1 00:00:00,720 --> 00:00:10,440 Speaker 1: I am all in again. Let's you. 2 00:00:17,280 --> 00:00:22,320 Speaker 2: I am all in again with Scott Patterson and iHeartRadio Podcast. 3 00:00:22,760 --> 00:00:25,320 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one 4 00:00:25,360 --> 00:00:29,280 Speaker 1: of them productions iHeart Radio Media, I Heart Podcasts. We 5 00:00:29,480 --> 00:00:36,520 Speaker 1: are doing a very very very special breakdown of season three, 6 00:00:36,560 --> 00:00:41,920 Speaker 1: episode one, which is entitled Those Lazy, Hazy Crazy Days. 7 00:00:41,960 --> 00:00:44,040 Speaker 1: Air date September twenty four, two thousand and two. I 8 00:00:44,040 --> 00:00:52,280 Speaker 1: am joined by some incredibly gifted, illustrious individuals. Jacqueline Rodriguez, 9 00:00:52,320 --> 00:00:55,680 Speaker 1: you know, or you look cal State Fullerton the Fighting Titans. 10 00:00:55,800 --> 00:00:56,680 Speaker 1: Are they the Titans? 11 00:00:57,000 --> 00:00:58,000 Speaker 3: Yes, they get that. 12 00:00:58,200 --> 00:01:00,680 Speaker 1: I got that right. I just pulled that right out a. 13 00:01:00,480 --> 00:01:03,880 Speaker 3: Tusk up because our mascot is an elephant. 14 00:01:04,160 --> 00:01:06,760 Speaker 1: There you go. Of course it is. Of course it is. 15 00:01:06,920 --> 00:01:14,520 Speaker 1: And the luminous Emma market from Colorado State Boulder or 16 00:01:14,600 --> 00:01:17,920 Speaker 1: University of Colorado Boulder. They're fighting. Bison's over there there. 17 00:01:17,959 --> 00:01:18,240 Speaker 1: She has. 18 00:01:18,319 --> 00:01:18,880 Speaker 4: She's been with. 19 00:01:18,840 --> 00:01:23,840 Speaker 1: iHeart since she was about four years old, and now 20 00:01:23,880 --> 00:01:25,640 Speaker 1: she is what are you sixteen? 21 00:01:25,680 --> 00:01:25,840 Speaker 5: Now? 22 00:01:25,880 --> 00:01:29,199 Speaker 1: Seventeen years old? Now a good twenty four twenty four, 23 00:01:29,440 --> 00:01:32,920 Speaker 1: not even a quarter century's She's just one of the 24 00:01:32,959 --> 00:01:34,600 Speaker 1: new kids on the block and hitting it out of 25 00:01:34,640 --> 00:01:39,920 Speaker 1: the park here. Also, these two ladies are killing it 26 00:01:40,400 --> 00:01:42,280 Speaker 1: behind the scenes and in front of the camera. They're 27 00:01:42,319 --> 00:01:45,240 Speaker 1: doing a gazette with Amy and Danielle as you know 28 00:01:45,360 --> 00:01:47,039 Speaker 1: them and love them. 29 00:01:47,160 --> 00:01:49,840 Speaker 2: It's because Danielle's on maternity leaves. So that's why I, 30 00:01:49,840 --> 00:01:51,920 Speaker 2: me and Emma hopped in there. 31 00:01:51,960 --> 00:01:56,360 Speaker 1: You go, all right, nice little tidbit, all right. Synopsis 32 00:01:56,440 --> 00:01:59,920 Speaker 1: Rory returns from an internship in Washington to deal with 33 00:02:00,080 --> 00:02:04,360 Speaker 1: conflict over Dina. Jess Lorelai questions her future when she 34 00:02:04,480 --> 00:02:08,120 Speaker 1: learns that Christopher's girlfriend is pregnant. Written and directed by 35 00:02:08,680 --> 00:02:13,200 Speaker 1: the one and only Amy Sherman Peladino. Let's let's just 36 00:02:13,360 --> 00:02:16,880 Speaker 1: kick this off, all right. Rory as confused as ever, 37 00:02:17,600 --> 00:02:21,079 Speaker 1: and and it seems like the summer away she was 38 00:02:21,120 --> 00:02:23,880 Speaker 1: thinking of Jess the whole time. Jacqueline, what are your 39 00:02:23,880 --> 00:02:27,440 Speaker 1: thoughts on this this opening sequence of the show. 40 00:02:28,440 --> 00:02:31,200 Speaker 2: I mean, she knew that Jess was, you know, on 41 00:02:31,240 --> 00:02:33,600 Speaker 2: her mind because she freaked out by missing her graduation 42 00:02:33,720 --> 00:02:36,840 Speaker 2: and all that. So I think she did it in 43 00:02:36,840 --> 00:02:41,079 Speaker 2: a way where it was too harsh, but I understand 44 00:02:41,080 --> 00:02:41,960 Speaker 2: her intentions. 45 00:02:42,400 --> 00:02:45,760 Speaker 3: I think she went kind of hard to Rory. 46 00:02:45,560 --> 00:02:47,400 Speaker 1: About it, like she was a little Emily on her, 47 00:02:47,400 --> 00:02:48,720 Speaker 1: didn't she Yes. 48 00:02:48,720 --> 00:02:51,280 Speaker 2: There you go, Yes, because she's like, you gotta make 49 00:02:51,280 --> 00:02:55,640 Speaker 2: a decision. I feel like her own insecurity about making 50 00:02:55,720 --> 00:02:59,440 Speaker 2: a decision with like Christopher and like what just happened 51 00:02:59,440 --> 00:03:03,840 Speaker 2: to her. She was bringing that out to Rory in 52 00:03:03,880 --> 00:03:06,880 Speaker 2: that fight that they had, because Rory was looking for 53 00:03:07,080 --> 00:03:09,359 Speaker 2: Jess and returning back from Washington c she wanted to 54 00:03:09,400 --> 00:03:11,320 Speaker 2: go to the festival, and then she seem Jess making 55 00:03:11,320 --> 00:03:13,720 Speaker 2: out with that girl. I mean, so awkward for Jess 56 00:03:13,720 --> 00:03:16,919 Speaker 2: and that actress. It's a lot of making out, but yes. 57 00:03:17,320 --> 00:03:20,720 Speaker 1: That's a lot of making it. I wonder if they 58 00:03:20,840 --> 00:03:22,760 Speaker 1: enjoyed it. Did they look like they were enjoying it? 59 00:03:22,639 --> 00:03:25,079 Speaker 3: There was such a sure he did. He's a young boy. 60 00:03:25,120 --> 00:03:25,839 Speaker 3: I'm sure he did. 61 00:03:26,200 --> 00:03:28,800 Speaker 1: Was she turning around with the camera going she's really 62 00:03:28,840 --> 00:03:32,840 Speaker 1: more hitting me anyway? It seems that Rory's heart and 63 00:03:32,880 --> 00:03:36,760 Speaker 1: mind are fighting each other to make a choice. Emma, 64 00:03:36,800 --> 00:03:40,640 Speaker 1: how would you reconcile that this decision if you have 65 00:03:40,720 --> 00:03:44,080 Speaker 1: ever experienced anything like this in your brief sixteen years 66 00:03:44,080 --> 00:03:47,280 Speaker 1: on the planet, it's tough. 67 00:03:47,520 --> 00:03:51,920 Speaker 5: I think trial and error, and you know, being supported 68 00:03:51,920 --> 00:03:56,640 Speaker 5: by people is the most important, and you know right now, 69 00:03:56,640 --> 00:03:58,680 Speaker 5: it seems like the blind is leading the blind, with 70 00:03:58,800 --> 00:04:01,040 Speaker 5: Laura like kind of telling her what decision to make, 71 00:04:02,880 --> 00:04:06,560 Speaker 5: Like she can't even make a decision herself. And I 72 00:04:06,600 --> 00:04:08,400 Speaker 5: feel like it's just something that you got to do 73 00:04:08,560 --> 00:04:12,000 Speaker 5: and feel on your own. And it's definitely tough seeing 74 00:04:12,680 --> 00:04:14,520 Speaker 5: you know, Dean write all those letters to her and 75 00:04:14,560 --> 00:04:17,839 Speaker 5: all she wants to do is write to Jess. I mean, 76 00:04:18,040 --> 00:04:22,000 Speaker 5: it's wrong in my opinion what she's doing because she's 77 00:04:22,040 --> 00:04:26,080 Speaker 5: emotionally cheating on him and she kiss Jess. What she 78 00:04:26,160 --> 00:04:28,599 Speaker 5: has to do is kind of face the truth and face, 79 00:04:28,880 --> 00:04:30,720 Speaker 5: you know, admit to herself. I don't think she's done 80 00:04:30,760 --> 00:04:33,599 Speaker 5: any self reflection as to like what she wants. She's 81 00:04:33,640 --> 00:04:34,520 Speaker 5: starting to get there. 