WEBVTT - The Invention of Fireworks

0:00:03.040 --> 0:00:05.360
<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

0:00:05.480 --> 0:00:14.680
<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow your Mind.

0:00:14.760 --> 0:00:17.680
<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

0:00:17.760 --> 0:00:21.599
<v Speaker 1>today we're doing fireworks. Hey, Robert, did did you grow

0:00:21.680 --> 0:00:25.240
<v Speaker 1>up in a place where, whatever the actual law was,

0:00:25.400 --> 0:00:28.760
<v Speaker 1>you at least thought that fireworks were illegal and that

0:00:28.920 --> 0:00:32.680
<v Speaker 1>setting them off in your yard might summon the police. No.

0:00:33.320 --> 0:00:36.960
<v Speaker 1>I I grew up in places where it seemed that

0:00:37.040 --> 0:00:40.120
<v Speaker 1>fireworks were just part of life, and you could just

0:00:40.320 --> 0:00:43.400
<v Speaker 1>go out and play with a bunch of firecrackers in

0:00:43.440 --> 0:00:45.720
<v Speaker 1>the afternoon by yourself, and it wasn't any big deal,

0:00:45.800 --> 0:00:48.720
<v Speaker 1>you know, strap them to Joe there in um build

0:00:48.800 --> 0:00:51.159
<v Speaker 1>little volcanoes out of dirt and then blow them up

0:00:51.600 --> 0:00:54.800
<v Speaker 1>to get some scotch tape and see how many, um

0:00:55.080 --> 0:00:59.320
<v Speaker 1>what bottle rockets you could uh lash together and still

0:00:59.360 --> 0:01:01.280
<v Speaker 1>achieve some thing that would fly through the air, that

0:01:01.360 --> 0:01:03.880
<v Speaker 1>sort of thing. So definitely, when I was a little kid,

0:01:03.920 --> 0:01:07.480
<v Speaker 1>I had the impression that using fireworks was illegal. I

0:01:07.480 --> 0:01:09.320
<v Speaker 1>don't know if it was, but I think that's because

0:01:09.360 --> 0:01:11.880
<v Speaker 1>you couldn't buy them in the county where I lived.

0:01:11.959 --> 0:01:14.600
<v Speaker 1>So when Fourth of July or New Year's or whatever

0:01:14.760 --> 0:01:16.400
<v Speaker 1>was coming up and we wanted to get fireworks, we

0:01:16.440 --> 0:01:18.039
<v Speaker 1>had to go on a road trip up or down

0:01:18.080 --> 0:01:21.800
<v Speaker 1>the interstate to to one of the more lawless evil

0:01:21.880 --> 0:01:25.200
<v Speaker 1>counties where you could go to Big Daddy's Firecrackers, or

0:01:25.319 --> 0:01:27.920
<v Speaker 1>you know, one of these other places. I remember when

0:01:27.920 --> 0:01:30.720
<v Speaker 1>I was a kid one time buying a you know,

0:01:30.880 --> 0:01:34.480
<v Speaker 1>using my little allowance money to buy a firecracker that

0:01:34.680 --> 0:01:38.360
<v Speaker 1>was very exciting looking because it was shaped like a tank.

0:01:38.640 --> 0:01:41.840
<v Speaker 1>It was made of cardboard, and I thought, now, this

0:01:41.920 --> 0:01:44.319
<v Speaker 1>thing is going to be like a piece of mobile artillery.

0:01:44.400 --> 0:01:47.240
<v Speaker 1>It's going to roll around and shootout stuff. I recall

0:01:47.319 --> 0:01:49.600
<v Speaker 1>it didn't really do much, and it was one of

0:01:49.600 --> 0:01:53.080
<v Speaker 1>my earliest experiences of spending money on something expecting it

0:01:53.120 --> 0:01:55.560
<v Speaker 1>to be great and it being a total flop. I

0:01:55.560 --> 0:01:59.400
<v Speaker 1>remember being really impressed with the like the tanks and

0:01:59.480 --> 0:02:03.040
<v Speaker 1>the little sort of novelty items, because basically we when

0:02:03.080 --> 0:02:05.600
<v Speaker 1>Fourth of July or New Years would roll around, they'd

0:02:05.640 --> 0:02:07.480
<v Speaker 1>set up a ten er a couple of tenths in

0:02:07.560 --> 0:02:10.200
<v Speaker 1>town in the place where I grew up, and and

0:02:10.400 --> 0:02:12.519
<v Speaker 1>you know, they would sell the fireworks there. I always

0:02:12.560 --> 0:02:15.480
<v Speaker 1>wanted to get things like the tank, but generally a

0:02:15.680 --> 0:02:20.560
<v Speaker 1>parental or grown up unit that was present would would say, no, no, no,

0:02:20.600 --> 0:02:22.079
<v Speaker 1>that's that's a waste of money. You want something that

0:02:22.120 --> 0:02:24.720
<v Speaker 1>goes up in the air and blows up. My my

0:02:24.840 --> 0:02:28.520
<v Speaker 1>fondest memory I remember, I think my grandparents got this

0:02:28.520 --> 0:02:31.680
<v Speaker 1>one was one that went up, exploded and dropped tiny

0:02:31.720 --> 0:02:35.960
<v Speaker 1>parachute men out of it, like yeah, and that was

0:02:36.280 --> 0:02:38.760
<v Speaker 1>that was crazy. That was awesome because it's dropping something.

0:02:38.760 --> 0:02:41.720
<v Speaker 1>Then you then find that's not just total garbage. I mean,

0:02:41.760 --> 0:02:44.760
<v Speaker 1>it's essentially garbage, but not total garbage. No, that's great

0:02:44.800 --> 0:02:47.320
<v Speaker 1>because then you strap a firecracker to that army man

0:02:47.360 --> 0:02:51.799
<v Speaker 1>and put it up. Yeah, I guess um. But then

0:02:51.840 --> 0:02:54.080
<v Speaker 1>I also remember being really impressed by the ones that

0:02:54.160 --> 0:02:57.359
<v Speaker 1>looked like actual rockets. The more rockety, the better, right,

0:02:58.200 --> 0:03:01.639
<v Speaker 1>And I distinctly remember sucking my my parents into getting

0:03:01.639 --> 0:03:04.280
<v Speaker 1>this this one rocket and then we we we brought

0:03:04.320 --> 0:03:06.000
<v Speaker 1>it home. And as it turned out, one of the

0:03:06.000 --> 0:03:08.040
<v Speaker 1>problems with this particular rocket is it's supposed to have

0:03:08.040 --> 0:03:10.400
<v Speaker 1>a launching rod, you know, like a rod that sticks

0:03:10.400 --> 0:03:12.520
<v Speaker 1>into the ground that ensures that it takes off in

0:03:12.560 --> 0:03:17.040
<v Speaker 1>a you know, a with a straight skyward trajectory. That

0:03:17.160 --> 0:03:20.240
<v Speaker 1>rod had been misplaced prior to purchase, so it did

0:03:20.240 --> 0:03:23.160
<v Speaker 1>not have one. So we set this thing off and

0:03:23.360 --> 0:03:25.919
<v Speaker 1>it instead of going straight up into the sky and exploding,

0:03:26.240 --> 0:03:29.079
<v Speaker 1>it went straight up and made a turn and then

0:03:29.120 --> 0:03:33.960
<v Speaker 1>went through a a a narrow gap in the sliding

0:03:34.000 --> 0:03:37.400
<v Speaker 1>glass door of our house, and it hit my uncle

0:03:37.440 --> 0:03:41.200
<v Speaker 1>in the face. Fortunately didn't like blow up in his

0:03:41.280 --> 0:03:43.760
<v Speaker 1>face or anything, but like, you know, kind of punctured

0:03:43.800 --> 0:03:46.240
<v Speaker 1>his cheek a little bit, and then like skidded around

0:03:46.240 --> 0:03:49.720
<v Speaker 1>on the carpeted floor shooting sparks everywhere. Uh So that

0:03:49.800 --> 0:03:52.640
<v Speaker 1>was exciting. Did you get to keep playing with fireworks

0:03:52.680 --> 0:03:56.840
<v Speaker 1>after that? Uh? Yeah, I guess it did inspire me

0:03:56.880 --> 0:03:58.560
<v Speaker 1>to be a little maybe I was a little more

0:03:58.600 --> 0:04:01.000
<v Speaker 1>careful after that, and I certainly to get into the

0:04:01.080 --> 0:04:04.680
<v Speaker 1>total recklessness of you know, people launching Roman candles at

0:04:04.680 --> 0:04:06.360
<v Speaker 1>each other, that sort of thing that you hear about.

0:04:06.640 --> 0:04:10.720
<v Speaker 1>I was generally it was about Yeah you hear about

0:04:10.800 --> 0:04:13.840
<v Speaker 1>or your horror stories about but or or that your

0:04:13.880 --> 0:04:16.359
<v Speaker 1>friends did in high school. Yeah, for me, it was

0:04:16.440 --> 0:04:20.280
<v Speaker 1>just firecrackers and in bottle rockets, so that you know,

0:04:20.640 --> 0:04:24.480
<v Speaker 1>low level uh and firework ammunition here, not getting into

0:04:24.560 --> 0:04:27.320
<v Speaker 1>like cherry bombs and so forth. I have personal stories

0:04:27.320 --> 0:04:29.920
<v Speaker 1>about firecracker use in high school that I'm just not

0:04:30.000 --> 0:04:32.000
<v Speaker 1>going to share on the podcast because I do not

0:04:32.080 --> 0:04:34.919
<v Speaker 1>want to inspire imitators and and have kids get body

0:04:34.920 --> 0:04:38.400
<v Speaker 1>parts blown off. Yeah, I have to say as a parent,

0:04:38.800 --> 0:04:43.880
<v Speaker 1>I certainly am far more protective when it comes to fireworks. Hey,

0:04:43.960 --> 0:04:46.320
<v Speaker 1>I'm not like super into them as an As a

0:04:46.360 --> 0:04:49.719
<v Speaker 1>grown up, um, I like watching professional fireworks every now

0:04:49.800 --> 0:04:51.560
<v Speaker 1>and then, But then again, I'm not going to really

0:04:51.560 --> 0:04:53.360
<v Speaker 1>go out of my way to see them. If they're around,

0:04:53.480 --> 0:04:57.000
<v Speaker 1>I will look up, you know. And I'm I'm more

0:04:57.000 --> 0:04:59.000
<v Speaker 1>protective of my son, like I don't. I don't really

0:04:59.000 --> 0:05:01.719
<v Speaker 1>like the idea of him even playing with fireworks to

0:05:01.760 --> 0:05:04.279
<v Speaker 1>the degree that I did growing up. Well, you know,

0:05:04.440 --> 0:05:08.960
<v Speaker 1>one safe alternative that has always puzzled me is one

0:05:08.960 --> 0:05:11.920
<v Speaker 1>of the most bizarre genres of home media that I've

0:05:11.920 --> 0:05:14.240
<v Speaker 1>ever seen. I recall seeing these, I think in the

0:05:14.279 --> 0:05:18.719
<v Speaker 1>gift shop area of a cracker barrel and DVD's of

0:05:18.839 --> 0:05:24.520
<v Speaker 1>fireworks displays. Oh man, I vaguely remember seeing because I

0:05:24.520 --> 0:05:27.080
<v Speaker 1>never watched one, that's for sure. Yeah I didn't either,

0:05:27.160 --> 0:05:29.320
<v Speaker 1>But I'm just wondering, what, So does somebody buy this

0:05:29.440 --> 0:05:31.840
<v Speaker 1>DVD and take it home and just put it on.

0:05:31.960 --> 0:05:33.839
<v Speaker 1>It's like, yeah, I just want to watch some fireworks

0:05:33.839 --> 0:05:35.880
<v Speaker 1>in the living room. I guess, you know. I mean,

0:05:36.120 --> 0:05:39.160
<v Speaker 1>is it that different from watching the Hearth on Netflix

0:05:39.320 --> 0:05:42.920
<v Speaker 1>every Christmas? I think it's somewhat different. I mean, neither

0:05:42.960 --> 0:05:45.320
<v Speaker 1>one's going to give off heat the way that it

0:05:45.360 --> 0:05:48.160
<v Speaker 1>would in reality. But you know, a real fireworks display,

0:05:48.200 --> 0:05:51.440
<v Speaker 1>you sort of feel the sound. There's this booming thing,

0:05:51.520 --> 0:05:54.520
<v Speaker 1>and and it's live, so you're usually experiencing it along

0:05:54.600 --> 0:05:58.239
<v Speaker 1>with many other people who are celebrating something. Just having

0:05:58.279 --> 0:06:01.280
<v Speaker 1>one on the TV. I don't know that I feel

0:06:01.279 --> 0:06:03.880
<v Speaker 1>like he get closer to the reality of a fire

0:06:03.920 --> 0:06:06.920
<v Speaker 1>burning in your fireplace with a fire on the TV. Yeah,

0:06:07.040 --> 0:06:10.520
<v Speaker 1>probably so, probably so. Uh then again, I do I

0:06:10.560 --> 0:06:12.960
<v Speaker 1>do know that they televise, or at least in the past,

0:06:12.960 --> 0:06:16.159
<v Speaker 1>they would televise some of these big fireworks shows and

0:06:16.160 --> 0:06:19.920
<v Speaker 1>and I remember I remember those being on TV when

0:06:19.960 --> 0:06:22.839
<v Speaker 1>I was a kid. Yeah, I guess so, so as

0:06:23.080 --> 0:06:26.279
<v Speaker 1>as everyone can guess, here we are talking about fireworks today.

0:06:26.320 --> 0:06:28.640
<v Speaker 1>This is going to be one of our Invention themed

0:06:28.720 --> 0:06:33.240
<v Speaker 1>episodes are an exploration of the origin of fireworks, which

0:06:33.279 --> 0:06:35.640
<v Speaker 1>is a fascinating story that I think a lot of

0:06:35.720 --> 0:06:38.599
<v Speaker 1>us probably know like the broad strokes of it. I

0:06:38.600 --> 0:06:41.120
<v Speaker 1>think a lot of people are probably at the very

0:06:41.240 --> 0:06:44.440
<v Speaker 1>least vaguely aware of the Chinese origins that we're going

0:06:44.480 --> 0:06:47.920
<v Speaker 1>to be discussing here, But even just the Chinese origins

0:06:47.960 --> 0:06:51.240
<v Speaker 1>of fireworks, it's it's just such a wonderful tale, full

0:06:51.240 --> 0:06:55.599
<v Speaker 1>of mystery and magic and and also goblins. And then likewise,

0:06:55.600 --> 0:06:57.839
<v Speaker 1>when we get into the European history of it as well,

0:06:58.080 --> 0:07:00.360
<v Speaker 1>there is a lot of magic and miss red there

0:07:00.360 --> 0:07:02.760
<v Speaker 1>as well. Totally, So we're not going to run through

0:07:02.800 --> 0:07:07.039
<v Speaker 1>the entire history of pyro technology here, but suffice to

0:07:07.080 --> 0:07:12.080
<v Speaker 1>say that the human ability to manipulate, sustain, control, and

0:07:12.160 --> 0:07:16.480
<v Speaker 1>produce fire is key to technological advancement as a whole.

0:07:16.720 --> 0:07:19.520
<v Speaker 1>I mean, it's just difficult to overstate the importance of

0:07:19.640 --> 0:07:23.400
<v Speaker 1>fire mastery in human history. It's not just key, it's

0:07:23.480 --> 0:07:28.840
<v Speaker 1>the master key. It's the thing that unlocks almost everything else. Again,

0:07:28.920 --> 0:07:34.880
<v Speaker 1>there's a reason that broadly historical technological regimes are characterized

0:07:34.920 --> 0:07:37.480
<v Speaker 1>in terms of metal working, like what types of things

0:07:37.520 --> 0:07:40.040
<v Speaker 1>you could make tools out of, And you couldn't really

0:07:40.040 --> 0:07:43.280
<v Speaker 1>have metal working without fire, That's right. If you want

0:07:43.440 --> 0:07:46.320
<v Speaker 1>a more detailed breakdown of sort of like the basic

0:07:46.640 --> 0:07:51.360
<v Speaker 1>fire technology history of humanity. Check out our what was it?

0:07:51.400 --> 0:07:53.320
<v Speaker 1>A three part series we did on the match Stick

0:07:53.400 --> 0:07:57.200
<v Speaker 1>for Invention our our other show which has now been

0:07:57.200 --> 0:07:59.600
<v Speaker 1>folded back into this show, but all those episodes about

0:07:59.600 --> 0:08:02.920
<v Speaker 1>the match are still available for your listening. The fire

0:08:02.960 --> 0:08:05.080
<v Speaker 1>Extinguisher too. We talked to us, right, yeah, we kind

0:08:05.080 --> 0:08:07.000
<v Speaker 1>of can we continue? So it's ultimately more like a

0:08:07.440 --> 0:08:12.400
<v Speaker 1>six part journey through uh, some major moments in pyrotechnology.

0:08:12.480 --> 0:08:15.320
<v Speaker 1>I feel like this show is maybe against our wishes,

0:08:15.400 --> 0:08:18.680
<v Speaker 1>revealing some freudy and preoccupations going on in both of

0:08:18.680 --> 0:08:23.240
<v Speaker 1>our brains. But with explosive fireworks, we can't stop thinking

0:08:23.240 --> 0:08:27.760
<v Speaker 1>and talking about firecrackers, fire setting fire to stuff. Yeah, yeah,

0:08:27.800 --> 0:08:31.400
<v Speaker 1>I guess so. Well. Also, we're coming up on July four,

0:08:31.480 --> 0:08:33.760
<v Speaker 1>and I think that was one of the main issues

0:08:33.800 --> 0:08:35.679
<v Speaker 1>here too, is we've been talking about doing a fireworks

0:08:35.679 --> 0:08:39.960
<v Speaker 1>episode forever and then finally um Work asked asked, us, hey,

0:08:40.000 --> 0:08:42.720
<v Speaker 1>do you have anything in the catalog that's July four themed?

