1 00:00:02,560 --> 00:00:06,200 Speaker 1: Can we talk about how the remix of Jennifer Lawrence 2 00:00:06,360 --> 00:00:14,080 Speaker 1: singing the no but No But I do remember once 3 00:00:14,120 --> 00:00:16,239 Speaker 1: being in an uber on a way to a party 4 00:00:16,360 --> 00:00:29,080 Speaker 1: and that song came on. It's so bad. Welcome to 5 00:00:29,120 --> 00:00:31,040 Speaker 1: Like a Virgin, the show where we give yesterday's pop 6 00:00:31,080 --> 00:00:34,400 Speaker 1: culture today's takes. I'm Rose, damn you, I'm Fran Toronto, 7 00:00:34,960 --> 00:00:38,080 Speaker 1: and we have some breaking news. And Fran, I don't 8 00:00:38,080 --> 00:00:40,840 Speaker 1: know if you've even seen this. We did not talk 9 00:00:40,880 --> 00:00:46,400 Speaker 1: about it in advance, but the Madonna biopick has been canceled. 10 00:00:47,000 --> 00:00:53,320 Speaker 1: Oh my, that is hilarious. Because I was at Sinance 11 00:00:53,400 --> 00:00:56,120 Speaker 1: this weekend, which we'll talk about Charlie. I talked to 12 00:00:56,360 --> 00:00:59,240 Speaker 1: multiple industry people about the Madonna bio pick two separate 13 00:00:59,280 --> 00:01:02,160 Speaker 1: conversations abou this biopic, and someone said to me, well, 14 00:01:02,200 --> 00:01:03,360 Speaker 1: what do you think is going to happen with And 15 00:01:03,400 --> 00:01:05,560 Speaker 1: I was like, I don't think it's gonna happen. I 16 00:01:05,560 --> 00:01:08,000 Speaker 1: think that Madonna. If you look at the history of 17 00:01:08,040 --> 00:01:12,280 Speaker 1: Madonna movies and just unfinished Madonna projects in general, there 18 00:01:12,319 --> 00:01:16,480 Speaker 1: are many that have been abandoned because she's so impossible 19 00:01:16,640 --> 00:01:19,640 Speaker 1: to work with, which like she deserves to be impossible 20 00:01:19,640 --> 00:01:21,760 Speaker 1: to work with right, like she's earned her shore to 21 00:01:21,880 --> 00:01:24,960 Speaker 1: an extent. But h I mean you also called this too. 22 00:01:25,000 --> 00:01:27,080 Speaker 1: I feel like you didn't think it was like, it's 23 00:01:27,080 --> 00:01:31,160 Speaker 1: not it's I have been saying for years at this 24 00:01:31,240 --> 00:01:34,520 Speaker 1: point that this film which Madonna was going to direct 25 00:01:34,560 --> 00:01:39,080 Speaker 1: herself was never happening. Um, but it is official according 26 00:01:39,120 --> 00:01:41,720 Speaker 1: to Twitter. It's not happening. But what I will say 27 00:01:41,840 --> 00:01:45,520 Speaker 1: is I still would like to see a limited series 28 00:01:45,840 --> 00:01:50,680 Speaker 1: about the Madonna boot Camp. Yes, actually, um, girls, so 29 00:01:50,760 --> 00:01:53,400 Speaker 1: tell me about Sundance. Sundance was great. I've been to 30 00:01:53,480 --> 00:01:57,000 Speaker 1: Sundance before. Have I told you about this? No? Um, 31 00:01:57,360 --> 00:02:03,680 Speaker 1: I went to Sundance twenty years ago in fifth grade. What. Yeah, 32 00:02:03,800 --> 00:02:07,040 Speaker 1: My my trans cowgirl aunt, who I think I've talked 33 00:02:07,080 --> 00:02:10,359 Speaker 1: to you about before. He was an architect and she 34 00:02:10,720 --> 00:02:14,280 Speaker 1: had like she had built a house for Robert Redford. 35 00:02:14,600 --> 00:02:16,799 Speaker 1: I'm not a Nippo baby, by the way, listeners, Um, 36 00:02:16,840 --> 00:02:19,240 Speaker 1: she just like got the hook up. My aunt is 37 00:02:19,280 --> 00:02:21,160 Speaker 1: like she lives in a shack in like the middle 38 00:02:21,200 --> 00:02:24,000 Speaker 1: of fucking podunc newhere, Colorado, like a shock that she 39 00:02:24,080 --> 00:02:26,840 Speaker 1: built herself. But she like was like, oh, um, Robert 40 00:02:26,840 --> 00:02:30,359 Speaker 1: Redford like my um nibbling so to speak. I hate. 41 00:02:30,400 --> 00:02:33,200 Speaker 1: Actually I just used the term nibbling to describe a 42 00:02:33,280 --> 00:02:35,440 Speaker 1: young me, and I actually hate that term. Can we 43 00:02:35,480 --> 00:02:38,200 Speaker 1: say this now, like there has to be a better 44 00:02:38,280 --> 00:02:42,520 Speaker 1: gender neutral term between nephew and niece than nibbling, Like 45 00:02:42,600 --> 00:02:47,880 Speaker 1: that's it's rotted, Like it's disgusting. I've never used that terminology. 46 00:02:47,919 --> 00:02:51,919 Speaker 1: I never would. That's disgusting. But you you, but you 47 00:02:51,600 --> 00:02:56,919 Speaker 1: yourself have a nibbling. I have a nephew for now, 48 00:02:57,720 --> 00:03:00,360 Speaker 1: for now, as I said, as I said at his 49 00:03:00,639 --> 00:03:04,680 Speaker 1: Zoom gender reveal, for now, yeah you did, um okay, 50 00:03:04,720 --> 00:03:07,520 Speaker 1: So anyways, Um, basically she was just like, oh, yeah, my, 51 00:03:07,680 --> 00:03:12,200 Speaker 1: you know, my net niece, um wants to be a filmmaker. 52 00:03:12,240 --> 00:03:14,080 Speaker 1: I want to take them and like literally brought me 53 00:03:14,160 --> 00:03:17,760 Speaker 1: and my cousin to Sundance so that we could like 54 00:03:17,840 --> 00:03:21,080 Speaker 1: watch movies and and all that stuff. Totally wild, but 55 00:03:21,200 --> 00:03:24,520 Speaker 1: like the an amazing, incredible memory as a kid, and 56 00:03:24,560 --> 00:03:28,239 Speaker 1: I think to go back with like TRIPLEI fun obviously 57 00:03:28,240 --> 00:03:31,399 Speaker 1: because I could go to all of the crazy parties 58 00:03:31,480 --> 00:03:34,240 Speaker 1: that come along with Sundance. So what is Sundance like 59 00:03:34,320 --> 00:03:38,120 Speaker 1: I've never been you know, Um, I would describe it 60 00:03:38,440 --> 00:03:41,480 Speaker 1: similar to I mean, it's just it's just a film 61 00:03:41,520 --> 00:03:44,280 Speaker 1: festival that kind of takes place across Park City, which 62 00:03:44,320 --> 00:03:46,120 Speaker 1: is this like you know place in Utah that has 63 00:03:46,320 --> 00:03:49,520 Speaker 1: an extremely high elevation and therefore is like covered in 64 00:03:49,600 --> 00:03:52,640 Speaker 1: snow this time of year. UM, And it's super magical 65 00:03:52,840 --> 00:03:57,040 Speaker 1: and very like hyperlocal and small, very crowded. UM probably 66 00:03:57,080 --> 00:04:00,160 Speaker 1: has the same crowd that you might find it like 67 00:04:00,200 --> 00:04:03,440 Speaker 1: a south By Southwest or like an Aspen Gay Ski Week, 68 00:04:03,480 --> 00:04:06,520 Speaker 1: which like I've been to both, and that just basically 69 00:04:06,520 --> 00:04:10,240 Speaker 1: means that they're white and affluent and have expendable income. 70 00:04:10,680 --> 00:04:13,760 Speaker 1: So sometimes there are some like really annoying people that 71 00:04:13,800 --> 00:04:16,760 Speaker 1: you're surrounded by, and then you're also surrounded by a 72 00:04:16,760 --> 00:04:21,040 Speaker 1: lot of like cool like filmmakers and artists who are 73 00:04:21,080 --> 00:04:24,320 Speaker 1: there because their films are there. Did you spot Anne 74 00:04:24,320 --> 00:04:30,000 Speaker 1: Hathaway who was so stepmother at Sundance this year, the 75 00:04:30,080 --> 00:04:32,640 Speaker 1: kind of step mom you want to fuck? She? I 76 00:04:32,680 --> 00:04:34,920 Speaker 1: did not see her. I'm so bummed that I would 77 00:04:34,960 --> 00:04:38,119 Speaker 1: say that um Kesha was probably the most famous person. 78 00:04:38,160 --> 00:04:41,760 Speaker 1: I was in proximity too, but I did sad. It's 79 00:04:41,839 --> 00:04:44,479 Speaker 1: really disappointing. I was looking for her, for sure, But 80 00:04:44,600 --> 00:04:48,680 Speaker 1: I I did see Meredith Marks like four different times, 81 00:04:48,720 --> 00:04:51,440 Speaker 1: like she was at every other party that I went to, 82 00:04:51,520 --> 00:04:53,440 Speaker 1: And at a certain point I was like this is weird, 83 00:04:53,600 --> 00:04:57,960 Speaker 1: Like you are the queen of Sundance, I guess, um, 84 00:04:58,160 --> 00:05:00,520 Speaker 1: And yeah, she had like a party in like her boutique, 85 00:05:00,520 --> 00:05:06,560 Speaker 1: which is um, like she's the one with the gay son, 86 00:05:06,600 --> 00:05:09,160 Speaker 1: and her boutique is like like four square feet, like 87 00:05:09,200 --> 00:05:13,280 Speaker 1: it's so small, and like I we were all like 88 00:05:13,360 --> 00:05:14,840 Speaker 1: jam packed in there with like a bunch of other 89 00:05:14,880 --> 00:05:17,320 Speaker 1: faggots and then like Jonathan Bennet, like I was just 90 00:05:17,360 --> 00:05:21,440 Speaker 1: like what's going on? Um? I saw some really cool films. 91 00:05:21,800 --> 00:05:25,200 Speaker 1: There's only one that I like really want to talk about. Um, 92 00:05:25,240 --> 00:05:30,440 Speaker 1: this documentary that soon everyone will hear about called Cocoma Documentary. Okay, 93 00:05:30,480 --> 00:05:33,880 Speaker 1: I'm going to go to the bathroom, just kidding, Okay, 94 00:05:34,000 --> 00:05:36,560 Speaker 1: but actually I think that's a good setup because it's 95 00:05:36,560 --> 00:05:38,960 Speaker 1: a documentary that you know, if you read the log line, 96 00:05:38,960 --> 00:05:42,200 Speaker 1: it's like a doc about black trans sex workers across 97 00:05:42,480 --> 00:05:45,760 Speaker 1: the country, and on paper, it's kind of like a 98 00:05:45,800 --> 00:05:48,680 Speaker 1: talking head doc. And you know, you and I we've 99 00:05:48,680 --> 00:05:51,599 Speaker 1: worked in queer media for a while, and like we've 100 00:05:51,640 --> 00:05:55,719 Speaker 1: reported on a lot of things related to just ongoing 101 00:05:55,800 --> 00:05:58,440 Speaker 1: violence and sex work and all this all this different stuff, 102 00:05:58,440 --> 00:06:01,480 Speaker 1: and so I think I kind of went into it, 103 00:06:01,960 --> 00:06:04,080 Speaker 1: and I think a lot of people probably went into 104 00:06:04,120 --> 00:06:07,159 Speaker 1: it having a certain idea in their head of what 105 00:06:07,279 --> 00:06:11,200 Speaker 1: a documentary about black trans sex workers would be. And 106 00:06:11,279 --> 00:06:16,440 Speaker 1: then in the first sixty seconds of this film completely 107 00:06:17,720 --> 00:06:21,320 Speaker 1: like surprises you, and it's like a completely different movie 108 00:06:21,440 --> 00:06:23,240 Speaker 1: than what you think it's going to be. It is 109 00:06:23,760 --> 00:06:30,400 Speaker 1: so funny and so nuanced and so artful, and like 110 00:06:30,760 --> 00:06:33,360 Speaker 1: I think that you know, similar to our conversations about 111 00:06:33,400 --> 00:06:35,479 Speaker 1: like Pretty Woman and Zola a while back, it's like 112 00:06:35,800 --> 00:06:40,240 Speaker 1: it like perfectly illustrates like the like what's like mundane 113 00:06:40,279 --> 00:06:43,440 Speaker 1: about sex work, Like what's like ridiculous about sex work, 114 00:06:43,520 --> 00:06:46,480 Speaker 1: what's terrifying about sex work? And messes it all up 115 00:06:46,600 --> 00:06:50,520 Speaker 1: just like by way of talking to these women and 116 00:06:50,640 --> 00:06:54,600 Speaker 1: hearing like how brilliant they are. And then also like 117 00:06:54,720 --> 00:06:59,960 Speaker 1: without giving too much away interviewing people that hire sex workers, 118 00:07:00,520 --> 00:07:04,160 Speaker 1: and without like centering them at all, like the art 119 00:07:04,279 --> 00:07:06,960 Speaker 1: of the camera it like doesn't show their faces, and 120 00:07:07,160 --> 00:07:10,400 Speaker 1: like just on the filmmaking level and on the music 121 00:07:10,400 --> 00:07:12,960 Speaker 1: supervision level, the movie was so good and the woman 122 00:07:12,960 --> 00:07:15,320 Speaker 1: who directed it, who obviously was also black, and trans 123 00:07:15,400 --> 00:07:18,160 Speaker 1: which is to me the reason why this film was 124 00:07:18,280 --> 00:07:21,440 Speaker 1: like so far and beyond different than any other I'd 125 00:07:21,520 --> 00:07:24,600 Speaker 1: seen in like the trans doc space or even trans 126 00:07:24,680 --> 00:07:29,080 Speaker 1: filmmaking space. Um she used to work in music and 127 00:07:29,200 --> 00:07:31,600 Speaker 1: was like I think she used to do like music 128 00:07:31,640 --> 00:07:34,360 Speaker 1: stuff for like Andrea the Thousand Sierra or whatever, and 129 00:07:34,360 --> 00:07:36,840 Speaker 1: then when she transitioned, she lost all her work and 130 00:07:36,920 --> 00:07:39,440 Speaker 1: she was homeless for I think years, she was telling 131 00:07:39,520 --> 00:07:41,720 Speaker 1: us at the talk back, and so this doc was 132 00:07:41,760 --> 00:07:43,760 Speaker 1: like part of the art that she was like making 133 00:07:43,800 --> 00:07:46,200 Speaker 1: to figure out like what her next step in art is, 134 00:07:46,360 --> 00:07:48,080 Speaker 1: and she is going to be famous. Her name is 135 00:07:48,160 --> 00:07:51,080 Speaker 1: d Smith. Everyone should like check out this dock like 136 00:07:51,120 --> 00:07:54,200 Speaker 1: the second it's available to them. Truly, it's so thought 137 00:07:54,280 --> 00:07:57,600 Speaker 1: sounds fabulous, and I will take your word for it 138 00:07:57,720 --> 00:08:02,560 Speaker 1: and probably watch it, even though I'm very anti documentary. 