WEBVTT - S3E1: Satan's Last Stronghold

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<v Speaker 1>Hey there, it's your host ed helms.

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<v Speaker 2>Here.

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<v Speaker 1>Real quick, before we dive into this episode, I wanted

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<v Speaker 1>to remind you that my brand new book is coming

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<v Speaker 1>out on April twenty ninth. It's called Snaffo, The Definitive

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<v Speaker 1>Guide to History's Greatest screw Ups, and you can pre

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<v Speaker 1>order it right now at snafudashbook dot com. Trust me,

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<v Speaker 1>if you like this show, you're gonna love this book.

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<v Speaker 1>It's got all the wild disasters spectacular face plants we

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<v Speaker 1>just couldn't squeeze into this podcast. And here's the kicker.

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<v Speaker 1>I am also going on tour to celebrate. That's right.

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<v Speaker 1>I'm coming to New York, DC, Boston, Atlanta, Philadelphia, Chicago,

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<v Speaker 1>San Francisco, and my hometown Los Angeles. So if you've

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<v Speaker 1>ever wanted to see me stumble through a live Q

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<v Speaker 1>and A or dramatically read about a kiddie cat getting

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<v Speaker 1>turned into a CIA operative, now's your chance again. Head

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<v Speaker 1>to snafoo dashbook dot com to pre order the book

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<v Speaker 1>and check out all the tour details and day, or

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<v Speaker 1>just click the link in the show notes. That'll work too. Okay,

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<v Speaker 1>that's it, on with the chaos. This is Snafu Season

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<v Speaker 1>three formula six. November thirtieth, nineteen twenty eight, Cleveland, Ohio.

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<v Speaker 1>The city has just opened a new music hall downtown.

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<v Speaker 1>It's nineteen twenties opulence from top to bottom, arched ceilings

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<v Speaker 1>in an Italian style, columns and balconies glowing with gold leaf,

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<v Speaker 1>a giant plaster eagle looking down over the stage. Maybe

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<v Speaker 1>not how I would do the decor, more into tasteful

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<v Speaker 1>minimalism myself, but the folks in Cleveland are eating it up.

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<v Speaker 1>A massive sparkling chandelier spills light over a crowd of

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<v Speaker 1>thousands who are all losing their minds hearing for the

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<v Speaker 1>Paul Whiteman Orchestra playing their hits. They're the most popular

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<v Speaker 1>band in America, and they have a talented young coronetist

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<v Speaker 1>blowing sweet notes from his that's Bis bider Beck on

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<v Speaker 1>the coronet. How many folks named Bix nowadays? I'd say,

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<v Speaker 1>you know you're in the twenties, baby. He's standing in

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<v Speaker 1>the back row of the band doing his thing. Bix

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<v Speaker 1>is a small, dapper fella, dressed in a tux with

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<v Speaker 1>slicked brown hair parted down the middle like an open

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<v Speaker 1>Faulkner novel. A few songs into the performance, something strange happens.

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<v Speaker 1>Bix's eyes rolled back, He slumps over on the stage

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<v Speaker 1>and falls to the ground completely unconscious. A band mate

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<v Speaker 1>jolts him awake, helps him backstage, and eventually he takes

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<v Speaker 1>him back to his hotel room. That night, Bix has

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<v Speaker 1>a freak out in his hotel room. He yells hysterically,

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<v Speaker 1>he destroys furniture. This surprised everyone who knew him. He

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<v Speaker 1>was a jazz musician, I a member of led Zeppelin.

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<v Speaker 1>His bandmates would later describe it as a fit of delirium.

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<v Speaker 1>They said he cracked.

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<v Speaker 3>Up Yon Jo or Yon.

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<v Speaker 4>True.

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<v Speaker 5>Just a little song Keep Georgia on my Mind.

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<v Speaker 1>Georgia on My Mind, That Little Diddy is the American

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<v Speaker 1>songbook classic Georgia on My Mind. Maybe you know the

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<v Speaker 1>iconic Ray Charles version, but this is an original recording

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<v Speaker 1>with the composer Hogy Carmichael from the last recording session

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<v Speaker 1>of Bix's career. In his solo, you can still hear

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<v Speaker 1>Bix's genius, and though you might not be able to tell,

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<v Speaker 1>Bis reportedly didn't have enough breath to finish some of

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<v Speaker 1>the gorgeous phrases in his solo Towards the end of

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<v Speaker 1>the song, Bix is struggling. He never really recovers. A

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<v Speaker 1>year later, Bis is home in his queen's New York apartment.

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<v Speaker 1>By now, he's bedridden, down to just one hundred and

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<v Speaker 1>fifty pounds, complaining of constant headaches, dizziness, memory loss, and blackouts.

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<v Speaker 1>This summer night, a neighbor visits and finds Bix in

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<v Speaker 1>bed under the sheets, hallucinating. Bix dies that night. He

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<v Speaker 1>was just twenty eight. What happened to him? That question

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<v Speaker 1>haunted Bix's family and his fans. Sure they knew Bix

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<v Speaker 1>wasn't well, and they knew that, like a lot of

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<v Speaker 1>touring musicians, Bicks was a heavy drinker. That had been

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<v Speaker 1>true since his teens, But it would take years for

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<v Speaker 1>anyone to see how this all fit into a larger story.

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<v Speaker 1>In the nineteen twenties, taking a drink put Bix, along

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<v Speaker 1>with me millions of Americans, right in the middle of

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<v Speaker 1>the decade's bitter divide over alcohol. In the end, the

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<v Speaker 1>war between the wets and the dryes would have a

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<v Speaker 1>massive human cost. I'm ed Helms and This is Snaffo,

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<v Speaker 1>a show about history's greatest screw ups. Last season, we

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<v Speaker 1>told the story of the burglary that exposed Jay Edgar

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<v Speaker 1>Hoover's secret FBI. This season, we go back a little

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<v Speaker 1>further in time, all the way to the nineteen twenties.

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<v Speaker 1>We're bringing you a dark tale from the heart of

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<v Speaker 1>the Prohibition era. As we all know, Prohibition did not work.

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<v Speaker 1>It was what you might call a snaffoo. Within that

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<v Speaker 1>snaffo is another snaffhoo, one you probably haven't heard about.

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<v Speaker 1>How a lot of Americans started dying mysteriously and the

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<v Speaker 1>unlikely duo who tried to figure out why and save them.

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<v Speaker 1>On this season of Snaffo, the story of Formulas. How

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<v Speaker 1>prohibitions wore on alcohol went so off the rails the

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<v Speaker 1>government wound up poisoning its own people. I thought I

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<v Speaker 1>had a pretty good handle on prohibition. The nineteen twenties,

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<v Speaker 1>the era before the Great Depression, when we felt like, hey,

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<v Speaker 1>world War One is over, what better to do than party?

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<v Speaker 1>The Harlem Renaissance, jazz votes for women. America was feeling

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<v Speaker 1>a burst of new energy. We were trying out cars,

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<v Speaker 1>trying out radio. Heck, we were trying out movies. And

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<v Speaker 1>as a Georgia boy, I can't help loving how much

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<v Speaker 1>love Georgia was getting in that decade. In addition to

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<v Speaker 1>Georgia on my mind, another classic emerged, Sweet Georgia Brown.

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<v Speaker 1>And the background to all of that was, of course, Prohibition.

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<v Speaker 1>It's just kind of part of our mental furniture. Right.

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<v Speaker 1>For me, the word Prohibition takes me back to all

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<v Speaker 1>the great portrayals in classic American cinema, like The Untouchables,

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<v Speaker 1>two straight hours of mafia set pieces. Who could forget

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<v Speaker 1>when elliot Ness faces down Al Capone in a hotel lobby?

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<v Speaker 1>Come on, you can't discern up a pitch? Do you

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<v Speaker 1>talk to me like that in front of my son?

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<v Speaker 1>If you didn't sneak out to hear de Niro drop

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<v Speaker 1>f bombs in an Italian accent, were you even thirteen?

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<v Speaker 1>The summer the Untouchables came out. I mean, just listen

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<v Speaker 1>to that, macho chest thumping cops and mobsters, good guys

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<v Speaker 1>and bad guys going toe to toe. It's classic Hollywood

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<v Speaker 1>stuff that just reels you in. But then, well, I

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<v Speaker 1>heard the story of a Prohibition snafo that genuinely surprised

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<v Speaker 1>me because it wasn't part of the Prohibition story that

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<v Speaker 1>I knew. It was the story of Formula six and

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<v Speaker 1>a devastating Prohibition era program by the federal government. Hey, honey,

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<v Speaker 1>have you ever heard of Formula six?

