WEBVTT - #15 Dina

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<v Speaker 1>Yello. Why hello? Now, what kind of greeting is that

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<v Speaker 1>You've got your radio voice on? Could you elaborate on

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<v Speaker 1>what you mean by that?

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<v Speaker 2>I know in the first second, if I'm being recorded

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<v Speaker 2>or on your inflections.

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<v Speaker 1>Well, I always talk like this, Jackie. Back to you.

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<v Speaker 1>The way you're speaking with me now is never the

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<v Speaker 1>way you would normally speak. Okay, wait, hang on a second.

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<v Speaker 1>I'm I'm just talking normal, but you're not talking normal.

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<v Speaker 1>It's your radio voice. Hey, what's going on? It's still

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<v Speaker 1>not It's still not. It's still not. Hey. No, hey

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<v Speaker 1>Jackie again, Jackie, No, you wouldn't say him like that.

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<v Speaker 1>How's it going? Too much energy?

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<v Speaker 3>Hi?

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<v Speaker 1>I can tell anyway. It can't be a radio voice

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<v Speaker 1>because I do a podcast. It's a podcast voice, all right,

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<v Speaker 1>And welcome to the show from Gimlet Media. I'm Jonathan

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<v Speaker 1>Goldstein and this is Heavy Wait today's episode, Dina. Hello, Hello, Okay,

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<v Speaker 1>so we just got to Montreal. We we What's that?

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<v Speaker 4>Isn't that how you say yes in French?

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<v Speaker 1>Yeah? But you just say it once you to say

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<v Speaker 1>we we My folks are about to meet us, pick

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<v Speaker 1>us up at the airport to take us back to

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<v Speaker 1>their place. Where we will be staying for the next

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<v Speaker 1>five days, five days, five days, in my childhood home,

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<v Speaker 1>in the childhood bed i've not slept in in decades.

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<v Speaker 1>My wife, Emily, and I are here for passover, to

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<v Speaker 1>sup upon the bread of affliction. Growing up, though, it

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<v Speaker 1>was everything of affliction, candy, corn of affliction, road trips

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<v Speaker 1>of affliction, bedtime stories of affliction. I moved out when

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<v Speaker 1>I was nineteen, but from age one to eighteen, what

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<v Speaker 1>I remember most is the vague feeling of worry permeating

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<v Speaker 1>the household. Worry that manifested is yelling, yelling through closed doors,

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<v Speaker 1>yelling across the kitchen table, my father yelling into a

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<v Speaker 1>junk drawer desperately trying to find a working pen, my

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<v Speaker 1>mother yelling into a clogged toilet, desperately trying to make

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<v Speaker 1>it go down. But more often than not, the yelling

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<v Speaker 1>wasn't over anything at all. We were just a naturally loud,

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<v Speaker 1>anxious family, a race of nervous giants shrunk into the

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<v Speaker 1>bodies of little Jews.

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<v Speaker 4>Man.

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<v Speaker 1>When I move out of here, I'd say in my teens,

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<v Speaker 1>I'm going to live like sting, peace and quiet, meditation,

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<v Speaker 1>tea and tantric sex, and now after years of oolong

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<v Speaker 1>roubis and lemon roubis, I'm home again for my first

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<v Speaker 1>trip back with Emily and our five month old son Aggie.

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<v Speaker 1>Day one. Here they are my parents. Tyota pulls up

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<v Speaker 1>to the airport, pickups and passes us. Try to catch

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<v Speaker 1>They don't see us here. We're right here. My mother

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<v Speaker 1>jumps out. She runs back towards us, pointing at Aggie's ears.

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<v Speaker 1>His ears are exposed.

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<v Speaker 2>Hi, Hi, emily ears are exposed.

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<v Speaker 1>Both my mother and father where their woolen caps pull

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<v Speaker 1>down well past their ears. In younger, stronger days, they

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<v Speaker 1>might have stretched those camps right down over their feet,

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<v Speaker 1>but they're old now. My mother Dina seventy two, and

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<v Speaker 1>my father Buzz eighty three.

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<v Speaker 3>I want to drive slowly, not too fast. I want

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<v Speaker 3>to go carefully.

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<v Speaker 1>Okay, okay, fine, Well, Buzz is high strung. Dina's intensity

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<v Speaker 1>is capable of raising the emotional temperature of any space

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<v Speaker 1>she occupies in elevators, walk in pantries, and tiotas. Her

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<v Speaker 1>powers are especially acute.

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<v Speaker 2>Like a funny feeling in my throat, Like it's like

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<v Speaker 2>really emotional.

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<v Speaker 4>It's like a dreamed, you know, It's like a dream Yeah,

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<v Speaker 4>it's like such a weird feeling.

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<v Speaker 1>I think the weird, elusive feeling my mother is trying

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<v Speaker 1>to describe is happiness.

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<v Speaker 2>It's just wonderful to see him, But I hope he's

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<v Speaker 2>going to be warm enough.

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<v Speaker 5>Did you bring him up a little something?

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<v Speaker 3>Home? Sweet home?

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<v Speaker 1>Walking through the door, I'm a twelve year old again,

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<v Speaker 1>home from school and looking forward to zoning out with

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<v Speaker 1>petticoat junction. I'm a sixteen year old rushing to the

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<v Speaker 1>bathroom to gargle out the smell of cigarettes. I'm a

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<v Speaker 1>forty eight year old, a grown ass man with a

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<v Speaker 1>grown ass ass. Parenting a newborn leaves a person with

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<v Speaker 1>no time for squats. So don't judge Alex so nice

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<v Speaker 1>in here plate. I can't believe it. So normally the house,

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<v Speaker 1>a modest, semi detached bungalow, has a certain storage unit,

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<v Speaker 1>bombshelter vibe, walls of toilet paper, a cold room full

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<v Speaker 1>of canned fruit, cocktail needle points of biblical scenes, and torreadors,

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<v Speaker 1>all leaned up against the walls for fear of pounding

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<v Speaker 1>in a nail and regretting it forever. But today the

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<v Speaker 1>place looks positively sparse, So I just don't open.

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<v Speaker 2>A closet or the chore everything I'll tumble on your

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<v Speaker 2>head because when you've heard you guys are coming. I

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<v Speaker 2>threw everything into the closets and hid them.

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<v Speaker 1>My mother grabs Aggie and heads upstairs for a diaper change.

