WEBVTT - #161 - Artists Who Hate Playing Their Hits with Bobby and Eddie

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<v Speaker 1>Welcome to episode one six one of the Bobby Cast,

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<v Speaker 1>And this one's gonna be about artists who hate their

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<v Speaker 1>biggest hits, which is interesting. I told you about this

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<v Speaker 1>yesterday and I was like, I want you to hop

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<v Speaker 1>on because this is a good one. I like it.

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<v Speaker 1>Do you know any of these? Um, I was trying

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<v Speaker 1>to guess something. I would think Red Hot Chili Peppers

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<v Speaker 1>would come to mind, like under the Bridge. They don't

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<v Speaker 1>like playing that one. I would think not right, Oh,

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<v Speaker 1>you don't know. I don't know is that on here?

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<v Speaker 1>Because every time I've been to like ten Chili Pepper shows,

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<v Speaker 1>they played every time. Yeah, and the whole place is like,

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<v Speaker 1>I don't have a wound up. That's their smash, right,

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<v Speaker 1>Like that's their big song to them started. I think

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<v Speaker 1>that was their moment song. But I don't know if

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<v Speaker 1>it was their biggest song, because I would think that's

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<v Speaker 1>something like, um aeroplane, something that we don't think is

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<v Speaker 1>the biggest. We're hardcore Chili Pepper fans were actually popped

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<v Speaker 1>the mainstream because it was in Deep's butt head pop

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<v Speaker 1>Readio played the crap out of it, So I would

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<v Speaker 1>think it'd be something like it's my aero plane. Yeah,

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<v Speaker 1>so not to totally shift at the beginning of this,

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<v Speaker 1>but I would think like that or that was something

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<v Speaker 1>that came to my mind. Brian Adams, everything I do,

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<v Speaker 1>I do it for you know what I mean? Like

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<v Speaker 1>his smash But why would you want to sing that

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<v Speaker 1>it's the Robin Hood song because you gotta get the

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<v Speaker 1>people what they want. So who are these people? I'm

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<v Speaker 1>so curiou You're gonna know one of these easy as

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<v Speaker 1>soon as I play this note, the first one. You

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<v Speaker 1>and I've talked about a lot. That's not the right one.

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<v Speaker 1>Hold on songs the same name, No no here, Oh

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<v Speaker 1>of course Radiohead, Creep, they don't play it. This is

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<v Speaker 1>the one that's the most legendary to me of a

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<v Speaker 1>massive band that will not play their biggest song. But

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<v Speaker 1>this is the a we're so cool, we don't need

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<v Speaker 1>to play that song. Like everyone likes that song. But

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<v Speaker 1>that's I'm not even our best song. It's not who

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<v Speaker 1>we are anymore. And this is what got me on

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<v Speaker 1>the Radiohead. But I agree with them, like there's a

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<v Speaker 1>lot of good radio okay, and that's not it doesn't

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<v Speaker 1>it doesn't sound like that. Yeah, yeah, I agree, but

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<v Speaker 1>still that's that's what a lot of people our age

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<v Speaker 1>in their thirties got into radio Head four because we

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<v Speaker 1>heard this song. We're like, whoa that weird and that

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<v Speaker 1>and if I'm right too it again, I'm just going

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<v Speaker 1>from memory here. I don't know if it's right in here.

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<v Speaker 1>But that was accident. Really, yeah. I love those fun

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<v Speaker 1>facts like that, Like some he was just popping his

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<v Speaker 1>guitar and the producer said it was all I think

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<v Speaker 1>it was rolling, and they're like, oh, that works there,

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<v Speaker 1>I have something like that fun fact. And you're a

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<v Speaker 1>girl in college. She was at a club and saw

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<v Speaker 1>Tom York and like it was like a jam pack

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<v Speaker 1>club and she looks right now and she goes, oh

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<v Speaker 1>my gosh, oh my gosh, you are and he just

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<v Speaker 1>put his finger up like oh, I don't say don't

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<v Speaker 1>like just no, don't don't even say a word, and

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<v Speaker 1>then walked off. She was it was amazing. Radio Heads

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<v Speaker 1>never liked the song. I'll read you from this article.

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<v Speaker 1>Tom York would say that it's crap and had short

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<v Speaker 1>shrift for whatever that means. And his short shrift, I

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<v Speaker 1>don't know, dude, he's from the country. For fans who

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<v Speaker 1>asked to hear it in concert. This song has also

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<v Speaker 1>caused legal trouble with both The Hollies and there's a

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<v Speaker 1>song called The Air that I Breathed suit over melodics

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<v Speaker 1>similarities and Landa del Rey and Creep became a mainstay

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<v Speaker 1>in the mid nineties, and they didn't want to play.

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<v Speaker 1>They went several years that performing at all, and they

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<v Speaker 1>did it finally in that does say it's a little

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<v Speaker 1>something about them, like they should respect that song because

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<v Speaker 1>that really got the whole world listening. Yeah, that's what

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<v Speaker 1>launched Radiohead. I wouldn't be able to know those all

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<v Speaker 1>those cool other songs if it wasn't for this maybe,

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<v Speaker 1>but I would say yes, because that was basically a

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<v Speaker 1>pop song. A right here we go. Uh. This is

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<v Speaker 1>one theory on Radioheads guitar right um, the guitar crunch

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<v Speaker 1>before the chorus and radio Heads creeps from guitarist Johnny

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<v Speaker 1>Greenwood intentionally trying to sabotage the song. Oh, A lot

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<v Speaker 1>of theories about it, but I don't know about that one.

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<v Speaker 1>I don't know if by that that's one that I

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<v Speaker 1>just read this, but I know that it wasn't supposed

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<v Speaker 1>to be in the song like it when it was written,

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<v Speaker 1>it wasn't fixing love. So that's one. They don't like

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<v Speaker 1>playing that song rarely do they only a couple of

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<v Speaker 1>times in the past set of years. The other one

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<v Speaker 1>that I've played was this one that's also create TLC cret.

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<v Speaker 1>They won't play it. Well I think still well, yeah,

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<v Speaker 1>I think they play without Left Eye. Yeah, but even then,

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<v Speaker 1>you remember a song, yeah, vaguely. I mean, I wasn't.

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<v Speaker 1>This wasn't my time to like listen to radio. I

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<v Speaker 1>was cool then, dude, I was listening to like, yeah,

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<v Speaker 1>other stuff. The song didn't even almost make it out

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<v Speaker 1>of the studio. It's about women who cheat on their

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<v Speaker 1>cheating partners in order to make them feel jealous, like

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<v Speaker 1>you're cheating on me? How much cheat on you? In

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<v Speaker 1>the documentary The Last Dates of Left Eye, she claims

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<v Speaker 1>she was so adamant the song should not see the

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<v Speaker 1>light of day that she threw into a black tape

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<v Speaker 1>over her mouth or in the music video don't even

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<v Speaker 1>sitting during it, and they were like, we don't even

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<v Speaker 1>want to sing. They hate doing it doing it. I

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<v Speaker 1>saw a show about them like not making any money. Well, yeah,

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<v Speaker 1>so there's a whole podcast. Well, the guy that does

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<v Speaker 1>the it's great. It talks about her and her story

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<v Speaker 1>and Andre rise in her burning his house down and

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<v Speaker 1>on Your Rising, Yeah that was a bad relationship. They

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<v Speaker 1>talked about that on that show. So yeah, but then

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<v Speaker 1>I like that song, so that interest. That was like

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<v Speaker 1>the last one on the list, but I actually hit it.