139 00:08:02,720 --> 00:08:05,120 Speaker 1: I'm trying to think of like any other highlights from 140 00:08:05,160 --> 00:08:08,000 Speaker 1: the weekend, but like I was basically just like driving 141 00:08:08,040 --> 00:08:11,560 Speaker 1: around and like in snow and like being bundled up 142 00:08:11,560 --> 00:08:15,120 Speaker 1: and like waiting outside of like parties like cold, the 143 00:08:15,240 --> 00:08:18,640 Speaker 1: phone's miserable and hanging out of the Chase Sapphire Reserve 144 00:08:18,720 --> 00:08:26,520 Speaker 1: lounge lovely. Um Well, speaking of snow and ice, I 145 00:08:26,560 --> 00:08:33,400 Speaker 1: wanted to take a quick little detour into corner Um. 146 00:08:33,800 --> 00:08:36,200 Speaker 1: So I know, I know that as a family we're 147 00:08:36,200 --> 00:08:40,120 Speaker 1: still reading man Hunt. I'm reading it very slowly, but 148 00:08:40,200 --> 00:08:44,760 Speaker 1: I did read and literally one sitting the other night, 149 00:08:45,280 --> 00:08:51,920 Speaker 1: a gay hockey romance. What was it giving? Was it 150 00:08:51,960 --> 00:08:55,959 Speaker 1: giving YOURII on ice? Yeah, but but sexier and about 151 00:08:56,000 --> 00:08:59,600 Speaker 1: hockey um. And it was called Heated Rivalry. It's part 152 00:08:59,640 --> 00:09:05,000 Speaker 1: of a series of gay hockey fiction and it was 153 00:09:05,040 --> 00:09:07,680 Speaker 1: recommended by someone I follow on TikTok and I read 154 00:09:07,720 --> 00:09:11,000 Speaker 1: it in one sitting, and it's about these two hockey 155 00:09:11,000 --> 00:09:13,600 Speaker 1: players who get drafted at the same time and have 156 00:09:13,760 --> 00:09:17,240 Speaker 1: this sort of media driven rivalry. But like as soon 157 00:09:17,280 --> 00:09:20,079 Speaker 1: as they meet there into each other and they secretly 158 00:09:20,200 --> 00:09:24,760 Speaker 1: fuck for years, um, and then like eventually fall in love. 159 00:09:25,200 --> 00:09:28,440 Speaker 1: And it was a very good way to spend an evening. 160 00:09:29,240 --> 00:09:33,280 Speaker 1: The sex scenes were really hot, and I definitely recommend 161 00:09:33,280 --> 00:09:36,640 Speaker 1: it if you're just looking for some gay porn to 162 00:09:36,760 --> 00:09:40,160 Speaker 1: read it basically you're looking for some porn to read, 163 00:09:40,240 --> 00:09:43,560 Speaker 1: you can set some emotional gay porn. Yeah, I mean, 164 00:09:43,600 --> 00:09:45,920 Speaker 1: I'm always looking for something to kind of like fill 165 00:09:46,160 --> 00:09:50,000 Speaker 1: the hole that your on ice Um used to occupy 166 00:09:50,080 --> 00:09:52,840 Speaker 1: it because I just like, well, I wish I could 167 00:09:52,840 --> 00:09:55,880 Speaker 1: experience that series for the first time over and over again. 168 00:09:55,960 --> 00:09:59,320 Speaker 1: I know same. It's really no thoughts had empty, just vibes, 169 00:09:59,360 --> 00:10:02,840 Speaker 1: which was really what I was looking for. What else 170 00:10:02,880 --> 00:10:05,160 Speaker 1: have I been enjoying recently? I want to make a 171 00:10:05,160 --> 00:10:08,480 Speaker 1: case that you should watch The Last of Us? Have 172 00:10:08,559 --> 00:10:12,240 Speaker 1: you heard anything about it? I've seen people talking about it, 173 00:10:12,280 --> 00:10:15,400 Speaker 1: and I've been seeing how pedro pedro pscal what is 174 00:10:15,440 --> 00:10:18,920 Speaker 1: that his name? Um, I've been seeing like everyone thirst 175 00:10:18,960 --> 00:10:21,560 Speaker 1: over him, and I yeah, I probably will watch it. 176 00:10:21,559 --> 00:10:24,240 Speaker 1: What's it about? So it's a zombie show. It takes 177 00:10:24,240 --> 00:10:27,760 Speaker 1: place in a post apocalyptic world in which you know, 178 00:10:27,880 --> 00:10:31,040 Speaker 1: the society has fallen due to a zombie plague. It's 179 00:10:31,080 --> 00:10:35,280 Speaker 1: adapted from a video game series and in and in 180 00:10:35,440 --> 00:10:40,600 Speaker 1: this iteration um, the zombie plague is a fungus that 181 00:10:40,640 --> 00:10:43,960 Speaker 1: has taken over humanity. So the zombies are very like 182 00:10:44,320 --> 00:10:47,559 Speaker 1: the zombies heads have like split open and like mushrooms 183 00:10:47,600 --> 00:10:51,200 Speaker 1: and fungi are sprouting from them. And they're also like 184 00:10:51,320 --> 00:10:54,640 Speaker 1: part of a hive mind that's connected through like scores. 185 00:10:55,160 --> 00:10:57,679 Speaker 1: That's cool, so they like they can like sync up 186 00:10:57,720 --> 00:10:59,920 Speaker 1: and like communicate with each other. Yeah, it's like they're 187 00:11:00,160 --> 00:11:02,720 Speaker 1: these threads that connect them. So if you like step 188 00:11:02,760 --> 00:11:05,680 Speaker 1: on one a mile away, a bunch of a bunch 189 00:11:05,720 --> 00:11:08,760 Speaker 1: of the zombies will know, and we'll know where you 190 00:11:08,800 --> 00:11:12,440 Speaker 1: are and then we'll come running to get you. Um. 191 00:11:12,559 --> 00:11:16,640 Speaker 1: So the so from what I've heard, it's very faithful 192 00:11:16,800 --> 00:11:19,840 Speaker 1: to the video game. There's almost like a prologue in 193 00:11:19,880 --> 00:11:22,920 Speaker 1: the first episode where Pedro Pascal, who's the main character, 194 00:11:23,000 --> 00:11:27,080 Speaker 1: it's about how his life for the Outbreak started, and 195 00:11:27,120 --> 00:11:31,400 Speaker 1: you follow his daughter and like get kind of her 196 00:11:31,480 --> 00:11:34,959 Speaker 1: point of view of like things starting to be weird 197 00:11:35,120 --> 00:11:38,000 Speaker 1: and how things went awry. Um. And I don't want 198 00:11:38,000 --> 00:11:40,280 Speaker 1: to spoil it for you, so I won't say more 199 00:11:40,320 --> 00:11:42,880 Speaker 1: than that. But then it jumps twenty years in the 200 00:11:42,920 --> 00:11:47,720 Speaker 1: future to where he's now this um smuggler in what 201 00:11:48,000 --> 00:11:51,720 Speaker 1: used to be Boston which is now like a fascist 202 00:11:51,760 --> 00:11:55,960 Speaker 1: military state, and he and his girlfriend are tasked with 203 00:11:56,559 --> 00:12:01,760 Speaker 1: um smuggling this young girl out by the Resistance. And 204 00:12:01,960 --> 00:12:04,400 Speaker 1: the show is, I guess, sort of like a road 205 00:12:04,440 --> 00:12:08,240 Speaker 1: trip story about them making their way across the US, 206 00:12:08,720 --> 00:12:12,880 Speaker 1: where like there's tons of like zombies and like raiders 207 00:12:12,920 --> 00:12:16,760 Speaker 1: and slavers, and Um. Even in the first episode, I 208 00:12:16,800 --> 00:12:19,400 Speaker 1: could tell that a lot of the visuals were probably 209 00:12:19,440 --> 00:12:23,040 Speaker 1: pulled directly from the video game, like scenes were they're 210 00:12:23,080 --> 00:12:25,440 Speaker 1: in a car and there's like people running in front 211 00:12:25,480 --> 00:12:28,000 Speaker 1: of them. It's like you can feel how that probably 212 00:12:28,080 --> 00:12:30,600 Speaker 1: was lifted directly from the game, but it's done in 213 00:12:30,640 --> 00:12:35,679 Speaker 1: such a like what beautifully fil mcway. The performances are incredible. Um. 214 00:12:35,760 --> 00:12:39,640 Speaker 1: Pedro Pascal's daughter is played by Tandy Way Newton from 215 00:12:39,800 --> 00:12:43,760 Speaker 1: West World her daughter, and she's so incredible. Um. The 216 00:12:44,040 --> 00:12:47,679 Speaker 1: girl who he eventually has to smuggle is played by 217 00:12:47,840 --> 00:12:51,880 Speaker 1: the actress from the latter seasons of Game of Thrones 218 00:12:51,920 --> 00:12:54,199 Speaker 1: who played Leona Morimont and she was also in that 219 00:12:54,280 --> 00:12:57,640 Speaker 1: Lena Duna movie. I was like, I've seen her from 220 00:12:58,080 --> 00:13:03,319 Speaker 1: Game of Thrones. Um. But yeah, it's really entertaining, very scary. Um, 221 00:13:03,360 --> 00:13:07,200 Speaker 1: you know, really good. Just Sunday Night Musty TV. I 222 00:13:07,240 --> 00:13:10,520 Speaker 1: definitely recommend it. I'm actually literally going to watch it 223 00:13:10,559 --> 00:13:12,760 Speaker 1: now because I was just waiting for someone to kind 224 00:13:12,760 --> 00:13:14,839 Speaker 1: of sell it to me. Um. Honestly, I think a 225 00:13:14,880 --> 00:13:16,760 Speaker 1: lot of people come to this podcast like waiting to 226 00:13:16,760 --> 00:13:19,360 Speaker 1: be sold on something. So UM. I was it was 227 00:13:19,400 --> 00:13:21,120 Speaker 1: between that or you know what else. You know, what 228 00:13:21,240 --> 00:13:24,400 Speaker 1: was on my list maybe for tonight was the Madonna 229 00:13:24,480 --> 00:13:27,079 Speaker 1: doc Truth or Dair, which I've actually never seen. Oh, 230 00:13:27,080 --> 00:13:30,480 Speaker 1: you've never seen Yes, which I've heard it's incredible. Well, 231 00:13:30,520 --> 00:13:33,240 Speaker 1: it's you know, it's been in the culture a lot 232 00:13:33,320 --> 00:13:36,440 Speaker 1: because the video Madonna put out last week to announce 233 00:13:36,520 --> 00:13:41,679 Speaker 1: her Yes the World tour. Yeah, it's that that video 234 00:13:41,800 --> 00:13:45,520 Speaker 1: is modeled after Truth or scene in Truth Their Dare, 235 00:13:45,559 --> 00:13:48,400 Speaker 1: in which Madonna plays Truth Their Dare with her backup dancers, 236 00:13:48,640 --> 00:13:50,679 Speaker 1: which is a little weird now considering that a lot 237 00:13:50,679 --> 00:13:54,240 Speaker 1: of those backup dancers ended up suing her. There was 238 00:13:54,600 --> 00:13:57,040 Speaker 1: there was like they felt really like abandoned by her 239 00:13:57,120 --> 00:13:59,760 Speaker 1: and a lot of that process. Um, but it was 240 00:13:59,800 --> 00:14:04,760 Speaker 1: a really strange video of her and Amy Schumer and 241 00:14:04,880 --> 00:14:11,240 Speaker 1: Jack Black and a lot of people queen and yeah, 242 00:14:11,360 --> 00:14:14,120 Speaker 1: Meg Stalter looked very confused as to why she was 243 00:14:14,160 --> 00:14:17,400 Speaker 1: there being Bob the drag queen. Um. There was like 244 00:14:17,480 --> 00:14:20,160 Speaker 1: there was one of their little Wayne, Yeah, little Wayne. 245 00:14:20,320 --> 00:14:23,520 Speaker 1: There was one. Oh. Um, Kate Berland like like these 246 00:14:23,560 --> 00:14:28,160 Speaker 1: people like what is the checks? The check? Yeah, I mean, 247 00:14:28,200 --> 00:14:30,800 Speaker 1: I'm I'm happy for the folks that were in the movie. 248 00:14:30,880 --> 00:14:33,360 Speaker 1: I'm just like thinking about like Madonna, it's just like 249 00:14:33,760 --> 00:14:35,960 Speaker 1: I guess I can only speak for like Twitter people, 250 00:14:36,040 --> 00:14:38,920 Speaker 1: like people who are very online that like this like 251 00:14:39,120 --> 00:14:42,280 Speaker 1: mishmash of celebrities is like so random, Like the only 252 00:14:42,320 --> 00:14:46,040 Speaker 1: thing they have in common is like maybe a kind 253 00:14:46,080 --> 00:14:49,280 Speaker 1: of gay following that you know, have proof of, like 254 00:14:49,880 --> 00:14:52,880 Speaker 1: viral popularity. In some way. It's just weird for that 255 00:14:53,000 --> 00:14:57,840 Speaker 1: Madonna thinks she needs something like that to sell a 256 00:14:57,920 --> 00:15:01,080 Speaker 1: world tour. Like Madonna can literally we just say I'm 257 00:15:01,120 --> 00:15:04,440 Speaker 1: going on tour. I guess that it's a cute little 258 00:15:04,480 --> 00:15:07,800 Speaker 1: announcement thing and like it's fine. I don't mind that 259 00:15:07,840 --> 00:15:10,640 Speaker 1: it exists, but it's just it was weird. I just 260 00:15:10,680 --> 00:15:14,240 Speaker 1: think that Madonna is like kind of you know, rather 261 00:15:14,440 --> 00:15:17,000 Speaker 1: has been like in her flop era for like a 262 00:15:17,040 --> 00:15:21,160 Speaker 1: few albums, and I will flop eras like so pejorative 263 00:15:21,200 --> 00:15:23,840 Speaker 1: and like country like I just like she used to 264 00:15:23,880 --> 00:15:27,600 Speaker 1: be for like decades, someone who truly did have her 265 00:15:27,600 --> 00:15:30,360 Speaker 1: finger on the pulse of the culture right, Like she 266 00:15:30,840 --> 00:15:34,040 Speaker 1: was good at sniffing out subculture, at seeing what's cool, 267 00:15:34,240 --> 00:15:37,600 Speaker 1: at like taking like creators and underground DJs or whatever 268 00:15:38,120 --> 00:15:41,000 Speaker 1: and putting them into her work. And then those people 269 00:15:41,120 --> 00:15:45,640 Speaker 1: transcend into greatness along with her right, Um, I'm giving 270 00:15:45,680 --> 00:15:47,920 Speaker 1: her a lot of credit in this very sweeping summary 271 00:15:48,040 --> 00:15:52,120 Speaker 1: of her, but like in this era specifically, like her 272 00:15:52,200 --> 00:15:56,120 Speaker 1: instincts just like don't smell right like and her well, yeah, 273 00:15:56,240 --> 00:15:59,400 Speaker 1: it's it just feels very out of date, Like yeah, 274 00:15:59,480 --> 00:16:02,600 Speaker 1: I mean Anna, it's Madonna used to create culture and 275 00:16:02,640 --> 00:16:06,400 Speaker 1: now she chases culture. That is the problem. But the 276 00:16:06,400 --> 00:16:10,360 Speaker 1: thing is where Madonna has always excelled far and away 277 00:16:10,960 --> 00:16:15,280 Speaker 1: is in performance, and so I have faith that she 278 00:16:15,440 --> 00:16:19,000 Speaker 1: will create something really exceptional in these live tours, as 279 00:16:19,000 --> 00:16:22,480 Speaker 1: long as it's not all fucking TikTok remixes of her 280 00:16:22,520 --> 00:16:26,120 Speaker 1: greatest hits. And I haven't bought tickets yet, but I 281 00:16:26,160 --> 00:16:28,200 Speaker 1: really want to get my hands on tickets because when 282 00:16:28,200 --> 00:16:31,480 Speaker 1: I saw Madonna for the Madam X tour, it was 283 00:16:31,560 --> 00:16:35,080 Speaker 1: the best concert I've ever seen. I cried through like 284 00:16:35,280 --> 00:16:37,640 Speaker 1: half of it. I it was such a it was 285 00:16:37,680 --> 00:16:45,280 Speaker 1: such a profound theatrical experience. I it was amazing. And 286 00:16:46,240 --> 00:16:49,280 Speaker 1: like the album, I did like the album, but the 287 00:16:49,360 --> 00:16:54,040 Speaker 1: tour really brought it alive to me in a different way. Wow, 288 00:16:54,080 --> 00:16:56,400 Speaker 1: are you alone and liking the Madam X album? I 289 00:16:56,400 --> 00:16:59,760 Speaker 1: feel like not a ton of Madonna people liked that album. 