1 00:00:00,080 --> 00:00:03,880 Speaker 1: Hello, Avenger listeners, It's Steve Fishman and I'm really glad 2 00:00:03,880 --> 00:00:06,120 Speaker 1: you've tuned in. I hope you love this show as 3 00:00:06,200 --> 00:00:09,200 Speaker 1: much as we do. A quick word on an upcoming 4 00:00:09,280 --> 00:00:14,160 Speaker 1: bonus episode. We're doing a bonus with Miriam, the real Miriam. 5 00:00:14,440 --> 00:00:18,720 Speaker 1: We'll be asking her questions, your questions and getting answers. 6 00:00:19,040 --> 00:00:21,840 Speaker 1: She'll update us on what's going on in her world 7 00:00:21,880 --> 00:00:26,040 Speaker 1: and a lot has Please email your questions or thoughts 8 00:00:26,200 --> 00:00:32,840 Speaker 1: or comments too. Info at Orbitmedia dot fm. Oh And 9 00:00:33,120 --> 00:00:36,120 Speaker 1: Fisher Stevens can answer your questions too. He's our co 10 00:00:36,240 --> 00:00:39,639 Speaker 1: founder and resident oscar Winner. He's an actor you saw 11 00:00:39,680 --> 00:00:43,520 Speaker 1: him in Succession and director of actors like al Pacino 12 00:00:44,120 --> 00:00:48,760 Speaker 1: and Justin Timberlake. For Avenger, he directed Alexis Bledel, who 13 00:00:48,840 --> 00:00:52,720 Speaker 1: voices Miriam. If we're lucky, Alexis who was the star 14 00:00:52,760 --> 00:00:56,400 Speaker 1: of Gilmore Girls and Handmaid's Tale and is the daughter 15 00:00:56,440 --> 00:01:01,639 Speaker 1: of an Argentine. We'll chip in answers to so let 16 00:01:01,680 --> 00:01:05,600 Speaker 1: us know your thoughts and questions, hopes and prayers. Info 17 00:01:05,800 --> 00:01:12,280 Speaker 1: at Orbitmedia dot fm. Thanks. In this episode, the big 18 00:01:12,319 --> 00:01:15,720 Speaker 1: break that Miriam and Johncarlo have been waiting for a 19 00:01:15,760 --> 00:01:19,680 Speaker 1: plane is located and in it a cache of secrets, 20 00:01:20,480 --> 00:01:26,280 Speaker 1: explosive secrets. A quick word about subscriptions. If you love ads, 21 00:01:26,680 --> 00:01:30,120 Speaker 1: listen on. If you're not so keen on ads, sign 22 00:01:30,240 --> 00:01:34,400 Speaker 1: up for True Crime Clubhouse on Apple Podcasts. That's our 23 00:01:34,440 --> 00:01:38,560 Speaker 1: subscription channel. You'll get no ads, and also you can 24 00:01:38,600 --> 00:01:42,800 Speaker 1: binge the entire Avengers series. It's just two ninety nine 25 00:01:42,800 --> 00:01:44,920 Speaker 1: a month. Thanks. 26 00:01:46,440 --> 00:01:49,560 Speaker 2: Before we begin, please note that for this story we 27 00:01:49,680 --> 00:01:53,520 Speaker 2: interviewed medium and everyone else for dozens of hours in Spanish. 28 00:01:53,800 --> 00:02:01,600 Speaker 2: We hired actors to voice their words in English. 29 00:02:01,720 --> 00:02:05,800 Speaker 3: It called me by surprise, suddenly there was another journalist 30 00:02:05,880 --> 00:02:10,919 Speaker 3: in Argentina investigating the death flights and seeing it in Pachinadose, 31 00:02:11,120 --> 00:02:15,839 Speaker 3: one of the country's most influential publications. Well, after all 32 00:02:15,880 --> 00:02:20,000 Speaker 3: this time investigating this alone with Giancarlo, this was our 33 00:02:20,120 --> 00:02:25,600 Speaker 3: story and ours alone. So I storm into my boss's 34 00:02:25,680 --> 00:02:28,480 Speaker 3: office at Canalre. I hand him the article and tell 35 00:02:28,560 --> 00:02:32,320 Speaker 3: him we're getting scooped on a huge story. He looks 36 00:02:32,360 --> 00:02:35,600 Speaker 3: at the article and downplays it, telling me, come on, 37 00:02:35,919 --> 00:02:39,800 Speaker 3: you have a lot more than this. I say, sure, 38 00:02:39,960 --> 00:02:42,200 Speaker 3: but look at how close he is. 39 00:02:45,800 --> 00:02:49,520 Speaker 2: From Orbit Media. I'm andres caa was schedo. This is 40 00:02:49,560 --> 00:03:13,400 Speaker 2: Avenger the story of Medium Lewin episode five the flight Logs. 41 00:03:14,680 --> 00:03:17,920 Speaker 2: Medium's boss had been dragging his feet for months, coming 42 00:03:18,000 --> 00:03:21,480 Speaker 2: up with one excuse after another to not pursue this story. 