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<v Speaker 1>You're gonna say that for the end? Yeah, Um, okay,

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<v Speaker 1>here we go. No she has to. Now, if you're

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<v Speaker 1>Miley Cyrus and you're this big, you know, um young

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<v Speaker 1>adult star, do you really want to play your fifteen

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<v Speaker 1>except from your fifteen year? That's like Paul McCartney never

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<v Speaker 1>singing I want to hold your hand, Like, no, it's

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<v Speaker 1>not stop it, Miley Cyrus. None of the big party

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<v Speaker 1>in the USA is nothing like in that aspect, where

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<v Speaker 1>like you're asking a sixty year old man to sing

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<v Speaker 1>something he wrote when he was eighteen, Like yeah, but

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<v Speaker 1>again she wrote this as a young teenager. I would

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<v Speaker 1>think that is you put by the way, I don't

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<v Speaker 1>think Miley wrote this, Oh she didn't know. I don't

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<v Speaker 1>think so. So that when you get to be thirty,

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<v Speaker 1>you probably think it's coold again to play a hit

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<v Speaker 1>from a kid. But when you're in that age we're

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<v Speaker 1>trying to redefine yourself as an adult. But for her,

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<v Speaker 1>like like, it's funny, you say you she didn't even

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<v Speaker 1>write it. You listen to that, you're like, well, yeah,

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<v Speaker 1>she's a Nashville girl going to l A for the

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<v Speaker 1>first time. Like I understand this story, Like it makes

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<v Speaker 1>me feel close to Miley just by listening to the song.

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<v Speaker 1>Is Miley listened as one of the writers at all No.

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<v Speaker 1>Miley Cyrus admitted that choosing the song was minimal. It

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<v Speaker 1>was written by Jesse j and some others that she

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<v Speaker 1>picked a song because she did something to go with

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<v Speaker 1>their clothing line. Wow. She did not expect to be popular.

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<v Speaker 1>It was something that she wanted to do because she

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<v Speaker 1>needed a song best for the album. Later, it was like,

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<v Speaker 1>I feel like a sellout, so she doesn't like playing it.

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<v Speaker 1>That's crazy. She was so over that song that during

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<v Speaker 1>a party in Chicago, she asked the DJ to play

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<v Speaker 1>any of her own song to accept freaking party in

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<v Speaker 1>the USA. I was the opposite when that song came out.

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<v Speaker 1>I would be at bars and tell the DJ party

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<v Speaker 1>in the USA. Here's my point with this. She was

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<v Speaker 1>a young teenager and she got famous when she was

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<v Speaker 1>a teenager, and as you try to grow out of

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<v Speaker 1>that bubble gum pop, you don't want to have to

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<v Speaker 1>play your bubble gumpop. And how drastic did she go

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<v Speaker 1>from that to like naked pool parties. Well, she's twenty

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<v Speaker 1>six now, so I would think that now, as she

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<v Speaker 1>is more solidified with who Miley is, she's probably okay

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<v Speaker 1>playing it now, right. I would think when you're nineteen

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<v Speaker 1>to twenty four, you're like, that's not who I am.

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<v Speaker 1>I don't people think we know who she is. Now

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<v Speaker 1>we understand who she is. And you're at a concert

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<v Speaker 1>and you're Miley Cyrus show and she didn't play, you're

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<v Speaker 1>a little pissed, right, Yeah? Yeah. I went to r

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<v Speaker 1>M show. The didn't play any hit. That sucks. My

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<v Speaker 1>favorite story of me hating and that sus I love

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<v Speaker 1>r M And I go to rim Shure. They played

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<v Speaker 1>no hit and she played their whole new album. It

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<v Speaker 1>was an odd new record. That's cold, but I bet

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<v Speaker 1>they were so happy that to do that, like that's

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<v Speaker 1>such a band thing to do. Yeah, it is weird.

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<v Speaker 1>They have a song that they don't play anymore, shiny happy.

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<v Speaker 1>People love it, So there's a story behind this. It

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<v Speaker 1>was supposed to be the Friends the song yeah we're

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<v Speaker 1>talking about on this ship. Yeah it was. It was

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<v Speaker 1>originally gonna be the Friends theme song. This the singer

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<v Speaker 1>here is the fifth two singer love Shot Girl sound.

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<v Speaker 1>So RIM's record company, let's have the story of the song.

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<v Speaker 1>They said, Hey, we need up tempo pop track. We

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<v Speaker 1>need something like fun goofy. So they said, Okay, we're

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<v Speaker 1>gonna make this stupid song and thinking that label would

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<v Speaker 1>reject it, and unfortunately for them, they didn't, and then

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<v Speaker 1>it became a huge single. Michael Stipe said I hate

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<v Speaker 1>that song, and so he's like, I just don't like it.

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<v Speaker 1>He said, I wouldn't say I'm embarrassed about the song,

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<v Speaker 1>but it's a limited appeal for me. I never bad mouth.

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<v Speaker 1>I tried never to say anything bad about songs that

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<v Speaker 1>I don't particularly like because there might be someone out

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<v Speaker 1>there who hears it and it means everything too. But

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<v Speaker 1>the band has decided to leave Shiny Happy People off

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<v Speaker 1>their Greatest Hits albums. They don't play it for the

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<v Speaker 1>most part. He said, there's one song that I send

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<v Speaker 1>outer space that does not represent R E. M. It

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<v Speaker 1>would be Shiny happy people. I love the song, yeah,

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<v Speaker 1>and I think of the music video and then all

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<v Speaker 1>dancing around. I don't remember that. You don't know what

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<v Speaker 1>were they doing? Um, there's just a bunch of people

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<v Speaker 1>on like the sound stage, dancing around. I feel like

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<v Speaker 1>it was a farm too, like I was just they're

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<v Speaker 1>just did jumping around, dancing out the guitar riff. It's

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<v Speaker 1>so happy, shy, like Michael Slipe has like the goofy

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<v Speaker 1>thing with the hat on backward. Okay, I do remember that?

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<v Speaker 1>Do you do you agree with him? Though? Do you

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<v Speaker 1>do you listen to this and say I didn't sound

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<v Speaker 1>like the rest of ari UM? I don't. Well. Ari

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<v Speaker 1>M is such a collection though over because it sounds

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<v Speaker 1>like over decades. Yes, some it's not like that crap

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<v Speaker 1>they played at one time. I went and didn't played

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<v Speaker 1>all these songs. So do you know any of those

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<v Speaker 1>songs that it didn't matter? I mean none of those songs.

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<v Speaker 1>And r M was over being contemporary at that time.

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<v Speaker 1>R M was awesome, Like what do you mean by contemporary?

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<v Speaker 1>None of the songs were making the pop charts? Got it?

