WEBVTT - Avenger | 5. The Flight Logs

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<v Speaker 1>Hello, Avenger listeners, It's Steve Fishman and I'm really glad

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<v Speaker 1>you've tuned in. I hope you love this show as

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<v Speaker 1>much as we do. A quick word on an upcoming

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<v Speaker 1>bonus episode. We're doing a bonus with Miriam, the real Miriam.

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<v Speaker 1>We'll be asking her questions, your questions and getting answers.

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<v Speaker 1>She'll update us on what's going on in her world

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<v Speaker 1>and a lot has Please email your questions or thoughts

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<v Speaker 1>or comments too. Info at Orbitmedia dot fm. Oh And

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<v Speaker 1>Fisher Stevens can answer your questions too. He's our co

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<v Speaker 1>founder and resident oscar Winner. He's an actor you saw

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<v Speaker 1>him in Succession and director of actors like al Pacino

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<v Speaker 1>and Justin Timberlake. For Avenger, he directed Alexis Bledel, who

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<v Speaker 1>voices Miriam. If we're lucky, Alexis who was the star

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<v Speaker 1>of Gilmore Girls and Handmaid's Tale and is the daughter

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<v Speaker 1>of an Argentine. We'll chip in answers to so let

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<v Speaker 1>us know your thoughts and questions, hopes and prayers. Info

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<v Speaker 1>at Orbitmedia dot fm. Thanks. In this episode, the big

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<v Speaker 1>break that Miriam and Johncarlo have been waiting for a

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<v Speaker 1>plane is located and in it a cache of secrets,

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<v Speaker 1>explosive secrets. A quick word about subscriptions. If you love ads,

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<v Speaker 2>Before we begin, please note that for this story we

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<v Speaker 2>interviewed medium and everyone else for dozens of hours in Spanish.

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<v Speaker 2>We hired actors to voice their words in English.

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<v Speaker 3>It called me by surprise, suddenly there was another journalist

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<v Speaker 3>in Argentina investigating the death flights and seeing it in Pachinadose,

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<v Speaker 3>one of the country's most influential publications. Well, after all

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<v Speaker 3>this time investigating this alone with Giancarlo, this was our

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<v Speaker 3>story and ours alone. So I storm into my boss's

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<v Speaker 3>office at Canalre. I hand him the article and tell

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<v Speaker 3>him we're getting scooped on a huge story. He looks

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<v Speaker 3>at the article and downplays it, telling me, come on,

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<v Speaker 3>you have a lot more than this. I say, sure,

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<v Speaker 3>but look at how close he is.

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<v Speaker 2>From Orbit Media. I'm andres caa was schedo. This is

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<v Speaker 2>Avenger the story of Medium Lewin episode five the flight Logs.

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<v Speaker 2>Medium's boss had been dragging his feet for months, coming

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<v Speaker 2>up with one excuse after another to not pursue this story.

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<v Speaker 2>None of them made sense to Medium, but finally she

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<v Speaker 2>managed to corner him. The story was going to be

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<v Speaker 2>done one way or another. Medium's boss gives in, he

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<v Speaker 2>will run the story. Medium starts working with her colleagues

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<v Speaker 2>at Canal Trece. They want footage of that sky van

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<v Speaker 2>she and Giancarlo had located in Florida.

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<v Speaker 3>We need to see the planes, get our cameras there,

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<v Speaker 3>but we have to be careful. We can't just call

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<v Speaker 3>the owners and say, yeah, hi, we're calling because you

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<v Speaker 3>own an aircraft used for one of the cruelest operations

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<v Speaker 3>during the dictatorship.

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<v Speaker 2>But while they're strategizing, Medium's boss tells her he can't

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<v Speaker 2>afford to center to Florida. Instead, they can hire a

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<v Speaker 2>freelancer he knows there, Bruno Vine.

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<v Speaker 3>So I call Bruno, I explain what we need and

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<v Speaker 3>tell him to schedule a meeting to see the plane

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<v Speaker 3>in for the Lauderdale. I brief him and I tell

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<v Speaker 3>him to be careful that he should not lead with

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<v Speaker 3>the information about the death flights.

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<v Speaker 4>When I get there, I realize the owner is not

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<v Speaker 4>aware of the plane's history and I can't remember why

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<v Speaker 4>it happened. But all of a sudden, he tells me

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<v Speaker 4>he has some documents that came with a plane. I

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<v Speaker 4>had no idea what I was about to find.

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<v Speaker 3>Medium Bruno seeer.