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<v Speaker 1>Emily and I trail behind.

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<v Speaker 2>I want him to be.

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<v Speaker 1>Fresh and clean.

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<v Speaker 2>Oh you're so sweet, You're so sweet, my angel.

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<v Speaker 1>Where the frige is the bag? The friggin bag contains

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<v Speaker 1>the friggin diapers that my mother bought for our visit.

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<v Speaker 1>It turns out it's on her lap.

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<v Speaker 2>I kept a bill because I wasn't sure if you

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<v Speaker 2>want me to return them or not.

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<v Speaker 1>Would you be able to return to use diapers? Yeah?

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<v Speaker 2>You know me. I could return anything. I could return anything.

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<v Speaker 1>You know that, Johnny, I do know that returning stuff

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<v Speaker 1>is what my mother lives for. She sees it as

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<v Speaker 1>a staring contest, a game of chess, but with yelling.

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<v Speaker 1>I remember once going along with her as she returned

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<v Speaker 1>a shirt she'd bought for my father two years earlier.

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<v Speaker 1>It's missing a sleeve, she told the cashier, holding up

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<v Speaker 1>the article of clothing. The cashier turned it around and around.

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<v Speaker 1>It's not supposed to have sleeves. The cashier finally said,

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<v Speaker 1>it's a poncho. A poncho, my mother repeated, as though

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<v Speaker 1>it were a foreign word, which, in her defense, I

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<v Speaker 1>suppose it sort of is. I don't care what it is.

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<v Speaker 1>It's factory defective and my husband can't wear it. Whenever

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<v Speaker 1>she'd get this way, I'd adopt a stance meant to

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<v Speaker 1>convey filial loyalty, peppered with a touch of what Vietnam

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<v Speaker 1>Vets call the thousand yard stare. I've stood next to

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<v Speaker 1>my mother through countless exchanges, arguments, spectacles, and stinks. But

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<v Speaker 1>this is the first time I've stood by her side

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<v Speaker 1>as she diapers my son.

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<v Speaker 2>Oh look how much peepee he has? Oh, you made

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<v Speaker 2>a lot of pepi baby. See that's how I knew

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<v Speaker 2>you were sick. When you were a baby, Johnny, you

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<v Speaker 2>weren't peeping.

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<v Speaker 1>What was wrong with me? As a kid, it was

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<v Speaker 1>easy to be embarrassed by my mother. One time, a

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<v Speaker 1>popular boy named Jeordie showed up at our house. I

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<v Speaker 1>wasn't home, but my mother answered the door with her

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<v Speaker 1>hair on fire. My hair's on fire, she screamed. The

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<v Speaker 1>next day in school, Jeordie showed the whole class how

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<v Speaker 1>she screamed it. He wiggled his fingers in the air,

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<v Speaker 1>looking as though he was about to fall to his knees.

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<v Speaker 1>That night, I asked my mother what had happened. It

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<v Speaker 1>was the barbecue, She said, your father wasn't home, and

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<v Speaker 1>I was so in the mood for barbecued lamb chops.

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<v Speaker 1>It seems that while examining the chops for signs of spoilage,

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<v Speaker 1>she leaned her hair sprayed boufont too close to the grill.

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<v Speaker 1>While this explained the fire atop her head, it did

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<v Speaker 1>not explain why she answered the door while nursing a

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<v Speaker 1>fire atop her head. Growing up, this kind of stuff

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<v Speaker 1>happened all the time, so I was always on high

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<v Speaker 1>alert for humiliating emergencies. Being back home again, I feel

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<v Speaker 1>the old muscle memory kick back in. What that smells?

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<v Speaker 2>Something's burning?

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<v Speaker 1>Did you turn on the heater? Did you touch the heat? Though,

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<v Speaker 1>it turns out that one of the rag dolls my

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<v Speaker 1>mother had been hoarding somehow landed onto one of the

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<v Speaker 1>old lamps she'd been hoarding and had begun to burn.

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<v Speaker 2>I could have had a fire because I was so

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<v Speaker 2>careless for a shim.

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<v Speaker 1>The day plays out as a series of minor disasters averted.

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<v Speaker 1>In the morning, my mother loses her cell phone. We

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<v Speaker 1>find it in the night table. In the afternoon, a

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<v Speaker 1>screw to my father's glasses falls out. We replace it

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<v Speaker 1>with a twist tie. At dinner, a waiter charges my

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<v Speaker 1>mother for or potato. She claims she didn't order, but

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<v Speaker 1>after ten minutes of Camp David's style negotiations, it's dropped

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<v Speaker 1>from the bill. Before bed, my father can't find his passport.

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<v Speaker 1>Why do you need a passport? I ask? You always

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<v Speaker 1>need a passport, he says. We find it in the

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<v Speaker 1>night table. In the past, having someone witness all of

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<v Speaker 1>this would have made me feel anxious, But now having

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<v Speaker 1>Emily here makes me feel like I have an ally.

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<v Speaker 1>Turning to her in the midst of some crisis is

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<v Speaker 1>like looking directly into the TV camera and winking at

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<v Speaker 1>the audience.

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<v Speaker 2>Doggy Day two.

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<v Speaker 1>After we put Oggie to sleep, Emily and I lie

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<v Speaker 1>in bed. I ask for her thoughts and reflections on

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<v Speaker 1>the trip so far. Oh, come on, come on, no comment?

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<v Speaker 1>How could she resist? Look at how my mother acts

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<v Speaker 1>with Aggie, I say, trying to get Emily going, I

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<v Speaker 1>saw her put a pocket mirror under his nose while

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<v Speaker 1>he was sleeping to see if he was still breathing.

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<v Speaker 1>After every spoonful she feeds him, she asks, if he's choking.

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<v Speaker 4>You realize, though, that you say all that about Aggie

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<v Speaker 4>now too, like just a tiny little cough, and you

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<v Speaker 4>are doing it.

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<v Speaker 1>Is he breathing?

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<v Speaker 4>Can he sit like that? Can he touch that thing?

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<v Speaker 4>Can he eat that? Can he do that? Is he

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<v Speaker 4>supposed to be doing that?

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<v Speaker 1>What's wrong?

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<v Speaker 3>What's wrong?

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<v Speaker 1>What's wrong? What's he doing? What's he doing? Is he choking?

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<v Speaker 1>What's wrong?