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<v Speaker 1>You know? Because it was beyond pop. They were older,

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<v Speaker 1>they were more sad, and cool, But already I've had

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<v Speaker 1>the jams. This sounds like like stand sounds sonically like

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<v Speaker 1>Shiny have People. To me, it does. That's why I'm

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<v Speaker 1>saying he's pulled a crowd like this does sound like

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<v Speaker 1>a direction. R M was so good Losing My religion

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<v Speaker 1>was like that was that was their song, Like that's

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<v Speaker 1>the one that shifted everybody. The video we were kids,

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<v Speaker 1>young young kids remember watching it. And he had hair

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<v Speaker 1>in the video? Did he? Yeah? I think so. I

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<v Speaker 1>can picture right now to artist he had hair that

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<v Speaker 1>we don't think about having hair. Billy Corgan and Michael

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<v Speaker 1>Stut have long hair. It's the jam I mean, Arim

0:11:14.840 --> 0:11:18.920
<v Speaker 1>had well my favorite arium s because everybody hurts references

0:11:18.960 --> 0:11:21.160
<v Speaker 1>quite often on the show. But I'm telling you I

0:11:21.160 --> 0:11:23.719
<v Speaker 1>would just what's gonna happen is I'm gonna go back

0:11:23.720 --> 0:11:25.920
<v Speaker 1>and you have to jam it all today. But like,

0:11:26.080 --> 0:11:34.360
<v Speaker 1>what's the Freaknency Kenneth's prema right in the midst what's show?

0:11:37.160 --> 0:11:39.640
<v Speaker 1>And don't forget about this? You talk about someone he says,

0:11:39.640 --> 0:11:41.400
<v Speaker 1>it doesn't sound like Shiny have people come on the

0:11:41.440 --> 0:11:42.920
<v Speaker 1>end of the world as we know it? Oh, come on?

0:11:42.960 --> 0:11:49.360
<v Speaker 1>This is that that's great start. Yeah, fun, Wait birch

0:11:49.480 --> 0:11:54.240
<v Speaker 1>sneake scenario. Didn't you have stuff like this? A lot

0:11:54.240 --> 0:11:58.360
<v Speaker 1>of minor chords sadness? Yeah, even though it's upbeat, it's

0:11:58.360 --> 0:12:05.760
<v Speaker 1>still but tones are darker. This one to one able

0:12:05.800 --> 0:12:16.400
<v Speaker 1>to jam goes up to love. They don't like playing

0:12:16.440 --> 0:12:18.160
<v Speaker 1>shiny happy people. I thought would go down the R

0:12:18.160 --> 0:12:20.079
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0:13:19.280 --> 0:13:23.480
<v Speaker 1>dot com. Alright, other songs that bands don't like to play.

0:13:23.559 --> 0:13:25.800
<v Speaker 1>And if I went to an Oasis show, which there

0:13:25.800 --> 0:13:28.920
<v Speaker 1>aren't any right, they don't play wonder Wall. They don't

0:13:28.960 --> 0:13:30.559
<v Speaker 1>like it, they don't get it, they hate it now

0:13:30.720 --> 0:13:32.160
<v Speaker 1>now the whole thing is that they won't play it

0:13:32.160 --> 0:13:34.200
<v Speaker 1>at all. But if they hate it, but then that

0:13:34.240 --> 0:13:37.920
<v Speaker 1>kind of what this band's about, fighting and their counterculture

0:13:37.920 --> 0:13:42.000
<v Speaker 1>against themselves. They are not even culture like, they hate themselves.

0:13:42.040 --> 0:13:44.640
<v Speaker 1>There's a Netflix documentary on them. I haven't watched it yet,

0:13:44.640 --> 0:13:46.880
<v Speaker 1>but I keep scanning by it. I'll watch it one day.

0:13:47.160 --> 0:13:51.480
<v Speaker 1>I've seen it's fantastic good. I just this is what

0:13:51.480 --> 0:13:53.120
<v Speaker 1>I picture, and you tell me if I'm right, You're right.

0:13:53.160 --> 0:13:57.240
<v Speaker 1>They just fight the whole time. But it's very self serving,

0:13:57.240 --> 0:13:59.360
<v Speaker 1>but it's still dude, they're so they were so much

0:13:59.360 --> 0:14:03.760
<v Speaker 1>bigger than even I remember them being, especially across the Pond.

0:14:03.840 --> 0:14:06.880
<v Speaker 1>Yeah yeah, but because they were big here, but I'm

0:14:06.880 --> 0:14:09.920
<v Speaker 1>inter nationally, like I think that they probably were the

0:14:09.920 --> 0:14:12.320
<v Speaker 1>biggest band in the world at a time. Dude, when

0:14:12.320 --> 0:14:14.640
<v Speaker 1>that when Wonder Wall came out, that was something that

0:14:14.679 --> 0:14:17.800
<v Speaker 1>we had never heard, Like, we didn't hear music like that.

0:14:18.000 --> 0:14:21.560
<v Speaker 1>We were just coming out of grunge and they looked

0:14:21.600 --> 0:14:25.160
<v Speaker 1>almost grunge, but they didn't sound like it. They were British.

0:14:25.240 --> 0:14:28.920
<v Speaker 1>It's a weird day here's he says. I can't effing

0:14:29.000 --> 0:14:33.080
<v Speaker 1>stand that effing song. Yeah, I know, Liam, every time

0:14:33.120 --> 0:14:34.520
<v Speaker 1>I have to sing and I want a gag. You

0:14:34.560 --> 0:14:35.920
<v Speaker 1>go to America and they're like, are you missed a

0:14:35.960 --> 0:14:39.320
<v Speaker 1>wonder Wall? Oh? I mean I get that. And they

0:14:39.360 --> 0:14:41.160
<v Speaker 1>both hate it though, because that was Liam and Knowls

0:14:41.160 --> 0:14:43.960
<v Speaker 1>the same thing. He was like, I don't like the song.

0:14:44.680 --> 0:14:47.400
<v Speaker 1>They agreed on something so now that they stopped playing it.

0:14:47.400 --> 0:14:51.360
<v Speaker 1>It's called Supersonic the documentary, Like Supersonic guess it. Yeah,

0:14:51.680 --> 0:14:54.360
<v Speaker 1>it's a little cool guy, so you would like it

0:14:54.440 --> 0:14:57.120
<v Speaker 1>because you're a music I just love learning about stuff

0:14:57.120 --> 0:14:58.680
<v Speaker 1>and I don't know much about them other than just

0:14:58.720 --> 0:15:01.400
<v Speaker 1>their brothers, and they fought a lot, they broke up.

0:15:01.560 --> 0:15:06.040
<v Speaker 1>Here's this one. Madonna does not like playing like a virgin.

0:15:06.160 --> 0:15:10.720
<v Speaker 1>That was one of my guesses, was it, yeah, that

0:15:10.880 --> 0:15:14.120
<v Speaker 1>this doesn't sound like her. It sounds like an eighties song, though,

0:15:14.160 --> 0:15:15.960
<v Speaker 1>and she dominated eighties and made all the other eight

0:15:16.000 --> 0:15:19.600
<v Speaker 1>songs sound like this like an her Michael Jackson were

0:15:19.640 --> 0:15:25.840
<v Speaker 1>the again. Sonically everybody chased them, so she made this

0:15:25.920 --> 0:15:27.680
<v Speaker 1>everybody else chased it. She got away from that because

0:15:27.720 --> 0:15:30.800
<v Speaker 1>everybody else was doing it. That makes sense, does make sense?

0:15:32.160 --> 0:15:35.800
<v Speaker 1>Just forty nine top forty hits. She says there are

0:15:35.800 --> 0:15:38.920
<v Speaker 1>two songs that she hates, Holiday and lack a Virgin.

0:15:39.360 --> 0:15:42.440
<v Speaker 1>I forget that's her. She goes, I just can't unless

0:15:42.440 --> 0:15:45.000
<v Speaker 1>somebody paid me, like thirty million or something. Not only

0:15:45.120 --> 0:15:47.440
<v Speaker 1>will she not saying them, she doesn't want to hear them.

