WEBVTT - Miley's Black Mirror and Revisiting S1m0ne

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<v Speaker 1>It's ten pm in a nuclear s event deep below

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<v Speaker 1>the Pacific Ocean, and you're listening to Nightcall. Welcome to Nightcall,

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<v Speaker 1>a podcast for your strange days and lonely nights. My

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<v Speaker 1>name is Emily Oshida. I am in New York, and

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<v Speaker 1>with me, as always on the other line, I have

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<v Speaker 1>Molly Lambert and Tess Lynch. Hello. Hello, What's apparently the

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<v Speaker 1>world or civilization is coming to an end by This

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<v Speaker 1>is not on our news, but just now this is

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<v Speaker 1>breaking news, breaking news. Um, the end is in sight.

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<v Speaker 1>Civilization will probably come to an end by toy fifty,

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<v Speaker 1>because like climate change, I plan to also come to

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<v Speaker 1>an end. All good, all good. It doesn't say definitively,

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<v Speaker 1>it says probably. This is kind of a Vice article.

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<v Speaker 1>This is Vice who's giving us this report? I will

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<v Speaker 1>say I also haven't read the article yet. I have

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<v Speaker 1>just seen it tweeted a million times, but I'm speculating

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<v Speaker 1>that it's about climate change, refugees and stuff, and how

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<v Speaker 1>we will have used all the resources of the earth

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<v Speaker 1>at a certain point and then people will turn on

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<v Speaker 1>each other as they have already been doing. Now they

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<v Speaker 1>were kind of starting to get some perspective dates of

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<v Speaker 1>like worst case scenario when everything's gonna go to ship.

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<v Speaker 1>I'm sort of bummed out that I'm going to be

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<v Speaker 1>in my sixties for it. I kind of wish I

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<v Speaker 1>was like a little more, I don't know, you were

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<v Speaker 1>a young person for the apocalypse, just so that I

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<v Speaker 1>could like outrun people and stuff. Verse. I'm gonna be

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<v Speaker 1>not my fantasy, not my fantasy at all. Survival and

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<v Speaker 1>fantasies are not my fantasy because I'm like, I would

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<v Speaker 1>go limp and be the first to die. You wouldn't.

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<v Speaker 1>You're very you don't give yourself enough credit. You know

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<v Speaker 1>that is true, And I actually am in dangerous scenarios.

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<v Speaker 1>I always like summon inner pluck. Yeah, stereotyping but also true. Well,

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<v Speaker 1>just to clarify this Vice report Um says, the headline

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<v Speaker 1>is new reports suggests quote high likelihood of human civilization

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<v Speaker 1>coming to an end in twenty and it was written

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<v Speaker 1>by it's yeah, a former fossil fuel executive. And it

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<v Speaker 1>was also backed by the former chief of Australia's military

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<v Speaker 1>m I don't know, I don't know that sounds bad.

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<v Speaker 1>Backed by the Australian military. Maybe they're trying to foment

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<v Speaker 1>fear could be well, because Australians are racist, it's how

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<v Speaker 1>or not to generalize. Some of them aren't. But Australia

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<v Speaker 1>as a country is like America. You know, it turned

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<v Speaker 1>up a notch. Yeah, just like America, America in a

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<v Speaker 1>weird e mirror. You know, it's like the same, but

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<v Speaker 1>with different animals and types of you know, it's like

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<v Speaker 1>America but different animals. That's a really really good way

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<v Speaker 1>to sum up Australia. And also redheads are plucky and

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<v Speaker 1>like we're just we're a totally straightforward science podcast. Now, well,

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<v Speaker 1>speaking of science, I wanted to give some real science

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<v Speaker 1>about why does the Moon keep flashing us? Is a

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<v Speaker 1>gas flashes? There's something flashing us on the Moon and

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<v Speaker 1>we don't know what it is. We have known about

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<v Speaker 1>the mysterious flashes since at least late nineteen sixties. Small

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<v Speaker 1>regions of the lunar Service would suddenly get brighter or

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<v Speaker 1>darker without obvious explanations. The Science into survey of the

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<v Speaker 1>flashes and dimming, which they called lunear transient phenomena uh

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<v Speaker 1>and they have admitted light that is usually described as

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<v Speaker 1>reddish or pinkish, sometimes with a sparkling or flowing appearance.

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<v Speaker 1>The average duration of an event is some twenty minutes,

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<v Speaker 1>but it made suburb well. Apparently there's a new telescope.

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<v Speaker 1>Scientists have been trying to figure out why this happens

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<v Speaker 1>for five decades since they were first discovered in the sixties,

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<v Speaker 1>but they are now known to happen a few times

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<v Speaker 1>a week, and a new team of astronomers has a

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<v Speaker 1>new telescope in Spain, specifically to find out why it

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<v Speaker 1>might be related to the moonquakes that we were talking

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<v Speaker 1>about last week. This is so weird. I was just

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<v Speaker 1>reading about earthquakes because there were some earthquakes in the

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<v Speaker 1>Inland Empire. There were like thirty little earthquakes and and

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<v Speaker 1>I was like, I felt no, I'm just like we're

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<v Speaker 1>overdo obviously. I mean, maybe I'm crazy. I it was

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<v Speaker 1>a apparently they were very small. I shouldn't have been

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<v Speaker 1>able to feel them in Los Angeles but at us,

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<v Speaker 1>but both my husband and I were like, earthquake. And

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<v Speaker 1>then I checked Twitter and I was like, yes, there

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<v Speaker 1>is an earthquake. I was reading about earthquake weather, which

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<v Speaker 1>is like a sort of pseudo scientific phenomenon where people

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<v Speaker 1>predict earthquakes because they're like, oh, the weather is weird,

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<v Speaker 1>there's going to be an earthquake. It's totally not scientific.

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<v Speaker 1>It doesn't it's ever been proven. It doesn't really work.

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<v Speaker 1>There's nothing you can really use to predict an earthquake,

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<v Speaker 1>like far in advance. It's but but not far in

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<v Speaker 1>advance animal behavior, but also animals act weird all the time,

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<v Speaker 1>so it's hard to distinguish. Makes you very paranoid. But

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<v Speaker 1>they sometimes it's like they hide under the bed. That's

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<v Speaker 1>my experiences. It's like they get weird and they start hiding,

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<v Speaker 1>and you're like, where, what's up with the animals? And

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<v Speaker 1>then there's an earthquake and like that's what was up.

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<v Speaker 1>But I was reading about another phenomenon called earthquake light,

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<v Speaker 1>which is real, which has been noticed when there's an earthquake,

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<v Speaker 1>there's like a like a phenomenal light phenomenon that's described

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<v Speaker 1>as being like colored light. It sounds just like this,

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<v Speaker 1>But where can you see it in the sky or

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<v Speaker 1>is it like it's like a aurora a type thing.

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<v Speaker 1>It's like an aurora you can see over the ye

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<v Speaker 1>in the sky during an earthquake. Supposedly this sounds just

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<v Speaker 1>like that. Maybe this is like a moonquake. That is

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<v Speaker 1>very molly good hypothesis. That's really good because she's actually

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<v Speaker 1>the scientific community. Well, if you actually know any science

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<v Speaker 1>about the moon, more science about we should have uh

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<v Speaker 1>some scientists on this expert. Yeah, a moon ologistian my friend,

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<v Speaker 1>my friend Emma Cunningham explained the northern lights to me. Uh,

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<v Speaker 1>and it like I couldn't understand it at all, but

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<v Speaker 1>I love the northern light. It's so cool, northern lights.

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<v Speaker 1>It's one of those things are It's like, even when

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<v Speaker 1>you haven't explained, it doesn't make it any less cool

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<v Speaker 1>or weird or magical. Yeah. So that at the moon minute, Well,

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<v Speaker 1>just to dip back into the apocalypse real quick, or like,

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<v Speaker 1>I guess maybe both the Moon and Earth are currently

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<v Speaker 1>going through it right now. I'm sorry, I'm a really

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<v Speaker 1>bad joke I have to do right now. Maybe maybe

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<v Speaker 1>it's going through MOONA pause. No, yeah, that's why we're

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<v Speaker 1>here today, Okay. Um, I was going down our rabbit

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<v Speaker 1>hole for completely separate but also night called related reasons.

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<v Speaker 1>I now realize and I discovered this is not at

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<v Speaker 1>all news, but I just wanted to share it with everybody. Um.

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<v Speaker 1>I became aware of the Florida Dome Homes. You can

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<v Speaker 1>look them up. They are officially called the Cape Romano

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<v Speaker 1>Dome Homes. They're somewhere off the they're off the coast

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<v Speaker 1>now they are off the coast of Florida. They were

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<v Speaker 1>originally on the beach, but thanks to a couple of

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<v Speaker 1>um hurricanes and some some of that good old glacier

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<v Speaker 1>melt there now in the water. Well wait, technically it's

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<v Speaker 1>one home, but it's six domes that are connected into

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<v Speaker 1>one house. Yes, yeah, it's a dome home. It's a

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<v Speaker 1>dome home singular. But there's many domes I should say

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<v Speaker 1>domes home. Yes, uh, they so. I would highly recommend

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<v Speaker 1>a Google image search of these. They now just like

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<v Speaker 1>look like the sort of rickety about to fall over.

