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Speaker 1: Welcome to episode one six one of the Bobby Cast,

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Speaker 1: And this one's gonna be about artists who hate their

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Speaker 1: biggest hits, which is interesting. I told you about this

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Speaker 1: yesterday and I was like, I want you to hop

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Speaker 1: on because this is a good one. I like it.

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Speaker 1: Do you know any of these? Um, I was trying

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Speaker 1: to guess something. I would think Red Hot Chili Peppers

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Speaker 1: would come to mind, like under the Bridge. They don't

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Speaker 1: like playing that one. I would think not right, Oh,

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Speaker 1: you don't know. I don't know is that on here?

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Speaker 1: Because every time I've been to like ten Chili Pepper shows,

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Speaker 1: they played every time. Yeah, and the whole place is like,

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Speaker 1: I don't have a wound up. That's their smash, right,

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Speaker 1: Like that's their big song to them started. I think

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Speaker 1: that was their moment song. But I don't know if

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Speaker 1: it was their biggest song, because I would think that's

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Speaker 1: something like, um aeroplane, something that we don't think is

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Speaker 1: the biggest. We're hardcore Chili Pepper fans were actually popped

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Speaker 1: the mainstream because it was in Deep's butt head pop

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Speaker 1: Readio played the crap out of it, So I would

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Speaker 1: think it'd be something like it's my aero plane. Yeah,

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Speaker 1: so not to totally shift at the beginning of this,

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Speaker 1: but I would think like that or that was something

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Speaker 1: that came to my mind. Brian Adams, everything I do,

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Speaker 1: I do it for you know what I mean? Like

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Speaker 1: his smash But why would you want to sing that

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Speaker 1: it's the Robin Hood song because you gotta get the

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Speaker 1: people what they want. So who are these people? I'm

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Speaker 1: so curiou You're gonna know one of these easy as

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Speaker 1: soon as I play this note, the first one. You

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Speaker 1: and I've talked about a lot. That's not the right one.

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Speaker 1: Hold on songs the same name, No no here, Oh

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Speaker 1: of course Radiohead, Creep, they don't play it. This is

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Speaker 1: the one that's the most legendary to me of a

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Speaker 1: massive band that will not play their biggest song. But

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Speaker 1: this is the a we're so cool, we don't need

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Speaker 1: to play that song. Like everyone likes that song. But

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Speaker 1: that's I'm not even our best song. It's not who

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Speaker 1: we are anymore. And this is what got me on

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Speaker 1: the Radiohead. But I agree with them, like there's a

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Speaker 1: lot of good radio okay, and that's not it doesn't

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Speaker 1: it doesn't sound like that. Yeah, yeah, I agree, but

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Speaker 1: still that's that's what a lot of people our age

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Speaker 1: in their thirties got into radio Head four because we

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Speaker 1: heard this song. We're like, whoa that weird and that

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Speaker 1: and if I'm right too it again, I'm just going

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Speaker 1: from memory here. I don't know if it's right in here.

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Speaker 1: But that was accident. Really, yeah. I love those fun

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Speaker 1: facts like that, Like some he was just popping his

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Speaker 1: guitar and the producer said it was all I think

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Speaker 1: it was rolling, and they're like, oh, that works there,

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Speaker 1: I have something like that fun fact. And you're a

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Speaker 1: girl in college. She was at a club and saw

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Speaker 1: Tom York and like it was like a jam pack

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Speaker 1: club and she looks right now and she goes, oh

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Speaker 1: my gosh, oh my gosh, you are and he just

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Speaker 1: put his finger up like oh, I don't say don't

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Speaker 1: like just no, don't don't even say a word, and

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Speaker 1: then walked off. She was it was amazing. Radio Heads

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Speaker 1: never liked the song. I'll read you from this article.

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Speaker 1: Tom York would say that it's crap and had short

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Speaker 1: shrift for whatever that means. And his short shrift, I

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Speaker 1: don't know, dude, he's from the country. For fans who

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Speaker 1: asked to hear it in concert. This song has also

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Speaker 1: caused legal trouble with both The Hollies and there's a

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Speaker 1: song called The Air that I Breathed suit over melodics

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Speaker 1: similarities and Landa del Rey and Creep became a mainstay

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Speaker 1: in the mid nineties, and they didn't want to play.

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Speaker 1: They went several years that performing at all, and they

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Speaker 1: did it finally in that does say it's a little

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Speaker 1: something about them, like they should respect that song because

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Speaker 1: that really got the whole world listening. Yeah, that's what

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Speaker 1: launched Radiohead. I wouldn't be able to know those all

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Speaker 1: those cool other songs if it wasn't for this maybe,

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Speaker 1: but I would say yes, because that was basically a

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Speaker 1: pop song. A right here we go. Uh. This is

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Speaker 1: one theory on Radioheads guitar right um, the guitar crunch

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Speaker 1: before the chorus and radio Heads creeps from guitarist Johnny

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Speaker 1: Greenwood intentionally trying to sabotage the song. Oh, A lot

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Speaker 1: of theories about it, but I don't know about that one.

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Speaker 1: I don't know if by that that's one that I

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Speaker 1: just read this, but I know that it wasn't supposed

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Speaker 1: to be in the song like it when it was written,

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Speaker 1: it wasn't fixing love. So that's one. They don't like

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Speaker 1: playing that song rarely do they only a couple of

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Speaker 1: times in the past set of years. The other one

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Speaker 1: that I've played was this one that's also create TLC cret.

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Speaker 1: They won't play it. Well I think still well, yeah,

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Speaker 1: I think they play without Left Eye. Yeah, but even then,

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Speaker 1: you remember a song, yeah, vaguely. I mean, I wasn't.

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Speaker 1: This wasn't my time to like listen to radio. I

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Speaker 1: was cool then, dude, I was listening to like, yeah,

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Speaker 1: other stuff. The song didn't even almost make it out

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Speaker 1: of the studio. It's about women who cheat on their

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Speaker 1: cheating partners in order to make them feel jealous, like

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Speaker 1: you're cheating on me? How much cheat on you? In

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Speaker 1: the documentary The Last Dates of Left Eye, she claims

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Speaker 1: she was so adamant the song should not see the

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Speaker 1: light of day that she threw into a black tape

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Speaker 1: over her mouth or in the music video don't even

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Speaker 1: sitting during it, and they were like, we don't even

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Speaker 1: want to sing. They hate doing it doing it. I

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Speaker 1: saw a show about them like not making any money. Well, yeah,

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Speaker 1: so there's a whole podcast. Well, the guy that does

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Speaker 1: the it's great. It talks about her and her story

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Speaker 1: and Andre rise in her burning his house down and

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Speaker 1: on Your Rising, Yeah that was a bad relationship. They

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Speaker 1: talked about that on that show. So yeah, but then

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Speaker 1: I like that song, so that interest. That was like

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Speaker 1: the last one on the list, but I actually hit it.

