WEBVTT - The Cover-Up

0:00:06.880 --> 0:00:14.760
<v Speaker 1>Fantastica Sola Presse. Previously on the Princess of South Beach.

0:00:15.440 --> 0:00:18.200
<v Speaker 1>Raoul is recovering at the hospital after being beaten up

0:00:18.200 --> 0:00:20.400
<v Speaker 1>by the mobsters who are coming after Nacho to get

0:00:20.400 --> 0:00:23.079
<v Speaker 1>the money he owes them. Raoul told all of this

0:00:23.160 --> 0:00:25.440
<v Speaker 1>to Luisa, who went to visit him at the hospital.

0:00:26.000 --> 0:00:29.159
<v Speaker 1>She really is turning over a new leaf, huh. And

0:00:29.280 --> 0:00:32.560
<v Speaker 1>after an existential crisis, Maria del Garman went to see

0:00:32.560 --> 0:00:36.240
<v Speaker 1>the only person she trusts Edmana Claudia with Estraya. She

0:00:36.400 --> 0:00:39.120
<v Speaker 1>ended up telling her nun mom the whole story. What

0:00:39.280 --> 0:00:41.519
<v Speaker 1>they didn't realize was that Nacho follow them to the

0:00:41.560 --> 0:00:46.080
<v Speaker 1>convent and secretly listened to the entire thing. When Nacho

0:00:46.159 --> 0:00:49.360
<v Speaker 1>realized that Gloria was actually Maria del Garmin, he threatened

0:00:49.400 --> 0:00:52.640
<v Speaker 1>her and after a struggle involving all three, a body

0:00:52.680 --> 0:01:02.639
<v Speaker 1>fell to the ground. But whose will it be? Are

0:01:02.680 --> 0:01:06.759
<v Speaker 1>you too? Okay? See siss now? I think so yeah, yeah, yeah, yeah,

0:01:06.800 --> 0:01:11.120
<v Speaker 1>I'm okay. Oh god, his head is bleeding, Nacho, Oh no,

0:01:11.200 --> 0:01:13.320
<v Speaker 1>that's a lot of blood. No, no, no, get out

0:01:13.360 --> 0:01:16.840
<v Speaker 1>of the way. Let me see if he's breathing. Looks

0:01:16.840 --> 0:01:19.480
<v Speaker 1>like he hid his head pretty hard on the statue

0:01:19.520 --> 0:01:27.360
<v Speaker 1>of San Martine bores. Ah, well he's dead. What radio?

0:01:27.880 --> 0:01:30.120
<v Speaker 1>It was an accident. He grabbed me and I was

0:01:30.120 --> 0:01:32.039
<v Speaker 1>just trying to get away. I pushed him, but it

0:01:32.080 --> 0:01:34.200
<v Speaker 1>was instinct. I killed him. We need to call an

0:01:34.240 --> 0:01:38.400
<v Speaker 1>ambulance for what? Didn't I just tell you that he's dead? No, no,

0:01:38.400 --> 0:01:40.160
<v Speaker 1>no, no no, no, no no no no. I'm not going to prison.

0:01:40.200 --> 0:01:42.319
<v Speaker 1>I am not made for prison. What are we gonna do?

0:01:42.680 --> 0:01:45.400
<v Speaker 1>What are we gonna do? What are we gonna die? Okay, okay, okay, okay,

0:01:45.400 --> 0:01:48.320
<v Speaker 1>calm down, both of you. I already got a dead

0:01:48.320 --> 0:01:50.560
<v Speaker 1>body on my hands. I don't need two Panican girls

0:01:50.560 --> 0:01:53.320
<v Speaker 1>on top of it. Sorry forgive me. This is all

0:01:53.360 --> 0:01:57.480
<v Speaker 1>my fault. If I hang up with that, guilt is

0:01:57.600 --> 0:02:01.440
<v Speaker 1>not gonna solve anything. Can take that conversation up with