0:15:47.480 --> 0:15:49.640
<v Speaker 1>She said, it's a nixt awkward experience. She has to

0:15:49.640 --> 0:15:54.320
<v Speaker 1>hear them. She did perform both because she was trying

0:15:54.360 --> 0:15:56.840
<v Speaker 1>to do a tour to get people like come and

0:15:56.880 --> 0:15:59.200
<v Speaker 1>so she did both of those. But she's like, I

0:15:59.240 --> 0:16:02.040
<v Speaker 1>hate it again with her, Like at some point she's

0:16:02.040 --> 0:16:04.560
<v Speaker 1>gonna play it right. I don't know if she's older now,

0:16:04.720 --> 0:16:06.840
<v Speaker 1>but I mean, at some point you come to realize, like, hey,

0:16:06.880 --> 0:16:09.320
<v Speaker 1>you know what, like I was really lucky to have

0:16:09.400 --> 0:16:12.400
<v Speaker 1>this life and really this song, those songs were probably

0:16:12.440 --> 0:16:14.480
<v Speaker 1>the reason why I got to do everything else like

0:16:14.520 --> 0:16:16.240
<v Speaker 1>I want to do. I think that comes in if

0:16:16.240 --> 0:16:18.720
<v Speaker 1>people get older and they struggle. Oh, she might not

0:16:18.720 --> 0:16:21.320
<v Speaker 1>struggle anymore. I don't think that. Listen, she could. She's

0:16:21.320 --> 0:16:24.840
<v Speaker 1>sick six, she's older than that. But she's got a

0:16:24.840 --> 0:16:26.880
<v Speaker 1>lot of money though. Yeah, Like I don't think she's

0:16:26.880 --> 0:16:29.160
<v Speaker 1>in any struggle for she has to go. I need

0:16:29.160 --> 0:16:31.200
<v Speaker 1>to kind of re embrace what I was. And she's

0:16:31.200 --> 0:16:35.920
<v Speaker 1>also making a lot of new music. I I just like,

0:16:35.960 --> 0:16:38.200
<v Speaker 1>it's crazy to hear people like Garth Brooks, you know

0:16:38.200 --> 0:16:40.480
<v Speaker 1>who probably saying friends in low places hundreds of time.

0:16:40.560 --> 0:16:43.560
<v Speaker 1>Still today he will do it and there and he

0:16:43.560 --> 0:16:46.040
<v Speaker 1>will openly say like why wouldn't I play that? Like,

0:16:46.360 --> 0:16:49.760
<v Speaker 1>but I wonder if secretly hates it. You think, I

0:16:49.760 --> 0:16:51.600
<v Speaker 1>don't know if I hate And I think we're getting

0:16:51.640 --> 0:16:53.360
<v Speaker 1>tired to play in his one thing. Yes, he's probably

0:16:53.400 --> 0:16:55.440
<v Speaker 1>grateful for it, and he probably if you gave him

0:16:55.440 --> 0:16:58.280
<v Speaker 1>a choice and it didn't in the crowd didn't care

0:16:58.280 --> 0:17:01.200
<v Speaker 1>either way, Right, if it was no matter what you played,

0:17:01.880 --> 0:17:04.200
<v Speaker 1>he plays it because the crowd loves it, right, which

0:17:04.240 --> 0:17:06.120
<v Speaker 1>is why you do what you do. Right. But if

0:17:06.119 --> 0:17:07.600
<v Speaker 1>you said the crowd doesnt care what you plays, gonna

0:17:07.640 --> 0:17:09.120
<v Speaker 1>pay whatever you want, I bet he wouldn't play Friends

0:17:09.119 --> 0:17:12.520
<v Speaker 1>in Places. If you know, if you have the chance

0:17:12.560 --> 0:17:14.399
<v Speaker 1>not to play, you're right, probably right if you go

0:17:14.520 --> 0:17:15.800
<v Speaker 1>if the crowd is going to react to the same

0:17:15.840 --> 0:17:17.600
<v Speaker 1>exact way regardless of what you play, you can play

0:17:17.600 --> 0:17:19.840
<v Speaker 1>anything you want. He's not gonna play Friends, And guarantee

0:17:19.880 --> 0:17:21.440
<v Speaker 1>you at the end of that show, they'll do somebody.

0:17:21.960 --> 0:17:23.439
<v Speaker 1>Everyone will be like, you know, what do you did?

0:17:23.560 --> 0:17:25.760
<v Speaker 1>Play Friends in Low Places? For sure, that's the biggest song.

0:17:26.080 --> 0:17:29.000
<v Speaker 1>But I'm saying I bet you that everyone that has

0:17:29.040 --> 0:17:30.919
<v Speaker 1>to do it over and over and over again, it's like,

0:17:31.000 --> 0:17:33.400
<v Speaker 1>you know, I'd rather not and you go into probably

0:17:33.800 --> 0:17:36.800
<v Speaker 1>just a mode of you don't even it's just automatic,

0:17:36.880 --> 0:17:41.240
<v Speaker 1>just what you're doing. And I don't think Garth or

0:17:41.240 --> 0:17:43.680
<v Speaker 1>anyone like that would ever say, like, f this song,

0:17:43.720 --> 0:17:46.199
<v Speaker 1>like I don't understand that I hate that song, Like

0:17:46.280 --> 0:17:48.200
<v Speaker 1>that's the part that I don't relate, Like I can't

0:17:48.200 --> 0:17:52.160
<v Speaker 1>really understand hating the song that much, Like at one

0:17:52.200 --> 0:17:54.840
<v Speaker 1>point you liked it because you wrote it, you know,

0:17:54.960 --> 0:17:57.560
<v Speaker 1>like even though you're trying to sabotage it like Radiohead,

0:17:57.600 --> 0:17:59.720
<v Speaker 1>like you did write that song, you did put it

0:17:59.760 --> 0:18:05.399
<v Speaker 1>up money and maybe it made you a lot of money. Boys. Yeah,

0:18:05.640 --> 0:18:10.760
<v Speaker 1>they didn't like doing fight for Your Right. Really, they

0:18:10.800 --> 0:18:20.800
<v Speaker 1>said it was frat boys song. He says. The only

0:18:20.840 --> 0:18:22.680
<v Speaker 1>thing that upsets me is we might have reinforced certain

0:18:22.720 --> 0:18:24.960
<v Speaker 1>values of some people are audience, when our own values

0:18:24.960 --> 0:18:29.080
<v Speaker 1>were actually totally different. So the school's you know, party, party, party,

0:18:29.440 --> 0:18:31.680
<v Speaker 1>and they felt like they weren't really all about that

0:18:32.760 --> 0:18:39.800
<v Speaker 1>you gotta fight, fight you're right. They wrote once that

0:18:39.920 --> 0:18:43.240
<v Speaker 1>that song sucks, and they did it as a goose

0:18:43.359 --> 0:18:47.840
<v Speaker 1>kind of I was the biggest boy fan if you

0:18:47.960 --> 0:18:49.439
<v Speaker 1>if you'd asked me five years, I don't know. My

0:18:49.440 --> 0:18:53.560
<v Speaker 1>favorite three albums would be like Forever, take On Island, Continuum.

0:18:53.600 --> 0:18:56.360
<v Speaker 1>It used to be Beastie Boys, License Ill, which that's

0:18:56.400 --> 0:18:59.200
<v Speaker 1>on at the rod of the Plane, No Beach Boys

0:18:59.240 --> 0:19:02.119
<v Speaker 1>is nothing, and deal is what's the cover of that?