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Speaker 1: You're gonna say that for the end? Yeah, Um, okay,

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Speaker 1: here we go. No she has to. Now, if you're

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Speaker 1: Miley Cyrus and you're this big, you know, um young

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Speaker 1: adult star, do you really want to play your fifteen

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Speaker 1: except from your fifteen year? That's like Paul McCartney never

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Speaker 1: singing I want to hold your hand, Like, no, it's

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Speaker 1: not stop it, Miley Cyrus. None of the big party

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Speaker 1: in the USA is nothing like in that aspect, where

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Speaker 1: like you're asking a sixty year old man to sing

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Speaker 1: something he wrote when he was eighteen, Like yeah, but

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Speaker 1: again she wrote this as a young teenager. I would

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Speaker 1: think that is you put by the way, I don't

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Speaker 1: think Miley wrote this, Oh she didn't know. I don't

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Speaker 1: think so. So that when you get to be thirty,

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Speaker 1: you probably think it's coold again to play a hit

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Speaker 1: from a kid. But when you're in that age we're

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Speaker 1: trying to redefine yourself as an adult. But for her,

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Speaker 1: like like, it's funny, you say you she didn't even

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Speaker 1: write it. You listen to that, you're like, well, yeah,

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Speaker 1: she's a Nashville girl going to l A for the

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Speaker 1: first time. Like I understand this story, Like it makes

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Speaker 1: me feel close to Miley just by listening to the song.

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Speaker 1: Is Miley listened as one of the writers at all No.

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Speaker 1: Miley Cyrus admitted that choosing the song was minimal. It

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Speaker 1: was written by Jesse j and some others that she

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Speaker 1: picked a song because she did something to go with

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Speaker 1: their clothing line. Wow. She did not expect to be popular.

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Speaker 1: It was something that she wanted to do because she

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Speaker 1: needed a song best for the album. Later, it was like,

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Speaker 1: I feel like a sellout, so she doesn't like playing it.

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Speaker 1: That's crazy. She was so over that song that during

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Speaker 1: a party in Chicago, she asked the DJ to play

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Speaker 1: any of her own song to accept freaking party in

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Speaker 1: the USA. I was the opposite when that song came out.

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Speaker 1: I would be at bars and tell the DJ party

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Speaker 1: in the USA. Here's my point with this. She was

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Speaker 1: a young teenager and she got famous when she was

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Speaker 1: a teenager, and as you try to grow out of

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Speaker 1: that bubble gum pop, you don't want to have to

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Speaker 1: play your bubble gumpop. And how drastic did she go

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Speaker 1: from that to like naked pool parties. Well, she's twenty

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Speaker 1: six now, so I would think that now, as she

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Speaker 1: is more solidified with who Miley is, she's probably okay

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Speaker 1: playing it now, right. I would think when you're nineteen

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Speaker 1: to twenty four, you're like, that's not who I am.

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Speaker 1: I don't people think we know who she is. Now

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Speaker 1: we understand who she is. And you're at a concert

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Speaker 1: and you're Miley Cyrus show and she didn't play, you're

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Speaker 1: a little pissed, right, Yeah? Yeah. I went to r

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Speaker 1: M show. The didn't play any hit. That sucks. My

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Speaker 1: favorite story of me hating and that sus I love

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Speaker 1: r M And I go to rim Shure. They played

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Speaker 1: no hit and she played their whole new album. It

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Speaker 1: was an odd new record. That's cold, but I bet

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Speaker 1: they were so happy that to do that, like that's

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Speaker 1: such a band thing to do. Yeah, it is weird.

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Speaker 1: They have a song that they don't play anymore, shiny happy.

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Speaker 1: People love it, So there's a story behind this. It

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Speaker 1: was supposed to be the Friends the song yeah we're

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Speaker 1: talking about on this ship. Yeah it was. It was

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Speaker 1: originally gonna be the Friends theme song. This the singer

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Speaker 1: here is the fifth two singer love Shot Girl sound.

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Speaker 1: So RIM's record company, let's have the story of the song.

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Speaker 1: They said, Hey, we need up tempo pop track. We

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Speaker 1: need something like fun goofy. So they said, Okay, we're

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Speaker 1: gonna make this stupid song and thinking that label would

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Speaker 1: reject it, and unfortunately for them, they didn't, and then

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Speaker 1: it became a huge single. Michael Stipe said I hate

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Speaker 1: that song, and so he's like, I just don't like it.

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Speaker 1: He said, I wouldn't say I'm embarrassed about the song,

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Speaker 1: but it's a limited appeal for me. I never bad mouth.

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Speaker 1: I tried never to say anything bad about songs that

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Speaker 1: I don't particularly like because there might be someone out

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Speaker 1: there who hears it and it means everything too. But

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Speaker 1: the band has decided to leave Shiny Happy People off

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Speaker 1: their Greatest Hits albums. They don't play it for the

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Speaker 1: most part. He said, there's one song that I send

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Speaker 1: outer space that does not represent R E. M. It

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Speaker 1: would be Shiny happy people. I love the song, yeah,

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Speaker 1: and I think of the music video and then all

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Speaker 1: dancing around. I don't remember that. You don't know what

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Speaker 1: were they doing? Um, there's just a bunch of people

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Speaker 1: on like the sound stage, dancing around. I feel like

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Speaker 1: it was a farm too, like I was just they're

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Speaker 1: just did jumping around, dancing out the guitar riff. It's

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Speaker 1: so happy, shy, like Michael Slipe has like the goofy

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Speaker 1: thing with the hat on backward. Okay, I do remember that?

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Speaker 1: Do you do you agree with him? Though? Do you

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Speaker 1: do you listen to this and say I didn't sound

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Speaker 1: like the rest of ari UM? I don't. Well. Ari

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Speaker 1: M is such a collection though over because it sounds

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Speaker 1: like over decades. Yes, some it's not like that crap

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Speaker 1: they played at one time. I went and didn't played

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Speaker 1: all these songs. So do you know any of those

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Speaker 1: songs that it didn't matter? I mean none of those songs.