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<v Speaker 4>Now?

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<v Speaker 1>Yeah, almost no one had. So I called up someone

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<v Speaker 1>who really brought Prohibition into focus for me, along with

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<v Speaker 1>millions of TV fans like me. Hey, so good to

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<v Speaker 1>meet you, man, it's so so great to meet you.

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<v Speaker 1>That's Terence Winter, creator of the epic TV series Boardwalk Empire.

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<v Speaker 1>I put the question to him, I'm curious if you're

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<v Speaker 1>if you hit on in your research, are you familiar

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<v Speaker 1>with Formula six? I am not, And that was wild

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<v Speaker 1>to me because his show is stacked with the kinds

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<v Speaker 1>of details that made nineteen twenties Atlantic City come to life.

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<v Speaker 5>Even though it's one hundred years ago, it's still felt modern.

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<v Speaker 5>People dressed in suits, they went out to restaurants, they

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<v Speaker 5>talked on telephone, they drove in cars.

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<v Speaker 1>You know, it's still felt cool. It still felt like excessive.

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<v Speaker 5>Well this was modern. You know you could wear some

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<v Speaker 5>of those clothes today.

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<v Speaker 1>I mean, I gotta say, I do look pretty good

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<v Speaker 1>in a pair of spats. But the sense we have

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<v Speaker 1>that we already know prohibition, it can actually lead us astray.

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<v Speaker 1>A little, because cliches about life in the nineteen twenties

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<v Speaker 1>are so thick, we assume we know what it's all about.

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<v Speaker 1>You know, liquor was made illegal. It was a big mistake.

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<v Speaker 1>There was a bunch of mobsters and Tommy guns, and

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<v Speaker 1>then it got repealed. Yeah.

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<v Speaker 5>I mean, every time you ever see anything in the twenties,

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<v Speaker 5>everybody's doing the fucking Charleston. I was like, did they

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<v Speaker 5>do any other songs written between nineteen twenty and nineteen thirty?

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<v Speaker 1>Obviously, yes, I mean we're talking about the birth of jazz.

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<v Speaker 1>We're talking about Louis Armstrong, Duke Ellington, Eddie Lang Earl Hines.

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<v Speaker 1>I could go on. The point is we tend to

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<v Speaker 1>paint history with broad brushes, like Terry says, when we

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<v Speaker 1>think about the Prohibition era, our minds probably go immediately

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<v Speaker 1>to the cliches we know best, and the real complex

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<v Speaker 1>human lives that ordinary people lived in the past don't

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<v Speaker 1>always come through when we talk about history. But this story,

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<v Speaker 1>the story of Formula six, reveals something bizarre that was

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<v Speaker 1>happening all along. Underneath all the organized crime and speak

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<v Speaker 1>easy gin and temperance moralizing, a shocking government plot rooted

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<v Speaker 1>in the first modern American culture war. It starts with

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<v Speaker 1>a pair of scientists, investigators who happened to see it coming.

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<v Speaker 1>In fact, they tried to stop it. It's nineteen eighteen

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<v Speaker 1>in New York and the city is facing a problem. Okay,

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<v Speaker 1>the city is facing a lot of problems, but here's

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<v Speaker 1>a tricky one. A record number of murders are going unsolved.

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<v Speaker 1>A city report lays blamed squarely on one government office,

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<v Speaker 1>in particular, the office of the coroner. The coroner was

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<v Speaker 1>essentially the city's chief death investigator. He issued death certificates

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<v Speaker 1>and performed autopsies for all murders, suicides, and accidental debts.

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<v Speaker 1>A pretty grim but important job, and yet the city's

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<v Speaker 1>coroners were either horribly unqualified or terribly corrupt, or quite

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<v Speaker 1>often both.

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<v Speaker 4>They made coroners out of anyone who needed a job,

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<v Speaker 4>who the party machine owed them a favor.

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<v Speaker 1>That's Deborah Blum, author of the Poisoner's Handbook, Murder and

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<v Speaker 1>the Birth of Forensic Medicine. In jazz Age, New York.

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<v Speaker 1>She describes how at the time, the police essentially used

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<v Speaker 1>coroners to rubber stamp false reports and sometimes even cover

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<v Speaker 1>up murders. And when she says anyone could become a coroner,

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<v Speaker 1>she means it.

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<v Speaker 4>There were sign painters that were milkmen. There were funeral

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<v Speaker 4>home operators, there were lawyers, and there were notably doctors

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<v Speaker 4>who were such terrible doctors that they had lost their practices.

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<v Speaker 1>And if you think that's bad, let me introduce you

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<v Speaker 1>to the head corner of New York in nineteen eighteen,

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<v Speaker 1>a guy who showed up to crime scenes completely hammered.

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<v Speaker 4>There are death certificates that literally say could be diabetes

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<v Speaker 4>or possibly an auto accident. Right, I mean, you're just

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<v Speaker 4>going seriously.

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<v Speaker 1>After stories like that started coming to light, the mayor

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<v Speaker 1>had no choice but to make some changes. It was

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<v Speaker 1>time to find someone who could get to the bottom

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<v Speaker 1>of all these crimes, someone who is less Homer Simpson

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<v Speaker 1>and more Sherlock Holmes or I don't know, maybe anyone

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<v Speaker 1>who could stand upright. City officials decided the coroner's office

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<v Speaker 1>was a joke, an embarrassment, and a waste of taxpayers money,

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<v Speaker 1>so they shut it down. But they couldn't just ignore

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<v Speaker 1>the reasons people died in New York. They had to

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<v Speaker 1>replace it with something. Their idea, a new system for

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<v Speaker 1>the city and a new position that would be filled

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<v Speaker 1>by a qualified doctor who would appoint a trained staff

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<v Speaker 1>to examine cases and rule on causes of death. This

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<v Speaker 1>new lead position was chief Medical Examiner of New York City.

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<v Speaker 1>So they announced the job opening and in walk de

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<v Speaker 1>fella named Charles Norris. H no love Walker Texas ranger

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<v Speaker 1>Chuck Norris, and god knows, I'm scared of him. But

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<v Speaker 1>just to be clear, this is doctor Charles Norris of

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<v Speaker 1>New York, New York.

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<v Speaker 4>He was a really big guy and he had one

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<v Speaker 4>of those kind of classic spade like beards. He had

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<v Speaker 4>a big booming voice and a a Yale football player's presence,

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<v Speaker 4>and he used it when he needed to.

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<v Speaker 1>That's right. This particular Norris was a yalely with the

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<v Speaker 1>appropriate aristocratic roots.

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<v Speaker 4>He was a descendant of the Norrises who founded Norristown, Pennsylvania.

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<v Speaker 4>So they were a long time, well established, important American family.

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<v Speaker 1>Which means that yep, Norris was rich rich. He didn't

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<v Speaker 1>hide it. Norris was a public servant who rode around

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<v Speaker 1>like Bruce Wayne.

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<v Speaker 4>He never went anywhere without his being driven by his chauffeur.

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<v Speaker 4>And even when he went to crime scenes, you know,

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<v Speaker 4>his chauffeur would take him to the crime scene and

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<v Speaker 4>he would get out in his Kashmir coat and his

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<v Speaker 4>expensive hat.

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<v Speaker 1>Not exactly a man of the people, you'd think, but

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<v Speaker 1>money bags aside. It turns out public service actually ran

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<v Speaker 1>deep in Norris's blood. Norris's ancestors fought in the Revolutionary War.

0:14:49.760 --> 0:14:53.600
<v Speaker 1>Ever heard of it. They stripped lead gutters and rain

0:14:53.680 --> 0:14:57.520
<v Speaker 1>spouts from their house to make bullets for the Continental Army. Yeah,

0:14:57.560 --> 0:15:02.520
<v Speaker 1>the house is flooding again. Smoking chair will be ruined.

0:15:02.320 --> 0:15:03.000
<v Speaker 6>My beloved.

0:15:03.200 --> 0:15:06.640
<v Speaker 4>It is the sacrifice we make to bring forth a

0:15:06.800 --> 0:15:07.480
<v Speaker 4>new nation.