0:02:01.480 --> 0:02:07.200
<v Speaker 1>God later. He's busy, but he'll make time. No, we're

0:02:07.280 --> 0:02:12.280
<v Speaker 1>in this together, Estralia. Go and bring that mantle that's

0:02:12.280 --> 0:02:15.240
<v Speaker 1>by the statue, by the altar, the one that's covering

0:02:15.280 --> 0:02:18.040
<v Speaker 1>the statue of Jesus. Yeah, I guess he doesn't really

0:02:18.040 --> 0:02:22.400
<v Speaker 1>need it. Now, Gardman, which one is your car? That

0:02:22.520 --> 0:02:28.840
<v Speaker 1>one estrays perfect? Now? Help me turn him over? What? No, no,

0:02:28.840 --> 0:02:30.679
<v Speaker 1>no, no no, no, I can't. I can't touch him. He's dead.

0:02:30.720 --> 0:02:36.600
<v Speaker 1>I can't. I get it together. The other cardman, damn ba.

0:02:38.240 --> 0:02:42.560
<v Speaker 1>We need to find his keys. Now lift him up

0:02:42.600 --> 0:02:51.600
<v Speaker 1>so I can check his pockets. Okay, got him. Bring

0:02:51.600 --> 0:02:54.280
<v Speaker 1>his car around the front, but make sure to not

0:02:54.560 --> 0:02:57.280
<v Speaker 1>turn on the headlights. We don't want to call attention

0:02:57.320 --> 0:03:01.560
<v Speaker 1>to ourselves the screaming and the fire on the accidental murder.

0:03:01.800 --> 0:03:05.840
<v Speaker 1>Happy enough, bark his car with a trunk, looking towards

0:03:05.840 --> 0:03:10.560
<v Speaker 1>the church entrance. Why are you both still staring at me?

0:03:11.280 --> 0:03:15.480
<v Speaker 1>Woa wove yea and Manna? Have you like done this before?

0:03:15.919 --> 0:03:19.160
<v Speaker 1>All the other thing? Uh? That I was born in

0:03:19.200 --> 0:03:21.960
<v Speaker 1>a habit I put follower. I've seen some you know what,

0:03:22.760 --> 0:03:30.359
<v Speaker 1>mida now mo wow? Okay, I was not expecting that

0:03:30.520 --> 0:03:33.720
<v Speaker 1>from a nun. When while those three cover up their crime,

0:03:34.160 --> 0:03:36.960
<v Speaker 1>Raoul is recovering from his injuries and drowning his sorrows

0:03:36.960 --> 0:03:47.240
<v Speaker 1>at the bottom of a bottle with the most unexpected friend, Luisa. Lisa,

0:03:47.360 --> 0:03:49.000
<v Speaker 1>thank you for having me a place to stay for

0:03:49.040 --> 0:03:51.760
<v Speaker 1>the night. The truth is, I don't feel too safe

0:03:51.840 --> 0:03:53.920
<v Speaker 1>spending the night alone in my house with everything that's

0:03:53.960 --> 0:03:59.160
<v Speaker 1>going on. Mentioning honest, the menting I'm thankful for the company.

0:03:59.240 --> 0:04:01.240
<v Speaker 1>I never thought you or the type tole like company.

0:04:01.400 --> 0:04:07.480
<v Speaker 1>What is that supposed to mean? Another? No, I'm kidding.

0:04:08.120 --> 0:04:11.360
<v Speaker 1>I know I can be a kind of a bitch sometimes,

0:04:11.440 --> 0:04:14.360
<v Speaker 1>but I'm working on it. Don't. Don't put the cup

0:04:14.360 --> 0:04:22.359
<v Speaker 1>down without a coast or the US. Oh sorry, I

0:04:22.480 --> 0:04:26.919
<v Speaker 1>mean hey, yeah, I've been kind of lonely too. Well,

0:04:27.560 --> 0:04:30.520
<v Speaker 1>then let's toast for all the sad and lonely people

0:04:30.560 --> 0:04:38.839
<v Speaker 1>out there. Oh yeah, you've never told me why Gloria

0:04:38.960 --> 0:04:42.240
<v Speaker 1>left you. I would ask her myself, but truth be told,

0:04:42.320 --> 0:04:44.720
<v Speaker 1>Since the accident, she's not talking to me much anymore.

