1
00:00:00,320 --> 00:00:03,800
Speaker 1: My mama told me Presents the Start the Steal Tour.

2
00:00:04,280 --> 00:00:06,680
Speaker 1: We're very excited about it. Yeah, I'm not about to

3
00:00:07,160 --> 00:00:10,200
Speaker 1: bite my tongue. We want to sell it out and

4
00:00:09,960 --> 00:00:12,320
Speaker 1: the dates are coming up fast, and so if you

5
00:00:12,400 --> 00:00:14,080
Speaker 1: live in one of these areas, we want you to

6
00:00:14,080 --> 00:00:17,880
Speaker 1: buy your tickets now. It's all available on our instagrams,

7
00:00:17,920 --> 00:00:20,840
Speaker 1: on our websites, on our link tree.

8
00:00:21,079 --> 00:00:21,159
Speaker 2: No.

9
00:00:21,239 --> 00:00:25,599
Speaker 1: Remember seventeenth, we're in San Francisco. December fifth we're in Denver.

10
00:00:26,520 --> 00:00:30,520
Speaker 1: December twelfth, we're in Seattle. And December fifteenth, you're closing

11
00:00:30,560 --> 00:00:34,200
Speaker 1: it out in Portland, Oregon. We want y'all to come out.

12
00:00:34,240 --> 00:00:37,120
Speaker 1: We want y'all to kick it. We will be doing

13
00:00:37,159 --> 00:00:41,080
Speaker 1: our coveted live show with special guests, with just me

14
00:00:41,120 --> 00:00:43,920
Speaker 1: and David. Depending on the city, it'll be a great time.

15
00:00:44,200 --> 00:00:47,199
Speaker 1: All that meet and greets you've been Chris Brown has a.

16
00:00:47,120 --> 00:00:48,000
Speaker 3: Good meet and greet.

17
00:00:48,680 --> 00:00:48,880
Speaker 1: Bro.

18
00:00:50,520 --> 00:00:53,559
Speaker 4: Let's be clear, I'll take a weird picture with you

19
00:00:53,840 --> 00:00:56,959
Speaker 4: for free.

20
00:00:58,040 --> 00:01:00,240
Speaker 5: It's like the way they treated an African trie where

21
00:01:00,240 --> 00:01:02,040
Speaker 5: they're like if the woman was fat, not that she

22
00:01:02,160 --> 00:01:03,640
Speaker 5: was rich, and so it was just like a guy

23
00:01:03,840 --> 00:01:07,560
Speaker 5: just like a massive bush. They were like Jesus Christ.

24
00:01:07,640 --> 00:01:08,920
Speaker 5: He's a millionaire.

25
00:01:09,200 --> 00:01:11,240
Speaker 1: That's right, bitch, I can afford to growing.

26
00:01:14,640 --> 00:01:15,520
Speaker 2: It's from berries.

27
00:01:15,840 --> 00:01:19,920
Speaker 1: Berries, they got my.

28
00:01:21,760 --> 00:01:23,840
Speaker 3: Come on, baby, let me upgrade. You'all put some hair

29
00:01:23,880 --> 00:01:24,360
Speaker 3: on your back.

30
00:01:33,880 --> 00:01:44,560
Speaker 6: Chips in yours are racist money.

31
00:01:46,040 --> 00:01:46,360
Speaker 3: Stuff.

32
00:01:47,640 --> 00:01:48,640
Speaker 6: I can't tell me.

33
00:01:51,360 --> 00:01:53,480
Speaker 3: Well, you said you was gonna take me to see

34
00:01:53,480 --> 00:01:56,880
Speaker 3: Wu Tang baby, so I break my hair. You changed

35
00:01:56,920 --> 00:01:59,920
Speaker 3: your mind and said we wasn't going, But my mama

36
00:02:00,160 --> 00:02:02,560
Speaker 3: saw you there. Welcome, Well, Mama is a just a

37
00:02:02,640 --> 00:02:07,000
Speaker 3: light to another phenomenal episode of My Mama Told Me.

38
00:02:07,840 --> 00:02:11,280
Speaker 1: The podcast where we dive deep deep into the pockets

39
00:02:11,280 --> 00:02:13,799
Speaker 1: of black conspiracy theories and.

40
00:02:13,680 --> 00:02:17,280
Speaker 3: We finally worked to prove that the Nancy Pelosi poop

41
00:02:17,400 --> 00:02:20,840
Speaker 3: desk and the d Wade statue are not in fact

42
00:02:20,880 --> 00:02:25,120
Speaker 3: separate incidents. They are a part of the same modern

43
00:02:25,280 --> 00:02:30,160
Speaker 3: art installation that will be continued after the election.

44
00:02:30,320 --> 00:02:34,639
Speaker 1: My name is David, whoa Thanksy's out here making art

45
00:02:34,800 --> 00:02:52,480
Speaker 1: in every I'm gonna kill you. I can't believe another staks, Lizzy.

46
00:02:52,720 --> 00:02:55,480
Speaker 1: We don't know. It might be a group of steak

47
00:02:55,560 --> 00:02:57,600
Speaker 1: aast people as a group of thanks.

48
00:02:57,680 --> 00:03:00,200
Speaker 3: That's what a lot of people say. It's not one guy.

49
00:03:01,560 --> 00:03:02,480
Speaker 1: I'm like Zick Kerman.

50
00:03:02,560 --> 00:03:02,960
Speaker 2: I love that.

51
00:03:03,120 --> 00:03:06,120
Speaker 1: I love the idea that, uh that maybe this Dweight

52
00:03:06,280 --> 00:03:09,160
Speaker 1: statue is meant to be more than just a poorly

53
00:03:09,360 --> 00:03:11,880
Speaker 1: constructed figure of him.

54
00:03:12,120 --> 00:03:12,720
Speaker 3: It's bad.

55
00:03:13,520 --> 00:03:16,120
Speaker 1: Here's what's crazy. I don't know if y'all saw this,

56
00:03:16,160 --> 00:03:17,920
Speaker 1: and feel free to jump in.

57
00:03:19,440 --> 00:03:21,640
Speaker 5: We have thoughts that we've been talking about this d

58
00:03:21,720 --> 00:03:25,000
Speaker 5: Way statue. But yeah, let's get into it first, you guys.

59
00:03:25,400 --> 00:03:30,120
Speaker 1: I saw pictures and video of him yesterday seeing the

60
00:03:30,200 --> 00:03:35,440
Speaker 1: statue being made, which was devastating. I was like, oh,

61
00:03:35,600 --> 00:03:37,440
Speaker 1: of course he has to play it cool because this

62
00:03:37,520 --> 00:03:42,040
Speaker 1: shit sucks. But like he helped make this bad statue.

63
00:03:43,240 --> 00:03:43,680
Speaker 2: Sorry.

64
00:03:44,360 --> 00:03:47,440
Speaker 7: I think my my thing with a d W eight statue,

65
00:03:47,560 --> 00:03:50,200
Speaker 7: as many statues before, it is like do any of

66
00:03:50,240 --> 00:03:52,920
Speaker 7: them look good? Do any of them when they when

67
00:03:52,920 --> 00:03:55,600
Speaker 7: they come out? You know, maybe like a Hall of

68
00:03:55,640 --> 00:03:58,800
Speaker 7: Fame bust, you know, like those can be pretty good,

69
00:03:59,040 --> 00:04:02,360
Speaker 7: but a total statue like the Ronaldo one, the Kobe Wan,

70
00:04:02,720 --> 00:04:07,600
Speaker 7: the Kobe One's, both of them.

71
00:04:07,760 --> 00:04:08,520
Speaker 2: Here's what I'll say.

72
00:04:08,680 --> 00:04:12,760
Speaker 1: Karl Malone's turned out fine.

73
00:04:13,320 --> 00:04:18,880
Speaker 5: But that's because he's ugly. It's because he's ugly. Make statues.

74
00:04:19,040 --> 00:04:22,160
Speaker 5: You can make statues of ugly people. Because like to

75
00:04:22,240 --> 00:04:25,839
Speaker 5: a certain extent, you're kind of just like, no, is

76
00:04:25,880 --> 00:04:28,840
Speaker 5: this them and you're kind of like yes and no.

77
00:04:28,960 --> 00:04:31,920
Speaker 5: But to him seeing it, because I have I've really

78
00:04:31,960 --> 00:04:36,839
Speaker 5: thought about this. Have you ever like like for the

79
00:04:36,839 --> 00:04:39,919
Speaker 5: sake of argument, maybe a partner or a spouse or

80
00:04:39,960 --> 00:04:43,240
Speaker 5: a friend is like in the middle of like cooking

81
00:04:43,279 --> 00:04:48,080
Speaker 5: you dinner and you're like, this looks ramcid and.

82
00:04:48,000 --> 00:04:48,440
Speaker 2: You're like.

83
00:04:50,920 --> 00:04:53,479
Speaker 5: And then sometimes at the end when it, when it's

84
00:04:53,520 --> 00:04:56,159
Speaker 5: all said and done, you're like, wow, that was really good.

85
00:04:56,320 --> 00:04:59,960
Speaker 5: I was nervous from what I saw, right, or someone

86
00:05:00,160 --> 00:05:03,279
Speaker 5: making a painting whatever, and you're like, this looks terrible.

87
00:05:03,279 --> 00:05:06,760
Speaker 5: And then I think he thought, there's no way this

88
00:05:06,880 --> 00:05:09,400
Speaker 5: is the final thing, like.

89
00:05:09,680 --> 00:05:12,000
Speaker 3: Makes because what does the middle of a sculpture look like?

90
00:05:12,040 --> 00:05:15,680
Speaker 3: I don't right, it's like loose. I don't know why,

91
00:05:16,360 --> 00:05:18,680
Speaker 3: probably in the middle like who knows.

92
00:05:19,000 --> 00:05:21,719
Speaker 8: Right, He's like, you got a nose and two eyes.

93
00:05:21,760 --> 00:05:24,680
Speaker 8: That's cool, man, exactly. I think it was like one

94
00:05:24,680 --> 00:05:26,440
Speaker 8: of those things that you see and you're like, oh wow.

95
00:05:26,440 --> 00:05:28,839
Speaker 8: It was like I think he saw it was like wow,

96
00:05:28,960 --> 00:05:35,560
Speaker 8: eventually this is gonna beat me. But like it's turned

97
00:05:35,640 --> 00:05:38,279
Speaker 8: out that it was like nigga, this is you, like,

98
00:05:38,400 --> 00:05:42,200
Speaker 8: this is you, this is it, this is it.

99
00:05:43,240 --> 00:05:47,560
Speaker 1: It really does make you respect like those old Renaissance

100
00:05:47,680 --> 00:05:50,160
Speaker 1: artists in a way that I don't think I ever did.

101
00:05:50,240 --> 00:05:53,039
Speaker 1: Where I was like, David, don't seem that hard, and

102
00:05:53,080 --> 00:05:55,919
Speaker 1: then you suddenly see what the fuck they offer and

103
00:05:55,960 --> 00:05:57,440
Speaker 1: it's like, oh no, that's crazy.

104
00:05:57,680 --> 00:06:00,840
Speaker 3: But also, to Yasir's point, everybody was ugly back then,

105
00:06:00,920 --> 00:06:03,040
Speaker 3: so maybe it was a lot. The whole craft was a.

106
00:06:02,960 --> 00:06:05,560
Speaker 5: Lot of It's I think it's two things. Everyone was

107
00:06:05,680 --> 00:06:09,320
Speaker 5: ugly and then go off and the other thing is

108
00:06:09,360 --> 00:06:11,200
Speaker 5: that they were all dead already, so you could just

109
00:06:11,240 --> 00:06:13,920
Speaker 5: do whatever you want. Like, they didn't build the statue

110
00:06:13,960 --> 00:06:16,760
Speaker 5: of David while David was alive, so you're just like, yeah,

111
00:06:16,880 --> 00:06:20,000
Speaker 5: he was hot and he had abs and a little

112
00:06:20,160 --> 00:06:22,040
Speaker 5: ding dong, but a lot of public.

113
00:06:24,760 --> 00:06:25,839
Speaker 1: What he lost.

114
00:06:28,080 --> 00:06:29,840
Speaker 5: Not a lot of people have as much pubic hair.

115
00:06:30,760 --> 00:06:32,520
Speaker 2: That was like the loss of attraction were different.

116
00:06:32,720 --> 00:06:42,560
Speaker 1: Big bush, Hey, big hearts don't matter though, you know, yeah, yeah.

117
00:06:41,920 --> 00:06:43,719
Speaker 3: More bush means you're warmer in the winter.

118
00:06:44,720 --> 00:06:48,200
Speaker 5: Yeah yeah. Also, just one more thing about the d

119
00:06:48,279 --> 00:06:51,599
Speaker 5: Way statue. Again, every time it comes across my timeline,

120
00:06:51,640 --> 00:06:53,120
Speaker 5: I look at it for ten minutes. And that's not

121
00:06:53,160 --> 00:06:56,359
Speaker 5: a joke, like I'm just like how it's also not

122
00:06:56,839 --> 00:07:02,960
Speaker 5: a human mad expression. It's like a cartoons expression of being.

123
00:07:03,880 --> 00:07:06,919
Speaker 1: You know what, I'm fan to a It's got Elmer

124
00:07:07,040 --> 00:07:12,120
Speaker 1: Fudd stubbing his toe qualities about it, right, our guest today,

125
00:07:12,640 --> 00:07:16,000
Speaker 1: we've talked to them now for for ten minutes without

126
00:07:16,080 --> 00:07:19,400
Speaker 1: even introducing them. I don't even know if this is

127
00:07:19,760 --> 00:07:25,480
Speaker 1: worth it at this, but they're they're insanely funny people.

128
00:07:25,560 --> 00:07:28,160
Speaker 1: We're so happy they're here. You know them from from

129
00:07:28,280 --> 00:07:32,480
Speaker 1: so many collectively. The the credits between these two gentlemen

130
00:07:32,600 --> 00:07:35,080
Speaker 1: is so deep that I won't even waste your time.

131
00:07:35,320 --> 00:07:37,680
Speaker 1: They're They're amazing. I love them so much. And they

132
00:07:37,720 --> 00:07:40,440
Speaker 1: have a brand new film coming out November first. It's

133
00:07:40,480 --> 00:07:43,640
Speaker 1: called The Gutter. I had a the pleasure of playing

134
00:07:43,640 --> 00:07:46,200
Speaker 1: a very small part in it. But my god, is

135
00:07:46,200 --> 00:07:47,080
Speaker 1: this a funny movie?

136
00:07:47,200 --> 00:07:47,520
Speaker 5: Scenes?

137
00:07:48,560 --> 00:07:48,880
Speaker 2: Scenes?

138
00:07:49,960 --> 00:07:53,920
Speaker 1: Stop it? Give it up for Isaac and yees, Sir Leicester.

139
00:07:55,480 --> 00:07:59,760
Speaker 7: Oh after he said yeah or Ester, I just want

140
00:07:59,800 --> 00:08:03,040
Speaker 7: to play with that.

141
00:08:03,040 --> 00:08:03,360
Speaker 2: That was.

142
00:08:06,040 --> 00:08:09,000
Speaker 1: We don't have time for these shenanigans because you all

143
00:08:09,040 --> 00:08:11,640
Speaker 1: came to us with the conspiracy that we're very excited

144
00:08:11,680 --> 00:08:16,760
Speaker 1: about you said, my mama told me the mixed people

145
00:08:16,960 --> 00:08:18,640
Speaker 1: agenda in commercials.

146
00:08:23,000 --> 00:08:26,040
Speaker 3: Yes, and this is a good My mom literally told

147
00:08:26,040 --> 00:08:26,880
Speaker 3: me that this is good.

148
00:08:27,240 --> 00:08:30,280
Speaker 5: This isn't a joke. Our mom lit she said this

149
00:08:30,400 --> 00:08:35,320
Speaker 5: to us. And we were like, what's the conspiracy because

150
00:08:36,400 --> 00:08:40,440
Speaker 5: this commercial place it's for like tyson Chicken. Keep in mind,

151
00:08:40,800 --> 00:08:44,920
Speaker 5: in the commercial there's like I can't remember if it

152
00:08:44,960 --> 00:08:47,400
Speaker 5: was a black mom or a white mom, but either way,

153
00:08:47,400 --> 00:08:51,719
Speaker 5: it's a mixed couple, you know, and they're about to

154
00:08:52,800 --> 00:08:55,160
Speaker 5: go to town on a bunch of fried chicken with

155
00:08:55,240 --> 00:08:58,640
Speaker 5: their like little ugly mulatto langstone.

156
00:09:04,320 --> 00:09:04,480
Speaker 2: Yeah.