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Speaker 1: And r M was over being contemporary at that time.

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Speaker 1: R M was awesome, Like what do you mean by contemporary?

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Speaker 1: None of the songs were making the pop charts? Got it?

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Speaker 1: You know? Because it was beyond pop. They were older,

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Speaker 1: they were more sad, and cool, But already I've had

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Speaker 1: the jams. This sounds like like stand sounds sonically like

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Speaker 1: Shiny have People. To me, it does. That's why I'm

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Speaker 1: saying he's pulled a crowd like this does sound like

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Speaker 1: a direction. R M was so good Losing My religion

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Speaker 1: was like that was that was their song, Like that's

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Speaker 1: the one that shifted everybody. The video we were kids,

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Speaker 1: young young kids remember watching it. And he had hair

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Speaker 1: in the video? Did he? Yeah? I think so. I

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Speaker 1: can picture right now to artist he had hair that

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Speaker 1: we don't think about having hair. Billy Corgan and Michael

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Speaker 1: Stut have long hair. It's the jam I mean, Arim

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Speaker 1: had well my favorite arium s because everybody hurts references

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Speaker 1: quite often on the show. But I'm telling you I

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Speaker 1: would just what's gonna happen is I'm gonna go back

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Speaker 1: and you have to jam it all today. But like,

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Speaker 1: what's the Freaknency Kenneth's prema right in the midst what's show?

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Speaker 1: And don't forget about this? You talk about someone he says,

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Speaker 1: it doesn't sound like Shiny have people come on the

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Speaker 1: end of the world as we know it? Oh, come on?

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Speaker 1: This is that that's great start. Yeah, fun, Wait birch

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Speaker 1: sneake scenario. Didn't you have stuff like this? A lot

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Speaker 1: of minor chords sadness? Yeah, even though it's upbeat, it's

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Speaker 1: still but tones are darker. This one to one able

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Speaker 1: to jam goes up to love. They don't like playing

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Speaker 1: shiny happy people. I thought would go down the R

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Speaker 1: A M. Train. I gotta go to commercial real quick.

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Speaker 1: Called on. The world is full of sounds that warn

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Speaker 1: dot com. Alright, other songs that bands don't like to play.

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Speaker 1: And if I went to an Oasis show, which there

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Speaker 1: aren't any right, they don't play wonder Wall. They don't

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Speaker 1: like it, they don't get it, they hate it now

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Speaker 1: now the whole thing is that they won't play it

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Speaker 1: at all. But if they hate it, but then that

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Speaker 1: kind of what this band's about, fighting and their counterculture

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Speaker 1: against themselves. They are not even culture like, they hate themselves.

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Speaker 1: There's a Netflix documentary on them. I haven't watched it yet,

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Speaker 1: but I keep scanning by it. I'll watch it one day.

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Speaker 1: I've seen it's fantastic good. I just this is what

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Speaker 1: I picture, and you tell me if I'm right, You're right.

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Speaker 1: They just fight the whole time. But it's very self serving,

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Speaker 1: but it's still dude, they're so they were so much

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Speaker 1: bigger than even I remember them being, especially across the Pond.

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Speaker 1: Yeah yeah, but because they were big here, but I'm

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Speaker 1: inter nationally, like I think that they probably were the

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Speaker 1: biggest band in the world at a time. Dude, when

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Speaker 1: that when Wonder Wall came out, that was something that

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Speaker 1: we had never heard, Like, we didn't hear music like that.

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Speaker 1: We were just coming out of grunge and they looked

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Speaker 1: almost grunge, but they didn't sound like it. They were British.

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Speaker 1: It's a weird day here's he says. I can't effing

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Speaker 1: stand that effing song. Yeah, I know, Liam, every time

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Speaker 1: I have to sing and I want a gag. You

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Speaker 1: go to America and they're like, are you missed a

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Speaker 1: wonder Wall? Oh? I mean I get that. And they

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Speaker 1: both hate it though, because that was Liam and Knowls

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Speaker 1: the same thing. He was like, I don't like the song.

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Speaker 1: They agreed on something so now that they stopped playing it.

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Speaker 1: It's called Supersonic the documentary, Like Supersonic guess it. Yeah,

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Speaker 1: it's a little cool guy, so you would like it

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Speaker 1: because you're a music I just love learning about stuff

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Speaker 1: and I don't know much about them other than just

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Speaker 1: their brothers, and they fought a lot, they broke up.

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Speaker 1: Here's this one. Madonna does not like playing like a virgin.

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Speaker 1: That was one of my guesses, was it, yeah, that

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Speaker 1: this doesn't sound like her. It sounds like an eighties song, though,

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Speaker 1: and she dominated eighties and made all the other eight

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Speaker 1: songs sound like this like an her Michael Jackson were

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Speaker 1: the again. Sonically everybody chased them, so she made this

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Speaker 1: everybody else chased it. She got away from that because

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Speaker 1: everybody else was doing it. That makes sense, does make sense?

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Speaker 1: Just forty nine top forty hits. She says there are

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Speaker 1: two songs that she hates, Holiday and lack a Virgin.

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Speaker 1: I forget that's her. She goes, I just can't unless

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Speaker 1: somebody paid me, like thirty million or something. Not only

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Speaker 1: will she not saying them, she doesn't want to hear them.

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Speaker 1: She said, it's a nixt awkward experience. She has to

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Speaker 1: hear them. She did perform both because she was trying

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Speaker 1: to do a tour to get people like come and

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Speaker 1: so she did both of those. But she's like, I

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Speaker 1: hate it again with her, Like at some point she's

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Speaker 1: gonna play it right. I don't know if she's older now,

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Speaker 1: but I mean, at some point you come to realize, like, hey,

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Speaker 1: you know what, like I was really lucky to have

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Speaker 1: this life and really this song, those songs were probably

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Speaker 1: the reason why I got to do everything else like

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Speaker 1: I want to do. I think that comes in if

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Speaker 1: people get older and they struggle. Oh, she might not

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Speaker 1: struggle anymore. I don't think that. Listen, she could. She's

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Speaker 1: sick six, she's older than that. But she's got a

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Speaker 1: lot of money though. Yeah, Like I don't think she's

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Speaker 1: in any struggle for she has to go. I need

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Speaker 1: to kind of re embrace what I was. And she's

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Speaker 1: also making a lot of new music. I I just like,

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Speaker 1: it's crazy to hear people like Garth Brooks, you know

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Speaker 1: who probably saying friends in low places hundreds of time.