0:04:44.760 --> 0:04:47.799
<v Speaker 1>I don't know. She just kept saying that she couldn't

0:04:47.800 --> 0:04:50.359
<v Speaker 1>be with me. You know that things have changed, But

0:04:51.120 --> 0:04:52.880
<v Speaker 1>how could that happen if she was the a one

0:04:52.920 --> 0:04:56.480
<v Speaker 1>sauce to my stake do? You may not know how

0:04:56.560 --> 0:05:01.640
<v Speaker 1>to engage in a conversation without veering into She used

0:05:01.680 --> 0:05:05.039
<v Speaker 1>to love my metal for it. She pretended like she didn't,

0:05:05.080 --> 0:05:10.839
<v Speaker 1>but she loved Yeah, yeah, yeah, just stop crying. Okay,

0:05:10.880 --> 0:05:14.880
<v Speaker 1>she'll probably come around, you know how she is. One

0:05:14.960 --> 0:05:17.440
<v Speaker 1>day she loves her dress and the next she's throwing

0:05:17.480 --> 0:05:21.520
<v Speaker 1>it out The window. Oh this is different. Yeah, ever

0:05:21.560 --> 0:05:24.080
<v Speaker 1>since the accident. She doesn't laugh like she did before,

0:05:24.120 --> 0:05:27.120
<v Speaker 1>she doesn't talk like she did before. She's completely different.

0:05:27.600 --> 0:05:29.920
<v Speaker 1>And if I lose her, I mean, nah dah. Maybe

0:05:29.960 --> 0:05:33.799
<v Speaker 1>this is for the best. People change, and the last

0:05:33.839 --> 0:05:36.400
<v Speaker 1>thing you want is to realize too late that you

0:05:36.480 --> 0:05:40.520
<v Speaker 1>are with the wrong person. You deserve someone who loves

0:05:40.560 --> 0:05:46.120
<v Speaker 1>you for you. Now, trust me, don't tell me that

0:05:46.360 --> 0:05:53.680
<v Speaker 1>you and Stebe aren't happy. You've always seemed so well. Actually,

0:05:53.680 --> 0:05:55.120
<v Speaker 1>now you mentioned it. I don't know if I've ever

0:05:55.160 --> 0:05:56.800
<v Speaker 1>seen you two in the same room. It didn't used

0:05:56.800 --> 0:06:01.640
<v Speaker 1>to be like this, but now, truth is, he doesn't

0:06:01.640 --> 0:06:05.320
<v Speaker 1>even speak to me that much. I don't think he's

0:06:05.480 --> 0:06:15.200
<v Speaker 1>much of a fan. Oh Luisa, he's an idiot. What

0:06:15.240 --> 0:06:22.960
<v Speaker 1>did you say? He's an idiot? Okay, maybe we haven't

0:06:23.000 --> 0:06:25.880
<v Speaker 1>really gotten along, but I'm starting to see who you

0:06:25.880 --> 0:06:29.240
<v Speaker 1>really are. And you are caring and funny and kind,

0:06:29.960 --> 0:06:33.479
<v Speaker 1>maybe not to everyone, but definitely the people you care about.

0:06:34.320 --> 0:06:37.480
<v Speaker 1>And I mean, you're real in a city full of

0:06:37.520 --> 0:06:46.520
<v Speaker 1>fake people. My plastic surgeon would disagree. The point is,

0:06:47.680 --> 0:06:52.120
<v Speaker 1>if Esteban can appreciate the wonderful wife he has, then

0:06:52.640 --> 0:07:00.680
<v Speaker 1>he's an idiot. M see, he's an idiot idiot, but

0:07:00.839 --> 0:07:04.880
<v Speaker 1>for some reason, I love him and it's taken me

0:07:05.000 --> 0:07:07.920
<v Speaker 1>twenty years to realize that he doesn't love me back.