82 00:04:35,320 --> 00:04:39,280 Speaker 1: Listen, guys, all you young guys out there listening. The brooding, 83 00:04:40,920 --> 00:04:45,360 Speaker 1: good looking guy who doesn't care is going to get 84 00:04:45,400 --> 00:04:48,000 Speaker 1: all the the girls. He will. 85 00:04:48,680 --> 00:04:49,480 Speaker 3: Yeah, it's a game. 86 00:04:49,600 --> 00:04:52,400 Speaker 1: It's like it's a game. And then that flips later 87 00:04:52,480 --> 00:04:56,400 Speaker 1: in life when people mature, then that guy seems ridiculous 88 00:04:56,440 --> 00:04:58,840 Speaker 1: and you know, I think they're the real guy they 89 00:04:58,920 --> 00:05:04,200 Speaker 1: get like like Dean is far too mature for Rory. 90 00:05:05,360 --> 00:05:08,000 Speaker 1: There's there's a real disparity here, because Dean is the 91 00:05:08,040 --> 00:05:13,440 Speaker 1: ideal guy for somebody who's late twenties, thirties, that's a 92 00:05:13,600 --> 00:05:17,680 Speaker 1: full blown adult who's open and honest and I love you, 93 00:05:17,720 --> 00:05:20,200 Speaker 1: and it's just like it's not going to work with 94 00:05:20,400 --> 00:05:23,760 Speaker 1: a sixteen year old girl. Well she's seventeen. L Yeah, 95 00:05:23,800 --> 00:05:24,520 Speaker 1: it's not gonna. 96 00:05:24,400 --> 00:05:25,960 Speaker 3: Yeah, he's the reliable one. 97 00:05:26,520 --> 00:05:28,680 Speaker 5: But that's but that's a part of growing up, is 98 00:05:28,760 --> 00:05:33,000 Speaker 5: like doing you know, being with the bad guy, being 99 00:05:33,000 --> 00:05:37,200 Speaker 5: with the nice guy, and then getting that like healthy 100 00:05:37,279 --> 00:05:39,279 Speaker 5: relationship later on and starting a family. 101 00:05:39,760 --> 00:05:42,880 Speaker 1: Well yeah, you think that's a rite of passage for 102 00:05:43,000 --> 00:05:47,240 Speaker 1: all uh all teenage girls, is they're all drawn, that's 103 00:05:47,800 --> 00:05:51,400 Speaker 1: all of them are drawn to that bad boy. Yes, yeah, 104 00:05:51,440 --> 00:05:54,000 Speaker 1: well a pretty pretty good percentage, I guess. 105 00:05:53,839 --> 00:05:56,120 Speaker 2: Yeah, yeah for sure, Like because you know, we all 106 00:05:56,240 --> 00:05:58,840 Speaker 2: kind of want that something we can't have, but we 107 00:05:58,880 --> 00:06:02,800 Speaker 2: don't realize we can't have it until like it's too late, 108 00:06:02,839 --> 00:06:04,640 Speaker 2: where it's like, oh, well I just screwed this up, 109 00:06:04,680 --> 00:06:05,160 Speaker 2: you know what I mean. 110 00:06:05,240 --> 00:06:07,760 Speaker 1: So hang in there, guys. Life isn't fair as a 111 00:06:07,800 --> 00:06:11,080 Speaker 1: teenager if you're a good dude. But it bounces out, 112 00:06:11,080 --> 00:06:11,840 Speaker 1: it'll bounce out. 113 00:06:11,760 --> 00:06:13,520 Speaker 3: For it, it will, it will you'll grow up to 114 00:06:13,520 --> 00:06:14,480 Speaker 3: be a great father and partner. 115 00:06:14,560 --> 00:06:17,920 Speaker 5: It's almost as if like the bad guys win early 116 00:06:17,960 --> 00:06:20,920 Speaker 5: on at life and then unless they figure it out, 117 00:06:20,960 --> 00:06:24,120 Speaker 5: then they kind of hit that downslope. And the people 118 00:06:24,120 --> 00:06:26,800 Speaker 5: that have just been waiting for their niceness to be 119 00:06:26,880 --> 00:06:31,520 Speaker 5: accepted then like take off in their late twenties thirties. 120 00:06:31,560 --> 00:06:35,880 Speaker 1: That's it. Lorela hasn't told her parents all summer about 121 00:06:35,960 --> 00:06:43,960 Speaker 1: Christopher and his dalliances with Sherry. Is her avoidance a 122 00:06:44,000 --> 00:06:48,479 Speaker 1: form of denying it ever happened? That's an interesting question. 123 00:06:48,800 --> 00:06:58,039 Speaker 2: Yes, yes, Professor Patterson, I believe. So it's like she's 124 00:06:58,360 --> 00:07:02,599 Speaker 2: almost she's avoiding it telling something to your parents and 125 00:07:02,640 --> 00:07:05,279 Speaker 2: avoiding it, like because you don't want to admit the truth. 126 00:07:05,640 --> 00:07:08,359 Speaker 3: Like I think that's in anything you do in your life. 127 00:07:08,400 --> 00:07:11,280 Speaker 2: And with this back and forth relationship that they've had, 128 00:07:11,640 --> 00:07:12,920 Speaker 2: she knows Laura. 129 00:07:13,040 --> 00:07:14,720 Speaker 3: I knows that. 130 00:07:14,560 --> 00:07:17,119 Speaker 2: They've always had this ideal Emily and Richard have always 131 00:07:17,120 --> 00:07:22,040 Speaker 2: had this ideal for Laurai and so like, oh, Christopher 132 00:07:22,600 --> 00:07:25,880 Speaker 2: and Rory and Laura Lai and just the regular family unit, 133 00:07:25,920 --> 00:07:28,240 Speaker 2: because that's the traditional values that they grew up on. 134 00:07:28,400 --> 00:07:31,840 Speaker 2: And so I think she knows and she's avoiding it 135 00:07:32,240 --> 00:07:36,000 Speaker 2: because she doesn't want to tell them because she secretly 136 00:07:36,040 --> 00:07:38,880 Speaker 2: wishes that could work out, But she also doesn't want. 137 00:07:38,760 --> 00:07:41,480 Speaker 3: To disappoint them and give them another thing to like 138 00:07:41,600 --> 00:07:45,600 Speaker 3: attack her on. So totally, I totally think that is well. 139 00:07:46,480 --> 00:07:48,760 Speaker 1: Emily and Richard lose it. I mean they really lose 140 00:07:48,800 --> 00:07:51,240 Speaker 1: it when they hear the news about Shelley's pregnancy. Is 141 00:07:51,280 --> 00:07:54,000 Speaker 1: if there's dreams for Lauraai and Chrisper have been shattered 142 00:07:54,000 --> 00:07:57,400 Speaker 1: all over again, why won't they ever let go of 143 00:07:57,440 --> 00:08:03,640 Speaker 1: their disappointment with with with Laura? I Emma, what is 144 00:08:03,720 --> 00:08:05,680 Speaker 1: going on with these two? They just want to bludgeon 145 00:08:05,760 --> 00:08:08,000 Speaker 1: her every time they see her. 146 00:08:09,280 --> 00:08:15,480 Speaker 5: They have this picturesque family image for Laurai because it 147 00:08:15,560 --> 00:08:19,200 Speaker 5: was the way that they raised her, tempted to and 148 00:08:19,240 --> 00:08:22,160 Speaker 5: so it seems like it's just a generational difference that 149 00:08:22,200 --> 00:08:24,920 Speaker 5: they're going through. And it's a bummer because it's like, 150 00:08:24,960 --> 00:08:29,560 Speaker 5: how do you get through to different generations like parents 151 00:08:29,560 --> 00:08:33,000 Speaker 5: and grandparents when the world has evolved and morals have 152 00:08:33,200 --> 00:08:36,560 Speaker 5: changed and you're just a different person, Like, how do 153 00:08:36,640 --> 00:08:40,760 Speaker 5: you get through to them that this isn't you? So 154 00:08:40,880 --> 00:08:43,600 Speaker 5: I feel like it's just always a battle that she'll 155 00:08:43,920 --> 00:08:46,920 Speaker 5: deal with with Emily maybe, Richard. 156 00:08:48,640 --> 00:08:50,640 Speaker 2: Yeah, that's like the crux of the show though, you know, 157 00:08:50,679 --> 00:08:53,120 Speaker 2: that's what a good TV show is, and the relationships 158 00:08:53,120 --> 00:08:54,920 Speaker 2: and all that. If we didn't have that battle, then 159 00:08:54,960 --> 00:08:58,360 Speaker 2: we wouldn't have Gilmore Girls. So but it's a real 160 00:08:58,440 --> 00:09:00,240 Speaker 2: thing that a lot of people can relate to, is 161 00:09:01,720 --> 00:09:04,720 Speaker 2: you know, having these discussions with your parents or grandparents, 162 00:09:04,760 --> 00:09:07,760 Speaker 2: and you know, like different values being passed on, but 163 00:09:07,800 --> 00:09:10,240 Speaker 2: then these values change as we get older and we evolve. 164 00:09:10,559 --> 00:09:12,920 Speaker 1: Em what's you think of the opening Laurela has this 165 00:09:13,080 --> 00:09:19,240 Speaker 1: dream alarm clocks Luke cooking breakfast. She's pregnant with their child. 166 00:09:19,760 --> 00:09:22,080 Speaker 1: What what do you think of that opening? 