0:08:42.720 --> 0:08:46.280
<v Speaker 1>And we're like, well, no, not really, but we've been

0:08:46.320 --> 0:08:48.920
<v Speaker 1>wanting to do fireworks, so here we are. So one

0:08:48.960 --> 0:08:51.480
<v Speaker 1>of the things that we touch on in those pyrotechnology

0:08:51.520 --> 0:08:55.240
<v Speaker 1>episodes is that in many ways, the camp fire itself,

0:08:55.320 --> 0:08:59.520
<v Speaker 1>the longstanding and important aspect of a human culture, is

0:08:59.600 --> 0:09:02.600
<v Speaker 1>in its off, an ancient laboratory, a place where humans

0:09:02.640 --> 0:09:07.600
<v Speaker 1>experimented with the addition of various fuels and substances to

0:09:07.760 --> 0:09:11.960
<v Speaker 1>learn what burns, what doesn't burn, and sometimes what burns

0:09:12.120 --> 0:09:15.760
<v Speaker 1>really well or what combusts. You know, I didn't think

0:09:15.760 --> 0:09:17.800
<v Speaker 1>of this until just now, but this is also bringing

0:09:17.840 --> 0:09:20.880
<v Speaker 1>to mind the recent episodes we did about buildings made

0:09:20.960 --> 0:09:23.719
<v Speaker 1>out of mammoth bone that we're found in what is

0:09:23.760 --> 0:09:27.319
<v Speaker 1>now Russia and Ukraine. But in this ancient Ice Age culture,

0:09:27.760 --> 0:09:29.680
<v Speaker 1>and a big part of that culture seemed to be

0:09:29.720 --> 0:09:33.679
<v Speaker 1>based around the burning of bones as fuel, something we

0:09:33.679 --> 0:09:36.880
<v Speaker 1>wouldn't even normally think of as possible. Yeah, exactly, Like

0:09:36.920 --> 0:09:39.760
<v Speaker 1>bones are one example of of a of a combustion

0:09:39.920 --> 0:09:43.040
<v Speaker 1>uhh source that that has played an important role in

0:09:43.080 --> 0:09:46.560
<v Speaker 1>human history. Another one, of course, is dung um. Some

0:09:46.559 --> 0:09:49.559
<v Speaker 1>some listeners of particularly some cultures, may not be aware

0:09:49.559 --> 0:09:53.160
<v Speaker 1>of just how important dung has been and still is

0:09:53.920 --> 0:09:56.520
<v Speaker 1>in many cases as a fuel. You know, you can

0:09:56.559 --> 0:09:59.400
<v Speaker 1>almost still feel the instinct in yourself, or at least

0:09:59.400 --> 0:10:01.600
<v Speaker 1>I can when ever, you are sitting around to fire

0:10:01.679 --> 0:10:04.360
<v Speaker 1>and you have some kind of novel item, there's almost

0:10:04.360 --> 0:10:07.520
<v Speaker 1>this primordial urge to just see what it's like if

0:10:07.559 --> 0:10:09.160
<v Speaker 1>you just throw that in the fire. What does it

0:10:09.200 --> 0:10:11.880
<v Speaker 1>look like when it burns? What does it do? Yeah?

0:10:11.960 --> 0:10:14.840
<v Speaker 1>I see that with my son especially, we recently were

0:10:14.840 --> 0:10:17.679
<v Speaker 1>putting up we were we had some tomato plants and

0:10:17.679 --> 0:10:20.960
<v Speaker 1>we're like, oh, let's get some sticks to brace these suckers,

0:10:21.000 --> 0:10:22.600
<v Speaker 1>and then we realized, oh, no, the last time we

0:10:22.640 --> 0:10:25.480
<v Speaker 1>had a fire in the backyard, the boy burned everything,

0:10:25.840 --> 0:10:31.320
<v Speaker 1>like every every piece of dry wood was consented. So, oh,

0:10:31.360 --> 0:10:34.439
<v Speaker 1>I sympathize. So it shouldn't come as any surprise then

0:10:34.480 --> 0:10:37.040
<v Speaker 1>that there there are, you know, various accounts of pre

0:10:37.240 --> 0:10:41.440
<v Speaker 1>fireworks substances and materials that would combust or burn in

0:10:41.440 --> 0:10:43.880
<v Speaker 1>a certain way that was notable. And one of the

0:10:44.080 --> 0:10:47.200
<v Speaker 1>really key examples here that is central to the origin

0:10:47.240 --> 0:10:51.600
<v Speaker 1>of fireworks is bamboo. Now bamboo, I think everyone's familiar

0:10:51.640 --> 0:10:55.480
<v Speaker 1>with bamboo, but it is a hollow hearted grass. It's

0:10:55.559 --> 0:10:57.880
<v Speaker 1>especially common in East Asia, but you'll find it throughout

0:10:57.880 --> 0:11:01.360
<v Speaker 1>the world's tropical regions. Now, I know many of you

0:11:01.440 --> 0:11:05.120
<v Speaker 1>have enjoyed this exact experiment. Uh, and if you haven't,

0:11:05.360 --> 0:11:07.560
<v Speaker 1>I suggest you try it the next time you have

0:11:07.559 --> 0:11:11.439
<v Speaker 1>a campfire, if it all possible. Dry bamboo can burn

0:11:11.559 --> 0:11:14.480
<v Speaker 1>quite readily, and in some cases the drying out process

0:11:14.520 --> 0:11:17.600
<v Speaker 1>causes those hollows in the bamboo to crack open, but

0:11:17.720 --> 0:11:21.320
<v Speaker 1>other times there remains a sealed pocket of air in there.

0:11:21.640 --> 0:11:23.920
<v Speaker 1>So if you throw the bamboo into the fire, the

0:11:23.920 --> 0:11:27.240
<v Speaker 1>heat will cause the air within that hollow to expand,

0:11:27.760 --> 0:11:31.160
<v Speaker 1>and it will expand enough that it pops and produces

0:11:31.160 --> 0:11:35.120
<v Speaker 1>a startling bang when it explodes. I've never done this personally,

0:11:35.120 --> 0:11:38.640
<v Speaker 1>but now I really want to. Yeah, it's it's tremendous fun.

0:11:38.720 --> 0:11:42.160
<v Speaker 1>I mean it. We can well imagine that this was

0:11:42.200 --> 0:11:44.520
<v Speaker 1>one of the key attractions. It's like we put this

0:11:44.559 --> 0:11:48.000
<v Speaker 1>into the fire and it's it's it's alarming, it's entertaining,

0:11:48.480 --> 0:11:52.160
<v Speaker 1>it's uh, you know, it's it's raising your your awareness. Uh.

0:11:52.200 --> 0:11:53.959
<v Speaker 1>It's something that I think, you know, we can when

0:11:54.200 --> 0:11:58.080
<v Speaker 1>we experience it. We're experiencing the the primal experience of

0:11:58.160 --> 0:12:01.400
<v Speaker 1>burning bamboo as well. Now, this property of bamboo is

0:12:01.440 --> 0:12:06.120
<v Speaker 1>something that has been recognized since ancient times. Yes, absolutely, Um,

0:12:06.160 --> 0:12:08.840
<v Speaker 1>you know. It also brings to mind another interesting idea

0:12:08.840 --> 0:12:14.040
<v Speaker 1>that we recently discussed in our Phartonomicon episodes um Mary

0:12:14.160 --> 0:12:18.080
<v Speaker 1>Roach and her her book what was it? Uh gulp.

0:12:18.280 --> 0:12:22.040
<v Speaker 1>I believe she has his conversation with the University of

0:12:22.040 --> 0:12:26.120
<v Speaker 1>Alabama's Stephen Secor about snakes, and he has this theory

0:12:26.240 --> 0:12:31.439
<v Speaker 1>that uh hypothesis, rather that perhaps the myth of fire

0:12:31.480 --> 0:12:36.200
<v Speaker 1>breathing dragons has some origin in dead constrictor snakes bloated

0:12:36.240 --> 0:12:39.720
<v Speaker 1>with prey bring being brought to the fireside, and then

0:12:39.720 --> 0:12:44.000
<v Speaker 1>a post mortem exhalation of stomach gases ignites the flames,

0:12:44.080 --> 0:12:47.360
<v Speaker 1>that makes the flames roar up um, which you know,

0:12:47.360 --> 0:12:48.800
<v Speaker 1>I don't know if there's a whole lot of evidence

0:12:48.840 --> 0:12:51.920
<v Speaker 1>for that, but it was an interesting idea. Yeah, highly speculative,

0:12:51.960 --> 0:12:53.960
<v Speaker 1>but I like it. Yeah, And it gets again, it

0:12:54.040 --> 0:12:56.320
<v Speaker 1>kind of touches in the same area that we're touching

0:12:56.400 --> 0:12:59.839
<v Speaker 1>on here with bamboo. Uh, the idea that this inevitable

0:12:59.840 --> 0:13:02.280
<v Speaker 1>and use meant to be had in burning it in

0:13:02.280 --> 0:13:05.560
<v Speaker 1>the fire, So it would it would seem impossible to

0:13:05.640 --> 0:13:09.280
<v Speaker 1>truly date how far back this practice goes of observing

0:13:09.280 --> 0:13:13.320
<v Speaker 1>that bamboo pops in the fire. But given the necessary components,

0:13:13.840 --> 0:13:16.440
<v Speaker 1>you know, and the obvious lack of archaeological evidence. We

0:13:16.480 --> 0:13:18.600
<v Speaker 1>have to consider that it goes like pretty much all

0:13:18.640 --> 0:13:21.200
<v Speaker 1>the way back in uh, as far as there have

0:13:21.240 --> 0:13:24.120
<v Speaker 1>been peoples around bamboo that are capable of producing fire,

0:13:24.760 --> 0:13:27.200
<v Speaker 1>and in Chinese history, we at least can consider it

0:13:27.320 --> 0:13:30.640
<v Speaker 1>as long as we've had Chinese writing and uh, and

0:13:30.640 --> 0:13:32.560
<v Speaker 1>that is where we see some some you know, early

0:13:32.600 --> 0:13:35.880
<v Speaker 1>evidence that this was an established thing. So I was

0:13:35.960 --> 0:13:40.120
<v Speaker 1>reading some writings by um hiwang Yuan of Western Kentucky

0:13:40.240 --> 0:13:43.080
<v Speaker 1>University where he's a professor of Library science, but he's

0:13:43.080 --> 0:13:46.559
<v Speaker 1>also a guest professor of the Foreign Languages College at

0:13:46.800 --> 0:13:49.320
<v Speaker 1>Nankai University in China, and he's written several books on

0:13:49.400 --> 0:13:52.560
<v Speaker 1>Chinese proverbs and legends. In two thousand eight, he wrote

0:13:52.600 --> 0:13:55.560
<v Speaker 1>a piece on Chinese fireworks, and he points out, uh

0:13:55.600 --> 0:13:59.680
<v Speaker 1>that what we're talking about here is bao jou, which

0:13:59.720 --> 0:14:02.080
<v Speaker 1>is bloating bamboo, like that's the word for it, and

0:14:02.120 --> 0:14:05.760
<v Speaker 1>it later becomes used for fireworks. And he points to

0:14:06.080 --> 0:14:09.000
<v Speaker 1>a few early mentions of of this sort of thing.

0:14:09.000 --> 0:14:12.640
<v Speaker 1>He points to the Song Dynasty writer Woang and Anshi

0:14:12.840 --> 0:14:16.320
<v Speaker 1>who lived ten twenty one through six, who wrote a

0:14:16.360 --> 0:14:19.400
<v Speaker 1>poem in which one of the lines translates as follows

0:14:19.680 --> 0:14:23.520
<v Speaker 1>quote admits the crackling of exploding bamboo, a year is

0:14:23.560 --> 0:14:26.800
<v Speaker 1>gone in the warmth of a spring breeze, we drink

0:14:26.880 --> 0:14:30.440
<v Speaker 1>the wine of suzu. Now, to me, that's availing itself

0:14:30.440 --> 0:14:33.680
<v Speaker 1>of multiple interpretations. When the year is gone amidst the

0:14:33.720 --> 0:14:37.880
<v Speaker 1>crackling of bamboo. Is that because crackling bamboo is meant

0:14:37.920 --> 0:14:40.240
<v Speaker 1>to signal the turning of the new year? Or is

0:14:40.280 --> 0:14:42.760
<v Speaker 1>it that a year is gone in a flash as

0:14:42.800 --> 0:14:46.360
<v Speaker 1>as fast as as bamboo cracks. Yeah, it's nice. There's

0:14:46.400 --> 0:14:49.120
<v Speaker 1>some wonderful poetry to it that certainly it does seem

0:14:49.160 --> 0:14:52.360
<v Speaker 1>to be describing, uh, you know, whatever it's getting alluding to,

0:14:52.720 --> 0:14:56.080
<v Speaker 1>you know, metaphorically. It is also alluding to the Chinese

0:14:56.120 --> 0:15:00.520
<v Speaker 1>custom that the New Year spring festival celebration of burning

0:15:00.560 --> 0:15:05.320
<v Speaker 1>bamboo to create loud, startling noises as a part of celebrations.

0:15:05.760 --> 0:15:10.120
<v Speaker 1>This was actually making me wonder about the linguistic conceptual

0:15:10.360 --> 0:15:15.560
<v Speaker 1>history of exploding or the idea of an explosion. Before

0:15:15.680 --> 0:15:20.880
<v Speaker 1>a culture had combustible chemicals like say, black powder, would

0:15:20.960 --> 0:15:24.240
<v Speaker 1>the culture have had a concept or a word that

0:15:24.360 --> 0:15:29.320
<v Speaker 1>means exactly what explode means to us today. I'm trying

0:15:29.360 --> 0:15:33.760
<v Speaker 1>to think what other chances to observe natural explosions would

0:15:33.760 --> 0:15:36.800
<v Speaker 1>have been obviously, bamboo seems like a good one. But

0:15:36.920 --> 0:15:40.200
<v Speaker 1>what beyond that? You can think of volcanic eruptions, But

0:15:40.240 --> 0:15:44.280
<v Speaker 1>that wouldn't be something that people observed often enough you

0:15:44.320 --> 0:15:48.200
<v Speaker 1>would think that to have its own dedicated word for it. Uh.

0:15:48.200 --> 0:15:50.880
<v Speaker 1>And it seems to me like many early writings about

0:15:51.360 --> 0:15:55.520
<v Speaker 1>chemical combustion actually use words related to other, much more

0:15:55.520 --> 0:15:59.640
<v Speaker 1>common natural phenomenon that aren't exactly explosions, things like thunder

0:15:59.720 --> 0:16:04.240
<v Speaker 1>and lightning. Yeah, because I guess my mind does instantly

0:16:04.280 --> 0:16:07.800
<v Speaker 1>go to things that are more I guess a bursting

0:16:07.880 --> 0:16:13.000
<v Speaker 1>or rupturing. For instance, um, the popping of a of

0:16:12.520 --> 0:16:15.600
<v Speaker 1>of of a pimple or or a blister or or

0:16:15.640 --> 0:16:18.400
<v Speaker 1>some sort of you know, skin ailment, or the bursting

0:16:18.440 --> 0:16:21.800
<v Speaker 1>of say a blood filled kick, that sort of thing.

0:16:22.000 --> 0:16:23.960
<v Speaker 1>But those are again, it's more of a bursting or

0:16:23.960 --> 0:16:26.800
<v Speaker 1>a rupturing, and I would you know, we wouldn't necessarily

0:16:26.800 --> 0:16:29.240
<v Speaker 1>compare it to an exploding. Likewise, if you were doing

0:16:29.280 --> 0:16:33.600
<v Speaker 1>something with, say, bladders of animals that have been inflated

0:16:33.640 --> 0:16:36.320
<v Speaker 1>with air or water, and then you're bursting them in

0:16:36.400 --> 0:16:40.400
<v Speaker 1>some fashion, it's still probably a different thing than just explosion.

0:16:41.080 --> 0:16:43.920
<v Speaker 1>I can imagine that with a bladder, because it seems

0:16:43.920 --> 0:16:46.880
<v Speaker 1>like the important phenomena are the ones of like suddenly

0:16:46.960 --> 0:16:50.120
<v Speaker 1>relieving large amounts of pressure with a sound or some

0:16:50.240 --> 0:16:53.880
<v Speaker 1>kind of some kind of like tactile blasts that you

0:16:53.920 --> 0:16:56.080
<v Speaker 1>can feel. Yeah, and you're just not going to get

0:16:56.080 --> 0:16:59.520
<v Speaker 1>that with a with with a blood filled tick or

0:16:59.600 --> 0:17:02.480
<v Speaker 1>the pimple. I mean, if you could, that'd be pretty impressive. Yeah,

0:17:02.520 --> 0:17:04.800
<v Speaker 1>I mean it's kind of a mental popping sound, but

0:17:04.840 --> 0:17:06.680
<v Speaker 1>it's not really an audible sound. It's just more of

0:17:06.720 --> 0:17:10.040
<v Speaker 1>an experience. Um And then again, we're probably to what

0:17:10.119 --> 0:17:13.120
<v Speaker 1>extent or were we thinking about explosions when we engage,

0:17:13.240 --> 0:17:15.439
<v Speaker 1>and you know, it's like the the the the idea

0:17:15.480 --> 0:17:18.560
<v Speaker 1>of the explosion then informs how we're thinking about rupturing

0:17:18.560 --> 0:17:22.800
<v Speaker 1>and bursting. So um I mentioned there was another um

0:17:23.160 --> 0:17:27.119
<v Speaker 1>uh bit of poetry here that Yawn refers to. He

0:17:27.200 --> 0:17:30.000
<v Speaker 1>refers to writings in the Book of Songs, one of

0:17:30.000 --> 0:17:33.040
<v Speaker 1>the five classics of of Chinese poetry, said to be

0:17:33.080 --> 0:17:36.120
<v Speaker 1>compiled by Confusus himself, and this is from the late

0:17:36.160 --> 0:17:39.639
<v Speaker 1>Western Joe dynasty, which would be ten s b c

0:17:39.800 --> 0:17:42.679
<v Speaker 1>E through seven seventy one b c E and it

0:17:42.720 --> 0:17:47.280
<v Speaker 1>translates as follows, how goes the night. It's not yet midnight,

0:17:47.600 --> 0:17:50.920
<v Speaker 1>but the ting lao is already blazing. So king lao

0:17:51.040 --> 0:17:54.400
<v Speaker 1>apparently refers to a kind of torch made of bamboo,

0:17:54.680 --> 0:17:59.119
<v Speaker 1>and as it burns, it makes these crackling, perhaps popping noises.