157
00:09:04,559 --> 00:09:08,440
Speaker 5: Yeah, and you know they actually called them Mulankston's in

158
00:09:08,480 --> 00:09:09,800
Speaker 5: the commercial, which.

159
00:09:09,600 --> 00:09:13,520
Speaker 1: I was like, wow, oh no, not my childhood nickname

160
00:09:14,520 --> 00:09:15,280
Speaker 1: wasn't really it.

161
00:09:15,800 --> 00:09:15,880
Speaker 3: No.

162
00:09:16,480 --> 00:09:19,480
Speaker 5: I was like, wow, this clever kid. There's some clever kids.

163
00:09:21,080 --> 00:09:23,800
Speaker 5: But it's like this mixed family and they're eating all

164
00:09:23,840 --> 00:09:26,280
Speaker 5: this fried chicken, and the black parent, whether it was

165
00:09:26,320 --> 00:09:28,400
Speaker 5: the dad or the mom, is like going to town

166
00:09:28,440 --> 00:09:32,800
Speaker 5: on the fried chicken. And then to representatives from Tyson's

167
00:09:32,880 --> 00:09:36,760
Speaker 5: Chicken walk in and they're like see yeah, very white

168
00:09:37,400 --> 00:09:39,800
Speaker 5: and they're like, look how much this family like loves

169
00:09:39,800 --> 00:09:43,280
Speaker 5: our chicken and then it's just like Tyson buy it

170
00:09:43,440 --> 00:09:48,280
Speaker 5: or whatever. Fuck and Mom sees the commercial and she's

171
00:09:48,320 --> 00:09:51,800
Speaker 5: like can you believe that? And we're like, yeah, that's crazy.

172
00:09:51,880 --> 00:09:55,640
Speaker 5: And she's like, I know, why are there mixed families

173
00:09:55,800 --> 00:10:02,520
Speaker 5: in every commercial? And we were like, I'm sorry, what

174
00:10:03,360 --> 00:10:06,439
Speaker 5: that you pulled from the commercial? Not the fact that

175
00:10:06,480 --> 00:10:10,439
Speaker 5: they're literally like singing moon cricket songs and licking their

176
00:10:10,520 --> 00:10:13,560
Speaker 5: fingers as they're eating fried chicken. You were, And she

177
00:10:13,679 --> 00:10:17,360
Speaker 5: was just like, it's just everywhere. Now keep in mind

178
00:10:18,520 --> 00:10:21,480
Speaker 5: for the for the listeners who can't see us, Me

179
00:10:21,520 --> 00:10:24,960
Speaker 5: and Isaiah have different dads. Isaiah is a full blooded

180
00:10:25,240 --> 00:10:29,439
Speaker 5: black man. My mom is black, and my dad is Palestinian.

181
00:10:30,000 --> 00:10:34,000
Speaker 5: So I was like, first of all, you made me

182
00:10:34,240 --> 00:10:35,240
Speaker 5: this way.

183
00:10:35,360 --> 00:10:38,240
Speaker 9: Like you were talking about it, and I am the

184
00:10:38,320 --> 00:10:40,200
Speaker 9: product of the thing that you hate.

185
00:10:40,240 --> 00:10:43,240
Speaker 5: So this is a very situation.

186
00:10:43,280 --> 00:10:47,280
Speaker 7: Just about like interracial stuff in mixed people's stuff in general.

187
00:10:47,720 --> 00:10:53,480
Speaker 7: Like she has you said, it's just like she'll talk

188
00:10:53,520 --> 00:10:56,480
Speaker 7: to us about it, like, uh, who showed up? We're

189
00:10:56,480 --> 00:11:00,480
Speaker 7: watching the BET Awards and somebody showed up, the white

190
00:11:00,480 --> 00:11:02,960
Speaker 7: woman and she was just like, see there you go.

191
00:11:03,160 --> 00:11:05,040
Speaker 7: And I was just like, Mom, you did that twice,

192
00:11:05,480 --> 00:11:07,400
Speaker 7: you did that with y after, you did that with

193
00:11:07,440 --> 00:11:11,199
Speaker 7: my little sister. Like, it's just that I don't understand.

194
00:11:11,280 --> 00:11:12,880
Speaker 7: I don't understand it.

195
00:11:13,040 --> 00:11:14,800
Speaker 3: I think it's cool that you guys watch the BT

196
00:11:14,920 --> 00:11:15,400
Speaker 3: Awards with.

197
00:11:15,360 --> 00:11:25,199
Speaker 1: Your Yeah, that's a transition because it's a concert.

198
00:11:25,440 --> 00:11:28,599
Speaker 5: You know, black people, black people we love a televised

199
00:11:28,840 --> 00:11:31,200
Speaker 5: we like concerts, and so the BT Awards is just

200
00:11:31,240 --> 00:11:34,600
Speaker 5: a concert. So you know, I think that is I

201
00:11:34,600 --> 00:11:38,520
Speaker 5: think that's the reason. But our mom again, love her dearly,

202
00:11:38,840 --> 00:11:42,240
Speaker 5: and just as all moms do, as they get older,

203
00:11:42,360 --> 00:11:49,080
Speaker 5: they get crazier, and she's really really as we get older,

204
00:11:49,520 --> 00:11:57,160
Speaker 5: very gets the mixing of the races. Yeah, sorry, that

205
00:11:57,200 --> 00:12:00,680
Speaker 5: feels no, that feels relatable in some ways. I think

206
00:12:00,720 --> 00:12:04,480
Speaker 5: my mom similarly, like you had a full you were

207
00:12:04,520 --> 00:12:06,800
Speaker 5: married to a white man, and now when I talk

208
00:12:06,920 --> 00:12:09,800
Speaker 5: to her, she like has these weird sort of like

209
00:12:10,240 --> 00:12:12,920
Speaker 5: lines that she's drawn in the sand, and it's like, lady,

210
00:12:12,920 --> 00:12:18,679
Speaker 5: you ain't living nowhere near there's so much evidence.

211
00:12:18,920 --> 00:12:21,440
Speaker 3: Brother, it doesn't change on Miaim. The only thing I

212
00:12:21,440 --> 00:12:24,680
Speaker 3: will say is my mom also, whilst being married to

213
00:12:24,720 --> 00:12:30,280
Speaker 3: a white man, very racist still though, that's like it's

214
00:12:30,320 --> 00:12:36,280
Speaker 3: been consistent. It's like, because I was recently with my

215
00:12:36,280 --> 00:12:39,160
Speaker 3: little brother who lives in Chinatown, I was like, what's

216
00:12:39,240 --> 00:12:42,240
Speaker 3: mom said about you living in Chinatown? And then we

217
00:12:42,400 --> 00:12:47,400
Speaker 3: just had I'm not gonna go, yeah opinion she's always had.

218
00:12:47,400 --> 00:12:53,880
Speaker 1: Yeah, yeah, yeah, not pro I'm gonna.

219
00:12:52,800 --> 00:12:54,959
Speaker 3: My mom doesn't do a lot of voices, but once.

220
00:12:54,800 --> 00:12:59,640
Speaker 5: She does, there's got a lot of voices. But when

221
00:12:59,679 --> 00:13:02,240
Speaker 5: she does, you can guess exactly where they're from.

222
00:13:05,679 --> 00:13:07,400
Speaker 3: You why it's fun?

223
00:13:07,800 --> 00:13:09,680
Speaker 5: Oh wow, I'll say that.

224
00:13:09,720 --> 00:13:14,839
Speaker 3: She has also immigrants? Do would they pretend that they

225
00:13:14,880 --> 00:13:17,600
Speaker 3: don't also have since you know what.

226
00:13:17,520 --> 00:13:24,240
Speaker 5: I mean, say I have an X, And for the

227
00:13:24,320 --> 00:13:28,200
Speaker 5: sake of not hurting anyone's feelings, I won't say what

228
00:13:28,240 --> 00:13:32,199
Speaker 5: ethnicity they were. But my mom was with my ex.

229
00:13:32,240 --> 00:13:35,640
Speaker 5: They were on their own doing a thing, and my

230
00:13:35,800 --> 00:13:39,120
Speaker 5: ex asked my mom like, oh, how was like the

231
00:13:39,200 --> 00:13:42,480
Speaker 5: laundry mat And my mom said to my ex like,

232
00:13:42,679 --> 00:13:45,600
Speaker 5: oh my god, it was crawling with and then she

233
00:13:45,679 --> 00:13:49,160
Speaker 5: said in certain type of people, and that type of

234
00:13:49,200 --> 00:13:53,720
Speaker 5: people was my ex. My mom forgot, and so I

235
00:13:53,720 --> 00:13:55,440
Speaker 5: had to call my mom and was like, hey, could

236
00:13:55,440 --> 00:13:58,360
Speaker 5: you not say the laundrymat is crawling with X types?

237
00:13:58,400 --> 00:14:01,360
Speaker 5: Of people, and she was like, I was so embarrassed

238
00:14:01,360 --> 00:14:04,240
Speaker 5: when I said it, but I couldn't apologize, you know,

239
00:14:04,320 --> 00:14:06,200
Speaker 5: that would make it worse. And I was like, what

240
00:14:06,360 --> 00:14:10,040
Speaker 5: are you talking about. I actually think an apology makes

241
00:14:10,120 --> 00:14:10,679
Speaker 5: things better.

242
00:14:10,800 --> 00:14:14,040
Speaker 7: She was like, Nah, didn't that same excess aunt say

243
00:14:14,040 --> 00:14:16,720
Speaker 7: a racist a very racist thing to you, like a slur?

244
00:14:17,920 --> 00:14:21,360
Speaker 5: Yes? They uh, they said the.

245
00:14:21,560 --> 00:14:23,920
Speaker 3: Generations complicated on all ends.

246
00:14:24,320 --> 00:14:26,720
Speaker 5: That the same thing like, And that's why I think

247
00:14:26,760 --> 00:14:29,680
Speaker 5: maybe our moms get older and because you just like

248
00:14:30,040 --> 00:14:33,160
Speaker 5: it's so hard navigating the waters that like sometimes you

249
00:14:33,200 --> 00:14:35,200
Speaker 5: just want to be around your own and be like, look,

250
00:14:35,320 --> 00:14:37,680
Speaker 5: I want to call these people this word, and I

251
00:14:37,720 --> 00:14:39,160
Speaker 5: don't want to have to worry about it.

252
00:14:40,000 --> 00:14:48,600
Speaker 1: I do think it's the beauty of starting podcast.

253
00:14:44,200 --> 00:14:44,560
Speaker 3: Kind of.

254
00:14:46,480 --> 00:14:48,520
Speaker 1: You get to a certain age and you just want

255
00:14:48,560 --> 00:14:51,400
Speaker 1: to be able to curate your relationships and not have

256
00:14:51,520 --> 00:14:54,680
Speaker 1: to like work on yourself. And then it's the wackest

257
00:14:54,680 --> 00:14:56,600
Speaker 1: thing that young people do is we go to our

258
00:14:56,640 --> 00:15:00,600
Speaker 1: grandparents and we go Grandma, you care talk like that

259
00:15:00,640 --> 00:15:05,040
Speaker 1: those are Andrew. It's like I survived. I did the

260
00:15:05,360 --> 00:15:08,120
Speaker 1: possible when made it to this ripe old age so

261
00:15:08,160 --> 00:15:11,600
Speaker 1: that I could talk to six people that understand that

262
00:15:11,680 --> 00:15:15,720
Speaker 1: when I say these bigoted words, it's okay because.

263
00:15:15,440 --> 00:15:22,120
Speaker 9: I'm cool, I'm chill, I'm kind of funny. I'm also

264
00:15:22,280 --> 00:15:24,680
Speaker 9: kind of funny if you would let me talk how

265
00:15:24,720 --> 00:15:25,920
Speaker 9: I talk, I'm hilarious.

266
00:15:29,240 --> 00:15:32,920
Speaker 5: So just going back to the her actual opinion on

267
00:15:33,000 --> 00:15:38,240
Speaker 5: this thing, so to an extent, and Isaiah, tell me

268
00:15:38,240 --> 00:15:40,400
Speaker 5: if you disagree, because this part we actually haven't talked about,

269
00:15:40,440 --> 00:15:41,720
Speaker 5: and I do want your opinion on it.

270
00:15:41,800 --> 00:15:44,040
Speaker 1: Oh, this is exciting to an extent.

271
00:15:44,120 --> 00:15:47,200
Speaker 5: I do think she has a point because there is

272
00:15:47,240 --> 00:15:49,280
Speaker 5: an agenda a little bit.

273
00:15:49,960 --> 00:15:52,400
Speaker 3: I yeah, definitely right like that.

274
00:15:53,360 --> 00:15:57,760
Speaker 5: And I the problem is is I think anytime you

275
00:15:57,880 --> 00:16:01,200
Speaker 5: personally use the word agenda, you can't really back up

276
00:16:01,200 --> 00:16:04,960
Speaker 5: what you're saying because you've literally just put your emotions

277
00:16:05,000 --> 00:16:07,120
Speaker 5: in the word agenda and just hope that people are

278
00:16:07,120 --> 00:16:10,040
Speaker 5: going to be like yeah, But when people go, what's

279
00:16:10,080 --> 00:16:12,480
Speaker 5: the agenda, you gotta just have to jump off a

280
00:16:12,520 --> 00:16:15,480
Speaker 5: bridge because you can't. You can't answer it.

281
00:16:15,520 --> 00:16:16,280
Speaker 2: You know what I'm saying.

282
00:16:16,560 --> 00:16:22,360
Speaker 1: But agenda is never a warm, kind word, right, It

283
00:16:22,520 --> 00:16:26,840
Speaker 1: always is coming with something salacious and negative. You are

284
00:16:27,400 --> 00:16:33,400
Speaker 1: you are anti if you are calling it an agenda.

285
00:16:32,880 --> 00:16:37,280
Speaker 5: Right, So Saiah, do you think, as my brother, do

286
00:16:37,320 --> 00:16:41,240
Speaker 5: you think there's an interracial agenda in commercials? Do you

287
00:16:41,280 --> 00:16:41,840
Speaker 5: agree with that?

288
00:16:41,880 --> 00:16:44,320
Speaker 7: I mean, I think I only do in the sense of,

289
00:16:44,440 --> 00:16:48,400
Speaker 7: like it's all marketing, and I don't think they're marketing

290
00:16:48,400 --> 00:16:52,000
Speaker 7: to interracial couples. I think they're marketing to too white

291
00:16:52,000 --> 00:16:54,000
Speaker 7: people who like to think they like the idea of

292
00:16:54,000 --> 00:16:54,960
Speaker 7: an interracial couple.

293
00:16:55,920 --> 00:16:56,160
Speaker 2: You know.

294
00:16:56,960 --> 00:17:00,360
Speaker 7: So okay, exactly, so like it, it's still like them

295
00:17:00,400 --> 00:17:03,320
Speaker 7: chasing the same dollar. But like like Langston said, like

296
00:17:03,360 --> 00:17:04,879
Speaker 7: now there is a group of people who will yell

297
00:17:04,880 --> 00:17:07,200
Speaker 7: out their grandparents for saying something and they want their

298
00:17:07,240 --> 00:17:10,320
Speaker 7: money too, So that's what I Yeah.

299
00:17:10,880 --> 00:17:14,120
Speaker 1: That's I think that's pretty insightful. I think it's.

300
00:17:14,000 --> 00:17:19,200
Speaker 5: It's probably I don't probably, I don't think it's insightful.

301
00:17:20,880 --> 00:17:21,160
Speaker 2: Sorry.

302
00:17:21,400 --> 00:17:25,080
Speaker 1: Yeah, I think it's probably a quick side step that

303
00:17:25,119 --> 00:17:27,879
Speaker 1: they're like masking as like, oh, this is for the

304
00:17:27,880 --> 00:17:30,240
Speaker 1: people we're trying to represent, and it's like, nah, this

305
00:17:30,400 --> 00:17:32,920
Speaker 1: is for the same old six white people that we've

306
00:17:32,960 --> 00:17:34,919
Speaker 1: been aiming at, but now we got to make it

307
00:17:34,960 --> 00:17:37,000
Speaker 1: more specific for how they move.

308
00:17:37,440 --> 00:17:39,439
Speaker 3: It's all about keeping the liberals happy.

309
00:17:39,480 --> 00:17:43,280
Speaker 5: I think, Well, because okay, like I mean, like Langston's

310
00:17:43,320 --> 00:17:45,800
Speaker 5: in an interracial relationship, but not really because they're the

311
00:17:45,840 --> 00:17:51,800
Speaker 5: exact same. Like, it's what I'm saying, it's my wife

312
00:17:51,840 --> 00:17:54,520
Speaker 5: has been accused of being white so many times on

313
00:17:54,560 --> 00:17:57,960
Speaker 5: the internet, but I can't afford for any missteps here.

