is you think he's seventy?

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Speaker 1: He's timeless? Okay, timeless, that's all. And Dean Dylan's like, well,

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Speaker 1: I got some songs. I got this song called the Chair,

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Speaker 1: I got this song. And George's like, just get out here.

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Speaker 1: And so Dean said, we're picked up, described her crap.

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Speaker 1: George said, where are you when you come back? He goes,

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Speaker 1: I ain't telling you where I am, and who knows

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Speaker 1: if I'll ever come back. Yeah, he said, but we

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Speaker 1: got our stuff. We drove out and he said George

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Speaker 1: needed some songs. He goes, you know, I didn't like

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Speaker 1: funny songs. I don't like funny songs, he said, but

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Speaker 1: this has made me a lot of money. And then

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Speaker 1: he goes into I got some motion property man. So

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Speaker 1: for you to write that, to write with him, that's awesome, dude. Yeah,

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Speaker 1: that was like a bucket list dream come true to

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Speaker 1: get to write with Dean. And so it was a

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Speaker 1: shot in the dark to see if he wanted to

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Speaker 1: feature on it. Just because I couldn't stop listening to

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Speaker 1: the voice note from that day of Dean just picking

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Speaker 1: through it. So yeah, I like, would you please sing

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Speaker 1: this second verse? And he was honored too, and we've

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Speaker 1: become kind of good budds through that, Isn't that What's

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Speaker 1: crazy about this world is you have relationships with people

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Speaker 1: that you almost get giddy talking about that you even

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Speaker 1: know them. Yeah, that's how I mean, Dean Dillon, I

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Speaker 1: just went into a story. I just get so excited

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Speaker 1: talking about that part of country music. Yeah, like the

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Speaker 1: old school that. Yeah, the stuff that I cut my

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Speaker 1: teeth on before I even knew who Dean Dylan was.

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Speaker 1: So it was kind of like getting star struck all

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Speaker 1: over again. And then sitting in there and listening to

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Speaker 1: his voice on it. You hear how influential he was

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Speaker 1: on George Strait's career vocally, And guys that are cutting

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Speaker 1: a Dean Dylan song want to sing it like Dean,

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Speaker 1: which is like the ultimate respect as a songwriter because

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Speaker 1: they want to do the song it's most justice. Well,

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Speaker 1: he doesn't do funny songs, but he don't made a

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Speaker 1: whole lot of money on that. Yeah, Okay, Ernest is

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Speaker 1: here We're gonna come back with him in a second

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Speaker 1: two dozen Roses. The Deluxe version is out today, track

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Speaker 1: twelve through twenty four. Or just if you didn't you

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Speaker 1: haven't checked out the record already, should check it out

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Speaker 1: because I want to play flower shops here. But then

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Speaker 1: there are twelve new songs. I think the math's riding

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Speaker 1: that twelve thirteen new songs. Yeah, like I said, I

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Speaker 1: think you have chickens at your house, I do, Thank

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Speaker 1: you Delaney. She has eight chickens, eight and always had chickens.

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Speaker 1: This is a new thing. She had chickens when she

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Speaker 1: was a kid. Her mom had chickens, but um, you know,

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Speaker 1: we had the garden going and the garden was popping,

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Speaker 1: and she was like, I think I want chickens. Is

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Speaker 1: there an egg like um overload at your house. There's

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Speaker 1: about to be we have we have a lot of eggs,

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Speaker 1: like we'd probably get eight a week now, but only

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Speaker 1: one chickens laying. So it's about to be We're about

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Speaker 1: to be the neighborhood plugs. Well know what it's like

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Speaker 1: to have a bunch of chickens around. Growing up in Arkansas.

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Speaker 1: When you have chickens, there's two there's just so many

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Speaker 1: eggs are begging people to take eggs, yes constantly, Yeah

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Speaker 1: you want some eggs, Hey you want some eggs? How

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Speaker 1: about you need eggs? Yeah? So I never met you?

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Speaker 1: So yeah, So you've been married for how long? Five

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Speaker 1: five years? And your child is named after a very

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Speaker 1: famous country music landmark here in town, the Ryman Auditorium, Right,

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Speaker 1: young Ryman. Whenever you guys were discussing the name, whose

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Speaker 1: idea was it and was there any pushed back at all? Um?

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Speaker 1: Not really. My last name is Smith, so we had

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Speaker 1: to get interesting on the first first half of it,

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Speaker 1: and her last name being Royer, we were playing with

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Speaker 1: different r names and Ryman a it's a great place.

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Speaker 1: But I just think it's a Nashville staple and it

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Speaker 1: speaks well and it has a holiness to it. So

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Speaker 1: his full name is Ryman, Saint Smith. If you ever

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Speaker 1: wanted to do this, he could just be Ryman's Saint. So,

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Speaker 1: I don't know Ryman Ryman. Just as soon as we

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Speaker 1: said it out loud, it was like, that's cool. Yeah,

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Speaker 1: it is cool. I just wonder if there was ever like,

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Speaker 1: I don't know man, should we call him Rhyman? Should

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Speaker 1: call him Oprey, Oprey. He's a good dog. Name that

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Speaker 1: is Ernest is in studio with us. He's got a

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Speaker 1: new record that's out today. Though, before we get to

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Speaker 1: a new song, just some other songs, because Ernest has

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Speaker 1: written so many number ones for way other for a

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Speaker 1: bunch of people too. Breaking up was easy in the

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Speaker 1: nineties from Sam Hunt. A lot of people say Sam

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Speaker 1: Is when he writes, is so particular and it takes

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Speaker 1: him a long time because he is a perfectionist. What

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Speaker 1: can you lend to that. I've had both experiences with Sam.

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Speaker 1: I've had days where me and Charlie Handsome in him

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Speaker 1: went in for maybe six months and just every few

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Speaker 1: days he'd show up by Big Loud and we'd write.

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Speaker 1: And a bunch of those ideas were just verse chorus

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Speaker 1: ideas that never got finished or that maybe will one day.

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Speaker 1: And then for this song, we had a cabin in

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Speaker 1: Franklin and we wrote it like a classic two and

422
00:20:45,960 --> 00:20:48,480
Speaker 1: a half hour. Sam had the Sam had the idea

423
00:20:48,640 --> 00:20:51,679
Speaker 1: jotted in his journal. He's a pen writer and he

424
00:20:51,720 --> 00:20:53,359
Speaker 1: had Breaking up was easy in the nineties and like

425
00:20:53,640 --> 00:20:55,840
Speaker 1: some melody started pouring out. We straight up just sat

426
00:20:55,840 --> 00:20:57,399
Speaker 1: and wrote the song. And had a demo by the

427
00:20:57,480 --> 00:20:58,879
Speaker 1: end of the day. So what's it like to have

428
00:20:58,880 --> 00:21:02,280
Speaker 1: a melody pour out? If a melody's coming to me easily,

429
00:21:02,640 --> 00:21:05,240
Speaker 1: it's like a puzzle. I can kind of feel where

430
00:21:05,280 --> 00:21:08,120
Speaker 1: it's all going. So you'll, let's say where we're gonna

431
00:21:08,280 --> 00:21:11,119
Speaker 1: just bear with me for a second, like our audience

432
00:21:11,160 --> 00:21:12,639
Speaker 1: to kind of feel a bit of what it's like

433
00:21:12,680 --> 00:21:15,240
Speaker 1: to write a song. Okay, So you and I it's

434
00:21:15,320 --> 00:21:17,399
Speaker 1: ten am. We've decided we're gonna write today. We've kind

435
00:21:17,440 --> 00:21:19,760
Speaker 1: of set aside ten to three, Yeah, to write. That's

436
00:21:19,800 --> 00:21:23,600
Speaker 1: that seems to kind of ten o'clock. And I come

437
00:21:23,600 --> 00:21:25,640
Speaker 1: in and I've got like six ideas. I'm excited because

438
00:21:25,640 --> 00:21:28,280
Speaker 1: I get to write with Ernest Hey, multi hitmaker. Not

439
00:21:28,320 --> 00:21:30,200
Speaker 1: only that he's got two dozen rows of that deluxe

440
00:21:30,240 --> 00:21:32,080
Speaker 1: versions out today. I haven't say that in the writing

441
00:21:32,119 --> 00:21:34,879
Speaker 1: session to get I'm like, hey man, great job. So

442
00:21:34,920 --> 00:21:38,280
Speaker 1: I pull out my notes here and um, for example,

443
00:21:38,400 --> 00:21:41,160
Speaker 1: there's a song that I have an idea for where

444
00:21:41,160 --> 00:21:43,359
Speaker 1: I got trapped into Sephora. It's called a Loan in

445
00:21:43,400 --> 00:21:45,680
Speaker 1: Sephora where I got law. I think Keith Urban texts

446
00:21:45,720 --> 00:21:48,639
Speaker 1: me that, um, I saw his wife Nicole come in

447
00:21:48,680 --> 00:21:51,639
Speaker 1: there and he said she saw you alone in Sephora

448
00:21:51,720 --> 00:21:54,240
Speaker 1: and I was like, well, that's that's there's the time embarrassing.

449
00:21:54,240 --> 00:21:56,399
Speaker 1: So I wrote that down, so let's we were to

450
00:21:56,400 --> 00:21:57,639
Speaker 1: say it was serious. And I was like, okay, I

451
00:21:57,960 --> 00:21:59,399
Speaker 1: have this idea called a loan and Sephora, and I

452
00:21:59,400 --> 00:22:03,280
Speaker 1: really want to cap sure that I shouldn't be there.