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<v Speaker 1>They kind of look like like that Greek style of

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<v Speaker 1>like Adobe dome. They're really cool on stilts. The guy

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<v Speaker 1>who built them built them to be completely self sufficient,

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<v Speaker 1>so they were like very ahead of their times. This

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<v Speaker 1>is like in the I think in the early eighties,

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<v Speaker 1>maybe he started to build them. Yes, Bob Bob Lee

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<v Speaker 1>is the guy's Bob Lee. Yeah. I don't think these

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<v Speaker 1>are featured. But there's a movie that I really love

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<v Speaker 1>called Home Movie. It's a documentary made by the people

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<v Speaker 1>who made American movie. It like the movie they made

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<v Speaker 1>right afterwards, And it's just going to a bunch of

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<v Speaker 1>people who built weird or unusual homes and interviewing them

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<v Speaker 1>about it, and they're all really cool. And this one

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<v Speaker 1>isn't in it. There's somebody else who has kind of

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<v Speaker 1>like a UFO house that's kind of a similar kind

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<v Speaker 1>of like proto solar panel. Yeah, really cool. There are

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<v Speaker 1>photos in this will link to this um dwell article

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<v Speaker 1>about it that has some photos of the inside of

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<v Speaker 1>the house when it was still functional and when Bob

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<v Speaker 1>Lee's family lived there, and it looks really nice. It

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<v Speaker 1>looks yeah, total nightcall headquarters. Yes, absolutely, like these child

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<v Speaker 1>floors looks very Mediterranean, but like all the rooms around obviously,

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<v Speaker 1>and you've got these like you know, three D and

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<v Speaker 1>sixty degree views of the water and you're in Florida

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<v Speaker 1>and everything kind of looks paisy and pink and it

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<v Speaker 1>looks great. Uh, And now they are kind of these

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<v Speaker 1>abandoned little they look like if jellyfish could have fossils,

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<v Speaker 1>they look like that. Ye, yes, if jelly fish had bones.

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<v Speaker 1>Oh my god, imagine if jellyfish had bones. I don't

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<v Speaker 1>think they'd be jellyfish anymore. Honestly, wish have bones. It's

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<v Speaker 1>over for us, bitches. You know they will be here

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<v Speaker 1>long after because they are the oldest. I know they

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<v Speaker 1>shall be the first and last. I saw a really

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<v Speaker 1>good video recently of a comb jellyfish eating in another

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<v Speaker 1>comb jellyfish, just like bumping up against one and then

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<v Speaker 1>be like, like I encountered something else in my environment,

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<v Speaker 1>I will eat it hit me anyway. I would check

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<v Speaker 1>out the dome. The dome home it is. It is

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<v Speaker 1>super cool. I wish that it was anywhere nearly savageable,

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<v Speaker 1>because I would totally be putting in a bid for

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<v Speaker 1>it to be our night Call headquarters. But I think

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<v Speaker 1>it's just we just have to let it go out

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<v Speaker 1>to see. There was an interesting thing at the end

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<v Speaker 1>about how they tried to raise money to sink it artificial.

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<v Speaker 1>Read so when we get our gill transplants and we

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<v Speaker 1>can breathe underwater, I'm wondering if that's not something that

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<v Speaker 1>could be revived successfully. Now. I wonder when that um

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<v Speaker 1>fundraising campaign will transplant. I wonder when, like they proposed

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<v Speaker 1>turning it into an artificial reef, because I feel like

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<v Speaker 1>now people would be very receptive to that, whereas a

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<v Speaker 1>few years ago, when we were so blithe, we were like,

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<v Speaker 1>I would really like some Gil transplants and to just

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<v Speaker 1>live in there. That's my dream. Well, I don't think

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<v Speaker 1>I could live under fatter even with Gil the first

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<v Speaker 1>Little Mermaid, I'd be so know you went in because

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<v Speaker 1>you live underwater, right, and then you would get pruny fingers,

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<v Speaker 1>and you'd have to deal with that feeling of the

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<v Speaker 1>thirsty skin even though it's in. It's just terrible, Like

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<v Speaker 1>maybe you'd put sand on your body, Jills and scales

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<v Speaker 1>to make this work. It's way too much work, guys.

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<v Speaker 1>I wanted to talk about one more news item before

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<v Speaker 1>we move on, and this was I think this came

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<v Speaker 1>out a week I think I read this on the

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<v Speaker 1>train coming back from Nightcall last week. But there was

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<v Speaker 1>a big article in the New York Times about Peter

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<v Speaker 1>Max the the commercial artist of the sixties and the

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<v Speaker 1>premier commercial artists of the sixties some of these um

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<v Speaker 1>and how he now has dementia and his children have

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<v Speaker 1>basically like completely like they've completely tried to buy off

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<v Speaker 1>his legacy. They are having him sign art that he

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<v Speaker 1>did not make such pulled up. It's his son Adam

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<v Speaker 1>and two business associates are doing that. His daughter Libra

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<v Speaker 1>is like that, she's on his side, like Cosmo, And

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<v Speaker 1>yes it is. It's Keen Lear with with with off

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<v Speaker 1>art or so. First of all, I clicked on this

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<v Speaker 1>because I was so curious because in my neighborhood in Brooklyn,

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<v Speaker 1>there is a silver Jaguar that has a New York

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<v Speaker 1>license plate that's always parked on the street somewhere around

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<v Speaker 1>me that says Peter Max. It's like a lanity plates

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<v Speaker 1>says Peter Max. And I've always been like, does Peter

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<v Speaker 1>Max live in my neighborhood and in Brooklyn? And then

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<v Speaker 1>so I immediately opened up and I was like, Okay,

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<v Speaker 1>what's going on with Peter Max? What's going on in

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<v Speaker 1>the you know, not at all glamorous corner of Park Slope,

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<v Speaker 1>which I whish I live. But apparently whoever has that

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<v Speaker 1>car has nothing to do with or at least as

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<v Speaker 1>not a associated with his studio, which is all on

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<v Speaker 1>the Upper West Side. Because of course it is um

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<v Speaker 1>uh yeah, it's a it's a it's a wild story.

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<v Speaker 1>It also just like I don't know about how they

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<v Speaker 1>tried to they tried to poison him with brazil NEAs. Okay,

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<v Speaker 1>so wait, guys, I went really deep on this great

0:13:30.440 --> 0:13:33.199
<v Speaker 1>there's so many well, I just I took a lot

0:13:33.240 --> 0:13:35.280
<v Speaker 1>of notes on this story because I was like, there's

0:13:35.320 --> 0:13:38.640
<v Speaker 1>everyone is a villain in this story, and just be

0:13:38.760 --> 0:13:41.200
<v Speaker 1>real right in Peter Max, Well, Peter Max is not

0:13:41.240 --> 0:13:45.520
<v Speaker 1>a villain much. Yeah, well he's a sellout. And then

0:13:45.679 --> 0:13:49.160
<v Speaker 1>he tried he like you know, basically pled guilty to

0:13:49.240 --> 0:13:53.679
<v Speaker 1>tax evasion. And after that, oh, because he was so

0:13:53.760 --> 0:13:56.720
<v Speaker 1>he was an artist who very quickly was you know,

0:13:56.800 --> 0:14:02.680
<v Speaker 1>he was kind of like kind of counterfeits, like he's

0:14:02.720 --> 0:14:05.040
<v Speaker 1>like with Don Draper is dreaming of when he when

0:14:05.040 --> 0:14:08.560
<v Speaker 1>he is meditating. He was like one of the first

0:14:08.600 --> 0:14:11.000
<v Speaker 1>of that wave to just be like I'm gonna team

0:14:11.080 --> 0:14:14.199
<v Speaker 1>up with the CEO of Chrysler, I'm gonna sell I'm

0:14:14.200 --> 0:14:16.520
<v Speaker 1>gonna do like advertisements. That's gonna be my thing. And

0:14:16.559 --> 0:14:19.800
<v Speaker 1>then he became really into spending his money. So when

0:14:19.800 --> 0:14:22.520
<v Speaker 1>he divorced his first wife, he was like, I will

0:14:22.560 --> 0:14:26.120
<v Speaker 1>just build a staircase connecting my apartment and the adjacent

0:14:26.160 --> 0:14:29.120
<v Speaker 1>apartment so we can lead separate lives but co parent

0:14:29.200 --> 0:14:34.640
<v Speaker 1>our children. It's like, it's just like terrible. Yeah, he was.

0:14:35.480 --> 0:14:37.560
<v Speaker 1>He just became a kind of a rich dick. So

0:14:37.600 --> 0:14:41.880
<v Speaker 1>then he has two children, Adam and Libra. And Libra

0:14:42.200 --> 0:14:44.240
<v Speaker 1>I guess he you know, Peter Max is like an

0:14:44.280 --> 0:14:47.160
<v Speaker 1>animal rights activist and stuff. Libra kind of inherited that,

0:14:47.240 --> 0:14:50.120
<v Speaker 1>moved to l a was doing that, wasn't super involved

0:14:50.160 --> 0:14:52.920
<v Speaker 1>in the business even though she and Adam and Peter

0:14:53.040 --> 0:14:56.320
<v Speaker 1>were all running the company, so Libra didn't really have

0:14:56.400 --> 0:14:59.200
<v Speaker 1>much to do with it. Adam, you know, eventually Peter

0:14:59.280 --> 0:15:04.560
<v Speaker 1>Max Alzheimer's and became unable to really, you know, do

0:15:04.640 --> 0:15:07.600
<v Speaker 1>his art or even kind of function at these events

0:15:07.600 --> 0:15:09.120
<v Speaker 1>that he was going to, most of which were on

0:15:09.200 --> 0:15:12.440
<v Speaker 1>cruise lines where people would get drunk and bid on

0:15:12.480 --> 0:15:16.320
<v Speaker 1>Peter Max paintings. So his son at some point kind

0:15:16.360 --> 0:15:20.320
<v Speaker 1>of basically put the studio on lockdown so nobody could

0:15:20.320 --> 0:15:22.960
<v Speaker 1>see what was going on inside, and then had all

0:15:23.000 --> 0:15:27.160
<v Speaker 1>of these minimum wage workers making like replica Peter Max paintings,

0:15:27.160 --> 0:15:28.760
<v Speaker 1>and then he would have his dad come in and

0:15:28.800 --> 0:15:32.160
<v Speaker 1>sign them. But then, you know, I guess Peter Max

0:15:32.240 --> 0:15:33.840
<v Speaker 1>is I'm not sure if he's still married to her,

0:15:33.880 --> 0:15:37.720
<v Speaker 1>but his second wife, Mary Um started accusing Adam of,

0:15:37.880 --> 0:15:41.640
<v Speaker 1>you know, basically kidnapping Peter Max because they couldn't find him,