314
00:17:58,160 --> 00:18:02,200
Speaker 5: It's also genuine I mean this sincerely. I genuinely want

315
00:18:02,280 --> 00:18:04,480
Speaker 5: to know what type of white they think she is,

316
00:18:04,480 --> 00:18:07,119
Speaker 5: because I've seen her get called white online and I'm like,

317
00:18:07,200 --> 00:18:11,080
Speaker 5: I have never And here's the thing, Nikki is beautiful,

318
00:18:11,359 --> 00:18:14,600
Speaker 5: and I'm like, I've never seen a any white I

319
00:18:14,600 --> 00:18:17,920
Speaker 5: haven't seen a white person who like literally lives under

320
00:18:18,040 --> 00:18:23,920
Speaker 5: the sun, be as carmel as her with as thick hair.

321
00:18:23,960 --> 00:18:26,240
Speaker 5: You know what I'm saying. Like, it's it's impossible. So

322
00:18:26,280 --> 00:18:27,320
Speaker 5: it's just very weird to me.

323
00:18:27,440 --> 00:18:29,439
Speaker 1: I'm gonna use this as a pull quote, and I

324
00:18:29,480 --> 00:18:31,680
Speaker 1: don't have an answer for you, but I will put

325
00:18:31,720 --> 00:18:32,280
Speaker 1: it up on her.

326
00:18:32,560 --> 00:18:35,960
Speaker 5: Very fun The thing is that, like, but I stay

327
00:18:36,000 --> 00:18:39,480
Speaker 5: all that to say, so you know, you're not in

328
00:18:39,480 --> 00:18:43,040
Speaker 5: an interracial relationship, but I guess genetically to someone could

329
00:18:43,040 --> 00:18:45,639
Speaker 5: make the argument, Yeah, I'm tory, are you in an

330
00:18:45,680 --> 00:18:46,840
Speaker 5: interracial relationship?

331
00:18:47,600 --> 00:18:50,640
Speaker 3: My girl is mixed, so that is inter racial, right, Yes,

332
00:18:50,760 --> 00:18:53,600
Speaker 3: because I'm only black. Yes, she's me.

333
00:18:53,800 --> 00:18:59,600
Speaker 5: I'm you know, I'm married within the devil circle as well.

334
00:19:00,520 --> 00:19:07,719
Speaker 5: You know, Isaiah that history says everyone has interracial relationships

335
00:19:07,720 --> 00:19:10,280
Speaker 5: on their card in some way, shape or form, right,

336
00:19:11,600 --> 00:19:16,359
Speaker 5: And so to the commercial of it all, my question

337
00:19:16,520 --> 00:19:22,639
Speaker 5: becomes like it actually for me? Does the opposite? I'm like,

338
00:19:22,920 --> 00:19:25,480
Speaker 5: how dare you talk to me like I'm just some

339
00:19:26,359 --> 00:19:31,480
Speaker 5: black gorilla chasing something outside of my race who wants

340
00:19:31,520 --> 00:19:35,320
Speaker 5: to buy honey nut cheerios Like I think I'd rather

341
00:19:35,359 --> 00:19:37,679
Speaker 5: see like a bunch of black people buy honey nut

342
00:19:37,760 --> 00:19:42,000
Speaker 5: cheerios with food stamp cards and that be the commercial.

343
00:19:42,080 --> 00:19:43,400
Speaker 5: And I'm like, wow, they're talking to us.

344
00:19:46,800 --> 00:19:47,359
Speaker 2: Am I wrong?

345
00:19:47,760 --> 00:19:52,920
Speaker 5: Does anyone disagree? You're crazy? You're crazy?

346
00:19:53,240 --> 00:19:55,440
Speaker 7: You guys are crazy, especially now because it's a it's

347
00:19:55,480 --> 00:19:58,920
Speaker 7: a card you don't actually have, like the food stamps

348
00:19:59,160 --> 00:19:59,720
Speaker 7: I said food.

349
00:19:59,720 --> 00:20:05,399
Speaker 3: So it's a very distinctive card. It's not like people

350
00:20:05,400 --> 00:20:08,440
Speaker 3: are like, oh, are you going to pay on your visa? Doctor? Boy?

351
00:20:09,400 --> 00:20:12,359
Speaker 3: Still clear, I would.

352
00:20:12,080 --> 00:20:15,119
Speaker 7: See I actually haven't seen like a new EBT card,

353
00:20:15,200 --> 00:20:16,240
Speaker 7: Like what do they look like?

354
00:20:16,880 --> 00:20:20,720
Speaker 5: It's the thing, but like unemployed.

355
00:20:20,320 --> 00:20:21,879
Speaker 2: To embarrass you, like it just doesn't.

356
00:20:22,400 --> 00:20:24,919
Speaker 3: It's the same as the unemployment card, where it's like

357
00:20:24,960 --> 00:20:28,600
Speaker 3: if you know you know what that is, right, yeah, right.

358
00:20:28,760 --> 00:20:31,000
Speaker 5: Well I will say with the unemployment cards the thing

359
00:20:31,119 --> 00:20:34,280
Speaker 5: because I had unemployment, you know, years ago, and they

360
00:20:34,320 --> 00:20:36,400
Speaker 5: still send you the new cards when they come out,

361
00:20:36,400 --> 00:20:40,720
Speaker 5: which is nice. But uh, the original unemployed when they

362
00:20:40,720 --> 00:20:43,560
Speaker 5: were like, we're moving to visa. The funniest thing that's

363
00:20:43,560 --> 00:20:46,160
Speaker 5: ever happened is the card came. It just has numbers

364
00:20:46,160 --> 00:20:48,480
Speaker 5: on it, It doesn't have a name. And then it

365
00:20:48,520 --> 00:20:50,920
Speaker 5: was just a picture of the mountains. It didn't say visa.

366
00:20:51,000 --> 00:20:53,520
Speaker 5: It was literally just the mountains and then a bunch

367
00:20:53,560 --> 00:20:55,000
Speaker 5: of numbers. Like it was like one of those ones

368
00:20:55,080 --> 00:20:58,560
Speaker 5: you get in the mail when they're like, Johnny P. Whiskers,

369
00:20:58,720 --> 00:21:03,359
Speaker 5: you wore one million dollars. You're like, what it was like?

370
00:21:03,400 --> 00:21:04,159
Speaker 5: Somehow wash?

371
00:21:05,320 --> 00:21:10,160
Speaker 1: They look like a bird? What it looks like the

372
00:21:10,200 --> 00:21:13,480
Speaker 1: cards that you give you give little kids when you

373
00:21:13,520 --> 00:21:20,800
Speaker 1: buy a fake cash readers. Yes, man, you look at you.

374
00:21:20,880 --> 00:21:30,840
Speaker 5: Yeah, wow, Whiskers is your last name. But anyway, so

375
00:21:30,920 --> 00:21:32,800
Speaker 5: I don't even know what else talking about.

376
00:21:32,800 --> 00:21:35,719
Speaker 1: We need we need to take a break when we

377
00:21:35,760 --> 00:21:36,240
Speaker 1: come back.

378
00:21:37,400 --> 00:21:38,400
Speaker 5: We're here, We're here.

379
00:21:38,440 --> 00:21:41,320
Speaker 1: We're in it. We're going to take this very important

380
00:21:41,320 --> 00:21:45,200
Speaker 1: break because we have tons of sponsors, mostly by racial

381
00:21:45,280 --> 00:21:49,160
Speaker 1: ones UH to support the podcast. When we come back,

382
00:21:49,200 --> 00:21:52,280
Speaker 1: we're going to talk more about these interracial folks in

383
00:21:52,359 --> 00:21:55,960
Speaker 1: the commercials. More Isaiah Lester, more Yasler Lester, and more

384
00:21:56,000 --> 00:22:06,320
Speaker 1: Ma Mama Told Me, My Mama Told Me presents the

385
00:22:06,480 --> 00:22:10,040
Speaker 1: Start to Steal Tour. We're very excited about it. Yeah,

386
00:22:10,040 --> 00:22:12,840
Speaker 1: I'm not about to bite my tongue. We want to

387
00:22:12,920 --> 00:22:15,720
Speaker 1: sell it out and the dates are coming up fast

388
00:22:15,760 --> 00:22:17,560
Speaker 1: and so if you live in one of these areas,

389
00:22:17,560 --> 00:22:19,840
Speaker 1: we want you to buy your tickets now. It's all

390
00:22:19,880 --> 00:22:24,800
Speaker 1: available on our instagrams, on our websites, on our link tree.

391
00:22:25,040 --> 00:22:25,200
Speaker 2: No.

392
00:22:25,200 --> 00:22:29,600
Speaker 1: Remember seventeenth, we're in San Francisco. December fifth, we're in Denver.

393
00:22:30,520 --> 00:22:34,480
Speaker 1: December twelfth, we're in Seattle. And December fifteenth, you're closing

394
00:22:34,520 --> 00:22:38,160
Speaker 1: it out in Portland, Oregon. We want y'all to come out.

395
00:22:38,240 --> 00:22:41,080
Speaker 1: We want y'all to kick it. We will be doing

396
00:22:41,160 --> 00:22:45,080
Speaker 1: our coveted live show with special guests with just me

397
00:22:45,119 --> 00:22:47,600
Speaker 1: and David. Depending on the city, it'll be a great

398
00:22:47,640 --> 00:22:50,720
Speaker 1: time all that meet and greets. You've been Chris Brown

399
00:22:50,800 --> 00:22:55,240
Speaker 1: has a good meet and greet. Bro, Let's be clear.

400
00:22:55,760 --> 00:23:00,800
Speaker 4: I'll take a weird picture with you for free.

401
00:23:01,720 --> 00:23:05,800
Speaker 3: I'm back with fully American Internet. Possibly it's Mexican Internet,

402
00:23:05,840 --> 00:23:09,359
Speaker 3: but I got it. We're back talking. Any prey group

403
00:23:09,400 --> 00:23:15,040
Speaker 3: does moss. We're speaking about this conspiracy. I lost half

404
00:23:15,040 --> 00:23:16,919
Speaker 3: of the conversation, but I think we landed on that

405
00:23:16,960 --> 00:23:19,320
Speaker 3: it's real. Right, Have we all agreed that it's real?

406
00:23:19,760 --> 00:23:22,280
Speaker 1: I don't know that we've agreed on anything. I did

407
00:23:22,320 --> 00:23:25,640
Speaker 1: some research that I'm excited to run you guys way,

408
00:23:26,160 --> 00:23:28,960
Speaker 1: and let's see where you land on all of this.

409
00:23:29,119 --> 00:23:33,760
Speaker 1: So we're talking about the mixed people in commercials and

410
00:23:33,760 --> 00:23:36,639
Speaker 1: whether or not there is an agenda, a conspiracy to

411
00:23:36,800 --> 00:23:39,800
Speaker 1: put them in the commercials. The most infamous and maybe

412
00:23:39,840 --> 00:23:44,199
Speaker 1: the originating Patient zero example of these types of ads

413
00:23:44,280 --> 00:23:48,480
Speaker 1: comes from a Cheerios commercial from twenty thirteen. You may

414
00:23:48,560 --> 00:23:53,320
Speaker 1: remember this commercial where a little mixed child is looking

415
00:23:53,359 --> 00:23:56,840
Speaker 1: at a Cheerios box very curious in front of her

416
00:23:56,880 --> 00:24:00,520
Speaker 1: white mom and she says, mom, is is it true?

417
00:24:00,800 --> 00:24:05,160
Speaker 1: Dad told me that cheerios can help your heart? And

418
00:24:05,200 --> 00:24:07,719
Speaker 1: the mom uh, sort of looks at her funny, and

419
00:24:07,760 --> 00:24:12,080
Speaker 1: she says.

420
00:24:10,280 --> 00:24:14,000
Speaker 5: As give me questions get out of my house a

421
00:24:14,000 --> 00:24:14,920
Speaker 5: little bigger.

422
00:24:16,960 --> 00:24:22,920
Speaker 1: Your big flapping lips, stop trying to rob me.

423
00:24:23,040 --> 00:24:24,240
Speaker 5: Get out of here, sham.

424
00:24:27,560 --> 00:24:28,159
Speaker 1: He should know.

425
00:24:29,000 --> 00:24:33,160
Speaker 10: Please please, girl, a little black girl, and she's eating

426
00:24:33,200 --> 00:24:33,840
Speaker 10: on my food.

427
00:24:35,040 --> 00:24:37,520
Speaker 1: It's like a monkey's jumping around.

428
00:24:40,240 --> 00:24:43,120
Speaker 5: The be the honey cheers be just stings her twelve

429
00:24:43,200 --> 00:24:46,120
Speaker 5: thousand times. It's like, leave this beautiful white woman alone.

430
00:24:46,400 --> 00:24:47,960
Speaker 2: Get out of here anyway.

431
00:24:48,000 --> 00:24:51,080
Speaker 1: I'm sorry, what did the The mom looks at her

432
00:24:51,160 --> 00:24:53,919
Speaker 1: very curious, and she sort of implies, yeah, that's true,

433
00:24:54,000 --> 00:24:57,000
Speaker 1: and then and I shit you not. This is the commercial.

434
00:24:57,440 --> 00:25:00,159
Speaker 1: Then it comes to the father, the black father there,

435
00:25:00,200 --> 00:25:02,280
Speaker 1: who's sleeping on the couch.

436
00:25:05,400 --> 00:25:22,320
Speaker 11: I don't say that. That's not true.

437
00:25:25,240 --> 00:25:27,040
Speaker 5: I do not remember that part.

438
00:25:27,280 --> 00:25:30,879
Speaker 1: That is my boy is sleeping on the couch getting

439
00:25:30,920 --> 00:25:36,439
Speaker 1: a good daytime, and then wakes up to the child

440
00:25:36,560 --> 00:25:40,879
Speaker 1: pouring cheerios on his chest because she does not quite

441
00:25:40,960 --> 00:25:43,880
Speaker 1: understand that you eat the cheerios to help his heart.

442
00:25:44,760 --> 00:25:47,200
Speaker 2: That's the black side. Didn't understand.

443
00:25:49,840 --> 00:25:50,840
Speaker 3: Cheerios are magic.

444
00:25:54,359 --> 00:25:56,240
Speaker 2: God, I got this commercial.

445
00:25:57,760 --> 00:26:01,880
Speaker 1: It's a phenomenal. It's meant to be this sweet, endearing thing.

446
00:26:01,960 --> 00:26:06,160
Speaker 1: But as you all might remember, it becomes this giant

447
00:26:06,240 --> 00:26:09,879
Speaker 1: blow up on the Internet. People are outraged. They're screaming

448
00:26:09,920 --> 00:26:13,560
Speaker 1: about the offensiveness of this commercial, so much so that

449
00:26:13,680 --> 00:26:17,600
Speaker 1: General Mills has to completely take down all comments on

450
00:26:17,640 --> 00:26:21,600
Speaker 1: the YouTube of the commercial. They no longer allow comments

451
00:26:21,680 --> 00:26:25,040
Speaker 1: because of the vile things that people are saying. And

452
00:26:25,160 --> 00:26:29,600
Speaker 1: even now there's like news clip after news clip, sometimes

453
00:26:29,720 --> 00:26:32,800
Speaker 1: very long news clips of like the Today Show, a

454
00:26:32,800 --> 00:26:36,679
Speaker 1: Good Morning America, all trying to unpack the sort of

455
00:26:36,680 --> 00:26:40,760
Speaker 1: salacious response that came from this Cheerios commercial.

456
00:26:42,760 --> 00:26:45,159
Speaker 3: And then since then there's been more right because I

457
00:26:45,240 --> 00:26:48,200
Speaker 3: have noticed, is like, because I remember as a kid

458
00:26:48,240 --> 00:26:51,160
Speaker 3: that was the funny thing about commercials is they were

459
00:26:51,320 --> 00:26:56,040
Speaker 3: so they were not integrated at all, Like if it

460
00:26:56,160 --> 00:26:59,880
Speaker 3: was tooth rice, like you find black people using this toothpaste,

461
00:27:00,359 --> 00:27:02,320
Speaker 3: you know what I mean. So it's like it is

462
00:27:02,680 --> 00:27:05,200
Speaker 3: it felt like the final frontier in that way were

463
00:27:05,240 --> 00:27:08,920
Speaker 3: even less than interracial relationships on like sitcoms and stuff,

464
00:27:08,960 --> 00:27:12,760
Speaker 3: you would not see them within commercials.

