1 00:00:04,200 --> 00:00:12,520 Speaker 1: Get in touch with technology with tex stuff fromt Hey there, 2 00:00:12,560 --> 00:00:16,240 Speaker 1: and welcome to tech stuff. This is Jonathan Strickland. I'm 3 00:00:16,280 --> 00:00:19,800 Speaker 1: still sitting in a studio with only NOL to keep 4 00:00:19,840 --> 00:00:22,440 Speaker 1: me company, never since he took a vow of silence. 5 00:00:22,720 --> 00:00:26,119 Speaker 1: Makes a problematic podcast partner. But rather than go a 6 00:00:26,120 --> 00:00:29,240 Speaker 1: week without an episode or have me droning on by myself, 7 00:00:29,600 --> 00:00:32,640 Speaker 1: I thought I'd run another classic episode from the vaults. 8 00:00:32,680 --> 00:00:35,400 Speaker 1: This one is from April two thousand twelve, and it's 9 00:00:35,440 --> 00:00:40,080 Speaker 1: about one of the creepiest things in tech history, number stations. 10 00:00:40,520 --> 00:00:50,440 Speaker 1: Enjoy So the topic recovering is numbers stations, which actually 11 00:00:50,440 --> 00:00:54,000 Speaker 1: comes to us courtesy of some feedback we received on Facebook, 12 00:00:54,080 --> 00:00:59,760 Speaker 1: which uh, fortunately, due to my computer being silly right now, 13 00:00:59,840 --> 00:01:04,480 Speaker 1: I cannot pull up. However, this is Facebook feedback asking 14 00:01:04,560 --> 00:01:07,960 Speaker 1: us to cover numbers stations. And you may wonder, oh, my, 15 00:01:08,120 --> 00:01:11,640 Speaker 1: Drew Geese, what a number stations is? Things being so 16 00:01:11,800 --> 00:01:15,760 Speaker 1: scory and people being quick to forget. That's that's like 17 00:01:15,800 --> 00:01:18,280 Speaker 1: a double reference right there, since I throw in some 18 00:01:18,319 --> 00:01:23,160 Speaker 1: clockwork orange. So here's what a number station is. It 19 00:01:23,360 --> 00:01:27,839 Speaker 1: is a radio station using shortwave radio that blasts out 20 00:01:27,959 --> 00:01:33,640 Speaker 1: a transmission, usually at a very regular interval that normally 21 00:01:33,760 --> 00:01:39,280 Speaker 1: has some sort of tone or even music to it, 22 00:01:39,520 --> 00:01:43,720 Speaker 1: followed by a series of numbers spoken in sort of 23 00:01:43,760 --> 00:01:47,800 Speaker 1: a semi monotone voice, sometimes an automated voice, in fact, 24 00:01:47,920 --> 00:01:51,600 Speaker 1: very often an automated voice. And it's just a seemingly 25 00:01:51,760 --> 00:01:56,280 Speaker 1: random string of numbers that have no particular context or 26 00:01:56,320 --> 00:02:00,840 Speaker 1: meaning to them, and it has created quite to kind 27 00:02:00,840 --> 00:02:04,040 Speaker 1: of a well a hobbyist dream come true really for 28 00:02:04,040 --> 00:02:09,079 Speaker 1: people who like mysteries, because there's no official explanation as 29 00:02:09,080 --> 00:02:12,480 Speaker 1: to what these stations are and why why these numbers 30 00:02:12,480 --> 00:02:17,400 Speaker 1: are being broadcast. Here's what we know. No, I'm kidding. Now, 31 00:02:17,480 --> 00:02:20,120 Speaker 1: let's go to what we can speculate on. Um. We 32 00:02:20,200 --> 00:02:26,960 Speaker 1: do know that official governments have there there's no official 33 00:02:27,000 --> 00:02:28,800 Speaker 1: government that has spoken up and said, oh, yeah, we 34 00:02:28,840 --> 00:02:33,639 Speaker 1: did that. Yeah. The closest was a Czechoslovakian official who 35 00:02:34,240 --> 00:02:38,359 Speaker 1: acknowledge receipt of a message about numbers stations, but did 36 00:02:38,400 --> 00:02:40,480 Speaker 1: not It did not go so far as to actually 37 00:02:40,520 --> 00:02:42,760 Speaker 1: say what the number station was, what it was for. 38 00:02:43,240 --> 00:02:45,840 Speaker 1: It essentially was just that I got your message. That 39 00:02:45,880 --> 00:02:47,799 Speaker 1: was pretty much it. The check is in the mail. 40 00:02:48,000 --> 00:02:50,720 Speaker 1: There you go, But gosh, I can't believe you were 41 00:02:50,720 --> 00:02:52,440 Speaker 1: waiting the entire time for me to shut up, So 42 00:02:52,480 --> 00:02:58,120 Speaker 1: you can use that. However, Uh, there are fewer now 43 00:02:58,560 --> 00:03:02,200 Speaker 1: than their word during the Cold War. Yeah, and they 44 00:03:02,240 --> 00:03:06,360 Speaker 1: started the height of they started appearing during the World wars. 45 00:03:06,840 --> 00:03:09,960 Speaker 1: So world War One, Yeah, not not. You know, this 46 00:03:10,040 --> 00:03:12,680 Speaker 1: is the early part of the earlier part of the 47 00:03:12,680 --> 00:03:15,240 Speaker 1: twentieth century. Yeah, the first first couple of decades of 48 00:03:15,280 --> 00:03:17,320 Speaker 1: the twentieth century, that's when they start popping up. So 