0:17:59.160 --> 0:18:01.720
<v Speaker 1>So it's an upgrade eating of the bamboo popping effect

0:18:02.000 --> 0:18:06.680
<v Speaker 1>into a different sort of pyrotechnic device, not just desultory

0:18:07.040 --> 0:18:09.720
<v Speaker 1>poking into the fire with a piece of bamboo such

0:18:09.800 --> 0:18:12.440
<v Speaker 1>that it pops, but making a torch that is designed

0:18:12.440 --> 0:18:15.840
<v Speaker 1>to pop as it burns. Yes, that's that's my understanding

0:18:15.840 --> 0:18:19.439
<v Speaker 1>of it. Yes, it's easy to simply extrapolate our modern

0:18:19.560 --> 0:18:22.119
<v Speaker 1>enjoyment of such pops and bangs to ancient people's. And

0:18:22.359 --> 0:18:24.720
<v Speaker 1>I do think it's perfectly fair to assume this is

0:18:24.760 --> 0:18:27.560
<v Speaker 1>a large part of it. You know, like a startling

0:18:27.840 --> 0:18:31.479
<v Speaker 1>sound is amusing, and uh, you know, you start, you're

0:18:31.520 --> 0:18:33.480
<v Speaker 1>scared for a second, and then you're relieved and you're

0:18:33.520 --> 0:18:35.520
<v Speaker 1>laughing like that's I think that's just part of the

0:18:35.640 --> 0:18:38.119
<v Speaker 1>universal human experience, and it's been that way for for

0:18:38.200 --> 0:18:41.600
<v Speaker 1>a very long time. Yeah, I'm reminded of the psychological

0:18:41.600 --> 0:18:44.600
<v Speaker 1>attraction people have to popping bubble wrap? Why do people

0:18:44.680 --> 0:18:47.320
<v Speaker 1>like doing that so much? I think we hypothesized in

0:18:47.320 --> 0:18:49.600
<v Speaker 1>a previous episode of Invention that it might have something

0:18:49.600 --> 0:18:53.240
<v Speaker 1>to do with grooming instincts maybe, but back to pimple

0:18:53.280 --> 0:18:56.440
<v Speaker 1>popping and tick bursting, right exactly. But I think part

0:18:56.440 --> 0:18:59.240
<v Speaker 1>of it also, especially when you see children do it,

0:18:59.240 --> 0:19:02.760
<v Speaker 1>it seems a little it less like anxiety relieving grooming

0:19:02.840 --> 0:19:05.359
<v Speaker 1>behaviors with them and and more like a game of

0:19:05.760 --> 0:19:08.280
<v Speaker 1>Jack in the Box or Pop Goes the Weasel or

0:19:08.280 --> 0:19:11.920
<v Speaker 1>Peek a Boo or something. It's just repeatedly startling yourself

0:19:11.960 --> 0:19:15.159
<v Speaker 1>with the sound and enjoying it absolutely. And so I

0:19:15.440 --> 0:19:17.320
<v Speaker 1>think it again, it's perfectly fair to say this is

0:19:17.560 --> 0:19:20.040
<v Speaker 1>a large part of what we're talking about here. But

0:19:20.160 --> 0:19:22.600
<v Speaker 1>another part of the tradition is the use of loud

0:19:22.640 --> 0:19:27.600
<v Speaker 1>noises to frighten away uh spirits or monsters. Uh. The

0:19:27.640 --> 0:19:31.760
<v Speaker 1>more recent version of this is the idea of frightening

0:19:31.800 --> 0:19:36.080
<v Speaker 1>away the New Year's beast, the nun Shao. Now there's

0:19:36.080 --> 0:19:39.280
<v Speaker 1>some discussion about whether this is actually you know, how

0:19:39.320 --> 0:19:41.480
<v Speaker 1>how old this tradition goes back. There's some that say

0:19:41.520 --> 0:19:44.720
<v Speaker 1>that it's essentially a recent tradition that's popped up, and

0:19:44.760 --> 0:19:46.959
<v Speaker 1>this gets into you know, some of the the Chinese

0:19:46.960 --> 0:19:50.000
<v Speaker 1>New Year celebrations that most of us are familiar with seeing,

0:19:50.320 --> 0:19:52.399
<v Speaker 1>you know, the idea of like a lion dance taking

0:19:52.440 --> 0:19:55.840
<v Speaker 1>place and firecrackers going off, that sort of thing. But

0:19:55.920 --> 0:19:59.840
<v Speaker 1>it also correlates to an ancient tradition that Juand discusses,

0:20:00.400 --> 0:20:04.439
<v Speaker 1>the shan Zhao. According to the Han dynasty classic the

0:20:04.440 --> 0:20:08.320
<v Speaker 1>Book of Gods and Spirits, these strange creatures would harass

0:20:08.480 --> 0:20:11.800
<v Speaker 1>camp fires in the night, and they were also said

0:20:11.840 --> 0:20:14.359
<v Speaker 1>in some traditions to carry a disease that could cause

0:20:14.440 --> 0:20:17.679
<v Speaker 1>chills and fevers. So what you did is you use

0:20:17.800 --> 0:20:21.800
<v Speaker 1>bamboo firewood, because that would of course pop at regular

0:20:21.840 --> 0:20:27.200
<v Speaker 1>intervals and create these frightening noises that would keep these monsters, spirits, creatures,

0:20:27.640 --> 0:20:29.879
<v Speaker 1>whatever you want to call them, away from your fire.

0:20:30.359 --> 0:20:34.119
<v Speaker 1>So it is not just amusing to have exploding bamboo around,

0:20:34.160 --> 0:20:38.679
<v Speaker 1>but it's also somewhere between a real repellent of maybe

0:20:38.720 --> 0:20:41.560
<v Speaker 1>some kind of creature that would threaten your campfire, or

0:20:41.680 --> 0:20:44.679
<v Speaker 1>at least imagined as some kind of apotropaic magic to

0:20:44.760 --> 0:20:50.280
<v Speaker 1>keep the demons away. Yeah, exactly so. So obviously, quite unexpectedly,

0:20:50.440 --> 0:20:53.080
<v Speaker 1>goblins were popping up in the research, so I decided

0:20:53.119 --> 0:20:55.720
<v Speaker 1>to look a little deeper. Um. And one of one

0:20:55.720 --> 0:20:58.280
<v Speaker 1>of the sources we came across as a book by

0:20:58.480 --> 0:21:02.040
<v Speaker 1>Richard von blonde idled The Sinister Way, the Divine and

0:21:02.080 --> 0:21:05.640
<v Speaker 1>the Demonic and Chinese religious culture, and in it uh

0:21:05.800 --> 0:21:09.280
<v Speaker 1>he says that shan zhao has sometimes translated as mountain

0:21:09.359 --> 0:21:15.200
<v Speaker 1>goblins uh and described as being ape like in various ways. Uh.

0:21:15.240 --> 0:21:18.879
<v Speaker 1>And he says that basically these are quote a class

0:21:18.920 --> 0:21:23.440
<v Speaker 1>of petty demons, change link spirits inhabiting the wild mountains

0:21:23.440 --> 0:21:26.959
<v Speaker 1>and forests. Yeah. Overall he seems to characterize them as

0:21:27.000 --> 0:21:29.879
<v Speaker 1>a kind of a very classic type of monster. Actually,

0:21:29.880 --> 0:21:33.080
<v Speaker 1>the monster that in that embodies the chaos of the

0:21:33.119 --> 0:21:37.320
<v Speaker 1>wilderness as opposed to the order of civilization. Yeah. And

0:21:37.359 --> 0:21:40.000
<v Speaker 1>of course you see this in European traditions. You see

0:21:40.000 --> 0:21:42.960
<v Speaker 1>this uh in cultures around the world. Right. I mean

0:21:43.000 --> 0:21:46.400
<v Speaker 1>that the dark is frightening, the wilds are frightening, especially

0:21:46.440 --> 0:21:49.040
<v Speaker 1>if they're not your wilds. And that's something that he

0:21:49.080 --> 0:21:53.000
<v Speaker 1>points out of Von Glan points out that after the

0:21:53.040 --> 0:21:56.560
<v Speaker 1>loss of Northern China to foreign conquerors in three seventeen,

0:21:56.960 --> 0:21:59.600
<v Speaker 1>the Chinese rulers were displaced to the south where they

0:21:59.640 --> 0:22:04.879
<v Speaker 1>encounter or a dense, humid subtropical environment along with rugged mountains,

0:22:04.920 --> 0:22:09.160
<v Speaker 1>along with new wildlife and native people's. So he says

0:22:09.200 --> 0:22:12.800
<v Speaker 1>that this was to to the rulers of that have

0:22:13.040 --> 0:22:14.960
<v Speaker 1>that had come down from northern China, this was a

0:22:15.000 --> 0:22:19.480
<v Speaker 1>place of barbaric peoples, of savage spirits and uh. And

0:22:19.560 --> 0:22:23.600
<v Speaker 1>thus you see that it may be strengthening predispositions for

0:22:23.640 --> 0:22:27.440
<v Speaker 1>this sort of folkloric motif. Though then again, I wonder

0:22:27.600 --> 0:22:31.919
<v Speaker 1>how much, um, the idea of like mountain goblins that

0:22:31.960 --> 0:22:35.560
<v Speaker 1>are considered somewhat humanoids, somewhat ape like, might have been

0:22:35.600 --> 0:22:40.160
<v Speaker 1>inspired by encounters with actual wildlife like I know, of course,

0:22:40.400 --> 0:22:44.639
<v Speaker 1>gibbons traditionally occupied much of ancient China and there and

0:22:44.640 --> 0:22:47.280
<v Speaker 1>there's a lot of consciousness of gibbons in Chinese culture

0:22:47.320 --> 0:22:51.760
<v Speaker 1>and poetry. Yeah, absolutely, um And and apparently some some

0:22:51.920 --> 0:22:55.560
<v Speaker 1>reads on the shengs Au certainly point towards, you know,

0:22:55.600 --> 0:22:57.919
<v Speaker 1>actual apes as being at least part of it, you know,

0:22:58.560 --> 0:23:00.480
<v Speaker 1>because indeed, what do we know about out a lot

0:23:00.520 --> 0:23:03.720
<v Speaker 1>of monkeys species in the monkeys, especially in the wild,

0:23:03.880 --> 0:23:07.240
<v Speaker 1>is that they can be curious, they can be um,

0:23:07.280 --> 0:23:09.199
<v Speaker 1>they can be some a manner of a pest when

0:23:09.240 --> 0:23:12.560
<v Speaker 1>they encounter human activities, and uh, you know, I don't

0:23:12.600 --> 0:23:15.000
<v Speaker 1>know how much we should read into the idea of

0:23:15.000 --> 0:23:16.879
<v Speaker 1>of illness being caused by them, because you see this

0:23:16.920 --> 0:23:19.960
<v Speaker 1>a lot with mythical creatures, right and and mythical and

0:23:20.040 --> 0:23:23.680
<v Speaker 1>magical beings and magical people's they cause disease their way

0:23:23.720 --> 0:23:27.919
<v Speaker 1>of explaining illness in a pre germ theory world. But

0:23:28.000 --> 0:23:30.800
<v Speaker 1>at the same time, you know, obviously one can transmit

0:23:30.880 --> 0:23:34.560
<v Speaker 1>illnesses from uh, wild animals, so that could potentially be

0:23:34.600 --> 0:23:37.159
<v Speaker 1>a part of it. I guess. Uh. However, you do

0:23:37.240 --> 0:23:41.080
<v Speaker 1>see folks that go in an entirely cryptid direction with

0:23:41.119 --> 0:23:42.560
<v Speaker 1>all of this, and they're like, oh, well, this is

0:23:42.640 --> 0:23:46.560
<v Speaker 1>clearly uh you know, we're clearly talking about sasquatches. Here.

0:23:46.800 --> 0:23:48.880
<v Speaker 1>Was there an X Files episode about the chan Zio

0:23:49.480 --> 0:23:51.399
<v Speaker 1>I don't know. You're the one to tell me about

0:23:51.440 --> 0:23:53.879
<v Speaker 1>the whether there's an X Files episode or not. I

0:23:53.880 --> 0:23:57.680
<v Speaker 1>don't remember one. But you know, they they turned through

0:23:57.720 --> 0:23:59.760
<v Speaker 1>a lot of cryptids over the course of that show.

0:23:59.800 --> 0:24:01.720
<v Speaker 1>That's a lot of seasons to fill. At some point

0:24:01.800 --> 0:24:04.639
<v Speaker 1>they were even doing the Jersey Devil, so you know,

0:24:04.920 --> 0:24:07.560
<v Speaker 1>they were really really rooting around in the bottom of

0:24:07.560 --> 0:24:10.119
<v Speaker 1>the bucket. But but that does also point to you know,

0:24:10.160 --> 0:24:12.399
<v Speaker 1>you can point to plenty of other cultures that have

0:24:12.520 --> 0:24:15.480
<v Speaker 1>some sort of a wild man of the woods kind

0:24:15.520 --> 0:24:19.679
<v Speaker 1>of uh creature or multiple creatures in their mythology like

0:24:20.080 --> 0:24:22.560
<v Speaker 1>uh into a certain extent, a number of these could

0:24:22.600 --> 0:24:28.240
<v Speaker 1>be inspired by observances of ape creatures in the wild. Yeah, sure,

0:24:28.240 --> 0:24:29.879
<v Speaker 1>I mean that That's always one of the great mysteries

0:24:29.880 --> 0:24:33.200
<v Speaker 1>when you're dealing with mythical beasts is like what percent

0:24:33.240 --> 0:24:36.480
<v Speaker 1>of it is imagination and what percent is inspired by

0:24:36.520 --> 0:24:39.119
<v Speaker 1>something people saw, either like you know, seeing a person

0:24:39.200 --> 0:24:42.960
<v Speaker 1>and misunderstanding what you saw, or seeing some seeing wildlife

0:24:42.960 --> 0:24:46.800
<v Speaker 1>and misunderstanding. Yeah. Now, now von Glen points out that

0:24:47.440 --> 0:24:50.320
<v Speaker 1>there are other things that were sort of classified as

0:24:50.760 --> 0:24:53.320
<v Speaker 1>as also being shan zhao in essence. One of them

0:24:53.400 --> 0:24:56.199
<v Speaker 1>was this, uh, these entities called the Wutong Shin that

0:24:56.280 --> 0:24:57.960
<v Speaker 1>I think we talked about in the past and the

0:24:57.960 --> 0:25:00.760
<v Speaker 1>show because there in some ways in some versions of

0:25:00.800 --> 0:25:06.840
<v Speaker 1>them are comparable to incubi, demons and European traditions. But

0:25:06.840 --> 0:25:10.200
<v Speaker 1>but these are as you often see with with mythical

0:25:10.280 --> 0:25:13.680
<v Speaker 1>creatures and beings and um in cultures. The wutong Shan

0:25:13.840 --> 0:25:16.720
<v Speaker 1>end up like changing over time and become being more

0:25:16.800 --> 0:25:20.200
<v Speaker 1>like gods and being something that should be revered, whereas

0:25:20.680 --> 0:25:24.400
<v Speaker 1>Uh von Glen points out that the the Chanzhao goblins

0:25:24.560 --> 0:25:29.399
<v Speaker 1>just remain untransformed in cultural traditions. They remain these pesky

0:25:29.520 --> 0:25:33.439
<v Speaker 1>goblins of the wild. And one issue that I found

0:25:33.560 --> 0:25:36.120
<v Speaker 1>rather interesting here that I don't really have a firm

0:25:36.160 --> 0:25:39.439
<v Speaker 1>answer on is is why in some cases, like a

0:25:39.480 --> 0:25:42.560
<v Speaker 1>number of cases, they're described as ape like, but sometimes

0:25:42.560 --> 0:25:45.720
<v Speaker 1>they have inverted feet and then perhaps in some cases

0:25:45.760 --> 0:25:48.520
<v Speaker 1>a single leg. And that made me think of these

0:25:48.520 --> 0:25:52.560
<v Speaker 1>other cases of mono peds which are described in various traditions,

0:25:52.560 --> 0:25:55.359
<v Speaker 1>including by plenty of the elder uh the notion of

0:25:55.480 --> 0:25:59.800
<v Speaker 1>one legged wood spirits uh, that that one might encounter

0:25:59.880 --> 0:26:03.520
<v Speaker 1>in the wild. Again entirely speculative here, but I'm I

0:26:03.600 --> 0:26:07.320
<v Speaker 1>just wonder if that kind of concept could be inspired

0:26:07.359 --> 0:26:10.800
<v Speaker 1>by seeing the different locomotion of apes like gibbons who

0:26:10.840 --> 0:26:13.600
<v Speaker 1>walk or climb or hang with the aid of very

0:26:13.720 --> 0:26:17.359
<v Speaker 1>long arms. Yeah, or kind of like a a side

0:26:17.359 --> 0:26:20.119
<v Speaker 1>profile kind of issue where you're just looking at them

0:26:20.119 --> 0:26:21.840
<v Speaker 1>from the side and they they're like, oh, they're kind

0:26:21.880 --> 0:26:24.680
<v Speaker 1>of moving like a human might move if they had

0:26:24.720 --> 0:26:28.320
<v Speaker 1>one leg and a pair of crutches, that sort of thing. Um,

0:26:28.359 --> 0:26:32.159
<v Speaker 1>So you know that's always a possibility one of the uh.

0:26:32.600 --> 0:26:34.360
<v Speaker 1>And then also you could also throw in, well, it's

0:26:34.359 --> 0:26:37.760
<v Speaker 1>a minimally counterintuitive creature design, right, what I have not

0:26:37.880 --> 0:26:41.040
<v Speaker 1>two legs but one. Likewise, you could compare it to

0:26:41.119 --> 0:26:46.280
<v Speaker 1>congenital deformities in human beings. But but one interesting hypothesis

0:26:46.320 --> 0:26:49.720
<v Speaker 1>that I ran across was from the scholar carl A.