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Speaker 1: Still today he will do it and there and he

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Speaker 1: will openly say like why wouldn't I play that? Like,

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Speaker 1: but I wonder if secretly hates it. You think, I

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Speaker 1: don't know if I hate And I think we're getting

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Speaker 1: tired to play in his one thing. Yes, he's probably

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Speaker 1: grateful for it, and he probably if you gave him

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Speaker 1: a choice and it didn't in the crowd didn't care

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Speaker 1: either way, Right, if it was no matter what you played,

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Speaker 1: he plays it because the crowd loves it, right, which

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Speaker 1: is why you do what you do. Right. But if

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Speaker 1: you said the crowd doesnt care what you plays, gonna

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Speaker 1: pay whatever you want, I bet he wouldn't play Friends

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Speaker 1: in Places. If you know, if you have the chance

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Speaker 1: not to play, you're right, probably right if you go

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Speaker 1: if the crowd is going to react to the same

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Speaker 1: exact way regardless of what you play, you can play

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Speaker 1: anything you want. He's not gonna play Friends, And guarantee

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Speaker 1: you at the end of that show, they'll do somebody.

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Speaker 1: Everyone will be like, you know, what do you did?

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Speaker 1: Play Friends in Low Places? For sure, that's the biggest song.

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Speaker 1: But I'm saying I bet you that everyone that has

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Speaker 1: to do it over and over and over again, it's like,

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Speaker 1: you know, I'd rather not and you go into probably

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Speaker 1: just a mode of you don't even it's just automatic,

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Speaker 1: just what you're doing. And I don't think Garth or

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Speaker 1: anyone like that would ever say, like, f this song,

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Speaker 1: like I don't understand that I hate that song, Like

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Speaker 1: that's the part that I don't relate, Like I can't

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Speaker 1: really understand hating the song that much, Like at one

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Speaker 1: point you liked it because you wrote it, you know,

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Speaker 1: like even though you're trying to sabotage it like Radiohead,

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Speaker 1: like you did write that song, you did put it

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Speaker 1: up money and maybe it made you a lot of money. Boys. Yeah,

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00:18:05,640 --> 00:18:10,760
Speaker 1: they didn't like doing fight for Your Right. Really, they

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Speaker 1: said it was frat boys song. He says. The only

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Speaker 1: thing that upsets me is we might have reinforced certain

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Speaker 1: values of some people are audience, when our own values

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Speaker 1: were actually totally different. So the school's you know, party, party, party,

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Speaker 1: and they felt like they weren't really all about that

365
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Speaker 1: you gotta fight, fight you're right. They wrote once that

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Speaker 1: that song sucks, and they did it as a goose

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Speaker 1: kind of I was the biggest boy fan if you

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Speaker 1: if you'd asked me five years, I don't know. My

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Speaker 1: favorite three albums would be like Forever, take On Island, Continuum.

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Speaker 1: It used to be Beastie Boys, License Ill, which that's

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Speaker 1: on at the rod of the Plane, No Beach Boys

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Speaker 1: is nothing, and deal is what's the cover of that?

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Speaker 1: I'm trying to think pull cover is it the tail

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Speaker 1: of the plane on the front? And steel I think

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Speaker 1: on the front cover. I'm trying to think, I don't

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00:19:09,960 --> 00:19:13,439
Speaker 1: remember I just had this and oh yeah it's like

377
00:19:13,480 --> 00:19:17,479
Speaker 1: a jet Yeah I got it. Yeah, look at that.

378
00:19:17,800 --> 00:19:20,000
Speaker 1: So what do you think about what? Like, what's your

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00:19:20,040 --> 00:19:23,080
Speaker 1: take on It's they were kids, this one in the

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00:19:23,119 --> 00:19:25,879
Speaker 1: wrong direction. That's not who we are, Like you're saying that,

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Speaker 1: like beastwo Boys are saying that fifteen twenty years later. Yeah,

382
00:19:31,200 --> 00:19:33,320
Speaker 1: the prime embarrassed off it. There are things I used

383
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Speaker 1: to do, embarrassed stuff. But if that's part of your you,

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Speaker 1: Bobby bones, Like, do you embrace it or do you

385
00:19:40,040 --> 00:19:44,480
Speaker 1: hate it? M M. That's a tough thing. You probably

386
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Speaker 1: secretly love it because it was good for you, but

387
00:19:47,280 --> 00:19:49,879
Speaker 1: you probably can't say you love it anymore because it

388
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Speaker 1: sends I don't even know what what message are talking about.

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Speaker 1: It is stupid. This song is dumb, Like, yes, it

390
00:19:54,119 --> 00:19:55,879
Speaker 1: sounds like a thirteen year old read it like that.

391
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Speaker 1: But that's what everyone liked about it. They were three

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Speaker 1: white dudes rock rapping right at a time when that

393
00:20:01,280 --> 00:20:04,840
Speaker 1: was that sound was so for hip hop wasn't even

394
00:20:04,840 --> 00:20:06,920
Speaker 1: that big. It was just starting to be a thing,

395
00:20:07,600 --> 00:20:09,879
Speaker 1: and there were no instruments to hip hop. Three Jewish

396
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Speaker 1: white dudes. We're crushing it. And it was like I was.

397
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Speaker 1: I watched them almost like oh, I have a chance

398
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Speaker 1: to do music. I saw the Beat Boys, Is that right? Yeah?

