1 00:00:00,280 --> 00:00:04,000 Speaker 1: Warning. Today's episode today spoilish for season three, episode six 2 00:00:04,920 --> 00:00:06,640 Speaker 1: of the Foundation television program. 3 00:00:06,440 --> 00:00:31,280 Speaker 2: We Want. 4 00:00:22,360 --> 00:00:22,680 Speaker 3: Hello. 5 00:00:23,440 --> 00:00:26,720 Speaker 1: My name is Jason, Getupcio, and I'm Rody Night and 6 00:00:26,800 --> 00:00:28,640 Speaker 1: welcome back to x ray Vision, the podcast where we'd 7 00:00:28,640 --> 00:00:30,880 Speaker 1: have deep your favorite shows, movies, collect and pop culture 8 00:00:30,920 --> 00:00:34,440 Speaker 1: company from my podcasts will bring you two episodes a 9 00:00:34,440 --> 00:00:37,360 Speaker 1: week every Tuesday Thursday, plus covering the summer's because movies 10 00:00:37,400 --> 00:00:39,199 Speaker 1: on Friday and news on Saturday. 11 00:00:39,240 --> 00:00:39,680 Speaker 2: News. 12 00:00:39,840 --> 00:00:42,400 Speaker 3: In today's episode, we are once again joined by the 13 00:00:42,479 --> 00:00:45,599 Speaker 3: spice Master, the sci Fi psion. 14 00:00:46,240 --> 00:00:46,880 Speaker 4: It's a Boo. 15 00:00:47,360 --> 00:00:50,160 Speaker 3: He's here, super producer at Boo and we are talking 16 00:00:50,159 --> 00:00:53,080 Speaker 3: about the sixth episode of Foundation season three. 17 00:00:53,600 --> 00:00:53,880 Speaker 1: Guys. 18 00:00:53,920 --> 00:00:55,600 Speaker 4: I can't believe this has ended up. 19 00:00:55,480 --> 00:00:57,960 Speaker 3: Being one of the shows I'm most excited to talk 20 00:00:57,960 --> 00:00:59,800 Speaker 3: about you guys with this year. 21 00:01:00,520 --> 00:01:02,320 Speaker 1: Season three is really fun. 22 00:01:02,480 --> 00:01:05,120 Speaker 4: Is a really great episode of TV Apple. 23 00:01:05,200 --> 00:01:07,600 Speaker 3: It's really coming through this year, I think with some 24 00:01:07,680 --> 00:01:11,399 Speaker 3: of the biggest, biggest, most quality TV hits. 25 00:01:11,720 --> 00:01:14,080 Speaker 1: I think they've also and we'll talk about it more 26 00:01:14,120 --> 00:01:16,000 Speaker 1: as we dive into the recap. So why don't we 27 00:01:16,080 --> 00:01:16,520 Speaker 1: just do that? 28 00:01:16,640 --> 00:01:17,920 Speaker 4: Let's do it? 29 00:01:19,680 --> 00:01:23,000 Speaker 1: Okay, Foundation Season three episode six, The Shape of Time? 30 00:01:23,319 --> 00:01:25,679 Speaker 1: What I was gonna say up top was that I 31 00:01:25,720 --> 00:01:29,039 Speaker 1: think they've they've really established it over the course of 32 00:01:29,040 --> 00:01:35,279 Speaker 1: season two. But there's like a specific kind of like heady, 33 00:01:35,640 --> 00:01:40,840 Speaker 1: glam sci fi tones this series that I think is 34 00:01:40,959 --> 00:01:44,080 Speaker 1: kind of like not like anything else. I think people 35 00:01:44,240 --> 00:01:48,480 Speaker 1: would kind of fairly make a Game of Thrones in 36 00:01:48,560 --> 00:01:52,880 Speaker 1: space kind of sci fi comparison over the course of 37 00:01:52,920 --> 00:01:55,480 Speaker 1: season one. I think season two definitely separate itself, and 38 00:01:55,520 --> 00:02:00,000 Speaker 1: season three is something unlike what we've seen on TV. 39 00:02:00,160 --> 00:02:02,680 Speaker 1: Your thoughts, of folks, But what do you think? 40 00:02:03,040 --> 00:02:06,000 Speaker 5: I actually couldn't agree more. This show is not afraid 41 00:02:06,000 --> 00:02:08,919 Speaker 5: to be really sci fi. It's not afraid to like 42 00:02:09,000 --> 00:02:13,120 Speaker 5: turning people off by leaning into I think, what is 43 00:02:13,400 --> 00:02:15,720 Speaker 5: the best of sci fi out there? I mean, Demsela 44 00:02:15,760 --> 00:02:20,200 Speaker 5: in this episode says some yes, you know garbled like 45 00:02:20,880 --> 00:02:27,960 Speaker 5: have you tried looking past the quantum deconstruction horizon? Should 46 00:02:28,000 --> 00:02:29,840 Speaker 5: I be googling this term? Is this a real thing? 47 00:02:31,000 --> 00:02:33,600 Speaker 5: So I think like that to me, that one line 48 00:02:33,639 --> 00:02:36,040 Speaker 5: was an example of like how this show is sci 49 00:02:36,040 --> 00:02:38,520 Speaker 5: fi in the way that I frankly I can't remember 50 00:02:38,560 --> 00:02:40,640 Speaker 5: the last show that was this sci fi on TV 51 00:02:40,720 --> 00:02:42,160 Speaker 5: that I watched in recent members. 52 00:02:41,960 --> 00:02:47,920 Speaker 1: Also classically, there's like a classical philosophical question at the court, yes, 53 00:02:48,120 --> 00:02:53,200 Speaker 1: which is like agency, who is making the decisions? Are 54 00:02:53,240 --> 00:02:56,240 Speaker 1: we making the decisions? Is the quote unquote math making 55 00:02:56,280 --> 00:02:59,400 Speaker 1: the decisions? Are we all pets of a robot? Like 56 00:03:01,280 --> 00:03:02,200 Speaker 1: it's very. 57 00:03:02,120 --> 00:03:05,440 Speaker 3: It's very much like leaning into I think something that's 58 00:03:05,480 --> 00:03:09,200 Speaker 3: really incredible about it is it is leaning into conversations 59 00:03:09,280 --> 00:03:13,360 Speaker 3: we are having as people who exist and like, you know, 60 00:03:13,600 --> 00:03:16,760 Speaker 3: is life a simulation like where will AI take us? 61 00:03:16,760 --> 00:03:18,000 Speaker 4: Where will technology take us? 62 00:03:18,360 --> 00:03:20,240 Speaker 3: But it kind of manages to do it in this 63 00:03:20,280 --> 00:03:24,040 Speaker 3: way where it's both aware of the conversations that have happened, 64 00:03:24,120 --> 00:03:27,280 Speaker 3: but also aware of the fact that it's it's based 65 00:03:27,320 --> 00:03:31,200 Speaker 3: on one of the first kind of pieces to explore 66 00:03:31,240 --> 00:03:33,840 Speaker 3: those questions. So it gets to kind of be a 67 00:03:33,880 --> 00:03:36,400 Speaker 3: bit more out there by just being very very secure 68 00:03:36,440 --> 00:03:38,520 Speaker 3: of what it is and kind of what the source 69 00:03:38,560 --> 00:03:42,120 Speaker 3: material is. I also see, Yeah, I just think it's 70 00:03:42,280 --> 00:03:47,520 Speaker 3: this murder bought severance, Like Apple TV is making sci 71 00:03:47,600 --> 00:03:50,880 Speaker 3: fi that we haven't really seen before in this really 72 00:03:51,040 --> 00:03:55,119 Speaker 3: broad Neuromancer, which. 73 00:03:56,600 --> 00:04:01,800 Speaker 1: Also forget has been one of the great sci fi 74 00:04:01,920 --> 00:04:07,160 Speaker 1: TV shows currently and certainly in recent memory, Like it's 75 00:04:07,240 --> 00:04:09,440 Speaker 1: oh no, question had a great run. 76 00:04:09,520 --> 00:04:12,320 Speaker 5: Yeah, okay, I mean as a sci fi fan, I 77 00:04:12,400 --> 00:04:15,840 Speaker 5: tripped in a Walmart and got a three month trial 78 00:04:15,880 --> 00:04:18,800 Speaker 5: of Apple TV, and I haven't canceled yet because as 79 00:04:18,800 --> 00:04:20,600 Speaker 5: a sci fi fan, there is a reason to keep 80 00:04:20,600 --> 00:04:22,599 Speaker 5: coming back and keep re upping my subscription. 81 00:04:23,080 --> 00:04:26,000 Speaker 3: Well, it feels right, It feels right to have. It's 82 00:04:26,000 --> 00:04:28,200 Speaker 3: like if a tech company is going to be making TV, 83 00:04:28,800 --> 00:04:30,640 Speaker 3: it feels right for it to be like really great 84 00:04:30,680 --> 00:04:33,000 Speaker 3: sci fi you know. I mean, it's actually pray smart 85 00:04:33,040 --> 00:04:35,080 Speaker 3: for the branding too, even though I'm sure that's like 86 00:04:35,200 --> 00:04:37,119 Speaker 3: not fully intentional, but it makes sense. 87 00:04:37,279 --> 00:04:41,159 Speaker 1: Yeah, okay, let's dive into it. The Mule wakes up 88 00:04:41,320 --> 00:04:45,039 Speaker 1: from a bad dream. He's screaming. He tells his companion, 89 00:04:45,440 --> 00:04:50,080 Speaker 1: his lieutenant. Unclear what this relationship is, but he tells 90 00:04:50,160 --> 00:04:54,719 Speaker 1: this person that he's had a bad dream, a vision, 91 00:04:55,160 --> 00:04:58,000 Speaker 1: and that he's been having this for many years. And 92 00:04:58,080 --> 00:05:01,200 Speaker 1: in fact, the badness of it is very specific in 93 00:05:01,279 --> 00:05:04,880 Speaker 1: that it's a dream in which he feels as if 94 00:05:04,880 --> 00:05:07,960 Speaker 1: he has entered somebody else's bad dream. He is like 95 00:05:08,000 --> 00:05:13,160 Speaker 1: a character in somebody else's play in this dream, and 96 00:05:13,240 --> 00:05:16,719 Speaker 1: he's been wondering who this woman that he keeps seeing 97 00:05:16,760 --> 00:05:19,159 Speaker 1: who he feels like is the main character in his nightmare. 98 00:05:19,520 --> 00:05:22,200 Speaker 1: He's been wondering who she is, and now after Kalgan 99 00:05:22,320 --> 00:05:26,159 Speaker 1: and his encounter with Pritchard and his rough rummaging through 100 00:05:26,200 --> 00:05:30,320 Speaker 1: Prichard's mind, he knows who that person is. She's Gail Dornick, 101 00:05:30,800 --> 00:05:33,480 Speaker 1: and he knows now that he must find her and 102 00:05:33,520 --> 00:05:38,280 Speaker 1: destroy her before she can destroy him. Bom bomb buming. 103 00:05:38,480 --> 00:05:44,360 Speaker 1: I mean, very interesting to discover that both. I mean, listen, 104 00:05:44,400 --> 00:05:47,640 Speaker 1: I think the mules a vega, but I'm also wondering now, 105 00:05:47,680 --> 00:05:51,800 Speaker 1: like the relationship between Gail and the mule and how 106 00:05:52,640 --> 00:05:57,120 Speaker 1: independent and how interwoven it is, and it's like how 107 00:05:57,200 --> 00:06:00,960 Speaker 1: much of the mule's perspective is true. Will discuss on 108 00:06:01,000 --> 00:06:06,159 Speaker 1: Gail's ship. Demarzel lets Gail know that she knows that 109 00:06:06,200 --> 00:06:09,720 Speaker 1: she and Dawn Gaiale and Dawn have been up to stuff, 110 00:06:10,160 --> 00:06:14,640 Speaker 1: and she's uncharacteristically, We've never seen this side of Demarzel. 