290 00:17:00,120 --> 00:17:03,280 Speaker 1: I think the real Madonna heads do appreciate it. Okay, 291 00:17:03,480 --> 00:17:05,399 Speaker 1: that's good to know. I honestly can't wait to do 292 00:17:05,440 --> 00:17:07,400 Speaker 1: our Madonna episode one day so that I can give 293 00:17:07,680 --> 00:17:11,400 Speaker 1: like some of these other albums to close listen. But um, yeah, 294 00:17:11,480 --> 00:17:14,120 Speaker 1: I I honestly really want to see her the show 295 00:17:14,160 --> 00:17:16,320 Speaker 1: as well. Like, honestly, someone listening should figure out how 296 00:17:16,320 --> 00:17:19,199 Speaker 1: to get us free tickets because like she famously doesn't 297 00:17:19,200 --> 00:17:22,240 Speaker 1: do her hits at concerts right like she'll she'll she 298 00:17:22,240 --> 00:17:25,400 Speaker 1: she does, she does them, but she does she does 299 00:17:25,480 --> 00:17:31,239 Speaker 1: them in new interpretations, like like mixes and stuff like 300 00:17:31,480 --> 00:17:36,240 Speaker 1: not not even necessarily remixes, but just like in different contexts. 301 00:17:36,440 --> 00:17:39,199 Speaker 1: One of the most moving moments of the amount of 302 00:17:39,359 --> 00:17:44,359 Speaker 1: X tour was she performed Frozen, but she wasn't. Like 303 00:17:44,520 --> 00:17:47,040 Speaker 1: there was a video on stage of her daughter Lords 304 00:17:47,240 --> 00:17:51,679 Speaker 1: dancing that was the like instead of Madonna performing like 305 00:17:51,760 --> 00:17:55,840 Speaker 1: that was the performance and it was so like transcendently 306 00:17:56,040 --> 00:18:00,920 Speaker 1: like indescribably beautiful and touching. Um, oh my god, I 307 00:18:01,280 --> 00:18:03,560 Speaker 1: want to see her again so badly, but I'm going 308 00:18:03,600 --> 00:18:07,200 Speaker 1: to need her to take that grill out. So that's 309 00:18:07,240 --> 00:18:11,399 Speaker 1: where we don't get like spit on as an audience. Yeah, exactly. 310 00:18:11,920 --> 00:18:14,960 Speaker 1: So I was home visiting my family last week and 311 00:18:15,000 --> 00:18:20,159 Speaker 1: did catch up on some of the Oscar movies, just 312 00:18:20,320 --> 00:18:23,080 Speaker 1: knowing that, you know, the nominations were about to come out. 313 00:18:23,080 --> 00:18:25,480 Speaker 1: And that's not true. I actually I watched The Menu, 314 00:18:25,600 --> 00:18:28,000 Speaker 1: which I had already seen, and every and we had 315 00:18:28,040 --> 00:18:29,840 Speaker 1: to keep telling my mom to cover her eyes with 316 00:18:29,880 --> 00:18:32,840 Speaker 1: the quote unquote scary parts scary part um. But then 317 00:18:32,880 --> 00:18:36,040 Speaker 1: my mom and I watched The Bandshees of Innisharin and 318 00:18:36,520 --> 00:18:43,399 Speaker 1: it is so good. I was gooped and gagged. And 319 00:18:43,480 --> 00:18:48,280 Speaker 1: this is coming from someone who hated Three Billboards, like 320 00:18:48,800 --> 00:18:52,919 Speaker 1: walked like wanted to burn the theater down after I 321 00:18:52,920 --> 00:19:00,840 Speaker 1: saw it. It is so beautiful and funny and uh 322 00:19:01,040 --> 00:19:05,160 Speaker 1: like sad and weird and like it is weird right 323 00:19:05,160 --> 00:19:07,280 Speaker 1: like it it's touching. It would be really fucking weird. 324 00:19:07,920 --> 00:19:11,920 Speaker 1: It's very weird. But it's such a good movie, with 325 00:19:12,119 --> 00:19:19,280 Speaker 1: such fantastic performances, amazing music, incredible cinematography. It just I 326 00:19:19,320 --> 00:19:21,640 Speaker 1: loved it, and I was not expecting to love it, 327 00:19:21,920 --> 00:19:24,240 Speaker 1: I really I Yeah, I wouldn't have expected you to 328 00:19:24,359 --> 00:19:26,600 Speaker 1: like it either. I honestly, it's going to take a 329 00:19:26,720 --> 00:19:29,080 Speaker 1: lot to get me to watch that movie. It does 330 00:19:29,160 --> 00:19:31,639 Speaker 1: not have the bones of something that I want to 331 00:19:31,640 --> 00:19:34,639 Speaker 1: watch in a movie, but your endorsement of it is 332 00:19:35,280 --> 00:19:38,720 Speaker 1: quite That's like a pretty high endorsement. Um much more 333 00:19:38,720 --> 00:19:41,800 Speaker 1: than the Academy. That is, although I am shook that 334 00:19:41,880 --> 00:19:45,280 Speaker 1: the Academy nominated everything everywhere, all at once, the most 335 00:19:45,320 --> 00:19:48,000 Speaker 1: out of any other film like that is such a win, 336 00:19:48,640 --> 00:19:51,600 Speaker 1: I'm not surprised. I I think that was. I think 337 00:19:51,680 --> 00:19:56,879 Speaker 1: the tide has turned enough that that was. I was 338 00:19:56,960 --> 00:20:03,040 Speaker 1: not worried that that film wouldn't get the recognition it deserves. 339 00:20:03,080 --> 00:20:04,600 Speaker 1: I was just trying to change the topic to the 340 00:20:04,640 --> 00:20:07,120 Speaker 1: fact that there are a lot of movies on here 341 00:20:07,160 --> 00:20:09,720 Speaker 1: that definitely are on here more than they need to be, 342 00:20:09,840 --> 00:20:12,680 Speaker 1: even if they're only on here once. For example, Avatar 343 00:20:12,800 --> 00:20:16,760 Speaker 1: The Way of Water. No Avatar deserves it's Best Picture nomination. 344 00:20:16,880 --> 00:20:18,679 Speaker 1: Can I just talk to you about the fact that 345 00:20:18,720 --> 00:20:21,280 Speaker 1: I did, in fact see Avatar The Way of Water 346 00:20:21,320 --> 00:20:23,920 Speaker 1: in IMAX? So you did, Yes, I saw it. Oh 347 00:20:24,080 --> 00:20:27,200 Speaker 1: what did you think? Because we still haven't talked about 348 00:20:27,200 --> 00:20:30,520 Speaker 1: it because you didn't see it. I I don't even 349 00:20:30,560 --> 00:20:34,360 Speaker 1: know what I can say that would make a productive conversation. 350 00:20:34,480 --> 00:20:37,440 Speaker 1: But I definitely think that the movie delivered pretty much 351 00:20:37,440 --> 00:20:40,520 Speaker 1: exactly what it promised, and therefore I can only be 352 00:20:41,280 --> 00:20:43,439 Speaker 1: so snobby about it, you know what I mean? Like 353 00:20:43,560 --> 00:20:50,080 Speaker 1: I thought the movie was to me so rudimentary and 354 00:20:50,280 --> 00:20:55,360 Speaker 1: so inanely stupid at times. But the movie is like 355 00:20:55,480 --> 00:20:58,359 Speaker 1: ostensibly for like children, or rather like the movie is 356 00:20:58,400 --> 00:21:02,480 Speaker 1: just like for the whitest human possible audience in existence, 357 00:21:02,520 --> 00:21:05,520 Speaker 1: like literally in the history of like film mic reception 358 00:21:05,640 --> 00:21:08,919 Speaker 1: ever um is like their goal, you know, like James 359 00:21:08,920 --> 00:21:11,360 Speaker 1: Cameron literally just has a different goal than like all 360 00:21:11,359 --> 00:21:14,360 Speaker 1: other filmmakers, right, Like God, I just did the movie 361 00:21:14,440 --> 00:21:15,679 Speaker 1: is not for me. It's just not for me. And 362 00:21:15,720 --> 00:21:17,600 Speaker 1: I did want to walk I wanted to walk out, 363 00:21:17,640 --> 00:21:22,560 Speaker 1: and I did not need disease. Sigourney Weaver as a teenager, 364 00:21:23,280 --> 00:21:27,600 Speaker 1: as a teenager like like getting stoned, rolling around in 365 00:21:27,760 --> 00:21:32,480 Speaker 1: nature and like all of those stunts too, song imagining 366 00:21:32,560 --> 00:21:40,760 Speaker 1: her like getting stung by a jellyfish, like it's so crazy, 367 00:21:40,880 --> 00:21:45,159 Speaker 1: Like I and I love, we love Sigourney Weaver to me, 368 00:21:45,320 --> 00:21:49,000 Speaker 1: Like my response was, just like you have to have 369 00:21:49,119 --> 00:21:52,159 Speaker 1: more pride in yourself as an actor than this, like that, 370 00:21:52,359 --> 00:21:56,560 Speaker 1: like if I was Sigourney Weaver and James Cameron was like, Yo, 371 00:21:56,720 --> 00:21:58,760 Speaker 1: you made my first movie such a huge success. I'm 372 00:21:58,760 --> 00:22:01,160 Speaker 1: gonna throw you a bone by making you this fifteen 373 00:22:01,240 --> 00:22:04,600 Speaker 1: year old girl rather this fifteen year old non binary 374 00:22:04,680 --> 00:22:07,640 Speaker 1: novv um because they did kind of have this kind 375 00:22:07,680 --> 00:22:11,760 Speaker 1: of like faggy haircut. Um. I would have been insulted. 376 00:22:11,800 --> 00:22:14,639 Speaker 1: If I was Sigourney, I would be like, what like 377 00:22:15,000 --> 00:22:18,919 Speaker 1: rerite insulted because there he's making her a main character 378 00:22:18,960 --> 00:22:21,680 Speaker 1: in one of the biggest movies in the world, literally 379 00:22:21,720 --> 00:22:24,359 Speaker 1: like the Third Growth, the third highest grossing film of 380 00:22:24,400 --> 00:22:28,119 Speaker 1: all time. I think Fran like, yeah, I get I 381 00:22:28,160 --> 00:22:30,919 Speaker 1: get it, but like it it's not like it's not 382 00:22:30,960 --> 00:22:33,439 Speaker 1: like she said no, like she's signed up to do that. 383 00:22:33,480 --> 00:22:36,719 Speaker 1: I know, but that's but it's so distract It was 384 00:22:36,840 --> 00:22:41,040 Speaker 1: so distracting to me. Um. Yeah, I love the whale though, 385 00:22:41,560 --> 00:22:45,119 Speaker 1: love the whale, Love the whale, also love um uh 386 00:22:45,320 --> 00:22:48,679 Speaker 1: Kate Winslet's daughter being like such a baddie that like 387 00:22:48,880 --> 00:22:51,640 Speaker 1: there's one when she's introduced she like flips her hair 388 00:22:51,720 --> 00:22:55,000 Speaker 1: over her ears. That's like so um, I want to 389 00:22:55,040 --> 00:22:58,280 Speaker 1: say anachronistic, but it's it just feels like very out 390 00:22:58,280 --> 00:23:00,359 Speaker 1: of place. In the world that there is no it 391 00:23:00,400 --> 00:23:02,920 Speaker 1: was giving. It was giving like Bond Girl like it 392 00:23:03,240 --> 00:23:07,720 Speaker 1: was it was giving, Like who that girl the Kate 393 00:23:07,720 --> 00:23:11,040 Speaker 1: Winslet's daughter from the Water Tribe is Claudia from Interview 394 00:23:11,080 --> 00:23:16,320 Speaker 1: with a Vampire? No way, Oh my god. That honestly, 395 00:23:16,440 --> 00:23:18,320 Speaker 1: I mean, I'm not going to be the one to 396 00:23:18,440 --> 00:23:21,119 Speaker 1: like have all the nuanced conversations about Avatar because like 397 00:23:21,160 --> 00:23:23,560 Speaker 1: I think intellectualizing that movie in general is just like 398 00:23:23,600 --> 00:23:29,160 Speaker 1: such a waste of time, Like like, why the criticizing 399 00:23:29,160 --> 00:23:32,000 Speaker 1: this movie at all? It doesn't fucking matter because it's 400 00:23:32,000 --> 00:23:34,320 Speaker 1: going to still make billions of dollars. But like for me, 401 00:23:34,359 --> 00:23:37,800 Speaker 1: it's like I it's just when I was watching it, 402 00:23:37,800 --> 00:23:40,639 Speaker 1: it's this is not a critique. This is just franz 403 00:23:40,720 --> 00:23:44,159 Speaker 1: experience of the movie and me feeling like I'm watching 404 00:23:44,160 --> 00:23:46,360 Speaker 1: it and I'm like, you know what, this movie could 405 00:23:46,359 --> 00:23:48,959 Speaker 1: have been animated. It could have been an animate It 406 00:23:49,080 --> 00:23:51,760 Speaker 1: was no, no, no no, it could have been no no, 407 00:23:51,880 --> 00:23:55,000 Speaker 1: it could have been a hundred percent animated, and they 408 00:23:55,000 --> 00:23:58,000 Speaker 1: could have spent a billion and a half dollars less 409 00:23:58,040 --> 00:24:00,720 Speaker 1: on it, and that billion and a half dollars could 410 00:24:00,720 --> 00:24:06,360 Speaker 1: have gone to literally anything else that but well, I'm 411 00:24:06,400 --> 00:24:09,840 Speaker 1: happy to Avatar and I am. I was just talking 412 00:24:09,880 --> 00:24:13,439 Speaker 1: to like, spend another billion no. This weekend, I was 413 00:24:13,520 --> 00:24:15,720 Speaker 1: having I was having dinner with a friend and saying, oh, 414 00:24:15,760 --> 00:24:17,760 Speaker 1: and I remember, I need to see Avatar again. I 415 00:24:17,800 --> 00:24:20,560 Speaker 1: need to see it in IMAX this time, and possibly 416 00:24:20,560 --> 00:24:22,560 Speaker 1: in forty X. The only reason I saw it in 417 00:24:22,600 --> 00:24:25,119 Speaker 1: Imax is because it was the only screening at like 418 00:24:25,160 --> 00:24:28,840 Speaker 1: a sensible hour. And I don't I do not, actually 419 00:24:29,000 --> 00:24:31,400 Speaker 1: and this is like the non snob frand I do 420 00:24:31,440 --> 00:24:33,840 Speaker 1: not think three D added to my experience at all. 421 00:24:33,880 --> 00:24:35,639 Speaker 1: I really wished I had watched it in two D. 422 00:24:36,520 --> 00:24:40,320 Speaker 1: I also will be seeing the Titanic re release that 423 00:24:40,480 --> 00:24:42,760 Speaker 1: in a couple of weeks now that we will show 424 00:24:42,840 --> 00:24:46,000 Speaker 1: up for I will go down with this ship. I'd 425 00:24:46,000 --> 00:24:51,560 Speaker 1: be speaking of, you know, post apocalyptic big budget action franchises. 