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Speaker 1: And it's Drink Chess, motherfucking podcast. He's a legendary Queen's rapper,

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Speaker 1: He's greed. Is your boy in O R He's a

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Speaker 1: Miami hippoper pioneer, d J E f N. Together they

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Speaker 1: drinking up with some of the biggest players in the

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Speaker 1: most professional unprofessional podcast and your number one sorts for

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Speaker 1: drunk fast drinks. Mother New Year's e that it's time

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Speaker 1: for drink chimps. Drink up mother mother would it could

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Speaker 1: be hoping with it to be. This is your boy

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Speaker 1: in O R E. And usually we have e FN

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Speaker 1: here efn uh is sick he and we wanted to

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Speaker 1: take the proper precautions. Um, you don't want to get

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Speaker 1: anybody else sick, So you know, I told him that

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Speaker 1: I hold it down, but I'm uh. We got someone

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Speaker 1: who's been on Drink Champs at least five or six

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Speaker 1: times history with drink Chaps, so I figured we might

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Speaker 1: as well have t come in. So let's make you leave.

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Speaker 1: But this is this is a very special addition drink

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Speaker 1: Champs because we're gonna uh uh you know speaking. Also

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Speaker 1: here we got Joseph makes a noise for jokes the

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Speaker 1: car and we also got Terence jas but all of

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Speaker 1: their luxtrious careers and so much things they got going on.

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Speaker 1: I'm gonna try to keep this interview about the movie, Okay,

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Speaker 1: I'm gonna really try as much. I'm fresh off of

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Speaker 1: seeing the movie just now, and you didn't see the movie,

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Speaker 1: and you didn't see the movies the movie bo man,

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Speaker 1: if we could just pointing out the fan that I

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Speaker 1: just found out our co host like fast, everybody makes

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Speaker 1: it know so so so Joseph, it is a cool

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Speaker 1: I call you Joseph so um other than Tommy Yeah, yeah,

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Speaker 1: because you know, y'all, y'all, let you know what's funny

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Speaker 1: about that Tommy specifically, Um, I hung out with Tommy

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Speaker 1: for Martin before and I just kept calling him Tommy,

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Speaker 1: and I kept calling all the actors by their names,

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Speaker 1: and they just looked at me like I know he

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Speaker 1: was but all the other actors were offended, like when

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Speaker 1: I was calling him by their names. But sometimes we

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Speaker 1: do a legendary role like that where people, um, you nail.

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Speaker 1: It's so good that people only identify you as that

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Speaker 1: is that something you ever ran into right now, just

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Speaker 1: coming from Son of Queens saying that to me, that's

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Speaker 1: a bad John, Call me Joseph, call me Tommy, just

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Speaker 1: call me now. But has that ever affected you? Like

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Speaker 1: people seeing that, I think they called a cast cast cast?

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Speaker 1: What is it? Type cast? Uh? You know, feel like

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Speaker 1: even it's interesting because tom Tommy is very specific, but

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Speaker 1: it's also the power universe that has created Um has

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Speaker 1: been kind of bypassed by Hollywood. Uh. You know, at

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Speaker 1: the same time I go to Los Angeles. We were

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Speaker 1: just in Los Angeles, me and Tian Taylor's director of

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Speaker 1: the great film fear Um, And uh, almost every person

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Speaker 1: that I met was like, Hey, you're the guy who

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Speaker 1: got his dick shot off in Ozark. Yeah, just as

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Speaker 1: my second question, but so so and that's such a

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Speaker 1: different character than Tommy. I mean, it's a it's a

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Speaker 1: hundred and eighty degree difference and the antithesis of time.

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Speaker 1: It's it's that guy wishes he was Tommy every sense

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Speaker 1: of the words. So I still get to play all

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Speaker 1: these different characters. So when people say, I gotta asked yesterday,

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Speaker 1: are you scared of being typecast? And my answer was,

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Speaker 1: I'm from the theater, Darlings, So you know, I played

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Speaker 1: a million different roles and it's It's okay. You put

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Speaker 1: your heart in your soul into every role that you play,

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Speaker 1: and play a hundred and sixty degree character, three sixty character,

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Speaker 1: and you have a real person. And that's all I'm after.

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Speaker 1: It's just like I love playing to I mean, Tommy's

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Speaker 1: Tommy's crazy and fun, and I keep doing it for

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Speaker 1: years for Tommy. Now. One of the things that I've

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Speaker 1: seen watching the movie off top was the hip hop's placement.

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Speaker 1: I got to see Asa Spade and I got to

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Speaker 1: see so Rock, and I immediately thought of one of

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Speaker 1: you brothers. I said, what you one, I know what attention,

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Speaker 1: I know how okay, you know what I'm saying. The

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Speaker 1: opportunity we got, like we're gonna put that people in

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Speaker 1: the up. I mean, and you know, of course Terence

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Speaker 1: j is uh you know he probably he probably thought

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Speaker 1: that at first it was dope. Every time the champagne

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Speaker 1: got popped, it was as Spade, I was like, oh,

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Speaker 1: ship didn't then they didn't have to have pocket there

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Speaker 1: they did to kill I didn't know. I didn't know what. Okay,

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Speaker 1: you see what I'm saying. Like it was kind of like, okay,

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Speaker 1: this shot is coming up man space, somebody got a

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Speaker 1: bottles rock. Sometimes we didn't have as the space. We

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Speaker 1: had the fastest rug and you know what I mean,

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Speaker 1: it was it was the only space that as well. Yeah,

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Speaker 1: and you know it's a testament to to our director

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Speaker 1: Dean Taylors, right, and the whole infrastructure that they parked

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Speaker 1: around this film Black empowerment of course Tommy as well. Yes,

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Speaker 1: but it's all about yes black, you know, supporting black businesses,

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Speaker 1: giving those looks, giving those opportunities. Very very if you

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Speaker 1: look in the kitchen there's Branson in there and lessen

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Speaker 1: the rush. That's dope. That is so terris right, coming

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Speaker 1: from the hosting background, right, One of six in Paul.

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Speaker 1: Since One on six and Park, there ain't been another

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Speaker 1: one on six in Paul. There's been a lot of

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Speaker 1: fake there's a lot of imitation, has been a lot

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Speaker 1: of phonies. Why do you think these shows aren't as

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Speaker 1: current as they used to be? Like the tr Rows

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Speaker 1: and all this, Why is it not opping no more?

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Speaker 1: I think it's a different world, right, it's a different landscape.

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Speaker 1: Back then, when t I dropped a video, you used

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Speaker 1: to have to run home at six class to see it.

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Speaker 1: Right now you can you can consume your entertainment in

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Speaker 1: so many different ways. It's on your phone right watching

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Speaker 1: the video as it drops, So the way people consumed

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Speaker 1: it is different. So the outlets are different. Now you

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Speaker 1: have things that have emerged, like drink champs, that have

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Speaker 1: completely changed the landscape and have done things that we

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Speaker 1: couldn't do, you know, ten years ago on the show

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Speaker 1: like one oh six. But I think it's a beautiful thing, man,

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Speaker 1: I think progression is a beautiful thing. I think that

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Speaker 1: the level of ownership that you know, people like yourself

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Speaker 1: and all of these new outlets. Have you answer in

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Speaker 1: this perfect, gonna lie of you? You answered this perfect man.

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Speaker 1: You are very two pr trained drink chance, we're gonna

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Speaker 1: have to take some shots. Perfect more more of a

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Speaker 1: perfect answer than this sets me. No, I'm not doing

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Speaker 1: my job. He said that to me my first three time. Bro.

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Speaker 1: Pull it up over. Hey, listen, man, what's up with us? Man?

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Speaker 1: Like like you just you could be answering the answers

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Speaker 1: all correct and ship like you're so stiff. No, I'm

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Speaker 1: with you, but um yeah, uh, you're right, because content

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Speaker 1: is like I remember, I remember waking up and actually

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Speaker 1: happened to get a paper all right, I'm that old, right,

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Speaker 1: like when you had to get Now, I wake up

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Speaker 1: in the papers already in my hand. Yeah, Like Twitter

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Speaker 1: is my paper, Like I don't really care about the

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Speaker 1: sports section no more, because I'll find the highlights on Twitter,

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Speaker 1: Like I don't even have to go to ESPN no

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Speaker 1: more at this point. Like I actually it's like, does

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Speaker 1: that does that make the music whacker? I think now?

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Speaker 1: Now whacker mean obviously that there's great songs, there's great

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Speaker 1: projects coming out. I think like the cohesiveness of like

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Speaker 1: having four albums, we're not seeing that as much because

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Speaker 1: people are able to consume their songs. You know, you

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Speaker 1: like these two songs, you're listening to that as opposed

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Speaker 1: to listening to a complete body of work. So I

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Speaker 1: think that that has changed. But I you know, I

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Speaker 1: just think it's things are different. They're not better, they're

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Speaker 1: not worse. It's just the times to progress. Like you said,

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Speaker 1: you can see how much Braun has drops before you

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Speaker 1: get up, you know, the high breakfast, right, So you're

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Speaker 1: just consuming in a different way. So it's just progress

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Speaker 1: as it or changed to like, you know, to music.

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Speaker 1: I think that I think that it being a direct

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Speaker 1: to consumer, Uh, market. Now we're we have access to

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Speaker 1: more authenticity. I'm saying. Before motherfucker had to go through

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Speaker 1: gate keepers. You know, in order to go through gate keepers,

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Speaker 1: most of the time you had to be polishing poise

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Speaker 1: and had to be astute, you know what I mean

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Speaker 1: of the system. Now you can go anybody can make

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Speaker 1: a hit and you straight to the consumers. So it

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Speaker 1: don't matter whether Kevin Liles, Puff Daddy Lee or Cohen

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Speaker 1: or pick them up by the way, you know, right,

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Speaker 1: no matter whether they said it was good enough, I

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Speaker 1: can go straight to YouTube. I can go straight to YouTube.

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Speaker 1: Still a middle man though, well, I mean, but it's

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Speaker 1: direct to consumers. It's using but it's user generated, you

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Speaker 1: know what I mean. They may dictate and determine how

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Speaker 1: many people you can have access to, but you can

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Speaker 1: still upload it yourself and get straight to the consumer

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Speaker 1: and that authentic everybody wants to see themselves, folks. Let

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Speaker 1: me just tell you something. Tia so much not a

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Speaker 1: rapper no more. He came early. I was disappointed. He

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Speaker 1: supposed to be a rap at least team it is late.

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Speaker 1: He came fifteen minutes early and didn't check out the shoes.

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Speaker 1: Gotta show your shoes, but your shoes on the table

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Speaker 1: with quick show these people with your shoes, t I

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Speaker 1: show these people this when you know you're getting money

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Speaker 1: when you within some shoes like this. A few away

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Speaker 1: from these times produced focus on the shoes definitely. I

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Speaker 1: saw you taking a picture of it. You're trying to

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Speaker 1: be slick, so you're taking the picture of it out there.

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Speaker 1: I was showing that to my wife, like, you know

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Speaker 1: what I'm saying, what you put on the shoes that

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Speaker 1: he just had a different shirt on like twenty minutes ago.

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Speaker 1: So so let start speaking of authenticity and bring it

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Speaker 1: back to that. It's interesting in the movie too, because

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Speaker 1: I find a lot of young actors. I think it's

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Speaker 1: so reflective of the music. Exactly what Tips said is

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Speaker 1: that so much of the music that today's like these

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Speaker 1: guys actually have to be doing that, especially I think

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Speaker 1: a drill stuff. It's like no, if no, if you're not,

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Speaker 1: if you if you don't have that piece, you're not

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Speaker 1: you don't have these bodies, I'm not listening to you.

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Speaker 1: And in some ways it's really difficult because it has

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Speaker 1: translated into the acting world where it's like people the

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Speaker 1: craft of acting and becoming somebody else's now sacrifice. It's like, no, no,

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Speaker 1: we want that guy or or I have to be

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Speaker 1: Especially on the Power Show, these young actors are like no, no,

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Speaker 1: I got it like this, and they're talking about, you know,

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Speaker 1: certain things where it's like, no, you're an actor like

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Speaker 1: relaxed about. But one of the things Too is about

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Speaker 1: in the Fear movie is that I think that we

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Speaker 1: have an opportunity here. I see every time I watched

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Speaker 1: the movie with tips performance, this is not t I.

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Speaker 1: You know, it's it's not Tip, it's it's low And

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Speaker 1: obviously you could have said they can't talk about this,

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Speaker 1: but you can, and um, it's they're different. It's different

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Speaker 1: Terence J. Than where you used. It's a different Andrew

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Speaker 1: Bachelor that where you him media because you're you know,

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Speaker 1: Louie do this. I said, damn, you can tell you

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Speaker 1: when you when you pard that you d to be

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Speaker 1: cool with bad energy. Yeah, he's been trying to get

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Speaker 1: you waiting. Yeah, he trying to get rid of you fast.

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Speaker 1: You held it down though, you were like when I

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Speaker 1: trust to Yeah, yeah, I don't want to say too month,

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Speaker 1: I'm getting man because it's no good moan, you know,

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Speaker 1: you weren't saying Terence j. Because I'm talking about every

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Speaker 1: time we did the scene with him, like like a

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Speaker 1: whole forty five seconds before action, he's in character. Yeah,

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Speaker 1: I ain't gonna lie you played this ship off this role.

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Speaker 1: I ain't gonna So I'm telling you, bro, he didn't

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Speaker 1: get paid enough because you work way more than he was.

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Speaker 1: It's an extra forty five seconds before everybody else. So

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Speaker 1: hold on you was meant this man was so come man,

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Speaker 1: come on black bro, they're fixing you. Look the ship

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Speaker 1: out of her leg though, too yo. I said, what

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Speaker 1: is this? That is a delicious when when you came

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Speaker 1: out of anything, you got that when you work, when

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Speaker 1: you're working with people like this, right, Joseph. Joseph is

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Speaker 1: so like classically like, Joseph is an actor actor. Yeah, yeah,

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Speaker 1: he can come in and out of the scene. He

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Speaker 1: can change things. He can like he's one of the

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Speaker 1: finest actors I know. Respect that. And then Tip, who

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Speaker 1: also has tons of years of acting, tons of years

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Speaker 1: of credibility on the screen. Chip has a has a

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Speaker 1: charm and a charisma about him that when he's when

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Speaker 1: he's in that zone, you're saying, they made you step

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Speaker 1: it up. He's unstoppable. Me I'm not as as talented

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Speaker 1: in that way. So I worked very hard to try

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Speaker 1: to get myself in here. Every bit. I got this.

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Speaker 1: I gotta go all the way. In my opinion, my opinion,

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Speaker 1: come on, don't worry the first one in my opinion, like,

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Speaker 1: like to me, Marlon Wayne has been acting for years,

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Speaker 1: but that Sex Tablets was like that, it was like

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Speaker 1: it kind of finally showed I think this is the

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Speaker 1: one for you, like because it kind of showed the

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Speaker 1: range a different side of you, Like you're always like

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Speaker 1: the pretty boy in Northen you know what I'm saying,

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Speaker 1: Like you always like getting the girls, never getting the girl,

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Speaker 1: and you out here like getting bit you're the sellers.

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Speaker 1: Like you're like like you're like like, oh you're not

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Speaker 1: nice and you look at some legs. God damnit. Yeah,

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Speaker 1: I grew a full beer roll. I had to do.

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Speaker 1: I've seen the Beijing now, have you ever? I'm sure

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Speaker 1: Tommy like played a role so much that you become

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Speaker 1: that role. I haven't, And I think I based it

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Speaker 1: on just coming from the theater, having a theater background

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Speaker 1: and training, and that I also my wife wouldn't put

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Speaker 1: up with that ship. She's a Russian from Jersey. Man,

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Speaker 1: she'd killed me in my sleep. Holy s, let's make

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Speaker 1: noise of Russing from Jersey. Oh so act okay because

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Speaker 1: one time I don't want to. I don't know if

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Speaker 1: I should say this guy's name. But I did a

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Speaker 1: movie with him, um, and he just stayed in character.

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Speaker 1: He was like, he just became the character, and the

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Speaker 1: character was uh, he was a breakout convict. So he

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Speaker 1: was like, he just stayed moved the door like all day.

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Speaker 1: And at first I was saying to myself, I'm going

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Speaker 1: around him. What an idiot? Right? But then I active

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Speaker 1: it's not my profession. But then when I started to

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Speaker 1: see how people really are serious of this, and people

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Speaker 1: really make their whole lives with this, I was like, Okay,

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Speaker 1: I got it. Have you ever been in this? Yeah?

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Speaker 1: I feel like when I started off with Tommy, just

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Speaker 1: like everything I always said, I kept Tommy as close

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Speaker 1: as I needed to um, and then it's just like

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Speaker 1: riding a bike. You I also spent a long time,

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Speaker 1: months and months of being as much time as I

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Speaker 1: needed to create that character, you know, and watching a

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Speaker 1: ton of million fifty cent interviews drink. He's great on

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Speaker 1: drink chances, right, that's right. You know, so I did

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Speaker 1: the research before I stepped it up. So when people saying, oh,

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Speaker 1: that Tommy character Tommy, it was great to see how

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Speaker 1: Tommy changed, I'm like, Tommy didn't change at all. I

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Speaker 1: mean they changed the writing, they changed the situations. But

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Speaker 1: that that guy is the first guy the first day

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Speaker 1: of the first set up for the first take we

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Speaker 1: ever did, is the same Tommy when we ended the

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Speaker 1: Power Show. I promised you that. So they the writer's changed.

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Speaker 1: I think that that's important for an actor to know.

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Speaker 1: So yeah, like I kept Tommy as close as I

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Speaker 1: needed to keep Tommy, and then uh then you you

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Speaker 1: you flip it on, you flip it off. Also, like

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Speaker 1: in the Fear movie, I feel like if I was

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Speaker 1: always wrong and you know, paranoid about stuff and always

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Speaker 1: thinking right, Yeah, I was a writer and a researcher

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Speaker 1: and I'm researching at the at the thing. But I

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Speaker 1: also this was an un this is an un precedented

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Speaker 1: things during the high That's what I was going to ask.

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Speaker 1: The funny thing is blue tr characters the first one

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Speaker 1: to get sick. Right, you guys all take a text

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Speaker 1: for spoiler alert. Oh my bad, my bad. But but

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Speaker 1: what's funny about it is he was the only one

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Speaker 1: with a mask in when he can't when when we

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Speaker 1: when we arrived, when don't, don't forget there. There is

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Speaker 1: another female character that also it has the propensity of

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Speaker 1: trying to mask up. But but but but who said

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Speaker 1: I was sick? I don't know. I don't know. Um

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Speaker 1: so tip um you fum Atlanta. One of the biggest

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Speaker 1: things going on is young Doug and the young Doug

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Speaker 1: slack gunner. Right, some people saying, ah, this is a

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Speaker 1: little tricky. I'm just I'm I mean, is desperate just here?

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Speaker 1: I don't even know what I mean exasperate them A

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00:18:03,760 --> 00:18:07,640
Speaker 1: guest overwhelm overwhelmed, Okay, all right ahead. Now I'm saying

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Speaker 1: I'm waiting on you to finish. I was just because

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Speaker 1: from the outside looking in, I can't make um. I

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Speaker 1: can't place judgment because I guess I'm not in it

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Speaker 1: and don't I don't know how Atlanta law works. No,

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Speaker 1: let it lout of the laws universe. So how about Tip,

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Speaker 1: how did you feel when you when you heard I

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Speaker 1: really man, I hated to see it. I hated to

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Speaker 1: see it at the same time, Man, I just hated

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Speaker 1: to see it. Um. I really do feel that if

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Speaker 1: things were explained a little bit differently, or if he

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Speaker 1: had had an opportunity to speak to someone who could

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Speaker 1: advise him, meaning Gonna or whomever was involved, that might

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Speaker 1: not like the out call of they to see if

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Speaker 1: they could have spoke to somebody and somebody could have said, man,

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Speaker 1: you know, if you do this, now, this, this is

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Speaker 1: what this means. I don't think if they would have

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Speaker 1: had it, like if they would have had that advice

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Speaker 1: and they would have had an opportunity to speak to somebody,

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Speaker 1: I don't believe they would have made the same decision. However,

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00:19:17,960 --> 00:19:22,880
Speaker 1: we all, you know, we we abound two odd decisions

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00:19:23,080 --> 00:19:26,480
Speaker 1: and we can't escape that, right, you know what I mean?

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Speaker 1: But free, free slant. It seems like it was a

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Speaker 1: war on New York at one point, right, like all

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Speaker 1: of us, Like you know, fifty has these stories of

330
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Speaker 1: hip hop police following him, and then you know, obviously

331
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Speaker 1: I have the same stories of you know, things happening.

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Speaker 1: But it's like now it's like they're not in New

333
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Speaker 1: York now. It seems like seems like from the outside

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00:19:48,560 --> 00:19:51,320
Speaker 1: looking at it seems like they're heavy on Atlanta because

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00:19:51,520 --> 00:19:53,680
Speaker 1: it's it partially because Atlanta is kind of like running

336
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Speaker 1: the music business. But to be honest with you, even

337
00:19:56,119 --> 00:19:59,080
Speaker 1: when like with hip hop cops and whatnot, Okay, they

338
00:19:59,119 --> 00:20:02,040
Speaker 1: were in New York, is that's where the action will. Yeah,

339
00:20:02,560 --> 00:20:05,919
Speaker 1: it wasn't just that they focused on New York. You know,

340
00:20:06,160 --> 00:20:09,159
Speaker 1: New York is what they were aware of, and so

341
00:20:09,280 --> 00:20:14,399
Speaker 1: whatever they are aware of, that's what they're gonna focus on. Um,

342
00:20:14,520 --> 00:20:17,199
Speaker 1: right now, they're where Atlanta, I mean there where everything

343
00:20:17,200 --> 00:20:19,600
Speaker 1: would do, the social media and everybody like you know,

344
00:20:19,760 --> 00:20:23,320
Speaker 1: just kind of on the the well oh look, you

345
00:20:23,359 --> 00:20:26,600
Speaker 1: know what I mean. So it's spread that one thing

346
00:20:26,640 --> 00:20:30,080
Speaker 1: that's funny about the case, Um, in any other case,

347
00:20:30,280 --> 00:20:34,000
Speaker 1: except for Meek Mail, on any other case, we always say,

348
00:20:34,320 --> 00:20:36,600
Speaker 1: you know, it's the white people holding us back. And

349
00:20:36,800 --> 00:20:39,240
Speaker 1: that's the white people doing this. The d A is black,

350
00:20:40,040 --> 00:20:44,159
Speaker 1: the prosecutors black, the judge is black. It's like, damn

351
00:20:45,480 --> 00:20:50,760
Speaker 1: h man, it hurts. Man. I just want I just

352
00:20:50,880 --> 00:20:53,400
Speaker 1: missed my partner, man, you know what I'm saying. I

353
00:20:53,440 --> 00:20:55,400
Speaker 1: just me and my partner. I mean, we could get

354
00:20:55,400 --> 00:20:58,439
Speaker 1: it to them. My new ship of politics bureaucracy. But

355
00:20:59,080 --> 00:21:01,520
Speaker 1: when it all said and done, I just missed my

356
00:21:01,600 --> 00:21:05,320
Speaker 1: little brother. Man. I remember seeing Bro come from that.

357
00:21:05,520 --> 00:21:08,520
Speaker 1: I remember Thud with the d T with the with

358
00:21:08,600 --> 00:21:11,080
Speaker 1: the gap of drids with you know what I'm saying,

359
00:21:11,320 --> 00:21:14,640
Speaker 1: figuring out what to wear, doing what he could and

360
00:21:14,720 --> 00:21:20,360
Speaker 1: turning that into something so I mean just so so

361
00:21:20,359 --> 00:21:25,040
Speaker 1: so substantial that he could offer other people opportunities and

362
00:21:25,080 --> 00:21:28,200
Speaker 1: made other people rich, I think successful. I believe he

363
00:21:28,680 --> 00:21:34,280
Speaker 1: probably has reached back more than anybody in any generation,

364
00:21:34,480 --> 00:21:39,080
Speaker 1: like like genuinely reached back and just did at the

365
00:21:39,200 --> 00:21:43,640
Speaker 1: kindness of his heart, you know what I mean. Um,

366
00:21:43,680 --> 00:21:46,440
Speaker 1: And I just I just missed my partner. I didn't

367
00:21:46,440 --> 00:21:49,240
Speaker 1: got more and I don't got more thank you from

368
00:21:49,280 --> 00:21:53,280
Speaker 1: Thug then I have from some of my own artists.

369
00:21:54,240 --> 00:21:56,960
Speaker 1: You know what I'm saying, I don't got more appreciation.

370
00:21:57,040 --> 00:21:59,680
Speaker 1: I mean now, he he kind of considered he like, yo, Bro,

371
00:21:59,800 --> 00:22:03,199
Speaker 1: you the first major artists the route with me to

372
00:22:03,240 --> 00:22:05,760
Speaker 1: believe in me. You were the very one I guess

373
00:22:05,800 --> 00:22:08,240
Speaker 1: he you know, with with about the money like that

374
00:22:08,359 --> 00:22:12,359
Speaker 1: was a major look for him. Uh, at least you know,

375
00:22:12,400 --> 00:22:15,879
Speaker 1: according to him, and you know, just always expressed like

376
00:22:15,960 --> 00:22:19,880
Speaker 1: her gratitude and and that's more than I received from

377
00:22:19,880 --> 00:22:22,080
Speaker 1: a lot of my own artists on my label that

378
00:22:22,400 --> 00:22:24,400
Speaker 1: you know, I had a hand in their career for real.

379
00:22:25,480 --> 00:22:28,680
Speaker 1: And he was a real here, real good dude, bro.

380
00:22:29,000 --> 00:22:33,400
Speaker 1: And I don't think everything that going on around bro, man,

381
00:22:33,440 --> 00:22:35,720
Speaker 1: I think it's a test. You know, it's a test

382
00:22:35,760 --> 00:22:38,520
Speaker 1: that's gonna become his testimony. All you gotta do and

383
00:22:38,600 --> 00:22:41,919
Speaker 1: continue to stand twn and stay solid. And uh, I

384
00:22:42,000 --> 00:22:46,080
Speaker 1: believe God gonna work everything at Yeah, God bless us,

385
00:22:46,080 --> 00:22:51,560
Speaker 1: say free your free throw? Now? How did you How

386
00:22:51,560 --> 00:22:55,000
Speaker 1: did you get approached? Fair like? How did your agent

387
00:22:55,080 --> 00:22:57,879
Speaker 1: call you? How does this happen? Uh? No, this is

388
00:22:57,920 --> 00:23:00,880
Speaker 1: one of those great opportunities when you actually build your

389
00:23:00,880 --> 00:23:03,439
Speaker 1: own community of people that you that you love and trust.

390
00:23:03,480 --> 00:23:07,000
Speaker 1: And is Tiple alluded to before, I'm I'm not scared

391
00:23:07,040 --> 00:23:14,959
Speaker 1: to use words around you. Get in he got a dictionary. Um,

392
00:23:15,080 --> 00:23:17,520
Speaker 1: I got a call from Dion Taylor, the Great Dion Taylor,

393
00:23:18,119 --> 00:23:23,960
Speaker 1: incredible filmmaker, cinema Cinema tour and uh, he just gave

394
00:23:24,000 --> 00:23:27,080
Speaker 1: me a call. It was July of two thousand two,

395
00:23:27,359 --> 00:23:30,879
Speaker 1: two thousand twenty, just at the height of COVID. We

396
00:23:30,920 --> 00:23:33,720
Speaker 1: were three months in and he's just like, yo, jay,

397
00:23:33,880 --> 00:23:36,360
Speaker 1: I got this idea. And I was like, all right, man,

398
00:23:36,400 --> 00:23:38,480
Speaker 1: break it down for me. What are we doing? And

399
00:23:38,520 --> 00:23:40,119
Speaker 1: so he kind of told me about the film and

400
00:23:40,160 --> 00:23:41,600
Speaker 1: I was like all right, all right, all right, I said,

401
00:23:41,640 --> 00:23:43,119
Speaker 1: what do you want me to do? He said, you know,

402
00:23:43,240 --> 00:23:45,400
Speaker 1: I'm like, I'm not flying. He's like, get a car.