43 00:03:22,200 --> 00:03:24,920 Speaker 2: None of them made sense to Medium, but finally she 44 00:03:25,080 --> 00:03:28,320 Speaker 2: managed to corner him. The story was going to be 45 00:03:28,400 --> 00:03:32,800 Speaker 2: done one way or another. Medium's boss gives in, he 46 00:03:33,040 --> 00:03:40,040 Speaker 2: will run the story. Medium starts working with her colleagues 47 00:03:40,080 --> 00:03:43,360 Speaker 2: at Canal Trece. They want footage of that sky van 48 00:03:43,520 --> 00:03:46,000 Speaker 2: she and Giancarlo had located in Florida. 49 00:03:46,680 --> 00:03:50,000 Speaker 3: We need to see the planes, get our cameras there, 50 00:03:50,240 --> 00:03:52,880 Speaker 3: but we have to be careful. We can't just call 51 00:03:52,960 --> 00:03:55,920 Speaker 3: the owners and say, yeah, hi, we're calling because you 52 00:03:55,920 --> 00:03:58,640 Speaker 3: own an aircraft used for one of the cruelest operations 53 00:03:58,760 --> 00:03:59,800 Speaker 3: during the dictatorship. 54 00:04:00,560 --> 00:04:04,200 Speaker 2: But while they're strategizing, Medium's boss tells her he can't 55 00:04:04,240 --> 00:04:07,960 Speaker 2: afford to center to Florida. Instead, they can hire a 56 00:04:07,960 --> 00:04:10,320 Speaker 2: freelancer he knows there, Bruno Vine. 57 00:04:11,120 --> 00:04:14,680 Speaker 3: So I call Bruno, I explain what we need and 58 00:04:14,760 --> 00:04:17,920 Speaker 3: tell him to schedule a meeting to see the plane 59 00:04:17,960 --> 00:04:20,680 Speaker 3: in for the Lauderdale. I brief him and I tell 60 00:04:20,760 --> 00:04:23,600 Speaker 3: him to be careful that he should not lead with 61 00:04:23,680 --> 00:04:26,080 Speaker 3: the information about the death flights. 62 00:04:27,600 --> 00:04:30,560 Speaker 4: When I get there, I realize the owner is not 63 00:04:30,800 --> 00:04:34,520 Speaker 4: aware of the plane's history and I can't remember why 64 00:04:34,560 --> 00:04:37,760 Speaker 4: it happened. But all of a sudden, he tells me 65 00:04:37,920 --> 00:04:40,839 Speaker 4: he has some documents that came with a plane. I 66 00:04:40,920 --> 00:04:43,480 Speaker 4: had no idea what I was about to find. 67 00:04:51,760 --> 00:04:56,240 Speaker 3: Medium Bruno seeer. 68 00:04:57,160 --> 00:05:01,000 Speaker 2: Bruno confirms it's the plane, and then he tells her 69 00:05:01,040 --> 00:05:06,920 Speaker 2: something unexpected. The plane comes with the flight lugs. Medium 70 00:05:06,960 --> 00:05:09,800 Speaker 2: hangs up with Bruno and he immediately caused Giancarlo. 71 00:05:10,600 --> 00:05:13,600 Speaker 5: I remember when Miriam called me. I was in Rome 72 00:05:13,680 --> 00:05:16,560 Speaker 5: having dinner with friends at the restaurant. I had to 73 00:05:16,640 --> 00:05:18,880 Speaker 5: leave the table and go outside so I could hear 74 00:05:18,920 --> 00:05:19,679 Speaker 5: what she was saying. 75 00:05:20,480 --> 00:05:23,320 Speaker 3: I just hung up the phone with Bruno. In Florida, 76 00:05:23,760 --> 00:05:26,839 Speaker 3: he saw the sky Evan and the owner had no 77 00:05:26,960 --> 00:05:29,960 Speaker 3: clue about its history. He even said he had the 78 00:05:30,000 --> 00:05:34,600 Speaker 3: flight lugs dating back to nineteen seventy six, details roots 79 00:05:34,720 --> 00:05:37,279 Speaker 3: names of each one of those pilots. 80 00:05:37,600 --> 00:05:41,359 Speaker 5: I was excited, not cautious. I told her to stop 81 00:05:41,400 --> 00:05:44,359 Speaker 5: talking about this over the phone. I hung up and 82 00:05:44,400 --> 00:05:46,479 Speaker 5: booked a flight to Buenos Aires right away. 83 00:05:52,440 --> 00:05:56,000 Speaker 2: Once they're both in Buenos Aires, Giancarlo and Medium start 84 00:05:56,080 --> 00:06:00,200 Speaker 2: pouring over the flight lugs. Bruno sent over, but there's 85 00:06:00,200 --> 00:06:01,000 Speaker 2: a snag. 86 00:06:01,040 --> 00:06:03,599 Speaker 5: A bunch of abbreviations and jargon in the logs that 87 00:06:03,680 --> 00:06:04,520 Speaker 5: we don't understand. 