399
00:20:17,880 --> 00:20:19,359
Speaker 1: I was like, oh, I could probably do music because

400
00:20:19,400 --> 00:20:21,280
Speaker 1: if these guys can do it, they're goofy, like they

401
00:20:21,280 --> 00:20:24,040
Speaker 1: were always like goofy, you know, goofy white dudes. I

402
00:20:24,040 --> 00:20:25,320
Speaker 1: would like at and go oh, if they can do it,

403
00:20:25,359 --> 00:20:28,360
Speaker 1: I have a shot. Yeah. Um. And if you ever

404
00:20:28,359 --> 00:20:30,440
Speaker 1: watched them play like Sabotage on Letterman, you ever watched

405
00:20:30,440 --> 00:20:34,240
Speaker 1: that YouTube video, They're so good even playing instruments. They're

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Speaker 1: playing guitar and bass. And I've seen old old footage

407
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Speaker 1: of when they came out playing their own instruments and like,

408
00:20:39,920 --> 00:20:42,240
Speaker 1: look at that. No one did that. Speaking of Madonna,

409
00:20:42,240 --> 00:20:46,720
Speaker 1: they did. They used to tour Madonna. They're wild. Uh yeah,

410
00:20:46,760 --> 00:20:49,000
Speaker 1: something like that. We had a couple more here run

411
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Speaker 1: DMC walked this way. Nice transition. Thank you. The idea

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00:20:59,280 --> 00:21:01,560
Speaker 1: for run DMC to rerecord Aero Smith song came from

413
00:21:01,640 --> 00:21:04,000
Speaker 1: Rick Rubin that we got the big great beer who

414
00:21:04,000 --> 00:21:10,000
Speaker 1: produces everybody never wears shoes. He liked to beat never

415
00:21:10,000 --> 00:21:19,439
Speaker 1: heard the rest of the record. So they were like

416
00:21:19,440 --> 00:21:21,840
Speaker 1: this is hope really poetry more than hip hop song.

417
00:21:21,960 --> 00:21:24,880
Speaker 1: I get that this is the one that doesn't fit.

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Speaker 1: You know. It's like, all right, they were doing this publicity,

419
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Speaker 1: make money whatever. Who like you said, Rick Rubin, maybe

420
00:21:32,960 --> 00:21:34,760
Speaker 1: he thought it sounded cool, but the label loved that.

421
00:21:34,960 --> 00:21:39,880
Speaker 1: Probably it was such a risk. Again, this featuring thing

422
00:21:40,000 --> 00:21:44,600
Speaker 1: didn't happen, right, didn't your Secondly, there were it was

423
00:21:44,680 --> 00:21:48,640
Speaker 1: crossing genres, which really didn't happen. That's why it blew

424
00:21:48,640 --> 00:21:51,800
Speaker 1: people's minds because first of all, you never you really

425
00:21:51,800 --> 00:21:54,080
Speaker 1: had two artists. You have a case like a David

426
00:21:54,119 --> 00:21:57,880
Speaker 1: Bowie and make Jagger, but rarely did two artists hop

427
00:21:57,920 --> 00:21:59,560
Speaker 1: on a song with each other. And the fact that

428
00:21:59,560 --> 00:22:03,199
Speaker 1: it was too plenty different type of artists was And

429
00:22:03,240 --> 00:22:05,560
Speaker 1: then it was also really good, and it was a

430
00:22:05,640 --> 00:22:12,199
Speaker 1: remake of a song that was already like so it's like,

431
00:22:13,440 --> 00:22:15,359
Speaker 1: we don't want to perform it. They're we're embarrassed to performing.

432
00:22:15,640 --> 00:22:21,240
Speaker 1: They didn't do it. Then after a soul sol they

433
00:22:21,240 --> 00:22:23,720
Speaker 1: started to play a little more, but they hated it.

434
00:22:23,840 --> 00:22:25,439
Speaker 1: They gave it. They hated it. Yeah, so they like

435
00:22:25,560 --> 00:22:31,840
Speaker 1: and I'll give you one more, which is weird. Really,

436
00:22:32,560 --> 00:22:35,480
Speaker 1: Robert Plant this is. This is. They never did it. No,

437
00:22:35,600 --> 00:22:37,600
Speaker 1: this is. They hated it. They hated but they played.

438
00:22:37,600 --> 00:22:39,760
Speaker 1: They would still play because even in their reunion they

439
00:22:39,840 --> 00:22:43,480
Speaker 1: played occasionally. Robert Plant was like, if I have to

440
00:22:43,520 --> 00:22:45,320
Speaker 1: sing that every show, I'm gonna breakout on high. So

441
00:22:45,320 --> 00:22:49,560
Speaker 1: they stopped playing it. This wasn't my time. This was

442
00:22:49,600 --> 00:22:52,520
Speaker 1: before us. We waited before us. I don't know how

443
00:22:52,560 --> 00:22:58,640
Speaker 1: songs became big, but this song was huge. Like Stairway

444
00:22:58,680 --> 00:23:03,159
Speaker 1: to Heaven is, yes, the classic rock anthem, maybe the

445
00:23:03,240 --> 00:23:05,439
Speaker 1: song of the seventies. Correct, we weren't born in the seventies,

446
00:23:05,480 --> 00:23:07,800
Speaker 1: but if you go what's the song of the seventies,

447
00:23:08,240 --> 00:23:12,040
Speaker 1: I start to go get not born, I go free bird.

448
00:23:13,160 --> 00:23:17,520
Speaker 1: And that's even mostly geographical, but still still yeah. But

449
00:23:17,720 --> 00:23:20,120
Speaker 1: I think Stairway to Heaven. I think that's the song

450
00:23:20,200 --> 00:23:21,680
Speaker 1: of the seventies. And look at biggest song in the

451
00:23:21,680 --> 00:23:23,280
Speaker 1: seven still pops up and another one that came up

452
00:23:23,280 --> 00:23:26,879
Speaker 1: with Hotel California. But this Stairwood Heaven was it? Man,

453
00:23:27,400 --> 00:23:29,200
Speaker 1: I feel like it was like the number one to

454
00:23:29,480 --> 00:23:33,840
Speaker 1: like I really do, he's gonna look out do that

455
00:23:33,840 --> 00:23:35,480
Speaker 1: one hundred best song in the seventies. To what people

456
00:23:35,520 --> 00:23:38,320
Speaker 1: are saying, there's like an article written about that. Um that,

457
00:23:38,480 --> 00:23:40,840
Speaker 1: And I would say because that late sixties starts to

458
00:23:41,440 --> 00:23:45,000
Speaker 1: funs into the early seventies like Crosby Stills in nashas

459
00:23:45,040 --> 00:23:48,239
Speaker 1: Nash and Young like even like teach your children, like

460
00:23:48,280 --> 00:23:50,399
Speaker 1: that's big. But still I think, all right, we have

461
00:23:50,440 --> 00:23:53,760
Speaker 1: a hundred best songs of the seven from Enemy Hold

462
00:23:53,760 --> 00:23:55,919
Speaker 1: on Everybody. We're gonna go through start number one hundred.