49 00:03:17,680 --> 00:03:21,040 Speaker 1: let's talk a little bit about about why a number 50 00:03:21,120 --> 00:03:24,280 Speaker 1: station is even possible before we get into what they 51 00:03:24,280 --> 00:03:26,240 Speaker 1: were and what they sound like and all that kind 52 00:03:26,280 --> 00:03:30,160 Speaker 1: of stuff. So first, they are short wave radio, which 53 00:03:30,160 --> 00:03:32,639 Speaker 1: we have talked about on a previous podcast many many 54 00:03:32,720 --> 00:03:34,960 Speaker 1: years ago. Yeah, we'll do a quick we'll do a 55 00:03:35,000 --> 00:03:40,400 Speaker 1: quick refresher course. So technically, a short wave is a 56 00:03:40,440 --> 00:03:42,920 Speaker 1: is a radio wave with a wavelength shorter than two 57 00:03:43,000 --> 00:03:47,560 Speaker 1: hundred meters. Two meters wavelength would have a frequency of 58 00:03:47,560 --> 00:03:53,200 Speaker 1: around hurts uh, and it's typically these these radio waves 59 00:03:53,200 --> 00:03:56,280 Speaker 1: are used to broadcast voice and music, but also for 60 00:03:56,280 --> 00:03:59,000 Speaker 1: a long distance communication. The reason that you can have 61 00:03:59,080 --> 00:04:01,800 Speaker 1: long distance community ptation is that these wavelengths are at 62 00:04:02,000 --> 00:04:04,040 Speaker 1: sort of a sweet spot when it comes to the 63 00:04:04,080 --> 00:04:07,520 Speaker 1: way the Earth works. So the Earth has the ionosphere, 64 00:04:08,440 --> 00:04:11,760 Speaker 1: you know that surrounds it, binds it, and penetrates it. 65 00:04:13,360 --> 00:04:17,080 Speaker 1: For no ionosphere just surrounds the Earth. And if you 66 00:04:17,120 --> 00:04:21,280 Speaker 1: were to aim a short wave radio frequency at the ionosphere, uh, 67 00:04:21,320 --> 00:04:25,600 Speaker 1: the ionosphere would refract that frequency and it would beam 68 00:04:25,680 --> 00:04:29,560 Speaker 1: back down to Earth. So by bouncing it effectively off 69 00:04:29,640 --> 00:04:32,799 Speaker 1: the ionosphere, you can send a radio signal much further 70 00:04:32,880 --> 00:04:35,760 Speaker 1: than you could if it were to just broadcast out 71 00:04:36,080 --> 00:04:40,600 Speaker 1: and radiate out from a tower. Yes, So with this 72 00:04:40,640 --> 00:04:44,480 Speaker 1: in mind, with this long distance communication ability, it has 73 00:04:44,960 --> 00:04:49,000 Speaker 1: opened up opportunities for lots of different applications. And you know, 74 00:04:49,040 --> 00:04:53,359 Speaker 1: you'll hear about amateur radio enthusiasts who will just they'll 75 00:04:53,400 --> 00:04:56,960 Speaker 1: they'll use their their radios to dial in and listen 76 00:04:57,400 --> 00:04:59,560 Speaker 1: to the various broadcasts that go out there. And that's 77 00:04:59,600 --> 00:05:03,520 Speaker 1: really a number stations were discovered. It was mainly hobbyists 78 00:05:03,600 --> 00:05:07,039 Speaker 1: who as they were scanning the different bands and listening 79 00:05:07,040 --> 00:05:09,440 Speaker 1: to what was out there, they were coming across these 80 00:05:10,200 --> 00:05:15,279 Speaker 1: very odd sort of transmissions. And um, before I get 81 00:05:15,320 --> 00:05:19,280 Speaker 1: too far, I should say the the whole refraction by 82 00:05:19,279 --> 00:05:22,280 Speaker 1: the ionosphere, there's a specific name for that kind of 83 00:05:22,279 --> 00:05:27,080 Speaker 1: transmission that I love. I love this term skywave propagation. 84 00:05:28,480 --> 00:05:31,840 Speaker 1: It's a cool term. Right. So, yeah, you've got these 85 00:05:31,839 --> 00:05:34,400 Speaker 1: hobbyists who are listening in and they would come across 86 00:05:35,760 --> 00:05:41,120 Speaker 1: very unusual and frankly pretty creepy kind of transmission in 87 00:05:41,200 --> 00:05:45,240 Speaker 1: some cases. And uh, I think we even have an 88 00:05:45,279 --> 00:05:47,840 Speaker 1: example that we can listen to. So let's let's take 89 00:05:47,880 --> 00:05:51,360 Speaker 1: a quick listen to what a typical number station might 90 00:05:51,600 --> 00:05:54,960 Speaker 1: sound like. Uh, if you were to tune in on 91 00:05:55,000 --> 00:06:09,800 Speaker 1: a shortwave radio, kind of gets you right here, doesn't it. 92 00:06:11,320 --> 00:06:13,800 Speaker 1: If by the by right here, you mean now I'm 93 00:06:13,839 --> 00:06:16,200 Speaker 1: looking over my shoulder and waiting for someone to break 94 00:06:16,200 --> 00:06:18,400 Speaker 1: into the room. Yeah, that's pretty much what I'm thinking. 