465
00:27:12,320 --> 00:27:15,639
Speaker 5: Right well, because I remember, I mean you had I know,

466
00:27:15,640 --> 00:27:18,040
Speaker 5: we're talking about BET Awards earlier, but it's like you

467
00:27:18,080 --> 00:27:22,000
Speaker 5: had your b ET version of Tide where they're like

468
00:27:22,720 --> 00:27:25,240
Speaker 5: I don't God, damn Bob cusaw.

469
00:27:27,280 --> 00:27:28,000
Speaker 1: All over of.

470
00:27:28,240 --> 00:27:33,720
Speaker 5: Chick lin A Friends and you're like what And then

471
00:27:33,760 --> 00:27:37,480
Speaker 5: you would have the White Tide commercial and they're like, hello,

472
00:27:37,880 --> 00:27:41,480
Speaker 5: I speak English and I love watching I love watching

473
00:27:41,520 --> 00:27:41,960
Speaker 5: my clothes.

474
00:27:42,080 --> 00:27:44,080
Speaker 3: My kids always get messy during soccer.

475
00:27:51,480 --> 00:27:54,160
Speaker 5: But maybe that was the play. They were like, what

476
00:27:54,240 --> 00:27:57,760
Speaker 5: if black people also ate cereal?

477
00:27:58,440 --> 00:27:58,640
Speaker 1: Yeah?

478
00:27:58,720 --> 00:27:59,040
Speaker 2: What if?

479
00:27:59,600 --> 00:28:02,879
Speaker 1: What if everything isn't barbecues for them?

480
00:28:03,320 --> 00:28:06,080
Speaker 3: What if they have other stains.

481
00:28:08,560 --> 00:28:10,080
Speaker 2: The boardroom is like you're mad.

482
00:28:10,600 --> 00:28:15,120
Speaker 1: No, you're never gonna make it in this town is yeah,

483
00:28:16,240 --> 00:28:18,000
Speaker 1: I swear they love Alfredo too.

484
00:28:19,440 --> 00:28:21,000
Speaker 2: No, they don't.

485
00:28:21,320 --> 00:28:24,160
Speaker 5: They put cream only in one thing.

486
00:28:25,040 --> 00:28:25,800
Speaker 3: Are women.

487
00:28:29,320 --> 00:28:32,600
Speaker 7: But like even like the KFC ads too, Like the

488
00:28:32,680 --> 00:28:35,200
Speaker 7: black ones would be like they're in KFC with nowhere

489
00:28:35,200 --> 00:28:37,679
Speaker 7: to go, eating that chicken, and white people would be

490
00:28:38,040 --> 00:28:40,040
Speaker 7: people will be outside and a picnic on like a

491
00:28:40,040 --> 00:28:43,200
Speaker 7: beautiful day, you know, like some sort of family gas.

492
00:28:43,280 --> 00:28:45,080
Speaker 3: Yeah, it's crazy gonna go.

493
00:28:45,320 --> 00:28:48,080
Speaker 1: That's so I'm so happy you said that because I

494
00:28:48,160 --> 00:28:50,440
Speaker 1: never thought about it. But that take home bucket was

495
00:28:50,520 --> 00:28:55,400
Speaker 1: only for the white crims. It was never a take

496
00:28:55,440 --> 00:28:58,640
Speaker 1: home bucket. But that's like you're saying it. It's it's

497
00:28:58,720 --> 00:29:01,960
Speaker 1: literally in the name. They're like black people don't have homes.

498
00:29:02,040 --> 00:29:04,000
Speaker 5: Where can they take this chicken the.

499
00:29:07,240 --> 00:29:07,600
Speaker 2: Bus?

500
00:29:07,880 --> 00:29:13,720
Speaker 1: So they eat chicken? They ask us from the bathroom,

501
00:29:14,160 --> 00:29:15,720
Speaker 1: and then they know about their business.

502
00:29:17,440 --> 00:29:21,560
Speaker 5: They break out. If they break out, a pen and

503
00:29:21,600 --> 00:29:24,400
Speaker 5: a pen top they drop on the table.

504
00:29:24,880 --> 00:29:30,120
Speaker 7: Such a musical people, you know, that's why they're called drumsticks.

505
00:29:30,120 --> 00:29:32,400
Speaker 5: They couldn't stop playing music with the chicken buttons.

506
00:29:32,600 --> 00:29:36,560
Speaker 1: And you heard you heard a black man play the

507
00:29:36,960 --> 00:29:38,440
Speaker 1: grinding meat with two drums.

508
00:29:41,200 --> 00:29:43,080
Speaker 3: Now here's where I'm gonna stop you. Yes I have

509
00:29:43,400 --> 00:29:46,040
Speaker 3: and it is.

510
00:29:47,160 --> 00:29:51,800
Speaker 10: Oh so so where I think this this becomes fascinating

511
00:29:51,880 --> 00:29:56,080
Speaker 10: for me, is that, after all this pushback, the chairman

512
00:29:56,160 --> 00:29:58,840
Speaker 10: of General Mills comes forward and claims that they only

513
00:29:58,880 --> 00:30:02,120
Speaker 10: were doing this because they wanted to reflect a true

514
00:30:02,160 --> 00:30:03,240
Speaker 10: American family.

515
00:30:03,560 --> 00:30:05,760
Speaker 1: And this is where I start to call bullshit, right

516
00:30:05,800 --> 00:30:08,840
Speaker 1: because they believe, or at least they want us to believe.

517
00:30:08,880 --> 00:30:11,920
Speaker 1: And I know at the end of this, they knew

518
00:30:11,960 --> 00:30:15,760
Speaker 1: that this was a controversial decision, right, This wasn't just

519
00:30:15,840 --> 00:30:19,200
Speaker 1: them reflecting people back to themselves. They knew that this

520
00:30:19,360 --> 00:30:23,320
Speaker 1: was gonna create massive backlash, and they did that fully

521
00:30:23,520 --> 00:30:27,959
Speaker 1: understanding that that meant that this little black child with

522
00:30:28,120 --> 00:30:31,280
Speaker 1: curly hair is going to get cuss the fuck out

523
00:30:31,760 --> 00:30:36,040
Speaker 1: for generations because of them putting her in this commercial.

524
00:30:36,040 --> 00:30:39,040
Speaker 1: They didn't give a fuck about the people they're representing

525
00:30:39,080 --> 00:30:48,320
Speaker 1: in any way, and she became Kolanie, the very famous singer.

526
00:30:49,840 --> 00:30:52,360
Speaker 1: We'll leave it to you to decide if she's doing well.

527
00:30:52,640 --> 00:30:53,120
Speaker 3: I don't know.

528
00:30:55,280 --> 00:30:57,760
Speaker 1: I think that is very much up for interpretation.

529
00:31:00,520 --> 00:31:03,840
Speaker 3: I am interested to hear. I mean, I guess you

530
00:31:03,840 --> 00:31:06,600
Speaker 3: were too old for you. You both are too old

531
00:31:06,600 --> 00:31:09,160
Speaker 3: for it to have come out and for you to

532
00:31:09,440 --> 00:31:12,600
Speaker 3: have felt any type of representation. Right, did you feel

533
00:31:12,600 --> 00:31:14,959
Speaker 3: like a lack of mixed race representation when you were

534
00:31:14,960 --> 00:31:15,320
Speaker 3: a kid?

535
00:31:16,120 --> 00:31:17,240
Speaker 5: Are you about me and Langston?

536
00:31:17,360 --> 00:31:17,959
Speaker 1: Yeah?

537
00:31:18,240 --> 00:31:18,920
Speaker 2: You and Isaiah?

538
00:31:18,920 --> 00:31:22,880
Speaker 5: And while you and Isaiah just sit there brown as hell, judging.

539
00:31:22,600 --> 00:31:24,480
Speaker 3: Us, and it was time to turn the tables on

540
00:31:24,520 --> 00:31:24,920
Speaker 3: this thing.

541
00:31:25,840 --> 00:31:31,240
Speaker 5: No, David's like they was like me and Isaiah have

542
00:31:31,280 --> 00:31:35,880
Speaker 5: always felt about ourselves. Andy, how did you guys feel

543
00:31:35,920 --> 00:31:40,560
Speaker 5: about this commercial? You guys, We've always known who we are?

544
00:31:40,720 --> 00:31:41,880
Speaker 5: What about you guys?

545
00:31:43,560 --> 00:31:47,920
Speaker 1: I never yearned for that. I don't know how you felt,

546
00:31:47,920 --> 00:31:50,280
Speaker 1: but that was never like a yearning for me to

547
00:31:50,320 --> 00:31:52,440
Speaker 1: be like I just wished over more mixed people.

548
00:31:52,520 --> 00:31:55,920
Speaker 5: Well and Leans. We had similar upbringings to an extent,

549
00:31:56,000 --> 00:31:57,920
Speaker 5: but like you know, we were you know, we were

550
00:31:57,920 --> 00:31:58,840
Speaker 5: only raised.

551
00:31:58,520 --> 00:32:00,440
Speaker 2: With our mom, and our mom is black.

552
00:32:00,480 --> 00:32:03,000
Speaker 5: So my mom was always like, yes, yes you're mixed,

553
00:32:03,000 --> 00:32:06,480
Speaker 5: but like you ain't mixed, like you know, yeah, yeah,

554
00:32:06,520 --> 00:32:08,480
Speaker 5: but I will say one time, I remember I was

555
00:32:08,480 --> 00:32:10,840
Speaker 5: crying because people at school made fun of me for

556
00:32:10,880 --> 00:32:14,959
Speaker 5: being light skin and my mom gets, fine, hold on,

557
00:32:15,000 --> 00:32:18,640
Speaker 5: this is a good story. My mom was like, it's fine,

558
00:32:18,880 --> 00:32:21,240
Speaker 5: like get over it. And then one time Isaiah got

559
00:32:21,240 --> 00:32:24,400
Speaker 5: picked on and she said to him, she was like,

560
00:32:24,480 --> 00:32:26,200
Speaker 5: you got to stop it. You know what I'm about

561
00:32:26,200 --> 00:32:29,400
Speaker 5: to say, And she was like, you are my only

562
00:32:29,840 --> 00:32:36,000
Speaker 5: beautiful black baby. Me and my sister like eating ice

563
00:32:36,080 --> 00:32:37,320
Speaker 5: creamer like stop were like.

564
00:32:41,360 --> 00:32:54,880
Speaker 1: She yeah, yeah, every other baby in this house is a.

565
00:32:55,320 --> 00:33:07,120
Speaker 5: Girl of God's creation. My sister are like, okay, so

566
00:33:08,480 --> 00:33:11,280
Speaker 5: do you want us to finish cooking dinner or is

567
00:33:13,040 --> 00:33:15,640
Speaker 5: that why we're forced to do slavery.

568
00:33:15,480 --> 00:33:16,160
Speaker 2: In the house.

569
00:33:17,000 --> 00:33:20,520
Speaker 1: That's so funny, But here's here's a quick thought.

570
00:33:20,600 --> 00:33:24,640
Speaker 5: And and David'll answer your question first, like, and I

571
00:33:24,720 --> 00:33:30,239
Speaker 5: mean this sincerely, like represent representation doesn't matter because to

572
00:33:30,280 --> 00:33:32,680
Speaker 5: an extent, being mixed as a curse, and I think

573
00:33:32,800 --> 00:33:39,000
Speaker 5: everyone knows that. Like it's just like like you know exactly,

574
00:33:39,120 --> 00:33:41,840
Speaker 5: you know what I'm saying, Like because like when you

575
00:33:41,920 --> 00:33:44,560
Speaker 5: when you're mixed and think you're cool, that is crazy,

576
00:33:45,120 --> 00:33:48,680
Speaker 5: you know what I'm saying. But also hating being mixed

577
00:33:48,800 --> 00:33:52,200
Speaker 5: is also crazy. So there's just kind of nowhere to go.

578
00:33:52,400 --> 00:33:54,840
Speaker 5: You're gonna have to, like I like I don't know,

579
00:33:55,520 --> 00:33:58,480
Speaker 5: sit in a like super roo outback and be like

580
00:33:58,520 --> 00:33:59,320
Speaker 5: what does it all mean?

581
00:34:00,120 --> 00:34:06,000
Speaker 1: Yeah, those my mixed is beautiful people.

582
00:34:07,920 --> 00:34:10,680
Speaker 3: Because I've always been curious about because from the outside

583
00:34:10,719 --> 00:34:15,399
Speaker 3: that sucks, but I've never thought about it.

584
00:34:14,880 --> 00:34:19,000
Speaker 1: It's I think it hit a wave in the nineties

585
00:34:19,040 --> 00:34:23,600
Speaker 1: where we were being told to see to take pride

586
00:34:23,680 --> 00:34:28,280
Speaker 1: in being biracial, trracial, whatever your combination was, in part

587
00:34:28,360 --> 00:34:32,760
Speaker 1: because for years people literally were not allowed to legally

588
00:34:32,840 --> 00:34:36,320
Speaker 1: make us right. And then suddenly in the nineties, maybe

589
00:34:36,360 --> 00:34:38,360
Speaker 1: the eighties, but I don't know it well enough, but

590
00:34:38,480 --> 00:34:40,879
Speaker 1: like the nineties for sure, they were on this big

591
00:34:40,960 --> 00:34:43,880
Speaker 1: kick of being like, you are beautiful, you are the

592
00:34:43,920 --> 00:34:47,719
Speaker 1: future of what this country looks like. And then I

593
00:34:47,760 --> 00:34:51,000
Speaker 1: think like six niggas took it, took it too far,

594
00:34:51,200 --> 00:34:55,240
Speaker 1: and everybody got real fed up, real fast with that vibe,

595
00:34:55,280 --> 00:34:59,240
Speaker 1: and so as a kid growing up in the nineties,

596
00:34:59,239 --> 00:35:02,600
Speaker 1: but then the two thousands, I learned pretty quickly like, oh,

597
00:35:02,640 --> 00:35:06,239
Speaker 1: you gotta chill. You don't get to man, you don't

598
00:35:06,239 --> 00:35:07,800
Speaker 1: get to put on a cape with this ship. You

599
00:35:07,920 --> 00:35:08,560
Speaker 1: gotta just.

600
00:35:09,560 --> 00:35:11,400
Speaker 3: You're like the bisexual of races.

601
00:35:13,040 --> 00:35:19,239
Speaker 7: Yeah, everyone nobody really believes it.

602
00:35:27,680 --> 00:35:31,520
Speaker 2: No, Yeah, yeah.

603
00:35:32,000 --> 00:35:35,879
Speaker 3: I'm sorry. That's tough. That is hard though, to all that,

604
00:35:36,080 --> 00:35:40,480
Speaker 3: because that's what I've always thought about, like with this

605
00:35:40,600 --> 00:35:43,600
Speaker 3: inclusion inside of commercials and things like that. It always

606
00:35:43,600 --> 00:35:46,440
Speaker 3: seemed to me that, like the biracial people that I've

607
00:35:46,440 --> 00:35:49,359
Speaker 3: known in my life seem to kind of go one

608
00:35:49,400 --> 00:35:52,000
Speaker 3: side or the other. So the idea of this blended

609
00:35:52,000 --> 00:35:55,920
Speaker 3: family does not seem like a representation to them necessarily.

610
00:35:56,000 --> 00:35:59,120
Speaker 3: It seems more like like Isaiah was saying earlier, it

611
00:35:59,120 --> 00:36:02,839
Speaker 3: seems like more for like white liberals to be like, oh, yeah,

612
00:36:02,880 --> 00:36:05,480
Speaker 3: we eat the same cheerials that black folks eat or whatever.

613
00:36:06,040 --> 00:36:09,239
Speaker 1: Well, speaking to that representation, one of the things that

614
00:36:09,280 --> 00:36:14,600
Speaker 1: they point out after that commercial is that part of

615
00:36:14,640 --> 00:36:17,359
Speaker 1: why they claim it sort of has this pander equality

616
00:36:17,440 --> 00:36:21,560
Speaker 1: to it is because they specifically chose a black dad

617
00:36:22,239 --> 00:36:25,319
Speaker 1: white mom, which was the thing that most people were

618
00:36:25,360 --> 00:36:29,040
Speaker 1: offended by, right, that's what they like. That was the

619
00:36:29,040 --> 00:36:30,960
Speaker 1: biggest pushback of the commercial.

620
00:36:31,360 --> 00:36:31,480
Speaker 6: No.

621
00:36:31,560 --> 00:36:35,359
Speaker 7: Yeah, And also it was like they knew what they

622
00:36:35,400 --> 00:36:37,839
Speaker 7: were doing because they teased it because they were never

623
00:36:37,840 --> 00:36:40,040
Speaker 7: in the same room together as well. In that commercial

624
00:36:40,280 --> 00:36:42,600
Speaker 7: they keeping you never see the two of them with

625
00:36:42,719 --> 00:36:49,239
Speaker 7: the kid in the same roomy, no, yes, it.

