WEBVTT - That is Mahogany!

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<v Speaker 1>Can we talk about how the remix of Jennifer Lawrence

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<v Speaker 1>singing the no but No But I do remember once

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<v Speaker 1>being in an uber on a way to a party

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<v Speaker 1>and that song came on. It's so bad. Welcome to

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<v Speaker 1>Like a Virgin, the show where we give yesterday's pop

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<v Speaker 1>culture today's takes. I'm Rose, damn you, I'm Fran Toronto,

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<v Speaker 1>and we have some breaking news. And Fran, I don't

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<v Speaker 1>know if you've even seen this. We did not talk

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<v Speaker 1>about it in advance, but the Madonna biopick has been canceled.

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<v Speaker 1>Oh my, that is hilarious. Because I was at Sinance

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<v Speaker 1>this weekend, which we'll talk about Charlie. I talked to

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<v Speaker 1>multiple industry people about the Madonna bio pick two separate

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<v Speaker 1>conversations abou this biopic, and someone said to me, well,

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<v Speaker 1>what do you think is going to happen with And

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<v Speaker 1>I was like, I don't think it's gonna happen. I

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<v Speaker 1>think that Madonna. If you look at the history of

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<v Speaker 1>Madonna movies and just unfinished Madonna projects in general, there

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<v Speaker 1>are many that have been abandoned because she's so impossible

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<v Speaker 1>to work with, which like she deserves to be impossible

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<v Speaker 1>to work with right, like she's earned her shore to

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<v Speaker 1>an extent. But h I mean you also called this too.

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<v Speaker 1>I feel like you didn't think it was like, it's

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<v Speaker 1>not it's I have been saying for years at this

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<v Speaker 1>point that this film which Madonna was going to direct

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<v Speaker 1>herself was never happening. Um, but it is official according

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<v Speaker 1>to Twitter. It's not happening. But what I will say

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<v Speaker 1>is I still would like to see a limited series

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<v Speaker 1>about the Madonna boot Camp. Yes, actually, um, girls, so

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<v Speaker 1>tell me about Sundance. Sundance was great. I've been to

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<v Speaker 1>Sundance before. Have I told you about this? No? Um,

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<v Speaker 1>I went to Sundance twenty years ago in fifth grade. What. Yeah,

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<v Speaker 1>My my trans cowgirl aunt, who I think I've talked

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<v Speaker 1>to you about before. He was an architect and she

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<v Speaker 1>had like she had built a house for Robert Redford.

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<v Speaker 1>I'm not a Nippo baby, by the way, listeners, Um,

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<v Speaker 1>she just like got the hook up. My aunt is

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<v Speaker 1>like she lives in a shack in like the middle

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<v Speaker 1>of fucking podunc newhere, Colorado, like a shock that she

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<v Speaker 1>built herself. But she like was like, oh, um, Robert

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<v Speaker 1>Redford like my um nibbling so to speak. I hate.

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<v Speaker 1>Actually I just used the term nibbling to describe a

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<v Speaker 1>young me, and I actually hate that term. Can we

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<v Speaker 1>say this now, like there has to be a better

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<v Speaker 1>gender neutral term between nephew and niece than nibbling, Like

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<v Speaker 1>that's it's rotted, Like it's disgusting. I've never used that terminology.

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<v Speaker 1>I never would. That's disgusting. But you you, but you

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<v Speaker 1>yourself have a nibbling. I have a nephew for now,

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<v Speaker 1>for now, as I said, as I said at his

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<v Speaker 1>Zoom gender reveal, for now, yeah you did, um okay,

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<v Speaker 1>So anyways, Um, basically she was just like, oh, yeah, my,

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<v Speaker 1>you know, my net niece, um wants to be a filmmaker.

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<v Speaker 1>I want to take them and like literally brought me

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<v Speaker 1>and my cousin to Sundance so that we could like

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<v Speaker 1>watch movies and and all that stuff. Totally wild, but

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<v Speaker 1>like the an amazing, incredible memory as a kid, and

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<v Speaker 1>I think to go back with like TRIPLEI fun obviously

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<v Speaker 1>because I could go to all of the crazy parties

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<v Speaker 1>that come along with Sundance. So what is Sundance like

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<v Speaker 1>I've never been you know, Um, I would describe it

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<v Speaker 1>similar to I mean, it's just it's just a film

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<v Speaker 1>festival that kind of takes place across Park City, which

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<v Speaker 1>is this like you know place in Utah that has

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<v Speaker 1>an extremely high elevation and therefore is like covered in

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<v Speaker 1>snow this time of year. UM, And it's super magical

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<v Speaker 1>and very like hyperlocal and small, very crowded. UM probably

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<v Speaker 1>has the same crowd that you might find it like

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<v Speaker 1>a south By Southwest or like an Aspen Gay Ski Week,

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<v Speaker 1>which like I've been to both, and that just basically

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<v Speaker 1>means that they're white and affluent and have expendable income.

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<v Speaker 1>So sometimes there are some like really annoying people that

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<v Speaker 1>you're surrounded by, and then you're also surrounded by a

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<v Speaker 1>lot of like cool like filmmakers and artists who are

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<v Speaker 1>there because their films are there. Did you spot Anne

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<v Speaker 1>Hathaway who was so stepmother at Sundance this year, the

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<v Speaker 1>kind of step mom you want to fuck? She? I

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<v Speaker 1>did not see her. I'm so bummed that I would

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<v Speaker 1>say that um Kesha was probably the most famous person.

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<v Speaker 1>I was in proximity too, but I did sad. It's

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<v Speaker 1>really disappointing. I was looking for her, for sure, But

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<v Speaker 1>I I did see Meredith Marks like four different times,

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<v Speaker 1>like she was at every other party that I went to,

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<v Speaker 1>And at a certain point I was like this is weird,

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<v Speaker 1>Like you are the queen of Sundance, I guess, um,

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<v Speaker 1>And yeah, she had like a party in like her boutique,

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<v Speaker 1>which is um, like she's the one with the gay son,

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<v Speaker 1>and her boutique is like like four square feet, like

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<v Speaker 1>it's so small, and like I we were all like

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<v Speaker 1>jam packed in there with like a bunch of other

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<v Speaker 1>faggots and then like Jonathan Bennet, like I was just

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<v Speaker 1>like what's going on? Um? I saw some really cool films.

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<v Speaker 1>There's only one that I like really want to talk about. Um,

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<v Speaker 1>this documentary that soon everyone will hear about called Cocoma Documentary. Okay,

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<v Speaker 1>I'm going to go to the bathroom, just kidding, Okay,

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<v Speaker 1>but actually I think that's a good setup because it's

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<v Speaker 1>a documentary that you know, if you read the log line,

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<v Speaker 1>it's like a doc about black trans sex workers across

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<v Speaker 1>the country, and on paper, it's kind of like a

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<v Speaker 1>talking head doc. And you know, you and I we've

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<v Speaker 1>worked in queer media for a while, and like we've

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<v Speaker 1>reported on a lot of things related to just ongoing

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<v Speaker 1>violence and sex work and all this all this different stuff,

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<v Speaker 1>and so I think I kind of went into it,

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<v Speaker 1>and I think a lot of people probably went into

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<v Speaker 1>it having a certain idea in their head of what

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<v Speaker 1>a documentary about black trans sex workers would be. And

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<v Speaker 1>then in the first sixty seconds of this film completely

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<v Speaker 1>like surprises you, and it's like a completely different movie

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<v Speaker 1>than what you think it's going to be. It is

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<v Speaker 1>so funny and so nuanced and so artful, and like

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<v Speaker 1>I think that you know, similar to our conversations about

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<v Speaker 1>like Pretty Woman and Zola a while back, it's like

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<v Speaker 1>it like perfectly illustrates like the like what's like mundane

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<v Speaker 1>about sex work, Like what's like ridiculous about sex work,

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<v Speaker 1>what's terrifying about sex work? And messes it all up

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<v Speaker 1>just like by way of talking to these women and

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<v Speaker 1>hearing like how brilliant they are. And then also like

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<v Speaker 1>without giving too much away interviewing people that hire sex workers,

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<v Speaker 1>and without like centering them at all, like the art

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<v Speaker 1>of the camera it like doesn't show their faces, and

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<v Speaker 1>like just on the filmmaking level and on the music

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<v Speaker 1>supervision level, the movie was so good and the woman

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<v Speaker 1>who directed it, who obviously was also black, and trans

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<v Speaker 1>which is to me the reason why this film was

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<v Speaker 1>like so far and beyond different than any other I'd

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<v Speaker 1>seen in like the trans doc space or even trans

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<v Speaker 1>filmmaking space. Um she used to work in music and

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<v Speaker 1>was like I think she used to do like music

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<v Speaker 1>stuff for like Andrea the Thousand Sierra or whatever, and

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<v Speaker 1>then when she transitioned, she lost all her work and

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<v Speaker 1>she was homeless for I think years, she was telling

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<v Speaker 1>us at the talk back, and so this doc was

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<v Speaker 1>like part of the art that she was like making

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<v Speaker 1>to figure out like what her next step in art is,

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<v Speaker 1>and she is going to be famous. Her name is

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<v Speaker 1>d Smith. Everyone should like check out this dock like

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<v Speaker 1>the second it's available to them. Truly, it's so thought

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<v Speaker 1>sounds fabulous, and I will take your word for it

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<v Speaker 1>and probably watch it, even though I'm very anti documentary.

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<v Speaker 1>I'm trying to think of like any other highlights from

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<v Speaker 1>the weekend, but like I was basically just like driving

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<v Speaker 1>around and like in snow and like being bundled up

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<v Speaker 1>and like waiting outside of like parties like cold, the

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<v Speaker 1>phone's miserable and hanging out of the Chase Sapphire Reserve

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<v Speaker 1>lounge lovely. Um Well, speaking of snow and ice, I

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<v Speaker 1>wanted to take a quick little detour into corner Um.

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<v Speaker 1>So I know, I know that as a family we're

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<v Speaker 1>still reading man Hunt. I'm reading it very slowly, but

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<v Speaker 1>I did read and literally one sitting the other night,

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<v Speaker 1>a gay hockey romance. What was it giving? Was it

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<v Speaker 1>giving YOURII on ice? Yeah, but but sexier and about

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<v Speaker 1>hockey um. And it was called Heated Rivalry. It's part

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<v Speaker 1>of a series of gay hockey fiction and it was

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<v Speaker 1>recommended by someone I follow on TikTok and I read

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<v Speaker 1>it in one sitting, and it's about these two hockey

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<v Speaker 1>players who get drafted at the same time and have

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<v Speaker 1>this sort of media driven rivalry. But like as soon

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<v Speaker 1>as they meet there into each other and they secretly

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<v Speaker 1>fuck for years, um, and then like eventually fall in love.

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<v Speaker 1>And it was a very good way to spend an evening.

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<v Speaker 1>The sex scenes were really hot, and I definitely recommend

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<v Speaker 1>it if you're just looking for some gay porn to

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<v Speaker 1>read it basically you're looking for some porn to read,

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<v Speaker 1>you can set some emotional gay porn. Yeah, I mean,

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<v Speaker 1>I'm always looking for something to kind of like fill

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<v Speaker 1>the hole that your on ice Um used to occupy

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<v Speaker 1>it because I just like, well, I wish I could

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<v Speaker 1>experience that series for the first time over and over again.

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<v Speaker 1>I know same. It's really no thoughts had empty, just vibes,

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<v Speaker 1>which was really what I was looking for. What else

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<v Speaker 1>have I been enjoying recently? I want to make a

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<v Speaker 1>case that you should watch The Last of Us? Have

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<v Speaker 1>you heard anything about it? I've seen people talking about it,

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<v Speaker 1>and I've been seeing how pedro pedro pscal what is

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<v Speaker 1>that his name? Um, I've been seeing like everyone thirst

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<v Speaker 1>over him, and I yeah, I probably will watch it.

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<v Speaker 1>What's it about? So it's a zombie show. It takes

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<v Speaker 1>place in a post apocalyptic world in which you know,

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<v Speaker 1>the society has fallen due to a zombie plague. It's

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<v Speaker 1>adapted from a video game series and in and in

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<v Speaker 1>this iteration um, the zombie plague is a fungus that

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<v Speaker 1>has taken over humanity. So the zombies are very like

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<v Speaker 1>the zombies heads have like split open and like mushrooms

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<v Speaker 1>and fungi are sprouting from them. And they're also like

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<v Speaker 1>part of a hive mind that's connected through like scores.

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<v Speaker 1>That's cool, so they like they can like sync up

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<v Speaker 1>and like communicate with each other. Yeah, it's like they're

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<v Speaker 1>these threads that connect them. So if you like step

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<v Speaker 1>on one a mile away, a bunch of a bunch

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<v Speaker 1>of the zombies will know, and we'll know where you

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<v Speaker 1>are and then we'll come running to get you. Um.

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<v Speaker 1>So the so from what I've heard, it's very faithful

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<v Speaker 1>to the video game. There's almost like a prologue in

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<v Speaker 1>the first episode where Pedro Pascal, who's the main character,

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<v Speaker 1>it's about how his life for the Outbreak started, and

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<v Speaker 1>you follow his daughter and like get kind of her

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<v Speaker 1>point of view of like things starting to be weird

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<v Speaker 1>and how things went awry. Um. And I don't want

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<v Speaker 1>to spoil it for you, so I won't say more

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<v Speaker 1>than that. But then it jumps twenty years in the

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<v Speaker 1>future to where he's now this um smuggler in what

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<v Speaker 1>used to be Boston which is now like a fascist

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<v Speaker 1>military state, and he and his girlfriend are tasked with

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<v Speaker 1>um smuggling this young girl out by the Resistance. And

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<v Speaker 1>the show is, I guess, sort of like a road

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<v Speaker 1>trip story about them making their way across the US,

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<v Speaker 1>where like there's tons of like zombies and like raiders

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<v Speaker 1>and slavers, and Um. Even in the first episode, I

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<v Speaker 1>could tell that a lot of the visuals were probably

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<v Speaker 1>pulled directly from the video game, like scenes were they're

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<v Speaker 1>in a car and there's like people running in front

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<v Speaker 1>of them. It's like you can feel how that probably

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<v Speaker 1>was lifted directly from the game, but it's done in

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<v Speaker 1>such a like what beautifully fil mcway. The performances are incredible. Um.