426 00:24:52,080 --> 00:24:55,879 Speaker 1: We're going to be diving deep into the Hunger Games today. 427 00:24:56,040 --> 00:24:59,600 Speaker 1: Who would win in a fight between NATII and Catness Everdeene? 428 00:24:59,640 --> 00:25:04,760 Speaker 1: Who's Terry, Zoe Sell, Donna, Zoey Sell, Donna, Okay, definitely Zoe. 429 00:25:04,880 --> 00:25:07,240 Speaker 1: I'm sure she would really intimidate Catanus with all of 430 00:25:07,600 --> 00:25:11,040 Speaker 1: her like hissing and guttural moans. Because she literally had 431 00:25:11,359 --> 00:25:14,440 Speaker 1: sorry again. This is why I think it's like I 432 00:25:14,440 --> 00:25:17,080 Speaker 1: think James Cameron is looking stupid. It's like all Zoe 433 00:25:17,119 --> 00:25:20,600 Speaker 1: had to do with this movie was like I was crying, like, 434 00:25:21,720 --> 00:25:24,480 Speaker 1: don't you wish she had no other lines? Don't you 435 00:25:24,520 --> 00:25:27,440 Speaker 1: wish that there was a blue Donald Sutherland and Avatar 436 00:25:27,560 --> 00:25:34,160 Speaker 1: talking about him? Donald Southern would be amazing. He should 437 00:25:34,160 --> 00:25:56,480 Speaker 1: have played the fifteen year old non binary. Yes. So 438 00:25:57,160 --> 00:26:02,639 Speaker 1: I have a sort of um process that I go 439 00:26:02,760 --> 00:26:07,520 Speaker 1: through every year around this time, which is that during 440 00:26:07,560 --> 00:26:14,040 Speaker 1: the holidays, I do a rewatch of all the Harry 441 00:26:14,040 --> 00:26:17,760 Speaker 1: Potter movies and all the Lord of the Rings movies 442 00:26:18,320 --> 00:26:22,000 Speaker 1: because to me, those are Christmas films. Well, I mean 443 00:26:22,640 --> 00:26:25,680 Speaker 1: the Lord of the Rings literally the day the Fellowship 444 00:26:25,720 --> 00:26:28,240 Speaker 1: is formed is on Christmas Day. Canomically, you know, you 445 00:26:28,280 --> 00:26:30,640 Speaker 1: know how like when you open up streaming services during 446 00:26:30,640 --> 00:26:33,600 Speaker 1: the holidays is like here's the Christmas section, Like someone 447 00:26:33,640 --> 00:26:36,600 Speaker 1: needs to sponsor you and be like these are roses 448 00:26:36,720 --> 00:26:42,040 Speaker 1: quote unquote Christmas will Actually this year did like a 449 00:26:42,040 --> 00:26:44,920 Speaker 1: big Harry Potter Christmas thing. They had you know those 450 00:26:45,040 --> 00:26:47,320 Speaker 1: videos where you can watch a fireplace burn and just 451 00:26:47,320 --> 00:26:49,480 Speaker 1: like put it in the background. Is like ambient noise. 452 00:26:49,760 --> 00:26:51,680 Speaker 1: They had a Harry Potter version of that one. It's 453 00:26:51,680 --> 00:26:54,320 Speaker 1: like it's the fireplace in the Griffin door common and 454 00:26:54,320 --> 00:26:56,720 Speaker 1: then like serious his face comes out of it. Sometimes 455 00:26:57,440 --> 00:26:59,480 Speaker 1: I did. I did like fast forward through it to 456 00:26:59,520 --> 00:27:01,440 Speaker 1: see if they or any fun lettle you can throw 457 00:27:01,520 --> 00:27:03,920 Speaker 1: like flu powder, if there's a flu powder green and 458 00:27:04,000 --> 00:27:06,800 Speaker 1: it um. So I watched those during the holidays, and 459 00:27:06,880 --> 00:27:12,480 Speaker 1: then when the year starts over again, I realized that 460 00:27:12,520 --> 00:27:15,800 Speaker 1: I always then go and watch the Hunger Games, which 461 00:27:15,920 --> 00:27:19,520 Speaker 1: I I do agree there's something seasonal, seasonal about them, 462 00:27:19,560 --> 00:27:23,200 Speaker 1: and I honestly a lot of people Okay, here's the 463 00:27:23,240 --> 00:27:26,159 Speaker 1: thing about Hunger Games. Hunger Games belongs in this genre 464 00:27:26,240 --> 00:27:29,640 Speaker 1: of movies where if you are in a group function 465 00:27:29,840 --> 00:27:33,560 Speaker 1: trying to decide on a movie and someone says Hunger Games, 466 00:27:33,680 --> 00:27:35,359 Speaker 1: everyone's gonna be like, oh yeah, yeah, yeah, let's just 467 00:27:35,359 --> 00:27:38,800 Speaker 1: watch Hunger Games. Because we all have a certain level 468 00:27:38,800 --> 00:27:42,400 Speaker 1: of familiarity with it. Everyone has their favorites of the movies. 469 00:27:42,480 --> 00:27:46,160 Speaker 1: They're like they're wildly entertaining. They're very entertained, and production 470 00:27:46,200 --> 00:27:49,000 Speaker 1: value stands, you know, the test of time. The acting 471 00:27:49,080 --> 00:27:53,200 Speaker 1: is good. There's both stuff too, like seriously like engage 472 00:27:53,240 --> 00:27:55,320 Speaker 1: with and be enthralled by. And also you can just 473 00:27:55,400 --> 00:27:58,879 Speaker 1: like watch and commentate and make fun of it. And 474 00:27:58,920 --> 00:28:02,439 Speaker 1: also I think the reason why I watched them this 475 00:28:02,520 --> 00:28:05,880 Speaker 1: time of year specifically is like we're post holidays. Everything's 476 00:28:05,920 --> 00:28:09,159 Speaker 1: a little like bleak and depressing, and so what do 477 00:28:09,200 --> 00:28:13,680 Speaker 1: I want to watch? Um? Teen Dystopia, I mean, Dystopia 478 00:28:13,920 --> 00:28:18,440 Speaker 1: is like as a genre, films now so massively successful 479 00:28:18,600 --> 00:28:22,840 Speaker 1: every network and streaming service is, or rather maybe even 480 00:28:22,840 --> 00:28:26,560 Speaker 1: that time it's almost passed. But like so many dystopian 481 00:28:27,040 --> 00:28:30,520 Speaker 1: films in the bird Box era have like come through 482 00:28:31,119 --> 00:28:33,760 Speaker 1: as they become more and more popular, which is interesting 483 00:28:34,040 --> 00:28:36,479 Speaker 1: considering the world, the real world as we know it 484 00:28:36,560 --> 00:28:39,560 Speaker 1: is also falling apart in dystopia. It's also sort of 485 00:28:39,600 --> 00:28:44,120 Speaker 1: like comforting dystopia. Bird Box actually, like when you look 486 00:28:44,200 --> 00:28:49,040 Speaker 1: at the actual trend of dystopic media, bird Box is 487 00:28:49,120 --> 00:28:52,320 Speaker 1: kind of late in the game. So there's a very 488 00:28:52,360 --> 00:28:55,840 Speaker 1: interesting um YouTube video by Sarah Z who's a YouTuber 489 00:28:55,880 --> 00:28:58,600 Speaker 1: that I've I've brought up on here before. I really 490 00:28:58,640 --> 00:29:01,400 Speaker 1: like her video essays. She has one that's called what 491 00:29:01,520 --> 00:29:04,280 Speaker 1: Happened to Teen Dystopia, which is all about how there 492 00:29:04,360 --> 00:29:10,680 Speaker 1: was this huge trend um in the early tens of 493 00:29:11,400 --> 00:29:15,200 Speaker 1: y A dystopia. Hunger Games is the biggest one, but 494 00:29:15,240 --> 00:29:19,640 Speaker 1: there was also the Divergent Movies book and movie series, 495 00:29:19,680 --> 00:29:23,560 Speaker 1: which is what gave us Shaleene Woodley. Um, and it 496 00:29:23,680 --> 00:29:28,719 Speaker 1: followed right after, um, Twilight Mania and the Craze of 497 00:29:29,440 --> 00:29:34,760 Speaker 1: y a supernatural romance and um, that is a really 498 00:29:34,760 --> 00:29:36,800 Speaker 1: interesting video essay if you want to kind of know 499 00:29:36,880 --> 00:29:41,160 Speaker 1: more about how the team Dystopia phenomenon started and why 500 00:29:41,200 --> 00:29:45,360 Speaker 1: it ended kind of early. But even though it quote 501 00:29:45,440 --> 00:29:48,960 Speaker 1: unquote ended, it has lingered. It just has lingered in 502 00:29:49,800 --> 00:29:53,600 Speaker 1: I would say, more adult projects. And so we have 503 00:29:53,800 --> 00:29:57,960 Speaker 1: things like all all zombie movies are kind of in 504 00:29:58,000 --> 00:30:01,720 Speaker 1: a way dystopic because you know, the zombie apocalypse, like 505 00:30:01,800 --> 00:30:06,600 Speaker 1: the End of the World. Um, we have things like, um, 506 00:30:06,680 --> 00:30:09,760 Speaker 1: The Leftovers, which is like I've never watched, but I 507 00:30:09,800 --> 00:30:11,640 Speaker 1: actually kind of want to because I know that people 508 00:30:11,680 --> 00:30:13,760 Speaker 1: say it's one of the best TV shows ever, and 509 00:30:13,800 --> 00:30:17,200 Speaker 1: it's like about the Rapture also in this genre. UM. 510 00:30:17,240 --> 00:30:20,680 Speaker 1: I don't know why, but a few nights ago, the 511 00:30:20,720 --> 00:30:22,840 Speaker 1: full Moon like woke me up at six am and 512 00:30:22,840 --> 00:30:24,400 Speaker 1: I was like, what the funk? And I didn't know 513 00:30:24,600 --> 00:30:26,479 Speaker 1: what to do with my body or what to do 514 00:30:26,720 --> 00:30:29,480 Speaker 1: to use up my time. And so I started to 515 00:30:29,720 --> 00:30:34,960 Speaker 1: watch The Handmaid's Tale. Oh, but that is not my 516 00:30:35,080 --> 00:30:38,280 Speaker 1: comfort That is not a comfort watch like that is, 517 00:30:38,400 --> 00:30:41,240 Speaker 1: but that is dystopia to a t um on the 518 00:30:41,320 --> 00:30:43,920 Speaker 1: Hunger Games. Though I have to say, I don't know 519 00:30:43,960 --> 00:30:45,720 Speaker 1: if this is like I would. I really want to 520 00:30:45,720 --> 00:30:48,120 Speaker 1: watch that video essay now. But I'm thinking a lot 521 00:30:48,160 --> 00:30:52,400 Speaker 1: about what Jennifer Lawrence brings to that franchise in comparison 522 00:30:52,480 --> 00:30:56,040 Speaker 1: to any sort of like hy a action or dystopian 523 00:30:56,640 --> 00:31:01,000 Speaker 1: um movie. And I think that jen for Lawrence is 524 00:31:02,000 --> 00:31:08,120 Speaker 1: act tank like. She is so viscerally and emotionally human, 525 00:31:08,520 --> 00:31:11,760 Speaker 1: raw and reel in something that is so not real. 526 00:31:12,280 --> 00:31:15,320 Speaker 1: And I just don't think when we talk about something 527 00:31:15,360 --> 00:31:18,120 Speaker 1: like bird Box or whatever, just sopan movies aren't doing 528 00:31:18,120 --> 00:31:20,280 Speaker 1: that at all. And this is kind of you know, 529 00:31:20,400 --> 00:31:22,080 Speaker 1: this was kind of my critique when we were talking 530 00:31:22,080 --> 00:31:26,000 Speaker 1: about Bones and all that I didn't totally um fully verbalized, 531 00:31:26,000 --> 00:31:27,720 Speaker 1: but when I kept saying, it's so, it's so. I 532 00:31:27,920 --> 00:31:32,240 Speaker 1: it's like Taylor Russell, who I adore, was doing a 533 00:31:32,440 --> 00:31:35,400 Speaker 1: y a performance in a way that Jennifer Lawrence was 534 00:31:35,520 --> 00:31:38,200 Speaker 1: not in a y A franchise. Does that make sense? 535 00:31:38,320 --> 00:31:41,720 Speaker 1: I get what you're trying to say. I still we won't. 536 00:31:41,720 --> 00:31:44,720 Speaker 1: We won't get side track. Let's we're actually getting ahead 537 00:31:44,720 --> 00:31:47,920 Speaker 1: of ourselves. So um, let's talk about what the Hunger 538 00:31:47,920 --> 00:31:51,080 Speaker 1: Games is. Do we have to do though? Yeah? Well 539 00:31:51,120 --> 00:31:57,479 Speaker 1: Phoebe even our producer doesn't know so knows what it's about. Yeah, yes, okay, 540 00:31:57,520 --> 00:32:00,000 Speaker 1: so this is why we need to and so buddy 541 00:32:00,400 --> 00:32:02,400 Speaker 1: Phoebe is on them. Is like in our head funds 542 00:32:02,440 --> 00:32:05,160 Speaker 1: talking does about we also are here to educate. So 543 00:32:05,200 --> 00:32:08,560 Speaker 1: The Hunger Games is a series of books written by 544 00:32:08,600 --> 00:32:11,960 Speaker 1: Suzanne Collins. The first book came out in two thousand eight. 