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<v Speaker 2>Bruno confirms it's the plane, and then he tells her

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<v Speaker 2>something unexpected. The plane comes with the flight lugs. Medium

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<v Speaker 2>hangs up with Bruno and he immediately caused Giancarlo.

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<v Speaker 5>I remember when Miriam called me. I was in Rome

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<v Speaker 5>having dinner with friends at the restaurant. I had to

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<v Speaker 5>leave the table and go outside so I could hear

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<v Speaker 5>what she was saying.

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<v Speaker 3>I just hung up the phone with Bruno. In Florida,

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<v Speaker 3>he saw the sky Evan and the owner had no

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<v Speaker 3>clue about its history. He even said he had the

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<v Speaker 3>flight lugs dating back to nineteen seventy six, details roots

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<v Speaker 3>names of each one of those pilots.

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<v Speaker 5>I was excited, not cautious. I told her to stop

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<v Speaker 5>talking about this over the phone. I hung up and

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<v Speaker 5>booked a flight to Buenos Aires right away.

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<v Speaker 2>Once they're both in Buenos Aires, Giancarlo and Medium start

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<v Speaker 2>pouring over the flight lugs. Bruno sent over, but there's

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<v Speaker 2>a snag.

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<v Speaker 5>A bunch of abbreviations and jargon in the logs that

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<v Speaker 5>we don't understand.

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<v Speaker 3>We need someone who knows about planes and how that

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<v Speaker 3>world works to help us decipher the logs.

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<v Speaker 5>I suggest going back to Enrica Pinero, but Medium won't

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<v Speaker 5>have it.

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<v Speaker 3>I was still bitter about Enrique saying no to us earlier. Also,

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<v Speaker 3>Canal Trece had already told me they did not want

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<v Speaker 3>us to use him, because frankly, it's like this petty

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<v Speaker 3>thing where they did not want to inflate his fame

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<v Speaker 3>even more.

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<v Speaker 2>One of Medium's coworkers has connections. She knows another pilot

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<v Speaker 2>who might be able to decipher the flight lugs. She

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<v Speaker 2>sets up a meeting.

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<v Speaker 3>We chose a cafe near Canal Trece.

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<v Speaker 2>Medium arrives a few minutes early. She's holding a plastic

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<v Speaker 2>bag with copies of the flight lugs.

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<v Speaker 3>I sit at a table with a view of a park,

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<v Speaker 3>and it just so happens there's a mural by Mnuaktis.

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<v Speaker 3>She's actually an artist who is imprisoned with me. She

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<v Speaker 3>also survived. It's like a sign we're on the right track.

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<v Speaker 2>Medium orders a coffee and waits. Fifteen minutes go by,

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<v Speaker 2>no pilot. She calls his.

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<v Speaker 3>Phone, It goes straight to voicemail.

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<v Speaker 2>She waits another fifteen minutes.

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<v Speaker 3>I try again, no answer, so I call my colleague

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<v Speaker 3>at Canal Tresi to see if anyone has left a message. No,

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<v Speaker 3>no messages.

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<v Speaker 2>It's clear nobody is showing up. Medium is concerned. The

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<v Speaker 2>pilot seems so willing, and then nothing, no phone call,

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<v Speaker 2>no messages. Medium's antennas go up. Her producers shift gears

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<v Speaker 2>and connect with another pilot.

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<v Speaker 3>We choose a new meeting place away from downtown and

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<v Speaker 3>this guy he shows up.

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<v Speaker 2>By then, Medium knew how the death flights worked. What

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<v Speaker 2>she and gian Carlo couldn't figure out was how this

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<v Speaker 2>was recorded in the logs. The pilot helps and.

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<v Speaker 3>Right away he starts pointing out irregularities that catches attention.

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<v Speaker 3>For example, some flights took a lot longer than usual.

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<v Speaker 3>He tells me that doesn't make sense. A lot of

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<v Speaker 3>these flights are just from one nearby airport to another.

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<v Speaker 3>They shouldn't take very long. So I asked him, could

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<v Speaker 3>these be death flights? Yes, he says absolutely.

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<v Speaker 2>It's exactly what medium needs an expert who can point

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<v Speaker 2>to the inconsistencies, talk about him on camera and say.

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<v Speaker 3>These logs raise serious red flags. That's what we wanted,

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<v Speaker 3>a professional, certified pilot questioning them.

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<v Speaker 2>But when she asks the pilot if he'll go on

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<v Speaker 2>air and say this, he says no, a flat out no.