95 00:06:18,520 --> 00:06:21,480 Speaker 1: There is something particularly creepy about hearing kind of a 96 00:06:22,560 --> 00:06:26,479 Speaker 1: almost and almost like a harmonic. It sounds like there's 97 00:06:26,520 --> 00:06:28,640 Speaker 1: been some harmonic supplied in some cases, like it's an 98 00:06:28,640 --> 00:06:31,520 Speaker 1: automated voice or whatever, but hearing something like that monotone 99 00:06:31,600 --> 00:06:35,719 Speaker 1: just delivering number after number, and then they really repetitious 100 00:06:35,880 --> 00:06:39,760 Speaker 1: music that was used to introduce these So what could 101 00:06:39,839 --> 00:06:41,640 Speaker 1: these be? And there's been a lot of people who 102 00:06:41,920 --> 00:06:46,839 Speaker 1: have suggested what number stations might be all about? You 103 00:06:46,880 --> 00:06:51,080 Speaker 1: know everything from it could just be uh stuff for 104 00:06:51,279 --> 00:06:56,760 Speaker 1: people who are surveying areas for for cartography and that 105 00:06:56,880 --> 00:07:00,240 Speaker 1: kind of thing, but it doesn't seem likely it's taking 106 00:07:00,240 --> 00:07:03,400 Speaker 1: credit for it, not at all. So that's our cartography 107 00:07:03,640 --> 00:07:07,279 Speaker 1: channel that has led to uh to some not so 108 00:07:07,400 --> 00:07:10,600 Speaker 1: much conspiracy theories. It really does boil down to, well, 109 00:07:10,720 --> 00:07:14,320 Speaker 1: if you're just broadcasting numbers with no other context, what 110 00:07:14,480 --> 00:07:16,880 Speaker 1: could you possibly be doing that for. And one of 111 00:07:16,920 --> 00:07:20,840 Speaker 1: the explanations is that it's a a way to communicate 112 00:07:20,880 --> 00:07:26,160 Speaker 1: two spies to undercover operatives who might be uh invested 113 00:07:26,200 --> 00:07:30,160 Speaker 1: in some foreign country, perhaps one that is unfriendly to 114 00:07:30,480 --> 00:07:35,600 Speaker 1: the the the country of origin. So there and when 115 00:07:35,600 --> 00:07:37,520 Speaker 1: we say there's number stations, there are number stations all 116 00:07:37,520 --> 00:07:41,400 Speaker 1: over the world YEP. And they're broadcasting pretty much all 117 00:07:41,440 --> 00:07:43,600 Speaker 1: the languages that you might expect. They would be in 118 00:07:44,120 --> 00:07:46,720 Speaker 1: the major languages of the world. So it's not just that, 119 00:07:46,800 --> 00:07:49,640 Speaker 1: you know, it's not just one country that's doing this. There, 120 00:07:49,680 --> 00:07:52,400 Speaker 1: there's multiple countries that are doing it. And UH So 121 00:07:52,480 --> 00:07:56,000 Speaker 1: the the speculation is that this is these are messages 122 00:07:56,040 --> 00:08:01,600 Speaker 1: they're sent to government spies, uh and the you know, 123 00:08:01,640 --> 00:08:07,119 Speaker 1: the governments aren't admitting to it for for pretty understandable reasons. 124 00:08:07,120 --> 00:08:09,360 Speaker 1: I would say, well, if you or any of your 125 00:08:09,920 --> 00:08:13,360 Speaker 1: team has captured the government will disavow any knowledge of 126 00:08:13,400 --> 00:08:18,480 Speaker 1: this operation, message will self destructed fifteen seconds. The So 127 00:08:18,600 --> 00:08:22,200 Speaker 1: these messages, the numbers those that's a code. It's an 128 00:08:22,280 --> 00:08:27,520 Speaker 1: it's encoded message form of cryptography that is called the 129 00:08:27,520 --> 00:08:31,080 Speaker 1: the the one pad note yeah, or or one time 130 00:08:31,080 --> 00:08:36,320 Speaker 1: pad yeah. Um yeah. I'm interested in cryptography, uh and 131 00:08:36,400 --> 00:08:38,839 Speaker 1: have been reading about it for many years. And this 132 00:08:38,920 --> 00:08:42,320 Speaker 1: is not exactly a new thing. It doesn't even require 133 00:08:42,840 --> 00:08:44,800 Speaker 1: the use of a computer. I mean, we talked about 134 00:08:45,280 --> 00:08:49,319 Speaker 1: cryptography on many podcasts at different levels. Um and we 135 00:08:49,400 --> 00:08:54,080 Speaker 1: even got into quantum cryptography, which is supposedly unbreakable, although 136 00:08:54,080 --> 00:08:58,800 Speaker 1: I've seen reports recently that it may not necessarily be unbreakable. Well, 137 00:08:58,920 --> 00:09:03,280 Speaker 1: one time pads are technically unbreakable if you follow the 138 00:09:03,360 --> 00:09:07,000 Speaker 1: right procedure right because basically, um and they were called 139 00:09:07,000 --> 00:09:09,480 Speaker 1: pads because at one time they were and probably still 140 00:09:09,520 --> 00:09:12,440 Speaker 1: are a pad. So this pad is generated like a 141 00:09:12,440 --> 00:09:16,640 Speaker 1: pad of paper. You uh write down your message and 142 00:09:16,760 --> 00:09:19,880 Speaker 1: encode it on this paper using the tool. Um and 143 00:09:19,920 --> 00:09:22,400 Speaker 1: it's a one time thing. And there's a part of 144 00:09:22,440 --> 