1 00:00:00,200 --> 00:00:03,519 Speaker 1: And we're like, oh, are you guys closed, and he's like, yeah, 2 00:00:05,160 --> 00:00:08,119 Speaker 1: you can't be in the zoo or I know, you 3 00:00:08,119 --> 00:00:12,360 Speaker 1: guys missed the animals, but like I understand, Like he 4 00:00:12,400 --> 00:00:14,560 Speaker 1: was like, I understand why you're here, but yeah, it 5 00:00:15,000 --> 00:00:22,479 Speaker 1: really can't be doing that. Hey, my name is Alex 6 00:00:22,520 --> 00:00:26,160 Speaker 1: Oustetter and I'm an actor and I love to sneak 7 00:00:26,200 --> 00:00:26,800 Speaker 1: into zoos. 8 00:00:32,040 --> 00:00:36,639 Speaker 2: Hi everybody, and welcome to Off the Beat. If you're 9 00:00:36,720 --> 00:00:39,479 Speaker 2: wondering who this is speaking to you right now, well 10 00:00:39,880 --> 00:00:44,680 Speaker 2: it's me your host, Brian Bumgartner. Today, as you just heard, 11 00:00:44,840 --> 00:00:52,000 Speaker 2: I have a talented young actor on the podcast, Alex Newstetter. Well, okay, 12 00:00:52,080 --> 00:00:56,520 Speaker 2: he's older now, but he started very very young, at 13 00:00:56,600 --> 00:01:01,080 Speaker 2: just five years of age. Now, I'm told that back 14 00:01:01,080 --> 00:01:03,720 Speaker 2: in the day, Alex was a very cute kid, so 15 00:01:03,920 --> 00:01:08,120 Speaker 2: cute in fact, that his mom's friend said, well, he's 16 00:01:08,200 --> 00:01:11,880 Speaker 2: a cute kid and photogenic, and that little comment ended 17 00:01:11,959 --> 00:01:15,280 Speaker 2: up getting him into modeling and commercial work as a kid, 18 00:01:15,640 --> 00:01:21,480 Speaker 2: which then became more and more dramatic by the year. Now, well, 19 00:01:21,560 --> 00:01:25,760 Speaker 2: he's a full blown star and also a delightful person. 20 00:01:26,440 --> 00:01:28,920 Speaker 2: Next time you tell a kid that they're cute, you 21 00:01:28,959 --> 00:01:31,440 Speaker 2: should probably check in a few years later and see 22 00:01:31,440 --> 00:01:34,039 Speaker 2: what they did with that information. They might be just 23 00:01:34,200 --> 00:01:37,960 Speaker 2: like Alex. Alex Well, he's an incredible talent. I've been 24 00:01:37,959 --> 00:01:40,959 Speaker 2: a fan of his for quite a while. He played 25 00:01:41,040 --> 00:01:47,080 Speaker 2: Homer in Meg Ryan's directorial debut film Ithaca. He played 26 00:01:47,120 --> 00:01:52,320 Speaker 2: Bram in another great great series, Colony on USA, and 27 00:01:53,040 --> 00:01:58,320 Speaker 2: well personal favorite, he played Billy in American Rust Now 28 00:01:58,440 --> 00:02:03,200 Speaker 2: season two. Just out a American Rust Broken Justice on 29 00:02:03,480 --> 00:02:07,360 Speaker 2: Amazon freebe go and check that out. But let's just 30 00:02:07,480 --> 00:02:11,120 Speaker 2: see what Alex has to say for himself, shall we. 31 00:02:11,840 --> 00:02:20,440 Speaker 2: Here He is my new best friend, Alex Newstetter. Bubble 32 00:02:20,520 --> 00:02:21,399 Speaker 2: and Squeak. 33 00:02:22,400 --> 00:02:23,120 Speaker 1: I love it. 34 00:02:23,639 --> 00:02:28,560 Speaker 2: Bubble and Squeak. I know Bubble and Squeak. I cook 35 00:02:28,639 --> 00:02:32,560 Speaker 2: get every month lift over from the ninety four. 36 00:02:43,080 --> 00:02:46,600 Speaker 1: What's up, Alex? How you doing, Brian Cool? 37 00:02:47,360 --> 00:02:48,840 Speaker 2: I'm doing well. How are you? 38 00:02:49,639 --> 00:02:51,200 Speaker 1: I'm doing great. I'm doing great. 39 00:02:51,800 --> 00:02:56,880 Speaker 2: I'm excited to talk to you today. I have to 40 00:02:56,880 --> 00:03:00,840 Speaker 2: say this, I was a big American Rust guy season one. 41 00:03:01,080 --> 00:03:04,880 Speaker 2: I was a big American Rust guy. Excited uh for 42 00:03:05,040 --> 00:03:08,200 Speaker 2: season two and and to talk about all of that. 43 00:03:08,600 --> 00:03:10,079 Speaker 2: But it's very nice to meet you. 44 00:03:10,680 --> 00:03:13,640 Speaker 1: Oh likewise, thank you. I've been a huge fan of 45 00:03:13,680 --> 00:03:17,919 Speaker 1: the office and and you doing Kevin and like, I'm 46 00:03:17,960 --> 00:03:20,240 Speaker 1: such a fan, so I was. I'm really stoked to 47 00:03:20,240 --> 00:03:22,120 Speaker 1: be able to meet you in chat. 48 00:03:22,240 --> 00:03:26,120 Speaker 2: So well, that's nice. You'll find out soon enough, I'm not. 49 00:03:26,400 --> 00:03:29,760 Speaker 2: I'm not very nice, So it'll it's gonna it's gonna 50 00:03:29,760 --> 00:03:33,040 Speaker 2: be awkward. It's gonna be it's I'm gonna make you uncomfortable. 51 00:03:33,120 --> 00:03:36,520 Speaker 2: But where are you now? Are you? Are you in California? 52 00:03:36,880 --> 00:03:38,720 Speaker 1: Yeah, I'm in Los Angeles right now? 53 00:03:39,400 --> 00:03:44,119 Speaker 2: All right, Well, thanks for stopping by you. Uh, you've 54 00:03:44,120 --> 00:03:46,520 Speaker 2: been in Los Angeles a long time. I understand. Now 55 00:03:46,520 --> 00:03:49,040 Speaker 2: I've got a crack research team that has looked into 56 00:03:49,040 --> 00:03:53,760 Speaker 2: every aspect of your being. You were born in Kansas, 57 00:03:53,840 --> 00:03:54,400 Speaker 2: is that right? 58 00:03:54,960 --> 00:03:55,200 Speaker 3: Yeah? 59 00:03:55,360 --> 00:04:01,400 Speaker 2: Kansas City, Kansas City, Kansas, Shawnee mission to be precise, 60 00:04:02,800 --> 00:04:05,120 Speaker 2: I understand you started in the business at a really 61 00:04:05,160 --> 00:04:08,200 Speaker 2: young age, but you were also interested in sports as 62 00:04:08,200 --> 00:04:09,080 Speaker 2: a kid. Is that right? 63 00:04:10,240 --> 00:04:13,440 Speaker 1: Definitely? Yeah. I was a bit of a jock. Like 64 00:04:13,520 --> 00:04:16,400 Speaker 1: I think one thing that my parents did well was 65 00:04:16,440 --> 00:04:19,239 Speaker 1: like push me into everything. So I kind of tried 66 00:04:19,279 --> 00:04:22,040 Speaker 1: a bunch of like anything I could. Like I danced 67 00:04:22,080 --> 00:04:28,640 Speaker 1: for a while, I played all the sports like baseball, basketball, football, soccer, tennis, 68 00:04:29,200 --> 00:04:32,200 Speaker 1: you name it. And then I kind of also just 69 00:04:32,720 --> 00:04:37,160 Speaker 1: randomly started doing like some theater and some little acting 70 00:04:37,200 --> 00:04:39,880 Speaker 1: stuff as well, and that was kind of my first 71 00:04:40,279 --> 00:04:42,039 Speaker 1: segue into it when I was like six. 72 00:04:43,040 --> 00:04:46,760 Speaker 2: Yeah, so what I read is this, at age five, 73 00:04:48,040 --> 00:04:52,160 Speaker 2: someone said to your mom that you were cute and 74 00:04:52,240 --> 00:04:57,359 Speaker 2: photogenic and she signed you up for an agency in 75 00:04:57,440 --> 00:04:58,719 Speaker 2: Kansas City. Is that right? 76 00:04:59,400 --> 00:05:01,440 Speaker 1: Yeah, that's really good research. 77 00:05:03,600 --> 00:05:06,479 Speaker 2: Did you like it as a kid? Was it just 78 00:05:06,520 --> 00:05:09,000 Speaker 2: an activity or did you enjoy doing it? 79 00:05:10,080 --> 00:05:13,000 Speaker 1: I think, honestly, I don't think I really knew what 80 00:05:13,080 --> 00:05:14,760 Speaker 1: I was doing. I think it was more of just 81 00:05:14,839 --> 00:05:18,039 Speaker 1: like a hey, try this out, see what you think. 82 00:05:18,120 --> 00:05:21,680 Speaker 1: And it wasn't even fully an agency. It was like 83 00:05:21,720 --> 00:05:25,800 Speaker 1: a middleman agency to try and connect you with another agency. 84 00:05:25,880 --> 00:05:29,760 Speaker 1: So I remember trying out for this like runway thing 85 00:05:29,800 --> 00:05:32,599 Speaker 1: when I was five or six, and it actually brought 86 00:05:32,640 --> 00:05:38,160 Speaker 1: me to LA and I did Runway for like as 87 00:05:38,200 --> 00:05:40,800 Speaker 1: a six year old, which is crazy. I remember there 88 00:05:40,839 --> 00:05:43,400 Speaker 1: was one where I know it's wild and then in 89 00:05:43,440 --> 00:05:46,760 Speaker 1: the audience it's called IMTA and in the audience there's 90 00:05:47,000 --> 00:05:51,279 Speaker 1: a bunch of agents and managers like scouting, and I 91 00:05:51,360 --> 00:05:53,160 Speaker 1: tried it for like two or three minutes or two 92 00:05:53,240 --> 00:05:56,400 Speaker 1: or three months rather, and I actually got close to 93 00:05:56,480 --> 00:05:59,240 Speaker 1: a couple. Like Zathura was a movie that I auditioned 94 00:05:59,240 --> 00:06:01,920 Speaker 1: for and I think I met Jon Favreau for it 95 00:06:02,200 --> 00:06:04,640 Speaker 1: and it was close and I was like, but then 96 00:06:04,640 --> 00:06:05,960 Speaker 1: I was like, what am I doing here? I want 97 00:06:06,000 --> 00:06:08,960 Speaker 1: to go see my friends and play sports. And I 98 00:06:09,040 --> 00:06:12,240 Speaker 1: wasn't like I need to do this at that age, so. 99 00:06:12,880 --> 00:06:16,600 Speaker 2: Right, but now runway. So I have an image in 100 00:06:16,600 --> 00:06:19,200 Speaker 2: my head of what that means. Is it is that? 101 00:06:19,240 --> 00:06:22,279 Speaker 2: What it is like, you're like you're wearing clothes or 102 00:06:22,600 --> 00:06:25,880 Speaker 2: you're fashion you're walking back back and forth. 103 00:06:26,040 --> 00:06:29,240 Speaker 1: It's the term. It's the It's like you walk it 104 00:06:29,279 --> 00:06:32,000 Speaker 1: down and you go to the right and you pose, 105 00:06:32,080 --> 00:06:33,880 Speaker 1: and then you go to the left and you pose 106 00:06:34,040 --> 00:06:36,880 Speaker 1: and and I was like what is this? And I 107 00:06:36,920 --> 00:06:40,599 Speaker 1: remember the day before I had a big palleck. I 108 00:06:40,640 --> 00:06:42,320 Speaker 1: still have a big caalock and it was driving me 109 00:06:42,400 --> 00:06:45,800 Speaker 1: crazy and I just cut it off with scissors. So 110 00:06:45,880 --> 00:06:49,800 Speaker 1: I had a crazy like I looked crazy. 