WEBVTT - Prentice Penny Full Interview

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<v Speaker 1>about your banking institution. Welcome to Money Making Conversation. I'm

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<v Speaker 1>your host, Rashard McDonald eats Money Making Conversation. Talk show

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<v Speaker 1>is about entrepreneurship and entertainment. I provide the consumer and

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<v Speaker 1>very best life. These are my passions and that's what

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<v Speaker 1>financial planning. Entrepreneurship, motivation, leadership, overcoming the arts, and how

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<v Speaker 1>to live a balanced life. My next guest is a

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<v Speaker 1>Peabody and Golden Globe Award winning writer, director, and producer.

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<v Speaker 1>He is on the show today to discuss this new

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<v Speaker 1>Netflix original film on Corked, where he is the writer

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<v Speaker 1>and director. Will also be talking about HBOS Insecure, where

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<v Speaker 1>he is the showrunner and executive producer. By the way,

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<v Speaker 1>Insecure was renewed for a fifth season. The fourth season

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<v Speaker 1>finale uh Insecure will air in the middle of June.

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<v Speaker 1>Please welcome to Money Making Conversations, my man, apprentice Penny.

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<v Speaker 1>Pretty good, pretty good. So I'll tell you something, Mr

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<v Speaker 1>penn Im said, Mr Pendent, because I saw your movie

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<v Speaker 1>twice and one day. So it's not often in my

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<v Speaker 1>life that I can say I saw the same movie

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<v Speaker 1>from beginning to the end. And we're talking about Uncorked

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<v Speaker 1>that's on Netflix twice in one day. So that's a compliment, man,

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<v Speaker 1>because of the fact that you know, first of all,

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<v Speaker 1>he has some people in that I really loved the

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<v Speaker 1>death nis Nisi Nash and Court Advance Um and so

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<v Speaker 1>talk about But before I get into store, just complimenting

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<v Speaker 1>all about the movie. Tell us about Uncorked the premise

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<v Speaker 1>and how how you developed it. Yeah, I mean it

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<v Speaker 1>really started from a place of you know, I wanted

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<v Speaker 1>to make sure I wanted to write, uh and direct

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<v Speaker 1>a movie, and I wanted to you know, obviously, it's

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<v Speaker 1>like I went to fund that felt kind of personal

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<v Speaker 1>because I could sort of, um, you know, find my

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<v Speaker 1>voice that as writing when you writing television, you know,

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<v Speaker 1>you're often writing in other people's voices, and so I

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<v Speaker 1>wanted to find mine. And I felt like I was

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<v Speaker 1>a big I love father's son dynamic stories, and I

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<v Speaker 1>often felt like with black fathers and son stories, usually

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<v Speaker 1>the spine up why the father that I have conflict

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<v Speaker 1>because the father was absent and I just wasn't my

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<v Speaker 1>experience and like a lot of friends of my un experiences,

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<v Speaker 1>and so I wanted to see and I thought, like

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<v Speaker 1>white people get to sort of have a experience in

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<v Speaker 1>my father some movies where they get the kind of

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<v Speaker 1>be basic. Like if you think about Good World Hunting

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<v Speaker 1>or Manchester About to See, you know that that that

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<v Speaker 1>you can get to be kind of regular. And I thought,

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<v Speaker 1>and being basically regular is what you find your humanity.

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<v Speaker 1>And so I wanted to see if my men to

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<v Speaker 1>be regular, not be you know, not about our pain

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<v Speaker 1>or our trauma. Is just to sort of like, this

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<v Speaker 1>is what life is like kind of an everyday basis

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<v Speaker 1>for this family. And so that's sort of what drew

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<v Speaker 1>me into like waiting to tell that kind of a story.