0:15:41.640 --> 0:15:44.480
<v Speaker 1>couldn't contact him. And so all of the court records

0:15:44.480 --> 0:15:47.600
<v Speaker 1>are cited in the New York Times investigation and that's

0:15:47.640 --> 0:15:51.080
<v Speaker 1>where the poisoning vibe brazil nut comes in. So Adam

0:15:51.200 --> 0:15:53.800
<v Speaker 1>is like, hey, it's not just me here, who is

0:15:54.040 --> 0:15:57.000
<v Speaker 1>being abusive to my dad? Look at my mom. She

0:15:57.400 --> 0:16:00.240
<v Speaker 1>is making him smoothies where she puts in hold zill

0:16:00.360 --> 0:16:04.200
<v Speaker 1>nuts hoping that he'll choke. Apparently she was recorded talking

0:16:04.200 --> 0:16:07.520
<v Speaker 1>to someone about hiring a guy to like intimidate Peter

0:16:07.600 --> 0:16:09.720
<v Speaker 1>Max and you know, break his hand so he wouldn't

0:16:09.720 --> 0:16:12.840
<v Speaker 1>be able to paint. It is this whole It feels

0:16:12.880 --> 0:16:14.960
<v Speaker 1>like there's a lot of stories like this recently about

0:16:14.960 --> 0:16:20.000
<v Speaker 1>elder abuse with famous famous There's a Stanley one and

0:16:20.040 --> 0:16:23.720
<v Speaker 1>the guy just got convicted. Oh did he? Yeah? I

0:16:23.760 --> 0:16:27.120
<v Speaker 1>was selling that for a while as well. Um. Yeah,

0:16:27.440 --> 0:16:30.760
<v Speaker 1>it's it's it's some dark stuff, like the idea of

0:16:30.800 --> 0:16:33.840
<v Speaker 1>the Norwegian isn't it like a Norwegian cress line that's

0:16:33.880 --> 0:16:39.640
<v Speaker 1>like a Peter Max theme boat, Like it's it just

0:16:39.680 --> 0:16:42.600
<v Speaker 1>sounds like part of me is like would I want

0:16:42.600 --> 0:16:45.120
<v Speaker 1>to be on that? And then I'm like no, absolutely not.

0:16:45.240 --> 0:16:47.680
<v Speaker 1>And then when just filled with all this like forged

0:16:47.800 --> 0:16:51.040
<v Speaker 1>dart that like some old man with franches forced like

0:16:51.080 --> 0:16:54.480
<v Speaker 1>a gunpoint basically to side, Like, oh god, it's so dark,

0:16:54.520 --> 0:16:57.320
<v Speaker 1>all of it. It's like velvet buzz soft. Yes, yes,

0:16:58.280 --> 0:17:02.920
<v Speaker 1>I feel like there's so much creepy bullshit in the

0:17:03.040 --> 0:17:05.640
<v Speaker 1>regular art world though, too, you know what I mean.

0:17:05.720 --> 0:17:09.879
<v Speaker 1>I like every baroque I know, but every big artist

0:17:09.920 --> 0:17:13.200
<v Speaker 1>has like an army of like underpaid, you know, lower

0:17:13.200 --> 0:17:16.320
<v Speaker 1>tier people fabricating all the arts for them, like they

0:17:16.320 --> 0:17:18.280
<v Speaker 1>don't make any of the art they tried to, kind

0:17:18.320 --> 0:17:22.400
<v Speaker 1>of like Damian Herst's like people build build art for

0:17:22.640 --> 0:17:25.200
<v Speaker 1>artists who dictate how to do it. But then this

0:17:25.280 --> 0:17:28.879
<v Speaker 1>is like too many degrees of separation even for that realm.

0:17:29.119 --> 0:17:32.080
<v Speaker 1>If you're not even conscious of making the art, then

0:17:32.520 --> 0:17:35.080
<v Speaker 1>I don't know. That's something else. I don't know. It's

0:17:35.119 --> 0:17:38.760
<v Speaker 1>it's a pretty wild story. The new Katy Perry video

0:17:39.119 --> 0:17:43.800
<v Speaker 1>for Never Really Over is very Peter max ish. Yeah,

0:17:43.920 --> 0:17:46.159
<v Speaker 1>it's all like kind of looks like a Paisley scarf

0:17:46.200 --> 0:17:50.040
<v Speaker 1>with It's very like the like the coke commercial from

0:17:50.040 --> 0:17:52.160
<v Speaker 1>the Last Madman that you're just talking about. It's very

0:17:52.200 --> 0:17:58.080
<v Speaker 1>like seventy really seventies, late sixties. Also the song is good.

0:17:59.680 --> 0:18:04.840
<v Speaker 1>Speaking of pop stars, I flew on a very special

0:18:04.960 --> 0:18:11.600
<v Speaker 1>UFO to England where I saw the new Black Mirror

0:18:11.880 --> 0:18:15.600
<v Speaker 1>episode that nobody has seen yet um and not as

0:18:15.600 --> 0:18:19.080
<v Speaker 1>of this recording, not nobody, but it's now out, which

0:18:19.119 --> 0:18:21.480
<v Speaker 1>means everybody can talk about it. But it means I'm,

0:18:21.520 --> 0:18:24.480
<v Speaker 1>you know, projecting this to you from from before you've

0:18:24.520 --> 0:18:28.119
<v Speaker 1>seen the Black Mirror episode. Is what I'm saying is

0:18:28.160 --> 0:18:30.560
<v Speaker 1>I've seen this Black Mirror episode. It is now out

0:18:30.560 --> 0:18:33.639
<v Speaker 1>on Netflix. Now out on Netflix and you can watch too.

0:18:33.720 --> 0:18:38.119
<v Speaker 1>It is called Rachel Jack and Ashley Too, and it

0:18:38.280 --> 0:18:43.119
<v Speaker 1>stars Miley Cyrus as a pop star named Ashley Oh.

0:18:43.200 --> 0:18:47.320
<v Speaker 1>And this will be another Black Mirror episode that people

0:18:47.359 --> 0:18:50.119
<v Speaker 1>will be like, how did this predict exactly what is

0:18:50.160 --> 0:18:55.000
<v Speaker 1>happening right this moment? Because it does eerily touch on

0:18:55.080 --> 0:18:58.120
<v Speaker 1>some issues of many things we were just talking about

0:18:58.160 --> 0:19:02.639
<v Speaker 1>in terms of like ownership, create of ownership, who profits

0:19:02.680 --> 0:19:06.480
<v Speaker 1>off of an artist, especially one that has a lot

0:19:06.520 --> 0:19:09.119
<v Speaker 1>of people profiting off of them, and a motive in

0:19:09.440 --> 0:19:16.040
<v Speaker 1>continuing making every person continue to work h So Miley

0:19:16.080 --> 0:19:20.240
<v Speaker 1>plays Ashley Oh. And the best thing, one of the

0:19:20.240 --> 0:19:22.520
<v Speaker 1>many good things about this episode, which is very nightcall

0:19:22.800 --> 0:19:26.080
<v Speaker 1>bait e, is that, um, she sings a pop song

0:19:26.520 --> 0:19:29.520
<v Speaker 1>that is had like a Hole by nine inch Nails

0:19:29.680 --> 0:19:33.560
<v Speaker 1>with new lyrics that her Hannah Montana e. Oh. I

0:19:33.600 --> 0:19:36.119
<v Speaker 1>thought she just did a cover of head like a Hole. No,

0:19:36.240 --> 0:19:38.800
<v Speaker 1>it's so much better than that. It's like they show

0:19:39.400 --> 0:19:41.560
<v Speaker 1>her singing the song and I was like, what is

0:19:41.600 --> 0:19:45.400
<v Speaker 1>this song? It's so catchy and also familiar in the trailer,

0:19:45.520 --> 0:19:48.720
<v Speaker 1>right maybe, Um, I've had it and I've had it

0:19:48.760 --> 0:19:50.600
<v Speaker 1>in my head since then and I couldn't share it

0:19:50.640 --> 0:19:53.480
<v Speaker 1>with anybody. But it's like, amah, it's called on a roll.

0:19:54.720 --> 0:19:59.639
<v Speaker 1>I'm on a roll. I'm taking control, doing my best

0:20:00.240 --> 0:20:05.399
<v Speaker 1>achieving muggle. Oh my god. Um And they play in

0:20:05.440 --> 0:20:09.159
<v Speaker 1>a million times in the episode and it's really good. Uh.

0:20:09.400 --> 0:20:12.520
<v Speaker 1>This episode touches on yeah, many things we all talk

0:20:12.600 --> 0:20:17.240
<v Speaker 1>about in terms of wait, so what's the prim like,

0:20:17.320 --> 0:20:21.239
<v Speaker 1>what happened? What happens to her in the story? Too

0:20:21.320 --> 0:20:23.359
<v Speaker 1>much of it, that's spilling too much. It's a dual

0:20:23.480 --> 0:20:27.240
<v Speaker 1>narrative about Ashley Oh and a teenage girl who is

0:20:27.240 --> 0:20:29.840
<v Speaker 1>her fan and so it's mostly from the point of

0:20:29.920 --> 0:20:32.320
<v Speaker 1>view of the girl who's the fan, but it's about

0:20:32.359 --> 0:20:36.439
<v Speaker 1>Ashley is about to turn twenty five, and that is

0:20:36.480 --> 0:20:40.879
<v Speaker 1>when she gains control of her business basically, and she

0:20:41.000 --> 0:20:46.639
<v Speaker 1>has an aunt who has a conservatorship and she, uh,

0:20:46.800 --> 0:20:51.160
<v Speaker 1>the aunt maybe is being manipulative of her to try

0:20:51.200 --> 0:20:54.320
<v Speaker 1>and ensure that the money never stops. It sounds it

0:20:54.440 --> 0:20:57.639
<v Speaker 1>sounds good. I missed Black Mirror. I've been like really

0:20:57.720 --> 0:20:59.719
<v Speaker 1>after band or Snatch. I thought that they were going