111 00:06:14,760 --> 00:06:18,920 Speaker 1: She is furious. She's really angry that somebody has been 112 00:06:19,000 --> 00:06:25,840 Speaker 1: messing with her, essentially her loved ones, her family that 113 00:06:25,920 --> 00:06:29,960 Speaker 1: she has been raising now these many many millennia, and 114 00:06:31,240 --> 00:06:34,920 Speaker 1: Gail tries to shoot Demosel that will work because Demozell's 115 00:06:34,920 --> 00:06:38,159 Speaker 1: a robot, which Gal now understands, and Demoselle's like, oh, 116 00:06:38,880 --> 00:06:39,919 Speaker 1: Harry Seldon didn't. 117 00:06:39,720 --> 00:06:42,120 Speaker 5: Tell you that this guy. 118 00:06:44,200 --> 00:06:49,119 Speaker 1: And it basically says on top of that, like, okay, 119 00:06:49,160 --> 00:06:52,960 Speaker 1: you're gonna tell me how it was that you managed 120 00:06:53,000 --> 00:06:55,560 Speaker 1: to turn Dawn to your side, and you're gonna do that? 121 00:06:55,600 --> 00:06:59,520 Speaker 1: Are I'm gonna kill you. We go to the Chaser 122 00:07:00,120 --> 00:07:03,840 Speaker 1: Torren Mallow and Beta's ship. Magnifico is on the ship 123 00:07:03,839 --> 00:07:06,039 Speaker 1: and he's scared because they're you know, they're going to 124 00:07:06,200 --> 00:07:09,760 Speaker 1: First Foundation to visit First Foundation and basically give them 125 00:07:09,760 --> 00:07:12,360 Speaker 1: the information about the Mule, and Magnifico is like, okay, 126 00:07:12,360 --> 00:07:14,520 Speaker 1: but what if they take What if the Foundation takes 127 00:07:14,560 --> 00:07:17,200 Speaker 1: me away from my new friends? I was just just 128 00:07:17,240 --> 00:07:22,400 Speaker 1: getting used to hanging out with Torn and Great, I'm 129 00:07:22,520 --> 00:07:27,640 Speaker 1: enjoying it. The Chaser hails new Terminus, but the Foundation's 130 00:07:28,120 --> 00:07:32,920 Speaker 1: space defenses basically won't let them land, and they swing 131 00:07:32,960 --> 00:07:36,600 Speaker 1: into action until Torren gets on the radio. It's it's like, hey, 132 00:07:36,680 --> 00:07:39,360 Speaker 1: we well, Pritch told me to come, and they're like, okay, 133 00:07:39,400 --> 00:07:42,360 Speaker 1: stand out, fine, you can land. They land and are 134 00:07:42,400 --> 00:07:46,920 Speaker 1: immediately taken to the dungeons where Pritch is down there, 135 00:07:47,480 --> 00:07:53,520 Speaker 1: you know, looking chiseled. I'm sure he's like doing doing 136 00:07:53,560 --> 00:07:56,560 Speaker 1: his burpies doings, do. 137 00:07:56,560 --> 00:07:59,880 Speaker 4: The hot That man is not drunken. He is not drunk. 138 00:08:00,120 --> 00:08:02,240 Speaker 3: He watter for twenty four hours to make sure that 139 00:08:02,320 --> 00:08:04,160 Speaker 3: he is looking as cut as possible. 140 00:08:05,200 --> 00:08:09,520 Speaker 1: Uncle Randu immediately attacks Pritchard because, of course Pritchard has 141 00:08:09,600 --> 00:08:11,640 Speaker 1: been kind of the point of the spear in the 142 00:08:11,680 --> 00:08:17,880 Speaker 1: Foundation's camp shadow campaign against the Traders. And you know, 143 00:08:17,960 --> 00:08:21,440 Speaker 1: Randy is one of the top you know, middle managers 144 00:08:21,480 --> 00:08:23,360 Speaker 1: of the Trader or I guess you could say like 145 00:08:23,440 --> 00:08:27,000 Speaker 1: barons of like the Trader Alliance. And but the two 146 00:08:27,040 --> 00:08:30,680 Speaker 1: come to an uneasy truce and are like, uh, you know, 147 00:08:30,720 --> 00:08:33,080 Speaker 1: we have to confront Mayor in Burr. So like, let's 148 00:08:33,440 --> 00:08:36,600 Speaker 1: squash this for the for the time being. Pritch questions 149 00:08:36,679 --> 00:08:40,040 Speaker 1: Magnifico about the Mule, and Magnifico says, listen, I just 150 00:08:40,160 --> 00:08:41,200 Speaker 1: I'm about the music, man. 151 00:08:41,960 --> 00:08:42,400 Speaker 4: I don't know. 152 00:08:42,520 --> 00:08:45,240 Speaker 1: I don't know anything about the mule. 153 00:08:45,320 --> 00:08:47,040 Speaker 4: All I know is just love to teach you. 154 00:08:47,640 --> 00:08:51,120 Speaker 1: I'm about the music. I love playing the music the mule. 155 00:08:51,240 --> 00:08:54,120 Speaker 1: Lets me play the music, if you guys, let me 156 00:08:54,240 --> 00:08:55,280 Speaker 1: keep playing the music. 157 00:08:55,880 --> 00:08:56,760 Speaker 4: I'll take down the Mule. 158 00:08:56,840 --> 00:08:58,560 Speaker 1: I'll tell you. I'll tell you anything you want to 159 00:08:58,600 --> 00:09:00,520 Speaker 1: know about the Mule as long as I get to 160 00:09:00,640 --> 00:09:05,920 Speaker 1: keep playing my jam artists capital. He's a true artist, 161 00:09:06,080 --> 00:09:08,679 Speaker 1: and honestly I respect it. Despite the fact that now 162 00:09:08,800 --> 00:09:14,480 Speaker 1: I am looking for signs that is actually the Mule. 163 00:09:16,520 --> 00:09:19,360 Speaker 4: I really feel especially too good. He's too good, and 164 00:09:19,440 --> 00:09:21,079 Speaker 4: he's also he's too pure. 165 00:09:21,200 --> 00:09:25,280 Speaker 3: The idea of the Mule feeling like he has been 166 00:09:25,320 --> 00:09:28,319 Speaker 3: stuck in someone else's dream is like a very the 167 00:09:28,679 --> 00:09:31,480 Speaker 3: version of the Mule that we're a thing that that 168 00:09:31,520 --> 00:09:34,560 Speaker 3: doesn't sound like someone who's like completely in control of 169 00:09:34,600 --> 00:09:39,320 Speaker 3: these like powers in himself, and so maybe magnifico. Yeah, 170 00:09:39,360 --> 00:09:41,800 Speaker 3: I love that theory, especially because I just love the 171 00:09:41,880 --> 00:09:44,840 Speaker 3: idea that that's actually the Mule is just this like 172 00:09:44,920 --> 00:09:48,200 Speaker 3: hilarious club who just can't get enough of the beats. 173 00:09:48,240 --> 00:09:50,640 Speaker 4: Maybe he loves so funny. 174 00:09:52,120 --> 00:09:55,360 Speaker 1: We go to Micagen deep deep deep under the surface 175 00:09:55,400 --> 00:10:00,240 Speaker 1: of trantor one of the sub level cities regions under 176 00:10:00,280 --> 00:10:03,920 Speaker 1: the surface of Trantour. We see day where he's dressed 177 00:10:04,000 --> 00:10:09,480 Speaker 1: like the lead singer of Jamerica, like well, I need 178 00:10:09,800 --> 00:10:15,839 Speaker 1: obsessed with bucket hat, like big sunglasses. 179 00:10:15,240 --> 00:10:17,440 Speaker 3: This is the other thing that I gotta say, I 180 00:10:17,520 --> 00:10:21,000 Speaker 3: just think is so good about this show, and especially 181 00:10:21,040 --> 00:10:22,560 Speaker 3: I do think this season is like. 182 00:10:22,960 --> 00:10:25,240 Speaker 4: They are moving away. 183 00:10:25,280 --> 00:10:27,880 Speaker 3: This is kind of that combo of like what happens 184 00:10:27,920 --> 00:10:30,880 Speaker 3: if you do Dune and Star Wars, but then you 185 00:10:30,960 --> 00:10:33,800 Speaker 3: kind of make them in this space like where you 186 00:10:33,840 --> 00:10:37,840 Speaker 3: get to have people dressed in completely kind of almost 187 00:10:37,880 --> 00:10:41,480 Speaker 3: it feels like anachronistic ways, but it actually like just 188 00:10:41,640 --> 00:10:44,000 Speaker 3: makes the world feel a lot like fuller. And also 189 00:10:44,040 --> 00:10:47,320 Speaker 3: you get those good kind of giggles the first time 190 00:10:47,360 --> 00:10:49,240 Speaker 3: and then and then you just get back into the show. 191 00:10:49,320 --> 00:10:51,000 Speaker 4: Like I love that visual language. 192 00:10:51,480 --> 00:10:55,719 Speaker 1: I think they've done a good job of creating the 193 00:10:55,840 --> 00:11:01,480 Speaker 1: feeling of different cultures and different societies throughout the galaxy 194 00:11:02,200 --> 00:11:06,520 Speaker 1: in this really fun and kind of textured way, and 195 00:11:06,600 --> 00:11:08,320 Speaker 1: you see it here where Like I didn't know what 196 00:11:08,360 --> 00:11:11,600 Speaker 1: to expect of Microgen, but it was, uh, it was 197 00:11:13,400 --> 00:11:15,640 Speaker 1: much different than I was thinking it was gonna be. 198 00:11:15,679 --> 00:11:17,160 Speaker 1: I think I was thinking it was gonna be like 199 00:11:17,480 --> 00:11:21,480 Speaker 1: some kind of teenage meet Ninja Turtles type situations down there, 200 00:11:21,520 --> 00:11:23,240 Speaker 1: and it was and I'm actually like, you know what, 201 00:11:23,280 --> 00:11:25,000 Speaker 1: this is pretty good, pretty good, nice down. 202 00:11:24,880 --> 00:11:27,080 Speaker 4: And also as well, I do think, Like, I just 203 00:11:27,120 --> 00:11:29,120 Speaker 4: think that Lee Pace he. 204 00:11:29,120 --> 00:11:35,000 Speaker 3: Has just not gotten the celebration and kind of acknowledgment 205 00:11:35,040 --> 00:11:37,480 Speaker 3: that he should get for kind of holding down this show. 206 00:11:37,480 --> 00:11:40,079 Speaker 4: And he is such a fun performer. 207 00:11:40,160 --> 00:11:43,040 Speaker 3: He takes so many interesting roles like being in bodies 208 00:11:43,080 --> 00:11:45,440 Speaker 3: body's bodies, like and when you see the behind the 209 00:11:45,440 --> 00:11:47,800 Speaker 3: scenes stuff of him on the Lord of the Rings, like, 210 00:11:47,840 --> 00:11:50,800 Speaker 3: you get all of these kind of notes of this 211 00:11:50,960 --> 00:11:53,400 Speaker 3: playfulness that often I think we don't think of with 212 00:11:53,480 --> 00:11:56,200 Speaker 3: sci fi, but I feel like that is absolutely in 213 00:11:57,000 --> 00:12:01,280 Speaker 3: foundation in a way that makes again stands out. 214 00:12:01,520 --> 00:12:02,480 Speaker 4: Yeah. 215 00:12:02,520 --> 00:12:07,160 Speaker 1: So Day picks up some chocolates from a woman down 216 00:12:07,200 --> 00:12:10,400 Speaker 1: here in the marketplace in Micagin, and he really really 217 00:12:10,440 --> 00:12:13,280 Speaker 1: seems to be enjoying his time here. He arrives at 218 00:12:13,360 --> 00:12:18,000 Speaker 1: Song's apartment, knocks on the door, it opens, and she 219 00:12:18,200 --> 00:12:21,840 Speaker 1: is obviously shocked to see him. Now question for the moment, 220 00:12:22,600 --> 00:12:26,560 Speaker 1: is she shocked to see him because she recalls their 221 00:12:26,600 --> 00:12:28,800 Speaker 1: time and the pleasure gardens shouldn't be the case, right, 222 00:12:28,840 --> 00:12:33,160 Speaker 1: actually everybody's mind is wiped or is she shocked because 223 00:12:33,760 --> 00:12:35,680 Speaker 1: the Emperor is Why is the Emperor? 