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<v Speaker 1>Right now, here's the thing. Now I'm watching the movie

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<v Speaker 1>enjoying it, laughing. It's kind of like almost like a

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<v Speaker 1>drama day. To me, it's comedy with a nice little

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<v Speaker 1>blended comedy stretched out through a dramatic movie with a

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<v Speaker 1>lot of emotional values. It's a romantic story, is a

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<v Speaker 1>family story, is a common of age story. So it

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<v Speaker 1>had a lot of a lot of descriptive moments in

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<v Speaker 1>the movie that I enjoyed, and but the detail that's

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<v Speaker 1>what really uh took me back. The detail of what

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<v Speaker 1>was what he was trying to accomplish, the lead actor

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<v Speaker 1>is trying to accomplish. Talk about that, is that something

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<v Speaker 1>personal or where did the detail come from? Yeah, I

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<v Speaker 1>mean in my real life, the sort of jumping off

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<v Speaker 1>point in front of the family was really like my

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<v Speaker 1>my grandfather started her furniture story Compton in the fifties

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<v Speaker 1>when my grandfather had a stroke and couldn't run at

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<v Speaker 1>full time. My father would happen to be a college time.

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<v Speaker 1>My father thought out of college, could no questions to

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<v Speaker 1>ask and took over the business. And I was the

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<v Speaker 1>next son in lawn to do that. And I didn't

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<v Speaker 1>really want to do that. I wanted to be a

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<v Speaker 1>writer and do other things. And so again I wanted

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<v Speaker 1>to talk about again like that that angle. And so

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<v Speaker 1>I knew when I wanted when I was writing the

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<v Speaker 1>story that I wanted one part of the family studies

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<v Speaker 1>to be a family business, to be sort of more

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<v Speaker 1>blue collar. Um. And so that's sort of how I

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<v Speaker 1>got to barbecue. And I knew I wanted the son

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<v Speaker 1>to do something that was a little bit more elevated

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<v Speaker 1>and creative and the way that I was doing something,

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<v Speaker 1>and I just felt writing would be kind of visually

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<v Speaker 1>not really that interesting. Um. And I took a trip

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<v Speaker 1>to Paris for a cousin's wedding decoration wedding, and I

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<v Speaker 1>didn't even drink wine at the time, but I was like,

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<v Speaker 1>if I'm ever gonna like wine, it kind of has

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<v Speaker 1>to happen here, you know. It's like if you go

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<v Speaker 1>to New Orleans, and don't like go Bo to New Orleans.

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<v Speaker 1>You just maybe you just don't like go Bo. So

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<v Speaker 1>I was like, Paris is the spot for wine and

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<v Speaker 1>so if I don't like to hear and so I

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<v Speaker 1>took a class and the guy made it really easy

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<v Speaker 1>to understand one and what I was drinking. And I said, oh,

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<v Speaker 1>like this should maybe be what the sun should want

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<v Speaker 1>to do. This is kind of cool. And that's really

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<v Speaker 1>how I stumbled into that arena. And I was watching

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<v Speaker 1>documentaries and movies about songs and things like that, and

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<v Speaker 1>it just became and obviously as you think about your

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<v Speaker 1>like food and wine or digital pairings, and the way

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<v Speaker 1>that the father obsessed about the wood is the same

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<v Speaker 1>way that people obsessed about the grapes, and they became

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<v Speaker 1>obviously very um you know, things that became connectors in

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<v Speaker 1>the movie um once. But that's sort of how I

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<v Speaker 1>found the world of wine. Well you know that I'm

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<v Speaker 1>talking to the writer, director, and producer of Uh. I

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<v Speaker 1>would say, hot, new movie there's on Netflix. I know

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<v Speaker 1>we all in these pandemic TI. I would say hot

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<v Speaker 1>because I watched it twice. I see you just get

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<v Speaker 1>you know, I really loved the movie because my wife.

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<v Speaker 1>She's a kind of seue of wine. Okay. So when

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<v Speaker 1>I when I watched the movie at my office, I went, man,

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<v Speaker 1>that the detail, you know that because he wanted to

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<v Speaker 1>be a wine Somalia right and uh, and so that

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<v Speaker 1>was his goal. His dad was, like you said, Uh,

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<v Speaker 1>his father was a barbecue owner. He dropped out of

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<v Speaker 1>school to be to take over the business, even though

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<v Speaker 1>he wanted to be a teacher. And then all of

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<v Speaker 1>a sudden that he didn't want to do it, just

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<v Speaker 1>like you had in real life. You didn't want to

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<v Speaker 1>do the furniture store. He wanted to be He wanted

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<v Speaker 1>to be a condiseue of wine. He wanted to be

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<v Speaker 1>and like he said, as a as a very exclusive