0:26:49.840 --> 0:26:53.200
<v Speaker 1>P Ruck, who proposed that at least some of these

0:26:53.280 --> 0:26:58.680
<v Speaker 1>might be connected to Vadic traditions involving soma um, which

0:26:58.680 --> 0:27:02.120
<v Speaker 1>of course is some soma. Was this essentially some sort

0:27:02.160 --> 0:27:04.879
<v Speaker 1>of drug that is described in ancient texts, and the

0:27:04.920 --> 0:27:08.320
<v Speaker 1>actual botanical reality of soma remains something of a mystery,

0:27:08.520 --> 0:27:13.520
<v Speaker 1>with explanations ranging from psilocybin to something like a fedra. Okay.

0:27:14.400 --> 0:27:19.879
<v Speaker 1>But but Ruck's proposition here is that this idea of

0:27:19.880 --> 0:27:23.040
<v Speaker 1>a one armed being in the woods is essentially tied

0:27:23.080 --> 0:27:26.920
<v Speaker 1>to a botanical description. Specifically, he wrote about shade Foot's,

0:27:27.600 --> 0:27:30.160
<v Speaker 1>a fabulous tribe from India who were thought to jump

0:27:30.200 --> 0:27:32.960
<v Speaker 1>about on a single foot that could be used as

0:27:32.960 --> 0:27:36.840
<v Speaker 1>a paracel uh and apparently the idea is that what

0:27:36.920 --> 0:27:40.520
<v Speaker 1>if this is uh, you know, it's an exaggerated um

0:27:40.640 --> 0:27:44.760
<v Speaker 1>uh anthropomorphic description of a plant that you would encounter

0:27:45.080 --> 0:27:47.520
<v Speaker 1>in the wild. I don't know, I don't have a

0:27:47.520 --> 0:27:50.800
<v Speaker 1>firm answer. What's an interesting idea. I'm trying to picture

0:27:50.800 --> 0:27:54.639
<v Speaker 1>it a plant that that could metaphorically be described as

0:27:54.640 --> 0:27:57.240
<v Speaker 1>a person with one foot who can also use their

0:27:57.280 --> 0:28:00.359
<v Speaker 1>foot as a parasol. I guess. I mean, so my

0:28:00.600 --> 0:28:05.240
<v Speaker 1>family recently went mushroom foraging and and also just sort

0:28:05.240 --> 0:28:07.440
<v Speaker 1>of identifying mushrooms, and you know, we have a number

0:28:07.480 --> 0:28:09.000
<v Speaker 1>of them. We have. The Old Man in the Woods

0:28:09.080 --> 0:28:10.639
<v Speaker 1>is one of The Old Man of the Woods is

0:28:10.680 --> 0:28:13.199
<v Speaker 1>one of the mushrooms you encounter, you know, the the

0:28:13.280 --> 0:28:15.560
<v Speaker 1>chicken or hen of the woods is another. So there's

0:28:15.560 --> 0:28:16.879
<v Speaker 1>a lot of the sort of thing that goes on

0:28:16.960 --> 0:28:20.719
<v Speaker 1>with the the naming of and certainly the non scientific

0:28:20.840 --> 0:28:24.600
<v Speaker 1>naming of various um organisms in the wild. So, you know,

0:28:24.760 --> 0:28:27.159
<v Speaker 1>it seems totally possible, even though I don't know that

0:28:27.160 --> 0:28:29.960
<v Speaker 1>there's actually any any evidence for it. Uh. If it's

0:28:30.080 --> 0:28:32.919
<v Speaker 1>it may just be pure speculation, but it's something to

0:28:32.920 --> 0:28:38.000
<v Speaker 1>think about. As for von Glann himself, he ultimately summarizes

0:28:38.120 --> 0:28:40.920
<v Speaker 1>that that he thinks, quote, it seems likely that these

0:28:40.960 --> 0:28:45.200
<v Speaker 1>demonic images derived from frightening encounters with denizens of the mountains,

0:28:45.320 --> 0:28:48.080
<v Speaker 1>both human and ape. Okay, so it might be just

0:28:48.200 --> 0:28:51.600
<v Speaker 1>sort of conflating of stories of people encountering gibbons, people

0:28:51.680 --> 0:28:55.240
<v Speaker 1>encountering other people they weren't familiar with, and it turns

0:28:55.280 --> 0:28:59.440
<v Speaker 1>into monster stories, but ultimately leads to this consciousness of

0:28:59.480 --> 0:29:02.440
<v Speaker 1>a thing can do to repel the monsters of the wild,

0:29:02.480 --> 0:29:05.280
<v Speaker 1>the monsters of the mountains, is that you can have

0:29:05.480 --> 0:29:10.040
<v Speaker 1>a bamboo torch that explodes and frightens and drives them off. Yeah,

0:29:10.080 --> 0:29:11.800
<v Speaker 1>you know, you may and and it's one of those

0:29:11.800 --> 0:29:13.560
<v Speaker 1>things which it makes sense if you're dealing with an

0:29:13.560 --> 0:29:17.160
<v Speaker 1>actual um frightening animal or you know, in the wild

0:29:17.200 --> 0:29:19.680
<v Speaker 1>makes the loud noises scared away. But also it's something

0:29:19.720 --> 0:29:23.120
<v Speaker 1>you can do against even ideas of darkness, right, more

0:29:23.680 --> 0:29:28.400
<v Speaker 1>supernatural premises about about the nature of reality. You know,

0:29:28.560 --> 0:29:30.200
<v Speaker 1>I am frightened, but hey, I can make a loud

0:29:30.240 --> 0:29:33.680
<v Speaker 1>noise and uh, and that's gonna that's at least something

0:29:34.200 --> 0:29:37.360
<v Speaker 1>there's something actually very instinctual. I think about the idea

0:29:37.360 --> 0:29:40.920
<v Speaker 1>of making noise when you are frightened, especially in the

0:29:41.000 --> 0:29:43.480
<v Speaker 1>dark or in the wild. You know, there's the old

0:29:43.480 --> 0:29:48.840
<v Speaker 1>expression whistling, whistling past the graveyard, um or you'll just

0:29:48.880 --> 0:29:51.320
<v Speaker 1>notice it in people when they start getting scared walking

0:29:51.320 --> 0:29:54.760
<v Speaker 1>around in a place, like kids sometimes maybe start talking louder,

0:29:55.400 --> 0:29:58.800
<v Speaker 1>or start talking to themselves, or snapping their fingers or

0:29:58.800 --> 0:30:02.080
<v Speaker 1>whistling or humming. We've got this natural sense that making

0:30:02.160 --> 0:30:06.800
<v Speaker 1>noises provide security. Yeah. I remember thinking this while watching

0:30:07.120 --> 0:30:10.320
<v Speaker 1>Um the movie Yet, the recent adaptation of Suphan King's

0:30:10.360 --> 0:30:13.760
<v Speaker 1>Yet you know, where these children are encountering this horrifying

0:30:14.080 --> 0:30:16.680
<v Speaker 1>supernatural entity, And it just kept thinking, like, oh, man,

0:30:16.720 --> 0:30:19.680
<v Speaker 1>if I encountered Pennywise the clown, I would just yell

0:30:19.720 --> 0:30:21.320
<v Speaker 1>at him. I would just yell at him. He wouldn't

0:30:21.320 --> 0:30:23.160
<v Speaker 1>even know what to do, you know, like that, like

0:30:23.200 --> 0:30:27.040
<v Speaker 1>that's one way you can diffuse the supernatural adversary of fear.

0:30:27.400 --> 0:30:30.320
<v Speaker 1>He didn't expect you to go on the offensive and

0:30:30.120 --> 0:30:33.760
<v Speaker 1>and and shout things at him. So yeah, maybe it's

0:30:33.800 --> 0:30:36.520
<v Speaker 1>connected to that. I don't know. Should we take a

0:30:36.560 --> 0:30:38.760
<v Speaker 1>break and then come back to talk more about the

0:30:38.760 --> 0:30:41.280
<v Speaker 1>invention of fireworks? Yes, we'll take a quick break for

0:30:41.320 --> 0:30:43.800
<v Speaker 1>the ad goblins, and then we'll be back with more content.

0:30:45.720 --> 0:30:50.240
<v Speaker 1>Thank Okay, we heard from the ad goblins, but we

0:30:50.240 --> 0:30:53.120
<v Speaker 1>we we use some popping devices to drive them away.

0:30:53.160 --> 0:30:55.640
<v Speaker 1>And now we're back into the history of proto fireworks

0:30:55.640 --> 0:30:59.240
<v Speaker 1>at least. Yeah. So, yeah, we've talked about proto fireworks,

0:30:59.240 --> 0:31:01.800
<v Speaker 1>but where to act shool fireworks into the picture. Things

0:31:01.800 --> 0:31:03.960
<v Speaker 1>that we can that we would actually look at, say

0:31:03.960 --> 0:31:06.120
<v Speaker 1>on a table and say, oh, look at that. That's

0:31:06.160 --> 0:31:10.080
<v Speaker 1>that's a firework, that's a firecracker, etcetera. So basically the

0:31:10.120 --> 0:31:14.280
<v Speaker 1>ideas that the Chinese simply augmented their fire and noisemaker

0:31:14.360 --> 0:31:20.560
<v Speaker 1>practices with chemically volatile substances. Once those substances were discovered. So,

0:31:20.600 --> 0:31:23.640
<v Speaker 1>as we discussed in our our Mash episodes, sulfur tipped

0:31:23.640 --> 0:31:26.360
<v Speaker 1>matches were already in use in China by the sixth

0:31:26.360 --> 0:31:31.840
<v Speaker 1>century CE. But the key to fireworks is, of course, uh,

0:31:31.840 --> 0:31:35.960
<v Speaker 1>this special array of chemicals that come together to to

0:31:35.960 --> 0:31:39.320
<v Speaker 1>to make gunpowder. Uh. There's of course saltpeter, which is

0:31:39.320 --> 0:31:43.520
<v Speaker 1>potassium nitrate, which was already being stuffed into bamboo during

0:31:43.560 --> 0:31:47.640
<v Speaker 1>the Southern Song period of twelve seventy nine in order

0:31:47.640 --> 0:31:51.080
<v Speaker 1>to create a more impressive bang with the bamboo and

0:31:51.200 --> 0:31:54.200
<v Speaker 1>between these two periods, potassium nitrate is said to have

0:31:54.280 --> 0:31:58.080
<v Speaker 1>emerged from the realm of Chinese alchemy. Yeah, so maybe

0:31:58.120 --> 0:31:59.640
<v Speaker 1>we should stop for a second to look at the

0:31:59.720 --> 0:32:02.840
<v Speaker 1>chemical properties of potassium nitrate and understand the role it

0:32:02.920 --> 0:32:06.640
<v Speaker 1>plays in the development of firecrackers. So back to the

0:32:06.680 --> 0:32:08.880
<v Speaker 1>principles of fire. You know, we've talked about a number

0:32:08.880 --> 0:32:11.480
<v Speaker 1>of times. What does fire need in order to burn?

0:32:11.920 --> 0:32:15.360
<v Speaker 1>It needs fuel, It needs heat, and it needs oxygen

0:32:15.480 --> 0:32:19.400
<v Speaker 1>because fire is a chemical reaction in which fuel reacts

0:32:19.440 --> 0:32:24.520
<v Speaker 1>with oxygen underheat to produce byproducts of primarily carbon dioxide

0:32:24.520 --> 0:32:28.200
<v Speaker 1>and water vapor with other trace elements and molecules given off.

0:32:28.680 --> 0:32:33.440
<v Speaker 1>And potassium nitrate or saltpeter can aid in the process

0:32:33.480 --> 0:32:38.040
<v Speaker 1>of combustion because of its chemical composition. So potassium nitrate

0:32:38.160 --> 0:32:41.200
<v Speaker 1>is made out of one nitrogen atom, one potassium atom,

0:32:41.520 --> 0:32:45.080
<v Speaker 1>and three oxygen atoms, and the key to its role

0:32:45.120 --> 0:32:48.480
<v Speaker 1>in combustion is is those three oxygen atoms. It is

0:32:48.520 --> 0:32:53.160
<v Speaker 1>an oxygen donor to the combustion process. Fire can only

0:32:53.320 --> 0:32:57.040
<v Speaker 1>burn as fast as it can access oxygen to react

0:32:57.120 --> 0:32:59.800
<v Speaker 1>with the fuel. Remember it's a reaction. Now, of course,

0:32:59.880 --> 0:33:02.480
<v Speaker 1>the atmosphere is full of oxygen so there's you know,

0:33:03.240 --> 0:33:06.280
<v Speaker 1>on Earth, it's pretty easy to get fire going if

0:33:06.280 --> 0:33:08.760
<v Speaker 1>you have enough heat and fuel because there's just free

0:33:08.760 --> 0:33:12.320
<v Speaker 1>oxygen all over the place. But the surface of a

0:33:12.360 --> 0:33:17.160
<v Speaker 1>burning log can still only access so much atmospheric oxygen

0:33:17.240 --> 0:33:19.880
<v Speaker 1>at once, right like you know, there it's giving off

0:33:20.160 --> 0:33:23.120
<v Speaker 1>chemicals and gases as it burns, of course, and then

0:33:23.120 --> 0:33:25.920
<v Speaker 1>there's it can really only react with the oxygen that's

0:33:26.120 --> 0:33:28.960
<v Speaker 1>sort of touching right along the edge of the log.

0:33:29.360 --> 0:33:32.479
<v Speaker 1>So there is there's a limit to the rate of

0:33:32.520 --> 0:33:36.520
<v Speaker 1>combustion imposed by the amount of oxygen available to react.

0:33:36.560 --> 0:33:40.200
<v Speaker 1>At the same time, potassium nitrate plays the role of

0:33:40.240 --> 0:33:44.360
<v Speaker 1>an oxidizer in the combustion reactions. It provides a ready

0:33:44.400 --> 0:33:48.160
<v Speaker 1>supply of extra oxygen, so in the presence of heat

0:33:48.200 --> 0:33:52.720
<v Speaker 1>and fuel, saltpeter will massively accelerate the speed at which

0:33:52.760 --> 0:33:56.880
<v Speaker 1>fuel burns, meaning you get often something beyond simple burning

0:33:56.960 --> 0:34:00.920
<v Speaker 1>and something that that qualifies as an explosion. And this

0:34:01.000 --> 0:34:03.800
<v Speaker 1>is where the Chinese alchemists come in now. And now

0:34:03.800 --> 0:34:06.520
<v Speaker 1>we refer to them as alchemists, but obviously we're using

0:34:07.200 --> 0:34:09.960
<v Speaker 1>we have Western alchemy and then we have Chinese alchemy,

0:34:10.160 --> 0:34:13.279
<v Speaker 1>and uh, they're directly comparable in a number of ways.

0:34:13.320 --> 0:34:15.799
<v Speaker 1>I mean, ultimately, you're dealing with with people on both

0:34:15.800 --> 0:34:18.759
<v Speaker 1>sides that are attempting to to figure out what substances

0:34:18.840 --> 0:34:21.719
<v Speaker 1>do and what they can achieve in various combinations with

0:34:21.760 --> 0:34:25.080
<v Speaker 1>each other. Right, And these practices are usually some combination

0:34:25.200 --> 0:34:28.640
<v Speaker 1>actually of real scientific study of the material properties of

0:34:28.640 --> 0:34:32.560
<v Speaker 1>different chemicals and a lot of magical beliefs mixed in. Yes,

0:34:32.640 --> 0:34:35.760
<v Speaker 1>And in this particular case, uh, it said that the

0:34:35.800 --> 0:34:39.160
<v Speaker 1>alchemist in general were attempting to create pills of immortality

0:34:39.320 --> 0:34:44.240
<v Speaker 1>or dan, which interestingly involved mixing up a compound of saltpeter, sulfur,

0:34:44.560 --> 0:34:48.080
<v Speaker 1>and charcoal. And you might be wondering why these particular

0:34:48.120 --> 0:34:51.200
<v Speaker 1>substance as well. For instance, sulfur was used for skin ailments,

0:34:51.520 --> 0:34:54.840
<v Speaker 1>saltpeter for fever. And uh, the thing is when you

0:34:54.920 --> 0:34:58.000
<v Speaker 1>hit just the right percentages here according to one for

0:34:58.000 --> 0:35:00.480
<v Speaker 1>for saltpeter, sulfur and charcoal, it would be like sixty one,

0:35:01.880 --> 0:35:05.600
<v Speaker 1>thirty and seven point six percent. Put it all together

0:35:05.960 --> 0:35:09.240
<v Speaker 1>and you have gunpowder. Yeah, And that gunpowder comes together

0:35:09.360 --> 0:35:13.760
<v Speaker 1>because you have mixed up the oxidizer which is the saltpeter,

0:35:13.920 --> 0:35:17.080
<v Speaker 1>the potassium nitrate, and the fuel which is the charcoal

0:35:17.120 --> 0:35:19.279
<v Speaker 1>and the sulfur, and so once you mix them all

0:35:19.320 --> 0:35:23.240
<v Speaker 1>together like that, they can create something that burns suddenly,

0:35:23.520 --> 0:35:28.040
<v Speaker 1>very rapidly. Now, in some traditions, some accounts, this discovery

0:35:28.320 --> 0:35:33.839
<v Speaker 1>is attributed to a particular individual, Sun sim Now, who

0:35:34.040 --> 0:35:38.279
<v Speaker 1>would have been born in UH five, and he was

0:35:38.600 --> 0:35:41.840
<v Speaker 1>the so called King of Medicine. He wrote um in

0:35:41.880 --> 0:35:46.200
<v Speaker 1>the translations of the titles essential Formulas for Emergencies worth

0:35:46.200 --> 0:35:49.000
<v Speaker 1>a thousand pieces of Gold and then a follow up

0:35:49.239 --> 0:35:52.319
<v Speaker 1>supplement to the Formulas of a thousand gold worth. And

0:35:52.400 --> 0:35:58.959
<v Speaker 1>even in translation, those are simply marvelous titles. So it's yeah,

0:35:59.040 --> 0:36:01.960
<v Speaker 1>that's great. My next novel should be called The Story

0:36:02.080 --> 0:36:04.600
<v Speaker 1>That's Worth a Million bucks. There you go, it's just

0:36:04.640 --> 0:36:09.480
<v Speaker 1>good marketing. Now, it seems like it's unlikely that that

0:36:09.520 --> 0:36:13.359
<v Speaker 1>this individual actually invented gunpowder, but he certainly recorded its

0:36:13.560 --> 0:36:17.359
<v Speaker 1>usage uh in particularly in a book Optimization of Alchemical

0:36:17.480 --> 0:36:21.680
<v Speaker 1>Processes by Sulfuric Method again translation, and it's it seemingly

0:36:21.719 --> 0:36:25.680
<v Speaker 1>the oldest known reference to gunpowder, and so we can

0:36:25.719 --> 0:36:29.080
<v Speaker 1>trace it roughly to his lifetime or you know, probably before.