0:20:59.760 --> 0:21:02.879
<v Speaker 1>to at least the next three episodes, like right away,

0:21:03.000 --> 0:21:05.600
<v Speaker 1>and I was just kind of tapping my finger. Sounds

0:21:05.600 --> 0:21:09.119
<v Speaker 1>really good, I cried at the end. But it's also

0:21:09.640 --> 0:21:12.440
<v Speaker 1>without spelling too much, it's maybe not as depressing as

0:21:12.480 --> 0:21:14.359
<v Speaker 1>some Black mirrors. If you're a person who doesn't like

0:21:14.400 --> 0:21:16.240
<v Speaker 1>to watch Black Mirror because you find it too depressing,

0:21:16.240 --> 0:21:18.840
<v Speaker 1>it too depressing. Black mirrors are difficult, I think this

0:21:18.920 --> 0:21:23.120
<v Speaker 1>is not that one. Um, it's very good. It it's

0:21:23.160 --> 0:21:25.800
<v Speaker 1>funny also, but it also concerns a robot, a home

0:21:25.880 --> 0:21:29.399
<v Speaker 1>robot called Ashley Too, the titular Ashley Too, and so

0:21:29.480 --> 0:21:33.880
<v Speaker 1>they make an AI of her basically or something like that,

0:21:34.040 --> 0:21:36.400
<v Speaker 1>like to continue to be able to make money off

0:21:36.440 --> 0:21:38.720
<v Speaker 1>of her. Is that the basic premise of it, or

0:21:38.840 --> 0:21:41.840
<v Speaker 1>it's like they make an AI of her. Yes, they

0:21:41.920 --> 0:21:43.600
<v Speaker 1>that's the basic premise. They make an AI of her

0:21:43.680 --> 0:21:46.080
<v Speaker 1>by like scanning her consciousness, putting it in like a

0:21:46.080 --> 0:21:48.679
<v Speaker 1>little Alexa home robot that's in like this little Wally

0:21:48.840 --> 0:21:51.480
<v Speaker 1>that like sits on your desk and it's like, hey,

0:21:51.520 --> 0:21:54.679
<v Speaker 1>what are you doing? Hey, talk to me about your feelings?

0:21:55.200 --> 0:21:59.280
<v Speaker 1>Um in Miley's voice, Well, like this is even happening

0:21:59.359 --> 0:22:01.640
<v Speaker 1>now though, like this was happening a couple of years ago.

0:22:01.720 --> 0:22:04.280
<v Speaker 1>I feel like, um, I feel like who who gave

0:22:04.320 --> 0:22:06.760
<v Speaker 1>an interview about this after being in a Marvel movie

0:22:06.800 --> 0:22:10.679
<v Speaker 1>where they were like, um oh, I realized that now

0:22:10.920 --> 0:22:15.560
<v Speaker 1>my entire body and likeness has been scanned by Marvel

0:22:15.840 --> 0:22:19.240
<v Speaker 1>and Disney and therefore and it is it belongs to them.

0:22:19.280 --> 0:22:21.159
<v Speaker 1>Like this was a part of the contract because they

0:22:21.160 --> 0:22:25.680
<v Speaker 1>had to, you know, make a digital recreation in your likeness. Yeah,

0:22:25.720 --> 0:22:28.680
<v Speaker 1>they own your likeness and then they can essentially make

0:22:28.840 --> 0:22:32.520
<v Speaker 1>anything with that likeness. They can simulate your you know,

0:22:32.600 --> 0:22:35.679
<v Speaker 1>they can do the Princess Leiah thing from from the

0:22:35.800 --> 0:22:38.440
<v Speaker 1>end of Rogue one or whatever they can. They can

0:22:38.520 --> 0:22:42.720
<v Speaker 1>you know, generate a new you. Uh yeah, so that

0:22:42.720 --> 0:22:45.639
<v Speaker 1>that is extremely what this is about. And the fact

0:22:45.680 --> 0:22:48.520
<v Speaker 1>that it stars Miley makes it also kind of like.

0:22:48.560 --> 0:22:52.120
<v Speaker 1>It's very meta but not annoying. It's funny and good

0:22:52.280 --> 0:22:57.399
<v Speaker 1>and I'm excited for everybody else to see it. Um

0:22:57.600 --> 0:23:00.600
<v Speaker 1>seamlessly into our discussion of a movie we all watched

0:23:01.200 --> 0:23:06.000
<v Speaker 1>called Simone. I would say we watched Simone because we

0:23:06.040 --> 0:23:09.040
<v Speaker 1>watched Simone because of this. I did not remember though,

0:23:09.080 --> 0:23:11.199
<v Speaker 1>that while I was looking at the trivia for Simone,

0:23:11.200 --> 0:23:12.600
<v Speaker 1>and one of the things about it was that they

0:23:12.600 --> 0:23:15.160
<v Speaker 1>were planning to market it as that they had generated

0:23:15.200 --> 0:23:18.720
<v Speaker 1>the first AI actress. And then it was right around

0:23:18.720 --> 0:23:21.320
<v Speaker 1>the same time as the Final Fantasy Movie, you know,

0:23:21.359 --> 0:23:22.639
<v Speaker 1>when they were like, We're going to make cg I

0:23:22.680 --> 0:23:26.960
<v Speaker 1>movies with entirely c g I people, and SAG got

0:23:27.080 --> 0:23:30.400
<v Speaker 1>so mad about it. Bless the screen actor. I am

0:23:30.440 --> 0:23:32.919
<v Speaker 1>a member of the great Force that I love. I

0:23:33.080 --> 0:23:36.840
<v Speaker 1>was legit concerned about actors being replaced with c g

0:23:37.040 --> 0:23:40.720
<v Speaker 1>I and so they forced like Simone to say, like, no,

0:23:40.840 --> 0:23:43.080
<v Speaker 1>this is a real actress playing this part, which it

0:23:43.160 --> 0:23:47.640
<v Speaker 1>obviously is, because it's not at all believable c g I. Yeah,

0:23:47.680 --> 0:23:49.720
<v Speaker 1>what do you think of Simone. Oh my god, Well,

0:23:49.760 --> 0:23:52.760
<v Speaker 1>I saw this movie in theaters when it came out.

0:23:53.000 --> 0:23:55.560
<v Speaker 1>I think that they were really pushing that. It was like, oh,

0:23:55.600 --> 0:23:58.199
<v Speaker 1>it's the guy who did Gatica, so it's gonna be

0:23:58.280 --> 0:24:02.040
<v Speaker 1>like fun but also like a keen person's sci fi thing.

0:24:02.080 --> 0:24:04.840
<v Speaker 1>And it is very much like a it's totally a

0:24:04.840 --> 0:24:08.080
<v Speaker 1>Black Mirror episode before there was Black Mirror, Like like,

0:24:08.119 --> 0:24:12.320
<v Speaker 1>what it's about is interesting, right, And it's The hilarious

0:24:12.320 --> 0:24:14.879
<v Speaker 1>thing is that it was not well received at the time,

0:24:15.480 --> 0:24:17.600
<v Speaker 1>and I think that that's probably due to the fact

0:24:17.600 --> 0:24:20.560
<v Speaker 1>that it's not a very good movie. But a lot

0:24:20.640 --> 0:24:24.080
<v Speaker 1>of a lot of the reviews are just site that

0:24:24.119 --> 0:24:26.280
<v Speaker 1>it's so far fetched or it could never happen and

0:24:26.280 --> 0:24:28.440
<v Speaker 1>blah blah blah blah blah. And that's not the problem

0:24:28.440 --> 0:24:33.320
<v Speaker 1>with the script is really bad. The script is really bad. Uh.

0:24:33.640 --> 0:24:38.280
<v Speaker 1>The tone is super weird, very strange, but not in

0:24:38.320 --> 0:24:40.439
<v Speaker 1>like a fun way. It made me appreciate Under the

0:24:40.480 --> 0:24:43.040
<v Speaker 1>Silver Lake, right, No, there have been a ton of

0:24:43.040 --> 0:24:46.240
<v Speaker 1>movies recently where I've been like Under the Silver Lake. Actually,

0:24:46.280 --> 0:24:49.119
<v Speaker 1>at least it gave me a feeling, right well, it

0:24:49.240 --> 0:24:52.119
<v Speaker 1>tries to dip into satire every now and then and

0:24:52.200 --> 0:24:56.439
<v Speaker 1>just like cannot nail it, like a combination of just

0:24:56.520 --> 0:24:59.040
<v Speaker 1>like I, I don't know, it feels like sometimes out

0:24:59.080 --> 0:25:01.640
<v Speaker 1>but you know, might not be fully present in the role.

0:25:02.160 --> 0:25:05.760
<v Speaker 1>And then but I can't blame Piccino. He was so

0:25:05.920 --> 0:25:08.520
<v Speaker 1>game for this, like he was working with a green

0:25:08.600 --> 0:25:11.040
<v Speaker 1>screen for a lot of it, doing a great job there.

0:25:11.160 --> 0:25:13.120
<v Speaker 1>I feel like everyone who made it thought they were

0:25:13.160 --> 0:25:19.120
<v Speaker 1>making a really important movie. And I was also shocked

0:25:19.119 --> 0:25:22.000
<v Speaker 1>to realize that came out in two thousand two. But

0:25:22.160 --> 0:25:25.160
<v Speaker 1>that explained everything to me because I was like, this

0:25:25.160 --> 0:25:29.359
<v Speaker 1>movie takes place in the future. Yeah, that then like

0:25:29.840 --> 0:25:34.400
<v Speaker 1>wasn't going to happen after in the got those marimbas.