0:15:10.480 --> 0:15:13.920
<v Speaker 1>And then in the Civil War, Norris's grandfather negotiated the

0:15:13.960 --> 0:15:17.960
<v Speaker 1>first one hundred million dollar loan financing the Union government's

0:15:18.040 --> 0:15:19.640
<v Speaker 1>war against the Confederates.

0:15:19.720 --> 0:15:22.240
<v Speaker 3>All of the all of the.

0:15:24.200 --> 0:15:26.880
<v Speaker 1>Norris took the do gooder spirit of his ancestors and

0:15:26.920 --> 0:15:30.360
<v Speaker 1>studied medicine, became a doctor, And now as the Great

0:15:30.440 --> 0:15:33.120
<v Speaker 1>War raged in Europe, he was looking to do his

0:15:33.200 --> 0:15:36.640
<v Speaker 1>part to keep the people of New York safe. So

0:15:36.920 --> 0:15:39.000
<v Speaker 1>he made a real run at the position of Chief

0:15:39.040 --> 0:15:43.120
<v Speaker 1>Medical Examiner when the job opened up, an actually qualified

0:15:43.120 --> 0:15:48.360
<v Speaker 1>doctor who wanted to use his position for the public good. Well,

0:15:48.520 --> 0:15:51.040
<v Speaker 1>it turns out that even for someone who wanted to

0:15:51.080 --> 0:15:53.920
<v Speaker 1>do good, even after he started his job as chief

0:15:53.920 --> 0:16:00.400
<v Speaker 1>medical Examiner, the odds were stacked against him because it

0:16:00.480 --> 0:16:04.360
<v Speaker 1>turns out there were plenty of officials who simply liked

0:16:04.520 --> 0:16:08.000
<v Speaker 1>the old way of doing things. Norris's budget for his

0:16:08.080 --> 0:16:12.640
<v Speaker 1>staff and his workspace was laughably small that drunk corner

0:16:12.920 --> 0:16:15.680
<v Speaker 1>had left him in office literally in shambles.

0:16:16.960 --> 0:16:19.120
<v Speaker 4>At one point, he was actually forced to buy the

0:16:19.160 --> 0:16:24.640
<v Speaker 4>clocks on the walls of the Medical Examiner's office because

0:16:24.720 --> 0:16:27.720
<v Speaker 4>the mayor the budget is such an agree that they

0:16:27.760 --> 0:16:29.200
<v Speaker 4>couldn't even afford clock.

0:16:31.840 --> 0:16:35.880
<v Speaker 1>Before, police officers used corners to play their political games,

0:16:36.880 --> 0:16:39.520
<v Speaker 1>but now with Norris in charge, they were in for

0:16:39.560 --> 0:16:42.640
<v Speaker 1>a surprise. Like when a few officers brought Norris a

0:16:42.680 --> 0:16:46.400
<v Speaker 1>body to examine, which happened to be riddled with bullet holes.

0:16:46.840 --> 0:16:49.680
<v Speaker 1>They asked for a simple John Hancock on a let's say,

0:16:49.880 --> 0:16:53.280
<v Speaker 1>pre filled out death certificate that said the cause of

0:16:53.360 --> 0:16:57.360
<v Speaker 1>death was suicide. Norris looked at the corpse and said

0:16:58.240 --> 0:16:59.120
<v Speaker 1>that I don't think.

0:16:58.960 --> 0:17:02.360
<v Speaker 2>So out of the question, in my opinion, to even

0:17:02.400 --> 0:17:05.199
<v Speaker 2>consider the possibility of a suicide on account of the

0:17:05.280 --> 0:17:07.080
<v Speaker 2>number and situation of.

0:17:07.040 --> 0:17:08.000
<v Speaker 1>The bullet wounds.

0:17:08.359 --> 0:17:11.119
<v Speaker 2>There were four bullet wounds spray across the corpse.

0:17:11.880 --> 0:17:15.120
<v Speaker 1>In other words, seems impossible that this poor guy shot

0:17:15.200 --> 0:17:20.760
<v Speaker 1>himself in the heart, shoulder, leg, and arm. Norris was

0:17:20.880 --> 0:17:23.879
<v Speaker 1>serious about his work. He was serious about building the

0:17:23.920 --> 0:17:27.280
<v Speaker 1>Office of the Chief Medical Examiner into an effective research

0:17:27.359 --> 0:17:29.760
<v Speaker 1>team that could get to the bottom of all the

0:17:29.800 --> 0:17:33.119
<v Speaker 1>deaths in New York City. But to do that he

0:17:33.240 --> 0:17:37.199
<v Speaker 1>needed help. Norris was a doctor, not a chemist, who

0:17:37.240 --> 0:17:40.760
<v Speaker 1>could detect toxins or poisons in a dead body. And

0:17:40.880 --> 0:17:44.960
<v Speaker 1>during this time, there were more and more poisons surrounding Americans.

0:17:45.640 --> 0:17:50.400
<v Speaker 1>Morphine and teething, medicines for infants, opium and sedatives, arsenic

0:17:50.440 --> 0:17:54.399
<v Speaker 1>and everything from cosmetics to pesticides. And don't even ask

0:17:54.480 --> 0:17:57.480
<v Speaker 1>about how much formaldehyde they were mixing with cowbrains and

0:17:57.520 --> 0:18:00.560
<v Speaker 1>putting in milk. And I thought that micro plastics and

0:18:00.600 --> 0:18:04.040
<v Speaker 1>my water bottle were bad. And it's not like it

0:18:04.119 --> 0:18:08.080
<v Speaker 1>was harmless. People were dying from this stuff so often,

0:18:08.119 --> 0:18:11.320
<v Speaker 1>in fact, that it was hard to keep up. But

0:18:11.400 --> 0:18:14.320
<v Speaker 1>here's the thing about poisons. They're just not quite as

0:18:14.400 --> 0:18:18.160
<v Speaker 1>obvious as bullet holes. And so Norris had a crazy

0:18:18.240 --> 0:18:22.200
<v Speaker 1>idea to create a dedicated lab where chemists could work

0:18:22.240 --> 0:18:26.639
<v Speaker 1>on determining causes of death. Call it a toxicology lab.

0:18:27.280 --> 0:18:30.160
<v Speaker 1>At the time, no other city in America had one,

0:18:30.600 --> 0:18:33.840
<v Speaker 1>and you know Norris and his cashmere, he always had

0:18:33.840 --> 0:18:38.600
<v Speaker 1>to have the best. This lab would be installed at Bellevue,

0:18:38.960 --> 0:18:42.280
<v Speaker 1>a New York hospital perched along the East River since

0:18:42.359 --> 0:18:43.200
<v Speaker 1>eighteen eleven.

0:18:43.800 --> 0:18:47.080
<v Speaker 4>As he thinks about organizing his department, the first thing

0:18:47.160 --> 0:18:49.720
<v Speaker 4>he thinks is, we need a chemist.

0:18:50.400 --> 0:18:54.000
<v Speaker 1>Norris just needed to pick the right brainiac for the job.

0:18:54.320 --> 0:18:56.960
<v Speaker 1>Fortunately for him, there was someone who fit the bill

0:18:57.200 --> 0:19:00.720
<v Speaker 1>right down the hall, an assistant professor at the Bellevue

0:19:00.760 --> 0:19:05.040
<v Speaker 1>Medical College, and the award for Forensic Toxicologist for the

0:19:05.080 --> 0:19:08.280
<v Speaker 1>newly established New York Office of Chief Medical Examiner, where

0:19:08.320 --> 0:19:13.440
<v Speaker 1>the clocks don't even work, goes to doctor Alexander Gettler.

0:19:14.160 --> 0:19:20.360
<v Speaker 1>Come on down, alex you're the lucky winner, uh, Doctor Getler,

0:19:21.480 --> 0:19:27.959
<v Speaker 1>Doctor Geedler. Well, when Norris approached him, this Alexander Gettler

0:19:28.080 --> 0:19:31.600
<v Speaker 1>fellow wasn't convinced that playing robin to Norris's batman was

0:19:31.640 --> 0:19:36.399
<v Speaker 1>his dream job. You see, Alexander Getler was already in

0:19:36.440 --> 0:19:39.040
<v Speaker 1>a position that was nothing to sneeze at in those days,

0:19:39.720 --> 0:19:42.560
<v Speaker 1>and well, if you looked at where the invitation was

0:19:42.600 --> 0:19:45.560
<v Speaker 1>coming from, Let's just say it was pretty clear. The

0:19:45.600 --> 0:19:48.760
<v Speaker 1>Medical Examiner's office was in the build the plane as

0:19:48.800 --> 0:19:52.560
<v Speaker 1>you fly stage of its existence. Not to mention, Getler

0:19:52.720 --> 0:19:56.000
<v Speaker 1>was from a completely different world. He was quite different

0:19:56.040 --> 0:19:57.560
<v Speaker 1>from Flash the cash Norris.