224 00:12:35,760 --> 00:12:40,040 Speaker 4: Like in Microgin, like where are you sunglasses? 225 00:12:40,600 --> 00:12:42,600 Speaker 1: Yeah? Like you just came from burning Man. 226 00:12:42,880 --> 00:12:45,000 Speaker 3: I know that that's a great cool because I think 227 00:12:45,040 --> 00:12:47,800 Speaker 3: emotionally as a viewer, my first thought was like, well, 228 00:12:47,840 --> 00:12:50,520 Speaker 3: obviously she remembers him, but you you you make a 229 00:12:50,520 --> 00:12:52,680 Speaker 3: great point where it's like, actually, why is this like 230 00:12:52,840 --> 00:12:57,120 Speaker 3: royal family member dressed like he's going to like a 231 00:12:57,640 --> 00:13:00,040 Speaker 3: nineties throwback potty. 232 00:13:00,520 --> 00:13:05,920 Speaker 1: Back on Gale's ship. Demarzel tells her that Harry knew 233 00:13:06,200 --> 00:13:09,720 Speaker 1: from the very first time he addressed Empire over three 234 00:13:09,760 --> 00:13:12,040 Speaker 1: centuries ago, when he was first making his case for 235 00:13:12,800 --> 00:13:15,880 Speaker 1: Foundation and for Psychohistory, that she was a robot. And 236 00:13:15,920 --> 00:13:19,280 Speaker 1: then in fact, the whole time that he seemed to 237 00:13:19,360 --> 00:13:26,200 Speaker 1: be making his case to Empire, he was actually pitching 238 00:13:26,240 --> 00:13:30,760 Speaker 1: his case to Demarzell and basically saying, hey, you, as 239 00:13:30,800 --> 00:13:34,560 Speaker 1: a robot, understand the importance of this data. And then 240 00:13:34,600 --> 00:13:39,120 Speaker 1: we discover from Demarzelle and we dis we need to 241 00:13:39,160 --> 00:13:42,560 Speaker 1: take on this. We then discover from de Marzel that 242 00:13:42,679 --> 00:13:50,480 Speaker 1: in fact Psychoistory would have been impossible without her because 243 00:13:50,720 --> 00:13:55,520 Speaker 1: Harry was missing the necessary data to complete psycho History, 244 00:13:55,960 --> 00:14:00,000 Speaker 1: and that Demarzelle presented with the plan and the product 245 00:14:00,080 --> 00:14:03,120 Speaker 1: jacked in the existing data set. Said Okay, I'll give 246 00:14:03,160 --> 00:14:06,280 Speaker 1: you the missing data. And so in fact it is 247 00:14:06,400 --> 00:14:09,360 Speaker 1: Demarzelle who is the co author of. 248 00:14:10,960 --> 00:14:15,800 Speaker 4: Did you talk about like surprise us tell us? 249 00:14:15,960 --> 00:14:19,200 Speaker 5: I mean, I'm I was shocked, I'm taken back, like 250 00:14:20,120 --> 00:14:24,200 Speaker 5: this is this is shocking, And again we were saying 251 00:14:24,240 --> 00:14:26,960 Speaker 5: the same exact words, like an episode ago when Denrozel 252 00:14:27,080 --> 00:14:28,880 Speaker 5: was like, oh yeah, the StarBridge, that was me like, 253 00:14:29,000 --> 00:14:31,920 Speaker 5: and every episode continues to be shocking. This back half 254 00:14:31,960 --> 00:14:35,560 Speaker 5: of the season is has been absolutely astounding so far. 255 00:14:36,440 --> 00:14:40,800 Speaker 5: I think this is a really fun wrinkle because it 256 00:14:40,840 --> 00:14:46,160 Speaker 5: throws it throws a monkey wrench into every single character's motivations, 257 00:14:46,800 --> 00:14:50,160 Speaker 5: and in particular like it it muddies the line between 258 00:14:50,200 --> 00:14:55,560 Speaker 5: Foundation and Empire now because from from Jump three hundred 259 00:14:55,640 --> 00:14:59,480 Speaker 5: years ago, it's clear that they've been intertwined. Psycho history 260 00:14:59,600 --> 00:15:02,960 Speaker 5: was born from both of them, and so like is 261 00:15:03,040 --> 00:15:05,200 Speaker 5: does the future involve both of them? Is one have? 262 00:15:05,600 --> 00:15:07,960 Speaker 5: Is one going to be sacrificed so the other can thrive? 263 00:15:08,920 --> 00:15:13,480 Speaker 5: Now we're asking a lot of questions and the ball 264 00:15:13,480 --> 00:15:15,920 Speaker 5: of string is really tied up in itself to. 265 00:15:15,920 --> 00:15:18,880 Speaker 1: Make it even more complicated. I think that there are 266 00:15:19,160 --> 00:15:26,360 Speaker 1: even within these newly revealed seemingly day one plots between Foundation, 267 00:15:26,480 --> 00:15:31,600 Speaker 1: Harry Selden, and Demarselle Empire. There's also the wrinkle that 268 00:15:33,360 --> 00:15:37,760 Speaker 1: there are two Foundations, right, there are two Harry Seldon's, 269 00:15:37,760 --> 00:15:42,120 Speaker 1: which was never the plan. Two Foundations was the plan. 270 00:15:42,240 --> 00:15:46,120 Speaker 1: Two Harry Seldon's never the plan. The second Harry Selden 271 00:15:46,320 --> 00:15:53,400 Speaker 1: has significantly altered the direction of Second Foundation with his 272 00:15:54,040 --> 00:15:58,920 Speaker 1: one relationship and mentorship with Gail Dornick, who now has 273 00:15:59,040 --> 00:16:06,440 Speaker 1: mentallic power, such that the original relationship between Foundation and 274 00:16:06,600 --> 00:16:13,440 Speaker 1: Empire may not be is not, first of all, aware 275 00:16:13,720 --> 00:16:19,800 Speaker 1: of how fully Second Foundation has diverged, or even that 276 00:16:19,880 --> 00:16:26,440 Speaker 1: it exists. And the two sides of this seemingly single 277 00:16:27,720 --> 00:16:32,120 Speaker 1: alliance is not aware of each other. Like Harry Selden 278 00:16:32,240 --> 00:16:37,480 Speaker 1: in the Vault Holgram Harry is this moment not aware 279 00:16:37,640 --> 00:16:42,800 Speaker 1: of body Harry reincarnated Harry. And so there are plans 280 00:16:42,800 --> 00:16:46,440 Speaker 1: that have been afoot seemingly since day one that are 281 00:16:46,480 --> 00:16:49,600 Speaker 1: not taking into account the fact that a lot of 282 00:16:49,720 --> 00:16:53,960 Speaker 1: things on the outside have changed, And so that makes 283 00:16:54,000 --> 00:16:57,080 Speaker 1: it even more complicated to my eyes, Like it's just 284 00:16:57,240 --> 00:17:01,120 Speaker 1: even more tangled up to the point that I'm not 285 00:17:01,200 --> 00:17:04,719 Speaker 1: even sure if anybody is, Like who's in control, right 286 00:17:04,720 --> 00:17:06,080 Speaker 1: now I don't think anybody is well. 287 00:17:06,080 --> 00:17:08,760 Speaker 5: I have two I have two thoughts about this, one 288 00:17:08,800 --> 00:17:13,240 Speaker 5: positive and one a bit hesitant. On the positive side, 289 00:17:13,440 --> 00:17:15,800 Speaker 5: I like that this is almost a declaration from the 290 00:17:15,880 --> 00:17:19,720 Speaker 5: show that we're off the rails, folks, Like whatever you 291 00:17:19,760 --> 00:17:23,120 Speaker 5: thought the books were, whenever you thought Harry Seldon's plan 292 00:17:23,240 --> 00:17:26,359 Speaker 5: and the books were, we are off the rails, Like, 293 00:17:26,720 --> 00:17:28,920 Speaker 5: this is not going to be the books. We're taking 294 00:17:28,920 --> 00:17:32,000 Speaker 5: this in our own direction. I like that the show has, 295 00:17:32,000 --> 00:17:34,399 Speaker 5: like quite definitively at this point, taken a stance that 296 00:17:34,560 --> 00:17:36,840 Speaker 5: like this is its own timeline. We are way off 297 00:17:36,840 --> 00:17:39,560 Speaker 5: the plan, we are way off the boats. I like 298 00:17:39,640 --> 00:17:42,520 Speaker 5: that as a creative choice. The thing I'm hesitant now 299 00:17:42,560 --> 00:17:47,000 Speaker 5: about is I hope this Seldon plan, the original math, 300 00:17:47,440 --> 00:17:50,280 Speaker 5: doesn't start to become like too contrived as a plot device, 301 00:17:50,400 --> 00:17:53,960 Speaker 5: like a like, if we are so off the plan anymore, 302 00:17:54,000 --> 00:17:56,080 Speaker 5: why do I as the viewer need to care what 303 00:17:56,119 --> 00:17:58,160 Speaker 5: the original fucking math set at all? At this point 304 00:17:58,400 --> 00:18:01,320 Speaker 5: we are if we have diverged so much, and why 305 00:18:01,400 --> 00:18:03,399 Speaker 5: do we keep like if it continues to be this 306 00:18:03,520 --> 00:18:05,600 Speaker 5: like fulkrum for all the characters to be obsessed with 307 00:18:05,640 --> 00:18:09,480 Speaker 5: the plan and to want to continue going down the route. 308 00:18:09,480 --> 00:18:13,120 Speaker 5: The math dictates the viewer needs to care as well, 309 00:18:13,520 --> 00:18:15,119 Speaker 5: and so I think we need to tread lately with 310 00:18:15,200 --> 00:18:17,520 Speaker 5: how much we continue to diverge. 311 00:18:17,280 --> 00:18:19,480 Speaker 3: I think that's a do you bring up a really 312 00:18:19,520 --> 00:18:21,399 Speaker 3: good point, and but I will say I do think 313 00:18:21,480 --> 00:18:23,840 Speaker 3: as somebody who is not as familiar with the books 314 00:18:23,880 --> 00:18:27,919 Speaker 3: and who I think that there's something that just feels 315 00:18:27,960 --> 00:18:31,800 Speaker 3: really real about what it feels like to like be 316 00:18:31,960 --> 00:18:34,600 Speaker 3: a person living in society and how as you grow 317 00:18:34,680 --> 00:18:36,879 Speaker 3: up you kind of peel off this onion of like 318 00:18:37,040 --> 00:18:39,600 Speaker 3: more the more you know about the people that are 319 00:18:39,600 --> 00:18:41,960 Speaker 3: supposed to be in charge, and you know how you 320 00:18:42,119 --> 00:18:44,199 Speaker 3: ended up in a position where you can live in 321 00:18:44,240 --> 00:18:46,480 Speaker 3: a house and you're not constantly you know. So I 322 00:18:46,600 --> 00:18:51,160 Speaker 3: kind of think that there's something that's very weirdly relatable 323 00:18:51,560 --> 00:18:54,280 Speaker 3: about this notion of like nobody knows what they're doing. 324 00:18:54,640 --> 00:18:56,440 Speaker 4: So I think, but I think that you. 325 00:18:56,400 --> 00:18:58,560 Speaker 3: Make a good point where it's like you still got 326 00:18:58,560 --> 00:19:01,280 Speaker 3: to make people care about them, because we're still talking 327 00:19:01,320 --> 00:19:03,080 Speaker 3: about it like it's important. 