00:09:25,760 Speaker 1: the key is embedded in the message, So that tells 145 00:09:25,800 --> 00:09:29,319 Speaker 1: the recipient use page. Well, let's just go for a 146 00:09:29,360 --> 00:09:32,560 Speaker 1: reference here, use page sixteen of your pad. And that way, 147 00:09:33,200 --> 00:09:35,000 Speaker 1: you know, you write down the message in the pad 148 00:09:35,040 --> 00:09:37,000 Speaker 1: that you can decode it on that page and and 149 00:09:37,040 --> 00:09:40,040 Speaker 1: that then becomes useless. You can't use it again. Yeah, 150 00:09:40,080 --> 00:09:44,280 Speaker 1: you then destroy that page. So here's here's how here's 151 00:09:44,280 --> 00:09:47,360 Speaker 1: how it works. Let's say that I want to send 152 00:09:47,360 --> 00:09:50,000 Speaker 1: a message to Chris, and I want to use this 153 00:09:50,000 --> 00:09:53,320 Speaker 1: this one time pad method. All right, So we would 154 00:09:53,400 --> 00:09:56,920 Speaker 1: each have a pad that would have a string of 155 00:09:57,440 --> 00:10:02,400 Speaker 1: random letters across each line, all right, And let's say 156 00:10:02,400 --> 00:10:04,319 Speaker 1: we group them in in groups of five, because that's 157 00:10:04,320 --> 00:10:07,280 Speaker 1: pretty common terms of four or five. So we'll say 158 00:10:07,280 --> 00:10:09,520 Speaker 1: we have groups of five letters. And these letters are 159 00:10:09,520 --> 00:10:12,800 Speaker 1: truly random in that we've had some sort of well 160 00:10:12,880 --> 00:10:15,199 Speaker 1: as close to truly random as we can get. We've 161 00:10:15,200 --> 00:10:17,480 Speaker 1: had some sort of random number generator that has picked 162 00:10:18,040 --> 00:10:20,680 Speaker 1: random letters, and it's just that we each have a 163 00:10:20,760 --> 00:10:25,199 Speaker 1: copy of that output. So Chris's string of random letters 164 00:10:25,280 --> 00:10:28,440 Speaker 1: is the same as my string of random letters. And 165 00:10:28,480 --> 00:10:32,880 Speaker 1: then I write down my message in normal text, and 166 00:10:32,920 --> 00:10:36,840 Speaker 1: I write my normal letters above the letters of the 167 00:10:37,520 --> 00:10:41,480 Speaker 1: that's that's in the key. Then I convert my letters 168 00:10:41,559 --> 00:10:45,280 Speaker 1: into numbers. So let's say that an A equals zero 169 00:10:45,640 --> 00:10:50,320 Speaker 1: and B equals one, and the C equals three. It's 170 00:10:50,360 --> 00:10:52,080 Speaker 1: not going to take them very long to pick this 171 00:10:52,120 --> 00:10:54,160 Speaker 1: one apart. No, it's going to take them a long 172 00:10:54,200 --> 00:10:57,560 Speaker 1: time because here's the here's the that that's just that. 173 00:10:57,760 --> 00:11:00,360 Speaker 1: All that is is just uh, it's just a simple 174 00:11:00,400 --> 00:11:03,920 Speaker 1: substitution cipher. Right. But here's the tricky part. So then 175 00:11:03,920 --> 00:11:06,920 Speaker 1: I take my key, all right, and I convert all 176 00:11:06,960 --> 00:11:10,280 Speaker 1: of those letters to numbers. That's when it gets harder. 177 00:11:10,320 --> 00:11:13,679 Speaker 1: And then I add the two numbers together, all right, 178 00:11:13,720 --> 00:11:16,040 Speaker 1: So I add the I add the number from my 179 00:11:16,160 --> 00:11:19,320 Speaker 1: first letter. So let's say that my first letter is H, 180 00:11:19,320 --> 00:11:22,400 Speaker 1: because I write, hey there, Chris. I take the number 181 00:11:22,440 --> 00:11:26,880 Speaker 1: from H. Yeah, really, why not? You know, Hey there, Chris, 182 00:11:27,040 --> 00:11:30,240 Speaker 1: there's a rusky on your tail. That's that's my message. 183 00:11:30,600 --> 00:11:33,960 Speaker 1: So H is because I'm going back to the Cold War. 184 00:11:34,440 --> 00:11:36,920 Speaker 1: So so H. We would convert H to a number, 185 00:11:37,320 --> 00:11:39,199 Speaker 1: and then we look at the first letter in the key. 186 00:11:39,280 --> 00:11:40,719 Speaker 1: Let's say that the first letter in the key is 187 00:11:40,720 --> 00:11:42,640 Speaker 1: an N. Well, that M is going to have its 188 00:11:42,679 --> 00:11:45,360 Speaker 1: own number of value. We add the H and the 189 00:11:45,520 --> 00:11:48,800 Speaker 1: M values together and then we convert that into a 190 00:11:48,800 --> 00:11:52,040 Speaker 1: new letter. So if it's anything up to if we 191 00:11:52,120 --> 00:11:54,439 Speaker 1: if A is zero, if it's anything up to twenty five, 192 00:11:54,960 --> 00:11:58,480 Speaker 1: then that's the letter that we would pick. If it's 193 00:11:58,520 --> 00:12:03,160 Speaker 1: over and we just use number twenty six counts a 194 00:12:03,280 --> 00:12:05,720 Speaker 1: zero again, so the number twenty