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<v Speaker 4>You do a lot of that kind of thing.

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<v Speaker 1>I can see to Emily that maybe I do just

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<v Speaker 1>a little of that kind of thing. But I wasn't

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<v Speaker 1>even in the parking lot of the ballpark of aDNA Goldstein.

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<v Speaker 4>You one day you dropped, you dropped Aggie off, and

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<v Speaker 4>you called me right afterward because you were so worried.

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<v Speaker 4>Do you remember this?

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<v Speaker 1>I do remember this. It was Aggie's first week of daycare.

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<v Speaker 1>He shares a babysitter with two little sisters, But on

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<v Speaker 1>that particular morning, when the babysitter opened the door, she

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<v Speaker 1>was alone. She told me the girls were napping in

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<v Speaker 1>another room.

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<v Speaker 4>You called me and said she was there alone. She

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<v Speaker 4>said they were in bed. I don't know. Maybe she

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<v Speaker 4>killed the whole family, and now she's going to kill Oggi.

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<v Speaker 1>And you weren't joking.

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<v Speaker 4>Like you knew it was a crazy thought, but you

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<v Speaker 4>needed me to tell you she didn't kill their family.

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<v Speaker 4>She's not going to kill Aggie.

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<v Speaker 1>I did not need you to tell me that.

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<v Speaker 4>And you're misremembering you were freaked out.

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<v Speaker 1>You were freaked out. I thought I was very stoic.

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<v Speaker 1>You called me and.

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<v Speaker 4>Said, I think the nanny is gonna murder our child,

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<v Speaker 4>and that she murdered the whole family.

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<v Speaker 1>That we do daycare with. I don't consider that stoic.

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<v Speaker 5>All right.

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<v Speaker 1>I mean, I'm just imaginative. That's one way to look

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<v Speaker 1>at it. Yet another way to look at it is

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<v Speaker 1>that I'm also crazy, just like my mom. Well, set

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<v Speaker 1>my hair on fire and open the front door. In

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<v Speaker 1>the days after Ougi was born, I couldn't stop thinking

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<v Speaker 1>terrible thoughts. Things I couldn't speak, not even to Emily.

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<v Speaker 1>With this new overwhelming love for my son came new

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<v Speaker 1>overwhelming fears for his safety, his heartbreaks to come, for

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<v Speaker 1>his old age, his loneliness, so I started seeing a therapist.

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<v Speaker 1>I explained how worry was the lingua franca of my childhood.

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<v Speaker 1>I wasn't allowed a paper route because it was a

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<v Speaker 1>good way to get abducted, no barefoot in because of

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<v Speaker 1>rusty nails. And I didn't even learn to swim until

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<v Speaker 1>junior high because water that's where people go to drown.

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<v Speaker 1>Worry and fear were how my mother communicated love. I

0:14:10.679 --> 0:14:13.800
<v Speaker 1>said to my therapist with a shrug, But love is love.

0:14:14.320 --> 0:14:17.480
<v Speaker 1>The important thing is that we feel it. But my

0:14:17.559 --> 0:14:21.360
<v Speaker 1>therapist's response troubled me. She said that love was the

0:14:21.400 --> 0:14:25.160
<v Speaker 1>transcendence of fear, that you might even say fear was

0:14:25.160 --> 0:14:29.400
<v Speaker 1>the opposite of love. Sitting at my childhood desk with

0:14:29.480 --> 0:14:33.720
<v Speaker 1>Aggie's toys scattered at my feet, my therapist's words returned

0:14:33.760 --> 0:14:37.640
<v Speaker 1>to me. If I was becoming my mother, would AGGI

0:14:37.720 --> 0:14:41.160
<v Speaker 1>someday become me? Someone weighed down by fear? And worry?

0:14:41.880 --> 0:14:44.920
<v Speaker 1>Was our genetic line nothing more than an inglorious chain

0:14:45.000 --> 0:14:48.480
<v Speaker 1>of Russian dolls? Should my therapist save the notes from

0:14:48.480 --> 0:14:50.920
<v Speaker 1>our sessions so I can send Aggie to her at

0:14:50.960 --> 0:14:54.680
<v Speaker 1>a discounted rate. I didn't want my son becoming me,

0:14:55.240 --> 0:14:57.360
<v Speaker 1>and there were only two people who could help me

0:14:57.480 --> 0:15:01.360
<v Speaker 1>understand how I became me, wh who charged New York

0:15:01.400 --> 0:15:04.680
<v Speaker 1>therapy rates that might leave me bankrupted before I'm cured?

0:15:05.440 --> 0:15:13.880
<v Speaker 1>And the other my mother day three. As a child,

0:15:14.080 --> 0:15:17.480
<v Speaker 1>I felt trapped and embarrassed by my mother. As an adult,

0:15:17.760 --> 0:15:20.720
<v Speaker 1>I came to be amused by her. It's only as

0:15:20.720 --> 0:15:23.880
<v Speaker 1>a freshly minted father visiting home for the first time

0:15:24.320 --> 0:15:26.920
<v Speaker 1>that I'm beginning to see that I am her.

0:15:27.560 --> 0:15:33.160
<v Speaker 2>How much you pay for apples seventy but I'm desperate?

0:15:33.360 --> 0:15:35.800
<v Speaker 1>This is what we normally talk about. Where to get

0:15:35.800 --> 0:15:38.160
<v Speaker 1>the best price on paper plates? Where to get the

0:15:38.160 --> 0:15:39.720
<v Speaker 1>best price on honeydew melon?

0:15:40.280 --> 0:15:40.560
<v Speaker 5>Dina?

0:15:40.600 --> 0:15:42.960
<v Speaker 3>What do you pay for a bottle of water.

0:15:43.800 --> 0:15:45.480
<v Speaker 2>Twenty four for a dollar eighty eight?

0:15:46.760 --> 0:15:47.760
<v Speaker 5>Bottle water.

0:15:49.000 --> 0:15:51.160
<v Speaker 2>Cox twenty four for six forty nine?

0:15:51.720 --> 0:15:54.440
<v Speaker 1>Will you pay for a loaf of bread? But after dinner,

0:15:54.680 --> 0:15:57.520
<v Speaker 1>after Aggie's gone to sleep, my mom and I sit

0:15:57.600 --> 0:16:00.320
<v Speaker 1>down at the kitchen table to have a different converse station.