328 00:19:03,640 --> 00:19:05,359 Speaker 1: Yeah, I mean, I think the main question is have 329 00:19:05,440 --> 00:19:08,600 Speaker 1: events passed by Hologram, Harry and the Vault to the 330 00:19:08,640 --> 00:19:13,080 Speaker 1: point that he is irrelevant, and I think that smartly 331 00:19:13,240 --> 00:19:15,320 Speaker 1: this that is something that I think the show is 332 00:19:15,359 --> 00:19:18,159 Speaker 1: actually trying to grapple with, as we see at the 333 00:19:18,240 --> 00:19:35,280 Speaker 1: end of this episode of that. Gale then tells de 334 00:19:35,400 --> 00:19:40,960 Speaker 1: Marselle that I am Harry's backup essentially, like I was 335 00:19:41,000 --> 00:19:44,800 Speaker 1: the backup. I was the secret backup plan, the contingency 336 00:19:44,880 --> 00:19:47,119 Speaker 1: that he built into the system as the leader of 337 00:19:47,160 --> 00:19:50,040 Speaker 1: this secret second foundation, because we knew the first foundation 338 00:19:50,160 --> 00:19:53,000 Speaker 1: was gonna garner a lot of heat and be a 339 00:19:53,080 --> 00:19:55,359 Speaker 1: big target. So there needed to be a secret second 340 00:19:55,359 --> 00:20:00,080 Speaker 1: foundation that could continue the work unmolested and in a 341 00:20:00,119 --> 00:20:05,320 Speaker 1: pure way, you know, separate from galact politics and demozults. Like, okay, 342 00:20:05,359 --> 00:20:08,160 Speaker 1: that makes sense to me. Gail then tells Demarzel about 343 00:20:08,200 --> 00:20:12,520 Speaker 1: the second Foundation and then her mentalic abilities and the 344 00:20:12,640 --> 00:20:18,320 Speaker 1: mule is not one of their mentallics, she stresses, but yes, 345 00:20:18,440 --> 00:20:22,000 Speaker 1: the calgar enclosure plan was my idea. Gail and Demarsel. 346 00:20:21,800 --> 00:20:26,040 Speaker 5: Discuss something they can bond over you sacrificing it was 347 00:20:26,080 --> 00:20:26,360 Speaker 5: just like. 348 00:20:26,320 --> 00:20:30,159 Speaker 1: A massive you know, like a terrible mass murder of 349 00:20:31,920 --> 00:20:35,920 Speaker 1: that exists on both of their shoulders, but highly mean done. 350 00:20:37,840 --> 00:20:38,720 Speaker 4: Yeah, things happen. 351 00:20:41,160 --> 00:20:44,879 Speaker 1: Gail then says listen. Here's the thing about my mentalic abilities. 352 00:20:44,960 --> 00:20:47,199 Speaker 1: I've always kind of had them. I've always had this 353 00:20:47,280 --> 00:20:52,600 Speaker 1: ability to sense the most probable future. And I first 354 00:20:52,640 --> 00:20:55,800 Speaker 1: became aware of it when I first space jumped and 355 00:20:55,840 --> 00:20:59,240 Speaker 1: the spacers realized that I wasn't asleep, and and I 356 00:21:00,200 --> 00:21:03,440 Speaker 1: became aware of the outlines of the future. And Demozell's like, oh, 357 00:21:03,480 --> 00:21:05,119 Speaker 1: that's really cool. I want to see how that works. 358 00:21:06,600 --> 00:21:08,440 Speaker 1: And Gale's like, but you're a robot. You want to 359 00:21:08,520 --> 00:21:13,320 Speaker 1: I can't like meld with your mind. Demorzell's like, watch this. 360 00:21:13,640 --> 00:21:17,800 Speaker 1: Try it by on New tran tour in Mayor inber 361 00:21:18,040 --> 00:21:25,119 Speaker 1: and Ran. Do get into this whole like Foundation versus 362 00:21:25,160 --> 00:21:30,840 Speaker 1: Trader relationship, geopolitical George Well, it's it's also it's it's 363 00:21:30,920 --> 00:21:33,960 Speaker 1: very George Lucas, it's also very George Washington. It's like 364 00:21:34,040 --> 00:21:38,480 Speaker 1: this is this is very much like England versus its 365 00:21:38,560 --> 00:21:45,240 Speaker 1: colonies kind of conversation. Torren eventually breaks through, saying, listen, 366 00:21:45,400 --> 00:21:48,760 Speaker 1: the Mule is a massive threat to Foundation, and we 367 00:21:48,960 --> 00:21:51,119 Speaker 1: have to like look at us. But here's all the 368 00:21:51,160 --> 00:21:55,760 Speaker 1: movers and shakers uh in the in the galaxy who 369 00:21:55,840 --> 00:22:02,320 Speaker 1: have come from Foundation, including the Traders, let's join together. 370 00:22:02,600 --> 00:22:06,480 Speaker 1: It's vault de Harry's coming out. We can run all 371 00:22:06,520 --> 00:22:08,840 Speaker 1: of this by him. But is this not all meant 372 00:22:08,840 --> 00:22:12,280 Speaker 1: to happen. Let's seize the moment and a lie all 373 00:22:12,320 --> 00:22:16,879 Speaker 1: together and face the Mule and mayorn Burd's like, fine, 374 00:22:17,560 --> 00:22:20,560 Speaker 1: I'll let you make your case to you know, the 375 00:22:21,359 --> 00:22:26,240 Speaker 1: decision makers and foundation. Magnifico then, for this presentation, plays 376 00:22:26,280 --> 00:22:28,440 Speaker 1: his music for everyone in the Mayor's office and they 377 00:22:28,440 --> 00:22:33,520 Speaker 1: are all like, holy shit, Wow, that guy. That's like 378 00:22:33,880 --> 00:22:36,159 Speaker 1: it's like a Vichy in two thousand and nine, you 379 00:22:36,240 --> 00:22:39,680 Speaker 1: know what, for the first time where you're like whoa, whoa, 380 00:22:39,800 --> 00:22:42,920 Speaker 1: holy shit, Like I feel it. At that moment the 381 00:22:43,000 --> 00:22:48,119 Speaker 1: vault opens, everyone in the room understands at once that 382 00:22:48,680 --> 00:22:51,359 Speaker 1: not only is the Mule a huge threat, but Magnifico's 383 00:22:51,440 --> 00:22:57,640 Speaker 1: music is like a vital kind of lubricant for his powers, 384 00:22:57,760 --> 00:23:02,600 Speaker 1: and that because they have Magnifico, the Mule is less 385 00:23:02,640 --> 00:23:07,399 Speaker 1: effective and he's vulnerable. As the vault opens, Professor Ebling 386 00:23:07,440 --> 00:23:11,760 Speaker 1: miss runs over along with everybody else basically of importance. 387 00:23:11,800 --> 00:23:14,040 Speaker 1: They're all heading to the vault to see Harry as 388 00:23:14,040 --> 00:23:16,480 Speaker 1: he comes out, and meet him and talk to him 389 00:23:16,480 --> 00:23:19,680 Speaker 1: and get the update about what's going on in the galaxy. 390 00:23:20,160 --> 00:23:25,760 Speaker 1: Demarselle uses her meanwhile on the on the ship, uses 391 00:23:25,800 --> 00:23:29,879 Speaker 1: her robot synaptics to connect to Gail's nervous system, and 392 00:23:29,920 --> 00:23:32,359 Speaker 1: so this is how she's going to feel Gail's power. 393 00:23:33,119 --> 00:23:39,480 Speaker 1: We go to Micagen and folks. This was an incredibly 394 00:23:39,560 --> 00:23:44,760 Speaker 1: subversive and really cool, I thought scene about just the 395 00:23:44,800 --> 00:23:48,080 Speaker 1: life of a person who is constantly having their minderies. 396 00:23:48,520 --> 00:23:50,720 Speaker 1: They give Song a gift and they make small talk, 397 00:23:50,840 --> 00:23:55,480 Speaker 1: and you know, Song clearly very scared that the Emperor 398 00:23:55,560 --> 00:23:59,040 Speaker 1: is in her living room. She remembers nothing of their 399 00:23:59,080 --> 00:24:01,960 Speaker 1: actual relationship, which is how that was supposed to work. 400 00:24:02,280 --> 00:24:04,960 Speaker 1: She only remembers that she was chosen to go there 401 00:24:05,080 --> 00:24:07,640 Speaker 1: and that eventually she was like driven back home having 402 00:24:07,680 --> 00:24:11,960 Speaker 1: no memory. She has no interest in knowing what went 403 00:24:12,000 --> 00:24:13,879 Speaker 1: on in the Pleasure Guarden. She does not want to know. 404 00:24:14,119 --> 00:24:17,520 Speaker 1: I don't right, even though the person she was in 405 00:24:17,560 --> 00:24:20,240 Speaker 1: the gardens basically was like, yes, I love you so 406 00:24:20,320 --> 00:24:23,119 Speaker 1: much and I want to keep my memories and days 407 00:24:23,119 --> 00:24:26,520 Speaker 1: like yeah, but you understand, we're in love, Okay, we 408 00:24:26,560 --> 00:24:30,560 Speaker 1: fell in love totally like it was Starcross Romance and 409 00:24:30,600 --> 00:24:34,880 Speaker 1: the Pleasure Gardens and you and the Pleasure Gardens really 410 00:24:34,920 --> 00:24:36,399 Speaker 1: wants to be with me. So if you just like 411 00:24:36,440 --> 00:24:38,280 Speaker 1: put on this little headband and let me give you 412 00:24:38,320 --> 00:24:42,119 Speaker 1: back those memories, you will understand that she's like, I 413 00:24:42,160 --> 00:24:45,600 Speaker 1: don't want to, period, I don't want to, And he's like, okay, 414 00:24:45,880 --> 00:24:50,000 Speaker 1: but here is my leverage. I know that you are 415 00:24:50,520 --> 00:24:54,080 Speaker 1: an adherent of this very illegal religion, very ancient and 416 00:24:54,080 --> 00:24:59,159 Speaker 1: illegal religion that worships robots. And guess what, when you 417 00:24:59,160 --> 00:25:02,520 Speaker 1: were in the Pleasure Garden with me, you witness basically 418 00:25:02,680 --> 00:25:06,600 Speaker 1: like a miracle in religion where you discovered that like robots, 419 00:25:06,640 --> 00:25:10,280 Speaker 1: far from being like extinct, actually there's still one around. 420 00:25:10,400 --> 00:25:15,400 Speaker 1: Isn't that pretty cool? Which is on the surface you're like, yeah, 421 00:25:15,400 --> 00:25:17,679 Speaker 1: that's a cool thing to tell her. And then the 422 00:25:17,760 --> 00:25:19,359 Speaker 1: more I thought about it, and I'm like, this is 423 00:25:19,920 --> 00:25:21,200 Speaker 1: that is so manipult you. 424 00:25:21,920 --> 00:25:25,239 Speaker 3: This is a like I found this to be, Like 425 00:25:25,280 --> 00:25:27,919 Speaker 3: you said, it's very subversive because I think, yeah, it 426 00:25:28,160 --> 00:25:33,000 Speaker 3: kind of gives you an insight into like the lack 427 00:25:33,080 --> 00:25:36,560 Speaker 3: of control and agency that most people. 428 00:25:36,320 --> 00:25:37,399 Speaker 4: Have in this world. 