0:19:58.160 --> 0:20:01.119
<v Speaker 3>He was trim, yeah, dark hair, he had a long

0:20:01.480 --> 0:20:05.320
<v Speaker 3>angular face, chomping on a cigar all the time.

0:20:05.400 --> 0:20:10.320
<v Speaker 1>From what I understand, that's Dorothy Atsel, Alexander Gettler's granddaughter.

0:20:10.680 --> 0:20:12.960
<v Speaker 6>Every picture we have of him, he's in a suit.

0:20:13.280 --> 0:20:16.240
<v Speaker 1>And that's Vicky Atsel, Alexander's great granddaughter.

0:20:17.560 --> 0:20:19.880
<v Speaker 6>He's got like a pretty serious expression, which I think

0:20:19.920 --> 0:20:22.320
<v Speaker 6>was kind of his m He was a pretty serious guy.

0:20:22.720 --> 0:20:24.520
<v Speaker 6>He just kind of like went to work as anyone

0:20:24.520 --> 0:20:26.560
<v Speaker 6>would go to work with his suit jacket on.

0:20:26.960 --> 0:20:32.200
<v Speaker 3>He wasn't from wealth or Ivy League education or anything

0:20:32.280 --> 0:20:34.719
<v Speaker 3>like that. He just kind of pulled himself up and

0:20:35.320 --> 0:20:38.400
<v Speaker 3>followed what he wanted to do, got the education he needed,

0:20:38.520 --> 0:20:41.080
<v Speaker 3>worked nights so he could go to school during the day.

0:20:41.680 --> 0:20:44.000
<v Speaker 7>Tickets, please all right, have a nice day.

0:20:44.240 --> 0:20:46.640
<v Speaker 1>Gettler worked as a ticket taker for the thirty ninth

0:20:46.680 --> 0:20:50.280
<v Speaker 1>Street Brooklyn to Battery Ferry and took the overnight shift.

0:20:50.640 --> 0:20:53.639
<v Speaker 1>During the day, he earned himself a PhD in biochemistry

0:20:53.680 --> 0:20:58.000
<v Speaker 1>at Columbia. Those brains and you know, fairly intense work

0:20:58.040 --> 0:21:01.240
<v Speaker 1>ethic got Gettler his teaching job. He had put in

0:21:01.280 --> 0:21:05.680
<v Speaker 1>the hard yards and he had earned it. But outside

0:21:05.680 --> 0:21:08.000
<v Speaker 1>of work, he lived like a lot of other people

0:21:08.000 --> 0:21:11.320
<v Speaker 1>in his Brooklyn neighborhood, tucked snugly in a brownstone with

0:21:11.400 --> 0:21:13.840
<v Speaker 1>his wife's son and more than a half dozen Irish

0:21:13.880 --> 0:21:14.359
<v Speaker 1>in laws.

0:21:14.760 --> 0:21:17.320
<v Speaker 4>He raised his kids in the middle of this kind

0:21:17.359 --> 0:21:22.520
<v Speaker 4>of chaos of the Irish American life in Brooklyn. I

0:21:22.520 --> 0:21:26.240
<v Speaker 4>think that hugely influenced also his sense of the world

0:21:26.240 --> 0:21:28.720
<v Speaker 4>because he was so connected to her family.

0:21:29.520 --> 0:21:32.000
<v Speaker 1>But going back and forth between a busy home and

0:21:32.040 --> 0:21:35.400
<v Speaker 1>a busy hospital, he saw the difference medicine could make

0:21:35.560 --> 0:21:38.840
<v Speaker 1>in the lives of everyday people. So even though he

0:21:38.880 --> 0:21:41.720
<v Speaker 1>had turned down Norris's offer, he couldn't put it out

0:21:41.760 --> 0:21:45.280
<v Speaker 1>of his mind. Maybe if he joined the Medical Examiner's

0:21:45.320 --> 0:21:49.440
<v Speaker 1>office he could do some good. So when Norris came

0:21:49.480 --> 0:21:53.800
<v Speaker 1>around again, Getler was ready to consider the job. But

0:21:53.880 --> 0:21:57.200
<v Speaker 1>Norris was also completely honest with Getler. This was nothing

0:21:57.240 --> 0:22:00.159
<v Speaker 1>like a cushy job in academia. Gettler would have have

0:22:00.200 --> 0:22:02.800
<v Speaker 1>to design the lab from scratch. You would have to

0:22:02.840 --> 0:22:05.199
<v Speaker 1>figure out for himself how to do the work of

0:22:05.240 --> 0:22:09.600
<v Speaker 1>detecting poisons. There were no training programs in forensic toxicology.

0:22:10.000 --> 0:22:13.200
<v Speaker 1>He would have to blaze his own trail. That was

0:22:13.240 --> 0:22:16.720
<v Speaker 1>all right, though, because Gentler loved nothing more than a

0:22:16.800 --> 0:22:20.800
<v Speaker 1>challenge and cramming more chemistry work into his days. He

0:22:20.880 --> 0:22:23.360
<v Speaker 1>agreed to take the position, but only if he could

0:22:23.440 --> 0:22:26.640
<v Speaker 1>keep teaching at the medical College. That's how much he

0:22:26.680 --> 0:22:31.360
<v Speaker 1>believed in his grind. Norris looked around at the backlog

0:22:31.400 --> 0:22:34.920
<v Speaker 1>of bodies stacking up in Bellevue and said, sure, man,

0:22:35.000 --> 0:22:35.760
<v Speaker 1>whatever you want.

0:22:36.640 --> 0:22:41.119
<v Speaker 3>My grandfather was tapped to be the chief toxicologist. It

0:22:41.240 --> 0:22:46.200
<v Speaker 3>just felt almost like they were like superhero crusaders as well,

0:22:46.320 --> 0:22:50.600
<v Speaker 3>you know, like starting something and actually not just starting it,

0:22:50.680 --> 0:22:55.520
<v Speaker 3>but turning the page on a system that didn't work,

0:22:55.720 --> 0:22:58.280
<v Speaker 3>wasn't fair and was corrupt.

0:22:59.080 --> 0:23:01.320
<v Speaker 6>It's funny what you said, I was gonna say, you said,

0:23:01.320 --> 0:23:03.399
<v Speaker 6>mom about them being like superheroes that have just like

0:23:03.480 --> 0:23:05.560
<v Speaker 6>it feels like it was. They're like like a Buddy

0:23:05.600 --> 0:23:10.119
<v Speaker 6>cop movie of like these two scientists in the trenches together.

0:23:10.200 --> 0:23:13.159
<v Speaker 1>And while the scientific trenches of New York may have

0:23:13.240 --> 0:23:17.280
<v Speaker 1>been metaphorical, there's no question that our dynamic duo had

0:23:17.320 --> 0:23:20.680
<v Speaker 1>a very real fight on their hands, because it turned

0:23:20.720 --> 0:23:23.080
<v Speaker 1>out that even though the city was moving on from

0:23:23.119 --> 0:23:26.480
<v Speaker 1>the flu epidemic and the war in France was winding down,

0:23:27.080 --> 0:23:30.919
<v Speaker 1>a different kind of war was just getting started, and

0:23:31.000 --> 0:23:34.720
<v Speaker 1>Norris and Gettler had gotten together just in time for

0:23:34.800 --> 0:23:37.160
<v Speaker 1>the shit to hit the fan.

0:23:48.119 --> 0:23:52.159
<v Speaker 3>It's been in the big baggie, in the box, in

0:23:52.240 --> 0:23:54.920
<v Speaker 3>a closet, and if you look at each of the pages,

0:23:55.000 --> 0:23:58.600
<v Speaker 3>they were all like sort of frayed and chipping.

0:23:58.880 --> 0:24:01.119
<v Speaker 1>Dorothy Atsel is at at her kitchen table.

0:24:01.480 --> 0:24:06.080
<v Speaker 3>I'm hesitating separating the pages, yeah, because every time I

0:24:06.119 --> 0:24:08.639
<v Speaker 3>open it there's pieces of paper that just kind of

0:24:08.760 --> 0:24:09.480
<v Speaker 3>flake off.