111 00:06:49,600 --> 00:06:50,120 Speaker 3: But I was. 112 00:06:50,880 --> 00:06:53,280 Speaker 1: I did it, and I was like, Okay, this is cool. 113 00:06:53,320 --> 00:06:56,160 Speaker 1: I didn't really have the self awareness to be like 114 00:06:57,200 --> 00:06:59,679 Speaker 1: super freaked out about it. I don't think at that age. 115 00:06:59,760 --> 00:07:03,400 Speaker 2: So what about your mom and dad? Like were they 116 00:07:03,400 --> 00:07:04,679 Speaker 2: were they into it? 117 00:07:04,800 --> 00:07:04,880 Speaker 3: Was? 118 00:07:04,920 --> 00:07:05,120 Speaker 1: This? 119 00:07:06,000 --> 00:07:08,200 Speaker 2: Was this fun for them? I mean, obviously this is 120 00:07:08,279 --> 00:07:11,160 Speaker 2: meaning someone's going with you. They're not sticking. You want 121 00:07:11,160 --> 00:07:13,120 Speaker 2: to plane at age five or six and to go 122 00:07:13,160 --> 00:07:16,240 Speaker 2: to La Like, are they are they? Are they enjoying 123 00:07:16,280 --> 00:07:17,080 Speaker 2: this as well? 124 00:07:18,080 --> 00:07:20,720 Speaker 1: Yeah? I think my mom was into it just because 125 00:07:20,720 --> 00:07:22,680 Speaker 1: she knew that I had an interest. 126 00:07:22,800 --> 00:07:23,280 Speaker 3: I was like this. 127 00:07:23,960 --> 00:07:26,040 Speaker 1: I wasn't like saying I don't want to do this, 128 00:07:26,400 --> 00:07:29,800 Speaker 1: you know, And so she was super supportive. And we 129 00:07:30,280 --> 00:07:32,520 Speaker 1: brought our dog with us, who stayed at a like 130 00:07:32,560 --> 00:07:35,000 Speaker 1: a holiday inn for like two or three months, and 131 00:07:35,360 --> 00:07:38,640 Speaker 1: oh my gosh, and like deep Burbank, Yeah, it was 132 00:07:38,640 --> 00:07:41,240 Speaker 1: an adventure for sure, But yeah, they were. She was 133 00:07:41,240 --> 00:07:44,440 Speaker 1: super supportive. My dad stayed home and yeah, once I said, 134 00:07:44,480 --> 00:07:48,120 Speaker 1: it was like time we went straight back to Kansas City. 135 00:07:48,640 --> 00:07:51,600 Speaker 2: Right. Do you mentioned you had a passion for sports 136 00:07:52,360 --> 00:07:56,600 Speaker 2: as well? You played baseball and we're pretty good at baseball. 137 00:07:56,640 --> 00:08:01,640 Speaker 2: Did you ever consider going into the sports room. Talk 138 00:08:01,680 --> 00:08:03,880 Speaker 2: to me about the decision, and I know your whole 139 00:08:03,880 --> 00:08:06,480 Speaker 2: family ends up moving to Los Angeles. Talk to me 140 00:08:06,520 --> 00:08:10,920 Speaker 2: about the decision to actually turn this from like a 141 00:08:11,000 --> 00:08:13,600 Speaker 2: hobby into something that you really wanted to do. 142 00:08:15,040 --> 00:08:19,640 Speaker 1: Yeah, I think if I didn't come to LA Baseball 143 00:08:19,920 --> 00:08:22,880 Speaker 1: or probably baseball most likely would have been what I 144 00:08:22,880 --> 00:08:26,119 Speaker 1: would have really tried to go after, because I've played 145 00:08:26,120 --> 00:08:31,320 Speaker 1: that super competitively all the way through, and my dad 146 00:08:31,400 --> 00:08:33,760 Speaker 1: was a coach for a lot of my childhood, so 147 00:08:33,800 --> 00:08:37,360 Speaker 1: it was just like something we always did. I was 148 00:08:37,400 --> 00:08:39,679 Speaker 1: thinking about this the other day, like I had a 149 00:08:39,760 --> 00:08:41,720 Speaker 1: question my dad asked me when I was like twelve, 150 00:08:41,760 --> 00:08:45,240 Speaker 1: because I essentially I got like a pursued from a 151 00:08:45,280 --> 00:08:49,640 Speaker 1: manager in Kansas City. I was like passing her in 152 00:08:49,679 --> 00:08:52,000 Speaker 1: the hallway and she's like, where are you going? And 153 00:08:52,040 --> 00:08:55,120 Speaker 1: she invited me to go to her seminar and I 154 00:08:55,160 --> 00:08:57,160 Speaker 1: was leaving another seminar and I was like I just 155 00:08:57,200 --> 00:08:59,240 Speaker 1: want I'm starving, I want to go home. This is 156 00:08:59,679 --> 00:09:02,000 Speaker 1: you know, and then she like pursuing me. I went 157 00:09:02,000 --> 00:09:05,400 Speaker 1: to the seminar. I did it, and it became a 158 00:09:05,440 --> 00:09:09,360 Speaker 1: thing where became really serious all of a sudden, where 159 00:09:09,400 --> 00:09:11,800 Speaker 1: she was like, hey, I would love to like represent you, 160 00:09:12,520 --> 00:09:16,679 Speaker 1: and I was like twelve thirteen, I didn't Still I 161 00:09:16,720 --> 00:09:20,000 Speaker 1: don't think really knew what I was like signing up 162 00:09:20,000 --> 00:09:23,760 Speaker 1: for what I was doing. And I feel like my 163 00:09:24,280 --> 00:09:26,480 Speaker 1: parents and I are kind of we kind of send it. 164 00:09:26,480 --> 00:09:28,400 Speaker 1: We're a little crazy sometimes where like if we have 165 00:09:28,400 --> 00:09:31,920 Speaker 1: an opportunity, let's just see how this goes. We can 166 00:09:31,960 --> 00:09:36,600 Speaker 1: always come back and why not try it if it's 167 00:09:37,120 --> 00:09:39,520 Speaker 1: something that you actually want to do. And at that 168 00:09:39,679 --> 00:09:41,600 Speaker 1: time I had gotten in the feed or more. I 169 00:09:41,600 --> 00:09:44,760 Speaker 1: had done a couple like super indie horror films in 170 00:09:44,840 --> 00:09:47,200 Speaker 1: Kansas City, and I was like, this is fun. I 171 00:09:47,280 --> 00:09:49,840 Speaker 1: enjoyed it, but I think at that time I still 172 00:09:49,880 --> 00:09:51,760 Speaker 1: didn't really know. But I remember we were I was 173 00:09:51,760 --> 00:09:53,840 Speaker 1: playing tennis with my dad and he just asked me 174 00:09:53,880 --> 00:09:56,040 Speaker 1: in the car. He's like, hey, like, do you actually 175 00:09:56,360 --> 00:09:58,960 Speaker 1: want to go do this? This is the kind of 176 00:09:58,960 --> 00:10:01,640 Speaker 1: the moment where you make that decision. And I was 177 00:10:01,679 --> 00:10:05,040 Speaker 1: thinking about it, and it's like jump taking the leap 178 00:10:05,080 --> 00:10:07,160 Speaker 1: of faith. You kind of you have no idea what 179 00:10:07,160 --> 00:10:08,960 Speaker 1: that other side looks like. And I was kind of 180 00:10:09,000 --> 00:10:11,080 Speaker 1: just like, yeah, let's let's try it. 181 00:10:11,160 --> 00:10:11,600 Speaker 3: Let's go. 182 00:10:11,920 --> 00:10:13,960 Speaker 1: And then at first it was like a slow move out, 183 00:10:14,000 --> 00:10:17,959 Speaker 1: and then after about six months we fully committed, brought 184 00:10:17,960 --> 00:10:21,400 Speaker 1: all the dogs and the family, and then it took 185 00:10:21,440 --> 00:10:23,960 Speaker 1: me like three or four years to really get a project. 186 00:10:24,040 --> 00:10:27,760 Speaker 1: So it was a lot of no's, like hundreds of no's, 187 00:10:27,840 --> 00:10:30,240 Speaker 1: and getting so close to all these things, and I 188 00:10:30,280 --> 00:10:33,200 Speaker 1: was like, what is this? What is going on? And 189 00:10:33,240 --> 00:10:35,400 Speaker 1: I didn't even really know what I was doing until 190 00:10:35,400 --> 00:10:40,199 Speaker 1: I actually worked on a project and like did a 191 00:10:40,240 --> 00:10:43,880 Speaker 1: proper project which was called Ithaca that I did this project, 192 00:10:43,920 --> 00:10:45,520 Speaker 1: and then I was like, this is what I want 193 00:10:45,559 --> 00:10:49,440 Speaker 1: to do. I fully cooked because it's such a different process, 194 00:10:49,480 --> 00:10:52,319 Speaker 1: you know, like auditioning versus actually working. 195 00:10:52,600 --> 00:10:55,880 Speaker 2: Right, I mean it just occurred to me, and you're 196 00:10:55,920 --> 00:10:59,800 Speaker 2: obviously way younger, but it's hard for me to remember, 197 00:11:00,200 --> 00:11:04,520 Speaker 2: know the consciousness there in Kansas City. You know, I've 198 00:11:04,520 --> 00:11:08,280 Speaker 2: got a lot of friends, a lot of pretty good friends. 199 00:11:08,960 --> 00:11:11,560 Speaker 2: And at one point during the podcast here I started 200 00:11:11,559 --> 00:11:13,920 Speaker 2: to make a joke like what are people putting in 201 00:11:13,960 --> 00:11:18,599 Speaker 2: the water in Kansas City? Because you've got like especially 202 00:11:18,960 --> 00:11:22,280 Speaker 2: and you didn't even necessarily go this route, in fact, 203 00:11:22,280 --> 00:11:25,840 Speaker 2: you quite specifically didn't. But in terms of comedy, I mean, 204 00:11:25,880 --> 00:11:30,160 Speaker 2: you've got Paul Rudd, you have Eric stone Street, Rob Wriggle, 205 00:11:30,920 --> 00:11:37,800 Speaker 2: Dave Keckner, Jason Jason Sadekas. Right, So when you're growing 206 00:11:37,920 --> 00:11:40,840 Speaker 2: up and you're even so I mean this sort of 207 00:11:40,920 --> 00:11:43,959 Speaker 2: is like going backwards a little before you actually moved 208 00:11:44,000 --> 00:11:48,240 Speaker 2: to LA, Like, are you aware of these guys, some 209 00:11:48,440 --> 00:11:52,320 Speaker 2: of them and gals that that are from Kansas City. 210 00:11:52,360 --> 00:11:56,079 Speaker 2: Are they coming back or agents or whatever people you're 211 00:11:56,120 --> 00:11:59,680 Speaker 2: meeting or do they have some awareness of them being 212 00:11:59,679 --> 00:12:02,680 Speaker 2: on edel or whatever else? Are you aware of that 213 00:12:02,760 --> 00:12:03,559 Speaker 2: when you're a kid. 214 00:12:04,840 --> 00:12:07,240 Speaker 1: I think I really got more aware of it kind 215 00:12:07,280 --> 00:12:10,280 Speaker 1: of right when I was moving out, and okay, when 216 00:12:10,280 --> 00:12:13,800 Speaker 1: I moved out because my parents were like loved modern 217 00:12:13,880 --> 00:12:17,800 Speaker 1: family and all that. And I also like worked with 218 00:12:17,800 --> 00:12:19,559 Speaker 1: one of the guys who was best friends with Eric 219 00:12:19,600 --> 00:12:21,959 Speaker 1: stone Street. He like took his head shots and stuff, 220 00:12:22,000 --> 00:12:24,360 Speaker 1: and so we were connected in that way. So I 221 00:12:24,440 --> 00:12:28,000 Speaker 1: didn't know about them, but I I was kind of 222 00:12:28,040 --> 00:12:31,040 Speaker 1: removed from from it a little bit. I didn't know 223 00:12:31,080 --> 00:12:33,880 Speaker 1: a ton about all the actors. But yeah, it's pretty 224 00:12:33,880 --> 00:12:37,000 Speaker 1: crazy how funny they all are and kind of how 225 00:12:37,000 --> 00:12:38,559 Speaker 1: many came from. 226 00:12:38,559 --> 00:12:41,720 Speaker 2: And there's something in the water there and it's like 227 00:12:42,320 --> 00:12:44,280 Speaker 2: and you know, and by the way, I have all 228 00:12:44,320 --> 00:12:46,679 Speaker 2: the respect of the world, lots of friends in Kansas City, 229 00:12:46,720 --> 00:12:49,440 Speaker 2: but it's not something that jumps into your mind. You 230 00:12:49,480 --> 00:12:54,640 Speaker 2: don't think like, oh, Kansas City, hot bed for Hollywood talent, 231 00:12:54,800 --> 00:12:59,199 Speaker 2: But as it turns out, it's something something's happening there, 232 00:13:00,480 --> 00:13:05,440 Speaker 2: that's for sure. You talked about your first experience on Ithaca, 233 00:13:05,480 --> 00:13:06,960 Speaker 2: which I want to talk about in a minute, but 234 00:13:07,559 --> 00:13:11,520 Speaker 2: you had some, as you mentioned early experiences as a kid, 235 00:13:12,320 --> 00:13:17,160 Speaker 2: a couple of projects, Albino Farm, Last Breath. So when 236 00:13:17,240 --> 00:13:21,880 Speaker 2: you're on set, does it feel to you then like 237 00:13:22,000 --> 00:13:26,760 Speaker 2: you're just playing? And I say that, like you know 238 00:13:27,120 --> 00:13:29,520 Speaker 2: again more sort of like oh, this is an activity 239 00:13:29,520 --> 00:13:32,040 Speaker 2: I'm doing, This is cool? Or do you start to 240 00:13:32,080 --> 00:13:36,120 Speaker 2: have an experience working with older actors or whatever that 241 00:13:36,760 --> 00:13:40,320 Speaker 2: you start to feel sort of the depth of what 242 00:13:40,400 --> 00:13:40,960 Speaker 2: you're doing. 