WEBVTT - My First WrestleMania

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<v Speaker 1>M. What's up, everybody? Welcome back to another episode of

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<v Speaker 1>Wrestling with Freddy. The WWF is back and I'm back

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<v Speaker 1>with you. I hope you're ready to hear some WrestleMania stories.

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<v Speaker 1>Now stepping up for the mining of Wrestling with Freddie

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<v Speaker 1>Freddie Prince June. Yeah, we're on the road to WrestleMania

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<v Speaker 1>right now. It's getting close. Hope you guys are excited.

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<v Speaker 1>You're gonna see Rhonda Rousey the winner of the Women's

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<v Speaker 1>Royal Rumble and Brock Lesner, the winner of the Men's

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<v Speaker 1>Royal Rumble, and the main events of WrestleMania, which is

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<v Speaker 1>always awesome. Rhonda gets a very mixed response from the crowd,

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<v Speaker 1>and she tends to be very honest with her feelings

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<v Speaker 1>in the moment the crowd. For those who don't follow

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<v Speaker 1>the brand very much, they loved her when she first

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<v Speaker 1>came in with the Rock at a WrestleMania that was

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<v Speaker 1>at the San Francisco Fordia Niners New Stadium Levi Stadium,

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<v Speaker 1>I don't remember which one it was, and she did

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<v Speaker 1>a hip toss on Stephanie McMahon in the middle of

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<v Speaker 1>the ring, and that was kind of this hint and

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<v Speaker 1>this tease that she was gonna come. So when she

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<v Speaker 1>did debut, the crowd got behind her and they were

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<v Speaker 1>really the live crowds were really hyped for and then

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<v Speaker 1>they turned and when they did, you could see it

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<v Speaker 1>emotionally bother her, not the character Ronda Rousey. It hurt

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<v Speaker 1>Ronda Rousy and she was very public in interviews about it.

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<v Speaker 1>And she's the kind of person who when you feel

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<v Speaker 1>like that you're going to use a certain type of

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<v Speaker 1>person is going to use anger as a means to

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<v Speaker 1>re empower your ego, right, And so she turned on

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<v Speaker 1>the fans and interviews and talked trash back, but not

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<v Speaker 1>in an in character sort of way, just in a

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<v Speaker 1>very dismissive wrestling isn't that important, I'm a real fighter

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<v Speaker 1>sort of way. And once you say that and you

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<v Speaker 1>go into the real in fake world with wrestling fans,

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<v Speaker 1>you're in a lot of trouble. And so the reaction

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<v Speaker 1>to her got worse and worse and worse, and the

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<v Speaker 1>fans didn't drive her out of the business, but it's

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<v Speaker 1>certainly you could tell sucked a lot of her passion

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<v Speaker 1>for the business when she would speak on it. So

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<v Speaker 1>now she's back. She debuted in the Royal Rumble again,

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<v Speaker 1>which is my favorite pay per view I never missed.

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<v Speaker 1>I've only missed one because it worked and I see

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<v Speaker 1>her come out and the crowd was pretty darn cool

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<v Speaker 1>about it. So I wonder how long that's gonna last.

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<v Speaker 1>I wonder if she's gonna say something that makes them

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<v Speaker 1>mad again, because they pick up every little quote on

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<v Speaker 1>the dirt sheets. Now, I've learned so much about dirt

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<v Speaker 1>sheets since I started this podcast, it's crazy. So I'm

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<v Speaker 1>very curious to see how her road to WrestleMania goes

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<v Speaker 1>over the next few weeks and a few couple of months.

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<v Speaker 1>And we're on our road to WrestleMania right now. So

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<v Speaker 1>we're gonna start with the first WrestleMania I ever got

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<v Speaker 1>to go to as a guest, which if you listen

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<v Speaker 1>to our episode one, you'll hear some of all the

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<v Speaker 1>way to the first WrestleMania that I worked as an employee.

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<v Speaker 1>I'm in Orlando, Florida with a with a group of

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<v Speaker 1>friends and we had gotten into the bad habit of

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<v Speaker 1>betting matches on TV and McAuley I've talked about this before,

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<v Speaker 1>he's been a guest on the podcast. I hope you

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<v Speaker 1>guys listen to that episode because it's really funny and

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<v Speaker 1>he's got such a good mind for wrestling, and one

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<v Speaker 1>day we shall take over the ind scene. But we

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<v Speaker 1>would bet a hundred dollars a match, right, So however,

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<v Speaker 1>if there are ten matches, you had to bring a

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<v Speaker 1>thousand bucks cash with you, and there were often more

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<v Speaker 1>than that. And for whatever reason, I think I can

