Speaker 1: Fantastica Sola Presse. Previously on the Princess of South Beach.
Speaker 1: Raoul is recovering at the hospital after being beaten up
Speaker 1: by the mobsters who are coming after Nacho to get
Speaker 1: the money he owes them. Raoul told all of this
Speaker 1: to Luisa, who went to visit him at the hospital.
Speaker 1: She really is turning over a new leaf, huh. And
Speaker 1: after an existential crisis, Maria del Garman went to see
Speaker 1: the only person she trusts Edmana Claudia with Estraya. She
Speaker 1: ended up telling her nun mom the whole story. What
Speaker 1: they didn't realize was that Nacho follow them to the
Speaker 1: convent and secretly listened to the entire thing. When Nacho
Speaker 1: realized that Gloria was actually Maria del Garmin, he threatened
Speaker 1: her and after a struggle involving all three, a body
Speaker 1: fell to the ground. But whose will it be? Are
Speaker 1: you too? Okay? See siss now? I think so yeah, yeah, yeah, yeah,
Speaker 1: I'm okay. Oh god, his head is bleeding, Nacho, Oh no,
Speaker 1: that's a lot of blood. No, no, no, get out
Speaker 1: of the way. Let me see if he's breathing. Looks
Speaker 1: like he hid his head pretty hard on the statue
Speaker 1: of San Martine bores. Ah, well he's dead. What radio?
Speaker 1: It was an accident. He grabbed me and I was
Speaker 1: just trying to get away. I pushed him, but it
Speaker 1: was instinct. I killed him. We need to call an
Speaker 1: ambulance for what? Didn't I just tell you that he's dead? No, no,
Speaker 1: no, no no, no, no no no no. I'm not going to prison.
Speaker 1: I am not made for prison. What are we gonna do?
Speaker 1: What are we gonna do? What are we gonna die? Okay, okay, okay, okay,
Speaker 1: calm down, both of you. I already got a dead
Speaker 1: body on my hands. I don't need two Panican girls
Speaker 1: on top of it. Sorry forgive me. This is all
Speaker 1: my fault. If I hang up with that, guilt is
Speaker 1: not gonna solve anything. Can take that conversation up with
Speaker 1: God later. He's busy, but he'll make time. No, we're
Speaker 1: in this together, Estralia. Go and bring that mantle that's
Speaker 1: by the statue, by the altar, the one that's covering
Speaker 1: the statue of Jesus. Yeah, I guess he doesn't really
Speaker 1: need it. Now, Gardman, which one is your car? That
Speaker 1: one estrays perfect? Now? Help me turn him over? What? No, no,
Speaker 1: no, no no, no, I can't. I can't touch him. He's dead.
Speaker 1: I can't. I get it together. The other cardman, damn ba.
Speaker 1: We need to find his keys. Now lift him up
Speaker 1: so I can check his pockets. Okay, got him. Bring
Speaker 1: his car around the front, but make sure to not
Speaker 1: turn on the headlights. We don't want to call attention
Speaker 1: to ourselves the screaming and the fire on the accidental murder.
Speaker 1: Happy enough, bark his car with a trunk, looking towards
Speaker 1: the church entrance. Why are you both still staring at me?
Speaker 1: Woa wove yea and Manna? Have you like done this before?
Speaker 1: All the other thing? Uh? That I was born in
Speaker 1: a habit I put follower. I've seen some you know what,
Speaker 1: mida now mo wow? Okay, I was not expecting that
Speaker 1: from a nun. When while those three cover up their crime,
Speaker 1: Raoul is recovering from his injuries and drowning his sorrows
Speaker 1: at the bottom of a bottle with the most unexpected friend, Luisa. Lisa,
Speaker 1: thank you for having me a place to stay for
Speaker 1: the night. The truth is, I don't feel too safe
Speaker 1: spending the night alone in my house with everything that's
Speaker 1: going on. Mentioning honest, the menting I'm thankful for the company.
Speaker 1: I never thought you or the type tole like company.
Speaker 1: What is that supposed to mean? Another? No, I'm kidding.
Speaker 1: I know I can be a kind of a bitch sometimes,
Speaker 1: but I'm working on it. Don't. Don't put the cup
Speaker 1: down without a coast or the US. Oh sorry, I
Speaker 1: mean hey, yeah, I've been kind of lonely too. Well,
Speaker 1: then let's toast for all the sad and lonely people
Speaker 1: out there. Oh yeah, you've never told me why Gloria
Speaker 1: left you. I would ask her myself, but truth be told,
Speaker 1: Since the accident, she's not talking to me much anymore.