243 00:13:42,559 --> 00:13:47,240 Speaker 1: I think for those two films specifically, I was ten, 244 00:13:47,760 --> 00:13:53,560 Speaker 1: and I remember the Albino Farm one felt more like 245 00:13:53,720 --> 00:13:56,720 Speaker 1: play okay because it was it was such a small 246 00:13:56,800 --> 00:14:00,640 Speaker 1: role at the beginning. But I remember auditioning for Last 247 00:14:00,720 --> 00:14:05,360 Speaker 1: Breath and kind of just playfully auditioning for it, and 248 00:14:05,360 --> 00:14:07,960 Speaker 1: then I remember the director like actually saying, hey, like 249 00:14:08,080 --> 00:14:11,840 Speaker 1: what you just gave me is like a three in 250 00:14:11,920 --> 00:14:15,800 Speaker 1: terms of intensity, Like I want you to actually like 251 00:14:15,920 --> 00:14:19,880 Speaker 1: put yourself into this and really no, like encapsulate what 252 00:14:20,000 --> 00:14:22,720 Speaker 1: is actually going on in this situation and give me 253 00:14:22,800 --> 00:14:25,560 Speaker 1: like a tender give me, give me the full intensity 254 00:14:25,560 --> 00:14:27,600 Speaker 1: that you can. And that was I feel like maybe 255 00:14:27,640 --> 00:14:29,440 Speaker 1: the first time that I was like, oh, this is 256 00:14:30,760 --> 00:14:33,360 Speaker 1: this is play, but it can be a lot more serious. 257 00:14:33,520 --> 00:14:35,280 Speaker 1: You know, it can get a lot more intense than 258 00:14:35,920 --> 00:14:38,960 Speaker 1: you know, just joking around. But yeah, I would say 259 00:14:39,000 --> 00:14:42,720 Speaker 1: the part talking more about like working with actors and 260 00:14:43,400 --> 00:14:48,480 Speaker 1: the depth was ithaical for me because that was when 261 00:14:48,520 --> 00:14:50,440 Speaker 1: I got to see Sam Shepard and I didn't know 262 00:14:50,520 --> 00:14:53,160 Speaker 1: much about him, but then I watched his work before 263 00:14:53,920 --> 00:14:56,560 Speaker 1: and his plays, and I was just like, this guy 264 00:14:57,240 --> 00:14:57,840 Speaker 1: a legend. 265 00:14:59,240 --> 00:15:05,840 Speaker 2: Yeah, I mentioned Ithaca. You play Meg Ryan's son in Ithaca. 266 00:15:05,880 --> 00:15:08,240 Speaker 2: Obviously this you brought it up a couple of times. 267 00:15:08,280 --> 00:15:11,400 Speaker 2: This is like your most important sort of first role. 268 00:15:11,800 --> 00:15:16,160 Speaker 2: Tell me about getting that role and then the reception 269 00:15:16,440 --> 00:15:19,480 Speaker 2: that the film and your work got after. 270 00:15:20,880 --> 00:15:24,120 Speaker 1: Yeah, I think I was at the point kind of 271 00:15:24,120 --> 00:15:27,200 Speaker 1: in my career. I had like just turned sixteen, and 272 00:15:27,280 --> 00:15:31,120 Speaker 1: I was I had like three years of nose. I 273 00:15:31,160 --> 00:15:35,080 Speaker 1: felt very pretty lost with like what I was doing. 274 00:15:35,120 --> 00:15:38,800 Speaker 1: Because I moved like my whole family out to Kansas, 275 00:15:38,840 --> 00:15:40,640 Speaker 1: city essentially, like it felt like there was a lot 276 00:15:40,640 --> 00:15:43,760 Speaker 1: of pressure and I really didn't have much to show 277 00:15:43,840 --> 00:15:46,880 Speaker 1: for it, and so I kind of I was it 278 00:15:46,920 --> 00:15:50,360 Speaker 1: was like I had gotten two little things before that 279 00:15:50,360 --> 00:15:52,040 Speaker 1: that kind of made it seem like, Okay, I can 280 00:15:52,480 --> 00:15:55,920 Speaker 1: do this, like I can book projects, but right it 281 00:15:56,000 --> 00:15:59,680 Speaker 1: really wasn't until this project that I kind of I 282 00:15:59,680 --> 00:16:03,040 Speaker 1: remember telling my mom before because I had to go 283 00:16:03,080 --> 00:16:07,600 Speaker 1: to New York to read with Meg, that you know, 284 00:16:07,640 --> 00:16:11,520 Speaker 1: if I don't get this, like I might just take 285 00:16:11,560 --> 00:16:13,800 Speaker 1: a break for a bit, because there had been so 286 00:16:13,840 --> 00:16:17,040 Speaker 1: many whereas between me and another guy, and and like 287 00:16:17,360 --> 00:16:19,400 Speaker 1: you can only take that so much, I feel like 288 00:16:20,160 --> 00:16:23,440 Speaker 1: at that age, especially when all the questions are being asked, 289 00:16:23,480 --> 00:16:25,840 Speaker 1: like what do you want to do? And if what 290 00:16:25,880 --> 00:16:28,360 Speaker 1: you're trying so hard to do is kind of failing 291 00:16:28,400 --> 00:16:30,960 Speaker 1: in front of you, it was tough. So I remember, 292 00:16:31,280 --> 00:16:32,880 Speaker 1: I remember I said that to her, and then she 293 00:16:33,000 --> 00:16:35,520 Speaker 1: gave me this like dog tag that was her dad's 294 00:16:35,560 --> 00:16:37,720 Speaker 1: dog tag from World War two. 295 00:16:37,840 --> 00:16:38,360 Speaker 2: Oh wow. 296 00:16:38,640 --> 00:16:41,640 Speaker 1: And so for me, that like connected it so much 297 00:16:41,640 --> 00:16:44,640 Speaker 1: to what this movie was about, which was it was 298 00:16:44,720 --> 00:16:46,640 Speaker 1: on the home front of World War two, and it 299 00:16:46,680 --> 00:16:49,280 Speaker 1: became a lot more personal to me. And I had 300 00:16:49,520 --> 00:16:52,240 Speaker 1: always kind of felt this connection to him, even though 301 00:16:52,280 --> 00:16:55,680 Speaker 1: I never got to meet him, and so I wore 302 00:16:55,800 --> 00:17:00,120 Speaker 1: that into the audition. I did the audition, and like 303 00:17:00,200 --> 00:17:04,520 Speaker 1: thirty minutes later, I'm eating lunch in the hotel and 304 00:17:04,520 --> 00:17:07,679 Speaker 1: I get a call saying that I booked it like 305 00:17:07,760 --> 00:17:10,200 Speaker 1: that quickly, and then that Meg wanted to have pie 306 00:17:10,200 --> 00:17:14,359 Speaker 1: with me that afternoon, and so I go like from saying, 307 00:17:14,440 --> 00:17:16,560 Speaker 1: if I don't get this, I'm done. And then like 308 00:17:16,960 --> 00:17:19,320 Speaker 1: a couple hours later, I was having pie with her 309 00:17:19,680 --> 00:17:21,240 Speaker 1: and one of the other producers. 310 00:17:21,800 --> 00:17:24,359 Speaker 2: You're eating pot. This is what she She invites you 311 00:17:24,480 --> 00:17:26,040 Speaker 2: to pie. Well, I guess she can't invite you to 312 00:17:26,080 --> 00:17:29,080 Speaker 2: a drink. Coffee is even a little awkward if you're sixteen. 313 00:17:29,680 --> 00:17:31,520 Speaker 2: So she invites you to pie, and then what do 314 00:17:31,600 --> 00:17:34,440 Speaker 2: you talk about? What kind of pie did you get? 315 00:17:34,480 --> 00:17:36,200 Speaker 2: First off? What kind of pie was it? 316 00:17:36,359 --> 00:17:38,199 Speaker 1: I'm an apple pie guy. I love out there. 317 00:17:38,800 --> 00:17:40,879 Speaker 2: Yeah, I'm not a warm fruit I don't I'm not 318 00:17:41,000 --> 00:17:45,200 Speaker 2: I don't do warm fruit. But anyway, like pie, p 319 00:17:45,359 --> 00:17:50,280 Speaker 2: can boom nailed. It came right out, okay, apple pie? 320 00:17:50,440 --> 00:17:52,440 Speaker 2: And so what are you do you start talking about 321 00:17:52,440 --> 00:17:53,720 Speaker 2: the work or is she just trying to get to 322 00:17:53,760 --> 00:17:54,440 Speaker 2: know you a little bit. 323 00:17:54,800 --> 00:17:57,199 Speaker 1: It starts a bit as just trying to get to 324 00:17:57,240 --> 00:18:01,120 Speaker 1: know and kind of familiarize ourselves, but then it's then 325 00:18:01,119 --> 00:18:04,959 Speaker 1: it's talking about the work pretty quickly, and she just 326 00:18:05,000 --> 00:18:07,120 Speaker 1: made me feel really comfortable. She gave me a bunch 327 00:18:07,119 --> 00:18:10,560 Speaker 1: of movies she wanted me to watch, specifically, like East 328 00:18:10,560 --> 00:18:13,400 Speaker 1: of Eden, like a lot of James Dean, early Brando, 329 00:18:13,840 --> 00:18:16,760 Speaker 1: like a lot of the classics that I at the 330 00:18:16,800 --> 00:18:20,320 Speaker 1: time hadn't familiarized myself with, and some things that she 331 00:18:20,440 --> 00:18:24,480 Speaker 1: was really pulling from inspiration wise and music. And then 332 00:18:24,680 --> 00:18:26,960 Speaker 1: it was kind of maybe a week or two before 333 00:18:26,960 --> 00:18:29,720 Speaker 1: we actually started filming, I was we just read the 334 00:18:29,720 --> 00:18:32,119 Speaker 1: script together in a coffee shop and went over it 335 00:18:32,160 --> 00:18:35,760 Speaker 1: and kind of just really like dove more into it. 336 00:18:36,160 --> 00:18:36,720 Speaker 3: But yeah, that. 337 00:18:36,840 --> 00:18:41,399 Speaker 1: Was a crazy experience, and like after doing that, I 338 00:18:41,440 --> 00:18:45,240 Speaker 1: got fully hooked on being on set every day and 339 00:18:45,280 --> 00:18:48,639 Speaker 1: the connections you make, and it was just something so 340 00:18:48,800 --> 00:18:51,159 Speaker 1: special that I really got it and it felt so 341 00:18:51,280 --> 00:18:54,640 Speaker 1: personal and so meaningful because it really made me feel 342 00:18:54,640 --> 00:18:57,639 Speaker 1: more connected to that era. And I don't know, period 343 00:18:57,640 --> 00:19:00,639 Speaker 1: pieces are so cool, especially where we filmed them. It 344 00:19:00,680 --> 00:19:04,000 Speaker 1: was in Petersburg, Virginia where it always feels it feels 345 00:19:04,040 --> 00:19:05,960 Speaker 1: like going back in time anyway, and then you have 346 00:19:06,000 --> 00:19:10,280 Speaker 1: the right forties, you know, clothing on, and yeah, it 347 00:19:10,320 --> 00:19:11,679 Speaker 1: was really it is really amazing. 