403
00:23:46,000 --> 00:23:48,480
Speaker 1: It's like all right. So I drove from Brooklyn to

404
00:23:48,760 --> 00:23:51,560
Speaker 1: Lake Tahoe and had some fun me my way, where

405
00:23:51,560 --> 00:23:52,960
Speaker 1: did you say is that? What did you say that?

406
00:23:53,119 --> 00:23:54,399
Speaker 1: The thing is that it was in Tahoe. It was

407
00:23:54,440 --> 00:23:59,679
Speaker 1: in Strawberry, California, right outside about that if for a minute,

408
00:24:00,000 --> 00:24:01,640
Speaker 1: I left from here, from here to for a lot

409
00:24:01,640 --> 00:24:06,439
Speaker 1: of this. Okay, okay, how did you get the movie approached? So?

410
00:24:06,440 --> 00:24:09,800
Speaker 1: So Dion Taylor is a is a mastermind. He's also

411
00:24:09,880 --> 00:24:13,840
Speaker 1: a madman. He calls you early in the morning, late

412
00:24:13,880 --> 00:24:17,639
Speaker 1: at night with ideas and he sells you right. So

413
00:24:17,840 --> 00:24:20,800
Speaker 1: call you know. I've been thinking about you, man. You know,

414
00:24:21,160 --> 00:24:23,840
Speaker 1: you know you're just you know, you're really talented, and

415
00:24:23,880 --> 00:24:26,280
Speaker 1: people about you and you know we know you from

416
00:24:26,280 --> 00:24:28,080
Speaker 1: being like the Mama's boy, you know, one of those

417
00:24:28,119 --> 00:24:31,200
Speaker 1: six like think you need to dig deeper. We gotta

418
00:24:31,240 --> 00:24:33,720
Speaker 1: do a role that just it's different from anything that

419
00:24:33,800 --> 00:24:36,080
Speaker 1: you ever done. Man, I want you to be an

420
00:24:36,119 --> 00:24:38,320
Speaker 1: asshole in this movie. I want you to be a

421
00:24:38,359 --> 00:24:40,720
Speaker 1: bad guy. I want people to hate you in this film.

422
00:24:41,160 --> 00:24:44,119
Speaker 1: And so he sells you in that way, and I

423
00:24:44,160 --> 00:24:46,159
Speaker 1: get off the phone and by the time I talk

424
00:24:46,240 --> 00:24:48,199
Speaker 1: to my agents say like, you committed to doing a

425
00:24:48,240 --> 00:24:50,720
Speaker 1: three picture deal with Dian, I'm like, yeah, we're doing movies,

426
00:24:51,280 --> 00:24:53,959
Speaker 1: and and before you know what, we're on set. But

427
00:24:54,320 --> 00:25:00,560
Speaker 1: three pictures probably I probably did um. But the beautiful

428
00:25:00,600 --> 00:25:03,879
Speaker 1: thing about d is that he bought everybody to the table.

429
00:25:03,920 --> 00:25:07,000
Speaker 1: All of us are producers. All three of us are

430
00:25:07,440 --> 00:25:12,360
Speaker 1: you know, profit participation producers at the table. So when

431
00:25:12,400 --> 00:25:16,560
Speaker 1: this does well, when this grows, whatever happens, we're where

432
00:25:16,600 --> 00:25:20,000
Speaker 1: where where we're insensivized by having a real seat at

433
00:25:20,000 --> 00:25:24,479
Speaker 1: the table. Yeah. And it's not a lot of you know,

434
00:25:24,600 --> 00:25:28,360
Speaker 1: people in his position as a director that offer that, right,

435
00:25:28,760 --> 00:25:31,000
Speaker 1: and then it becomes once you get that as a president,

436
00:25:31,520 --> 00:25:33,720
Speaker 1: it's a it's a trickle down effect. So now I've

437
00:25:33,760 --> 00:25:36,159
Speaker 1: been producing so many films, it's been a back to

438
00:25:36,200 --> 00:25:39,200
Speaker 1: back thing for me. But it's like you need those opportunities.

439
00:25:39,240 --> 00:25:41,000
Speaker 1: So that's what I love about this film. That's what

440
00:25:41,080 --> 00:25:43,199
Speaker 1: I love about it is that you know, all of

441
00:25:43,320 --> 00:25:45,320
Speaker 1: us had you know, part of the creative all of

442
00:25:45,400 --> 00:25:48,080
Speaker 1: us had a saying that it was a very collaborative,

443
00:25:48,440 --> 00:25:51,280
Speaker 1: very open process, and when you're dealing with a director

444
00:25:51,640 --> 00:25:56,680
Speaker 1: and producer like d it really is a great environment. Yeah,

445
00:26:01,200 --> 00:26:06,680
Speaker 1: I'm gonna be the only other woman plastic cup. Man. Man, Man,

446
00:26:06,760 --> 00:26:08,399
Speaker 1: I'm the co host. You can't tell everyone to do

447
00:26:09,359 --> 00:26:12,399
Speaker 1: I'm the co host now, Man. I was listening up,

448
00:26:12,480 --> 00:26:14,440
Speaker 1: how did you get the approach for to do the movie?

449
00:26:14,480 --> 00:26:16,040
Speaker 1: That's what I was just about to say, was listening

450
00:26:16,080 --> 00:26:21,720
Speaker 1: to Terrence talking. So it was phenomenal conversation that he had,

451
00:26:22,280 --> 00:26:25,640
Speaker 1: and I loved it so much that I remember that

452
00:26:25,640 --> 00:26:31,680
Speaker 1: that's the same conversation with No Man, we're talking man.

453
00:26:31,760 --> 00:26:35,880
Speaker 1: I hit my line around the same time, sometime late

454
00:26:35,960 --> 00:26:41,800
Speaker 1: summer in hight of the pandemic. Um and Dian and

455
00:26:41,840 --> 00:26:46,720
Speaker 1: I have talked about several doing several projects together. Um,

456
00:26:46,760 --> 00:26:49,840
Speaker 1: but this one, like the other projects, is like, ya

457
00:26:49,920 --> 00:26:51,520
Speaker 1: got an idea that's coming up, it's gonna be we're

458
00:26:51,520 --> 00:26:54,000
Speaker 1: gonna be shooting soon. And this one's like no, no,

459
00:26:54,000 --> 00:26:59,160
Speaker 1: no, no no, no, this is this week. Like now, I say, man, yeah,

460
00:26:59,280 --> 00:27:03,879
Speaker 1: I said, ain't nobod did shoot? I got a crew.

461
00:27:04,840 --> 00:27:10,080
Speaker 1: If you could get here, we gonna shoot this movie. Damn. Okay.

462
00:27:10,320 --> 00:27:13,040
Speaker 1: You know I was impressed like this. I like it.

463
00:27:13,880 --> 00:27:17,479
Speaker 1: Every two days yea, every day that we shot, every day,

464
00:27:17,480 --> 00:27:21,720
Speaker 1: every day shooting. CDC didn't have guidelines yet Dion, Taylor

465
00:27:21,760 --> 00:27:25,320
Speaker 1: and Roxanne event made up guidelines. They called the CDC

466
00:27:25,600 --> 00:27:28,760
Speaker 1: and said, uh, can we shoot a movie? And they're like, oh,

467
00:27:28,840 --> 00:27:32,160
Speaker 1: I don't know, kenya, And they put together this list

468
00:27:32,240 --> 00:27:36,040
Speaker 1: of guidelines of what they suggested that they do. Then

469
00:27:36,160 --> 00:27:38,800
Speaker 1: Dion and Roxanne brought that to the w g A,

470
00:27:38,920 --> 00:27:41,400
Speaker 1: the d g A and SAG and then Sex said

471
00:27:41,600 --> 00:27:44,280
Speaker 1: everybody said okay, Like if everybody was signed off on

472
00:27:44,320 --> 00:27:46,200
Speaker 1: that you could do this movie. They had to. They

473
00:27:46,200 --> 00:27:48,760
Speaker 1: had we had to get tested every day that we filmed.

474
00:27:48,960 --> 00:27:50,919
Speaker 1: This is when they tickled your brain and then they

475
00:27:50,920 --> 00:27:54,240
Speaker 1: would do the sample and then somebody would drive from

476
00:27:54,640 --> 00:27:58,240
Speaker 1: Tahoe to Los Angeles to get the test results and

477
00:27:58,280 --> 00:27:59,800
Speaker 1: then you and then it would go like this and

478
00:28:00,000 --> 00:28:02,640
Speaker 1: mobody would drive back with them, and then somebody would

479
00:28:02,680 --> 00:28:07,480
Speaker 1: do that so that living let's make some I feel

480
00:28:07,720 --> 00:28:09,680
Speaker 1: I feel in love with hip hop and marriage boot

481
00:28:09,720 --> 00:28:12,040
Speaker 1: camp during the thing, and I had to test every

482
00:28:12,080 --> 00:28:15,000
Speaker 1: three days. So it's Monday, Wednesday, and Friday for both shows.

483
00:28:15,040 --> 00:28:16,920
Speaker 1: You know, I'm spilming both at the same time. One

484
00:28:16,920 --> 00:28:20,800
Speaker 1: didn't believe the other, so it wasn't like I said, Yo,

485
00:28:20,840 --> 00:28:23,320
Speaker 1: I just passed it. I love hip hop? And then

486
00:28:23,400 --> 00:28:25,280
Speaker 1: what what's you call it? Let me go? That's how

487
00:28:25,320 --> 00:28:27,680
Speaker 1: crazy covid Well, I remember it got so crazy here.

488
00:28:28,200 --> 00:28:31,400
Speaker 1: Parrell made all of us take a test before he came,

489
00:28:31,600 --> 00:28:33,520
Speaker 1: and then he walked through just sute here. I was like, Nick,

490
00:28:33,920 --> 00:28:37,359
Speaker 1: you take a test? What have you even does? I'm

491
00:28:37,400 --> 00:28:41,560
Speaker 1: sorry for I've been bad to say. That's what he

492
00:28:41,600 --> 00:28:45,320
Speaker 1: had first, and he did come to the the shots. The

493
00:28:45,360 --> 00:28:51,680
Speaker 1: mask was gone, but we had. We had a phenomenal

494
00:28:51,760 --> 00:28:54,920
Speaker 1: time and that thing that us coming together and choosing

495
00:28:54,960 --> 00:28:57,200
Speaker 1: to do that when when we were so happy to

496
00:28:57,240 --> 00:29:01,000
Speaker 1: be around other people, right, we was so happy to

497
00:29:01,000 --> 00:29:04,959
Speaker 1: to to be acting, to be, you know, doing the

498
00:29:05,000 --> 00:29:07,920
Speaker 1: film when they were saying that the movie industry might

499
00:29:07,960 --> 00:29:11,160
Speaker 1: not ever return, you know what I mean? Um, and

500
00:29:11,600 --> 00:29:13,720
Speaker 1: I think that faith we put in each other, that

501
00:29:13,840 --> 00:29:17,360
Speaker 1: camaraderie we built you know we were and the place

502
00:29:17,480 --> 00:29:27,480
Speaker 1: is really haunted. It were really Now the movie now crazy,

503
00:29:27,640 --> 00:29:34,000
Speaker 1: I ain't gonna for real that story that he told

504
00:29:34,040 --> 00:29:36,440
Speaker 1: about the about the brew hall and the witches and

505
00:29:37,280 --> 00:29:42,480
Speaker 1: that's real, all right, now, that's real. But it was

506
00:29:42,640 --> 00:29:46,840
Speaker 1: so remote. We shot this film in this remote cabin area,

507
00:29:47,040 --> 00:29:52,880
Speaker 1: right and likely the only one that day. Everybody stayed

508
00:29:52,960 --> 00:29:55,360
Speaker 1: like on this little compound of a strip except for Tip.

509
00:29:55,400 --> 00:29:57,680
Speaker 1: He had this mansion that was like thirty minutes. I

510
00:29:57,760 --> 00:30:01,520
Speaker 1: got that you had to come across the but we

511
00:30:01,640 --> 00:30:03,880
Speaker 1: were staying in this thing like all of our house

512
00:30:03,960 --> 00:30:06,240
Speaker 1: was connected. You know. There was I lifted up the

513
00:30:06,320 --> 00:30:09,960
Speaker 1: bed sheet. There was spiders that came out, remember that,

514
00:30:10,080 --> 00:30:13,480
Speaker 1: no real talk. There was fighters that came out, and yeah,

515
00:30:13,520 --> 00:30:17,120
Speaker 1: there was strange bugs. There was noises and all that.

516
00:30:17,280 --> 00:30:19,480
Speaker 1: And I was like, man, like do I stay in there?

517
00:30:19,520 --> 00:30:23,680
Speaker 1: And he was like living the moment, like this is

518
00:30:23,720 --> 00:30:27,680
Speaker 1: all But I was like, yo, what so so you was?

519
00:30:29,040 --> 00:30:31,880
Speaker 1: I was? That was you know all the fan was

520
00:30:31,920 --> 00:30:34,400
Speaker 1: going after this movie because we were sleeping with spiders

521
00:30:34,480 --> 00:30:36,560
Speaker 1: and cobwebs and all of that. But when you look

522
00:30:36,600 --> 00:30:38,880
Speaker 1: at the finished project, it's all there. It's all on

523
00:30:38,920 --> 00:30:42,840
Speaker 1: the screen, like everybody at this point of the pandemic.

524
00:30:42,920 --> 00:30:45,520
Speaker 1: It was so early on in the pandemic, nobody was

525
00:30:45,560 --> 00:30:48,440
Speaker 1: shooting anything, yet nothing was happening, So there was like

526
00:30:48,520 --> 00:30:51,920
Speaker 1: the real emotional fear taking place in real life and

527
00:30:52,040 --> 00:30:54,720
Speaker 1: all of that reflecting this movie. This is the scariest

528
00:30:54,800 --> 00:30:58,040
Speaker 1: movie of the year, the scariest movie everybody was scared of.

529
00:30:58,120 --> 00:31:00,080
Speaker 1: In addition to the fear that we hadn't put that

530
00:31:00,200 --> 00:31:03,680
Speaker 1: money and we didn't know what would go happen if

531
00:31:03,720 --> 00:31:06,000
Speaker 1: we was even gonna finish this motherfucker. You know, we

532
00:31:06,080 --> 00:31:09,120
Speaker 1: didn't know if someone would get sick and the ship

533
00:31:09,320 --> 00:31:12,360
Speaker 1: gets shut down. You know, we just yeah, because if

534
00:31:12,400 --> 00:31:17,160
Speaker 1: one person got sick on that, everyone nobody got similar

535
00:31:17,200 --> 00:31:20,120
Speaker 1: to like the movie nobody gets once one person got

536
00:31:20,200 --> 00:31:23,960
Speaker 1: to get rid of everyone, no nigger, no spoiler alert,

537
00:31:24,040 --> 00:31:28,200
Speaker 1: I'm sorry, oh ship, And they go watch this where's

538
00:31:28,240 --> 00:31:31,000
Speaker 1: this movie coming out on? That's the part I didn't

539
00:31:31,040 --> 00:31:35,240
Speaker 1: the staff in movies only only seven only in theater

540
00:31:35,320 --> 00:31:37,600
Speaker 1: and you even go to fear dot movie type it

541
00:31:37,640 --> 00:31:39,720
Speaker 1: into your any search engine and I'll bring you to

542
00:31:39,720 --> 00:31:42,840
Speaker 1: the page if you want to buy tickets early most

543
00:31:43,120 --> 00:31:46,480
Speaker 1: so we go back to old school. The movie did popcorn.

544
00:31:46,720 --> 00:31:54,360
Speaker 1: Most and I'm enjoyed. Okay. Most things have like a studio, right,

545
00:31:54,880 --> 00:31:56,640
Speaker 1: the studio and they don't got a majory no more

546
00:31:59,480 --> 00:32:07,840
Speaker 1: mad do you the whole motherfucker that's the oldest person

547
00:32:07,920 --> 00:32:14,440
Speaker 1: at this stun grands. Okay, okay. In the studio system,

548
00:32:14,760 --> 00:32:17,800
Speaker 1: you know, you'll you'll come with the scripts, they'll come in,

549
00:32:18,000 --> 00:32:20,520
Speaker 1: they'll give you the money. You'll have a backing right,

550
00:32:20,600 --> 00:32:22,960
Speaker 1: there'll be a you know, a support of backing right.

551
00:32:23,360 --> 00:32:26,440
Speaker 1: This was all self financed. This is all you know,

552
00:32:26,800 --> 00:32:29,640
Speaker 1: us putting the money on to shoot this project. So

553
00:32:29,680 --> 00:32:32,360
Speaker 1: when we put it out in theaters. This this, it's

554
00:32:32,400 --> 00:32:34,800
Speaker 1: just the world of possibilities. What I'm saying. This is

555
00:32:34,880 --> 00:32:37,480
Speaker 1: not just going to a streaming service. It's not on TV.

556
00:32:37,600 --> 00:32:41,280
Speaker 1: This is like in the theaters, real you know, theatrical release.

557
00:32:41,520 --> 00:32:44,160
Speaker 1: That's fire. That's fine. I'm proud to hear that. I'm

558
00:32:44,200 --> 00:32:46,880
Speaker 1: proud to hear that noise for that. Have you gonna

559
00:32:46,880 --> 00:32:49,120
Speaker 1: do a quick quick You're gonna do a game. It's

560
00:32:49,160 --> 00:32:53,560
Speaker 1: called quick time or slide usually displays the rules. These

561
00:32:53,640 --> 00:32:56,080
Speaker 1: is not here today. I'm gonna sunk up the rules,

562
00:32:56,120 --> 00:32:58,160
Speaker 1: but I'm gonna trying. I'm gonna trying my best to

563
00:32:58,240 --> 00:33:00,800
Speaker 1: explain it. We give you a question, question if you

564
00:33:00,840 --> 00:33:03,240
Speaker 1: be politically come back and you pick both? What you

565
00:33:03,280 --> 00:33:06,680
Speaker 1: say neither? Then you take a shot or you can

566
00:33:06,720 --> 00:33:10,800
Speaker 1: say you know you can pick one. If you pick one,

567
00:33:10,880 --> 00:33:14,600
Speaker 1: you don't take a shot. Pretty pretty cool? Yeah you

568
00:33:14,840 --> 00:33:20,640
Speaker 1: get that bad? Should we set up the shots before? Yes? Yes? Please?

569
00:33:20,880 --> 00:33:22,960
Speaker 1: So um and you look that looks like you you

570
00:33:23,000 --> 00:33:25,880
Speaker 1: want vodka? Right yeah? Okay? Boom And it looked like

571
00:33:25,960 --> 00:33:28,720
Speaker 1: you was on to killer. Okay, okay, and I looked

572
00:33:28,720 --> 00:33:30,520
Speaker 1: like you was on to killer as well. So let's

573
00:33:30,560 --> 00:33:32,400
Speaker 1: get them to kill it up. I'm gonna get s

574
00:33:32,520 --> 00:33:57,720
Speaker 1: rocked out. I'll take daily on what happen? Do you say? Yeah?

575
00:33:57,800 --> 00:34:03,120
Speaker 1: That's that's because I don't know if this is the

576
00:34:03,200 --> 00:34:04,680
Speaker 1: best thing I know what to say in French is

577
00:34:06,000 --> 00:34:14,160
Speaker 1: and I know I'm not saying you can say that's yeah,

578
00:34:14,320 --> 00:34:22,759
Speaker 1: I knew that. Okay, we're ready, all right, starting with

579
00:34:22,800 --> 00:34:28,000
Speaker 1: tip person of course, the biggest boss in the Yeah,

580
00:34:28,080 --> 00:34:33,520
Speaker 1: but not right now. Okay, I don't know where you're

581
00:34:33,520 --> 00:34:38,279
Speaker 1: gonna go with this one. Tupac or d MX, are

582
00:34:38,280 --> 00:34:47,200
Speaker 1: you drinking? Yeah? Just for this is the fair cast?

583
00:34:47,280 --> 00:34:54,799
Speaker 1: Or you gotta drink from with him. Yeah, listen by

584
00:34:54,840 --> 00:34:57,200
Speaker 1: the way to drink because I love part Yes, I

585
00:34:57,280 --> 00:35:01,319
Speaker 1: love Park. I feel like you know he he put

586
00:35:01,400 --> 00:35:03,279
Speaker 1: he instilled a lot of my principles and a lot

587
00:35:03,320 --> 00:35:07,680
Speaker 1: of the I guess the dichatomy of my personality come

588
00:35:07,760 --> 00:35:12,360
Speaker 1: from you know him. However, as an artist at least, however,

589
00:35:12,760 --> 00:35:16,080
Speaker 1: I actually got the meat DM mix personally, dear mit

590
00:35:16,200 --> 00:35:18,239
Speaker 1: came to my house. Wow, you know what I mean.

591
00:35:18,719 --> 00:35:21,719
Speaker 1: I never you know, I can't. I can't you one

592
00:35:21,800 --> 00:35:23,799
Speaker 1: over the other, and I respect that that's why they

593
00:35:23,880 --> 00:35:27,400
Speaker 1: picked it. Yeah, yeah, yeah, yeah, yeah, yeah, cool. We're

594
00:35:27,440 --> 00:35:43,359
Speaker 1: gonna keep this going. Scar Face on ice Cube. Oh man,

595
00:35:43,520 --> 00:35:45,200
Speaker 1: you be hate me, but I gotta go on scar Face,

596
00:35:45,320 --> 00:35:47,960
Speaker 1: especially since he makes an appearance in the movie Almost.

597
00:35:48,080 --> 00:35:49,759
Speaker 1: I mean, we got we got some love, we got

598
00:35:49,840 --> 00:35:51,640
Speaker 1: some love, and that's not any kind of giveaway. So

599
00:35:51,680 --> 00:35:57,279
Speaker 1: I spoiler alert, spoiler alert, Yeah you don't have the

600
00:35:57,320 --> 00:36:02,799
Speaker 1: drink on that, okay, yea yeah, okay, yeah, I got

601
00:36:02,920 --> 00:36:05,359
Speaker 1: to skip you on this one, but I'm coming right

602
00:36:05,360 --> 00:36:07,960
Speaker 1: back to work. Wait a minute, what that means? Because

603
00:36:11,320 --> 00:36:14,160
Speaker 1: I feel like this one's designed and I know I

604
00:36:14,360 --> 00:36:16,279
Speaker 1: know what you're gonna say, but I just still gonna

605
00:36:16,280 --> 00:36:20,799
Speaker 1: throw it to you anyway, Organized Noise or Wu Tank

606
00:36:20,840 --> 00:36:26,880
Speaker 1: Clan know the Atlanta You're gonna say, hey, listen, bro

607
00:36:27,200 --> 00:36:30,399
Speaker 1: let me just first of all, let me say, um,

608
00:36:31,239 --> 00:36:37,080
Speaker 1: I have in the normous amount of genuine appreciation and

609
00:36:37,200 --> 00:36:40,600
Speaker 1: respect for the Wu Tang Clan. You know what I mean.

610
00:36:41,239 --> 00:36:46,239
Speaker 1: I watched the show I respent the Roots to Hulu. Yeah, Hulu,

611
00:36:46,400 --> 00:36:49,320
Speaker 1: Yeah yeah. I watched the show to to two seasons

612
00:36:49,360 --> 00:36:53,759
Speaker 1: of the least I spent the roots. I spent the brotherhood. Um,

613
00:36:56,560 --> 00:36:59,080
Speaker 1: I know it put me like in the game. They

614
00:36:59,160 --> 00:37:02,400
Speaker 1: were the first welcome me on their tour bus and

615
00:37:02,560 --> 00:37:07,200
Speaker 1: allow me to perform on the ninety nine Source Awards

616
00:37:07,960 --> 00:37:13,759
Speaker 1: camera blocking rehearsal with you. I can. I can't go

617
00:37:13,960 --> 00:37:19,759
Speaker 1: against Organized Noise at all, but not due to a

618
00:37:19,880 --> 00:37:23,640
Speaker 1: lack of respect and admiration for the WOO. But I'm

619
00:37:23,680 --> 00:37:26,319
Speaker 1: gonna go. I'm gonna go with the Organize Noise by

620
00:37:26,560 --> 00:37:32,840
Speaker 1: land lad On. Now, I see what you did there. Now,

621
00:37:32,960 --> 00:37:35,600
Speaker 1: I have to man anybody who had a personal accounting

622
00:37:35,640 --> 00:37:38,000
Speaker 1: who reached their own after me. But when nobody else

623
00:37:38,120 --> 00:37:41,000
Speaker 1: knew who I was and knew what I had going on, Man,

624
00:37:41,120 --> 00:37:46,400
Speaker 1: that's lifetime appreciation, so exceptions are made for exceptional circumstances.

625
00:37:46,680 --> 00:37:50,160
Speaker 1: Just trying. Goddamn it. That was also a perfect answer.

626
00:37:52,000 --> 00:37:54,040
Speaker 1: I'm gonna bounce around, y'all tell me when I go back.

627
00:37:54,040 --> 00:37:57,080
Speaker 1: I'm ann bouncing around a little bit because I feel

628
00:37:57,080 --> 00:38:00,040
Speaker 1: like this is more of for you question fab with

629
00:38:00,160 --> 00:38:08,480
Speaker 1: Jada Kiss. I know you party with Fab more fab

630
00:38:09,000 --> 00:38:15,719
Speaker 1: Jada Kiss the world. Yeah, when you talk about New

631
00:38:15,800 --> 00:38:31,520
Speaker 1: York City, I'm going with component Noriega. Hey, that't all right,

632
00:38:34,280 --> 00:38:41,520
Speaker 1: baby al Pacino or Robert de Niro. Uh man, that's tough.

633
00:38:42,000 --> 00:38:44,680
Speaker 1: Get your shot. I think I think I probably need

634
00:38:44,719 --> 00:38:46,640
Speaker 1: a refill only. And that not because I don't want

635
00:38:46,680 --> 00:38:49,920
Speaker 1: to choose. I want to choose one of them. It's

636
00:38:50,000 --> 00:38:52,160
Speaker 1: like just for the body of work. I mean, I'm

637
00:38:52,200 --> 00:38:54,239
Speaker 1: thinking right now, the first Dark Day Afternoon came up

638
00:38:54,280 --> 00:38:57,680
Speaker 1: in my mind, and that's brilliant performance. Then he comes

639
00:38:57,760 --> 00:39:00,480
Speaker 1: up with my mind and they just but not heat

640
00:39:00,560 --> 00:39:04,399
Speaker 1: for me because that's face yea, yeah, scar face guy,

641
00:39:04,520 --> 00:39:08,160
Speaker 1: scarface Cinna for a woman, center for a woman. Yeah,

642
00:39:08,200 --> 00:39:09,960
Speaker 1: that's who. That's kind of the beginning of the al

643
00:39:10,040 --> 00:39:12,839
Speaker 1: Pacino era, where he's just al Pacino in every roll.

644
00:39:14,719 --> 00:39:20,160
Speaker 1: And not because it's a good trick. What are we

645
00:39:20,239 --> 00:39:26,000
Speaker 1: killing ourselves? Let's just take it so it's a trick

646
00:39:26,080 --> 00:39:29,719
Speaker 1: question anyway, Well, everybody at this table song. So, I

647
00:39:29,840 --> 00:39:34,440
Speaker 1: was thinking, meet the fuckers. I love, I love, I

648
00:39:34,560 --> 00:39:38,600
Speaker 1: love the range of Nero, the intern exactly. Yeah, like

649
00:39:39,280 --> 00:39:42,120
Speaker 1: the thing for me, like I love, so I would

650
00:39:42,120 --> 00:39:44,800
Speaker 1: I would always put de Niro above Pacino for me,

651
00:39:45,480 --> 00:39:48,240
Speaker 1: even though I love. I mean, Pacino is legendary obviously,

652
00:39:48,560 --> 00:39:51,200
Speaker 1: but I love that de Niro has so much range.