626
00:37:00,239 --> 00:37:01,680
Speaker 2: Is so funny.

627
00:37:02,320 --> 00:37:05,520
Speaker 5: She had that white actress and the commercial she had

628
00:37:05,560 --> 00:37:08,520
Speaker 5: the same stipulation that Janet Jackson had for poetic Justice.

629
00:37:08,560 --> 00:37:10,920
Speaker 5: She's like, the actor has to have an AIDS test.

630
00:37:12,880 --> 00:37:18,759
Speaker 5: Remember j Jackson and AIDS test. But okay, so I

631
00:37:18,840 --> 00:37:21,560
Speaker 5: just have one quick thing on the topic before we

632
00:37:21,560 --> 00:37:25,600
Speaker 5: move over along with culturally, like the race mixing conversation

633
00:37:26,120 --> 00:37:29,960
Speaker 5: that that commercial brought. I actually think it opened the

634
00:37:30,000 --> 00:37:34,560
Speaker 5: floodgates to every weird commercial we have now, Like do

635
00:37:34,600 --> 00:37:36,839
Speaker 5: you see that? Like you know, and you know it's

636
00:37:36,880 --> 00:37:40,000
Speaker 5: been memed online to help, but you know that like Louisiana,

637
00:37:40,120 --> 00:37:43,359
Speaker 5: like politician guy who has that commercial? Where's like, if

638
00:37:43,400 --> 00:37:46,480
Speaker 5: you want to defund the cops next time we're in trouble,

639
00:37:47,080 --> 00:37:48,799
Speaker 5: call a crackhead And.

640
00:37:48,760 --> 00:37:52,000
Speaker 1: It's like, buddy, do we know it, we play that drop.

641
00:37:53,080 --> 00:37:55,000
Speaker 5: Okay, okay, yes, so.

642
00:37:55,239 --> 00:37:58,400
Speaker 8: Look, if you hate cops just because the cops the

643
00:37:58,440 --> 00:37:59,760
Speaker 8: next time you get in trouble.

644
00:38:01,239 --> 00:38:05,319
Speaker 5: But okay, But my point is is that the Cheerios

645
00:38:05,320 --> 00:38:11,759
Speaker 5: commercial made it. I believe that you can bring to

646
00:38:12,040 --> 00:38:15,759
Speaker 5: advertising a vitriol that had never been seen before, you

647
00:38:15,840 --> 00:38:18,560
Speaker 5: know what I mean, because like even like even like

648
00:38:18,600 --> 00:38:21,680
Speaker 5: the like say No to Drugs commercials were like talked

649
00:38:21,719 --> 00:38:24,120
Speaker 5: about in the way that it was like, yes, the

650
00:38:24,239 --> 00:38:26,560
Speaker 5: drug dealer is always black, right, and the victim is

651
00:38:26,560 --> 00:38:28,680
Speaker 5: always white, and like their brain is on drugs and

652
00:38:28,719 --> 00:38:31,440
Speaker 5: it's an egg. But like when it's black people getting

653
00:38:31,440 --> 00:38:33,640
Speaker 5: cooked to drugs, they like you know, have like a

654
00:38:33,680 --> 00:38:36,839
Speaker 5: crack pipe up their butt and you're like, we don't

655
00:38:36,840 --> 00:38:42,320
Speaker 5: even smell crack like that. But I do think, weirdly,

656
00:38:42,440 --> 00:38:46,680
Speaker 5: the integration of that of the Cheerios commercial open the

657
00:38:46,680 --> 00:38:51,680
Speaker 5: floodgates for and and this is this may not go

658
00:38:51,760 --> 00:38:55,280
Speaker 5: over too well, but I do think that like white

659
00:38:55,280 --> 00:38:58,319
Speaker 5: minds of black minds should be kept segregated a little bit,

660
00:38:58,560 --> 00:39:01,000
Speaker 5: because when you try to make the cultures too much,

661
00:39:01,080 --> 00:39:04,000
Speaker 5: especially for stuff like advertising, we just we do think

662
00:39:04,040 --> 00:39:07,480
Speaker 5: differently about certain things. And if you're trying to hit

663
00:39:07,719 --> 00:39:12,240
Speaker 5: all four quadrants. It's gonna go back like black people.

664
00:39:12,280 --> 00:39:14,480
Speaker 5: There are certain things that we will laugh at that

665
00:39:14,560 --> 00:39:16,760
Speaker 5: were like, come on, man, you can't take that seriously.

666
00:39:17,120 --> 00:39:20,920
Speaker 5: And you'll look and it'll be like a whole Instagram

667
00:39:20,920 --> 00:39:23,680
Speaker 5: account making fun of like r Kelly victims and they'll

668
00:39:23,719 --> 00:39:25,640
Speaker 5: be like, come on, man, just chill. It's just a joke.

669
00:39:25,719 --> 00:39:29,480
Speaker 5: And that's not it's not a great joke, you know

670
00:39:29,560 --> 00:39:32,520
Speaker 5: what I'm saying. But but I say all that to say,

671
00:39:32,520 --> 00:39:35,120
Speaker 5: and you know, that's clearly the most extreme version. But

672
00:39:35,840 --> 00:39:38,440
Speaker 5: I do think that like once that commercial hit and

673
00:39:38,440 --> 00:39:42,040
Speaker 5: people could really attack it, people are like, oh, we

674
00:39:42,080 --> 00:39:46,040
Speaker 5: need to make advertisement that like hits hard and crazy

675
00:39:46,080 --> 00:39:49,920
Speaker 5: and we'll get people talking, and like, now every commercial

676
00:39:50,200 --> 00:39:51,640
Speaker 5: is crazy.

677
00:39:51,920 --> 00:39:57,440
Speaker 3: Tummercials eight type. There's like eighty different types of who's

678
00:39:57,480 --> 00:39:59,200
Speaker 3: getting aids. I can't even tell.

679
00:40:01,560 --> 00:40:01,960
Speaker 5: I don't think.

680
00:40:02,520 --> 00:40:06,759
Speaker 7: And the commercials, David's right, the commercials are wild and

681
00:40:06,800 --> 00:40:09,080
Speaker 7: it's supposed to be like it's like I don't care

682
00:40:09,200 --> 00:40:12,080
Speaker 7: Clay basketball. It's like I don't care what your sexual

683
00:40:12,080 --> 00:40:14,279
Speaker 7: preference is, but there are too many ugly people who

684
00:40:14,320 --> 00:40:15,800
Speaker 7: are together in those commercials.

685
00:40:16,320 --> 00:40:18,600
Speaker 1: It's what is crazy?

686
00:40:19,000 --> 00:40:21,279
Speaker 5: Is Big Tarvey the one I point this out to

687
00:40:21,320 --> 00:40:24,279
Speaker 5: Chelsea every time. In the Big Targary commercial, there's like

688
00:40:24,400 --> 00:40:27,439
Speaker 5: twelve different couples that are like taking this medication, but

689
00:40:27,520 --> 00:40:30,640
Speaker 5: there's like one big black lady who's just alone and

690
00:40:30,760 --> 00:40:34,640
Speaker 5: also has AIDS or like HIV or whatever. And I

691
00:40:34,719 --> 00:40:37,520
Speaker 5: was like, damn, they gave everyone a partner except for

692
00:40:37,560 --> 00:40:40,759
Speaker 5: the kind of bigger black lady. She just happened to

693
00:40:40,800 --> 00:40:41,800
Speaker 5: get it on her own.

694
00:40:42,160 --> 00:40:44,720
Speaker 2: The one time is just smashing.

695
00:40:45,200 --> 00:40:48,040
Speaker 5: Yeah, the one time. Everyone else is just smashing their

696
00:40:48,080 --> 00:40:50,520
Speaker 5: partner repeatedly. Big I don't care if I get sick,

697
00:40:50,719 --> 00:40:52,360
Speaker 5: but she's just like here, I am at a book

698
00:40:52,360 --> 00:40:53,200
Speaker 5: reading alone.

699
00:40:53,480 --> 00:40:58,000
Speaker 2: HIV boss gave her AIDS, so it's like he's not

700
00:40:58,040 --> 00:41:00,000
Speaker 2: going to be there in a book thing.

701
00:41:01,000 --> 00:41:02,879
Speaker 3: Yeah, that's fair.

702
00:41:03,040 --> 00:41:04,000
Speaker 1: And that's reasonable.

703
00:41:06,440 --> 00:41:08,319
Speaker 5: Maybe I'm looking at it. Maybe I'm looking at it

704
00:41:08,360 --> 00:41:11,759
Speaker 5: the wrong way. And she dumped him versus like I

705
00:41:11,800 --> 00:41:13,200
Speaker 5: think that's where she got the aides.

706
00:41:13,400 --> 00:41:14,400
Speaker 2: That would be my guess.

707
00:41:14,760 --> 00:41:17,439
Speaker 5: Well no, but I'm saying that he gives in my head,

708
00:41:17,480 --> 00:41:19,600
Speaker 5: he gave her AIDS and then bounced, and she's just

709
00:41:19,640 --> 00:41:23,800
Speaker 5: like a lonely book reading AIDS person versus like everyone

710
00:41:23,880 --> 00:41:26,520
Speaker 5: else who had their partner. But you guys are saying

711
00:41:27,440 --> 00:41:30,040
Speaker 5: she got aids from this person and she was like,

712
00:41:30,080 --> 00:41:30,919
Speaker 5: get out of my life.

713
00:41:31,040 --> 00:41:31,839
Speaker 2: I'm going to the book.

714
00:41:32,080 --> 00:41:34,760
Speaker 1: Here's what I'll say. And I think this is maybe

715
00:41:34,840 --> 00:41:38,799
Speaker 1: the most important part of some of this conversation is

716
00:41:38,840 --> 00:41:43,239
Speaker 1: that it is a commercial. Y'all made this up. You

717
00:41:43,480 --> 00:41:48,680
Speaker 1: don't have to make it sad. Yeah, these are not

718
00:41:48,880 --> 00:41:53,040
Speaker 1: real people. She can have four boyfriends if you want

719
00:41:53,080 --> 00:41:56,719
Speaker 1: her to, and instead you chose her to make her

720
00:41:56,920 --> 00:42:00,400
Speaker 1: sad and alone in the library, And that it's not

721
00:42:00,640 --> 00:42:04,240
Speaker 1: the same thing, you know what I mean? And it's frankly,

722
00:42:04,400 --> 00:42:07,640
Speaker 1: my critique of a lot of these conversations of representation

723
00:42:07,880 --> 00:42:10,400
Speaker 1: is that, like, look, I get it the idea of

724
00:42:10,440 --> 00:42:12,960
Speaker 1: wanting to see people who look like you, but what

725
00:42:13,080 --> 00:42:16,440
Speaker 1: an absurd thing for us to turn to cheerios to

726
00:42:16,520 --> 00:42:18,480
Speaker 1: do that for you know what I mean? Like, I

727
00:42:18,520 --> 00:42:22,360
Speaker 1: don't give a fuck whether or not these advertising companies

728
00:42:22,400 --> 00:42:26,319
Speaker 1: and corporations have people that look like me. I care

729
00:42:26,440 --> 00:42:29,520
Speaker 1: more like fucking the networks that I'm trying to sell

730
00:42:29,600 --> 00:42:33,720
Speaker 1: things to allow me to create real representation for myself

731
00:42:33,760 --> 00:42:38,360
Speaker 1: and others. But Cheerios they can put keep Cheerios white.

732
00:42:38,480 --> 00:42:40,400
Speaker 1: As far as I'm concerned.

733
00:42:41,040 --> 00:42:43,600
Speaker 3: Can also just say I looked up at Big Tarve commercial.

734
00:42:43,840 --> 00:42:49,959
Speaker 3: She did write the book, so I feel I feel

735
00:42:50,000 --> 00:42:52,000
Speaker 3: like she wrote like a harrowing memoir.

736
00:42:52,520 --> 00:42:56,000
Speaker 5: But that's Saturday, that Saturday. Do you know what you

737
00:42:56,040 --> 00:42:58,520
Speaker 5: didn't bring a Yeah, you didn't bring a date to

738
00:42:58,560 --> 00:42:59,280
Speaker 5: the book reading.

739
00:43:01,440 --> 00:43:03,440
Speaker 1: I think the name of the book was There's Noah

740
00:43:03,520 --> 00:43:07,640
Speaker 1: us and ages and it's like, oh.

741
00:43:06,440 --> 00:43:10,680
Speaker 3: Hold on, I'm happy it's yo. The book is called

742
00:43:10,680 --> 00:43:11,720
Speaker 3: A Lover's Journey.

743
00:43:11,920 --> 00:43:14,320
Speaker 2: Oh okay, oh no.

744
00:43:15,600 --> 00:43:18,120
Speaker 3: And it's got a picture of a much smaller black

745
00:43:18,160 --> 00:43:19,600
Speaker 3: woman on the cover. I don't know what.

746
00:43:19,680 --> 00:43:23,360
Speaker 7: Oh my god, David. This is the problem is because

747
00:43:23,360 --> 00:43:33,640
Speaker 7: of the commercial. We already know how it ends, you know, journey.

748
00:43:35,000 --> 00:43:38,080
Speaker 5: It's o man, it's like love.

749
00:43:40,600 --> 00:43:41,560
Speaker 3: This commercial does.

750
00:43:41,680 --> 00:43:46,719
Speaker 5: So here's a question about the Cheerios commercial. Yeah, do

751
00:43:46,760 --> 00:43:48,480
Speaker 5: you think that Nigga was just asleep on the couch

752
00:43:48,520 --> 00:43:58,440
Speaker 5: and they're like, just roll. It's like, I'm gonna chill

753
00:43:58,440 --> 00:43:59,720
Speaker 5: over here, you guys, let me know what.

754
00:43:59,480 --> 00:44:00,560
Speaker 2: I what I ready?

755
00:44:00,760 --> 00:44:04,000
Speaker 5: And he was just like and they're like, you know what,

756
00:44:04,520 --> 00:44:06,120
Speaker 5: just just we don't want to we don't want to

757
00:44:06,160 --> 00:44:06,799
Speaker 5: talk to him.

758
00:44:07,640 --> 00:44:12,719
Speaker 3: I think it depends on I think I hope that

759
00:44:12,880 --> 00:44:14,759
Speaker 3: I wondered that it was like one of those commercials

760
00:44:14,760 --> 00:44:17,840
Speaker 3: that are weirdly directed by famous people, you know what

761
00:44:17,840 --> 00:44:20,840
Speaker 3: I mean, like Christopher noloy Jos.

762
00:44:21,560 --> 00:44:23,680
Speaker 5: It's like, yeah, I did the Cheerios commercial.

763
00:44:31,560 --> 00:44:36,600
Speaker 1: Oh god, Yeah, here's here's the other piece that I'll

764
00:44:36,640 --> 00:44:40,320
Speaker 1: tell you that I think only supports what we're already

765
00:44:41,040 --> 00:44:44,360
Speaker 1: I guess feelings starting to say. And so the Cheerios

766
00:44:44,360 --> 00:44:48,160
Speaker 1: commercial happens, and there's obviously this massive pushback. But in fact,

767
00:44:48,280 --> 00:44:51,680
Speaker 1: the years of the followed, more than seventy percent of

768
00:44:51,719 --> 00:44:55,880
Speaker 1: the ads featuring featuring interracial couples have featured a black

769
00:44:56,040 --> 00:45:00,399
Speaker 1: mom and a white dad combo. Even though you all

770
00:45:00,440 --> 00:45:05,239
Speaker 1: know this, that is by far the least statistically likely

771
00:45:05,400 --> 00:45:07,560
Speaker 1: combos of those options.

772
00:45:08,040 --> 00:45:12,640
Speaker 5: That is, black black women find white men to be

773
00:45:13,320 --> 00:45:18,040
Speaker 5: snock covered, repulsive demons. They hate them any time you

774
00:45:18,080 --> 00:45:21,759
Speaker 5: see it in commercials like this is impossible. This is impossible.

775
00:45:22,120 --> 00:45:25,799
Speaker 5: Black black women don't even like black dudes who have

776
00:45:25,920 --> 00:45:28,840
Speaker 5: heard of like all American rejects.

777
00:45:34,320 --> 00:45:37,120
Speaker 3: I would like, Car has no idea, what was talking about?

778
00:45:37,360 --> 00:45:40,919
Speaker 2: Yeah, exactly exactly. I was gonna say. That's gonna get cut.