463
00:23:56,640 --> 00:23:59,520
Speaker 1: Oh it's going backward, okay, let me know anything far

464
00:23:59,680 --> 00:24:04,280
Speaker 1: or so. So anyway, those are songs that those artists

465
00:24:04,320 --> 00:24:08,120
Speaker 1: hate playing. I saw Robert Plant has something new out

466
00:24:08,880 --> 00:24:11,000
Speaker 1: or he's back. I actually heard one of his songs

467
00:24:11,000 --> 00:24:14,480
Speaker 1: on the radio and is and I it's good. It

468
00:24:14,560 --> 00:24:17,240
Speaker 1: was just okay, but the voice sounded like Robert Plant,

469
00:24:17,240 --> 00:24:19,480
Speaker 1: which is something that I hadn't heard what I heard that.

470
00:24:19,480 --> 00:24:22,680
Speaker 1: Remember he did the Alison Crouse. Yeah that was good,

471
00:24:22,720 --> 00:24:25,280
Speaker 1: good album, but he never did the he never did

472
00:24:25,359 --> 00:24:29,399
Speaker 1: the Zeppelin voice where he screamed or whatever. And he

473
00:24:29,440 --> 00:24:31,159
Speaker 1: does a little bit in this new stuff where it's like,

474
00:24:31,200 --> 00:24:33,240
Speaker 1: oh he can still get there, he's still out not

475
00:24:33,320 --> 00:24:36,359
Speaker 1: that high. But you told me one time Elton John

476
00:24:36,440 --> 00:24:38,919
Speaker 1: like doesn't even go ye. He changed his keys completely

477
00:24:38,920 --> 00:24:40,720
Speaker 1: on a song that's got a sun. Well he's also

478
00:24:40,800 --> 00:24:43,840
Speaker 1: in the sixties, right, but that was your sounds, you

479
00:24:43,840 --> 00:24:45,760
Speaker 1: know what said? I was like blue Gee, he's like

480
00:24:46,160 --> 00:24:51,840
Speaker 1: blue Jean baby, like not hold me closer, he just

481
00:24:51,920 --> 00:24:55,280
Speaker 1: keeps it, just keeps it there. Um that side we

482
00:24:55,359 --> 00:24:57,600
Speaker 1: pulled up like a lot of sex pistols. This is

483
00:24:57,640 --> 00:25:05,080
Speaker 1: like cool guys Fleetwood Mac Okay, which would be their

484
00:25:05,119 --> 00:25:09,280
Speaker 1: big song on that's the one they list? Yeah? Is

485
00:25:09,320 --> 00:25:13,560
Speaker 1: that to you the biggest thing Max song? Uh? Yeah,

486
00:25:13,680 --> 00:25:16,280
Speaker 1: I mean that would be the biggest. Mine would be Dreams.

487
00:25:16,640 --> 00:25:19,440
Speaker 1: Dreams is awesome, I would but that wasn't the first

488
00:25:19,480 --> 00:25:25,080
Speaker 1: one that came to my mind, Like dreams, like Gipsy, Yeah,

489
00:25:25,320 --> 00:25:31,080
Speaker 1: they're gonna have a hundred massive kids Dreams. Yeah, I

490
00:25:31,160 --> 00:25:37,520
Speaker 1: go your own way. There's a list a hundred greatest

491
00:25:37,600 --> 00:25:39,760
Speaker 1: rock songs in the seventies. We've we nailed a lot

492
00:25:39,800 --> 00:25:41,680
Speaker 1: of these. I'm gonna te I wanna tell you a

493
00:25:41,680 --> 00:25:44,280
Speaker 1: few of them. Started one number one Stairway to Havent

494
00:25:44,320 --> 00:25:49,200
Speaker 1: led Zeppelin, number two, Hotel California, the Ego, number three

495
00:25:50,840 --> 00:25:55,199
Speaker 1: Skinner No, And I didn't think to even add this. Seventies, seventies,

496
00:25:55,200 --> 00:25:57,400
Speaker 1: give me a chance, hold on, give me it's it's

497
00:25:57,440 --> 00:26:00,399
Speaker 1: may be the biggest song ever. I know it's a

498
00:26:00,480 --> 00:26:02,760
Speaker 1: number three, but when I say it, you're gonna go oh,

499
00:26:03,040 --> 00:26:07,320
Speaker 1: like it could be the biggest song ever of the

500
00:26:07,359 --> 00:26:09,680
Speaker 1: seven of Neil Diamond period, no, period of all time,

501
00:26:09,800 --> 00:26:13,199
Speaker 1: of all time. No. And I say that in the

502
00:26:13,240 --> 00:26:15,320
Speaker 1: way that it's just that so many people were covered

503
00:26:15,359 --> 00:26:18,480
Speaker 1: it too, Like, regardless of our charts, it's the I

504
00:26:18,560 --> 00:26:22,400
Speaker 1: think it's possibly the biggest song of all time. Marguerita Ville, No, No,

505
00:26:22,760 --> 00:26:24,680
Speaker 1: would you agree that possibly the biggest song of all time?

506
00:26:26,960 --> 00:26:30,119
Speaker 1: Imagine pound for pound, maybe the biggest song of all

507
00:26:30,119 --> 00:26:34,280
Speaker 1: time Western popular culture, and it was John Lennon, It

508
00:26:34,280 --> 00:26:50,280
Speaker 1: won't even the bee you imagine no heaven try. I

509
00:26:50,280 --> 00:26:52,880
Speaker 1: think that line gets because it starts to imagine there's

510
00:26:52,880 --> 00:26:54,439
Speaker 1: no heaven. A lot of people would get upset at that.

511
00:26:54,800 --> 00:26:57,960
Speaker 1: That's not the point, is that that there's no heaven. Well,

512
00:26:57,960 --> 00:26:59,720
Speaker 1: I think John kind of did that to himself because

513
00:26:59,720 --> 00:27:02,000
Speaker 1: he'd all was like even wad of the Beatles, he

514
00:27:02,119 --> 00:27:04,760
Speaker 1: compared himself that he compared them to Jesus, which didn't

515
00:27:04,760 --> 00:27:07,040
Speaker 1: really fit well with a lot of Christians. But again

516
00:27:07,080 --> 00:27:09,840
Speaker 1: he didn't know he didn't. That's not really what he did, right,

517
00:27:09,960 --> 00:27:14,200
Speaker 1: He said, let's say stuff like that, but again all misconstrued.