653
00:39:51,239 --> 00:39:54,000
Speaker 1: He got comedy, he got thrillers, he got dramas like

654
00:39:54,040 --> 00:40:00,400
Speaker 1: he got just that's Jimmie Black, Fambino dot a hero,

655
00:40:00,880 --> 00:40:05,680
Speaker 1: you know what I mean. It's tough to choose Germans. Ready, Yeah,

656
00:40:06,160 --> 00:40:11,399
Speaker 1: Justin timber Lake or Justin bieber Oh we're drinking now.

657
00:40:15,320 --> 00:40:18,680
Speaker 1: These are my producers questions. Lao be that's such a

658
00:40:19,400 --> 00:40:23,160
Speaker 1: how do we get here? I don't know? Back to

659
00:40:23,280 --> 00:40:29,319
Speaker 1: your one or six and roots. If there's one thing

660
00:40:29,400 --> 00:40:34,560
Speaker 1: about me, I'm gonna be political. Shot solo solo, man,

661
00:40:34,600 --> 00:40:37,719
Speaker 1: I'm not gonna keep taking shot. It's a part of

662
00:40:37,800 --> 00:40:45,040
Speaker 1: the guest obligations, co host obligations. Okay, who about the

663
00:40:45,120 --> 00:40:50,279
Speaker 1: key drummer boy or just Blaze, can you stop being

664
00:40:50,360 --> 00:40:55,520
Speaker 1: for Atlanta for one minute? Um, first and foremost, I'll

665
00:40:55,600 --> 00:40:58,840
Speaker 1: have you know, we will let the record show drummer

666
00:40:58,920 --> 00:41:02,040
Speaker 1: boys from Memphis. Oh I didn't know that. Yeah, drum

667
00:41:02,200 --> 00:41:05,319
Speaker 1: boy from Memphis. He you know what I'm he rocked

668
00:41:05,360 --> 00:41:08,600
Speaker 1: with a lot with a lot of us. Yeah, right on,

669
00:41:09,040 --> 00:41:10,800
Speaker 1: he rocked with a lot of us in Atlanta, and

670
00:41:10,920 --> 00:41:13,359
Speaker 1: he's welcome. You know, he's been embraced by the town,

671
00:41:13,440 --> 00:41:17,880
Speaker 1: but he's truly from Memphis. Um, still a part of

672
00:41:17,960 --> 00:41:19,600
Speaker 1: the city though, you know what I mean, I can't

673
00:41:19,600 --> 00:41:22,200
Speaker 1: take that from even still. I'm gonna go back to

674
00:41:22,360 --> 00:41:28,000
Speaker 1: my personal like men Blaze that had hits, you know,

675
00:41:28,120 --> 00:41:30,520
Speaker 1: even outside of like big hits, sort of like, um,

676
00:41:31,560 --> 00:41:35,800
Speaker 1: live your life like he did like like two or

677
00:41:35,920 --> 00:41:40,160
Speaker 1: three of my intros to my albums and brow you

678
00:41:40,239 --> 00:41:43,719
Speaker 1: know what I'm saying. Me and Blaze we have we

679
00:41:43,880 --> 00:41:47,960
Speaker 1: have a more I guess, a more intimate, working artistic

680
00:41:48,040 --> 00:41:50,920
Speaker 1: relationship than than drum boying that. So I'm gonna go

681
00:41:50,960 --> 00:41:54,719
Speaker 1: with Jes Blaze. Oh why ship to take a shot

682
00:41:54,760 --> 00:41:57,040
Speaker 1: just from doubting you. I'm gonna go ahead. I'm sorry

683
00:41:57,640 --> 00:42:04,319
Speaker 1: that you do you do that? There you go taking

684
00:42:04,400 --> 00:42:11,640
Speaker 1: the shot. I'm wrong, okay, And what is it? What's what?

685
00:42:12,560 --> 00:42:14,640
Speaker 1: Why do you think that I'm just gonna automatically just

686
00:42:14,760 --> 00:42:17,560
Speaker 1: go with someone just because because you got me, and

687
00:42:17,640 --> 00:42:20,440
Speaker 1: you got a movie that we're planning on doings in space,

688
00:42:20,840 --> 00:42:23,320
Speaker 1: and your character is the dude it's always from Atlanta,

689
00:42:23,320 --> 00:42:24,800
Speaker 1: and I'm gonna do this's always from New York no

690
00:42:24,880 --> 00:42:27,400
Speaker 1: matter what we do, even in space. So I just

691
00:42:27,560 --> 00:42:31,640
Speaker 1: always those are characters. Yeah, but I'm method acting right now.

692
00:42:36,560 --> 00:42:38,359
Speaker 1: What I called it when you when you you put

693
00:42:38,400 --> 00:42:41,799
Speaker 1: your money in is profit participation. I understand what that means.

694
00:42:41,920 --> 00:42:48,319
Speaker 1: The first dollar gross Okay, because I think you're gonna

695
00:42:48,320 --> 00:42:57,000
Speaker 1: be politically correct yea or for row. I know we're

696
00:42:57,080 --> 00:43:01,640
Speaker 1: drinking now, So back to the last question. I'm gonna

697
00:43:01,640 --> 00:43:05,759
Speaker 1: go with Justin Bieber. You gotta take a shot. I'm

698
00:43:05,760 --> 00:43:08,040
Speaker 1: gonna go back. If you retrack your statement, that's a

699
00:43:08,080 --> 00:43:10,440
Speaker 1: shot for that mistake. I think you gotta. But you

700
00:43:10,480 --> 00:43:12,200
Speaker 1: gotta like you have to do a shot of like

701
00:43:13,160 --> 00:43:15,200
Speaker 1: for net How did I go back? I thought was

702
00:43:15,280 --> 00:43:18,239
Speaker 1: buying I thought I was buying points. No, no, no,

703
00:43:19,360 --> 00:43:28,920
Speaker 1: mm hmmm. Are we talking? Are talking talking? Are we

704
00:43:29,000 --> 00:43:37,279
Speaker 1: talking music? Are we talking. Man, I'm gonna take my shot.

705
00:43:37,520 --> 00:43:41,200
Speaker 1: Take this shot, Come on, little look yeah, two different

706
00:43:41,200 --> 00:43:50,880
Speaker 1: things fear so far exactly, okay, my man, Yeah you're ready?

707
00:43:51,040 --> 00:43:56,680
Speaker 1: Yeah Snoop Dogg or fifty cent fifty cent? Damn, that's

708
00:43:57,080 --> 00:44:09,000
Speaker 1: that's that look almost so. Look, I'm gonna throw you

709
00:44:09,040 --> 00:44:16,839
Speaker 1: a current boy through, Okay, Tad. I want to see

710
00:44:16,840 --> 00:44:19,160
Speaker 1: the verses. I'm there for the verses. I'm about the verses.

711
00:44:19,200 --> 00:44:21,839
Speaker 1: Let's see the verses. You ain't let me ask the question.

712
00:44:24,600 --> 00:44:26,440
Speaker 1: You know, this is the red ring and it is

713
00:44:26,480 --> 00:44:32,080
Speaker 1: the blue ring in the ring Ta and the blue Ring?

714
00:44:33,440 --> 00:44:39,600
Speaker 1: Where is Joseph? See that? Damn? Don't do that to him. Man, No,

715
00:44:39,760 --> 00:44:47,560
Speaker 1: I mean, first off, we're drinking. That's so unfair. But

716
00:44:47,840 --> 00:44:50,200
Speaker 1: I would I will give a shout out to fifty

717
00:44:50,239 --> 00:44:52,920
Speaker 1: cent because this came up recently. Is that fifty cent

718
00:44:53,040 --> 00:44:56,319
Speaker 1: is the best boss I've ever had. Uh. He's he's

719
00:44:56,400 --> 00:45:01,480
Speaker 1: incredibly loyal. Here's a word for you, North. He's a dactic. Um.

720
00:45:02,200 --> 00:45:05,120
Speaker 1: He just what he means. He likes to teach, he

721
00:45:05,239 --> 00:45:08,960
Speaker 1: brings people up around him. Um. Fifth fifth is a

722
00:45:09,120 --> 00:45:12,800
Speaker 1: great person. I don't want to get on his bad side,

723
00:45:14,040 --> 00:45:18,640
Speaker 1: but uh, just got your past but anything. And then

724
00:45:18,719 --> 00:45:21,640
Speaker 1: working with Tip, you see somebody who's like, I gotta

725
00:45:21,680 --> 00:45:23,960
Speaker 1: give Tip credit on being when a t L came out,

726
00:45:24,000 --> 00:45:25,759
Speaker 1: I was like, yeah, and then you watch him, You're like,

727
00:45:25,800 --> 00:45:32,600
Speaker 1: this guy is a fucking great actor. And then and

728
00:45:32,680 --> 00:45:34,759
Speaker 1: then on and on from there and only stepped it

729
00:45:34,800 --> 00:45:36,880
Speaker 1: off as an actor. And I always respect. I was

730
00:45:36,920 --> 00:45:38,520
Speaker 1: so happy when he did this film and then to

731
00:45:38,600 --> 00:45:42,960
Speaker 1: work with him. He's a wonderful kind person. After I

732
00:45:43,040 --> 00:45:47,440
Speaker 1: broke my kneecap, I appreciated Tip got me Thank you.

733
00:45:48,400 --> 00:45:51,160
Speaker 1: I could not have made it. I would give it.

734
00:46:00,040 --> 00:46:02,680
Speaker 1: Also shot the movie with a broken kneecap. By the way,

735
00:46:02,840 --> 00:46:06,600
Speaker 1: the whole month movie like like like one of the

736
00:46:06,680 --> 00:46:08,640
Speaker 1: basketball players that played with the A c L still

737
00:46:08,680 --> 00:46:11,359
Speaker 1: sucked up. That's how this was. Yeah, this was because

738
00:46:11,360 --> 00:46:13,239
Speaker 1: it was also COVID and they were like, should go

739
00:46:13,320 --> 00:46:17,239
Speaker 1: to the hospital. I said, no way. We had to

740
00:46:17,280 --> 00:46:21,040
Speaker 1: give him some other forms of quarter zone the whole year.

741
00:46:21,280 --> 00:46:25,960
Speaker 1: You know what I'm saying. And I remembered my lines. Okay,

742
00:46:27,480 --> 00:46:31,800
Speaker 1: thank you, come on, bro, all right, there you go

743
00:46:32,560 --> 00:46:40,719
Speaker 1: Eddie Murphy or Martin Lawrence. Oh man, you gotta left

744
00:46:40,760 --> 00:46:43,359
Speaker 1: over shot? No, no, no, I'm I'm gonna answer this. Uh,

745
00:46:44,000 --> 00:46:48,879
Speaker 1: I'm gonna say Eddie Murphy. Mark Martin had a lot

746
00:46:48,960 --> 00:46:51,800
Speaker 1: of influence on me. I grew up in the Martin generation.

747
00:46:51,840 --> 00:46:55,520
Speaker 1: I grew up by Yeah. But but I think Eddie,

748
00:46:55,560 --> 00:46:58,480
Speaker 1: I mean, I think Martin would say Eddie, and I

749
00:46:58,600 --> 00:47:01,080
Speaker 1: think like, I think, we gotta make sure we give

750
00:47:01,160 --> 00:47:05,319
Speaker 1: our icons. They're flowers and Eddie is a huge icon.

751
00:47:05,520 --> 00:47:08,520
Speaker 1: And Eddie has a movie called You People coming out

752
00:47:08,560 --> 00:47:12,400
Speaker 1: on the same day that here on Netflix, so we

753
00:47:12,480 --> 00:47:18,399
Speaker 1: gotta you know, right. I love London by the way, Yeah,

754
00:47:18,680 --> 00:47:24,600
Speaker 1: ni alone because playing um Jonah Hill. Yeah you said

755
00:47:25,280 --> 00:47:29,080
Speaker 1: Jonah Hill, who is Lauren London is playing Lauren London

756
00:47:29,160 --> 00:47:32,080
Speaker 1: and Jonah Hill are a couple. Eddie and Nea long

757
00:47:32,280 --> 00:47:36,560
Speaker 1: good Laurence parents. And then you have Louise Along and

758
00:47:36,560 --> 00:47:41,080
Speaker 1: outside lately. Let's be Louise Along but outside lately. Listen.

759
00:47:41,560 --> 00:47:44,200
Speaker 1: The alone must people protected at all? You gonna grab

760
00:47:44,320 --> 00:47:50,879
Speaker 1: Terence's hands, say, guess I'm asking. I'm asking my host.

761
00:47:51,880 --> 00:47:54,080
Speaker 1: I'm a host. Now I need to know what in

762
00:47:54,200 --> 00:47:57,920
Speaker 1: this capacity in my operator, I need to know I

763
00:47:57,960 --> 00:48:00,279
Speaker 1: didn't know what had I'm putting out. Okay, you got

764
00:48:00,360 --> 00:48:04,279
Speaker 1: on both hats. You always have all the hats, all right,

765
00:48:04,640 --> 00:48:08,680
Speaker 1: listen as as uh as a member of the cast,

766
00:48:08,800 --> 00:48:14,120
Speaker 1: and fear I'm gonna reserve my side. Oh then alongside, Okay,

767
00:48:14,200 --> 00:48:16,600
Speaker 1: I respect that. No. I was just saying because when

768
00:48:20,960 --> 00:48:24,880
Speaker 1: Ni alone, man, she's been keeping camping it lately, you know. No, first,

769
00:48:27,600 --> 00:48:31,000
Speaker 1: I just feel what was happening. Nia Longe is like

770
00:48:31,080 --> 00:48:40,000
Speaker 1: a But if Nia long ever goes to open the door,

771
00:48:40,440 --> 00:48:46,160
Speaker 1: anybody should make sure motherfucker she con and it must

772
00:48:46,200 --> 00:48:49,960
Speaker 1: be protected and respect that she want to be onside outside.

773
00:48:50,640 --> 00:48:56,120
Speaker 1: Absolutely nothing romance like no, that's and that just goes

774
00:48:56,200 --> 00:49:00,680
Speaker 1: to show you how much preposterous nature is goes into

775
00:49:00,760 --> 00:49:06,200
Speaker 1: the headlines. Yes, exactly. People put false narratives out there.

776
00:49:06,520 --> 00:49:09,160
Speaker 1: Yeah you feel me, all right, Yeah, we gotta go

777
00:49:09,200 --> 00:49:18,160
Speaker 1: to you now, Nino Brown, Easy or Tony Montana. M M.

778
00:49:19,400 --> 00:49:23,359
Speaker 1: I respect that Easy should this should have went to him.

779
00:49:23,360 --> 00:49:24,560
Speaker 1: But I'm sending it to you because I want to

780
00:49:24,600 --> 00:49:26,359
Speaker 1: be awkward. No, no, no, no, this one. I got

781
00:49:26,480 --> 00:49:31,320
Speaker 1: got different one for you, Jeez or Gucci man, that

782
00:49:31,600 --> 00:49:37,960
Speaker 1: is tough, man. I don't want to have a shot anyway.

783
00:49:40,880 --> 00:49:44,560
Speaker 1: You got one a ready, Yeah, let's let's take a shot.

784
00:49:44,600 --> 00:49:46,720
Speaker 1: But I gotta give also let me give a shout

785
00:49:46,760 --> 00:49:49,759
Speaker 1: out to Jeezy, because you gotta be able to bump

786
00:49:49,800 --> 00:49:57,600
Speaker 1: in this game like a partner. Somebody take your shot.

787
00:49:59,040 --> 00:50:01,799
Speaker 1: This shot is a dangerous shot. You know. We got

788
00:50:02,520 --> 00:50:07,239
Speaker 1: after this, right yea, the most the most of it

789
00:50:07,320 --> 00:50:16,560
Speaker 1: to do. Okay, Oh okay, Nipsey or easy Nipsey. The

790
00:50:16,640 --> 00:50:23,320
Speaker 1: more shots I take, the fast of my responses, Nipsey, Nipsey.

791
00:50:23,520 --> 00:50:26,120
Speaker 1: I mean, obviously it kind of goes back to what

792
00:50:26,200 --> 00:50:29,239
Speaker 1: you were saying. I knew Nip personally. Nip was a

793
00:50:29,280 --> 00:50:31,279
Speaker 1: man of respect. He's a man I admire. When he

794
00:50:31,400 --> 00:50:35,880
Speaker 1: was here, he was um. You know, everybody has a

795
00:50:35,920 --> 00:50:39,359
Speaker 1: lot of things that they appreciate about him. I want

796
00:50:39,400 --> 00:50:41,640
Speaker 1: to take the time I to appreciate how flyting it was.

797
00:50:42,480 --> 00:50:45,640
Speaker 1: I remember remember that Rock Nation brunch because you had

798
00:50:45,680 --> 00:50:48,359
Speaker 1: the yellow Remember you had that yellow suit on him. Yo,

799
00:50:48,840 --> 00:50:52,320
Speaker 1: your man Nip came through with that. He had that.

800
00:50:52,480 --> 00:50:55,520
Speaker 1: It was like that two tone pink on Uh. He

801
00:50:55,560 --> 00:51:01,840
Speaker 1: had that pink shirt with mauve. He had the shirt

802
00:51:01,920 --> 00:51:05,000
Speaker 1: with the jacket. You know what I'm saying. Came through

803
00:51:05,200 --> 00:51:10,680
Speaker 1: and and obviously he's he's super smart, intellectual, philosophical, but Yo,

804
00:51:11,280 --> 00:51:13,640
Speaker 1: he was fly that dude was fly. He would come

805
00:51:13,719 --> 00:51:16,719
Speaker 1: in fresh to death. He was funny, he was fly.

806
00:51:17,120 --> 00:51:19,360
Speaker 1: I gotta go with Nipsey Hustle, definitely, I would. I

807
00:51:19,400 --> 00:51:22,080
Speaker 1: would like to take some time to just point out

808
00:51:22,160 --> 00:51:26,520
Speaker 1: how courageous in business he was. You know what I mean,

809
00:51:26,600 --> 00:51:31,040
Speaker 1: because there's already like a template or a protocol, you

810
00:51:31,120 --> 00:51:34,200
Speaker 1: know what I mean, like an outline in ways the

811
00:51:34,320 --> 00:51:38,640
Speaker 1: industry has kind of put forth for us to do business. Um,

812
00:51:39,320 --> 00:51:43,160
Speaker 1: and he challenged that protocol. He did. He did what

813
00:51:43,239 --> 00:51:46,160
Speaker 1: I'm saying. I remember him calling me asking me how

814
00:51:46,400 --> 00:51:49,879
Speaker 1: I turned, you know, my merch item, the Hustle Gang

815
00:51:49,960 --> 00:51:54,759
Speaker 1: switch shirt into an entire line. Well, no, a coup

816
00:51:54,880 --> 00:51:59,040
Speaker 1: was already in existence. This was my second life Hustle Gang.

817
00:52:00,840 --> 00:52:02,120
Speaker 1: And he was like, yeah, bro, how you do that?

818
00:52:02,239 --> 00:52:04,600
Speaker 1: And I basically told him and I went and found

819
00:52:04,640 --> 00:52:07,680
Speaker 1: some people who could do the marketing and distributions and

820
00:52:07,719 --> 00:52:11,000
Speaker 1: who can handle the sales department, Uh, so I could

821
00:52:11,040 --> 00:52:14,239
Speaker 1: focus on other things. And he said, well, well you

822
00:52:14,320 --> 00:52:16,920
Speaker 1: gotta you gotta spot in Atlanta. I say now, because

823
00:52:17,440 --> 00:52:18,920
Speaker 1: and to be honest with you, this is still just

824
00:52:19,040 --> 00:52:22,680
Speaker 1: still a thing. Sixteen years into a partnership, still a thing.

825
00:52:22,920 --> 00:52:25,400
Speaker 1: My partners don't want to do retail at all, but

826
00:52:25,520 --> 00:52:27,760
Speaker 1: I think we should have a flagship store in Atlanta.

827
00:52:28,640 --> 00:52:32,239
Speaker 1: UM And he was like, well, why you don't do

828
00:52:32,440 --> 00:52:35,040
Speaker 1: Like why you ain't got no you know, no spot

829
00:52:35,440 --> 00:52:38,960
Speaker 1: in the eight I was like, Bro, you know, partners

830
00:52:39,000 --> 00:52:41,440
Speaker 1: don't want to do it. I don't really, you know,

831
00:52:41,719 --> 00:52:43,759
Speaker 1: I just I got so much other stuff I'm working on.

832
00:52:44,280 --> 00:52:48,279
Speaker 1: I watched him take that conversation and went and did

833
00:52:48,440 --> 00:52:51,359
Speaker 1: the exact opposite of what I told him I was doing.

834
00:52:52,080 --> 00:52:55,680
Speaker 1: He didn't find a partner. He learned marketing, he learned distribution,

835
00:52:55,800 --> 00:53:00,960
Speaker 1: he learned sales, and he he made bought a property

836
00:53:01,040 --> 00:53:06,200
Speaker 1: that made a flagship store like the home Base. And

837
00:53:06,480 --> 00:53:08,839
Speaker 1: he he was the first person I've seen use uh

838
00:53:09,800 --> 00:53:13,120
Speaker 1: a QR code. You know what I'm saying, Like how

839
00:53:13,239 --> 00:53:15,640
Speaker 1: we go to a restaurant and take a picture of

840
00:53:15,920 --> 00:53:18,680
Speaker 1: whatever we're looking at and we get the menu. Like

841
00:53:18,760 --> 00:53:21,680
Speaker 1: he was the first person I've seen really do that effectively.

842
00:53:21,880 --> 00:53:23,640
Speaker 1: What was he was doing that? He was doing that

843
00:53:23,719 --> 00:53:26,000
Speaker 1: at the Marathon store, Like that's how you can learn

844
00:53:26,040 --> 00:53:30,160
Speaker 1: about the items and get the prices going. And he snoop,

845
00:53:30,200 --> 00:53:32,879
Speaker 1: got that on his bottles or wine right now? Yes, yes,

846
00:53:33,480 --> 00:53:36,520
Speaker 1: to me. The third person I saw do it was

847
00:53:36,640 --> 00:53:39,200
Speaker 1: Nil and then she was just so impressive to me.

848
00:53:39,320 --> 00:53:41,719
Speaker 1: It was just so impressive. I knew nip I didn't

849
00:53:41,760 --> 00:53:43,680
Speaker 1: know him as well as you guys, but I won't

850
00:53:43,680 --> 00:53:46,160
Speaker 1: always impressed when the stories out here, because like he

851
00:53:46,239 --> 00:53:49,040
Speaker 1: always like showed me love and told me, like you know, um,

852
00:53:50,040 --> 00:53:52,400
Speaker 1: Like you know, like when every time I met him

853
00:53:52,440 --> 00:53:54,920
Speaker 1: he made it about me. He's like, yo, no man.

854
00:53:54,960 --> 00:53:57,399
Speaker 1: I looked and I was like, I remember me being

855
00:53:57,480 --> 00:54:00,960
Speaker 1: shocked because I'm not used to that this generation doing that.

856
00:54:01,360 --> 00:54:03,400
Speaker 1: I'm not used to them showing the love back, you

857
00:54:03,440 --> 00:54:05,560
Speaker 1: know what I mean. Um, So, yeah, rest in peace,

858
00:54:05,880 --> 00:54:10,719
Speaker 1: nips Um. I'm gonna go to you. Huh, I'm gonna

859
00:54:10,760 --> 00:54:14,759
Speaker 1: go to you. Done no no, no, no no, We're

860
00:54:14,760 --> 00:54:17,600
Speaker 1: almost done. Eminem or bust the rhymes, you know what

861
00:54:21,080 --> 00:54:32,480
Speaker 1: it's like? Yeah, yeah, look man, so I'm gonna go

862
00:54:32,600 --> 00:54:34,960
Speaker 1: bust the Rams. I'm gonna go bust the Rams. Not

863
00:54:35,120 --> 00:54:37,920
Speaker 1: because I don't have an enormous amount of respect and

864
00:54:37,960 --> 00:54:44,960
Speaker 1: admiration for him, but bust he like. We don't spoke recently,

865
00:54:45,560 --> 00:54:47,560
Speaker 1: you know what I'm saying. We don't spoke recently. We

866
00:54:47,640 --> 00:54:50,719
Speaker 1: were in the bay together. We had a bit of

867
00:54:50,760 --> 00:54:55,319
Speaker 1: adversity to overcome, but we overcame it together as a family. Um,

868
00:54:55,640 --> 00:55:04,120
Speaker 1: not not to buy I'm sorry sorry to body. Yeah no, man,

869
00:55:04,200 --> 00:55:09,319
Speaker 1: you know you can. You can't. Nobody do that ship

870
00:55:09,480 --> 00:55:17,160
Speaker 1: like that. Who we're do a thing like that? You're

871
00:55:17,200 --> 00:55:22,840
Speaker 1: gonna feed into the proper gatherer. I'm I'm curious now anyway,

872
00:55:23,120 --> 00:55:26,640
Speaker 1: So man, Bus has always been a brother to me,

873
00:55:26,719 --> 00:55:28,560
Speaker 1: and he's another one of the guys that you know,

874
00:55:29,040 --> 00:55:31,880
Speaker 1: um you you you see in the game. Then when

875
00:55:31,960 --> 00:55:34,680
Speaker 1: you speak to him and you try to show him

876
00:55:34,960 --> 00:55:38,600
Speaker 1: all this admiration, all this love and respect, and he

877
00:55:38,800 --> 00:55:41,480
Speaker 1: turned it back and make the conversation be about you.

878
00:55:41,760 --> 00:55:44,480
Speaker 1: You know what I mean? You know what I mean.

879
00:55:44,600 --> 00:55:46,479
Speaker 1: I bet you if you ask Bust the same question

880
00:55:46,560 --> 00:55:48,600
Speaker 1: he would say, if you ask him the same question,

881
00:55:48,640 --> 00:55:51,080
Speaker 1: you could say, Bust, Yeah, I feel you, I feel you.

882
00:55:51,239 --> 00:55:55,040
Speaker 1: I mean that man m M to me, though I

883
00:55:55,160 --> 00:56:00,480
Speaker 1: feel like that. Let it be made perfectly. He don't

884
00:56:00,480 --> 00:56:04,200
Speaker 1: have to funk with nobody. But what still he does?

885
00:56:04,680 --> 00:56:07,440
Speaker 1: You see what I'm saying. I gotta at my I

886
00:56:07,560 --> 00:56:10,800
Speaker 1: gotta show some admiration to him and salute him for that.

887
00:56:11,080 --> 00:56:12,719
Speaker 1: Did you see his speech? Where he just thanked all

888
00:56:12,719 --> 00:56:15,320
Speaker 1: of them hip hop pioneers. It just made my respect

889
00:56:15,400 --> 00:56:18,200
Speaker 1: for him. Yeah, he like I think it's a rock

890
00:56:18,239 --> 00:56:20,160
Speaker 1: and roll Hall of Fame. I'm not sure was it.

891
00:56:21,840 --> 00:56:23,480
Speaker 1: And he got up there where he could he could

892
00:56:23,520 --> 00:56:26,000
Speaker 1: think like anybody in the world. He had there just

893
00:56:26,080 --> 00:56:29,480
Speaker 1: think all the hip hop pioneers like ice Cube, and

894
00:56:29,520 --> 00:56:31,520
Speaker 1: it was just like it was just like so dope,

895
00:56:31,600 --> 00:56:33,040
Speaker 1: like you know what I mean, Like that sounds like

896
00:56:33,160 --> 00:56:36,080
Speaker 1: him though, Yeah, And I was also impressed when I

897
00:56:36,120 --> 00:56:38,000
Speaker 1: went to do my regular with him and I saw

898
00:56:38,200 --> 00:56:40,440
Speaker 1: how much of a business he worked his ship like

899
00:56:40,640 --> 00:56:45,640
Speaker 1: a fortune. Five hundred office sessions with with Norid gonna

900
00:56:45,680 --> 00:56:49,160
Speaker 1: be like, okay, eight pm, ten pm, so she will

901
00:56:49,239 --> 00:56:52,400
Speaker 1: till session with two It might be you know, anywhere

902
00:56:52,440 --> 00:56:56,479
Speaker 1: from six pm to midnight session with him, not thirty

903
00:56:56,560 --> 00:56:59,240
Speaker 1: am or no. I'm like that he's about this motherfucker

904
00:56:59,400 --> 00:57:03,200
Speaker 1: five thirty six pm and that's that. And I you know,

905
00:57:03,360 --> 00:57:06,640
Speaker 1: I learned that from him, that way of you know,

906
00:57:06,920 --> 00:57:11,080
Speaker 1: kind of applying your time in the same time of

907
00:57:11,200 --> 00:57:17,520
Speaker 1: daylight nine o'clock at night. I mean, we're old man

908
00:57:17,600 --> 00:57:23,400
Speaker 1: with kids for real, and I had the same working hour.