0:16:01.360 --> 0:16:04.200
<v Speaker 1>Emily is reading in bed, and my father's watching TV

0:16:04.320 --> 0:16:09.920
<v Speaker 1>in the basement. It's just us. Hello, Hello, go ahead

0:16:09.960 --> 0:16:13.600
<v Speaker 1>and talk here. I am Why do you say here?

0:16:13.640 --> 0:16:14.000
<v Speaker 5>I am?

0:16:14.680 --> 0:16:14.840
<v Speaker 2>Well?

0:16:15.040 --> 0:16:16.320
<v Speaker 1>Where should I say there?

0:16:16.360 --> 0:16:18.320
<v Speaker 2>I am?

0:16:18.600 --> 0:16:21.280
<v Speaker 1>Tonight? I want to talk about the fear, that thing

0:16:21.320 --> 0:16:24.560
<v Speaker 1>my family lives inside, like a snowsuit with a broken

0:16:24.640 --> 0:16:28.120
<v Speaker 1>zipper that can no more be removed than our own flesh.

0:16:28.680 --> 0:16:31.360
<v Speaker 1>I want to talk about the nameless thing that binds

0:16:31.400 --> 0:16:37.880
<v Speaker 1>all Goldstein's, that ignites us, propels us, and ultimately paralyzes us. Well,

0:16:37.920 --> 0:16:39.760
<v Speaker 1>I think about this stuff now, because you know, I

0:16:39.760 --> 0:16:44.400
<v Speaker 1>have I have a I have a son, and I think,

0:16:46.040 --> 0:16:47.960
<v Speaker 1>but I think he's so beautiful.

0:16:48.000 --> 0:16:52.840
<v Speaker 2>And I saw those blue eyes like no horas Bay's eggs.

0:16:53.080 --> 0:16:56.400
<v Speaker 1>My mother's not talking crazy talk, she's talking Yiddish.

0:16:56.560 --> 0:16:58.440
<v Speaker 5>So Bay's eggs.

0:16:58.520 --> 0:16:59.440
<v Speaker 1>Yeah, what does that mean?

0:17:00.120 --> 0:17:00.440
<v Speaker 5>Bad O?

0:17:00.480 --> 0:17:05.679
<v Speaker 1>I shouldn't hurt them. The bad eye, the evil eye,

0:17:06.119 --> 0:17:09.480
<v Speaker 1>the belief that merely saying something positive is enough to

0:17:09.520 --> 0:17:13.399
<v Speaker 1>invite evil forces to snuff the good thing out. So

0:17:13.480 --> 0:17:16.280
<v Speaker 1>even bringing up a normal son to mom question about

0:17:16.320 --> 0:17:19.960
<v Speaker 1>good parenting is enough to attract the eye. On the

0:17:20.040 --> 0:17:23.000
<v Speaker 1>day of my bar Mitzvah, my mother carefully sewed a

0:17:23.080 --> 0:17:26.760
<v Speaker 1>red ribbon into my underwear. In this way, she reasoned,

0:17:27.040 --> 0:17:30.000
<v Speaker 1>should the evil eye turn its gaze upon me, I'd

0:17:30.000 --> 0:17:35.760
<v Speaker 1>be protected by my underwear. Why do you think you

0:17:35.920 --> 0:17:42.639
<v Speaker 1>do that evil eyed stuff? It's what you say, it's cuckoo.

0:17:43.000 --> 0:17:44.800
<v Speaker 2>I know it's cuckoo, but I can't help it.

0:17:45.200 --> 0:17:48.440
<v Speaker 1>But then that's just a superstition. I don't know everybody

0:17:48.480 --> 0:17:52.199
<v Speaker 1>does it. I've never met anybody who puts red ribbons

0:17:52.200 --> 0:17:54.600
<v Speaker 1>in their own I'm saying I personally have never met

0:17:54.640 --> 0:17:57.639
<v Speaker 1>anyone who does that. So I can't say everybody puts

0:17:57.680 --> 0:18:00.520
<v Speaker 1>red ribbons in their underwear. But what what is it

0:18:00.600 --> 0:18:06.080
<v Speaker 1>supposed to be? Warding off? But what is the evil eye?

0:18:06.600 --> 0:18:11.720
<v Speaker 1>I don't know. This is how conversations with Dina often go.

0:18:12.359 --> 0:18:15.840
<v Speaker 1>The derail hit dead ends. So when I ask her

0:18:16.359 --> 0:18:19.840
<v Speaker 1>why was our home the way it was? I expect

0:18:19.840 --> 0:18:24.320
<v Speaker 1>more of the same, But instead my mother grows quiet.

0:18:31.560 --> 0:18:35.160
<v Speaker 1>I worry, Yeah, I do too.

0:18:35.359 --> 0:18:39.880
<v Speaker 2>I'm afraid of this, afraid of that. Well, I was irrational.

0:18:39.920 --> 0:18:42.640
<v Speaker 2>I wasn't thinking right, and I have a chance to

0:18:42.680 --> 0:18:44.160
<v Speaker 2>redo my a little bit.

0:18:44.240 --> 0:18:49.399
<v Speaker 1>Not with you, but with Augie. She stops talking and

0:18:49.440 --> 0:18:53.400
<v Speaker 1>stares into her lap for a while. We just sit there.

0:18:56.560 --> 0:19:00.720
<v Speaker 2>I look upon this as a second chance. I want

0:19:00.760 --> 0:19:04.639
<v Speaker 2>to correct my mistakes, Johnny, I want to redeem myself.

0:19:05.560 --> 0:19:10.800
<v Speaker 1>That's it. My mother doesn't usually talk this way if

0:19:10.800 --> 0:19:13.919
<v Speaker 1>something's causing her grief. She returns it to the store,

0:19:14.400 --> 0:19:17.800
<v Speaker 1>sends it back to the kitchen, and so talk of

0:19:17.840 --> 0:19:21.840
<v Speaker 1>second chances and redemption. The words sound weird coming out

0:19:21.880 --> 0:19:24.080
<v Speaker 1>of her mouth, and I don't know how to respond.

0:19:25.160 --> 0:19:28.240
<v Speaker 1>Where's all this coming from? I ask? Are you thinking

0:19:28.280 --> 0:19:34.720
<v Speaker 1>of something specific? It's too painful. I don't want Maybe

0:19:34.760 --> 0:19:37.199
<v Speaker 1>if you talk about it, you won't talk about it.