0:07:09.240 --> 0:07:17.360
<v Speaker 1>The only thing he ever loved was my money. It's okay,

0:07:17.760 --> 0:07:21.880
<v Speaker 1>this is so embarrassing, breathed with meek in here. I

0:07:21.880 --> 0:07:27.160
<v Speaker 1>don't even know why this is happening. It's okay anymore.

0:07:28.280 --> 0:07:33.160
<v Speaker 1>Just believe me. It never stops. Okay, Okay, this is

0:07:33.200 --> 0:07:37.240
<v Speaker 1>this is gonna sound strange. Okay, but can you hug me?

0:07:38.680 --> 0:07:41.880
<v Speaker 1>I haven't had physical contact with another human being in

0:07:41.920 --> 0:07:47.240
<v Speaker 1>a very, very, very very long time. Of course, I

0:07:47.320 --> 0:07:57.400
<v Speaker 1>love hugs. Okay, Okay, Oh that feels nice. Oh yeah,

0:07:58.240 --> 0:08:07.600
<v Speaker 1>that's nice. What what are you doing? Did you just

0:08:08.080 --> 0:08:16.800
<v Speaker 1>try to kiss me? Oh god? Oh sorry, I'm drunk.

0:08:17.120 --> 0:08:20.160
<v Speaker 1>I thought there was a vibe and I haven't been

0:08:20.240 --> 0:08:24.000
<v Speaker 1>kissing over a decade. And I'm I'm so sorry. You know,

0:08:24.120 --> 0:08:28.559
<v Speaker 1>I'm I'm going to bed. No, no, no, no, it's okay. Um, listen,

0:08:28.600 --> 0:08:31.240
<v Speaker 1>don't get me wrong. You're a hot older woman, but

0:08:31.280 --> 0:08:33.640
<v Speaker 1>you're a hot older woman who is the mother of

0:08:33.679 --> 0:08:37.439
<v Speaker 1>my ex fiance, So can you stop saying older woman?

0:08:37.679 --> 0:08:40.360
<v Speaker 1>I'm so sorry. Uh, should I go. I was planning

0:08:40.360 --> 0:08:42.920
<v Speaker 1>on saying over because of the thugs, you know, trying

0:08:42.920 --> 0:08:45.120
<v Speaker 1>to kill me and my father. But no, no, no, no no, no,

0:08:45.800 --> 0:08:48.760
<v Speaker 1>it's fine, it's fine. Just stay. Let's just pretend this

0:08:48.920 --> 0:08:53.600
<v Speaker 1>didn't happen. Okay, m yeah, I'll leave you to it.

0:08:54.440 --> 0:09:03.160
<v Speaker 1>I have to rush my hair. WHOA can't a day

0:09:03.200 --> 0:09:07.120
<v Speaker 1>go by without someone cheating on someone else? And Raoul,

0:09:07.440 --> 0:09:11.679
<v Speaker 1>I didn't think that you were sort of into my mom. Well,

0:09:12.120 --> 0:09:16.160
<v Speaker 1>it seems like things are awkward or maybe hot between

0:09:16.240 --> 0:09:20.280
<v Speaker 1>Raoul and Luisa. Whatever. Let's see how our three accidental

0:09:20.400 --> 0:09:37.040
<v Speaker 1>murderers are doing. Hey, tea lovers, it's me Tatiana. Obviously, boy,

0:09:37.080 --> 0:09:40.480
<v Speaker 1>do we have a juicy scoop for you? On the

0:09:40.600 --> 0:09:49.080
<v Speaker 1>next Tea with Tatiana next week, we'll have Karen, self

0:09:49.200 --> 0:09:53.960
<v Speaker 1>proclaimed assistant of the Year, giving us all the juicy