0:25:34.480 --> 0:25:37.840
<v Speaker 1>It's got that kind of pseudo American beauty score, which

0:25:37.880 --> 0:25:41.600
<v Speaker 1>is very totally reminded me of is Paul Simon's The

0:25:41.680 --> 0:25:47.480
<v Speaker 1>Rhythm of the Saints. This like slightly embarrassingly, very embarrassing,

0:25:47.640 --> 0:25:50.199
<v Speaker 1>like white Man on the drums kind of. It was

0:25:50.240 --> 0:25:51.959
<v Speaker 1>just like I will say, let me say it always

0:25:52.359 --> 0:25:56.080
<v Speaker 1>Paul Simon. I can't. It's hard. It's hard, it's so

0:25:56.119 --> 0:25:59.240
<v Speaker 1>emotionally it's bad. I know, we're two out of three

0:25:59.240 --> 0:26:05.040
<v Speaker 1>for Paul assignment. Unfortunately, come on Sorry Loos. I think

0:26:05.119 --> 0:26:08.840
<v Speaker 1>what is really tragic about Simone is that I love

0:26:08.920 --> 0:26:10.720
<v Speaker 1>The Truman Show so much. I think we all like

0:26:10.760 --> 0:26:14.480
<v Speaker 1>The Truman Show. And Andre Nicholl wrote co wrote The

0:26:14.560 --> 0:26:17.520
<v Speaker 1>Truman Show, and that was actually his first movie that

0:26:17.520 --> 0:26:18.960
<v Speaker 1>he wanted to get made, and then they were like,

0:26:19.000 --> 0:26:21.080
<v Speaker 1>we're not going to give you eighty million dollars to

0:26:21.160 --> 0:26:23.959
<v Speaker 1>make your first movie. And it turned out to knocked

0:26:23.960 --> 0:26:26.159
<v Speaker 1>it out of the park. He did good job, he

0:26:26.240 --> 0:26:29.120
<v Speaker 1>did great that that's what's in Peter were so much

0:26:29.280 --> 0:26:32.919
<v Speaker 1>better of a director Simone. It had Peter Weir. I

0:26:32.960 --> 0:26:35.560
<v Speaker 1>think maybe he could have spun gold out of it.

0:26:35.640 --> 0:26:38.959
<v Speaker 1>I think that there's something about the you know, Patino's character,

0:26:39.680 --> 0:26:43.080
<v Speaker 1>what's his name? Victor turand Taransky? They say his name

0:26:43.320 --> 0:26:51.560
<v Speaker 1>so often. How I wiped it Victor Turansky Victor Taransky

0:26:51.680 --> 0:26:54.280
<v Speaker 1>is the most interesting thing about this movie is all

0:26:54.280 --> 0:26:58.760
<v Speaker 1>the weird people in it. Yeah, one place the daughter,

0:26:58.800 --> 0:27:01.560
<v Speaker 1>which means play from the West World universe, which makes

0:27:01.600 --> 0:27:05.560
<v Speaker 1>perfect sense. Sure, Jay Moore is the hotheaded leading man.

0:27:06.880 --> 0:27:10.200
<v Speaker 1>Is such a weird choice in this room. And then

0:27:10.200 --> 0:27:13.520
<v Speaker 1>Winona Writer at the beginning playing the actress, the bitchy

0:27:13.560 --> 0:27:16.600
<v Speaker 1>actress who storms offset creating the need for a cg

0:27:16.720 --> 0:27:23.000
<v Speaker 1>I actress is Nicola Anders and reminder, this movie was

0:27:23.040 --> 0:27:31.199
<v Speaker 1>made by Andrew Nicole. Yeah the crazy things, did you

0:27:31.200 --> 0:27:34.720
<v Speaker 1>guys notice? So so so Nicola Anders. You know, she's

0:27:34.800 --> 0:27:36.680
<v Speaker 1>she's sort of the impetus for this whole thing of

0:27:36.760 --> 0:27:38.280
<v Speaker 1>him being like, what if there was a woman I

0:27:38.280 --> 0:27:41.480
<v Speaker 1>could control from beginning to end of the of the

0:27:41.520 --> 0:27:44.960
<v Speaker 1>promotion and the production and everything. Uh. And then she,

0:27:45.520 --> 0:27:49.040
<v Speaker 1>after kind of realizing that she lost out on this

0:27:49.080 --> 0:27:53.160
<v Speaker 1>major chance to become a star like Simone, Nicola Andrews

0:27:53.240 --> 0:27:56.479
<v Speaker 1>comes back with her tail between her legs, like dressed

0:27:56.520 --> 0:27:59.439
<v Speaker 1>like a serious theater person and like a black turtleneck

0:27:59.480 --> 0:28:03.119
<v Speaker 1>and and and like a Lilith style haircut. Um or

0:28:03.200 --> 0:28:07.200
<v Speaker 1>like up to or whatever. And um uh. She does

0:28:07.240 --> 0:28:10.639
<v Speaker 1>an audition for a scene that I swear to God

0:28:10.840 --> 0:28:12.720
<v Speaker 1>and I will go back and check this. I should

0:28:12.760 --> 0:28:15.040
<v Speaker 1>have done that before this, but I'm pretty sure it's

0:28:15.080 --> 0:28:20.200
<v Speaker 1>almost word for word the audition scene from Mulholland Drive. Yeah,

0:28:20.520 --> 0:28:25.159
<v Speaker 1>because it also checks out, which is like one year before.

0:28:25.400 --> 0:28:28.360
<v Speaker 1>But it's like it's like, you know, both of them

0:28:28.440 --> 0:28:30.159
<v Speaker 1>end with I wish you were dead, I wish we

0:28:30.200 --> 0:28:32.560
<v Speaker 1>were both dead, and I was like, I know this scene,

0:28:33.160 --> 0:28:36.840
<v Speaker 1>it's that other audition scene from that other movie from

0:28:36.840 --> 0:28:40.720
<v Speaker 1>the same weird era. But I mean there's a lot

0:28:40.760 --> 0:28:43.880
<v Speaker 1>of like Easter eggs and stuff like that in this movie.

0:28:44.120 --> 0:28:46.880
<v Speaker 1>But that did not make me like it. That's normally

0:28:46.920 --> 0:28:49.920
<v Speaker 1>something that can booy me, and also just the funny.

0:28:50.080 --> 0:28:54.880
<v Speaker 1>The only funny parts are Simones movies and their titles,

0:28:55.400 --> 0:29:00.200
<v Speaker 1>including Sunrise, Sunset, Eternity Forever, and my favorite one, her

0:29:00.320 --> 0:29:03.680
<v Speaker 1>art film I Am Pig, which, like, I just want

0:29:03.720 --> 0:29:06.320
<v Speaker 1>to watch I Am Pig. So it's just her eating

0:29:06.360 --> 0:29:09.200
<v Speaker 1>out of a trough with big and that's all. We

0:29:09.400 --> 0:29:12.960
<v Speaker 1>should back up slightly just to like explain what specifically

0:29:13.000 --> 0:29:15.920
<v Speaker 1>this movie is about, which is that this director of

0:29:16.000 --> 0:29:18.320
<v Speaker 1>Victor Taranski want, you know, as we said, like he

0:29:18.360 --> 0:29:20.479
<v Speaker 1>wishes he could have an actress he could truly control.

0:29:20.560 --> 0:29:24.680
<v Speaker 1>So he gets this drive from this crazy scientist who

0:29:24.760 --> 0:29:30.080
<v Speaker 1>conveniently is dying like the next Christopher Maloney. Right, No,

0:29:30.240 --> 0:29:34.440
<v Speaker 1>Calias Kate, cut it, Oh, Ellive Qatar is very similar. Yeah,

0:29:34.840 --> 0:29:37.640
<v Speaker 1>don't cut it. It's part of the My husband was like,

0:29:37.840 --> 0:29:40.000
<v Speaker 1>it was like how many and what you went on

0:29:40.000 --> 0:29:42.080
<v Speaker 1>this whole tangent, But he was like, how many rules

0:29:42.120 --> 0:29:44.800
<v Speaker 1>do you think that both he and Chris Maloney were

0:29:44.880 --> 0:29:46.680
<v Speaker 1>up for? And it like was this big? Did they

0:29:46.680 --> 0:29:48.880
<v Speaker 1>hate each other? We were talking about that. We were like,

0:29:48.880 --> 0:29:51.040
<v Speaker 1>oh no, we have to go back to watching Simone

0:29:51.840 --> 0:29:54.600
<v Speaker 1>to stop talking about this. I watched. I watched Simone

0:29:54.600 --> 0:29:57.360
<v Speaker 1>in three sittings. I usually try to just like cruise

0:29:57.400 --> 0:29:59.280
<v Speaker 1>three things, and I couldn't. I took a nap in

0:29:59.320 --> 0:30:02.000
<v Speaker 1>the middle of it. Um but put you to sleep.

0:30:02.000 --> 0:30:04.920
<v Speaker 1>It does. It's really the middle really lacks. But he

0:30:05.000 --> 0:30:11.920
<v Speaker 1>gets this technology simulation one renamed Simone uh and uh,

0:30:12.080 --> 0:30:13.880
<v Speaker 1>and then we kind of YadA yata through how he

0:30:13.920 --> 0:30:17.160
<v Speaker 1>actually gets her to be in his movie. I will

0:30:17.200 --> 0:30:19.719
<v Speaker 1>say that his movies that he makes are very funny

0:30:19.720 --> 0:30:22.120
<v Speaker 1>in a kind of late nineties way, like the way

0:30:22.160 --> 0:30:24.960
<v Speaker 1>that they like parody what the movie thinks is like

0:30:25.000 --> 0:30:29.520
<v Speaker 1>an art film, Like it's pretty funny. Like there's so

0:30:29.560 --> 0:30:33.320
<v Speaker 1>there's one that's called Sunrise Sunset and it feels like

0:30:33.800 --> 0:30:35.440
<v Speaker 1>I don't know if it's supposed to take place in

0:30:35.520 --> 0:30:40.280
<v Speaker 1>like seventeenth century Portugal or something like that. All of

0:30:40.320 --> 0:30:46.360
<v Speaker 1>it has like like Gregorian chant music, star More and

0:30:46.520 --> 0:30:50.880
<v Speaker 1>this woman that Andrew Nicole end up ended up marrying apparently. Yeah,

0:30:51.000 --> 0:30:53.760
<v Speaker 1>that is the craziest part of Simone is finding out

0:30:54.480 --> 0:30:57.760
<v Speaker 1>that he married the actress who plays Simone. Rachel Roberts

0:30:58.200 --> 0:31:03.200
<v Speaker 1>did was a biotherm model. She was on mad Men

0:31:03.400 --> 0:31:05.760
<v Speaker 1>and I think c s I. She's been She's been

0:31:05.800 --> 0:31:07.440
<v Speaker 1>in a lot of stuff. And then she was also

0:31:07.840 --> 0:31:10.240
<v Speaker 1>in the music video for Bitch Better Have My Money.