453
00:22:03,359 --> 00:22:07,760
Speaker 1: And it feels kind of awkward. Okay, the smells aren't

454
00:22:07,760 --> 00:22:10,119
Speaker 1: really what I'm accustomed to, and everybody's looking at me

455
00:22:10,720 --> 00:22:13,240
Speaker 1: like why are you. I wasn't buying anything I don't

456
00:22:13,280 --> 00:22:16,520
Speaker 1: do with my hands, right, I ain't even there for you,

457
00:22:16,840 --> 00:22:20,159
Speaker 1: just alone and Sephora. So I say, now we're on

458
00:22:20,240 --> 00:22:25,119
Speaker 1: something smells kind of funny. I feel kind of weird

459
00:22:25,520 --> 00:22:29,119
Speaker 1: all of this makeup, and I'm growing a beard boom

460
00:22:31,320 --> 00:22:35,440
Speaker 1: dang somewhere and some more with no plan at all,

461
00:22:35,960 --> 00:22:41,120
Speaker 1: and I ain't even here for you. I'm just aloning Sephorah.

462
00:22:41,600 --> 00:22:47,439
Speaker 1: I mean, so that's that's how I write. That's a melody,

463
00:22:47,560 --> 00:22:50,520
Speaker 1: and then you collect the check and that's it. Dang.

464
00:22:51,560 --> 00:22:53,919
Speaker 1: I love my country one that he wrote with Floria

465
00:22:53,920 --> 00:22:59,359
Speaker 1: Georgia line here you go with Morgan Wallam more than

466
00:22:59,400 --> 00:23:03,680
Speaker 1: my hometown. How many songs you think you Morgan Walla,

467
00:23:04,640 --> 00:23:06,760
Speaker 1: just guess rough number, not gonna hold you to it

468
00:23:07,080 --> 00:23:10,800
Speaker 1: more than twenty, Yeah, I'd say like seventy. How many

469
00:23:10,840 --> 00:23:15,040
Speaker 1: are good? Realistically there's probably a good idea and fifty

470
00:23:15,080 --> 00:23:18,320
Speaker 1: of them, And how many are great? I think ninety

471
00:23:18,359 --> 00:23:20,159
Speaker 1: eight percent of the songs that he's cut that we

472
00:23:20,200 --> 00:23:24,680
Speaker 1: wrote are great songs. What about him? And you vibe

473
00:23:24,720 --> 00:23:28,640
Speaker 1: so well when you write? We both kind of do

474
00:23:28,720 --> 00:23:30,680
Speaker 1: the same thing, like I just did, Like we're both

475
00:23:30,880 --> 00:23:34,040
Speaker 1: down to pivot so fast. If another idea pops up

476
00:23:34,040 --> 00:23:36,960
Speaker 1: in the middle of the first one, and it just

477
00:23:37,119 --> 00:23:39,080
Speaker 1: never it never feels like a writing session. We're just

478
00:23:39,160 --> 00:23:42,359
Speaker 1: kicking it and music's happening. Ernest is here, Flower Shops

479
00:23:42,359 --> 00:23:45,120
Speaker 1: two dozen Roses, a deluxe version out today, new songs

480
00:23:45,160 --> 00:23:47,320
Speaker 1: that come out the second half of the original album.

481
00:23:47,600 --> 00:23:50,200
Speaker 1: Pick a song here that you'd like to tell me about,

482
00:23:50,240 --> 00:23:52,400
Speaker 1: because obviously I have them all and I have my thoughts.

483
00:23:52,440 --> 00:23:54,040
Speaker 1: At last break, I talked about one of mine. What

484
00:23:54,080 --> 00:23:57,280
Speaker 1: do you want to talk about here? I chose this Fire.

485
00:23:57,800 --> 00:24:01,520
Speaker 1: It's the first song on the deluxe And like, but

486
00:24:01,600 --> 00:24:04,119
Speaker 1: you mean like track twelve or thirteen? Yeah, right, and

487
00:24:04,240 --> 00:24:06,399
Speaker 1: on the vinyl it will be the beginning of the

488
00:24:06,480 --> 00:24:10,240
Speaker 1: B sides. So wrote this with Julian Bonetta, Rocky Block,

489
00:24:10,320 --> 00:24:13,159
Speaker 1: John Ryan, and we didn't know what we were going

490
00:24:13,240 --> 00:24:17,199
Speaker 1: to write. But there's this thing called AI and Julian

491
00:24:17,320 --> 00:24:20,040
Speaker 1: was like, let's just put in country song titles on

492
00:24:20,119 --> 00:24:22,880
Speaker 1: AI and there was a list of like twenty songs

493
00:24:23,400 --> 00:24:25,560
Speaker 1: and this fire was like the second one, so I

494
00:24:25,600 --> 00:24:28,440
Speaker 1: was like cool, So we just started playing around. Um,

495
00:24:28,680 --> 00:24:30,879
Speaker 1: Illegal Smile was a song I've been listening to a

496
00:24:30,880 --> 00:24:33,840
Speaker 1: good bit mister John Pryn and it's kind of got

497
00:24:33,840 --> 00:24:38,360
Speaker 1: a cool tempo change or field change. So we kind

498
00:24:38,359 --> 00:24:40,960
Speaker 1: of ran with it and and it sets the scenery

499
00:24:41,040 --> 00:24:43,520
Speaker 1: for the rest of the thirteen songs or whatever it is.

500
00:24:43,600 --> 00:24:50,919
Speaker 1: Here is this fire from Ernest. It's good man, thank you,

501
00:24:51,080 --> 00:24:53,160
Speaker 1: that's good who because you used to be the guy

502
00:24:53,200 --> 00:24:55,800
Speaker 1: that people were like, next one up, big town. Now

503
00:24:55,840 --> 00:24:57,800
Speaker 1: you're here, You've written a bunch of songs, you're doing

504
00:24:57,800 --> 00:24:59,840
Speaker 1: it as an artist. But who do you see now

505
00:25:00,000 --> 00:25:02,399
Speaker 1: where you're like, man, just wait, like that's about to

506
00:25:02,440 --> 00:25:07,359
Speaker 1: be something. Man, there's a The market's awesome right now

507
00:25:07,359 --> 00:25:10,160
Speaker 1: because there's a lot of there's a lot of cool artists. Um,

508
00:25:10,280 --> 00:25:13,560
Speaker 1: I'm excited for this kid, Cody Lowden. I actually just

509
00:25:13,600 --> 00:25:16,480
Speaker 1: signed him over it Earns Cadillac. But he's a great

510
00:25:16,520 --> 00:25:19,639
Speaker 1: writer and great singer. Um. I think Connor Smith is

511
00:25:19,640 --> 00:25:21,320
Speaker 1: going to have him a good moment and he's already

512
00:25:21,320 --> 00:25:24,800
Speaker 1: having it. Um. But he's just talented kid. The power

513
00:25:24,840 --> 00:25:28,000
Speaker 1: of the songwriter, the songwriter artist is back, which I

514
00:25:28,080 --> 00:25:30,560
Speaker 1: love because people are gonna be telling their own stories.

515
00:25:31,000 --> 00:25:33,520
Speaker 1: So we'll see there's more people popping up all the time.

516
00:25:33,880 --> 00:25:36,040
Speaker 1: I think Meg Maroney's having a moment, good for her.

517
00:25:36,080 --> 00:25:39,680
Speaker 1: Two things that are back won the songwriter. Two the vest.

518
00:25:39,920 --> 00:25:43,400
Speaker 1: The vest is back, baby, Yeah, the vest is back. Good.

519
00:25:43,560 --> 00:25:46,560
Speaker 1: I never have the confidence to wear a vest, and

520
00:25:46,560 --> 00:25:48,040
Speaker 1: here you are a full leather vest with like a

521
00:25:48,080 --> 00:25:51,760
Speaker 1: Pontiac logo. What's that logo? It's a Cadillac. Oh is

522
00:25:51,760 --> 00:25:53,520
Speaker 1: that what your car is? Or you had that made

523
00:25:53,520 --> 00:25:55,600
Speaker 1: about your car? Yeah? I had it made about my car.

524
00:25:56,560 --> 00:25:59,320
Speaker 1: I just got a pair of pants that match. What's

525
00:25:59,320 --> 00:26:02,200
Speaker 1: it cost to get invest like that made? Seriously? Oh,

526
00:26:02,320 --> 00:26:05,119
Speaker 1: like some of a number one check? It was like

527
00:26:05,640 --> 00:26:07,479
Speaker 1: two hundred bucks? Yeah, it was probably I think it

528
00:26:07,520 --> 00:26:09,920
Speaker 1: was like what was like seven hundred fifty bucks or something.

529
00:26:10,040 --> 00:26:12,359
Speaker 1: So that's like a gift. That's like I did it. Yeah,

530
00:26:12,359 --> 00:26:14,600
Speaker 1: this was a gift to myself. And the pants have

531
00:26:14,720 --> 00:26:16,879
Speaker 1: flames and a big chrome wheel on them too. I

532
00:26:16,880 --> 00:26:20,080
Speaker 1: didn't have that much confidence. It's like leather. I didn't

533
00:26:20,080 --> 00:26:22,880
Speaker 1: have that much confidence. That's my veigas outfit. I'm into

534
00:26:22,920 --> 00:26:25,000
Speaker 1: it because it's like you're just like this, let's go,

535
00:26:25,119 --> 00:26:27,080
Speaker 1: here we go. And you had this Bobby's idle hour.