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<v Speaker 1>Pedro Pascal's daughter is played by Tandy Way Newton from

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<v Speaker 1>West World her daughter, and she's so incredible. Um. The

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<v Speaker 1>girl who he eventually has to smuggle is played by

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<v Speaker 1>the actress from the latter seasons of Game of Thrones

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<v Speaker 1>who played Leona Morimont and she was also in that

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<v Speaker 1>Lena Duna movie. I was like, I've seen her from

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<v Speaker 1>Game of Thrones. Um. But yeah, it's really entertaining, very scary. Um,

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<v Speaker 1>you know, really good. Just Sunday Night Musty TV. I

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<v Speaker 1>definitely recommend it. I'm actually literally going to watch it

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<v Speaker 1>now because I was just waiting for someone to kind

0:13:12.760 --> 0:13:14.839
<v Speaker 1>of sell it to me. Um. Honestly, I think a

0:13:14.880 --> 0:13:16.760
<v Speaker 1>lot of people come to this podcast like waiting to

0:13:16.760 --> 0:13:19.360
<v Speaker 1>be sold on something. So UM. I was it was

0:13:19.400 --> 0:13:21.120
<v Speaker 1>between that or you know what else. You know, what

0:13:21.240 --> 0:13:24.400
<v Speaker 1>was on my list maybe for tonight was the Madonna

0:13:24.480 --> 0:13:27.079
<v Speaker 1>doc Truth or Dair, which I've actually never seen. Oh,

0:13:27.080 --> 0:13:30.480
<v Speaker 1>you've never seen Yes, which I've heard it's incredible. Well,

0:13:30.520 --> 0:13:33.240
<v Speaker 1>it's you know, it's been in the culture a lot

0:13:33.320 --> 0:13:36.440
<v Speaker 1>because the video Madonna put out last week to announce

0:13:36.520 --> 0:13:41.679
<v Speaker 1>her Yes the World tour. Yeah, it's that that video

0:13:41.800 --> 0:13:45.520
<v Speaker 1>is modeled after Truth or scene in Truth Their Dare,

0:13:45.559 --> 0:13:48.400
<v Speaker 1>in which Madonna plays Truth Their Dare with her backup dancers,

0:13:48.640 --> 0:13:50.679
<v Speaker 1>which is a little weird now considering that a lot

0:13:50.679 --> 0:13:54.240
<v Speaker 1>of those backup dancers ended up suing her. There was

0:13:54.600 --> 0:13:57.040
<v Speaker 1>there was like they felt really like abandoned by her

0:13:57.120 --> 0:13:59.760
<v Speaker 1>and a lot of that process. Um, but it was

0:13:59.800 --> 0:14:04.760
<v Speaker 1>a really strange video of her and Amy Schumer and

0:14:04.880 --> 0:14:11.240
<v Speaker 1>Jack Black and a lot of people queen and yeah,

0:14:11.360 --> 0:14:14.120
<v Speaker 1>Meg Stalter looked very confused as to why she was

0:14:14.160 --> 0:14:17.400
<v Speaker 1>there being Bob the drag queen. Um. There was like

0:14:17.480 --> 0:14:20.160
<v Speaker 1>there was one of their little Wayne, Yeah, little Wayne.

0:14:20.320 --> 0:14:23.520
<v Speaker 1>There was one. Oh. Um, Kate Berland like like these

0:14:23.560 --> 0:14:28.160
<v Speaker 1>people like what is the checks? The check? Yeah, I mean,

0:14:28.200 --> 0:14:30.800
<v Speaker 1>I'm I'm happy for the folks that were in the movie.

0:14:30.880 --> 0:14:33.360
<v Speaker 1>I'm just like thinking about like Madonna, it's just like

0:14:33.760 --> 0:14:35.960
<v Speaker 1>I guess I can only speak for like Twitter people,

0:14:36.040 --> 0:14:38.920
<v Speaker 1>like people who are very online that like this like

0:14:39.120 --> 0:14:42.280
<v Speaker 1>mishmash of celebrities is like so random, Like the only

0:14:42.320 --> 0:14:46.040
<v Speaker 1>thing they have in common is like maybe a kind

0:14:46.080 --> 0:14:49.280
<v Speaker 1>of gay following that you know, have proof of, like

0:14:49.880 --> 0:14:52.880
<v Speaker 1>viral popularity. In some way. It's just weird for that

0:14:53.000 --> 0:14:57.840
<v Speaker 1>Madonna thinks she needs something like that to sell a

0:14:57.920 --> 0:15:01.080
<v Speaker 1>world tour. Like Madonna can literally we just say I'm

0:15:01.120 --> 0:15:04.440
<v Speaker 1>going on tour. I guess that it's a cute little

0:15:04.480 --> 0:15:07.800
<v Speaker 1>announcement thing and like it's fine. I don't mind that

0:15:07.840 --> 0:15:10.640
<v Speaker 1>it exists, but it's just it was weird. I just

0:15:10.680 --> 0:15:14.240
<v Speaker 1>think that Madonna is like kind of you know, rather

0:15:14.440 --> 0:15:17.000
<v Speaker 1>has been like in her flop era for like a

0:15:17.040 --> 0:15:21.160
<v Speaker 1>few albums, and I will flop eras like so pejorative

0:15:21.200 --> 0:15:23.840
<v Speaker 1>and like country like I just like she used to

0:15:23.880 --> 0:15:27.600
<v Speaker 1>be for like decades, someone who truly did have her

0:15:27.600 --> 0:15:30.360
<v Speaker 1>finger on the pulse of the culture right, Like she

0:15:30.840 --> 0:15:34.040
<v Speaker 1>was good at sniffing out subculture, at seeing what's cool,

0:15:34.240 --> 0:15:37.600
<v Speaker 1>at like taking like creators and underground DJs or whatever

0:15:38.120 --> 0:15:41.000
<v Speaker 1>and putting them into her work. And then those people

0:15:41.120 --> 0:15:45.640
<v Speaker 1>transcend into greatness along with her right, Um, I'm giving

0:15:45.680 --> 0:15:47.920
<v Speaker 1>her a lot of credit in this very sweeping summary

0:15:48.040 --> 0:15:52.120
<v Speaker 1>of her, but like in this era specifically, like her

0:15:52.200 --> 0:15:56.120
<v Speaker 1>instincts just like don't smell right like and her well, yeah,

0:15:56.240 --> 0:15:59.400
<v Speaker 1>it's it just feels very out of date, Like yeah,

0:15:59.480 --> 0:16:02.600
<v Speaker 1>I mean Anna, it's Madonna used to create culture and

0:16:02.640 --> 0:16:06.400
<v Speaker 1>now she chases culture. That is the problem. But the

0:16:06.400 --> 0:16:10.360
<v Speaker 1>thing is where Madonna has always excelled far and away

0:16:10.960 --> 0:16:15.280
<v Speaker 1>is in performance, and so I have faith that she

0:16:15.440 --> 0:16:19.000
<v Speaker 1>will create something really exceptional in these live tours, as

0:16:19.000 --> 0:16:22.480
<v Speaker 1>long as it's not all fucking TikTok remixes of her

0:16:22.520 --> 0:16:26.120
<v Speaker 1>greatest hits. And I haven't bought tickets yet, but I

0:16:26.160 --> 0:16:28.200
<v Speaker 1>really want to get my hands on tickets because when

0:16:28.200 --> 0:16:31.480
<v Speaker 1>I saw Madonna for the Madam X tour, it was

0:16:31.560 --> 0:16:35.080
<v Speaker 1>the best concert I've ever seen. I cried through like

0:16:35.280 --> 0:16:37.640
<v Speaker 1>half of it. I it was such a it was

0:16:37.680 --> 0:16:45.280
<v Speaker 1>such a profound theatrical experience. I it was amazing. And

0:16:46.240 --> 0:16:49.280
<v Speaker 1>like the album, I did like the album, but the

0:16:49.360 --> 0:16:54.040
<v Speaker 1>tour really brought it alive to me in a different way. Wow,

0:16:54.080 --> 0:16:56.400
<v Speaker 1>are you alone and liking the Madam X album? I

0:16:56.400 --> 0:16:59.760
<v Speaker 1>feel like not a ton of Madonna people liked that album.

0:17:00.120 --> 0:17:03.280
<v Speaker 1>I think the real Madonna heads do appreciate it. Okay,

0:17:03.480 --> 0:17:05.399
<v Speaker 1>that's good to know. I honestly can't wait to do

0:17:05.440 --> 0:17:07.400
<v Speaker 1>our Madonna episode one day so that I can give

0:17:07.680 --> 0:17:11.400
<v Speaker 1>like some of these other albums to close listen. But um, yeah,

0:17:11.480 --> 0:17:14.120
<v Speaker 1>I I honestly really want to see her the show

0:17:14.160 --> 0:17:16.320
<v Speaker 1>as well. Like, honestly, someone listening should figure out how

0:17:16.320 --> 0:17:19.199
<v Speaker 1>to get us free tickets because like she famously doesn't

0:17:19.200 --> 0:17:22.240
<v Speaker 1>do her hits at concerts right like she'll she'll she

0:17:22.240 --> 0:17:25.400
<v Speaker 1>she does, she does them, but she does she does

0:17:25.480 --> 0:17:31.239
<v Speaker 1>them in new interpretations, like like mixes and stuff like

0:17:31.480 --> 0:17:36.240
<v Speaker 1>not not even necessarily remixes, but just like in different contexts.

0:17:36.440 --> 0:17:39.199
<v Speaker 1>One of the most moving moments of the amount of

0:17:39.359 --> 0:17:44.359
<v Speaker 1>X tour was she performed Frozen, but she wasn't. Like

0:17:44.520 --> 0:17:47.040
<v Speaker 1>there was a video on stage of her daughter Lords

0:17:47.240 --> 0:17:51.679
<v Speaker 1>dancing that was the like instead of Madonna performing like

0:17:51.760 --> 0:17:55.840
<v Speaker 1>that was the performance and it was so like transcendently

0:17:56.040 --> 0:18:00.920
<v Speaker 1>like indescribably beautiful and touching. Um, oh my god, I

0:18:01.280 --> 0:18:03.560
<v Speaker 1>want to see her again so badly, but I'm going

0:18:03.600 --> 0:18:07.200
<v Speaker 1>to need her to take that grill out. So that's

0:18:07.240 --> 0:18:11.399
<v Speaker 1>where we don't get like spit on as an audience. Yeah, exactly.

0:18:11.920 --> 0:18:14.960
<v Speaker 1>So I was home visiting my family last week and

0:18:15.000 --> 0:18:20.159
<v Speaker 1>did catch up on some of the Oscar movies, just

0:18:20.320 --> 0:18:23.080
<v Speaker 1>knowing that, you know, the nominations were about to come out.

0:18:23.080 --> 0:18:25.480
<v Speaker 1>And that's not true. I actually I watched The Menu,

0:18:25.600 --> 0:18:28.000
<v Speaker 1>which I had already seen, and every and we had

0:18:28.040 --> 0:18:29.840
<v Speaker 1>to keep telling my mom to cover her eyes with

0:18:29.880 --> 0:18:32.840
<v Speaker 1>the quote unquote scary parts scary part um. But then

0:18:32.880 --> 0:18:36.040
<v Speaker 1>my mom and I watched The Bandshees of Innisharin and

0:18:36.520 --> 0:18:43.399
<v Speaker 1>it is so good. I was gooped and gagged. And

0:18:43.480 --> 0:18:48.280
<v Speaker 1>this is coming from someone who hated Three Billboards, like

0:18:48.800 --> 0:18:52.919
<v Speaker 1>walked like wanted to burn the theater down after I

0:18:52.920 --> 0:19:00.840
<v Speaker 1>saw it. It is so beautiful and funny and uh

0:19:01.040 --> 0:19:05.160
<v Speaker 1>like sad and weird and like it is weird right

0:19:05.160 --> 0:19:07.280
<v Speaker 1>like it it's touching. It would be really fucking weird.

0:19:07.920 --> 0:19:11.920
<v Speaker 1>It's very weird. But it's such a good movie, with

0:19:12.119 --> 0:19:19.280
<v Speaker 1>such fantastic performances, amazing music, incredible cinematography. It just I

0:19:19.320 --> 0:19:21.640
<v Speaker 1>loved it, and I was not expecting to love it,

0:19:21.920 --> 0:19:24.240
<v Speaker 1>I really I Yeah, I wouldn't have expected you to

0:19:24.359 --> 0:19:26.600
<v Speaker 1>like it either. I honestly, it's going to take a

0:19:26.720 --> 0:19:29.080
<v Speaker 1>lot to get me to watch that movie. It does

0:19:29.160 --> 0:19:31.639
<v Speaker 1>not have the bones of something that I want to

0:19:31.640 --> 0:19:34.639
<v Speaker 1>watch in a movie, but your endorsement of it is

0:19:35.280 --> 0:19:38.720
<v Speaker 1>quite That's like a pretty high endorsement. Um much more

0:19:38.720 --> 0:19:41.800
<v Speaker 1>than the Academy. That is, although I am shook that

0:19:41.880 --> 0:19:45.280
<v Speaker 1>the Academy nominated everything everywhere, all at once, the most

0:19:45.320 --> 0:19:48.000
<v Speaker 1>out of any other film like that is such a win,

0:19:48.640 --> 0:19:51.600
<v Speaker 1>I'm not surprised. I I think that was. I think

0:19:51.680 --> 0:19:56.879
<v Speaker 1>the tide has turned enough that that was. I was

0:19:56.960 --> 0:20:03.040
<v Speaker 1>not worried that that film wouldn't get the recognition it deserves.

0:20:03.080 --> 0:20:04.600
<v Speaker 1>I was just trying to change the topic to the

0:20:04.640 --> 0:20:07.120
<v Speaker 1>fact that there are a lot of movies on here

0:20:07.160 --> 0:20:09.720
<v Speaker 1>that definitely are on here more than they need to be,

0:20:09.840 --> 0:20:12.680
<v Speaker 1>even if they're only on here once. For example, Avatar

0:20:12.800 --> 0:20:16.760
<v Speaker 1>The Way of Water. No Avatar deserves it's Best Picture nomination.