909
00:57:23,680 --> 00:57:26,000
Speaker 1: But but but I was on I was on work release,

910
00:57:26,640 --> 00:57:28,000
Speaker 1: you know what I'm saying. I was kind of like

911
00:57:28,640 --> 00:57:32,800
Speaker 1: clocking out of Oh Jesus and then coming and which

912
00:57:32,880 --> 00:57:35,480
Speaker 1: is a crazy story that applies to to be a

913
00:57:35,560 --> 00:57:37,720
Speaker 1: male for that we could talk about because that's another

914
00:57:37,800 --> 00:57:42,200
Speaker 1: fifty show. We'll do that another time. Okay. Second, by

915
00:57:42,240 --> 00:57:47,400
Speaker 1: the way, call it away or Donnie Brasco peech way. Um,

916
00:57:50,160 --> 00:57:53,080
Speaker 1: that's a tough one. To my god, I love both

917
00:57:53,120 --> 00:58:00,960
Speaker 1: of the movies. I'm gonna say, Um, I'm gonna say

918
00:58:00,960 --> 00:58:03,880
Speaker 1: Carlito's Way. Yeah said, Okay, you don't gotta take a

919
00:58:03,880 --> 00:58:07,200
Speaker 1: show for that. That means you pick one. That's how

920
00:58:07,640 --> 00:58:11,440
Speaker 1: we've been taking shots for every day. Okay, Timberland or

921
00:58:11,480 --> 00:58:21,680
Speaker 1: Swiss Yeamn, I'm gonna go with the Monster Swiss. I'm

922
00:58:21,720 --> 00:58:24,400
Speaker 1: gonna go Swiss Beast tomorrow. I loved him love, but

923
00:58:24,880 --> 00:58:27,800
Speaker 1: I'm gonna go with Swiss Beasts personal records that really

924
00:58:28,320 --> 00:58:31,120
Speaker 1: changed my life. Swimp. That's what's up, Miami or l

925
00:58:31,160 --> 00:58:38,760
Speaker 1: a y. So the name of this we went this way,

926
00:58:38,960 --> 00:58:42,400
Speaker 1: but this pun side up with the name of this

927
00:58:42,480 --> 00:58:47,520
Speaker 1: segment is rapid fire, quick time Quick. We've been on

928
00:58:47,640 --> 00:58:55,360
Speaker 1: this ship coming around. It's really get the guest, get

929
00:58:55,360 --> 00:59:01,240
Speaker 1: me blowing us on this side and that side. Good. Um,

930
00:59:04,000 --> 00:59:07,080
Speaker 1: I'm gonna take a shot. Okay, okay, what was that for?

931
00:59:07,480 --> 00:59:09,560
Speaker 1: Oh Miami or l A. I respect that. Come on,

932
00:59:09,760 --> 00:59:13,520
Speaker 1: Salu cast I'm gonna take a shot man. Yeah, man,

933
00:59:13,520 --> 00:59:17,600
Speaker 1: I'm gonna go relieve. Oh right, yeah, that's cool. You

934
00:59:17,680 --> 00:59:19,840
Speaker 1: got your other they can hold it down for you,

935
00:59:21,600 --> 00:59:28,680
Speaker 1: all right, Young Thug or Kodak Black, I'm gonna go

936
00:59:28,760 --> 00:59:32,000
Speaker 1: young thug. All right, I'm gonna I'm gonna let you

937
00:59:32,000 --> 00:59:39,600
Speaker 1: go back. This is easy for you. You'd rather be

938
00:59:39,760 --> 00:59:49,800
Speaker 1: feared or loved? I want the love? Can I comment

939
00:59:49,840 --> 00:59:52,320
Speaker 1: on that real quick? There's everybody always lies to you

940
00:59:52,400 --> 00:59:54,479
Speaker 1: and says that it's better to be feared than be loved.

941
00:59:54,560 --> 00:59:56,920
Speaker 1: That is such bullshit. It's better to be loved so

942
00:59:57,120 --> 00:59:59,560
Speaker 1: much that people are afraid to let you down. God,

943
01:00:00,760 --> 01:00:04,800
Speaker 1: God damn it continus listen, I want to love God Damn.

944
01:00:05,640 --> 01:00:07,880
Speaker 1: That was dope. That was dope. That was probably the

945
01:00:07,960 --> 01:00:14,640
Speaker 1: best answer, right, Ku or ghost space? Oh my god,

946
01:00:20,560 --> 01:00:23,160
Speaker 1: I know my answer. But I should probably drink, yeah,

947
01:00:23,240 --> 01:00:26,680
Speaker 1: I think so. Yeah, I'm drinking with you. I ain't

948
01:00:26,720 --> 01:00:29,160
Speaker 1: let you out there by yourself, so I look you

949
01:00:29,200 --> 01:00:35,080
Speaker 1: can skipped this one. Terms you look like you was

950
01:00:35,240 --> 01:00:39,400
Speaker 1: coming from Eddie Murphy show right now. You got the

951
01:00:39,520 --> 01:00:48,040
Speaker 1: Letto the good car. Yeah, you look like Listen, you're

952
01:00:48,080 --> 01:00:50,400
Speaker 1: so school right now. You either love you was coming

953
01:00:50,440 --> 01:00:53,240
Speaker 1: up from my Eddie Murphy show or a new edition show.

954
01:00:53,640 --> 01:00:56,280
Speaker 1: It's even like you you spool my brother. I love it.

955
01:00:56,360 --> 01:00:59,240
Speaker 1: I love you, man, I like that. I like that

956
01:00:59,280 --> 01:01:05,360
Speaker 1: old ship lost my questions all right, oh your own

957
01:01:05,400 --> 01:01:11,440
Speaker 1: TV raps A rap city, Rap City all day. Brothers Big.

958
01:01:13,040 --> 01:01:16,720
Speaker 1: When I started, you know, at BT, I was pretty much,

959
01:01:17,600 --> 01:01:21,080
Speaker 1: Uh Tigger was my mentor what I'm saying, Like he

960
01:01:22,160 --> 01:01:25,160
Speaker 1: taught me the game, him and Jason Riley, Uh taught

961
01:01:25,200 --> 01:01:27,600
Speaker 1: me and my brother Fred the game, you know. And

962
01:01:27,680 --> 01:01:29,840
Speaker 1: when I was starting on the show, like I was

963
01:01:29,880 --> 01:01:33,280
Speaker 1: sleeping on the car, Tig would like get me gigs.

964
01:01:33,800 --> 01:01:36,720
Speaker 1: Tig would give me clothes, sneakers like that, because I

965
01:01:36,800 --> 01:01:38,800
Speaker 1: was coming to a good person. I was coming fresh

966
01:01:38,840 --> 01:01:41,800
Speaker 1: out of college and we didn't have much and Big

967
01:01:41,880 --> 01:01:45,600
Speaker 1: Tig like completely made sure like it was never like

968
01:01:45,680 --> 01:01:49,280
Speaker 1: animosity coming into the building because he was. Tigger was

969
01:01:49,360 --> 01:01:52,400
Speaker 1: hosting one or six and parts at the time of

970
01:01:52,560 --> 01:01:56,320
Speaker 1: the transition for Alternatively, Yeah, he was. He was there

971
01:01:56,320 --> 01:01:57,520
Speaker 1: because he was he was you know, it was a

972
01:01:57,520 --> 01:01:59,400
Speaker 1: staple at the network. He was on so many shows,

973
01:01:59,680 --> 01:02:02,360
Speaker 1: so you know, and I think they should bring rap

974
01:02:02,440 --> 01:02:05,440
Speaker 1: City back. You know they did. It didn't work, Okay,

975
01:02:05,520 --> 01:02:08,720
Speaker 1: but bring it back again. I'm gonna produce this time.

976
01:02:08,840 --> 01:02:11,360
Speaker 1: Bring it back again. Yeah, no, I agree with you though,

977
01:02:11,960 --> 01:02:14,640
Speaker 1: they should bring it back, bring it back. I respect that.

978
01:02:14,880 --> 01:02:17,880
Speaker 1: You know what, I never pull on. We're gonna finish

979
01:02:17,920 --> 01:02:20,440
Speaker 1: this quick time with slime and you should because you

980
01:02:22,680 --> 01:02:25,160
Speaker 1: you g K or eight ball m J J bro.

981
01:02:27,480 --> 01:02:33,040
Speaker 1: I just said that. I love the evolution to t

982
01:02:33,240 --> 01:02:36,640
Speaker 1: I on Drink Chess. We're gonna show heavy episode. It's

983
01:02:36,680 --> 01:02:40,400
Speaker 1: the same and it's always wonderful. It's always a treat

984
01:02:40,400 --> 01:02:50,120
Speaker 1: when the Blaze meet um Ship Okay, there's two more questions.

985
01:02:50,560 --> 01:02:52,720
Speaker 1: This is your last one. Though you got one more,

986
01:02:54,080 --> 01:02:59,720
Speaker 1: nobody you got one more. But I'm calculating that I'm

987
01:03:00,920 --> 01:03:07,960
Speaker 1: um ship man on the pimp. I got to go,

988
01:03:08,120 --> 01:03:11,440
Speaker 1: you g K Okay, Okay, that's on the PILP. I

989
01:03:11,520 --> 01:03:14,720
Speaker 1: got to go. I'm going to you now. Your outfit

990
01:03:14,880 --> 01:03:20,000
Speaker 1: already says who you gonna pick? Puff Daddy or Dr Dre.

991
01:03:26,600 --> 01:03:32,080
Speaker 1: I thought I told you that I could be I

992
01:03:32,120 --> 01:03:36,439
Speaker 1: could be wrong. I can be wrong. I can help you. Now,

993
01:03:36,880 --> 01:03:42,400
Speaker 1: what's you want to do? Shot calls rolls, So, y'all

994
01:03:42,680 --> 01:03:47,320
Speaker 1: back to stories. So so it's two thousand and six,

995
01:03:47,440 --> 01:03:53,560
Speaker 1: two seven, maybe first BT Awards ever. Puff Daddy got

996
01:03:53,640 --> 01:03:57,160
Speaker 1: me my first tailored suit ever, Like he's telling me,

997
01:03:57,640 --> 01:04:01,560
Speaker 1: got the whole thing, had the um the tailor come by,

998
01:04:02,240 --> 01:04:05,240
Speaker 1: make sure I was super fresh to dash, Like, I

999
01:04:05,320 --> 01:04:08,600
Speaker 1: don't care what nobody said about puff Man. Puff is

1000
01:04:08,920 --> 01:04:12,800
Speaker 1: one of those people who change the game's right, you

1001
01:04:12,840 --> 01:04:14,400
Speaker 1: know what I'm saying, Like when we think about what

1002
01:04:14,520 --> 01:04:20,400
Speaker 1: we do now private jets, you know, you know how

1003
01:04:20,440 --> 01:04:23,640
Speaker 1: to dress, how to move, go here, go there, like

1004
01:04:23,760 --> 01:04:25,920
Speaker 1: puff is just one of those people that has always

1005
01:04:26,000 --> 01:04:28,480
Speaker 1: opened the door. Um, so I gotta go. I go,

1006
01:04:28,720 --> 01:04:34,920
Speaker 1: PuF Daddy. Shout out to the volts, shout out to

1007
01:04:35,000 --> 01:04:44,240
Speaker 1: the We're happy where we at trip cor Quest or

1008
01:04:44,320 --> 01:04:47,640
Speaker 1: Brand Newbian. Oh man, that's easy for me. That's tribe

1009
01:04:47,680 --> 01:04:50,440
Speaker 1: all day. But I love Brand Nubian, I love Grand Nubian.

1010
01:04:50,480 --> 01:04:53,000
Speaker 1: But tribe was such a such a part of my

1011
01:04:53,160 --> 01:04:56,280
Speaker 1: life that we're hear enough from Grand Puple Grand pople world.

1012
01:04:56,280 --> 01:04:59,520
Speaker 1: We need we need grand poople. I love that the

1013
01:04:59,560 --> 01:05:01,920
Speaker 1: goal that era, that was amazing, But like tribe, you know,

1014
01:05:02,480 --> 01:05:04,560
Speaker 1: being a graffiti writer in Chicago, it was just like

1015
01:05:04,640 --> 01:05:07,520
Speaker 1: man tribe, like tribe was. It was an anthem, was

1016
01:05:07,600 --> 01:05:10,240
Speaker 1: an anthem stuff for us. I just there was just

1017
01:05:10,320 --> 01:05:12,960
Speaker 1: something about that. I mean, the whole Zulu nation was dope,

1018
01:05:13,000 --> 01:05:15,800
Speaker 1: but like tribe, tribe is up there. For me, A

1019
01:05:15,880 --> 01:05:18,520
Speaker 1: wore native tongue shirt the other day. None of the

1020
01:05:18,600 --> 01:05:22,720
Speaker 1: youngest knew what Chris lofton on the show. Chris Laughton,

1021
01:05:22,720 --> 01:05:24,720
Speaker 1: who places Ginard on The Power Show, He's always just

1022
01:05:24,800 --> 01:05:27,480
Speaker 1: like like he like did a tweet today about something

1023
01:05:27,520 --> 01:05:29,480
Speaker 1: about like this old school stuff and this and that.

1024
01:05:29,560 --> 01:05:31,160
Speaker 1: I was just like, I can't even like talk to him.

1025
01:05:31,200 --> 01:05:33,360
Speaker 1: I was just like, man, come on, lyricists, lyricists, God

1026
01:05:33,440 --> 01:05:37,160
Speaker 1: damn lyrical champions, come out. It was the last one.

1027
01:05:37,240 --> 01:05:40,280
Speaker 1: Jama's is still, you know, very present. Yes, I think

1028
01:05:40,360 --> 01:05:44,200
Speaker 1: we need to hear more grand Yes, Yes, Okay, this

1029
01:05:44,320 --> 01:05:46,720
Speaker 1: is a question for all three of y'all. This is

1030
01:05:46,840 --> 01:05:49,960
Speaker 1: not a question a trick question on a controvert to

1031
01:05:50,000 --> 01:05:53,640
Speaker 1: popular belief. Listen, what y'all believe? And I'm gonna ask

1032
01:05:53,720 --> 01:05:58,720
Speaker 1: all three at the same time loyalty or respect and

1033
01:05:58,720 --> 01:06:03,320
Speaker 1: I don't think the same thing. Let's get shots. To me,

1034
01:06:03,600 --> 01:06:09,480
Speaker 1: that's the only time he's supposed to take shot. Okay,

1035
01:06:09,600 --> 01:06:16,840
Speaker 1: that's exactly what I'm saying. He got some stashes over here.

1036
01:06:16,880 --> 01:06:19,720
Speaker 1: I see you, I'll see my friend. So I ain't

1037
01:06:19,720 --> 01:06:23,600
Speaker 1: gonna let me get a word. I'm almost something is

1038
01:06:23,760 --> 01:06:28,680
Speaker 1: compelling me to say loyalty, right, I feel like loyalty

1039
01:06:29,520 --> 01:06:33,200
Speaker 1: is the ultimate sign of respect. You know what I'm saying, Like,

1040
01:06:33,280 --> 01:06:36,000
Speaker 1: if you respect your like, loyalty is like it sounds

1041
01:06:36,040 --> 01:06:37,600
Speaker 1: like both to me, Sir, I was just trying to

1042
01:06:37,600 --> 01:06:44,440
Speaker 1: get out of the shot. Damn it, cool, brother, You're

1043
01:06:44,480 --> 01:06:53,280
Speaker 1: ma take a shot. Let's go oh yeah, yea. Now

1044
01:06:53,560 --> 01:07:03,920
Speaker 1: saying he got it down never work out when he know,

1045
01:07:04,240 --> 01:07:05,960
Speaker 1: you know, get you sunked up first, and then be like,

1046
01:07:07,120 --> 01:07:11,760
Speaker 1: we gotta nigga, what do we just do? I speak

1047
01:07:11,760 --> 01:07:13,320
Speaker 1: to you, That's why I said that. That's why I

1048
01:07:13,360 --> 01:07:18,840
Speaker 1: said that I've seen you, but tr recently, right, this

1049
01:07:19,040 --> 01:07:28,200
Speaker 1: footage recently, I'm saying this footage you saying something about

1050
01:07:29,440 --> 01:07:34,000
Speaker 1: cousin passing away and you you're addressing you're addressing it

1051
01:07:34,200 --> 01:07:37,800
Speaker 1: right and real, real street niggers know what you meant, right,

1052
01:07:38,800 --> 01:07:42,200
Speaker 1: But there's certain it's always there. There's always certain people

1053
01:07:42,240 --> 01:07:44,920
Speaker 1: who always say that. And I'm just wonder man, right

1054
01:07:45,040 --> 01:07:49,880
Speaker 1: like with you know, people try to say, you know,

1055
01:07:50,160 --> 01:07:53,680
Speaker 1: what happened before, and the paperwork turned out great, the

1056
01:07:53,720 --> 01:07:57,400
Speaker 1: paperworky turned out clean? Everything, Why would you even entertain that?

1057
01:07:57,600 --> 01:08:01,880
Speaker 1: Why entertain when you said the cousin part, But because

1058
01:08:01,880 --> 01:08:05,440
Speaker 1: I was having a conversation prior to that interview with

1059
01:08:05,560 --> 01:08:08,120
Speaker 1: a homeboy man. We were on different sides of the

1060
01:08:08,240 --> 01:08:15,480
Speaker 1: argument and yeah, I got your foot. Yeah, ok I

1061
01:08:15,560 --> 01:08:19,560
Speaker 1: stand behind Okay, Okay, I stand behinded Um And I

1062
01:08:19,640 --> 01:08:22,800
Speaker 1: ain't clear ship up? Did the first time I've ever

1063
01:08:23,000 --> 01:08:24,680
Speaker 1: even sitting and think about it, because I would kill

1064
01:08:24,720 --> 01:08:27,840
Speaker 1: with the mothercker thing. It's real motherfucker's who locked up

1065
01:08:28,000 --> 01:08:32,280
Speaker 1: right now. Both they're doing time for their crime. Didn't

1066
01:08:32,320 --> 01:08:38,200
Speaker 1: no idea time for them. I went to jail so

1067
01:08:38,360 --> 01:08:42,880
Speaker 1: they wouldn't. Motherfucker's who are doing time right now. Real

1068
01:08:43,920 --> 01:08:47,200
Speaker 1: did know that about me? And also it's motherfucker's who

1069
01:08:47,200 --> 01:08:50,960
Speaker 1: are doing time right now that No, did I know

1070
01:08:51,160 --> 01:08:54,479
Speaker 1: some ship that I could have helped them get, you

1071
01:08:54,560 --> 01:08:57,840
Speaker 1: know what I mean? But I didn't and I keep it.

1072
01:08:57,960 --> 01:09:02,280
Speaker 1: I keep it solid, and I care more about what

1073
01:09:02,520 --> 01:09:05,480
Speaker 1: they think about me because they've actually been in situations

1074
01:09:05,560 --> 01:09:08,479
Speaker 1: with me. Get what I'm saying. What other motherfucker's on

1075
01:09:08,520 --> 01:09:13,080
Speaker 1: the outside, what they think, feel, but their opinion here.

1076
01:09:13,720 --> 01:09:15,960
Speaker 1: I can't allow myself to get caught up in there.

1077
01:09:16,040 --> 01:09:20,639
Speaker 1: I can't get no real person believes believes that I'm

1078
01:09:20,680 --> 01:09:22,920
Speaker 1: the only motherfucker being called a rat who ain't putting

1079
01:09:22,920 --> 01:09:25,240
Speaker 1: nobody in jail, like I ain't. You know what I'm saying,

1080
01:09:25,240 --> 01:09:29,800
Speaker 1: It ain't nobody. It ain't nobody who read their hands

1081
01:09:29,840 --> 01:09:36,320
Speaker 1: said yeah, he told on me. However, understand, bro, most people's,

1082
01:09:37,760 --> 01:09:42,040
Speaker 1: most people are controlled by the majority of the things

1083
01:09:42,160 --> 01:09:46,559
Speaker 1: that they see and are exposed to. And so once

1084
01:09:46,680 --> 01:09:49,640
Speaker 1: there's a narrative that's been created and it's pushed that

1085
01:09:49,800 --> 01:09:54,559
Speaker 1: there the motherfucker's who see it the most, and they're

1086
01:09:54,600 --> 01:09:57,120
Speaker 1: gonna go with it, They're gonna go with what most

1087
01:09:57,200 --> 01:10:01,439
Speaker 1: people saying. UM. With this particular instance with my cousin,

1088
01:10:02,280 --> 01:10:05,040
Speaker 1: what I didn't elaborate to say is, first off, the

1089
01:10:05,160 --> 01:10:10,560
Speaker 1: case was resolved by Louise horns Big and it was

1090
01:10:11,520 --> 01:10:17,600
Speaker 1: emotion to suppress due too Uh, they didn't have a

1091
01:10:17,720 --> 01:10:21,360
Speaker 1: right to search the car, illegal search of seizure, you

1092
01:10:21,439 --> 01:10:25,320
Speaker 1: know what I mean? Um, now in the holdall me

1093
01:10:25,400 --> 01:10:27,559
Speaker 1: and my cousin, we had a conversation. First of all,

1094
01:10:27,840 --> 01:10:31,640
Speaker 1: my cousin wasn't a feller, Like, it wasn't shipped for

1095
01:10:31,720 --> 01:10:34,080
Speaker 1: him to have no gun as long as it was legal,

1096
01:10:35,000 --> 01:10:39,280
Speaker 1: you feel meat. But they were back in two thousand,

1097
01:10:39,640 --> 01:10:44,160
Speaker 1: two thousand, two thousand one something like that. Um, so

1098
01:10:45,200 --> 01:10:47,880
Speaker 1: it wasn't shipped for him to have no gun. And

1099
01:10:48,080 --> 01:10:51,960
Speaker 1: I'm his little cousin who had an opportunity to move on.

1100
01:10:52,160 --> 01:10:55,880
Speaker 1: He was already saying yeah, yeah, So he was already

1101
01:10:55,880 --> 01:10:58,720
Speaker 1: saying yeah, man, I'm I'm gonna take the gun and you,

1102
01:10:59,200 --> 01:11:02,560
Speaker 1: you know, you handle the rest of the ship. And

1103
01:11:05,200 --> 01:11:09,479
Speaker 1: I just know that this is a fabrication of a

1104
01:11:09,600 --> 01:11:15,479
Speaker 1: motherfucker's like motherfucker's fantasized about ship, about people they had

1105
01:11:15,560 --> 01:11:19,200
Speaker 1: no access to, and they just imagine and this way

1106
01:11:19,320 --> 01:11:22,320
Speaker 1: work out of the man. So I can't allow their

1107
01:11:22,600 --> 01:11:26,000
Speaker 1: their their fantasy to become my reality. I just can't

1108
01:11:26,080 --> 01:11:34,360
Speaker 1: do it. Like I said, man, um, we're taking some water.

1109
01:11:35,640 --> 01:11:42,439
Speaker 1: What you need? Water? They don't do I see the

1110
01:11:42,520 --> 01:11:48,840
Speaker 1: manager coming out some water out here. Yeah, I don't

1111
01:11:48,880 --> 01:11:50,840
Speaker 1: think that you had no bearing on my I don't

1112
01:11:50,880 --> 01:11:53,280
Speaker 1: hand no bearing on my daily It. Don't get inflating.

1113
01:11:54,040 --> 01:11:56,120
Speaker 1: All the real people who I know, who don't did

1114
01:11:56,240 --> 01:11:59,160
Speaker 1: time before, who doesn't really really like stood in the trenches.

1115
01:12:00,800 --> 01:12:03,400
Speaker 1: Ain't nobody worried about that ship but the motherfucker's who're

1116
01:12:03,439 --> 01:12:11,960
Speaker 1: typing on Twitter fingered people? Yeah, definitely, But what made

1117
01:12:12,000 --> 01:12:14,400
Speaker 1: you ask that? You thought that was a tough question? No? Actually,

1118
01:12:14,760 --> 01:12:20,840
Speaker 1: I just googled you just the first which one of them? Um?

1119
01:12:22,000 --> 01:12:24,040
Speaker 1: Because like I tell that to Bust, tell her to

1120
01:12:24,120 --> 01:12:26,680
Speaker 1: nas sometimes and I'll be like, yo, just because you're

1121
01:12:26,720 --> 01:12:29,840
Speaker 1: my I'm your friend and your family. When you come

1122
01:12:29,920 --> 01:12:32,240
Speaker 1: sit down, I'm still google you. I'm still like do

1123
01:12:32,360 --> 01:12:35,639
Speaker 1: my research because I don't want to miss a question.

1124
01:12:35,720 --> 01:12:37,479
Speaker 1: And people be like, yo, why you didn't ask that?

1125
01:12:37,680 --> 01:12:41,080
Speaker 1: Or why you didn't ask that? Like when? But can

1126
01:12:41,120 --> 01:12:48,200
Speaker 1: I ask the question? Though? He google that ship? Tell

1127
01:12:48,280 --> 01:12:53,280
Speaker 1: me like, what's that bathroom? And good? This is good?

1128
01:12:53,360 --> 01:12:56,759
Speaker 1: This is good? Does that ship become like so because okay,

1129
01:12:58,160 --> 01:13:03,080
Speaker 1: becomes so important to ask no because you know what

1130
01:13:03,200 --> 01:13:06,800
Speaker 1: it was. Um, it's your footage, right, so obviously you

1131
01:13:06,880 --> 01:13:09,360
Speaker 1: put it out this thing and then people are trying

1132
01:13:09,439 --> 01:13:12,400
Speaker 1: to use that footage against you, right, which is crazy,

1133
01:13:12,520 --> 01:13:15,519
Speaker 1: which which I'm sure you proof read your your book

1134
01:13:15,560 --> 01:13:17,560
Speaker 1: before you threw it out, so you knew that this

1135
01:13:17,760 --> 01:13:19,800
Speaker 1: was there. It ain't nothing I was trying to have

1136
01:13:20,640 --> 01:13:22,360
Speaker 1: And I'm gonna I'm gonna going on to say this.

1137
01:13:22,560 --> 01:13:25,120
Speaker 1: When I told you the conversation of the descriptancies that

1138
01:13:25,160 --> 01:13:27,600
Speaker 1: I was having with one of my own, one of

1139
01:13:27,680 --> 01:13:29,600
Speaker 1: my partners, he was like, Man, I ain't gonna do that.

1140
01:13:29,840 --> 01:13:33,280
Speaker 1: It can't. The conversation came from, if we in a

1141
01:13:33,439 --> 01:13:37,960
Speaker 1: case together and I die, put it on me, God

1142
01:13:38,040 --> 01:13:41,360
Speaker 1: bless put it on me, bro. If I'm dead and

1143
01:13:41,479 --> 01:13:44,800
Speaker 1: you can go home, Man, put the case on me.

1144
01:13:45,240 --> 01:13:48,519
Speaker 1: You hear me? Unless it was you know, I wouldn't

1145
01:13:48,520 --> 01:13:50,280
Speaker 1: be a part of if I was live. You know

1146
01:13:50,320 --> 01:13:54,120
Speaker 1: what I'm saying. If you got some dope and I'm

1147
01:13:54,200 --> 01:14:00,439
Speaker 1: gone and you're like, man, ship it went mind? So man,

1148
01:14:00,600 --> 01:14:03,599
Speaker 1: why not, Bro? You still have a life to live

1149
01:14:03,800 --> 01:14:07,680
Speaker 1: after I'm gone? Why would I expect you to like,

1150
01:14:08,479 --> 01:14:12,639
Speaker 1: where is the logic in that? Where is the logic

1151
01:14:12,680 --> 01:14:14,920
Speaker 1: in there? But I see what people are so closely

1152
01:14:14,960 --> 01:14:16,800
Speaker 1: connected to it because you got to think about the

1153
01:14:16,880 --> 01:14:19,680
Speaker 1: origination of the police, and you got to think about you,

1154
01:14:20,200 --> 01:14:23,840
Speaker 1: think about you as you're the trap king King. So

1155
01:14:24,000 --> 01:14:26,720
Speaker 1: people like kind of like they want to discredits you.