545 00:32:12,040 --> 00:32:15,720 Speaker 1: The subsequent books came out in two thousand and there 546 00:32:15,800 --> 00:32:19,840 Speaker 1: was a fourth book that UM was released, which is 547 00:32:19,880 --> 00:32:22,320 Speaker 1: actually being made into a movie. It's a prequel series 548 00:32:22,640 --> 00:32:28,080 Speaker 1: Hunter Shaffers in it. They also were adapted into a 549 00:32:28,120 --> 00:32:32,560 Speaker 1: film series UM. The first film came out in two 550 00:32:32,560 --> 00:32:38,720 Speaker 1: thousand twelve, and the books are set in a dystopic 551 00:32:38,840 --> 00:32:44,719 Speaker 1: version of North America in which there are twelve districts 552 00:32:44,800 --> 00:32:48,800 Speaker 1: that are ruled over by the capital. The districts in 553 00:32:48,840 --> 00:32:52,320 Speaker 1: the history of pen m which is what this you 554 00:32:52,360 --> 00:32:57,320 Speaker 1: know post a post apocalyptic um nation is called are 555 00:32:58,400 --> 00:33:01,760 Speaker 1: being punished for an up rising that was perpetrated seventy 556 00:33:01,840 --> 00:33:06,720 Speaker 1: five years ago. And this thing has been installed called 557 00:33:06,720 --> 00:33:11,440 Speaker 1: the Hunger Games, which is um part reality show, part deathmatch, 558 00:33:12,120 --> 00:33:17,960 Speaker 1: in which every year, two teenagers are reaped in a 559 00:33:18,000 --> 00:33:22,600 Speaker 1: lottery from each district and put into an arena to 560 00:33:22,720 --> 00:33:25,840 Speaker 1: battle to the death until one of them survives at 561 00:33:25,880 --> 00:33:29,400 Speaker 1: the behest of a one president snow played by old 562 00:33:29,440 --> 00:33:36,200 Speaker 1: flash Donald Sutherland, Queen Um. And so The Hungry Games 563 00:33:36,240 --> 00:33:40,560 Speaker 1: is obviously very derivative of things like Battle Royale, which 564 00:33:40,760 --> 00:33:45,800 Speaker 1: did this first. It also is somewhat derivative of The Lottery, 565 00:33:45,840 --> 00:33:48,600 Speaker 1: which is a short story that you probably read in 566 00:33:48,760 --> 00:33:52,480 Speaker 1: middle school in which there's a lottery and the person 567 00:33:52,520 --> 00:33:55,960 Speaker 1: who wins I didn't even know that gets stoned to death. Um. 568 00:33:56,000 --> 00:33:59,400 Speaker 1: And these books were immediately successful. They were huge. They 569 00:33:59,440 --> 00:34:05,000 Speaker 1: were as they filled the post Twilight space because I 570 00:34:05,040 --> 00:34:10,160 Speaker 1: guess because of the like hugely negative cultural reaction to Twilight, 571 00:34:10,760 --> 00:34:14,920 Speaker 1: in which the interests of teenage girls were seen as 572 00:34:15,440 --> 00:34:18,200 Speaker 1: frivolous and purely romantic. You know, there was so much 573 00:34:18,200 --> 00:34:21,680 Speaker 1: in pop culture about how Bella was like, you know, 574 00:34:22,280 --> 00:34:25,760 Speaker 1: like a sort of nothing heroine. She was a Mary Sue. 575 00:34:25,880 --> 00:34:29,279 Speaker 1: All she cared about was this boy who she was 576 00:34:29,280 --> 00:34:34,600 Speaker 1: in love with. Um Catness really filled that negative space 577 00:34:34,640 --> 00:34:38,080 Speaker 1: that she left of being this why a heroine who 578 00:34:38,280 --> 00:34:42,480 Speaker 1: had tons of agency and skills and like her you know, 579 00:34:42,600 --> 00:34:45,319 Speaker 1: love triangle that she was and was very secondary to 580 00:34:45,400 --> 00:34:49,160 Speaker 1: her just wanting to survive. So in the story of 581 00:34:49,160 --> 00:34:53,080 Speaker 1: the Hunger Games, Catness lives in District twelve with her 582 00:34:53,160 --> 00:34:55,960 Speaker 1: mother and her sister. At the reaping day for the 583 00:34:56,040 --> 00:34:59,960 Speaker 1: Hunger Games, her sister, whose very young, is selected. Catness 584 00:35:00,040 --> 00:35:04,400 Speaker 1: volunteers to go in her place. I volunteers tribute as 585 00:35:04,560 --> 00:35:08,680 Speaker 1: a meme that will live forever, and the boys selected 586 00:35:08,719 --> 00:35:11,440 Speaker 1: to go with her is the son of the local baker, 587 00:35:12,000 --> 00:35:15,160 Speaker 1: who is, as it turns out, in love with Catanus. 588 00:35:15,480 --> 00:35:19,319 Speaker 1: They go in the Hunger Games together and survive by 589 00:35:19,400 --> 00:35:23,759 Speaker 1: sort of manufacturing this love story because like I think 590 00:35:23,760 --> 00:35:28,080 Speaker 1: that's what makes this interesting. Is like in a lot 591 00:35:28,120 --> 00:35:31,920 Speaker 1: of the other like in something like Battle Royale, there's 592 00:35:31,960 --> 00:35:35,080 Speaker 1: not the same element of surveillance that the Hunger Games 593 00:35:35,120 --> 00:35:38,880 Speaker 1: has because the Hunger Games is, as we understand it 594 00:35:38,880 --> 00:35:40,560 Speaker 1: in the world of the books and the movies, is 595 00:35:40,600 --> 00:35:43,920 Speaker 1: a televised event that people are watching. So it's not 596 00:35:43,960 --> 00:35:46,200 Speaker 1: just it's not something that's just happening in the arena. 597 00:35:46,280 --> 00:35:50,239 Speaker 1: It's something that is a show for everyone watching. So 598 00:35:50,719 --> 00:35:54,120 Speaker 1: they survive because they create the story of them being 599 00:35:54,160 --> 00:35:59,080 Speaker 1: star cross lovers, and then this eventually leads to them 600 00:35:59,120 --> 00:36:02,680 Speaker 1: like kind of by accident, starting a revolution, and that 601 00:36:02,800 --> 00:36:06,759 Speaker 1: is what happens in the subsequent books and films. Wait 602 00:36:06,920 --> 00:36:10,840 Speaker 1: side note, Should I see Battle see Slash read Battle Royale? 603 00:36:10,960 --> 00:36:13,880 Speaker 1: Is it good? I've never I've never actually heard anyone 604 00:36:13,920 --> 00:36:16,399 Speaker 1: talk about Yeah. I read the book like years and years. 605 00:36:16,480 --> 00:36:19,520 Speaker 1: I remember, you know, when it was floating around, but 606 00:36:19,560 --> 00:36:23,520 Speaker 1: I never actually consumed it. So but yeah, same genre, um, 607 00:36:23,560 --> 00:36:26,640 Speaker 1: also familiar. It also feels a little bit like, um, 608 00:36:26,680 --> 00:36:30,319 Speaker 1: what was that Netflix? Um, Battle Royal? Squid squid Game? 609 00:36:30,400 --> 00:36:35,840 Speaker 1: It's squid gamey um. Yeah. But okay, So, I honestly 610 00:36:36,120 --> 00:36:38,600 Speaker 1: I don't remember. I was not like Hunger Games pilled. 611 00:36:38,680 --> 00:36:43,240 Speaker 1: I think I consumed Hunger Games just the way everyone 612 00:36:43,360 --> 00:36:45,239 Speaker 1: consumed Hunger Games. Like. I was just like, this is 613 00:36:45,280 --> 00:36:48,719 Speaker 1: the movie that everyone's seeing it and it looks amazing. 614 00:36:48,960 --> 00:36:52,800 Speaker 1: It's starring the most famous actress of this time, Jennifer 615 00:36:52,840 --> 00:36:56,480 Speaker 1: Lawrence and so it was her big break, right. Well, 616 00:36:56,600 --> 00:36:59,520 Speaker 1: but so Winter is her big mainstream break, right she 617 00:36:59,600 --> 00:37:02,080 Speaker 1: was non native. For Winter's Bone, She's on the Academy's radar. 618 00:37:02,160 --> 00:37:04,080 Speaker 1: And so yeah, this is like the moment where it's 619 00:37:04,120 --> 00:37:08,680 Speaker 1: like we all now universally stand Jennifer Lawrence. And also 620 00:37:08,760 --> 00:37:11,120 Speaker 1: Jennifer Lawrence off screen was a part of like the 621 00:37:11,200 --> 00:37:13,080 Speaker 1: appeal of like her in a press junger. She was 622 00:37:13,160 --> 00:37:16,160 Speaker 1: so charismatic and funny and the girl that you wanted 623 00:37:16,200 --> 00:37:18,000 Speaker 1: to get a beer with. And you know, well that 624 00:37:18,200 --> 00:37:22,880 Speaker 1: I think came as she started, because Winter's Bone is 625 00:37:22,920 --> 00:37:25,080 Speaker 1: what brought her to the attention of the industry, and 626 00:37:25,080 --> 00:37:27,440 Speaker 1: then the Hunger Games is what brought her to the 627 00:37:27,480 --> 00:37:31,200 Speaker 1: attention of the culture. And yes, she did gain this 628 00:37:31,239 --> 00:37:34,440 Speaker 1: reputation for like talking about pizza and like being like 629 00:37:34,560 --> 00:37:37,600 Speaker 1: one of the guys. She's very like the gone girl monologue, 630 00:37:37,680 --> 00:37:39,360 Speaker 1: like yeah, she was a cool girl. She was a 631 00:37:39,360 --> 00:37:42,239 Speaker 1: cool and and you know, there was a hugely negative, 632 00:37:42,680 --> 00:37:45,440 Speaker 1: um like backswing to that, and that is why she 633 00:37:45,560 --> 00:37:48,840 Speaker 1: really has pulled back in her public life, a negative 634 00:37:48,880 --> 00:37:52,200 Speaker 1: backswing that follows pretty much any woman who is in 635 00:37:52,239 --> 00:37:55,960 Speaker 1: the public. Yeah, it's just misogyny. Um, I was a 636 00:37:55,960 --> 00:37:58,480 Speaker 1: little Hunger Games pilled. I did read the books. I 637 00:37:58,480 --> 00:37:59,800 Speaker 1: mean sort of like in the same way that I 638 00:37:59,840 --> 00:38:01,719 Speaker 1: read Twilight. Was like I was bored one summer, so 639 00:38:01,760 --> 00:38:04,760 Speaker 1: I read all the books. I also, I believe, read 640 00:38:04,800 --> 00:38:07,080 Speaker 1: all three books and I did not read the other one. 641 00:38:07,120 --> 00:38:09,080 Speaker 1: And the books are good, and they hold up, and 642 00:38:09,080 --> 00:38:11,440 Speaker 1: they have a lot of I think, really valuable social 643 00:38:11,440 --> 00:38:15,480 Speaker 1: commentary in them. It's a world that is like obviously 644 00:38:15,640 --> 00:38:19,360 Speaker 1: very far away from our own, but not by that much. 645 00:38:19,640 --> 00:38:22,440 Speaker 1: Yeah it's not. And also like in at least from 646 00:38:22,440 --> 00:38:28,200 Speaker 1: what I remember, Hunger Games like really stays in Catness's perspective, 647 00:38:28,360 --> 00:38:30,799 Speaker 1: and and it's all told in first person, a lot 648 00:38:30,840 --> 00:38:35,080 Speaker 1: of interiority, a lot of angst honestly, so it's satiated 649 00:38:35,160 --> 00:38:38,719 Speaker 1: like young adult angst, while also bringing this kind of 650 00:38:38,760 --> 00:38:43,680 Speaker 1: like next level um uh them fatal heroine, I mean 651 00:38:43,719 --> 00:38:46,319 Speaker 1: not she's not in the fatal genre, but you know what, Yeah, 652 00:38:46,360 --> 00:38:49,480 Speaker 1: she's a very she's very capable. Like that's that's the thing. 653 00:38:49,560 --> 00:38:52,400 Speaker 1: The only reason why she's able to survive the Games 654 00:38:52,480 --> 00:38:56,960 Speaker 1: is because she um has trained herself to be a hunter. 655 00:38:57,160 --> 00:39:01,880 Speaker 1: She's an archer, as like one of my favorite tailors 656 00:39:01,960 --> 00:39:04,879 Speaker 1: I've sung she is the archer. Um. Wait, what would 657 00:39:04,920 --> 00:39:06,440 Speaker 1: your weapon of choice be if you were in the 658 00:39:06,480 --> 00:39:11,000 Speaker 1: Hunger Games? Um, if I was in the Hunger Games, 659 00:39:11,040 --> 00:39:14,319 Speaker 1: I would die first. Well, I mean that's true, but 660 00:39:15,320 --> 00:39:17,480 Speaker 1: what would to answer the question? What would I would 661 00:39:17,760 --> 00:39:19,479 Speaker 1: be a knife, and I would slit my own threat, 662 00:39:20,719 --> 00:39:25,319 Speaker 1: Like I would say, actually when the cannon went off, 663 00:39:25,360 --> 00:39:28,040 Speaker 1: I would just like jumps or no, I would jump 664 00:39:28,080 --> 00:39:30,080 Speaker 1: before the cannon went off so that I got blown up. 665 00:39:31,120 --> 00:39:33,440 Speaker 1: I don't have to deal with all that. Oh god, 666 00:39:33,600 --> 00:39:36,600 Speaker 1: I mean anyways, Um, I would definitely have a mace. 667 00:39:36,960 --> 00:39:39,879 Speaker 1: I would have like that. You know that seems very unwieldy, 668 00:39:39,920 --> 00:39:42,160 Speaker 1: and I think you would hurt yourself. I would just 669 00:39:42,200 --> 00:39:44,319 Speaker 1: work out my upper body. Think you would like try 670 00:39:44,400 --> 00:39:50,319 Speaker 1: to swing or something like that, Like, yeah, I would 671 00:39:50,360 --> 00:39:51,840 Speaker 1: be it would be no, I would learn how to 672 00:39:52,120 --> 00:39:53,680 Speaker 1: you have to. You would have to learn how to 673 00:39:53,719 --> 00:39:55,960 Speaker 1: master whatever weapon you choose. And I think I would 674 00:39:56,040 --> 00:39:59,080 Speaker 1: train ahead and learn the mace because I think there's 675 00:39:59,120 --> 00:40:02,000 Speaker 1: an intimidation actor with the mace. And I also just 676 00:40:02,040 --> 00:40:04,680 Speaker 1: want to be like, you know, like a like a 677 00:40:05,040 --> 00:40:07,239 Speaker 1: bimbo with a mace, Like I just think that's kind 678 00:40:07,239 --> 00:40:09,759 Speaker 1: of fierce. And I would be in full sled gear, 679 00:40:09,880 --> 00:40:13,600 Speaker 1: like absolutely, like it would be giving, Like, um, it 680 00:40:13,640 --> 00:40:16,319 Speaker 1: would be giving. I was gonna say, dolls kill, but 681 00:40:16,360 --> 00:40:19,760 Speaker 1: hopefully maybe some like Deon, like a dion Lee kind 682 00:40:19,800 --> 00:40:23,480 Speaker 1: of like armor suit. Maybe a Muglaire dion Lee or 683 00:40:23,600 --> 00:40:26,000 Speaker 1: you could be Laura Croft, right, it would be very 684 00:40:26,000 --> 00:40:28,920 Speaker 1: tomb rate about yes, but my, but my Lenny Kravitz. 