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<v Speaker 3>He tells me that back in nineteen seventy eight, a

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<v Speaker 3>lot of the military pilots who had flown during the

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<v Speaker 3>first two years of the dictatorship eventually went on to

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<v Speaker 3>work for airlines. Most of them were still active and

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<v Speaker 3>had moved up the ranks. He says he'll only talk

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<v Speaker 3>off the record, that showing his face would be like

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<v Speaker 3>signing his death sentence.

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<v Speaker 2>He's not the only person afraid of this story. It

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<v Speaker 2>turns out that the first pilot she wanted to meet,

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<v Speaker 2>the one who ghosted her, actually fled the country after

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<v Speaker 2>realizing what the meeting was about.

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<v Speaker 3>He freaked out and booked a flight to Uruguay. Didn't

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<v Speaker 3>even tell his mother or wife. He was terrified.

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<v Speaker 2>This is one of the consequences of a country that

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<v Speaker 2>transitioned to democracy but left people who tortured and killed

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<v Speaker 2>operate freely throughout the country.

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<v Speaker 3>Right former torturer, now working normal jobs, still in positions

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<v Speaker 3>of power.

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<v Speaker 2>They were trying to do whatever was necessary to keep

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<v Speaker 2>their past buried.

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<v Speaker 3>In two thousand and eight, a star witness in a

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<v Speaker 3>trial involving crimes by the dictatorship suddenly vanished. That impacted

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<v Speaker 3>a lot of survivors who decided to stop collaborating with

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<v Speaker 3>court proceedings out of fear.

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<v Speaker 5>There was definitely a culture of silence. But we still

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<v Speaker 5>needed an expert and someone who would go on the record.

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<v Speaker 5>So again I insisted we have to talk to Enrica Pinero.

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<v Speaker 5>He's not going to cower.

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<v Speaker 2>He has no fear and he loved to talk. He

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<v Speaker 2>loved to be quoted in the press.

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<v Speaker 3>I hated it, but Giancarlo was right. We had to

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<v Speaker 3>go back to Enrique.

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<v Speaker 2>Medium and Giancarlo are walking through a ritzy part of

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<v Speaker 2>Buenos Aires where a lot of expats live. They pass

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<v Speaker 2>by the botanical garden and arrive at Enrique's film production company.

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<v Speaker 3>It's a two story building with automatic doors. We go in,

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<v Speaker 3>then we're ushered into Enrique's office. He immediately hugs Giancarlo.

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<v Speaker 3>They laugh and exchange some words in Italian.

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<v Speaker 5>We show him the flight logs and video of the

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<v Speaker 5>planeing Florida that Bruno collected. He starts looking at everything, So.

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<v Speaker 6>They bring me this pile of papers, the technical log

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<v Speaker 6>of this plane they found. It's a maintenance document where

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<v Speaker 6>a pilot list the duration of the flight, the departure,

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<v Speaker 6>the names of crew Members's cryptic on purpose. We use

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<v Speaker 6>sort of a traffic lingo. For example, zero point five

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<v Speaker 6>means half an hour.

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<v Speaker 3>So we start seeing how flights that normally take two

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<v Speaker 3>hours were logged as if they had taken more than

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<v Speaker 3>four hours.

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<v Speaker 6>And I come across a number of flights that just

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<v Speaker 6>make no sense from a narrow nautical standpoint. For example,

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<v Speaker 6>there was a flight from arrow Parque to Punta del Indio,

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<v Speaker 6>normally a forty five minute flight. In the log it

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<v Speaker 6>appears as a four hour and fifty minute flight. What

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<v Speaker 6>do you mean? It's ludicrous, Darling, Where are you really going?

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<v Speaker 3>It's incredible. How come these logs weren't destroyed? I mean

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<v Speaker 3>the dictatorship tried so hard to keep the flights a secret.

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<v Speaker 6>Well, normally you don't mess with the technical logs. If

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<v Speaker 6>you want to sell the plane, the new owners have

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<v Speaker 6>to have access to that history. You can't just sell

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<v Speaker 6>or transfer planes without them.

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<v Speaker 2>But Enrique thinks there's another reason the logs weren't destroyed.

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<v Speaker 6>These people lived with a great sense of impunity. They

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<v Speaker 6>really thought they were going to get away with everything,

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<v Speaker 6>and they would never be questioned. I think the Nazis

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<v Speaker 6>in Germany were more careful with destroying evidence than these guys. Now,

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<v Speaker 6>Miriam and jian Carlo they've struck gold.