six would be an A, 195 00:12:06,240 --> 00:12:08,079 Speaker 1: seven would be a B, twenty eight would be a C. 196 00:12:08,600 --> 00:12:11,000 Speaker 1: So we go up there and we we put in 197 00:12:11,080 --> 00:12:15,400 Speaker 1: whatever the substitute letter will be. Well, the only way 198 00:12:15,480 --> 00:12:17,600 Speaker 1: to know what the original letter is is if you 199 00:12:17,720 --> 00:12:20,680 Speaker 1: have that one time pad in front of you where 200 00:12:20,679 --> 00:12:24,520 Speaker 1: you take the value of the letter that is U 201 00:12:25,040 --> 00:12:28,720 Speaker 1: that the represented letter, the ciphered letter. You subtract the 202 00:12:28,800 --> 00:12:32,000 Speaker 1: value of the key from the ciphered letter, and that 203 00:12:32,080 --> 00:12:35,360 Speaker 1: gives you the value of the original letter, and then 204 00:12:35,440 --> 00:12:39,040 Speaker 1: you can convert that into the original letter. So the 205 00:12:39,400 --> 00:12:44,960 Speaker 1: process of coding and decoding is pretty painstaking because you 206 00:12:44,960 --> 00:12:47,800 Speaker 1: know you have to you have to convert all the 207 00:12:47,880 --> 00:12:51,200 Speaker 1: letters to values, add and then make new letters. But 208 00:12:51,280 --> 00:12:54,160 Speaker 1: the nice thing is is that because as long as 209 00:12:54,200 --> 00:12:57,280 Speaker 1: you keep that that string of letters that acts as 210 00:12:57,320 --> 00:13:00,520 Speaker 1: your key truly random and that you don't repeat, lets 211 00:13:00,559 --> 00:13:03,040 Speaker 1: so that you don't or you don't repeat strings, like 212 00:13:03,080 --> 00:13:05,040 Speaker 1: you don't go to the end of a page and 213 00:13:05,040 --> 00:13:07,440 Speaker 1: then start at the top again. As long as you 214 00:13:07,520 --> 00:13:12,080 Speaker 1: avoid that, it is impossible to crack that without without 215 00:13:12,080 --> 00:13:16,200 Speaker 1: getting possession of one of those pads. So that's where 216 00:13:16,200 --> 00:13:19,600 Speaker 1: we talk about if you follow this correctly, it is unbreakable. 217 00:13:19,640 --> 00:13:22,880 Speaker 1: The correctly. By correctly we mean you you have truly 218 00:13:22,960 --> 00:13:27,480 Speaker 1: random string for your key, You do not repeat the key, 219 00:13:27,520 --> 00:13:30,160 Speaker 1: and you do not let the key fall into the 220 00:13:30,240 --> 00:13:33,520 Speaker 1: wrong hands. As long as that happens, it is unbreakable. 221 00:13:34,559 --> 00:13:38,600 Speaker 1: So it's kind of like when we talked about the 222 00:13:37,679 --> 00:13:42,880 Speaker 1: the various ways of ciphering. You know, there always seems 223 00:13:42,880 --> 00:13:45,920 Speaker 1: to be some way to crack the code. In this case, 224 00:13:46,000 --> 00:13:48,760 Speaker 1: unless you have physical possession of the pad or if 225 00:13:48,800 --> 00:13:52,359 Speaker 1: someone uses a key that repeats, it's just not practical. 226 00:13:52,920 --> 00:13:58,760 Speaker 1: So that's that's the basis for the secret messages. Um, 227 00:13:58,880 --> 00:14:02,199 Speaker 1: what those secret messages are, we can't say, because again, 228 00:14:02,280 --> 00:14:05,760 Speaker 1: unless someone gets hold of one of those pads, then 229 00:14:06,000 --> 00:14:09,200 Speaker 1: it is it's just meaningless numbers. I mean, you could 230 00:14:09,200 --> 00:14:11,640 Speaker 1: convert those two letters, but all that's going to do 231 00:14:11,720 --> 00:14:15,440 Speaker 1: is give you the product of those those two that 232 00:14:15,600 --> 00:14:18,720 Speaker 1: like the original message and the key. Without having the key, 233 00:14:19,120 --> 00:14:22,520 Speaker 1: you can't figure out what the original messages. Now. Um 234 00:14:22,560 --> 00:14:26,920 Speaker 1: it is likely too that the uh, well we talked 235 00:14:26,920 --> 00:14:31,360 Speaker 1: about that in the Enigma machine, how the German codes 236 00:14:31,680 --> 00:14:34,520 Speaker 1: during World War Two were broken down into those um 237 00:14:34,520 --> 00:14:39,800 Speaker 1: five letter combinations. Um as an added layer of security. 238 00:14:39,880 --> 00:14:44,160 Speaker 1: These these combinations stand in for other words too, So 239 00:14:44,240 --> 00:14:47,400 Speaker 1: it is possible that you know, even if you did 240 00:14:47,720 --> 00:14:49,480 Speaker 1: break the code, you would also have to have the 241 00:14:49,520 --> 00:14:53,720 Speaker 1: book that explains what these these letter combinations mean. But 242 00:14:53,960 --> 00:14:56,960 Speaker 1: um so still would never Well, that's what I'm saying. 