167 00:09:22,200 --> 00:09:24,960 Speaker 5: It completely threw me for a loop for a second, 168 00:09:25,800 --> 00:09:28,560 Speaker 5: Like I was just watching and then I had to 169 00:09:28,640 --> 00:09:32,080 Speaker 5: reverse and I like audibly gasped, and there's no way 170 00:09:32,440 --> 00:09:34,480 Speaker 5: that they just kissed right there. But it was so 171 00:09:34,760 --> 00:09:36,200 Speaker 5: cute to see. 172 00:09:36,960 --> 00:09:38,240 Speaker 3: You too in the kitchen. 173 00:09:38,400 --> 00:09:41,200 Speaker 2: I'm just like you guys agree, and it was it 174 00:09:41,240 --> 00:09:44,319 Speaker 2: was a nice little preview of what's to come later. 175 00:09:44,440 --> 00:09:46,439 Speaker 3: Obviously we know we've all seen it already. 176 00:09:46,480 --> 00:09:49,160 Speaker 2: This is second go around, but it's like Luke does 177 00:09:49,200 --> 00:09:51,720 Speaker 2: make her breakfast in her kitchen. So it was a 178 00:09:51,760 --> 00:09:55,680 Speaker 2: nice little preview. It was like throwing a little like here, 179 00:09:55,720 --> 00:09:58,120 Speaker 2: you can have a bite of this amazing bread, but 180 00:09:58,320 --> 00:09:59,920 Speaker 2: we're going to take it back, you know what I mean. 181 00:10:00,080 --> 00:10:01,480 Speaker 3: It was it was really nice. 182 00:10:01,880 --> 00:10:03,880 Speaker 1: I did notice he was piling up the bacon there 183 00:10:03,880 --> 00:10:07,200 Speaker 1: on her plate. She's a bacon eater, isn't she. I 184 00:10:07,240 --> 00:10:09,920 Speaker 1: love I love the bacon off a suki plate. You 185 00:10:09,920 --> 00:10:13,160 Speaker 1: finished with that, so she piled up the bacon on 186 00:10:13,200 --> 00:10:13,560 Speaker 1: that plate. 187 00:10:13,600 --> 00:10:15,319 Speaker 3: I know nothing like bacon in the morning. 188 00:10:15,360 --> 00:10:16,240 Speaker 1: That's really. 189 00:10:17,800 --> 00:10:19,839 Speaker 3: And coffee that's really. 190 00:10:19,640 --> 00:10:21,640 Speaker 1: Quite dangerous when you're on the road and there's that 191 00:10:21,720 --> 00:10:25,360 Speaker 1: buffet at the hotel and they've got like, you know, 192 00:10:25,400 --> 00:10:28,120 Speaker 1: they've got a barrel filled with crispy bacon. 193 00:10:28,640 --> 00:10:33,600 Speaker 5: Yeah, oven baked or on the stove, well. 194 00:10:33,679 --> 00:10:36,040 Speaker 1: I think both stove. Then throw it in the oven 195 00:10:36,080 --> 00:10:36,920 Speaker 1: and crisp it up. 196 00:10:37,600 --> 00:10:41,280 Speaker 3: Oh yeah, yeah. 197 00:10:41,200 --> 00:10:43,880 Speaker 1: That's my bacon order is a little more demanding. 198 00:10:44,520 --> 00:10:47,000 Speaker 5: Yeah you got you got a lot of time in 199 00:10:47,040 --> 00:10:47,840 Speaker 5: the morning's. 200 00:10:47,559 --> 00:10:51,720 Speaker 1: Huh No, I don't. That's why I want it done 201 00:10:51,840 --> 00:10:57,199 Speaker 1: for me. Man, there you go. You know I need 202 00:10:57,240 --> 00:11:08,640 Speaker 1: a look too. So she finally walks back and it 203 00:11:08,640 --> 00:11:11,120 Speaker 1: looks to have a cup of coffee after Friday night dinner. She's, 204 00:11:11,320 --> 00:11:13,120 Speaker 1: you know, she's a little bummed out obviously, so she 205 00:11:14,080 --> 00:11:17,360 Speaker 1: just says screw it and walks in, and Luke, you know, 206 00:11:17,800 --> 00:11:20,880 Speaker 1: kind of lets her sit. She starts to vent and 207 00:11:20,960 --> 00:11:26,680 Speaker 1: cry about Christopher puts him in a very awkward situation 208 00:11:27,000 --> 00:11:29,680 Speaker 1: where it's like, lady, I don't really care about this, 209 00:11:29,880 --> 00:11:32,360 Speaker 1: but I care about you, so I'm going to listen anyway. 210 00:11:33,080 --> 00:11:36,600 Speaker 1: And she cries about not having that whole package when 211 00:11:36,640 --> 00:11:39,480 Speaker 1: it comes to love and partnership. Luke insists she will 212 00:11:39,480 --> 00:11:44,880 Speaker 1: have it, so they kind of officially made up. What 213 00:11:45,040 --> 00:11:49,760 Speaker 1: I remember filming about the scene is I love playing 214 00:11:49,800 --> 00:11:55,760 Speaker 1: these scenes because I don't say much, but the character 215 00:11:56,000 --> 00:12:00,800 Speaker 1: says so much with not saying any thing, and how 216 00:12:00,840 --> 00:12:02,840 Speaker 1: he moves, how he listens, this kind of thing. That's 217 00:12:02,880 --> 00:12:04,360 Speaker 1: the type of acting I really love. 218 00:12:05,040 --> 00:12:06,840 Speaker 2: It was so good, Like this is one of my 219 00:12:06,840 --> 00:12:09,520 Speaker 2: favorite scenes between you two because when you guys do, 220 00:12:09,800 --> 00:12:14,160 Speaker 2: it's like an unspoken truth between you two and your words. 221 00:12:14,240 --> 00:12:19,120 Speaker 2: As Luke, you don't need many words to give support, 222 00:12:19,200 --> 00:12:21,640 Speaker 2: you don't need many words to let her know, hey 223 00:12:21,679 --> 00:12:25,600 Speaker 2: I'm here, Like you're listening intently, like fully. 224 00:12:25,640 --> 00:12:30,240 Speaker 1: They're both in their natural states. Him the monosyllabic diner 225 00:12:30,320 --> 00:12:32,080 Speaker 1: guy monosyllabic. 226 00:12:32,840 --> 00:12:34,920 Speaker 3: No, I don't know, that's. 227 00:12:35,240 --> 00:12:38,520 Speaker 1: How she describes him when she's joking around and teasing him, 228 00:12:38,520 --> 00:12:41,920 Speaker 1: that's that's right, But that's how that's how she describes him. 229 00:12:41,960 --> 00:12:45,400 Speaker 1: That's how he's described, you know. And but there and 230 00:12:45,480 --> 00:12:50,480 Speaker 1: listening and engage connected to her, you know. I mean 231 00:12:50,520 --> 00:12:55,000 Speaker 1: he's responding physically to everything she's saying. So he's actively 232 00:12:55,080 --> 00:12:57,160 Speaker 1: listening and that's the kind of stuff I love to do. 233 00:12:57,559 --> 00:13:02,720 Speaker 1: And she's fully herself too, feeling completely comfortable talking about 234 00:13:02,720 --> 00:13:05,040 Speaker 1: another man and another love of it in her life, 235 00:13:05,559 --> 00:13:11,880 Speaker 1: her baby daddy or her baby husband almost right. And 236 00:13:13,840 --> 00:13:18,400 Speaker 1: he's just listening and being a friend, reacting the way 237 00:13:18,440 --> 00:13:20,600 Speaker 1: he reacts, and like, boy, this could be me, And 238 00:13:20,600 --> 00:13:22,000 Speaker 1: I don't know if I want this to be me. 239 00:13:22,679 --> 00:13:26,080 Speaker 1: You know, I love this girl, but it just yeah, 240 00:13:26,320 --> 00:13:30,240 Speaker 1: fraught with tension. This scene just yes and two characters 241 00:13:30,280 --> 00:13:34,520 Speaker 1: being one percent themselves m exactly. 242 00:13:35,440 --> 00:13:40,320 Speaker 5: It definitely felt like, out of whatever else was going 243 00:13:40,360 --> 00:13:42,720 Speaker 5: on in the episode, it definitely felt like the most 244 00:13:42,920 --> 00:13:47,720 Speaker 5: real and attention grabbing scene because I felt like it 245 00:13:47,800 --> 00:13:50,240 Speaker 5: was something that everyone could relate to. Just being so 246 00:13:50,480 --> 00:13:54,360 Speaker 5: vulnerable and asking for help because you just don't know 247 00:13:54,559 --> 00:13:57,400 Speaker 5: what to do or how to feel, and just being 248 00:13:57,440 --> 00:14:00,320 Speaker 5: able to like vent, cry and let it out and 249 00:14:00,400 --> 00:14:03,840 Speaker 5: have someone just listen or just like their presence just 250 00:14:03,960 --> 00:14:08,800 Speaker 5: means so much and it adds to making you feel better. 251 00:14:09,360 --> 00:14:11,280 Speaker 5: So it's just so special and relatable. 