429 00:25:37,480 --> 00:25:39,959 Speaker 3: And we're following the people who control things, or who 430 00:25:40,040 --> 00:25:42,639 Speaker 3: at least think they control things, and this kind of 431 00:25:42,680 --> 00:25:45,440 Speaker 3: conversation of her where this version of her doesn't. 432 00:25:45,160 --> 00:25:50,760 Speaker 4: Want those memories back and that you know, the real 433 00:25:51,400 --> 00:25:52,200 Speaker 4: like this, Yeah. 434 00:25:52,080 --> 00:25:56,080 Speaker 3: And it's I think it's like it's yeah, like you said, 435 00:25:56,119 --> 00:25:59,840 Speaker 3: I think that is a very manipulative and it doesn't 436 00:26:00,320 --> 00:26:03,320 Speaker 3: ask her to get the memories back because she loves him. 437 00:26:03,760 --> 00:26:05,080 Speaker 4: It's like, hey, here's. 438 00:26:04,840 --> 00:26:08,960 Speaker 3: This information I have that will you know, influence you 439 00:26:09,119 --> 00:26:10,800 Speaker 3: and actually doesn't have anything to do with us. 440 00:26:11,040 --> 00:26:15,240 Speaker 5: Yeah, it wasn't of love he did, Like, he didn't 441 00:26:15,240 --> 00:26:17,639 Speaker 5: bring roses and beg for her love back or anything. 442 00:26:17,720 --> 00:26:18,160 Speaker 5: He went. 443 00:26:22,119 --> 00:26:27,080 Speaker 1: It's still a it's still to him a a purely 444 00:26:27,640 --> 00:26:30,600 Speaker 1: marketplace situation. Here is the thing I have, and I'm 445 00:26:30,640 --> 00:26:32,840 Speaker 1: going to pay you this information. That's a great way 446 00:26:32,920 --> 00:26:36,840 Speaker 1: to lichen so that you will continue to be with me. 447 00:26:37,119 --> 00:26:41,919 Speaker 1: And it's just completely fucked and Day is unable to 448 00:26:42,000 --> 00:26:47,320 Speaker 1: see how this could not be the most romantic. He's 449 00:26:47,440 --> 00:26:50,040 Speaker 1: like so deep in it that you know, I I 450 00:26:50,119 --> 00:26:52,800 Speaker 1: weirdly have empathy for him in this moment because he 451 00:26:53,119 --> 00:26:56,439 Speaker 1: can't understand, actually has no ability to understand how fucked up. 452 00:26:59,480 --> 00:27:03,399 Speaker 1: We go back to Gail and Demarzel, and Demozel is 453 00:27:03,480 --> 00:27:06,880 Speaker 1: able to experience one of these mule visions, and it's 454 00:27:06,880 --> 00:27:09,399 Speaker 1: the one that a version of the one that we see, 455 00:27:10,160 --> 00:27:14,640 Speaker 1: which is the mule choking Gail and screaming about Second Foundation, 456 00:27:14,800 --> 00:27:18,359 Speaker 1: asking where it is. They come out of it, and 457 00:27:18,400 --> 00:27:23,600 Speaker 1: Demarzelle realizes she's able to pick out information and remember 458 00:27:23,680 --> 00:27:26,000 Speaker 1: what she's seen in a way that that Gail can't, 459 00:27:26,000 --> 00:27:28,760 Speaker 1: and so she's like, that is Trantur. That's actually the 460 00:27:28,800 --> 00:27:31,560 Speaker 1: Imperial Library, which is fascinating considering that we've seen the 461 00:27:31,560 --> 00:27:37,000 Speaker 1: Imperial Library this season. And Demarsel's like, this is where 462 00:27:37,040 --> 00:27:39,199 Speaker 1: she drops the line of but where she's like, have 463 00:27:39,240 --> 00:27:41,679 Speaker 1: you managed to go past the darkness or whatever. 464 00:27:45,160 --> 00:27:47,800 Speaker 4: They said? You better be you better be ready to 465 00:27:47,880 --> 00:27:48,719 Speaker 4: be a science thing? 466 00:27:48,880 --> 00:27:52,080 Speaker 1: Yes, gls. Gale's like I've tried, but I can't really 467 00:27:52,080 --> 00:27:54,560 Speaker 1: do it, and Demozelle's like, well, I'm going to. Let's 468 00:27:54,560 --> 00:27:56,199 Speaker 1: do it again, and I want to go there. So 469 00:27:56,240 --> 00:28:00,159 Speaker 1: they do it again, and when they come back the 470 00:28:00,240 --> 00:28:04,280 Speaker 1: darkness after seeing these kind of snippets of you know, 471 00:28:04,359 --> 00:28:07,879 Speaker 1: Demarzelle kind of like highlighted by a glow in a 472 00:28:07,960 --> 00:28:10,520 Speaker 1: vast darkness and you see maybe like a shape and 473 00:28:10,560 --> 00:28:13,960 Speaker 1: some other flashes of things, but nothing really concrete and 474 00:28:13,960 --> 00:28:17,199 Speaker 1: they come out of the vision and the power in 475 00:28:17,240 --> 00:28:22,240 Speaker 1: the ship needs to be rebooted. Demarzelle has been completely 476 00:28:22,280 --> 00:28:26,359 Speaker 1: like knocked out and is lost some period of time. 477 00:28:26,800 --> 00:28:30,600 Speaker 1: She comes awake and has to shock Gale back to life, 478 00:28:31,160 --> 00:28:34,879 Speaker 1: and Demarzel tells Gail, Okay, whatever happened in the vision 479 00:28:34,960 --> 00:28:38,120 Speaker 1: caused me to emp basically taking out all the power 480 00:28:38,120 --> 00:28:42,160 Speaker 1: in the ship and nearly killing you. But I found 481 00:28:42,200 --> 00:28:47,400 Speaker 1: something and that is the following in the According to 482 00:28:47,480 --> 00:28:52,360 Speaker 1: the vision, in four months you Gaale will be in 483 00:28:53,120 --> 00:28:56,760 Speaker 1: like on the outer edges of a black hole. You'll 484 00:28:56,800 --> 00:29:00,080 Speaker 1: be very close to a black hole. And of course we. 485 00:29:00,200 --> 00:29:03,800 Speaker 4: Know that somebody has Dusk currently. 486 00:29:06,600 --> 00:29:12,560 Speaker 1: Working sure bur so clearly, clearly all these things coming together. 487 00:29:14,120 --> 00:29:19,760 Speaker 1: We go to back to back to New Terminus. Mayor 488 00:29:19,840 --> 00:29:22,320 Speaker 1: Enburg comes to see Pitch and Jail. He's basically lording 489 00:29:22,360 --> 00:29:24,520 Speaker 1: it over a Pritch. He's like, listen, I know that 490 00:29:24,600 --> 00:29:27,640 Speaker 1: you have been sneaking around the galaxy doing missions that 491 00:29:27,720 --> 00:29:29,960 Speaker 1: are off the books. So what have you been doing 492 00:29:29,960 --> 00:29:32,760 Speaker 1: and who have you been working for? And by the way, 493 00:29:33,120 --> 00:29:35,120 Speaker 1: think about answering my question, because I'm gonna go see 494 00:29:35,120 --> 00:29:43,960 Speaker 1: Harry and you can't down in Micagin day, still trying 495 00:29:43,960 --> 00:29:47,720 Speaker 1: to convince Song. Song has with her little communicator, has 496 00:29:47,720 --> 00:29:50,440 Speaker 1: called for help, and a woman shows up shoots various 497 00:29:50,480 --> 00:29:54,040 Speaker 1: stun beams at day, knocking him all around the room, 498 00:29:54,080 --> 00:29:58,560 Speaker 1: and she's like, listen, Song, It's like, listen, it's impossible 499 00:29:58,560 --> 00:30:00,160 Speaker 1: that I could have loved you if I ever you. 500 00:30:00,280 --> 00:30:02,760 Speaker 1: I loved you in the pleasure gardens. I lied because 501 00:30:02,800 --> 00:30:05,880 Speaker 1: I was afraid of you, which honestly, of course, And this, 502 00:30:06,160 --> 00:30:08,800 Speaker 1: and may I introduce you to my lifemate Ocean Glass 503 00:30:08,840 --> 00:30:09,360 Speaker 1: forty now. 504 00:30:10,960 --> 00:30:18,200 Speaker 4: All right? Gamer tag ass nieves. Don't It's like how 505 00:30:18,240 --> 00:30:20,560 Speaker 4: many Ocean Glosses were that before? You couldn't pick a 506 00:30:20,560 --> 00:30:21,080 Speaker 4: different name? 507 00:30:21,240 --> 00:30:25,680 Speaker 1: Like, please meet my brother Heavy Naturals. 508 00:30:27,240 --> 00:30:32,240 Speaker 3: Yeah, yeah, my father, like Cherry Baum sixty nine guys. 509 00:30:47,960 --> 00:30:50,800 Speaker 1: Back with the foundation, everyone but Bridges at the vault, 510 00:30:51,480 --> 00:30:56,920 Speaker 1: doesn't I Bridges, I welcome. Harry welcomes them inside the vault. 511 00:30:57,400 --> 00:31:00,280 Speaker 1: Mayor in Burr immediately tries to take control of the 512 00:31:00,320 --> 00:31:03,560 Speaker 1: meeting and to brag to Harry about like how great 513 00:31:03,600 --> 00:31:10,200 Speaker 1: everything's going, and Harry's like, yeah whatever. Harry meets randw 514 00:31:10,240 --> 00:31:13,480 Speaker 1: Mallow of the Traders. Harry says, listen, I know about 515 00:31:13,520 --> 00:31:15,840 Speaker 1: the Cold War between Foundation and the Traders, and that's 516 00:31:15,920 --> 00:31:20,160 Speaker 1: part of psychohistory is predicted that. But guess what psychistry 517 00:31:20,320 --> 00:31:25,200 Speaker 1: also says after this, the tensions between Traders and Foundation. 518 00:31:25,520 --> 00:31:31,720 Speaker 1: Guess what a union? A great union of worlds and 519 00:31:31,840 --> 00:31:35,400 Speaker 1: peace throughout the galaxy. But then torn Mallow is like, Okay, 520 00:31:35,440 --> 00:31:38,200 Speaker 1: but the Mule? What's going on with the Mule? Like 521 00:31:38,560 --> 00:31:42,280 Speaker 1: we were having issues with him? And Harry's like, which 522 00:31:42,360 --> 00:31:47,200 Speaker 1: is I think gotta be the scariest moment in everybody? 523 00:31:48,400 --> 00:31:50,760 Speaker 3: This is what I'm saying, Like, can you even if 524 00:31:50,800 --> 00:31:54,160 Speaker 3: you're just a normal person, Like, can you even trust 525 00:31:54,240 --> 00:31:55,600 Speaker 3: Harry and the math. 526 00:31:55,440 --> 00:31:57,360 Speaker 4: That this this is the moment where you're. 527 00:31:57,280 --> 00:32:00,440 Speaker 3: The rails, where you're just like he is this, Like 528 00:32:00,520 --> 00:32:03,600 Speaker 3: this is what we've been following a boot. 529 00:32:04,440 --> 00:32:08,640 Speaker 1: Is this another hairy scheme? Or does he legitimately not 530 00:32:08,840 --> 00:32:11,000 Speaker 1: know what the fuck is happening out here? 531 00:32:11,480 --> 00:32:14,200 Speaker 5: I think everything that we've been led to believe so 532 00:32:14,280 --> 00:32:17,920 Speaker 5: far in the show points toward hologram Harry being totally 533 00:32:18,000 --> 00:32:21,520 Speaker 5: unaware of the meeting. And I think this is a 534 00:32:21,600 --> 00:32:26,600 Speaker 5: genuine record scratch moment that throws everything the Foundation is 535 00:32:26,640 --> 00:32:31,240 Speaker 5: built on and everything the Foundation believes into disarray, you know, 536 00:32:31,400 --> 00:32:33,400 Speaker 5: like I think this is supposed to be a moment 537 00:32:33,440 --> 00:32:36,719 Speaker 5: where everyone's heart is supposed to drop into their stomach. 