1156
01:14:27,720 --> 01:14:30,679
Speaker 1: I'm the originator exactly. I'm the King of the South.

1157
01:14:31,240 --> 01:14:35,639
Speaker 1: I'm the trap originator. I'm trapped music originator. I'm I'm

1158
01:14:37,040 --> 01:14:41,280
Speaker 1: I'm the King of the South. I don't believe that

1159
01:14:42,120 --> 01:14:48,240
Speaker 1: there is a monolithic view or or or opinion that

1160
01:14:48,520 --> 01:14:54,439
Speaker 1: makes one more eligible or not for another. I just

1161
01:14:54,640 --> 01:14:58,960
Speaker 1: feel like bro to be a king or a person

1162
01:14:59,040 --> 01:15:03,519
Speaker 1: of authorities about making tough decisions, and making tough decisions,

1163
01:15:03,600 --> 01:15:08,200
Speaker 1: about considerating, about considering all factors involved. Now, there are

1164
01:15:08,280 --> 01:15:11,200
Speaker 1: some things based on your integrity, based on your morals,

1165
01:15:11,600 --> 01:15:15,320
Speaker 1: based on the principles that you've you know that you've

1166
01:15:15,360 --> 01:15:19,800
Speaker 1: instilled in yourself that you just ain't gonna do. And

1167
01:15:19,920 --> 01:15:21,640
Speaker 1: then there's a bunch of other ship that you just

1168
01:15:21,840 --> 01:15:25,840
Speaker 1: got to figure out how to kind of make that

1169
01:15:25,920 --> 01:15:30,120
Speaker 1: ship work into the best case scenario for yourself. I

1170
01:15:30,200 --> 01:15:33,840
Speaker 1: ain't just gonna say I ain't I'm not gonna say

1171
01:15:34,040 --> 01:15:39,200
Speaker 1: another thing that we've talked about before the commercial. I'm

1172
01:15:39,240 --> 01:15:41,519
Speaker 1: not gonna say no, I'm not gonna tell a law

1173
01:15:41,560 --> 01:15:46,479
Speaker 1: abouten citizens not to call the police, so I can,

1174
01:15:47,320 --> 01:15:52,080
Speaker 1: you know, not be of benefit to a downward departure.

1175
01:15:52,400 --> 01:15:55,479
Speaker 1: Not gonna do that because you know why law abouting

1176
01:15:55,560 --> 01:15:59,160
Speaker 1: citizens are gonna call the police anyway. That stay right.

1177
01:16:00,160 --> 01:16:04,400
Speaker 1: And guess what. Street niggas were never gonna not snitch

1178
01:16:05,080 --> 01:16:07,719
Speaker 1: or excuse me. They were never gonna not keeping solid

1179
01:16:07,880 --> 01:16:11,200
Speaker 1: because they've seen me on a commercial. It was never

1180
01:16:11,280 --> 01:16:14,120
Speaker 1: gonna be no nigger to say, you know what, I

1181
01:16:14,320 --> 01:16:17,800
Speaker 1: wasn't gonna tell. But I just seen that nigga tip

1182
01:16:17,880 --> 01:16:19,600
Speaker 1: on that commercial. Man, I'm gonna go ahead and do

1183
01:16:19,720 --> 01:16:22,200
Speaker 1: my thing. Man called my lord, you that ship don't happen?

1184
01:16:23,360 --> 01:16:28,600
Speaker 1: You feel me? Um? But I love my motherfucker, I

1185
01:16:28,720 --> 01:16:31,479
Speaker 1: love I love my stats. I ain't never putting no.

1186
01:16:31,560 --> 01:16:33,800
Speaker 1: I ain't ever called the pot leader for nobody in jail.

1187
01:16:34,520 --> 01:16:36,439
Speaker 1: I ain't never touch stand and say nothing to get

1188
01:16:36,520 --> 01:16:39,920
Speaker 1: no nigga, no ouncer, no time. I ain't. So you know,

1189
01:16:40,120 --> 01:16:44,920
Speaker 1: but it's people who hanging out with real life documented

1190
01:16:45,840 --> 01:16:49,040
Speaker 1: tellers and they get they pick up their phone in

1191
01:16:49,080 --> 01:16:51,639
Speaker 1: their type and say, yeah, you didn't, But what about

1192
01:16:51,680 --> 01:16:54,439
Speaker 1: the guy who called? You just hopped that up? You

1193
01:16:54,560 --> 01:16:56,400
Speaker 1: just hopped out the car with a guy that you

1194
01:16:56,600 --> 01:17:00,320
Speaker 1: know did this and sent X amount of guys the road.

1195
01:17:00,640 --> 01:17:03,360
Speaker 1: But you still you still dealing with him, but you

1196
01:17:03,400 --> 01:17:05,920
Speaker 1: want to pick up your phone and talk about me.

1197
01:17:07,280 --> 01:17:13,280
Speaker 1: That's the conundrum. Does that? See it? Crazy? Crazy? But continue?

1198
01:17:13,920 --> 01:17:15,519
Speaker 1: Come on, I feel like we should take a shot

1199
01:17:15,560 --> 01:17:19,439
Speaker 1: for something. Come on, where's the shot over here? Is

1200
01:17:19,479 --> 01:17:22,320
Speaker 1: this bothering me? This is this this little one right here?

1201
01:17:22,360 --> 01:17:24,400
Speaker 1: And what is what is it doing as a secret one?

1202
01:17:25,080 --> 01:17:27,880
Speaker 1: You're saving it for later? Yeah? So, how how did

1203
01:17:27,920 --> 01:17:32,760
Speaker 1: you initially meet fifty getting cast in the show? I

1204
01:17:33,080 --> 01:17:35,120
Speaker 1: didn't meet fifty until I auditioned for the show, and

1205
01:17:35,120 --> 01:17:37,040
Speaker 1: I barely met him none. And then when I got

1206
01:17:37,120 --> 01:17:39,400
Speaker 1: cast in the show is a different story. I went

1207
01:17:39,439 --> 01:17:41,760
Speaker 1: over there with old Murray Hardwick, who played Ghosts, and

1208
01:17:41,880 --> 01:17:45,400
Speaker 1: went to the G Unit offices that were at Street.

1209
01:17:45,439 --> 01:17:50,479
Speaker 1: They're not there no more, um and uh fifth, uh,

1210
01:17:51,000 --> 01:17:53,840
Speaker 1: just give me a hug, said, man did a great job.

1211
01:17:54,160 --> 01:17:56,320
Speaker 1: And this is after he's sting audition tapes. This is

1212
01:17:56,479 --> 01:17:58,920
Speaker 1: no no. Yeah, I had the audition five times for

1213
01:17:59,000 --> 01:18:02,120
Speaker 1: the role of Timmy. Um, and I'm the only one

1214
01:18:02,160 --> 01:18:05,200
Speaker 1: cast out of New York, which I'm proud of. Um.

1215
01:18:05,439 --> 01:18:07,639
Speaker 1: But it was it was great it was great. Yeah, yeah,

1216
01:18:07,640 --> 01:18:09,960
Speaker 1: it was a lot. I just thought they're never gonna

1217
01:18:10,040 --> 01:18:12,080
Speaker 1: cast me, They're gonna cast some guy who you know,

1218
01:18:12,200 --> 01:18:14,519
Speaker 1: doesn't know not like not that was ever dealing copies

1219
01:18:14,560 --> 01:18:16,960
Speaker 1: of monster drugs. But I, you know, have a certain

1220
01:18:17,000 --> 01:18:19,960
Speaker 1: amount of of played in the streets, and it was

1221
01:18:20,120 --> 01:18:22,280
Speaker 1: it was great to explore that part of my life

1222
01:18:22,320 --> 01:18:24,240
Speaker 1: as a kid and and play based a lot of

1223
01:18:24,280 --> 01:18:26,760
Speaker 1: time on guys I was scared of. And I asked

1224
01:18:26,800 --> 01:18:30,760
Speaker 1: a question for as the co host, So, uh, now

1225
01:18:30,880 --> 01:18:32,800
Speaker 1: you get into it, take a shot for me your goals.

1226
01:18:37,280 --> 01:18:41,120
Speaker 1: Check this out as the guy going into audition for

1227
01:18:41,240 --> 01:18:44,120
Speaker 1: this role, and you see that you came in five times.

1228
01:18:44,120 --> 01:18:48,040
Speaker 1: You got five times. It's four call banks, right, yep? Okay,

1229
01:18:49,200 --> 01:18:53,240
Speaker 1: who was your competition? What other guys were you up against?

1230
01:18:53,920 --> 01:18:57,120
Speaker 1: Initially you thought you would have lost to uh at

1231
01:18:57,160 --> 01:19:00,439
Speaker 1: the first audition it was you know, they're throne spaghetti

1232
01:19:00,520 --> 01:19:04,360
Speaker 1: at the wall, right, and there's a lot of what

1233
01:19:04,479 --> 01:19:12,120
Speaker 1: you're saying, it's like spitbound, you know, didn't I didn't

1234
01:19:12,120 --> 01:19:14,960
Speaker 1: think it was the true things I saw it and

1235
01:19:15,040 --> 01:19:17,280
Speaker 1: I would like to say it was an Italian did it,

1236
01:19:17,280 --> 01:19:19,160
Speaker 1: but it was actually a Mexican friend of mine whose

1237
01:19:19,240 --> 01:19:22,479
Speaker 1: mom threw spaghetti at the wall this season? Was she doing?

1238
01:19:23,080 --> 01:19:27,160
Speaker 1: But it works? Um? Yeah? So um, I saw a

1239
01:19:27,200 --> 01:19:31,880
Speaker 1: lot of guys who were very classically handsome and didn't

1240
01:19:32,080 --> 01:19:36,000
Speaker 1: necessarily feel like there was any threat in them, Not

1241
01:19:36,160 --> 01:19:38,600
Speaker 1: that I do necessarily, but I mean I knew that

1242
01:19:38,680 --> 01:19:40,760
Speaker 1: the Tommy character had to have it. Initially his name

1243
01:19:40,840 --> 01:19:43,040
Speaker 1: was Eddie O'Neill, which is not quite as threatening either.

1244
01:19:44,120 --> 01:19:48,320
Speaker 1: And then, um, you mean to tell me you Eddie

1245
01:19:48,680 --> 01:19:55,160
Speaker 1: concerned losing the role of time Its aid one. Yeah,

1246
01:19:56,040 --> 01:20:00,719
Speaker 1: I was concerned losing the role of title. Hollywood standard

1247
01:20:00,760 --> 01:20:03,639
Speaker 1: Hollywood is is they you know, it's kind of a template,

1248
01:20:04,400 --> 01:20:06,439
Speaker 1: you know. To bring this back around to Dion Taylor,

1249
01:20:06,479 --> 01:20:07,680
Speaker 1: and I gotta give a shout out to my guy

1250
01:20:07,720 --> 01:20:11,760
Speaker 1: Omar Joseph as well, the second team director, who's uh,

1251
01:20:14,040 --> 01:20:22,960
Speaker 1: I always left one left with me on that probably

1252
01:20:23,000 --> 01:20:25,120
Speaker 1: moving the head of doing another end of view or something.

1253
01:20:25,120 --> 01:20:32,320
Speaker 1: We have a movie coming at this Friday. Well okay,

1254
01:20:39,080 --> 01:20:40,880
Speaker 1: but I'm making super sistinct for you. Tip is that

1255
01:20:41,360 --> 01:20:43,200
Speaker 1: out of the five auditions for the Timmy roll, the

1256
01:20:43,240 --> 01:20:44,760
Speaker 1: first one I was just like, no, they don't get it.

1257
01:20:44,920 --> 01:20:46,680
Speaker 1: Then you get the call back and that was just

1258
01:20:46,800 --> 01:20:48,880
Speaker 1: for like putting yourself on tape with the case and director.

1259
01:20:49,120 --> 01:20:54,639
Speaker 1: Second audition was UH back with casting with notes from

1260
01:20:54,760 --> 01:20:56,760
Speaker 1: the people they sent it to, fifty evidently and some

1261
01:20:56,880 --> 01:21:00,280
Speaker 1: other people. Blah blah blah. The third audition was uh

1262
01:21:00,760 --> 01:21:03,479
Speaker 1: a guy named David Nohler, Anthony Hemingway. Shout out to

1263
01:21:03,479 --> 01:21:06,920
Speaker 1: Anthony Hemingway, my man, and courtneyer Kemp one of the

1264
01:21:07,360 --> 01:21:11,679
Speaker 1: brilliant creators of the show. And um. They then called

1265
01:21:11,760 --> 01:21:14,439
Speaker 1: me back for a chemistry read with Amari Hardwick because

1266
01:21:14,479 --> 01:21:16,400
Speaker 1: initially the role is gonna be fifty cent, but then

1267
01:21:16,520 --> 01:21:19,920
Speaker 1: fifty didn't want to have such a incredible amount of

1268
01:21:19,960 --> 01:21:22,479
Speaker 1: workload of work, so then Omari was the guy. So

1269
01:21:22,560 --> 01:21:24,680
Speaker 1: then we all had to do a chemistry read to

1270
01:21:24,720 --> 01:21:27,600
Speaker 1: see if we chemically whatever I don't know, whatever the

1271
01:21:27,680 --> 01:21:30,000
Speaker 1: hell that people see with that stuff. And then there

1272
01:21:30,080 --> 01:21:32,920
Speaker 1: was the final network tasked with the big wigs, and

1273
01:21:33,000 --> 01:21:36,479
Speaker 1: then I finally got the Tommy rule. That's hard. Now.

1274
01:21:37,360 --> 01:21:40,519
Speaker 1: My question was who, because every time we go and

1275
01:21:40,680 --> 01:21:43,960
Speaker 1: read for a role, there's always this other person that

1276
01:21:44,080 --> 01:21:47,000
Speaker 1: they're considering, and I'm gonna say, you had no So

1277
01:21:47,720 --> 01:21:52,240
Speaker 1: I got the role of a t L because Dallas

1278
01:21:52,360 --> 01:21:55,200
Speaker 1: officer came to me about his first movie and this

1279
01:21:55,400 --> 01:21:57,160
Speaker 1: was like I love that movie. By the way, chimp,

1280
01:21:57,240 --> 01:22:02,640
Speaker 1: thank you, thank you, thank you, thank you exactly. But

1281
01:22:02,760 --> 01:22:05,120
Speaker 1: I got that role because Dallas Auster came to me

1282
01:22:05,200 --> 01:22:08,200
Speaker 1: when he was putting that working on his first movie

1283
01:22:08,760 --> 01:22:12,880
Speaker 1: and I was working on my second album, um, and

1284
01:22:13,000 --> 01:22:14,880
Speaker 1: he'd been hearing a lot about me in the City

1285
01:22:14,920 --> 01:22:16,400
Speaker 1: and Ship and he's like, yo, I want you to

1286
01:22:16,400 --> 01:22:18,639
Speaker 1: be in my movie. Like I bet. He was like, yeah,

1287
01:22:18,760 --> 01:22:21,280
Speaker 1: go read for it. So I wentn't read for it,

1288
01:22:22,040 --> 01:22:24,280
Speaker 1: and they was, you know what when when he said

1289
01:22:24,320 --> 01:22:27,360
Speaker 1: read for it, you knew that mant audition? I did,

1290
01:22:27,560 --> 01:22:32,960
Speaker 1: okay because most people don't know interviews and like I

1291
01:22:33,080 --> 01:22:35,240
Speaker 1: guess saw like two part interviews and their ice Q

1292
01:22:35,479 --> 01:22:38,599
Speaker 1: interviews and like they you know it kind of kind

1293
01:22:38,600 --> 01:22:43,840
Speaker 1: of understood. Yeah. Um but anyway, so I I went

1294
01:22:43,920 --> 01:22:46,200
Speaker 1: in and read and they were like, yeah, yeah, it's good.

1295
01:22:46,240 --> 01:22:50,240
Speaker 1: Can you play the drums? Like now You're like, well,

1296
01:22:50,280 --> 01:22:51,679
Speaker 1: you don't have to learn how to play the drums

1297
01:22:51,720 --> 01:22:54,599
Speaker 1: for this role. I was like, I can't learn how

1298
01:22:54,680 --> 01:22:59,640
Speaker 1: to play like I know how to play, And it

1299
01:22:59,760 --> 01:23:02,080
Speaker 1: was like I never got called back. Come to find

1300
01:23:02,160 --> 01:23:09,040
Speaker 1: that some nobody named Nick Cannon came and got the

1301
01:23:09,200 --> 01:23:16,200
Speaker 1: road from me. Yeah, I'm talking my drumline. So so

1302
01:23:16,520 --> 01:23:19,400
Speaker 1: after that, right, me and Nick talked about it all

1303
01:23:19,400 --> 01:23:22,080
Speaker 1: the time as hold on you you went too fast

1304
01:23:22,160 --> 01:23:24,960
Speaker 1: with the story. Hold on, hold on, hold on, we'll

1305
01:23:24,960 --> 01:23:26,479
Speaker 1: happened some of time. We got to go somewhere. We

1306
01:23:26,520 --> 01:23:30,080
Speaker 1: gotta you said that the director told you to read. Well,

1307
01:23:30,160 --> 01:23:33,000
Speaker 1: it was the producer. His name was Dallas Austin, Dallas Austin,

1308
01:23:33,120 --> 01:23:38,599
Speaker 1: and you went and it was. It weren't drum line

1309
01:23:38,640 --> 01:23:40,880
Speaker 1: as we know it now. It was drumline before it

1310
01:23:41,000 --> 01:23:48,400
Speaker 1: came at. What I'm saying that that's a difference. But

1311
01:23:48,560 --> 01:23:54,280
Speaker 1: even still, you know, because of the reputation um of

1312
01:23:54,520 --> 01:23:58,360
Speaker 1: of of Dallas Austin, I was, I took it very

1313
01:23:58,439 --> 01:24:02,200
Speaker 1: seriously and I you know it for it went prepared

1314
01:24:03,160 --> 01:24:05,000
Speaker 1: and you know, they fought with me. They liked me,

1315
01:24:05,439 --> 01:24:07,639
Speaker 1: but they were just like, can't you play the drums, nigger?

1316
01:24:08,280 --> 01:24:11,880
Speaker 1: I was like, nah, but I could pretend to play

1317
01:24:11,960 --> 01:24:16,519
Speaker 1: the drums on camera. Yeah, Nick learned how to play

1318
01:24:16,560 --> 01:24:21,880
Speaker 1: the drum way more than that, you know what I mean.

1319
01:24:22,320 --> 01:24:27,720
Speaker 1: But but but that led to drum light came at

1320
01:24:27,880 --> 01:24:35,000
Speaker 1: became a phenomenal, historical, legendary piece. Um and and Nick

1321
01:24:35,080 --> 01:24:39,679
Speaker 1: Cannon was the person for that role because he showed

1322
01:24:39,760 --> 01:24:44,559
Speaker 1: the commitment, He showed the dedication. But when I started

1323
01:24:44,600 --> 01:24:50,400
Speaker 1: seeing Dallas in the studio, I was like, hey, n time, bro,

1324
01:24:50,479 --> 01:24:53,040
Speaker 1: I ain't reading for no more for no more role.

1325
01:24:53,120 --> 01:24:54,880
Speaker 1: He was like, no, I got another one coming up. Man,

1326
01:24:54,960 --> 01:24:58,040
Speaker 1: you got it, I'm telling you issue and that role

1327
01:24:58,560 --> 01:25:01,599
Speaker 1: was shure a T. Yeah you know what I mean.

1328
01:25:01,920 --> 01:25:06,040
Speaker 1: So and I didn't have to read for us our

1329
01:25:06,640 --> 01:25:13,640
Speaker 1: three damn three. And then um me and Nick we

1330
01:25:13,960 --> 01:25:16,920
Speaker 1: you know, when we see each other, he always say, ship,

1331
01:25:18,520 --> 01:25:20,439
Speaker 1: if you'd got that role, I would have got a T.

1332
01:25:20,680 --> 01:25:40,200
Speaker 1: I said, you the funk that one up? But now

1333
01:25:40,280 --> 01:25:43,880
Speaker 1: we all google? Can you can you read how many

1334
01:25:43,920 --> 01:25:46,559
Speaker 1: movies he did? Has come on? Because we were don't

1335
01:25:46,560 --> 01:25:51,080
Speaker 1: google to him and his you your movie is crazy, right,

1336
01:25:51,360 --> 01:25:53,479
Speaker 1: But let's get back to that. Once he pulls it up.

1337
01:25:56,920 --> 01:26:00,479
Speaker 1: We see get Out? Yea is this is by if

1338
01:26:00,520 --> 01:26:02,519
Speaker 1: I get Out? Because we don't see too many black

1339
01:26:02,600 --> 01:26:05,240
Speaker 1: horror movies? Right, Yeah, no you don't. Man. You know

1340
01:26:05,320 --> 01:26:08,880
Speaker 1: what I wouldn't say inspired by GETT? I was I

1341
01:26:09,000 --> 01:26:12,200
Speaker 1: was making horror films before Jordan's Wow, I was making

1342
01:26:12,240 --> 01:26:21,320
Speaker 1: horror films. Okay, yeah, I've been at this for a while. Man.

1343
01:26:21,800 --> 01:26:24,200
Speaker 1: My first film was a horror film called seventy five,

1344
01:26:24,840 --> 01:26:27,639
Speaker 1: and I followed that up with a movie called Chain Letter. Uh.

1345
01:26:27,760 --> 01:26:32,439
Speaker 1: Then I had a whole anthology horror series fourteen years

1346
01:26:32,479 --> 01:26:35,679
Speaker 1: ago before anthology was cool. That was called night Tales.

1347
01:26:36,320 --> 01:26:37,840
Speaker 1: So I've been at this for a while, man, So

1348
01:26:37,960 --> 01:26:40,840
Speaker 1: going back to horror was pretty cool. Um. But I

1349
01:26:41,280 --> 01:26:45,680
Speaker 1: chose horror early on because that genre. Uh. The one

1350
01:26:45,840 --> 01:26:47,639
Speaker 1: great thing about it is you don't need a star

1351
01:26:47,800 --> 01:26:50,120
Speaker 1: in your movie. So where people are trying to make

1352
01:26:51,439 --> 01:26:56,479
Speaker 1: just now, yeah, well that's funny, that's actually funny, right,

1353
01:26:57,120 --> 01:26:59,640
Speaker 1: it's actually really funny. No. But when you when you

1354
01:27:00,080 --> 01:27:01,479
Speaker 1: up in the horror was really cool is if you

1355
01:27:01,479 --> 01:27:02,920
Speaker 1: don't have a budget, or you don't have a real

1356
01:27:02,960 --> 01:27:05,559
Speaker 1: type of money that you need for a real film. Um,

1357
01:27:05,760 --> 01:27:08,840
Speaker 1: horror is incredible based on the fact that you don't

1358
01:27:08,880 --> 01:27:11,679
Speaker 1: know who Jason is or Michael Myers is or Freddy

1359
01:27:11,720 --> 01:27:13,600
Speaker 1: Krueger is. Right, So you could get a group of

1360
01:27:14,200 --> 01:27:17,000
Speaker 1: dope actors and then just find a monster or a

1361
01:27:17,160 --> 01:27:18,840
Speaker 1: thing that could be in that film that could allow

1362
01:27:18,880 --> 01:27:23,000
Speaker 1: it to work internationally and domestically. So yeah, fifteen moves

1363
01:27:23,040 --> 01:27:26,800
Speaker 1: got damn you you out here? Okay? Yes? Yeah? Does

1364
01:27:26,840 --> 01:27:31,960
Speaker 1: he have to take a shot? Yeah, ye shot. I

1365
01:27:32,000 --> 01:27:34,040
Speaker 1: feel like, what are you drinking? What do you do?

1366
01:27:34,200 --> 01:27:35,559
Speaker 1: This is a this is all I need right here

1367
01:27:35,560 --> 01:27:38,680
Speaker 1: in Cranberry juice, you gotta taken a long swing and

1368
01:27:38,720 --> 01:27:42,200
Speaker 1: the cranberry you got to take a shot. Fair, fair.

1369
01:27:43,160 --> 01:27:45,560
Speaker 1: But you know what I loved about the film is

1370
01:27:45,840 --> 01:27:48,680
Speaker 1: they all sit around this bomb fire, right, that's what

1371
01:27:48,760 --> 01:27:51,439
Speaker 1: it's called fire. That's right right yere. You ever sat

1372
01:27:51,439 --> 01:27:54,559
Speaker 1: around the boom fire? I tried to set it up.

1373
01:27:54,560 --> 01:27:56,479
Speaker 1: I live on the beach. It didn't work out right

1374
01:27:56,640 --> 01:27:58,560
Speaker 1: right on the beach, and I tried to I was like,

1375
01:27:58,960 --> 01:28:02,240
Speaker 1: I was like absolutely black and Latino came out of me.

1376
01:28:02,320 --> 01:28:04,360
Speaker 1: It was like, I have a lot of white friends. Now.

1377
01:28:04,520 --> 01:28:07,040
Speaker 1: They should have been there that day. Diego should have

1378
01:28:07,080 --> 01:28:10,920
Speaker 1: been there that day. Helped me out. But anyway, they

1379
01:28:10,960 --> 01:28:13,760
Speaker 1: said about the bonfire, right, and then they all say

1380
01:28:13,920 --> 01:28:18,400
Speaker 1: they're fears, and ironically it seems like all of their

1381
01:28:18,560 --> 01:28:22,759
Speaker 1: fears came and hunted them whatever what they said. For instance,

1382
01:28:22,800 --> 01:28:26,320
Speaker 1: one I don't want to say who uh person said

1383
01:28:26,360 --> 01:28:28,760
Speaker 1: that they was scared of the police because they had

1384
01:28:28,840 --> 01:28:33,160
Speaker 1: got pulled over, right, and then when ironically when he

1385
01:28:33,320 --> 01:28:35,880
Speaker 1: passes away, it's something to do with that. At least

1386
01:28:35,920 --> 01:28:40,600
Speaker 1: he visualized that. So, so it is that the premises

1387
01:28:40,720 --> 01:28:43,519
Speaker 1: of this is the reason why it's fair because he's

1388
01:28:43,560 --> 01:28:51,479
Speaker 1: writing the Book of um Ron. Okay, wrong, it's right

1389
01:28:51,520 --> 01:28:53,840
Speaker 1: in the book. And at first you're thinking this is

1390
01:28:54,000 --> 01:28:56,240
Speaker 1: just gonna be honest, You're thinking this is this is

1391
01:28:56,240 --> 01:28:59,400
Speaker 1: a crazy white guy who brings his black friends away,

1392
01:29:00,400 --> 01:29:03,240
Speaker 1: and that's what it's supposed to do. He's supposed to

1393
01:29:03,280 --> 01:29:09,479
Speaker 1: feel that, right, He felt it right? Yeah, actually how

1394
01:29:09,520 --> 01:29:14,680
Speaker 1: it's supposed to a supposed to feel that way, but not.

1395
01:29:14,880 --> 01:29:18,400
Speaker 1: What the movie is about is the fear is about

1396
01:29:18,439 --> 01:29:21,960
Speaker 1: the mind, the manifestation of the mind. The most powerful

1397
01:29:22,000 --> 01:29:25,839
Speaker 1: thing on the planet Earth is the human mind. Whatever

1398
01:29:25,960 --> 01:29:29,320
Speaker 1: it could conjure up or create is the scariest thing

1399
01:29:29,479 --> 01:29:32,360
Speaker 1: that you could actually see. So what the movie deals

1400
01:29:32,439 --> 01:29:36,120
Speaker 1: with is the power of manifestation. So the idea is

1401
01:29:36,439 --> 01:29:38,840
Speaker 1: someone like yourself right now, with this incredible show that

1402
01:29:38,880 --> 01:29:43,040
Speaker 1: we're all on, you manifested this, right, so you've seen this.