252 00:14:11,840 --> 00:14:14,000 Speaker 2: Yeah, because whenever in real life, whenever you're going through 253 00:14:14,080 --> 00:14:16,560 Speaker 2: like something really hard, people always ask what can I 254 00:14:16,600 --> 00:14:19,560 Speaker 2: do to help, and it's always like just be here. 255 00:14:20,080 --> 00:14:23,800 Speaker 1: Just listen and don't comment. You just you just need 256 00:14:23,840 --> 00:14:24,480 Speaker 1: to get it out. 257 00:14:25,040 --> 00:14:27,120 Speaker 3: Yeah, And that's and the way that they shot it. 258 00:14:27,320 --> 00:14:30,400 Speaker 3: I noticed that, like I was going to say, beautiful, yeah. 259 00:14:30,280 --> 00:14:32,480 Speaker 2: And then Luke's Luke's presence is like right in the 260 00:14:32,520 --> 00:14:34,800 Speaker 2: back and it's like he's always there, He's got her back. 261 00:14:34,840 --> 00:14:37,640 Speaker 2: And then it's like on Laura life and I'm just like, oh, 262 00:14:37,800 --> 00:14:38,840 Speaker 2: that that's great. 263 00:14:39,400 --> 00:14:42,720 Speaker 1: That's that's that filmic language that Amy knows so well. 264 00:14:43,000 --> 00:14:47,120 Speaker 1: And she directed this so it's like where it's you 265 00:14:47,120 --> 00:14:49,560 Speaker 1: know the question of answering the question where do I 266 00:14:49,560 --> 00:14:53,520 Speaker 1: put the camera? M I mean she answered it with 267 00:14:53,640 --> 00:14:56,600 Speaker 1: her It was just beautifully directed seeing. 268 00:14:57,040 --> 00:14:59,120 Speaker 2: Yeah, and it's always sad seeing Laura life so down 269 00:14:59,160 --> 00:15:02,520 Speaker 2: because you normally don't. She normally is like saying jokes 270 00:15:02,560 --> 00:15:04,800 Speaker 2: to kind of cope, and here she was just straight 271 00:15:04,880 --> 00:15:07,400 Speaker 2: up vulnerable. And we've all had these moments in our 272 00:15:07,440 --> 00:15:09,120 Speaker 2: life where it's like, what am I doing? Am I 273 00:15:09,160 --> 00:15:11,720 Speaker 2: ever gonna have it? I was single personally for a 274 00:15:11,880 --> 00:15:15,560 Speaker 2: long time before I you know, I'm with my partner 275 00:15:15,640 --> 00:15:18,040 Speaker 2: Eddie and we have a kid, but like in my thirties, 276 00:15:18,080 --> 00:15:20,840 Speaker 2: I was single majority of the time. So seeing this 277 00:15:21,160 --> 00:15:23,160 Speaker 2: really brought me back to like when all my friends 278 00:15:23,160 --> 00:15:25,320 Speaker 2: were getting married when I was thirty five. They were 279 00:15:25,480 --> 00:15:28,040 Speaker 2: They're all, you know, having kids, you know, in my 280 00:15:28,080 --> 00:15:31,120 Speaker 2: mid thirties, and I was like, I'm still single here, 281 00:15:31,160 --> 00:15:31,960 Speaker 2: like what's going on? 282 00:15:32,120 --> 00:15:33,600 Speaker 3: And I broke my. 283 00:15:33,800 --> 00:15:37,280 Speaker 2: Heart to watch Laura I say that about herself because 284 00:15:37,280 --> 00:15:40,000 Speaker 2: it's like I get it, I get it. 285 00:15:40,000 --> 00:15:44,280 Speaker 1: Right, And how can Luke be How can Luke stay 286 00:15:44,440 --> 00:15:47,560 Speaker 1: mad at her? Once she's in there trusting him and 287 00:15:47,720 --> 00:15:51,040 Speaker 1: just unloading everything and feeling so comfortable to do this 288 00:15:51,240 --> 00:15:55,160 Speaker 1: with him. She's not going to do it with anybody else. No, 289 00:15:55,280 --> 00:15:57,840 Speaker 1: she's not going to do it with Rory. She's not 290 00:15:57,880 --> 00:15:59,840 Speaker 1: going to do it with Emily Richard, who else is 291 00:15:59,840 --> 00:16:03,200 Speaker 1: she she she might do it with Suki, right, I 292 00:16:03,200 --> 00:16:05,400 Speaker 1: mean you could argue that she would You think she 293 00:16:05,440 --> 00:16:08,640 Speaker 1: would be that vulnerable with Suki. She would be I 294 00:16:08,640 --> 00:16:09,320 Speaker 1: would think. 295 00:16:09,600 --> 00:16:14,080 Speaker 5: Yeah, yeah, but it just she wants a different reaction 296 00:16:14,640 --> 00:16:18,480 Speaker 5: and response. And that's when it makes it even sweeter 297 00:16:18,640 --> 00:16:21,240 Speaker 5: that she went to Luke for it, Like she didn't 298 00:16:21,320 --> 00:16:23,640 Speaker 5: just need a cup of coffee, she needed his warm 299 00:16:23,720 --> 00:16:26,640 Speaker 5: hug of silence and staring at her. 300 00:16:26,560 --> 00:16:27,080 Speaker 3: And don't it. 301 00:16:28,960 --> 00:16:30,840 Speaker 2: But I think too with Suki, it's like she just 302 00:16:30,880 --> 00:16:34,240 Speaker 2: got married, so you don't want to like burst her bubble, 303 00:16:34,920 --> 00:16:37,840 Speaker 2: and like I remember feeling this way. I'm so happy 304 00:16:37,920 --> 00:16:40,760 Speaker 2: for you, you know, for your friends who are getting married, 305 00:16:40,760 --> 00:16:43,680 Speaker 2: who have found the love and all that, and then 306 00:16:44,400 --> 00:16:46,880 Speaker 2: you reflect back on your own you're like, Okay, what 307 00:16:46,960 --> 00:16:48,760 Speaker 2: about me. You don't want to burst. You don't want 308 00:16:48,760 --> 00:16:50,560 Speaker 2: to put that on a newly married person. So I 309 00:16:50,560 --> 00:16:52,040 Speaker 2: think that's why she kind of went in. 310 00:16:52,480 --> 00:16:55,160 Speaker 1: When Suki and Jackson were like raging at each other 311 00:16:55,280 --> 00:16:59,960 Speaker 1: the entire episode, right, it's like, really not the person 312 00:17:00,080 --> 00:17:02,680 Speaker 1: you want to go to at that moment in time. 313 00:17:03,000 --> 00:17:05,520 Speaker 2: Yeah, such a beautiful scene between you two, and it's 314 00:17:05,560 --> 00:17:08,040 Speaker 2: just like I just tilted my head kind of watching 315 00:17:08,119 --> 00:17:10,400 Speaker 2: It's like, oh, it felt like a warm hug because 316 00:17:10,440 --> 00:17:13,639 Speaker 2: you guys are you know, made up, and so it 317 00:17:13,720 --> 00:17:14,080 Speaker 2: was good. 318 00:17:14,920 --> 00:17:17,080 Speaker 1: That was really really a nice scene. 319 00:17:17,119 --> 00:17:17,280 Speaker 4: One. 320 00:17:17,720 --> 00:17:20,080 Speaker 1: It is one of my favorites. I'll have to remember this. 321 00:17:20,840 --> 00:17:24,439 Speaker 2: Yeah, and you can tell when it's Amy Sherman Paladino's writing. 322 00:17:24,480 --> 00:17:25,919 Speaker 3: Like with the Paladino's writing. 323 00:17:25,720 --> 00:17:30,840 Speaker 2: It it feels like it feels more genuine, realistic, like 324 00:17:30,840 --> 00:17:35,040 Speaker 2: it's coming from something that they've experienced or they know 325 00:17:35,160 --> 00:17:36,480 Speaker 2: that people have experienced. 326 00:17:37,480 --> 00:17:39,760 Speaker 1: Oh, it just it just tears your heart apart. 327 00:17:39,520 --> 00:17:41,480 Speaker 3: Right, Yeah, Yeah, that's good writing. 328 00:17:41,800 --> 00:17:45,359 Speaker 1: They have that gift. Yeah, and that's why you don't 329 00:17:45,400 --> 00:17:48,400 Speaker 1: need to do so much when you're acting those words. 330 00:17:48,440 --> 00:17:51,120 Speaker 1: You just pretty much stand there and let those words 331 00:17:51,280 --> 00:17:55,000 Speaker 1: express themselves. Even hearing those words and it just sort 332 00:17:55,000 --> 00:17:58,359 Speaker 1: of comes out in your body, you know, the exact 333 00:17:58,480 --> 00:18:03,320 Speaker 1: body moves a certain way. It's just responding to these words. 334 00:18:03,320 --> 00:18:08,280 Speaker 1: How could they not, right, It's just it's magic, It's 335 00:18:08,440 --> 00:18:09,320 Speaker 1: actual magic. 