348 00:19:29,720 --> 00:19:33,360 Speaker 2: I'm always fascinated to talk to people like you who 349 00:19:33,560 --> 00:19:36,760 Speaker 2: started as a child actor. And what I mean by 350 00:19:36,760 --> 00:19:38,920 Speaker 2: that is that you know, I was acting, but for 351 00:19:38,960 --> 00:19:43,439 Speaker 2: me it was theater. You know. I wasn't like the 352 00:19:43,480 --> 00:19:46,399 Speaker 2: film and television business, like, I never did that. And 353 00:19:46,440 --> 00:19:50,040 Speaker 2: I think what's particularly interesting to me about you is 354 00:19:51,960 --> 00:19:55,720 Speaker 2: you never did the like kids acting thing. 355 00:19:55,840 --> 00:19:56,240 Speaker 3: And I don't. 356 00:19:56,280 --> 00:19:58,840 Speaker 2: I don't even know if that if that phrase makes sense, 357 00:19:58,880 --> 00:20:05,840 Speaker 2: but you know Disney or Nickelodeon or Mickey Mouse fun House, No, 358 00:20:06,200 --> 00:20:11,160 Speaker 2: I couldn't make a Mouse club. You seem to have gravitated. Now. 359 00:20:11,440 --> 00:20:14,560 Speaker 2: A lot of times it's like, well that's you asked 360 00:20:14,560 --> 00:20:17,800 Speaker 2: this question, and people are like, oh, that's that was 361 00:20:17,840 --> 00:20:21,040 Speaker 2: the job I got. Like I, But I'm wondering if 362 00:20:21,080 --> 00:20:25,639 Speaker 2: for you did you gravitate towards these more adult projects. 363 00:20:25,760 --> 00:20:29,360 Speaker 2: Was that interesting for you? Or if Disney had called, 364 00:20:30,200 --> 00:20:34,119 Speaker 2: maybe you would have hung out with Britney Spears or whatever. 365 00:20:34,520 --> 00:20:35,000 Speaker 2: I don't know. 366 00:20:36,320 --> 00:20:40,840 Speaker 1: Yeah, I think I remember always trying to do the 367 00:20:41,240 --> 00:20:43,199 Speaker 1: like I think that's probably why I didn't book anything 368 00:20:43,320 --> 00:20:46,639 Speaker 1: for three years, because I was under sixteen and there's 369 00:20:46,800 --> 00:20:50,920 Speaker 1: like legal things that they want you for the hours 370 00:20:50,960 --> 00:20:53,800 Speaker 1: and all that, and I would try. I would on 371 00:20:54,200 --> 00:20:56,840 Speaker 1: so many Disney, shake it Up, you name it, and 372 00:20:56,880 --> 00:20:59,280 Speaker 1: I just I couldn't do it, Like it was just 373 00:20:59,440 --> 00:21:03,439 Speaker 1: so over I remember like having a reading with my 374 00:21:03,560 --> 00:21:05,440 Speaker 1: manager and she was like, Hey, can we just read 375 00:21:05,440 --> 00:21:07,680 Speaker 1: this before you go in? And I was like reading 376 00:21:07,680 --> 00:21:10,159 Speaker 1: it like seriously. I was like into it, and she's like, 377 00:21:10,800 --> 00:21:12,600 Speaker 1: she's like, what do you And then I think she 378 00:21:12,720 --> 00:21:16,720 Speaker 1: realized in that moment that like that's not really my strength, 379 00:21:16,880 --> 00:21:19,879 Speaker 1: you know. I couldn't just I wasn't great at that. 380 00:21:20,040 --> 00:21:24,840 Speaker 1: I think I've always gravitated towards like deeper, darker roles, 381 00:21:24,880 --> 00:21:27,399 Speaker 1: even as a kid, which is weird. 382 00:21:27,720 --> 00:21:28,520 Speaker 3: I think it's just. 383 00:21:29,320 --> 00:21:34,080 Speaker 1: I really like exploring like the depths of like what 384 00:21:34,119 --> 00:21:36,480 Speaker 1: I can feel, and I feel like those other shows 385 00:21:36,520 --> 00:21:38,240 Speaker 1: are very surface level in a lot of ways, not 386 00:21:38,280 --> 00:21:41,600 Speaker 1: that they're not good, but just they're just they're different. 387 00:21:41,640 --> 00:21:46,119 Speaker 1: And I really was after traumatic stuff, and there's not 388 00:21:46,200 --> 00:21:49,520 Speaker 1: a lot in that age range that's available to really 389 00:21:49,760 --> 00:21:53,280 Speaker 1: dive deep and like if it makes me feel strong 390 00:21:53,359 --> 00:21:55,960 Speaker 1: and feel a certain way, like, that's what I'm going after. 391 00:21:56,200 --> 00:21:59,800 Speaker 1: I want to go like exploring emotionally essentially. 392 00:22:01,000 --> 00:22:05,400 Speaker 2: Well, one, that's awesome too, It's totally understandable. I mean, look, 393 00:22:05,440 --> 00:22:09,000 Speaker 2: if at age sixteen, you're eating pie with Meg Ryan 394 00:22:09,400 --> 00:22:13,120 Speaker 2: to do play her son in her movie, and you're 395 00:22:13,320 --> 00:22:16,080 Speaker 2: talking about these things and you're wearing the dog, I 396 00:22:16,080 --> 00:22:21,919 Speaker 2: mean that feels like an amazing experience that you had 397 00:22:22,160 --> 00:22:25,560 Speaker 2: and very meaningful. And yeah, I mean that it makes 398 00:22:25,600 --> 00:22:27,320 Speaker 2: sense that it would be tough for you to then 399 00:22:27,720 --> 00:22:31,000 Speaker 2: like sing the Mickey Mouse song or whatever. And again, 400 00:22:31,119 --> 00:22:33,760 Speaker 2: not that there's anything wrong with the Mickey Mouse song it, 401 00:22:34,440 --> 00:22:38,359 Speaker 2: but you're but you had had shifted in a different direction. 402 00:22:39,440 --> 00:22:43,560 Speaker 2: Speaking of which colony, did you get colony because of 403 00:22:43,600 --> 00:22:48,240 Speaker 2: this film or was this just coincidental timing wise? 404 00:22:48,840 --> 00:22:53,399 Speaker 1: Yeah, I think I had just filmed that Ithaca and 405 00:22:53,480 --> 00:22:57,520 Speaker 1: it was my second audition back essentially I booked, so 406 00:22:57,640 --> 00:23:00,040 Speaker 1: it hadn't come out yet, but it was like, I 407 00:23:00,080 --> 00:23:04,199 Speaker 1: don't know, it feels like the industry is very momentum based, 408 00:23:04,280 --> 00:23:07,639 Speaker 1: you know. Yeah, they love when you're when you just 409 00:23:07,840 --> 00:23:10,000 Speaker 1: got off a project, you're going into a new one, 410 00:23:10,080 --> 00:23:12,120 Speaker 1: or maybe we can fit you before another one. It's 411 00:23:12,200 --> 00:23:15,119 Speaker 1: kind of one of those. So I feel like I 412 00:23:15,200 --> 00:23:19,280 Speaker 1: auditioned in front of the creators and I told them 413 00:23:19,320 --> 00:23:21,600 Speaker 1: about this movie, and I think they they were just 414 00:23:21,760 --> 00:23:24,960 Speaker 1: really excited about it. And but yeah, that happened right 415 00:23:25,000 --> 00:23:28,800 Speaker 1: after and then that was essentially like a three year 416 00:23:29,320 --> 00:23:30,760 Speaker 1: process for me with that. 417 00:23:32,200 --> 00:23:35,160 Speaker 2: Yeah, well it's I think it is momentum. I mean, 418 00:23:35,160 --> 00:23:39,480 Speaker 2: what you say is true, but it's also that you know, 419 00:23:39,560 --> 00:23:44,080 Speaker 2: it's very hard unless you have incredible discipline. Well, it's 420 00:23:44,119 --> 00:23:46,800 Speaker 2: like in sports, you know, have you been playing, have 421 00:23:46,880 --> 00:23:48,800 Speaker 2: you been in the gym, have you been have you 422 00:23:48,880 --> 00:23:53,040 Speaker 2: been working out? Are you prepared? Is your body ready? 423 00:23:53,560 --> 00:23:53,800 Speaker 3: Right? 424 00:23:54,240 --> 00:23:56,879 Speaker 2: And it's hard to simulate even if you even if 425 00:23:56,920 --> 00:24:01,119 Speaker 2: you do work hard, it's hard to simulate the like 426 00:24:01,520 --> 00:24:07,439 Speaker 2: on set experience. It's not brain surgery, but you know 427 00:24:07,680 --> 00:24:13,440 Speaker 2: that pressure, that intensity of being on set, of doing 428 00:24:13,480 --> 00:24:17,159 Speaker 2: your work and having you know, one hundred and however 429 00:24:17,240 --> 00:24:21,240 Speaker 2: many people watching you and hoping you don't screw it 430 00:24:21,320 --> 00:24:23,000 Speaker 2: up so we can make our day and all of 431 00:24:23,040 --> 00:24:25,720 Speaker 2: those things. And so it makes sense to me, right 432 00:24:25,880 --> 00:24:28,720 Speaker 2: like that, you go from that, you're tuned up and 433 00:24:28,760 --> 00:24:32,000 Speaker 2: you're ready, and a lot of times that can breed 434 00:24:32,160 --> 00:24:33,240 Speaker 2: other work as well. 435 00:24:33,320 --> 00:24:36,119 Speaker 1: Right, totally, Yeah, I think that's a really good point. 436 00:24:36,400 --> 00:24:39,600 Speaker 1: I also think the industry is so like hurry up 437 00:24:39,920 --> 00:24:42,639 Speaker 1: and wait and it's and then when they're ready, it's like, 438 00:24:43,200 --> 00:24:45,480 Speaker 1: all right, now you have to go. And I feel 439 00:24:45,480 --> 00:24:48,520 Speaker 1: like in a lot of ways that's I always connected 440 00:24:48,520 --> 00:24:52,360 Speaker 1: it always with like sports and baseball, and like you said, 441 00:24:52,480 --> 00:24:55,600 Speaker 1: just being prepared for the moment and then when it's there, 442 00:24:55,680 --> 00:24:58,920 Speaker 1: you got to just let it go and go after it. 443 00:25:00,040 --> 00:25:05,000 Speaker 2: You played bram in Colony, fascinating show, a ton of 444 00:25:05,280 --> 00:25:10,040 Speaker 2: great press and acknowledgment on that. One of the things 445 00:25:10,080 --> 00:25:13,200 Speaker 2: that I found you. No, I don't I don't want 446 00:25:13,200 --> 00:25:15,520 Speaker 2: to get in trouble with anybody here, but I do 447 00:25:15,600 --> 00:25:19,960 Speaker 2: have to say I like science fiction, but I do 448 00:25:20,040 --> 00:25:24,560 Speaker 2: at times have a problem well, and I'll say science 449 00:25:24,560 --> 00:25:28,280 Speaker 2: fiction and horror at times, when you see the monster, 450 00:25:29,480 --> 00:25:33,560 Speaker 2: it's not quite as scary as what it could be 451 00:25:33,680 --> 00:25:37,240 Speaker 2: in your mind. This is just me, and I thought 452 00:25:37,320 --> 00:25:43,040 Speaker 2: that Colony did a fantastic job of making it