0:19:37.240 --> 0:19:41.280
<v Speaker 1>I don't think it could be anything. Then I can't.

0:19:41.320 --> 0:19:45.600
<v Speaker 1>I can't talk about it. Don't press me, please well,

0:19:45.600 --> 0:19:46.800
<v Speaker 1>I don't want to force you. I don't want to

0:19:46.840 --> 0:19:50.640
<v Speaker 1>make you feel bad. I am ashamed of myself. Let's

0:19:50.720 --> 0:19:57.400
<v Speaker 1>change the subject, and with that the conversation ends. I'd

0:19:57.400 --> 0:20:00.320
<v Speaker 1>gotten to my mother for answers about my childhood, but

0:20:00.400 --> 0:20:02.960
<v Speaker 1>instead she has left me with questions I didn't even

0:20:02.960 --> 0:20:06.439
<v Speaker 1>know I had. What had happened that was so bad?

0:20:06.600 --> 0:20:09.320
<v Speaker 1>She couldn't even talk about it? What was she so

0:20:09.400 --> 0:20:20.320
<v Speaker 1>afraid to tell me? After the break, I find out, Hello, Hello,

0:20:20.560 --> 0:20:24.159
<v Speaker 1>So mom's upstairs with Emily. Do you have any insight?

0:20:24.280 --> 0:20:27.800
<v Speaker 1>Day four? I sit down with my father to see

0:20:27.840 --> 0:20:30.439
<v Speaker 1>if he has any idea what the second chance is

0:20:30.480 --> 0:20:34.280
<v Speaker 1>that my mother's talking about. He's hesitant to talk because

0:20:34.359 --> 0:20:37.280
<v Speaker 1>that goes against his strategy of staying out of the drama.

0:20:37.960 --> 0:20:41.000
<v Speaker 1>In fact, most of my childhood memories of him are

0:20:41.040 --> 0:20:44.200
<v Speaker 1>of a man in bed napping with a large volume

0:20:44.240 --> 0:20:47.080
<v Speaker 1>of World War II history splayed open on his chest.

0:20:47.720 --> 0:20:51.000
<v Speaker 1>This retiring nature might be the secret to having stayed

0:20:51.040 --> 0:20:55.040
<v Speaker 1>married to my mother for more than fifty years. What

0:20:55.200 --> 0:20:57.159
<v Speaker 1>is the thing that she is carrying around with her?

0:20:57.200 --> 0:21:01.879
<v Speaker 3>She's a very private person and she feels she doesn't

0:21:01.920 --> 0:21:05.040
<v Speaker 3>want to be intruded upon. Don't take it the wrong way, so.

0:21:05.080 --> 0:21:07.680
<v Speaker 1>You have no inkling. You don't know what's going on.

0:21:07.960 --> 0:21:10.000
<v Speaker 3>Doesn't even discussed with me. I don't know what guilt,

0:21:10.080 --> 0:21:10.920
<v Speaker 3>I don't know what she's talking.

0:21:10.960 --> 0:21:13.480
<v Speaker 1>Don't find it odd or intriguing in a way.

0:21:13.520 --> 0:21:18.639
<v Speaker 3>It's a touchy subject for her, and she's very reluctant

0:21:18.680 --> 0:21:19.760
<v Speaker 3>to talk about it.

0:21:20.080 --> 0:21:21.200
<v Speaker 1>Talk about it. What's the it?

0:21:21.720 --> 0:21:23.160
<v Speaker 3>I don't know. You have to ask her, and she's

0:21:23.200 --> 0:21:26.480
<v Speaker 3>going to shut down. She's going to shut down.

0:21:28.080 --> 0:21:31.359
<v Speaker 1>This means she'll try to change the subject or start

0:21:31.359 --> 0:21:34.800
<v Speaker 1>to yell. But today I don't care. I just want

0:21:34.840 --> 0:21:38.320
<v Speaker 1>to know what the big secret is. I wonder what

0:21:38.440 --> 0:21:41.600
<v Speaker 1>it is? I say to Emily, who knows? She says

0:21:41.680 --> 0:21:44.640
<v Speaker 1>while brushing her hair. So many things about your mom

0:21:44.720 --> 0:21:47.240
<v Speaker 1>are a mystery to me, like why is the kitchen

0:21:47.280 --> 0:21:50.320
<v Speaker 1>faucet always running full blast? And why does she keep

0:21:50.359 --> 0:21:54.560
<v Speaker 1>offering me paper towels. I think she says, you should

0:21:54.600 --> 0:22:01.679
<v Speaker 1>just let it go, but of course I can't. What

0:22:01.800 --> 0:22:04.480
<v Speaker 1>had my mother done that she wanted a second chance at?

0:22:05.040 --> 0:22:06.879
<v Speaker 1>Was it for the time she bought me a shirt

0:22:06.960 --> 0:22:10.840
<v Speaker 1>for my birthday that she later admitted was actually a dress?

0:22:11.320 --> 0:22:13.440
<v Speaker 1>Did you want to redo the time she dropped me

0:22:13.480 --> 0:22:16.600
<v Speaker 1>off at a birthday party and hollered out the car window.

0:22:17.200 --> 0:22:20.439
<v Speaker 1>Have fun? But if you get diarrhea and someone's on

0:22:20.480 --> 0:22:24.679
<v Speaker 1>the toilet, just making the bathtub diarrhea is not a

0:22:24.760 --> 0:22:28.440
<v Speaker 1>time for pride. Of course I now see the wisdom,

0:22:28.840 --> 0:22:31.879
<v Speaker 1>but as a child, her words were a source of shame.

0:22:33.200 --> 0:22:35.680
<v Speaker 1>I need to know. So I invite my mother out

0:22:35.720 --> 0:22:38.720
<v Speaker 1>for a Sunday stroll with Oggie and me. Maybe if

0:22:38.720 --> 0:22:43.680
<v Speaker 1>she can just relax, it'll come out like diarrhea.

0:22:45.800 --> 0:22:46.240
<v Speaker 5>We'll talk.

0:22:46.880 --> 0:22:47.720
<v Speaker 2>What should I say?

0:22:48.359 --> 0:22:49.480
<v Speaker 1>Learn to take your robble?

0:22:50.280 --> 0:22:50.919
<v Speaker 5>So tell me?