536
00:26:27,400 --> 00:26:30,040
Speaker 1: I feel like that's an homage, yes, or an accident

537
00:26:30,240 --> 00:26:34,640
Speaker 1: to me, Yeah, both wanted accidental homage. Well, look, man,

538
00:26:34,760 --> 00:26:36,960
Speaker 1: you know I'm a big fan. Um, I've been over

539
00:26:37,040 --> 00:26:38,800
Speaker 1: on your podcast, you've been over to my house. I

540
00:26:38,840 --> 00:26:42,600
Speaker 1: just I think I love how you do it. Thank you, congratulations.

541
00:26:42,680 --> 00:26:45,600
Speaker 1: Keep on writing the great songs and also singing them,

542
00:26:45,600 --> 00:26:47,680
Speaker 1: so you guys check it out. Flower Shops the album

543
00:26:48,080 --> 00:26:49,920
Speaker 1: that has been out, but now it's even longer. It's

544
00:26:49,960 --> 00:26:52,080
Speaker 1: basically it's put on Weight. It has put on weight.

545
00:26:52,160 --> 00:26:53,920
Speaker 1: It's the album. It's just put on I've lost some

546
00:26:53,960 --> 00:26:57,400
Speaker 1: weight and the album put on weight. Yes weight, Yeah,

547
00:26:57,440 --> 00:27:00,399
Speaker 1: that's where it went. There are thirteen more original songs

548
00:27:00,400 --> 00:27:02,359
Speaker 1: over there, so and Ernest is a co writer on

549
00:27:02,359 --> 00:27:04,040
Speaker 1: all the songs because dang it, why would he not

550
00:27:04,080 --> 00:27:06,760
Speaker 1: be Yeah, because the guy writes songs. He's also out.

551
00:27:06,920 --> 00:27:08,760
Speaker 1: He'll be on Morgan Wallins One Night at a Time

552
00:27:08,760 --> 00:27:11,480
Speaker 1: world Tour. It's him. Bailey Zimmerman. That's another guy that's

553
00:27:11,520 --> 00:27:14,800
Speaker 1: like popping. Just yeah, it wouldn't have been fair to

554
00:27:14,880 --> 00:27:16,840
Speaker 1: use him as an example of somebody that will be

555
00:27:16,880 --> 00:27:19,720
Speaker 1: coming up. He has, he done came up. But like

556
00:27:20,440 --> 00:27:23,160
Speaker 1: his story is so crazy. He does he didn't sing, Yeah,

557
00:27:23,200 --> 00:27:24,879
Speaker 1: he just singing at a basketball court. And then but

558
00:27:24,880 --> 00:27:26,959
Speaker 1: at one time to one video on TikTok, Yeah, and

559
00:27:26,960 --> 00:27:28,760
Speaker 1: he's like, oh, I guess I can sing. That's man.

560
00:27:28,800 --> 00:27:32,440
Speaker 1: The crazy thing. TikTok will shoot some people up through

561
00:27:32,440 --> 00:27:34,919
Speaker 1: the stratosphere that never had any business being there. And

562
00:27:34,960 --> 00:27:38,800
Speaker 1: then it can also used to do Yeah, it's the opposite.

563
00:27:38,880 --> 00:27:40,919
Speaker 1: It stuck me down into the depths of it can

564
00:27:40,960 --> 00:27:45,080
Speaker 1: do that too, both Chinese. Basically China owns it and

565
00:27:45,080 --> 00:27:47,800
Speaker 1: they're operating our world. Now there you are, Yeah, you're

566
00:27:47,800 --> 00:27:50,439
Speaker 1: responsible for the balloon. I am not this one the

567
00:27:50,480 --> 00:27:52,760
Speaker 1: last one yet. Okay, there he is, Ernest, and I'll

568
00:27:52,800 --> 00:27:54,320
Speaker 1: be putting out the song that I wrote by myself

569
00:27:54,359 --> 00:27:58,840
Speaker 1: alone and Sephora with no penalties or lawsuits soon. All right,

570
00:27:59,000 --> 00:28:04,200
Speaker 1: get the record there, he is honest, everybody. It's the

571
00:28:04,240 --> 00:28:08,720
Speaker 1: best bits of the week with Morgan. Number two, a

572
00:28:08,920 --> 00:28:11,600
Speaker 1: listener called into the show and wanted to know what

573
00:28:11,680 --> 00:28:15,159
Speaker 1: animated characters do the show most look alike after she

574
00:28:15,240 --> 00:28:17,600
Speaker 1: watched the show and thought Bobby looked like this very

575
00:28:17,640 --> 00:28:21,199
Speaker 1: specific animated character. So Mikey did some comparisons and he

576
00:28:21,240 --> 00:28:24,119
Speaker 1: came up with some things that are party spot on

577
00:28:24,160 --> 00:28:26,760
Speaker 1: for some people and interesting for others, but definitely check

578
00:28:26,760 --> 00:28:29,000
Speaker 1: it out. And I'm still very honored that one of

579
00:28:29,040 --> 00:28:31,280
Speaker 1: our listeners on the Facebook page said, I looked like

580
00:28:31,359 --> 00:28:35,120
Speaker 1: the Lizzie McGuire cartoon. Not Lizzie McGuire from the TV show,

581
00:28:35,119 --> 00:28:37,080
Speaker 1: but if you watch that TV show, she had her

582
00:28:37,080 --> 00:28:39,560
Speaker 1: own little animated cartoon character that came in and out

583
00:28:39,600 --> 00:28:42,560
Speaker 1: of different episodes, and that is apparently who I look like.

584
00:28:42,600 --> 00:28:44,080
Speaker 1: And you know what, I'll take it all day long.

585
00:28:44,120 --> 00:28:48,080
Speaker 1: I love that comparison. Number four a voicemail from Jessica

586
00:28:48,120 --> 00:28:52,240
Speaker 1: and San Diego. I was recently watching a movie with

587
00:28:52,280 --> 00:28:55,320
Speaker 1: my kids at Lampos. I feel like the main character,

588
00:28:55,680 --> 00:28:58,920
Speaker 1: Milosach looks so much like Bobby and has some of

589
00:28:59,000 --> 00:29:02,440
Speaker 1: his mannerism too. So if you had to assign each

590
00:29:02,440 --> 00:29:05,560
Speaker 1: other cartoon characters and you have to come up with

591
00:29:05,720 --> 00:29:10,120
Speaker 1: something different than Doug Funny for Lunchbox, who would everyone be?

592
00:29:10,960 --> 00:29:13,120
Speaker 1: Mike did this last night here? So who Mike depicted

593
00:29:13,720 --> 00:29:18,560
Speaker 1: for me? Steve Smith for American Dad, the Kid the Son. Yeah, okay, yeah,

594
00:29:18,880 --> 00:29:22,840
Speaker 1: looks just like you. Amy would be Sleeping Beauty. Well,

595
00:29:22,840 --> 00:29:28,480
Speaker 1: that's pretty that's nice. I get Eddie gets Speedy Gonzalez,

596
00:29:28,520 --> 00:29:34,960
Speaker 1: that's messed up. Lunchbox gets Pigpen from Charlie. Charlie Brown,

597
00:29:35,040 --> 00:29:37,200
Speaker 1: the dirty kid. He does look like pig pen, you do.

598
00:29:37,360 --> 00:29:39,240
Speaker 1: That's rude. I don't even know who that is. He's

599
00:29:39,240 --> 00:29:42,920
Speaker 1: got the cloud of dust falling. Raymundo got Mighty Mouse.

600
00:29:44,960 --> 00:29:49,920
Speaker 1: That's funny, and Scuba. Steve got Mister Clean, the cleaning guy,

601
00:29:49,920 --> 00:29:53,680
Speaker 1: but with a beard. Yeah that is okay, Well, that's

602
00:29:53,800 --> 00:29:58,600
Speaker 1: that's that. That's pretty good. I mean the Gonzalez, Hey,

603
00:29:58,640 --> 00:30:01,600
Speaker 1: I didn't do it. I thought Mighty Mouse a little

604
00:30:01,640 --> 00:30:09,320
Speaker 1: more cocoa man. That's me Animations. It's the best bits

605
00:30:09,360 --> 00:30:14,720
Speaker 1: of the week with Morgan number two in the world

606
00:30:14,720 --> 00:30:18,840
Speaker 1: of Lunchbox. He also went to some bathrooms, public bathrooms,

607
00:30:18,840 --> 00:30:21,000
Speaker 1: I should say, not his personal ones at home or

608
00:30:21,040 --> 00:30:23,520
Speaker 1: not at work. He went to some public bathrooms and

609
00:30:23,640 --> 00:30:27,080
Speaker 1: made some confessions while strangers were sitting in the other stalls,

610
00:30:27,120 --> 00:30:29,080
Speaker 1: and he talked a lot about a lot of things.

611
00:30:29,120 --> 00:30:30,400
Speaker 1: Some of it may be true. I don't know. We

612
00:30:30,400 --> 00:30:33,520
Speaker 1: don't actually know where these confessions come from, whether he

613
00:30:33,560 --> 00:30:35,600
Speaker 1: makes them up, whether they're true in his life, who knows.