feel 453 00:25:43,920 --> 00:25:51,119 Speaker 2: very very scary without too much seeing yeah, seeing the 454 00:25:51,160 --> 00:25:54,040 Speaker 2: monster that was that was in control. Talk to me 455 00:25:54,200 --> 00:25:58,200 Speaker 2: about that show. You you enjoyed your experience on that show. 456 00:25:59,200 --> 00:26:04,080 Speaker 1: I did. I. I think that show really taught me 457 00:26:04,119 --> 00:26:06,600 Speaker 1: a lot. I feel like the first season I was 458 00:26:06,680 --> 00:26:09,640 Speaker 1: pretty lost in terms of like what I was doing 459 00:26:10,640 --> 00:26:14,000 Speaker 1: and how to actually be a professional actor, Like I 460 00:26:14,119 --> 00:26:17,359 Speaker 1: learned really quickly, like TV is way different than film 461 00:26:18,000 --> 00:26:22,840 Speaker 1: and you only have two takes. Sometimes I was showing 462 00:26:22,960 --> 00:26:25,480 Speaker 1: up thinking it was, you know, going to be a 463 00:26:25,520 --> 00:26:28,560 Speaker 1: little bit more playful, experimental like try, and it was, 464 00:26:28,760 --> 00:26:32,600 Speaker 1: you know, a machine. And I think the first season 465 00:26:33,400 --> 00:26:36,359 Speaker 1: really showed me that, Like when we got the second season, 466 00:26:36,520 --> 00:26:40,000 Speaker 1: I needed to have a totally different approach to what 467 00:26:40,080 --> 00:26:41,920 Speaker 1: I was doing and what I was coming in every 468 00:26:42,000 --> 00:26:46,320 Speaker 1: day with. I mean, the whole premise is I think 469 00:26:46,359 --> 00:26:50,280 Speaker 1: even now it's it's kind of crazily relatable in a 470 00:26:50,280 --> 00:26:54,720 Speaker 1: weird way, just everything kind of collapsing like so quickly, 471 00:26:54,880 --> 00:26:58,600 Speaker 1: and some of the parallels to just you know, all 472 00:26:58,680 --> 00:27:02,159 Speaker 1: the UFO activities that we're seeing now and all this 473 00:27:02,240 --> 00:27:05,919 Speaker 1: stuff that has so much so many parallels, you know, 474 00:27:06,160 --> 00:27:10,640 Speaker 1: And I think that was something that was really exciting 475 00:27:10,760 --> 00:27:13,480 Speaker 1: to be a part of and something that I'm fascinated with. 476 00:27:13,600 --> 00:27:17,879 Speaker 1: So I love that storyline and those plot lines. And 477 00:27:17,920 --> 00:27:20,960 Speaker 1: then I also loved the just the idea of like 478 00:27:21,800 --> 00:27:24,800 Speaker 1: what happens when you only have your family to rely on, 479 00:27:25,040 --> 00:27:27,280 Speaker 1: and the family it's so split, you know. I think 480 00:27:28,200 --> 00:27:31,639 Speaker 1: like there's you can make the reference politically nowadays with 481 00:27:31,720 --> 00:27:34,239 Speaker 1: people's household just being split on their own, you know. 482 00:27:34,320 --> 00:27:37,439 Speaker 1: And I think there's so many parallels that made that 483 00:27:37,520 --> 00:27:41,239 Speaker 1: show so great and relatable. And also I really liked 484 00:27:41,280 --> 00:27:44,520 Speaker 1: that they, like you said, just didn't show the Beast, 485 00:27:44,560 --> 00:27:48,480 Speaker 1: didn't show the aliens, like conjures up so much more 486 00:27:48,480 --> 00:27:51,760 Speaker 1: in your mind, and the mind is really what wanders, 487 00:27:51,760 --> 00:27:55,640 Speaker 1: and that's the fear that that gets you more more 488 00:27:55,760 --> 00:27:58,800 Speaker 1: likely than not. But yeah, I think it was just 489 00:27:58,840 --> 00:28:01,120 Speaker 1: a big learning experience for me that show. 490 00:28:01,640 --> 00:28:06,199 Speaker 2: So first off, it's not just television versus film, there 491 00:28:06,600 --> 00:28:10,680 Speaker 2: is a different perspective. But also for you your first real 492 00:28:10,760 --> 00:28:16,320 Speaker 2: experience working on a character over a progression of time, 493 00:28:16,800 --> 00:28:22,120 Speaker 2: which is very different. I can speak to it very clearly. 494 00:28:22,680 --> 00:28:25,920 Speaker 2: There are things about the character that have not been 495 00:28:26,000 --> 00:28:32,000 Speaker 2: written yet that continue to evolve and change your character 496 00:28:32,280 --> 00:28:35,040 Speaker 2: as you're working on it. Did you find that exciting 497 00:28:35,160 --> 00:28:37,400 Speaker 2: or was that difficult for you? It sounds like difficult 498 00:28:37,440 --> 00:28:40,120 Speaker 2: in season one and you started to figure some stuff out. 499 00:28:40,920 --> 00:28:43,240 Speaker 1: It was it was difficult, I did, yeah, because I 500 00:28:43,320 --> 00:28:47,640 Speaker 1: didn't know where it was going, and I didn't I 501 00:28:47,720 --> 00:28:52,840 Speaker 1: didn't I hadn't grasped the concept yet of fully creating 502 00:28:53,160 --> 00:28:57,000 Speaker 1: the character without knowing what the end was going to 503 00:28:57,080 --> 00:28:59,680 Speaker 1: be for that character, you know, because when you're on 504 00:28:59,720 --> 00:29:02,240 Speaker 1: a show, you have the whole script and you know 505 00:29:02,320 --> 00:29:05,520 Speaker 1: what the arc is or you kind of know where 506 00:29:05,520 --> 00:29:08,040 Speaker 1: it could be going or how you want to play that. 507 00:29:08,320 --> 00:29:12,680 Speaker 1: And when we were getting scripts like a week before 508 00:29:12,720 --> 00:29:15,160 Speaker 1: we could start filming, it was like, oh, there's this. 509 00:29:15,280 --> 00:29:17,960 Speaker 1: So I think in a way it was like discovery 510 00:29:17,960 --> 00:29:20,560 Speaker 1: on the fly, which made it really exciting. But also 511 00:29:21,240 --> 00:29:24,400 Speaker 1: I don't think I was equipped enough, right. I just 512 00:29:24,440 --> 00:29:28,680 Speaker 1: don't feel like I in that first season I connected 513 00:29:28,800 --> 00:29:30,920 Speaker 1: enough that as I as much as I wanted to, 514 00:29:31,200 --> 00:29:35,640 Speaker 1: you know, especially coming off like Ithaca and how I 515 00:29:35,680 --> 00:29:39,160 Speaker 1: felt connected to that, it felt like a totally different process. 516 00:29:39,280 --> 00:29:42,000 Speaker 1: But it was something that I really I think I 517 00:29:42,080 --> 00:29:45,840 Speaker 1: did pick up on quickly, and I learned best by 518 00:29:45,880 --> 00:29:50,520 Speaker 1: doing things and by like failing and learning from my failures. 519 00:29:50,560 --> 00:29:54,800 Speaker 1: So for me, that was that was kind of the 520 00:29:54,800 --> 00:29:57,840 Speaker 1: way I think I learned that on that show, especially 521 00:29:57,840 --> 00:29:58,640 Speaker 1: that first season. 522 00:29:59,520 --> 00:30:02,800 Speaker 2: Several more months ago, I had the pleasure of getting 523 00:30:02,840 --> 00:30:06,040 Speaker 2: to know and talking to on this podcast, Sarah Wayne 524 00:30:06,080 --> 00:30:10,479 Speaker 2: Kelly's who he's spent a lot of time with. She 525 00:30:10,720 --> 00:30:13,800 Speaker 2: is the best, right, What was your experience like? And again, 526 00:30:14,680 --> 00:30:17,760 Speaker 2: you know you're starting, you know, you're starting with Meg 527 00:30:17,880 --> 00:30:23,360 Speaker 2: Ryan and hanging around Sam Shephard and so forth, but 528 00:30:23,440 --> 00:30:27,360 Speaker 2: now you have an experience where you're spending multiple years 529 00:30:28,000 --> 00:30:30,600 Speaker 2: with a cast of actors. Just talk to me a 530 00:30:30,640 --> 00:30:34,160 Speaker 2: little bit about your experience working working with her A 531 00:30:34,200 --> 00:30:35,160 Speaker 2: real professional? 532 00:30:35,600 --> 00:30:38,200 Speaker 1: Yeah, I think that's what I learned, was how to 533 00:30:38,240 --> 00:30:42,840 Speaker 1: be a professional with watching her and Josh and Peter 534 00:30:42,960 --> 00:30:46,680 Speaker 1: and Tory and all the amazing actors on that show. 535 00:30:46,880 --> 00:30:51,720 Speaker 1: I think there's so much more material and watching day 536 00:30:51,760 --> 00:30:54,240 Speaker 1: in and day out, Like I just tried to be 537 00:30:54,280 --> 00:30:57,000 Speaker 1: a sponge as much as I could. I probably I 538 00:30:57,040 --> 00:30:59,480 Speaker 1: didn't say much the first season. I feel like I 539 00:30:59,480 --> 00:31:02,600 Speaker 1: think I was like scared and removed from everybody, and 540 00:31:02,640 --> 00:31:04,960 Speaker 1: I was just like, this is crazy, and so I 541 00:31:05,040 --> 00:31:07,120 Speaker 1: was really just trying to watch what they were doing 542 00:31:07,160 --> 00:31:10,400 Speaker 1: and see how they carried themselves and how they interacted 543 00:31:10,440 --> 00:31:13,360 Speaker 1: and what their focus was. And I picked up on 544 00:31:14,240 --> 00:31:17,520 Speaker 1: her like rituals that she would have that would help her, 545 00:31:17,800 --> 00:31:20,680 Speaker 1: and I think that helped me develop my own process 546 00:31:20,760 --> 00:31:25,080 Speaker 1: and see what was working for me. And one time 547 00:31:25,520 --> 00:31:29,560 Speaker 1: in the first season that Josh specifically mentioned something to 548 00:31:29,600 --> 00:31:33,000 Speaker 1: me that really opened up my mind a bit, which 549 00:31:33,080 --> 00:31:35,719 Speaker 1: was I was giving a bunch of notes kind of 550 00:31:35,760 --> 00:31:39,600 Speaker 1: every take from one of our directors, and Josh came 551 00:31:39,680 --> 00:31:42,320 Speaker 1: up to me and he said, hey, man, like you 552 00:31:42,360 --> 00:31:44,280 Speaker 1: know what you're doing. You know your character at this 553 00:31:44,360 --> 00:31:48,440 Speaker 1: point more than anybody, Like, you know, take take it, 554 00:31:48,840 --> 00:31:51,720 Speaker 1: but you don't have to bend everything if it's not 555 00:31:51,840 --> 00:31:56,120 Speaker 1: feeling right to you. And I feel like that was 556 00:31:56,520 --> 00:31:58,640 Speaker 1: something that was eye opening because it made me have 557 00:31:58,840 --> 00:32:01,840 Speaker 1: more confidence kind of in the character and in what 558 00:32:01,920 --> 00:32:04,400 Speaker 1: I was doing. And I think that's something I really 559 00:32:04,440 --> 00:32:07,600 Speaker 1: love I learned from them is they all knew what 560 00:32:07,680 --> 00:32:11,800 Speaker 1: they were doing, and they came in confident and they 561 00:32:11,800 --> 00:32:14,800 Speaker 1: didn't need five takes to get there. They needed one 562 00:32:14,880 --> 00:32:18,800 Speaker 1: or two and they were there. So, Yeah, she's she's amazing. 