685 00:40:29,520 --> 00:40:34,520 Speaker 1: My sinna would be Mouglare Okay, yeah, yeah, yeah, yeah yeah. 686 00:40:34,560 --> 00:40:49,920 Speaker 1: In my dream world, I would say like I was 687 00:40:50,160 --> 00:40:53,920 Speaker 1: Hunger Games pilled by the books, but then the movies 688 00:40:54,000 --> 00:40:57,200 Speaker 1: were what I was really interested in. But I was 689 00:40:57,280 --> 00:41:01,120 Speaker 1: only really interested in the first two, and then by 690 00:41:01,160 --> 00:41:03,360 Speaker 1: the time the final two came out, I was like 691 00:41:03,520 --> 00:41:05,560 Speaker 1: kind of bored. I didn't think they should have been 692 00:41:05,560 --> 00:41:08,240 Speaker 1: split into two. The third book should have been split 693 00:41:08,280 --> 00:41:11,560 Speaker 1: into two movies. Like that was very post Harry Potter 694 00:41:11,680 --> 00:41:15,080 Speaker 1: when everyone started doing that. I do. I will say this, 695 00:41:15,200 --> 00:41:18,960 Speaker 1: I've said this before, the best of the Hunger Games 696 00:41:19,000 --> 00:41:23,279 Speaker 1: movies is the second one, Catching Fire, even though I 697 00:41:23,320 --> 00:41:28,720 Speaker 1: do think the first movie is fantastic. And the reason 698 00:41:28,800 --> 00:41:31,920 Speaker 1: why I think the movies are so popular and so 699 00:41:32,080 --> 00:41:36,200 Speaker 1: enduring is because there was a lot of work put 700 00:41:36,200 --> 00:41:39,560 Speaker 1: into them to make them good films. Um, there's a 701 00:41:39,640 --> 00:41:42,719 Speaker 1: lot of craft in them. Um, there's a reason why 702 00:41:42,800 --> 00:41:45,360 Speaker 1: Jennifer Lawrence was cast. Like, yes, it's because she's a 703 00:41:45,400 --> 00:41:49,520 Speaker 1: fantastic actress. But the character she played in Winter's Bone, 704 00:41:49,600 --> 00:41:53,640 Speaker 1: who's this like folksy American girl trying to like make 705 00:41:53,719 --> 00:42:00,200 Speaker 1: it in like ury um, very much translates to the 706 00:42:00,280 --> 00:42:02,920 Speaker 1: Hunger Games, Like she had played that kind of role before. 707 00:42:03,480 --> 00:42:07,520 Speaker 1: She was someone who was like have this like inner 708 00:42:07,560 --> 00:42:11,560 Speaker 1: strength and resilience. And Um, the first movie, like it 709 00:42:11,600 --> 00:42:15,120 Speaker 1: does not shy away from how fucked up what's happening is. 710 00:42:15,719 --> 00:42:20,160 Speaker 1: You know, there these are teenagers who are being pitted 711 00:42:20,160 --> 00:42:23,520 Speaker 1: against each pit against each other to fight to the 712 00:42:23,560 --> 00:42:29,080 Speaker 1: death on reality TV. And that's fucked up. Yeah, it 713 00:42:29,120 --> 00:42:32,040 Speaker 1: really is. And the movies get progressively darker. I don't. 714 00:42:32,080 --> 00:42:34,680 Speaker 1: I assume the books do too, though I remember they 715 00:42:34,680 --> 00:42:36,680 Speaker 1: were just dark from the I mean all, they're all 716 00:42:36,760 --> 00:42:40,319 Speaker 1: dark from the start, but like, I don't really remember. 717 00:42:40,360 --> 00:42:43,000 Speaker 1: I think the last movie is probably the worst. I 718 00:42:43,040 --> 00:42:47,040 Speaker 1: remember kind of liking the third movie, like the Julianne 719 00:42:47,080 --> 00:42:50,719 Speaker 1: Moore of it all and like everything that blows up. Um, 720 00:42:50,800 --> 00:42:54,040 Speaker 1: but let's just say it's very like bloated, and that 721 00:42:54,120 --> 00:42:57,120 Speaker 1: they try to make a lot out of not a 722 00:42:57,160 --> 00:43:00,520 Speaker 1: lot of plot, because the whole the whole third book 723 00:43:00,840 --> 00:43:04,040 Speaker 1: is like half of it is catnets trying to essentially 724 00:43:04,080 --> 00:43:10,640 Speaker 1: create like pro rebellion propaganda. And then the final part 725 00:43:10,640 --> 00:43:12,440 Speaker 1: of it, which is what the last movie is, is 726 00:43:12,840 --> 00:43:15,600 Speaker 1: they actually like storm the capital and the Capital has 727 00:43:15,640 --> 00:43:19,840 Speaker 1: like been turned into basically a version of a Hunger 728 00:43:19,880 --> 00:43:24,520 Speaker 1: Games arena that they have to survive. Complete side note, 729 00:43:24,880 --> 00:43:27,880 Speaker 1: do you think the Harry Potter finale should have been 730 00:43:27,920 --> 00:43:29,800 Speaker 1: split into two movies or would you do you wish 731 00:43:29,800 --> 00:43:31,920 Speaker 1: that it had been one? No? I actually think it 732 00:43:32,040 --> 00:43:36,800 Speaker 1: makes I agree. I totally agree, having having watched, having 733 00:43:36,880 --> 00:43:39,680 Speaker 1: just done my you know, like annual Harry Potter rewatch. 734 00:43:40,239 --> 00:43:44,840 Speaker 1: There is so much story in deathitely Hallows, and those 735 00:43:45,000 --> 00:43:49,040 Speaker 1: movies are two very different things. I actually did a 736 00:43:49,080 --> 00:43:52,760 Speaker 1: list ranking all the Harry Potter movies, and it's funny 737 00:43:52,800 --> 00:43:55,799 Speaker 1: that definitely holl Is Part one is one of my 738 00:43:55,880 --> 00:44:00,280 Speaker 1: favorite movies and as Part two is my least avorite 739 00:44:00,280 --> 00:44:03,080 Speaker 1: of all the films, not because it's bad, just because 740 00:44:03,080 --> 00:44:08,120 Speaker 1: it's it's hard to watch, and it is one specific thing. 741 00:44:08,320 --> 00:44:11,440 Speaker 1: It is the Battle of Hogwarts. It is the culmination, 742 00:44:11,680 --> 00:44:14,839 Speaker 1: it's where everyone dies. It's super depressing. And you know, 743 00:44:14,880 --> 00:44:17,440 Speaker 1: as we said in our inaugural Harry Potter episode, the 744 00:44:17,440 --> 00:44:20,760 Speaker 1: epilogue is one of the worst things ever written, so horrible, 745 00:44:20,840 --> 00:44:23,520 Speaker 1: and it just was J. K. Rowling showing her ass 746 00:44:23,600 --> 00:44:27,640 Speaker 1: long before she showed her ass in other ways. Yeah, exactly, exactly, exactly. 747 00:44:27,640 --> 00:44:29,400 Speaker 1: Something I always think about when I think about the 748 00:44:29,440 --> 00:44:31,879 Speaker 1: Hunger Games is there was one there was one year 749 00:44:32,080 --> 00:44:36,080 Speaker 1: where there was like a pride party that shar was 750 00:44:36,120 --> 00:44:40,000 Speaker 1: performing at and she posted this on Instagram. It is 751 00:44:40,040 --> 00:44:44,480 Speaker 1: like a picture of her maybe trash Tyler, Ashley and 752 00:44:44,560 --> 00:44:49,600 Speaker 1: Aquaria and the caption was, like Aquaria came from the 753 00:44:49,600 --> 00:44:52,880 Speaker 1: Capital to visit us in the district and like that's 754 00:44:52,880 --> 00:44:55,600 Speaker 1: that's very funny. And there is so much like there 755 00:44:55,600 --> 00:44:58,520 Speaker 1: were so many memes about like the Capital, because like 756 00:44:58,760 --> 00:45:01,799 Speaker 1: the Capital was where like they had the access to 757 00:45:01,840 --> 00:45:04,520 Speaker 1: the best technology and they weren't starving, and they did 758 00:45:04,560 --> 00:45:07,600 Speaker 1: these like crazy things where they like died their skin 759 00:45:08,000 --> 00:45:11,440 Speaker 1: blue and like, um, it was very it was supposed 760 00:45:11,480 --> 00:45:13,840 Speaker 1: to be giving, like the Roman Empire, because there's this 761 00:45:13,840 --> 00:45:16,920 Speaker 1: whole thing about how they made themselves vomit so they 762 00:45:16,920 --> 00:45:20,120 Speaker 1: could keep eating while people while while you know, the 763 00:45:20,560 --> 00:45:26,120 Speaker 1: common folk were out starving in the districts right right right? Um? Okay, 764 00:45:26,239 --> 00:45:29,719 Speaker 1: uh new launch point, new launch point, because I think 765 00:45:29,760 --> 00:45:31,920 Speaker 1: this is actually important for our dear producer Phoebe, who 766 00:45:31,920 --> 00:45:34,200 Speaker 1: has for some reason never seen any of these movies 767 00:45:34,280 --> 00:45:37,040 Speaker 1: or read any of these books. Can you help the 768 00:45:37,120 --> 00:45:43,239 Speaker 1: Virgins understand the Peta Gail dichotomy? Well, this is this 769 00:45:43,320 --> 00:45:46,280 Speaker 1: is I mean not. I don't think this is controversial 770 00:45:47,239 --> 00:45:52,080 Speaker 1: for me to say that Gail was never like a 771 00:45:52,239 --> 00:45:55,799 Speaker 1: feasible love interest. Let let me let me cross you 772 00:45:55,920 --> 00:45:59,279 Speaker 1: right there, that Gail was the one? How dare you 773 00:45:59,280 --> 00:46:02,440 Speaker 1: you a was not the one. Gail literally is the 774 00:46:02,480 --> 00:46:08,640 Speaker 1: reason Catness's sister is dead, But she was. She was annoying. Also, 775 00:46:09,120 --> 00:46:12,759 Speaker 1: I just think that Gail Peter, just over and over 776 00:46:12,800 --> 00:46:16,080 Speaker 1: and over again, was so like jealous and petty about 777 00:46:16,120 --> 00:46:18,720 Speaker 1: Gail and possessive, and I felt like through a lot 778 00:46:18,800 --> 00:46:22,799 Speaker 1: of what they went through, like I felt like Catness 779 00:46:22,920 --> 00:46:26,040 Speaker 1: was really in it for Gail, and like Gail knew 780 00:46:26,040 --> 00:46:29,120 Speaker 1: who she was at home, but I guess also her 781 00:46:29,280 --> 00:46:32,120 Speaker 1: and I think what her and Peter have is not love. 782 00:46:32,160 --> 00:46:34,960 Speaker 1: I think it's trauma bonding. I mean it is traumabond. 783 00:46:35,040 --> 00:46:36,840 Speaker 1: But that's the thing. Trauma bonding is not love, and 784 00:46:36,880 --> 00:46:40,480 Speaker 1: it makes a bad relationship. But then Catness did come 785 00:46:40,520 --> 00:46:43,359 Speaker 1: to love him because you are witnessing the economy right 786 00:46:43,400 --> 00:46:48,880 Speaker 1: here and now I'm I'm Peter. Peter literally all he 787 00:46:48,920 --> 00:46:51,480 Speaker 1: can do is pay himself like a rock. Like he's 788 00:46:51,520 --> 00:46:58,239 Speaker 1: also very strong and I think strong. Um. But what 789 00:46:58,280 --> 00:47:01,120 Speaker 1: you're saying about them traumabond day, Like, yes, it's true, 790 00:47:01,480 --> 00:47:05,000 Speaker 1: but the entirety of catching fire is once they are 791 00:47:05,200 --> 00:47:09,359 Speaker 1: both forced to go back into the arena, catness Is 792 00:47:09,840 --> 00:47:13,799 Speaker 1: number one priority is that Gail should survive and not her. 793 00:47:14,360 --> 00:47:18,120 Speaker 1: And so I think it shows that while yes, Catness 794 00:47:19,960 --> 00:47:25,400 Speaker 1: has this relationship with with Gail where she if she 795 00:47:25,640 --> 00:47:29,840 Speaker 1: was free from her obligations, she absolutely would be with him, 796 00:47:29,920 --> 00:47:35,359 Speaker 1: and her connection with Peter was created by the like 797 00:47:35,440 --> 00:47:40,080 Speaker 1: in the Crucible of the Hunger Games, she has come 798 00:47:40,120 --> 00:47:42,839 Speaker 1: to value his life more than hers, and like she 799 00:47:42,920 --> 00:47:45,319 Speaker 1: does have all of this feeling for her and she 800 00:47:45,440 --> 00:47:48,640 Speaker 1: wants him to survive, even though that means she will 801 00:47:48,719 --> 00:47:52,160 Speaker 1: never get to go back to her family. To Gail, 802 00:47:52,560 --> 00:47:54,560 Speaker 1: she has fallen in love with him, and then when 803 00:47:54,600 --> 00:47:58,600 Speaker 1: catching Fire ends and Peter is captured by the Capital 804 00:47:58,719 --> 00:48:03,480 Speaker 1: and then they like torture him and make him hate Catness. 