614
00:30:35,960 --> 00:30:38,120
Speaker 1: But he made some confessions to strangers. And it got

615
00:30:38,160 --> 00:30:40,400
Speaker 1: awkward because you're sitting in a bathroom toilet and somebody's

616
00:30:40,400 --> 00:30:42,880
Speaker 1: talking to you on the other stall. Definitely weird, but

617
00:30:42,960 --> 00:30:46,240
Speaker 1: it happened. Number three, lunchbox, Explain what you're doing here.

618
00:30:46,600 --> 00:30:49,200
Speaker 1: I go into a bathroom and I sit in the stall,

619
00:30:49,240 --> 00:30:50,680
Speaker 1: and then I wait for people to sit in the

620
00:30:50,680 --> 00:30:52,960
Speaker 1: stall next to me on either side, and then I

621
00:30:53,040 --> 00:30:56,920
Speaker 1: knock on the stall and start talking to him. It's

622
00:30:56,920 --> 00:31:00,560
Speaker 1: so awkward. I love it. I have secondary aker. Yeah,

623
00:31:00,560 --> 00:31:03,160
Speaker 1: it's like I confess things. I asked for opinions, I

624
00:31:03,160 --> 00:31:05,720
Speaker 1: asked for advice. It's really just, you know, it's more

625
00:31:05,760 --> 00:31:09,600
Speaker 1: like confessional. Like you go to the church your Catholic Yeah, yeah,

626
00:31:09,680 --> 00:31:11,640
Speaker 1: you can't see the person, so you just talk to

627
00:31:11,640 --> 00:31:14,600
Speaker 1: her about life the person, Yeah, the priest. So Lunchblox

628
00:31:14,640 --> 00:31:16,880
Speaker 1: does bathroom confessions. This is the Las Vegas. You don't

629
00:31:16,920 --> 00:31:19,000
Speaker 1: know what they're gonna say. While he was in Vegas,

630
00:31:19,080 --> 00:31:20,960
Speaker 1: he went into a public restroom, sat in stall and

631
00:31:21,000 --> 00:31:25,760
Speaker 1: just knocked, hoping he'd get a response. Here is confession

632
00:31:25,840 --> 00:31:30,960
Speaker 1: number one, Stall three, when I've install four question for

633
00:31:31,120 --> 00:31:35,440
Speaker 1: you that so like, I've been wearing my wife's underwear

634
00:31:35,480 --> 00:31:38,560
Speaker 1: for like a month and it's like really comfortable. But

635
00:31:38,560 --> 00:31:40,680
Speaker 1: she keeps she doesn't know, and she's always like, man,

636
00:31:40,720 --> 00:31:44,560
Speaker 1: I can't find my underwear, And I'm like, should I

637
00:31:44,560 --> 00:31:49,640
Speaker 1: tell her if she's gonna find that weird? What's that? Well?

638
00:31:49,680 --> 00:31:51,240
Speaker 1: I mean I want you know what I mean, Like

639
00:31:51,240 --> 00:31:52,960
Speaker 1: I wear a different pair and then I wash it,

640
00:31:53,040 --> 00:31:55,880
Speaker 1: and you know, she's like, oh I found it. Yeah.

641
00:31:55,960 --> 00:32:00,400
Speaker 1: Do you think that's weird? It's an unusual. Do you

642
00:32:00,440 --> 00:32:02,720
Speaker 1: ever wear your wife's underwear? Do you want me to

643
00:32:02,760 --> 00:32:04,440
Speaker 1: slide you a pair of my wife's under the stall?

644
00:32:05,760 --> 00:32:08,880
Speaker 1: Are you sure you can try it on? You? Leaving?

645
00:32:09,560 --> 00:32:12,280
Speaker 1: I have a great one. Man. I hope I didn't

646
00:32:12,320 --> 00:32:17,760
Speaker 1: make an awkward Yeah, all right, cool man probably made

647
00:32:17,760 --> 00:32:21,080
Speaker 1: that would cut it on early it wasn't done. Yep.

648
00:32:21,560 --> 00:32:23,240
Speaker 1: I want to want to talk to anybody in there.

649
00:32:24,120 --> 00:32:27,680
Speaker 1: All right, here's this one is fringey two. Because he

650
00:32:27,720 --> 00:32:30,680
Speaker 1: asked for help. I go ahead, Stall four? What's up it?

651
00:32:30,760 --> 00:32:35,160
Speaker 1: Stall five? Oh man, my shoe came on time. I

652
00:32:35,160 --> 00:32:36,640
Speaker 1: was worried if I slided or if you can tie

653
00:32:36,640 --> 00:32:40,240
Speaker 1: it for me. I'm busy wiping. Oh no, just tie

654
00:32:40,280 --> 00:32:44,440
Speaker 1: it real quick. I'm sorry. I mean, I'm just I'm

655
00:32:44,480 --> 00:32:48,080
Speaker 1: in the middle wiping and I can't. I'm just seeing

656
00:32:48,080 --> 00:32:49,480
Speaker 1: if you could help me. I didn't want to make

657
00:32:49,520 --> 00:32:54,160
Speaker 1: it awkward. I'm sorry. Are you leaving? Yeah? Are you

658
00:32:54,200 --> 00:33:00,240
Speaker 1: gonna tie my shoe? No? Oh? Are you sure? Are

659
00:33:00,240 --> 00:33:06,640
Speaker 1: you still there? Four? I mean he's gonna beat up, Yes,

660
00:33:06,680 --> 00:33:09,840
Speaker 1: he is. One of these days you're gonna walk out

661
00:33:09,880 --> 00:33:14,920
Speaker 1: and just get I mean, what was that? Not funny? Shoe?

662
00:33:14,960 --> 00:33:16,600
Speaker 1: People put their foot under the stalls some time to

663
00:33:16,600 --> 00:33:21,640
Speaker 1: hook up, right, Yes, I'm not slid my shoe. That's

664
00:33:21,680 --> 00:33:24,360
Speaker 1: the move, right, yeah, yeah, I don't know remember that one? Yeah?

665
00:33:24,400 --> 00:33:26,640
Speaker 1: Yeah the congressman. Yeah, well that's the move. If you

666
00:33:26,720 --> 00:33:28,080
Speaker 1: if you're in a stall and you slide your foot

667
00:33:28,120 --> 00:33:29,880
Speaker 1: under and you're like wiggle it, that means if they

668
00:33:29,920 --> 00:33:33,760
Speaker 1: wiggle back rendezvous, it's time to go. Yeah, but this

669
00:33:33,840 --> 00:33:36,360
Speaker 1: I was asking for a shoe tie, and that means

670
00:33:36,400 --> 00:33:39,400
Speaker 1: you might think you whatever I mean, he was upping

671
00:33:39,480 --> 00:33:43,240
Speaker 1: out bathroom confession. Thank you, lunchbox, You're welcome. Crune meter

672
00:33:43,920 --> 00:33:47,400
Speaker 1: seven and a half. Seven and a half. It's the

673
00:33:47,440 --> 00:33:52,040
Speaker 1: best bits of the week with Morgan. Number two, we

674
00:33:52,160 --> 00:33:54,960
Speaker 1: heard all about Bobby's time in Pebble Beach for the

675
00:33:55,000 --> 00:33:58,760
Speaker 1: golf tournament. Not only did he meet some crazy celebrities

676
00:33:58,760 --> 00:34:01,960
Speaker 1: and have a great time, he also accidentally hit a

677
00:34:02,000 --> 00:34:03,960
Speaker 1: girl in the face with his golf ball. Yeah, a

678
00:34:04,000 --> 00:34:06,640
Speaker 1: whole thing happened. And he shared on the show this

679
00:34:06,680 --> 00:34:09,160
Speaker 1: week if he may or may not get sued. I

680
00:34:09,200 --> 00:34:11,080
Speaker 1: believe that was on one of our podcasts. That's not

681
00:34:11,160 --> 00:34:13,879
Speaker 1: this segment right here, but he talked about like if

682
00:34:13,880 --> 00:34:15,839
Speaker 1: there's a potential for him to get sued, And that's

683
00:34:15,920 --> 00:34:18,319
Speaker 1: kind of interesting to hear about too, because dang, there

684
00:34:18,760 --> 00:34:21,279
Speaker 1: is kind of a liability. But apparently not, he's not

685
00:34:21,320 --> 00:34:24,240
Speaker 1: getting sued anytime soon. So you can hear his stories

686
00:34:24,280 --> 00:34:26,160
Speaker 1: from Pebble Beach, and of course that one on the

687
00:34:26,200 --> 00:34:29,360
Speaker 1: post show from this week. But this is Bobby talking

688
00:34:29,400 --> 00:34:34,239
Speaker 1: about playing Golf's Ray Romano number two. Yeah, so what

689
00:34:34,440 --> 00:34:37,040
Speaker 1: was really cool last week? I went over and I'm

690
00:34:37,040 --> 00:34:38,719
Speaker 1: not a good golfer, never grew up around golf. We

691
00:34:38,719 --> 00:34:41,040
Speaker 1: didn't really have golf where I grew up. So I

692
00:34:41,080 --> 00:34:43,680
Speaker 1: get to go do this thing over in northern California,

693
00:34:43,760 --> 00:34:46,040
Speaker 1: like mon Terray Pebble Beach. Only thought i'd ever see

694
00:34:46,080 --> 00:34:49,319
Speaker 1: it on TV. And I go and like I got

695
00:34:49,360 --> 00:34:52,080
Speaker 1: to be friends with Ray Romano. Oh yeah, I saw that.