0:36:29.520 --> 0:36:33.520
<v Speaker 1>And interestingly, with its medicinal roots, gunpowder continued to be

0:36:33.640 --> 0:36:37.240
<v Speaker 1>used as a curative property in um in in traditional

0:36:37.320 --> 0:36:39.879
<v Speaker 1>Chinese medicine for things like ring worm and various skin

0:36:39.960 --> 0:36:43.200
<v Speaker 1>issues into the sixteenth century. Yeah, and of course, saltpeter

0:36:43.360 --> 0:36:46.960
<v Speaker 1>had many uses outside the creation of say, elixirs of

0:36:47.000 --> 0:36:51.280
<v Speaker 1>immortality or or the creation of gunpowder. For example, saltpeter

0:36:51.440 --> 0:36:55.880
<v Speaker 1>has long been a preservative for certain kinds of foods.

0:36:55.960 --> 0:36:58.719
<v Speaker 1>You know, it's been a preservative for meats. In a way,

0:36:58.760 --> 0:37:04.040
<v Speaker 1>it's an elixir of immort reality for salami exactly. Now,

0:37:04.080 --> 0:37:08.160
<v Speaker 1>obviously gunpowder has its own enormous history, and it's gonna

0:37:08.239 --> 0:37:12.200
<v Speaker 1>end up playing a much bigger role in global affairs

0:37:12.200 --> 0:37:15.320
<v Speaker 1>in the centuries to follow. But the Chinese, this is essential,

0:37:15.480 --> 0:37:18.440
<v Speaker 1>essential to to point out, the Chinese realized its military

0:37:18.440 --> 0:37:22.200
<v Speaker 1>potential pretty early on, like during the Tang dynasty, and

0:37:22.239 --> 0:37:25.520
<v Speaker 1>it was compiled in Chinese military text by ten forty.

0:37:25.560 --> 0:37:28.480
<v Speaker 1>And this is notable because there's something of this this

0:37:28.719 --> 0:37:32.920
<v Speaker 1>myth in Western traditions that while the Chinese invention gunpowder

0:37:32.960 --> 0:37:36.520
<v Speaker 1>would ultimately require Western ingenuity to take off as a weapon,

0:37:36.960 --> 0:37:40.800
<v Speaker 1>The idea that the Chinese invented something but didn't really

0:37:40.960 --> 0:37:43.640
<v Speaker 1>understand what they'd invented, and nothing could really be further

0:37:43.680 --> 0:37:48.480
<v Speaker 1>from the truth, because they developed rockets, fire arrows, fire lances.

0:37:48.800 --> 0:37:52.880
<v Speaker 1>They were using UH long bamboo tubes that were packed

0:37:52.920 --> 0:37:56.320
<v Speaker 1>with with gunpowder as early as like even thirty two,

0:37:56.640 --> 0:38:00.000
<v Speaker 1>and there's evidence of bronze cannons as early as UH

0:38:00.239 --> 0:38:03.799
<v Speaker 1>thirteen thirty two or eleven twenty eight. Even so, the

0:38:03.920 --> 0:38:07.120
<v Speaker 1>use of military gunpowder advancements was very much a part

0:38:07.360 --> 0:38:10.239
<v Speaker 1>of the Chinese world at the time, and it's just

0:38:10.280 --> 0:38:14.319
<v Speaker 1>spread outward from there, transforming warfare everywhere it went. And

0:38:14.360 --> 0:38:19.640
<v Speaker 1>it's interesting to consider the ongoing relationship between recreational fireworks

0:38:19.680 --> 0:38:23.239
<v Speaker 1>and warfare because obviously the same chemicals can be used

0:38:23.280 --> 0:38:26.239
<v Speaker 1>for both. You know, you can use gunpowder to make

0:38:26.360 --> 0:38:30.279
<v Speaker 1>a harmless celebratory device or to make a cannon that

0:38:30.400 --> 0:38:35.480
<v Speaker 1>kills people. And it's interesting how this association has remained

0:38:35.480 --> 0:38:39.600
<v Speaker 1>in people's minds throughout the centuries because very often celebratory

0:38:39.600 --> 0:38:42.319
<v Speaker 1>fireworks not not always, but very often are used to

0:38:42.400 --> 0:38:45.839
<v Speaker 1>celebrate things like military victory. Is it's almost like they

0:38:45.920 --> 0:38:49.319
<v Speaker 1>call to mind the battle that you're thinking back on

0:38:49.440 --> 0:38:52.040
<v Speaker 1>and celebrating. Oh yeah, I mean, we see that in

0:38:52.719 --> 0:38:55.000
<v Speaker 1>the United States with the Star Spangled banner, which is

0:38:55.000 --> 0:38:57.960
<v Speaker 1>talking about stuff blowing up in the sky, and then

0:38:58.400 --> 0:39:01.560
<v Speaker 1>especially around the fourth of July, is uh is paired

0:39:01.600 --> 0:39:04.839
<v Speaker 1>with actual fireworks exploding in the sky. To get back

0:39:04.880 --> 0:39:08.240
<v Speaker 1>into this world of fireworks proper, we in the Chinese origins.

0:39:08.280 --> 0:39:11.800
<v Speaker 1>We can see how explosive and combustive substances come together

0:39:12.200 --> 0:39:15.040
<v Speaker 1>with boo jou. You know. But let's not forget the

0:39:15.040 --> 0:39:17.640
<v Speaker 1>other aspect of fireworks, the part that you you might

0:39:17.640 --> 0:39:20.120
<v Speaker 1>not think about as much when you buy a bunch

0:39:20.160 --> 0:39:23.319
<v Speaker 1>of fireworks or even when you set them off at night.

0:39:23.640 --> 0:39:25.600
<v Speaker 1>But the next day, when you go to clean up

0:39:25.600 --> 0:39:28.920
<v Speaker 1>your yard, Uh, you're going to encounter the reality of

0:39:28.960 --> 0:39:33.719
<v Speaker 1>all the paper and cardboard that makes a firework possible. Yeah.

0:39:33.760 --> 0:39:35.760
<v Speaker 1>It often looks like there has been like a battle

0:39:35.880 --> 0:39:40.439
<v Speaker 1>between armies of toilet paper rolls that just hacked each

0:39:40.440 --> 0:39:43.400
<v Speaker 1>other to bits. Yeah, because even today fireworks depend on

0:39:43.480 --> 0:39:46.600
<v Speaker 1>paper and cardboard. That tank you were describing earlier was

0:39:46.680 --> 0:39:51.080
<v Speaker 1>inevitably made out of cardboard and paper. But as we

0:39:51.120 --> 0:39:53.960
<v Speaker 1>explored in our recent two part on Stuff to with

0:39:54.080 --> 0:39:56.840
<v Speaker 1>your Mind about the invention of the book the history

0:39:56.840 --> 0:40:00.040
<v Speaker 1>of the book, paper was an expensive luxury in in

0:40:00.200 --> 0:40:03.960
<v Speaker 1>olden times. Uh. Chinese paper had already been around for centuries.

0:40:04.000 --> 0:40:07.480
<v Speaker 1>But but it was it was a it was a

0:40:07.600 --> 0:40:09.400
<v Speaker 1>high priced substance. This is not the kind of thing

0:40:09.400 --> 0:40:12.759
<v Speaker 1>you would just readily filled with gunpowder and set off

0:40:12.880 --> 0:40:15.839
<v Speaker 1>or burn. But then during the Song dynasty we see

0:40:15.840 --> 0:40:18.600
<v Speaker 1>the creation of bamboo paper, which was much more affordable,

0:40:18.960 --> 0:40:22.239
<v Speaker 1>and so this was finally paper that was cost effective

0:40:22.400 --> 0:40:26.240
<v Speaker 1>enough to use in fireworks. Uh, you know, pure fireworks,

0:40:26.239 --> 0:40:29.120
<v Speaker 1>the kind of fire not not just the things that

0:40:29.200 --> 0:40:31.759
<v Speaker 1>might amuse um, you know, individuals of great wealth, but

0:40:31.920 --> 0:40:34.360
<v Speaker 1>something that could be you know, a little more available

0:40:34.440 --> 0:40:39.080
<v Speaker 1>to everyone else. Yeah, there is. There's the main explosive charge,

0:40:39.200 --> 0:40:42.719
<v Speaker 1>and that's wrapped together with a timed ignition device, which

0:40:42.760 --> 0:40:45.200
<v Speaker 1>is the fuse. It used to be called the match.

0:40:45.680 --> 0:40:47.799
<v Speaker 1>Now a number of you are probably thinking, well, that's

0:40:47.800 --> 0:40:52.040
<v Speaker 1>a firecracker, and maybe that is essentially a bottle rocket.

0:40:52.400 --> 0:40:56.279
<v Speaker 1>But obviously there are plenty of more elaborate fireworks. I mean,

0:40:56.280 --> 0:41:00.160
<v Speaker 1>they're just thousands of types of fireworks today, and and

0:41:00.400 --> 0:41:04.120
<v Speaker 1>these the more traditional, these sort of exploding, sparkling, colorful fireworks.

0:41:04.120 --> 0:41:06.640
<v Speaker 1>This sort of thing didn't become popular in China until

0:41:06.719 --> 0:41:10.080
<v Speaker 1>apparently the seventeenth or eighteenth centuries. During the last Dynastic

0:41:10.160 --> 0:41:14.920
<v Speaker 1>period of China, the Queen dynasty, and one writes that

0:41:15.040 --> 0:41:18.400
<v Speaker 1>some historians credit fireworks credit these type this type of

0:41:18.400 --> 0:41:21.080
<v Speaker 1>firework technology to a specialist by the name of Le

0:41:21.280 --> 0:41:25.879
<v Speaker 1>Tai Uh, saying that he basically invented these four when

0:41:25.880 --> 0:41:28.400
<v Speaker 1>he was asked by the Jong Jing emperor to create

0:41:28.480 --> 0:41:31.239
<v Speaker 1>something special. And the story goes that he's, you know,

0:41:31.280 --> 0:41:33.240
<v Speaker 1>he's been asked to create some sort of special fireworks.

0:41:33.360 --> 0:41:36.440
<v Speaker 1>He goes out and he notices all the colorful sparks

0:41:36.480 --> 0:41:39.560
<v Speaker 1>that are that are inside of a blackmith's shop as

0:41:39.560 --> 0:41:42.560
<v Speaker 1>the blacksmith is Uh is pounding away at the steel

0:41:42.719 --> 0:41:45.720
<v Speaker 1>and he decides to experiment with different sizes of iron

0:41:45.880 --> 0:41:49.239
<v Speaker 1>particles mixed with the gunpowder. Yeah, and this actually does

0:41:49.280 --> 0:41:53.600
<v Speaker 1>connect to the way that most colored fireworks displays are

0:41:53.640 --> 0:41:57.920
<v Speaker 1>created today. They're they're often produced by by packing fireworks

0:41:57.960 --> 0:42:01.719
<v Speaker 1>shells with these little pellets and as stars that include

0:42:01.800 --> 0:42:06.600
<v Speaker 1>different types of chemicals. Often metal salts that wind burned

0:42:07.040 --> 0:42:10.759
<v Speaker 1>create different colors. So, for example, red fireworks often have

0:42:10.920 --> 0:42:15.840
<v Speaker 1>some kind of strontium content like strontium carbonate, or orange

0:42:15.880 --> 0:42:19.440
<v Speaker 1>fireworks might have calcium chloride and so forth. Apparently, blue

0:42:19.480 --> 0:42:22.080
<v Speaker 1>fireworks are one of the hardest colors to make, and

0:42:22.440 --> 0:42:26.759
<v Speaker 1>that requires a copper or copper chloride content. But the

0:42:26.800 --> 0:42:29.920
<v Speaker 1>most common form of fireworks you see in big festival

0:42:29.960 --> 0:42:33.000
<v Speaker 1>displays today, you know, not the little firecrackers you set

0:42:33.040 --> 0:42:35.319
<v Speaker 1>off in your yard, but big festival displays. These would

0:42:35.360 --> 0:42:38.040
<v Speaker 1>generally use what might be known as the mortar or

0:42:38.080 --> 0:42:41.799
<v Speaker 1>the shell model. So you've got a core explosive charge

0:42:42.160 --> 0:42:45.480
<v Speaker 1>that's usually made out of black powder and a lift charge.

0:42:45.680 --> 0:42:48.560
<v Speaker 1>It burns quickly. It it expands and turns into heat

0:42:48.600 --> 0:42:50.960
<v Speaker 1>and gas. It shoots it up into the sky and

0:42:51.000 --> 0:42:54.000
<v Speaker 1>then it is the fuses time so that when it's

0:42:54.000 --> 0:42:56.920
<v Speaker 1>way up in the sky, it will reach the center

0:42:57.000 --> 0:43:00.719
<v Speaker 1>charge and then it will explode and shell will be

0:43:00.800 --> 0:43:04.000
<v Speaker 1>packed with all these little things, these little explosive balls

0:43:04.080 --> 0:43:08.879
<v Speaker 1>called stars, and the stars can be packed in special arrangements,

0:43:08.920 --> 0:43:11.759
<v Speaker 1>and the arrangements of the stars within the shell is

0:43:11.880 --> 0:43:15.279
<v Speaker 1>usually what gives rise to the patterns of the exploding fireworks.

0:43:15.280 --> 0:43:19.239
<v Speaker 1>And they're they're actually artisans who will make special fireworks

0:43:19.239 --> 0:43:22.160
<v Speaker 1>like custom packing of the stars inside to give you

0:43:22.200 --> 0:43:24.480
<v Speaker 1>the color you want in the shape of the explosion

0:43:24.520 --> 0:43:26.640
<v Speaker 1>you want. So you can get hearts, you can get

0:43:26.640 --> 0:43:29.680
<v Speaker 1>smiley faces or whatever, and I just got to share.

0:43:29.680 --> 0:43:33.200
<v Speaker 1>By the way, I found a Wikipedia article with one

0:43:33.239 --> 0:43:36.600
<v Speaker 1>of the best sentences in English I've ever read. I

0:43:36.680 --> 0:43:38.680
<v Speaker 1>was looking at this the other day. It's from a

0:43:38.680 --> 0:43:42.600
<v Speaker 1>Wiki article about pyrotechnic stars, and the sentence goes, pumped

0:43:42.640 --> 0:43:46.480
<v Speaker 1>stars are stars that have been pumped using a star pump.

0:43:48.280 --> 0:43:50.560
<v Speaker 1>I love that because, out of context, it's just a

0:43:50.600 --> 0:43:53.920
<v Speaker 1>sentence that says nothing. I was trying to think, are

0:43:53.920 --> 0:43:56.719
<v Speaker 1>there any other ways ways you could plug words into

0:43:56.760 --> 0:43:58.879
<v Speaker 1>that sentence structure to make it work? I was thinking,

0:43:58.880 --> 0:44:01.560
<v Speaker 1>wait a minute, cook to rice is rice that has

0:44:01.600 --> 0:44:05.720
<v Speaker 1>been cooked using a rice cooker. There you've done quite work, though,

0:44:05.760 --> 0:44:08.279
<v Speaker 1>because you can cook rice other ways. I don't know.

0:44:08.480 --> 0:44:11.280
<v Speaker 1>But it's star pump as it has only one function,

0:44:11.280 --> 0:44:13.880
<v Speaker 1>and that is two pump stars. It's true. Alright. On

0:44:13.920 --> 0:44:15.600
<v Speaker 1>that note, we're going to take one more break, but

0:44:15.640 --> 0:44:18.000
<v Speaker 1>when we come back we'll get into some of the

0:44:18.040 --> 0:44:24.080
<v Speaker 1>Western tradition of fireworks. Thank thank thank Alright, we're back.

0:44:24.400 --> 0:44:27.480
<v Speaker 1>So I wanted to look at a post on the

0:44:27.520 --> 0:44:32.279
<v Speaker 1>always Wonderful Medieval Manuscripts blog on the British Library website.

0:44:32.320 --> 0:44:35.200
<v Speaker 1>This post is by Alison Ray. I feel like I've

0:44:35.200 --> 0:44:37.480
<v Speaker 1>mentioned pieces by this blog on the show before. I

0:44:37.520 --> 0:44:40.040
<v Speaker 1>think we discussed an awesome one they had about anti

0:44:40.160 --> 0:44:44.319
<v Speaker 1>theft curses in medieval manuscripts. Yes, it's just a really

0:44:44.400 --> 0:44:47.040
<v Speaker 1>great blog to follow, and I'm actually going to reference

0:44:47.040 --> 0:44:50.040
<v Speaker 1>a couple of posts that I came across in this episode.

0:44:50.360 --> 0:44:53.319
<v Speaker 1>So this one talks about how fireworks have been a

0:44:53.360 --> 0:44:56.719
<v Speaker 1>popular source of entertainment in England since as early as

0:44:56.760 --> 0:45:00.799
<v Speaker 1>the fifteenth century. Ray writes that the first recorded use

0:45:00.800 --> 0:45:04.280
<v Speaker 1>of fireworks in England was at King Henry the Seventh

0:45:04.440 --> 0:45:07.960
<v Speaker 1>wedding celebration in fourteen eight six. And I have seen

0:45:08.000 --> 0:45:10.560
<v Speaker 1>this historical claim made all over the place, and I

0:45:10.600 --> 0:45:13.920
<v Speaker 1>was trying to find contemporary documentation, or at least the

0:45:13.960 --> 0:45:16.799
<v Speaker 1>earliest documentation of it I could, and I could not

0:45:16.960 --> 0:45:20.879
<v Speaker 1>find that. It makes me wonder how modern writers know this,

0:45:20.960 --> 0:45:23.680
<v Speaker 1>But I assumed that the British Library bloggers have their

0:45:23.719 --> 0:45:26.040
<v Speaker 1>their history sorted out, so I'll trust him on this one.