1403
01:29:43,240 --> 01:29:45,640
Speaker 1: This was a vision. Now we could actually see it

1404
01:29:45,680 --> 01:29:48,200
Speaker 1: in the physical form. Right. But however, many years ago,

1405
01:29:48,240 --> 01:29:50,200
Speaker 1: when you first started this, you had to actually see

1406
01:29:50,240 --> 01:29:52,160
Speaker 1: this and pissed this to someone and then they had

1407
01:29:52,200 --> 01:29:53,680
Speaker 1: to be like, well what happens? And then you do

1408
01:29:53,800 --> 01:29:58,479
Speaker 1: what and then it's so so day. What the movie,

1409
01:29:58,600 --> 01:30:00,960
Speaker 1: what the movie deals with is that through that, what

1410
01:30:01,160 --> 01:30:05,120
Speaker 1: I believe is you could either manifest something absolutely brilliant

1411
01:30:05,160 --> 01:30:07,720
Speaker 1: and incredible for your life, where you could fly and

1412
01:30:07,880 --> 01:30:09,880
Speaker 1: be able to do the things you want to do,

1413
01:30:10,479 --> 01:30:12,880
Speaker 1: or you could be that person that manifests darkness and

1414
01:30:13,040 --> 01:30:16,160
Speaker 1: ugliness and become nothing or die. Right. So that's what

1415
01:30:16,280 --> 01:30:18,679
Speaker 1: the mind has the power to do. Whatever you think

1416
01:30:19,040 --> 01:30:22,439
Speaker 1: and you build in your mind and you push out,

1417
01:30:22,600 --> 01:30:24,120
Speaker 1: that's what you'll get. So if you're like, oh man,

1418
01:30:24,200 --> 01:30:26,280
Speaker 1: they don't like me, I'm never gonna get that part.

1419
01:30:26,320 --> 01:30:27,920
Speaker 1: I would never be in that film. I would never

1420
01:30:27,960 --> 01:30:30,160
Speaker 1: be able to build that company. And that's exactly what

1421
01:30:30,280 --> 01:30:32,560
Speaker 1: the results would be. So what the movie deals with

1422
01:30:32,800 --> 01:30:35,880
Speaker 1: is the energy around the subconscious and how it works.

1423
01:30:36,320 --> 01:30:39,000
Speaker 1: So when they are around that fire and they're all

1424
01:30:39,160 --> 01:30:43,479
Speaker 1: speaking to each other about what that is, the idea

1425
01:30:43,600 --> 01:30:45,759
Speaker 1: about the lige and what the whole energy is about

1426
01:30:45,880 --> 01:30:49,000
Speaker 1: is can you if that fear approaches, you can you

1427
01:30:49,400 --> 01:30:52,960
Speaker 1: actually defeat it now lose character. Lou was the only

1428
01:30:53,040 --> 01:30:57,000
Speaker 1: one that said, um, something that that really wasn't spooky.

1429
01:30:57,080 --> 01:31:00,920
Speaker 1: He said that, um, he didn't want people to trust them, right.

1430
01:31:01,200 --> 01:31:05,880
Speaker 1: But then ironically, I can't give it away, but but

1431
01:31:06,160 --> 01:31:12,200
Speaker 1: but but it's funny because we talked about exactly right,

1432
01:31:12,400 --> 01:31:16,080
Speaker 1: because because his character basically was like his biggest fears

1433
01:31:16,120 --> 01:31:19,559
Speaker 1: for people not to trust him, especially those that actually

1434
01:31:20,120 --> 01:31:23,120
Speaker 1: are his family. He said that, which is a big deal. Right,

1435
01:31:23,360 --> 01:31:24,800
Speaker 1: So at the end of the day, that was a

1436
01:31:24,960 --> 01:31:28,280
Speaker 1: very complicated fear to having the film because you gotta

1437
01:31:28,280 --> 01:31:31,760
Speaker 1: figure out, Okay, well, how would that bother him until

1438
01:31:31,800 --> 01:31:33,960
Speaker 1: you see the movie go down here and like oh wait,

1439
01:31:34,439 --> 01:31:36,280
Speaker 1: if you understand the film and you watch it like

1440
01:31:36,400 --> 01:31:41,240
Speaker 1: you do, everybody actually domino effects on top of each other. Right,

1441
01:31:41,320 --> 01:31:45,800
Speaker 1: so his his fear actually affects him, right, Oh, it

1442
01:31:45,880 --> 01:31:50,680
Speaker 1: does his fear, right, his fear affects him, right. So

1443
01:31:50,840 --> 01:31:54,280
Speaker 1: it just continuously happens until someone actually has the audacity

1444
01:31:54,400 --> 01:31:58,439
Speaker 1: or the mental capacity stop it. Now, all this um

1445
01:32:00,520 --> 01:32:03,800
Speaker 1: beness watching right, Ben's watching is a great thing. Um,

1446
01:32:04,560 --> 01:32:09,559
Speaker 1: because I mean, but I remember, uh, you know, coming

1447
01:32:09,640 --> 01:32:12,120
Speaker 1: home to Martin, coming Home in the video music Box,

1448
01:32:12,160 --> 01:32:14,080
Speaker 1: coming home in the one on six and park and

1449
01:32:14,240 --> 01:32:17,120
Speaker 1: doing that, but then me actually having a life and

1450
01:32:17,200 --> 01:32:19,920
Speaker 1: me not being able to do that ever again, and

1451
01:32:20,080 --> 01:32:23,360
Speaker 1: me saying, Okay, whenever it comes on Netflix or whenever

1452
01:32:23,400 --> 01:32:27,080
Speaker 1: it comes on YouTube or whatever. What made you say that,

1453
01:32:27,200 --> 01:32:29,680
Speaker 1: you know what, let's make these people go back to

1454
01:32:29,760 --> 01:32:32,360
Speaker 1: the theaters. And and and the fact that you made

1455
01:32:32,400 --> 01:32:36,280
Speaker 1: it during COVID, what made you pick that? It's a lot, man.

1456
01:32:36,640 --> 01:32:40,320
Speaker 1: I just love the theatrical experience. I personally never had

1457
01:32:40,360 --> 01:32:44,160
Speaker 1: a streaming movie. Um, nothing I've ever made has has

1458
01:32:44,520 --> 01:32:47,480
Speaker 1: been the streaming. Well, We've been really blessed man independently

1459
01:32:47,520 --> 01:32:50,519
Speaker 1: to make movies that I believe work really well in

1460
01:32:50,560 --> 01:32:53,240
Speaker 1: the theater. And they have, um, Me and Joseph with

1461
01:32:53,320 --> 01:32:58,920
Speaker 1: the Intruder, Fatal Black and Blue. Um yeah, even as

1462
01:32:58,960 --> 01:33:07,160
Speaker 1: small as um that's when you foul, yeah, scholars, Um Yeah,

1463
01:33:07,280 --> 01:33:09,560
Speaker 1: Meet the Blacks, which was a very small movie. You know,

1464
01:33:09,680 --> 01:33:15,160
Speaker 1: we had a giant theatrical run. Yeah, Black Epps and Duval,

1465
01:33:15,320 --> 01:33:17,680
Speaker 1: the whole team over there. Man. But yeah, um I

1466
01:33:17,800 --> 01:33:26,519
Speaker 1: was one too, the Gary Man. But no. Yeah, So

1467
01:33:26,680 --> 01:33:29,160
Speaker 1: I always just I feel like the theatrical experience is

1468
01:33:29,200 --> 01:33:31,960
Speaker 1: where it's at right now, man, Um. But why the

1469
01:33:32,000 --> 01:33:34,639
Speaker 1: movie was made is what you guys were talking about earlier,

1470
01:33:34,680 --> 01:33:36,439
Speaker 1: which was we was in the moment in time man,

1471
01:33:36,520 --> 01:33:41,080
Speaker 1: where um, we didn't know what tomorrow would bring, and

1472
01:33:41,200 --> 01:33:43,719
Speaker 1: as an artist, man, I felt like part of our job,

1473
01:33:43,880 --> 01:33:47,680
Speaker 1: just like you as an artist, is to create art

1474
01:33:48,160 --> 01:33:50,640
Speaker 1: that reflects the time that we live in, right And

1475
01:33:50,960 --> 01:33:53,559
Speaker 1: at that moment, man, no one was able to actually paint,

1476
01:33:54,080 --> 01:33:55,639
Speaker 1: and I was like, Man, I bet I could paint.

1477
01:33:56,200 --> 01:33:58,160
Speaker 1: And you know, it was dope that the fact that

1478
01:33:58,880 --> 01:34:01,320
Speaker 1: y'all like, I don't know if there's a disease y'all

1479
01:34:01,360 --> 01:34:03,880
Speaker 1: created or when y'all was y'all trying to say that

1480
01:34:03,960 --> 01:34:06,760
Speaker 1: this is COVID, Like I couldn't tell at that moment

1481
01:34:06,800 --> 01:34:10,160
Speaker 1: when like when the news flash, Yeah, it's just crazy

1482
01:34:10,280 --> 01:34:13,360
Speaker 1: right there. And then it's one point it's like everyone's staying,

1483
01:34:13,560 --> 01:34:17,000
Speaker 1: you can't go nowhere, and everyone's in the house debating

1484
01:34:17,120 --> 01:34:19,519
Speaker 1: like what should we do? Can we open the windows?

1485
01:34:20,680 --> 01:34:22,280
Speaker 1: And it's like, so you don't know if this is

1486
01:34:22,360 --> 01:34:24,800
Speaker 1: COVID or not. It's what we was at, man. Look,

1487
01:34:25,000 --> 01:34:28,120
Speaker 1: I was saying this the other night, Um, during the pandemic,

1488
01:34:28,200 --> 01:34:30,600
Speaker 1: during the global pandemic when everything shut down. Now we

1489
01:34:30,640 --> 01:34:33,000
Speaker 1: got a whole bunch of people. That's tough. Now, everybody,

1490
01:34:33,040 --> 01:34:34,920
Speaker 1: I wouldn't do that, I would do this. But there

1491
01:34:35,000 --> 01:34:37,800
Speaker 1: was a moment in time. There was a moment in

1492
01:34:37,960 --> 01:34:40,840
Speaker 1: time when you looked at your kids, or your wife,

1493
01:34:40,920 --> 01:34:43,560
Speaker 1: or your family or whoever. He was like, damn, I

1494
01:34:43,600 --> 01:34:45,360
Speaker 1: don't know what this is out here, you know what

1495
01:34:45,439 --> 01:34:47,600
Speaker 1: I mean. And that's where we wanted to be in

1496
01:34:47,680 --> 01:34:48,920
Speaker 1: the film. We wanted to be in a place to

1497
01:34:48,960 --> 01:34:53,360
Speaker 1: where the mind actually plays jokes and games with you.

1498
01:34:53,520 --> 01:34:55,599
Speaker 1: Right and and the prime example that which is funny

1499
01:34:55,760 --> 01:34:58,680
Speaker 1: is along this time and some people pick U up

1500
01:34:58,760 --> 01:35:01,200
Speaker 1: now and they still have this problem. You feel some

1501
01:35:01,320 --> 01:35:03,800
Speaker 1: of your chest or you feel like you got a cough,

1502
01:35:04,120 --> 01:35:06,200
Speaker 1: and then meediately you go to your phone. Next thing

1503
01:35:06,240 --> 01:35:07,960
Speaker 1: you know, an hour later you got cancer. You're like,

1504
01:35:08,040 --> 01:35:09,959
Speaker 1: there might have got all that got all them symptoms,

1505
01:35:10,160 --> 01:35:12,160
Speaker 1: you know what I mean. So a little bit of

1506
01:35:12,200 --> 01:35:14,600
Speaker 1: that energy is a little bit of energy is what

1507
01:35:14,800 --> 01:35:17,200
Speaker 1: the movie deals with. Which is and that's what his

1508
01:35:17,320 --> 01:35:19,080
Speaker 1: character actually plays with a lot in the film to

1509
01:35:19,720 --> 01:35:27,880
Speaker 1: except for Atlanta in Florida and Florida Florida closed down

1510
01:35:27,920 --> 01:35:30,920
Speaker 1: for two months and then there was like that Atlanta

1511
01:35:30,960 --> 01:35:35,240
Speaker 1: is outside but down for two hours. Remember that Atlanta

1512
01:35:35,280 --> 01:35:38,200
Speaker 1: was going crazy two weeks maybe two weeks. Wait, how

1513
01:35:38,400 --> 01:35:41,920
Speaker 1: Florida clos out for two months? Right down? Didn't open

1514
01:35:42,000 --> 01:35:44,360
Speaker 1: back up? Right? Yeah? Yeah, but it was different scripts

1515
01:35:44,400 --> 01:35:47,800
Speaker 1: of Florida. But Miami was cant for like two months

1516
01:35:48,040 --> 01:35:52,680
Speaker 1: in Atlanta never Atlanta never. This is this is the

1517
01:35:52,760 --> 01:35:54,599
Speaker 1: week of the movie. This is it comes out? Because

1518
01:35:54,800 --> 01:35:57,880
Speaker 1: what day the movie comes out? Of twenty seven and

1519
01:35:58,000 --> 01:36:02,800
Speaker 1: we're gonna drop this Thursday week. Yeah, this is the

1520
01:36:02,880 --> 01:36:08,479
Speaker 1: same week. Yeah yeah, good comes out. It comes out

1521
01:36:08,560 --> 01:36:12,320
Speaker 1: Thursday at five pm and this comes out at ten pm.

1522
01:36:13,360 --> 01:36:18,360
Speaker 1: So so vot TV and Friday audio and then Saturday YouTube.

1523
01:36:18,520 --> 01:36:21,479
Speaker 1: We keep talking about, you know, we have a great movie. Man,

1524
01:36:21,560 --> 01:36:23,599
Speaker 1: I've seen so I've seen. I'm gonna take a shot

1525
01:36:23,640 --> 01:36:36,120
Speaker 1: for that. Man, Come on, you skip this one time.

1526
01:36:36,840 --> 01:36:39,719
Speaker 1: So I was doing my my drink Champs research before

1527
01:36:39,720 --> 01:36:43,240
Speaker 1: I came Kalid Calid has so many like quotes, So

1528
01:36:43,280 --> 01:36:48,680
Speaker 1: I'm gonna make sure I drop some. Yo, having greatness

1529
01:36:48,960 --> 01:36:54,760
Speaker 1: takes patience. If you want to be great, you gotta

1530
01:36:54,800 --> 01:36:59,679
Speaker 1: be willing to wait. I'm gonna tell you about this film,

1531
01:36:59,800 --> 01:37:03,920
Speaker 1: right here. Think about this. We shot this movie three

1532
01:37:04,040 --> 01:37:08,439
Speaker 1: years ago during the pandemic. I then I've seen three

1533
01:37:08,600 --> 01:37:12,519
Speaker 1: versions of this movie. Right. The third version I saw

1534
01:37:12,600 --> 01:37:16,280
Speaker 1: of this movie was so good. I called D and

1535
01:37:16,360 --> 01:37:19,559
Speaker 1: I was like, bro, put this version of the movie out.

1536
01:37:19,960 --> 01:37:24,800
Speaker 1: He was bluelegged. It was like, you know, like I

1537
01:37:24,880 --> 01:37:27,160
Speaker 1: wanted to put it in. I was like, it's readiness though,

1538
01:37:27,200 --> 01:37:30,000
Speaker 1: it all right. One thing I learned from D. He

1539
01:37:30,200 --> 01:37:33,640
Speaker 1: was like, I just don't feel like it's there. He

1540
01:37:33,840 --> 01:37:36,280
Speaker 1: went high. How many editors? I mean, it's been a

1541
01:37:36,439 --> 01:37:39,599
Speaker 1: lot of different edits of this movie, because what's that ship?

1542
01:37:39,720 --> 01:37:44,320
Speaker 1: The short version quimby quip quimpy. It lasts like like

1543
01:37:44,760 --> 01:37:51,600
Speaker 1: like six six. I was ready to sell people. So

1544
01:37:52,240 --> 01:37:56,200
Speaker 1: so D just had the patience to wait for the

1545
01:37:56,439 --> 01:38:00,240
Speaker 1: right time, the right weekend. Everything is in the right

1546
01:38:00,360 --> 01:38:05,160
Speaker 1: place and and put together a complete new film right

1547
01:38:05,720 --> 01:38:08,200
Speaker 1: that speaks to where we are right now, and that

1548
01:38:08,560 --> 01:38:11,880
Speaker 1: is unprecedented, right, and so everybody like you gotta think

1549
01:38:11,960 --> 01:38:15,160
Speaker 1: like there's there's millions of there's no studio. It's not

1550
01:38:15,280 --> 01:38:19,760
Speaker 1: like Sony Warner Brothers. You know, one of these had

1551
01:38:19,800 --> 01:38:21,800
Speaker 1: just put the money up and we're just all about

1552
01:38:21,800 --> 01:38:25,439
Speaker 1: here moving everybody. We got real money in the game. Right,

1553
01:38:25,720 --> 01:38:27,960
Speaker 1: So there are six figures out of my bank account

1554
01:38:28,680 --> 01:38:32,040
Speaker 1: making sure that this works. Dion has hundreds of thousands

1555
01:38:32,080 --> 01:38:34,960
Speaker 1: of dollars, not millions of dollars of his own money

1556
01:38:35,560 --> 01:38:38,759
Speaker 1: invested in it. Right. So when we talk about fear,

1557
01:38:39,760 --> 01:38:43,760
Speaker 1: a lot of people as we operate through life, have

1558
01:38:44,160 --> 01:38:49,519
Speaker 1: fear in taking themselves, taking their career to the next level. Right.

1559
01:38:50,360 --> 01:38:53,320
Speaker 1: They have something that they inspire aspire to do, but

1560
01:38:53,479 --> 01:38:56,680
Speaker 1: they have the fear that might hold them back from

1561
01:38:56,760 --> 01:38:59,720
Speaker 1: going there. And so the one thing that I want

1562
01:38:59,760 --> 01:39:02,880
Speaker 1: people to know from the aspect of the stuff that

1563
01:39:02,960 --> 01:39:07,360
Speaker 1: happens on camera and what happens behind the scenes, is

1564
01:39:07,439 --> 01:39:09,960
Speaker 1: that if you want to do great things in life,

1565
01:39:10,439 --> 01:39:13,920
Speaker 1: you have to be willing to bypass that fear and

1566
01:39:14,120 --> 01:39:16,200
Speaker 1: just go out of it. All of us a hundred

1567
01:39:16,280 --> 01:39:21,440
Speaker 1: years from that will be dead. This is it, right. See,

1568
01:39:21,560 --> 01:39:25,000
Speaker 1: I has crypto technology that will be frozen in the ice.

1569
01:39:31,240 --> 01:39:34,240
Speaker 1: Time we have now is the time we have now,

1570
01:39:34,760 --> 01:39:37,519
Speaker 1: and this this movie fear for all of these different

1571
01:39:37,600 --> 01:39:41,120
Speaker 1: characters going through all of these different journeys is if

1572
01:39:41,160 --> 01:39:44,160
Speaker 1: they could just overcome the fear, they might be able

1573
01:39:44,200 --> 01:39:45,920
Speaker 1: to move. I don't want to speak too much. Do

1574
01:39:46,720 --> 01:39:49,080
Speaker 1: you know what I'm saying. You gotta be willing to

1575
01:39:49,160 --> 01:39:51,640
Speaker 1: see past the field. Another thing I would say is

1576
01:39:51,760 --> 01:39:56,880
Speaker 1: every storm runs out of rain. You feel me so

1577
01:39:57,400 --> 01:40:07,000
Speaker 1: so where this film is. I went through the one

1578
01:40:07,040 --> 01:40:09,400
Speaker 1: of the hardest. I went through a really tough time

1579
01:40:09,439 --> 01:40:13,360
Speaker 1: about a year ago, went down to Atlanta and went

1580
01:40:13,439 --> 01:40:16,120
Speaker 1: to visit Tip. He looked at me, he said, don't

1581
01:40:16,240 --> 01:40:20,760
Speaker 1: let a moment take over the movement. Yeah. I got

1582
01:40:20,840 --> 01:40:23,920
Speaker 1: that from Jay Prince. I Jake Prince said it right,

1583
01:40:25,320 --> 01:40:27,599
Speaker 1: what's this tough time are we talking about with your

1584
01:40:27,600 --> 01:40:31,040
Speaker 1: process of moving out of l are talking about that time? Yeah? Yeah,

1585
01:40:31,400 --> 01:40:35,000
Speaker 1: you want to tell the people like like because yeah,

1586
01:40:35,080 --> 01:40:37,920
Speaker 1: I mean, you know, you know that was very touching

1587
01:40:38,000 --> 01:40:40,840
Speaker 1: to me. Um. I met with you Bell Harbor, I believe,

1588
01:40:40,840 --> 01:40:43,840
Speaker 1: I don't know if you remember, and I was like, yo,

1589
01:40:43,960 --> 01:40:46,200
Speaker 1: you know, and he was like, Yo, man, I'm thinking

1590
01:40:46,200 --> 01:40:48,680
Speaker 1: about moving out here. And I was like, you know,

1591
01:40:48,720 --> 01:40:51,000
Speaker 1: that's one of the greatest decisions I've ever made. That

1592
01:40:51,120 --> 01:40:52,599
Speaker 1: the first year I moved out here, the first year

1593
01:40:52,640 --> 01:40:55,040
Speaker 1: I moved out head, no one should have been around me.

1594
01:40:56,360 --> 01:41:00,240
Speaker 1: It was just not great. But then after that started

1595
01:41:00,240 --> 01:41:02,479
Speaker 1: to realize, oh shit, you know there's different parts of

1596
01:41:02,760 --> 01:41:06,519
Speaker 1: Miami or whatever whatever, so so, but then it's so

1597
01:41:06,680 --> 01:41:10,120
Speaker 1: many because because l A is right now known as

1598
01:41:10,200 --> 01:41:15,000
Speaker 1: the rapper murder capital of the world. Right now, it's

1599
01:41:15,120 --> 01:41:20,000
Speaker 1: it's crazy because you you are a host. But in

1600
01:41:20,200 --> 01:41:24,360
Speaker 1: this world, at least, this is how it's depicted. You're

1601
01:41:24,640 --> 01:41:27,959
Speaker 1: looked at like me and tr like. There's no difference

1602
01:41:28,800 --> 01:41:30,840
Speaker 1: between even though me and t I look at you

1603
01:41:31,000 --> 01:41:34,360
Speaker 1: like a civilian. We say Tammis j is like, there's

1604
01:41:34,400 --> 01:41:38,559
Speaker 1: no one, no one cannot like Tammas. But still you're

1605
01:41:38,640 --> 01:41:41,560
Speaker 1: subjected to the same thing that me and t I is.

1606
01:41:41,840 --> 01:41:44,439
Speaker 1: And if you can describe what you want to describe

1607
01:41:44,520 --> 01:41:47,519
Speaker 1: the part of it, um of what's going on in

1608
01:41:47,760 --> 01:41:50,320
Speaker 1: l A for people that don't understand, well most of them,

1609
01:41:50,320 --> 01:41:53,760
Speaker 1: what's going on in l A? Your decision, right, what

1610
01:41:53,920 --> 01:42:02,160
Speaker 1: made you make your decision? But um, I never talked

1611
01:42:02,680 --> 01:42:06,360
Speaker 1: I haven't talked about this. There was an attempt at robbery.

1612
01:42:07,040 --> 01:42:13,839
Speaker 1: It's coming home from a restaurant, guys, very nice restaurant St. Donald's,

1613
01:42:14,120 --> 01:42:18,720
Speaker 1: attempted car jacking, right, Um. I was able to get

1614
01:42:18,760 --> 01:42:23,439
Speaker 1: away and then I had Yeah, you know that I

1615
01:42:23,560 --> 01:42:28,000
Speaker 1: had decisions to make, right, Um, when I moved to

1616
01:42:28,240 --> 01:42:30,840
Speaker 1: l A. Like I remember moving to l A and

1617
01:42:31,000 --> 01:42:34,639
Speaker 1: go into a house party and it changed my life right,

1618
01:42:35,120 --> 01:42:39,080
Speaker 1: and I felt like, oh man, like I got an invite,

1619
01:42:39,160 --> 01:42:42,080
Speaker 1: I'm at a puff daddy party and you feel the

1620
01:42:42,240 --> 01:42:45,479
Speaker 1: vibe and thedn't inspired me so much. And so for me,

1621
01:42:46,400 --> 01:42:50,320
Speaker 1: you know, for for about a five year spaning, my

1622
01:42:50,560 --> 01:42:54,680
Speaker 1: house was one of those spots in LA everybody my

1623
01:42:55,120 --> 01:42:58,040
Speaker 1: I would, I would my door would be unlocked, wow,

1624
01:42:58,800 --> 01:43:05,920
Speaker 1: and it would be artists, new artists, gangsters, you know,

1625
01:43:06,360 --> 01:43:11,519
Speaker 1: aspiring actors, aspiring models, somebody that just moved from Kansas

1626
01:43:11,800 --> 01:43:14,120
Speaker 1: in the same party with you know, with tip right,

1627
01:43:14,160 --> 01:43:16,640
Speaker 1: it would be athletes, all of that. Like I just

1628
01:43:16,760 --> 01:43:19,840
Speaker 1: had an open door policy. I would feed people, you

1629
01:43:19,840 --> 01:43:23,800
Speaker 1: know what I'm saying. And so when it happened to

1630
01:43:23,920 --> 01:43:25,960
Speaker 1: me when they tried to in front of, you know,

1631
01:43:26,160 --> 01:43:28,320
Speaker 1: at my crib, it was, it was it was. I

1632
01:43:28,360 --> 01:43:31,160
Speaker 1: took it very personally because I've always tried to, like,

1633
01:43:31,800 --> 01:43:33,680
Speaker 1: you know what i mean, I've always been Switzerland. You

1634
01:43:33,840 --> 01:43:36,040
Speaker 1: come to my house if you have beef and you

1635
01:43:36,120 --> 01:43:41,760
Speaker 1: want to. I'm saying those that don't know, Switzerland has

1636
01:43:41,800 --> 01:43:43,680
Speaker 1: to be for nobody, and nobody kind of has to

1637
01:43:43,720 --> 01:43:47,120
Speaker 1: be for Switzerland, so you know, you know zero because

1638
01:43:47,160 --> 01:43:49,360
Speaker 1: one of my favorite places on the planet and continue

1639
01:43:49,360 --> 01:43:52,200
Speaker 1: to continuause I want you know, um, you know, I'm

1640
01:43:52,240 --> 01:43:54,320
Speaker 1: sorry because I know you told me this is I

1641
01:43:54,320 --> 01:43:56,559
Speaker 1: don't know if it was secretly or not. But your

1642
01:43:56,640 --> 01:44:00,920
Speaker 1: story is so important because remote only think that it

1643
01:44:01,040 --> 01:44:04,200
Speaker 1: only happens to rappers. Already happens to people who who

1644
01:44:04,920 --> 01:44:08,160
Speaker 1: attract that type of lifestyle, who say, yo, uh, you

1645
01:44:08,280 --> 01:44:11,800
Speaker 1: know I'm holding this, I'm doing this, I'm doing this,

1646
01:44:12,280 --> 01:44:16,280
Speaker 1: and really it's happening to anybody and entertainment. This is

1647
01:44:16,320 --> 01:44:18,800
Speaker 1: the reason why your story is so important. And I

1648
01:44:18,920 --> 01:44:21,760
Speaker 1: hope you continue to finish what you was saying. I'm sorry,

1649
01:44:22,000 --> 01:44:26,000
Speaker 1: you know, um yeah, So it was. It was painful,

1650
01:44:26,040 --> 01:44:30,360
Speaker 1: and especially because they looked like me, right, and I'm

1651
01:44:30,520 --> 01:44:34,320
Speaker 1: I'm the national ambassador for the third Good Marshall College Fund. Right,

1652
01:44:34,360 --> 01:44:38,720
Speaker 1: I'm a Black college HBCU like I love us, so

1653
01:44:39,000 --> 01:44:42,439
Speaker 1: like to experience that was it was dramatic for a

1654
01:44:42,520 --> 01:44:46,080
Speaker 1: lot of different reasons. Right. But with with all of

1655
01:44:46,120 --> 01:44:49,560
Speaker 1: that said, I never wanted to feel like some you know,

1656
01:44:49,600 --> 01:44:52,599
Speaker 1: I'm getting moved out of my I gotta move lead

1657
01:44:52,640 --> 01:44:55,160
Speaker 1: the city. But I felt like I wanted to refresh

1658
01:44:55,200 --> 01:44:58,240
Speaker 1: the energy. I felt like it was time to refresh

1659
01:44:58,280 --> 01:45:00,040
Speaker 1: the energy. And I had a conversation with Tip and

1660
01:45:00,120 --> 01:45:02,760
Speaker 1: he was like, listen, you gotta keep the energy going right.