0:22:52.920 --> 0:22:54.960
<v Speaker 1>So, do you find walking with Hoggie relaxing?

0:22:55.359 --> 0:23:03.120
<v Speaker 2>Very relaxing? So nice? It's a pleasure, my little friend.

0:23:02.040 --> 0:23:05.960
<v Speaker 1>To start things off. I lobber an easy question, cocktail

0:23:06.000 --> 0:23:10.240
<v Speaker 1>party stuff. What's your first memory?

0:23:13.200 --> 0:23:17.959
<v Speaker 2>Kindergarten? And we lived on Colonial four h three nine Colonial,

0:23:18.640 --> 0:23:22.680
<v Speaker 2>And I remember my father used to play peinockle and

0:23:22.720 --> 0:23:26.040
<v Speaker 2>he had a thumb that was the nail like the

0:23:26.080 --> 0:23:30.080
<v Speaker 2>thumbnail was very cut off, and all of a sudden

0:23:30.119 --> 0:23:32.679
<v Speaker 2>I thought of it, and I started screaming and crying

0:23:32.720 --> 0:23:38.480
<v Speaker 2>and carrying on. I'm worrying. Oh, I remember, how old

0:23:38.520 --> 0:23:40.600
<v Speaker 2>are you must have been four or five.

0:23:40.880 --> 0:23:44.040
<v Speaker 1>So an early memory is being at kindergarten and remembering

0:23:44.080 --> 0:23:48.119
<v Speaker 1>your father's thumbnail and starting to cry. What was it

0:23:48.160 --> 0:23:50.560
<v Speaker 1>that upset you about it?

0:23:50.560 --> 0:23:53.439
<v Speaker 2>I read about it because it wasn't like a regular thumb.

0:23:55.359 --> 0:23:57.840
<v Speaker 2>I was worried crazy.

0:23:58.280 --> 0:24:01.280
<v Speaker 1>I tried a guide her towards happy red inniscences, but

0:24:01.320 --> 0:24:06.000
<v Speaker 1>all her memories are awful. Rheumatic fever, scarlet fever, her

0:24:06.040 --> 0:24:09.080
<v Speaker 1>mother slapping her in Woolworth's for whining about a balloon

0:24:09.160 --> 0:24:11.640
<v Speaker 1>she wanted, waking up in the middle of the night

0:24:11.800 --> 0:24:14.360
<v Speaker 1>to find a wall in the kitchen covered in moths.

0:24:14.960 --> 0:24:17.800
<v Speaker 2>Then I remember my mother's pressure cooker in that house

0:24:18.160 --> 0:24:26.560
<v Speaker 2>hits the ceiling and pea soup was splattered everywhere, all

0:24:26.640 --> 0:24:27.400
<v Speaker 2>your memories.

0:24:27.600 --> 0:24:33.560
<v Speaker 1>Let's hear another memory. With the small talk exhausted, I

0:24:33.640 --> 0:24:36.920
<v Speaker 1>trepidaciously bring the subject back around to the do over.

0:24:37.880 --> 0:24:40.760
<v Speaker 2>I don't know, Johnny. I don't want to talk about it.

0:24:40.800 --> 0:24:44.840
<v Speaker 2>I don't want to remind myself the way I felt.

0:24:45.560 --> 0:24:49.160
<v Speaker 2>Doesn't conjure up good memories. Please, and that's the.

0:24:49.240 --> 0:24:49.600
<v Speaker 5>End of it.

0:24:49.640 --> 0:24:51.800
<v Speaker 2>I don't want to go into details.

0:24:54.240 --> 0:24:57.439
<v Speaker 1>Nonetheless, for the rest of the day, I can't stop

0:24:57.480 --> 0:25:01.640
<v Speaker 1>myself from asking for details, I asked, as she puts

0:25:01.640 --> 0:25:02.879
<v Speaker 1>away the breakfast dishes.

0:25:05.280 --> 0:25:06.840
<v Speaker 2>I have nothing more to say, Johnny.

0:25:06.920 --> 0:25:09.720
<v Speaker 1>Leave me be, I ask, as she cuts coupons while

0:25:09.760 --> 0:25:13.359
<v Speaker 1>watching Judge Judy with Emily in broad strokes.

0:25:13.200 --> 0:25:16.359
<v Speaker 2>Alone, Please Emily take him off me?

0:25:17.040 --> 0:25:20.280
<v Speaker 1>And while she peels boiled eggs for lunch, Leave me alone.

0:25:21.760 --> 0:25:24.760
<v Speaker 1>Later we all sit down for dinner and with it

0:25:24.840 --> 0:25:25.439
<v Speaker 1>some wine.

0:25:25.880 --> 0:25:26.960
<v Speaker 2>What's wrong with me?

0:25:27.119 --> 0:25:31.520
<v Speaker 1>I think I'm off my rock. My mother rarely drinks wine.

0:25:32.200 --> 0:25:34.440
<v Speaker 2>Oh my god, how did I get like this?

0:25:36.080 --> 0:25:36.320
<v Speaker 5>Mom?

0:25:36.400 --> 0:25:41.400
<v Speaker 1>You just had a glass of wine. As she drifts

0:25:41.440 --> 0:25:45.320
<v Speaker 1>off into an inebriated slumber, I give it one last try,

0:25:47.200 --> 0:25:50.439
<v Speaker 1>can I Is there anything you need to tell me? No,

0:25:50.680 --> 0:26:02.040
<v Speaker 1>any secrets to reveal No, I was getting nowhere day five?

0:26:03.200 --> 0:26:10.679
<v Speaker 1>All right, you want to change him? What? It's our

0:26:10.760 --> 0:26:13.040
<v Speaker 1>last day, and I've decided to give it a rest.

0:26:13.760 --> 0:26:17.240
<v Speaker 1>I stop asking weird questions and we all just hang out.

0:26:17.440 --> 0:26:19.600
<v Speaker 1>We talk about the price of things, We yell from

0:26:19.680 --> 0:26:22.520
<v Speaker 1>room to room, We search for lost cell phones, and

0:26:22.600 --> 0:26:28.840
<v Speaker 1>grow pleasantly bored with each other's company. Overall, it's pretty nice. Well,

0:26:28.880 --> 0:26:31.680
<v Speaker 1>while putting Aggie down for a nap, my mother has

0:26:31.680 --> 0:26:34.960
<v Speaker 1>a question for me, Sonny, what was it.