0:31:11.600 --> 0:31:18.200
<v Speaker 1>She's the wife. Yeah, Med's Med's his wife. Yeah. So yeah,

0:31:18.240 --> 0:31:20.960
<v Speaker 1>he basically has to keep up this ruse because he

0:31:21.000 --> 0:31:25.200
<v Speaker 1>couldn't just like tell his his producer slash ex wife

0:31:25.240 --> 0:31:28.000
<v Speaker 1>is played by Katherine Keener. We all love Katherine Keener,

0:31:28.040 --> 0:31:30.560
<v Speaker 1>a wonderful presence to have even a movie like this,

0:31:31.560 --> 0:31:34.160
<v Speaker 1>but she, for some reason, because it's a movie, he

0:31:34.200 --> 0:31:37.920
<v Speaker 1>has to keep this from her. And he's Simone. Well,

0:31:38.040 --> 0:31:41.040
<v Speaker 1>his plays he Simone, and he uses he has a

0:31:41.040 --> 0:31:45.400
<v Speaker 1>special Simone. Let's let's clarify. Simone is not sentient. Yes, no,

0:31:45.560 --> 0:31:48.920
<v Speaker 1>she's not a holl No, she's not a how it's Kranski.

0:31:49.160 --> 0:31:52.120
<v Speaker 1>She's a lot a weird sitting in front of a

0:31:52.200 --> 0:31:55.360
<v Speaker 1>screen with her c g I face and she repeats

0:31:55.720 --> 0:32:00.000
<v Speaker 1>using the voices canned voices of actresses of the Golden

0:32:00.040 --> 0:32:03.120
<v Speaker 1>Age of cinema or whatever, and to mimic what he

0:32:03.160 --> 0:32:06.160
<v Speaker 1>has a mimic button. He has a special keyboard. I

0:32:06.200 --> 0:32:08.120
<v Speaker 1>also was like, I just want to know about this keyboard.

0:32:08.160 --> 0:32:11.160
<v Speaker 1>There's like a mimic button, like an a loop button.

0:32:11.480 --> 0:32:15.040
<v Speaker 1>So it's like eventually just by video editing button, but

0:32:15.160 --> 0:32:18.000
<v Speaker 1>just by using his magical keyboard. He he, you know,

0:32:18.240 --> 0:32:21.400
<v Speaker 1>everybody's responding to Simone, even though Transky's movies are really

0:32:21.440 --> 0:32:23.480
<v Speaker 1>bad and they're just like it doesn't matter put her

0:32:23.480 --> 0:32:26.560
<v Speaker 1>in anything. So then he like has her ascend as

0:32:26.600 --> 0:32:30.200
<v Speaker 1>a pop star and she's given concerts as a hologram

0:32:30.280 --> 0:32:33.720
<v Speaker 1>and everyone's like weeping because it's so beautiful. But then

0:32:33.800 --> 0:32:37.080
<v Speaker 1>he becomes like afraid of her success and kind of

0:32:37.120 --> 0:32:39.480
<v Speaker 1>tries to like destroy her career by having her do

0:32:39.680 --> 0:32:43.240
<v Speaker 1>I Am Pig and like smoking and drinking wine in

0:32:43.360 --> 0:32:46.880
<v Speaker 1>like you know, streamed interviews, and everyone's just like, look

0:32:46.920 --> 0:32:50.719
<v Speaker 1>at Simone, She's so three real and she kind of

0:32:50.800 --> 0:32:53.160
<v Speaker 1>he has her kind of imply that she's like dating

0:32:53.320 --> 0:32:57.000
<v Speaker 1>to Ransky to make Catherine Keener jealous. The one thing

0:32:57.040 --> 0:33:01.360
<v Speaker 1>that I think maybe ages the Lee stwell in this movie.

0:33:01.360 --> 0:33:03.680
<v Speaker 1>And you could take your pick of a lot of things,

0:33:03.720 --> 0:33:07.560
<v Speaker 1>But I do think that the thing that I feel like,

0:33:07.560 --> 0:33:09.360
<v Speaker 1>if this is a black mirror and if this was made,

0:33:09.360 --> 0:33:13.240
<v Speaker 1>if this premise was done now, the trajectory of her

0:33:13.440 --> 0:33:16.840
<v Speaker 1>public approval would be so much different. It's a very

0:33:16.960 --> 0:33:19.440
<v Speaker 1>nineties thing, and it's a very mono culture thing to

0:33:19.520 --> 0:33:22.760
<v Speaker 1>have this star, this like fictional star that everybody has

0:33:22.840 --> 0:33:27.000
<v Speaker 1>the exact same opinion about everybody, from the producer who's

0:33:27.000 --> 0:33:30.240
<v Speaker 1>producing the movie that she's in, to like these you

0:33:30.240 --> 0:33:33.160
<v Speaker 1>know sleazy guys who were one of them, who's Jasian swordsman,

0:33:33.200 --> 0:33:36.000
<v Speaker 1>who's like trying to get the inside scoop on whose

0:33:36.000 --> 0:33:40.160
<v Speaker 1>simone is. They all are just like universally adoring of her.

0:33:40.560 --> 0:33:45.360
<v Speaker 1>And that's that was very pre internet. That feels very

0:33:45.560 --> 0:33:47.920
<v Speaker 1>and but even like I think even though pre Internet

0:33:47.960 --> 0:33:50.160
<v Speaker 1>you would have you would have a backlash at some

0:33:50.240 --> 0:33:53.480
<v Speaker 1>point over somebody like that, it also wasn't pre Internet.

0:33:53.520 --> 0:33:57.440
<v Speaker 1>Also because Evan rachel Wood's character is like constantly being

0:33:59.360 --> 0:34:04.000
<v Speaker 1>shatter aim or whatever she loves computers is reading about Pygmalion,

0:34:04.120 --> 0:34:08.680
<v Speaker 1>of course, I mean it's like it's so and it's

0:34:08.800 --> 0:34:14.160
<v Speaker 1>and it really doesn't have like almost any humor because

0:34:14.280 --> 0:34:18.160
<v Speaker 1>he's like fundamentally unsympathetic. I think it's the problem. Yeah,

0:34:18.360 --> 0:34:21.560
<v Speaker 1>it's like he's horrible, but it's like under the Silver

0:34:21.680 --> 0:34:24.120
<v Speaker 1>like it's like women are objects. What if you could

0:34:24.160 --> 0:34:26.799
<v Speaker 1>just make an object and tell it whatever to do

0:34:26.840 --> 0:34:30.240
<v Speaker 1>whatever you want. Oh, you're still unsatisfied. Like that could

0:34:30.239 --> 0:34:32.799
<v Speaker 1>be a really interesting arc. But the way they do

0:34:32.840 --> 0:34:36.359
<v Speaker 1>it as like, I don't know, it's like Pacino can't

0:34:36.400 --> 0:34:39.279
<v Speaker 1>save it because it's like it's like Studio sixty on

0:34:39.280 --> 0:34:42.359
<v Speaker 1>the Sunset Strip. You're like, I fundamentally can't care about

0:34:42.480 --> 0:34:45.719
<v Speaker 1>like a rich asshole unless there's some sort of like

0:34:45.840 --> 0:34:50.040
<v Speaker 1>humbling well also there unless it gets like Scrooge. You

0:34:50.080 --> 0:34:53.000
<v Speaker 1>know early on that there's really no possibility that Simone

0:34:53.080 --> 0:34:57.600
<v Speaker 1>will attain the ability to kind of differentiate, like she's

0:34:57.640 --> 0:35:00.520
<v Speaker 1>never gonna go rogue, as like a row bought might

0:35:00.600 --> 0:35:02.960
<v Speaker 1>in a more interesting movie. That's why The Black Mirror

0:35:03.000 --> 0:35:06.280
<v Speaker 1>is good because all of these things, uh and more.

0:35:07.920 --> 0:35:10.560
<v Speaker 1>I think it's an interesting artifact that at least shows

0:35:10.600 --> 0:35:13.080
<v Speaker 1>that we were thinking about these things before they came

0:35:13.120 --> 0:35:15.640
<v Speaker 1>to pass, and also that like apparently people deemed them

0:35:15.640 --> 0:35:18.200
<v Speaker 1>to be completely unbelievable at the time. But like the

0:35:18.840 --> 0:35:21.919
<v Speaker 1>mimic thing I mean, YadA YadA is all the tech

0:35:22.080 --> 0:35:24.200
<v Speaker 1>because it doesn't you know, obviously nobody knew who that

0:35:24.239 --> 0:35:26.000
<v Speaker 1>was going to work. But like all that stuff is

0:35:26.120 --> 0:35:30.560
<v Speaker 1>very very plausible. Now you could we have like we

0:35:30.640 --> 0:35:34.600
<v Speaker 1>have hologram pop stars. Yeah, yeah, we have um, we

0:35:34.680 --> 0:35:38.360
<v Speaker 1>have hatsun a miku. We have like people go paying

0:35:38.400 --> 0:35:42.239
<v Speaker 1>money to go see a hologram perform Oh. Actually the

0:35:42.280 --> 0:35:48.799
<v Speaker 1>Hologram Theater on close um kind of the creepiest things ever.

0:35:49.520 --> 0:35:53.680
<v Speaker 1>Emily was going to just I went there. Yeah, I

0:35:53.719 --> 0:35:55.880
<v Speaker 1>heard about this on who Weekly. Shout out to who Weekly.