1661
01:45:03,200 --> 01:45:09,479
Speaker 1: And so I moved from l A. I I bought

1662
01:45:09,560 --> 01:45:12,599
Speaker 1: some real estate, but then I bought some more real estate,

1663
01:45:12,920 --> 01:45:15,080
Speaker 1: and then I bought some more real estate, and then

1664
01:45:15,200 --> 01:45:17,080
Speaker 1: like in the thought of it, like just wanted to

1665
01:45:17,120 --> 01:45:20,960
Speaker 1: feel comfortable. I've probably done ten fifteen about like like

1666
01:45:21,320 --> 01:45:23,880
Speaker 1: thirteen million dollars worth the real estate that was passed

1667
01:45:24,320 --> 01:45:29,760
Speaker 1: twelve months cycle the places we want to and so

1668
01:45:30,720 --> 01:45:32,920
Speaker 1: what I what I say is like, you know, well,

1669
01:45:33,000 --> 01:45:35,080
Speaker 1: first of all, for us, we gotta be vigilant. It

1670
01:45:35,200 --> 01:45:37,960
Speaker 1: don't matter whether you know, I just came off the

1671
01:45:38,000 --> 01:45:40,800
Speaker 1: oscars and got you know what I'm saying. So it's

1672
01:45:40,840 --> 01:45:43,760
Speaker 1: like all of anybody could be a target. We have

1673
01:45:43,880 --> 01:45:46,799
Speaker 1: to be vigilant. We have to you know, I continue

1674
01:45:46,840 --> 01:45:49,800
Speaker 1: to promote education for young people. Like the fact that

1675
01:45:49,840 --> 01:45:51,680
Speaker 1: they was young people that looked like me makes me

1676
01:45:51,840 --> 01:45:55,280
Speaker 1: want to do more to help young men so that

1677
01:45:55,439 --> 01:45:58,320
Speaker 1: it doesn't continue. What I'm saying, is this something you

1678
01:45:58,479 --> 01:46:01,320
Speaker 1: thought that that you could have ordered this situation or

1679
01:46:01,400 --> 01:46:04,040
Speaker 1: this was a situation that was gonna follow anybody walking

1680
01:46:04,040 --> 01:46:08,439
Speaker 1: out that restaurant. Mine specifically was they followed me when

1681
01:46:08,479 --> 01:46:10,720
Speaker 1: I was coming from the valet. And so now the

1682
01:46:10,760 --> 01:46:12,800
Speaker 1: police have now told you know that it was a

1683
01:46:12,920 --> 01:46:17,519
Speaker 1: nice car. Uh yeah, you know that they were they

1684
01:46:17,560 --> 01:46:21,439
Speaker 1: were scouting from the restaurant and doing the drive home. Yeah,

1685
01:46:21,600 --> 01:46:22,960
Speaker 1: but again, you know, I don't want to talk too

1686
01:46:23,040 --> 01:46:26,439
Speaker 1: much about. My takeaway is that like, you know, having

1687
01:46:26,680 --> 01:46:28,600
Speaker 1: fear in life, and that's what the premise of this

1688
01:46:28,720 --> 01:46:32,240
Speaker 1: movie is, right, It's like, like how you brung it

1689
01:46:32,280 --> 01:46:40,400
Speaker 1: back to being shot at is the scariest ship you

1690
01:46:40,479 --> 01:46:42,599
Speaker 1: could ever go through, especially when you don't have a gun.

1691
01:46:42,800 --> 01:46:44,559
Speaker 1: When you don't have a gun and you're being shot

1692
01:46:44,600 --> 01:46:47,320
Speaker 1: at that it is nothing scarier. Right Wait, I didn't

1693
01:46:47,360 --> 01:46:50,160
Speaker 1: know I've got that part. They actually shot at you

1694
01:46:50,439 --> 01:46:51,960
Speaker 1: and this isn't front of your house or this is

1695
01:46:52,320 --> 01:46:54,320
Speaker 1: this is like right down the road, like once I'm

1696
01:46:54,320 --> 01:46:58,720
Speaker 1: in the car. So what you have to do? Thank you?

1697
01:46:58,840 --> 01:47:01,000
Speaker 1: What you actually didn't do. It's like you have to

1698
01:47:01,080 --> 01:47:03,519
Speaker 1: like assess like who you are in life, right and

1699
01:47:03,640 --> 01:47:06,920
Speaker 1: do you let situations take you down? Do you less

1700
01:47:06,920 --> 01:47:09,640
Speaker 1: situations take you off? Your path, do you less situations

1701
01:47:09,720 --> 01:47:12,599
Speaker 1: deter you from going after what your dreams are, right,

1702
01:47:13,080 --> 01:47:16,040
Speaker 1: And so for me, I was able to take a

1703
01:47:16,200 --> 01:47:20,599
Speaker 1: very traumatic experience right and then say, Okay, well now

1704
01:47:20,720 --> 01:47:23,240
Speaker 1: that I gotta move, I'm gonna start buying some real estate.

1705
01:47:23,520 --> 01:47:26,280
Speaker 1: I'm gonna start and now i've I've I've turned it

1706
01:47:26,320 --> 01:47:28,080
Speaker 1: into a complete new business for me. I have a

1707
01:47:28,160 --> 01:47:31,920
Speaker 1: complete new business under because I talked to my friends

1708
01:47:31,960 --> 01:47:34,640
Speaker 1: and you know, and so it's like it's taking the

1709
01:47:34,760 --> 01:47:38,360
Speaker 1: traumatic experience from from life and using them as a

1710
01:47:38,400 --> 01:47:41,519
Speaker 1: stepping stone, using them as a guiding post to get

1711
01:47:41,600 --> 01:47:46,559
Speaker 1: yourself to where you need to be right for good,

1712
01:47:47,120 --> 01:47:50,040
Speaker 1: because you know, Jim Jones said it the other day.

1713
01:47:51,280 --> 01:47:54,439
Speaker 1: Um he said, being a rapper is the most dangerous

1714
01:47:54,560 --> 01:47:58,240
Speaker 1: job on earth. And a lot of people from military,

1715
01:47:58,479 --> 01:48:02,439
Speaker 1: you know, they took it personal. And I understood why

1716
01:48:02,479 --> 01:48:06,680
Speaker 1: the military took it personal, because we understand that. But

1717
01:48:07,840 --> 01:48:09,840
Speaker 1: even in the military, like you kind of know who

1718
01:48:09,920 --> 01:48:12,080
Speaker 1: your enemy is when you go on that field, they

1719
01:48:12,160 --> 01:48:16,960
Speaker 1: have the opposite of the uniform being an entertainer, we

1720
01:48:17,080 --> 01:48:21,040
Speaker 1: don't know who the fuck. Like I watched the Selina

1721
01:48:22,400 --> 01:48:26,960
Speaker 1: movie the other day and her assistant killed damn you

1722
01:48:27,000 --> 01:48:29,519
Speaker 1: know what I mean. It's like then I watched the

1723
01:48:29,600 --> 01:48:32,160
Speaker 1: interview with Baby saying, he said, you gotta he said,

1724
01:48:32,200 --> 01:48:37,000
Speaker 1: forget hate, we gotta watch envy. He said, Envy comes

1725
01:48:37,040 --> 01:48:41,080
Speaker 1: from within. Sometimes you have people around you just envy

1726
01:48:41,160 --> 01:48:43,920
Speaker 1: of it, envious of you, just because y'all have the

1727
01:48:43,960 --> 01:48:46,679
Speaker 1: same fifth grade teacher, you had the same third grade teacher,

1728
01:48:46,680 --> 01:48:50,639
Speaker 1: you had the same seventh grade teacher, and you're living

1729
01:48:50,680 --> 01:48:53,519
Speaker 1: how you is, but you didn't change. You just don't

1730
01:48:53,520 --> 01:48:56,599
Speaker 1: want to hang with this particular person. This particular person

1731
01:48:56,720 --> 01:49:00,680
Speaker 1: is looking at you like funck. No, yes, he got

1732
01:49:00,760 --> 01:49:04,639
Speaker 1: a better hitdcut than me. No, you're that's really I think.

1733
01:49:04,680 --> 01:49:09,160
Speaker 1: But I think that's where the rap energy comes from though,

1734
01:49:09,200 --> 01:49:12,840
Speaker 1: because if you think about it, most most artists that

1735
01:49:13,000 --> 01:49:15,840
Speaker 1: come from the inner city that actually find success at music,

1736
01:49:16,439 --> 01:49:20,320
Speaker 1: they're still living within the same walls that everybody else

1737
01:49:20,479 --> 01:49:22,920
Speaker 1: is in, right so, and they don't a lot of

1738
01:49:23,000 --> 01:49:25,479
Speaker 1: times don't know how to actually lead that environment because

1739
01:49:25,600 --> 01:49:28,280
Speaker 1: that's where the palette is for the art. So if

1740
01:49:28,320 --> 01:49:31,120
Speaker 1: you in Memphis, or you in Chicago, you in Miami,

1741
01:49:31,560 --> 01:49:32,760
Speaker 1: and then all of a sudden, I was just with

1742
01:49:32,920 --> 01:49:34,519
Speaker 1: you and we was poor. We was hitting legs he

1743
01:49:34,600 --> 01:49:36,360
Speaker 1: was doing whatever and all sending your music take off

1744
01:49:37,120 --> 01:49:38,760
Speaker 1: and now you got all this, you got all that,

1745
01:49:38,840 --> 01:49:40,519
Speaker 1: you got a fan base, and we're still sitting in

1746
01:49:40,600 --> 01:49:45,360
Speaker 1: the same environment. Envious and jealousy will be the thing

1747
01:49:45,439 --> 01:49:47,640
Speaker 1: that actually assassinates you. So that's why we see all

1748
01:49:47,640 --> 01:49:49,800
Speaker 1: the arts. Now, if you're the military, you absolutely right.

1749
01:49:50,280 --> 01:49:52,120
Speaker 1: I'm the military. I know. Okay, I'm gonna do this

1750
01:49:52,280 --> 01:49:57,240
Speaker 1: sign up and I'm sitting right here. I know what

1751
01:49:57,320 --> 01:49:59,280
Speaker 1: it is, so I think that's what it is. But

1752
01:49:59,360 --> 01:50:01,639
Speaker 1: I would also said it's not just rabbers, it's anybody

1753
01:50:01,720 --> 01:50:04,240
Speaker 1: successful in the hood. But you know, that's another thing

1754
01:50:04,640 --> 01:50:08,240
Speaker 1: that I felt interesting about the movie was there was

1755
01:50:08,320 --> 01:50:11,559
Speaker 1: no like street people other than lou Sorry you took

1756
01:50:11,600 --> 01:50:16,640
Speaker 1: the street row people like everybody else that's lu I

1757
01:50:16,640 --> 01:50:20,400
Speaker 1: don't I don't know what Lua Lua Louis Louis he was.

1758
01:50:21,720 --> 01:50:26,800
Speaker 1: He was an independent entrepreneur everybody else you know something.

1759
01:50:26,920 --> 01:50:28,479
Speaker 1: But that was dope for me to see that, Like,

1760
01:50:28,840 --> 01:50:32,639
Speaker 1: you know, they're going on aside, um, did you ever

1761
01:50:33,160 --> 01:50:36,599
Speaker 1: actually proposed or no, well let's not do that. Okay,

1762
01:50:41,040 --> 01:50:42,880
Speaker 1: let's not do that. Because that was the funniest ship

1763
01:50:43,120 --> 01:50:49,160
Speaker 1: is when um they sat around really doing a lot.

1764
01:50:49,920 --> 01:50:54,479
Speaker 1: Let's but by the way, man, let me let me really,

1765
01:50:54,680 --> 01:50:57,599
Speaker 1: you know, look all for you brothers, face to face

1766
01:50:57,680 --> 01:51:03,360
Speaker 1: out of I'll tell you. I truly enjoyed the movie.

1767
01:51:05,439 --> 01:51:08,760
Speaker 1: Truly wass I wanted took her ticket, good bad, in

1768
01:51:08,880 --> 01:51:12,160
Speaker 1: between whatever, and it's a dope movie, man, it's a

1769
01:51:12,320 --> 01:51:17,760
Speaker 1: dope movie. M I enjoyed it. Um. I thought it

1770
01:51:17,840 --> 01:51:20,080
Speaker 1: was unique. I thought I haven't seen no movie like it,

1771
01:51:21,360 --> 01:51:26,680
Speaker 1: m um. And I thought, I thought what you did?

1772
01:51:26,880 --> 01:51:30,479
Speaker 1: Now knowing that you guys came together and so I'm

1773
01:51:30,520 --> 01:51:33,040
Speaker 1: guessing you had a table read or proved the script

1774
01:51:33,120 --> 01:51:41,720
Speaker 1: or some type of ship and showed up. Let me

1775
01:51:41,760 --> 01:51:43,639
Speaker 1: spik on that for a minute, just just for one second.

1776
01:51:43,800 --> 01:51:45,120
Speaker 1: I know we're gonna get out of in a minute.

1777
01:51:45,120 --> 01:51:48,000
Speaker 1: But no, these guys all trusted me as a filmmaker,

1778
01:51:48,080 --> 01:51:50,320
Speaker 1: the writer and I actually wrote the script while we

1779
01:51:50,360 --> 01:51:55,320
Speaker 1: were shooting, because you feeling the episode power to I've

1780
01:51:55,360 --> 01:52:00,240
Speaker 1: never written in tish script, I know that. But part

1781
01:52:00,280 --> 01:52:02,120
Speaker 1: of but part of being this and this art form

1782
01:52:02,240 --> 01:52:04,479
Speaker 1: is understanding who the talent is and who people you're

1783
01:52:04,479 --> 01:52:06,479
Speaker 1: working with. Like I know what Tip gonna read, I

1784
01:52:06,560 --> 01:52:09,280
Speaker 1: know what Tip ain't gonna read. I also know in

1785
01:52:09,400 --> 01:52:11,600
Speaker 1: the scene when he's gonna be like, hey, man, what

1786
01:52:11,760 --> 01:52:13,439
Speaker 1: is this right here? Because he ain't he ain't seen

1787
01:52:13,479 --> 01:52:15,240
Speaker 1: it yet, you know what I mean, So you have

1788
01:52:15,320 --> 01:52:17,639
Speaker 1: to also be prepared for that. But outside of the movie,

1789
01:52:17,640 --> 01:52:19,360
Speaker 1: I just wanted to say something which I think is

1790
01:52:19,400 --> 01:52:23,479
Speaker 1: super dynamic, man. Um. A lot of people have these

1791
01:52:23,520 --> 01:52:25,719
Speaker 1: conversations about like what we could do as a community

1792
01:52:26,160 --> 01:52:28,160
Speaker 1: and how we can move with black excellence and all

1793
01:52:28,200 --> 01:52:31,760
Speaker 1: this stuff. And obviously everybody individually in here has been successful.

1794
01:52:32,280 --> 01:52:36,200
Speaker 1: That's what's really cool, man. But the reality is what

1795
01:52:36,360 --> 01:52:38,800
Speaker 1: happens a lot of times, man with us as black

1796
01:52:38,880 --> 01:52:41,360
Speaker 1: and brown people, is we don't never unify and do

1797
01:52:41,600 --> 01:52:44,280
Speaker 1: nothing together. You might find one or two people that

1798
01:52:44,400 --> 01:52:45,880
Speaker 1: might be like, yo, I'm gonna do something with him,

1799
01:52:46,160 --> 01:52:48,200
Speaker 1: But normally when we talk about big that's why we

1800
01:52:48,240 --> 01:52:50,800
Speaker 1: don't own no NBA teams, but don't own NFL teams,

1801
01:52:50,800 --> 01:52:53,960
Speaker 1: We don't own nothing, right. But the movie space is

1802
01:52:54,040 --> 01:52:57,040
Speaker 1: just like that, which is there's not a black person

1803
01:52:57,120 --> 01:52:58,960
Speaker 1: in Hollywood that could green light of movie and put

1804
01:52:59,040 --> 01:53:04,240
Speaker 1: it out theatrically a wide period. Tyler period, but Tyler

1805
01:53:04,320 --> 01:53:09,760
Speaker 1: peers now that you wanted to except okay, except okay,

1806
01:53:10,240 --> 01:53:12,240
Speaker 1: we'll keep it. We keep writing on this late. So

1807
01:53:12,439 --> 01:53:13,840
Speaker 1: but what I wanted to say is what I think

1808
01:53:13,880 --> 01:53:16,200
Speaker 1: it's really unique, man, is the fact that we were

1809
01:53:16,240 --> 01:53:19,120
Speaker 1: able to all do this movie together, um, from the

1810
01:53:19,200 --> 01:53:21,920
Speaker 1: top to the bottom, so from the creative to everybody

1811
01:53:22,000 --> 01:53:24,360
Speaker 1: getting involved, from guys wanted to put their money in

1812
01:53:24,400 --> 01:53:27,240
Speaker 1: and invest with me as a black filmmaker and my

1813
01:53:27,360 --> 01:53:29,840
Speaker 1: wife who's a producer, and make this whole thing like

1814
01:53:30,000 --> 01:53:32,519
Speaker 1: just come to life. And now to be able to

1815
01:53:32,600 --> 01:53:36,559
Speaker 1: take it out theatrically by ourselves as well. So that's

1816
01:53:36,680 --> 01:53:38,400
Speaker 1: you know, this is the third fourth time we've done

1817
01:53:38,479 --> 01:53:42,280
Speaker 1: this now taking a film out worldwide theatrical by ourselves.

1818
01:53:42,680 --> 01:53:44,840
Speaker 1: So we have been competing with studios for the last

1819
01:53:44,880 --> 01:53:47,439
Speaker 1: seven eight years. So just to know that we're doing

1820
01:53:47,520 --> 01:53:50,519
Speaker 1: that on this level but with our brothers, it's something

1821
01:53:50,560 --> 01:53:53,400
Speaker 1: really special. Man. I hope that people actually take the

1822
01:53:53,520 --> 01:53:56,280
Speaker 1: time to understand that part of it and just talking

1823
01:53:56,280 --> 01:53:58,120
Speaker 1: about race. Can I say some of us because I

1824
01:53:58,160 --> 01:53:59,720
Speaker 1: always still care a live it, but now that I've

1825
01:53:59,760 --> 01:54:03,080
Speaker 1: had some shots, but just racially, I think that because

1826
01:54:03,120 --> 01:54:05,559
Speaker 1: it's still so taboo to talk about black and white

1827
01:54:05,600 --> 01:54:08,040
Speaker 1: and to talk about race with people of different colors here.

1828
01:54:08,200 --> 01:54:09,920
Speaker 1: And I gotta give shouts out to fifty cent because

1829
01:54:09,920 --> 01:54:13,080
Speaker 1: he said, well, people forget about diversity. Usually is diversity,

1830
01:54:13,880 --> 01:54:18,160
Speaker 1: um And in this film, it's black people and white

1831
01:54:18,200 --> 01:54:21,719
Speaker 1: people and mixed race people and it's not for any reason.

1832
01:54:21,760 --> 01:54:23,960
Speaker 1: They're just there. And I love that about it. It's

1833
01:54:24,000 --> 01:54:26,599
Speaker 1: not like this, this this, this guy's this because he's black,

1834
01:54:26,800 --> 01:54:29,160
Speaker 1: this guy's this because he's white. It's just we're just there.

1835
01:54:29,479 --> 01:54:32,800
Speaker 1: And I think that that's actually a huge advancement in

1836
01:54:33,000 --> 01:54:38,400
Speaker 1: in a in a culture and cultural amalgamation. Can we

1837
01:54:38,480 --> 01:54:41,600
Speaker 1: pick up the females that's in there? Ye, your your

1838
01:54:41,680 --> 01:54:46,000
Speaker 1: female character is awesome and your female character great? Liquor

1839
01:54:46,200 --> 01:55:03,560
Speaker 1: leg can we say they Jessica Lane's lang all alleging

1840
01:55:12,520 --> 01:55:15,840
Speaker 1: sol hold on. And then we got the flowers. We

1841
01:55:15,920 --> 01:55:18,360
Speaker 1: got flowers, God damnit, we got we got four, We

1842
01:55:18,480 --> 01:55:21,600
Speaker 1: got three. We got three there because they we didn't

1843
01:55:21,600 --> 01:55:23,520
Speaker 1: they din' didn't know you was coming. But we're gonna

1844
01:55:23,560 --> 01:55:26,480
Speaker 1: mill you your flowers. And that's real ship, it says

1845
01:55:26,520 --> 01:55:31,320
Speaker 1: drink Chat, literally giving up the flowers. That's right. They

1846
01:55:31,360 --> 01:55:34,080
Speaker 1: told us an hour before he was coming. We did

1847
01:55:34,120 --> 01:55:40,800
Speaker 1: not know. We're gonna small your flowers. Yes, no, no, no, no, no, no,

1848
01:55:40,920 --> 01:55:43,200
Speaker 1: don't got it because they Snoop Dogg said us like

1849
01:55:43,320 --> 01:55:49,760
Speaker 1: getting the Grammy because for your own people, happy man,

1850
01:55:50,800 --> 01:55:55,280
Speaker 1: And I'm gonna be honest brothers. Man, Um, only y'all

1851
01:55:55,320 --> 01:55:58,880
Speaker 1: got a luxurious careers, you know, individually. It's so dope

1852
01:55:58,920 --> 01:56:01,360
Speaker 1: to see y'all come together. I didn't notice until I

1853
01:56:01,480 --> 01:56:03,920
Speaker 1: had obviously had to research it. But it's dope to

1854
01:56:03,960 --> 01:56:07,480
Speaker 1: see people coming together for a common cause and make

1855
01:56:07,520 --> 01:56:11,440
Speaker 1: it work. Like I literally saw this. This movie is

1856
01:56:11,520 --> 01:56:15,080
Speaker 1: dope and it's going to work. And everyone go out

1857
01:56:15,120 --> 01:56:20,360
Speaker 1: there and see it. Uh, it's dope. And and now

1858
01:56:20,440 --> 01:56:22,600
Speaker 1: you got the backstory. Now you got the story of

1859
01:56:22,680 --> 01:56:25,640
Speaker 1: how these brothers came together and said let's do something.

1860
01:56:25,640 --> 01:56:29,360
Speaker 1: And especially during the pandemic, that's so important for people

1861
01:56:29,400 --> 01:56:31,680
Speaker 1: to know that you were still working, that you were

1862
01:56:31,720 --> 01:56:34,640
Speaker 1: still ambitious, you was still hustling, you were still vigorous.

1863
01:56:34,680 --> 01:56:39,920
Speaker 1: She was still I'm trying to use big words, you know,

1864
01:56:40,040 --> 01:56:43,480
Speaker 1: that's the biggest I go. And you're still doing it.

1865
01:56:43,560 --> 01:56:46,200
Speaker 1: You were still working. So what is something that you

1866
01:56:46,280 --> 01:56:48,560
Speaker 1: want to tell the people about this movie? If? Um

1867
01:56:49,680 --> 01:56:51,960
Speaker 1: and damn, how I got another shot and nobody else

1868
01:56:52,000 --> 01:56:56,880
Speaker 1: don't got one again. Just give me one, Terran, But

1869
01:56:56,920 --> 01:56:58,920
Speaker 1: I'm taking another one day because because I'm taking for

1870
01:56:59,000 --> 01:57:02,600
Speaker 1: the movie. Though. Look, the days of reaching up for

1871
01:57:02,720 --> 01:57:07,000
Speaker 1: help are over reach across. Work with your friends, work

1872
01:57:07,040 --> 01:57:09,600
Speaker 1: with the people that you love. You want to build

1873
01:57:09,680 --> 01:57:12,520
Speaker 1: a business, you want to build a corporation. You want

1874
01:57:12,520 --> 01:57:14,400
Speaker 1: to build a company, you want to build your future.

1875
01:57:14,840 --> 01:57:17,880
Speaker 1: Work with your people. Don't wait for nobody to reach

1876
01:57:18,040 --> 01:57:20,840
Speaker 1: down and give you the opportunity. Work with the people

1877
01:57:20,880 --> 01:57:23,640
Speaker 1: that's beside you, that's making it out the mud, like

1878
01:57:23,880 --> 01:57:26,040
Speaker 1: like we did for this project. I mean, we're not

1879
01:57:26,120 --> 01:57:28,760
Speaker 1: out the mud, but we all work together and we

1880
01:57:28,960 --> 01:57:34,240
Speaker 1: build something that's that's that's beautiful work. I think. I

1881
01:57:34,360 --> 01:57:39,320
Speaker 1: think not enough can be said about this gentleman's vision,

1882
01:57:40,720 --> 01:57:45,000
Speaker 1: his vision, his tenacity and and and his ability to

1883
01:57:45,160 --> 01:57:49,360
Speaker 1: execute you know what I mean. Also a couple with

1884
01:57:49,480 --> 01:57:53,040
Speaker 1: his relationships. He got all of us to go do

1885
01:57:53,240 --> 01:57:55,600
Speaker 1: some ship. None of us was playing and don't do

1886
01:57:58,520 --> 01:58:01,840
Speaker 1: in the Haunted house. Yeah, hunted. It was really a

1887
01:58:01,840 --> 01:58:05,080
Speaker 1: hard resort. It was a hunted resort. And that lady

1888
01:58:05,160 --> 01:58:08,960
Speaker 1: is creepy as the motherfucker's great man, great great, that's

1889
01:58:09,080 --> 01:58:13,280
Speaker 1: none of us and it wouldn't no goddamn fast accommodations

1890
01:58:13,480 --> 01:58:21,200
Speaker 1: like your place was that little? I think, I think

1891
01:58:21,240 --> 01:58:24,920
Speaker 1: when you compare it to your spack. What I'm saying,

1892
01:58:26,200 --> 01:58:29,160
Speaker 1: what did he say? He said? He said this, he said,

1893
01:58:29,200 --> 01:58:31,440
Speaker 1: this is not the full season, this is just fall.

1894
01:58:47,520 --> 01:58:49,560
Speaker 1: Let me say this, but we got here because you

1895
01:58:49,680 --> 01:58:51,560
Speaker 1: just said something early, and I want to just before

1896
01:58:51,600 --> 01:58:53,120
Speaker 1: we lead a show, I want to make sure we

1897
01:58:53,200 --> 01:58:57,800
Speaker 1: recognize this. Here's why you're incredible, and this show is incredible.

1898
01:58:57,880 --> 01:59:02,200
Speaker 1: And this is incredible because a long time ago, there

1899
01:59:02,320 --> 01:59:05,160
Speaker 1: was never a platform for this story to be told.

1900
01:59:05,840 --> 01:59:08,240
Speaker 1: So that's why it's important for you to exist right now.

1901
01:59:08,960 --> 01:59:11,560
Speaker 1: Because a movie would go out, they would do what

1902
01:59:11,600 --> 01:59:13,360
Speaker 1: they need to do to make sure people knew of

1903
01:59:13,520 --> 01:59:16,080
Speaker 1: what that movie was. But when our things come out,

1904
01:59:16,480 --> 01:59:19,360
Speaker 1: no one would know the backstory. And now, to date,

1905
01:59:20,000 --> 01:59:22,920
Speaker 1: the only people that know the story about how this

1906
01:59:23,000 --> 01:59:31,160
Speaker 1: movie got put together his gnory and drinks. I don't

1907
01:59:31,160 --> 01:59:34,120
Speaker 1: think and I'm not trying to check y'all. I don't

1908
01:59:34,120 --> 01:59:35,640
Speaker 1: think there's nothing else to do but to take a

1909
01:59:35,680 --> 01:59:39,040
Speaker 1: shot because because I didn't get to say, I didn't

1910
01:59:39,040 --> 01:59:40,600
Speaker 1: get to say, and you can cut this out. I

1911
01:59:40,640 --> 01:59:44,080
Speaker 1: don't mind it because my brother in here. Al he's

1912
01:59:44,120 --> 01:59:52,440
Speaker 1: the biggest drink chance fan ever A Alvin A l

1913
01:59:52,520 --> 02:00:01,400
Speaker 1: B I n altban no take your shot, but I Alvin.