0:24:09.760 --> 0:24:12.760
<v Speaker 1>She's meeting with one of our writers, Albert Chen. She's

0:24:12.960 --> 0:24:16.600
<v Speaker 1>very very carefully handling a dusty blue, hard bound book

0:24:16.840 --> 0:24:20.320
<v Speaker 1>that's older than my mom's wedding China. The book is

0:24:20.359 --> 0:24:24.160
<v Speaker 1>a collection of typed reports written by Alexander Getler over

0:24:24.200 --> 0:24:25.560
<v Speaker 1>the course of three decades.

0:24:25.840 --> 0:24:29.679
<v Speaker 3>His dissertation was the balance of acid forming and base

0:24:29.800 --> 0:24:34.959
<v Speaker 3>forming elements in food and its relation to ammonia metabolism.

0:24:35.440 --> 0:24:36.560
<v Speaker 3>I don't know what that means.

0:24:37.280 --> 0:24:39.639
<v Speaker 1>Yeah, it's been a while since tenth grade chemistry for

0:24:39.720 --> 0:24:40.280
<v Speaker 1>me too.

0:24:40.560 --> 0:24:44.040
<v Speaker 3>And then like this one, which was from nineteen twenty one,

0:24:44.320 --> 0:24:48.560
<v Speaker 3>a method for the determination of death by drowning. So

0:24:48.600 --> 0:24:49.800
<v Speaker 3>now I understand.

0:24:49.440 --> 0:24:50.200
<v Speaker 7>What this is about.

0:24:51.040 --> 0:24:54.360
<v Speaker 3>It's easy to understand. Back in the day when he

0:24:54.520 --> 0:24:58.640
<v Speaker 3>was doing all of his work, they were pulling bodies

0:24:58.640 --> 0:25:01.840
<v Speaker 3>out of the and you, how do you know if

0:25:01.880 --> 0:25:04.560
<v Speaker 3>they drowned or they died by another means?

0:25:04.680 --> 0:25:08.959
<v Speaker 1>Yeah, a great question that before Getler and Norris came along,

0:25:09.480 --> 0:25:13.320
<v Speaker 1>no one had any clue how to answer. But Dorothy's daughter,

0:25:13.400 --> 0:25:15.760
<v Speaker 1>Vicky says Getler figured it out.

0:25:16.080 --> 0:25:18.040
<v Speaker 6>People would come to him with problems that they like

0:25:18.040 --> 0:25:20.760
<v Speaker 6>didn't even really know the cause of. Just like all

0:25:20.800 --> 0:25:22.920
<v Speaker 6>of these people who work in the same place are

0:25:22.920 --> 0:25:26.600
<v Speaker 6>having the same issue. They're all getting weird tumors and cancer,

0:25:26.960 --> 0:25:30.439
<v Speaker 6>transit workers or subway workers who were all feeling really

0:25:30.520 --> 0:25:34.520
<v Speaker 6>like sluggish and like cognitively fuzzy. And he would first

0:25:34.520 --> 0:25:36.520
<v Speaker 6>figure out like the cause of the problem and then

0:25:36.640 --> 0:25:37.119
<v Speaker 6>solve it.

0:25:37.640 --> 0:25:40.679
<v Speaker 1>That blue book contained all the detective work that Gettler

0:25:40.760 --> 0:25:43.920
<v Speaker 1>and Norris pursued in their day, and that work kept

0:25:43.960 --> 0:25:46.200
<v Speaker 1>them busy, very busy.

0:25:46.640 --> 0:25:49.680
<v Speaker 3>They were so like focused on their work and they're

0:25:49.720 --> 0:25:51.840
<v Speaker 3>trying to do things. They didn't want to leave the

0:25:51.960 --> 0:25:56.840
<v Speaker 3>lab to use the bathroom, so they just urinated in

0:25:56.920 --> 0:26:02.479
<v Speaker 3>the big sink they had in the lab, which I'm like, Okay,

0:26:02.560 --> 0:26:04.720
<v Speaker 3>I guess if you're really focused on your work and

0:26:04.760 --> 0:26:07.080
<v Speaker 3>you really don't want to take the time, I get it.

0:26:07.200 --> 0:26:10.360
<v Speaker 1>But despite what you may be thinking, the apparent lack

0:26:10.400 --> 0:26:14.440
<v Speaker 1>of nearby urinals was not the biggest public health crisis

0:26:14.480 --> 0:26:18.159
<v Speaker 1>Norris and Gettler were facing. By early nineteen nineteen, the

0:26:18.160 --> 0:26:22.480
<v Speaker 1>deadly wave of influenza was finally passing, but Norris and Gettler,

0:26:22.600 --> 0:26:26.560
<v Speaker 1>we're seeing a concerning uptick in victims reporting similar symptoms,

0:26:26.840 --> 0:26:32.080
<v Speaker 1>a sudden sense of weakness, severe abdominal pain and vomiting, blindness,

0:26:32.520 --> 0:26:38.119
<v Speaker 1>a slip into unconsciousness, heart failure, and even death. But why.

0:26:38.680 --> 0:26:40.480
<v Speaker 1>They had a hunch it had something to do with

0:26:40.560 --> 0:26:43.320
<v Speaker 1>a ubiquitous substance floating through the streets of New York

0:26:43.320 --> 0:26:46.320
<v Speaker 1>City in nineteen nineteen. And no, I'm not talking about

0:26:46.320 --> 0:26:49.639
<v Speaker 1>all the urine flowing from Gettler and Norris's big laboratory sink.

0:26:50.160 --> 0:26:54.640
<v Speaker 1>We're talking about liquor. Alcohol is everywhere.

0:26:54.920 --> 0:26:57.800
<v Speaker 8>The term that New York never sleeps is true of

0:26:57.840 --> 0:27:01.680
<v Speaker 8>the nineteen twenties, like there are nightclubs on every single corner.

0:27:02.480 --> 0:27:06.600
<v Speaker 1>That's Leshawn Harris, historian of New York City's underground economy.

0:27:07.320 --> 0:27:10.640
<v Speaker 1>Even in black and Tan clubs.

0:27:10.280 --> 0:27:12.480
<v Speaker 8>Inter racial clubs in New York City in the early

0:27:12.520 --> 0:27:16.240
<v Speaker 8>twentieth century, African Americans are going to these clubs, both

0:27:16.280 --> 0:27:22.440
<v Speaker 8>middle class and working class people and are drinking. Alcohol

0:27:22.800 --> 0:27:27.160
<v Speaker 8>is something that black churches use for various different ceremonies.

0:27:27.680 --> 0:27:32.240
<v Speaker 8>We also know that alcohol is something that different social

0:27:32.280 --> 0:27:37.040
<v Speaker 8>groups are engaging and whether they be light beer or

0:27:37.320 --> 0:27:42.160
<v Speaker 8>cocktails or a little bit of rum, it's something that

0:27:42.200 --> 0:27:45.320
<v Speaker 8>one can engage in while at church. It's a part

0:27:45.359 --> 0:27:48.560
<v Speaker 8>of your social life.

0:27:50.040 --> 0:27:54.520
<v Speaker 1>Light beer, cocktails, a little bit of rum. Not if

0:27:54.560 --> 0:27:57.879
<v Speaker 1>you were part of the Anti Saloon League. Let me

0:27:57.920 --> 0:28:00.920
<v Speaker 1>tell you about these folks. Their mission state wasn't exactly

0:28:01.000 --> 0:28:02.760
<v Speaker 1>hard to get at. It's kind of right there in

0:28:02.800 --> 0:28:06.160
<v Speaker 1>the name anti Saloon. They wanted to hammer the bung

0:28:06.359 --> 0:28:10.000
<v Speaker 1>back into America's whiskey barrel. To them, drinking was a

0:28:10.040 --> 0:28:15.159
<v Speaker 1>moral outrage, a sin, and the root of all society's ills.

0:28:15.920 --> 0:28:19.560
<v Speaker 1>From small beginnings, they grew into the most powerful lobbying

0:28:19.600 --> 0:28:23.080
<v Speaker 1>group in America. In Ohio, where they started, they ran

0:28:23.119 --> 0:28:27.320
<v Speaker 1>a pressure campaign that beat a popular governor. Ohio was dry,

0:28:27.760 --> 0:28:31.800
<v Speaker 1>but why stop there? They got ambitious. They wanted to

0:28:31.840 --> 0:28:33.960
<v Speaker 1>ring every last drop of liquor out of the whole

0:28:34.000 --> 0:28:37.240
<v Speaker 1>wet nation. So as their next target, they set their

0:28:37.280 --> 0:28:41.880
<v Speaker 1>sights on Gettler and Norris's stomping grounds, New York City.