0:09:54.120 --> 0:09:59.160
<v Speaker 1>insights we've been craving for on the Calderonne front. Also,

0:09:59.280 --> 0:10:05.040
<v Speaker 1>there's more talk about that slick Lincoln aviator GT. Oh gosh,

0:10:05.400 --> 0:10:12.360
<v Speaker 1>that SUV is really taking over. I love it. All Right,

0:10:12.679 --> 0:10:15.040
<v Speaker 1>that's it for now, but be sure to tune in

0:10:15.120 --> 0:10:18.959
<v Speaker 1>next time for more scandalous rumors about the Calderon's on

0:10:19.120 --> 0:10:38.680
<v Speaker 1>the next tea with Tatiana. Okay, on the count of three,

0:10:39.200 --> 0:10:51.160
<v Speaker 1>we lift him up. Ready, you own a surprisingly heavy

0:10:51.160 --> 0:10:54.200
<v Speaker 1>for a short guy. Not forgive me. I never meant

0:10:54.200 --> 0:10:58.760
<v Speaker 1>for this to happen. I mean, now, what's done is done.

0:11:00.000 --> 0:11:03.200
<v Speaker 1>How all that's left is to pray and get rid

0:11:03.240 --> 0:11:07.880
<v Speaker 1>of the body. Seriously, you're kind of scaring me. What

0:11:07.960 --> 0:11:11.520
<v Speaker 1>did you do before becoming a nun? Well, everything started

0:11:11.520 --> 0:11:14.640
<v Speaker 1>at a work camp in Couva. I was a lunge

0:11:14.800 --> 0:11:17.800
<v Speaker 1>singer and I met a young Fidel before he was

0:11:17.840 --> 0:11:21.800
<v Speaker 1>the revolutionary and then well you know what happened in Maldito.

0:11:22.120 --> 0:11:26.439
<v Speaker 1>But that story is for another day. For now, Maria Garman,

0:11:26.520 --> 0:11:29.080
<v Speaker 1>remember when you were a little girl and we took

0:11:29.120 --> 0:11:34.160
<v Speaker 1>you to the Everglades on a day track. Um, see bueno,

0:11:35.280 --> 0:11:39.720
<v Speaker 1>that's where you're going to get right now, Maria, you

0:11:39.880 --> 0:11:44.520
<v Speaker 1>drive Nacho's car and Estralia you follow her in your car.

0:11:44.559 --> 0:11:47.160
<v Speaker 1>Why do I have to drive Nacho's car? Yeah? More, Okay,

0:11:47.960 --> 0:11:49.920
<v Speaker 1>I think that a non driving a Ferrari is going

0:11:49.920 --> 0:11:54.600
<v Speaker 1>to seem a little suspicions, don't you think, Maria? No

0:11:54.600 --> 0:11:56.760
<v Speaker 1>one would be surprised to see loriacal. They don't drive

0:11:56.800 --> 0:11:59.880
<v Speaker 1>in a car like that, which is why Estralia can't

0:12:00.040 --> 0:12:05.320
<v Speaker 1>drive it either has to be you Aura, pay attention.

0:12:06.280 --> 0:12:09.520
<v Speaker 1>Get on the eight thirty six until you make it

0:12:09.559 --> 0:12:14.199
<v Speaker 1>to the forty one. Don't stop until you make it

0:12:14.240 --> 0:12:18.320
<v Speaker 1>to the middle of the Everglades. And then what then

0:12:18.360 --> 0:12:21.240
<v Speaker 1>You put the car in neutral and you push it

0:12:21.440 --> 0:12:24.679
<v Speaker 1>into the swamp. No one should know how to get

0:12:24.760 --> 0:12:28.800
<v Speaker 1>rid of a body so quickly. It's awesome but also disturbing.

0:12:29.640 --> 0:12:39.120
<v Speaker 1>Hm Na, I'll stay behind and clean this mess. So

0:12:39.440 --> 0:12:43.640
<v Speaker 1>now Maria del Carmin doesn't just steal lives, she takes lives.