0:45:27.160 --> 0:45:30.240
<v Speaker 1>So the wedding of King Henry the Seventh. King Henry

0:45:30.280 --> 0:45:33.120
<v Speaker 1>was also known as Henry Tudor and his ascent to

0:45:33.160 --> 0:45:36.640
<v Speaker 1>the throne was the ultimate conclusion of the Wars of

0:45:36.680 --> 0:45:40.680
<v Speaker 1>the Roses, where the houses of Lancaster and York had

0:45:40.719 --> 0:45:44.000
<v Speaker 1>struggled for control of England for like three decades. This

0:45:44.120 --> 0:45:48.720
<v Speaker 1>is chronicled with some propagandistic slant in Shakespeare's play Richard

0:45:48.760 --> 0:45:51.280
<v Speaker 1>the Third. Of course, Richard the Third was the last

0:45:51.320 --> 0:45:54.960
<v Speaker 1>of the York kings. Henry had some kind of roughly

0:45:55.080 --> 0:45:58.560
<v Speaker 1>thirty seventh in line succession claim to the throne through

0:45:58.640 --> 0:46:01.880
<v Speaker 1>the line of lancast Her, but he really came to

0:46:01.920 --> 0:46:06.200
<v Speaker 1>power through some political maneuvering and military victory, so his

0:46:06.320 --> 0:46:08.799
<v Speaker 1>claim was of course through the Lancaster line. But he

0:46:08.840 --> 0:46:12.800
<v Speaker 1>apparently got in position for power by swearing to marry

0:46:12.840 --> 0:46:16.759
<v Speaker 1>Elizabeth of York, which would unite the two houses if

0:46:16.800 --> 0:46:20.040
<v Speaker 1>he was victorious and Richard. Richard the third had enemies

0:46:20.080 --> 0:46:23.680
<v Speaker 1>within his own house, so with some French support, Henry

0:46:23.719 --> 0:46:27.000
<v Speaker 1>the Seventh landed in Wales in fourteen eighty five. He

0:46:27.120 --> 0:46:30.960
<v Speaker 1>led an army against Richard's power center in London. Richard

0:46:31.000 --> 0:46:33.600
<v Speaker 1>took an army out to meet him. Henry and Richard's

0:46:33.680 --> 0:46:37.320
<v Speaker 1>forces fought a conclusive battle at Bosworth Field on August

0:46:37.440 --> 0:46:42.120
<v Speaker 1>two five, where Richard was killed in the fighting, allegedly

0:46:42.160 --> 0:46:45.000
<v Speaker 1>while trying to like strike deep behind enemy ranks and

0:46:45.080 --> 0:46:48.680
<v Speaker 1>kill Henry himself to in the war immediately, and Richard

0:46:48.719 --> 0:46:51.880
<v Speaker 1>the Third was apparently the last English king killed in battle.

0:46:52.239 --> 0:46:55.400
<v Speaker 1>So after the battle Henry is victorious, He's like, well, okay,

0:46:55.440 --> 0:46:58.480
<v Speaker 1>you know, I've basically got a claim to the throne

0:46:58.480 --> 0:47:01.520
<v Speaker 1>by succession. I just wanted battle, which means God must

0:47:01.560 --> 0:47:05.000
<v Speaker 1>want me to be king. So Henry was crowned at

0:47:05.000 --> 0:47:08.160
<v Speaker 1>the end of October fourteen eighty five, and true to

0:47:08.239 --> 0:47:11.600
<v Speaker 1>his promise, he married Elizabeth of York in January fourteen

0:47:11.680 --> 0:47:15.400
<v Speaker 1>eighty six. And this marriage was of greater than normal

0:47:15.520 --> 0:47:19.200
<v Speaker 1>political importance. It was more than just the pageantry of

0:47:18.680 --> 0:47:21.720
<v Speaker 1>a of a royal wedding. It was in some ways

0:47:21.760 --> 0:47:25.680
<v Speaker 1>the symbolic extinguishment of a dynastic war that had been

0:47:25.760 --> 0:47:28.600
<v Speaker 1>raging for about thirty years. So why not a little

0:47:28.600 --> 0:47:33.080
<v Speaker 1>extra celebration, Why not blow something up right. Ray's blog

0:47:33.120 --> 0:47:37.719
<v Speaker 1>post also points to a fourteenth century manuscript known as

0:47:37.760 --> 0:47:42.359
<v Speaker 1>the British Library royal Ms twelve b. Twenty five. This

0:47:42.480 --> 0:47:46.959
<v Speaker 1>is primarily a medical text. It talks about bodily humors,

0:47:46.960 --> 0:47:52.480
<v Speaker 1>herbal medicines, astrology, but it's got a recipe for fireworks,

0:47:52.680 --> 0:47:58.960
<v Speaker 1>specifically fireworks rockets, and the burning glass. And according to Ray,

0:47:59.120 --> 0:48:01.880
<v Speaker 1>the opening to the section on the recipes for combustion

0:48:02.440 --> 0:48:07.200
<v Speaker 1>begins with references quote to Greek fire, an incendiary weapon

0:48:07.280 --> 0:48:11.040
<v Speaker 1>first used by Byzantine forces against Arabic naval fleets steering

0:48:11.080 --> 0:48:14.920
<v Speaker 1>Sieges on Constantinople in the late seventh century. So I

0:48:14.960 --> 0:48:18.400
<v Speaker 1>think it's very interesting that a fourteenth century writer in

0:48:18.480 --> 0:48:21.880
<v Speaker 1>English would say, Okay, here's a recipe for making fun

0:48:22.080 --> 0:48:25.880
<v Speaker 1>recreational fireworks, but let's introduce it by talking about this

0:48:26.040 --> 0:48:29.120
<v Speaker 1>terror weapon. Yeah, yeah, the terror weapon of the of

0:48:29.160 --> 0:48:32.279
<v Speaker 1>the Byzantines, which which we have an entire episode on

0:48:32.480 --> 0:48:34.680
<v Speaker 1>in the vault if anyone wants to listen to it.

0:48:34.880 --> 0:48:37.960
<v Speaker 1>But apparently because of the danger posed by fireworks, the

0:48:38.000 --> 0:48:42.360
<v Speaker 1>manuscript accompanies its recipes with protective magic spells that you

0:48:42.400 --> 0:48:46.760
<v Speaker 1>can use against the fire. Quote. The protective charms against

0:48:46.800 --> 0:48:51.360
<v Speaker 1>fire invokes St. Column Seal also known as Columba or

0:48:51.480 --> 0:48:55.920
<v Speaker 1>column Kill, and st Agatha for protection. St Agatha was

0:48:55.960 --> 0:49:01.520
<v Speaker 1>a patron saint against fire, lightning, and volcanic eruption. Uh

0:49:01.560 --> 0:49:05.239
<v Speaker 1>protective charms may seem unorthodox to us today, but they

0:49:05.239 --> 0:49:08.320
<v Speaker 1>were often employed in the same manner as medical recipes

0:49:08.400 --> 0:49:11.160
<v Speaker 1>and religious prayers. And this is something we've talked about

0:49:11.200 --> 0:49:13.680
<v Speaker 1>on the show before. How In, in late medieval and

0:49:13.800 --> 0:49:17.120
<v Speaker 1>early modern writing in Europe, there's a lot of thinking

0:49:17.160 --> 0:49:21.480
<v Speaker 1>that just blends magic and naturalistic or scientific knowledge, as

0:49:21.480 --> 0:49:24.360
<v Speaker 1>if there were no real difference between them. You know,

0:49:24.480 --> 0:49:27.320
<v Speaker 1>here's how to make an explosive powder. Here's a magic

0:49:27.360 --> 0:49:30.880
<v Speaker 1>spell to cure warts. Here's a recipe for toothpaste. Here's

0:49:30.880 --> 0:49:33.719
<v Speaker 1>how to know if a witch is giving you a rash.

0:49:33.880 --> 0:49:36.920
<v Speaker 1>There's another British Library manuscript profile I wanted to mention,

0:49:37.000 --> 0:49:41.239
<v Speaker 1>this one by curator Maddie smith In. And this is

0:49:41.280 --> 0:49:45.680
<v Speaker 1>of a seventeenth century book called Pyrotechnica, written by a

0:49:45.800 --> 0:49:49.600
<v Speaker 1>gunner named John Babington. And it's the first book in

0:49:49.680 --> 0:49:53.200
<v Speaker 1>English that is known to be entirely about how to

0:49:53.239 --> 0:49:58.000
<v Speaker 1>make fireworks for fun. It's entirely a book about recreational fireworks. Now, again,

0:49:58.160 --> 0:50:00.440
<v Speaker 1>this is a much later work, maybe on us three

0:50:00.520 --> 0:50:04.520
<v Speaker 1>hundred years later than the previous manuscript. It is widely

0:50:04.560 --> 0:50:09.320
<v Speaker 1>attested that Queen Elizabeth the First of England loved fireworks.

0:50:09.480 --> 0:50:11.960
<v Speaker 1>And note that Queen Elizabeth the First is different from

0:50:12.000 --> 0:50:15.200
<v Speaker 1>Elizabeth of York, who married Henry the seventh Queen Elizabeth

0:50:15.200 --> 0:50:18.040
<v Speaker 1>the First ruled from fifteen fifty eight until her death

0:50:18.040 --> 0:50:21.560
<v Speaker 1>in sixteen oh three. I was looking for examples of

0:50:21.600 --> 0:50:24.759
<v Speaker 1>her legendary love of fireworks, and I came across a

0:50:24.920 --> 0:50:29.800
<v Speaker 1>letter written by a man named Lanahan describing the Queen's

0:50:29.880 --> 0:50:34.400
<v Speaker 1>visit to Kinnelworth Castle in fifteen seventy five. And lanaham

0:50:34.520 --> 0:50:38.480
<v Speaker 1>describes it like this quote. On the Sunday night, after

0:50:38.560 --> 0:50:41.279
<v Speaker 1>a warning piece or two, there was a blaze of

0:50:41.400 --> 0:50:47.480
<v Speaker 1>burning darts flying to and fro, beams of stars, coruscant streams,

0:50:47.520 --> 0:50:51.920
<v Speaker 1>and hail of fire sparks, lightnings of wildfire on the

0:50:51.960 --> 0:50:56.320
<v Speaker 1>water and on the land, flight and shot of thunderbolts,

0:50:56.360 --> 0:51:01.200
<v Speaker 1>all with such continuance, terror and vehemence. The heavens thundered,

0:51:01.360 --> 0:51:05.000
<v Speaker 1>the water surged, and the earth shook. Oh man, that's

0:51:05.280 --> 0:51:08.000
<v Speaker 1>that's that's that's a great description. Shades of deep purple,

0:51:08.160 --> 0:51:10.520
<v Speaker 1>but a great description. Well, you know, it doesn't it

0:51:10.600 --> 0:51:14.560
<v Speaker 1>doesn't sound fun. It sounds really scary. Yeah, well, I

0:51:14.640 --> 0:51:18.319
<v Speaker 1>mean that's that. Those were my earliest experiences of fireworks,

0:51:18.360 --> 0:51:21.600
<v Speaker 1>just being terrified. So, uh, you know, feeling a sense

0:51:21.640 --> 0:51:24.799
<v Speaker 1>of terror or safe terror is kind of part of it, right, yeah,

0:51:24.880 --> 0:51:28.640
<v Speaker 1>that might be true. Of course, Shakespeare mentions fireworks in

0:51:28.680 --> 0:51:30.440
<v Speaker 1>a number of his plays, or at least in one

0:51:30.520 --> 0:51:34.080
<v Speaker 1>or two plays. There's there's a scene in Love's Labor's Lost, uh,

0:51:34.160 --> 0:51:36.440
<v Speaker 1>where a character says, quote, the King would have me

0:51:36.520 --> 0:51:41.000
<v Speaker 1>present the Princess sweet Chuck with some delightful ostentation or

0:51:41.080 --> 0:51:46.279
<v Speaker 1>show or pageant or antique or firework. And apparently Queen

0:51:46.280 --> 0:51:50.640
<v Speaker 1>Elizabeth liked fireworks so much that she commissioned a lord

0:51:50.719 --> 0:51:54.480
<v Speaker 1>of fireworks to be in charge of the whole process

0:51:54.520 --> 0:51:56.720
<v Speaker 1>that would come to be known as the fire Master

0:51:56.840 --> 0:52:01.359
<v Speaker 1>of England, whose assistance were called green men because they

0:52:01.360 --> 0:52:04.400
<v Speaker 1>wore hats made out of leaves to protect their heads

0:52:04.480 --> 0:52:08.880
<v Speaker 1>from fire and sparks. So Queen Elizabeth had a pyromancer.

0:52:11.000 --> 0:52:13.680
<v Speaker 1>That's awesome, and they're running about in these uh, in

0:52:13.960 --> 0:52:16.520
<v Speaker 1>these green hats but you know, made out of like

0:52:16.760 --> 0:52:20.560
<v Speaker 1>green leaves. I mean that sounds very elvin. That reminds

0:52:20.600 --> 0:52:22.919
<v Speaker 1>me of what we discussed in the past about these

0:52:23.080 --> 0:52:25.920
<v Speaker 1>taboos against wearing green because that is the color of

0:52:25.960 --> 0:52:29.839
<v Speaker 1>the fairies. Yeah, totally. I think those ones we talked

0:52:29.840 --> 0:52:33.200
<v Speaker 1>about in the past, for specifically, uh, superstition about young

0:52:33.200 --> 0:52:35.880
<v Speaker 1>women wearing them or they would make the fairy princess

0:52:35.960 --> 0:52:39.080
<v Speaker 1>is jealous. But yeah, I mean, I don't know. If

0:52:39.080 --> 0:52:42.080
<v Speaker 1>you're already dealing with fire and fireworks for a living,

0:52:42.080 --> 0:52:45.400
<v Speaker 1>why not put some leaves on your head. But so, anyway,

0:52:45.400 --> 0:52:49.719
<v Speaker 1>back to this book Pyrotechnic by Babbington. It describes how

0:52:49.719 --> 0:52:52.759
<v Speaker 1>to make a number of regular shell style fireworks of

0:52:52.800 --> 0:52:54.960
<v Speaker 1>the kind we were talking about earlier, and how to

0:52:55.000 --> 0:52:58.560
<v Speaker 1>achieve different colors. Quote for stars of a blue color,

0:52:58.719 --> 0:53:03.000
<v Speaker 1>a combination of gun powder, saltpeter and sulfur VIV did

0:53:03.040 --> 0:53:07.400
<v Speaker 1>the trick. He then progresses to making silver and gold

0:53:07.600 --> 0:53:12.440
<v Speaker 1>rain firework wheels and fizz gigs a French firework that

0:53:12.560 --> 0:53:16.520
<v Speaker 1>fizzled before it exploded. Fizz gig. Yeah, this gig like

0:53:16.520 --> 0:53:19.879
<v Speaker 1>like in the Dark Crystal. But beyond that, Babington goes

0:53:19.960 --> 0:53:23.440
<v Speaker 1>on in his book to give instructions for these elaborate displays,

0:53:23.560 --> 0:53:28.680
<v Speaker 1>such as the dragon. The dragon was a giant wooden

0:53:28.880 --> 0:53:32.000
<v Speaker 1>frame in the shape of a winged serpent that was

0:53:32.160 --> 0:53:35.760
<v Speaker 1>filled and ornamented with all kinds of combustibles that would

0:53:35.760 --> 0:53:39.640
<v Speaker 1>make it breathe fire and spark with fury. And one

0:53:39.640 --> 0:53:43.200
<v Speaker 1>popular way of doing this dragon demonstration was to have

0:53:43.360 --> 0:53:46.960
<v Speaker 1>both a wooden dragon crammed with fireworks and either a

0:53:47.120 --> 0:53:50.719
<v Speaker 1>rival dragon or a figure of St. George, and then

0:53:50.760 --> 0:53:54.280
<v Speaker 1>you would make them fight. Uh so this is from Smith.

0:53:54.360 --> 0:53:58.160
<v Speaker 1>Quote in Pyrotechnica, Babbington instructs the reader to strap the

0:53:58.239 --> 0:54:01.440
<v Speaker 1>dragon and St. George together so that when a wheel

0:54:01.600 --> 0:54:05.359
<v Speaker 1>is turned quote, they will run furiously at each other.