518
00:27:14,920 --> 00:27:17,000
Speaker 1: Even that first line's misconstrued. Agree with you. He said

519
00:27:17,040 --> 00:27:20,280
Speaker 1: we're bigger than Jesus, right the Beatles. He didn't mean

520
00:27:20,359 --> 00:27:22,120
Speaker 1: like we're actually bigger than Jesus. He goes, he can't

521
00:27:22,119 --> 00:27:24,760
Speaker 1: believe how crazy people are for this. We're bigger than

522
00:27:24,840 --> 00:27:26,800
Speaker 1: Jesus right now, and he actually meant it as a

523
00:27:26,880 --> 00:27:29,520
Speaker 1: slight towards the Beatles, like he couldn't believe that people

524
00:27:29,520 --> 00:27:32,360
Speaker 1: are acting so crazy because I believe that we're more

525
00:27:32,359 --> 00:27:36,080
Speaker 1: popular than Jesus, and people freaked out, But in reality,

526
00:27:36,200 --> 00:27:38,959
Speaker 1: it was him disgusted by the fact that the Beatles

527
00:27:38,960 --> 00:27:40,639
Speaker 1: were more popular than Jesus. But then he would do

528
00:27:40,640 --> 00:27:42,760
Speaker 1: the ballot of Johnny Yoko and be like, christ do

529
00:27:42,800 --> 00:27:44,480
Speaker 1: you know it ain't easy? And then all the Christians

530
00:27:44,480 --> 00:27:46,439
Speaker 1: are like here he goes again, and the line and

531
00:27:46,560 --> 00:27:49,160
Speaker 1: the whole point of imagine isn't that there's no heaven,

532
00:27:49,359 --> 00:27:52,400
Speaker 1: it's also and it's also imagined. There's no hell, it's

533
00:27:52,440 --> 00:27:54,760
Speaker 1: imagined just right now. And everybody just took care of

534
00:27:54,760 --> 00:27:56,639
Speaker 1: each other right now, Like that's why this song is

535
00:27:56,640 --> 00:27:59,600
Speaker 1: so beautiful, but people will get all but her over words.

536
00:27:59,640 --> 00:28:02,240
Speaker 1: Man first line without listening to the rest of the

537
00:28:02,400 --> 00:28:06,919
Speaker 1: words more powerful than people think. So um imagine I

538
00:28:06,960 --> 00:28:10,440
Speaker 1: think I'm born to run? Was oh, Bruce Springs, it

539
00:28:10,520 --> 00:28:12,800
Speaker 1: is not a Springsteen guy. You've been born to run though,

540
00:28:13,760 --> 00:28:15,320
Speaker 1: Like when you listen to that, you didn't, that didn't

541
00:28:15,320 --> 00:28:17,960
Speaker 1: get you. I'm gonna I'm gonna say this and you're

542
00:28:18,000 --> 00:28:19,720
Speaker 1: probably gonna not like me for it. So I'm not

543
00:28:19,760 --> 00:28:23,240
Speaker 1: a big Bruce Springsteon guy, period. And if I were

544
00:28:23,240 --> 00:28:26,880
Speaker 1: going to pick Bruce because I watched that document that

545
00:28:27,560 --> 00:28:30,879
Speaker 1: show on Netflix, Bruce Springstein Live Show, Okay, okay, that

546
00:28:31,080 --> 00:28:33,679
Speaker 1: is I didn't watch it. I'm just not a Bruce guy.

547
00:28:33,880 --> 00:28:35,520
Speaker 1: A lot of my friends from the Northeast, from like

548
00:28:35,960 --> 00:28:38,000
Speaker 1: New York, New Jersey, all they love them right, And

549
00:28:38,680 --> 00:28:46,200
Speaker 1: where's born to run? This is that? No, I get it.

550
00:28:47,680 --> 00:28:51,800
Speaker 1: Not even my top Bruce Springstein songs don't. Oh my gosh, dude,

551
00:28:51,800 --> 00:28:54,480
Speaker 1: I say, born in the USA, Well listen, I'll get here,

552
00:28:54,560 --> 00:28:57,520
Speaker 1: he goes. I'm a poser. I'm not even because I'm

553
00:28:57,520 --> 00:29:03,120
Speaker 1: not even a Bruce. I love glory to this good stuff.

554
00:29:13,440 --> 00:29:16,240
Speaker 1: I just don't like a sound what is it? What

555
00:29:16,360 --> 00:29:17,720
Speaker 1: is it? Man? Go ahead? Tell us? It was all

556
00:29:17,720 --> 00:29:21,160
Speaker 1: pretty good. It was all pretty good. I like the

557
00:29:21,600 --> 00:29:32,200
Speaker 1: Dark Eddie, even songs like thunder Road. Yeah it's good.

558
00:29:32,680 --> 00:29:36,640
Speaker 1: I'm just not a big Bruce fan. My best song

559
00:29:37,600 --> 00:29:41,800
Speaker 1: here he goes? Play it Goodead? Well, are you hating

560
00:29:41,800 --> 00:29:44,840
Speaker 1: to start with the drums? No? But for real, like

561
00:29:44,880 --> 00:29:49,400
Speaker 1: if all the Bruce songs, did you know this was

562
00:29:49,400 --> 00:29:51,200
Speaker 1: not written to the patriotic song at all? Yeah? I

563
00:29:51,200 --> 00:29:54,000
Speaker 1: think you told me this? What is it? What was

564
00:29:54,040 --> 00:29:57,880
Speaker 1: actually like the opposite? It was like it was a

565
00:30:00,040 --> 00:30:02,080
Speaker 1: like a protest song before I get into trouble. I'm

566
00:30:02,080 --> 00:30:07,320
Speaker 1: gonna have Mike look it up because, um. The original

567
00:30:07,360 --> 00:30:13,200
Speaker 1: title was Vietnam On in Vietnam? Right? Is that a

568
00:30:13,200 --> 00:30:17,080
Speaker 1: movie or a song about a rock band struggling with

569
00:30:17,080 --> 00:30:19,800
Speaker 1: life and religion? He gave Bruce the idea for the

570
00:30:19,840 --> 00:30:23,560
Speaker 1: new title. Unfortunately, what's it say? Okay? Here we go?