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<v Speaker 5>Now Rique is fully on board.

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<v Speaker 2>They have to finish filming for the TV report. They

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<v Speaker 2>need footage.

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<v Speaker 3>We just have to go back to the Electra, the

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<v Speaker 3>plane at the Junkyard in Buenos Aires.

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<v Speaker 2>Last time she couldn't go near that plane. It made

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<v Speaker 2>her sick, physically ill. This time, the trip to the

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<v Speaker 2>Junkyard turns into an expedition.

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<v Speaker 3>We had a mini convoy, me, Giancarlo, my producer, and

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<v Speaker 3>the camera operator. We park our cars in a straight

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<v Speaker 3>line outside the gate. I clip on my levelier Mike,

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<v Speaker 3>and I tell the cameraman to start recording.

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<v Speaker 2>The plane is right there waiting for them.

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<v Speaker 3>This huge plane suddenly rises up from the middle of

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<v Speaker 3>all this industrial junk, sustained by two metal columns. I

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<v Speaker 3>get closer to the plane and I can see the

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<v Speaker 3>rust that's eating into the blue and white colors of

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<v Speaker 3>the Argentine flag painted on it. A lone palm tree

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<v Speaker 3>stands at one side, and on the other there are

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<v Speaker 3>stairs connected to the plane's open door. It looks sturdy,

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<v Speaker 3>but we're still told to be careful.

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<v Speaker 2>They walk on board one by one.

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<v Speaker 3>Giancarlo and our cameraman go first. I get closer, I

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<v Speaker 3>start feeling anguish all over again. The cabin was big

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<v Speaker 3>enough for Giancarlo and the cameraman to work freely. My

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<v Speaker 3>producer scanning every corner. He points out a switch with

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<v Speaker 3>a sign next to it the instructions on how to

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<v Speaker 3>use it to open the plane's door in mid air.

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<v Speaker 3>I I freeze for a bit. I think of the

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<v Speaker 3>people who's fall from the sky meant the end of

0:15:09.080 --> 0:15:13.280
<v Speaker 3>their torture. Had some of them woken up from their

0:15:13.320 --> 0:15:17.000
<v Speaker 3>sleep when their skin felt the piercing cold that night,

0:15:17.920 --> 0:15:21.880
<v Speaker 3>or did they stay asleep unconscious until they hit the water.

0:15:23.840 --> 0:15:27.160
<v Speaker 3>This plane was used to throw people to their deaths,

0:15:28.040 --> 0:15:31.320
<v Speaker 3>people I knew, people I loved.

0:15:40.400 --> 0:15:44.400
<v Speaker 2>When they finished filming, Medium finally meets the owner. He

0:15:44.520 --> 0:15:47.480
<v Speaker 2>tells her how he bought the plane as junk, which

0:15:47.520 --> 0:15:50.600
<v Speaker 2>meant it came to him without flight logs.

0:15:50.840 --> 0:15:53.520
<v Speaker 3>He actually planned to turn it into some sort of

0:15:54.040 --> 0:15:59.960
<v Speaker 3>attraction for kids. He wanted to build a candy store

0:16:00.040 --> 0:16:00.680
<v Speaker 3>inside of it.

0:16:01.560 --> 0:16:04.320
<v Speaker 2>When Medium gets back to Canal Trees later that day,

0:16:04.840 --> 0:16:08.720
<v Speaker 2>she calls two other survivors of the asthma for her report.

0:16:09.200 --> 0:16:12.720
<v Speaker 2>She needs their testimony about what happened on Wednesdays, the

0:16:12.720 --> 0:16:17.760
<v Speaker 2>infamous transfer Wednesdays we've mentioned before, when prisoners were put

0:16:17.760 --> 0:16:22.320
<v Speaker 2>on death flights. Medium keeps researching and she finds a

0:16:22.320 --> 0:16:26.480
<v Speaker 2>BBC documentary about the sky Van. It actually in Argentina

0:16:26.520 --> 0:16:27.240
<v Speaker 2>when this one.

0:16:27.240 --> 0:16:28.880
<v Speaker 5>Was delivered in the dock.

0:16:28.960 --> 0:16:33.560
<v Speaker 3>They're celebrating the legacy of the sky Van. Immediately I

0:16:33.680 --> 0:16:37.040
<v Speaker 3>recognize its ID. It was one of the planes on

0:16:37.160 --> 0:16:40.680
<v Speaker 3>our list. That sky Van was used in the death flights.