0:19:02.160 --> 0:19:05.720
<v Speaker 1>I'm trying to think pull cover is it the tail

0:19:05.760 --> 0:19:08.439
<v Speaker 1>of the plane on the front? And steel I think

0:19:08.480 --> 0:19:09.960
<v Speaker 1>on the front cover. I'm trying to think, I don't

0:19:09.960 --> 0:19:13.439
<v Speaker 1>remember I just had this and oh yeah it's like

0:19:13.480 --> 0:19:17.479
<v Speaker 1>a jet Yeah I got it. Yeah, look at that.

0:19:17.800 --> 0:19:20.000
<v Speaker 1>So what do you think about what? Like, what's your

0:19:20.040 --> 0:19:23.080
<v Speaker 1>take on It's they were kids, this one in the

0:19:23.119 --> 0:19:25.879
<v Speaker 1>wrong direction. That's not who we are, Like you're saying that,

0:19:26.200 --> 0:19:31.200
<v Speaker 1>like beastwo Boys are saying that fifteen twenty years later. Yeah,

0:19:31.200 --> 0:19:33.320
<v Speaker 1>the prime embarrassed off it. There are things I used

0:19:33.359 --> 0:19:37.520
<v Speaker 1>to do, embarrassed stuff. But if that's part of your you,

0:19:37.680 --> 0:19:39.719
<v Speaker 1>Bobby bones, Like, do you embrace it or do you

0:19:40.040 --> 0:19:44.480
<v Speaker 1>hate it? M M. That's a tough thing. You probably

0:19:44.520 --> 0:19:47.240
<v Speaker 1>secretly love it because it was good for you, but

0:19:47.280 --> 0:19:49.879
<v Speaker 1>you probably can't say you love it anymore because it

0:19:50.000 --> 0:19:52.000
<v Speaker 1>sends I don't even know what what message are talking about.

0:19:52.160 --> 0:19:54.080
<v Speaker 1>It is stupid. This song is dumb, Like, yes, it

0:19:54.119 --> 0:19:55.879
<v Speaker 1>sounds like a thirteen year old read it like that.

0:19:55.920 --> 0:19:58.440
<v Speaker 1>But that's what everyone liked about it. They were three

0:19:58.480 --> 0:20:01.200
<v Speaker 1>white dudes rock rapping right at a time when that

0:20:01.280 --> 0:20:04.840
<v Speaker 1>was that sound was so for hip hop wasn't even

0:20:04.840 --> 0:20:06.920
<v Speaker 1>that big. It was just starting to be a thing,

0:20:07.600 --> 0:20:09.879
<v Speaker 1>and there were no instruments to hip hop. Three Jewish

0:20:09.880 --> 0:20:13.920
<v Speaker 1>white dudes. We're crushing it. And it was like I was.

0:20:14.000 --> 0:20:15.480
<v Speaker 1>I watched them almost like oh, I have a chance

0:20:15.520 --> 0:20:17.880
<v Speaker 1>to do music. I saw the Beat Boys, Is that right? Yeah?

0:20:17.880 --> 0:20:19.359
<v Speaker 1>I was like, oh, I could probably do music because

0:20:19.400 --> 0:20:21.280
<v Speaker 1>if these guys can do it, they're goofy, like they

0:20:21.280 --> 0:20:24.040
<v Speaker 1>were always like goofy, you know, goofy white dudes. I

0:20:24.040 --> 0:20:25.320
<v Speaker 1>would like at and go oh, if they can do it,

0:20:25.359 --> 0:20:28.360
<v Speaker 1>I have a shot. Yeah. Um. And if you ever

0:20:28.359 --> 0:20:30.440
<v Speaker 1>watched them play like Sabotage on Letterman, you ever watched

0:20:30.440 --> 0:20:34.240
<v Speaker 1>that YouTube video, They're so good even playing instruments. They're

0:20:34.240 --> 0:20:37.280
<v Speaker 1>playing guitar and bass. And I've seen old old footage

0:20:37.320 --> 0:20:39.200
<v Speaker 1>of when they came out playing their own instruments and like,

0:20:39.920 --> 0:20:42.240
<v Speaker 1>look at that. No one did that. Speaking of Madonna,

0:20:42.240 --> 0:20:46.720
<v Speaker 1>they did. They used to tour Madonna. They're wild. Uh yeah,

0:20:46.760 --> 0:20:49.000
<v Speaker 1>something like that. We had a couple more here run

0:20:49.080 --> 0:20:59.240
<v Speaker 1>DMC walked this way. Nice transition. Thank you. The idea

0:20:59.280 --> 0:21:01.560
<v Speaker 1>for run DMC to rerecord Aero Smith song came from

0:21:01.640 --> 0:21:04.000
<v Speaker 1>Rick Rubin that we got the big great beer who

0:21:04.000 --> 0:21:10.000
<v Speaker 1>produces everybody never wears shoes. He liked to beat never

0:21:10.000 --> 0:21:19.439
<v Speaker 1>heard the rest of the record. So they were like

0:21:19.440 --> 0:21:21.840
<v Speaker 1>this is hope really poetry more than hip hop song.

0:21:21.960 --> 0:21:24.880
<v Speaker 1>I get that this is the one that doesn't fit.

0:21:25.320 --> 0:21:29.480
<v Speaker 1>You know. It's like, all right, they were doing this publicity,

0:21:29.600 --> 0:21:32.920
<v Speaker 1>make money whatever. Who like you said, Rick Rubin, maybe

0:21:32.960 --> 0:21:34.760
<v Speaker 1>he thought it sounded cool, but the label loved that.

0:21:34.960 --> 0:21:39.880
<v Speaker 1>Probably it was such a risk. Again, this featuring thing

0:21:40.000 --> 0:21:44.600
<v Speaker 1>didn't happen, right, didn't your Secondly, there were it was

0:21:44.680 --> 0:21:48.640
<v Speaker 1>crossing genres, which really didn't happen. That's why it blew

0:21:48.640 --> 0:21:51.800
<v Speaker 1>people's minds because first of all, you never you really

0:21:51.800 --> 0:21:54.080
<v Speaker 1>had two artists. You have a case like a David

0:21:54.119 --> 0:21:57.880
<v Speaker 1>Bowie and make Jagger, but rarely did two artists hop

0:21:57.920 --> 0:21:59.560
<v Speaker 1>on a song with each other. And the fact that

0:21:59.560 --> 0:22:03.199
<v Speaker 1>it was too plenty different type of artists was And

0:22:03.240 --> 0:22:05.560
<v Speaker 1>then it was also really good, and it was a

0:22:05.640 --> 0:22:12.199
<v Speaker 1>remake of a song that was already like so it's like,

0:22:13.440 --> 0:22:15.359
<v Speaker 1>we don't want to perform it. They're we're embarrassed to performing.

0:22:15.640 --> 0:22:21.240
<v Speaker 1>They didn't do it. Then after a soul sol they

0:22:21.240 --> 0:22:23.720
<v Speaker 1>started to play a little more, but they hated it.

0:22:23.840 --> 0:22:25.439
<v Speaker 1>They gave it. They hated it. Yeah, so they like

0:22:25.560 --> 0:22:31.840
<v Speaker 1>and I'll give you one more, which is weird. Really,

0:22:32.560 --> 0:22:35.480
<v Speaker 1>Robert Plant this is. This is. They never did it. No,

0:22:35.600 --> 0:22:37.600
<v Speaker 1>this is. They hated it. They hated but they played.