88 00:06:05,400 --> 00:06:08,440 Speaker 3: We need someone who knows about planes and how that 89 00:06:08,520 --> 00:06:11,320 Speaker 3: world works to help us decipher the logs. 90 00:06:11,839 --> 00:06:15,040 Speaker 5: I suggest going back to Enrica Pinero, but Medium won't 91 00:06:15,040 --> 00:06:15,280 Speaker 5: have it. 92 00:06:16,120 --> 00:06:20,239 Speaker 3: I was still bitter about Enrique saying no to us earlier. Also, 93 00:06:20,360 --> 00:06:23,080 Speaker 3: Canal Trece had already told me they did not want 94 00:06:23,160 --> 00:06:26,440 Speaker 3: us to use him, because frankly, it's like this petty 95 00:06:26,480 --> 00:06:29,360 Speaker 3: thing where they did not want to inflate his fame 96 00:06:29,560 --> 00:06:30,279 Speaker 3: even more. 97 00:06:31,240 --> 00:06:35,080 Speaker 2: One of Medium's coworkers has connections. She knows another pilot 98 00:06:35,160 --> 00:06:38,200 Speaker 2: who might be able to decipher the flight lugs. She 99 00:06:38,279 --> 00:06:39,119 Speaker 2: sets up a meeting. 100 00:06:44,360 --> 00:06:46,920 Speaker 3: We chose a cafe near Canal Trece. 101 00:06:47,880 --> 00:06:51,400 Speaker 2: Medium arrives a few minutes early. She's holding a plastic 102 00:06:51,440 --> 00:06:53,159 Speaker 2: bag with copies of the flight lugs. 103 00:06:53,839 --> 00:06:56,040 Speaker 3: I sit at a table with a view of a park, 104 00:06:56,400 --> 00:07:01,039 Speaker 3: and it just so happens there's a mural by Mnuaktis. 105 00:07:01,560 --> 00:07:04,919 Speaker 3: She's actually an artist who is imprisoned with me. She 106 00:07:05,080 --> 00:07:09,239 Speaker 3: also survived. It's like a sign we're on the right track. 107 00:07:10,160 --> 00:07:14,040 Speaker 2: Medium orders a coffee and waits. Fifteen minutes go by, 108 00:07:14,560 --> 00:07:17,160 Speaker 2: no pilot. She calls his. 109 00:07:17,200 --> 00:07:19,480 Speaker 3: Phone, It goes straight to voicemail. 110 00:07:20,160 --> 00:07:22,120 Speaker 2: She waits another fifteen minutes. 111 00:07:22,640 --> 00:07:28,080 Speaker 3: I try again, no answer, so I call my colleague 112 00:07:28,120 --> 00:07:33,080 Speaker 3: at Canal Tresi to see if anyone has left a message. No, 113 00:07:33,080 --> 00:07:33,880 Speaker 3: no messages. 114 00:07:35,080 --> 00:07:40,560 Speaker 2: It's clear nobody is showing up. Medium is concerned. The 115 00:07:40,640 --> 00:07:45,000 Speaker 2: pilot seems so willing, and then nothing, no phone call, 116 00:07:45,400 --> 00:07:51,120 Speaker 2: no messages. Medium's antennas go up. Her producers shift gears 117 00:07:51,240 --> 00:07:52,760 Speaker 2: and connect with another pilot. 118 00:07:53,440 --> 00:07:57,840 Speaker 3: We choose a new meeting place away from downtown and 119 00:07:57,880 --> 00:07:59,480 Speaker 3: this guy he shows up. 120 00:08:03,320 --> 00:08:07,440 Speaker 2: By then, Medium knew how the death flights worked. What 121 00:08:07,560 --> 00:08:10,840 Speaker 2: she and gian Carlo couldn't figure out was how this 122 00:08:11,000 --> 00:08:15,360 Speaker 2: was recorded in the logs. The pilot helps and. 123 00:08:15,440 --> 00:08:19,400 Speaker 3: Right away he starts pointing out irregularities that catches attention. 124 00:08:20,000 --> 00:08:23,720 Speaker 3: For example, some flights took a lot longer than usual. 125 00:08:24,360 --> 00:08:27,320 Speaker 3: He tells me that doesn't make sense. A lot of 126 00:08:27,360 --> 00:08:30,600 Speaker 3: these flights are just from one nearby airport to another. 