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<v Speaker 1>club to be able to accomplish that task. And so

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<v Speaker 1>so if I watched that, so I went. So I

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<v Speaker 1>came home and said, I said, baby, uh, I want

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<v Speaker 1>you to watch this movie because the detail in this

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<v Speaker 1>movie about this wine because I don't drink wine, and

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<v Speaker 1>so and so she was so so so you know,

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<v Speaker 1>but I'm just amazed at the detail. Thats what I'm

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<v Speaker 1>going on. And we're not talking about the how you

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<v Speaker 1>were setting up the barbecue and chopping it up that

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<v Speaker 1>that whole world, because that's my world right there. When

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<v Speaker 1>you're talking about Memphis. You I'm from Houston, Texas. I'm

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<v Speaker 1>a Texas boy. Grew up my nephew. He's one of

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<v Speaker 1>the best bobbycue people. Yeah, he one of the best

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<v Speaker 1>barbecue people in Houston, Texas. He got a little side

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<v Speaker 1>stand recognized her. He was on Kelly Clarkson for barbecue,

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<v Speaker 1>and so I know about barbecue. And so when I'm

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<v Speaker 1>watching the detail of the barbecue and then I'm watching

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<v Speaker 1>the detail on the whin, I'm going like, who is

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<v Speaker 1>this guy? You know, I said, Wow, the details. So

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<v Speaker 1>just talk about your attention to detail, Mr Penny. I

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<v Speaker 1>gotta respect Mr Penny. You missed a penny on this show. Okay,

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<v Speaker 1>I appreciate that. I appreciate that. I'm gonna call you Mr.

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<v Speaker 1>Big Daughter. Okay, yeah, I mean yeah, you know, I

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<v Speaker 1>mean we didn't like we don't keep it like that

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<v Speaker 1>and uh but no, I mean, you know obviously, you know,

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<v Speaker 1>I worked you know, on my other show from Insure,

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<v Speaker 1>Like I've worked with a lot of amazing actors. When

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<v Speaker 1>you learn a lot from you know, you know, like

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<v Speaker 1>you know, you just learned like from people who just

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<v Speaker 1>by how they work. And so that was one thing

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<v Speaker 1>that I felt like the movie had to be a

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<v Speaker 1>super spot on about it. It was like, like, you know,

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<v Speaker 1>Memphis is one of the how equated like the Mount

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<v Speaker 1>Russian cities the barbecue rights. So you got there. Surely

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<v Speaker 1>you have Texas barbecue, you have you know those Carolina barbecue,

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<v Speaker 1>you have this Is barbecue, and you have kind of

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<v Speaker 1>you know St. Louis, Kansas City barbue, kind of like

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<v Speaker 1>the barbecue. You know what I'm saying. The barbecue had

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<v Speaker 1>to do. Yeah, I mean it's real, right, And so

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<v Speaker 1>so I knew because the obviously in the movie that

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<v Speaker 1>the barbecue has to be so serious because that's the

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<v Speaker 1>dad is placed as a premium. I like, how important

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<v Speaker 1>the family business. So it's not just like you're doing

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<v Speaker 1>barbecue in l A. It's like you're doing barbecue a

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<v Speaker 1>place where like that's it's everything for us, and it's

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<v Speaker 1>it takes care of our family. It's more than just

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<v Speaker 1>the barbecue, right and so um so to me that

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<v Speaker 1>that just had to be official and so we Enlisten,

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<v Speaker 1>there's a lot of Memphis barbecue places that are especially

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<v Speaker 1>black family places, like we called cozy corner um, you know,

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<v Speaker 1>barbecue shop. The places that we hired. A lot of

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<v Speaker 1>the background actors that actually have lines all worked in

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<v Speaker 1>barbecue spots. And so because I needed them to know

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<v Speaker 1>what they were doing versus like having kind of extras

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<v Speaker 1>coming in not really knowing what they were doing, they

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<v Speaker 1>had looked like they knew. It was important that all

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<v Speaker 1>the background people know what they were doing, and so

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<v Speaker 1>that was grand. Then conversely, in the wine world, like

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<v Speaker 1>we had what one of our actors who played one

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<v Speaker 1>of the black song teachers is amazing black son named

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<v Speaker 1>d Lynn, who was also a part of the inspiration