Speaker 1: I don't know. She just kept saying that she couldn't
Speaker 1: be with me. You know that things have changed, But
Speaker 1: how could that happen if she was the a one
Speaker 1: sauce to my stake do? You may not know how
Speaker 1: to engage in a conversation without veering into She used
Speaker 1: to love my metal for it. She pretended like she didn't,
Speaker 1: but she loved Yeah, yeah, yeah, just stop crying. Okay,
Speaker 1: she'll probably come around, you know how she is. One
Speaker 1: day she loves her dress and the next she's throwing
Speaker 1: it out The window. Oh this is different. Yeah, ever
Speaker 1: since the accident. She doesn't laugh like she did before,
Speaker 1: she doesn't talk like she did before. She's completely different.
Speaker 1: And if I lose her, I mean, nah dah. Maybe
Speaker 1: this is for the best. People change, and the last
Speaker 1: thing you want is to realize too late that you
Speaker 1: are with the wrong person. You deserve someone who loves
Speaker 1: you for you. Now, trust me, don't tell me that
Speaker 1: you and Stebe aren't happy. You've always seemed so well. Actually,
Speaker 1: now you mentioned it. I don't know if I've ever
Speaker 1: seen you two in the same room. It didn't used
Speaker 1: to be like this, but now, truth is, he doesn't
Speaker 1: even speak to me that much. I don't think he's
Speaker 1: much of a fan. Oh Luisa, he's an idiot. What
Speaker 1: did you say? He's an idiot? Okay, maybe we haven't
Speaker 1: really gotten along, but I'm starting to see who you
Speaker 1: really are. And you are caring and funny and kind,
Speaker 1: maybe not to everyone, but definitely the people you care about.
Speaker 1: And I mean, you're real in a city full of
Speaker 1: fake people. My plastic surgeon would disagree. The point is,
Speaker 1: if Esteban can appreciate the wonderful wife he has, then
Speaker 1: he's an idiot. M see, he's an idiot idiot, but
Speaker 1: for some reason, I love him and it's taken me
Speaker 1: twenty years to realize that he doesn't love me back.
Speaker 1: The only thing he ever loved was my money. It's okay,
Speaker 1: this is so embarrassing, breathed with meek in here. I
Speaker 1: don't even know why this is happening. It's okay anymore.
Speaker 1: Just believe me. It never stops. Okay, Okay, this is
Speaker 1: this is gonna sound strange. Okay, but can you hug me?
Speaker 1: I haven't had physical contact with another human being in
Speaker 1: a very, very, very very long time. Of course, I
Speaker 1: love hugs. Okay, Okay, Oh that feels nice. Oh yeah,
Speaker 1: that's nice. What what are you doing? Did you just
Speaker 1: try to kiss me? Oh god? Oh sorry, I'm drunk.
Speaker 1: I thought there was a vibe and I haven't been
Speaker 1: kissing over a decade. And I'm I'm so sorry. You know,
Speaker 1: I'm I'm going to bed. No, no, no, no, it's okay. Um, listen,
Speaker 1: don't get me wrong. You're a hot older woman, but
Speaker 1: you're a hot older woman who is the mother of
Speaker 1: my ex fiance, So can you stop saying older woman?
Speaker 1: I'm so sorry. Uh, should I go. I was planning
Speaker 1: on saying over because of the thugs, you know, trying
Speaker 1: to kill me and my father. But no, no, no, no no, no,
Speaker 1: it's fine, it's fine. Just stay. Let's just pretend this
Speaker 1: didn't happen. Okay, m yeah, I'll leave you to it.
Speaker 1: I have to rush my hair. WHOA can't a day
Speaker 1: go by without someone cheating on someone else? And Raoul,
Speaker 1: I didn't think that you were sort of into my mom. Well,
Speaker 1: it seems like things are awkward or maybe hot between
Speaker 1: Raoul and Luisa. Whatever. Let's see how our three accidental
Speaker 1: murderers are doing. Hey, tea lovers, it's me Tatiana. Obviously, boy,
Speaker 1: do we have a juicy scoop for you? On the
Speaker 1: next Tea with Tatiana next week, we'll have Karen, self
Speaker 1: proclaimed assistant of the Year, giving us all the juicy
Speaker 1: insights we've been craving for on the Calderonne front. Also,
Speaker 1: there's more talk about that slick Lincoln aviator GT. Oh gosh,
Speaker 1: that SUV is really taking over. I love it. All Right,
Speaker 1: that's it for now, but be sure to tune in
Speaker 1: next time for more scandalous rumors about the Calderon's on
Speaker 1: the next tea with Tatiana. Okay, on the count of three,
Speaker 1: we lift him up. Ready, you own a surprisingly heavy
Speaker 1: for a short guy. Not forgive me. I never meant
Speaker 1: for this to happen. I mean, now, what's done is done.