336 00:18:09,359 --> 00:18:11,880 Speaker 3: It's Yeah. 337 00:18:12,040 --> 00:18:15,359 Speaker 5: When you were filming these scenes with Lauren, did you 338 00:18:15,520 --> 00:18:22,919 Speaker 5: feel proud of the lines and the body language, like 339 00:18:23,000 --> 00:18:25,480 Speaker 5: could you feel it or was it just all natural 340 00:18:25,560 --> 00:18:26,160 Speaker 5: for you. 341 00:18:26,840 --> 00:18:32,480 Speaker 1: Both proud and feeling great about the scene and great 342 00:18:32,480 --> 00:18:35,800 Speaker 1: about the words you get to say. Listen, you know, 343 00:18:37,320 --> 00:18:41,640 Speaker 1: we come to the set or the night before preparing 344 00:18:41,640 --> 00:18:44,280 Speaker 1: the stuff, and we come to set prepare the stuff 345 00:18:45,359 --> 00:18:48,360 Speaker 1: these scenes, and it's just there's an ease to it 346 00:18:48,440 --> 00:18:50,840 Speaker 1: because the writing is so good and the rhythm is 347 00:18:50,880 --> 00:18:53,919 Speaker 1: so good and the music is so sweet, and you 348 00:18:54,000 --> 00:18:56,720 Speaker 1: get to say this stuff and it's in the writing. 349 00:18:56,800 --> 00:19:01,720 Speaker 1: You you know, the the vulnerability and the tenderness that 350 00:19:02,760 --> 00:19:07,920 Speaker 1: is underneath what Luke is doing but not showing, is 351 00:19:08,000 --> 00:19:11,240 Speaker 1: in the language. It's in the words, it's in the situation, 352 00:19:11,359 --> 00:19:14,560 Speaker 1: in the scene because of what she's saying and how 353 00:19:14,560 --> 00:19:19,679 Speaker 1: he's responding. So that's what instructs you. And you know, 354 00:19:20,119 --> 00:19:23,639 Speaker 1: I just miss it so much. The writing is so good. 355 00:19:24,480 --> 00:19:28,080 Speaker 1: You don't get this level of writing. You just don't see. 356 00:19:28,119 --> 00:19:30,200 Speaker 3: It's it's the tenderness. 357 00:19:30,320 --> 00:19:32,960 Speaker 2: I like that, the tenderness of it, because the whole 358 00:19:32,960 --> 00:19:35,640 Speaker 2: show is talking fast, and then when you have these 359 00:19:35,680 --> 00:19:41,320 Speaker 2: moments are slowing down, it really hits, it really hits, 360 00:19:41,080 --> 00:19:45,560 Speaker 2: and so that's what makes it just real. It's like wow, 361 00:19:45,680 --> 00:19:47,440 Speaker 2: it's really impactful on screen. 362 00:19:47,560 --> 00:19:52,320 Speaker 1: It's remarkable. It's just remarkable. To be able to and 363 00:19:52,359 --> 00:19:55,040 Speaker 1: that was my every day. That was my normal going 364 00:19:55,119 --> 00:19:58,840 Speaker 1: to work, to be doing that level of we're attempting 365 00:19:58,920 --> 00:20:01,159 Speaker 1: that level of work to as good as the words 366 00:20:01,200 --> 00:20:05,080 Speaker 1: are right, to not screw up the words because the 367 00:20:05,119 --> 00:20:10,080 Speaker 1: words are perfect. Right. That's the situation you want to 368 00:20:10,119 --> 00:20:12,399 Speaker 1: be and where you have to rise up every day, 369 00:20:13,119 --> 00:20:15,560 Speaker 1: every moment of every day, of every scene to be 370 00:20:15,640 --> 00:20:22,400 Speaker 1: as good as the writing is. And man, that was fun. Yeah, 371 00:20:22,400 --> 00:20:22,840 Speaker 1: that's great. 372 00:20:23,760 --> 00:20:29,720 Speaker 5: Did any scenes or writing in particular like leave you 373 00:20:29,920 --> 00:20:32,280 Speaker 5: feeling heavy like it may have taken you a second 374 00:20:32,359 --> 00:20:35,080 Speaker 5: to snap out and film a different scene. Did that 375 00:20:35,119 --> 00:20:38,560 Speaker 5: ever kind of happen to you? Or were you able 376 00:20:38,640 --> 00:20:40,880 Speaker 5: just to always be acting and then turn it off 377 00:20:40,960 --> 00:20:41,600 Speaker 5: turn it back on? 378 00:20:42,520 --> 00:20:44,320 Speaker 3: Oh yeah, like when you and Loura get in that 379 00:20:44,359 --> 00:20:47,119 Speaker 3: fight over Jess and the car accident. Oh my gosh. 380 00:20:47,440 --> 00:20:49,879 Speaker 1: Well I think that was the last scene of the 381 00:20:50,119 --> 00:20:52,400 Speaker 1: day because it was night time. It's pretty late at night, 382 00:20:52,480 --> 00:20:54,199 Speaker 1: I think, so that was it. We get to go 383 00:20:54,240 --> 00:20:57,720 Speaker 1: home after that. Let me see, was there a time? 384 00:20:57,800 --> 00:20:58,040 Speaker 5: Yeah? 385 00:20:58,160 --> 00:21:04,200 Speaker 1: I think in the recent memory the h don't Leave 386 00:21:04,240 --> 00:21:07,920 Speaker 1: Me seen in the episodes right, the Netflix episodes, Oh 387 00:21:08,480 --> 00:21:10,200 Speaker 1: big long speech, which. 388 00:21:10,040 --> 00:21:12,280 Speaker 3: Oh that's amazing. Oh I love watching that. 389 00:21:12,280 --> 00:21:14,840 Speaker 1: Sceint so Yeah, that that took a lot out of 390 00:21:14,880 --> 00:21:17,280 Speaker 1: me and I needed I needed to take a knee 391 00:21:17,280 --> 00:21:19,440 Speaker 1: and towel off and have some gatorad after that one. 392 00:21:19,560 --> 00:21:21,960 Speaker 2: Yeah, yeah, yeah, I don't know how you nailed that. 393 00:21:21,960 --> 00:21:24,920 Speaker 2: That was amazing. That scene is one of my favorites. 394 00:21:27,400 --> 00:21:30,760 Speaker 1: But that's but that's what I'm talking about. It's it's 395 00:21:30,840 --> 00:21:35,760 Speaker 1: walking out into the colisseum and you know, facing off 396 00:21:35,800 --> 00:21:41,480 Speaker 1: against your opponent and the lions coming at you and 397 00:21:41,480 --> 00:21:47,840 Speaker 1: and surviving and thriving, and it's just so damn stimulating 398 00:21:48,160 --> 00:21:52,359 Speaker 1: to be in that kind of creative situation. I mean, 399 00:21:52,400 --> 00:21:54,320 Speaker 1: it's what it's all about. It's what I trained for 400 00:21:54,359 --> 00:21:59,080 Speaker 1: all those years, and it was just it's just exhilarating. 401 00:21:59,400 --> 00:22:04,520 Speaker 1: When you have writers that gifted and you're doing their words, 402 00:22:04,560 --> 00:22:08,520 Speaker 1: it's an absolute privilege because it doesn't happen a lot, 403 00:22:09,240 --> 00:22:11,760 Speaker 1: you know. Yeah, I mean, if you can get to 404 00:22:11,800 --> 00:22:14,520 Speaker 1: the top of the business somehow, then you're exposed to 405 00:22:14,560 --> 00:22:17,840 Speaker 1: the great writing, you know, And this was one of 406 00:22:17,880 --> 00:22:20,879 Speaker 1: those situations where you know, we were all exposed to 407 00:22:20,920 --> 00:22:26,000 Speaker 1: this great writing. Yeah, and we all got very lucky. 408 00:22:26,080 --> 00:22:29,080 Speaker 3: Let me tell you, well, it's the legacy of it too. 409 00:22:29,160 --> 00:22:31,080 Speaker 3: Twenty five years later, here we are, it's. 410 00:22:30,880 --> 00:22:33,760 Speaker 2: Still the biggest thing ever, you know, and so right, 411 00:22:34,160 --> 00:22:36,959 Speaker 2: it's what brought us here. 412 00:22:37,520 --> 00:22:40,200 Speaker 1: Yeah, just it's it's nice to know you didn't screw 413 00:22:40,200 --> 00:22:46,800 Speaker 1: it up totally, right, I got away with it. Yeah. Yeah. 414 00:22:46,840 --> 00:22:50,840 Speaker 5: I was recently thinking a lot about Sean Gunn because 415 00:22:51,040 --> 00:22:54,400 Speaker 5: there's just been so many interviews resurfacing of him, and 416 00:22:55,160 --> 00:22:58,520 Speaker 5: particularly in this episode, I was just starting to notice 417 00:22:58,600 --> 00:23:02,240 Speaker 5: kirkmore who I Kirk in Paris are my favorite characters 418 00:23:02,600 --> 00:23:07,560 Speaker 5: besides Luke and Lorlai. And how he the best way 419 00:23:07,600 --> 00:23:11,240 Speaker 5: he could just describe Kirk was that he is just 420 00:23:11,320 --> 00:23:14,080 Speaker 5: a manchild. And now that's something that I just can't 421 00:23:14,080 --> 00:23:16,000 Speaker 5: get out of my head. And I just have like 422 00:23:16,359 --> 00:23:20,080 Speaker 5: the biggest soft spot for him and all of his antics, 423 00:23:20,080 --> 00:23:23,400 Speaker 5: like his lotions that he was trying to make, Oh my. 424 00:23:23,320 --> 00:23:26,960 Speaker 1: God, brilliant, brilliant stuff. 