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<v Speaker 1>for the movie too, and and so obviously to have

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<v Speaker 1>him read the script and and really be teaching me

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<v Speaker 1>as I was writing the script about wine and things

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<v Speaker 1>like that. And obviously on the set we had another

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<v Speaker 1>wine person they running rat issues like our on set person,

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<v Speaker 1>like our day to day to make sure everything worked

0:10:54.880 --> 0:10:57.800
<v Speaker 1>and make sure everything looks a hundred percent official in

0:10:57.840 --> 0:11:00.560
<v Speaker 1>terms of how they hold their labs, how they you know, smell,

0:11:00.679 --> 0:11:02.880
<v Speaker 1>how they taste, and how they how they do everything

0:11:02.920 --> 0:11:05.280
<v Speaker 1>you know, was so again that level of detail because

0:11:05.280 --> 0:11:07.560
<v Speaker 1>if you don't believe it, then you're just not going

0:11:07.600 --> 0:11:10.240
<v Speaker 1>to be into the movie. And and and the fun

0:11:10.320 --> 0:11:13.280
<v Speaker 1>part about it is that you used up and this

0:11:13.320 --> 0:11:17.280
<v Speaker 1>is a good word, comedic word. You used ignorance to

0:11:17.400 --> 0:11:19.880
<v Speaker 1>be funny. Like for instance, when he was saying he

0:11:19.920 --> 0:11:22.040
<v Speaker 1>wanted to be a Somalia and they go, you will

0:11:22.080 --> 0:11:23.839
<v Speaker 1>be you want to go to Samalia? You know, it's

0:11:24.440 --> 0:11:28.360
<v Speaker 1>just like and he goes, I ain't said nothing about Africa.

0:11:28.760 --> 0:11:33.680
<v Speaker 1>You know, it's like he's like, you know, your your humor,

0:11:33.720 --> 0:11:36.920
<v Speaker 1>your writing style, man is dead on. But again you

0:11:36.960 --> 0:11:39.440
<v Speaker 1>gotta have the talent to be to pull that off.

0:11:39.840 --> 0:11:43.640
<v Speaker 1>And you're casting and was dead on man dead on?

0:11:43.760 --> 0:11:47.720
<v Speaker 1>I I would know. I won't tell the movie, but

0:11:48.080 --> 0:11:52.360
<v Speaker 1>the Nissy Nash relationship, uh, just coming out there just

0:11:52.360 --> 0:11:55.520
<v Speaker 1>just niece is just brilliant. And uh and then according

0:11:55.559 --> 0:11:59.200
<v Speaker 1>to advanced his role as uh as a dad man

0:11:59.400 --> 0:12:03.080
<v Speaker 1>that he if any black man is over for you,

0:12:03.240 --> 0:12:06.400
<v Speaker 1>that's your dad. That's that's courting advantage your day. He

0:12:06.520 --> 0:12:09.040
<v Speaker 1>was your day. And so I was looking at my dad.

0:12:09.120 --> 0:12:11.960
<v Speaker 1>You know the statement he has come out by racism

0:12:12.040 --> 0:12:14.880
<v Speaker 1>but anything, it was just irreverence. But it was just

0:12:15.360 --> 0:12:18.240
<v Speaker 1>about the whole process. And then the sun and I

0:12:18.800 --> 0:12:20.400
<v Speaker 1>want you to say his name, because I messed up

0:12:20.400 --> 0:12:23.440
<v Speaker 1>the lead guy who who really carried this role throughout

0:12:23.480 --> 0:12:27.120
<v Speaker 1>and really sold that sold me on the fact that

0:12:27.120 --> 0:12:30.280
<v Speaker 1>it could actually happen for this young man. But it's

0:12:30.320 --> 0:12:32.880
<v Speaker 1>a journey. So I just we're talking about the movie

0:12:32.920 --> 0:12:35.160
<v Speaker 1>on Cork and I just wanted to compliment you on

0:12:35.200 --> 0:12:39.520
<v Speaker 1>the ability to put a dynamic family story, wrap it

0:12:39.559 --> 0:12:43.520
<v Speaker 1>around a romantic story, and then with a seed of

0:12:43.880 --> 0:12:47.840
<v Speaker 1>trying to find himself and seek an opportunity along the

0:12:47.840 --> 0:12:50.600
<v Speaker 1>way that he doubted himself and he kind of believed

0:12:50.600 --> 0:12:53.400
<v Speaker 1>in himself, then he doubted himself. In the end he

0:12:53.440 --> 0:12:55.439
<v Speaker 1>made a decision that this is what I want to do.