696
00:34:52,080 --> 00:34:54,480
Speaker 1: That's cool. It was so cool, and don't I don't

697
00:34:54,480 --> 00:34:56,200
Speaker 1: even want to like we get We talked about it a

698
00:34:56,160 --> 00:34:57,600
Speaker 1: a little bit on the Post Show yesterday because I

699
00:34:57,640 --> 00:34:59,560
Speaker 1: don't want it to feel like I'm bragging. But mostly

700
00:34:59,560 --> 00:35:02,319
Speaker 1: it's like I can't believe it. But there were so

701
00:35:02,360 --> 00:35:05,120
Speaker 1: many cool stories. But I'll tell you this one time.

702
00:35:05,640 --> 00:35:08,799
Speaker 1: And I took Eddie with me because I've also learned

703
00:35:08,800 --> 00:35:10,480
Speaker 1: that nothing that I do is fine if I don't

704
00:35:10,480 --> 00:35:13,880
Speaker 1: get to take somebody that I just love. And I

705
00:35:13,920 --> 00:35:16,279
Speaker 1: do love you, Eddie, I love you too. That if

706
00:35:16,360 --> 00:35:17,960
Speaker 1: that it's not fun unless they get to do it

707
00:35:18,000 --> 00:35:20,520
Speaker 1: with you. And so I take Eddie and we're playing

708
00:35:20,520 --> 00:35:22,000
Speaker 1: this little thing and Ray Romondo and I are on

709
00:35:22,040 --> 00:35:24,560
Speaker 1: a team, unless like on TV, the people just stand

710
00:35:24,640 --> 00:35:28,640
Speaker 1: all around the green like really close, way too close,

711
00:35:29,520 --> 00:35:32,239
Speaker 1: especially for an amateur. I'm not good at golf. I'm okay,

712
00:35:32,280 --> 00:35:34,279
Speaker 1: I'm not good, and so I hit a ball in

713
00:35:34,280 --> 00:35:35,799
Speaker 1: the air and it's okay, it's pretty good, but it's

714
00:35:35,800 --> 00:35:37,839
Speaker 1: a little over the people. It's like eight foot off

715
00:35:37,840 --> 00:35:39,480
Speaker 1: to the side of the green. If we were just

716
00:35:39,480 --> 00:35:41,160
Speaker 1: playing ourselves, I'd be like, heck of a shot at me,

717
00:35:42,360 --> 00:35:45,080
Speaker 1: and it lands, and then all of a sudden it

718
00:35:45,080 --> 00:35:48,120
Speaker 1: starts to roll toward the whole. And then golf it's

719
00:35:48,239 --> 00:35:54,560
Speaker 1: very composed. You're supposed to be like, thankle golf plant,

720
00:35:54,640 --> 00:35:55,960
Speaker 1: but I don't do that. I was running through. I

721
00:35:55,960 --> 00:35:57,239
Speaker 1: just happy hit a good shot in front of people,

722
00:35:57,239 --> 00:35:59,120
Speaker 1: because I get so nervous. I'm not running down giving

723
00:35:59,160 --> 00:36:02,719
Speaker 1: everybody five let's go. I come back and somebody goes, hey,

724
00:36:02,760 --> 00:36:04,160
Speaker 1: I think you hit somebody with the ball, and that's

725
00:36:04,160 --> 00:36:07,399
Speaker 1: why it rolled over to the green, and I was like, wait,

726
00:36:07,440 --> 00:36:09,160
Speaker 1: what I mean? I was going crazy. I was so

727
00:36:09,160 --> 00:36:10,839
Speaker 1: happy that ball rolled like four feet from the hole,

728
00:36:11,400 --> 00:36:13,600
Speaker 1: and so I said, what do you mean? So Eddie

729
00:36:13,640 --> 00:36:15,120
Speaker 1: and I walked down there. I had a girl right

730
00:36:15,120 --> 00:36:19,000
Speaker 1: in the face with the ball, and in her face

731
00:36:19,080 --> 00:36:21,920
Speaker 1: was swollen. She had an ice pack on. It's on

732
00:36:21,960 --> 00:36:25,120
Speaker 1: my Instagram now. And it wasn't a bout a shot.

733
00:36:25,239 --> 00:36:27,239
Speaker 1: I just want to say that again. It was for me.

734
00:36:27,239 --> 00:36:29,160
Speaker 1: It was a pretty good shot, but hit her right

735
00:36:29,160 --> 00:36:31,680
Speaker 1: in the face. And so I said what happened and

736
00:36:31,760 --> 00:36:33,960
Speaker 1: she goes, oh, I wasn't. The deal was there were

737
00:36:34,000 --> 00:36:36,080
Speaker 1: a lot of like real celebrities there and when I

738
00:36:36,080 --> 00:36:37,880
Speaker 1: was hitting, she didn't care because I'm not a celebrity

739
00:36:37,880 --> 00:36:41,280
Speaker 1: to her, and so she wasn't watching. And the balls

740
00:36:41,320 --> 00:36:43,440
Speaker 1: went whack right in her face and it rolled, It

741
00:36:43,440 --> 00:36:45,280
Speaker 1: bounced off her, rolled right to the hole. It was amazing.

742
00:36:45,320 --> 00:36:47,560
Speaker 1: I mean not amazing. It was terrible. But I went

743
00:36:47,600 --> 00:36:49,719
Speaker 1: over to her talked to her. I was like, are

744
00:36:49,719 --> 00:36:52,360
Speaker 1: you good. She's like, I'm good. Face just swallen. And

745
00:36:52,440 --> 00:36:54,440
Speaker 1: I got one of these big signs and I signed it,

746
00:36:54,520 --> 00:36:56,880
Speaker 1: I'm sorry I hit you in the face. PS. It

747
00:36:56,920 --> 00:36:59,200
Speaker 1: was a pretty good shot though, And then I and

748
00:36:59,200 --> 00:37:01,640
Speaker 1: then I happened. After Bucks, somebody randomly gave me a

749
00:37:01,680 --> 00:37:03,120
Speaker 1: friend earlier that day, Jimmy, and I gave it to

750
00:37:03,160 --> 00:37:05,040
Speaker 1: her and I was like, thanks for the help, but

751
00:37:05,360 --> 00:37:08,120
Speaker 1: it's really scary hitting into people. Oh, I'm sure that's

752
00:37:08,160 --> 00:37:09,520
Speaker 1: why I'm not going to be a pro golfer. I'm

753
00:37:09,520 --> 00:37:12,400
Speaker 1: saying it now that I would be a pro golfer.

754
00:37:13,160 --> 00:37:15,000
Speaker 1: But I had a great experience. And if you listen

755
00:37:15,040 --> 00:37:16,759
Speaker 1: to the post show yesterday, I talked about it a

756
00:37:16,840 --> 00:37:20,160
Speaker 1: little bit. It was so I tell you. The coolest

757
00:37:20,160 --> 00:37:21,399
Speaker 1: part was, I don't know if you know who Steve

758
00:37:21,400 --> 00:37:23,200
Speaker 1: Young is. We played a quarterback for the forty nine

759
00:37:23,280 --> 00:37:25,600
Speaker 1: ers Hall of Famer. Do you know who that is? Really? Yeah,

760
00:37:26,040 --> 00:37:28,480
Speaker 1: he asked for a picture with me. What exactly? I

761
00:37:28,520 --> 00:37:31,279
Speaker 1: couldn't believe it. Why exactly? I thought it was a

762
00:37:31,360 --> 00:37:34,880
Speaker 1: joke for real? Yes, he listens to the show? Oh oky?

763
00:37:36,880 --> 00:37:40,560
Speaker 1: Now also quick question back to the ball. If it

764
00:37:40,560 --> 00:37:42,840
Speaker 1: hadn't hit her face and actually rolled in, would that

765
00:37:42,880 --> 00:37:44,760
Speaker 1: be a hole in? Would that's right? And it would

766
00:37:44,760 --> 00:37:47,799
Speaker 1: count yep, even though it hit her face, because it

767
00:37:47,880 --> 00:37:50,320
Speaker 1: it's a tree if it's anything, okay, wow? Oh no,

768
00:37:50,360 --> 00:37:52,080
Speaker 1: that's why I started celebrating. I thought it hit like

769
00:37:52,120 --> 00:37:54,600
Speaker 1: a hill or something. Oh. I was going hard. I

770
00:37:54,640 --> 00:37:56,840
Speaker 1: was giving people fives running through I thought I was

771
00:37:56,920 --> 00:37:58,680
Speaker 1: King Dingling of the golf golf spot. And then I

772
00:37:58,680 --> 00:38:00,160
Speaker 1: came back and they're like, bro, yea somebody in the face.

773
00:38:00,680 --> 00:38:02,759
Speaker 1: But it's on my Instagram. But that's what's up. We're here.

774
00:38:02,760 --> 00:38:04,440
Speaker 1: We live and learn, don't we Yeah, we do. And

775
00:38:04,520 --> 00:38:08,279
Speaker 1: I learned say everybody back away, I'm hitting. I did

776
00:38:08,280 --> 00:38:11,200
Speaker 1: be Aaron Rodgers though in a game though too. I

777
00:38:11,280 --> 00:38:13,680
Speaker 1: hate anybody in the face. So like you could, can

778
00:38:13,719 --> 00:38:15,919
Speaker 1: you go up to the thing and say, okay, step back?