563 00:32:19,960 --> 00:32:22,360 Speaker 1: Always been super impressed with her. And then in the 564 00:32:22,400 --> 00:32:25,520 Speaker 1: third season she got she got to direct us, so 565 00:32:25,560 --> 00:32:29,600 Speaker 1: that was special too, and really cool to see how 566 00:32:29,640 --> 00:32:32,800 Speaker 1: that process worked and how hard she worked on that. 567 00:32:33,320 --> 00:32:36,960 Speaker 1: It is just inspiring that fire is still lit and 568 00:32:37,000 --> 00:32:37,920 Speaker 1: I love to see that. 569 00:32:38,760 --> 00:32:45,440 Speaker 2: Several other film and television appearances which then brought you 570 00:32:45,920 --> 00:32:49,800 Speaker 2: to American Rust. Now this wasn't your character, but I 571 00:32:49,840 --> 00:32:53,240 Speaker 2: got to tell you American Rust has been coming up, 572 00:32:53,560 --> 00:32:55,480 Speaker 2: and not just because by the way, which we're going 573 00:32:55,560 --> 00:33:00,440 Speaker 2: to talk about season two Broken Justice just out here 574 00:33:00,840 --> 00:33:06,120 Speaker 2: within the last month. Okay, before we talk about you there, 575 00:33:06,240 --> 00:33:10,120 Speaker 2: there's a scene in American Rust which is discussed in 576 00:33:10,320 --> 00:33:15,160 Speaker 2: or amongst my friend group, my family has been since. 577 00:33:15,520 --> 00:33:17,960 Speaker 2: And I don't know if you've checked out Baby Reindeer yet, 578 00:33:18,160 --> 00:33:20,560 Speaker 2: there is a there is a scene you haven't seen 579 00:33:20,600 --> 00:33:24,440 Speaker 2: it yet. Okay, there's a scene in Baby Reindeer which 580 00:33:24,520 --> 00:33:29,880 Speaker 2: then now is making this this scene from American Rust 581 00:33:30,120 --> 00:33:35,680 Speaker 2: one of the most I don't even know what you call. 582 00:33:35,520 --> 00:33:37,280 Speaker 3: It chilling. 583 00:33:39,360 --> 00:33:48,000 Speaker 2: Awkward scenes in television ever, the lowing scene from American Rus. 584 00:33:48,640 --> 00:33:52,120 Speaker 2: I mean the way, the time that they took and 585 00:33:52,160 --> 00:33:56,640 Speaker 2: when they got there. Yeah, I don't even know. I 586 00:33:56,640 --> 00:33:59,280 Speaker 2: don't really have a question. I'm just telling it. It's 587 00:33:59,320 --> 00:34:04,320 Speaker 2: just talking. I just had to tell you that in 588 00:34:04,440 --> 00:34:10,440 Speaker 2: or around my friends and family group occasionally people low. Okay, 589 00:34:10,560 --> 00:34:14,239 Speaker 2: I'm just saying that. I'm just saying that there is 590 00:34:15,239 --> 00:34:19,080 Speaker 2: there's a sound that happens, and everybody knows what we're 591 00:34:19,080 --> 00:34:22,960 Speaker 2: referring to. Go yeah, And I guess it kind of 592 00:34:22,960 --> 00:34:25,880 Speaker 2: doesn't get any more iconic than that. I mean that 593 00:34:26,040 --> 00:34:28,799 Speaker 2: it's sort of as simple as that, Yeah, you're gonna 594 00:34:28,920 --> 00:34:30,960 Speaker 2: if you're gonna low. And by the way, if you're 595 00:34:31,000 --> 00:34:33,399 Speaker 2: listening right now and you don't know what I'm referring to, 596 00:34:33,560 --> 00:34:36,520 Speaker 2: you don't even you might not even know what lowing means. 597 00:34:37,160 --> 00:34:41,120 Speaker 2: But once you see it, you never forget it. 598 00:34:42,200 --> 00:34:42,439 Speaker 3: Never. 599 00:34:42,960 --> 00:34:47,560 Speaker 1: I actually have a really funny story about Lowing, about 600 00:34:47,600 --> 00:34:52,560 Speaker 1: Lowing when we first read that script, because because we 601 00:34:52,640 --> 00:34:57,279 Speaker 1: were all living together, me David who plays Isaac, and 602 00:34:57,800 --> 00:35:01,920 Speaker 1: Julie who plays Lee, because COVID happened like two days 603 00:35:01,920 --> 00:35:05,279 Speaker 1: before we started the first season, and so we got 604 00:35:05,360 --> 00:35:08,000 Speaker 1: shut down and everyone, like I had just driven out 605 00:35:08,000 --> 00:35:09,880 Speaker 1: from LA, they had just come from New York, they 606 00:35:09,920 --> 00:35:12,239 Speaker 1: didn't have places to go back to. I didn't, you know, 607 00:35:12,280 --> 00:35:14,879 Speaker 1: I didn't want to go back to LA. So we 608 00:35:15,120 --> 00:35:18,880 Speaker 1: stayed in Pittsburgh and hunkered down and we had just 609 00:35:18,960 --> 00:35:25,000 Speaker 1: kind of met, so we essentially started like just hanging 610 00:35:25,040 --> 00:35:28,920 Speaker 1: out and living together, and it was maybe a month 611 00:35:29,000 --> 00:35:32,000 Speaker 1: in that we got those scripts, which I think I 612 00:35:32,120 --> 00:35:34,560 Speaker 1: forget which episode it was, and we were like, let's 613 00:35:34,560 --> 00:35:35,360 Speaker 1: read the scripts. 614 00:35:35,760 --> 00:35:38,400 Speaker 2: I think it was like read it out loud together. 615 00:35:38,480 --> 00:35:40,080 Speaker 1: Yeah, let's just read it out loud together. We had 616 00:35:40,120 --> 00:35:41,839 Speaker 1: all the time in the world, you know, we were 617 00:35:41,880 --> 00:35:42,840 Speaker 1: just hanging out at that. 618 00:35:42,880 --> 00:35:45,400 Speaker 2: So the whole cast, not not the whole cast, but 619 00:35:45,520 --> 00:35:47,240 Speaker 2: just the three of you and you would read different 620 00:35:47,400 --> 00:35:48,240 Speaker 2: parts or whatever. 621 00:35:48,480 --> 00:35:50,799 Speaker 1: Yeah, we would exactly like we would just read the 622 00:35:50,840 --> 00:35:55,640 Speaker 1: opposite parts right at the time. And yeah, so we 623 00:35:55,640 --> 00:35:57,799 Speaker 1: were reading the script and I remember it's me. I 624 00:35:57,880 --> 00:36:02,680 Speaker 1: was reading The business Man, okay, and we started reading 625 00:36:02,760 --> 00:36:07,279 Speaker 1: through it and I'm like looking back at Dave, I'm like, 626 00:36:07,680 --> 00:36:10,240 Speaker 1: what is going on? And we just had to stop 627 00:36:10,840 --> 00:36:13,439 Speaker 1: for a minute and like put our hands in our heads. 628 00:36:13,480 --> 00:36:16,040 Speaker 1: We're like, what is going on? This is the craziest 629 00:36:16,080 --> 00:36:19,480 Speaker 1: thing I've ever read. And uh, it was. It was 630 00:36:19,560 --> 00:36:22,200 Speaker 1: live to do that in real time, to see the reaction. 631 00:36:22,400 --> 00:36:26,080 Speaker 3: And but yeah, that's you were a part of it. 632 00:36:26,239 --> 00:36:29,759 Speaker 2: You were a part of the lowing. You you were 633 00:36:30,280 --> 00:36:35,680 Speaker 2: you were the first reader of the lowing exactly. Wow, 634 00:36:36,440 --> 00:36:39,440 Speaker 2: congratulations on that. I don't know if you'll ever beat that. 635 00:36:39,600 --> 00:37:02,279 Speaker 2: Quite frankly, I mean, there is the lowing. Wow. So 636 00:37:02,400 --> 00:37:06,680 Speaker 2: you're in Pittsburgh. I'm done with the lowing now. I 637 00:37:06,760 --> 00:37:09,640 Speaker 2: just I had to tell you. It's just it's a thing. 638 00:37:09,760 --> 00:37:13,640 Speaker 2: It's like a thing. So you so you go out 639 00:37:13,680 --> 00:37:19,440 Speaker 2: to start COVID shuts everything down, now are they? And 640 00:37:19,480 --> 00:37:21,600 Speaker 2: I'm not getting into your your business. I'm just sort 641 00:37:21,600 --> 00:37:25,439 Speaker 2: of fascinated by it. So the other two folks, they've 642 00:37:25,480 --> 00:37:28,200 Speaker 2: given up their apartments in New York probably or they're 643 00:37:28,320 --> 00:37:32,680 Speaker 2: sub letting them. Yeah, and you've come from LA and 644 00:37:32,880 --> 00:37:35,160 Speaker 2: La is not a place to go back to. So 645 00:37:35,280 --> 00:37:38,239 Speaker 2: are they paying for you to stay there? Or you 646 00:37:38,280 --> 00:37:42,760 Speaker 2: guys are just now you're just three actors living in Pittsburgh. 647 00:37:43,120 --> 00:37:45,879 Speaker 1: Yeah. So they paid for like half of it because 648 00:37:46,040 --> 00:37:48,680 Speaker 1: I had like an X amount that we were supposed 649 00:37:48,760 --> 00:37:50,839 Speaker 1: to get for the that would have covered the whole thing. 650 00:37:50,880 --> 00:37:53,560 Speaker 1: And then they're like, well, because all this happened, we 651 00:37:53,640 --> 00:37:56,680 Speaker 1: can only cover half of it essentially. 652 00:37:56,760 --> 00:38:00,040 Speaker 2: So of like your rent. 653 00:37:59,400 --> 00:38:02,640 Speaker 1: Rent Yeah, because I essentially signed like a six month 654 00:38:02,920 --> 00:38:04,760 Speaker 1: because I was going to be there for six months. 655 00:38:04,880 --> 00:38:08,360 Speaker 1: So David and I ended up staying for six months, 656 00:38:08,440 --> 00:38:11,880 Speaker 1: just in Pittsburgh during the beginning of COVID, and so 657 00:38:12,080 --> 00:38:15,840 Speaker 1: like we got like weirdly enough, we got all of 658 00:38:15,920 --> 00:38:20,080 Speaker 1: us got super close because it really felt like life 659 00:38:20,160 --> 00:38:23,480 Speaker 1: imitating art a bit. We started exploring Pittsburgh that like 660 00:38:23,520 --> 00:38:27,000 Speaker 1: there was no restaurants to really go to at that time, 661 00:38:27,160 --> 00:38:30,560 Speaker 1: so we were just we were like hunkered down really 662 00:38:30,600 --> 00:38:35,320 Speaker 1: like bonding, getting close and just like you know, figuring 663 00:38:35,360 --> 00:38:37,040 Speaker 1: things out. The coolest thing I'd say we did is 664 00:38:37,040 --> 00:38:40,800 Speaker 1: we snuck into the Pittsburgh Zoo multiple times. 665 00:38:42,920 --> 00:38:44,920 Speaker 2: It was closed, but you guys just snuck in. 666 00:38:45,280 --> 00:38:45,480 Speaker 3: Yeah. 667 00:38:45,520 --> 00:38:48,520 Speaker 1: So we went on this hike and where the hike 668 00:38:48,840 --> 00:38:52,040 Speaker 1: was it was kind of near our house. I was 669 00:38:52,040 --> 00:38:54,320 Speaker 1: like looking on my maps, I'm like, whoa, the zoo 670 00:38:54,400 --> 00:38:58,399 Speaker 1: is like just right up this hill. And we went 671 00:38:58,840 --> 00:39:01,600 Speaker 1: we started walking. There's like no fence. There's a tiny 672 00:39:01,680 --> 00:39:05,200 Speaker 1: little plastic fence or something that we just could push 673 00:39:05,239 --> 00:39:08,319 Speaker 1: down and hop over. And We're like, there's no encampment here, 674 00:39:08,320 --> 00:39:10,440 Speaker 1: like this is there's not lions that we're about to 675 00:39:11,080 --> 00:39:13,680 Speaker 1: walk into, right, And so at first it was like 676 00:39:13,880 --> 00:39:16,920 Speaker 1: very like a little intense, but I was there's no 677 00:39:16,960 --> 00:39:20,000 Speaker 1: way because a lion could have jumped over that little fence. 