0:22:37.600 --> 0:22:39.760
<v Speaker 1>They would still play because even in their reunion they

0:22:39.840 --> 0:22:43.480
<v Speaker 1>played occasionally. Robert Plant was like, if I have to

0:22:43.520 --> 0:22:45.320
<v Speaker 1>sing that every show, I'm gonna breakout on high. So

0:22:45.320 --> 0:22:49.560
<v Speaker 1>they stopped playing it. This wasn't my time. This was

0:22:49.600 --> 0:22:52.520
<v Speaker 1>before us. We waited before us. I don't know how

0:22:52.560 --> 0:22:58.640
<v Speaker 1>songs became big, but this song was huge. Like Stairway

0:22:58.680 --> 0:23:03.159
<v Speaker 1>to Heaven is, yes, the classic rock anthem, maybe the

0:23:03.240 --> 0:23:05.439
<v Speaker 1>song of the seventies. Correct, we weren't born in the seventies,

0:23:05.480 --> 0:23:07.800
<v Speaker 1>but if you go what's the song of the seventies,

0:23:08.240 --> 0:23:12.040
<v Speaker 1>I start to go get not born, I go free bird.

0:23:13.160 --> 0:23:17.520
<v Speaker 1>And that's even mostly geographical, but still still yeah. But

0:23:17.720 --> 0:23:20.120
<v Speaker 1>I think Stairway to Heaven. I think that's the song

0:23:20.200 --> 0:23:21.680
<v Speaker 1>of the seventies. And look at biggest song in the

0:23:21.680 --> 0:23:23.280
<v Speaker 1>seven still pops up and another one that came up

0:23:23.280 --> 0:23:26.879
<v Speaker 1>with Hotel California. But this Stairwood Heaven was it? Man,

0:23:27.400 --> 0:23:29.200
<v Speaker 1>I feel like it was like the number one to

0:23:29.480 --> 0:23:33.840
<v Speaker 1>like I really do, he's gonna look out do that

0:23:33.840 --> 0:23:35.480
<v Speaker 1>one hundred best song in the seventies. To what people

0:23:35.520 --> 0:23:38.320
<v Speaker 1>are saying, there's like an article written about that. Um that,

0:23:38.480 --> 0:23:40.840
<v Speaker 1>And I would say because that late sixties starts to

0:23:41.440 --> 0:23:45.000
<v Speaker 1>funs into the early seventies like Crosby Stills in nashas

0:23:45.040 --> 0:23:48.239
<v Speaker 1>Nash and Young like even like teach your children, like

0:23:48.280 --> 0:23:50.399
<v Speaker 1>that's big. But still I think, all right, we have

0:23:50.440 --> 0:23:53.760
<v Speaker 1>a hundred best songs of the seven from Enemy Hold

0:23:53.760 --> 0:23:55.919
<v Speaker 1>on Everybody. We're gonna go through start number one hundred.

0:23:56.640 --> 0:23:59.520
<v Speaker 1>Oh it's going backward, okay, let me know anything far

0:23:59.680 --> 0:24:04.280
<v Speaker 1>or so. So anyway, those are songs that those artists

0:24:04.320 --> 0:24:08.120
<v Speaker 1>hate playing. I saw Robert Plant has something new out

0:24:08.880 --> 0:24:11.000
<v Speaker 1>or he's back. I actually heard one of his songs

0:24:11.000 --> 0:24:14.480
<v Speaker 1>on the radio and is and I it's good. It

0:24:14.560 --> 0:24:17.240
<v Speaker 1>was just okay, but the voice sounded like Robert Plant,

0:24:17.240 --> 0:24:19.480
<v Speaker 1>which is something that I hadn't heard what I heard that.

0:24:19.480 --> 0:24:22.680
<v Speaker 1>Remember he did the Alison Crouse. Yeah that was good,

0:24:22.720 --> 0:24:25.280
<v Speaker 1>good album, but he never did the he never did

0:24:25.359 --> 0:24:29.399
<v Speaker 1>the Zeppelin voice where he screamed or whatever. And he

0:24:29.440 --> 0:24:31.159
<v Speaker 1>does a little bit in this new stuff where it's like,

0:24:31.200 --> 0:24:33.240
<v Speaker 1>oh he can still get there, he's still out not

0:24:33.320 --> 0:24:36.359
<v Speaker 1>that high. But you told me one time Elton John

0:24:36.440 --> 0:24:38.919
<v Speaker 1>like doesn't even go ye. He changed his keys completely

0:24:38.920 --> 0:24:40.720
<v Speaker 1>on a song that's got a sun. Well he's also

0:24:40.800 --> 0:24:43.840
<v Speaker 1>in the sixties, right, but that was your sounds, you

0:24:43.840 --> 0:24:45.760
<v Speaker 1>know what said? I was like blue Gee, he's like

0:24:46.160 --> 0:24:51.840
<v Speaker 1>blue Jean baby, like not hold me closer, he just

0:24:51.920 --> 0:24:55.280
<v Speaker 1>keeps it, just keeps it there. Um that side we

0:24:55.359 --> 0:24:57.600
<v Speaker 1>pulled up like a lot of sex pistols. This is

0:24:57.640 --> 0:25:05.080
<v Speaker 1>like cool guys Fleetwood Mac Okay, which would be their

0:25:05.119 --> 0:25:09.280
<v Speaker 1>big song on that's the one they list? Yeah? Is

0:25:09.320 --> 0:25:13.560
<v Speaker 1>that to you the biggest thing Max song? Uh? Yeah,

0:25:13.680 --> 0:25:16.280
<v Speaker 1>I mean that would be the biggest. Mine would be Dreams.

0:25:16.640 --> 0:25:19.440
<v Speaker 1>Dreams is awesome, I would but that wasn't the first

0:25:19.480 --> 0:25:25.080
<v Speaker 1>one that came to my mind, Like dreams, like Gipsy, Yeah,

0:25:25.320 --> 0:25:31.080
<v Speaker 1>they're gonna have a hundred massive kids Dreams. Yeah, I

0:25:31.160 --> 0:25:37.520
<v Speaker 1>go your own way. There's a list a hundred greatest

0:25:37.600 --> 0:25:39.760
<v Speaker 1>rock songs in the seventies. We've we nailed a lot

0:25:39.800 --> 0:25:41.680
<v Speaker 1>of these. I'm gonna te I wanna tell you a

0:25:41.680 --> 0:25:44.280
<v Speaker 1>few of them. Started one number one Stairway to Havent

0:25:44.320 --> 0:25:49.200
<v Speaker 1>led Zeppelin, number two, Hotel California, the Ego, number three

0:25:50.840 --> 0:25:55.199
<v Speaker 1>Skinner No, And I didn't think to even add this. Seventies, seventies,

0:25:55.200 --> 0:25:57.400
<v Speaker 1>give me a chance, hold on, give me it's it's

0:25:57.440 --> 0:26:00.399
<v Speaker 1>may be the biggest song ever. I know it's a

0:26:00.480 --> 0:26:02.760
<v Speaker 1>number three, but when I say it, you're gonna go oh,

0:26:03.040 --> 0:26:07.320
<v Speaker 1>like it could be the biggest song ever of the

0:26:07.359 --> 0:26:09.680
<v Speaker 1>seven of Neil Diamond period, no, period of all time,

0:26:09.800 --> 0:26:13.199
<v Speaker 1>of all time. No. And I say that in the

0:26:13.240 --> 0:26:15.320
<v Speaker 1>way that it's just that so many people were covered

0:26:15.359 --> 0:26:18.480
<v Speaker 1>it too, Like, regardless of our charts, it's the I

0:26:18.560 --> 0:26:22.400
<v Speaker 1>think it's possibly the biggest song of all time. Marguerita Ville, No, No,

0:26:22.760 --> 0:26:24.680
<v Speaker 1>would you agree that possibly the biggest song of all time?