127 00:08:31,200 --> 00:08:34,560 Speaker 3: They shouldn't take very long. So I asked him, could 128 00:08:34,720 --> 00:08:40,120 Speaker 3: these be death flights? Yes, he says absolutely. 129 00:08:40,360 --> 00:08:43,839 Speaker 2: It's exactly what medium needs an expert who can point 130 00:08:43,840 --> 00:08:47,880 Speaker 2: to the inconsistencies, talk about him on camera and say. 131 00:08:48,120 --> 00:08:52,160 Speaker 3: These logs raise serious red flags. That's what we wanted, 132 00:08:52,280 --> 00:08:55,520 Speaker 3: a professional, certified pilot questioning them. 133 00:08:55,800 --> 00:08:57,760 Speaker 2: But when she asks the pilot if he'll go on 134 00:08:57,800 --> 00:09:01,920 Speaker 2: air and say this, he says no, a flat out no. 135 00:09:05,360 --> 00:09:08,520 Speaker 3: He tells me that back in nineteen seventy eight, a 136 00:09:08,559 --> 00:09:11,360 Speaker 3: lot of the military pilots who had flown during the 137 00:09:11,400 --> 00:09:14,679 Speaker 3: first two years of the dictatorship eventually went on to 138 00:09:14,760 --> 00:09:19,160 Speaker 3: work for airlines. Most of them were still active and 139 00:09:19,240 --> 00:09:22,800 Speaker 3: had moved up the ranks. He says he'll only talk 140 00:09:22,880 --> 00:09:26,240 Speaker 3: off the record, that showing his face would be like 141 00:09:26,360 --> 00:09:27,800 Speaker 3: signing his death sentence. 142 00:09:28,679 --> 00:09:32,160 Speaker 2: He's not the only person afraid of this story. It 143 00:09:32,240 --> 00:09:34,680 Speaker 2: turns out that the first pilot she wanted to meet, 144 00:09:35,080 --> 00:09:38,160 Speaker 2: the one who ghosted her, actually fled the country after 145 00:09:38,240 --> 00:09:39,840 Speaker 2: realizing what the meeting was about. 146 00:09:40,400 --> 00:09:44,080 Speaker 3: He freaked out and booked a flight to Uruguay. Didn't 147 00:09:44,080 --> 00:09:47,040 Speaker 3: even tell his mother or wife. He was terrified. 148 00:09:48,000 --> 00:09:50,960 Speaker 2: This is one of the consequences of a country that 149 00:09:51,080 --> 00:09:54,920 Speaker 2: transitioned to democracy but left people who tortured and killed 150 00:09:55,240 --> 00:09:57,240 Speaker 2: operate freely throughout the country. 151 00:09:58,000 --> 00:10:04,360 Speaker 3: Right former torturer, now working normal jobs, still in positions 152 00:10:04,360 --> 00:10:04,920 Speaker 3: of power. 153 00:10:05,600 --> 00:10:08,520 Speaker 2: They were trying to do whatever was necessary to keep 154 00:10:08,559 --> 00:10:09,520 Speaker 2: their past buried. 155 00:10:10,360 --> 00:10:13,200 Speaker 3: In two thousand and eight, a star witness in a 156 00:10:13,280 --> 00:10:18,240 Speaker 3: trial involving crimes by the dictatorship suddenly vanished. That impacted 157 00:10:18,280 --> 00:10:21,079 Speaker 3: a lot of survivors who decided to stop collaborating with 158 00:10:21,160 --> 00:10:23,280 Speaker 3: court proceedings out of fear. 159 00:10:26,880 --> 00:10:30,079 Speaker 5: There was definitely a culture of silence. But we still 160 00:10:30,120 --> 00:10:33,520 Speaker 5: needed an expert and someone who would go on the record. 161 00:10:33,720 --> 00:10:37,400 Speaker 5: So again I insisted we have to talk to Enrica Pinero. 162 00:10:37,880 --> 00:10:39,080 Speaker 5: He's not going to cower. 163 00:10:39,320 --> 00:10:42,960 Speaker 2: He has no fear and he loved to talk. He 164 00:10:43,080 --> 00:10:44,640 Speaker 2: loved to be quoted in the press. 165 00:10:45,400 --> 00:10:50,840 Speaker 3: I hated it, but Giancarlo was right. We had to 166 00:10:50,880 --> 00:10:54,800 Speaker 3: go back to Enrique. 167 00:10:54,800 --> 00:10:57,599 Speaker 2: Medium and Giancarlo are walking through a ritzy part of 168 00:10:57,600 --> 00:11:00,960 Speaker 2: Buenos Aires where a lot of expats live. They pass 169 00:11:01,040 --> 00:11:05,040 Speaker 2: by the botanical garden and arrive at Enrique's film production company. 