678 00:39:20,040 --> 00:39:21,799 Speaker 1: So I was like, we're good. And then we just 679 00:39:21,880 --> 00:39:25,160 Speaker 1: walked in and like, wow, there's no one here. There's 680 00:39:25,160 --> 00:39:28,800 Speaker 1: still animals. So we just started like perusing the zoo. 681 00:39:29,640 --> 00:39:31,440 Speaker 2: Were there zoo keepers there? 682 00:39:31,560 --> 00:39:36,040 Speaker 1: That there's one zoo keeper. And on our way back, 683 00:39:37,000 --> 00:39:39,279 Speaker 1: we're just walking and we're like, oh, there's a there's 684 00:39:39,320 --> 00:39:42,239 Speaker 1: a zoo keeper just like coming towards us and we're 685 00:39:42,280 --> 00:39:44,359 Speaker 1: walking and we just kind of like walked past him. 686 00:39:44,360 --> 00:39:46,080 Speaker 1: We're just like play cool, you know, just like we're 687 00:39:46,120 --> 00:39:49,319 Speaker 1: at the zoo. He's like, guys, where you go? What 688 00:39:49,360 --> 00:39:51,960 Speaker 1: are you doing? You can't be here? And we're like, oh, 689 00:39:52,360 --> 00:39:56,720 Speaker 1: are you guys closed? And he's like, yeah, you can't 690 00:39:56,920 --> 00:39:59,759 Speaker 1: be in the zoo or I know you guys missed 691 00:39:59,760 --> 00:40:03,759 Speaker 1: the animals, but like I understand, Like he was like 692 00:40:03,880 --> 00:40:06,640 Speaker 1: I understand why you're here, but yeah, it's really can't 693 00:40:06,640 --> 00:40:09,880 Speaker 1: be doing that. I'm gonna get in trouble. And we're like, oh, shoot, 694 00:40:09,960 --> 00:40:12,920 Speaker 1: we're so And this was like four hours into the 695 00:40:14,040 --> 00:40:17,640 Speaker 1: to your experience. Yeah, like we were like it was crazy. 696 00:40:17,760 --> 00:40:20,880 Speaker 2: Yeah, well not to like so that sounds like colony 697 00:40:21,000 --> 00:40:26,000 Speaker 2: or something like suddenly you're just there at an abandoned zoo. 698 00:40:26,360 --> 00:40:28,920 Speaker 2: You have one person who's taking care of the animals 699 00:40:28,960 --> 00:40:31,560 Speaker 2: and you guys are just hanging cause. I think that 700 00:40:32,520 --> 00:40:35,960 Speaker 2: I like a good zoo. Don't get me wrong. I 701 00:40:36,000 --> 00:40:39,759 Speaker 2: don't always love having to fight into the front of 702 00:40:39,800 --> 00:40:42,600 Speaker 2: the fence to be able to see what's going on 703 00:40:42,719 --> 00:40:45,319 Speaker 2: at the zoo. But to be able to sit and 704 00:40:45,360 --> 00:40:48,640 Speaker 2: hang out and just like watch the gorillas or whatever. 705 00:40:49,160 --> 00:40:50,800 Speaker 2: That sounds incredible. 706 00:40:51,320 --> 00:40:53,640 Speaker 1: It was, man, it really was. There was also a 707 00:40:53,680 --> 00:40:59,320 Speaker 1: section where it was a bunch of goats and you 708 00:40:59,400 --> 00:41:02,960 Speaker 1: had the you did. We were in the encampment with 709 00:41:03,000 --> 00:41:05,160 Speaker 1: all the goats and we're like, there's no one here. 710 00:41:05,239 --> 00:41:07,600 Speaker 1: This is the craziest. Like we were like hanging out 711 00:41:07,640 --> 00:41:12,720 Speaker 1: with the goat and they were they were so happy 712 00:41:12,760 --> 00:41:15,879 Speaker 1: because they hadn't seen anybody. It was, you know, they 713 00:41:15,880 --> 00:41:19,480 Speaker 1: were essentially an isolation to it felt like like so 714 00:41:19,560 --> 00:41:22,560 Speaker 1: we were like getting them wiled up and it was crazy. 715 00:41:22,560 --> 00:41:26,600 Speaker 1: There was maybe like half the animals were there, and yeah, 716 00:41:26,680 --> 00:41:29,120 Speaker 1: there was lions there. I feel like they looked a 717 00:41:29,160 --> 00:41:32,239 Speaker 1: lot like pretty sad actually, because there wasn't that interaction 718 00:41:32,920 --> 00:41:35,640 Speaker 1: with the people. Maybe like there wasn't They were just 719 00:41:35,719 --> 00:41:37,839 Speaker 1: kind of fully by themselves in these encampments. 720 00:41:37,840 --> 00:41:41,440 Speaker 3: But yeah, that was a wild experience. 721 00:41:41,480 --> 00:41:45,040 Speaker 2: Oh my god, that's unbelievable. I love that. So you 722 00:41:45,080 --> 00:41:47,399 Speaker 2: would just go hang out the zoo, you were hanging 723 00:41:47,400 --> 00:41:50,760 Speaker 2: out with these and so then back to work. After 724 00:41:50,840 --> 00:41:54,239 Speaker 2: six months, you're still not filming, is that right? So 725 00:41:54,280 --> 00:41:56,239 Speaker 2: then you then you leave Pittsburgh. 726 00:41:56,320 --> 00:41:59,920 Speaker 1: Yeah, then I leave and I drove back. I made 727 00:42:00,080 --> 00:42:02,200 Speaker 1: a big road trip out of it because I had 728 00:42:02,800 --> 00:42:05,279 Speaker 1: I got my dog. I brought my dog back to 729 00:42:05,560 --> 00:42:08,160 Speaker 1: Pittsburgh with me during the middle of the pandemic just 730 00:42:08,160 --> 00:42:12,400 Speaker 1: because I needed the dogg Oh, and then I drove back, 731 00:42:12,800 --> 00:42:16,120 Speaker 1: made a road trip out of it. And that was 732 00:42:16,120 --> 00:42:19,560 Speaker 1: really amazing too, because at that time it hadn't gotten 733 00:42:19,600 --> 00:42:23,520 Speaker 1: crazy where everybody was road tripping and doing the parts 734 00:42:23,560 --> 00:42:25,600 Speaker 1: and all that, so it was still pretty empty. 735 00:42:26,200 --> 00:42:27,520 Speaker 3: So that was that was amazing. 736 00:42:28,680 --> 00:42:30,560 Speaker 2: I don't know if you've ever heard this before or not, 737 00:42:30,920 --> 00:42:33,320 Speaker 2: but mister Rogers was filmed in Pittsburgh. 738 00:42:34,480 --> 00:42:36,120 Speaker 3: Oh I didn't know that. 739 00:42:36,200 --> 00:42:38,279 Speaker 2: Oh you didn't know that. Oh that was me. That 740 00:42:38,400 --> 00:42:40,920 Speaker 2: was me being a smart alec. Anytime you're in Pittsburgh, 741 00:42:40,960 --> 00:42:44,240 Speaker 2: they're like, did you know you're in the entertainment industry? 742 00:42:44,360 --> 00:42:47,560 Speaker 2: Mister Rogers was and I was like, oh, really, wow, 743 00:42:47,880 --> 00:42:49,919 Speaker 2: And then I think I've heard that ten thousand times 744 00:42:50,000 --> 00:42:52,120 Speaker 2: although you lived there six months and you didn't know, 745 00:42:52,239 --> 00:42:57,560 Speaker 2: so I should I should just shut it. I was 746 00:42:57,560 --> 00:42:59,160 Speaker 2: a big fan of the show. You get to work 747 00:42:59,200 --> 00:43:01,960 Speaker 2: with two of My Face where it's Jeff Daniels, Mara 748 00:43:02,160 --> 00:43:07,720 Speaker 2: Tyranny plays your mom, and then it's canceled, it goes away, 749 00:43:08,160 --> 00:43:14,400 Speaker 2: it's dead for like years. Yeah, and now it's back. So, 750 00:43:14,600 --> 00:43:16,840 Speaker 2: first off, how did it feel were you? Were you 751 00:43:16,960 --> 00:43:19,200 Speaker 2: happy with the show? Were you proud of the show? 752 00:43:20,360 --> 00:43:24,760 Speaker 1: I was, I think I mean, obviously I can always 753 00:43:24,840 --> 00:43:29,240 Speaker 1: nitpick my stuff to to death, but I was proud 754 00:43:29,440 --> 00:43:33,000 Speaker 1: of it. Ultimately. I think I think what we were 755 00:43:33,280 --> 00:43:36,239 Speaker 1: trying to go for and the story we were trying 756 00:43:36,239 --> 00:43:40,840 Speaker 1: to tell was really dark and and twisted. And I 757 00:43:42,120 --> 00:43:44,480 Speaker 1: mean it's based off the book the first season, and 758 00:43:44,840 --> 00:43:48,120 Speaker 1: I absolutely loved the book, and so I think, yeah, 759 00:43:48,160 --> 00:43:48,360 Speaker 1: I was. 760 00:43:48,560 --> 00:43:49,640 Speaker 3: I was really proud of it. 761 00:43:50,680 --> 00:43:53,240 Speaker 2: You know, I'm intentionally not trying to give it away 762 00:43:53,280 --> 00:43:57,840 Speaker 2: because if you haven't checked out season one of American Rust, 763 00:43:58,280 --> 00:44:02,839 Speaker 2: you should. And so it's over, and then you think 764 00:44:02,880 --> 00:44:09,080 Speaker 2: it's over, and then Amazon says, hey, let's let's go again. 765 00:44:09,960 --> 00:44:17,040 Speaker 2: Uh just released this month American Rust colon Broken Justice, 766 00:44:17,080 --> 00:44:19,719 Speaker 2: which is season two. How was it for you to 767 00:44:19,840 --> 00:44:24,600 Speaker 2: revisit Billy after after several years? 768 00:44:25,120 --> 00:44:28,480 Speaker 1: Yeah, it was. It was really exciting because it felt 769 00:44:28,520 --> 00:44:33,200 Speaker 1: like we had a big plot of story that needed 770 00:44:33,239 --> 00:44:37,560 Speaker 1: to still be unwinded and explained. And I think the 771 00:44:37,640 --> 00:44:41,640 Speaker 1: Wave season one ended, there was so many storylines that 772 00:44:41,719 --> 00:44:44,000 Speaker 1: hadn't been wrapped up yet that it just kind of 773 00:44:44,000 --> 00:44:48,840 Speaker 1: felt like we needed to wrap this and explain what happens. 