1914
02:00:01,480 --> 02:00:05,120
Speaker 1: Alvin has seen every single every single let's give out

1915
02:00:05,200 --> 02:00:10,240
Speaker 1: what kind of shot do you want? Alvin is he

1916
02:00:10,320 --> 02:00:14,080
Speaker 1: has seen every single episode of from the beginning. He's

1917
02:00:14,120 --> 02:00:19,440
Speaker 1: my friend and my mind, He's my friend. Joseph chose

1918
02:00:19,520 --> 02:00:22,760
Speaker 1: tri quest. I thought I caress one, but that sex

1919
02:00:22,880 --> 02:00:32,040
Speaker 1: me and do man, I'd rather listen to brand newbian Listen, guys, listen, guys.

1920
02:00:32,120 --> 02:00:34,480
Speaker 1: Maybe you guys never have no fear, but y'all go

1921
02:00:34,600 --> 02:00:36,800
Speaker 1: out there and y'all go see Fair and have you

1922
02:00:36,920 --> 02:00:38,720
Speaker 1: that fear fall. I think it's an hour and thirty

1923
02:00:38,760 --> 02:00:46,160
Speaker 1: seven minutes somewhere around that mark. You know, I watched it.

1924
02:00:46,480 --> 02:00:49,680
Speaker 1: It's such a great movie. It's a twister even even

1925
02:00:49,760 --> 02:00:52,480
Speaker 1: though everything you think that I said here, there's so

1926
02:00:52,640 --> 02:00:55,640
Speaker 1: much other ship that's gonna happen that it's like, you know,

1927
02:00:56,160 --> 02:00:58,800
Speaker 1: it's a real dope movie to see these brothers come together.

1928
02:00:59,240 --> 02:01:00,880
Speaker 1: That's why I want the big the sisters as well,

1929
02:01:02,000 --> 02:01:04,960
Speaker 1: because it's just not just brothers getting together. It was

1930
02:01:05,400 --> 02:01:08,440
Speaker 1: them girls did a great job. Man, they did a

1931
02:01:08,480 --> 02:01:14,240
Speaker 1: great girl of scratching yea. So um, it's such a

1932
02:01:14,320 --> 02:01:20,480
Speaker 1: dope man. Your congratulations to you brothers. Because I honestly

1933
02:01:20,560 --> 02:01:23,480
Speaker 1: did not know the story. I just thought this was

1934
02:01:23,920 --> 02:01:28,240
Speaker 1: you know, Fox Theater was giving your money and y'all

1935
02:01:28,320 --> 02:01:30,760
Speaker 1: just spending money. It's just out in Miami, just saying whatever,

1936
02:01:31,280 --> 02:01:34,360
Speaker 1: you know what, going to a movie. And I'm like, oh,

1937
02:01:34,520 --> 02:01:36,760
Speaker 1: ship is as dope. Every woman was a woman of

1938
02:01:36,840 --> 02:01:39,040
Speaker 1: color in that in this film. I didn't think of

1939
02:01:39,080 --> 02:01:40,960
Speaker 1: that till now. Every woman in the film is a

1940
02:01:41,000 --> 02:01:44,360
Speaker 1: woman of color, including including Rock who produced a movie.

1941
02:01:46,800 --> 02:01:49,000
Speaker 1: I mean, yeah, it was. It was super dope man

1942
02:01:49,320 --> 02:01:51,960
Speaker 1: to see it. And I want to say congratulations to

1943
02:01:52,000 --> 02:01:53,640
Speaker 1: each and every one of y'all. I want to say

1944
02:01:53,680 --> 02:02:01,400
Speaker 1: thank you all for coming to Drink Chaps. Yeah. As

1945
02:02:01,480 --> 02:02:04,840
Speaker 1: the co host, I would like to say thank you

1946
02:02:05,120 --> 02:02:08,520
Speaker 1: to the writer and the director and the producer. Thank

1947
02:02:08,600 --> 02:02:12,280
Speaker 1: you to my other producing partners and my other code

1948
02:02:12,360 --> 02:02:15,640
Speaker 1: code uh co stars in the film. Thank you to

1949
02:02:15,680 --> 02:02:18,400
Speaker 1: the people who aren't here. Thank you to the to

1950
02:02:18,560 --> 02:02:22,360
Speaker 1: the crew you know, to the other financiers that are

1951
02:02:22,400 --> 02:02:26,520
Speaker 1: behind the scenes. Thank you to everybody that made this

1952
02:02:27,040 --> 02:02:31,680
Speaker 1: a possibility and a reality. Everybody came together. Everybody kind

1953
02:02:31,720 --> 02:02:34,640
Speaker 1: of stepped out on faith. We believed in his vision.

1954
02:02:35,600 --> 02:02:39,760
Speaker 1: Uh and and he's executed and brought it into fruition,

1955
02:02:40,440 --> 02:02:43,360
Speaker 1: you know, absolutely, in a way that none of us

1956
02:02:43,440 --> 02:02:45,960
Speaker 1: could have envisioned. So I'm just I'm proud on it

1957
02:02:46,400 --> 02:02:48,400
Speaker 1: and and and it's a pleasure to be a part

1958
02:02:48,480 --> 02:02:51,440
Speaker 1: of it. Thank you for allowing me the opportunity. I

1959
02:02:51,480 --> 02:03:00,680
Speaker 1: appreciate it. Love that one say this before I get

1960
02:03:00,720 --> 02:03:02,839
Speaker 1: out there. One thing is so dope is the respect

1961
02:03:02,880 --> 02:03:06,760
Speaker 1: that I see that each of every individual. How how

1962
02:03:06,960 --> 02:03:11,520
Speaker 1: as a director can you maintain these relationships with actors,

1963
02:03:11,560 --> 02:03:15,200
Speaker 1: slash artists, slash rappers? How do you maintain these relationships

1964
02:03:15,240 --> 02:03:19,000
Speaker 1: their real relationships? A lot a lot of time Hollywood

1965
02:03:19,160 --> 02:03:23,240
Speaker 1: entertainment is built on fake nothing is real. Um. I

1966
02:03:23,360 --> 02:03:25,360
Speaker 1: come from a very authentic place. So if I pull

1967
02:03:25,480 --> 02:03:28,000
Speaker 1: you in, it's because I really like you, and I

1968
02:03:28,120 --> 02:03:30,440
Speaker 1: know that I'll rather work with people that I love,

1969
02:03:30,800 --> 02:03:33,840
Speaker 1: that are friends more so than anybody else, that might

1970
02:03:33,880 --> 02:03:36,680
Speaker 1: be fifty times bigger than anybody this table, just because

1971
02:03:36,720 --> 02:03:38,240
Speaker 1: I know I'm gonna do it over and over again

1972
02:03:38,280 --> 02:03:40,800
Speaker 1: with them. So this is real relationships. Outside of the film,

1973
02:03:41,440 --> 02:03:43,320
Speaker 1: I'm hitting them and screaming and yelling like, yo, what

1974
02:03:43,440 --> 02:03:45,920
Speaker 1: you're doing over here. This's just a whole thing. So

1975
02:03:46,760 --> 02:03:49,520
Speaker 1: athentively is what we need right now in the world.

1976
02:03:49,600 --> 02:03:52,720
Speaker 1: And this is what this table represents. Fake love is

1977
02:03:53,960 --> 02:03:56,000
Speaker 1: fake love is worse than real hate. I'm gonna just

1978
02:03:56,080 --> 02:04:00,800
Speaker 1: say that. There's another little dropping all the as A

1979
02:04:01,160 --> 02:04:04,520
Speaker 1: as A as A season twenty year host watching what

1980
02:04:04,720 --> 02:04:07,760
Speaker 1: Nori does right now, Yo, it's really impressed. First of all,

1981
02:04:08,400 --> 02:04:11,640
Speaker 1: ninety five percent of the shows I've hosted there's a teleprompter,

1982
02:04:11,800 --> 02:04:16,840
Speaker 1: so there's no prompter back here. Research research, like off

1983
02:04:16,920 --> 02:04:18,520
Speaker 1: your phone. I know this a little bit of phone,

1984
02:04:18,600 --> 02:04:20,879
Speaker 1: but that's a scary thing because it's not really involved,

1985
02:04:20,920 --> 02:04:28,880
Speaker 1: like you're killing this ship, little honest think honestly really

1986
02:04:28,920 --> 02:04:31,440
Speaker 1: a fan of all of your brothers, but to see

1987
02:04:31,480 --> 02:04:33,720
Speaker 1: your brothers coming together, I didn't know that until just now.

1988
02:04:34,080 --> 02:04:36,760
Speaker 1: So it just made it more interesting because it's like, alright, cool.

1989
02:04:37,240 --> 02:04:39,760
Speaker 1: One thing that we don't have, or one thing that

1990
02:04:39,840 --> 02:04:45,480
Speaker 1: we lack of, is ego. Egos, like if like you know,

1991
02:04:47,680 --> 02:04:50,040
Speaker 1: one of the I don't know what to say, but

1992
02:04:53,960 --> 02:04:57,320
Speaker 1: egos a fuck up thing. And it's also it's also

1993
02:04:57,400 --> 02:04:59,400
Speaker 1: a dope thing. Too, you know what I mean. So

1994
02:04:59,520 --> 02:05:01,360
Speaker 1: you have to know how to be a sea saw

1995
02:05:01,840 --> 02:05:06,240
Speaker 1: in the ego. Want this guy right here like currently

1996
02:05:06,480 --> 02:05:10,120
Speaker 1: and for like the path what is ten years and

1997
02:05:10,200 --> 02:05:13,920
Speaker 1: some ten years has had one of the biggest television

1998
02:05:14,040 --> 02:05:17,720
Speaker 1: shows actors in these two of them like no multiples,

1999
02:05:17,960 --> 02:05:20,960
Speaker 1: we're not even killing multiple right, and then you're talking

2000
02:05:21,000 --> 02:05:26,640
Speaker 1: about one of the fucking uh the pillars of the

2001
02:05:26,960 --> 02:05:33,920
Speaker 1: of the industry. Neither one of these guys came to

2002
02:05:34,040 --> 02:05:37,920
Speaker 1: set any day with ego. It was never like yo, bro,

2003
02:05:38,120 --> 02:05:41,800
Speaker 1: by the way, I'm actually in between power I got like.

2004
02:05:42,320 --> 02:05:46,960
Speaker 1: It was never ego with Joseph once never came on

2005
02:05:47,120 --> 02:05:53,240
Speaker 1: set like yo, guys, you did not ego. I'm not

2006
02:05:53,240 --> 02:05:54,680
Speaker 1: gonna let you do that. I'm not gonna make a

2007
02:05:54,760 --> 02:05:56,600
Speaker 1: joke out of me. And my wife kicked you and

2008
02:05:56,760 --> 02:06:01,680
Speaker 1: King bet your ass in spades. You should have been

2009
02:06:01,720 --> 02:06:10,280
Speaker 1: your partner. A lot of controversy. I distribute this a

2010
02:06:10,440 --> 02:06:12,680
Speaker 1: great deal of ego that day. For the next round,

2011
02:06:14,120 --> 02:06:19,000
Speaker 1: let's let's ask a lifelong question. Is space a black

2012
02:06:19,080 --> 02:06:23,000
Speaker 1: game or is it universal? Let's bring it to you.

2013
02:06:27,760 --> 02:06:32,120
Speaker 1: I'm gonna go universal. I don't think there's anything else.

2014
02:06:32,200 --> 02:06:38,720
Speaker 1: Let's have a shot. I don't know. If you don't

2015
02:06:38,760 --> 02:06:40,960
Speaker 1: play with jokers, then you have to question that, you

2016
02:06:41,040 --> 02:06:44,080
Speaker 1: have to question you know what. And this is all

2017
02:06:44,320 --> 02:06:48,240
Speaker 1: thank you, and this is all I've played. I went,

2018
02:06:48,440 --> 02:06:51,840
Speaker 1: I went to go see Trick Daddy. These niggers had

2019
02:06:51,880 --> 02:06:56,480
Speaker 1: the most fucked up rules I've ever seen. Jokers didn't count,

2020
02:06:57,440 --> 02:07:01,800
Speaker 1: didn't count. It was just like k and joked up.

2021
02:07:01,880 --> 02:07:04,760
Speaker 1: I say, some spades didn't come in my mind. I

2022
02:07:04,840 --> 02:07:07,000
Speaker 1: might be sucking this story up my mom, but it

2023
02:07:07,120 --> 02:07:10,800
Speaker 1: was something funked up like that. And I don't even remember,

2024
02:07:11,000 --> 02:07:14,240
Speaker 1: but I remember I said, the South niggas John and

2025
02:07:14,400 --> 02:07:17,160
Speaker 1: I sat there and I said, I learned. It took

2026
02:07:17,200 --> 02:07:21,320
Speaker 1: me two hands and then I discovered when I got

2027
02:07:21,400 --> 02:07:24,680
Speaker 1: the hands and I whipped them. I played their way

2028
02:07:24,760 --> 02:07:29,600
Speaker 1: to win. I guess what. Classic I don't want to

2029
02:07:29,640 --> 02:07:34,480
Speaker 1: call us New York ship, but classic me ship. Soon

2030
02:07:34,560 --> 02:07:38,880
Speaker 1: as I won, I quit, Oh good thing you wanted

2031
02:07:38,920 --> 02:07:43,240
Speaker 1: playing dice? No this spade. As soon as I want

2032
02:07:43,960 --> 02:07:46,600
Speaker 1: three hands umber, I said, okay, fa us it for me,

2033
02:07:47,560 --> 02:07:49,320
Speaker 1: and I comped up, like you know how you win

2034
02:07:49,400 --> 02:07:52,200
Speaker 1: in Vegas and you know you're not gonna get winning? Yeah? Yeah,

2035
02:07:52,800 --> 02:07:55,680
Speaker 1: So are we taking a shot for that. Definitely, for

2036
02:07:55,840 --> 02:08:00,240
Speaker 1: Fear for Fear, great fucking movie, great fucking cay think

2037
02:08:00,720 --> 02:08:09,640
Speaker 1: ja Yes, And I'm so happy that that people can

2038
02:08:09,800 --> 02:08:12,760
Speaker 1: explain that brothers can come together and make a movie

2039
02:08:12,840 --> 02:08:16,200
Speaker 1: on their own because for most part it's independent, because

2040
02:08:16,320 --> 02:08:21,480
Speaker 1: y'all are the independent for the most part. And it's

2041
02:08:21,560 --> 02:08:24,200
Speaker 1: rare because it's it's even hard to say. Even even

2042
02:08:24,280 --> 02:08:27,200
Speaker 1: when I was doing the Intruder, I didn't understand the

2043
02:08:27,240 --> 02:08:31,000
Speaker 1: whole process. Another shout out to Omar Joseph. But um Dion,

2044
02:08:31,720 --> 02:08:36,920
Speaker 1: this is independent and completion. This is the hitting. Empire

2045
02:08:37,040 --> 02:08:41,000
Speaker 1: Films is getting this into theaters. Not Sony, not anybody else,

2046
02:08:41,080 --> 02:08:43,920
Speaker 1: not no big names. Every film we've made is an

2047
02:08:43,920 --> 02:08:45,840
Speaker 1: independent movie. That means we put up our own money

2048
02:08:45,880 --> 02:08:48,920
Speaker 1: and make the film complete. And then you have Beef

2049
02:08:48,920 --> 02:08:57,120
Speaker 1: for Gaszi. At one point, Gazi Empire records me. Yeah, no, no, no,

2050
02:08:58,000 --> 02:09:02,200
Speaker 1: I'm speaking, I'm speaking for him. He had be Empire.

2051
02:09:02,240 --> 02:09:05,280
Speaker 1: They just happened to have the same at the end,

2052
02:09:05,560 --> 02:09:09,040
Speaker 1: so which brings a lot of you know, it could

2053
02:09:09,040 --> 02:09:12,840
Speaker 1: be like, all right, you Empire Productions, right, what you're

2054
02:09:12,880 --> 02:09:16,680
Speaker 1: talking about now, listen what Empire? What you're talking about

2055
02:09:16,800 --> 02:09:20,840
Speaker 1: is Empire the TV show for Fox, them and guys

2056
02:09:20,960 --> 02:09:27,320
Speaker 1: that had a situation. He's getting Empire, getting Empire production

2057
02:09:27,440 --> 02:09:36,440
Speaker 1: company didn't even see. Yeah, yeah, that's why you couldn't

2058
02:09:36,440 --> 02:09:45,800
Speaker 1: get me caught in the twitters? Get me? Do you

2059
02:09:46,000 --> 02:09:50,080
Speaker 1: think wart tip the students exactly? What all these things

2060
02:09:51,280 --> 02:09:54,840
Speaker 1: is that? Holy ship? Come on? Do you wanna skip?

2061
02:09:55,320 --> 02:09:57,440
Speaker 1: This little shot right here? Is bothering me? Come on? No,

2062
02:09:57,720 --> 02:10:05,880
Speaker 1: you could look at this, Look at Louis Louis Mann.

2063
02:10:07,040 --> 02:10:09,160
Speaker 1: Can we have a shot for terences a watch? Can

2064
02:10:09,200 --> 02:10:20,680
Speaker 1: we have Yeah? Let's there we go. All right now

2065
02:10:20,720 --> 02:10:26,400
Speaker 1: you are smooth nigger. I ain't gonna lie. Nah, come on,

2066
02:10:27,040 --> 02:10:31,000
Speaker 1: yo yo yo. Listen to fair everybody, and to not

2067
02:10:31,120 --> 02:10:34,640
Speaker 1: having fair. This is the fair, Okay to not having fair.

2068
02:10:34,800 --> 02:10:37,000
Speaker 1: That's not a shot so fair. That is a drink? Okay,

2069
02:10:37,120 --> 02:10:40,880
Speaker 1: listen you know this is professional drink champs. Yes, yes,

2070
02:10:41,720 --> 02:10:45,200
Speaker 1: that's also a drink. Okay, this shot? Can you take it?

2071
02:10:45,240 --> 02:10:52,640
Speaker 1: A ready? All right? Cool question? Let me see if

2072
02:10:53,400 --> 02:11:00,240
Speaker 1: key time this cup is hunted. This show is like

2073
02:11:00,480 --> 02:11:07,960
Speaker 1: anything else. Thank you. I'm like no, I was, I was,

2074
02:11:08,080 --> 02:11:10,000
Speaker 1: I was. I just wanted to know, like what what

2075
02:11:10,280 --> 02:11:18,240
Speaker 1: what is fair? Fear? No fear fall fair Baby. That's

2076
02:11:18,240 --> 02:11:20,760
Speaker 1: the name of the movie. That is the dopest movie

2077
02:11:23,560 --> 02:11:25,400
Speaker 1: you should you should find out about it. You did

2078
02:11:25,480 --> 02:11:31,200
Speaker 1: what I'm saying, coming out? Catta, it's coming out. It's

2079
02:11:31,200 --> 02:11:34,080
Speaker 1: coming out. No, it's coming out to night, Yes, tonight

2080
02:11:34,360 --> 02:11:38,600
Speaker 1: local movie theaters. Do we remember what these theaters all everywhere?

2081
02:11:38,760 --> 02:11:42,880
Speaker 1: I love him here near year, So y'a' not like

2082
02:11:43,240 --> 02:11:55,120
Speaker 1: just at fourteen? Come on, like, okay, how about that's

2083
02:11:55,160 --> 02:11:57,760
Speaker 1: the motherfucker ships everywhere I'm reading out of theater. Man,

2084
02:11:57,800 --> 02:12:09,360
Speaker 1: I'm gonna throw it out there. You got another one

2085
02:12:09,480 --> 02:12:19,480
Speaker 1: to have a shot. Yeah, now what's the game? Fellers?

2086
02:12:19,600 --> 02:12:21,560
Speaker 1: Thank you all for staying so long, thank you for coming,

2087
02:12:21,760 --> 02:12:24,480
Speaker 1: thank you for thinking of us. But also let me

2088
02:12:24,520 --> 02:12:29,440
Speaker 1: also thank you' all for coming together and showing togetherness,

2089
02:12:29,480 --> 02:12:33,560
Speaker 1: showing that men can come together, showing that we can

2090
02:12:33,840 --> 02:12:36,120
Speaker 1: and own some ship that because that's basically the premise

2091
02:12:36,240 --> 02:12:38,360
Speaker 1: of what we're saying. It's like, all right, let's go

2092
02:12:38,480 --> 02:12:40,760
Speaker 1: make a great movie, but most of us make a

2093
02:12:40,840 --> 02:12:44,960
Speaker 1: great movie and lions Gate only that's right, that's right. Uh,

2094
02:12:45,440 --> 02:12:48,440
Speaker 1: Fox News on it, the Fox flash like whatever, the

2095
02:12:49,000 --> 02:12:51,800
Speaker 1: search search of some ships, like you know what, you know,

2096
02:12:51,880 --> 02:12:54,280
Speaker 1: you know what? I'm going on, when when you when

2097
02:12:54,320 --> 02:12:58,520
Speaker 1: you do my people, piece of the piece of Warner Brothers.

2098
02:13:00,040 --> 02:13:03,360
Speaker 1: These deals so long ago, like every like, all the

2099
02:13:03,440 --> 02:13:06,720
Speaker 1: money's on the screen. It's not like you you don't

2100
02:13:06,800 --> 02:13:08,400
Speaker 1: when when you shoot a movie like this's not like

2101
02:13:08,480 --> 02:13:13,480
Speaker 1: you come. You don't come to make money. You come

2102
02:13:13,520 --> 02:13:17,080
Speaker 1: to invest in your future. You come to invest in

2103
02:13:17,680 --> 02:13:20,400
Speaker 1: the project. That's what I'm saying. Dion puts all the

2104
02:13:20,480 --> 02:13:23,280
Speaker 1: money on the screen. So it's not like we can't.

2105
02:13:23,280 --> 02:13:25,760
Speaker 1: None of us came for a payday. We can't for

2106
02:13:25,840 --> 02:13:30,280
Speaker 1: the long haul. Did you have trailers? Um? Nah, we

2107
02:13:30,440 --> 02:13:34,200
Speaker 1: had rooms in this hunted as cabin. There was it was.

2108
02:13:34,320 --> 02:13:43,000
Speaker 1: It was really harness. No, not real spill trailers. Is

2109
02:13:43,040 --> 02:13:47,800
Speaker 1: that independent ground I'm talking about. We own it, but

2110
02:13:47,920 --> 02:13:49,640
Speaker 1: we will end it on ownership because a lot of

2111
02:13:49,680 --> 02:13:52,840
Speaker 1: people lie about ownership. Reality is we owned the film

2112
02:13:53,720 --> 02:13:55,640
Speaker 1: at the end of the day, every movie that we

2113
02:13:55,720 --> 02:13:59,400
Speaker 1: have made, we own it. And these guys own at

2114
02:13:59,400 --> 02:14:03,880
Speaker 1: one time said what's happd Rock saying man, because yeah,

2115
02:14:06,200 --> 02:14:18,240
Speaker 1: thank you, thank you. Let's flowers to man. I'm not

2116
02:14:19,480 --> 02:14:22,360
Speaker 1: the last one is for y'all. It's for y'all. Know

2117
02:14:23,000 --> 02:14:24,800
Speaker 1: you know I've been doing this for you for years,

2118
02:14:25,120 --> 02:14:27,520
Speaker 1: the last mother friends and by the way, let me,

2119
02:14:27,840 --> 02:14:30,800
Speaker 1: let me um, let me pick up to the trap cafe.

2120
02:14:30,960 --> 02:14:34,960
Speaker 1: What was it cafe? Man? I came out there. I

2121
02:14:35,040 --> 02:14:37,040
Speaker 1: won my ward. You know it was ironic. I just

2122
02:14:37,080 --> 02:14:39,960
Speaker 1: played a record at me and you got together. And

2123
02:14:40,680 --> 02:14:42,680
Speaker 1: it had to be a year or two years ago,

2124
02:14:42,760 --> 02:14:45,680
Speaker 1: I said, because I said, I said, I went platinum

2125
02:14:45,680 --> 02:14:50,920
Speaker 1: and never won no awards. Thank you. Ironically my one

2126
02:14:51,000 --> 02:14:59,600
Speaker 1: award that I actually won, you presented that. I said that, right,

2127
02:14:59,720 --> 02:15:01,560
Speaker 1: So I gotta change the line. I don't know. If

2128
02:15:01,560 --> 02:15:03,360
Speaker 1: I gotta tell a lot of leadership. I don't know.

2129
02:15:03,840 --> 02:15:05,720
Speaker 1: But we just played it, and that's just sound good.

2130
02:15:05,760 --> 02:15:08,080
Speaker 1: You don't even remember when you played. Remember I swear

2131
02:15:08,160 --> 02:15:12,240
Speaker 1: to guard. I don't remember saying that's that's what it did.

2132
02:15:12,360 --> 02:15:15,880
Speaker 1: Sound good? Killed down. I was almost gonna gasp you

2133
02:15:16,360 --> 02:15:24,280
Speaker 1: to film your part right there. And still got the

2134
02:15:24,320 --> 02:15:26,560
Speaker 1: best shoes in the building. We still got the best

2135
02:15:26,600 --> 02:15:28,520
Speaker 1: shoes in the building. I'm number two with the college.

2136
02:15:28,880 --> 02:15:31,040
Speaker 1: Time for Queens, I'm number two. I'm number two with

2137
02:15:31,120 --> 02:15:37,280
Speaker 1: the college. A little with the college. Somebody to tell Canada,

2138
02:15:37,280 --> 02:15:39,600
Speaker 1: I'm still await No man, you don win the Saudi

2139
02:15:39,600 --> 02:15:42,640
Speaker 1: Arabia with this nig Now. They tell me we're gonna

2140
02:15:42,640 --> 02:15:45,240
Speaker 1: get them. They tell me they we're gonna get them

2141
02:15:45,240 --> 02:15:47,680
Speaker 1: to me. They said it was in the mail. Still

2142
02:15:47,880 --> 02:15:53,880
Speaker 1: checking the ma. I'm still chicken the mayor. Yo, all

2143
02:15:53,920 --> 02:15:57,480
Speaker 1: of you brothers. Man, thank y'all so much. Man, appreciate that. Man,

2144
02:15:58,240 --> 02:16:15,760
Speaker 1: you took yours already. I thought that one. They got

2145
02:16:15,840 --> 02:16:19,600
Speaker 1: status over here. I'm gonna take this day. I'm gonna

2146
02:16:19,880 --> 02:16:27,000
Speaker 1: some pictures and that's it. Yeah. Yeah, but this was

2147
02:16:27,040 --> 02:16:29,000
Speaker 1: a good one. This was a good one to get.

2148
02:16:30,680 --> 02:16:33,080
Speaker 1: Thanks for joining us for another episode of Drink Champs

2149
02:16:33,160 --> 02:16:35,760
Speaker 1: hosted by yours truly, d J E F and n

2150
02:16:35,800 --> 02:16:37,840
Speaker 1: O r E. Please make sure to follow us on

2151
02:16:37,920 --> 02:16:41,040
Speaker 1: all our socials. Let's at drink Champs across all platforms

2152
02:16:41,600 --> 02:16:45,040
Speaker 1: at the Real Noriegan. I g at Noriega on Twitter,

2153
02:16:45,480 --> 02:16:48,440
Speaker 1: mine is at Who's Crazy on I g at d

2154
02:16:48,600 --> 02:16:51,160
Speaker 1: J e F N on Twitter, And most importantly, stay

2155
02:16:51,240 --> 02:16:54,199
Speaker 1: up to date with the latest releases, news and merch

2156
02:16:54,400 --> 02:17:02,480
Speaker 1: by going to drink Champs dot com. Cannedee Gnedee Manee