170 00:11:05,960 --> 00:11:09,319 Speaker 3: It's a two story building with automatic doors. We go in, 171 00:11:09,880 --> 00:11:14,960 Speaker 3: then we're ushered into Enrique's office. He immediately hugs Giancarlo. 172 00:11:15,520 --> 00:11:18,040 Speaker 3: They laugh and exchange some words in Italian. 173 00:11:21,080 --> 00:11:23,320 Speaker 5: We show him the flight logs and video of the 174 00:11:23,360 --> 00:11:30,120 Speaker 5: planeing Florida that Bruno collected. He starts looking at everything, So. 175 00:11:30,040 --> 00:11:33,320 Speaker 6: They bring me this pile of papers, the technical log 176 00:11:33,440 --> 00:11:37,439 Speaker 6: of this plane they found. It's a maintenance document where 177 00:11:37,480 --> 00:11:41,760 Speaker 6: a pilot list the duration of the flight, the departure, 178 00:11:42,000 --> 00:11:47,440 Speaker 6: the names of crew Members's cryptic on purpose. We use 179 00:11:47,559 --> 00:11:51,640 Speaker 6: sort of a traffic lingo. For example, zero point five 180 00:11:51,800 --> 00:11:52,800 Speaker 6: means half an hour. 181 00:11:54,960 --> 00:11:58,880 Speaker 3: So we start seeing how flights that normally take two 182 00:11:58,960 --> 00:12:01,760 Speaker 3: hours were logged as if they had taken more than 183 00:12:01,960 --> 00:12:03,080 Speaker 3: four hours. 184 00:12:03,360 --> 00:12:06,400 Speaker 6: And I come across a number of flights that just 185 00:12:06,559 --> 00:12:11,600 Speaker 6: make no sense from a narrow nautical standpoint. For example, 186 00:12:11,679 --> 00:12:15,080 Speaker 6: there was a flight from arrow Parque to Punta del Indio, 187 00:12:15,320 --> 00:12:18,600 Speaker 6: normally a forty five minute flight. In the log it 188 00:12:18,640 --> 00:12:23,240 Speaker 6: appears as a four hour and fifty minute flight. What 189 00:12:23,280 --> 00:12:28,160 Speaker 6: do you mean? It's ludicrous, Darling, Where are you really going? 190 00:12:29,200 --> 00:12:33,800 Speaker 3: It's incredible. How come these logs weren't destroyed? I mean 191 00:12:33,840 --> 00:12:37,000 Speaker 3: the dictatorship tried so hard to keep the flights a secret. 192 00:12:37,760 --> 00:12:40,960 Speaker 6: Well, normally you don't mess with the technical logs. If 193 00:12:40,960 --> 00:12:43,920 Speaker 6: you want to sell the plane, the new owners have 194 00:12:44,000 --> 00:12:47,160 Speaker 6: to have access to that history. You can't just sell 195 00:12:47,280 --> 00:12:49,959 Speaker 6: or transfer planes without them. 196 00:12:50,280 --> 00:12:53,920 Speaker 2: But Enrique thinks there's another reason the logs weren't destroyed. 197 00:12:54,480 --> 00:12:59,199 Speaker 6: These people lived with a great sense of impunity. They 198 00:12:59,280 --> 00:13:02,000 Speaker 6: really thought they were going to get away with everything, 199 00:13:02,080 --> 00:13:06,719 Speaker 6: and they would never be questioned. I think the Nazis 200 00:13:06,760 --> 00:13:12,040 Speaker 6: in Germany were more careful with destroying evidence than these guys. Now, 201 00:13:12,120 --> 00:13:16,400 Speaker 6: Miriam and jian Carlo they've struck gold. 202 00:13:17,000 --> 00:13:18,720 Speaker 5: Now Rique is fully on board. 203 00:13:19,559 --> 00:13:22,800 Speaker 2: They have to finish filming for the TV report. They 204 00:13:22,840 --> 00:13:23,760 Speaker 2: need footage. 205 00:13:24,240 --> 00:13:26,720 Speaker 3: We just have to go back to the Electra, the 206 00:13:26,760 --> 00:13:29,280 Speaker 3: plane at the Junkyard in Buenos Aires. 207 00:13:32,240 --> 00:13:35,719 Speaker 2: Last time she couldn't go near that plane. It made 208 00:13:35,760 --> 00:13:40,200 Speaker 2: her sick, physically ill. This time, the trip to the 209 00:13:40,240 --> 00:13:42,439 Speaker 2: Junkyard turns into an expedition. 