0:35:56.360 --> 0:36:01.359
<v Speaker 1>Al Ki David Um got bust for trying to transport

0:36:01.400 --> 0:36:05.240
<v Speaker 1>all these marijuana plants, like some something like several million

0:36:05.280 --> 0:36:09.120
<v Speaker 1>dollars worth of marijuana plans to um the Bahamas or

0:36:09.160 --> 0:36:11.680
<v Speaker 1>like Turks and caicos or something I can't remember. This

0:36:11.760 --> 0:36:14.080
<v Speaker 1>is the person who runs This is the person who

0:36:14.160 --> 0:36:17.839
<v Speaker 1>ran the Hologram theater, owned the company that had did

0:36:17.880 --> 0:36:22.080
<v Speaker 1>like the Michael Jackson hologram and everything check out maniac

0:36:22.120 --> 0:36:27.120
<v Speaker 1>a total maniac. Hologram theater always seems so fucked up

0:36:27.120 --> 0:36:29.880
<v Speaker 1>to me because it only had three performers. Like I

0:36:29.920 --> 0:36:31.879
<v Speaker 1>would go by and like see it all the time.

0:36:31.920 --> 0:36:34.040
<v Speaker 1>And I talk to people who worked there once because

0:36:34.040 --> 0:36:36.040
<v Speaker 1>I could sense it wasn't long for this world, and

0:36:36.120 --> 0:36:39.000
<v Speaker 1>they were like, nobody comes, uh, but sometimes kids come

0:36:39.040 --> 0:36:41.800
<v Speaker 1>to see the Tupac show. But it only had three performers,

0:36:41.840 --> 0:36:47.960
<v Speaker 1>and it was Tupac, Billie Holiday, and Jackie Wilson, who

0:36:47.960 --> 0:36:51.160
<v Speaker 1>are all like black performers who died in tragic ways,

0:36:51.280 --> 0:36:55.160
<v Speaker 1>which like seemed incredibly just sucked up. You're profiting off

0:36:55.160 --> 0:36:58.600
<v Speaker 1>a hologram of like this person. Also, the Billy Holiday

0:36:58.640 --> 0:37:01.480
<v Speaker 1>thing is so bizarre. I don't out like like evolved,

0:37:01.480 --> 0:37:04.560
<v Speaker 1>because those are the people they could get the rights to. Nobody.

0:37:04.719 --> 0:37:07.200
<v Speaker 1>They couldn't get the one they wanted them any one

0:37:07.320 --> 0:37:09.760
<v Speaker 1>so bad. That was so sad about it was people

0:37:09.800 --> 0:37:12.160
<v Speaker 1>who like maybe did need the money, like someone from

0:37:12.239 --> 0:37:14.799
<v Speaker 1>like Billy Holidays a state or whatever. But it's still

0:37:14.840 --> 0:37:17.600
<v Speaker 1>like it's so funked up, like forced to perform for eternity,

0:37:18.040 --> 0:37:21.000
<v Speaker 1>such a black mirror thing. So it's also interesting that

0:37:21.080 --> 0:37:24.160
<v Speaker 1>it failed. Maybe he just because he went bankrupt, but

0:37:24.920 --> 0:37:27.360
<v Speaker 1>maybe just didn't seem like anyone ever went there. I

0:37:27.400 --> 0:37:29.120
<v Speaker 1>think there just wasn't as much of a market for

0:37:29.160 --> 0:37:32.040
<v Speaker 1>it as people thought. Well, people are interested in people

0:37:32.080 --> 0:37:34.719
<v Speaker 1>are interested in a hologram right now popping up as

0:37:34.760 --> 0:37:37.080
<v Speaker 1>like a novelty in the middle of an award show

0:37:37.160 --> 0:37:39.160
<v Speaker 1>or Coachella or something. But I don't even think now

0:37:39.239 --> 0:37:41.360
<v Speaker 1>if you did that anybody would care. But at the

0:37:41.400 --> 0:37:43.359
<v Speaker 1>time it was like nobody knew that we could do

0:37:43.840 --> 0:37:46.680
<v Speaker 1>a hologram tupaca. When that happened at Coachella, everybody was like,

0:37:46.880 --> 0:37:49.520
<v Speaker 1>oh my god, this is amazing. This is so uncanny.

0:37:49.560 --> 0:37:51.640
<v Speaker 1>But like, if if it's the main event, if it's

0:37:51.640 --> 0:37:54.279
<v Speaker 1>something that you're going and expecting and you expect a

0:37:54.320 --> 0:37:58.200
<v Speaker 1>certain level of performance us like heavy scare quotes, Yeah,

0:37:58.239 --> 0:38:00.480
<v Speaker 1>I don't know, it's uncanny if it's some who's a

0:38:00.520 --> 0:38:03.640
<v Speaker 1>real person and who's dead, you know, But that's somebody

0:38:03.680 --> 0:38:06.240
<v Speaker 1>who's like an alive person and they want to perform

0:38:06.280 --> 0:38:11.160
<v Speaker 1>with a hologram of themselves or whatever, setting down a

0:38:11.160 --> 0:38:13.840
<v Speaker 1>hologram to perform in places simultaneously, which is one of

0:38:13.880 --> 0:38:16.960
<v Speaker 1>the things on the Black Mirror they talk about like

0:38:17.600 --> 0:38:20.120
<v Speaker 1>that in a certain way, as long as the person

0:38:20.200 --> 0:38:22.080
<v Speaker 1>is consenting to do that. But that's what you're saying

0:38:22.080 --> 0:38:26.560
<v Speaker 1>about saying off your likeness, it's super weird. Like I

0:38:26.600 --> 0:38:29.799
<v Speaker 1>think that's some there's something somewhat reassuring, even though like

0:38:29.880 --> 0:38:33.440
<v Speaker 1>it would be fully predictable, but if everybody had truly

0:38:33.480 --> 0:38:37.400
<v Speaker 1>gone wild for a hologram fever, I would be kind

0:38:37.440 --> 0:38:39.919
<v Speaker 1>of like, what what are we do? You know, It's

0:38:39.960 --> 0:38:43.560
<v Speaker 1>like it's like the Swan, It's like we pulled back

0:38:43.600 --> 0:38:47.480
<v Speaker 1>from the precipice, like full evil. We're like, just because

0:38:47.480 --> 0:38:50.239
<v Speaker 1>we can do something awful doesn't mean we have to.

0:38:50.600 --> 0:38:54.680
<v Speaker 1>But that's kind of why Simone sucked so bad, because

0:38:54.880 --> 0:39:01.080
<v Speaker 1>there's no there's no bad consequence for hologram or an

0:39:01.160 --> 0:39:05.799
<v Speaker 1>AI robot. Like Simone's image wasn't lifted from anyone else.

0:39:06.280 --> 0:39:11.880
<v Speaker 1>It was just fabricante because she is totally fictional. But

0:39:11.960 --> 0:39:15.279
<v Speaker 1>again that brings you into weird issues of I mean,

0:39:15.320 --> 0:39:18.360
<v Speaker 1>it's like slightly unsettling. But with Truman Show, what was

0:39:18.400 --> 0:39:21.000
<v Speaker 1>really interesting about Truman Show was that it had like

0:39:21.080 --> 0:39:24.760
<v Speaker 1>a heart and it had someone who was like victimized

0:39:24.840 --> 0:39:29.560
<v Speaker 1>by this culture. And with Sman, the steaks were so low.

0:39:30.000 --> 0:39:32.000
<v Speaker 1>I mean, the worst that could happen is a bad

0:39:32.080 --> 0:39:35.279
<v Speaker 1>director who was who didn't have talent, who didn't have

0:39:35.440 --> 0:39:39.239
<v Speaker 1>much of like a sympathetic streak to him, but also

0:39:39.400 --> 0:39:42.239
<v Speaker 1>just he would just lose his contract or something, they

0:39:42.480 --> 0:39:44.840
<v Speaker 1>pay the sad strings and he's like, well, this is it.

0:39:44.960 --> 0:39:47.080
<v Speaker 1>This is the end of my career. It's like good,

0:39:47.320 --> 0:39:50.360
<v Speaker 1>I don't know, like good. And that's why it's strange,

0:39:50.360 --> 0:39:53.200
<v Speaker 1>as you would think that for especially for a comedy.

0:39:53.440 --> 0:39:56.439
<v Speaker 1>I think that there should be these gigantic steaks where

0:39:56.440 --> 0:39:59.480
<v Speaker 1>you're just like, wow, how ridiculous, Like it could all

0:39:59.520 --> 0:40:01.920
<v Speaker 1>go wrong, it could be so terrible, but the worst

0:40:01.920 --> 0:40:04.319
<v Speaker 1>thing that could happen isn't bad at all. Well, it's

0:40:04.400 --> 0:40:07.200
<v Speaker 1>categorized as a sadire, and I just don't think it's

0:40:07.239 --> 0:40:10.520
<v Speaker 1>sharp enough as a satire, Like I think because you

0:40:10.560 --> 0:40:14.040
<v Speaker 1>can have an unlikable protagonist like him that we legitimately

0:40:14.040 --> 0:40:15.560
<v Speaker 1>don't care about and we want to see the worst

0:40:15.560 --> 0:40:17.719
<v Speaker 1>happen to him with the light in his misfortune, but

0:40:17.800 --> 0:40:20.480
<v Speaker 1>like it doesn't ever really lean hard enough into that,

0:40:21.160 --> 0:40:24.920
<v Speaker 1>and there's nobody else like to kind of counteract his

0:40:25.160 --> 0:40:28.200
<v Speaker 1>like kind of boring sleaziness. There's nothing else going on

0:40:28.320 --> 0:40:30.920
<v Speaker 1>other than that. So we would like his daughter to

0:40:31.000 --> 0:40:35.600
<v Speaker 1>direct a movie here, Oh man, it should be about

0:40:35.680 --> 0:40:38.640
<v Speaker 1>like a really unattractive woman who makes a c g

0:40:38.760 --> 0:40:42.280
<v Speaker 1>I avatar ye and tricks everybody like the best actress

0:40:42.920 --> 0:40:50.279
<v Speaker 1>exact simone. That's a very good idea. Um well, um,

0:40:50.680 --> 0:40:53.880
<v Speaker 1>before we go, I want to talk very briefly about

0:40:54.480 --> 0:40:59.239
<v Speaker 1>Giant Monsters because the Godzilla King and the Monsters just

0:40:59.280 --> 0:41:01.920
<v Speaker 1>came out. I haven't seen it yet. I want to

0:41:01.960 --> 0:41:05.880
<v Speaker 1>see it. I actually liked the last American Godzilla movie

0:41:05.920 --> 0:41:08.840
<v Speaker 1>pretty well, which I guess is a controversial opinion to

0:41:08.880 --> 0:41:11.279
<v Speaker 1>have because Godzilla doesn't show up in it for so long.