0:54:05.920 --> 0:54:09.279
<v Speaker 1>They had to be well balanced, as otherwise quote they

0:54:09.280 --> 0:54:12.160
<v Speaker 1>would turn their heels upward, which would be a great

0:54:12.239 --> 0:54:15.640
<v Speaker 1>disgrace to the work and the workman. It sounds like

0:54:15.680 --> 0:54:18.279
<v Speaker 1>more of a disgrace that that sounds maybe like an

0:54:18.280 --> 0:54:21.799
<v Speaker 1>extreme safety hazard. You included a shot here of a

0:54:21.840 --> 0:54:24.680
<v Speaker 1>woodcut illustration from this book, and uh, I have to

0:54:24.719 --> 0:54:27.879
<v Speaker 1>say that, combined with the description, this is pure burning man,

0:54:28.000 --> 0:54:30.520
<v Speaker 1>like this is the exact spirit of that sort of

0:54:30.520 --> 0:54:35.920
<v Speaker 1>like a large scale pyro technical display. Yeah, exactly, this

0:54:35.960 --> 0:54:39.440
<v Speaker 1>is Elizabethan burning Man. But so there's a big question here, right, So,

0:54:39.560 --> 0:54:43.560
<v Speaker 1>if if fireworks were probably invented in China and we're

0:54:43.680 --> 0:54:47.600
<v Speaker 1>super popular with the English monarchy by the fifteen hundreds,

0:54:47.600 --> 0:54:49.880
<v Speaker 1>how did they make that journey? How did they get

0:54:50.000 --> 0:54:54.720
<v Speaker 1>from China to Europe and specifically early modern England well,

0:54:54.760 --> 0:54:58.640
<v Speaker 1>it turns out that the first known European to describe

0:54:58.680 --> 0:55:03.760
<v Speaker 1>the creation of black powder was Dr Mirabilis himself. Roger

0:55:03.760 --> 0:55:08.360
<v Speaker 1>Bacon uh the thirteenth century English philosopher proto scientist in

0:55:08.480 --> 0:55:13.320
<v Speaker 1>Franciscan friar and Dr Mirabilis I think it means technically

0:55:13.440 --> 0:55:15.759
<v Speaker 1>wonderful teacher in Latin, but I like to think of

0:55:15.840 --> 0:55:20.480
<v Speaker 1>him as doctor wonderful. So Roger Bacon was born somewhere

0:55:20.480 --> 0:55:24.000
<v Speaker 1>in southwest England, either I think in Somerset or in Gloucestershire,

0:55:24.120 --> 0:55:27.960
<v Speaker 1>between the years twelve fourteen and twelve twenty. More recent

0:55:28.000 --> 0:55:31.960
<v Speaker 1>sources places birth I think around twelve nineteen or twelve twenty,

0:55:32.160 --> 0:55:35.200
<v Speaker 1>and he became a brother of the Franciscan order and

0:55:35.360 --> 0:55:39.200
<v Speaker 1>a scholar of great esteem and controversy. In the modern day,

0:55:39.239 --> 0:55:42.600
<v Speaker 1>he has this reputation for being an early advocate of

0:55:42.640 --> 0:55:47.680
<v Speaker 1>something approaching scientific empiricism, the study of nature through observation

0:55:48.280 --> 0:55:51.719
<v Speaker 1>rather than just deductive principles about the divine order. Like

0:55:52.080 --> 0:55:55.040
<v Speaker 1>maybe you know what if Aristotle says something about nature

0:55:55.160 --> 0:55:58.000
<v Speaker 1>and then you do an experiment and discover that Aristotle

0:55:58.120 --> 0:56:00.399
<v Speaker 1>is wrong. I think a lot of people might had

0:56:00.400 --> 0:56:02.759
<v Speaker 1>the tendency to say like, well, you know you must

0:56:02.800 --> 0:56:08.120
<v Speaker 1>have done some throng aristotles probably right, aristotles above reproach right, yeah. Um.

0:56:08.360 --> 0:56:13.600
<v Speaker 1>So Bacon studied and wrote on language, on mathematics, on alchemy, astronomy,

0:56:13.640 --> 0:56:16.920
<v Speaker 1>and optics. You might remember in our Camera Obscura episode

0:56:16.960 --> 0:56:20.200
<v Speaker 1>of Invention we talked about how Bacon had read the

0:56:20.239 --> 0:56:24.640
<v Speaker 1>works of the eleventh century Arab scholar even al Haytham,

0:56:24.680 --> 0:56:27.920
<v Speaker 1>who described the principle of a pinhole camera for projecting

0:56:27.960 --> 0:56:31.400
<v Speaker 1>images into a dark room, and Bacon picked up on

0:56:31.480 --> 0:56:34.840
<v Speaker 1>this and conducted experiments based on al Heyatham's writings. He

0:56:34.880 --> 0:56:38.720
<v Speaker 1>apparently built or at least used a camera obscura chamber

0:56:38.760 --> 0:56:42.600
<v Speaker 1>for the purpose of safely observing solar eclipses in his lifetime.

0:56:43.239 --> 0:56:46.080
<v Speaker 1>But he also described the use of spectacles based on

0:56:46.160 --> 0:56:48.960
<v Speaker 1>glass lenses, which were not yet in wide use at

0:56:48.960 --> 0:56:52.759
<v Speaker 1>the time. Uh, He conducted alchemy experiments, and he speculated

0:56:52.800 --> 0:56:55.160
<v Speaker 1>on the idea of a flying machine. He kind of

0:56:55.200 --> 0:56:58.239
<v Speaker 1>had a reputation as something of a wonder worker or

0:56:58.239 --> 0:57:01.640
<v Speaker 1>a wizard. And again this is something that wasn't unheard

0:57:01.640 --> 0:57:04.560
<v Speaker 1>of for curious scholars of the medieval and early modern

0:57:04.640 --> 0:57:08.239
<v Speaker 1>period that the doctor Faustus kind of image Robert. You

0:57:08.320 --> 0:57:10.960
<v Speaker 1>might remember that one of the earliest theories on the

0:57:11.000 --> 0:57:15.720
<v Speaker 1>authorship of the Voyage Manuscript attributes the manuscript to Roger Bacon,

0:57:16.160 --> 0:57:18.720
<v Speaker 1>though I don't think we ever found any good evidence

0:57:18.720 --> 0:57:21.640
<v Speaker 1>supporting this claim. It seemed more like people just might

0:57:21.680 --> 0:57:24.120
<v Speaker 1>have thought, well, who's some messed up wizard who could

0:57:24.160 --> 0:57:27.200
<v Speaker 1>have created this weird book. I think the dating of

0:57:27.200 --> 0:57:30.760
<v Speaker 1>the actual materials put put the book as much later

0:57:30.920 --> 0:57:34.160
<v Speaker 1>than than Bacon's life. Yeah, I think if you could

0:57:34.160 --> 0:57:35.920
<v Speaker 1>make a better case for John Dee than you could

0:57:35.960 --> 0:57:41.240
<v Speaker 1>for Bacon. Right, But Bacon really did apparently advocate experimentalism,

0:57:41.240 --> 0:57:43.400
<v Speaker 1>though this doesn't mean he was the kind of like

0:57:43.520 --> 0:57:47.640
<v Speaker 1>skeptic materialist naturalist you might imagine today. It seems he

0:57:47.680 --> 0:57:52.120
<v Speaker 1>advocated an empirical or experimental approach to both natural science

0:57:52.160 --> 0:57:55.040
<v Speaker 1>and alchemy and magic, which you know, I can see

0:57:55.160 --> 0:57:57.400
<v Speaker 1>is that might have been a reasonable mindset if you

0:57:57.440 --> 0:58:01.120
<v Speaker 1>were living in thirteenth century England. But anyway, he produced

0:58:01.160 --> 0:58:05.680
<v Speaker 1>some important encyclopedias of learning, beginning with his Opus majis

0:58:06.000 --> 0:58:09.640
<v Speaker 1>Uh and following with some other I think other works

0:58:09.640 --> 0:58:13.320
<v Speaker 1>that were called like Opus Lesser or Opus Tertiary Uh

0:58:13.320 --> 0:58:16.120
<v Speaker 1>so where does the gunpowder come in? Well, in the

0:58:16.160 --> 0:58:19.160
<v Speaker 1>twelve forties and a couple of his major works, Bacon

0:58:19.280 --> 0:58:22.680
<v Speaker 1>just straight up described a recipe for making gunpowder as

0:58:22.720 --> 0:58:24.840
<v Speaker 1>seemingly out of nowhere. So I'm going to sign a

0:58:24.880 --> 0:58:28.960
<v Speaker 1>passage from the scholar Joseph Needham's work on Bacon and

0:58:29.040 --> 0:58:31.880
<v Speaker 1>gunpowder in in a in a book called Science and

0:58:31.920 --> 0:58:36.760
<v Speaker 1>Civilization in China from Cambridge University Press, nine seven, where

0:58:36.800 --> 0:58:41.240
<v Speaker 1>he combines a couple of nearly identical passages about gunpowder

0:58:41.320 --> 0:58:46.600
<v Speaker 1>from Bacon's Opus Majis and or Mayis and Opus Tertium together.

0:58:46.680 --> 0:58:50.160
<v Speaker 1>But first we should look at how Bacon introduces this section,

0:58:50.600 --> 0:58:53.880
<v Speaker 1>which is uh, he talks about Greek fire. He writes,

0:58:54.520 --> 0:58:57.960
<v Speaker 1>certain of these work by contact only, and so destroy

0:58:58.120 --> 0:59:01.400
<v Speaker 1>life malta or now up the which is a kind

0:59:01.440 --> 0:59:05.000
<v Speaker 1>of bitumen plentiful in the world, when projected upon a

0:59:05.080 --> 0:59:09.840
<v Speaker 1>man in armor, burns him up. Similarly, yellow petroleum i e.

0:59:10.120 --> 0:59:13.960
<v Speaker 1>Oil produced from the rocks, when properly prepared or distilled,

0:59:14.600 --> 0:59:18.440
<v Speaker 1>burns everything it meets by a consuming fire, not extinguishable

0:59:18.480 --> 0:59:21.960
<v Speaker 1>by water, and only with great difficulty by other things.

0:59:22.560 --> 0:59:26.080
<v Speaker 1>Certain inventions disturb the hearing to such a degree that

0:59:26.160 --> 0:59:28.920
<v Speaker 1>if they are set off suddenly at night with sufficient skill,

0:59:29.360 --> 0:59:33.480
<v Speaker 1>neither cities nor armies can endure them. No thunderclap can

0:59:33.520 --> 0:59:38.200
<v Speaker 1>compare with such terrifying noises, nor lightning playing among the clouds,

0:59:38.240 --> 0:59:42.720
<v Speaker 1>with such frightening flashes. And then um, and then he

0:59:42.720 --> 0:59:45.720
<v Speaker 1>goes on. So this is the combined two passages about

0:59:45.760 --> 0:59:49.880
<v Speaker 1>gunpowder itself. We have an example of these things that

0:59:50.000 --> 0:59:53.080
<v Speaker 1>act on the senses in the sound and fire of

0:59:53.120 --> 0:59:56.840
<v Speaker 1>that children's toy which is made in many diverse parts

0:59:56.840 --> 0:59:59.800
<v Speaker 1>of the world, i e. A device no bigger than

1:00:00.280 --> 1:00:04.760
<v Speaker 1>thumb from the violence of that salt called saltpeter, together

1:00:04.800 --> 1:00:09.400
<v Speaker 1>with sulfur and willow charcoal combined into a powder. So

1:00:09.520 --> 1:00:12.000
<v Speaker 1>horrible a sound is made by the bursting of a

1:00:12.080 --> 1:00:15.360
<v Speaker 1>thing so small, no more than a bit of parchment

1:00:15.440 --> 1:00:18.840
<v Speaker 1>containing it, that we find the ear assaulted by a

1:00:18.920 --> 1:00:22.640
<v Speaker 1>noise exceeding the roar of strong thunder, and a flash

1:00:22.720 --> 1:00:26.240
<v Speaker 1>brighter than the most brilliant lightning, especially if one has

1:00:26.280 --> 1:00:30.480
<v Speaker 1>taken unawares. This terrible flash is very alarming. If an

1:00:30.520 --> 1:00:34.120
<v Speaker 1>instrument of large size were used, no one could withstand

1:00:34.160 --> 1:00:37.280
<v Speaker 1>the noise and blinding light. And if the instrument were

1:00:37.280 --> 1:00:40.840
<v Speaker 1>made of solid material, the violence of the explosion would

1:00:40.880 --> 1:00:43.600
<v Speaker 1>be much greater. I love this. There are aspects of

1:00:43.640 --> 1:00:46.480
<v Speaker 1>it. It It maybe sound like an overstatement of the power

1:00:46.680 --> 1:00:50.000
<v Speaker 1>of a simple firework, but he does get at the

1:00:50.000 --> 1:00:52.160
<v Speaker 1>heart of it here. Well. Yeah, so this This is

1:00:52.560 --> 1:00:55.360
<v Speaker 1>Bacon in this work in the middle of the thirteenth century,

1:00:55.760 --> 1:01:00.000
<v Speaker 1>describing a totally accurate recipe for making an explosive charge. Remember,

1:01:00.040 --> 1:01:02.040
<v Speaker 1>he's got all of the ingredients we talked about in

1:01:02.040 --> 1:01:05.280
<v Speaker 1>the chemistry section earlier. He's got the fuel there, he's

1:01:05.280 --> 1:01:08.640
<v Speaker 1>got the sulfur, he's got the saltpeter as the oxidizer.

1:01:08.680 --> 1:01:10.720
<v Speaker 1>He says. You grind them together, you make a powder

1:01:10.720 --> 1:01:12.920
<v Speaker 1>out of them, and that's how you get this charge.

1:01:12.960 --> 1:01:15.080
<v Speaker 1>And then of course you pack it into to a

1:01:15.160 --> 1:01:18.240
<v Speaker 1>roll of parchment, he says, which parchment, being a rather

1:01:18.280 --> 1:01:21.240
<v Speaker 1>expensive material, also seems like maybe not a great use

1:01:21.280 --> 1:01:23.080
<v Speaker 1>for it. But I don't know what else would you

1:01:23.160 --> 1:01:25.880
<v Speaker 1>use at the time, I guess, but he describes it

1:01:25.920 --> 1:01:29.920
<v Speaker 1>as some kind of pre existing children's toy, without saying

1:01:30.000 --> 1:01:33.160
<v Speaker 1>where or when this toy would have been observed, and

1:01:33.440 --> 1:01:37.640
<v Speaker 1>ends with the unmistakable observation that this combustible powder could

1:01:37.680 --> 1:01:40.920
<v Speaker 1>obviously be used for violence could be used in warfare.

1:01:42.240 --> 1:01:44.720
<v Speaker 1>So a lot of historians claim that this is the

1:01:44.760 --> 1:01:48.560
<v Speaker 1>first time knowledge of black powder is acknowledged anywhere in Europe.

1:01:49.280 --> 1:01:52.040
<v Speaker 1>But where did Bacon get this idea from? He doesn't

1:01:52.120 --> 1:01:54.520
<v Speaker 1>claim to have come up with it himself. Instead, he

1:01:54.560 --> 1:01:57.680
<v Speaker 1>speaks of this toy from other parts of the world

1:01:57.760 --> 1:02:01.160
<v Speaker 1>without saying where. So there's an interesting question of cross

1:02:01.200 --> 1:02:05.200
<v Speaker 1>fertilization of ideas here. Uh Needham Joseph Needham, in his

1:02:05.280 --> 1:02:08.880
<v Speaker 1>book argues that there is ample reason for thinking that

1:02:09.080 --> 1:02:13.320
<v Speaker 1>Chinese firecrackers and general explosive chemistry would have made their

1:02:13.360 --> 1:02:16.240
<v Speaker 1>way back to Europe by around the time Bacon was

1:02:16.280 --> 1:02:21.000
<v Speaker 1>writing uh So Needham rights quote. This description inescapably suggests

1:02:21.040 --> 1:02:24.040
<v Speaker 1>to us that a sample of Chinese crackers had come

1:02:24.040 --> 1:02:27.280
<v Speaker 1>into Roger Bacon's possession and that he knew what the

1:02:27.320 --> 1:02:32.040
<v Speaker 1>constituents of the mixture were inside them by twelve sixty seven.

1:02:32.080 --> 1:02:35.520
<v Speaker 1>That would have been perfectly possible for his fellow friars

1:02:35.520 --> 1:02:38.840
<v Speaker 1>had been traveling back and forth between Western Europe and

1:02:38.880 --> 1:02:42.560
<v Speaker 1>the Mongol court at Kara Koran since twelve forty five,

1:02:42.720 --> 1:02:46.560
<v Speaker 1>when the Franciscan John of Plano Caprini had been sent

1:02:46.640 --> 1:02:49.840
<v Speaker 1>as an envoy from Innocent the Fourth, that's Pope Innocent

1:02:49.880 --> 1:02:53.120
<v Speaker 1>the Fourth to the Great Khan Uh. And then he

1:02:53.120 --> 1:02:57.840
<v Speaker 1>he documents plenty of other recorded instances of of Franciscans

1:02:57.880 --> 1:03:01.480
<v Speaker 1>and Dominicans and other Europeans travel back and forth to

1:03:01.680 --> 1:03:05.080
<v Speaker 1>China to the Mongol court, and says that there's just

1:03:05.200 --> 1:03:09.600
<v Speaker 1>really no problem imagining that someone maybe maybe knowing of

1:03:09.960 --> 1:03:12.120
<v Speaker 1>Roger Bacon and saying, hey, he's this kind of like

1:03:12.880 --> 1:03:15.760
<v Speaker 1>out there wizard guy. He he would enjoy a chemical

1:03:15.840 --> 1:03:18.200
<v Speaker 1>curiosity from the other side of the world. Let's bring

1:03:18.280 --> 1:03:22.040
<v Speaker 1>some firecrackers back for for doctor Wonderful to look at. Yeah,

1:03:22.080 --> 1:03:24.680
<v Speaker 1>now this would make perfect sense. Everything lines lines up here, uh,

1:03:25.280 --> 1:03:29.080
<v Speaker 1>the Chinese to the Mongols and then via these uh,

1:03:29.200 --> 1:03:33.800
<v Speaker 1>these these traveling um uh clergyman back to Europe. But

1:03:33.960 --> 1:03:37.560
<v Speaker 1>I would say it also seems possible that firecracker chemistry

1:03:37.600 --> 1:03:40.200
<v Speaker 1>could have entered late medieval Europe through the Arab world,

1:03:40.320 --> 1:03:42.720
<v Speaker 1>which was a conduit for a lot of scientific and

1:03:42.760 --> 1:03:46.560
<v Speaker 1>technological knowledge from both farther East stand from the Arab

1:03:46.560 --> 1:03:49.480
<v Speaker 1>world itself, but also from the lost libraries of antiquity

1:03:49.520 --> 1:03:51.280
<v Speaker 1>that you know, a lot of knowledge came back into

1:03:51.320 --> 1:03:53.600
<v Speaker 1>Europe that way. Yeah, And I think that's also where

1:03:53.600 --> 1:03:56.400
<v Speaker 1>we see more of a direct military stream of ideas

1:03:57.320 --> 1:04:01.560
<v Speaker 1>from China than down through UH through a Central Asia

1:04:01.800 --> 1:04:05.160
<v Speaker 1>and UH and into the Middle East. And this instance

1:04:05.240 --> 1:04:08.200
<v Speaker 1>of of Bacon making this first record of of a

1:04:08.280 --> 1:04:11.760
<v Speaker 1>recipe for gunpowder in Europe is interesting and how it

1:04:12.000 --> 1:04:14.720
<v Speaker 1>uh feeds into how we should think about the role