243 00:14:56,960 --> 00:14:59,040 Speaker 1: If you, if you for some reason, if you maybe 244 00:14:59,360 --> 00:15:01,480 Speaker 1: hold of the path right, or if they use a 245 00:15:01,560 --> 00:15:04,080 Speaker 1: repeating key, because if they use a repeating key, then 246 00:15:04,920 --> 00:15:06,920 Speaker 1: it would take a lot of ani You would have 247 00:15:06,960 --> 00:15:09,200 Speaker 1: to analyze the heck out of the message, but you 248 00:15:09,240 --> 00:15:12,720 Speaker 1: could potentially start detecting patterns. Well, that's what broke the 249 00:15:12,840 --> 00:15:15,760 Speaker 1: Enigma cary exactly because they were they got lazy, lazy, 250 00:15:15,800 --> 00:15:18,480 Speaker 1: and they started using repeating keys as opposed to using 251 00:15:18,520 --> 00:15:20,440 Speaker 1: a key that just doesn't repeat, which would have been 252 00:15:20,480 --> 00:15:24,520 Speaker 1: impossible to crack. So it's just an added layer of security. 253 00:15:24,600 --> 00:15:27,240 Speaker 1: That's that just makes it much more difficult, so they 254 00:15:27,320 --> 00:15:32,400 Speaker 1: do these repetitions over and over again. Um, and it's Uh. 255 00:15:32,480 --> 00:15:35,680 Speaker 1: The thing is, the tone and the style of the 256 00:15:35,720 --> 00:15:39,560 Speaker 1: broadcasts is really really creepy, especially when you add that 257 00:15:39,680 --> 00:15:43,400 Speaker 1: spy layer in your head to it. You start going, 258 00:15:43,560 --> 00:15:46,760 Speaker 1: this message is not intended for me, and and somebody 259 00:15:46,800 --> 00:15:50,320 Speaker 1: could be doing something. You know, I could be listening, well, 260 00:15:50,320 --> 00:15:52,440 Speaker 1: this is what I think, you know, I'm you know, 261 00:15:52,480 --> 00:15:54,200 Speaker 1: listening to it, going I could be listening to a 262 00:15:54,200 --> 00:15:57,280 Speaker 1: message that tells somebody to kill somebody else. Yeah, this 263 00:15:57,360 --> 00:16:00,240 Speaker 1: could be a message saying to like And then think 264 00:16:00,280 --> 00:16:03,400 Speaker 1: about this. You hear those messages and then maybe a 265 00:16:03,400 --> 00:16:06,880 Speaker 1: week later, you hear about some massive political event that 266 00:16:06,960 --> 00:16:09,440 Speaker 1: takes place in the country, and you think, is there 267 00:16:09,480 --> 00:16:11,840 Speaker 1: any connection to what I heard and what just happened? 268 00:16:12,240 --> 00:16:16,920 Speaker 1: Is what I heard? Was that? Was that? Ah? Essentially 269 00:16:17,000 --> 00:16:20,560 Speaker 1: a prediction for what actually unfolded? And yeah, it's it's 270 00:16:20,640 --> 00:16:24,040 Speaker 1: kind of I mean, it is definitely creepy. And um, 271 00:16:24,080 --> 00:16:27,120 Speaker 1: there are a lot of really cool names for these 272 00:16:27,280 --> 00:16:30,760 Speaker 1: various broadcasts, some of which are named after the music 273 00:16:30,800 --> 00:16:34,080 Speaker 1: that they use. Yeah, and again, Um, in some cases, 274 00:16:35,080 --> 00:16:37,920 Speaker 1: you could kind of some of them. The station's sort 275 00:16:37,960 --> 00:16:41,480 Speaker 1: of semi identify themselves, and others I think are given 276 00:16:41,600 --> 00:16:45,040 Speaker 1: sort of like stars, you know, or viruses. They're given 277 00:16:45,120 --> 00:16:48,360 Speaker 1: the names of their discoverers want to name them. Yeah, 278 00:16:48,480 --> 00:16:51,520 Speaker 1: so there's um, there's One of the famous ones is 279 00:16:51,560 --> 00:16:56,120 Speaker 1: the Lincolnshire Poacher. Yeah, which was was featured not too 280 00:16:56,160 --> 00:16:58,280 Speaker 1: long ago as of the recording of this podcast on 281 00:16:58,320 --> 00:17:02,040 Speaker 1: another podcast called The Skeptics Guide to the Universe. They 282 00:17:02,040 --> 00:17:05,959 Speaker 1: have a little feature where it's called Who's that Noisy? 283 00:17:06,400 --> 00:17:08,840 Speaker 1: And they which which is named after one of the 284 00:17:08,960 --> 00:17:11,040 Speaker 1: one of the hosts has a daughter who would say, 285 00:17:11,080 --> 00:17:15,080 Speaker 1: who's that noisy? As in what's making that noise? So anyway, 286 00:17:15,119 --> 00:17:17,520 Speaker 1: Who's that Noisy is the name of the segment where 287 00:17:17,520 --> 00:17:20,920 Speaker 1: they'll play a sound file and it's the listener's job 288 00:17:20,960 --> 00:17:22,879 Speaker 1: to try and figure out what that sound file is. 289 00:17:23,080 --> 00:17:27,840 Speaker 1: And they played the little musical uh prelude that would 290 00:17:27,880 --> 00:17:31,679 Speaker 1: happen before the numbers broadcast on the number station Lincoln 291 00:17:31,680 --> 00:17:34,520 Speaker 1: Sure poacher do do do Do Do Do Do Do 292 00:17:34,520 --> 00:17:37,920 