0:20:16.880 --> 0:20:18.679
<v Speaker 1>Can I just talk to you about the fact that

0:20:18.720 --> 0:20:21.280
<v Speaker 1>I did, in fact see Avatar The Way of Water

0:20:21.320 --> 0:20:23.920
<v Speaker 1>in IMAX? So you did, Yes, I saw it. Oh

0:20:24.080 --> 0:20:27.200
<v Speaker 1>what did you think? Because we still haven't talked about

0:20:27.200 --> 0:20:30.520
<v Speaker 1>it because you didn't see it. I I don't even

0:20:30.560 --> 0:20:34.360
<v Speaker 1>know what I can say that would make a productive conversation.

0:20:34.480 --> 0:20:37.440
<v Speaker 1>But I definitely think that the movie delivered pretty much

0:20:37.440 --> 0:20:40.520
<v Speaker 1>exactly what it promised, and therefore I can only be

0:20:41.280 --> 0:20:43.439
<v Speaker 1>so snobby about it, you know what I mean? Like

0:20:43.560 --> 0:20:50.080
<v Speaker 1>I thought the movie was to me so rudimentary and

0:20:50.280 --> 0:20:55.360
<v Speaker 1>so inanely stupid at times. But the movie is like

0:20:55.480 --> 0:20:58.359
<v Speaker 1>ostensibly for like children, or rather like the movie is

0:20:58.400 --> 0:21:02.480
<v Speaker 1>just like for the whitest human possible audience in existence,

0:21:02.520 --> 0:21:05.520
<v Speaker 1>like literally in the history of like film mic reception

0:21:05.640 --> 0:21:08.919
<v Speaker 1>ever um is like their goal, you know, like James

0:21:08.920 --> 0:21:11.360
<v Speaker 1>Cameron literally just has a different goal than like all

0:21:11.359 --> 0:21:14.360
<v Speaker 1>other filmmakers, right, Like God, I just did the movie

0:21:14.440 --> 0:21:15.679
<v Speaker 1>is not for me. It's just not for me. And

0:21:15.720 --> 0:21:17.600
<v Speaker 1>I did want to walk I wanted to walk out,

0:21:17.640 --> 0:21:22.560
<v Speaker 1>and I did not need disease. Sigourney Weaver as a teenager,

0:21:23.280 --> 0:21:27.600
<v Speaker 1>as a teenager like like getting stoned, rolling around in

0:21:27.760 --> 0:21:32.480
<v Speaker 1>nature and like all of those stunts too, song imagining

0:21:32.560 --> 0:21:40.760
<v Speaker 1>her like getting stung by a jellyfish, like it's so crazy,

0:21:40.880 --> 0:21:45.159
<v Speaker 1>Like I and I love, we love Sigourney Weaver to me,

0:21:45.320 --> 0:21:49.000
<v Speaker 1>Like my response was, just like you have to have

0:21:49.119 --> 0:21:52.159
<v Speaker 1>more pride in yourself as an actor than this, like that,

0:21:52.359 --> 0:21:56.560
<v Speaker 1>like if I was Sigourney Weaver and James Cameron was like, Yo,

0:21:56.720 --> 0:21:58.760
<v Speaker 1>you made my first movie such a huge success. I'm

0:21:58.760 --> 0:22:01.160
<v Speaker 1>gonna throw you a bone by making you this fifteen

0:22:01.240 --> 0:22:04.600
<v Speaker 1>year old girl rather this fifteen year old non binary

0:22:04.680 --> 0:22:07.640
<v Speaker 1>novv um because they did kind of have this kind

0:22:07.680 --> 0:22:11.760
<v Speaker 1>of like faggy haircut. Um. I would have been insulted.

0:22:11.800 --> 0:22:14.639
<v Speaker 1>If I was Sigourney, I would be like, what like

0:22:15.000 --> 0:22:18.919
<v Speaker 1>rerite insulted because there he's making her a main character

0:22:18.960 --> 0:22:21.680
<v Speaker 1>in one of the biggest movies in the world, literally

0:22:21.720 --> 0:22:24.359
<v Speaker 1>like the Third Growth, the third highest grossing film of

0:22:24.400 --> 0:22:28.119
<v Speaker 1>all time. I think Fran like, yeah, I get I

0:22:28.160 --> 0:22:30.919
<v Speaker 1>get it, but like it it's not like it's not

0:22:30.960 --> 0:22:33.439
<v Speaker 1>like she said no, like she's signed up to do that.

0:22:33.480 --> 0:22:36.719
<v Speaker 1>I know, but that's but it's so distract It was

0:22:36.840 --> 0:22:41.040
<v Speaker 1>so distracting to me. Um. Yeah, I love the whale though,

0:22:41.560 --> 0:22:45.119
<v Speaker 1>love the whale, Love the whale, also love um uh

0:22:45.320 --> 0:22:48.679
<v Speaker 1>Kate Winslet's daughter being like such a baddie that like

0:22:48.880 --> 0:22:51.640
<v Speaker 1>there's one when she's introduced she like flips her hair

0:22:51.720 --> 0:22:55.000
<v Speaker 1>over her ears. That's like so um, I want to

0:22:55.040 --> 0:22:58.280
<v Speaker 1>say anachronistic, but it's it just feels like very out

0:22:58.280 --> 0:23:00.359
<v Speaker 1>of place. In the world that there is no it

0:23:00.400 --> 0:23:02.920
<v Speaker 1>was giving. It was giving like Bond Girl like it

0:23:03.240 --> 0:23:07.720
<v Speaker 1>was it was giving, Like who that girl the Kate

0:23:07.720 --> 0:23:11.040
<v Speaker 1>Winslet's daughter from the Water Tribe is Claudia from Interview

0:23:11.080 --> 0:23:16.320
<v Speaker 1>with a Vampire? No way, Oh my god. That honestly,

0:23:16.440 --> 0:23:18.320
<v Speaker 1>I mean, I'm not going to be the one to

0:23:18.440 --> 0:23:21.119
<v Speaker 1>like have all the nuanced conversations about Avatar because like

0:23:21.160 --> 0:23:23.560
<v Speaker 1>I think intellectualizing that movie in general is just like

0:23:23.600 --> 0:23:29.160
<v Speaker 1>such a waste of time, Like like, why the criticizing

0:23:29.160 --> 0:23:32.000
<v Speaker 1>this movie at all? It doesn't fucking matter because it's

0:23:32.000 --> 0:23:34.320
<v Speaker 1>going to still make billions of dollars. But like for me,

0:23:34.359 --> 0:23:37.800
<v Speaker 1>it's like I it's just when I was watching it,

0:23:37.800 --> 0:23:40.639
<v Speaker 1>it's this is not a critique. This is just franz

0:23:40.720 --> 0:23:44.159
<v Speaker 1>experience of the movie and me feeling like I'm watching

0:23:44.160 --> 0:23:46.360
<v Speaker 1>it and I'm like, you know what, this movie could

0:23:46.359 --> 0:23:48.959
<v Speaker 1>have been animated. It could have been an animate It

0:23:49.080 --> 0:23:51.760
<v Speaker 1>was no, no, no no, it could have been no no,

0:23:51.880 --> 0:23:55.000
<v Speaker 1>it could have been a hundred percent animated, and they

0:23:55.000 --> 0:23:58.000
<v Speaker 1>could have spent a billion and a half dollars less

0:23:58.040 --> 0:24:00.720
<v Speaker 1>on it, and that billion and a half dollars could

0:24:00.720 --> 0:24:06.360
<v Speaker 1>have gone to literally anything else that but well, I'm

0:24:06.400 --> 0:24:09.840
<v Speaker 1>happy to Avatar and I am. I was just talking

0:24:09.880 --> 0:24:13.439
<v Speaker 1>to like, spend another billion no. This weekend, I was

0:24:13.520 --> 0:24:15.720
<v Speaker 1>having I was having dinner with a friend and saying, oh,

0:24:15.760 --> 0:24:17.760
<v Speaker 1>and I remember, I need to see Avatar again. I

0:24:17.800 --> 0:24:20.560
<v Speaker 1>need to see it in IMAX this time, and possibly

0:24:20.560 --> 0:24:22.560
<v Speaker 1>in forty X. The only reason I saw it in

0:24:22.600 --> 0:24:25.119
<v Speaker 1>Imax is because it was the only screening at like

0:24:25.160 --> 0:24:28.840
<v Speaker 1>a sensible hour. And I don't I do not, actually

0:24:29.000 --> 0:24:31.400
<v Speaker 1>and this is like the non snob frand I do

0:24:31.440 --> 0:24:33.840
<v Speaker 1>not think three D added to my experience at all.

0:24:33.880 --> 0:24:35.639
<v Speaker 1>I really wished I had watched it in two D.

0:24:36.520 --> 0:24:40.320
<v Speaker 1>I also will be seeing the Titanic re release that

0:24:40.480 --> 0:24:42.760
<v Speaker 1>in a couple of weeks now that we will show

0:24:42.840 --> 0:24:46.000
<v Speaker 1>up for I will go down with this ship. I'd

0:24:46.000 --> 0:24:51.560
<v Speaker 1>be speaking of, you know, post apocalyptic big budget action franchises.

0:24:52.080 --> 0:24:55.879
<v Speaker 1>We're going to be diving deep into the Hunger Games today.

0:24:56.040 --> 0:24:59.600
<v Speaker 1>Who would win in a fight between NATII and Catness Everdeene?

0:24:59.640 --> 0:25:04.760
<v Speaker 1>Who's Terry, Zoe Sell, Donna, Zoey Sell, Donna, Okay, definitely Zoe.

0:25:04.880 --> 0:25:07.240
<v Speaker 1>I'm sure she would really intimidate Catanus with all of

0:25:07.600 --> 0:25:11.040
<v Speaker 1>her like hissing and guttural moans. Because she literally had

0:25:11.359 --> 0:25:14.440
<v Speaker 1>sorry again. This is why I think it's like I

0:25:14.440 --> 0:25:17.080
<v Speaker 1>think James Cameron is looking stupid. It's like all Zoe

0:25:17.119 --> 0:25:20.600
<v Speaker 1>had to do with this movie was like I was crying, like,

0:25:21.720 --> 0:25:24.480
<v Speaker 1>don't you wish she had no other lines? Don't you

0:25:24.520 --> 0:25:27.440
<v Speaker 1>wish that there was a blue Donald Sutherland and Avatar

0:25:27.560 --> 0:25:34.160
<v Speaker 1>talking about him? Donald Southern would be amazing. He should

0:25:34.160 --> 0:25:56.480
<v Speaker 1>have played the fifteen year old non binary. Yes. So

0:25:57.160 --> 0:26:02.639
<v Speaker 1>I have a sort of um process that I go

0:26:02.760 --> 0:26:07.520
<v Speaker 1>through every year around this time, which is that during

0:26:07.560 --> 0:26:14.040
<v Speaker 1>the holidays, I do a rewatch of all the Harry

0:26:14.040 --> 0:26:17.760
<v Speaker 1>Potter movies and all the Lord of the Rings movies

0:26:18.320 --> 0:26:22.000
<v Speaker 1>because to me, those are Christmas films. Well, I mean

0:26:22.640 --> 0:26:25.680
<v Speaker 1>the Lord of the Rings literally the day the Fellowship

0:26:25.720 --> 0:26:28.240
<v Speaker 1>is formed is on Christmas Day. Canomically, you know, you

0:26:28.280 --> 0:26:30.640
<v Speaker 1>know how like when you open up streaming services during

0:26:30.640 --> 0:26:33.600
<v Speaker 1>the holidays is like here's the Christmas section, Like someone

0:26:33.640 --> 0:26:36.600
<v Speaker 1>needs to sponsor you and be like these are roses

0:26:36.720 --> 0:26:42.040
<v Speaker 1>quote unquote Christmas will Actually this year did like a

0:26:42.040 --> 0:26:44.920
<v Speaker 1>big Harry Potter Christmas thing. They had you know those

0:26:45.040 --> 0:26:47.320
<v Speaker 1>videos where you can watch a fireplace burn and just

0:26:47.320 --> 0:26:49.480
<v Speaker 1>like put it in the background. Is like ambient noise.

0:26:49.760 --> 0:26:51.680
<v Speaker 1>They had a Harry Potter version of that one. It's

0:26:51.680 --> 0:26:54.320
<v Speaker 1>like it's the fireplace in the Griffin door common and

0:26:54.320 --> 0:26:56.720
<v Speaker 1>then like serious his face comes out of it. Sometimes

0:26:57.440 --> 0:26:59.480
<v Speaker 1>I did. I did like fast forward through it to

0:26:59.520 --> 0:27:01.440
<v Speaker 1>see if they or any fun lettle you can throw

0:27:01.520 --> 0:27:03.920
<v Speaker 1>like flu powder, if there's a flu powder green and

0:27:04.000 --> 0:27:06.800
<v Speaker 1>it um. So I watched those during the holidays, and

0:27:06.880 --> 0:27:12.480
<v Speaker 1>then when the year starts over again, I realized that

0:27:12.520 --> 0:27:15.800
<v Speaker 1>I always then go and watch the Hunger Games, which

0:27:15.920 --> 0:27:19.520
<v Speaker 1>I I do agree there's something seasonal, seasonal about them,

0:27:19.560 --> 0:27:23.200
<v Speaker 1>and I honestly a lot of people Okay, here's the

0:27:23.240 --> 0:27:26.159
<v Speaker 1>thing about Hunger Games. Hunger Games belongs in this genre

0:27:26.240 --> 0:27:29.640
<v Speaker 1>of movies where if you are in a group function

0:27:29.840 --> 0:27:33.560
<v Speaker 1>trying to decide on a movie and someone says Hunger Games,

0:27:33.680 --> 0:27:35.359
<v Speaker 1>everyone's gonna be like, oh yeah, yeah, yeah, let's just

0:27:35.359 --> 0:27:38.800
<v Speaker 1>watch Hunger Games. Because we all have a certain level

0:27:38.800 --> 0:27:42.400
<v Speaker 1>of familiarity with it. Everyone has their favorites of the movies.