210 00:13:43,000 --> 00:13:47,240 Speaker 3: We had a mini convoy, me, Giancarlo, my producer, and 211 00:13:47,280 --> 00:13:50,439 Speaker 3: the camera operator. We park our cars in a straight 212 00:13:50,520 --> 00:13:54,040 Speaker 3: line outside the gate. I clip on my levelier Mike, 213 00:13:54,080 --> 00:13:56,160 Speaker 3: and I tell the cameraman to start recording. 214 00:13:57,520 --> 00:14:00,000 Speaker 2: The plane is right there waiting for them. 215 00:14:00,679 --> 00:14:04,800 Speaker 3: This huge plane suddenly rises up from the middle of 216 00:14:04,880 --> 00:14:10,000 Speaker 3: all this industrial junk, sustained by two metal columns. I 217 00:14:10,120 --> 00:14:12,640 Speaker 3: get closer to the plane and I can see the 218 00:14:12,760 --> 00:14:15,760 Speaker 3: rust that's eating into the blue and white colors of 219 00:14:15,800 --> 00:14:19,560 Speaker 3: the Argentine flag painted on it. A lone palm tree 220 00:14:19,600 --> 00:14:21,960 Speaker 3: stands at one side, and on the other there are 221 00:14:22,000 --> 00:14:26,240 Speaker 3: stairs connected to the plane's open door. It looks sturdy, 222 00:14:26,280 --> 00:14:28,160 Speaker 3: but we're still told to be careful. 223 00:14:28,880 --> 00:14:31,440 Speaker 2: They walk on board one by one. 224 00:14:31,600 --> 00:14:37,560 Speaker 3: Giancarlo and our cameraman go first. I get closer, I 225 00:14:37,680 --> 00:14:42,520 Speaker 3: start feeling anguish all over again. The cabin was big 226 00:14:42,600 --> 00:14:46,040 Speaker 3: enough for Giancarlo and the cameraman to work freely. My 227 00:14:46,120 --> 00:14:51,120 Speaker 3: producer scanning every corner. He points out a switch with 228 00:14:51,320 --> 00:14:54,760 Speaker 3: a sign next to it the instructions on how to 229 00:14:54,880 --> 00:14:57,720 Speaker 3: use it to open the plane's door in mid air. 230 00:14:59,120 --> 00:15:05,440 Speaker 3: I I freeze for a bit. I think of the 231 00:15:05,560 --> 00:15:09,040 Speaker 3: people who's fall from the sky meant the end of 232 00:15:09,080 --> 00:15:13,280 Speaker 3: their torture. Had some of them woken up from their 233 00:15:13,320 --> 00:15:17,000 Speaker 3: sleep when their skin felt the piercing cold that night, 234 00:15:17,920 --> 00:15:21,880 Speaker 3: or did they stay asleep unconscious until they hit the water. 235 00:15:23,840 --> 00:15:27,160 Speaker 3: This plane was used to throw people to their deaths, 236 00:15:28,040 --> 00:15:31,320 Speaker 3: people I knew, people I loved. 237 00:15:40,400 --> 00:15:44,400 Speaker 2: When they finished filming, Medium finally meets the owner. He 238 00:15:44,520 --> 00:15:47,480 Speaker 2: tells her how he bought the plane as junk, which 239 00:15:47,520 --> 00:15:50,600 Speaker 2: meant it came to him without flight logs. 240 00:15:50,840 --> 00:15:53,520 Speaker 3: He actually planned to turn it into some sort of 241 00:15:54,040 --> 00:15:59,960 Speaker 3: attraction for kids. He wanted to build a candy store 242 00:16:00,040 --> 00:16:00,680 Speaker 3: inside of it. 243 00:16:01,560 --> 00:16:04,320 Speaker 2: When Medium gets back to Canal Trees later that day, 244 00:16:04,840 --> 00:16:08,720 Speaker 2: she calls two other survivors of the asthma for her report. 245 00:16:09,200 --> 00:16:12,720 Speaker 2: She needs their testimony about what happened on Wednesdays, the 246 00:16:12,720 --> 00:16:17,760 Speaker 2: infamous transfer Wednesdays we've mentioned before, when prisoners were put 247 00:16:17,760 --> 00:16:22,320 Speaker 2: on death flights. Medium keeps researching and she finds a 248 00:16:22,320 --> 00:16:26,480 Speaker 2: BBC documentary about the sky Van. It actually in Argentina 249 00:16:26,520 --> 00:16:27,240 Speaker 2: when this one. 250 00:16:27,240 --> 00:16:28,880 Speaker 5: Was delivered in the dock. 251 00:16:28,960 --> 00:16:33,560 Speaker 3: They're celebrating the legacy of the sky Van. Immediately I 252 00:16:33,680 --> 00:16:37,040 Speaker 3: recognize its ID. It was one of the planes on 253 00:16:37,160 --> 00:16:40,680 Speaker 3: our list. That sky Van was used in the death flights. 