805 00:48:03,480 --> 00:48:06,799 Speaker 1: Her number one priority becomes getting him back and like 806 00:48:07,200 --> 00:48:10,359 Speaker 1: fixing his brain, and they do, and then they end 807 00:48:10,440 --> 00:48:14,320 Speaker 1: up together because Gale makes himself not an option because 808 00:48:14,360 --> 00:48:18,080 Speaker 1: he's the reason that Catness his sister dies. Yeah. Yeah, 809 00:48:18,280 --> 00:48:21,920 Speaker 1: I don't even remember, honestly, how Catness's sister dies. Is like, Okay, 810 00:48:21,920 --> 00:48:25,560 Speaker 1: so Catness's sister dies because Okay, so Gail has like 811 00:48:25,680 --> 00:48:31,399 Speaker 1: devised this thing where they're going to this like trick 812 00:48:31,480 --> 00:48:34,440 Speaker 1: where they're going to trick people like this this bomb 813 00:48:34,440 --> 00:48:39,880 Speaker 1: that explodes twice or something, and Catness's sister dies because 814 00:48:39,920 --> 00:48:43,200 Speaker 1: of it. And even though like I think there's a 815 00:48:43,200 --> 00:48:47,400 Speaker 1: scene where Gayl's like he's not sure that he's like 816 00:48:47,640 --> 00:48:50,759 Speaker 1: actually the one who killed her, but like he could 817 00:48:50,840 --> 00:48:53,319 Speaker 1: have been, and based like at the end of the day, 818 00:48:53,320 --> 00:48:58,360 Speaker 1: it's his fault that she died. Damn. I like, honestly, 819 00:48:58,400 --> 00:48:59,879 Speaker 1: this is kind of what I'm talking about. The Fine 820 00:49:00,000 --> 00:49:01,799 Speaker 1: Alley and the Last Maybe I don't know if this 821 00:49:01,840 --> 00:49:05,120 Speaker 1: is part of your um beef with the last two movies, 822 00:49:05,200 --> 00:49:08,400 Speaker 1: but those did kind of blend into the culture for me, Like, 823 00:49:08,440 --> 00:49:10,960 Speaker 1: I don't really actually remember a ton of what those 824 00:49:11,040 --> 00:49:14,400 Speaker 1: last movies felt like because I think the finale is 825 00:49:14,400 --> 00:49:18,120 Speaker 1: such a disappointment. I think by the end everyone was 826 00:49:18,160 --> 00:49:21,520 Speaker 1: just kind of ready for them to end, because the 827 00:49:21,560 --> 00:49:25,560 Speaker 1: thing is, they're not even though they're enthralling and thrilling, 828 00:49:26,200 --> 00:49:30,520 Speaker 1: they're not fun. It's not a fun world to visit 829 00:49:30,600 --> 00:49:33,279 Speaker 1: the way that Harry Potter is. Even though there is 830 00:49:33,280 --> 00:49:35,400 Speaker 1: a lot of death and darkness in Harry Potter, you 831 00:49:35,520 --> 00:49:39,839 Speaker 1: still want to immerse yourself in the world. That's why 832 00:49:39,880 --> 00:49:43,239 Speaker 1: there's literally theme parks that exist, And like, I'm not 833 00:49:43,280 --> 00:49:46,520 Speaker 1: trying to go to a panem theme park. No, no, no, no, 834 00:49:46,520 --> 00:49:48,719 Speaker 1: no no, even though there should be one. I think 835 00:49:48,880 --> 00:49:51,520 Speaker 1: I think one does exist somewhere. I think I think 836 00:49:51,520 --> 00:49:55,520 Speaker 1: there's like somewhere in Asia, maybe there is some kind 837 00:49:55,520 --> 00:49:59,520 Speaker 1: of Hunger Games theme park, But you know I won't 838 00:49:59,560 --> 00:50:04,800 Speaker 1: be I'm traveling to go to Panama anytime soon. Yeah, 839 00:50:05,000 --> 00:50:07,960 Speaker 1: me either. But back to Catness as a character, like 840 00:50:08,640 --> 00:50:12,080 Speaker 1: I do feel like she became something of a brand 841 00:50:12,080 --> 00:50:15,200 Speaker 1: new archetype. Like I mean, obviously there's a lot of 842 00:50:15,320 --> 00:50:17,680 Speaker 1: varying criticism on it. If you ever read like bad 843 00:50:17,719 --> 00:50:21,200 Speaker 1: feminist and rock sand gays like essay on the Hunger 844 00:50:21,239 --> 00:50:24,440 Speaker 1: Games of it all, and like Catness as a character um, 845 00:50:24,480 --> 00:50:26,880 Speaker 1: but like there, I I do feel like Catness is 846 00:50:26,920 --> 00:50:29,880 Speaker 1: like was like this new like and Jennifer Lawrence not 847 00:50:30,000 --> 00:50:34,279 Speaker 1: not Catness, not just Catiness, but Jennifer Lawrence as Catness 848 00:50:34,800 --> 00:50:38,279 Speaker 1: I think created like a completely different lane maybe for 849 00:50:38,360 --> 00:50:42,600 Speaker 1: heroine's rights. Not not a new one, but it was 850 00:50:42,680 --> 00:50:45,959 Speaker 1: a revived because I do think I do think that 851 00:50:46,360 --> 00:50:49,960 Speaker 1: Catness is more in the legacy of someone like Buffy 852 00:50:50,920 --> 00:50:54,879 Speaker 1: Um and that a lot of people look at pop 853 00:50:54,920 --> 00:50:57,520 Speaker 1: culture and especially pop culture that was popular for teenage 854 00:50:57,560 --> 00:51:02,080 Speaker 1: girls and very much see Bella and Twilight as like 855 00:51:02,120 --> 00:51:06,280 Speaker 1: an anomaly because I think more so we are drawn 856 00:51:06,320 --> 00:51:10,680 Speaker 1: to these heroines who need or want something that is 857 00:51:10,760 --> 00:51:14,920 Speaker 1: not only romantic love. It's usually the romantic love is 858 00:51:14,960 --> 00:51:19,359 Speaker 1: like a byproduct of whatever other adventure they're involved in, 859 00:51:20,120 --> 00:51:24,080 Speaker 1: and the love triangle is secondary. And even in the 860 00:51:24,200 --> 00:51:27,560 Speaker 1: Hunger Games, like the love triangle does feel like something 861 00:51:27,640 --> 00:51:31,160 Speaker 1: that was more to create a marketing creation than something 862 00:51:31,200 --> 00:51:35,399 Speaker 1: that like organically exists in the books. For the films, well, 863 00:51:35,480 --> 00:51:41,360 Speaker 1: it's very hard to push literally any like movie or 864 00:51:41,440 --> 00:51:46,080 Speaker 1: franchise led by a woman without romance, like unfortunately, like 865 00:51:46,239 --> 00:51:49,279 Speaker 1: I don't like that about like you know, Hollywood, but 866 00:51:49,400 --> 00:51:52,239 Speaker 1: you know, execs and story editors are not going to 867 00:51:52,360 --> 00:51:54,880 Speaker 1: want to engage with a woman's action story if it 868 00:51:54,920 --> 00:51:59,120 Speaker 1: doesn't have romance. You know, That's what blockbusters require. And 869 00:51:59,200 --> 00:52:01,560 Speaker 1: so I think that maybe that could be said of 870 00:52:02,200 --> 00:52:05,319 Speaker 1: some of these books, of some of these genres of 871 00:52:05,320 --> 00:52:07,800 Speaker 1: books and things like it. I don't know, but that's 872 00:52:07,840 --> 00:52:10,200 Speaker 1: that's the reason why I like The Hunger Games is 873 00:52:10,280 --> 00:52:15,920 Speaker 1: because it acknowledges that the love story is secondary to 874 00:52:16,000 --> 00:52:19,480 Speaker 1: the survival story. Like I was just watching Catching Fire, 875 00:52:19,560 --> 00:52:22,160 Speaker 1: because the whole reason we're doing this is because I'm 876 00:52:22,200 --> 00:52:24,720 Speaker 1: in the middle of my you know, Hungry Games rewatch. 877 00:52:25,160 --> 00:52:30,839 Speaker 1: And in the like opening act of Catching Fire, where 878 00:52:30,960 --> 00:52:35,400 Speaker 1: Catness is has basically been tasked by President Snow to 879 00:52:36,520 --> 00:52:39,880 Speaker 1: make the people of Pennam believe that the only reason 880 00:52:39,960 --> 00:52:42,359 Speaker 1: she rebelled was because she was in love with Peter, 881 00:52:42,520 --> 00:52:49,040 Speaker 1: because there's an actual rebellion starting, and she tells Gail 882 00:52:49,120 --> 00:52:51,120 Speaker 1: that she wants to run away with him into the 883 00:52:51,120 --> 00:52:53,839 Speaker 1: woods because he's like offered that as an option, and 884 00:52:53,880 --> 00:52:55,839 Speaker 1: he's like, no, I need to be here because there's 885 00:52:55,880 --> 00:53:00,919 Speaker 1: a rebellion starting and then he gets like whipped by 886 00:53:01,120 --> 00:53:03,960 Speaker 1: the peacekeepers who were you know, like the cops of Panem. 887 00:53:04,680 --> 00:53:11,280 Speaker 1: And then it's announced that in the next Hunger Games, 888 00:53:11,520 --> 00:53:15,080 Speaker 1: all of the tributes will come from victors. That means 889 00:53:15,120 --> 00:53:19,319 Speaker 1: that Catus is going back into the game. It's it 890 00:53:19,440 --> 00:53:22,920 Speaker 1: is all stars, all winners. Um. So there's this scene 891 00:53:22,960 --> 00:53:27,680 Speaker 1: where Catness goes out into the woods with Gail and 892 00:53:27,760 --> 00:53:29,680 Speaker 1: he says to her like, I should have left with 893 00:53:29,760 --> 00:53:32,680 Speaker 1: you when you said it, and she's kind of like 894 00:53:33,440 --> 00:53:36,160 Speaker 1: she's the one who gets up and leaves because she's like, 895 00:53:36,560 --> 00:53:38,680 Speaker 1: I don't have time for this anymore. This is no 896 00:53:38,719 --> 00:53:41,759 Speaker 1: longer a love story. This is a survival story. Like 897 00:53:42,040 --> 00:53:44,680 Speaker 1: this is now about life or death, and like you 898 00:53:44,880 --> 00:53:48,919 Speaker 1: and this romance subplot no longer matter because now I'm 899 00:53:49,000 --> 00:54:09,680 Speaker 1: literally fighting for my life. God, speaking of the Harry 900 00:54:09,680 --> 00:54:11,560 Speaker 1: Potter of it all, I have to I have to 901 00:54:11,560 --> 00:54:15,040 Speaker 1: break this up because this is something that I'm culturally 902 00:54:15,080 --> 00:54:19,880 Speaker 1: aware of. It is like it's really big on TikTok 903 00:54:20,000 --> 00:54:23,480 Speaker 1: right now. People who are in the Harry Potter fandom, 904 00:54:23,520 --> 00:54:26,919 Speaker 1: specifically the Marauders fandom, which I'm not sure that you 905 00:54:26,960 --> 00:54:31,080 Speaker 1: know what that is. I have no idea. So the 906 00:54:31,120 --> 00:54:35,560 Speaker 1: Marauders are you know, the marauders map in Harry Potter. Okay, 907 00:54:35,560 --> 00:54:40,720 Speaker 1: so that's mischief managed mooney wormtail, Padvin and Prongs, Harry's dad, 908 00:54:40,800 --> 00:54:46,640 Speaker 1: James Potter, rima sloop in serious black, Peter Petter. So 909 00:54:46,760 --> 00:54:50,680 Speaker 1: there's a whole fandom around that era of Hogwarts and 910 00:54:50,880 --> 00:54:54,640 Speaker 1: like the big the biggest ship in it. And when 911 00:54:54,640 --> 00:54:57,319 Speaker 1: we talk about ship, that's relationship. It's like, I hope 912 00:54:57,360 --> 00:54:59,920 Speaker 1: you know that by this point characters that people shipped together. 913 00:55:00,440 --> 00:55:03,400 Speaker 1: So like the like kind of the o G. Harry 914 00:55:03,440 --> 00:55:06,160 Speaker 1: Potter ship in a lot of ways is wolf Star, 915 00:55:06,280 --> 00:55:10,240 Speaker 1: which is rema slooping and serious black like. And even 916 00:55:10,400 --> 00:55:13,279 Speaker 1: Gary Oldman and David Thulis, who played the characters in 917 00:55:13,280 --> 00:55:16,200 Speaker 1: the films, have said like they kind of played them 918 00:55:16,239 --> 00:55:21,239 Speaker 1: as if they were Wait really, wait do you ship personally? Like? 919 00:55:21,280 --> 00:55:23,399 Speaker 1: In the fan fiction world, I yes, I do. So 920 00:55:23,840 --> 00:55:28,000 Speaker 1: there is so Hunger Games fan fiction is like there 921 00:55:28,120 --> 00:55:31,360 Speaker 1: was a Hunger Games fandom, but I would say within fandom, 922 00:55:31,800 --> 00:55:35,719 Speaker 1: Hunger Games is much more popular as a world to 923 00:55:35,960 --> 00:55:38,880 Speaker 1: set fan fiction in, Like a lot of people set 924 00:55:39,760 --> 00:55:45,280 Speaker 1: other characters in like a Hunger Games universe. So right now, 925 00:55:45,320 --> 00:55:49,400 Speaker 1: there is a an ongoing um fan fiction that I 926 00:55:49,440 --> 00:55:53,439 Speaker 1: believe is like currently maybe like three thousand words long. 927 00:55:54,520 --> 00:55:57,920 Speaker 1: It's called Crimson Rivers, and it is it is a 928 00:55:58,040 --> 00:56:01,080 Speaker 1: Harry Potter hungry games au. And how many of those 929 00:56:01,080 --> 00:56:04,600 Speaker 1: three hundred thousand words have you read? Rose, I'm not 930 00:56:04,640 --> 00:56:08,239 Speaker 1: at liberty. I was. Let's just say that a couple 931 00:56:08,239 --> 00:56:11,000 Speaker 1: of months ago. I was very bored one weekend you had. 932 00:56:12,120 --> 00:56:14,839 Speaker 1: But the thing is, even though it is, even though 933 00:56:14,840 --> 00:56:18,000 Speaker 1: wolf Start is one of the main pairings, it's not 934 00:56:18,400 --> 00:56:22,440 Speaker 1: the main pairing. The main pairing of the story is 935 00:56:22,560 --> 00:56:28,120 Speaker 1: James Potter, Harry Potter's dad, and Regulus Black, serious Black's 936 00:56:28,200 --> 00:56:32,800 Speaker 1: younger brother, who never even appears in the Harry Potter books. 937 00:56:32,880 --> 00:56:35,920 Speaker 1: He is simply so if you if you remember your 938 00:56:35,920 --> 00:56:39,360 Speaker 1: Harry Potter lore, the locket that was one of the 939 00:56:39,400 --> 00:56:45,080 Speaker 1: horcruxes was stolen by Regulus Black, who was a death theater, 940 00:56:46,440 --> 00:56:49,840 Speaker 1: and then he was like, actually, Baltimore, you suck, so 941 00:56:49,840 --> 00:56:51,839 Speaker 1: I'm gonna steal the locker and he left the note 942 00:56:51,920 --> 00:56:55,080 Speaker 1: that was a whole thing. So he has now become 943 00:56:55,320 --> 00:57:03,520 Speaker 1: like a fandom creation, essentially very interesting. People ship him 944 00:57:03,760 --> 00:57:07,400 Speaker 1: with James Potter. Harry Potter said, even though there is 945 00:57:07,440 --> 00:57:12,520 Speaker 1: literally no no textual evidence behind this. Also, James Potter 946 00:57:12,600 --> 00:57:17,440 Speaker 1: is like has no very few characteristics like in the franchise. 