0:27:42.480 --> 0:27:46.160
<v Speaker 1>They're like they're wildly entertaining. They're very entertained, and production

0:27:46.200 --> 0:27:49.000
<v Speaker 1>value stands, you know, the test of time. The acting

0:27:49.080 --> 0:27:53.200
<v Speaker 1>is good. There's both stuff too, like seriously like engage

0:27:53.240 --> 0:27:55.320
<v Speaker 1>with and be enthralled by. And also you can just

0:27:55.400 --> 0:27:58.879
<v Speaker 1>like watch and commentate and make fun of it. And

0:27:58.920 --> 0:28:02.439
<v Speaker 1>also I think the reason why I watched them this

0:28:02.520 --> 0:28:05.880
<v Speaker 1>time of year specifically is like we're post holidays. Everything's

0:28:05.920 --> 0:28:09.159
<v Speaker 1>a little like bleak and depressing, and so what do

0:28:09.200 --> 0:28:13.680
<v Speaker 1>I want to watch? Um? Teen Dystopia, I mean, Dystopia

0:28:13.920 --> 0:28:18.440
<v Speaker 1>is like as a genre, films now so massively successful

0:28:18.600 --> 0:28:22.840
<v Speaker 1>every network and streaming service is, or rather maybe even

0:28:22.840 --> 0:28:26.560
<v Speaker 1>that time it's almost passed. But like so many dystopian

0:28:27.040 --> 0:28:30.520
<v Speaker 1>films in the bird Box era have like come through

0:28:31.119 --> 0:28:33.760
<v Speaker 1>as they become more and more popular, which is interesting

0:28:34.040 --> 0:28:36.479
<v Speaker 1>considering the world, the real world as we know it

0:28:36.560 --> 0:28:39.560
<v Speaker 1>is also falling apart in dystopia. It's also sort of

0:28:39.600 --> 0:28:44.120
<v Speaker 1>like comforting dystopia. Bird Box actually, like when you look

0:28:44.200 --> 0:28:49.040
<v Speaker 1>at the actual trend of dystopic media, bird Box is

0:28:49.120 --> 0:28:52.320
<v Speaker 1>kind of late in the game. So there's a very

0:28:52.360 --> 0:28:55.840
<v Speaker 1>interesting um YouTube video by Sarah Z who's a YouTuber

0:28:55.880 --> 0:28:58.600
<v Speaker 1>that I've I've brought up on here before. I really

0:28:58.640 --> 0:29:01.400
<v Speaker 1>like her video essays. She has one that's called what

0:29:01.520 --> 0:29:04.280
<v Speaker 1>Happened to Teen Dystopia, which is all about how there

0:29:04.360 --> 0:29:10.680
<v Speaker 1>was this huge trend um in the early tens of

0:29:11.400 --> 0:29:15.200
<v Speaker 1>y A dystopia. Hunger Games is the biggest one, but

0:29:15.240 --> 0:29:19.640
<v Speaker 1>there was also the Divergent Movies book and movie series,

0:29:19.680 --> 0:29:23.560
<v Speaker 1>which is what gave us Shaleene Woodley. Um, and it

0:29:23.680 --> 0:29:28.719
<v Speaker 1>followed right after, um, Twilight Mania and the Craze of

0:29:29.440 --> 0:29:34.760
<v Speaker 1>y a supernatural romance and um, that is a really

0:29:34.760 --> 0:29:36.800
<v Speaker 1>interesting video essay if you want to kind of know

0:29:36.880 --> 0:29:41.160
<v Speaker 1>more about how the team Dystopia phenomenon started and why

0:29:41.200 --> 0:29:45.360
<v Speaker 1>it ended kind of early. But even though it quote

0:29:45.440 --> 0:29:48.960
<v Speaker 1>unquote ended, it has lingered. It just has lingered in

0:29:49.800 --> 0:29:53.600
<v Speaker 1>I would say, more adult projects. And so we have

0:29:53.800 --> 0:29:57.960
<v Speaker 1>things like all all zombie movies are kind of in

0:29:58.000 --> 0:30:01.720
<v Speaker 1>a way dystopic because you know, the zombie apocalypse, like

0:30:01.800 --> 0:30:06.600
<v Speaker 1>the End of the World. Um, we have things like, um,

0:30:06.680 --> 0:30:09.760
<v Speaker 1>The Leftovers, which is like I've never watched, but I

0:30:09.800 --> 0:30:11.640
<v Speaker 1>actually kind of want to because I know that people

0:30:11.680 --> 0:30:13.760
<v Speaker 1>say it's one of the best TV shows ever, and

0:30:13.800 --> 0:30:17.200
<v Speaker 1>it's like about the Rapture also in this genre. UM.

0:30:17.240 --> 0:30:20.680
<v Speaker 1>I don't know why, but a few nights ago, the

0:30:20.720 --> 0:30:22.840
<v Speaker 1>full Moon like woke me up at six am and

0:30:22.840 --> 0:30:24.400
<v Speaker 1>I was like, what the funk? And I didn't know

0:30:24.600 --> 0:30:26.479
<v Speaker 1>what to do with my body or what to do

0:30:26.720 --> 0:30:29.480
<v Speaker 1>to use up my time. And so I started to

0:30:29.720 --> 0:30:34.960
<v Speaker 1>watch The Handmaid's Tale. Oh, but that is not my

0:30:35.080 --> 0:30:38.280
<v Speaker 1>comfort That is not a comfort watch like that is,

0:30:38.400 --> 0:30:41.240
<v Speaker 1>but that is dystopia to a t um on the

0:30:41.320 --> 0:30:43.920
<v Speaker 1>Hunger Games. Though I have to say, I don't know

0:30:43.960 --> 0:30:45.720
<v Speaker 1>if this is like I would. I really want to

0:30:45.720 --> 0:30:48.120
<v Speaker 1>watch that video essay now. But I'm thinking a lot

0:30:48.160 --> 0:30:52.400
<v Speaker 1>about what Jennifer Lawrence brings to that franchise in comparison

0:30:52.480 --> 0:30:56.040
<v Speaker 1>to any sort of like hy a action or dystopian

0:30:56.640 --> 0:31:01.000
<v Speaker 1>um movie. And I think that jen for Lawrence is

0:31:02.000 --> 0:31:08.120
<v Speaker 1>act tank like. She is so viscerally and emotionally human,

0:31:08.520 --> 0:31:11.760
<v Speaker 1>raw and reel in something that is so not real.

0:31:12.280 --> 0:31:15.320
<v Speaker 1>And I just don't think when we talk about something

0:31:15.360 --> 0:31:18.120
<v Speaker 1>like bird Box or whatever, just sopan movies aren't doing

0:31:18.120 --> 0:31:20.280
<v Speaker 1>that at all. And this is kind of you know,

0:31:20.400 --> 0:31:22.080
<v Speaker 1>this was kind of my critique when we were talking

0:31:22.080 --> 0:31:26.000
<v Speaker 1>about Bones and all that I didn't totally um fully verbalized,

0:31:26.000 --> 0:31:27.720
<v Speaker 1>but when I kept saying, it's so, it's so. I

0:31:27.920 --> 0:31:32.240
<v Speaker 1>it's like Taylor Russell, who I adore, was doing a

0:31:32.440 --> 0:31:35.400
<v Speaker 1>y a performance in a way that Jennifer Lawrence was

0:31:35.520 --> 0:31:38.200
<v Speaker 1>not in a y A franchise. Does that make sense?

0:31:38.320 --> 0:31:41.720
<v Speaker 1>I get what you're trying to say. I still we won't.

0:31:41.720 --> 0:31:44.720
<v Speaker 1>We won't get side track. Let's we're actually getting ahead

0:31:44.720 --> 0:31:47.920
<v Speaker 1>of ourselves. So um, let's talk about what the Hunger

0:31:47.920 --> 0:31:51.080
<v Speaker 1>Games is. Do we have to do though? Yeah? Well

0:31:51.120 --> 0:31:57.479
<v Speaker 1>Phoebe even our producer doesn't know so knows what it's about. Yeah, yes, okay,

0:31:57.520 --> 0:32:00.000
<v Speaker 1>so this is why we need to and so buddy

0:32:00.400 --> 0:32:02.400
<v Speaker 1>Phoebe is on them. Is like in our head funds

0:32:02.440 --> 0:32:05.160
<v Speaker 1>talking does about we also are here to educate. So

0:32:05.200 --> 0:32:08.560
<v Speaker 1>The Hunger Games is a series of books written by

0:32:08.600 --> 0:32:11.960
<v Speaker 1>Suzanne Collins. The first book came out in two thousand eight.

0:32:12.040 --> 0:32:15.720
<v Speaker 1>The subsequent books came out in two thousand and there

0:32:15.800 --> 0:32:19.840
<v Speaker 1>was a fourth book that UM was released, which is

0:32:19.880 --> 0:32:22.320
<v Speaker 1>actually being made into a movie. It's a prequel series

0:32:22.640 --> 0:32:28.080
<v Speaker 1>Hunter Shaffers in it. They also were adapted into a

0:32:28.120 --> 0:32:32.560
<v Speaker 1>film series UM. The first film came out in two

0:32:32.560 --> 0:32:38.720
<v Speaker 1>thousand twelve, and the books are set in a dystopic

0:32:38.840 --> 0:32:44.719
<v Speaker 1>version of North America in which there are twelve districts

0:32:44.800 --> 0:32:48.800
<v Speaker 1>that are ruled over by the capital. The districts in

0:32:48.840 --> 0:32:52.320
<v Speaker 1>the history of pen m which is what this you

0:32:52.360 --> 0:32:57.320
<v Speaker 1>know post a post apocalyptic um nation is called are

0:32:58.400 --> 0:33:01.760
<v Speaker 1>being punished for an up rising that was perpetrated seventy

0:33:01.840 --> 0:33:06.720
<v Speaker 1>five years ago. And this thing has been installed called

0:33:06.720 --> 0:33:11.440
<v Speaker 1>the Hunger Games, which is um part reality show, part deathmatch,

0:33:12.120 --> 0:33:17.960
<v Speaker 1>in which every year, two teenagers are reaped in a

0:33:18.000 --> 0:33:22.600
<v Speaker 1>lottery from each district and put into an arena to

0:33:22.720 --> 0:33:25.840
<v Speaker 1>battle to the death until one of them survives at

0:33:25.880 --> 0:33:29.400
<v Speaker 1>the behest of a one president snow played by old

0:33:29.440 --> 0:33:36.200
<v Speaker 1>flash Donald Sutherland, Queen Um. And so The Hungry Games

0:33:36.240 --> 0:33:40.560
<v Speaker 1>is obviously very derivative of things like Battle Royale, which

0:33:40.760 --> 0:33:45.800
<v Speaker 1>did this first. It also is somewhat derivative of The Lottery,

0:33:45.840 --> 0:33:48.600
<v Speaker 1>which is a short story that you probably read in

0:33:48.760 --> 0:33:52.480
<v Speaker 1>middle school in which there's a lottery and the person

0:33:52.520 --> 0:33:55.960
<v Speaker 1>who wins I didn't even know that gets stoned to death. Um.

0:33:56.000 --> 0:33:59.400
<v Speaker 1>And these books were immediately successful. They were huge. They

0:33:59.440 --> 0:34:05.000
<v Speaker 1>were as they filled the post Twilight space because I

0:34:05.040 --> 0:34:10.160
<v Speaker 1>guess because of the like hugely negative cultural reaction to Twilight,

0:34:10.760 --> 0:34:14.920
<v Speaker 1>in which the interests of teenage girls were seen as

0:34:15.440 --> 0:34:18.200
<v Speaker 1>frivolous and purely romantic. You know, there was so much

0:34:18.200 --> 0:34:21.680
<v Speaker 1>in pop culture about how Bella was like, you know,

0:34:22.280 --> 0:34:25.760
<v Speaker 1>like a sort of nothing heroine. She was a Mary Sue.

0:34:25.880 --> 0:34:29.279
<v Speaker 1>All she cared about was this boy who she was

0:34:29.280 --> 0:34:34.600
<v Speaker 1>in love with. Um Catness really filled that negative space

0:34:34.640 --> 0:34:38.080
<v Speaker 1>that she left of being this why a heroine who

0:34:38.280 --> 0:34:42.480
<v Speaker 1>had tons of agency and skills and like her you know,

0:34:42.600 --> 0:34:45.319
<v Speaker 1>love triangle that she was and was very secondary to

0:34:45.400 --> 0:34:49.160
<v Speaker 1>her just wanting to survive. So in the story of

0:34:49.160 --> 0:34:53.080
<v Speaker 1>the Hunger Games, Catness lives in District twelve with her

0:34:53.160 --> 0:34:55.960
<v Speaker 1>mother and her sister. At the reaping day for the

0:34:56.040 --> 0:34:59.960
<v Speaker 1>Hunger Games, her sister, whose very young, is selected. Catness

0:35:00.040 --> 0:35:04.400
<v Speaker 1>volunteers to go in her place. I volunteers tribute as

0:35:04.560 --> 0:35:08.680
<v Speaker 1>a meme that will live forever, and the boys selected

0:35:08.719 --> 0:35:11.440
<v Speaker 1>to go with her is the son of the local baker,

0:35:12.000 --> 0:35:15.160
<v Speaker 1>who is, as it turns out, in love with Catanus.

0:35:15.480 --> 0:35:19.319
<v Speaker 1>They go in the Hunger Games together and survive by

0:35:19.400 --> 0:35:23.759
<v Speaker 1>sort of manufacturing this love story because like I think

0:35:23.760 --> 0:35:28.080
<v Speaker 1>that's what makes this interesting. Is like in a lot

0:35:28.120 --> 0:35:31.920
<v Speaker 1>of the other like in something like Battle Royale, there's

0:35:31.960 --> 0:35:35.080
<v Speaker 1>not the same element of surveillance that the Hunger Games

0:35:35.120 --> 0:35:38.880
<v Speaker 1>has because the Hunger Games is, as we understand it

0:35:38.880 --> 0:35:40.560
<v Speaker 1>in the world of the books and the movies, is

0:35:40.600 --> 0:35:43.920
<v Speaker 1>a televised event that people are watching. So it's not

0:35:43.960 --> 0:35:46.200
<v Speaker 1>just it's not something that's just happening in the arena.