779
00:38:16,560 --> 00:38:21,480
Speaker 1: I mean you can, probably won't. It's the best bits

780
00:38:21,480 --> 00:38:25,880
Speaker 1: of the week with Morgan number two and also in

781
00:38:25,920 --> 00:38:28,480
Speaker 1: that world of cool things Bobby's gotten to do this

782
00:38:28,480 --> 00:38:31,680
Speaker 1: past weekend, he co hosted the Grammys on E and

783
00:38:31,680 --> 00:38:33,440
Speaker 1: he got to talk to a whole lot of people,

784
00:38:33,719 --> 00:38:36,719
Speaker 1: Shannaia Twain my idol, being one of them. I love her.

785
00:38:36,920 --> 00:38:38,279
Speaker 1: He talked to her. He talked to a whole lot

786
00:38:38,320 --> 00:38:40,799
Speaker 1: of different people at Brandy Carlisle. There's a lot of

787
00:38:40,800 --> 00:38:42,719
Speaker 1: exciting people that stopped by. And he got to wear

788
00:38:42,760 --> 00:38:45,200
Speaker 1: a really cool suit jacket and when I say really cool,

789
00:38:45,239 --> 00:38:46,839
Speaker 1: I mean a four thousand dollars one. Then he talked

790
00:38:46,880 --> 00:38:49,640
Speaker 1: about it was like the first opening thing you mentioned

791
00:38:49,719 --> 00:38:51,839
Speaker 1: while he was on the red carpet, but he talked

792
00:38:51,880 --> 00:38:54,400
Speaker 1: about that experience what it was like out in California

793
00:38:54,480 --> 00:38:57,200
Speaker 1: for those, which was right after his Pebble Beach golf tournament.

794
00:38:57,239 --> 00:38:59,000
Speaker 1: So he came back pretty tired. He had done a

795
00:38:59,080 --> 00:39:01,160
Speaker 1: lot of things. But this is Bobby talking about his

796
00:39:01,280 --> 00:39:05,279
Speaker 1: time co hosting The Grammy's Red Carpet on each number one.

797
00:39:05,400 --> 00:39:07,040
Speaker 1: I want to say this. I didn't watch a single

798
00:39:07,120 --> 00:39:08,719
Speaker 1: bit of the Grammy's last night. I don't even know

799
00:39:08,719 --> 00:39:11,640
Speaker 1: who won. I finished my part, did the Red Carpet.

800
00:39:12,680 --> 00:39:15,360
Speaker 1: I walked off, got in a car, got in a plane,

801
00:39:15,360 --> 00:39:17,640
Speaker 1: came right home, landed at one thirty or two this morning,

802
00:39:17,840 --> 00:39:21,080
Speaker 1: came here, did the show, and that was it. So

803
00:39:21,120 --> 00:39:23,719
Speaker 1: I don't know anything that happened. But did you guys

804
00:39:23,800 --> 00:39:27,080
Speaker 1: watch the Grammys? No? No, your part, but that's it?

805
00:39:27,120 --> 00:39:29,719
Speaker 1: Oh thanks, Yeah, red Carpet, that's it. I watched a

806
00:39:29,719 --> 00:39:31,160
Speaker 1: little bit of the I watched the Red Carpet, and

807
00:39:31,160 --> 00:39:32,719
Speaker 1: then I watched a little bit of the Grammys because

808
00:39:32,719 --> 00:39:34,319
Speaker 1: I wanted to see, Okay, what are we gonna do here?

809
00:39:34,800 --> 00:39:37,160
Speaker 1: First two performers. I was like, all right, what does

810
00:39:37,239 --> 00:39:42,600
Speaker 1: start with bad Bunny? Okay? But in Spanish, in Spanish,

811
00:39:42,600 --> 00:39:45,320
Speaker 1: that's what's up? Yeah, I guess you know Bad Bunny

812
00:39:45,360 --> 00:39:48,799
Speaker 1: is the most streamed artist of the world. I learned

813
00:39:48,800 --> 00:39:51,200
Speaker 1: that on the Red Carpet because I don't know Spanish though,

814
00:39:51,280 --> 00:39:52,840
Speaker 1: that's what I'm saying. I didn't know Spanish, so I

815
00:39:52,840 --> 00:39:54,480
Speaker 1: had no idea what was going on. I was like,

816
00:39:55,640 --> 00:39:58,439
Speaker 1: but I do watch Lost in German and I like it.

817
00:39:58,840 --> 00:40:01,440
Speaker 1: So if somehow they could do Spanish and I could

818
00:40:01,480 --> 00:40:04,440
Speaker 1: read the subtitles while I was listening, but even then

819
00:40:04,480 --> 00:40:08,360
Speaker 1: that'd be weird. Yeah, I will say my kids liked

820
00:40:08,600 --> 00:40:11,799
Speaker 1: Bad Bunny, like they because his name is Bunny though no,

821
00:40:11,920 --> 00:40:14,520
Speaker 1: just because they didn't know him. No, they've just danced

822
00:40:14,520 --> 00:40:16,960
Speaker 1: to the music. Um. And then the next person was

823
00:40:16,960 --> 00:40:20,040
Speaker 1: the girl you interviewed on the Red Carpet, which I

824
00:40:20,080 --> 00:40:23,640
Speaker 1: don't know her, Brandy Carlisle. Brandy Carlisle is awesome. Yeah,

825
00:40:23,719 --> 00:40:28,279
Speaker 1: she's sang was she good? Fine? Whatever? I didn't know

826
00:40:28,320 --> 00:40:30,440
Speaker 1: the song. Yeah, I was like, cool, you're also not

827
00:40:30,480 --> 00:40:33,319
Speaker 1: a big music person. Yeah, that's and I'm the first

828
00:40:33,320 --> 00:40:36,000
Speaker 1: two performers. I was like, man, that's really in the

829
00:40:36,040 --> 00:40:38,360
Speaker 1: show for me, Like, I'm there whatever, I want to

830
00:40:38,360 --> 00:40:40,719
Speaker 1: see something cool. But then I did watch the Chris

831
00:40:40,760 --> 00:40:44,040
Speaker 1: Stapleton with Stevie wonder was that good? That was so cool?

832
00:40:45,000 --> 00:40:49,000
Speaker 1: So cool? Yeah, I saw none of it. So Scooba,

833
00:40:49,040 --> 00:40:51,520
Speaker 1: did you watch some performances I did. Yeah, I saw

834
00:40:51,560 --> 00:40:53,560
Speaker 1: the fifty Years of Hip Hop, which that was awesome.

835
00:40:53,760 --> 00:40:55,399
Speaker 1: Was it good? Yeah? One thing I was confused about,

836
00:40:55,400 --> 00:40:56,879
Speaker 1: maybe you guys can shed light night. I don't want

837
00:40:56,880 --> 00:40:59,279
Speaker 1: to start any controversy here, but I was watching the

838
00:40:59,400 --> 00:41:03,080
Speaker 1: country category, which I hadn't really cared about until years,

839
00:41:03,480 --> 00:41:05,800
Speaker 1: and I saw the artists who I recognized their albums,

840
00:41:05,800 --> 00:41:09,759
Speaker 1: like Luke Combs, Miranda Lambert, Mary Morris, and then they

841
00:41:09,760 --> 00:41:13,120
Speaker 1: go Willie Nelson. I'm like, only Nelson, no disrespect. Guys

842
00:41:13,120 --> 00:41:16,000
Speaker 1: got an incredible career, never knew he had an album out,

843
00:41:16,120 --> 00:41:19,120
Speaker 1: and then he wins. I feel terrible for the people

844
00:41:19,160 --> 00:41:22,000
Speaker 1: who Well. The difference is the Grammys are a committee

845
00:41:22,000 --> 00:41:24,480
Speaker 1: of people who just sit in a room and select, like, oh,

846
00:41:24,560 --> 00:41:28,600
Speaker 1: I know Willie Nelson. Check no, but yeah, will he's

847
00:41:28,600 --> 00:41:31,000
Speaker 1: getting old. Yeah. But that's not the only reason. I

848
00:41:31,040 --> 00:41:32,600
Speaker 1: swear to God, it's not. If he would have died,

849
00:41:32,640 --> 00:41:35,480
Speaker 1: I would have said probably, but he didn't die. There

850
00:41:35,480 --> 00:41:36,920
Speaker 1: were some of those. I saw a few of those

851
00:41:36,920 --> 00:41:39,600
Speaker 1: that happened last night. For example, song of the Year.

852
00:41:39,680 --> 00:41:41,680
Speaker 1: Overall Song of the Year went to Bonnie Rate just

853
00:41:41,760 --> 00:41:45,520
Speaker 1: like that, against a bunch of big, massive pop songs too.