0:12:44.160 --> 0:12:47.679
<v Speaker 1>What happened to the innocent girl from the convent? Spoiler alert,

0:12:48.160 --> 0:12:55.320
<v Speaker 1>she's disposing of a dead body Estraya. I am freaking out, Maria. Maria,

0:12:55.440 --> 0:12:59.199
<v Speaker 1>listen to me. You're okay. Just breathe. Let me hear

0:12:59.240 --> 0:13:04.040
<v Speaker 1>you breathe. Okay, that was a little in tim. We're

0:13:04.040 --> 0:13:07.280
<v Speaker 1>almost there. Stay calm, I'm right behind you. Look up

0:13:07.320 --> 0:13:10.199
<v Speaker 1>the car and drive right back. Oh no, oh, no,

0:13:10.240 --> 0:13:12.360
<v Speaker 1>I think there's a cop following us. Oh my god,

0:13:12.640 --> 0:13:15.680
<v Speaker 1>you're soul nervous. Nobody is following us. No, I'm being serious.

0:13:15.679 --> 0:13:18.319
<v Speaker 1>I think there's a cop following us. I already told

0:13:18.320 --> 0:13:21.880
<v Speaker 1>you there's no one following us. Okay, okay, maybe there

0:13:21.960 --> 0:13:29.200
<v Speaker 1>is a cop following us, a ferrari that's not hers,

0:13:29.440 --> 0:13:31.920
<v Speaker 1>a body in the trunk and on her way to

0:13:31.960 --> 0:13:35.040
<v Speaker 1>the Effort Glades. How are you going to get yourself

0:13:35.040 --> 0:13:39.160
<v Speaker 1>out of this? One, little ciss? If you're enjoying Princess

0:13:39.160 --> 0:13:42.480
<v Speaker 1>of South Beach, please subscribe, rate, and review our show

0:13:42.679 --> 0:13:45.440
<v Speaker 1>wherever you're listening. The Princess of South Beach is a

0:13:45.440 --> 0:13:49.640
<v Speaker 1>production of Ihearts, Michael Podcast Network and Sono, Created and

0:13:49.720 --> 0:13:53.360
<v Speaker 1>directed by Jasmine Romero, Written by Jasmine Romero and Joanna

0:13:53.400 --> 0:13:57.440
<v Speaker 1>Houseman with help from daniels Er, Monisa Henri, and Christian.

0:13:58.200 --> 0:14:02.199
<v Speaker 1>Produced by Luis You, Executive produced by Conald Byrne and

0:14:02.280 --> 0:14:06.199
<v Speaker 1>Giselle Bances for iHeart by Joanna Houseman, and by Jasmine

0:14:06.280 --> 0:14:09.920
<v Speaker 1>Romero and Joshua Weinstein for Sonora. Performances in this episode

0:14:09.920 --> 0:14:15.760
<v Speaker 1>by Rachel Zegler, Gina Torres, Yvonne cole X Mayo, and

0:14:15.760 --> 0:14:20.600
<v Speaker 1>Andy Bustillos. Our production manager is Guerinsachitis. Recording and engineering

0:14:20.640 --> 0:14:25.000
<v Speaker 1>by Emiliano Quintanar, with sound designed by Edwin Irigoyen Cassandra

0:14:25.120 --> 0:14:30.040
<v Speaker 1>Tinajo Andres Bayena, Diego Medina and Andres Coronaldo. Assistant sound

0:14:30.080 --> 0:14:34.200
<v Speaker 1>designed by Eric Senttheno, Casting and coordination by Andres Chitis,

0:14:34.240 --> 0:14:37.960
<v Speaker 1>Folly by Samantha Gonzalez Fong, our theme song and original

0:14:38.040 --> 0:14:41.120
<v Speaker 1>music by Rodrigo Garcia Roles and Charlie Hernandez