0:35:46.280 --> 0:35:50.239
<v Speaker 1>It's something that is a show for everyone watching. So

0:35:50.719 --> 0:35:54.120
<v Speaker 1>they survive because they create the story of them being

0:35:54.160 --> 0:35:59.080
<v Speaker 1>star cross lovers, and then this eventually leads to them

0:35:59.120 --> 0:36:02.680
<v Speaker 1>like kind of by accident, starting a revolution, and that

0:36:02.800 --> 0:36:06.759
<v Speaker 1>is what happens in the subsequent books and films. Wait

0:36:06.920 --> 0:36:10.840
<v Speaker 1>side note, Should I see Battle see Slash read Battle Royale?

0:36:10.960 --> 0:36:13.880
<v Speaker 1>Is it good? I've never I've never actually heard anyone

0:36:13.920 --> 0:36:16.399
<v Speaker 1>talk about Yeah. I read the book like years and years.

0:36:16.480 --> 0:36:19.520
<v Speaker 1>I remember, you know, when it was floating around, but

0:36:19.560 --> 0:36:23.520
<v Speaker 1>I never actually consumed it. So but yeah, same genre, um,

0:36:23.560 --> 0:36:26.640
<v Speaker 1>also familiar. It also feels a little bit like, um,

0:36:26.680 --> 0:36:30.319
<v Speaker 1>what was that Netflix? Um, Battle Royal? Squid squid Game?

0:36:30.400 --> 0:36:35.840
<v Speaker 1>It's squid gamey um. Yeah. But okay, So, I honestly

0:36:36.120 --> 0:36:38.600
<v Speaker 1>I don't remember. I was not like Hunger Games pilled.

0:36:38.680 --> 0:36:43.240
<v Speaker 1>I think I consumed Hunger Games just the way everyone

0:36:43.360 --> 0:36:45.239
<v Speaker 1>consumed Hunger Games. Like. I was just like, this is

0:36:45.280 --> 0:36:48.719
<v Speaker 1>the movie that everyone's seeing it and it looks amazing.

0:36:48.960 --> 0:36:52.800
<v Speaker 1>It's starring the most famous actress of this time, Jennifer

0:36:52.840 --> 0:36:56.480
<v Speaker 1>Lawrence and so it was her big break, right. Well,

0:36:56.600 --> 0:36:59.520
<v Speaker 1>but so Winter is her big mainstream break, right she

0:36:59.600 --> 0:37:02.080
<v Speaker 1>was non native. For Winter's Bone, She's on the Academy's radar.

0:37:02.160 --> 0:37:04.080
<v Speaker 1>And so yeah, this is like the moment where it's

0:37:04.120 --> 0:37:08.680
<v Speaker 1>like we all now universally stand Jennifer Lawrence. And also

0:37:08.760 --> 0:37:11.120
<v Speaker 1>Jennifer Lawrence off screen was a part of like the

0:37:11.200 --> 0:37:13.080
<v Speaker 1>appeal of like her in a press junger. She was

0:37:13.160 --> 0:37:16.160
<v Speaker 1>so charismatic and funny and the girl that you wanted

0:37:16.200 --> 0:37:18.000
<v Speaker 1>to get a beer with. And you know, well that

0:37:18.200 --> 0:37:22.880
<v Speaker 1>I think came as she started, because Winter's Bone is

0:37:22.920 --> 0:37:25.080
<v Speaker 1>what brought her to the attention of the industry, and

0:37:25.080 --> 0:37:27.440
<v Speaker 1>then the Hunger Games is what brought her to the

0:37:27.480 --> 0:37:31.200
<v Speaker 1>attention of the culture. And yes, she did gain this

0:37:31.239 --> 0:37:34.440
<v Speaker 1>reputation for like talking about pizza and like being like

0:37:34.560 --> 0:37:37.600
<v Speaker 1>one of the guys. She's very like the gone girl monologue,

0:37:37.680 --> 0:37:39.360
<v Speaker 1>like yeah, she was a cool girl. She was a

0:37:39.360 --> 0:37:42.239
<v Speaker 1>cool and and you know, there was a hugely negative,

0:37:42.680 --> 0:37:45.440
<v Speaker 1>um like backswing to that, and that is why she

0:37:45.560 --> 0:37:48.840
<v Speaker 1>really has pulled back in her public life, a negative

0:37:48.880 --> 0:37:52.200
<v Speaker 1>backswing that follows pretty much any woman who is in

0:37:52.239 --> 0:37:55.960
<v Speaker 1>the public. Yeah, it's just misogyny. Um, I was a

0:37:55.960 --> 0:37:58.480
<v Speaker 1>little Hunger Games pilled. I did read the books. I

0:37:58.480 --> 0:37:59.800
<v Speaker 1>mean sort of like in the same way that I

0:37:59.840 --> 0:38:01.719
<v Speaker 1>read Twilight. Was like I was bored one summer, so

0:38:01.760 --> 0:38:04.760
<v Speaker 1>I read all the books. I also, I believe, read

0:38:04.800 --> 0:38:07.080
<v Speaker 1>all three books and I did not read the other one.

0:38:07.120 --> 0:38:09.080
<v Speaker 1>And the books are good, and they hold up, and

0:38:09.080 --> 0:38:11.440
<v Speaker 1>they have a lot of I think, really valuable social

0:38:11.440 --> 0:38:15.480
<v Speaker 1>commentary in them. It's a world that is like obviously

0:38:15.640 --> 0:38:19.360
<v Speaker 1>very far away from our own, but not by that much.

0:38:19.640 --> 0:38:22.440
<v Speaker 1>Yeah it's not. And also like in at least from

0:38:22.440 --> 0:38:28.200
<v Speaker 1>what I remember, Hunger Games like really stays in Catness's perspective,

0:38:28.360 --> 0:38:30.799
<v Speaker 1>and and it's all told in first person, a lot

0:38:30.840 --> 0:38:35.080
<v Speaker 1>of interiority, a lot of angst honestly, so it's satiated

0:38:35.160 --> 0:38:38.719
<v Speaker 1>like young adult angst, while also bringing this kind of

0:38:38.760 --> 0:38:43.680
<v Speaker 1>like next level um uh them fatal heroine, I mean

0:38:43.719 --> 0:38:46.319
<v Speaker 1>not she's not in the fatal genre, but you know what, Yeah,

0:38:46.360 --> 0:38:49.480
<v Speaker 1>she's a very she's very capable. Like that's that's the thing.

0:38:49.560 --> 0:38:52.400
<v Speaker 1>The only reason why she's able to survive the Games

0:38:52.480 --> 0:38:56.960
<v Speaker 1>is because she um has trained herself to be a hunter.

0:38:57.160 --> 0:39:01.880
<v Speaker 1>She's an archer, as like one of my favorite tailors

0:39:01.960 --> 0:39:04.879
<v Speaker 1>I've sung she is the archer. Um. Wait, what would

0:39:04.920 --> 0:39:06.440
<v Speaker 1>your weapon of choice be if you were in the

0:39:06.480 --> 0:39:11.000
<v Speaker 1>Hunger Games? Um, if I was in the Hunger Games,

0:39:11.040 --> 0:39:14.319
<v Speaker 1>I would die first. Well, I mean that's true, but

0:39:15.320 --> 0:39:17.480
<v Speaker 1>what would to answer the question? What would I would

0:39:17.760 --> 0:39:19.479
<v Speaker 1>be a knife, and I would slit my own threat,

0:39:20.719 --> 0:39:25.319
<v Speaker 1>Like I would say, actually when the cannon went off,

0:39:25.360 --> 0:39:28.040
<v Speaker 1>I would just like jumps or no, I would jump

0:39:28.080 --> 0:39:30.080
<v Speaker 1>before the cannon went off so that I got blown up.

0:39:31.120 --> 0:39:33.440
<v Speaker 1>I don't have to deal with all that. Oh god,

0:39:33.600 --> 0:39:36.600
<v Speaker 1>I mean anyways, Um, I would definitely have a mace.

0:39:36.960 --> 0:39:39.879
<v Speaker 1>I would have like that. You know that seems very unwieldy,

0:39:39.920 --> 0:39:42.160
<v Speaker 1>and I think you would hurt yourself. I would just

0:39:42.200 --> 0:39:44.319
<v Speaker 1>work out my upper body. Think you would like try

0:39:44.400 --> 0:39:50.319
<v Speaker 1>to swing or something like that, Like, yeah, I would

0:39:50.360 --> 0:39:51.840
<v Speaker 1>be it would be no, I would learn how to

0:39:52.120 --> 0:39:53.680
<v Speaker 1>you have to. You would have to learn how to

0:39:53.719 --> 0:39:55.960
<v Speaker 1>master whatever weapon you choose. And I think I would

0:39:56.040 --> 0:39:59.080
<v Speaker 1>train ahead and learn the mace because I think there's

0:39:59.120 --> 0:40:02.000
<v Speaker 1>an intimidation actor with the mace. And I also just

0:40:02.040 --> 0:40:04.680
<v Speaker 1>want to be like, you know, like a like a

0:40:05.040 --> 0:40:07.239
<v Speaker 1>bimbo with a mace, Like I just think that's kind

0:40:07.239 --> 0:40:09.759
<v Speaker 1>of fierce. And I would be in full sled gear,

0:40:09.880 --> 0:40:13.600
<v Speaker 1>like absolutely, like it would be giving, Like, um, it

0:40:13.640 --> 0:40:16.319
<v Speaker 1>would be giving. I was gonna say, dolls kill, but

0:40:16.360 --> 0:40:19.760
<v Speaker 1>hopefully maybe some like Deon, like a dion Lee kind

0:40:19.800 --> 0:40:23.480
<v Speaker 1>of like armor suit. Maybe a Muglaire dion Lee or

0:40:23.600 --> 0:40:26.000
<v Speaker 1>you could be Laura Croft, right, it would be very

0:40:26.000 --> 0:40:28.920
<v Speaker 1>tomb rate about yes, but my, but my Lenny Kravitz.

0:40:29.520 --> 0:40:34.520
<v Speaker 1>My sinna would be Mouglare Okay, yeah, yeah, yeah, yeah yeah.

0:40:34.560 --> 0:40:49.920
<v Speaker 1>In my dream world, I would say like I was

0:40:50.160 --> 0:40:53.920
<v Speaker 1>Hunger Games pilled by the books, but then the movies

0:40:54.000 --> 0:40:57.200
<v Speaker 1>were what I was really interested in. But I was

0:40:57.280 --> 0:41:01.120
<v Speaker 1>only really interested in the first two, and then by

0:41:01.160 --> 0:41:03.360
<v Speaker 1>the time the final two came out, I was like

0:41:03.520 --> 0:41:05.560
<v Speaker 1>kind of bored. I didn't think they should have been

0:41:05.560 --> 0:41:08.240
<v Speaker 1>split into two. The third book should have been split

0:41:08.280 --> 0:41:11.560
<v Speaker 1>into two movies. Like that was very post Harry Potter

0:41:11.680 --> 0:41:15.080
<v Speaker 1>when everyone started doing that. I do. I will say this,

0:41:15.200 --> 0:41:18.960
<v Speaker 1>I've said this before, the best of the Hunger Games

0:41:19.000 --> 0:41:23.279
<v Speaker 1>movies is the second one, Catching Fire, even though I

0:41:23.320 --> 0:41:28.720
<v Speaker 1>do think the first movie is fantastic. And the reason

0:41:28.800 --> 0:41:31.920
<v Speaker 1>why I think the movies are so popular and so

0:41:32.080 --> 0:41:36.200
<v Speaker 1>enduring is because there was a lot of work put

0:41:36.200 --> 0:41:39.560
<v Speaker 1>into them to make them good films. Um, there's a

0:41:39.640 --> 0:41:42.719
<v Speaker 1>lot of craft in them. Um, there's a reason why

0:41:42.800 --> 0:41:45.360
<v Speaker 1>Jennifer Lawrence was cast. Like, yes, it's because she's a

0:41:45.400 --> 0:41:49.520
<v Speaker 1>fantastic actress. But the character she played in Winter's Bone,

0:41:49.600 --> 0:41:53.640
<v Speaker 1>who's this like folksy American girl trying to like make

0:41:53.719 --> 0:42:00.200
<v Speaker 1>it in like ury um, very much translates to the

0:42:00.280 --> 0:42:02.920
<v Speaker 1>Hunger Games, Like she had played that kind of role before.

0:42:03.480 --> 0:42:07.520
<v Speaker 1>She was someone who was like have this like inner

0:42:07.560 --> 0:42:11.560
<v Speaker 1>strength and resilience. And Um, the first movie, like it

0:42:11.600 --> 0:42:15.120
<v Speaker 1>does not shy away from how fucked up what's happening is.

0:42:15.719 --> 0:42:20.160
<v Speaker 1>You know, there these are teenagers who are being pitted

0:42:20.160 --> 0:42:23.520
<v Speaker 1>against each pit against each other to fight to the

0:42:23.560 --> 0:42:29.080
<v Speaker 1>death on reality TV. And that's fucked up. Yeah, it

0:42:29.120 --> 0:42:32.040
<v Speaker 1>really is. And the movies get progressively darker. I don't.

0:42:32.080 --> 0:42:34.680
<v Speaker 1>I assume the books do too, though I remember they

0:42:34.680 --> 0:42:36.680
<v Speaker 1>were just dark from the I mean all, they're all

0:42:36.760 --> 0:42:40.319
<v Speaker 1>dark from the start, but like, I don't really remember.