0:26:26.960 --> 0:26:30.119
<v Speaker 1>Imagine pound for pound, maybe the biggest song of all

0:26:30.119 --> 0:26:34.280
<v Speaker 1>time Western popular culture, and it was John Lennon, It

0:26:34.280 --> 0:26:50.280
<v Speaker 1>won't even the bee you imagine no heaven try. I

0:26:50.280 --> 0:26:52.880
<v Speaker 1>think that line gets because it starts to imagine there's

0:26:52.880 --> 0:26:54.439
<v Speaker 1>no heaven. A lot of people would get upset at that.

0:26:54.800 --> 0:26:57.960
<v Speaker 1>That's not the point, is that that there's no heaven. Well,

0:26:57.960 --> 0:26:59.720
<v Speaker 1>I think John kind of did that to himself because

0:26:59.720 --> 0:27:02.000
<v Speaker 1>he'd all was like even wad of the Beatles, he

0:27:02.119 --> 0:27:04.760
<v Speaker 1>compared himself that he compared them to Jesus, which didn't

0:27:04.760 --> 0:27:07.040
<v Speaker 1>really fit well with a lot of Christians. But again

0:27:07.080 --> 0:27:09.840
<v Speaker 1>he didn't know he didn't. That's not really what he did, right,

0:27:09.960 --> 0:27:14.200
<v Speaker 1>He said, let's say stuff like that, but again all misconstrued.

0:27:14.920 --> 0:27:17.000
<v Speaker 1>Even that first line's misconstrued. Agree with you. He said

0:27:17.040 --> 0:27:20.280
<v Speaker 1>we're bigger than Jesus, right the Beatles. He didn't mean

0:27:20.359 --> 0:27:22.120
<v Speaker 1>like we're actually bigger than Jesus. He goes, he can't

0:27:22.119 --> 0:27:24.760
<v Speaker 1>believe how crazy people are for this. We're bigger than

0:27:24.840 --> 0:27:26.800
<v Speaker 1>Jesus right now, and he actually meant it as a

0:27:26.880 --> 0:27:29.520
<v Speaker 1>slight towards the Beatles, like he couldn't believe that people

0:27:29.520 --> 0:27:32.360
<v Speaker 1>are acting so crazy because I believe that we're more

0:27:32.359 --> 0:27:36.080
<v Speaker 1>popular than Jesus, and people freaked out, But in reality,

0:27:36.200 --> 0:27:38.959
<v Speaker 1>it was him disgusted by the fact that the Beatles

0:27:38.960 --> 0:27:40.639
<v Speaker 1>were more popular than Jesus. But then he would do

0:27:40.640 --> 0:27:42.760
<v Speaker 1>the ballot of Johnny Yoko and be like, christ do

0:27:42.800 --> 0:27:44.480
<v Speaker 1>you know it ain't easy? And then all the Christians

0:27:44.480 --> 0:27:46.439
<v Speaker 1>are like here he goes again, and the line and

0:27:46.560 --> 0:27:49.160
<v Speaker 1>the whole point of imagine isn't that there's no heaven,

0:27:49.359 --> 0:27:52.400
<v Speaker 1>it's also and it's also imagined. There's no hell, it's

0:27:52.440 --> 0:27:54.760
<v Speaker 1>imagined just right now. And everybody just took care of

0:27:54.760 --> 0:27:56.639
<v Speaker 1>each other right now, Like that's why this song is

0:27:56.640 --> 0:27:59.600
<v Speaker 1>so beautiful, but people will get all but her over words.

0:27:59.640 --> 0:28:02.240
<v Speaker 1>Man first line without listening to the rest of the

0:28:02.400 --> 0:28:06.919
<v Speaker 1>words more powerful than people think. So um imagine I

0:28:06.960 --> 0:28:10.440
<v Speaker 1>think I'm born to run? Was oh, Bruce Springs, it

0:28:10.520 --> 0:28:12.800
<v Speaker 1>is not a Springsteen guy. You've been born to run though,

0:28:13.760 --> 0:28:15.320
<v Speaker 1>Like when you listen to that, you didn't, that didn't

0:28:15.320 --> 0:28:17.960
<v Speaker 1>get you. I'm gonna I'm gonna say this and you're

0:28:18.000 --> 0:28:19.720
<v Speaker 1>probably gonna not like me for it. So I'm not

0:28:19.760 --> 0:28:23.240
<v Speaker 1>a big Bruce Springsteon guy, period. And if I were

0:28:23.240 --> 0:28:26.880
<v Speaker 1>going to pick Bruce because I watched that document that

0:28:27.560 --> 0:28:30.879
<v Speaker 1>show on Netflix, Bruce Springstein Live Show, Okay, okay, that

0:28:31.080 --> 0:28:33.679
<v Speaker 1>is I didn't watch it. I'm just not a Bruce guy.

0:28:33.880 --> 0:28:35.520
<v Speaker 1>A lot of my friends from the Northeast, from like

0:28:35.960 --> 0:28:38.000
<v Speaker 1>New York, New Jersey, all they love them right, And

0:28:38.680 --> 0:28:46.200
<v Speaker 1>where's born to run? This is that? No, I get it.

0:28:47.680 --> 0:28:51.800
<v Speaker 1>Not even my top Bruce Springstein songs don't. Oh my gosh, dude,

0:28:51.800 --> 0:28:54.480
<v Speaker 1>I say, born in the USA, Well listen, I'll get here,

0:28:54.560 --> 0:28:57.520
<v Speaker 1>he goes. I'm a poser. I'm not even because I'm

0:28:57.520 --> 0:29:03.120
<v Speaker 1>not even a Bruce. I love glory to this good stuff.

0:29:13.440 --> 0:29:16.240
<v Speaker 1>I just don't like a sound what is it? What

0:29:16.360 --> 0:29:17.720
<v Speaker 1>is it? Man? Go ahead? Tell us? It was all

0:29:17.720 --> 0:29:21.160
<v Speaker 1>pretty good. It was all pretty good. I like the

0:29:21.600 --> 0:29:32.200
<v Speaker 1>Dark Eddie, even songs like thunder Road. Yeah it's good.

0:29:32.680 --> 0:29:36.640
<v Speaker 1>I'm just not a big Bruce fan. My best song

0:29:37.600 --> 0:29:41.800
<v Speaker 1>here he goes? Play it Goodead? Well, are you hating

0:29:41.800 --> 0:29:44.840
<v Speaker 1>to start with the drums? No? But for real, like

0:29:44.880 --> 0:29:49.400
<v Speaker 1>if all the Bruce songs, did you know this was

0:29:49.400 --> 0:29:51.200
<v Speaker 1>not written to the patriotic song at all? Yeah? I

0:29:51.200 --> 0:29:54.000
<v Speaker 1>think you told me this? What is it? What was

0:29:54.040 --> 0:29:57.880
<v Speaker 1>actually like the opposite? It was like it was a

0:30:00.040 --> 0:30:02.080
<v Speaker 1>like a protest song before I get into trouble. I'm

0:30:02.080 --> 0:30:07.320
<v Speaker 1>gonna have Mike look it up because, um. The original

0:30:07.360 --> 0:30:13.200
<v Speaker 1>title was Vietnam On in Vietnam? Right? Is that a

0:30:13.200 --> 0:30:17.080
<v Speaker 1>movie or a song about a rock band struggling with

0:30:17.080 --> 0:30:19.800
<v Speaker 1>life and religion? He gave Bruce the idea for the

0:30:19.840 --> 0:30:23.560
<v Speaker 1>new title. Unfortunately, what's it say? Okay? Here we go?