425 00:23:27,600 --> 00:23:31,040 Speaker 5: And he's someone that got lucky in terms of, you know, 426 00:23:31,240 --> 00:23:38,399 Speaker 5: showing up to be the DSL guy and Amy Sherman 427 00:23:38,400 --> 00:23:41,080 Speaker 5: Paladino wanted to be back. It's like, it's just it's 428 00:23:41,160 --> 00:23:44,080 Speaker 5: just amazing to see how everything just fell into place. 429 00:23:44,119 --> 00:23:45,760 Speaker 5: And I was thinking about how you were supposed to 430 00:23:45,800 --> 00:23:47,159 Speaker 5: be Duke and it's. 431 00:23:47,040 --> 00:23:49,399 Speaker 1: Just special that not supposed to be a woman. 432 00:23:49,800 --> 00:23:52,120 Speaker 5: That's right. Where did you come from? 433 00:23:52,840 --> 00:23:53,560 Speaker 4: Duke? I don't know. 434 00:23:53,560 --> 00:23:56,720 Speaker 1: It was a typo on the on the audition when 435 00:23:56,720 --> 00:23:58,720 Speaker 1: I had the two scenes to audition, and I only 436 00:23:58,720 --> 00:24:00,479 Speaker 1: did one because it said Luke and the other one 437 00:24:00,520 --> 00:24:02,399 Speaker 1: said Duke. Who's a typo or something? 438 00:24:03,840 --> 00:24:05,280 Speaker 2: And you were only supposed to be there for one 439 00:24:05,320 --> 00:24:07,840 Speaker 2: episode and then it turned it down moor right. 440 00:24:07,960 --> 00:24:10,480 Speaker 1: Just just a flukee kind of thing. But anyway, Seawann 441 00:24:10,480 --> 00:24:12,520 Speaker 1: and I do these panels. They'd usually do a Saturday 442 00:24:12,520 --> 00:24:16,000 Speaker 1: panel or a Sunday panel and the fans come into 443 00:24:16,000 --> 00:24:21,399 Speaker 1: this massive ballroom or massive hall seated with seats and 444 00:24:22,880 --> 00:24:26,240 Speaker 1: Galaxy Con Raleigh. There were twenty five hundred people showed 445 00:24:26,320 --> 00:24:26,639 Speaker 1: up for that. 446 00:24:27,200 --> 00:24:27,760 Speaker 6: Wow. 447 00:24:27,920 --> 00:24:31,480 Speaker 1: And you know, Sean and I are like the the 448 00:24:32,560 --> 00:24:37,359 Speaker 1: you know, the Laurel and Hardy of the concert. Somehow 449 00:24:37,400 --> 00:24:39,320 Speaker 1: it always turns into a comedy show. 450 00:24:39,840 --> 00:24:41,800 Speaker 3: Ah, that's so great. 451 00:24:41,960 --> 00:24:45,280 Speaker 1: It's just brilliant. We work. We play off of each 452 00:24:45,320 --> 00:24:48,880 Speaker 1: other so well. Yea. So if you're listening and you're 453 00:24:48,880 --> 00:24:51,440 Speaker 1: in the Saint Louis area or neighboring states, come see 454 00:24:51,480 --> 00:24:55,280 Speaker 1: us because just if just for the panel, because it's 455 00:24:56,080 --> 00:24:59,080 Speaker 1: really a fun time. It's like an hour of just hilarity. 456 00:25:00,760 --> 00:25:02,720 Speaker 1: I don't know what it is about Sean, well I 457 00:25:02,760 --> 00:25:04,399 Speaker 1: do know what it is about Sean, but he just 458 00:25:04,440 --> 00:25:06,600 Speaker 1: brings out this side of me, and I bring out 459 00:25:06,600 --> 00:25:10,160 Speaker 1: a side of him. And it's just really fun to work, 460 00:25:10,400 --> 00:25:12,080 Speaker 1: you know, to be up there and just sort of 461 00:25:12,160 --> 00:25:16,760 Speaker 1: chat with him and respond to audience questions and it's 462 00:25:16,800 --> 00:25:18,000 Speaker 1: just it's just so much fun. 463 00:25:26,240 --> 00:25:29,960 Speaker 6: Carrie Bradshaw ended up on her own. But you don't 464 00:25:30,000 --> 00:25:32,520 Speaker 6: have to not if you listen to I Do Part Two. 465 00:25:33,359 --> 00:25:36,200 Speaker 6: Listen to I Do Part Two on the iHeartRadio app, 466 00:25:36,320 --> 00:25:39,359 Speaker 6: Apple podcast or wherever you get your podcasts. 467 00:25:41,000 --> 00:25:44,000 Speaker 1: Let's get to the closing scene. Laurla comes home to 468 00:25:44,040 --> 00:25:46,920 Speaker 1: apologize worry about the Dean versus Jess fight at the 469 00:25:47,000 --> 00:25:50,720 Speaker 1: festival in the beginning, and Roy says she was right. 470 00:25:50,760 --> 00:25:55,160 Speaker 1: She chooses Dean and she is sure of it, although 471 00:25:55,200 --> 00:26:01,320 Speaker 1: she kind of doesn't seem like it. No denying her 472 00:26:01,320 --> 00:26:03,919 Speaker 1: true feelings for Jess. It's going to be the safe option. 473 00:26:04,640 --> 00:26:07,040 Speaker 1: Knowing how much Roy's experienced back and forth love with 474 00:26:07,080 --> 00:26:10,040 Speaker 1: her parents, is she choosing Dean? Because she needs someone 475 00:26:10,119 --> 00:26:12,760 Speaker 1: reliable Jacqueline. 476 00:26:12,480 --> 00:26:19,119 Speaker 2: Duh, duh. It's like she doesn't want to be her mother, 477 00:26:20,040 --> 00:26:24,040 Speaker 2: and so I mean, and that's in a way of that. Now, 478 00:26:24,040 --> 00:26:26,199 Speaker 2: I'm not saying like Laura is such a bad person 479 00:26:26,280 --> 00:26:28,560 Speaker 2: or somebody don't want to turn out to be like, 480 00:26:28,680 --> 00:26:34,480 Speaker 2: but Laura's love choices and stuff are pretty questionable until Luke. 481 00:26:34,400 --> 00:26:38,600 Speaker 3: Obviously, because he's a stable one. But yeah, she doesn't. 482 00:26:38,680 --> 00:26:41,840 Speaker 2: She has already experienced it back and forth with her parents, 483 00:26:41,920 --> 00:26:44,240 Speaker 2: Christopher and Lauralai, so she doesn't want. 484 00:26:44,080 --> 00:26:46,439 Speaker 1: To, you know what, nothing rupt But you know what 485 00:26:46,480 --> 00:26:52,159 Speaker 1: it is about these Gilmore girls. Yeah, they're so a beautiful, 486 00:26:52,480 --> 00:26:55,640 Speaker 1: they're so smart, they're so snarky, they're so clever, they're 487 00:26:55,680 --> 00:27:02,240 Speaker 1: so quick, they're so cultured. Right that guy's just melt 488 00:27:02,840 --> 00:27:06,560 Speaker 1: and they lose it and they're just each of them 489 00:27:06,600 --> 00:27:09,800 Speaker 1: looking for someone who isn't losing it all over the 490 00:27:09,800 --> 00:27:12,760 Speaker 1: place and turning them off. They want a guy to 491 00:27:12,960 --> 00:27:17,320 Speaker 1: hold their hold their own m hm, like stop it 492 00:27:17,359 --> 00:27:20,560 Speaker 1: with all the the roses and I love you, I 493 00:27:20,560 --> 00:27:23,680 Speaker 1: love you, you know it's like just hold it together, man, 494 00:27:24,160 --> 00:27:27,840 Speaker 1: would you? That's what they want. And I think that's 495 00:27:27,880 --> 00:27:32,520 Speaker 1: why Luke works because he's not getting all gushy and mushy. Ever, 496 00:27:33,440 --> 00:27:33,840 Speaker 1: mm hmm. 497 00:27:34,960 --> 00:27:37,040 Speaker 3: You really need somebody the opposite. 498 00:27:36,920 --> 00:27:40,679 Speaker 1: To match you, to match your strength. These are strong women. 499 00:27:41,720 --> 00:27:44,399 Speaker 1: These are strong women. I mean Rory's a strong She's 500 00:27:44,480 --> 00:27:49,600 Speaker 1: she's getting stronger all the time, right, but she's innately strong. 501 00:27:50,720 --> 00:27:51,080 Speaker 3: Yeah. 502 00:27:51,440 --> 00:27:55,960 Speaker 1: Yeah, and they just they no room for whims. Sorry, guys, 503 00:27:55,960 --> 00:27:57,520 Speaker 1: what's out? They're done out. 504 00:27:58,480 --> 00:28:00,600 Speaker 3: But they're also choosing those kind of guys. 505 00:28:00,720 --> 00:28:05,400 Speaker 1: Too, Yeah, because they came off really cool and collected 506 00:28:05,560 --> 00:28:07,879 Speaker 1: and very you know, they all were James Bond the beginning, 507 00:28:07,880 --> 00:28:12,520 Speaker 1: they turned into they don't realize James O'Keefe at the end. 508 00:28:13,680 --> 00:28:20,320 Speaker 5: It's interesting to me though, how someone reliable like Rory's seventeen, 509 00:28:20,640 --> 00:28:24,959 Speaker 5: she doesn't need someone right now. That's where I'm like 510 00:28:25,119 --> 00:28:28,680 Speaker 5: toggling with why does she need to choose one of them? 511 00:28:28,760 --> 00:28:31,000 Speaker 5: Why does she need to be with Dean. I think 512 00:28:31,040 --> 00:28:33,679 Speaker 5: she's partially scared of it because she doesn't want to 513 00:28:34,720 --> 00:28:37,760 Speaker 5: face the truth or break as hard or have the 514 00:28:37,800 --> 00:28:41,600 Speaker 5: town ask her questions. Like, there's so many elements and 515 00:28:41,640 --> 00:28:45,360 Speaker 5: I think right now, with maybe just me being young 516 00:28:45,400 --> 00:28:49,880 Speaker 5: and relating to a younger woman, like what she's she's 517 00:28:49,960 --> 00:28:54,960 Speaker 5: just confused. She doesn't need Dean or someone reliable. She's 518 00:28:55,080 --> 00:28:58,240 Speaker 5: just meeting people and understanding life. 519 00:28:58,520 --> 00:29:02,000 Speaker 1: Right, she doesn't know what she needs, yeah, just defining 520 00:29:02,080 --> 00:29:02,800 Speaker 1: it right, right. 