0:28:42.840 --> 0:28:45.880
<v Speaker 1>You see, by their account, New Yorkers drank a dozen

0:28:45.960 --> 0:28:49.440
<v Speaker 1>pints of alcoholic beverages a week for every man, woman,

0:28:49.520 --> 0:28:53.120
<v Speaker 1>and child, a per capita consumption that was more than

0:28:53.160 --> 0:28:57.360
<v Speaker 1>three times the national average. One saloon for every six

0:28:57.480 --> 0:29:01.880
<v Speaker 1>people in New York, the League said, as doctor Harris says,

0:29:02.000 --> 0:29:04.000
<v Speaker 1>New York City at the end of World War One

0:29:04.280 --> 0:29:08.360
<v Speaker 1>was bursting with working class saloons, chandeliered hotel bars, and

0:29:08.480 --> 0:29:13.000
<v Speaker 1>wine soaked bohemian cafes. The Anti Saloon League called it

0:29:13.200 --> 0:29:16.920
<v Speaker 1>the liquor Center of America. To them, the Big Apple

0:29:17.000 --> 0:29:21.240
<v Speaker 1>had fermented into a sidery slush of drunkards and degenerates.

0:29:21.760 --> 0:29:26.720
<v Speaker 1>They had the nation, and especially the nation's politicians, running scared,

0:29:28.200 --> 0:29:31.440
<v Speaker 1>and then came World War One. It was exactly what

0:29:31.480 --> 0:29:34.360
<v Speaker 1>they'd been waiting for. The Anti Saloon League saw the

0:29:34.440 --> 0:29:37.800
<v Speaker 1>chance to justify a national ban on liquor as a

0:29:37.800 --> 0:29:43.360
<v Speaker 1>wartime measure. That was easy. No politician wanted to be unpatriotic.

0:29:43.760 --> 0:29:46.760
<v Speaker 1>But the wartime measure was just the first step. What

0:29:46.880 --> 0:29:51.120
<v Speaker 1>they really wanted a permanent ban on liquor enshrined in

0:29:51.200 --> 0:29:56.080
<v Speaker 1>the US Constitution. The US House of Representatives has voted

0:29:56.120 --> 0:29:58.600
<v Speaker 1>in favor of the proposed eighteenth Amendment to the Constitution,

0:29:58.680 --> 0:30:02.800
<v Speaker 1>which prohibits the petra sale or transportation of intoxicating liquors.

0:30:02.880 --> 0:30:04.120
<v Speaker 5>The amendment will now make.

0:30:04.040 --> 0:30:05.520
<v Speaker 8>Its way for the fifty states.

0:30:06.080 --> 0:30:09.080
<v Speaker 6>January seventh, nineteen eighteen, Mississippi.

0:30:08.440 --> 0:30:10.640
<v Speaker 3>Becomes the first state to ratify the eighteenth Amendment.

0:30:11.320 --> 0:30:14.880
<v Speaker 7>Georgia becomes the thirteenth state to ratify the eighteenth Amendment.

0:30:15.400 --> 0:30:18.600
<v Speaker 1>One by one, lawmakers and state houses across the country

0:30:18.840 --> 0:30:22.680
<v Speaker 1>fell in line California as the twenty second state to

0:30:22.800 --> 0:30:26.920
<v Speaker 1>ratify the eighteenth Amendment, But New York City was, as

0:30:26.960 --> 0:30:30.480
<v Speaker 1>one paper called it, Satan's last stronghold.

0:30:32.440 --> 0:30:34.560
<v Speaker 2>An apple did the trick in the garden of Eden.

0:30:34.800 --> 0:30:37.720
<v Speaker 2>Imagine what I can do with the big apple in America.

0:30:41.440 --> 0:30:43.920
<v Speaker 1>The Anti Saloon League, they were a lot of lawyers

0:30:44.000 --> 0:30:48.640
<v Speaker 1>and Methodist ministers from like Ohio. New York City, meanwhile,

0:30:49.000 --> 0:30:52.440
<v Speaker 1>was a lot of working class, immigrant, Black, and Catholic

0:30:52.440 --> 0:30:57.520
<v Speaker 1>neighborhoods constantly evolving. These New Yorkers weren't exactly interested in

0:30:57.560 --> 0:31:01.600
<v Speaker 1>test driving someone else's moral spearmint and turning the city

0:31:01.720 --> 0:31:04.960
<v Speaker 1>dry as a kale chip, But when a band hit

0:31:05.000 --> 0:31:08.920
<v Speaker 1>the whole country, they had no choice. The entire commercial

0:31:08.920 --> 0:31:11.880
<v Speaker 1>beer supply in New York City, from the warehouses to

0:31:11.960 --> 0:31:15.400
<v Speaker 1>the grocery stores to the cabinets of every legitimate business,

0:31:15.760 --> 0:31:23.080
<v Speaker 1>got poured down the drain. But you might be surprised

0:31:23.080 --> 0:31:26.800
<v Speaker 1>to hear despite all that beer, saying goodbye New York

0:31:26.960 --> 0:31:34.480
<v Speaker 1>nightlife wasn't changing. The alcohol fueling it, however, was with

0:31:34.560 --> 0:31:37.880
<v Speaker 1>the beer taps, dry saloons were now serving stiffer and

0:31:38.120 --> 0:31:42.959
<v Speaker 1>more mysterious concoctions, this time with distilled liquor.

0:31:43.840 --> 0:31:47.640
<v Speaker 4>As the amendment is circulating and moving forward to when

0:31:47.680 --> 0:31:51.760
<v Speaker 4>it actually goes into place around New York City, people

0:31:51.800 --> 0:31:54.800
<v Speaker 4>are starting to prepare for it by making sure they

0:31:54.840 --> 0:31:58.239
<v Speaker 4>have their own little home stills or backyard stills or

0:31:58.320 --> 0:32:00.840
<v Speaker 4>you know what people used to call beathtub jent. Even

0:32:00.880 --> 0:32:03.480
<v Speaker 4>if they can't get it legally. They want those systems

0:32:03.480 --> 0:32:07.880
<v Speaker 4>in place. And they were using wood or other materials

0:32:07.880 --> 0:32:11.080
<v Speaker 4>that they could easily access in an urban area, and

0:32:11.160 --> 0:32:12.840
<v Speaker 4>they were making wood alcohol.

0:32:13.600 --> 0:32:16.760
<v Speaker 1>Wood alcohol known to those of us who passed tenth

0:32:16.840 --> 0:32:22.040
<v Speaker 1>grade chemistry as methyl alcohol. It was used as a

0:32:22.120 --> 0:32:26.160
<v Speaker 1>solvent to make varnish and as a fuel, and unfortunately,

0:32:26.240 --> 0:32:30.640
<v Speaker 1>sometimes to mix cocktails. From the taste, you couldn't tell

0:32:30.680 --> 0:32:33.400
<v Speaker 1>exactly what was in those drinks, but you might find

0:32:33.440 --> 0:32:35.760
<v Speaker 1>out the next day when you woke up in the hospital.

0:32:36.240 --> 0:32:40.920
<v Speaker 1>Your body loaded with methyl alcohol, a very toxic substance,

0:32:41.440 --> 0:32:43.760
<v Speaker 1>and that's if you were lucky enough to wake up.

0:32:44.720 --> 0:32:46.920
<v Speaker 1>More and more people from all parts of the city

0:32:46.920 --> 0:32:50.400
<v Speaker 1>were ending up on a gurney outside Gettler's lab.

0:33:02.360 --> 0:33:07.080
<v Speaker 4>Bellevue was this sort of gothic brick building on the

0:33:07.160 --> 0:33:10.600
<v Speaker 4>sort of mid to lower East side of Manhattan. There

0:33:10.680 --> 0:33:15.160
<v Speaker 4>was something about that brick ivy gothic look of the place.

0:33:15.280 --> 0:33:18.000
<v Speaker 4>There was something about, you know, the fact that so

0:33:18.200 --> 0:33:22.640
<v Speaker 4>many deaths occurred there. It had a kind of mythology

0:33:22.680 --> 0:33:26.000
<v Speaker 4>about it. For a number of reasons. Right, they saved

0:33:26.000 --> 0:33:27.880
<v Speaker 4>a lot of lives, but a lot of people died there.