779
00:45:41,000 --> 00:45:41,759
Speaker 5: That's gonna get cut.

780
00:45:42,280 --> 00:45:44,879
Speaker 1: It's a beautiful thing. Yes, we are gonna have. Yes,

781
00:45:45,560 --> 00:45:47,919
Speaker 1: this is going to be the most cut episode we've

782
00:45:47,920 --> 00:45:52,120
Speaker 1: ever had. I assure you, my man, you are not

783
00:45:52,239 --> 00:45:56,399
Speaker 1: going to corner them too. Goofy ass British motherfuckers got

784
00:45:56,400 --> 00:45:59,640
Speaker 1: in trouble giggling with Schultz about that.

785
00:45:59,719 --> 00:46:00,120
Speaker 2: He's it.

786
00:46:02,120 --> 00:46:07,319
Speaker 3: Yeah, it's Big Tarvey. Commercials only got twenty nine k us.

787
00:46:08,480 --> 00:46:13,320
Speaker 7: But like, who who? What's the bastard season on season

788
00:46:13,320 --> 00:46:13,759
Speaker 7: on TV?

789
00:46:13,840 --> 00:46:15,040
Speaker 2: And it's like, I'm gonna look.

790
00:46:14,920 --> 00:46:27,600
Speaker 12: That ship up on YouTube after comment on you, Yeah,

791
00:46:27,640 --> 00:46:30,040
Speaker 12: who's the guy who goes to the Big Tarvy YouTube

792
00:46:30,080 --> 00:46:31,680
Speaker 12: to say, someone find this beat?

793
00:46:31,840 --> 00:46:38,680
Speaker 2: Please, someone find this.

794
00:46:39,280 --> 00:46:57,000
Speaker 13: Yeah, I got sixteen k.

795
00:46:56,239 --> 00:46:57,080
Speaker 2: Oh man.

796
00:46:57,480 --> 00:47:00,680
Speaker 5: Wait wait, check this out. Though you do a remix

797
00:47:00,680 --> 00:47:02,560
Speaker 5: of the song over that beat and you call it

798
00:47:02,800 --> 00:47:03,720
Speaker 5: blick Tarvy.

799
00:47:03,840 --> 00:47:05,280
Speaker 1: There we go.

800
00:47:05,840 --> 00:47:08,480
Speaker 3: That's why he's making money. Also, I want to say,

801
00:47:08,480 --> 00:47:12,239
Speaker 3: there's one there's one reply to that comment that says,

802
00:47:12,280 --> 00:47:13,919
Speaker 3: that's the only reason I'm on here.

803
00:47:23,680 --> 00:47:25,480
Speaker 5: So funny, were in.

804
00:47:25,520 --> 00:47:27,640
Speaker 3: A bad ways.

805
00:47:28,280 --> 00:47:31,680
Speaker 1: If the Big Tarvy beat is making you scour the internet,

806
00:47:32,040 --> 00:47:34,560
Speaker 1: you're doing bro.

807
00:47:34,520 --> 00:47:36,319
Speaker 5: It's so funny. See a bunch of people with AIDS

808
00:47:36,360 --> 00:47:43,120
Speaker 5: and like that beat so hard. Yeah, I feel for

809
00:47:43,160 --> 00:47:46,760
Speaker 5: you for being sick of having aids. That beat goes

810
00:47:46,960 --> 00:47:48,040
Speaker 5: harder than aids.

811
00:47:48,560 --> 00:47:51,680
Speaker 1: Man, that beat is a real epidemic.

812
00:47:51,760 --> 00:47:56,319
Speaker 5: H Yeah, that beat is sick.

813
00:47:56,400 --> 00:47:59,680
Speaker 3: Listen, there's a lot of heat. There's a lot of

814
00:47:59,680 --> 00:48:02,240
Speaker 3: people here. I gotta listen to speed real first.

815
00:48:02,520 --> 00:48:04,160
Speaker 1: Yeah, maybe the beating is crazy and.

816
00:48:04,719 --> 00:48:06,960
Speaker 5: You should just comment back like, hey, I made the

817
00:48:07,000 --> 00:48:08,399
Speaker 5: beat for this question.

818
00:48:09,320 --> 00:48:11,239
Speaker 3: You want to be Darby's dial beat.

819
00:48:17,480 --> 00:48:22,520
Speaker 1: Okay, we need to take a break. We're gonna come

820
00:48:22,520 --> 00:48:25,319
Speaker 1: back with more. Yeah, the Leicester more Isaiah Lester, my

821
00:48:25,320 --> 00:48:35,600
Speaker 1: ma mama told me, Yeah, my mama told me. Presents

822
00:48:35,760 --> 00:48:39,640
Speaker 1: the Start to Steal Tour. We're very excited about it. Yeah,

823
00:48:39,680 --> 00:48:42,480
Speaker 1: I'm not about to bite my tongue. We want to

824
00:48:42,560 --> 00:48:45,360
Speaker 1: sell it out and the dates are coming up fast

825
00:48:45,400 --> 00:48:47,160
Speaker 1: and so if you live in one of these areas,

826
00:48:47,160 --> 00:48:49,440
Speaker 1: we want you to buy your tickets now. It's all

827
00:48:49,480 --> 00:48:53,680
Speaker 1: available on our instagrams, on on our websites, on our

828
00:48:53,719 --> 00:48:54,440
Speaker 1: link tree.

829
00:48:54,680 --> 00:48:54,759
Speaker 2: No.

830
00:48:54,840 --> 00:48:58,760
Speaker 1: Remember seventeenth, we're in San Francisco. December fifth we're in Denver.

831
00:48:59,719 --> 00:48:59,839
Speaker 12: Uh.

832
00:49:00,160 --> 00:49:04,120
Speaker 1: December twelfth, we're in Seattle, and December fifteenth, you're closing

833
00:49:04,160 --> 00:49:07,799
Speaker 1: it out in Portland, Oregon. We want y'all to come out.

834
00:49:07,840 --> 00:49:10,720
Speaker 1: We want y'all to kick it. We will be doing

835
00:49:10,760 --> 00:49:14,680
Speaker 1: our coveted live show with special guests with just me

836
00:49:14,719 --> 00:49:17,240
Speaker 1: and David. Depending on the city, it'll be a great

837
00:49:17,239 --> 00:49:20,360
Speaker 1: time all that meet and greets. You think Chris Brown

838
00:49:20,440 --> 00:49:24,840
Speaker 1: has a good meet and greet, bro, let's be clear.

839
00:49:25,360 --> 00:49:30,600
Speaker 4: I'll take a weird picture with you for free.

840
00:49:31,480 --> 00:49:35,320
Speaker 6: Pot my butt, pop pop my butt, pot my butt, pop,

841
00:49:35,360 --> 00:49:36,240
Speaker 6: pot my butt.

842
00:49:36,400 --> 00:49:39,160
Speaker 12: Do you know what potp my butt meant to Harriet Tubman?

843
00:49:39,600 --> 00:49:40,560
Speaker 6: Do you know what that meant?

844
00:49:40,560 --> 00:49:41,360
Speaker 5: It meant a whip.

845
00:49:42,000 --> 00:49:49,040
Speaker 3: We are back. We are discussing interracial commercials pro cons.

846
00:49:49,239 --> 00:49:52,919
Speaker 5: I know the light. Did we find a pro yet?

847
00:49:53,760 --> 00:49:56,680
Speaker 1: Well, here's what I'll tell you. Maybe this will help

848
00:49:56,800 --> 00:49:59,680
Speaker 1: guide us towards the pro if there is one. As

849
00:49:59,719 --> 00:50:03,080
Speaker 1: of twenty twenty two, a study says that America now

850
00:50:03,080 --> 00:50:06,959
Speaker 1: has a ninety four percent approval rating for interracial marriage,

851
00:50:07,080 --> 00:50:11,560
Speaker 1: compared to four percent approval rating back in nineteen fifty eight.

852
00:50:12,080 --> 00:50:17,520
Speaker 14: So, I mean, okay, hold on, that's not really First

853
00:50:17,520 --> 00:50:22,799
Speaker 14: of all, well, what's also not like a full control?

854
00:50:23,160 --> 00:50:26,840
Speaker 14: That's not a real control or variable right, because the

855
00:50:27,440 --> 00:50:31,040
Speaker 14: like if you knew like what interracial relationships were, and

856
00:50:31,080 --> 00:50:33,400
Speaker 14: then like this honey nut Cheerio's commercial air and then

857
00:50:33,440 --> 00:50:35,080
Speaker 14: it's like all of a sudden there was a spike

858
00:50:35,160 --> 00:50:38,560
Speaker 14: in approval. But from nineteen fifty like that was just

859
00:50:38,960 --> 00:50:43,839
Speaker 14: people being alive and like getting yeah, can you do it?

860
00:50:43,920 --> 00:50:44,520
Speaker 2: Can you do it?

861
00:50:44,600 --> 00:50:49,239
Speaker 5: From this commercial aired, and then there was you know,

862
00:50:49,560 --> 00:50:52,720
Speaker 5: a bunch of Zendaiah's born.

863
00:50:56,880 --> 00:51:01,360
Speaker 1: I will also say I don't believe ninety four percent approve.

864
00:51:01,800 --> 00:51:05,600
Speaker 1: I think ninety four percent approve in concept, and they

865
00:51:05,640 --> 00:51:09,000
Speaker 1: approve for specific races that they have in mind.

866
00:51:09,400 --> 00:51:09,879
Speaker 3: But I don't.

867
00:51:09,920 --> 00:51:13,279
Speaker 1: I don't think they're like ninety four percent of men

868
00:51:13,400 --> 00:51:16,520
Speaker 1: could marry my white child and I'll be fine with that.

869
00:51:16,719 --> 00:51:19,640
Speaker 1: It does not matter one way or the other. They're like, noah,

870
00:51:19,680 --> 00:51:22,480
Speaker 1: as long as they don't look like my worst nightmare.

871
00:51:22,800 --> 00:51:23,000
Speaker 2: Yeah.

872
00:51:23,000 --> 00:51:26,040
Speaker 3: I think it's grudging too. It's like, well, you know,

873
00:51:27,719 --> 00:51:31,480
Speaker 3: Sheila married Marcus and he's okay, So I guess I'm

874
00:51:31,480 --> 00:51:34,279
Speaker 3: alright with it. It's not like they yeah, yeah, I

875
00:51:34,320 --> 00:51:34,799
Speaker 3: love it.

876
00:51:35,320 --> 00:51:38,840
Speaker 1: Yeah, it's it's less approval, more tolerance.

877
00:51:38,440 --> 00:51:40,960
Speaker 3: More like Marcus is killing it on our family fantasy

878
00:51:41,000 --> 00:51:42,480
Speaker 3: football team so I guess.

879
00:51:45,120 --> 00:51:49,160
Speaker 5: Well, can I can I weirdly talk about pornography for

880
00:51:49,200 --> 00:51:49,680
Speaker 5: a second.

881
00:51:50,320 --> 00:51:53,080
Speaker 1: More more often than not, that's the correct way to go.

882
00:51:53,400 --> 00:51:53,560
Speaker 6: All.

883
00:51:53,640 --> 00:51:57,560
Speaker 5: First of all, I love it. Yeah, I'm just like,

884
00:51:58,440 --> 00:52:04,799
Speaker 5: but you know, like amongst white men, the number one

885
00:52:05,040 --> 00:52:10,920
Speaker 5: viewed pornography like genre is like black dude smashing my

886
00:52:11,160 --> 00:52:16,560
Speaker 5: like white wife. So it's it's interesting because public facing,

887
00:52:17,160 --> 00:52:19,800
Speaker 5: they are terrified of black dudes and like you can't

888
00:52:19,800 --> 00:52:22,840
Speaker 5: marry my daughter or whatever. Allah what we're all saying.

889
00:52:23,280 --> 00:52:27,120
Speaker 5: But then in secret, they're all just like essentially sending

890
00:52:27,200 --> 00:52:30,319
Speaker 5: like those Vince McMahon texts to their wife, being like,

891
00:52:33,640 --> 00:52:36,880
Speaker 5: wouldn't it be interesting if there were four black guys

892
00:52:37,680 --> 00:52:40,319
Speaker 5: and the black guys were doing this while they were

893
00:52:40,600 --> 00:52:42,080
Speaker 5: black and you were white.

894
00:52:42,440 --> 00:52:45,239
Speaker 3: I mean, black guys and do that.

895
00:52:46,480 --> 00:52:48,960
Speaker 5: But but that's all but that. But I mean that's

896
00:52:49,000 --> 00:52:51,920
Speaker 5: what taboo is in general, right, the idea of something

897
00:52:51,920 --> 00:52:54,440
Speaker 5: that you should not be doing and now you're doing it.

898
00:52:54,640 --> 00:52:57,120
Speaker 5: So that's what I find to be the most interesting

899
00:52:57,239 --> 00:52:59,719
Speaker 5: is that like their most hated thing is also like

900
00:52:59,760 --> 00:53:02,160
Speaker 5: they're biggest, like you know, turn on.

901
00:53:02,280 --> 00:53:05,400
Speaker 3: I mean what you were saying earlier, I think we

902
00:53:05,400 --> 00:53:09,319
Speaker 3: should map the pornography videos from when that commercial came

903
00:53:09,360 --> 00:53:12,280
Speaker 3: out till now. I think that's a much better because

904
00:53:12,280 --> 00:53:14,040
Speaker 3: I didn't used to see all that cuckold shit when

905
00:53:14,040 --> 00:53:15,960
Speaker 3: I was on the internet in high school. I'll tell you.

906
00:53:15,920 --> 00:53:19,920
Speaker 5: That, Yeah, it's really like fake a turn. Where's just

907
00:53:20,000 --> 00:53:23,879
Speaker 5: like black guy with cheerios asleep on the couch, smashes

908
00:53:24,160 --> 00:53:30,120
Speaker 5: white white cheerio covered mandingoe.

909
00:53:32,600 --> 00:53:36,359
Speaker 7: I will say, it's just like fetistization, right, which has

910
00:53:36,400 --> 00:53:40,319
Speaker 7: been around forever. And I think it's a separator, you know,

911
00:53:40,440 --> 00:53:43,080
Speaker 7: because they're like, this is the weird, kinky whatever thing

912
00:53:43,120 --> 00:53:46,520
Speaker 7: I'm into. But this guy could marry my daughter. Are

913
00:53:46,520 --> 00:53:48,319
Speaker 7: two very different things.

914
00:53:48,719 --> 00:53:51,360
Speaker 2: You know. One one is a TV show and the other.

915
00:53:51,200 --> 00:53:55,800
Speaker 15: One is like their life right right, Yeah, I think

916
00:53:56,040 --> 00:53:59,959
Speaker 15: the activation of it versus like this family feud ass

917
00:54:00,120 --> 00:54:03,960
Speaker 15: survey of it are very different experiences.

918
00:54:04,040 --> 00:54:06,680
Speaker 1: And so yeah, I'm I'm real into a lot of ship.

919
00:54:07,360 --> 00:54:10,920
Speaker 1: I say, until it becomes my lived experience, and them like,

920
00:54:10,960 --> 00:54:14,040
Speaker 1: I don't think this should exist, don't. I don't believe

921
00:54:14,040 --> 00:54:16,000
Speaker 1: in this at all. This is wrong, This.

922
00:54:15,960 --> 00:54:19,359
Speaker 5: Is this feels like, this feels like a very dark turn.

923
00:54:19,360 --> 00:54:23,719
Speaker 1: You're about to Yeah, I'm going to keep I'm not

924
00:54:23,719 --> 00:54:27,440
Speaker 1: going to give a single example, but just I'm more

925
00:54:27,480 --> 00:54:35,040
Speaker 1: bigger than you think. How a bound that turns out?

926
00:54:35,120 --> 00:54:40,319
Speaker 1: These colors don't believe. I'm gonna say this now.

927
00:54:40,360 --> 00:54:42,480
Speaker 5: A lot of people have been talking about who is

928
00:54:42,520 --> 00:54:45,400
Speaker 5: allowed in sports, and I'm gonna say it. Robots shouldn't

929
00:54:45,400 --> 00:54:51,759
Speaker 5: be in sports. Okay, sports, robots of sports. Keep robots

930
00:54:51,800 --> 00:54:54,120
Speaker 5: out of sports. Keep them out of the bedroom. Keep

931
00:54:54,160 --> 00:54:56,640
Speaker 5: those robots out of.

932
00:54:57,200 --> 00:54:59,959
Speaker 3: All the places that you fought so hard to put women.

933
00:55:00,160 --> 00:55:02,120
Speaker 3: Take robots out of there. That's what I said.