0:16:41.200 --> 0:16:44.000
<v Speaker 3>They had no clue what they were filming.

0:16:45.000 --> 0:16:49.000
<v Speaker 2>Medium's team is finalizing the report. She starts talking to

0:16:49.040 --> 0:16:53.720
<v Speaker 2>the editor about the potential airtime, but Canal Trece doesn't

0:16:53.760 --> 0:16:56.920
<v Speaker 2>think it's the right time to publish it. Her editors

0:16:57.120 --> 0:16:59.720
<v Speaker 2>say they're worried it's the end of the year. The

0:16:59.760 --> 0:17:04.400
<v Speaker 2>store doesn't fit with the holiday spirit. Canal Trece will

0:17:04.440 --> 0:17:07.760
<v Speaker 2>sit on this story for about another five months.

0:17:12.080 --> 0:17:16.200
<v Speaker 3>Finally, on a very hot night in February twenty ten,

0:17:16.920 --> 0:17:20.440
<v Speaker 3>were huddled together in the studio watching the story as

0:17:20.480 --> 0:17:27.400
<v Speaker 3>it airs on National Television PA.

0:17:28.200 --> 0:17:32.080
<v Speaker 2>That's the voice of the real Medium narrating the report

0:17:32.359 --> 0:17:35.840
<v Speaker 2>starts showing the brown, choppy waters of the river the

0:17:35.960 --> 0:17:44.800
<v Speaker 2>Rio la Plata in total quad de Lolfo Silingo, the

0:17:44.920 --> 0:17:47.439
<v Speaker 2>Navy officer who had confessed to take him part in

0:17:47.480 --> 0:17:51.159
<v Speaker 2>the death flights, is featured throughout the report, saying that

0:17:51.240 --> 0:17:56.159
<v Speaker 2>four thousand people were killed in these flights. Medium speaks

0:17:56.160 --> 0:18:02.600
<v Speaker 2>with survivors, prosecutors, historians. She bluntly asks, why does the

0:18:02.680 --> 0:18:04.080
<v Speaker 2>Navy keep hiding the truth?

0:18:04.840 --> 0:18:09.359
<v Speaker 3>Porqui lamava no the Silla Barda.

0:18:11.800 --> 0:18:14.199
<v Speaker 2>In the footage, you can see her walking inside the

0:18:14.240 --> 0:18:18.120
<v Speaker 2>death plane at the junkyard. She looks around. She has

0:18:18.160 --> 0:18:21.120
<v Speaker 2>straight red hair and wears a black leather jacket.

0:18:23.160 --> 0:18:27.959
<v Speaker 4>All you and contre monto de la Florida HeLa Sotalo soundles.

0:18:29.280 --> 0:18:31.280
<v Speaker 2>There's an interview with the owner of the sky van

0:18:31.400 --> 0:18:32.360
<v Speaker 2>she found in Florida.

0:18:32.840 --> 0:18:37.920
<v Speaker 3>When the Navy purchased it, they bought the option of having.

0:18:37.680 --> 0:18:39.919
<v Speaker 2>The There's footage from the flight lugs that were in

0:18:39.960 --> 0:18:45.400
<v Speaker 2>that plane and then Enrique Pinedo appears, pointing out the inconsistencies,

0:18:45.920 --> 0:18:51.000
<v Speaker 2>raising questions. He's just what the show needed, someone authoritative,

0:18:51.320 --> 0:18:57.520
<v Speaker 2>commanding a role he was born to play. A It

0:18:57.680 --> 0:19:01.280
<v Speaker 2>was all there in Medium's report for Argentina and for

0:19:01.359 --> 0:19:05.280
<v Speaker 2>the world to see. Medium couldn't wait to hear the reaction.

0:19:06.080 --> 0:19:10.280
<v Speaker 3>I remember hugging my producer. We were proud, we were happy.

0:19:11.440 --> 0:19:14.240
<v Speaker 3>We got a call from the higher ups ae Canal Trees,

0:19:15.400 --> 0:19:17.480
<v Speaker 3>but they gave us lukewarm praise.

0:19:23.240 --> 0:19:28.040
<v Speaker 2>Early the next morning, she called Ciancalo to debrief, eager

0:19:28.240 --> 0:19:29.840
<v Speaker 2>to assess the impact of the story.

0:19:30.440 --> 0:19:32.520
<v Speaker 3>I admit it also took me aback.

0:19:33.440 --> 0:19:37.400
<v Speaker 5>The story had zero traction in the newspapers, no coverage

0:19:37.440 --> 0:19:38.040
<v Speaker 5>on the radio.