0:12:56.000 --> 0:13:01.360
<v Speaker 1>That's that's fantastic man. Congratulations, it's finely here the season

0:13:01.480 --> 0:13:04.720
<v Speaker 1>of celebration, and no matter how you celebrate with family

0:13:04.760 --> 0:13:08.280
<v Speaker 1>and friends, whether you're preparing for Reis Magos or Karamu

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<v Speaker 1>lighting the Manura are going to midnight mass, Coals has

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0:13:51.800 --> 0:13:54.959
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0:13:55.040 --> 0:13:58.360
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0:13:58.480 --> 0:14:02.160
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<v Speaker 1>known otherwise. Visit hoppin dot com to learn more and

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<v Speaker 1>get started. Still living in and manually taking notes, start

0:14:28.240 --> 0:14:31.040
<v Speaker 1>the new year with auto dot ai to generate automatic

0:14:31.080 --> 0:14:34.640
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0:14:34.720 --> 0:14:38.000
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0:14:38.120 --> 0:14:40.280
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<v Speaker 1>free auto dot ai. That's O T T e R

0:14:55.720 --> 0:14:59.760
<v Speaker 1>dot Ai. Thank you. I mean Victoria Thomas, who of

0:15:00.080 --> 0:15:04.120
<v Speaker 1>cast you know everything from you know, our show to

0:15:04.120 --> 0:15:08.880
<v Speaker 1>to Queeness Limb to all the Tarantino's movies. And Victoria's

0:15:08.880 --> 0:15:13.520
<v Speaker 1>such an amazing costing um director that she was the

0:15:13.520 --> 0:15:16.160
<v Speaker 1>one that like, you know, like suggested like she's going

0:15:16.200 --> 0:15:19.560
<v Speaker 1>to suggest the cordine. She's the one that the girlfriend Sasha.

0:15:19.720 --> 0:15:21.920
<v Speaker 1>She's the one that of a cousin j T. She's

0:15:21.920 --> 0:15:23.680
<v Speaker 1>the one that was like, oh, momma, he's gonna be great,

0:15:23.680 --> 0:15:26.480
<v Speaker 1>Like she just helped put together um such an amazing

0:15:26.520 --> 0:15:30.000
<v Speaker 1>talent for me and uh and obviously they all just delivered.

0:15:30.000 --> 0:15:32.360
<v Speaker 1>I mean they're just also great. And see I got

0:15:32.440 --> 0:15:34.600
<v Speaker 1>a peak that this movie was coming down the line

0:15:34.640 --> 0:15:37.400
<v Speaker 1>because I had a young mentor young man I mentioned

0:15:37.400 --> 0:15:39.400
<v Speaker 1>when he was an actor way back in the day

0:15:39.760 --> 0:15:41.560
<v Speaker 1>when he was trying to act with a sister sister.

0:15:41.640 --> 0:15:46.520
<v Speaker 1>His name was Dotari Turner. And yeah, yeah, he came

0:15:46.520 --> 0:15:49.160
<v Speaker 1>on My show man. He told me about the movie, said, Rashawn,

0:15:49.240 --> 0:15:51.600
<v Speaker 1>when it comes out, he's gonna mess you up. It's

0:15:51.640 --> 0:15:54.040
<v Speaker 1>really good movie. And and he says, this is the

0:15:54.080 --> 0:15:55.840
<v Speaker 1>type of movie he wants to be involved, to tell

0:15:55.880 --> 0:15:59.160
<v Speaker 1>a good story. Great castinge and you guys did a

0:15:59.160 --> 0:16:04.400
<v Speaker 1>wonderful job off and and more blessings. I put I

0:16:04.400 --> 0:16:06.760
<v Speaker 1>put this on my social media, put it in my newsletter,

0:16:07.120 --> 0:16:09.600
<v Speaker 1>you know, just to just to carry the brand of excellence.