0:42:40.360 --> 0:42:43.000
<v Speaker 1>I think the last movie is probably the worst. I

0:42:43.040 --> 0:42:47.040
<v Speaker 1>remember kind of liking the third movie, like the Julianne

0:42:47.080 --> 0:42:50.719
<v Speaker 1>Moore of it all and like everything that blows up. Um,

0:42:50.800 --> 0:42:54.040
<v Speaker 1>but let's just say it's very like bloated, and that

0:42:54.120 --> 0:42:57.120
<v Speaker 1>they try to make a lot out of not a

0:42:57.160 --> 0:43:00.520
<v Speaker 1>lot of plot, because the whole the whole third book

0:43:00.840 --> 0:43:04.040
<v Speaker 1>is like half of it is catnets trying to essentially

0:43:04.080 --> 0:43:10.640
<v Speaker 1>create like pro rebellion propaganda. And then the final part

0:43:10.640 --> 0:43:12.440
<v Speaker 1>of it, which is what the last movie is, is

0:43:12.840 --> 0:43:15.600
<v Speaker 1>they actually like storm the capital and the Capital has

0:43:15.640 --> 0:43:19.840
<v Speaker 1>like been turned into basically a version of a Hunger

0:43:19.880 --> 0:43:24.520
<v Speaker 1>Games arena that they have to survive. Complete side note,

0:43:24.880 --> 0:43:27.880
<v Speaker 1>do you think the Harry Potter finale should have been

0:43:27.920 --> 0:43:29.800
<v Speaker 1>split into two movies or would you do you wish

0:43:29.800 --> 0:43:31.920
<v Speaker 1>that it had been one? No? I actually think it

0:43:32.040 --> 0:43:36.800
<v Speaker 1>makes I agree. I totally agree, having having watched, having

0:43:36.880 --> 0:43:39.680
<v Speaker 1>just done my you know, like annual Harry Potter rewatch.

0:43:40.239 --> 0:43:44.840
<v Speaker 1>There is so much story in deathitely Hallows, and those

0:43:45.000 --> 0:43:49.040
<v Speaker 1>movies are two very different things. I actually did a

0:43:49.080 --> 0:43:52.760
<v Speaker 1>list ranking all the Harry Potter movies, and it's funny

0:43:52.800 --> 0:43:55.799
<v Speaker 1>that definitely holl Is Part one is one of my

0:43:55.880 --> 0:44:00.280
<v Speaker 1>favorite movies and as Part two is my least avorite

0:44:00.280 --> 0:44:03.080
<v Speaker 1>of all the films, not because it's bad, just because

0:44:03.080 --> 0:44:08.120
<v Speaker 1>it's it's hard to watch, and it is one specific thing.

0:44:08.320 --> 0:44:11.440
<v Speaker 1>It is the Battle of Hogwarts. It is the culmination,

0:44:11.680 --> 0:44:14.839
<v Speaker 1>it's where everyone dies. It's super depressing. And you know,

0:44:14.880 --> 0:44:17.440
<v Speaker 1>as we said in our inaugural Harry Potter episode, the

0:44:17.440 --> 0:44:20.760
<v Speaker 1>epilogue is one of the worst things ever written, so horrible,

0:44:20.840 --> 0:44:23.520
<v Speaker 1>and it just was J. K. Rowling showing her ass

0:44:23.600 --> 0:44:27.640
<v Speaker 1>long before she showed her ass in other ways. Yeah, exactly, exactly, exactly.

0:44:27.640 --> 0:44:29.400
<v Speaker 1>Something I always think about when I think about the

0:44:29.440 --> 0:44:31.879
<v Speaker 1>Hunger Games is there was one there was one year

0:44:32.080 --> 0:44:36.080
<v Speaker 1>where there was like a pride party that shar was

0:44:36.120 --> 0:44:40.000
<v Speaker 1>performing at and she posted this on Instagram. It is

0:44:40.040 --> 0:44:44.480
<v Speaker 1>like a picture of her maybe trash Tyler, Ashley and

0:44:44.560 --> 0:44:49.600
<v Speaker 1>Aquaria and the caption was, like Aquaria came from the

0:44:49.600 --> 0:44:52.880
<v Speaker 1>Capital to visit us in the district and like that's

0:44:52.880 --> 0:44:55.600
<v Speaker 1>that's very funny. And there is so much like there

0:44:55.600 --> 0:44:58.520
<v Speaker 1>were so many memes about like the Capital, because like

0:44:58.760 --> 0:45:01.799
<v Speaker 1>the Capital was where like they had the access to

0:45:01.840 --> 0:45:04.520
<v Speaker 1>the best technology and they weren't starving, and they did

0:45:04.560 --> 0:45:07.600
<v Speaker 1>these like crazy things where they like died their skin

0:45:08.000 --> 0:45:11.440
<v Speaker 1>blue and like, um, it was very it was supposed

0:45:11.480 --> 0:45:13.840
<v Speaker 1>to be giving, like the Roman Empire, because there's this

0:45:13.840 --> 0:45:16.920
<v Speaker 1>whole thing about how they made themselves vomit so they

0:45:16.920 --> 0:45:20.120
<v Speaker 1>could keep eating while people while while you know, the

0:45:20.560 --> 0:45:26.120
<v Speaker 1>common folk were out starving in the districts right right right? Um? Okay,

0:45:26.239 --> 0:45:29.719
<v Speaker 1>uh new launch point, new launch point, because I think

0:45:29.760 --> 0:45:31.920
<v Speaker 1>this is actually important for our dear producer Phoebe, who

0:45:31.920 --> 0:45:34.200
<v Speaker 1>has for some reason never seen any of these movies

0:45:34.280 --> 0:45:37.040
<v Speaker 1>or read any of these books. Can you help the

0:45:37.120 --> 0:45:43.239
<v Speaker 1>Virgins understand the Peta Gail dichotomy? Well, this is this

0:45:43.320 --> 0:45:46.280
<v Speaker 1>is I mean not. I don't think this is controversial

0:45:47.239 --> 0:45:52.080
<v Speaker 1>for me to say that Gail was never like a

0:45:52.239 --> 0:45:55.799
<v Speaker 1>feasible love interest. Let let me let me cross you

0:45:55.920 --> 0:45:59.279
<v Speaker 1>right there, that Gail was the one? How dare you

0:45:59.280 --> 0:46:02.440
<v Speaker 1>you a was not the one. Gail literally is the

0:46:02.480 --> 0:46:08.640
<v Speaker 1>reason Catness's sister is dead, But she was. She was annoying. Also,

0:46:09.120 --> 0:46:12.759
<v Speaker 1>I just think that Gail Peter, just over and over

0:46:12.800 --> 0:46:16.080
<v Speaker 1>and over again, was so like jealous and petty about

0:46:16.120 --> 0:46:18.720
<v Speaker 1>Gail and possessive, and I felt like through a lot

0:46:18.800 --> 0:46:22.799
<v Speaker 1>of what they went through, like I felt like Catness

0:46:22.920 --> 0:46:26.040
<v Speaker 1>was really in it for Gail, and like Gail knew

0:46:26.040 --> 0:46:29.120
<v Speaker 1>who she was at home, but I guess also her

0:46:29.280 --> 0:46:32.120
<v Speaker 1>and I think what her and Peter have is not love.

0:46:32.160 --> 0:46:34.960
<v Speaker 1>I think it's trauma bonding. I mean it is traumabond.

0:46:35.040 --> 0:46:36.840
<v Speaker 1>But that's the thing. Trauma bonding is not love, and

0:46:36.880 --> 0:46:40.480
<v Speaker 1>it makes a bad relationship. But then Catness did come

0:46:40.520 --> 0:46:43.359
<v Speaker 1>to love him because you are witnessing the economy right

0:46:43.400 --> 0:46:48.880
<v Speaker 1>here and now I'm I'm Peter. Peter literally all he

0:46:48.920 --> 0:46:51.480
<v Speaker 1>can do is pay himself like a rock. Like he's

0:46:51.520 --> 0:46:58.239
<v Speaker 1>also very strong and I think strong. Um. But what

0:46:58.280 --> 0:47:01.120
<v Speaker 1>you're saying about them traumabond day, Like, yes, it's true,

0:47:01.480 --> 0:47:05.000
<v Speaker 1>but the entirety of catching fire is once they are

0:47:05.200 --> 0:47:09.359
<v Speaker 1>both forced to go back into the arena, catness Is

0:47:09.840 --> 0:47:13.799
<v Speaker 1>number one priority is that Gail should survive and not her.

0:47:14.360 --> 0:47:18.120
<v Speaker 1>And so I think it shows that while yes, Catness

0:47:19.960 --> 0:47:25.400
<v Speaker 1>has this relationship with with Gail where she if she

0:47:25.640 --> 0:47:29.840
<v Speaker 1>was free from her obligations, she absolutely would be with him,

0:47:29.920 --> 0:47:35.359
<v Speaker 1>and her connection with Peter was created by the like

0:47:35.440 --> 0:47:40.080
<v Speaker 1>in the Crucible of the Hunger Games, she has come

0:47:40.120 --> 0:47:42.839
<v Speaker 1>to value his life more than hers, and like she

0:47:42.920 --> 0:47:45.319
<v Speaker 1>does have all of this feeling for her and she

0:47:45.440 --> 0:47:48.640
<v Speaker 1>wants him to survive, even though that means she will

0:47:48.719 --> 0:47:52.160
<v Speaker 1>never get to go back to her family. To Gail,

0:47:52.560 --> 0:47:54.560
<v Speaker 1>she has fallen in love with him, and then when

0:47:54.600 --> 0:47:58.600
<v Speaker 1>catching Fire ends and Peter is captured by the Capital

0:47:58.719 --> 0:48:03.480
<v Speaker 1>and then they like torture him and make him hate Catness.

0:48:03.480 --> 0:48:06.799
<v Speaker 1>Her number one priority becomes getting him back and like

0:48:07.200 --> 0:48:10.359
<v Speaker 1>fixing his brain, and they do, and then they end

0:48:10.440 --> 0:48:14.320
<v Speaker 1>up together because Gale makes himself not an option because

0:48:14.360 --> 0:48:18.080
<v Speaker 1>he's the reason that Catness his sister dies. Yeah. Yeah,

0:48:18.280 --> 0:48:21.920
<v Speaker 1>I don't even remember, honestly, how Catness's sister dies. Is like, Okay,

0:48:21.920 --> 0:48:25.560
<v Speaker 1>so Catness's sister dies because Okay, so Gail has like

0:48:25.680 --> 0:48:31.399
<v Speaker 1>devised this thing where they're going to this like trick

0:48:31.480 --> 0:48:34.440
<v Speaker 1>where they're going to trick people like this this bomb

0:48:34.440 --> 0:48:39.880
<v Speaker 1>that explodes twice or something, and Catness's sister dies because

0:48:39.920 --> 0:48:43.200
<v Speaker 1>of it. And even though like I think there's a

0:48:43.200 --> 0:48:47.400
<v Speaker 1>scene where Gayl's like he's not sure that he's like

0:48:47.640 --> 0:48:50.759
<v Speaker 1>actually the one who killed her, but like he could

0:48:50.840 --> 0:48:53.319
<v Speaker 1>have been, and based like at the end of the day,

0:48:53.320 --> 0:48:58.360
<v Speaker 1>it's his fault that she died. Damn. I like, honestly,

0:48:58.400 --> 0:48:59.879
<v Speaker 1>this is kind of what I'm talking about. The Fine

0:49:00.000 --> 0:49:01.799
<v Speaker 1>Alley and the Last Maybe I don't know if this

0:49:01.840 --> 0:49:05.120
<v Speaker 1>is part of your um beef with the last two movies,

0:49:05.200 --> 0:49:08.400
<v Speaker 1>but those did kind of blend into the culture for me, Like,

0:49:08.440 --> 0:49:10.960
<v Speaker 1>I don't really actually remember a ton of what those

0:49:11.040 --> 0:49:14.400
<v Speaker 1>last movies felt like because I think the finale is

0:49:14.400 --> 0:49:18.120
<v Speaker 1>such a disappointment. I think by the end everyone was

0:49:18.160 --> 0:49:21.520
<v Speaker 1>just kind of ready for them to end, because the

0:49:21.560 --> 0:49:25.560
<v Speaker 1>thing is, they're not even though they're enthralling and thrilling,

0:49:26.200 --> 0:49:30.520
<v Speaker 1>they're not fun. It's not a fun world to visit

0:49:30.600 --> 0:49:33.279
<v Speaker 1>the way that Harry Potter is. Even though there is

0:49:33.280 --> 0:49:35.400
<v Speaker 1>a lot of death and darkness in Harry Potter, you

0:49:35.520 --> 0:49:39.839
<v Speaker 1>still want to immerse yourself in the world. That's why

0:49:39.880 --> 0:49:43.239
<v Speaker 1>there's literally theme parks that exist, And like, I'm not

0:49:43.280 --> 0:49:46.520
<v Speaker 1>trying to go to a panem theme park. No, no, no, no,

0:49:46.520 --> 0:49:48.719
<v Speaker 1>no no, even though there should be one. I think

0:49:48.880 --> 0:49:51.520
<v Speaker 1>I think one does exist somewhere. I think I think

0:49:51.520 --> 0:49:55.520
<v Speaker 1>there's like somewhere in Asia, maybe there is some kind

0:49:55.520 --> 0:49:59.520
<v Speaker 1>of Hunger Games theme park, But you know I won't

0:49:59.560 --> 0:50:04.800
<v Speaker 1>be I'm traveling to go to Panama anytime soon. Yeah,

0:50:05.000 --> 0:50:07.960
<v Speaker 1>me either. But back to Catness as a character, like

0:50:08.640 --> 0:50:12.080
<v Speaker 1>I do feel like she became something of a brand

0:50:12.080 --> 0:50:15.200
<v Speaker 1>new archetype. Like I mean, obviously there's a lot of

0:50:15.320 --> 0:50:17.680
<v Speaker 1>varying criticism on it. If you ever read like bad

0:50:17.719 --> 0:50:21.200
<v Speaker 1>feminist and rock sand gays like essay on the Hunger

0:50:21.239 --> 0:50:24.440
<v Speaker 1>Games of it all, and like Catness as a character um,

0:50:24.480 --> 0:50:26.880
<v Speaker 1>but like there, I I do feel like Catness is

0:50:26.920 --> 0:50:29.880
<v Speaker 1>like was like this new like and Jennifer Lawrence not