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<v Speaker 1>count on one hand how many matches I won versus

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<v Speaker 1>how many he wants. So I lost a lot of

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<v Speaker 1>money to this guy. So we go to Mania, and

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<v Speaker 1>I think the first match was this Battle Royale eliminator

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<v Speaker 1>that wasn't even on during the pay per view, and

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<v Speaker 1>the winner of it was going to get a match

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<v Speaker 1>against Chavo Guerrera oh for the e c W Championship,

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<v Speaker 1>and Kane wins the Battle Royal. Nobody bets that match,

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<v Speaker 1>so we're all making bets, and everybody bets Kane, so

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<v Speaker 1>we're not gonna bet the e c W match, and

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<v Speaker 1>Mac out of nowhere says I want to make a

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<v Speaker 1>prop bet, and me and the other two two people,

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<v Speaker 1>they're like, what, He goes, I bet you it's a

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<v Speaker 1>squash match. I bet you came beats him in like

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<v Speaker 1>ten seconds and we go, okay, sure, whatever, man, here's

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<v Speaker 1>a hundred puck. So everyone gives him action on it

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<v Speaker 1>because there's four of us, so including Max, so there's

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<v Speaker 1>three dollars on the line that he could win. And

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<v Speaker 1>so the match happens and I crap you not, I've

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<v Speaker 1>looked it up online. It's over in nine seconds. It's

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<v Speaker 1>a full squash choke slab match tablo down one to three.

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<v Speaker 1>So MATC collects money right away from us. The other

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<v Speaker 1>match and I don't remember all of them. I just

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<v Speaker 1>remember losing all my money. They had a Belfast Brawl

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<v Speaker 1>which was against Fit Finley, and his gimmick the w

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<v Speaker 1>W gave him was he's Irish so he likes to fight,

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<v Speaker 1>which is honestly, fairly accurate, fairly accurate description of them.

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<v Speaker 1>One of my best friends is Wayne McCullough. He was

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<v Speaker 1>a silver medalist in boxing, had gotten a lot of fights,

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<v Speaker 1>so and I've been to Ireland and saw a lot

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<v Speaker 1>of dudes fighting. They were always friends afterwards, but I

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<v Speaker 1>saw a lot of fights. So anyway, it was him

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<v Speaker 1>versus John Bradshaw Layfield j b L. And a Belfast

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<v Speaker 1>brawl is basically a street fight where they're bringing out track.

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<v Speaker 1>I remember a lot of trash cans got smashed on

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<v Speaker 1>people's heads and and uh we we all said that

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<v Speaker 1>it's a Belfast brawl. So fit Finley is for sure

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<v Speaker 1>gonna win his own match. He's Irish like, not just

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<v Speaker 1>American Irish like he's from Ireland. You have to listen

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<v Speaker 1>to his accent to hear everything he says because he

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<v Speaker 1>has that Irish brogue right, and so for sure he's

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<v Speaker 1>winning the match. Well for sure, he didn't win the match,

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<v Speaker 1>and Mac pulls in a three hundred off the script,

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<v Speaker 1>and then they have the main event. Nobody bet the

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<v Speaker 1>Flair retirement match because everybody knew how that was gonna go.

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<v Speaker 1>Mac probably would have said something crazy like I'll bet you.

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<v Speaker 1>Sean Michael says, I'm sorry, I love you. He didn't,

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<v Speaker 1>but it's within his potential. So there's the Triple Threat

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<v Speaker 1>match and Randy Orton's the champion and I'll never forget

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<v Speaker 1>this Triple h is the challenger and John Cena is

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<v Speaker 1>the second challenger, and the way this story had been

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<v Speaker 1>told on TV, and I was really back into the

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<v Speaker 1>brand at this point because I was seeing a lot

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<v Speaker 1>of the new people after this long hiatus I had

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<v Speaker 1>taken from wrestling from watching it, and the Orton story

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<v Speaker 1>was incredibly undertold, as you see with a lot of

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<v Speaker 1>w w E stories, So it didn't seem like it

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<v Speaker 1>was an intentional under cell and the real drama, the

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<v Speaker 1>real passion, was all coming from Sena and and Hunter.

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<v Speaker 1>They had the momentum. They're just crushing matches doing this.

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<v Speaker 1>So we all make our stupid bets, and where everyone's

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<v Speaker 1>betting Senia or Triple h. I bet I bet Triple

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<v Speaker 1>h Uh. Fathers bets Sina, I don't remember what our

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<v Speaker 1>other buddy bet, and Mac of course bets Randy Orton.