0:16:09.640 --> 0:16:13.520
<v Speaker 1>And again I'm recommending everybody, uh to see this movie.

0:16:13.560 --> 0:16:15.600
<v Speaker 1>I'm probably gonna see it again because I'm a type

0:16:15.600 --> 0:16:19.880
<v Speaker 1>of person. I'll sit down, tell you I watch it again.

0:16:19.920 --> 0:16:21.560
<v Speaker 1>Come on, I watch again. That's how good it is.

0:16:21.600 --> 0:16:27.000
<v Speaker 1>I watched again. Let's let's go to the see your

0:16:27.000 --> 0:16:29.360
<v Speaker 1>other serious it's just you know, just got renewed. Let

0:16:29.400 --> 0:16:31.960
<v Speaker 1>you know some checks are coming. It's always good to

0:16:31.960 --> 0:16:38.720
<v Speaker 1>know checks are coming. That's a beautiful thing. Come on,

0:16:38.440 --> 0:16:40.800
<v Speaker 1>come on, brother in the world. You know entertainment man,

0:16:40.880 --> 0:16:43.560
<v Speaker 1>you can't buy a house wondering that. I just rent,

0:16:43.640 --> 0:16:51.360
<v Speaker 1>I just a lease because they say episodes, but I

0:16:51.520 --> 0:16:56.160
<v Speaker 1>wait and buying the cash after the episodes and finished that.

0:16:56.320 --> 0:17:00.120
<v Speaker 1>The girls, man, they mad at each other. They but

0:17:00.880 --> 0:17:02.520
<v Speaker 1>I'm gonna talk to the show, but I'm not gonna

0:17:02.560 --> 0:17:05.760
<v Speaker 1>give away the show. But this has been a dynamic

0:17:05.880 --> 0:17:11.200
<v Speaker 1>season man for for the relationship of the Ivan and

0:17:12.000 --> 0:17:15.080
<v Speaker 1>so talk about the steps of Oh, you know, because

0:17:15.200 --> 0:17:16.920
<v Speaker 1>I got a feeling I know where it's going because

0:17:16.920 --> 0:17:18.680
<v Speaker 1>I'm an old school writer, you know what I'm saying.

0:17:19.000 --> 0:17:22.359
<v Speaker 1>But when I saw her coming coming down at that

0:17:22.480 --> 0:17:25.119
<v Speaker 1>line of the promos when she's on vacation, I go,

0:17:25.280 --> 0:17:27.520
<v Speaker 1>I think I know where this is going. And uh

0:17:27.960 --> 0:17:33.920
<v Speaker 1>but yeah, okay, but you know about but but you know,

0:17:34.359 --> 0:17:38.000
<v Speaker 1>it's about relationship I can think about. I think you're

0:17:38.119 --> 0:17:40.480
<v Speaker 1>very gifted at that, you know, and being able to

0:17:40.920 --> 0:17:45.080
<v Speaker 1>write characters that are very human and normal and make decisions.

0:17:45.119 --> 0:17:50.680
<v Speaker 1>But this is what I'm complimenting you on um Insecure

0:17:50.760 --> 0:17:56.359
<v Speaker 1>is a very millennial type urban show. And then on

0:17:56.560 --> 0:17:59.920
<v Speaker 1>Court it's a family drama. Language is not even close

0:18:00.160 --> 0:18:05.080
<v Speaker 1>to the language and Insecure and you are naturally pulling

0:18:05.119 --> 0:18:07.719
<v Speaker 1>that off. That's a gift, my friend. You know, I

0:18:07.800 --> 0:18:11.080
<v Speaker 1>was a sitcom writer. I was talented, but believe me,

0:18:11.200 --> 0:18:13.720
<v Speaker 1>my skills didn't even come close to your life. I

0:18:13.720 --> 0:18:15.920
<v Speaker 1>could write a script, but you got a gift man.