Speaker 1: How all that's left is to pray and get rid
Speaker 1: of the body. Seriously, you're kind of scaring me. What
Speaker 1: did you do before becoming a nun? Well, everything started
Speaker 1: at a work camp in Couva. I was a lunge
Speaker 1: singer and I met a young Fidel before he was
Speaker 1: the revolutionary and then well you know what happened in Maldito.
Speaker 1: But that story is for another day. For now, Maria Garman,
Speaker 1: remember when you were a little girl and we took
Speaker 1: you to the Everglades on a day track. Um, see bueno,
Speaker 1: that's where you're going to get right now, Maria, you
Speaker 1: drive Nacho's car and Estralia you follow her in your car.
Speaker 1: Why do I have to drive Nacho's car? Yeah? More, Okay,
Speaker 1: I think that a non driving a Ferrari is going
Speaker 1: to seem a little suspicions, don't you think, Maria? No
Speaker 1: one would be surprised to see loriacal. They don't drive
Speaker 1: in a car like that, which is why Estralia can't
Speaker 1: drive it either has to be you Aura, pay attention.
Speaker 1: Get on the eight thirty six until you make it
Speaker 1: to the forty one. Don't stop until you make it
Speaker 1: to the middle of the Everglades. And then what then
Speaker 1: You put the car in neutral and you push it
Speaker 1: into the swamp. No one should know how to get
Speaker 1: rid of a body so quickly. It's awesome but also disturbing.
Speaker 1: Hm Na, I'll stay behind and clean this mess. So
Speaker 1: now Maria del Carmin doesn't just steal lives, she takes lives.
Speaker 1: What happened to the innocent girl from the convent? Spoiler alert,
Speaker 1: she's disposing of a dead body Estraya. I am freaking out, Maria. Maria,
Speaker 1: listen to me. You're okay. Just breathe. Let me hear
Speaker 1: you breathe. Okay, that was a little in tim. We're
Speaker 1: almost there. Stay calm, I'm right behind you. Look up
Speaker 1: the car and drive right back. Oh no, oh, no,
Speaker 1: I think there's a cop following us. Oh my god,
Speaker 1: you're soul nervous. Nobody is following us. No, I'm being serious.
Speaker 1: I think there's a cop following us. I already told
Speaker 1: you there's no one following us. Okay, okay, maybe there
Speaker 1: is a cop following us, a ferrari that's not hers,
Speaker 1: a body in the trunk and on her way to
Speaker 1: the Effort Glades. How are you going to get yourself
Speaker 1: out of this? One, little ciss? If you're enjoying Princess
Speaker 1: of South Beach, please subscribe, rate, and review our show
Speaker 1: wherever you're listening. The Princess of South Beach is a
Speaker 1: production of Ihearts, Michael Podcast Network and Sono, Created and
Speaker 1: directed by Jasmine Romero, Written by Jasmine Romero and Joanna
Speaker 1: Houseman with help from daniels Er, Monisa Henri, and Christian.
Speaker 1: Produced by Luis You, Executive produced by Conald Byrne and
Speaker 1: Giselle Bances for iHeart by Joanna Houseman, and by Jasmine
Speaker 1: Romero and Joshua Weinstein for Sonora. Performances in this episode
Speaker 1: by Rachel Zegler, Gina Torres, Yvonne cole X Mayo, and
Speaker 1: Andy Bustillos. Our production manager is Guerinsachitis. Recording and engineering
Speaker 1: by Emiliano Quintanar, with sound designed by Edwin Irigoyen Cassandra
Speaker 1: Tinajo Andres Bayena, Diego Medina and Andres Coronaldo. Assistant sound
Speaker 1: designed by Eric Senttheno, Casting and coordination by Andres Chitis,
Speaker 1: Folly by Samantha Gonzalez Fong, our theme song and original
Speaker 1: music by Rodrigo Garcia Roles and Charlie Hernandez