0:26:34.840 --> 0:26:38.200
<v Speaker 2>That you were hoping to get from me? Oh?

0:26:38.560 --> 0:26:40.199
<v Speaker 1>I really did just want to be able to have

0:26:40.240 --> 0:26:42.879
<v Speaker 1>a conversation, that's all I'm not. I don't want to.

0:26:42.960 --> 0:26:44.480
<v Speaker 1>I don't want to cause your distress.

0:26:44.880 --> 0:26:46.440
<v Speaker 2>You're not causing distress.

0:26:46.560 --> 0:26:48.320
<v Speaker 5>It's it's what it was.

0:26:49.520 --> 0:26:52.200
<v Speaker 1>And I don't even want to talk about old, painful stuff.

0:27:00.440 --> 0:27:02.560
<v Speaker 2>Who was sweet?

0:27:03.040 --> 0:27:03.080
<v Speaker 3>What?

0:27:05.000 --> 0:27:08.840
<v Speaker 1>She lays Aggie down, She stands over the crib. She

0:27:08.920 --> 0:27:12.879
<v Speaker 1>starts to say something, but then trails away. What are

0:27:12.920 --> 0:27:19.560
<v Speaker 1>we saying? All right, I'm gonna turn it off. Then

0:27:22.800 --> 0:27:26.199
<v Speaker 1>I was not adopted. I had no secret twin, and

0:27:26.280 --> 0:27:29.840
<v Speaker 1>my mother had no secret family. There were no murders,

0:27:30.040 --> 0:27:33.600
<v Speaker 1>no affairs. It turns out that my mother's big secret.

0:27:34.000 --> 0:27:35.720
<v Speaker 1>The thing that was so hard for her to say

0:27:36.480 --> 0:27:39.160
<v Speaker 1>was that she was sorry for a lot of things,

0:27:39.840 --> 0:27:44.200
<v Speaker 1>some small, some not so small. Some I remember, some

0:27:44.560 --> 0:27:48.760
<v Speaker 1>I don't, calling me names, screaming at me a lot.

0:27:48.920 --> 0:27:51.560
<v Speaker 1>How she could have been nicer to my girlfriends, How

0:27:51.600 --> 0:27:55.560
<v Speaker 1>she used to pull my hair, hit me. Hitting kids

0:27:55.680 --> 0:27:58.480
<v Speaker 1>was like the hula hoop. Back then, I say, a fad.

0:27:59.080 --> 0:28:03.360
<v Speaker 1>Everyone did it. It wasn't right, she says. Back then

0:28:03.440 --> 0:28:06.880
<v Speaker 1>people didn't know better. I say, I should have known better.

0:28:06.920 --> 0:28:11.840
<v Speaker 1>She says, I forgive you. I say, I don't forgive myself.

0:28:12.960 --> 0:28:16.560
<v Speaker 1>So I forgive her again, and I mean it, And

0:28:16.640 --> 0:28:18.840
<v Speaker 1>then I turned the recorder back on.

0:28:24.280 --> 0:28:27.520
<v Speaker 2>I love you, honey. You made it a little easier

0:28:27.560 --> 0:28:27.919
<v Speaker 2>for me.

0:28:28.080 --> 0:28:39.800
<v Speaker 1>Thank you. I love you too much. When you become

0:28:39.840 --> 0:28:43.640
<v Speaker 1>a parent, your whole life changes, but you forget that

0:28:43.800 --> 0:28:47.320
<v Speaker 1>some things stay the same. I'd been so focused on

0:28:47.400 --> 0:28:50.520
<v Speaker 1>becoming a better father that I forgot I was still

0:28:50.560 --> 0:28:53.840
<v Speaker 1>a son. And maybe learning to be a better son

0:28:54.640 --> 0:28:59.400
<v Speaker 1>is how you become a better dad. Anyway I want

0:28:59.480 --> 0:29:02.960
<v Speaker 1>him to be. On the last morning of our visit,

0:29:03.320 --> 0:29:06.280
<v Speaker 1>my mother and I head to the park. As a kid,

0:29:06.480 --> 0:29:09.040
<v Speaker 1>the park was someplace I usually went with my grandfather

0:29:09.360 --> 0:29:12.080
<v Speaker 1>or father. One of the only times I remember going

0:29:12.080 --> 0:29:15.080
<v Speaker 1>with my mother, two collies appeared out of nowhere and

0:29:15.120 --> 0:29:19.080
<v Speaker 1>began chasing us. I remember we separated and the dogs

0:29:19.200 --> 0:29:23.120
<v Speaker 1>chased her while I hid behind a tree. I look

0:29:23.160 --> 0:29:26.480
<v Speaker 1>around the playground from my own childhood with her. I

0:29:26.560 --> 0:29:29.840
<v Speaker 1>knew most things were out sandbox because someone could have

0:29:29.880 --> 0:29:33.720
<v Speaker 1>peed in there. Same for the swings, monkey bars, teeter totters,

0:29:33.720 --> 0:29:38.760
<v Speaker 1>and merry go rounds. But then something surprising happens. Picking

0:29:38.760 --> 0:29:40.840
<v Speaker 1>Aggie up out of the stroller, my.

0:29:40.880 --> 0:29:43.240
<v Speaker 2>Mother says, I'll take him down the slide.

0:29:43.480 --> 0:29:45.200
<v Speaker 1>He's never he's never gone down the side.

0:29:45.320 --> 0:29:47.880
<v Speaker 2>Come with Bobby Henney. We'll go down the slide together.

0:29:47.960 --> 0:29:50.120
<v Speaker 1>Okay, you're gonna go with him down the side. Well,

0:29:50.120 --> 0:29:53.280
<v Speaker 1>what do you think I'll put himself? I didn't. You're

0:29:53.320 --> 0:29:54.520
<v Speaker 1>not afraid to go down the slide.

0:29:54.800 --> 0:29:55.880
<v Speaker 5>Why would I be afraid?

0:29:56.320 --> 0:29:59.640
<v Speaker 1>I don't know. Okay, be careful, yeah.

0:30:00.160 --> 0:30:01.960
<v Speaker 2>On my nervis, I wasn't afraid.