571
00:30:23,880 --> 00:30:26,680
Speaker 1: Springsteen wrote this about the problems Vietnam veterans accounter when

572
00:30:26,680 --> 00:30:29,440
Speaker 1: they returned to America. Like the movie was, the first war,

573
00:30:29,560 --> 00:30:31,960
Speaker 1: the US didn't win, and while veterans of other wars

574
00:30:32,000 --> 00:30:35,320
Speaker 1: received a hero's welcome, those who fought in Vietnam were

575
00:30:35,560 --> 00:30:38,320
Speaker 1: mostly ignored when they returned to the States. So so

576
00:30:38,360 --> 00:30:40,960
Speaker 1: if I still listen to that song right now, I

577
00:30:41,000 --> 00:30:43,560
Speaker 1: can hear that. But that's what it's about. I've never

578
00:30:43,600 --> 00:30:45,840
Speaker 1: even It's not about look how wonderful the USA is.

579
00:30:45,880 --> 00:30:50,800
Speaker 1: It's about, hey, what's what's the deal? Right? Interesting? And

580
00:30:50,880 --> 00:30:52,920
Speaker 1: here we are playing at every fourth of July, Like, yeah,

581
00:30:52,960 --> 00:30:59,880
Speaker 1: I'm Mary, that's so on this one then the other one.

582
00:30:59,880 --> 00:31:03,280
Speaker 1: The other one means super well, but the words trick you.

583
00:31:03,760 --> 00:31:08,160
Speaker 1: This one doesn't mean that well, but the words trick you. Yeah.

584
00:31:08,440 --> 00:31:12,040
Speaker 1: And your favorite Springsteen song. I know I'm such a poser,

585
00:31:12,080 --> 00:31:13,600
Speaker 1: but I'm okay with that. Do you like the heat?

586
00:31:13,600 --> 00:31:15,800
Speaker 1: I mean, the dude plays three and a half hours.

587
00:31:15,800 --> 00:31:19,040
Speaker 1: Like sometimes it's like there's a reason Eric Church. It's

588
00:31:19,080 --> 00:31:20,520
Speaker 1: like he is because of Bruce Springsteen. Like I can

589
00:31:20,560 --> 00:31:23,400
Speaker 1: admire that. I think it's cool. He loves the fans,

590
00:31:23,880 --> 00:31:27,040
Speaker 1: makes music fans. Yeah, I think that's what drives him.

591
00:31:27,080 --> 00:31:29,320
Speaker 1: I mean, you want to know my other favorite Springstey song.

592
00:31:29,400 --> 00:31:33,720
Speaker 1: I'm not kidding. It's so good. Said no, no, I

593
00:31:33,720 --> 00:31:35,240
Speaker 1: agree with this. It's coming down maybe one of the

594
00:31:35,240 --> 00:31:39,640
Speaker 1: best war Now you can't really wear the where you're

595
00:31:40,280 --> 00:31:42,320
Speaker 1: my app out. But like, I played this so much

596
00:31:42,400 --> 00:31:54,360
Speaker 1: during Christmas? Great, right, you guys know what jam Yeah, Claire,

597
00:31:54,400 --> 00:31:57,440
Speaker 1: it's sounds good. Give you need saxophone? Is there anything

598
00:31:57,440 --> 00:31:59,600
Speaker 1: that the raging idiots don't like playing anymore? We don't.

599
00:31:59,600 --> 00:32:04,360
Speaker 1: We don't play Starbucks anymore. That's stupid. Don't do we? Yeah,

600
00:32:04,360 --> 00:32:06,800
Speaker 1: we we don't play that one anymore. We do we Finally,

601
00:32:06,840 --> 00:32:08,680
Speaker 1: we do play Fight for Your Right. We do play

602
00:32:09,160 --> 00:32:11,280
Speaker 1: all those all the ones that they don't want were

603
00:32:11,320 --> 00:32:16,120
Speaker 1: like Shiny Happy Pete, here's the Oasis. Everybody plays the Oasis. Huh,

604
00:32:16,160 --> 00:32:19,560
Speaker 1: everybody button plays the Oises. Yeah. I go downtown on

605
00:32:19,560 --> 00:32:22,400
Speaker 1: the Friday night they're playing it. That's a rap rock

606
00:32:22,440 --> 00:32:24,560
Speaker 1: and roll Eddie, appreciate you coming by. I was like

607
00:32:24,560 --> 00:32:26,920
Speaker 1: it when you do the people do too, No day,

608
00:32:27,200 --> 00:32:28,400
Speaker 1: that was like it when you come in a I

609
00:32:28,400 --> 00:32:31,160
Speaker 1: like doing it. Yeah, what'd you drop out of that podcast?

610
00:32:31,200 --> 00:32:34,440
Speaker 1: And which on the sports it's usually just sit around

611
00:32:34,440 --> 00:32:37,840
Speaker 1: listen to lunch box rant. Yeah No, that's not how

612
00:32:37,960 --> 00:32:40,440
Speaker 1: locker room is. Listen. If I were the coach, this

613
00:32:40,520 --> 00:32:42,640
Speaker 1: is what I would do. But you're not, and you've

614
00:32:42,680 --> 00:32:48,360
Speaker 1: never been You've never played football. You're talking about. Check

615
00:32:48,360 --> 00:32:50,880
Speaker 1: out The Store Loser's podcast. Eddie is one of the

616
00:32:50,880 --> 00:32:53,160
Speaker 1: three guys ever on that show Lunchbox, Eddie and Ray,

617
00:32:53,480 --> 00:32:56,720
Speaker 1: and also check out Four Things Amy Brown That's Amy's podcast,

618
00:32:56,960 --> 00:32:59,520
Speaker 1: and um reading episodes he had her husband on. Thanks

619
00:32:59,560 --> 00:33:02,280
Speaker 1: for listening, Episode one six one in the Bobby Cast,

620
00:33:02,640 --> 00:33:05,080
Speaker 1: this has been tell your friends about if you don't mind,

621
00:33:05,120 --> 00:33:07,120
Speaker 1: Hey rate us to go to the If you don't mind,

622
00:33:07,440 --> 00:33:09,000
Speaker 1: take a second and go to the app or wherever

623
00:33:09,000 --> 00:33:10,720
Speaker 1: you are, Like if you're getting from the Apple Store,

624
00:33:10,800 --> 00:33:13,800
Speaker 1: I radio rate us and subscribe that it actually helps

625
00:33:13,840 --> 00:33:16,000
Speaker 1: us move up the charts a little bit get more listeners,

626
00:33:16,480 --> 00:33:18,120
Speaker 1: so we appreciate it. Have a Goo day, everybody takes

627
00:33:18,120 --> 00:33:20,240
Speaker 1: our sponsor and we'll see you next time. Bye, guys,