0:33:27.920 --> 0:33:32.200
<v Speaker 4>That it just had this kind of reputation of being

0:33:32.200 --> 0:33:33.719
<v Speaker 4>a slightly haunted place.

0:33:34.400 --> 0:33:38.200
<v Speaker 1>In nineteen nineteen, Bellevue just opened a new pathology building

0:33:38.600 --> 0:33:43.200
<v Speaker 1>six stories high made of solid granite with long arched windows.

0:33:43.240 --> 0:33:47.200
<v Speaker 1>Inside is the city Morgue and the medical examiner's offices.

0:33:47.840 --> 0:33:51.680
<v Speaker 1>There are autopsy rooms and a forensic chemistry laboratory for

0:33:51.840 --> 0:33:58.480
<v Speaker 1>Charles Norris and Alexander Getler to study the dead. Gettler's

0:33:58.520 --> 0:34:01.280
<v Speaker 1>laboratory is a layer of blue flames leaking out of

0:34:01.320 --> 0:34:06.160
<v Speaker 1>bunsen burners, hissing heating systems, boiling dishes. The wood floorboards

0:34:06.160 --> 0:34:10.440
<v Speaker 1>are discolored by chemicals and burns. When Noris and Gettler

0:34:10.640 --> 0:34:13.440
<v Speaker 1>see a rise in cases of people who've been crippled

0:34:13.440 --> 0:34:17.000
<v Speaker 1>by blindness just before death, they have a hunch that

0:34:17.080 --> 0:34:21.920
<v Speaker 1>the reason is poisoning due to toxic liquor wood alcohol.

0:34:22.920 --> 0:34:26.719
<v Speaker 1>But no test exists to detect wood alcohol in cadavers,

0:34:27.120 --> 0:34:29.879
<v Speaker 1>So Getler does what he always does in cases like this,

0:34:30.800 --> 0:34:34.879
<v Speaker 1>He creates one. Gettler's test is grinding up a chunk

0:34:34.920 --> 0:34:37.640
<v Speaker 1>of tissue into a flask and then boiling it into

0:34:37.640 --> 0:34:43.600
<v Speaker 1>a dark sludge. He measures the formaldehyde bubbling out. Most

0:34:43.640 --> 0:34:47.440
<v Speaker 1>alcohol would release just a trace of it. Wood alcohol

0:34:47.640 --> 0:34:50.120
<v Speaker 1>releases an overpowering amount.

0:34:50.200 --> 0:34:54.719
<v Speaker 4>They're really trying to get to the bones of this, right, literally,

0:34:55.320 --> 0:34:57.160
<v Speaker 4>how much poisoned alcohol is out there?

0:34:57.520 --> 0:35:00.799
<v Speaker 1>A fair amount actually. For generations, people had been making

0:35:00.840 --> 0:35:06.720
<v Speaker 1>their own liquor and getting sick doing it. Moonshine, white lightning, liquid, courage,

0:35:06.760 --> 0:35:09.600
<v Speaker 1>call it what you want, but this cheap homemade stuff

0:35:09.680 --> 0:35:13.920
<v Speaker 1>mostly stayed at the margins of American society. Now, however,

0:35:14.360 --> 0:35:18.760
<v Speaker 1>it was becoming the mainstream. So in nineteen eighteen, Gettler

0:35:18.760 --> 0:35:21.360
<v Speaker 1>wrote an article for the country's leading medical journal to

0:35:21.400 --> 0:35:24.360
<v Speaker 1>get word out to doctors and public health officials. He

0:35:24.480 --> 0:35:28.120
<v Speaker 1>saw prohibition coming, and he knew exactly what it would mean.

0:35:28.760 --> 0:35:32.799
<v Speaker 4>He titles this article, would alcohol Poison It? He's not

0:35:32.920 --> 0:35:36.640
<v Speaker 4>messing around. He puts the word poison right in the

0:35:36.680 --> 0:35:41.040
<v Speaker 4>actual article title. So he says, the prohibition by our

0:35:41.120 --> 0:35:46.120
<v Speaker 4>government of the manufacture of distilled liquors will unquestionably lead

0:35:46.239 --> 0:35:51.160
<v Speaker 4>to much moonshining, adulteration, and dilution of the liquors offered

0:35:51.200 --> 0:35:51.920
<v Speaker 4>to the public.

0:35:52.440 --> 0:35:55.520
<v Speaker 7>It is quite evidence given the recent poisonings in the

0:35:55.560 --> 0:35:58.719
<v Speaker 7>city of over thirty persons, six of whom died with

0:35:58.719 --> 0:36:00.960
<v Speaker 7>a whiskey sold in the poor sections of the city

0:36:01.560 --> 0:36:04.880
<v Speaker 7>that's on analysis, was believed to contain a considerable amount

0:36:05.000 --> 0:36:09.480
<v Speaker 7>of wood methyl alcohol. What alcohol pastes like ethyl alcohol

0:36:09.600 --> 0:36:12.879
<v Speaker 7>and morova. It is considerably cheap. Hence the adulterate buys

0:36:12.920 --> 0:36:16.880
<v Speaker 7>the latter ignorant. That's a via poisoning, blindness and often

0:36:17.000 --> 0:36:18.680
<v Speaker 7>death lurks with it.

0:36:19.239 --> 0:36:23.720
<v Speaker 4>He's saying to doctors around the country, you know, let

0:36:23.760 --> 0:36:28.400
<v Speaker 4>people know this is dangerous, this is coming, and arm yourself.

0:36:28.760 --> 0:36:31.400
<v Speaker 4>He said, I want to send up a signal flayer.

0:36:31.760 --> 0:36:34.080
<v Speaker 4>Please take this as a warning. Where at the very

0:36:34.160 --> 0:36:38.360
<v Speaker 4>start of this, essentially what that piece says, in a

0:36:38.760 --> 0:36:42.759
<v Speaker 4>beautifully scientific way, is I'm not talking about alcohol. I'm

0:36:42.760 --> 0:36:43.880
<v Speaker 4>talking about poison.

0:36:47.320 --> 0:36:50.560
<v Speaker 1>Gettler connects the dots. What he sees in nineteen eighteen

0:36:50.640 --> 0:36:52.600
<v Speaker 1>makes him think that people aren't going to be drinking

0:36:52.800 --> 0:36:56.080
<v Speaker 1>less because prohibition is the law of the land. Instead,

0:36:56.120 --> 0:36:59.200
<v Speaker 1>they're going to be drinking a much more suspect, much

0:36:59.239 --> 0:37:04.839
<v Speaker 1>more dangerous supply this message. It didn't land, but he

0:37:05.200 --> 0:37:08.319
<v Speaker 1>was right. By the winter of nineteen nineteen, more than

0:37:08.360 --> 0:37:12.359
<v Speaker 1>sixty New Yorkers died from drinking wood alcohol. Another one

0:37:12.440 --> 0:37:17.200
<v Speaker 1>hundred were blinded then almost that same number of alcohol

0:37:17.320 --> 0:37:20.960
<v Speaker 1>related deaths, only this time just in the month of

0:37:21.000 --> 0:37:25.520
<v Speaker 1>December alone. So Getler sat down at his desk, picked

0:37:25.560 --> 0:37:27.360
<v Speaker 1>up his pen, and tried again.

0:37:28.640 --> 0:37:32.240
<v Speaker 3>The Critical Study of Methods for the Detection of methyl

0:37:32.280 --> 0:37:34.480
<v Speaker 3>alcohol by Alexander O.

0:37:34.680 --> 0:37:35.200
<v Speaker 4>Getler.

0:37:36.600 --> 0:37:40.760
<v Speaker 1>Don't get confused here, wood alcohol, methyl alcohol, and methanol.

0:37:40.960 --> 0:37:45.040
<v Speaker 1>Those are just three different names for the same nasty beast,

0:37:45.120 --> 0:37:49.280
<v Speaker 1>and you should never ever drink it. As Getler's granddaughter

0:37:49.320 --> 0:37:51.080
<v Speaker 1>Dorothy says, says.

0:37:50.840 --> 0:37:54.239
<v Speaker 3>Here, during the years nineteen eighteen and nineteen nineteen, I

0:37:54.280 --> 0:37:57.920
<v Speaker 3>have had occasion to examine over seven hundred human organs

0:37:57.920 --> 0:38:01.400
<v Speaker 3>for alcohol. In addition to this, about two hundred and

0:38:01.400 --> 0:38:04.640
<v Speaker 3>fifty liquors of various descriptions were analyzed.