521 00:29:02,880 --> 00:29:03,720 Speaker 4: Yeah, it's a good point. 522 00:29:03,720 --> 00:29:06,840 Speaker 2: I mean she still doesn't know in the revivals, which 523 00:29:06,880 --> 00:29:09,840 Speaker 2: would be like the continuation and like you can do 524 00:29:09,920 --> 00:29:14,040 Speaker 2: more with Rory definitely for sure after the revivals. Yeah, 525 00:29:14,080 --> 00:29:17,440 Speaker 2: it's true she's young, she doesn't Yeah, you're right, Emma, 526 00:29:17,520 --> 00:29:20,520 Speaker 2: she doesn't need him. But I think she has a 527 00:29:20,600 --> 00:29:23,960 Speaker 2: lot writing on herself because I'm writing on her shoulders, 528 00:29:23,960 --> 00:29:26,360 Speaker 2: because she is the golden child of the town. She 529 00:29:26,400 --> 00:29:29,760 Speaker 2: can't go for Jess because he's the bad boy. You know, 530 00:29:30,040 --> 00:29:31,720 Speaker 2: he deems a good on paper guy. 531 00:29:32,520 --> 00:29:39,760 Speaker 5: Yeah, it's almost like he's resumeable, like she's doing to 532 00:29:40,880 --> 00:29:43,680 Speaker 5: fit the image for who she wants to be. And 533 00:29:43,720 --> 00:29:47,120 Speaker 5: it's just mind blowing because I'm twenty four and I 534 00:29:47,200 --> 00:29:51,320 Speaker 5: just got my first boyfriend, like I I didn't. It's 535 00:29:51,400 --> 00:29:54,800 Speaker 5: just weird how it was the standards twenty five years 536 00:29:54,800 --> 00:30:00,880 Speaker 5: ago or date and create, but it's like now they're not. Now. 537 00:30:00,920 --> 00:30:03,440 Speaker 5: It's all about finding yourself and what you're good at 538 00:30:03,480 --> 00:30:07,120 Speaker 5: and becoming independent. So it's just weird to now, like 539 00:30:07,280 --> 00:30:11,080 Speaker 5: watch this series and see how she's seventeen. 540 00:30:11,160 --> 00:30:14,640 Speaker 1: She's so young, right, right, you know what, I just 541 00:30:14,640 --> 00:30:17,920 Speaker 1: thought of a spin off for you know, or be 542 00:30:17,960 --> 00:30:20,600 Speaker 1: centered in Luke's diner, and it'll just be like me 543 00:30:20,840 --> 00:30:27,840 Speaker 1: and Max and Digger and it'll be entitled Surviving Laurela. 544 00:30:29,720 --> 00:30:31,640 Speaker 1: It'll all be waiting for her to come into the 545 00:30:31,680 --> 00:30:35,160 Speaker 1: diner and she never does, but we prep for right 546 00:30:35,200 --> 00:30:38,280 Speaker 1: and Digger comes by, and Max comes by. 547 00:30:39,520 --> 00:30:41,800 Speaker 3: You know, no Christopher though, because we just kicked him out. 548 00:30:43,440 --> 00:30:45,720 Speaker 1: There's a sign no you're not welcome here. 549 00:30:46,520 --> 00:30:48,520 Speaker 3: It's no cell phones, no Christopher. 550 00:30:49,000 --> 00:30:51,920 Speaker 1: That's not nice. He's got it both in the corner, 551 00:30:51,960 --> 00:30:52,840 Speaker 1: all waiting for him. 552 00:30:52,880 --> 00:30:57,800 Speaker 5: You know, do you think those characters would have things 553 00:30:57,840 --> 00:30:59,200 Speaker 5: to talk about other than Larela. 554 00:31:00,040 --> 00:31:04,080 Speaker 1: Let's find out Surviving Laurel I ah, and. 555 00:31:03,960 --> 00:31:05,920 Speaker 5: Then they all become best friends. 556 00:31:06,400 --> 00:31:09,400 Speaker 3: I don't know, because they're also different. 557 00:31:09,440 --> 00:31:12,640 Speaker 2: They're also different because Max, like is intellectual with books 558 00:31:12,680 --> 00:31:15,600 Speaker 2: and everything, and I don't know. 559 00:31:15,680 --> 00:31:18,760 Speaker 5: Actually, like if Loralai was removed, would they all be friends? 560 00:31:18,800 --> 00:31:23,400 Speaker 5: Because I feel like they all have that underlying angst 561 00:31:23,480 --> 00:31:26,280 Speaker 5: because she's there. 562 00:31:26,600 --> 00:31:29,200 Speaker 1: It could be like, you know, waiting for Goodell. It's 563 00:31:29,280 --> 00:31:32,880 Speaker 1: like like the Samuel Beckett version of Gilmore Girls, Right, 564 00:31:33,160 --> 00:31:37,280 Speaker 1: everybody's waiting around for Laurela. She never shows up. Yeah. Anyway, 565 00:31:37,880 --> 00:31:40,440 Speaker 1: well my brain hurts from thinking. 566 00:31:41,080 --> 00:31:43,480 Speaker 3: It was such a good episode. I liked it. 567 00:31:43,640 --> 00:31:45,760 Speaker 1: Let's just stick a fork in this one. 568 00:31:46,160 --> 00:31:49,200 Speaker 3: Uh where'd this rank on? Your guys? 569 00:31:49,320 --> 00:31:53,600 Speaker 2: Is like premiere like episodes because you know this, yeah, 570 00:31:53,680 --> 00:31:55,360 Speaker 2: like out of the series. 571 00:31:55,000 --> 00:31:59,040 Speaker 1: Like we've redefined what podcasting is today, We've done the 572 00:31:59,080 --> 00:32:01,120 Speaker 1: three of Us. This is this is the new standard, 573 00:32:01,480 --> 00:32:02,240 Speaker 1: right right? 574 00:32:02,560 --> 00:32:05,120 Speaker 2: Yeah, I like this premiere episode though, like it was, 575 00:32:05,160 --> 00:32:06,000 Speaker 2: it was it was good. 576 00:32:06,880 --> 00:32:08,040 Speaker 1: Oh you're talking about the show. 577 00:32:08,080 --> 00:32:14,160 Speaker 2: I was no, not us, No, no, the show Season three, 578 00:32:14,200 --> 00:32:14,840 Speaker 2: episode one. 579 00:32:15,080 --> 00:32:19,320 Speaker 1: The show was entertaining, very well written, beautifully directed. Yeah. 580 00:32:19,320 --> 00:32:21,880 Speaker 1: I had every It had everything you want in a 581 00:32:21,920 --> 00:32:25,720 Speaker 1: Gilmour episode. It had a festival, It had some good 582 00:32:25,800 --> 00:32:28,480 Speaker 1: Tailor stuff. It had some good Michelle stuff, It had 583 00:32:28,520 --> 00:32:33,560 Speaker 1: some good had good parents and Rory stuff, and had 584 00:32:33,600 --> 00:32:36,080 Speaker 1: all kinds of it had good Luke and Laurelized stuff, 585 00:32:36,440 --> 00:32:39,720 Speaker 1: had good Suki Laurelized Suki Jackson stuff with the bear 586 00:32:39,800 --> 00:32:42,200 Speaker 1: and the thing, and I mean it was just it 587 00:32:42,240 --> 00:32:46,200 Speaker 1: was it was chock full of good stuff man. Good balance. 588 00:32:46,280 --> 00:32:48,440 Speaker 3: Yeah, it was a good balance for a premiere episode. 589 00:32:48,520 --> 00:32:51,719 Speaker 1: Yeah, I think so right, very good. All right, well, 590 00:32:51,720 --> 00:32:55,959 Speaker 1: thank you ladies for filling in. We we had a 591 00:32:56,000 --> 00:33:03,040 Speaker 1: guest who uh unfortunately couldn't join us, and Emma and 592 00:33:03,720 --> 00:33:10,600 Speaker 1: miss Jacqueline here decided to just come in feet first 593 00:33:10,720 --> 00:33:13,800 Speaker 1: into the fire, into the pit and look what they did. 594 00:33:13,800 --> 00:33:16,560 Speaker 1: They hit it out of the park. Thanks so thank 595 00:33:16,600 --> 00:33:19,960 Speaker 1: you so much ladies for saving this episode and making 596 00:33:20,000 --> 00:33:22,640 Speaker 1: it as great as anything we've ever done. And remember 597 00:33:22,920 --> 00:33:26,080 Speaker 1: you are the best fans on the planet. And can 598 00:33:26,120 --> 00:33:31,520 Speaker 1: we talk a little bit about the recent cons that 599 00:33:31,560 --> 00:33:32,600 Speaker 1: I just came from. 600 00:33:34,920 --> 00:33:38,480 Speaker 3: Fans Oh my gosh. 601 00:33:37,640 --> 00:33:40,400 Speaker 1: Yes, you know, excited and for the twenty fifth anniversary. 