854
00:41:45,880 --> 00:41:50,439
Speaker 1: So what's happening is, for the most part, people vote

855
00:41:50,440 --> 00:41:53,480
Speaker 1: on the Grammys, but if the little boardroom people don't

856
00:41:53,480 --> 00:41:55,759
Speaker 1: agree on it at least hot this is how it

857
00:41:55,840 --> 00:41:59,319
Speaker 1: used to be, they'll change it. Wow. Okay, so I

858
00:41:59,400 --> 00:42:02,160
Speaker 1: felt terrible. I saw Luca all excited and then they

859
00:42:02,160 --> 00:42:05,239
Speaker 1: were just completely defeated. Inflatable. And it's not based on

860
00:42:05,560 --> 00:42:09,960
Speaker 1: streams or or anything. It's just really based on who

861
00:42:10,239 --> 00:42:16,319
Speaker 1: The Grammys are known as a cultural we're culturally better

862
00:42:16,840 --> 00:42:19,960
Speaker 1: and sometimes we don't go with what I mean. I

863
00:42:20,080 --> 00:42:21,600
Speaker 1: bet your best new artists I haven't looked yet is

864
00:42:21,640 --> 00:42:25,399
Speaker 1: somebody we don't know. Samara Joy until this, I didn't

865
00:42:25,400 --> 00:42:26,880
Speaker 1: know every well. I believe she's a jazz singer and

866
00:42:26,920 --> 00:42:28,759
Speaker 1: she's awesome, but I would never have stumbled onto her

867
00:42:28,760 --> 00:42:31,400
Speaker 1: had I not been doing research for my role. The

868
00:42:31,520 --> 00:42:39,400
Speaker 1: Grammys try to use their platform to celebrate music that

869
00:42:39,560 --> 00:42:45,440
Speaker 1: isn't just commercially viable and successful, but also the people

870
00:42:45,480 --> 00:42:48,880
Speaker 1: that they select to be the gatekeepers as well as

871
00:42:48,880 --> 00:42:51,359
Speaker 1: the voters. They want them to pick it based on

872
00:42:53,239 --> 00:42:56,479
Speaker 1: the quality and integrity of it, and I respect that. Yeah,

873
00:42:56,480 --> 00:42:59,239
Speaker 1: but this category felt a little weird about. I can

874
00:42:59,320 --> 00:43:02,520
Speaker 1: understand why that would be. People were getting upset it

875
00:43:02,600 --> 00:43:04,359
Speaker 1: for the same exact reason about Bonnie Rate winning Song

876
00:43:04,360 --> 00:43:05,839
Speaker 1: of the Year, because it was up against like Harry

877
00:43:05,840 --> 00:43:09,239
Speaker 1: Styles and other songs. You know. Yeah, so, but the

878
00:43:09,280 --> 00:43:11,879
Speaker 1: Grammys they're known for that. I think I've spoken out

879
00:43:12,080 --> 00:43:14,520
Speaker 1: a couple of times before about how the Grammys there

880
00:43:14,520 --> 00:43:18,160
Speaker 1: are times whenever things are happening culturally, and the Grammys

881
00:43:18,160 --> 00:43:21,400
Speaker 1: will make sure to reflect that culturally with their award winning. Yeah,

882
00:43:22,239 --> 00:43:26,279
Speaker 1: so it'd be awesome to get a Grammy. And if

883
00:43:26,320 --> 00:43:27,759
Speaker 1: they want me to come hosted, I love them. If

884
00:43:27,800 --> 00:43:30,839
Speaker 1: they don't, well I got a problem with them. Now

885
00:43:30,920 --> 00:43:33,560
Speaker 1: I don't. But that's that's really why they don't really

886
00:43:33,600 --> 00:43:36,040
Speaker 1: go let's look at numbers of people who stream music.

887
00:43:36,080 --> 00:43:37,799
Speaker 1: They just try to go, what do we really thinks

888
00:43:37,800 --> 00:43:39,879
Speaker 1: the best? And what does the people who vote? Who

889
00:43:39,880 --> 00:43:41,600
Speaker 1: have to be an elevated You can't just vote, you

890
00:43:41,600 --> 00:43:43,120
Speaker 1: can't get online and vote. You have to be in

891
00:43:43,160 --> 00:43:46,480
Speaker 1: an elevated position. It's a Grammy, like I get to vote. Yeah,

892
00:43:46,520 --> 00:43:48,280
Speaker 1: but I don't even know who they are sometimes I don't.

893
00:43:49,200 --> 00:43:50,840
Speaker 1: I don't even vote people in office. I don't know

894
00:43:50,840 --> 00:43:53,000
Speaker 1: who they are, which is good because you don't want

895
00:43:53,000 --> 00:43:55,239
Speaker 1: to be voting, right. Yeah, but who Scooba is saying?

896
00:43:55,239 --> 00:43:58,440
Speaker 1: When I saw that category and the winner, I just thought, man,

897
00:43:58,480 --> 00:44:00,640
Speaker 1: that's a hey man, thanks for everything you've done for

898
00:44:00,680 --> 00:44:04,040
Speaker 1: country music. Thing like, well, this could be your last album.

899
00:44:04,080 --> 00:44:07,760
Speaker 1: I would disagree. They gave Bonnie Rate the Lifetime Achievement

900
00:44:07,760 --> 00:44:12,279
Speaker 1: Award last year. I know, but I'm saying they can

901
00:44:12,280 --> 00:44:13,920
Speaker 1: do that to Willie if they wanted to say thank

902
00:44:13,960 --> 00:44:16,000
Speaker 1: you for everything. They can't given a Willie a Lifetime

903
00:44:16,040 --> 00:44:18,879
Speaker 1: Achievement Award this year. But that wasn't that. They must

904
00:44:18,880 --> 00:44:21,480
Speaker 1: have listened to his record and said, god, dang, that's

905
00:44:21,480 --> 00:44:23,719
Speaker 1: still really good. We must we need to I haven't

906
00:44:23,760 --> 00:44:25,239
Speaker 1: heard it, have you guys heard it? No? But that's

907
00:44:25,239 --> 00:44:28,480
Speaker 1: also what happens where you go and listen to it. Yeah, yeah, yeah,

908
00:44:28,600 --> 00:44:29,920
Speaker 1: And I will say one quick note about you in

909
00:44:29,960 --> 00:44:31,080
Speaker 1: the right car. But I finally got a chance to

910
00:44:31,080 --> 00:44:33,920
Speaker 1: click it on and you're one liner at the end

911
00:44:34,000 --> 00:44:38,640
Speaker 1: with Brett Randy Carlisle's great Mount Rushmore, the Mount Rushmore

912
00:44:38,680 --> 00:44:40,520
Speaker 1: of the greatest singers, there's three of your heads and

913
00:44:40,520 --> 00:44:43,160
Speaker 1: one of Asha McBride. I was like, I say that, yeah,

914
00:44:43,160 --> 00:44:44,840
Speaker 1: it was, it was. It took her by surprise. She

915
00:44:44,920 --> 00:44:47,799
Speaker 1: was like whoa, okay, and her reaction was fantastic And

916
00:44:48,040 --> 00:44:49,839
Speaker 1: they turned back around and smile and you're like, got him,

917
00:44:50,120 --> 00:44:51,719
Speaker 1: And I was that was awesome. Thanks man. I don't

918
00:44:51,719 --> 00:44:53,360
Speaker 1: remember saying that, but it is pretty funny. Huh. They

919
00:44:53,360 --> 00:44:55,000
Speaker 1: did a pretty good job. I like that. Thank you.

920
00:44:55,440 --> 00:44:59,800
Speaker 1: Um yes, I'll step in and not defend the Grammy's,

921
00:44:59,800 --> 00:45:03,920
Speaker 1: but say I think they do their job of really

922
00:45:04,719 --> 00:45:11,319
Speaker 1: highlighting what they feel is that top quality when you

923
00:45:11,360 --> 00:45:14,600
Speaker 1: can't really define a top quality in art. But I

924
00:45:14,600 --> 00:45:16,279
Speaker 1: don't listen to that Willie record either. I will tell

925
00:45:16,320 --> 00:45:18,560
Speaker 1: you this. I became friends with his son, Lucas Nelson

926
00:45:18,640 --> 00:45:23,239
Speaker 1: over that week. First of all, awesome, dude should not

927
00:45:23,280 --> 00:45:25,400
Speaker 1: be as nice as he is because he's so talented.

928
00:45:25,680 --> 00:45:28,719
Speaker 1: And when you're so talented, you can just be on

929
00:45:28,760 --> 00:45:31,240
Speaker 1: the floor and spinning people's faces. So how I do it?

930
00:45:32,320 --> 00:45:35,200
Speaker 1: That dude's awesome as a dude. I've never anything like

931
00:45:35,200 --> 00:45:38,320
Speaker 1: them before singing. Oh yeah, you posted a video of

932
00:45:38,360 --> 00:45:40,800
Speaker 1: him singing in a Mystagram. Oh it's like it's a different,

933
00:45:40,840 --> 00:45:43,279
Speaker 1: it's a different it's like stables and esque. Yeah, and

934
00:45:43,400 --> 00:45:45,759
Speaker 1: I can get to that later. Were you at that one,

935
00:45:45,840 --> 00:45:50,080
Speaker 1: Eddie or did you client Lee? I've had a boner

936
00:45:50,120 --> 00:45:53,680
Speaker 1: ever since. Whoa yeah? Really yeah? Oh boy, I'm tired.

937
00:45:53,719 --> 00:45:55,799
Speaker 1: See I just say, desk in front of you. That's

938
00:45:55,800 --> 00:45:57,360
Speaker 1: what I'm saying. I like a boner from music, not

939
00:45:57,480 --> 00:46:01,799
Speaker 1: like literal for his oh okay, album of the Year,

940
00:46:01,840 --> 00:46:04,360
Speaker 1: Harry's House, Harry Styles. I saw some Swifties. We're upset

941
00:46:04,360 --> 00:46:06,000
Speaker 1: with that, and I get it. But that Harry's House

942
00:46:06,040 --> 00:46:07,880
Speaker 1: album is awesome. It's a great album. I mean I

943
00:46:07,920 --> 00:46:10,040
Speaker 1: know every song on it. I was listening to it

944
00:46:10,040 --> 00:46:11,279
Speaker 1: when it was coming out, but now because I picked it,

945
00:46:11,280 --> 00:46:13,080
Speaker 1: because Kaitlyn picked it, and I was forced to hear it,

946
00:46:13,120 --> 00:46:14,160
Speaker 1: and I would come on the air and be like,

947
00:46:14,320 --> 00:46:17,239
Speaker 1: I'm gonna admit to you, it's really good. Is it

948
00:46:17,320 --> 00:46:21,120
Speaker 1: a dead giveaway if they perform that they're it is

949
00:46:21,239 --> 00:46:24,759
Speaker 1: not because and I tell you not. Even at the CMAS. Now,

950
00:46:24,760 --> 00:46:27,400
Speaker 1: there are sometimes where maybe the producers will have a feeling,

951
00:46:27,520 --> 00:46:29,759
Speaker 1: but they are legally locked up and they don't. You.