0:50:30.000 --> 0:50:34.279
<v Speaker 1>not Catness, not just Catiness, but Jennifer Lawrence as Catness

0:50:34.800 --> 0:50:38.279
<v Speaker 1>I think created like a completely different lane maybe for

0:50:38.360 --> 0:50:42.600
<v Speaker 1>heroine's rights. Not not a new one, but it was

0:50:42.680 --> 0:50:45.959
<v Speaker 1>a revived because I do think I do think that

0:50:46.360 --> 0:50:49.960
<v Speaker 1>Catness is more in the legacy of someone like Buffy

0:50:50.920 --> 0:50:54.879
<v Speaker 1>Um and that a lot of people look at pop

0:50:54.920 --> 0:50:57.520
<v Speaker 1>culture and especially pop culture that was popular for teenage

0:50:57.560 --> 0:51:02.080
<v Speaker 1>girls and very much see Bella and Twilight as like

0:51:02.120 --> 0:51:06.280
<v Speaker 1>an anomaly because I think more so we are drawn

0:51:06.320 --> 0:51:10.680
<v Speaker 1>to these heroines who need or want something that is

0:51:10.760 --> 0:51:14.920
<v Speaker 1>not only romantic love. It's usually the romantic love is

0:51:14.960 --> 0:51:19.359
<v Speaker 1>like a byproduct of whatever other adventure they're involved in,

0:51:20.120 --> 0:51:24.080
<v Speaker 1>and the love triangle is secondary. And even in the

0:51:24.200 --> 0:51:27.560
<v Speaker 1>Hunger Games, like the love triangle does feel like something

0:51:27.640 --> 0:51:31.160
<v Speaker 1>that was more to create a marketing creation than something

0:51:31.200 --> 0:51:35.399
<v Speaker 1>that like organically exists in the books. For the films, well,

0:51:35.480 --> 0:51:41.360
<v Speaker 1>it's very hard to push literally any like movie or

0:51:41.440 --> 0:51:46.080
<v Speaker 1>franchise led by a woman without romance, like unfortunately, like

0:51:46.239 --> 0:51:49.279
<v Speaker 1>I don't like that about like you know, Hollywood, but

0:51:49.400 --> 0:51:52.239
<v Speaker 1>you know, execs and story editors are not going to

0:51:52.360 --> 0:51:54.880
<v Speaker 1>want to engage with a woman's action story if it

0:51:54.920 --> 0:51:59.120
<v Speaker 1>doesn't have romance. You know, That's what blockbusters require. And

0:51:59.200 --> 0:52:01.560
<v Speaker 1>so I think that maybe that could be said of

0:52:02.200 --> 0:52:05.319
<v Speaker 1>some of these books, of some of these genres of

0:52:05.320 --> 0:52:07.800
<v Speaker 1>books and things like it. I don't know, but that's

0:52:07.840 --> 0:52:10.200
<v Speaker 1>that's the reason why I like The Hunger Games is

0:52:10.280 --> 0:52:15.920
<v Speaker 1>because it acknowledges that the love story is secondary to

0:52:16.000 --> 0:52:19.480
<v Speaker 1>the survival story. Like I was just watching Catching Fire,

0:52:19.560 --> 0:52:22.160
<v Speaker 1>because the whole reason we're doing this is because I'm

0:52:22.200 --> 0:52:24.720
<v Speaker 1>in the middle of my you know, Hungry Games rewatch.

0:52:25.160 --> 0:52:30.839
<v Speaker 1>And in the like opening act of Catching Fire, where

0:52:30.960 --> 0:52:35.400
<v Speaker 1>Catness is has basically been tasked by President Snow to

0:52:36.520 --> 0:52:39.880
<v Speaker 1>make the people of Pennam believe that the only reason

0:52:39.960 --> 0:52:42.359
<v Speaker 1>she rebelled was because she was in love with Peter,

0:52:42.520 --> 0:52:49.040
<v Speaker 1>because there's an actual rebellion starting, and she tells Gail

0:52:49.120 --> 0:52:51.120
<v Speaker 1>that she wants to run away with him into the

0:52:51.120 --> 0:52:53.839
<v Speaker 1>woods because he's like offered that as an option, and

0:52:53.880 --> 0:52:55.839
<v Speaker 1>he's like, no, I need to be here because there's

0:52:55.880 --> 0:53:00.919
<v Speaker 1>a rebellion starting and then he gets like whipped by

0:53:01.120 --> 0:53:03.960
<v Speaker 1>the peacekeepers who were you know, like the cops of Panem.

0:53:04.680 --> 0:53:11.280
<v Speaker 1>And then it's announced that in the next Hunger Games,

0:53:11.520 --> 0:53:15.080
<v Speaker 1>all of the tributes will come from victors. That means

0:53:15.120 --> 0:53:19.319
<v Speaker 1>that Catus is going back into the game. It's it

0:53:19.440 --> 0:53:22.920
<v Speaker 1>is all stars, all winners. Um. So there's this scene

0:53:22.960 --> 0:53:27.680
<v Speaker 1>where Catness goes out into the woods with Gail and

0:53:27.760 --> 0:53:29.680
<v Speaker 1>he says to her like, I should have left with

0:53:29.760 --> 0:53:32.680
<v Speaker 1>you when you said it, and she's kind of like

0:53:33.440 --> 0:53:36.160
<v Speaker 1>she's the one who gets up and leaves because she's like,

0:53:36.560 --> 0:53:38.680
<v Speaker 1>I don't have time for this anymore. This is no

0:53:38.719 --> 0:53:41.759
<v Speaker 1>longer a love story. This is a survival story. Like

0:53:42.040 --> 0:53:44.680
<v Speaker 1>this is now about life or death, and like you

0:53:44.880 --> 0:53:48.919
<v Speaker 1>and this romance subplot no longer matter because now I'm

0:53:49.000 --> 0:54:09.680
<v Speaker 1>literally fighting for my life. God, speaking of the Harry

0:54:09.680 --> 0:54:11.560
<v Speaker 1>Potter of it all, I have to I have to

0:54:11.560 --> 0:54:15.040
<v Speaker 1>break this up because this is something that I'm culturally

0:54:15.080 --> 0:54:19.880
<v Speaker 1>aware of. It is like it's really big on TikTok

0:54:20.000 --> 0:54:23.480
<v Speaker 1>right now. People who are in the Harry Potter fandom,

0:54:23.520 --> 0:54:26.919
<v Speaker 1>specifically the Marauders fandom, which I'm not sure that you

0:54:26.960 --> 0:54:31.080
<v Speaker 1>know what that is. I have no idea. So the

0:54:31.120 --> 0:54:35.560
<v Speaker 1>Marauders are you know, the marauders map in Harry Potter. Okay,

0:54:35.560 --> 0:54:40.720
<v Speaker 1>so that's mischief managed mooney wormtail, Padvin and Prongs, Harry's dad,

0:54:40.800 --> 0:54:46.640
<v Speaker 1>James Potter, rima sloop in serious black, Peter Petter. So

0:54:46.760 --> 0:54:50.680
<v Speaker 1>there's a whole fandom around that era of Hogwarts and

0:54:50.880 --> 0:54:54.640
<v Speaker 1>like the big the biggest ship in it. And when

0:54:54.640 --> 0:54:57.319
<v Speaker 1>we talk about ship, that's relationship. It's like, I hope

0:54:57.360 --> 0:54:59.920
<v Speaker 1>you know that by this point characters that people shipped together.

0:55:00.440 --> 0:55:03.400
<v Speaker 1>So like the like kind of the o G. Harry

0:55:03.440 --> 0:55:06.160
<v Speaker 1>Potter ship in a lot of ways is wolf Star,

0:55:06.280 --> 0:55:10.240
<v Speaker 1>which is rema slooping and serious black like. And even

0:55:10.400 --> 0:55:13.279
<v Speaker 1>Gary Oldman and David Thulis, who played the characters in

0:55:13.280 --> 0:55:16.200
<v Speaker 1>the films, have said like they kind of played them

0:55:16.239 --> 0:55:21.239
<v Speaker 1>as if they were Wait really, wait do you ship personally? Like?

0:55:21.280 --> 0:55:23.399
<v Speaker 1>In the fan fiction world, I yes, I do. So

0:55:23.840 --> 0:55:28.000
<v Speaker 1>there is so Hunger Games fan fiction is like there

0:55:28.120 --> 0:55:31.360
<v Speaker 1>was a Hunger Games fandom, but I would say within fandom,

0:55:31.800 --> 0:55:35.719
<v Speaker 1>Hunger Games is much more popular as a world to

0:55:35.960 --> 0:55:38.880
<v Speaker 1>set fan fiction in, Like a lot of people set

0:55:39.760 --> 0:55:45.280
<v Speaker 1>other characters in like a Hunger Games universe. So right now,

0:55:45.320 --> 0:55:49.400
<v Speaker 1>there is a an ongoing um fan fiction that I

0:55:49.440 --> 0:55:53.439
<v Speaker 1>believe is like currently maybe like three thousand words long.

0:55:54.520 --> 0:55:57.920
<v Speaker 1>It's called Crimson Rivers, and it is it is a

0:55:58.040 --> 0:56:01.080
<v Speaker 1>Harry Potter hungry games au. And how many of those

0:56:01.080 --> 0:56:04.600
<v Speaker 1>three hundred thousand words have you read? Rose, I'm not

0:56:04.640 --> 0:56:08.239
<v Speaker 1>at liberty. I was. Let's just say that a couple

0:56:08.239 --> 0:56:11.000
<v Speaker 1>of months ago. I was very bored one weekend you had.

0:56:12.120 --> 0:56:14.839
<v Speaker 1>But the thing is, even though it is, even though

0:56:14.840 --> 0:56:18.000
<v Speaker 1>wolf Start is one of the main pairings, it's not

0:56:18.400 --> 0:56:22.440
<v Speaker 1>the main pairing. The main pairing of the story is

0:56:22.560 --> 0:56:28.120
<v Speaker 1>James Potter, Harry Potter's dad, and Regulus Black, serious Black's

0:56:28.200 --> 0:56:32.800
<v Speaker 1>younger brother, who never even appears in the Harry Potter books.

0:56:32.880 --> 0:56:35.920
<v Speaker 1>He is simply so if you if you remember your

0:56:35.920 --> 0:56:39.360
<v Speaker 1>Harry Potter lore, the locket that was one of the

0:56:39.400 --> 0:56:45.080
<v Speaker 1>horcruxes was stolen by Regulus Black, who was a death theater,

0:56:46.440 --> 0:56:49.840
<v Speaker 1>and then he was like, actually, Baltimore, you suck, so

0:56:49.840 --> 0:56:51.839
<v Speaker 1>I'm gonna steal the locker and he left the note

0:56:51.920 --> 0:56:55.080
<v Speaker 1>that was a whole thing. So he has now become

0:56:55.320 --> 0:57:03.520
<v Speaker 1>like a fandom creation, essentially very interesting. People ship him

0:57:03.760 --> 0:57:07.400
<v Speaker 1>with James Potter. Harry Potter said, even though there is

0:57:07.440 --> 0:57:12.520
<v Speaker 1>literally no no textual evidence behind this. Also, James Potter

0:57:12.600 --> 0:57:17.440
<v Speaker 1>is like has no very few characteristics like in the franchise.

0:57:17.480 --> 0:57:19.439
<v Speaker 1>But so but I think the reason why this became

0:57:19.720 --> 0:57:23.040
<v Speaker 1>so popular is because of TikTok, because people make fan

0:57:23.240 --> 0:57:25.680
<v Speaker 1>edits and they do fan casts, and so the most

0:57:25.720 --> 0:57:30.280
<v Speaker 1>popular fan cast for Regulus Black is Timothy Shallow May

0:57:31.600 --> 0:57:33.680
<v Speaker 1>I would love that. And some of these fan edits

0:57:33.680 --> 0:57:36.720
<v Speaker 1>are like very well done. And the most popular fan

0:57:36.840 --> 0:57:40.400
<v Speaker 1>cast for James for a young James Potter is young

0:57:40.480 --> 0:57:46.240
<v Speaker 1>Aaron Taylor Johnson. Aaron Taylor Johnson, Oh my god, Aaron

0:57:46.280 --> 0:57:49.160
<v Speaker 1>Taylor Johnson needs to become like, you know, a part

0:57:49.160 --> 0:57:52.960
<v Speaker 1>of like the like a virgin pantheon. Like he's sold

0:57:53.120 --> 0:57:56.120
<v Speaker 1>him and his old wife, and that's so hot. I

0:57:56.160 --> 0:58:01.360
<v Speaker 1>just think it's very interesting that the Hunger Games, like

0:58:01.440 --> 0:58:05.040
<v Speaker 1>while that's sort of dystopia, has fallen out of fashion,

0:58:05.200 --> 0:58:07.280
<v Speaker 1>and like while I was saying before, it's not really

0:58:07.320 --> 0:58:13.280
<v Speaker 1>like a fun universe to exist in. It is something

0:58:13.280 --> 0:58:16.320
<v Speaker 1>that people keep coming back to in a way that

0:58:16.360 --> 0:58:22.920
<v Speaker 1>they want to always be filtering the characters and fandoms

0:58:22.960 --> 0:58:25.680
<v Speaker 1>they're interested in. Through that Lens. I think because of

0:58:25.680 --> 0:58:27.560
<v Speaker 1>what we were talking about before about how it is

0:58:29.920 --> 0:58:33.520
<v Speaker 1>sad and like bleak, and there's something appealing about the

0:58:33.560 --> 0:58:37.840
<v Speaker 1>angst of that and like the the steaks of it,

0:58:38.360 --> 0:58:41.040
<v Speaker 1>and I don't know, I find that fascinating and and

0:58:41.120 --> 0:58:44.400
<v Speaker 1>it is there. We are going to have somewhat of

0:58:44.400 --> 0:58:48.080
<v Speaker 1>a Hunger Games renaissance way this new film, The Ballad

0:58:48.120 --> 0:58:52.240
<v Speaker 1>of Songbirds and Steaks, which is about um young President

0:58:52.320 --> 0:59:01.320
<v Speaker 1>snow Oh the cock Trucker shape fashion Cox Sucker hunter

0:59:01.440 --> 0:59:04.640
<v Speaker 1>Shiver is such a perfect cast to me because she

0:59:04.800 --> 0:59:07.600
<v Speaker 1>deserves to be in an action franchise. She deserves to

0:59:07.640 --> 0:59:10.320
<v Speaker 1>be in something that's not you for it. Yes, yes, exactly.