934
00:55:02,239 --> 00:55:05,440
Speaker 5: Yep, yep. I don't want to see a damn Tesla

935
00:55:05,600 --> 00:55:07,880
Speaker 5: robot near my family.

936
00:55:07,880 --> 00:55:09,000
Speaker 3: And you know what I don't want to see is

937
00:55:09,000 --> 00:55:12,279
Speaker 3: anymore goddamn robot movies. That's what I will say. I

938
00:55:12,320 --> 00:55:16,040
Speaker 3: saw that Wild Robot movie. Fuck that, you know. I

939
00:55:16,200 --> 00:55:18,400
Speaker 3: like that ship. The whole point of the movie was

940
00:55:18,520 --> 00:55:22,520
Speaker 3: robots can be your family. Also, robots can't actually be defeated.

941
00:55:22,680 --> 00:55:24,799
Speaker 3: That was a whole point of the movie. Also, why

942
00:55:24,920 --> 00:55:27,640
Speaker 3: was San Francisco underwater? That doesn't seem like some kind

943
00:55:27,680 --> 00:55:31,920
Speaker 3: of signaling. Got real dark at the end of this podcast.

944
00:55:31,960 --> 00:55:33,759
Speaker 1: Yeah, yeah, you are in a bad way when you

945
00:55:33,760 --> 00:55:34,839
Speaker 1: saw that. It pissed off.

946
00:55:34,840 --> 00:55:37,440
Speaker 3: It made me really angry. That's the whole point in

947
00:55:37,440 --> 00:55:39,720
Speaker 3: the movie is like, it's okay, robots are in your family.

948
00:55:39,840 --> 00:55:42,080
Speaker 2: That's weird. That is fucking weird.

949
00:55:42,320 --> 00:55:43,040
Speaker 1: That is dark.

950
00:55:43,320 --> 00:55:43,799
Speaker 3: It's not good.

951
00:55:43,880 --> 00:55:44,040
Speaker 6: Yeah.

952
00:55:44,120 --> 00:55:46,759
Speaker 5: Yeah, but I mean, like, there's no difference between a

953
00:55:46,840 --> 00:55:48,960
Speaker 5: robot being in your family or a mixed person.

954
00:55:49,040 --> 00:55:57,120
Speaker 2: Honestly, brother, you said, I would heart. I would argue that.

955
00:55:59,000 --> 00:56:03,320
Speaker 3: At least they can't say the robot wasn't roasting.

956
00:56:03,480 --> 00:56:11,400
Speaker 5: Think logically, the robot isn't crying in the mirror saying

957
00:56:11,560 --> 00:56:12,879
Speaker 5: which community am?

958
00:56:12,960 --> 00:56:15,480
Speaker 2: I what it knows?

959
00:56:15,520 --> 00:56:16,520
Speaker 3: It's a damn robot.

960
00:56:19,960 --> 00:56:20,400
Speaker 2: That's uh.

961
00:56:20,440 --> 00:56:22,000
Speaker 5: I'm gonna go. I'm gonna see the movie now.

962
00:56:23,440 --> 00:56:27,560
Speaker 1: The last piece of uh information that I'll throw your

963
00:56:27,560 --> 00:56:30,840
Speaker 1: way is that, according to that same study from twenty

964
00:56:30,880 --> 00:56:35,040
Speaker 1: twenty two, America in terms of interracial couples has jumped

965
00:56:35,120 --> 00:56:39,560
Speaker 1: up since nineteen sixty seven from three percent to twenty

966
00:56:39,600 --> 00:56:43,080
Speaker 1: percent of married couples that are interracial in some way,

967
00:56:43,200 --> 00:56:44,080
Speaker 1: shape or fashion.

968
00:56:44,280 --> 00:56:47,880
Speaker 2: You say that's wild, because I like, twenty percent is

969
00:56:47,920 --> 00:56:50,600
Speaker 2: such a low number, but I feel like they're everywhere,

970
00:56:50,920 --> 00:56:53,480
Speaker 2: so maybe that is something they don't have something to

971
00:56:53,560 --> 00:56:56,759
Speaker 2: say about, Like oh, like the feeling we're having about

972
00:56:56,760 --> 00:56:59,719
Speaker 2: the like the Cheerios commercial like and like kind of

973
00:56:59,719 --> 00:57:01,120
Speaker 2: the like kind of like the shock.

974
00:57:01,000 --> 00:57:02,839
Speaker 7: Over it is that like and I know it's different.

975
00:57:02,880 --> 00:57:05,080
Speaker 7: I live in New York, but I feel like like

976
00:57:05,280 --> 00:57:09,200
Speaker 7: everywhere I go there's a white guy in an Asian girlfriend,

977
00:57:09,840 --> 00:57:10,600
Speaker 7: you know, like.

978
00:57:13,040 --> 00:57:15,520
Speaker 3: I think they seem to be everywhere because it's like

979
00:57:15,560 --> 00:57:19,280
Speaker 3: the overwhelming majority is not that so it's yeah, if

980
00:57:19,280 --> 00:57:21,240
Speaker 3: it's two out of ten, you know what I mean,

981
00:57:21,240 --> 00:57:24,040
Speaker 3: that can feel like everywhere if the other eight out

982
00:57:24,080 --> 00:57:25,360
Speaker 3: of ten aren't that, you know what I mean.

983
00:57:25,960 --> 00:57:28,360
Speaker 1: Yeah, I will also say that's got to be a

984
00:57:28,360 --> 00:57:34,680
Speaker 1: coastal that's a coastal experience. Probably that's very different from

985
00:57:35,200 --> 00:57:38,760
Speaker 1: what you see in you know, fucking upstate.

986
00:57:39,160 --> 00:57:41,520
Speaker 5: But I mean, like even being an upstate New York

987
00:57:41,640 --> 00:57:44,520
Speaker 5: like me and Chelsea will walk around sometimes like I

988
00:57:44,560 --> 00:57:48,520
Speaker 5: don't know about this and then see You'll see then

989
00:57:48,520 --> 00:57:50,640
Speaker 5: you'll just see another mixed couple and you're like, okay,

990
00:57:50,720 --> 00:57:52,800
Speaker 5: like they look way more mixed than us, Like someone

991
00:57:53,120 --> 00:57:53,640
Speaker 5: like get them.

992
00:57:55,840 --> 00:57:58,560
Speaker 3: I think that New York. I think that also speaks

993
00:57:58,560 --> 00:57:58,720
Speaker 3: to you.

994
00:57:58,800 --> 00:58:00,000
Speaker 2: Yeah.

995
00:58:00,120 --> 00:58:03,360
Speaker 5: Yeah, but I'll also say this, like that number length

996
00:58:03,440 --> 00:58:05,720
Speaker 5: that you put out is also a little bit hard

997
00:58:05,720 --> 00:58:09,000
Speaker 5: to digest because again, it was just illegal for a

998
00:58:09,040 --> 00:58:10,960
Speaker 5: long time. You know what I'm saying. I'm sure there

999
00:58:10,960 --> 00:58:14,720
Speaker 5: are more weed smokers now on survey that are like, yes,

1000
00:58:14,800 --> 00:58:18,240
Speaker 5: I smoke weed, versus like, you know, nineteen fifty They're like,

1001
00:58:18,280 --> 00:58:21,280
Speaker 5: oh no, no, no, you mean jazz cigarettes? No way,

1002
00:58:21,360 --> 00:58:22,840
Speaker 5: not mean what girls?

1003
00:58:22,880 --> 00:58:23,400
Speaker 3: What do I mean?

1004
00:58:23,480 --> 00:58:24,240
Speaker 5: Crystal med?

1005
00:58:24,520 --> 00:58:25,520
Speaker 1: Yeah?

1006
00:58:25,600 --> 00:58:28,160
Speaker 5: I do crystal meth and clean my living room like

1007
00:58:28,200 --> 00:58:30,880
Speaker 5: a normal housewife, you know what I mean. Like, And

1008
00:58:30,920 --> 00:58:33,040
Speaker 5: now there's like, yeah, I don't know.

1009
00:58:33,400 --> 00:58:36,400
Speaker 1: Yeah, So I think it's very I do think to

1010
00:58:36,440 --> 00:58:39,200
Speaker 1: your point, it's very hard to pin down how much

1011
00:58:39,360 --> 00:58:44,600
Speaker 1: of these commercials are responsible is our I don't know

1012
00:58:44,640 --> 00:58:47,360
Speaker 1: what I'm doing in that sentence, but I don't know.

1013
00:58:47,400 --> 00:58:51,800
Speaker 1: It's unclear what responsibility the commercial has for our growth

1014
00:58:52,200 --> 00:58:55,520
Speaker 1: as far as like tolerance and welcoming of interracial shit,

1015
00:58:55,920 --> 00:58:58,840
Speaker 1: and how much of that is just time and pressure

1016
00:58:59,080 --> 00:59:02,880
Speaker 1: and fucking media in all ways shapes and fashion trying

1017
00:59:02,920 --> 00:59:06,040
Speaker 1: to do that. More importantly, I think we it seems

1018
00:59:06,080 --> 00:59:10,960
Speaker 1: like we all agree that either way, these fucking corporations

1019
00:59:11,000 --> 00:59:14,080
Speaker 1: are not doing this because they care about the mixing

1020
00:59:14,120 --> 00:59:17,840
Speaker 1: and blending of families. They're strictly doing it to play

1021
00:59:17,920 --> 00:59:21,240
Speaker 1: to an audience, and it depends which audience they decide.

1022
00:59:21,320 --> 00:59:23,080
Speaker 1: But I would argue it's not even to an audience.

1023
00:59:23,120 --> 00:59:25,600
Speaker 1: It's about like I think that like twenty thirteen is

1024
00:59:25,600 --> 00:59:29,320
Speaker 1: also like you can probably not say the first year

1025
00:59:29,360 --> 00:59:29,640
Speaker 1: of like.

1026
00:59:29,680 --> 00:59:33,000
Speaker 5: Huge clicks and views because YouTube existed and all that stuff.

1027
00:59:33,000 --> 00:59:33,840
Speaker 2: So that's not what I'm saying.

1028
00:59:34,360 --> 00:59:36,080
Speaker 5: But they knew what they were doing in the sense

1029
00:59:36,080 --> 00:59:37,640
Speaker 5: it's like, you know, it's like they knew what the

1030
00:59:37,680 --> 00:59:39,840
Speaker 5: reception was gonna be, and so like you have to

1031
00:59:39,880 --> 00:59:44,760
Speaker 5: think that like did Cheerios know, like, hey, people ain't

1032
00:59:44,920 --> 00:59:50,760
Speaker 5: eating us as as much, like right, but yeah, gem

1033
00:59:50,840 --> 00:59:51,880
Speaker 5: on the couch.

1034
00:59:53,640 --> 00:59:56,920
Speaker 3: Because you know who hasn't gotten international fruity pebbles, you

1035
00:59:56,920 --> 00:59:57,320
Speaker 3: know what I mean.

1036
00:59:57,880 --> 01:00:00,280
Speaker 1: But I think I think to your larger point, this

1037
01:00:00,440 --> 01:00:05,600
Speaker 1: question of who they're marketing to and how they're marketing

1038
01:00:05,680 --> 01:00:09,800
Speaker 1: it is really like in twenty thirteen, we start to

1039
01:00:09,840 --> 01:00:13,080
Speaker 1: see them really pinpoint, Oh, we can be trolls too,

1040
01:00:13,720 --> 01:00:19,120
Speaker 1: and corporations discover trolling as a method of bringing more

1041
01:00:19,160 --> 01:00:23,439
Speaker 1: attention to their shit, and with that we're seeing more

1042
01:00:23,480 --> 01:00:26,720
Speaker 1: and more of that trolling, even under the sort of

1043
01:00:26,800 --> 01:00:32,160
Speaker 1: guys of equality and representation and all these other things.

1044
01:00:32,480 --> 01:00:36,400
Speaker 5: Yeah, do you guys think equality as a concept should

1045
01:00:36,440 --> 01:00:40,320
Speaker 5: be across the board, Like I feel like we should

1046
01:00:40,320 --> 01:00:43,640
Speaker 5: be equal, Like I feel like we should be I

1047
01:00:43,680 --> 01:00:45,680
Speaker 5: feel like black people should be ahead in things, and

1048
01:00:45,720 --> 01:00:48,040
Speaker 5: like white people should not be. And then maybe white

1049
01:00:48,040 --> 01:00:50,080
Speaker 5: people should be ahead in like some things and black

1050
01:00:50,080 --> 01:00:54,400
Speaker 5: people not, like okay, like example, like clearly no equality

1051
01:00:54,440 --> 01:00:58,160
Speaker 5: in sports like black people first, white people second, like

1052
01:00:58,160 --> 01:01:01,800
Speaker 5: like we've kind of socidally decided that, but we've never

1053
01:01:02,000 --> 01:01:06,479
Speaker 5: actually said it right. And then like for like white people,

1054
01:01:06,600 --> 01:01:11,520
Speaker 5: I feel like like Witchcraft like white people, like there

1055
01:01:11,520 --> 01:01:17,560
Speaker 5: shouldn't really be black people in witchcraft that America. But

1056
01:01:17,560 --> 01:01:20,120
Speaker 5: but I'm talking about like well I'm not talking about

1057
01:01:20,120 --> 01:01:24,160
Speaker 5: like traditional like actual worshiping of nature voodoo. I'm talking

1058
01:01:24,160 --> 01:01:29,480
Speaker 5: about like what witchcraft is here, yeah, like the omen

1059
01:01:29,680 --> 01:01:36,760
Speaker 5: and like yes, so I feel like in that regard

1060
01:01:36,880 --> 01:01:40,080
Speaker 5: like hey, like white people, that's y'all, well, like, well

1061
01:01:40,080 --> 01:01:42,000
Speaker 5: we'll back out, you know what I'm saying. Like so

1062
01:01:42,040 --> 01:01:43,640
Speaker 5: I don't think because like.

1063
01:01:43,360 --> 01:01:46,600
Speaker 7: Like Santa Claus, like I think that, like I don't

1064
01:01:46,640 --> 01:01:49,120
Speaker 7: think there needs to be a black Santa Claus, you.

1065
01:01:49,080 --> 01:01:50,920
Speaker 2: Know, I think they can.

1066
01:01:52,000 --> 01:01:57,360
Speaker 1: Like I thought it was the dumbest argument that we

1067
01:01:57,440 --> 01:02:02,640
Speaker 1: could have had, was yelling at this insane white lady

1068
01:02:02,720 --> 01:02:05,600
Speaker 1: that she needs to acknowledge there are black Santas and

1069
01:02:05,640 --> 01:02:09,120
Speaker 1: it's life for what man? In what way does this

1070
01:02:09,240 --> 01:02:11,880
Speaker 1: make you feel any differently about yourself?

1071
01:02:12,160 --> 01:02:16,400
Speaker 3: Think that's the problem that it's crazy. It's like, this

1072
01:02:16,520 --> 01:02:18,400
Speaker 3: was what I was gonna say. I think all that

1073
01:02:18,480 --> 01:02:21,560
Speaker 3: is the problem with giving out a quality piecemeal, because

1074
01:02:21,560 --> 01:02:24,160
Speaker 3: then it's never going to be equal, you know what

1075
01:02:24,160 --> 01:02:24,600
Speaker 3: I'm saying.

1076
01:02:24,600 --> 01:02:26,840
Speaker 5: But that's what I'm saying. But but that's my point

1077
01:02:27,080 --> 01:02:29,240
Speaker 5: is that at least we know. So it's just like

1078
01:02:29,440 --> 01:02:32,400
Speaker 5: just like there's just gonna be certain things. We just

1079
01:02:32,440 --> 01:02:34,680
Speaker 5: take the l on certain things. We take w's at

1080
01:02:34,680 --> 01:02:36,960
Speaker 5: certain things, like in twenty twenty when everyone was like

1081
01:02:37,000 --> 01:02:38,800
Speaker 5: kind of losing their minds and you know, we had

1082
01:02:38,800 --> 01:02:41,720
Speaker 5: a lot going on as a country racially, and I

1083
01:02:41,760 --> 01:02:43,720
Speaker 5: saw this thing where there was like this article it

1084
01:02:43,760 --> 01:02:46,880
Speaker 5: was just like this black surfer wants people to know

1085
01:02:46,920 --> 01:02:49,240
Speaker 5: that black surfers matter, And I was like, not really,

1086
01:02:49,480 --> 01:02:52,080
Speaker 5: actually not really, because like surfers don't matter, you know

1087
01:02:52,080 --> 01:02:52,640
Speaker 5: what I'm saying.

1088
01:02:52,800 --> 01:02:56,040
Speaker 2: Like the last thing I think about is surfer.