0:19:40.800 --> 0:19:44.240
<v Speaker 2>It might be a disappointment, a big disappointment after years

0:19:44.280 --> 0:19:48.520
<v Speaker 2>of work. But Medium wasn't going to let go. She

0:19:48.640 --> 0:19:49.560
<v Speaker 2>wasn't going to rest.

0:19:50.000 --> 0:19:52.400
<v Speaker 3>This TV report was just one step in our plan.

0:19:53.200 --> 0:19:56.320
<v Speaker 2>After all, she still hadn't revealed the names of the

0:19:56.359 --> 0:20:00.480
<v Speaker 2>pilots who had to be held responsible. She was thinking ahead.

0:20:01.240 --> 0:20:05.600
<v Speaker 2>Now Medium and Giancadlo turned to the courts, and the

0:20:05.680 --> 0:20:17.199
<v Speaker 2>pilot's names will prove invaluable in the next episode. A

0:20:17.280 --> 0:20:21.200
<v Speaker 2>prosecutor against the junta's leaders, delivers a surprise punch.

0:20:21.960 --> 0:20:25.439
<v Speaker 3>He makes this bold request for every branch of the

0:20:25.480 --> 0:20:29.119
<v Speaker 3>military to surrender all of their lugs for all of

0:20:29.160 --> 0:20:32.439
<v Speaker 3>the planes they've flown during the Junta years.

0:20:45.320 --> 0:20:49.760
<v Speaker 2>From Orbit Media, this is Avenger, the Story of Medium Lewin.

0:20:50.440 --> 0:20:54.040
<v Speaker 2>I'm your host and senior producer Andresca A. Scheedo. The

0:20:54.119 --> 0:20:57.880
<v Speaker 2>series was produced by es Seguielrodrie Sandino and edited by

0:20:57.960 --> 0:21:04.120
<v Speaker 2>Monica Campbell. Original Nicolas Paschela, mixing and mastering Christopher Hoff

0:21:04.320 --> 0:21:09.760
<v Speaker 2>and Austin Smith. Assistant producers andres Feschtenholz and Eleana Gillespian.

0:21:10.240 --> 0:21:15.480
<v Speaker 2>FactCheck Alejandro Marinelli and leonardos Canoni. Legal review Neil Rossini,

0:21:15.960 --> 0:21:20.680
<v Speaker 2>Casting director Paula Gammon Wilson. The executive producers from Orbit

0:21:20.760 --> 0:21:26.120
<v Speaker 2>Media are Steve Fishman Fisher Stevens, Marcy Wiseman, and Katie Springer.

0:21:26.760 --> 0:21:31.040
<v Speaker 2>The voice actors in Avenger include Alexis Blodel as Medium

0:21:31.119 --> 0:21:35.840
<v Speaker 2>Lewin Fulvio de la Volta as Giancarlo Serraudo, Gonzalo Vargas

0:21:35.880 --> 0:21:40.359
<v Speaker 2>as Endrique Pinedo, Edgardo Manono Castro as Bruno Vain, and

0:21:40.480 --> 0:21:45.840
<v Speaker 2>Tom Schuber as Carlos Macosmiliana and Gustavo. This podcast was

0:21:45.840 --> 0:21:50.520
<v Speaker 2>produced in association with Sonodo. The Sonodo executive producers are

0:21:50.600 --> 0:21:55.119
<v Speaker 2>Camilla Victoriano, Joshua Weinstein and Jasmine Romeo. The rest of

0:21:55.119 --> 0:21:59.760
<v Speaker 2>the Sonodo production team includes senior producer Carmin Gratol, editor

0:21:59.840 --> 0:22:05.960
<v Speaker 2>for Rigo Crespo, Producer Paloma Navarro, Nicoletti, Evelyn Give, Marianna Cornello,

0:22:06.400 --> 0:22:11.960
<v Speaker 2>Sara Mota, Manuel Para, Hannah Baram and Tasha Sandoval. Special

0:22:12.000 --> 0:22:15.639
<v Speaker 2>thanks to Radio and Casa and Pomeranek Recording Studios in

0:22:15.640 --> 0:22:19.879
<v Speaker 2>Buenos Aires, and to Medium Newan and Giancarlo Serrado for

0:22:19.960 --> 0:22:22.520
<v Speaker 2>letting us tell their story. Thank you for listening.

0:22:45.800 --> 0:22:49.480
<v Speaker 1>A quick word about subscriptions. If you love ads, listen on.

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