0:59:10.320 --> 0:59:12.880
<v Speaker 1>And also she will just much like Jennifer Lawrence, can

0:59:12.920 --> 0:59:19.400
<v Speaker 1>bring emotional steaks to something that's hyper unreal um surreality. Um.

0:59:19.440 --> 0:59:24.200
<v Speaker 1>But anyways, on the kind of fan casting shipping the

0:59:24.240 --> 0:59:26.720
<v Speaker 1>thing that you just outlined and thinking about, you know,

0:59:27.240 --> 0:59:31.640
<v Speaker 1>the popular characters that everyone wants to stand in Harry Potter,

0:59:32.520 --> 0:59:37.240
<v Speaker 1>who is the couple that everone ships or maybe should

0:59:37.240 --> 0:59:40.080
<v Speaker 1>ship in your eyes in the Hunger Games franchise, Like

0:59:40.120 --> 0:59:43.480
<v Speaker 1>two characters that really should have got it on and

0:59:43.520 --> 0:59:46.720
<v Speaker 1>would be an amazing story in and of themselves. Oh well,

0:59:46.760 --> 0:59:49.600
<v Speaker 1>I mean this is like sort of alluded to in

0:59:49.600 --> 0:59:51.880
<v Speaker 1>the films more than it was in the books. But

0:59:52.280 --> 0:59:59.000
<v Speaker 1>Effie and Hay Mitch, oh yeah, they have scenes a

0:59:59.160 --> 1:00:05.000
<v Speaker 1>kind of Effie that is, to me, Eliza Elizabeth Banks's

1:00:05.040 --> 1:00:08.280
<v Speaker 1>best work. I it definitely is incredible. And I think

1:00:08.320 --> 1:00:11.280
<v Speaker 1>the character development over the course of the franchises when

1:00:12.000 --> 1:00:16.919
<v Speaker 1>stabs the table that is um I have. I did

1:00:16.920 --> 1:00:19.560
<v Speaker 1>say this during our Twilight episode, I believe, But I

1:00:19.640 --> 1:00:25.560
<v Speaker 1>did unfortunately break up with somebody after having a fight

1:00:25.800 --> 1:00:28.480
<v Speaker 1>with them about which characters who were in the Hunger

1:00:28.480 --> 1:00:30.840
<v Speaker 1>Games while we were watching it, because so who do

1:00:30.920 --> 1:00:33.439
<v Speaker 1>you think you are? Okay, So the way the fight

1:00:33.480 --> 1:00:38.520
<v Speaker 1>went down was like he immediately was like, oh you're

1:00:38.600 --> 1:00:42.240
<v Speaker 1>Effie blah blah blah, and I was like, okay, not no,

1:00:42.600 --> 1:00:44.680
<v Speaker 1>but like there was this kind of like tension slash

1:00:44.680 --> 1:00:48.000
<v Speaker 1>recurring conflict like my X and I would have about

1:00:48.680 --> 1:00:50.960
<v Speaker 1>me being a corrupt capitalist or something like that, and

1:00:51.000 --> 1:00:53.240
<v Speaker 1>like and I was just like, Okay, so I see

1:00:53.280 --> 1:00:55.560
<v Speaker 1>the undercurrent of what you're trying to say there, but

1:00:55.560 --> 1:00:57.120
<v Speaker 1>I'm going to take it and stride because I think

1:00:57.160 --> 1:00:59.840
<v Speaker 1>that's really funny. And so I was just like, well then,

1:01:00.080 --> 1:01:03.680
<v Speaker 1>or Peter because he is Peter, because he I was like,

1:01:03.680 --> 1:01:06.000
<v Speaker 1>because you're like a whiny little bit. Okay, well, who

1:01:06.040 --> 1:01:08.560
<v Speaker 1>do you think you are? Um, he is a whiny

1:01:08.600 --> 1:01:10.960
<v Speaker 1>little bit, by the way, Um, I believe you. I

1:01:10.960 --> 1:01:13.440
<v Speaker 1>do think. I believe. I do think I am thank you.

1:01:13.520 --> 1:01:16.280
<v Speaker 1>I do think I'm Effie. I do I think that

1:01:16.480 --> 1:01:20.640
<v Speaker 1>I have in my own life a character arc like Effie's.

1:01:20.800 --> 1:01:23.280
<v Speaker 1>Like I the place that I was ten years ago

1:01:23.360 --> 1:01:27.160
<v Speaker 1>to where I am now has not different belief systems

1:01:27.160 --> 1:01:29.280
<v Speaker 1>the way Effie has. But I've grown a lot in

1:01:29.440 --> 1:01:32.320
<v Speaker 1>like my trajectory as a human being and what I

1:01:32.320 --> 1:01:34.720
<v Speaker 1>want to do with my life. And I'm proud of that.

1:01:34.840 --> 1:01:36.840
<v Speaker 1>And I'm not trying to like you know, get rid

1:01:36.880 --> 1:01:39.280
<v Speaker 1>of like who I was before. And I also still

1:01:39.320 --> 1:01:43.880
<v Speaker 1>retain some characteristics from my capitalist days that like you know,

1:01:44.040 --> 1:01:47.160
<v Speaker 1>are part of my judge like I would say, yes,

1:01:47.280 --> 1:01:51.280
<v Speaker 1>I would say that's mahogany okay, like that I would

1:01:51.880 --> 1:01:56.000
<v Speaker 1>And I am um the girl from the first movie

1:01:56.280 --> 1:02:00.000
<v Speaker 1>who's played by the girl from Orphan who throws daggers,

1:02:00.120 --> 1:02:03.040
<v Speaker 1>the one that gets naked in the elevator. No, oh no,

1:02:03.200 --> 1:02:08.400
<v Speaker 1>I'm Joanna, Oh my god, Joanna, Jenna Malone? Who wait?

1:02:08.440 --> 1:02:11.160
<v Speaker 1>Remember that one time we went to Atrium for brunch

1:02:11.280 --> 1:02:14.000
<v Speaker 1>in l A Jennama and I told you Jenna Malone

1:02:14.040 --> 1:02:15.560
<v Speaker 1>had just last and I was like, who is? And

1:02:15.560 --> 1:02:17.160
<v Speaker 1>I like caught eyes with her, and I'm like, j

1:02:18.240 --> 1:02:20.280
<v Speaker 1>was actually kind of gabbed by that, and I'm like

1:02:20.520 --> 1:02:22.800
<v Speaker 1>very unfazed by seeing famous people out in the wild.

1:02:23.200 --> 1:02:26.280
<v Speaker 1>But that scene where she gets into the elevator and

1:02:26.320 --> 1:02:29.760
<v Speaker 1>takes all her clothes off is iconic. Jenna Moroni should

1:02:29.760 --> 1:02:32.360
<v Speaker 1>have been in Hunger Games, so she should have been

1:02:32.400 --> 1:02:35.440
<v Speaker 1>in the capital. I'm I'm Joanna if I'm gonna if

1:02:35.480 --> 1:02:38.600
<v Speaker 1>I'm gonna be any of the Hunger Games characters. But okay,

1:02:38.680 --> 1:02:42.240
<v Speaker 1>so who should have been a couple? Somebody gay? Right? Yes?

1:02:42.320 --> 1:02:45.720
<v Speaker 1>So I would say Joanna and Catness. Yeah. I think

1:02:45.720 --> 1:02:48.320
<v Speaker 1>Catness should have should have should have, you know, followed

1:02:48.360 --> 1:02:51.400
<v Speaker 1>her her instincts and ditched these guys. And then I'm

1:02:51.400 --> 1:02:56.160
<v Speaker 1>also going to say Peter and hay Mitch. Yeah yeah,

1:02:56.200 --> 1:02:59.920
<v Speaker 1>And let me tell you the end of the story

1:03:00.800 --> 1:03:03.720
<v Speaker 1>would have been, there would have been much more harmony.

1:03:04.080 --> 1:03:07.000
<v Speaker 1>I think if he had gotten with Peta and if

1:03:07.080 --> 1:03:10.240
<v Speaker 1>Jennifer Lawrence had been a lesbian like that, I think

1:03:10.320 --> 1:03:14.000
<v Speaker 1>would have satisfied their overall needs as humans. Because back

1:03:14.040 --> 1:03:16.680
<v Speaker 1>to what I was trying to say before, trauma, bonding

1:03:16.760 --> 1:03:19.160
<v Speaker 1>is not love. And it's true that like, yes, like

1:03:20.000 --> 1:03:23.520
<v Speaker 1>she's going through this trauma, trauma that's literally like in

1:03:23.600 --> 1:03:26.919
<v Speaker 1>the books, in the movies, and she's to us. They're

1:03:26.960 --> 1:03:28.840
<v Speaker 1>not totally saying it the way I'm saying it, but

1:03:28.880 --> 1:03:32.200
<v Speaker 1>it's like cattiness is kind of saying towards the end

1:03:32.200 --> 1:03:34.560
<v Speaker 1>of these films, it's like, I have gone through something

1:03:34.560 --> 1:03:39.040
<v Speaker 1>that literally no one else understands unless you've been in

1:03:39.680 --> 1:03:41.640
<v Speaker 1>the thing, right you have. If you haven't been in

1:03:41.680 --> 1:03:44.680
<v Speaker 1>the Hungry Games, you don't understand my trauma. And so

1:03:45.280 --> 1:03:48.840
<v Speaker 1>because there was no going back for Catness, catness emotionally

1:03:49.200 --> 1:03:53.320
<v Speaker 1>it makes sense. I I can concede that Gail is

1:03:53.360 --> 1:03:55.960
<v Speaker 1>no longer a fit, which is why she should have

1:03:56.120 --> 1:04:00.320
<v Speaker 1>gotten with a woman who was in the Hunger Games. Yeah,

1:04:00.360 --> 1:04:04.160
<v Speaker 1>but even I think even outside of even outside of

1:04:04.200 --> 1:04:07.480
<v Speaker 1>the Hunger Games, catness Is experience was more singular than

1:04:07.520 --> 1:04:10.680
<v Speaker 1>anyone else because not only was she manipulated, and this

1:04:10.880 --> 1:04:12.960
<v Speaker 1>is the whole point of the last film, is not

1:04:13.000 --> 1:04:16.240
<v Speaker 1>only was she manipulated by the Capital in a very

1:04:16.280 --> 1:04:19.560
<v Speaker 1>obvious way, she was then manipulated by the Resistance. That's

1:04:19.560 --> 1:04:21.560
<v Speaker 1>the whole reason why she kills Julian Moore at the end.

1:04:21.840 --> 1:04:23.400
<v Speaker 1>It's because she's like, I'm not going to let this

1:04:23.440 --> 1:04:26.560
<v Speaker 1>happen again, because the way the Hunger Games end is

1:04:26.800 --> 1:04:29.120
<v Speaker 1>the Resistance is like, Okay, now we're going to start

1:04:29.160 --> 1:04:32.080
<v Speaker 1>the Hunger Games again, just with the children from the Capitol,

1:04:32.360 --> 1:04:34.640
<v Speaker 1>and Catness is like, it's never gonna fucking end, So

1:04:34.720 --> 1:04:38.040
<v Speaker 1>I'm just gonna kill you. And then Donald Sutherland like laughs,

1:04:38.040 --> 1:04:41.000
<v Speaker 1>He's like ha ha, and then Catiness, you know, she

1:04:41.400 --> 1:04:43.960
<v Speaker 1>removes herself from an entirely. She and Peter go back

1:04:44.000 --> 1:04:46.280
<v Speaker 1>to District twelve and just like have a bunch of

1:04:46.360 --> 1:04:48.480
<v Speaker 1>kids and like fucking big bread for the rest of

1:04:48.520 --> 1:04:52.120
<v Speaker 1>their lives. Fuck and big bread. Now that is a

1:04:52.120 --> 1:05:02.480
<v Speaker 1>happy ending. Um slide into our d m s at

1:05:02.520 --> 1:05:06.280
<v Speaker 1>like a virgin. Tell us what would your weapon of

1:05:06.360 --> 1:05:08.040
<v Speaker 1>choice be on the Hunger Games? Do you think you

1:05:08.080 --> 1:05:11.520
<v Speaker 1>would survive? Um? Are you more of a Capital girly

1:05:11.800 --> 1:05:14.760
<v Speaker 1>or you in one of the districts? Are you team Peter,

1:05:14.920 --> 1:05:18.959
<v Speaker 1>team Gail, team Effie? We want to know um and

1:05:19.480 --> 1:05:23.160
<v Speaker 1>please rate and review us on Spotify and Apple Music.

1:05:24.000 --> 1:05:27.640
<v Speaker 1>We really appreciate that. My name's Rose Damn. You can

1:05:27.640 --> 1:05:30.160
<v Speaker 1>find me anywhere online at Rose Damn you and I'm

1:05:30.200 --> 1:05:32.400
<v Speaker 1>Fran Toronto. You can find me at Friends, Squish, go

1:05:32.600 --> 1:05:34.800
<v Speaker 1>anywhere you like. Like a Virgin is an I Heeart

1:05:34.880 --> 1:05:39.000
<v Speaker 1>radio production. Our producer is Phoebe Unter with support from

1:05:39.080 --> 1:05:43.440
<v Speaker 1>Lindsey with support from Lindsay Hoffman and Nikki Etre Until

1:05:43.520 --> 1:05:47.760
<v Speaker 1>next week. Um boom, that's the sound of the cannon

1:05:47.840 --> 1:05:50.440
<v Speaker 1>that that happens when someone dies in the Hunger Games.

1:05:52.720 --> 1:05:55.920
<v Speaker 1>You know, I can't whistle, so that was very triggering.

1:06:00.040 --> 1:06:00.200
<v Speaker 1>Three