0:18:16.280 --> 0:18:18.120
<v Speaker 1>And I'm not gonna sit on this show and act

0:18:18.160 --> 0:18:20.119
<v Speaker 1>like me being a sitcom right and you being a

0:18:20.119 --> 0:18:23.280
<v Speaker 1>sitcom right, that we were the same you are, your

0:18:23.280 --> 0:18:25.960
<v Speaker 1>skills said, is a blessing. And I got and I

0:18:25.960 --> 0:18:28.480
<v Speaker 1>get to see it every Sunday night on HBO, and

0:18:28.520 --> 0:18:30.000
<v Speaker 1>I got to get to see it probably gonna be

0:18:30.080 --> 0:18:33.480
<v Speaker 1>a third time on on Court on Netflix. Talk about

0:18:33.520 --> 0:18:36.560
<v Speaker 1>the whole process of being a show runner, your staff,

0:18:36.560 --> 0:18:38.560
<v Speaker 1>because we all know you don't do it by yourself,

0:18:38.800 --> 0:18:43.920
<v Speaker 1>and that amazing cast that you have with Insecure. Yeah,

0:18:43.960 --> 0:18:45.719
<v Speaker 1>I mean it really is a team that. I mean,

0:18:45.760 --> 0:18:47.920
<v Speaker 1>it really is a team effort. I mean we've been

0:18:48.040 --> 0:18:50.280
<v Speaker 1>each and I have been super blessed too. You know,

0:18:50.320 --> 0:18:54.280
<v Speaker 1>we like mostly had the same writers from the from

0:18:54.320 --> 0:18:57.280
<v Speaker 1>the first season, and so I think that brings like

0:18:57.320 --> 0:19:00.440
<v Speaker 1>a level of you know, people being super like familiar

0:19:00.480 --> 0:19:02.480
<v Speaker 1>with how we want to tell the stories and and

0:19:02.560 --> 0:19:04.320
<v Speaker 1>the way to tell stories and what works and what

0:19:04.400 --> 0:19:06.399
<v Speaker 1>doesn't work on our show, but still offering you know,

0:19:06.720 --> 0:19:09.919
<v Speaker 1>fresh new insight and fresh takes on it, uh, And

0:19:09.960 --> 0:19:11.680
<v Speaker 1>so I think that and obviously we have an amazing

0:19:11.760 --> 0:19:15.040
<v Speaker 1>kind between you know jay Evan Andsa of course, and

0:19:15.359 --> 0:19:18.399
<v Speaker 1>you know Amanda Seals, you know Natasha rock Well. I

0:19:18.440 --> 0:19:21.000
<v Speaker 1>mean so many amazing again, so much amazing kindly that

0:19:21.359 --> 0:19:23.440
<v Speaker 1>it just makes our job easier. And I always say, like,

0:19:23.480 --> 0:19:25.879
<v Speaker 1>when you first create a show, you know, the first

0:19:26.160 --> 0:19:28.120
<v Speaker 1>the hardest part at the beginning is like you sort

0:19:28.119 --> 0:19:31.199
<v Speaker 1>of write the character of the suit and then but

0:19:31.280 --> 0:19:33.240
<v Speaker 1>it's kind of off the rack. And the longer the

0:19:33.320 --> 0:19:35.920
<v Speaker 1>care longer the actors sits from the character, you start

0:19:35.960 --> 0:19:38.680
<v Speaker 1>tailoring the suit for the actors, so not a suit.

0:19:38.880 --> 0:19:42.879
<v Speaker 1>It's better because the actors getting more comfortable with the character,

0:19:43.280 --> 0:19:45.320
<v Speaker 1>you know, the writers getting more comfortable with the characters,

0:19:45.440 --> 0:19:47.560
<v Speaker 1>and then you get to get get deepers of the

0:19:47.640 --> 0:19:51.080
<v Speaker 1>character um and you can see like like to nuance it.

0:19:51.119 --> 0:19:53.199
<v Speaker 1>So it's been honestly, it's been a blessing to be

0:19:53.200 --> 0:19:56.480
<v Speaker 1>able to And you're absolutely right that that first season

0:19:56.600 --> 0:20:00.760
<v Speaker 1>of character development is rough because you don't really know

0:20:00.880 --> 0:20:03.840
<v Speaker 1>the relationships. But when you're into this fourth to go

0:20:03.880 --> 0:20:06.159
<v Speaker 1>into the fifth, you know, now you have the actors

0:20:06.200 --> 0:20:07.480
<v Speaker 1>coming up, and you didn't say something like that. I

0:20:07.520 --> 0:20:14.520
<v Speaker 1>wouldn't say that that's not my cats, you know what,