1:04:14.760 --> 1:04:17.640
<v Speaker 1>of Roger Bacon in in the history of science and stuff,

1:04:17.640 --> 1:04:21.960
<v Speaker 1>because despite his reputation for experimentation, which he did of

1:04:21.960 --> 1:04:26.040
<v Speaker 1>course support in principle, Bacon's actual legacy in the history

1:04:26.040 --> 1:04:29.720
<v Speaker 1>of knowledge might just as well be understood as one

1:04:29.760 --> 1:04:34.240
<v Speaker 1>of voraciousness for sources of learning far and wide as

1:04:34.320 --> 1:04:37.200
<v Speaker 1>much as it was for actual experimentation. I mean, again,

1:04:38.040 --> 1:04:41.200
<v Speaker 1>the idea is not that Bacon was doing chemistry experiments

1:04:41.200 --> 1:04:45.640
<v Speaker 1>and discovered how to make gunpowder. He probably got a

1:04:45.680 --> 1:04:49.640
<v Speaker 1>firecracker from somewhere that had been made based on Chinese

1:04:49.720 --> 1:04:53.600
<v Speaker 1>technology and then either was told or figured out how

1:04:53.640 --> 1:04:56.360
<v Speaker 1>it worked. But that's a very important role in the

1:04:56.400 --> 1:04:58.520
<v Speaker 1>history of knowledge as well. Just being like a great

1:04:58.600 --> 1:05:01.960
<v Speaker 1>collector of ideas for anywhere you can get them, that's right,

1:05:02.000 --> 1:05:05.680
<v Speaker 1>Just simply being exceedingly well read in the time where

1:05:05.720 --> 1:05:10.240
<v Speaker 1>where relatively few individuals were in the grand scheme of things, right,

1:05:10.720 --> 1:05:15.040
<v Speaker 1>So what came of Bacon's publishing on the subject of gunpowder. Well,

1:05:15.400 --> 1:05:18.960
<v Speaker 1>some sources alleged that later in his life Roger Bacon

1:05:19.600 --> 1:05:23.160
<v Speaker 1>suffered trouble of the roughly inquisitional sort, that he was

1:05:23.320 --> 1:05:27.000
<v Speaker 1>imprisoned in the late twelve seventies by his brothers in

1:05:27.040 --> 1:05:30.040
<v Speaker 1>the Franciscan Order. From what I can tell, the earliest

1:05:30.120 --> 1:05:32.760
<v Speaker 1>record of this imprisonment comes from a work published in

1:05:32.840 --> 1:05:35.400
<v Speaker 1>the thirteen seventies, so this would have been around a

1:05:35.480 --> 1:05:39.360
<v Speaker 1>hundred years after the supposed events, called Chronicle of the

1:05:39.400 --> 1:05:43.160
<v Speaker 1>twenty four Ministers General of the Franciscan's. So I think

1:05:43.160 --> 1:05:47.440
<v Speaker 1>it's not a hundred percent clear that Bacon really was jailed.

1:05:47.720 --> 1:05:51.440
<v Speaker 1>We don't have an autobiographical account or anything, but it

1:05:51.640 --> 1:05:54.840
<v Speaker 1>is widely alleged, and if he was in fact thrown

1:05:54.840 --> 1:05:58.600
<v Speaker 1>into prison, the exact cause of this imprisonment is not clear.

1:05:58.760 --> 1:06:01.680
<v Speaker 1>I've seen it alleged interials by the Royal Society of

1:06:01.760 --> 1:06:06.280
<v Speaker 1>Chemistry in the UK that Bacon's description of and possible

1:06:06.280 --> 1:06:09.640
<v Speaker 1>experiments with gunpowder were what got him into trouble with

1:06:09.680 --> 1:06:13.600
<v Speaker 1>the church. Since quote only God could produce thunder and lightning.

1:06:14.280 --> 1:06:17.439
<v Speaker 1>But but I haven't really found any evidence that looks

1:06:17.560 --> 1:06:21.800
<v Speaker 1>very good for this specific technological blasphemy being the cause

1:06:21.840 --> 1:06:25.560
<v Speaker 1>of his imprisonment. Apparently the historical record is vague. We're

1:06:25.560 --> 1:06:28.760
<v Speaker 1>told that it was due to something simply translated as

1:06:28.960 --> 1:06:33.360
<v Speaker 1>suspected novelties in his teachings, And I guess it's not

1:06:33.440 --> 1:06:36.560
<v Speaker 1>out of the question that this could refer to technology

1:06:36.680 --> 1:06:39.760
<v Speaker 1>or something like gunpowder, But it could also just refer

1:06:39.840 --> 1:06:42.680
<v Speaker 1>to heretical religious beliefs having to do with the end

1:06:42.680 --> 1:06:46.080
<v Speaker 1>of the world and uh, the church modeling itself on

1:06:46.200 --> 1:06:48.960
<v Speaker 1>the the idea of the poverty of Christ. Or it

1:06:49.000 --> 1:06:53.160
<v Speaker 1>could have to do with reliance on contemporary prophecies or astrology.

1:06:53.600 --> 1:06:55.120
<v Speaker 1>Just seems like there are a lot of things you

1:06:55.120 --> 1:06:57.040
<v Speaker 1>could get in trouble, a lot of kinds of thought

1:06:57.080 --> 1:06:59.800
<v Speaker 1>crime at the time, and it doesn't necessarily need to

1:06:59.840 --> 1:07:02.760
<v Speaker 1>be gunpowder that got him into trouble, right, Yeah, there

1:07:02.800 --> 1:07:07.680
<v Speaker 1>there there's so many other established paths to alleged heresy

1:07:08.160 --> 1:07:11.160
<v Speaker 1>without having to draw a new line to gunpowder here.

1:07:11.400 --> 1:07:13.840
<v Speaker 1>But but of course it wasn't long after Bacon's writings

1:07:13.840 --> 1:07:17.480
<v Speaker 1>that you really start to see for example, firearm technology

1:07:17.640 --> 1:07:21.200
<v Speaker 1>being experimented within Europe, so so that this was sort

1:07:21.240 --> 1:07:24.480
<v Speaker 1>of a a germanal point in the transfer of knowledge

1:07:24.520 --> 1:07:27.160
<v Speaker 1>about gunpowder to Europe. And then, of course we've already

1:07:27.200 --> 1:07:31.000
<v Speaker 1>talked about all the ways that recreational fireworks became popular

1:07:31.040 --> 1:07:35.440
<v Speaker 1>in the following centuries. It's interesting again we come back

1:07:35.440 --> 1:07:38.000
<v Speaker 1>to this idea of gunpowder as being one of these

1:07:38.000 --> 1:07:39.720
<v Speaker 1>prime inventions. We can look at it and and we can

1:07:39.760 --> 1:07:42.960
<v Speaker 1>see like the way it is used to harm other people,

1:07:43.000 --> 1:07:45.680
<v Speaker 1>in the way it is used as pure amusement, the

1:07:45.720 --> 1:07:49.160
<v Speaker 1>dual nature of of invention. Right. But then also we're

1:07:49.240 --> 1:07:52.840
<v Speaker 1>we're talking about how it travels, and so it seems

1:07:52.920 --> 1:07:55.120
<v Speaker 1>entirely possible that we're looking in the situation where it

1:07:55.200 --> 1:07:58.920
<v Speaker 1>is via novelty that the technology more readily travels to

1:07:59.000 --> 1:08:02.040
<v Speaker 1>the West. Uh, for a number of reasons, one of

1:08:02.080 --> 1:08:04.160
<v Speaker 1>which being that, uh, you know, a culture is going

1:08:04.240 --> 1:08:07.200
<v Speaker 1>to be far less willing to share the secrets of

1:08:07.240 --> 1:08:11.600
<v Speaker 1>its weaponry. Um, but in terms of its mere enjoyments, Uh,

1:08:11.880 --> 1:08:14.880
<v Speaker 1>that that that may travel a little easier. Yeah, I

1:08:14.920 --> 1:08:17.719
<v Speaker 1>can totally see that. Uh. You know something that's interesting.

1:08:17.760 --> 1:08:20.959
<v Speaker 1>I was reading about fireworks in the contemporary world Obviously,

1:08:21.000 --> 1:08:23.720
<v Speaker 1>we know that in the United States people tend to

1:08:23.800 --> 1:08:27.320
<v Speaker 1>use a lot of firecrackers and fireworks around the Independence Day,

1:08:27.320 --> 1:08:30.519
<v Speaker 1>the fourth of July. But I was reading that even today,

1:08:30.560 --> 1:08:33.920
<v Speaker 1>the vast majority of the world's fireworks are still made

1:08:33.920 --> 1:08:36.479
<v Speaker 1>in China. I was reading an article on CNN that

1:08:36.560 --> 1:08:41.120
<v Speaker 1>reported that as of twenty sixteen, over nine percent of

1:08:41.160 --> 1:08:45.719
<v Speaker 1>the fireworks used on American Independence Day were manufactured in China.

1:08:45.800 --> 1:08:49.040
<v Speaker 1>And there's still all kinds of artisans and crafts people

1:08:49.120 --> 1:08:52.800
<v Speaker 1>working in China that like hand make fireworks. That that

1:08:52.920 --> 1:08:56.120
<v Speaker 1>is impressive to think about that because generally, when I

1:08:56.160 --> 1:08:59.719
<v Speaker 1>think of fireworks, I think of the seemingly mass produced

1:08:59.720 --> 1:09:02.840
<v Speaker 1>exam amples that that one finds that fireworks stores and

1:09:02.880 --> 1:09:06.080
<v Speaker 1>firework tents, right, Yeah, and I'm sure, I'm sure some

1:09:06.160 --> 1:09:09.680
<v Speaker 1>fireworks are mass produced by a more automated process. But uh,

1:09:10.120 --> 1:09:13.120
<v Speaker 1>but yeah, I was watching some short documentary segments about

1:09:13.160 --> 1:09:16.760
<v Speaker 1>actually like companies that still just have basically people making

1:09:16.800 --> 1:09:21.519
<v Speaker 1>them by hand using sort of hand cranked machinery and stuff. Yeah,

1:09:21.720 --> 1:09:24.439
<v Speaker 1>you certainly don't see any here in the States at

1:09:24.439 --> 1:09:27.640
<v Speaker 1>farmers markets where someone is like, these are my fireworks.

1:09:27.680 --> 1:09:29.960
<v Speaker 1>I made these, you can watch me make them. I

1:09:30.040 --> 1:09:34.400
<v Speaker 1>roll my own Roman candles, etcetera. But maybe I'm just

1:09:34.400 --> 1:09:36.599
<v Speaker 1>going to the wrong farmers markets. Who knows. No, this

1:09:36.640 --> 1:09:38.720
<v Speaker 1>is an interesting point you raise. Rachel and I were

1:09:38.720 --> 1:09:40.639
<v Speaker 1>actually talking about this here at the house, about whether

1:09:41.439 --> 1:09:44.880
<v Speaker 1>you know you would have like craft fireworks in the

1:09:44.920 --> 1:09:47.280
<v Speaker 1>same way you see, I don't know so much of

1:09:47.320 --> 1:09:51.320
<v Speaker 1>an artisanal craft movement with other types of products and

1:09:51.400 --> 1:09:54.599
<v Speaker 1>food items these days. Yeah, and and would you would

1:09:54.640 --> 1:09:56.680
<v Speaker 1>one trust that more or less? I feel like my

1:09:56.760 --> 1:10:00.240
<v Speaker 1>instinct and maybe this is by virtue of of just

1:10:00.280 --> 1:10:03.160
<v Speaker 1>not being um accustomed to it, I feel like I

1:10:03.160 --> 1:10:07.080
<v Speaker 1>would be suspicious of of handmade fireworks that just some

1:10:07.280 --> 1:10:11.439
<v Speaker 1>random stranger made um, I don't know. And maybe again

1:10:11.479 --> 1:10:14.240
<v Speaker 1>just because it's something I've I've not encountered before. Personally,

1:10:15.920 --> 1:10:17.639
<v Speaker 1>I guess it's I want there to be some sort

1:10:17.640 --> 1:10:20.599
<v Speaker 1>of like factory standard for my explosives. I guess right.

1:10:20.640 --> 1:10:22.040
<v Speaker 1>You want to You want to know that it's been

1:10:22.040 --> 1:10:25.479
<v Speaker 1>through the inspections or something. Yeah. Isn't it weird that

1:10:25.520 --> 1:10:28.439
<v Speaker 1>our intuitions sometimes work that way? You think, like a

1:10:28.760 --> 1:10:33.040
<v Speaker 1>mass produced item, that that seems safer, that seems like, uh,

1:10:33.240 --> 1:10:36.080
<v Speaker 1>that seems like it's been through a process. I would

1:10:36.120 --> 1:10:38.920
<v Speaker 1>love to hear from anyone out there who makes their

1:10:38.960 --> 1:10:42.439
<v Speaker 1>own fireworks or know someone who does, for any insight

1:10:42.479 --> 1:10:45.400
<v Speaker 1>into this, because just I haven't researched this in full,

1:10:45.479 --> 1:10:49.080
<v Speaker 1>but just glancing around, it looks like there are advocates

1:10:49.120 --> 1:10:52.960
<v Speaker 1>out there for making your own fireworks and uh and

1:10:52.960 --> 1:10:56.200
<v Speaker 1>and even doing so safely. Um, but this is just

1:10:56.240 --> 1:10:59.240
<v Speaker 1>a whole world I have no exposure to. Well, quick

1:10:59.280 --> 1:11:02.639
<v Speaker 1>liability show. We're not advising people to do that. No, no,

1:11:03.000 --> 1:11:05.560
<v Speaker 1>we are not advising you to make your own fireworks.

1:11:06.360 --> 1:11:08.840
<v Speaker 1>Just if you are, if you already have knowledge of

1:11:08.880 --> 1:11:11.360
<v Speaker 1>this world, let us know about it. I would like

1:11:11.439 --> 1:11:14.479
<v Speaker 1>to learn more. I would not like to to buy

1:11:14.520 --> 1:11:16.320
<v Speaker 1>any of them, though. You know what I want to

1:11:16.320 --> 1:11:19.280
<v Speaker 1>know from an expert on fireworks is whether pump stars

1:11:19.360 --> 1:11:21.679
<v Speaker 1>or stars that have been pumped using a star pump

1:11:21.760 --> 1:11:23.519
<v Speaker 1>or not? Yeah? And then how do you make the

1:11:23.560 --> 1:11:26.280
<v Speaker 1>star pump? Do you have to? Is there something like

1:11:26.360 --> 1:11:29.080
<v Speaker 1>you made from like residue from pumping a star? I

1:11:29.120 --> 1:11:33.120
<v Speaker 1>don't know. Could all be interconnected? The star pump sounds

1:11:33.120 --> 1:11:36.720
<v Speaker 1>like a wonderful science fiction device. It does. Yeah, some

1:11:36.800 --> 1:11:41.960
<v Speaker 1>sort of crazy Kardashiev level two technology bust about the

1:11:42.000 --> 1:11:46.080
<v Speaker 1>star Pump. But anyway, uh, that is it for fireworks

1:11:46.400 --> 1:11:49.599
<v Speaker 1>for this episode. Hopefully we you know, provided some additional

1:11:49.640 --> 1:11:53.920
<v Speaker 1>insight into the the the origin of fireworks and how

1:11:54.200 --> 1:11:58.040
<v Speaker 1>this technology then took off in Western Europe as well.

1:11:58.640 --> 1:12:00.479
<v Speaker 1>So a little more to think about than if you

1:12:00.520 --> 1:12:03.439
<v Speaker 1>find yourself staring up at the sky in the next

1:12:04.040 --> 1:12:06.519
<v Speaker 1>few months, in the next some type point over the

1:12:06.560 --> 1:12:11.920
<v Speaker 1>next year and watching these various colorful, glittering explosions take place, uh,

1:12:11.960 --> 1:12:15.040
<v Speaker 1>you know, understanding what what is chemically going on and

1:12:15.120 --> 1:12:18.760
<v Speaker 1>also what is uh culturally and historically going on before you.

1:12:19.360 --> 1:12:20.920
<v Speaker 1>In the meantime, if you would like to check out

1:12:20.960 --> 1:12:22.640
<v Speaker 1>other episodes of Stuff to Blow Your Mind, you can

1:12:22.680 --> 1:12:25.640
<v Speaker 1>find us wherever you get your podcasts and wherever that

1:12:25.680 --> 1:12:29.600
<v Speaker 1>happens to be. You can help us out by rating, reviewing,

1:12:29.680 --> 1:12:33.280
<v Speaker 1>and subscribing. Uh those are the three acts of kindness

1:12:33.320 --> 1:12:35.040
<v Speaker 1>you can do to help out the show. But also

1:12:35.360 --> 1:12:38.280
<v Speaker 1>just tell other human beings about us next time you

1:12:38.280 --> 1:12:40.920
<v Speaker 1>need to recommend a podcast, uh, you know, maybe mentioned

1:12:40.920 --> 1:12:43.280
<v Speaker 1>an episode of Stuff to Blow your Mind that to

1:12:43.400 --> 1:12:48.559
<v Speaker 1>couch your fancy. That's right, b our Star Pumps anyway,

1:12:49.000 --> 1:12:51.880
<v Speaker 1>huge thanks as always to our excellent audio producer Seth

1:12:51.960 --> 1:12:54.120
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

1:12:54.160 --> 1:12:56.400
<v Speaker 1>with us with feedback on this episode or any other,

1:12:56.479 --> 1:12:58.680
<v Speaker 1>to suggest a topic for the future, or just to

1:12:58.720 --> 1:13:02.080
<v Speaker 1>say hi, you can mail us at contact. That's Stuff

1:13:02.120 --> 1:13:12.200
<v Speaker 1>to Blow your Mind dot com. Stuff to Blow Your

1:13:12.200 --> 1:13:15.120
<v Speaker 1>Mind is production of I Heart Radio. For more podcasts

1:13:15.120 --> 1:13:17.240
<v Speaker 1>for My heart Radio, visit the i heart Radio app,

1:13:17.400 --> 1:13:28.840
<v Speaker 1>Apple Podcasts, or wherever you listening to your favorite shows.