952
00:46:30,000 --> 00:46:34,320
Speaker 1: People cannot know, even the people at the like Goldenheimer

953
00:46:34,320 --> 00:46:36,960
Speaker 1: and Schmidt whomever are running the company that gets the votes.

954
00:46:37,520 --> 00:46:39,920
Speaker 1: Not even everybody there gets to know. It's like select people,

955
00:46:40,080 --> 00:46:43,240
Speaker 1: and they will stand back. They're locked with the winner

956
00:46:43,920 --> 00:46:46,520
Speaker 1: for a bunch of reasons. But as someone who's presented,

957
00:46:46,680 --> 00:46:50,360
Speaker 1: they would not give me the card even until ninety

958
00:46:50,400 --> 00:46:52,560
Speaker 1: seconds until whatever. So there was no way that I

959
00:46:52,560 --> 00:46:57,200
Speaker 1: could tip somebody off for gambling for all these reasons. Wow,

960
00:46:57,760 --> 00:47:00,080
Speaker 1: I thought that was all drama did too. Now the

961
00:47:00,120 --> 00:47:02,160
Speaker 1: American Music Awards stuff like that, they didn't they know

962
00:47:02,280 --> 00:47:04,080
Speaker 1: people get to go. Then they're like, you're you one,

963
00:47:04,160 --> 00:47:10,120
Speaker 1: so you can perform Grammys, CMAS. I don't know. I

964
00:47:10,160 --> 00:47:16,600
Speaker 1: think probably a CMS, Oscars, Oscars, Emmy's, Tony's. I don't

965
00:47:16,600 --> 00:47:18,320
Speaker 1: know what. Just yelling awards at this point. So I

966
00:47:18,320 --> 00:47:22,960
Speaker 1: don't know. Zes No, that one. I know for sure

967
00:47:22,960 --> 00:47:27,719
Speaker 1: they know um but yeah, no they don't know. Um.

968
00:47:27,800 --> 00:47:32,800
Speaker 1: But Harry, that's a great record of the year, Lizzo, Um,

969
00:47:32,840 --> 00:47:34,640
Speaker 1: I knew it. I guess I don't have a feeling

970
00:47:34,640 --> 00:47:36,680
Speaker 1: about it. I did talk to Bonnie Rate. She was awesome. Yeah,

971
00:47:36,719 --> 00:47:40,560
Speaker 1: I interviewed her. Uh. Samara Joy Best New Artist, she's

972
00:47:40,600 --> 00:47:42,480
Speaker 1: a jazz singer. She's really good. Now, it's not the

973
00:47:42,560 --> 00:47:44,359
Speaker 1: kind of music that I would normally listen to because

974
00:47:44,360 --> 00:47:46,839
Speaker 1: I wouldn't mean she's really good. Do you know who

975
00:47:46,840 --> 00:47:48,200
Speaker 1: else is really good? Who was a jazz singer and

976
00:47:48,239 --> 00:47:51,200
Speaker 1: she's a country singer too? Is Madeline Edwards? Who's going

977
00:47:51,280 --> 00:47:53,239
Speaker 1: to come in and perform? Oh? Do we know when

978
00:47:54,840 --> 00:47:56,960
Speaker 1: she's coming in this week? Okay, and then we'll play

979
00:47:56,960 --> 00:47:59,560
Speaker 1: her this week or next week. Yeah, gosh, she's good.

980
00:47:59,640 --> 00:48:01,799
Speaker 1: I did a bobbycast with her and she was doing

981
00:48:01,840 --> 00:48:03,719
Speaker 1: the voice thing as a jazz singer. That's kind of

982
00:48:03,760 --> 00:48:08,879
Speaker 1: like exactly like that. Oh it sounds really good. Yeah,

983
00:48:08,880 --> 00:48:10,560
Speaker 1: thank you. I've been working on my jazz. It's like

984
00:48:10,600 --> 00:48:12,600
Speaker 1: a drowning bird though. I'm telling you, Mike, you remember

985
00:48:12,600 --> 00:48:14,360
Speaker 1: when she did it, and I was just asking for

986
00:48:14,360 --> 00:48:17,239
Speaker 1: an example because she had to like make money, so

987
00:48:17,280 --> 00:48:18,600
Speaker 1: she learned how to do all this kind of singing

988
00:48:18,600 --> 00:48:22,920
Speaker 1: in a restaurant. Wow, that's cool, dude. It's unreal that

989
00:48:23,040 --> 00:48:24,920
Speaker 1: what she can have, what she can do is she's

990
00:48:24,960 --> 00:48:28,360
Speaker 1: gonna do it. Our million dollars Show with Us Willie

991
00:48:28,400 --> 00:48:32,040
Speaker 1: Nelison won Best Country Album, Best Country Duo Group Performance.

992
00:48:32,120 --> 00:48:35,280
Speaker 1: Carly and Ashley McBride Best Country song Cody Johns until

993
00:48:35,320 --> 00:48:37,719
Speaker 1: you can't. That's cool because I always say, when you

994
00:48:37,760 --> 00:48:39,359
Speaker 1: got a dream, chase it, because a dream won't chase

995
00:48:39,360 --> 00:48:43,440
Speaker 1: you back. I stole it from that song Harry Styles,

996
00:48:43,480 --> 00:48:47,959
Speaker 1: Harry's House, Best Pop Vocal Album, Best Solo Adele Sam

997
00:48:48,000 --> 00:48:50,200
Speaker 1: Smith Can Petra's Best Pop Performance to a Group, Best

998
00:48:50,239 --> 00:48:52,799
Speaker 1: Performance Brandy Carlisle Broken Horses. I did ask her about

999
00:48:52,800 --> 00:48:54,400
Speaker 1: that song because I liked that song, Broken Horses, and

1000
00:48:54,440 --> 00:48:56,279
Speaker 1: I said, why do you record it like that? And

1001
00:48:56,320 --> 00:48:58,000
Speaker 1: I think she was a little like huh. And I

1002
00:48:58,040 --> 00:48:59,239
Speaker 1: was like, cause you record it and you sing it

1003
00:48:59,360 --> 00:49:01,799
Speaker 1: so hard, like she goes hard hard, like, then you

1004
00:49:01,800 --> 00:49:03,560
Speaker 1: have to perform it like that every time. And she

1005
00:49:03,600 --> 00:49:05,560
Speaker 1: was like, I've never gonna ask that question. And I

1006
00:49:05,600 --> 00:49:08,360
Speaker 1: was like, because I'm psychotic, and I wonder I wouldn't

1007
00:49:08,360 --> 00:49:09,560
Speaker 1: do it like that because I don't have to perform

1008
00:49:09,600 --> 00:49:13,320
Speaker 1: it like that every time. Ozzie Osborne, Kendrick Lamar. Okay,

1009
00:49:13,400 --> 00:49:17,080
Speaker 1: well there was the Grammys. It's the best Bits of

1010
00:49:17,080 --> 00:49:21,640
Speaker 1: the Week with Morgan number two as usual. I had

1011
00:49:21,680 --> 00:49:24,600
Speaker 1: a fabulous time hanging out with y'all this weekend. I mean,

1012
00:49:24,600 --> 00:49:27,759
Speaker 1: basically it's just me hanging out by myself, but I

1013
00:49:27,880 --> 00:49:30,080
Speaker 1: know that y'all are listening with me, and that brings

1014
00:49:30,080 --> 00:49:31,840
Speaker 1: me some comfort while I'm sitting here in a studio

1015
00:49:31,880 --> 00:49:34,600
Speaker 1: by myself, just recording random things and talking to myself,

1016
00:49:35,040 --> 00:49:38,400
Speaker 1: sounding like a crazy little little woman here, you know whatever.

1017
00:49:38,719 --> 00:49:40,600
Speaker 1: But I love y'all. I'm glad you're here. I'm glad

1018
00:49:40,600 --> 00:49:43,040
Speaker 1: you listened. I hope you enjoyed the bits this week.

1019
00:49:43,120 --> 00:49:45,120
Speaker 1: Make sure you follow me on social media at web

1020
00:49:45,120 --> 00:49:47,440
Speaker 1: girl Morgan All the Things. I got some fun content

1021
00:49:47,520 --> 00:49:51,000
Speaker 1: up there. I'm gonna I'm trying to convince Lunchbox to

1022
00:49:51,000 --> 00:49:53,200
Speaker 1: do some more videos, so hopefully that will happen soon.

1023
00:49:53,560 --> 00:49:56,359
Speaker 1: And of course follow the show at Bobby Bones Show

1024
00:49:56,480 --> 00:49:59,920
Speaker 1: on All the Things. I hope you'll have a fabulous weekend. Bye,

1025
00:50:00,200 --> 00:50:03,000
Speaker 1: get your bones off Bobby Bones.