1089
01:02:56,520 --> 01:03:00,400
Speaker 5: Yeah, and now I have to be like black surfers. No, bro,

1090
01:03:00,840 --> 01:03:03,120
Speaker 5: like you look if you get eaten by a shark,

1091
01:03:03,240 --> 01:03:05,800
Speaker 5: like the soul surfer, like, maybe I'll talk about you,

1092
01:03:05,880 --> 01:03:08,400
Speaker 5: but like, there's no other reason for me to specifically

1093
01:03:08,440 --> 01:03:10,000
Speaker 5: think about black surfers.

1094
01:03:09,640 --> 01:03:12,480
Speaker 1: Right, you know, for you for you to want me

1095
01:03:12,520 --> 01:03:19,560
Speaker 1: to care today is crazy. There a man got kneel

1096
01:03:20,960 --> 01:03:24,040
Speaker 1: eight whole minutes. You want me to give a fuck

1097
01:03:24,120 --> 01:03:27,760
Speaker 1: that you go out in the ocean here man for

1098
01:03:28,120 --> 01:03:30,600
Speaker 1: leisure and sport, like you do.

1099
01:03:30,680 --> 01:03:33,880
Speaker 5: Not have to surf like George Floyd, like had to go.

1100
01:03:33,920 --> 01:03:34,640
Speaker 2: To a store.

1101
01:03:34,840 --> 01:03:39,280
Speaker 5: You know, these are two different things. So no, it's

1102
01:03:39,560 --> 01:03:43,880
Speaker 5: what I'm saying. No equality, we don't need all right, now,

1103
01:03:43,960 --> 01:03:45,400
Speaker 5: let's take it to this step different.

1104
01:03:46,440 --> 01:03:48,120
Speaker 1: We're all having a nice time.

1105
01:03:48,320 --> 01:03:48,920
Speaker 2: I agree.

1106
01:03:49,240 --> 01:03:51,160
Speaker 1: It felt like we were coming to a close and

1107
01:03:51,200 --> 01:03:54,320
Speaker 1: then right at the end that Tony came out of you.

1108
01:03:54,360 --> 01:03:54,400
Speaker 12: No.

1109
01:03:54,640 --> 01:03:56,919
Speaker 5: Man, here's the thing, just to be clear for those

1110
01:03:57,000 --> 01:03:59,680
Speaker 5: listening not seeing this is Isaiah lesteron.

1111
01:04:01,040 --> 01:04:03,120
Speaker 7: No, you know it's you know it's not because the

1112
01:04:03,160 --> 01:04:05,880
Speaker 7: other voice sounds like a little bit colder than a robot.

1113
01:04:06,360 --> 01:04:10,240
Speaker 7: And you know what that you know you know who that.

1114
01:04:11,760 --> 01:04:12,640
Speaker 2: You know what that is?

1115
01:04:12,760 --> 01:04:15,320
Speaker 5: There should be no equality.

1116
01:04:15,720 --> 01:04:17,880
Speaker 3: You know what's behind those light eyes? Nothing?

1117
01:04:20,680 --> 01:04:22,480
Speaker 5: That's why there's so there's no bludget.

1118
01:04:22,720 --> 01:04:28,760
Speaker 2: It's just I think we did.

1119
01:04:29,160 --> 01:04:34,000
Speaker 1: I think we we made it through this, this gorgeous episode. Yes,

1120
01:04:34,120 --> 01:04:36,400
Speaker 1: Sir Isaiah, could you tell the people where they can

1121
01:04:36,440 --> 01:04:37,920
Speaker 1: find you? And what cool shit you guys have?

1122
01:04:39,160 --> 01:04:39,280
Speaker 5: No?

1123
01:04:39,760 --> 01:04:40,920
Speaker 3: What does that mean that I have to go?

1124
01:04:41,000 --> 01:04:47,200
Speaker 2: You go okay? Wow? Yeah, I'm the dark skinned one. Guys.

1125
01:04:47,320 --> 01:04:49,960
Speaker 2: I don't like, I don't, I know, I'll go.

1126
01:04:51,320 --> 01:04:53,240
Speaker 7: We have a movie yesterday, and I have a movie

1127
01:04:53,280 --> 01:04:56,520
Speaker 7: coming out called The Gutter. Can it be in theaters

1128
01:04:56,920 --> 01:05:00,800
Speaker 7: near you on November first? Also on premium video on demand.

1129
01:05:01,560 --> 01:05:04,240
Speaker 7: If you want to find me, I'm on Instagram at

1130
01:05:04,360 --> 01:05:08,120
Speaker 7: Isaiah Lester Films and I'm on Twitter though I only

1131
01:05:08,160 --> 01:05:10,800
Speaker 7: post about trading cards on Twitter at I'm a model.

1132
01:05:10,840 --> 01:05:11,400
Speaker 2: Boys.

1133
01:05:11,840 --> 01:05:17,760
Speaker 5: Yeah, my name is Yah Sir Leicester. You can find

1134
01:05:17,800 --> 01:05:23,440
Speaker 5: me on Instagram at Yah Sir Underscore Leicester. Again, Like

1135
01:05:23,480 --> 01:05:25,160
Speaker 5: as I said, we have film coming out with the

1136
01:05:25,240 --> 01:05:27,000
Speaker 5: very funny Langston Kerrman in it.

1137
01:05:28,000 --> 01:05:30,080
Speaker 1: Tell them everybody else who's in it, because you guys

1138
01:05:30,160 --> 01:05:32,640
Speaker 1: got some goddamn stars on this thing all right?

1139
01:05:33,120 --> 01:05:37,120
Speaker 5: Uh, Shamik Moore, Darcy Cart and Susan Saran and Paul Reiser,

1140
01:05:37,840 --> 01:05:46,400
Speaker 5: Isaiah Correct, Harry Field, Harry Battle, Adam, Adam Brody, Adam Patley,

1141
01:05:47,120 --> 01:05:52,400
Speaker 5: Monique gall Nelson, Franklin Georgia, Tony Baker, Georgia, Me, shag

1142
01:05:52,520 --> 01:05:53,280
Speaker 5: D c Irvin.

1143
01:05:53,640 --> 01:05:54,720
Speaker 2: Uh uh.

1144
01:05:57,680 --> 01:06:02,120
Speaker 5: Yeah, I mean like it's it's hard. And I'm not

1145
01:06:02,160 --> 01:06:05,360
Speaker 5: saying just because like I'm forgetful. There's just too many

1146
01:06:05,400 --> 01:06:06,000
Speaker 5: people and.

1147
01:06:06,280 --> 01:06:10,600
Speaker 16: You know, so it's sexy ass in there. Yeah, Elis

1148
01:06:10,720 --> 01:06:12,800
Speaker 16: is there. I already said that, but you weren't listening

1149
01:06:12,840 --> 01:06:17,200
Speaker 16: to me. No big deal right now, You're no big deal.

1150
01:06:18,320 --> 01:06:21,840
Speaker 16: But no, it's a it's truly and Isaiah said this before,

1151
01:06:21,880 --> 01:06:24,160
Speaker 16: so I'll just reiterate, but like it's truly like a

1152
01:06:24,200 --> 01:06:27,800
Speaker 16: family and friend affair, like anyone that was even near

1153
01:06:28,000 --> 01:06:31,160
Speaker 16: us during filming that we could be like, hey, you

1154
01:06:31,240 --> 01:06:35,520
Speaker 16: have six hours to spare today and and you know,

1155
01:06:35,600 --> 01:06:38,400
Speaker 16: we think people just really resonate with the fact that like,

1156
01:06:39,760 --> 01:06:40,200
Speaker 16: I don't.

1157
01:06:40,000 --> 01:06:43,280
Speaker 5: Want to make this philosophical, but what I will say

1158
01:06:43,640 --> 01:06:46,160
Speaker 5: is that there are not a lot of true comedies

1159
01:06:46,200 --> 01:06:50,280
Speaker 5: out there right now that are trying to be broad

1160
01:06:50,480 --> 01:06:51,240
Speaker 5: for the people.

1161
01:06:51,360 --> 01:06:51,560
Speaker 2: Right.

1162
01:06:51,680 --> 01:06:53,880
Speaker 5: The types of comedies that are out right now are

1163
01:06:53,960 --> 01:06:57,040
Speaker 5: either like you can't say anything anymore, like that's why

1164
01:06:57,040 --> 01:06:59,560
Speaker 5: we're gonna call gay people this, and you're like, that's

1165
01:06:59,560 --> 01:07:03,720
Speaker 5: not really funny, you know, Or it's just dorks not

1166
01:07:03,920 --> 01:07:06,440
Speaker 5: being funny because they're afraid to be funny because they

1167
01:07:06,440 --> 01:07:08,480
Speaker 5: think it'll make them look goofy, and they have like

1168
01:07:08,520 --> 01:07:12,160
Speaker 5: weird traumatic high school like scars of like oh the

1169
01:07:12,200 --> 01:07:15,600
Speaker 5: cool people laughed at Happy Gilmore. So I won't like that.

1170
01:07:15,720 --> 01:07:19,000
Speaker 5: I'll only watch art House, you know, French films. Those

1171
01:07:19,200 --> 01:07:22,040
Speaker 5: make me laugh. There's a movie for everybody. You just

1172
01:07:22,160 --> 01:07:24,160
Speaker 5: go in and you have a good time and you bounce,

1173
01:07:24,400 --> 01:07:28,600
Speaker 5: and that's it. Like there's no greater message we're saying

1174
01:07:28,640 --> 01:07:31,800
Speaker 5: than other than just have fun with it. And I

1175
01:07:31,840 --> 01:07:34,360
Speaker 5: think that like I wrote something very dumb. I think

1176
01:07:34,400 --> 01:07:38,600
Speaker 5: my brother Isaiah new to elevate it, and like we're

1177
01:07:38,680 --> 01:07:43,560
Speaker 5: just trying to entertain people. You know, we do say

1178
01:07:43,640 --> 01:07:46,360
Speaker 5: vote for Donald Trump at the beginning of the movie,

1179
01:07:46,840 --> 01:07:54,520
Speaker 5: but other than that, there's really no political slash. We

1180
01:07:54,640 --> 01:07:59,080
Speaker 5: do say, we do say criminalize abortion in all ways,

1181
01:07:59,440 --> 01:08:02,200
Speaker 5: but other than that, it's kind of just a feel

1182
01:08:02,240 --> 01:08:02,720
Speaker 5: good movie.

1183
01:08:03,160 --> 01:08:04,320
Speaker 1: It's just for everybody.

1184
01:08:04,400 --> 01:08:05,400
Speaker 2: It's just for everyone.

1185
01:08:05,840 --> 01:08:10,160
Speaker 1: Well, please go go watch the film wherever you in theaters,

1186
01:08:10,280 --> 01:08:14,360
Speaker 1: in your homes. It's all available. Bory what you got.

1187
01:08:13,680 --> 01:08:17,800
Speaker 3: Patreon dot com backslash David Bory gb r. I you

1188
01:08:17,840 --> 01:08:20,720
Speaker 3: get my special Birth of a Nation and then come

1189
01:08:20,760 --> 01:08:21,559
Speaker 3: see us on tour.

1190
01:08:21,680 --> 01:08:24,400
Speaker 5: That's it, by the way, the very funny Birth of

1191
01:08:24,439 --> 01:08:27,720
Speaker 5: a Nation. I feel like I haven't really spoken to

1192
01:08:27,720 --> 01:08:29,719
Speaker 5: you since then, but so funny.

1193
01:08:29,760 --> 01:08:30,439
Speaker 3: Appreciate it.

1194
01:08:30,760 --> 01:08:33,920
Speaker 5: And Lanston, what was yours? I wait, no, no, no, no, no,

1195
01:08:34,600 --> 01:08:38,639
Speaker 5: oh no no no. Hold on English Teachers the show

1196
01:08:38,920 --> 01:08:42,000
Speaker 5: Bad Poetry, Okay, yeah, yeah, yeah yeah.

1197
01:08:42,000 --> 01:08:43,800
Speaker 1: Honestly, that would have felt better if you did a

1198
01:08:43,800 --> 01:08:47,320
Speaker 1: bit after it, but instead it was just you trying

1199
01:08:47,320 --> 01:08:50,320
Speaker 1: to trying to recall the thing that you didn't have

1200
01:08:50,360 --> 01:08:50,920
Speaker 1: to recall.

1201
01:08:51,560 --> 01:08:55,439
Speaker 5: No, but hey, I did recall it and me you're

1202
01:08:55,479 --> 01:09:00,679
Speaker 5: on like forty things. I'm sorry, heap track can't track

1203
01:09:00,920 --> 01:09:02,200
Speaker 5: old Lengthston.

1204
01:09:02,600 --> 01:09:04,439
Speaker 1: All I ask of my friends is that they keep

1205
01:09:04,479 --> 01:09:06,840
Speaker 1: track of everything I'm doing. But that's okay. I'll tell you,

1206
01:09:06,960 --> 01:09:10,400
Speaker 1: I uh, you should follow me at Lengthston Kerman on

1207
01:09:10,520 --> 01:09:14,000
Speaker 1: all social media platforms. You can watch my special on Netflix.

1208
01:09:14,040 --> 01:09:17,080
Speaker 1: It's called bad poetry. You can watch English Teacher. It's

1209
01:09:17,120 --> 01:09:20,280
Speaker 1: all on FX now and uh. If you want to

1210
01:09:20,320 --> 01:09:23,439
Speaker 1: send us your own drops, your own conspiracy theories. If

1211
01:09:23,479 --> 01:09:27,080
Speaker 1: you want to tell us which mixed group is the

1212
01:09:27,200 --> 01:09:31,519
Speaker 1: true downfall of America, send it all to mymama pod

1213
01:09:31,560 --> 01:09:34,960
Speaker 1: at gmail dot com. And even more exciting this is

1214
01:09:35,120 --> 01:09:37,240
Speaker 1: this is hot off the presses for those of you

1215
01:09:37,320 --> 01:09:39,920
Speaker 1: that listen at home or watch. I don't know why

1216
01:09:39,920 --> 01:09:43,040
Speaker 1: I made this specific to listening. We we have a

1217
01:09:43,080 --> 01:09:46,839
Speaker 1: new calling number. Oh yeah, we have a number that

1218
01:09:47,080 --> 01:09:50,040
Speaker 1: you can call that was set up by our producer

1219
01:09:50,120 --> 01:09:52,840
Speaker 1: Bay so that you can speak to us. You can

1220
01:09:52,920 --> 01:09:55,640
Speaker 1: leave us voicemails and we will will listen to the

1221
01:09:55,720 --> 01:10:00,160
Speaker 1: voicemails and respond to them on the goddamn internet. It's

1222
01:10:00,200 --> 01:10:04,000
Speaker 1: it's eight four four. The number is eight for four

1223
01:10:04,640 --> 01:10:10,439
Speaker 1: little moms as eight four four five four five six

1224
01:10:10,680 --> 01:10:15,519
Speaker 1: six six seven eight four four five four five six

1225
01:10:15,720 --> 01:10:18,720
Speaker 1: six six seven. Please call us. We want to hear

1226
01:10:18,800 --> 01:10:24,240
Speaker 1: your consumes. Get nasty, getting nasty for your phone, Be slacious,

1227
01:10:24,439 --> 01:10:27,680
Speaker 1: be naughty. We like it when you talk to us.

1228
01:10:27,760 --> 01:10:34,080
Speaker 1: Thirty as always like subscribe, rate review, rotate that thing

1229
01:10:34,360 --> 01:10:40,280
Speaker 1: all right, Bye, bitch, my mama Told Me is a

1230
01:10:40,320 --> 01:10:46,200
Speaker 1: production of Will Ferrell's Big Money Players Network and iHeart podcast.

1231
01:10:46,080 --> 01:10:48,280
Speaker 3: Creet It and hosted by Langston Kruk.

1232
01:10:48,400 --> 01:10:49,920
Speaker 1: Co hosted by David Bori.

1233
01:10:50,240 --> 01:10:54,200
Speaker 3: Executive produced by Will Ferrell, Hansani and Olivia Akilo.

1234
01:10:54,600 --> 01:10:58,720
Speaker 1: Co produced by Bee Wayne, edited and engineered by Justin.

1235
01:10:58,520 --> 01:11:02,679
Speaker 3: Koff, music by Chambers, artwork by Jogon Kriega.

1236
01:11:02,960 --> 01:11:05,680
Speaker 1: You can now watch episodes of My Mama Told Me

1237
01:11:05,760 --> 01:11:10,040
Speaker 1: on YouTube. Follow at my Mama Told Me and subscribe

1238
01:11:10,080 --> 01:11:10,880
Speaker 1: to our channel