0:20:14.520 --> 0:20:19.080
<v Speaker 1>I'm telling the truth that because Yeah, they bought into

0:20:19.119 --> 0:20:21.479
<v Speaker 1>what you've created, and then all of a sudden they

0:20:21.480 --> 0:20:23.480
<v Speaker 1>want to keep it on course because of the fact

0:20:23.560 --> 0:20:25.960
<v Speaker 1>that that's why the characters are natural, and that's why

0:20:25.960 --> 0:20:30.160
<v Speaker 1>I buy into the anger that's happening between the two characters,

0:20:30.720 --> 0:20:33.639
<v Speaker 1>and and and it's gonna build up to I'm pretty

0:20:33.680 --> 0:20:37.040
<v Speaker 1>sure a tremendous season finale because of the fact that

0:20:37.359 --> 0:20:40.560
<v Speaker 1>it's relatable. I this is why I love it. Because

0:20:40.560 --> 0:20:42.840
<v Speaker 1>it's on HBO. There's not on Beach is nothing slam

0:20:42.880 --> 0:20:45.000
<v Speaker 1>on Beat is not on It's on HBO. We know

0:20:45.080 --> 0:20:49.280
<v Speaker 1>that's a dominant white network that's being renewed. That means

0:20:49.320 --> 0:20:53.280
<v Speaker 1>that the content that you're live delivering is relatable to everybody.

0:20:53.280 --> 0:20:56.440
<v Speaker 1>It's good quality content, and that's all you want as

0:20:56.560 --> 0:20:58.560
<v Speaker 1>as a talent. You want to you want you want

0:20:58.720 --> 0:21:01.439
<v Speaker 1>your your information to be welcomed by everybody, not to

0:21:01.480 --> 0:21:05.679
<v Speaker 1>be pigeonholed, you know. And that's brilliant. I've been blessed

0:21:05.680 --> 0:21:08.600
<v Speaker 1>the season to see chairs today are able to do

0:21:08.720 --> 0:21:11.640
<v Speaker 1>a name. I've been blessed to see to see your

0:21:11.760 --> 0:21:17.320
<v Speaker 1>movie Uncorked. Uh. Every Sunday night. I'm enjoying HBOS Insecure

0:21:18.080 --> 0:21:20.080
<v Speaker 1>my friend. Uh. I just wanted to bring on the

0:21:20.080 --> 0:21:23.240
<v Speaker 1>show and say, hey, brother, you're younger than me I I,

0:21:23.440 --> 0:21:25.800
<v Speaker 1>which is great. That means that, uh, you know, the

0:21:26.119 --> 0:21:28.760
<v Speaker 1>spike leads in the world are getting up there, and

0:21:28.880 --> 0:21:32.159
<v Speaker 1>I feel that our future in the directing and the

0:21:32.280 --> 0:21:35.840
<v Speaker 1>writing and the producing business and the film and television,

0:21:36.920 --> 0:21:41.600
<v Speaker 1>it's gonna be all right. Thank you well, I appreciate

0:21:41.720 --> 0:21:44.480
<v Speaker 1>I'm glad to be here. Thank you so much. Well.

0:21:44.600 --> 0:21:47.879
<v Speaker 1>If you if you want to hear more episodes of

0:21:47.920 --> 0:21:51.879
<v Speaker 1>Money Making Conversations, please go to Money Making Conversations dot com.

0:21:51.880 --> 0:21:57.320
<v Speaker 1>I'm your host with Sean McDonalds. In this season of giving,

0:21:57.520 --> 0:22:00.320
<v Speaker 1>Cools has gifts for all your loved ones. For those

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<v Speaker 1>who like to keep it cozy, find fleeces, sweaters, loungeware,

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<v Speaker 1>blankets and throws. Or support minority owned or founded brands

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<v Speaker 1>by giving gifts from Human Nation and Shame Moisture And

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<v Speaker 1>in the spirit of giving, Coals Cares is donating eight

0:22:14.720 --> 0:22:18.719
<v Speaker 1>million dollars to local nonprofits nationwide. Give with all your

0:22:18.760 --> 0:22:21.639
<v Speaker 1>heart this season with great gifts from Coals or coals

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