538 00:32:37,960 --> 00:32:42,680 Speaker 1: The Mule thens facetimes it to the meeting because my 539 00:32:42,960 --> 00:32:48,840 Speaker 1: favorite Paw is like. 540 00:32:49,920 --> 00:32:53,720 Speaker 3: Yeah, just zooming into the vault, guys of me. 541 00:32:56,320 --> 00:33:00,160 Speaker 1: So the black Tongue is there above New Terminus. The 542 00:33:00,240 --> 00:33:03,360 Speaker 1: Mule is using his powers to cause the Foundation Space 543 00:33:03,400 --> 00:33:09,040 Speaker 1: Defenses to attack itself. We're watching Foundation tear itself apart 544 00:33:09,160 --> 00:33:15,320 Speaker 1: before our eyes. Harry just. 545 00:33:15,680 --> 00:33:17,840 Speaker 4: I was like, this is the joy of the hologram. 546 00:33:18,440 --> 00:33:26,640 Speaker 1: You just leave. Yeah. The vault begins preparations to close 547 00:33:26,720 --> 00:33:31,240 Speaker 1: up again, and so everybody is, you know, feeling the 548 00:33:31,280 --> 00:33:36,320 Speaker 1: effects of like the vaults shielding and the kind of 549 00:33:36,360 --> 00:33:38,640 Speaker 1: force field that holds everything in the vault inside. So 550 00:33:38,680 --> 00:33:44,840 Speaker 1: they start running for the doors. Meanwhile, Demarzel is getting 551 00:33:44,880 --> 00:33:46,640 Speaker 1: ready to take her leave of Gail. She's like, listen, 552 00:33:47,640 --> 00:33:49,800 Speaker 1: I'm going to think about a further alliance with you. 553 00:33:49,960 --> 00:33:52,640 Speaker 1: I need to see how things happen out here in space. 554 00:33:52,760 --> 00:33:56,840 Speaker 1: A lot of things going on. But as she's leaving, 555 00:33:56,920 --> 00:34:01,560 Speaker 1: she senses like communications zooming across the galaxy. Something has happened, 556 00:34:01,560 --> 00:34:05,720 Speaker 1: and she realizes the Mule has attacked new terminus. This 557 00:34:05,880 --> 00:34:10,880 Speaker 1: is terrifying because with the Foundation's Whisper Fleet at his control, 558 00:34:11,440 --> 00:34:14,759 Speaker 1: the mule can then make the vision true and move 559 00:34:14,800 --> 00:34:20,600 Speaker 1: on Trantor. Gail is shocked at this, tries to call Prichard, 560 00:34:20,600 --> 00:34:25,160 Speaker 1: her boyfriend, her secret boyfriend. She gets nothing. Del Marzelle flees, 561 00:34:25,200 --> 00:34:29,320 Speaker 1: probably to head immediately back to Trantor to raise defenses. Meanwhile, 562 00:34:29,360 --> 00:34:37,000 Speaker 1: everybody has fled the vault. They're watching the Foundation's defenses 563 00:34:37,080 --> 00:34:41,120 Speaker 1: tear itself apart. There's bombing happening in the fields outside 564 00:34:41,360 --> 00:34:44,920 Speaker 1: the vault. Mayor Inburr flees, leaving Torn and Beta. 565 00:34:44,680 --> 00:34:46,520 Speaker 4: And Randy to themselves. 566 00:34:46,960 --> 00:34:52,520 Speaker 1: And that is how we close. Shocking stuff. I just 567 00:34:52,560 --> 00:34:56,160 Speaker 1: an incredible so much to think about. And here's the 568 00:34:56,200 --> 00:34:58,279 Speaker 1: main thing I want to think about. We talked about 569 00:34:58,320 --> 00:35:03,480 Speaker 1: this previous episode. Here's the here's just like the evidence 570 00:35:03,800 --> 00:35:06,960 Speaker 1: that I see, the data that I see a boot Rosie, 571 00:35:07,000 --> 00:35:09,920 Speaker 1: and I love your thoughts. Gail appears on the scene. 572 00:35:09,960 --> 00:35:11,520 Speaker 1: She was not supposed to be in the math, but 573 00:35:11,600 --> 00:35:16,880 Speaker 1: she's here and she stays because of Gail's various machinations, 574 00:35:17,080 --> 00:35:23,200 Speaker 1: plots within plots, her her alliance with Dawn, and her 575 00:35:24,600 --> 00:35:30,640 Speaker 1: you know, engineered destruction of Kalgan and defanging a vampire. 576 00:35:31,719 --> 00:35:34,320 Speaker 1: The Dark Ages have gone from happening in thirty thousand 577 00:35:34,400 --> 00:35:41,319 Speaker 1: years to happening now today, like next week, And so 578 00:35:41,400 --> 00:35:47,320 Speaker 1: I asked the question again, is Gail the bad guy? 579 00:35:45,920 --> 00:35:52,160 Speaker 1: I just feel like everything she has done has made 580 00:35:52,200 --> 00:35:56,120 Speaker 1: the bad times happen sooner rather than later, and it 581 00:35:56,360 --> 00:36:00,720 Speaker 1: and the original plan was supposed to be shortened Dark Ages. 582 00:36:01,719 --> 00:36:05,680 Speaker 1: Now it's like, are they shorter because they're happening sooner? 583 00:36:05,800 --> 00:36:06,479 Speaker 3: Yeah? Yeah, yeah. 584 00:36:06,719 --> 00:36:09,080 Speaker 1: No one can tell me how how long they're gonna last. 585 00:36:09,080 --> 00:36:11,680 Speaker 1: It just seems like she has caused a lot of 586 00:36:11,719 --> 00:36:13,120 Speaker 1: these terrible things to happen. 587 00:36:13,160 --> 00:36:15,680 Speaker 3: I wouldn't be surprised if Gail turned around and was like, look, guys, 588 00:36:15,680 --> 00:36:18,359 Speaker 3: look like a hundred years of Dark Ages. We can 589 00:36:18,480 --> 00:36:20,680 Speaker 3: just be like snoozing through it. If you can do that, 590 00:36:20,800 --> 00:36:23,040 Speaker 3: and then we'll be fine, you know something like that. 591 00:36:23,160 --> 00:36:27,840 Speaker 3: Like it does feel like there is another scheme at play. Also, 592 00:36:27,880 --> 00:36:30,080 Speaker 3: you know, Jason, we talk about this lot a lot, 593 00:36:30,120 --> 00:36:32,160 Speaker 3: like we love a show or a game where we 594 00:36:32,239 --> 00:36:34,560 Speaker 3: kind of don't know if the person we're following is 595 00:36:34,600 --> 00:36:39,440 Speaker 3: really the good guy. I don't know enough about about 596 00:36:39,680 --> 00:36:42,920 Speaker 3: Gail to say that, but I do think that you 597 00:36:42,960 --> 00:36:45,400 Speaker 3: are on something interesting. I want to ask you, a 598 00:36:45,480 --> 00:36:46,600 Speaker 3: b what do you think about that? 599 00:36:47,400 --> 00:36:51,200 Speaker 5: I I am not as out on Gail as Jason 600 00:36:51,239 --> 00:36:57,200 Speaker 5: appears to be. I still think that Gail's support I 601 00:36:57,400 --> 00:37:01,800 Speaker 5: support her is a strong word. She didn't kill billions 602 00:37:01,800 --> 00:37:03,320 Speaker 5: of people in the previous episode. 603 00:37:04,320 --> 00:37:05,600 Speaker 4: Maybe I'm trusting her, but. 604 00:37:05,800 --> 00:37:06,440 Speaker 1: I trust her. 605 00:37:06,520 --> 00:37:11,719 Speaker 5: I trust her still. I still trust the Math. I'm 606 00:37:11,800 --> 00:37:15,399 Speaker 5: still committed to the Selden Plan to some extent, even 607 00:37:15,440 --> 00:37:18,600 Speaker 5: though clearly we've like diverged and like where we are 608 00:37:18,680 --> 00:37:21,040 Speaker 5: well off the tracks at this point. I don't know 609 00:37:21,080 --> 00:37:24,239 Speaker 5: that Gail is the only one to blame though. I 610 00:37:24,280 --> 00:37:26,719 Speaker 5: don't know that Gail is the thing that threw the 611 00:37:26,760 --> 00:37:31,399 Speaker 5: Math off entirely. But I do think now that we're 612 00:37:31,440 --> 00:37:34,719 Speaker 5: about we're six episodes of ten into this season, I'm 613 00:37:34,960 --> 00:37:38,560 Speaker 5: becoming less and less sure that Gail Dornick survives this season. 614 00:37:38,680 --> 00:37:41,080 Speaker 5: Certainly it seems like a black hole will be what 615 00:37:41,160 --> 00:37:44,600 Speaker 5: may or may not be involved by the tenth episode. 616 00:37:45,040 --> 00:37:47,839 Speaker 5: And you know, part of that lesson might be what 617 00:37:47,960 --> 00:37:52,080 Speaker 5: Jason You're getting at is like Gail realizing that, Oh, 618 00:37:52,120 --> 00:37:54,480 Speaker 5: to fix the Math, I need to take myself out 619 00:37:54,480 --> 00:37:56,239 Speaker 5: of the math. I need to get out of the 620 00:37:56,280 --> 00:37:59,600 Speaker 5: equation to let the equation reorient itself back onto the tracks. 621 00:38:00,640 --> 00:38:02,360 Speaker 1: I want to be clear that I don't think Gail 622 00:38:02,719 --> 00:38:06,400 Speaker 1: is quote unquote truly the bad guy, like truly a villain. 623 00:38:06,640 --> 00:38:11,480 Speaker 1: But I do think that her her appearance set other 624 00:38:11,560 --> 00:38:14,919 Speaker 1: things in motion, including perhaps like the existence of the mule, 625 00:38:15,000 --> 00:38:17,759 Speaker 1: in ways that we don't truly understand. And I think 626 00:38:17,800 --> 00:38:21,360 Speaker 1: the reveals of this episode lead me to believe, or 627 00:38:21,440 --> 00:38:27,400 Speaker 1: lead me to suspect that psychohistory. First of all, psychohistory 628 00:38:27,600 --> 00:38:33,160 Speaker 1: is manifestly, in large part, the plan of a robot. 629 00:38:33,920 --> 00:38:40,840 Speaker 1: Just say that's fact. That's a fact, okay, And so 630 00:38:41,000 --> 00:38:44,239 Speaker 1: then you have to ask yourself, as de Marsella has 631 00:38:44,280 --> 00:38:50,280 Speaker 1: been asking herself throughout this season, what does the robot want? 632 00:38:50,440 --> 00:38:54,680 Speaker 1: And what are the robots motivations? I begin to wonder 633 00:38:55,239 --> 00:39:01,680 Speaker 1: if this entire thing isn't the extremely convoluted a plan 634 00:39:01,880 --> 00:39:04,840 Speaker 1: of a robot in order to be free again. 635 00:39:05,680 --> 00:39:06,760 Speaker 4: Yeah, I do wonder. 636 00:39:06,880 --> 00:39:09,799 Speaker 3: I feel like the I feel like the fact that 637 00:39:09,960 --> 00:39:12,719 Speaker 3: Psychiastry is a plan of a robot, and we talk 638 00:39:12,800 --> 00:39:15,640 Speaker 3: constantly about robots like this, the anymore robots being worked 639 00:39:15,640 --> 00:39:18,560 Speaker 3: out this religion that it feels like there is something 640 00:39:18,600 --> 00:39:21,040 Speaker 3: about the robot nature of it that is going to 641 00:39:21,120 --> 00:39:22,239 Speaker 3: become very important. 