254 00:16:41,200 --> 00:16:44,000 Speaker 3: They had no clue what they were filming. 255 00:16:45,000 --> 00:16:49,000 Speaker 2: Medium's team is finalizing the report. She starts talking to 256 00:16:49,040 --> 00:16:53,720 Speaker 2: the editor about the potential airtime, but Canal Trece doesn't 257 00:16:53,760 --> 00:16:56,920 Speaker 2: think it's the right time to publish it. Her editors 258 00:16:57,120 --> 00:16:59,720 Speaker 2: say they're worried it's the end of the year. The 259 00:16:59,760 --> 00:17:04,400 Speaker 2: store doesn't fit with the holiday spirit. Canal Trece will 260 00:17:04,440 --> 00:17:07,760 Speaker 2: sit on this story for about another five months. 261 00:17:12,080 --> 00:17:16,200 Speaker 3: Finally, on a very hot night in February twenty ten, 262 00:17:16,920 --> 00:17:20,440 Speaker 3: were huddled together in the studio watching the story as 263 00:17:20,480 --> 00:17:27,400 Speaker 3: it airs on National Television PA. 264 00:17:28,200 --> 00:17:32,080 Speaker 2: That's the voice of the real Medium narrating the report 265 00:17:32,359 --> 00:17:35,840 Speaker 2: starts showing the brown, choppy waters of the river the 266 00:17:35,960 --> 00:17:44,800 Speaker 2: Rio la Plata in total quad de Lolfo Silingo, the 267 00:17:44,920 --> 00:17:47,439 Speaker 2: Navy officer who had confessed to take him part in 268 00:17:47,480 --> 00:17:51,159 Speaker 2: the death flights, is featured throughout the report, saying that 269 00:17:51,240 --> 00:17:56,159 Speaker 2: four thousand people were killed in these flights. Medium speaks 270 00:17:56,160 --> 00:18:02,600 Speaker 2: with survivors, prosecutors, historians. She bluntly asks, why does the 271 00:18:02,680 --> 00:18:04,080 Speaker 2: Navy keep hiding the truth? 272 00:18:04,840 --> 00:18:09,359 Speaker 3: Porqui lamava no the Silla Barda. 273 00:18:11,800 --> 00:18:14,199 Speaker 2: In the footage, you can see her walking inside the 274 00:18:14,240 --> 00:18:18,120 Speaker 2: death plane at the junkyard. She looks around. She has 275 00:18:18,160 --> 00:18:21,120 Speaker 2: straight red hair and wears a black leather jacket. 276 00:18:23,160 --> 00:18:27,959 Speaker 4: All you and contre monto de la Florida HeLa Sotalo soundles. 277 00:18:29,280 --> 00:18:31,280 Speaker 2: There's an interview with the owner of the sky van 278 00:18:31,400 --> 00:18:32,360 Speaker 2: she found in Florida. 279 00:18:32,840 --> 00:18:37,920 Speaker 3: When the Navy purchased it, they bought the option of having. 280 00:18:37,680 --> 00:18:39,919 Speaker 2: The There's footage from the flight lugs that were in 281 00:18:39,960 --> 00:18:45,400 Speaker 2: that plane and then Enrique Pinedo appears, pointing out the inconsistencies, 282 00:18:45,920 --> 00:18:51,000 Speaker 2: raising questions. He's just what the show needed, someone authoritative, 283 00:18:51,320 --> 00:18:57,520 Speaker 2: commanding a role he was born to play. A It 284 00:18:57,680 --> 00:19:01,280 Speaker 2: was all there in Medium's report for Argentina and for 285 00:19:01,359 --> 00:19:05,280 Speaker 2: the world to see. Medium couldn't wait to hear the reaction. 286 00:19:06,080 --> 00:19:10,280 Speaker 3: I remember hugging my producer. We were proud, we were happy. 287 00:19:11,440 --> 00:19:14,240 Speaker 3: We got a call from the higher ups ae Canal Trees, 288 00:19:15,400 --> 00:19:17,480 Speaker 3: but they gave us lukewarm praise. 289 00:19:23,240 --> 00:19:28,040 Speaker 2: Early the next morning, she called Ciancalo to debrief, eager 290 00:19:28,240 --> 00:19:29,840 Speaker 2: to assess the impact of the story. 291 00:19:30,440 --> 00:19:32,520 Speaker 3: I admit it also took me aback. 292 00:19:33,440 --> 00:19:37,400 Speaker 5: The story had zero traction in the newspapers, no coverage 293 00:19:37,440 --> 00:19:38,040 Speaker 5: on the radio. 