774 00:44:49,840 --> 00:44:50,440 Speaker 3: And so it was. 775 00:44:50,560 --> 00:44:53,160 Speaker 1: It was a release. It was definitely a rollercoaster because 776 00:44:53,680 --> 00:44:57,240 Speaker 1: it got canceled and and you know, I was like, okay, 777 00:44:57,280 --> 00:44:59,360 Speaker 1: I can I'm going to move on to something else, 778 00:44:59,560 --> 00:45:02,520 Speaker 1: Like I'm going to try and clear this out of 779 00:45:02,560 --> 00:45:06,239 Speaker 1: my cash, out of my brain and just like move 780 00:45:06,280 --> 00:45:10,160 Speaker 1: onward career wise. And then it gets real brought back 781 00:45:10,239 --> 00:45:13,080 Speaker 1: up and and I think it was cool to like 782 00:45:13,440 --> 00:45:17,440 Speaker 1: get back into that headspace and dive back into that 783 00:45:17,520 --> 00:45:21,200 Speaker 1: character and kind of see where the creators wanted to 784 00:45:21,960 --> 00:45:24,920 Speaker 1: take the storylines. I think they brought a bunch of 785 00:45:25,000 --> 00:45:29,319 Speaker 1: interesting ideas and things for me to work on and 786 00:45:29,360 --> 00:45:34,400 Speaker 1: play with. And PTSD was something that was really prevalent 787 00:45:34,480 --> 00:45:38,560 Speaker 1: for my character in this season and the physical ailments 788 00:45:38,920 --> 00:45:41,239 Speaker 1: and it's kind of how it juxtaposes the character in 789 00:45:41,239 --> 00:45:43,760 Speaker 1: the first season is really fun to play. 790 00:45:43,960 --> 00:45:49,920 Speaker 2: So now that's that's awesome and an incredible challenge to 791 00:45:50,719 --> 00:45:53,600 Speaker 2: essentially be playing the same guy but have it be very, 792 00:45:54,520 --> 00:45:59,440 Speaker 2: very different. Congratulations on that. I encourage everybody to go 793 00:45:59,600 --> 00:46:04,680 Speaker 2: check out O season one if you haven't. There's more 794 00:46:04,719 --> 00:46:06,839 Speaker 2: than one thing, but there's some things you don't want 795 00:46:06,840 --> 00:46:11,440 Speaker 2: to miss in season one, and then check out Broken Justice. 796 00:46:11,760 --> 00:46:15,759 Speaker 2: And now you got a big new project coming up. 797 00:46:15,960 --> 00:46:20,200 Speaker 2: It ends with us. You play alongside Blake Lively and 798 00:46:20,440 --> 00:46:24,239 Speaker 2: Justin Baldoni. How is it like working with them? Are 799 00:46:24,239 --> 00:46:25,520 Speaker 2: you excited about it? 800 00:46:26,560 --> 00:46:31,040 Speaker 1: I am really excited about it. So my character is 801 00:46:31,080 --> 00:46:35,160 Speaker 1: like the young version of Young Atlas, and so that's 802 00:46:35,200 --> 00:46:37,920 Speaker 1: who is like working with Blake, So I didn't Actually 803 00:46:37,920 --> 00:46:39,440 Speaker 1: I haven't even met Blake yet. 804 00:46:39,800 --> 00:46:40,320 Speaker 3: You haven't. 805 00:46:40,640 --> 00:46:43,359 Speaker 1: I haven't. I haven't met Blake. So I just really 806 00:46:43,400 --> 00:46:46,319 Speaker 1: worked with Justin. You was our director as well as 807 00:46:46,320 --> 00:46:49,799 Speaker 1: you start stars in it, and it was just me 808 00:46:50,000 --> 00:46:54,120 Speaker 1: and Isabella Ferrara, who plays young Millie, and we did 809 00:46:54,160 --> 00:46:58,680 Speaker 1: it like right before the strike, and they actually told us, oh, sorry, 810 00:46:58,719 --> 00:47:01,080 Speaker 1: we're gonna have to wait till after this, right right 811 00:47:01,160 --> 00:47:04,560 Speaker 1: before and we're like what, So they canceled and then 812 00:47:04,560 --> 00:47:06,960 Speaker 1: the next day the next morning, we're like, just kidding, 813 00:47:08,200 --> 00:47:11,720 Speaker 1: you're working on Monday. And so we had I was like, okay, 814 00:47:11,760 --> 00:47:14,480 Speaker 1: amazing to get to go. So we had two weeks 815 00:47:14,719 --> 00:47:17,040 Speaker 1: and that was kind of all my filming was. 816 00:47:17,280 --> 00:47:18,960 Speaker 3: It was two weeks for that. 817 00:47:19,000 --> 00:47:20,920 Speaker 1: Right before the strike, so we were really lucky to 818 00:47:21,360 --> 00:47:24,600 Speaker 1: do it before that happened. But it was really fun project. 819 00:47:24,680 --> 00:47:28,560 Speaker 1: I like, the book is is really. 820 00:47:28,480 --> 00:47:32,400 Speaker 2: Really Have you read Colleen Hoover's novel? 821 00:47:32,960 --> 00:47:36,359 Speaker 1: Yeah, it's it's amazing. That was really part of the 822 00:47:37,320 --> 00:47:39,200 Speaker 1: A big part of the prep for me was I 823 00:47:39,239 --> 00:47:42,600 Speaker 1: needed to read that and see really what is going 824 00:47:42,640 --> 00:47:45,360 Speaker 1: on here, especially the young version which I was playing. 825 00:47:46,000 --> 00:47:50,400 Speaker 1: And I also was really fascinated with Maine. I hadn't 826 00:47:50,400 --> 00:47:53,719 Speaker 1: been to that part of the country. So I was 827 00:47:53,760 --> 00:47:55,560 Speaker 1: already in New York and I had my little tear 828 00:47:55,640 --> 00:47:57,279 Speaker 1: job trailer that I camp out of a lot, and 829 00:47:57,280 --> 00:48:00,440 Speaker 1: I just drove up and explored Maine in a kadia 830 00:48:00,600 --> 00:48:03,640 Speaker 1: and kind of just wanted to get a sense of 831 00:48:03,680 --> 00:48:07,520 Speaker 1: what that landscape was, the people, the energy. Never had 832 00:48:07,600 --> 00:48:12,799 Speaker 1: lobster before so out there never No, wasn't a big 833 00:48:12,800 --> 00:48:15,120 Speaker 1: fish guy Kansas. We don't have a lot of fresh fish. 834 00:48:15,200 --> 00:48:18,919 Speaker 2: So yeah, I guess that's true. Did you end up 835 00:48:19,760 --> 00:48:23,239 Speaker 2: bunking with some of your mates and hanging out for 836 00:48:23,280 --> 00:48:26,719 Speaker 2: six months in Maine during the strike like you did? 837 00:48:26,800 --> 00:48:30,799 Speaker 2: Coke sneak into a zoo there in Maine or a 838 00:48:30,840 --> 00:48:33,880 Speaker 2: marine biologist slayer anything? 839 00:48:34,480 --> 00:48:37,040 Speaker 1: No, nothing that exciting for me. 840 00:48:39,480 --> 00:48:42,440 Speaker 2: Damn been a good story, just so you know for 841 00:48:42,520 --> 00:48:44,080 Speaker 2: next time, Alex. 842 00:48:45,040 --> 00:48:47,520 Speaker 3: Another one. 843 00:48:48,360 --> 00:48:50,360 Speaker 2: Well that win is it out? 844 00:48:50,560 --> 00:48:55,360 Speaker 1: It's out? I think in August. I think August ninth, 845 00:48:55,440 --> 00:48:57,879 Speaker 1: maybe something around. They just changed it. 846 00:48:58,280 --> 00:49:01,800 Speaker 2: Oh, they just changed it. Yeah. You know, the strike 847 00:49:01,880 --> 00:49:04,480 Speaker 2: didn't help us in the movie business. I don't know 848 00:49:04,480 --> 00:49:06,080 Speaker 2: if you've heard that or not. It didn't. 849 00:49:06,239 --> 00:49:06,480 Speaker 1: It did. 850 00:49:06,719 --> 00:49:09,480 Speaker 2: It made things a little more up in the air 851 00:49:09,520 --> 00:49:10,040 Speaker 2: than normal. 852 00:49:10,680 --> 00:49:11,560 Speaker 3: Yeah, it did it. 853 00:49:11,600 --> 00:49:14,120 Speaker 1: Also, I feel like there was such a bottleneck of 854 00:49:14,160 --> 00:49:16,200 Speaker 1: things that needed to come out that they were like, 855 00:49:16,239 --> 00:49:18,560 Speaker 1: all right, we're just gonna hold off on creating anything 856 00:49:18,640 --> 00:49:20,600 Speaker 1: new for as long as we can. 857 00:49:21,280 --> 00:49:24,479 Speaker 2: Right, you're working on anything exciting now? 858 00:49:26,719 --> 00:49:32,120 Speaker 1: Right now? Project wise, it's back to auditioning. I got 859 00:49:32,120 --> 00:49:35,400 Speaker 1: some things that I'm I'm really interested in, so we'll see. 860 00:49:35,880 --> 00:49:40,320 Speaker 1: Hopefully I have good news soon. I've just been playing 861 00:49:40,360 --> 00:49:44,200 Speaker 1: a lot of music lately and rock climbing and keeping 862 00:49:44,239 --> 00:49:49,520 Speaker 1: myself active with hobbies and trying to get better whatever 863 00:49:49,560 --> 00:49:49,919 Speaker 1: I can. 864 00:49:51,640 --> 00:49:57,560 Speaker 2: You are awesome one to watch, two, delightful to talk to. 865 00:49:58,440 --> 00:50:01,759 Speaker 2: I have been enjoyed you and everything I've seen you 866 00:50:01,800 --> 00:50:05,759 Speaker 2: in thus far. I can't wait for the new project. 867 00:50:05,920 --> 00:50:11,480 Speaker 2: And good luck and come back and chat anytime you're Alex. 868 00:50:12,120 --> 00:50:14,840 Speaker 1: You're good at this, man, this is this is awesome. 869 00:50:15,920 --> 00:50:17,319 Speaker 1: I love to chat with you. 870 00:50:17,880 --> 00:50:19,600 Speaker 2: I don't know if I'm good at it, but I 871 00:50:19,680 --> 00:50:21,960 Speaker 2: tell you what, I enjoy the hell out of it. 872 00:50:22,320 --> 00:50:24,880 Speaker 2: I really do. And having the opportunity to meet guys 873 00:50:25,400 --> 00:50:28,560 Speaker 2: and gals like you. That was a weird way to 874 00:50:28,600 --> 00:50:31,239 Speaker 2: say it. I really enjoy it. So thank you for 875 00:50:31,320 --> 00:50:34,480 Speaker 2: taking the time. And I hope everybody checks out season 876 00:50:34,480 --> 00:50:37,560 Speaker 2: two and then writes in about the lowing. All right, 877 00:50:39,960 --> 00:50:42,200 Speaker 2: all right, thanks man, I appreciate it. 878 00:50:42,440 --> 00:50:56,600 Speaker 1: Thank you, man, I appreciate you, Alex. 879 00:50:57,120 --> 00:51:00,359 Speaker 2: Thank you for coming on. Very very nice meet you 880 00:51:00,480 --> 00:51:03,440 Speaker 2: and getting to chat with you today. Also, I know 881 00:51:03,480 --> 00:51:06,680 Speaker 2: you're a big KC guy, So good luck to your 882 00:51:06,800 --> 00:51:10,480 Speaker 2: Chiefs this year. You got great things coming ahead in 883 00:51:10,520 --> 00:51:14,279 Speaker 2: your career, Alex, I just know it, So stop back anytime. 884 00:51:14,840 --> 00:51:17,719 Speaker 2: And to my listeners, well you have great stuff ahead too, 885 00:51:18,120 --> 00:51:23,040 Speaker 2: so you stop back anytime and check out American Rust, 886 00:51:23,200 --> 00:51:29,040 Speaker 2: Broken Justice now out on Amazon freeby next week. Well, 887 00:51:29,080 --> 00:51:31,799 Speaker 2: guess what if you come back here, I'm going to 888 00:51:31,800 --> 00:51:35,680 Speaker 2: deliver you something. I'm going to deliver you another fan 889 00:51:36,160 --> 00:51:41,719 Speaker 2: freaking fantastic episode with another well pretty stupendous guest. So 890 00:51:42,040 --> 00:51:44,480 Speaker 2: until then, have a great week. 891 00:51:51,680 --> 00:51:51,919 Speaker 1: Off. 892 00:51:51,960 --> 00:51:55,960 Speaker 2: The Beat is hosted and executive produced by me Brian Baumgartner, 893 00:51:56,200 --> 00:52:00,239 Speaker 2: alongside our executive producer Lang Lee. Our senior producer is 894 00:52:00,280 --> 00:52:04,319 Speaker 2: Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and 895 00:52:04,360 --> 00:52:08,759 Speaker 2: Emily Carr. Our talent producer is Ryan Papa Zachary, and 896 00:52:08,880 --> 00:52:13,000 Speaker 2: our intern is Ali Amir Sahim. Our theme song Bubble 897 00:52:13,080 --> 00:52:17,000 Speaker 2: and Squeak, performed by the one and only Creed Bratton