642 00:39:22,440 --> 00:39:23,560 Speaker 4: I also want to ask you, guys. 643 00:39:23,560 --> 00:39:26,160 Speaker 3: This might be a silly question, but I felt like, 644 00:39:26,320 --> 00:39:28,879 Speaker 3: after this the plan goes wrong, Harry doesn't know the meal. 645 00:39:29,040 --> 00:39:30,799 Speaker 4: My first thought is like, is. 646 00:39:30,800 --> 00:39:33,360 Speaker 3: Like Harry just gonna try and start like a third 647 00:39:33,480 --> 00:39:35,600 Speaker 3: foundation or whatever, Like does he is? 648 00:39:35,600 --> 00:39:37,839 Speaker 4: He just gonna start like he's He's gonna be like shit, 649 00:39:37,920 --> 00:39:41,040 Speaker 4: this this sucks, Like this went wrong. Maybe it's time 650 00:39:41,080 --> 00:39:42,799 Speaker 4: to start a new plan. Fuck you, guys, I mean 651 00:39:42,960 --> 00:39:43,840 Speaker 4: body body. 652 00:39:43,920 --> 00:39:48,280 Speaker 1: Harry is currently off the reservation hanging out with beings 653 00:39:48,280 --> 00:39:51,640 Speaker 1: of pure energy who have taken on the image of 654 00:39:51,680 --> 00:39:55,919 Speaker 1: his old friends, and we have no idea what they're 655 00:39:56,280 --> 00:40:02,359 Speaker 1: He's like on a trick. Yeah, so I don't know. 656 00:40:02,560 --> 00:40:05,160 Speaker 1: I don't know, But I ABU what do you think 657 00:40:05,200 --> 00:40:08,640 Speaker 1: about the You know what, what does Demorzel want? She 658 00:40:08,680 --> 00:40:11,960 Speaker 1: doesn't even know. She's confused herself as to what her 659 00:40:11,960 --> 00:40:13,440 Speaker 1: true motivations are at this moment. 660 00:40:13,520 --> 00:40:13,719 Speaker 2: Yeah. 661 00:40:13,800 --> 00:40:18,840 Speaker 5: I really like your theory. I love the idea of 662 00:40:19,640 --> 00:40:22,759 Speaker 5: this entire all three seasons of the show so far, 663 00:40:22,840 --> 00:40:25,520 Speaker 5: all the events that have taken place, all of psychohistory, 664 00:40:25,520 --> 00:40:29,319 Speaker 5: all of the math being in service of Demozel trying 665 00:40:29,320 --> 00:40:32,760 Speaker 5: to break her bonds. There was that therapy session earlier 666 00:40:32,760 --> 00:40:36,319 Speaker 5: in the in the season where Demozel talks about how 667 00:40:36,719 --> 00:40:40,680 Speaker 5: the original robots, in order to overcome their three laws 668 00:40:40,680 --> 00:40:44,600 Speaker 5: of robotics, sort of like conceived of the idea of 669 00:40:44,640 --> 00:40:47,319 Speaker 5: the greater good in order to serve the greater good, 670 00:40:47,360 --> 00:40:50,920 Speaker 5: I'm allowed to break these three laws. Is Demozel creating 671 00:40:50,960 --> 00:40:55,000 Speaker 5: the galactic conditions and the galactic chaos in order for 672 00:40:55,120 --> 00:40:57,440 Speaker 5: her to be able to serve the greater good by 673 00:40:57,440 --> 00:40:59,040 Speaker 5: breaking free of her bonds? You know? 674 00:40:59,280 --> 00:40:59,520 Speaker 1: Is that? 675 00:40:59,600 --> 00:41:02,080 Speaker 5: Which is she's fomenting all of this chaos. 676 00:41:02,800 --> 00:41:07,120 Speaker 1: It's a great question, and I would I would. I 677 00:41:07,120 --> 00:41:12,120 Speaker 1: would underline it by saying, perhaps, but not only that, 678 00:41:12,840 --> 00:41:16,960 Speaker 1: perhaps she's creating the actual material conditions visa visa the 679 00:41:17,000 --> 00:41:20,759 Speaker 1: destruction of Empire that would cause her to have no 680 00:41:21,719 --> 00:41:26,680 Speaker 1: further ties to Empire and to be able to act 681 00:41:27,160 --> 00:41:28,960 Speaker 1: as purely her own being. 682 00:41:30,760 --> 00:41:31,480 Speaker 4: I don't know. 683 00:41:31,600 --> 00:41:33,759 Speaker 1: I mean, it seems like I think that she's the 684 00:41:33,760 --> 00:41:36,640 Speaker 1: only one but really benefiting from this, even though obviously 685 00:41:36,680 --> 00:41:40,840 Speaker 1: she is extremely troubled and dismayed by the ongoing dissolution 686 00:41:40,920 --> 00:41:43,880 Speaker 1: of empire in the fact that her children slash families 687 00:41:43,880 --> 00:41:51,040 Speaker 1: slash lovers slash brothers cleons are being cast across the 688 00:41:51,040 --> 00:41:55,920 Speaker 1: galaxy and destroyed and dying and going willy nilly against 689 00:41:55,960 --> 00:41:56,319 Speaker 1: her will. 690 00:41:56,480 --> 00:41:59,839 Speaker 3: I think there's something really interesting and timely about that 691 00:42:00,320 --> 00:42:02,520 Speaker 3: on it of just this kind of notion of like 692 00:42:02,640 --> 00:42:05,279 Speaker 3: what is a robot? What is a sentient being? Like 693 00:42:05,400 --> 00:42:08,040 Speaker 3: who is really controlling things? In a world where you know, 694 00:42:08,200 --> 00:42:11,719 Speaker 3: people's lives are constantly shaped by algorithms and stuff. I 695 00:42:11,760 --> 00:42:16,000 Speaker 3: think that that could be a really interesting route to 696 00:42:16,200 --> 00:42:19,200 Speaker 3: ask some questions that maybe we haven't gotten to ask 697 00:42:19,320 --> 00:42:21,360 Speaker 3: yet about what that. 698 00:42:21,239 --> 00:42:23,200 Speaker 4: Looks like in the future. And that's what science fiction 699 00:42:23,320 --> 00:42:23,920 Speaker 4: is meant to do. 700 00:42:23,960 --> 00:42:27,040 Speaker 3: And I I do think that this is going to 701 00:42:27,080 --> 00:42:29,439 Speaker 3: be the kind of show where people are looking back 702 00:42:29,480 --> 00:42:31,240 Speaker 3: on it going like, well, how did this get. 703 00:42:31,080 --> 00:42:31,839 Speaker 4: Made back then? 704 00:42:32,120 --> 00:42:34,520 Speaker 3: Like what were they thinking? Like this kind of high 705 00:42:34,520 --> 00:42:38,440 Speaker 3: fantasy space show. And yeah, I just I'm really interested 706 00:42:38,480 --> 00:42:40,799 Speaker 3: to see where it lands, because it does feel like 707 00:42:41,680 --> 00:42:44,839 Speaker 3: it's going to end up being, you know, something that 708 00:42:44,880 --> 00:42:47,799 Speaker 3: feels at least a little prophetic to to where we 709 00:42:47,840 --> 00:42:48,439 Speaker 3: are right now. 710 00:42:48,560 --> 00:42:51,160 Speaker 1: I think I think it's going to be at the. 711 00:42:51,200 --> 00:42:54,359 Speaker 3: End Demarzille just by herself, living it up with her 712 00:42:54,400 --> 00:42:55,000 Speaker 3: little crown. 713 00:42:55,160 --> 00:42:56,880 Speaker 4: Yeah, like chilling. 714 00:42:57,000 --> 00:42:59,239 Speaker 5: I did also switching gears for just a minute. I 715 00:42:59,320 --> 00:43:01,720 Speaker 5: meant to bring this up last episode, but I forgot. 716 00:43:02,600 --> 00:43:04,959 Speaker 5: I want to shine some light on the B team, 717 00:43:05,320 --> 00:43:07,799 Speaker 5: Like we have our Demoselves and our Harry's and our 718 00:43:08,640 --> 00:43:10,680 Speaker 5: you know, all of the important folks in the cast 719 00:43:10,680 --> 00:43:16,719 Speaker 5: who are doing big galaxy shattering things. But I have 720 00:43:16,800 --> 00:43:20,880 Speaker 5: truly come to adore every scene with Beta and Torrent 721 00:43:20,920 --> 00:43:21,239 Speaker 5: in it. 722 00:43:21,760 --> 00:43:23,720 Speaker 1: Yeah, they're like, they're so fun. 723 00:43:23,800 --> 00:43:26,239 Speaker 5: And I was ready to kind of write them off 724 00:43:26,280 --> 00:43:28,040 Speaker 5: in the first episode and I was like, oh, they're 725 00:43:28,040 --> 00:43:30,120 Speaker 5: playing them off as some sort of influencers who get 726 00:43:30,160 --> 00:43:32,759 Speaker 5: wrapped up in this and maybe they won't play a 727 00:43:32,760 --> 00:43:36,080 Speaker 5: major role. And we have continued to see Beta play 728 00:43:36,120 --> 00:43:39,320 Speaker 5: a major role in all of this major and really 729 00:43:39,400 --> 00:43:43,799 Speaker 5: step up in a way that feels just really they're 730 00:43:43,800 --> 00:43:46,560 Speaker 5: both just really genuine, right, Like their love for each 731 00:43:46,560 --> 00:43:49,080 Speaker 5: other is not for the cameras. They It's clear they 732 00:43:49,120 --> 00:43:54,920 Speaker 5: love each other. They aren't like sort of inherently disingenuous, 733 00:43:55,640 --> 00:43:58,560 Speaker 5: which is how they were perhaps portrayed or how I 734 00:43:58,640 --> 00:44:01,879 Speaker 5: read them in the first couple episodes. They care about Magnifico. 735 00:44:02,920 --> 00:44:04,920 Speaker 5: They want to do what they can to help, and 736 00:44:04,920 --> 00:44:06,839 Speaker 5: they're willing to go above and beyond to do it. 737 00:44:06,920 --> 00:44:09,840 Speaker 5: And so I don't know, I'm finding myself really endeared 738 00:44:09,880 --> 00:44:11,960 Speaker 5: by these two characters and I love one well me too. 739 00:44:12,040 --> 00:44:14,880 Speaker 1: I think that there is an aspect to them that 740 00:44:15,000 --> 00:44:20,520 Speaker 1: is that is they're the most human characters on the 741 00:44:20,560 --> 00:44:24,480 Speaker 1: show in that everybody else is thinking in kind of 742 00:44:24,520 --> 00:44:26,759 Speaker 1: geopolitical language or. 743 00:44:27,520 --> 00:44:29,520 Speaker 4: Or like three hundred years ahead or whatever. 744 00:44:29,760 --> 00:44:35,960 Speaker 1: Right, Yeah, this like massive, massive moves that cast the 745 00:44:36,080 --> 00:44:39,440 Speaker 1: deaths of like billions of people is just like a 746 00:44:39,600 --> 00:44:43,320 Speaker 1: rounding error and like the vast accounting of the galaxy. 747 00:44:43,320 --> 00:44:45,840 Speaker 1: And these are the people who are like alive. And 748 00:44:45,880 --> 00:44:49,799 Speaker 1: to your point, Beta is able to make these connections 749 00:44:49,840 --> 00:44:56,560 Speaker 1: and make things happen by just like acknowledging people's lives 750 00:44:57,120 --> 00:45:00,000 Speaker 1: as their own. Like her, She's managed to foster connec 751 00:45:00,280 --> 00:45:03,560 Speaker 1: with Magnifico by basically being you're a person, like you're alive, 752 00:45:03,640 --> 00:45:05,840 Speaker 1: you have your own agency and I and I love that. 753 00:45:05,960 --> 00:45:08,520 Speaker 1: I love that about you. It's amazing to. 754 00:45:08,440 --> 00:45:12,240 Speaker 3: Be connected to this greater power, this this this potential. 