0:38:06.280 --> 0:38:09.040
<v Speaker 1>In this report, Getler begins to identify the presence of

0:38:09.040 --> 0:38:14.160
<v Speaker 1>wood alcohol in an alarming number of cases. On the

0:38:14.200 --> 0:38:19.319
<v Speaker 1>day after Christmas in nineteen nineteen, Gettler and Norris switch tactics.

0:38:21.640 --> 0:38:24.400
<v Speaker 1>Just writing for America's doctors wasn't going to save the

0:38:24.440 --> 0:38:27.799
<v Speaker 1>country's direction. Sorry, doctors, I mean, you've been telling us

0:38:27.800 --> 0:38:31.239
<v Speaker 1>it's all diet and exercise for like ever, and we

0:38:31.440 --> 0:38:35.759
<v Speaker 1>just don't listen. So with two major reports reaching too

0:38:35.880 --> 0:38:39.440
<v Speaker 1>small of an audience. Norris and Gettler take this story

0:38:40.000 --> 0:38:43.960
<v Speaker 1>straight to the general public. They called a press conference.

0:38:46.120 --> 0:38:48.560
<v Speaker 1>They invite a throng of reporters from the New York

0:38:48.600 --> 0:38:51.799
<v Speaker 1>papers into their offices in Bellevue. The news hounds file

0:38:51.840 --> 0:38:54.800
<v Speaker 1>in passed broken chairs and over the blood spattered carpet

0:38:55.040 --> 0:38:58.360
<v Speaker 1>left behind by the drunk coroner as a parting gift.

0:38:59.560 --> 0:39:02.600
<v Speaker 1>Then Gettler and Norris deliver their message.

0:39:03.280 --> 0:39:06.520
<v Speaker 2>Anything that passes for whiskey and the saloons is dangerous.

0:39:06.840 --> 0:39:08.840
<v Speaker 2>The first symptom is a mere pain in the stomach,

0:39:09.080 --> 0:39:12.400
<v Speaker 2>but one teaspoon of wood alcohol is enough to cause blackness.

0:39:12.719 --> 0:39:15.240
<v Speaker 2>Drinking a tumble of it will kill you within hours.

0:39:15.880 --> 0:39:17.319
<v Speaker 5>Sure, what does it smell like?

0:39:17.520 --> 0:39:19.000
<v Speaker 1>Complete blindness?

0:39:19.160 --> 0:39:20.280
<v Speaker 2>What's in this booze?

0:39:20.320 --> 0:39:22.080
<v Speaker 5>Have you thought it yourself, doctor Doris?

0:39:24.200 --> 0:39:27.640
<v Speaker 7>Prohibition is not going to make alcohol disappear. It's instead

0:39:27.760 --> 0:39:32.160
<v Speaker 7>going to create numerous substitutes for whiskey that I have dead.

0:39:34.480 --> 0:39:39.360
<v Speaker 4>Before prohibition really takes off. He's looking the federal government

0:39:39.480 --> 0:39:42.120
<v Speaker 4>right in the eye and saying, I want to let

0:39:42.160 --> 0:39:45.120
<v Speaker 4>you know that we're looking at this now, We're seeing

0:39:45.120 --> 0:39:50.239
<v Speaker 4>people starting to die. This is a terrible idea. Whatever

0:39:51.480 --> 0:39:54.600
<v Speaker 4>you know, politics and morality you think is behind what

0:39:54.640 --> 0:39:56.759
<v Speaker 4>you're doing. The bottom line of what you're going to

0:39:56.800 --> 0:39:57.680
<v Speaker 4>do is kill people.

0:39:58.280 --> 0:40:02.160
<v Speaker 1>They issued that warning in December nineteen nineteen. Charles Norris

0:40:02.160 --> 0:40:05.960
<v Speaker 1>and Alexander Getler were now on the case, a case

0:40:06.160 --> 0:40:09.560
<v Speaker 1>that would consume them across the next decade and expose

0:40:09.680 --> 0:40:13.200
<v Speaker 1>the killer of Bis bider Beck, remember him, the jazz

0:40:13.280 --> 0:40:18.480
<v Speaker 1>musician who collapsed in Cleveland at age twenty eight. It

0:40:18.520 --> 0:40:21.239
<v Speaker 1>would take our dynamic duo to the heart of a

0:40:21.320 --> 0:40:25.600
<v Speaker 1>cruel and misguided scheme, a snaffoo that led to the

0:40:25.640 --> 0:40:30.480
<v Speaker 1>mass poisoning of thousands and the people behind it. The

0:40:30.719 --> 0:40:41.080
<v Speaker 1>US government this season on snaffo, the fact.

0:40:40.840 --> 0:40:43.640
<v Speaker 4>That there were only twenty six hundred prohibitionations covering the

0:40:43.760 --> 0:40:46.760
<v Speaker 4>entire Canadian border, of the Mexican border, and both coasts.

0:40:47.120 --> 0:40:48.080
<v Speaker 8>It's ridiculous.

0:40:48.400 --> 0:40:52.240
<v Speaker 4>When we're five years into prohibition, the government is starting

0:40:52.280 --> 0:40:55.719
<v Speaker 4>to go, Okay, this isn't working. What is wrong with

0:40:55.800 --> 0:40:56.920
<v Speaker 4>the American people.

0:40:57.400 --> 0:41:00.000
<v Speaker 7>The bartender took some brass metals and the other two

0:41:00.120 --> 0:41:03.000
<v Speaker 7>patrons held him down and well to beat the crap

0:41:03.040 --> 0:41:03.520
<v Speaker 7>out of him.

0:41:03.640 --> 0:41:05.439
<v Speaker 3>He said, if I ever get out and the two people,

0:41:05.480 --> 0:41:07.520
<v Speaker 3>I'm going to go get the DA and that son

0:41:07.560 --> 0:41:08.400
<v Speaker 3>of a bitch Gettler.

0:41:08.680 --> 0:41:10.719
<v Speaker 5>If I made that up, You've got come on and

0:41:10.760 --> 0:41:12.400
<v Speaker 5>this absolutely all happened.

0:41:12.719 --> 0:41:13.800
<v Speaker 1>Did people die?

0:41:13.880 --> 0:41:14.720
<v Speaker 3>They died.

0:41:15.040 --> 0:41:25.200
<v Speaker 1>Daily Snapfu is a production of iHeartRadio, Film, Nation Entertainment,

0:41:25.400 --> 0:41:29.120
<v Speaker 1>and Pacific Electric Picture Company in association with Gilded Audio.

0:41:29.600 --> 0:41:34.080
<v Speaker 1>It's executive produced by me Ed Helms, Milan Papelka, Mike Falbo,

0:41:34.320 --> 0:41:38.600
<v Speaker 1>Whitney Donaldson, and Dylan Fagan. Our lead producers are Carl

0:41:38.640 --> 0:41:42.600
<v Speaker 1>Nellis and Alyssa Martino. This episode was written by Albert Chen,

0:41:42.719 --> 0:41:46.160
<v Speaker 1>Carl Nellis and Nevin Callapoly, with additional writing and story

0:41:46.280 --> 0:41:49.960
<v Speaker 1>editing from Alissa Martino and Ed Helms. Additional production from

0:41:50.000 --> 0:41:53.520
<v Speaker 1>Stephen wood. Tory Smith is our associate producer. Our story

0:41:53.640 --> 0:41:57.040
<v Speaker 1>editor is nicki Stein. Our production assistants are Nevin Kalapoly

0:41:57.200 --> 0:42:00.560
<v Speaker 1>and a kimminy Ekpo. Fact checking by Charles Richter. Our

0:42:00.600 --> 0:42:04.120
<v Speaker 1>creative executive is Brett Harris. Editing music and sound design

0:42:04.239 --> 0:42:07.920
<v Speaker 1>by Ben Chug Engineering and technical direction by Nick Dooley

0:42:08.200 --> 0:42:11.920
<v Speaker 1>Andrew Chug is Gilded Audio's creative director. Theme music by

0:42:12.000 --> 0:42:16.080
<v Speaker 1>Dan Rosatto. Special thanks to Alison Cohen, Daniel Welsh and

0:42:16.320 --> 0:42:17.200
<v Speaker 1>ben Ryizak,