947 00:57:17,480 --> 00:57:19,439 Speaker 1: But so but I think the reason why this became 948 00:57:19,720 --> 00:57:23,040 Speaker 1: so popular is because of TikTok, because people make fan 949 00:57:23,240 --> 00:57:25,680 Speaker 1: edits and they do fan casts, and so the most 950 00:57:25,720 --> 00:57:30,280 Speaker 1: popular fan cast for Regulus Black is Timothy Shallow May 951 00:57:31,600 --> 00:57:33,680 Speaker 1: I would love that. And some of these fan edits 952 00:57:33,680 --> 00:57:36,720 Speaker 1: are like very well done. And the most popular fan 953 00:57:36,840 --> 00:57:40,400 Speaker 1: cast for James for a young James Potter is young 954 00:57:40,480 --> 00:57:46,240 Speaker 1: Aaron Taylor Johnson. Aaron Taylor Johnson, Oh my god, Aaron 955 00:57:46,280 --> 00:57:49,160 Speaker 1: Taylor Johnson needs to become like, you know, a part 956 00:57:49,160 --> 00:57:52,960 Speaker 1: of like the like a virgin pantheon. Like he's sold 957 00:57:53,120 --> 00:57:56,120 Speaker 1: him and his old wife, and that's so hot. I 958 00:57:56,160 --> 00:58:01,360 Speaker 1: just think it's very interesting that the Hunger Games, like 959 00:58:01,440 --> 00:58:05,040 Speaker 1: while that's sort of dystopia, has fallen out of fashion, 960 00:58:05,200 --> 00:58:07,280 Speaker 1: and like while I was saying before, it's not really 961 00:58:07,320 --> 00:58:13,280 Speaker 1: like a fun universe to exist in. It is something 962 00:58:13,280 --> 00:58:16,320 Speaker 1: that people keep coming back to in a way that 963 00:58:16,360 --> 00:58:22,920 Speaker 1: they want to always be filtering the characters and fandoms 964 00:58:22,960 --> 00:58:25,680 Speaker 1: they're interested in. Through that Lens. I think because of 965 00:58:25,680 --> 00:58:27,560 Speaker 1: what we were talking about before about how it is 966 00:58:29,920 --> 00:58:33,520 Speaker 1: sad and like bleak, and there's something appealing about the 967 00:58:33,560 --> 00:58:37,840 Speaker 1: angst of that and like the the steaks of it, 968 00:58:38,360 --> 00:58:41,040 Speaker 1: and I don't know, I find that fascinating and and 969 00:58:41,120 --> 00:58:44,400 Speaker 1: it is there. We are going to have somewhat of 970 00:58:44,400 --> 00:58:48,080 Speaker 1: a Hunger Games renaissance way this new film, The Ballad 971 00:58:48,120 --> 00:58:52,240 Speaker 1: of Songbirds and Steaks, which is about um young President 972 00:58:52,320 --> 00:59:01,320 Speaker 1: snow Oh the cock Trucker shape fashion Cox Sucker hunter 973 00:59:01,440 --> 00:59:04,640 Speaker 1: Shiver is such a perfect cast to me because she 974 00:59:04,800 --> 00:59:07,600 Speaker 1: deserves to be in an action franchise. She deserves to 975 00:59:07,640 --> 00:59:10,320 Speaker 1: be in something that's not you for it. Yes, yes, exactly. 976 00:59:10,320 --> 00:59:12,880 Speaker 1: And also she will just much like Jennifer Lawrence, can 977 00:59:12,920 --> 00:59:19,400 Speaker 1: bring emotional steaks to something that's hyper unreal um surreality. Um. 978 00:59:19,440 --> 00:59:24,200 Speaker 1: But anyways, on the kind of fan casting shipping the 979 00:59:24,240 --> 00:59:26,720 Speaker 1: thing that you just outlined and thinking about, you know, 980 00:59:27,240 --> 00:59:31,640 Speaker 1: the popular characters that everyone wants to stand in Harry Potter, 981 00:59:32,520 --> 00:59:37,240 Speaker 1: who is the couple that everone ships or maybe should 982 00:59:37,240 --> 00:59:40,080 Speaker 1: ship in your eyes in the Hunger Games franchise, Like 983 00:59:40,120 --> 00:59:43,480 Speaker 1: two characters that really should have got it on and 984 00:59:43,520 --> 00:59:46,720 Speaker 1: would be an amazing story in and of themselves. Oh well, 985 00:59:46,760 --> 00:59:49,600 Speaker 1: I mean this is like sort of alluded to in 986 00:59:49,600 --> 00:59:51,880 Speaker 1: the films more than it was in the books. But 987 00:59:52,280 --> 00:59:59,000 Speaker 1: Effie and Hay Mitch, oh yeah, they have scenes a 988 00:59:59,160 --> 01:00:05,000 Speaker 1: kind of Effie that is, to me, Eliza Elizabeth Banks's 989 01:00:05,040 --> 01:00:08,280 Speaker 1: best work. I it definitely is incredible. And I think 990 01:00:08,320 --> 01:00:11,280 Speaker 1: the character development over the course of the franchises when 991 01:00:12,000 --> 01:00:16,919 Speaker 1: stabs the table that is um I have. I did 992 01:00:16,920 --> 01:00:19,560 Speaker 1: say this during our Twilight episode, I believe, But I 993 01:00:19,640 --> 01:00:25,560 Speaker 1: did unfortunately break up with somebody after having a fight 994 01:00:25,800 --> 01:00:28,480 Speaker 1: with them about which characters who were in the Hunger 995 01:00:28,480 --> 01:00:30,840 Speaker 1: Games while we were watching it, because so who do 996 01:00:30,920 --> 01:00:33,439 Speaker 1: you think you are? Okay, So the way the fight 997 01:00:33,480 --> 01:00:38,520 Speaker 1: went down was like he immediately was like, oh you're 998 01:00:38,600 --> 01:00:42,240 Speaker 1: Effie blah blah blah, and I was like, okay, not no, 999 01:00:42,600 --> 01:00:44,680 Speaker 1: but like there was this kind of like tension slash 1000 01:00:44,680 --> 01:00:48,000 Speaker 1: recurring conflict like my X and I would have about 1001 01:00:48,680 --> 01:00:50,960 Speaker 1: me being a corrupt capitalist or something like that, and 1002 01:00:51,000 --> 01:00:53,240 Speaker 1: like and I was just like, Okay, so I see 1003 01:00:53,280 --> 01:00:55,560 Speaker 1: the undercurrent of what you're trying to say there, but 1004 01:00:55,560 --> 01:00:57,120 Speaker 1: I'm going to take it and stride because I think 1005 01:00:57,160 --> 01:00:59,840 Speaker 1: that's really funny. And so I was just like, well then, 1006 01:01:00,080 --> 01:01:03,680 Speaker 1: or Peter because he is Peter, because he I was like, 1007 01:01:03,680 --> 01:01:06,000 Speaker 1: because you're like a whiny little bit. Okay, well, who 1008 01:01:06,040 --> 01:01:08,560 Speaker 1: do you think you are? Um, he is a whiny 1009 01:01:08,600 --> 01:01:10,960 Speaker 1: little bit, by the way, Um, I believe you. I 1010 01:01:10,960 --> 01:01:13,440 Speaker 1: do think. I believe. I do think I am thank you. 1011 01:01:13,520 --> 01:01:16,280 Speaker 1: I do think I'm Effie. I do I think that 1012 01:01:16,480 --> 01:01:20,640 Speaker 1: I have in my own life a character arc like Effie's. 1013 01:01:20,800 --> 01:01:23,280 Speaker 1: Like I the place that I was ten years ago 1014 01:01:23,360 --> 01:01:27,160 Speaker 1: to where I am now has not different belief systems 1015 01:01:27,160 --> 01:01:29,280 Speaker 1: the way Effie has. But I've grown a lot in 1016 01:01:29,440 --> 01:01:32,320 Speaker 1: like my trajectory as a human being and what I 1017 01:01:32,320 --> 01:01:34,720 Speaker 1: want to do with my life. And I'm proud of that. 1018 01:01:34,840 --> 01:01:36,840 Speaker 1: And I'm not trying to like you know, get rid 1019 01:01:36,880 --> 01:01:39,280 Speaker 1: of like who I was before. And I also still 1020 01:01:39,320 --> 01:01:43,880 Speaker 1: retain some characteristics from my capitalist days that like you know, 1021 01:01:44,040 --> 01:01:47,160 Speaker 1: are part of my judge like I would say, yes, 1022 01:01:47,280 --> 01:01:51,280 Speaker 1: I would say that's mahogany okay, like that I would 1023 01:01:51,880 --> 01:01:56,000 Speaker 1: And I am um the girl from the first movie 1024 01:01:56,280 --> 01:02:00,000 Speaker 1: who's played by the girl from Orphan who throws daggers, 1025 01:02:00,120 --> 01:02:03,040 Speaker 1: the one that gets naked in the elevator. No, oh no, 1026 01:02:03,200 --> 01:02:08,400 Speaker 1: I'm Joanna, Oh my god, Joanna, Jenna Malone? Who wait? 1027 01:02:08,440 --> 01:02:11,160 Speaker 1: Remember that one time we went to Atrium for brunch 1028 01:02:11,280 --> 01:02:14,000 Speaker 1: in l A Jennama and I told you Jenna Malone 1029 01:02:14,040 --> 01:02:15,560 Speaker 1: had just last and I was like, who is? And 1030 01:02:15,560 --> 01:02:17,160 Speaker 1: I like caught eyes with her, and I'm like, j 1031 01:02:18,240 --> 01:02:20,280 Speaker 1: was actually kind of gabbed by that, and I'm like 1032 01:02:20,520 --> 01:02:22,800 Speaker 1: very unfazed by seeing famous people out in the wild. 1033 01:02:23,200 --> 01:02:26,280 Speaker 1: But that scene where she gets into the elevator and 1034 01:02:26,320 --> 01:02:29,760 Speaker 1: takes all her clothes off is iconic. Jenna Moroni should 1035 01:02:29,760 --> 01:02:32,360 Speaker 1: have been in Hunger Games, so she should have been 1036 01:02:32,400 --> 01:02:35,440 Speaker 1: in the capital. I'm I'm Joanna if I'm gonna if 1037 01:02:35,480 --> 01:02:38,600 Speaker 1: I'm gonna be any of the Hunger Games characters. But okay, 1038 01:02:38,680 --> 01:02:42,240 Speaker 1: so who should have been a couple? Somebody gay? Right? Yes? 1039 01:02:42,320 --> 01:02:45,720 Speaker 1: So I would say Joanna and Catness. Yeah. I think 1040 01:02:45,720 --> 01:02:48,320 Speaker 1: Catness should have should have should have, you know, followed 1041 01:02:48,360 --> 01:02:51,400 Speaker 1: her her instincts and ditched these guys. And then I'm 1042 01:02:51,400 --> 01:02:56,160 Speaker 1: also going to say Peter and hay Mitch. Yeah yeah, 1043 01:02:56,200 --> 01:02:59,920 Speaker 1: And let me tell you the end of the story 1044 01:03:00,800 --> 01:03:03,720 Speaker 1: would have been, there would have been much more harmony. 1045 01:03:04,080 --> 01:03:07,000 Speaker 1: I think if he had gotten with Peta and if 1046 01:03:07,080 --> 01:03:10,240 Speaker 1: Jennifer Lawrence had been a lesbian like that, I think 1047 01:03:10,320 --> 01:03:14,000 Speaker 1: would have satisfied their overall needs as humans. Because back 1048 01:03:14,040 --> 01:03:16,680 Speaker 1: to what I was trying to say before, trauma, bonding 1049 01:03:16,760 --> 01:03:19,160 Speaker 1: is not love. And it's true that like, yes, like 1050 01:03:20,000 --> 01:03:23,520 Speaker 1: she's going through this trauma, trauma that's literally like in 1051 01:03:23,600 --> 01:03:26,919 Speaker 1: the books, in the movies, and she's to us. They're 1052 01:03:26,960 --> 01:03:28,840 Speaker 1: not totally saying it the way I'm saying it, but 1053 01:03:28,880 --> 01:03:32,200 Speaker 1: it's like cattiness is kind of saying towards the end 1054 01:03:32,200 --> 01:03:34,560 Speaker 1: of these films, it's like, I have gone through something 1055 01:03:34,560 --> 01:03:39,040 Speaker 1: that literally no one else understands unless you've been in 1056 01:03:39,680 --> 01:03:41,640 Speaker 1: the thing, right you have. If you haven't been in 1057 01:03:41,680 --> 01:03:44,680 Speaker 1: the Hungry Games, you don't understand my trauma. And so 1058 01:03:45,280 --> 01:03:48,840 Speaker 1: because there was no going back for Catness, catness emotionally 1059 01:03:49,200 --> 01:03:53,320 Speaker 1: it makes sense. I I can concede that Gail is 1060 01:03:53,360 --> 01:03:55,960 Speaker 1: no longer a fit, which is why she should have 1061 01:03:56,120 --> 01:04:00,320 Speaker 1: gotten with a woman who was in the Hunger Games. Yeah, 1062 01:04:00,360 --> 01:04:04,160 Speaker 1: but even I think even outside of even outside of 1063 01:04:04,200 --> 01:04:07,480 Speaker 1: the Hunger Games, catness Is experience was more singular than 1064 01:04:07,520 --> 01:04:10,680 Speaker 1: anyone else because not only was she manipulated, and this 1065 01:04:10,880 --> 01:04:12,960 Speaker 1: is the whole point of the last film, is not 1066 01:04:13,000 --> 01:04:16,240 Speaker 1: only was she manipulated by the Capital in a very 1067 01:04:16,280 --> 01:04:19,560 Speaker 1: obvious way, she was then manipulated by the Resistance. That's 1068 01:04:19,560 --> 01:04:21,560 Speaker 1: the whole reason why she kills Julian Moore at the end. 1069 01:04:21,840 --> 01:04:23,400 Speaker 1: It's because she's like, I'm not going to let this 1070 01:04:23,440 --> 01:04:26,560 Speaker 1: happen again, because the way the Hunger Games end is 1071 01:04:26,800 --> 01:04:29,120 Speaker 1: the Resistance is like, Okay, now we're going to start 1072 01:04:29,160 --> 01:04:32,080 Speaker 1: the Hunger Games again, just with the children from the Capitol, 1073 01:04:32,360 --> 01:04:34,640 Speaker 1: and Catness is like, it's never gonna fucking end, So 1074 01:04:34,720 --> 01:04:38,040 Speaker 1: I'm just gonna kill you. And then Donald Sutherland like laughs, 1075 01:04:38,040 --> 01:04:41,000 Speaker 1: He's like ha ha, and then Catiness, you know, she 1076 01:04:41,400 --> 01:04:43,960 Speaker 1: removes herself from an entirely. She and Peter go back 1077 01:04:44,000 --> 01:04:46,280 Speaker 1: to District twelve and just like have a bunch of 1078 01:04:46,360 --> 01:04:48,480 Speaker 1: kids and like fucking big bread for the rest of 1079 01:04:48,520 --> 01:04:52,120 Speaker 1: their lives. Fuck and big bread. Now that is a 1080 01:04:52,120 --> 01:05:02,480 Speaker 1: happy ending. Um slide into our d m s at 1081 01:05:02,520 --> 01:05:06,280 Speaker 1: like a virgin. Tell us what would your weapon of 1082 01:05:06,360 --> 01:05:08,040 Speaker 1: choice be on the Hunger Games? Do you think you 1083 01:05:08,080 --> 01:05:11,520 Speaker 1: would survive? Um? Are you more of a Capital girly 1084 01:05:11,800 --> 01:05:14,760 Speaker 1: or you in one of the districts? Are you team Peter, 1085 01:05:14,920 --> 01:05:18,959 Speaker 1: team Gail, team Effie? We want to know um and 1086 01:05:19,480 --> 01:05:23,160 Speaker 1: please rate and review us on Spotify and Apple Music. 1087 01:05:24,000 --> 01:05:27,640 Speaker 1: We really appreciate that. My name's Rose Damn. You can 1088 01:05:27,640 --> 01:05:30,160 Speaker 1: find me anywhere online at Rose Damn you and I'm 1089 01:05:30,200 --> 01:05:32,400 Speaker 1: Fran Toronto. You can find me at Friends, Squish, go 1090 01:05:32,600 --> 01:05:34,800 Speaker 1: anywhere you like. Like a Virgin is an I Heeart 1091 01:05:34,880 --> 01:05:39,000 Speaker 1: radio production. Our producer is Phoebe Unter with support from 1092 01:05:39,080 --> 01:05:43,440 Speaker 1: Lindsey with support from Lindsay Hoffman and Nikki Etre Until 1093 01:05:43,520 --> 01:05:47,760 Speaker 1: next week. Um boom, that's the sound of the cannon 1094 01:05:47,840 --> 01:05:50,440 Speaker 1: that that happens when someone dies in the Hunger Games. 1095 01:05:52,720 --> 01:05:55,920 Speaker 1: You know, I can't whistle, so that was very triggering. 1096 01:06:00,040 --> 01:06:00,200 Speaker 1: Three