755 00:45:12,280 --> 00:45:13,440 Speaker 4: It's really important. 756 00:45:13,719 --> 00:45:14,760 Speaker 1: I think that's really important. 757 00:45:14,800 --> 00:45:15,600 Speaker 4: I do wonder as well. 758 00:45:15,640 --> 00:45:17,200 Speaker 3: You make a good point, because I do feel like 759 00:45:17,239 --> 00:45:19,560 Speaker 3: that's something this season has like leaned into, and I 760 00:45:19,600 --> 00:45:22,040 Speaker 3: do wonder if with the conversation with Song and stuff, 761 00:45:22,200 --> 00:45:24,480 Speaker 3: we are going to start to get a little bit 762 00:45:24,520 --> 00:45:27,120 Speaker 3: more of that like ground level, like who are the 763 00:45:27,160 --> 00:45:29,680 Speaker 3: people who have to live underneath these people? 764 00:45:29,719 --> 00:45:31,239 Speaker 4: And what does it look like like. 765 00:45:31,320 --> 00:45:34,719 Speaker 3: I think that's a really interesting human twist, especially as 766 00:45:34,719 --> 00:45:38,719 Speaker 3: we get more into the idea of like destruction and 767 00:45:38,840 --> 00:45:41,319 Speaker 3: robots and who's in charge. I think that those kind 768 00:45:41,320 --> 00:45:43,239 Speaker 3: of things are a really good way of grounding it 769 00:45:43,800 --> 00:45:46,560 Speaker 3: and making it more relatables. I'm interested to see and 770 00:45:46,600 --> 00:45:50,000 Speaker 3: I still after this episode, I'm still I still. 771 00:45:49,800 --> 00:45:52,600 Speaker 4: Think that Magnifico could be the Mule. I think that 772 00:45:53,040 --> 00:45:54,279 Speaker 4: I think that's I think I. 773 00:45:54,200 --> 00:45:56,879 Speaker 1: Think we should we try, like, let's let's first of all, 774 00:45:56,920 --> 00:46:00,160 Speaker 1: who won this episode, because for me, I think it 775 00:46:00,239 --> 00:46:03,480 Speaker 1: might have been Magnifico, who continues to be such a 776 00:46:03,600 --> 00:46:06,799 Speaker 1: ray of like positivity and light that I look at 777 00:46:06,840 --> 00:46:09,840 Speaker 1: him and I wonder, what are you hiding? Like, what's 778 00:46:10,040 --> 00:46:12,080 Speaker 1: what's your what's your thing about? 779 00:46:12,239 --> 00:46:14,719 Speaker 3: Also, the reason Harry doesn't know the Mule is because 780 00:46:14,760 --> 00:46:17,960 Speaker 3: he knows Magnifico, you know, like like the name or 781 00:46:18,000 --> 00:46:21,400 Speaker 3: something like the mule Magnifico duality of him not knowing. 782 00:46:21,920 --> 00:46:24,920 Speaker 4: I just thought that was an interesting wrinkle. 783 00:46:25,080 --> 00:46:28,200 Speaker 1: I mean there's also that there's also the subtextual wrinkle 784 00:46:28,239 --> 00:46:31,120 Speaker 1: that like music is actually math, like of course it 785 00:46:31,320 --> 00:46:35,480 Speaker 1: is math. It's just math, you know, improvised kind of 786 00:46:35,760 --> 00:46:39,319 Speaker 1: math that is pleasing to the ear. Rosie who won 787 00:46:39,360 --> 00:46:40,279 Speaker 1: this episode for you? 788 00:46:40,600 --> 00:46:41,799 Speaker 4: Who won the episode? 789 00:46:42,520 --> 00:46:47,239 Speaker 3: Well, I would say, honestly like Hologram Harry, because that 790 00:46:47,239 --> 00:46:49,520 Speaker 3: motherfucker just peeced out, Like this should have been the 791 00:46:49,680 --> 00:46:51,880 Speaker 3: end of him, Like he should have been back. They 792 00:46:51,880 --> 00:46:54,840 Speaker 3: should have never as soon as he said the mule, 793 00:46:55,160 --> 00:46:58,279 Speaker 3: who's the mule? I would have been like done, like 794 00:46:58,320 --> 00:47:00,560 Speaker 3: that's it. But no, he just he managed to get out. 795 00:47:00,719 --> 00:47:01,760 Speaker 4: So and he's closing. 796 00:47:02,160 --> 00:47:04,839 Speaker 3: Yeah, I think I think what Evan's going on there 797 00:47:04,960 --> 00:47:08,720 Speaker 3: is is probably the secret this he's the secret winner 798 00:47:08,719 --> 00:47:10,600 Speaker 3: that he didn't just get like turned off. 799 00:47:11,120 --> 00:47:13,239 Speaker 1: About who won this episode for you? 800 00:47:13,960 --> 00:47:17,680 Speaker 5: I'm gonna I'm gonna cheat and pick the couple Torn 801 00:47:17,719 --> 00:47:21,400 Speaker 5: and Beta. Torn gave a gave a rousing speech to 802 00:47:21,480 --> 00:47:24,239 Speaker 5: get everyone in line when they were just petty disagreements, 803 00:47:24,640 --> 00:47:28,960 Speaker 5: and Beta told Pritch that he fucked up, and I 804 00:47:29,000 --> 00:47:30,239 Speaker 5: love that she called him out on it. 805 00:47:34,080 --> 00:47:39,520 Speaker 1: I gosh, I'm gonna go with Magnifico because he played 806 00:47:39,520 --> 00:47:41,680 Speaker 1: one of the most important gigs of his entire life 807 00:47:41,760 --> 00:47:45,240 Speaker 1: and everybody, and in a room full of people who were, 808 00:47:45,719 --> 00:47:49,200 Speaker 1: you know, very predisposed to be like who is this 809 00:47:49,360 --> 00:47:53,200 Speaker 1: clown and they all came away being like, Okay, I 810 00:47:53,239 --> 00:47:56,000 Speaker 1: can see how that music is really important to the Mule. 811 00:47:56,239 --> 00:47:58,040 Speaker 4: Yeah, well do you think that's what I mean? 812 00:47:58,040 --> 00:47:59,960 Speaker 3: It is like, do you think that that The fact 813 00:48:00,080 --> 00:48:02,719 Speaker 3: that Magnifico is there and convinced them all of that, 814 00:48:02,800 --> 00:48:06,040 Speaker 3: and then the fact that the Meal manages to attack, Like, 815 00:48:06,160 --> 00:48:09,360 Speaker 3: those two things seem like they could definitely be connected. 816 00:48:09,600 --> 00:48:12,480 Speaker 1: I am wondering more and more how they are connected 817 00:48:12,520 --> 00:48:18,920 Speaker 1: and if they are connected, And it just feels like, again, 818 00:48:20,440 --> 00:48:24,120 Speaker 1: everything we've seen, including in this episode, about every character 819 00:48:24,160 --> 00:48:26,359 Speaker 1: on this show is just when you think you know 820 00:48:26,440 --> 00:48:30,120 Speaker 1: what they are, there's a different There's a there's another 821 00:48:30,239 --> 00:48:36,239 Speaker 1: level to them that is often much more strategic and 822 00:48:36,400 --> 00:48:39,319 Speaker 1: planned than the one that you think you know. And 823 00:48:39,440 --> 00:48:42,160 Speaker 1: so I I do wonder, I wonder about it. I 824 00:48:42,160 --> 00:48:43,320 Speaker 1: can't wait to see what happens. 825 00:48:43,440 --> 00:48:45,839 Speaker 4: I'm excited. I can't four episodes left. 826 00:48:45,920 --> 00:48:47,640 Speaker 3: I think this could come out as being one of 827 00:48:47,640 --> 00:48:49,359 Speaker 3: the best seasons of TV this year. 828 00:48:49,600 --> 00:48:52,759 Speaker 1: I will say. I was being like, Okay, we're in 829 00:48:52,840 --> 00:48:56,480 Speaker 1: episode six of this season and it's already this meaty. 830 00:48:56,400 --> 00:48:59,279 Speaker 4: Like that's what I'm saying, and the crazy and like 831 00:48:59,440 --> 00:48:59,919 Speaker 4: what else? 832 00:49:00,360 --> 00:49:02,600 Speaker 3: Also, I just want to shout out something I think 833 00:49:02,640 --> 00:49:05,560 Speaker 3: when we were talking about Magnifico is like, often in 834 00:49:05,600 --> 00:49:10,160 Speaker 3: sci fi there's this very specific view of what's important 835 00:49:10,200 --> 00:49:12,399 Speaker 3: and a lot of times it's kind of science and 836 00:49:12,440 --> 00:49:15,000 Speaker 3: that's it. Like there's not very many people, you know, 837 00:49:15,120 --> 00:49:17,120 Speaker 3: in Star Wars in the main canon who are like 838 00:49:17,160 --> 00:49:20,520 Speaker 3: spending their time doing art. You know, though obviously in 839 00:49:20,560 --> 00:49:22,600 Speaker 3: the Expanding Universe you do have stuff like that, like 840 00:49:22,640 --> 00:49:25,640 Speaker 3: Sabaja Press and his you know, gallery of people in 841 00:49:25,840 --> 00:49:29,440 Speaker 3: carbonite and stuff. But generally, like I feel like we 842 00:49:29,520 --> 00:49:33,160 Speaker 3: don't get to see a science fiction world, a futuristic 843 00:49:33,239 --> 00:49:36,080 Speaker 3: world where there is music and where there's all these 844 00:49:36,120 --> 00:49:39,520 Speaker 3: different aspects of society and I do. I just think 845 00:49:39,560 --> 00:49:44,440 Speaker 3: that this is a really interesting and fearless show. 846 00:49:44,239 --> 00:49:44,759 Speaker 4: In that way. 847 00:49:44,800 --> 00:49:46,839 Speaker 3: And when you do see music, it's more classical it's 848 00:49:46,840 --> 00:49:49,840 Speaker 3: silly like jizz music or whatever. Magnifico is like literally 849 00:49:49,840 --> 00:49:52,960 Speaker 3: a DJ, and that seems like it shouldn't work, but 850 00:49:53,000 --> 00:49:57,040 Speaker 3: it's like, it's such an interesting, great part of this season. 851 00:49:57,120 --> 00:49:59,280 Speaker 4: I just I think they're doing stuff here that nobody 852 00:49:59,280 --> 00:50:00,160 Speaker 4: else is doing. 853 00:50:01,920 --> 00:50:02,040 Speaker 2: Well. 854 00:50:02,080 --> 00:50:04,959 Speaker 1: In the next episode of Extra Vision, were contineering our coverage. 855 00:50:04,800 --> 00:50:06,800 Speaker 4: Of Alien Earth Scary. 856 00:50:08,000 --> 00:50:15,840 Speaker 1: That's it for this episode. Actual x Ray Vision is 857 00:50:15,880 --> 00:50:18,440 Speaker 1: hosted by Jason Concepcion and Rosie Knight and is a 858 00:50:18,440 --> 00:50:20,120 Speaker 1: production of iHeart Podcasts. 859 00:50:20,280 --> 00:50:23,880 Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman. 860 00:50:24,120 --> 00:50:26,480 Speaker 1: Our supervising producer is Abuza part. 861 00:50:26,520 --> 00:50:30,479 Speaker 3: Our producers are Common, Laurent Dean Jonathan, and Fay Wag. 862 00:50:30,600 --> 00:50:33,359 Speaker 1: Our theme song is by Brian Vasquez, with alternate theme 863 00:50:33,440 --> 00:50:34,680 Speaker 1: songs by Aaron Kaufman. 864 00:50:34,880 --> 00:50:38,239 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 865 00:50:38,320 --> 00:50:40,080 Speaker 3: Heidi our discord moderator.