0:30:02.400 --> 0:30:08.000
<v Speaker 1>Be careful. I don't know. My mother hands me back

0:30:08.040 --> 0:30:12.240
<v Speaker 1>Aggie and holding onto the railing, she carefully climbs the

0:30:12.280 --> 0:30:15.680
<v Speaker 1>steps to the top of the slide. When she gets there,

0:30:15.880 --> 0:30:18.760
<v Speaker 1>I climb up too, and hand Aggie back to her

0:30:19.280 --> 0:30:23.040
<v Speaker 1>with hesitation. She positions them onto her lap and I

0:30:23.120 --> 0:30:25.560
<v Speaker 1>run around to the bottom of the slide to await

0:30:25.600 --> 0:30:26.320
<v Speaker 1>their arrival.

0:30:26.800 --> 0:30:30.040
<v Speaker 5>And you stand there and catch us in chase bad for.

0:30:30.120 --> 0:30:33.600
<v Speaker 1>Me, And then Dina lets go.

0:30:33.960 --> 0:30:34.880
<v Speaker 2>You're gonna go down.

0:30:34.960 --> 0:30:45.680
<v Speaker 1>Whoo whoo. He's having fun. Huh, so much fun in fact,

0:30:45.960 --> 0:30:49.080
<v Speaker 1>that my mother decides to do it again. And so

0:30:49.440 --> 0:30:53.120
<v Speaker 1>again she climbs up the steps, all three of them,

0:30:53.640 --> 0:30:56.200
<v Speaker 1>to the top of the ladder, and from the grand

0:30:56.240 --> 0:30:59.040
<v Speaker 1>height of three and a half feet, my mother and

0:30:59.120 --> 0:31:05.600
<v Speaker 1>son descend the toddler slide once more, sliding sliding down

0:31:05.880 --> 0:31:14.080
<v Speaker 1>the snide. Oggie loves it, so they do it again

0:31:14.840 --> 0:31:19.080
<v Speaker 1>a third chance, a fourth, and even a fifth. Then

0:31:19.240 --> 0:31:22.280
<v Speaker 1>we move on to the bouncy caterpillar, the rope bridge,

0:31:22.760 --> 0:31:25.280
<v Speaker 1>and the swings.

0:31:24.240 --> 0:31:34.320
<v Speaker 2>Swim swingy Oggy's going swingy, the itsy bitsy spider win

0:31:34.560 --> 0:31:35.640
<v Speaker 2>up the water.

0:31:36.720 --> 0:31:40.440
<v Speaker 1>Parenthood is like a redo of your own childhood, and

0:31:40.560 --> 0:31:44.560
<v Speaker 1>grandparenthood is like a redo of that. That's all life is,

0:31:45.240 --> 0:31:49.720
<v Speaker 1>learning and relearning the same lessons over and over all

0:31:49.760 --> 0:31:53.160
<v Speaker 1>of us, like those itsy bitsy spiders crawling up endless

0:31:53.200 --> 0:31:56.520
<v Speaker 1>water spouts, trying to make just a little more progress

0:31:56.640 --> 0:32:00.280
<v Speaker 1>each time we set out. There's comfort in knowing that

0:32:00.360 --> 0:32:02.920
<v Speaker 1>no one ever gets it right, no matter how many

0:32:03.000 --> 0:32:07.160
<v Speaker 1>chances we get. But hopefully at least a few things

0:32:07.160 --> 0:32:10.840
<v Speaker 1>go right, a few purely kind gestures somehow get through,

0:32:11.800 --> 0:32:16.000
<v Speaker 1>And for everything else we ask for forgiveness, And if

0:32:16.000 --> 0:32:20.800
<v Speaker 1>we're lucky, we'll receive it, and if we're luckier, we'll

0:32:20.840 --> 0:32:25.680
<v Speaker 1>forgive ourselves too.

0:32:27.400 --> 0:33:05.600
<v Speaker 5>Horrors.

0:33:17.120 --> 0:33:21.800
<v Speaker 3>Now that the vernitures returning to its.

0:33:21.760 --> 0:33:30.160
<v Speaker 2>Goodwill home, now that the last month's rent is scheming

0:33:30.400 --> 0:33:32.000
<v Speaker 2>with the damaged.

0:33:31.880 --> 0:33:38.160
<v Speaker 3>Pole, take this moment to dissolved, if we meant it,

0:33:38.320 --> 0:33:42.560
<v Speaker 3>if we tried, but felt.

0:33:42.280 --> 0:33:48.800
<v Speaker 1>Around for far too empty from things that accidentally talk.

0:33:53.400 --> 0:33:56.600
<v Speaker 1>Eavyweight is hosted and produced by me Jonathan Goldstein along

0:33:56.600 --> 0:34:00.400
<v Speaker 1>with Khalila Holt. The senior producer is Caitlin Roberts, editing

0:34:00.440 --> 0:34:04.280
<v Speaker 1>by Jorge just Alex Bloomberg and Wendy Tour Special thanks

0:34:04.280 --> 0:34:08.480
<v Speaker 1>to Emily Condon, Emmanuel Berry, Pat Walters, and Jackie Cohen.

0:34:09.080 --> 0:34:12.280
<v Speaker 1>The show is mixed by Kate Bolinski, music by Christine

0:34:12.320 --> 0:34:15.640
<v Speaker 1>Fellows and John K. Sampson. Additional music credits for this

0:34:15.719 --> 0:34:19.120
<v Speaker 1>episode can be found on our website Gimbletmedia dot com

0:34:19.160 --> 0:34:22.480
<v Speaker 1>slash Heavyweight. Our theme song is by The Weaker Thans

0:34:22.520 --> 0:34:25.600
<v Speaker 1>courtesy of Epitaph Records, and our ad music is by

0:34:25.600 --> 0:34:29.279
<v Speaker 1>Hailey Shaw. Follow us on Twitter at Heavyweight. This is

0:34:29.320 --> 0:34:31.960
<v Speaker 1>our last episode of the season, but we're already looking

0:34:31.960 --> 0:34:34.719
<v Speaker 1>for stories for season three, so if you have one,

0:34:35.040 --> 0:34:38.440
<v Speaker 1>email us at Heavyweight at gimletmedia dot com. And if

0:34:38.480 --> 0:34:41.880
<v Speaker 1>you see fit phunch in some stars for us on iTunes.

0:34:42.640 --> 0:35:03.000
<v Speaker 1>Thanks for listening. Oh oh sign

0:35:04.920 --> 0:35:04.960
<v Speaker 5>M