602 00:33:40,400 --> 00:33:43,280 Speaker 1: This is so great. The fans showed up in Brighton, Michigan, 603 00:33:43,760 --> 00:33:47,920 Speaker 1: and in New Milford, Connecticut in waves, I mean just waves, 604 00:33:48,080 --> 00:33:52,800 Speaker 1: hundreds and thousands of them. And they're also excited and engaged. 605 00:33:52,880 --> 00:33:57,720 Speaker 1: It's the most lit fan base. I mean, there can't 606 00:33:57,800 --> 00:34:01,840 Speaker 1: be a more stimulated and lit up fan base than this. 607 00:34:02,000 --> 00:34:03,920 Speaker 1: They are so thrilled to celebrate this. 608 00:34:04,480 --> 00:34:06,160 Speaker 3: They're so thrilled to meet you, Scott. 609 00:34:06,320 --> 00:34:09,239 Speaker 1: Well, I'm thrilled to meet them like. 610 00:34:09,360 --> 00:34:13,080 Speaker 2: Every single photo that because I help run the Instagram page, 611 00:34:13,239 --> 00:34:15,920 Speaker 2: I'm reposting, and then the dots on the stories are 612 00:34:15,960 --> 00:34:18,319 Speaker 2: so little because everybody's so excited to meet you and 613 00:34:18,320 --> 00:34:18,600 Speaker 2: they have. 614 00:34:18,600 --> 00:34:21,160 Speaker 3: These like it was my dream come true. 615 00:34:21,239 --> 00:34:23,640 Speaker 2: I'm just like, it is so sweet to see everybody 616 00:34:23,719 --> 00:34:27,680 Speaker 2: just love you and you take the time to actually 617 00:34:27,840 --> 00:34:29,120 Speaker 2: engage with them, you know. 618 00:34:29,320 --> 00:34:32,960 Speaker 1: Listen. We had a break in New Milford, right, So 619 00:34:33,160 --> 00:34:38,880 Speaker 1: instead of having the typical lunch and at the location, 620 00:34:39,040 --> 00:34:42,279 Speaker 1: we went into town and we went into this old 621 00:34:42,360 --> 00:34:45,080 Speaker 1: time sort of saloon bar with a pool table and 622 00:34:45,120 --> 00:34:48,120 Speaker 1: a dart board, and so we ordered some food, we're 623 00:34:48,120 --> 00:34:50,319 Speaker 1: playing darts, were playing pool, and we're the only ones 624 00:34:50,320 --> 00:34:53,400 Speaker 1: in there because everybody was out doing the Gilmour Festival 625 00:34:53,440 --> 00:34:57,239 Speaker 1: activities and that kind of thing. And this group of 626 00:34:57,320 --> 00:35:00,880 Speaker 1: two moms and six like thirteen years old girls just 627 00:35:01,200 --> 00:35:06,960 Speaker 1: walked in. They saw me land darts, right, and I 628 00:35:07,040 --> 00:35:08,480 Speaker 1: just turned around and looked at him and they go, 629 00:35:08,920 --> 00:35:12,799 Speaker 1: oh my god, we love you. And they came and 630 00:35:12,840 --> 00:35:17,880 Speaker 1: they played darts, so IF and we and so I 631 00:35:17,960 --> 00:35:20,040 Speaker 1: had my handlers there and they said please, no, don't 632 00:35:20,080 --> 00:35:22,200 Speaker 1: film this and don't take any pictures. And they were 633 00:35:22,200 --> 00:35:25,520 Speaker 1: a little disappointed with that, but so if I want 634 00:35:25,560 --> 00:35:27,879 Speaker 1: to say, I wanted to say this to support these 635 00:35:27,920 --> 00:35:30,719 Speaker 1: girls and their moms who came in as they're telling 636 00:35:30,800 --> 00:35:35,080 Speaker 1: the story and if nobody believes them. It happened so 637 00:35:35,320 --> 00:35:37,680 Speaker 1: sweet it happened, and we had to wait a ball. 638 00:35:37,760 --> 00:35:40,479 Speaker 1: And one girl was so nervous that she was even 639 00:35:40,560 --> 00:35:43,399 Speaker 1: in this situation, like, you know, they're playing darts with Luke. 640 00:35:43,440 --> 00:35:45,279 Speaker 1: It's like maybe a new thing. Who knows it could 641 00:35:45,320 --> 00:35:49,239 Speaker 1: be a real And she says, she, I don't know 642 00:35:49,280 --> 00:35:51,440 Speaker 1: if she played darts before, but she was missing the 643 00:35:51,600 --> 00:35:55,239 Speaker 1: entire board and like sticking it into the wall and 644 00:35:55,280 --> 00:35:58,920 Speaker 1: the furniture and the whole. It was so cute. It 645 00:35:59,000 --> 00:35:59,720 Speaker 1: was really fun. 646 00:36:00,320 --> 00:36:03,520 Speaker 2: I noticed a huge, big blanket that somebody made for you. 647 00:36:03,640 --> 00:36:04,839 Speaker 2: It looked incredible. 648 00:36:04,960 --> 00:36:09,040 Speaker 1: It's being FedEx to me right now. Wow, it was 649 00:36:09,040 --> 00:36:10,280 Speaker 1: too big to fit in my luggage. 650 00:36:10,719 --> 00:36:15,600 Speaker 3: Hours and hours and hours that they spent. Shout out 651 00:36:15,640 --> 00:36:17,400 Speaker 3: to that fan whoever she is. 652 00:36:17,560 --> 00:36:21,000 Speaker 1: She was gray, And I'm telling you they gave me 653 00:36:21,120 --> 00:36:23,560 Speaker 1: so many gifts because it was my birthday and New Milford. 654 00:36:23,880 --> 00:36:25,960 Speaker 1: I traveled on my birthday and I worked the next day. 655 00:36:26,000 --> 00:36:29,200 Speaker 1: The next three days and they're so generous. I mean 656 00:36:29,480 --> 00:36:32,600 Speaker 1: just handing me gift after gift after gift after gift. 657 00:36:33,320 --> 00:36:34,000 Speaker 3: That's so cool. 658 00:36:34,800 --> 00:36:37,560 Speaker 1: Yeah, stuff getting through TSA with all that stuff, I 659 00:36:37,560 --> 00:36:40,600 Speaker 1: had a lot of spain to do. Right, what's going on, bro, 660 00:36:40,680 --> 00:36:41,320 Speaker 1: what's happening? 661 00:36:41,760 --> 00:36:43,799 Speaker 2: I mean you must walk away from those events like 662 00:36:43,840 --> 00:36:46,920 Speaker 2: so happy because you are receiving energy, right, the energy 663 00:36:46,920 --> 00:36:49,160 Speaker 2: you bring to people, You are receiving so much love. 664 00:36:49,280 --> 00:36:52,560 Speaker 1: It's not timing, it's time. The thing that wears out 665 00:36:52,640 --> 00:36:55,040 Speaker 1: is a travel, you know, the connecting flights and all that. 666 00:36:55,120 --> 00:36:58,400 Speaker 1: It's it's not the fans. They give you the energy, man. Yeah, 667 00:36:58,480 --> 00:37:02,080 Speaker 1: it's like I showed up on the twelfth just exhausted, 668 00:37:02,239 --> 00:37:05,600 Speaker 1: and then they you know, they start, you know, releasing 669 00:37:05,640 --> 00:37:08,480 Speaker 1: the lines and then the people come and you know, 670 00:37:08,520 --> 00:37:11,280 Speaker 1: you get energized from me. Yeah, it's it's it's wonderful experience. 671 00:37:11,320 --> 00:37:14,040 Speaker 1: It really is great meeting these fans. Anyway, Thank you, ladies, 672 00:37:14,080 --> 00:37:16,960 Speaker 1: best fans on the planet. And keep the cards and 673 00:37:17,040 --> 00:37:20,200 Speaker 1: letters coming. We'll see at the cons wherever we are, 674 00:37:21,160 --> 00:37:24,800 Speaker 1: bangor Maine gonna be mid mid November, I think bangor 675 00:37:24,880 --> 00:37:27,600 Speaker 1: Maine Queen City Comic Con. So come on out and 676 00:37:27,600 --> 00:37:31,120 Speaker 1: see us there too, and remember where you lead, we 677 00:37:31,200 --> 00:37:31,680 Speaker 1: will follow. 678 00:37:31,719 --> 00:38:01,520 Speaker 4: Stay safe everyone, Hey. 679 00:38:01,400 --> 00:38:04,640 Speaker 1: Everybody, and don't forget. Follow us on Instagram at i 680 00:38:04,920 --> 00:38:09,000 Speaker 1: Am all In podcast and email us at Gilmore at 681 00:38:09,160 --> 00:38:20,800 Speaker 1: iHeartRadio dot com