294 00:19:40,800 --> 00:19:44,240 Speaker 2: It might be a disappointment, a big disappointment after years 295 00:19:44,280 --> 00:19:48,520 Speaker 2: of work. But Medium wasn't going to let go. She 296 00:19:48,640 --> 00:19:49,560 Speaker 2: wasn't going to rest. 297 00:19:50,000 --> 00:19:52,400 Speaker 3: This TV report was just one step in our plan. 298 00:19:53,200 --> 00:19:56,320 Speaker 2: After all, she still hadn't revealed the names of the 299 00:19:56,359 --> 00:20:00,480 Speaker 2: pilots who had to be held responsible. She was thinking ahead. 300 00:20:01,240 --> 00:20:05,600 Speaker 2: Now Medium and Giancadlo turned to the courts, and the 301 00:20:05,680 --> 00:20:17,199 Speaker 2: pilot's names will prove invaluable in the next episode. A 302 00:20:17,280 --> 00:20:21,200 Speaker 2: prosecutor against the junta's leaders, delivers a surprise punch. 303 00:20:21,960 --> 00:20:25,439 Speaker 3: He makes this bold request for every branch of the 304 00:20:25,480 --> 00:20:29,119 Speaker 3: military to surrender all of their lugs for all of 305 00:20:29,160 --> 00:20:32,439 Speaker 3: the planes they've flown during the Junta years. 306 00:20:45,320 --> 00:20:49,760 Speaker 2: From Orbit Media, this is Avenger, the Story of Medium Lewin. 307 00:20:50,440 --> 00:20:54,040 Speaker 2: I'm your host and senior producer Andresca A. Scheedo. The 308 00:20:54,119 --> 00:20:57,880 Speaker 2: series was produced by es Seguielrodrie Sandino and edited by 309 00:20:57,960 --> 00:21:04,120 Speaker 2: Monica Campbell. Original Nicolas Paschela, mixing and mastering Christopher Hoff 310 00:21:04,320 --> 00:21:09,760 Speaker 2: and Austin Smith. Assistant producers andres Feschtenholz and Eleana Gillespian. 311 00:21:10,240 --> 00:21:15,480 Speaker 2: FactCheck Alejandro Marinelli and leonardos Canoni. Legal review Neil Rossini, 312 00:21:15,960 --> 00:21:20,680 Speaker 2: Casting director Paula Gammon Wilson. The executive producers from Orbit 313 00:21:20,760 --> 00:21:26,120 Speaker 2: Media are Steve Fishman Fisher Stevens, Marcy Wiseman, and Katie Springer. 314 00:21:26,760 --> 00:21:31,040 Speaker 2: The voice actors in Avenger include Alexis Blodel as Medium 315 00:21:31,119 --> 00:21:35,840 Speaker 2: Lewin Fulvio de la Volta as Giancarlo Serraudo, Gonzalo Vargas 316 00:21:35,880 --> 00:21:40,359 Speaker 2: as Endrique Pinedo, Edgardo Manono Castro as Bruno Vain, and 317 00:21:40,480 --> 00:21:45,840 Speaker 2: Tom Schuber as Carlos Macosmiliana and Gustavo. This podcast was 318 00:21:45,840 --> 00:21:50,520 Speaker 2: produced in association with Sonodo. The Sonodo executive producers are 319 00:21:50,600 --> 00:21:55,119 Speaker 2: Camilla Victoriano, Joshua Weinstein and Jasmine Romeo. The rest of 320 00:21:55,119 --> 00:21:59,760 Speaker 2: the Sonodo production team includes senior producer Carmin Gratol, editor 321 00:21:59,840 --> 00:22:05,960 Speaker 2: for Rigo Crespo, Producer Paloma Navarro, Nicoletti, Evelyn Give, Marianna Cornello, 322 00:22:06,400 --> 00:22:11,960 Speaker 2: Sara Mota, Manuel Para, Hannah Baram and Tasha Sandoval. Special 323 00:22:12,000 --> 00:22:15,639 Speaker 2: thanks to Radio and Casa and Pomeranek Recording Studios in 324 00:22:15,640 --> 00:22:19,879 Speaker 2: Buenos Aires, and to Medium Newan and Giancarlo Serrado for 325 00:22:19,960 --> 00:22:22,520 Speaker 2: letting us tell their story. Thank you for listening. 326 00:22:45,800 --> 00:22:49,480 Speaker 1: A quick word about subscriptions. If you love ads, listen on. 327 00:22:50,000 --> 00:22:52,520 Speaker 1: If you're not so keen on ads, sign up for 328 00:22:52,600 --> 00:22:57,800 Speaker 1: True Crime Clubhouse on Apple Podcasts no Ads and also 329 00:22:58,440 --> 00:23:02,720 Speaker 1: binge ability. You can hear the entire Avenger series all 330 00:23:02,760 --> 00:23:05,320 Speaker 1: at once. It's just two ninety nine a month.