0:30:23.880 --> 0:30:26.680
<v Speaker 1>Springsteen wrote this about the problems Vietnam veterans accounter when

0:30:26.680 --> 0:30:29.440
<v Speaker 1>they returned to America. Like the movie was, the first war,

0:30:29.560 --> 0:30:31.960
<v Speaker 1>the US didn't win, and while veterans of other wars

0:30:32.000 --> 0:30:35.320
<v Speaker 1>received a hero's welcome, those who fought in Vietnam were

0:30:35.560 --> 0:30:38.320
<v Speaker 1>mostly ignored when they returned to the States. So so

0:30:38.360 --> 0:30:40.960
<v Speaker 1>if I still listen to that song right now, I

0:30:41.000 --> 0:30:43.560
<v Speaker 1>can hear that. But that's what it's about. I've never

0:30:43.600 --> 0:30:45.840
<v Speaker 1>even It's not about look how wonderful the USA is.

0:30:45.880 --> 0:30:50.800
<v Speaker 1>It's about, hey, what's what's the deal? Right? Interesting? And

0:30:50.880 --> 0:30:52.920
<v Speaker 1>here we are playing at every fourth of July, Like, yeah,

0:30:52.960 --> 0:30:59.880
<v Speaker 1>I'm Mary, that's so on this one then the other one.

0:30:59.880 --> 0:31:03.280
<v Speaker 1>The other one means super well, but the words trick you.

0:31:03.760 --> 0:31:08.160
<v Speaker 1>This one doesn't mean that well, but the words trick you. Yeah.

0:31:08.440 --> 0:31:12.040
<v Speaker 1>And your favorite Springsteen song. I know I'm such a poser,

0:31:12.080 --> 0:31:13.600
<v Speaker 1>but I'm okay with that. Do you like the heat?

0:31:13.600 --> 0:31:15.800
<v Speaker 1>I mean, the dude plays three and a half hours.

0:31:15.800 --> 0:31:19.040
<v Speaker 1>Like sometimes it's like there's a reason Eric Church. It's

0:31:19.080 --> 0:31:20.520
<v Speaker 1>like he is because of Bruce Springsteen. Like I can

0:31:20.560 --> 0:31:23.400
<v Speaker 1>admire that. I think it's cool. He loves the fans,

0:31:23.880 --> 0:31:27.040
<v Speaker 1>makes music fans. Yeah, I think that's what drives him.

0:31:27.080 --> 0:31:29.320
<v Speaker 1>I mean, you want to know my other favorite Springstey song.

0:31:29.400 --> 0:31:33.720
<v Speaker 1>I'm not kidding. It's so good. Said no, no, I

0:31:33.720 --> 0:31:35.240
<v Speaker 1>agree with this. It's coming down maybe one of the

0:31:35.240 --> 0:31:39.640
<v Speaker 1>best war Now you can't really wear the where you're

0:31:40.280 --> 0:31:42.320
<v Speaker 1>my app out. But like, I played this so much

0:31:42.400 --> 0:31:54.360
<v Speaker 1>during Christmas? Great, right, you guys know what jam Yeah, Claire,

0:31:54.400 --> 0:31:57.440
<v Speaker 1>it's sounds good. Give you need saxophone? Is there anything

0:31:57.440 --> 0:31:59.600
<v Speaker 1>that the raging idiots don't like playing anymore? We don't.

0:31:59.600 --> 0:32:04.360
<v Speaker 1>We don't play Starbucks anymore. That's stupid. Don't do we? Yeah,

0:32:04.360 --> 0:32:06.800
<v Speaker 1>we we don't play that one anymore. We do we Finally,

0:32:06.840 --> 0:32:08.680
<v Speaker 1>we do play Fight for Your Right. We do play

0:32:09.160 --> 0:32:11.280
<v Speaker 1>all those all the ones that they don't want were

0:32:11.320 --> 0:32:16.120
<v Speaker 1>like Shiny Happy Pete, here's the Oasis. Everybody plays the Oasis. Huh,

0:32:16.160 --> 0:32:19.560
<v Speaker 1>everybody button plays the Oises. Yeah. I go downtown on

0:32:19.560 --> 0:32:22.400
<v Speaker 1>the Friday night they're playing it. That's a rap rock

0:32:22.440 --> 0:32:24.560
<v Speaker 1>and roll Eddie, appreciate you coming by. I was like

0:32:24.560 --> 0:32:26.920
<v Speaker 1>it when you do the people do too, No day,

0:32:27.200 --> 0:32:28.400
<v Speaker 1>that was like it when you come in a I

0:32:28.400 --> 0:32:31.160
<v Speaker 1>like doing it. Yeah, what'd you drop out of that podcast?

0:32:31.200 --> 0:32:34.440
<v Speaker 1>And which on the sports it's usually just sit around

0:32:34.440 --> 0:32:37.840
<v Speaker 1>listen to lunch box rant. Yeah No, that's not how

0:32:37.960 --> 0:32:40.440
<v Speaker 1>locker room is. Listen. If I were the coach, this

0:32:40.520 --> 0:32:42.640
<v Speaker 1>is what I would do. But you're not, and you've

0:32:42.680 --> 0:32:48.360
<v Speaker 1>never been You've never played football. You're talking about. Check

0:32:48.360 --> 0:32:50.880
<v Speaker 1>out The Store Loser's podcast. Eddie is one of the

0:32:50.880 --> 0:32:53.160
<v Speaker 1>three guys ever on that show Lunchbox, Eddie and Ray,

0:32:53.480 --> 0:32:56.720
<v Speaker 1>and also check out Four Things Amy Brown That's Amy's podcast,

0:32:56.960 --> 0:32:59.520
<v Speaker 1>and um reading episodes he had her husband on. Thanks

0:32:59.560 --> 0:33:02.280
<v Speaker 1>for listening, Episode one six one in the Bobby Cast,

0:33:02.640 --> 0:33:05.080
<v Speaker 1>this has been tell your friends about if you don't mind,

0:33:05.120 --> 0:33:07.120
<v Speaker 1>Hey rate us to go to the If you don't mind,

0:33:07.440 --> 0:33:09.000
<v Speaker 1>take a second and go to the app or wherever

0:33:09.000 --> 0:33:10.720
<v Speaker 1>you are, Like if you're getting from the Apple Store,

0:33:10.800 --> 0:33:13.800
<v Speaker 1>I radio rate us and subscribe that it actually helps

0:33:13.840 --> 0:33:16.000
<v Speaker 1>us move up the charts a little bit get more listeners,

0:33:16.480 --> 0:33:18.120
<v Speaker 1>so we appreciate it. Have a Goo day, everybody takes

0:33:18.120 --> 0:33:20.240
<v Speaker 1>our sponsor and we'll see you next time. Bye, guys,