0:41:11.320 --> 0:41:14.640
<v Speaker 1>So some people got mad because no sea Monster, want

0:41:14.640 --> 0:41:17.200
<v Speaker 1>to see big Monster go boom. I guess like faster

0:41:17.360 --> 0:41:20.640
<v Speaker 1>in the movie. But I think it's pretty good. Uh,

0:41:21.000 --> 0:41:23.279
<v Speaker 1>And so I was eager to see how this one trying.

0:41:23.320 --> 0:41:27.279
<v Speaker 1>I found footage one. No, no, it's a fukushimo one.

0:41:27.480 --> 0:41:30.080
<v Speaker 1>It's like it's got but it's like an English It's

0:41:30.120 --> 0:41:35.080
<v Speaker 1>like a mostly English speaking cast. Um Our Boy can

0:41:35.120 --> 0:41:39.120
<v Speaker 1>Wannabe is in it. Brian Cranston's in it. Uh. It's

0:41:39.120 --> 0:41:42.239
<v Speaker 1>like they're like basically Godzilla comes back, but he comes

0:41:42.239 --> 0:41:47.000
<v Speaker 1>out of the nuclear fallout of the Big power plant

0:41:47.080 --> 0:41:51.719
<v Speaker 1>or the nuclear plant explosion in Japan. From eleven you

0:41:51.760 --> 0:41:55.839
<v Speaker 1>Godzilla went to number one. Well good, well, it's well,

0:41:55.920 --> 0:41:58.480
<v Speaker 1>it's got all the monsters in it. It's got it's

0:41:58.520 --> 0:42:01.960
<v Speaker 1>got Mathra, It's got key Guidera and it um. I

0:42:02.000 --> 0:42:03.920
<v Speaker 1>just think all of these musters are so adorable, So

0:42:03.960 --> 0:42:06.040
<v Speaker 1>I'm always like, kind of so adorable. They're like a

0:42:06.280 --> 0:42:10.560
<v Speaker 1>cootie Rogues gallery. Yeah. Um, yeah, we were kind of

0:42:10.600 --> 0:42:14.399
<v Speaker 1>having a mini debate over big monsters, I guess and

0:42:14.400 --> 0:42:17.040
<v Speaker 1>and and and how interesting they are because I think

0:42:17.120 --> 0:42:21.520
<v Speaker 1>Molly you brought it up that Kaiju, like the Godzilla

0:42:21.600 --> 0:42:25.040
<v Speaker 1>monsters are all kind of just like big Pokemon, which

0:42:25.080 --> 0:42:28.799
<v Speaker 1>is it's like all the Pokemon are like little Godzilla. Yeah,

0:42:28.960 --> 0:42:33.279
<v Speaker 1>maybe you know, um, but I don't know. I feel

0:42:33.360 --> 0:42:36.279
<v Speaker 1>like I saw somebody I can't remember who. I've been

0:42:36.320 --> 0:42:38.040
<v Speaker 1>staying away from reviews because I just want to see

0:42:38.040 --> 0:42:40.960
<v Speaker 1>the movie. But I saw somebody refer to Godzilla movies

0:42:41.000 --> 0:42:43.480
<v Speaker 1>as religious films, and I was like, yeah, that's right,

0:42:43.600 --> 0:42:47.440
<v Speaker 1>like they are. It is about a divine punishment, Like

0:42:47.520 --> 0:42:50.680
<v Speaker 1>that's that's why what these movies what we deserve. Yes,

0:42:50.880 --> 0:42:55.520
<v Speaker 1>it's always why. It's what she deserves, she being, she

0:42:55.680 --> 0:42:58.960
<v Speaker 1>being the people of Earth, and yeah, she's Earth's she.

0:42:59.160 --> 0:43:01.920
<v Speaker 1>Godzilla is a woman. And somebody on Twitter was like, well,

0:43:01.920 --> 0:43:07.520
<v Speaker 1>it's not Godzilla. How we know, um, Godzilla. Yeah, Godzilla

0:43:07.680 --> 0:43:11.520
<v Speaker 1>is like the punishment for for fucking with science. Yeah,

0:43:11.520 --> 0:43:15.399
<v Speaker 1>I'MI like, who's your favorite of the Godzilla roos gallery? Um?

0:43:15.480 --> 0:43:18.160
<v Speaker 1>I like King geta a lot. I just I don't

0:43:18.160 --> 0:43:20.279
<v Speaker 1>know it's okay, but I love Godzilla. I just love

0:43:20.320 --> 0:43:23.160
<v Speaker 1>playing on Godzilla. I love Godzilla is kind of thick.

0:43:23.440 --> 0:43:27.400
<v Speaker 1>I love when Godzilla. I love the atomic breath. I

0:43:27.440 --> 0:43:29.239
<v Speaker 1>was saying to tests because I was like, you gotta

0:43:29.280 --> 0:43:32.160
<v Speaker 1>try Godzilla film and the last one of the last

0:43:32.239 --> 0:43:34.839
<v Speaker 1>Japanese Godzilla films. I think there was another one since then,

0:43:34.880 --> 0:43:38.880
<v Speaker 1>but it came out in twenty six sean Godzilla. I

0:43:38.920 --> 0:43:42.440
<v Speaker 1>think it's called Godzilla Resurgence or something. But it's directed

0:43:42.880 --> 0:43:47.080
<v Speaker 1>by Hideaki Ano who did Neon Genesis Evan Gelian. So

0:43:47.280 --> 0:43:51.880
<v Speaker 1>it's like great, it's hilarious first of all. Um, and

0:43:52.040 --> 0:43:56.080
<v Speaker 1>it's just like about infrastructure. It's just about like government bodies,

0:43:56.280 --> 0:43:59.440
<v Speaker 1>like malfunctioning while trying. It's like I V P had

0:43:59.480 --> 0:44:03.440
<v Speaker 1>Godzilla basically. Um, and it's also got like it's got

0:44:03.520 --> 0:44:07.239
<v Speaker 1>some really amazing um what do they call them? Evolutions

0:44:07.280 --> 0:44:11.760
<v Speaker 1>of Godzilla in it? Godzilla looks pretty normal at parts

0:44:12.120 --> 0:44:16.440
<v Speaker 1>in parts of the movie. Uh, I've started to rewatch

0:44:16.800 --> 0:44:20.479
<v Speaker 1>um neon Geness is even Galian, just because it's coming

0:44:20.520 --> 0:44:22.719
<v Speaker 1>out soon on Netflix, and I think that that is

0:44:22.760 --> 0:44:29.000
<v Speaker 1>one of the best big monster uh galleries. I guess, um, yeah,

0:44:29.080 --> 0:44:32.600
<v Speaker 1>nuclear big monsters are coming back. Yeah, there's something very

0:44:32.680 --> 0:44:38.279
<v Speaker 1>powerful about them. My favorite is Mathra. Yeah's grandmom's name

0:44:38.360 --> 0:44:41.080
<v Speaker 1>is Martha, and so I think my dad nicknamed her

0:44:41.120 --> 0:44:47.319
<v Speaker 1>Mathra was certain points solid reasoning a poster um And yeah,

0:44:47.400 --> 0:44:49.800
<v Speaker 1>I love Mathra. I just also because, um, she's like

0:44:49.840 --> 0:44:53.000
<v Speaker 1>a moth queen and she has those cool dependants who

0:44:53.200 --> 0:44:56.080
<v Speaker 1>work for her. Yeah, sing the song about her. I

0:44:56.160 --> 0:44:58.560
<v Speaker 1>love the song. Oh my god. Yeah, the Mathra song

0:44:58.680 --> 0:45:01.960
<v Speaker 1>is so good. I'll put it on a mix. Speaking

0:45:02.000 --> 0:45:06.440
<v Speaker 1>of which, please subscribe to our Patreon uh patreon dot

0:45:06.520 --> 0:45:10.080
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0:45:10.080 --> 0:45:12.200
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0:45:12.239 --> 0:45:15.839
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0:45:16.320 --> 0:45:20.000
<v Speaker 1>First one out, it's so great. Uh, you definitely don't

0:45:20.000 --> 0:45:21.560
<v Speaker 1>want to miss out on this, and it will come

0:45:21.600 --> 0:45:24.399
<v Speaker 1>to you once a month with our newsletter. But also

0:45:24.480 --> 0:45:26.440
<v Speaker 1>give us a night call. Give us a night call

0:45:26.440 --> 0:45:29.320
<v Speaker 1>about kaiju or big monsters, or about dome homes, or

0:45:29.520 --> 0:45:33.279
<v Speaker 1>about Peter Max or whatever. Or the moon. Yeah, or

0:45:33.400 --> 0:45:36.520
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0:45:36.640 --> 0:45:39.360
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0:45:39.400 --> 0:45:42.160
<v Speaker 1>message there. You can give us an email at Nightcall

0:45:42.280 --> 0:45:45.200
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0:45:45.280 --> 0:45:49.239
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0:45:53.120 --> 0:46:00.520
<v Speaker 1>guys next week. Bye, see you on the moon. I

0:46:00.680 --> 0:46:06.680
<v Speaker 1>thought that the other was d Call