Speaker 1: Do Do Do do doo, And it's really creepy when 293 00:17:37,960 --> 00:17:41,640 Speaker 1: you hear it over and over again. Um And anyway, 294 00:17:41,920 --> 00:17:47,440 Speaker 1: that particular broadcast has been linked to Cyprus to the 295 00:17:47,560 --> 00:17:50,920 Speaker 1: Royal Air Force base on Cyprus, and is believed, though 296 00:17:50,960 --> 00:17:53,439 Speaker 1: there's no proof because there's no one actually coming out 297 00:17:53,440 --> 00:17:56,159 Speaker 1: and saying this is true, that it was operated by 298 00:17:56,240 --> 00:18:00,119 Speaker 1: the British Secret Intelligence Service out of Cyprus. Now that 299 00:18:00,320 --> 00:18:04,359 Speaker 1: particular station is no longer active. I think it stopped 300 00:18:04,400 --> 00:18:07,720 Speaker 1: broadcasting in neither two thousand or two thousand nine. But 301 00:18:07,800 --> 00:18:11,399 Speaker 1: there are a few others that also were pretty famous. 302 00:18:11,720 --> 00:18:15,040 Speaker 1: Cherry Ripe, there's the song Cherry Write, another British folk 303 00:18:15,119 --> 00:18:19,240 Speaker 1: song which was a station somewhere in Australia or Australia 304 00:18:19,320 --> 00:18:23,399 Speaker 1: if you prefer. There's Swedish Rhapsody, which is possibly the 305 00:18:23,560 --> 00:18:26,720 Speaker 1: creepiest thing I have ever heard in my life, which 306 00:18:26,800 --> 00:18:30,800 Speaker 1: is a there's a glockenspield that's playing and a ace. 307 00:18:31,960 --> 00:18:36,080 Speaker 1: The voice is clearly that of a female child reading 308 00:18:36,119 --> 00:18:40,080 Speaker 1: out numbers in Germany, and you just hear this glockenspield 309 00:18:40,119 --> 00:18:43,000 Speaker 1: play and then this little girl reading out numbers in German, 310 00:18:43,119 --> 00:18:46,200 Speaker 1: and it is you can't help but feel a deep 311 00:18:46,280 --> 00:18:50,200 Speaker 1: sense of foreboding. But then there's also other ones called 312 00:18:50,280 --> 00:18:55,520 Speaker 1: like the Mad Violinist and the Boardman, because apparently it's 313 00:18:55,640 --> 00:19:07,800 Speaker 1: just for two seven eight that that's kind of how 314 00:19:07,840 --> 00:19:10,320 Speaker 1: I would be like, like day one, I'd be all creepy, 315 00:19:10,400 --> 00:19:13,000 Speaker 1: and day two I'd be you know, less creepy. Day three, 316 00:19:13,040 --> 00:19:21,000 Speaker 1: I just be like three six. What am I gonna 317 00:19:21,040 --> 00:19:25,760 Speaker 1: have for dinner tonight? For I gotta pick up the 318 00:19:25,840 --> 00:19:29,600 Speaker 1: dry cleaning to read the message you're not getting anything 319 00:19:29,640 --> 00:19:33,120 Speaker 1: for dinner. Um. Yeah, there are there are a number 320 00:19:33,119 --> 00:19:36,640 Speaker 1: of places number um where you can if you don't 321 00:19:36,680 --> 00:19:39,080 Speaker 1: happen to have a short wave radio, where you can 322 00:19:39,400 --> 00:19:43,879 Speaker 1: pick up on these. Um. The Internet Archive, of course, 323 00:19:45,560 --> 00:19:49,800 Speaker 1: which collects all sorts of strange and esoteric things. Um. 324 00:19:50,480 --> 00:19:52,560 Speaker 1: There are many many recordings that you can listen to 325 00:19:52,680 --> 00:19:57,160 Speaker 1: on there. And actually the first place that I encountered 326 00:19:57,240 --> 00:20:00,119 Speaker 1: these was in an article in Wired magazine. Would I 327 00:20:00,200 --> 00:20:04,080 Speaker 1: went back and revisited UM for for this, and they 328 00:20:04,119 --> 00:20:09,840 Speaker 1: were categorizing this Russian station UVB seventy six, which had 329 00:20:09,840 --> 00:20:12,880 Speaker 1: been broadcasting essentially the same thing for many, many years 330 00:20:13,119 --> 00:20:17,760 Speaker 1: until one day it stopped and then started again, and 331 00:20:17,840 --> 00:20:20,440 Speaker 1: then stopped again, and then you could hear so it 332 00:20:20,480 --> 00:20:24,120 Speaker 1: sounded like somebody in the room with the microphone, uh, 333 00:20:24,280 --> 00:20:28,680 Speaker 1: you know, just you know, too creepy stuffling stuff and 334 00:20:29,400 --> 00:20:32,399 Speaker 1: banging around, and then it started broadcasting something else, and 335 00:20:32,600 --> 00:20:37,040 Speaker 1: and they changed the call numbers at the station to 336 00:20:37,200 --> 00:20:39,280 Speaker 1: something entirely different. So it maasically wonder if the guy 337 00:20:39,359 --> 00:20:41,880 Speaker 1: was just asking for toilet paper and it finally arrived, 338 00:20:42,640 --> 00:20:45,439 Speaker 1: he was like, now blue jeans and the blue ge 339 00:20:45,880 --> 00:20:48,040 Speaker 1: Well you can you can still listen to this at 340 00:20:48,680 --> 00:20:52,119 Speaker 1: UVB dash seven six dot net and you can go 341 00:20:52,280 --> 00:20:55,399 Speaker 1: and visit that website and they will tell you. The 342 00:20:55,520 --> 00:20:59,520 Speaker 1: enthusiasts who keep track of these things will will share 343 00:20:59,640 --> 00:21:02,240 Speaker 1: information about the station and what it changed to, but 344 00:21:03,440 --> 00:21:05,920 Speaker 1: very very weird stuff. Well, I think it is funny 345 00:21:06,080 --> 00:21:08,000 Speaker 1: is that a lot of the people who are following 346 00:21:08,480 --> 00:21:12,440 Speaker 1: numbers stations, who really have a passion for listening to 347 00:21:12,600 --> 00:21:16,240 Speaker 1: them and finding them on on shortwave radio, they don't 348 00:21:16,440 --> 00:21:19,320 Speaker 1: want to have the mystery solved because it would mean 349 00:21:19,359 --> 00:21:22,000 Speaker 1: their hobby would be over. Well, I mean it even 350 00:21:22,200 --> 00:21:25,600 Speaker 1: um information about this. This is kind of something that 351 00:21:25,760 --> 00:21:29,080 Speaker 1: is operated for so many years. Uh, if you will 352 00:21:29,200 --> 00:21:32,280 Speaker 1: pardon the radio punt under the radar, I mean it's 353 00:21:32,359 --> 00:21:35,320 Speaker 1: it's not something that the general public knew anything about 354 00:21:35,440 --> 00:21:39,000 Speaker 1: up until the last handful of years, which is kind 355 00:21:39,040 --> 00:21:41,200 Speaker 1: of ironic considering it was going on through the cold war, 356 00:21:41,920 --> 00:21:44,800 Speaker 1: and before that, and and and now after most of 357 00:21:44,880 --> 00:21:48,600 Speaker 1: it has stopped anyhow. Uh. It even made an appearance 358 00:21:48,640 --> 00:21:51,720 Speaker 1: in an episode of Lost. I understand. I never was 359 00:21:51,800 --> 00:21:53,600 Speaker 1: really much of a fan of the show, but I 360 00:21:53,680 --> 00:21:56,399 Speaker 1: think it's cool that they put that into the the 361 00:21:56,480 --> 00:22:01,040 Speaker 1: show's um storyline, that there was a number station involved 362 00:22:01,200 --> 00:22:04,480 Speaker 1: with uh, with the plot line UM. And of course 363 00:22:04,600 --> 00:22:08,040 Speaker 1: that was about codes and code breaking and creepiness and 364 00:22:08,119 --> 00:22:11,440 Speaker 1: all sorts of stuff, so it fit right in. UM. 365 00:22:12,720 --> 00:22:15,880 Speaker 1: So yeah, I mean, it's it's fascinating. But the people 366 00:22:15,920 --> 00:22:20,200 Speaker 1: who watched Lost, you know, wanted the mystery to unravel 367 00:22:20,960 --> 00:22:24,080 Speaker 1: over time. They didn't want it solved immediately. And I 368 00:22:24,160 --> 00:22:27,720 Speaker 1: think for for the people who followed the these number stations, 369 00:22:28,280 --> 00:22:30,119 Speaker 1: it's the same kind of thing. They don't and you 370 00:22:30,240 --> 00:22:33,720 Speaker 1: kind of want to know, But then I don't know 371 00:22:33,760 --> 00:22:35,800 Speaker 1: if you've ever read a book where you didn't want 372 00:22:35,920 --> 00:22:38,800 Speaker 1: the story to end and you just stopped reading because 373 00:22:39,080 --> 00:22:41,040 Speaker 1: you just enjoyed the fact that it was still going on, 374 00:22:41,160 --> 00:22:42,960 Speaker 1: and you didn't really want to know quite what was 375 00:22:43,000 --> 00:22:44,879 Speaker 1: going on, although you knew it had an end and 376 00:22:45,119 --> 00:22:48,399 Speaker 1: somebody was behind it. I don't want to know, So 377 00:22:48,960 --> 00:22:52,560 Speaker 1: I've done that many times. Or slowed very very slow 378 00:22:53,800 --> 00:22:57,000 Speaker 1: way down. You know, um, because you don't want to 379 00:22:57,080 --> 00:23:00,879 Speaker 1: find out because then you know you're fun and so UM. 380 00:23:01,960 --> 00:23:11,680 Speaker 1: I don't know very interesting stuff everything. I hope you 381 00:23:11,760 --> 00:23:14,240 Speaker 1: guys like that classic episode. I still get creeped out 382 00:23:14,240 --> 00:23:17,520 Speaker 1: by number station recordings. So what tech gives you? Guys? 383 00:23:17,600 --> 00:23:20,560 Speaker 1: The heb gbs right, and let me know. My address 384 00:23:20,720 --> 00:23:23,359 Speaker 1: is tech stuff at how stuff works dot com or 385 00:23:23,520 --> 00:23:26,320 Speaker 1: give me a shout out on Tumbler, Twitter, or Facebook. 386 00:23:26,400 --> 00:23:29,399 Speaker 1: You can find me at tech stuff hs w S. 387 00:23:29,760 --> 00:23:36,920 Speaker 1: I'll talk to you again. Release it, put more on 388 00:23:37,040 --> 00:23:39,480 Speaker 1: this and thousands of other topics. Is it half stuff 389 00:23:39,520 --> 00:23:40,200 Speaker 1: works dot com