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<v Speaker 1>It's such a slap in the face when Norton wins that.

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<v Speaker 1>The next day on Raw, the show opens and he

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<v Speaker 1>literally walks out with the belt on him and he says,

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<v Speaker 1>expecting someone else and to watch that we were still

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<v Speaker 1>in Orlando. It was just like, I'm looking at Mac

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<v Speaker 1>and it's literally what Mac would have said had he

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<v Speaker 1>written it. So after WrestleMania, it's the Rick Flair retirement match.

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<v Speaker 1>I get to meet Rick Flair and we kind of

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<v Speaker 1>clicked and we're joking and talking. I loved your dad.

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<v Speaker 1>I loved your father. Were you know, cracking jokes And

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<v Speaker 1>this guy named Chavel Classics there and he's telling me

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<v Speaker 1>this crazy story about doing cocaine with my father in

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<v Speaker 1>with him, Frank Sinatra and the Chicago Mafia in Chicago

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<v Speaker 1>at this of called Mr. Chows, which isn't there anymore.

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<v Speaker 1>It's a little comedy club. So it's just an insane

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<v Speaker 1>night for me, right And I'm sitting there with the

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<v Speaker 1>legend Rick Flair, who's my favorite wrestler ever, and it's

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<v Speaker 1>coming on twelve o'clock, one o'clock, two o'clock. I'm done, okay,

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<v Speaker 1>I'm I've had it. I've had I've had some some beverages.

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<v Speaker 1>I've had, you know, a lot of beverages. I'm ready

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<v Speaker 1>to go pass out. This guy hasn't even like gotten

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<v Speaker 1>warmed up two AM hits and I'm done. I'm drunk.

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<v Speaker 1>I cannot drink anymore. I'm ready to pass out. And

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<v Speaker 1>Rick Flair is twenty one year old who has been

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<v Speaker 1>drinking far more than I have and is nothing like

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<v Speaker 1>he's just ready to go. So I tap out, Mac

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<v Speaker 1>taps out. We all go to bed and then we

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<v Speaker 1>watch you know, Monday night raw there in Orlando. The

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<v Speaker 1>next the next night and we all catch red Eyes

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<v Speaker 1>from Orlando back to Los Angeles. Now in episode one,

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<v Speaker 1>I told you about uh, this woman who I spoke

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<v Speaker 1>to the kind have arranged all that. Her name is

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<v Speaker 1>Kristen Prouty, and she's an amazing woman. She still works

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<v Speaker 1>there and has literally built her career path like it

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<v Speaker 1>was never This is the cool thing about w w E.

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<v Speaker 1>You can get assigned a job, right and you can

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<v Speaker 1>live with that job, and it can be crazy, it

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<v Speaker 1>can be great, or you can create your own job.

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<v Speaker 1>You can create your own career path within that company

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<v Speaker 1>if you're creative enough. And she's one of the people

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<v Speaker 1>who was and is and she's still there and she's

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<v Speaker 1>at a very high level in the company. And her

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<v Speaker 1>and I started talking and I've I've spoken about this,

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<v Speaker 1>like I said in the first episode about me coming

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<v Speaker 1>to work there, So I did, thanks to the thanks

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<v Speaker 1>to this awesome chick and UH in her introducing me

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<v Speaker 1>to Stephanie McMahon. And it's been a year at this

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<v Speaker 1>point and I've been in the company. I'm grooving and

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<v Speaker 1>all of a sudden, I'm gonna work my very first WrestleMania.

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<v Speaker 1>Ye WrestleMania for the employees on the on like the

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<v Speaker 1>non wrestling side is the best and worst week of

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<v Speaker 1>the year in the company. You're you're writing stories backwards

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<v Speaker 1>from WrestleMania backwards the whole year, and every time someone

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<v Speaker 1>gets hurt or every time someone gets heat with the company,

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<v Speaker 1>every single story is forced to change because we write

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<v Speaker 1>from WrestleMania backwards. So if your main event is John

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<v Speaker 1>Cena versus the Miss, everything from the day after WrestleMania

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<v Speaker 1>to the next WrestleMania has to slowly build up a

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<v Speaker 1>story for John Cena and the Miss to eventually meet

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<v Speaker 1>in Georgia at WrestleMania the following year. So it's an

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<v Speaker 1>incredible challenge on the on the writing staff or on

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<v Speaker 1>the entire creative team just to get there with all

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<v Speaker 1>the changes that come about. And they're so used to

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<v Speaker 1>change that they welcome it, they embrace it, they invite

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<v Speaker 1>change even when change isn't necessary. So you know what

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<v Speaker 1>you're in for going in. At least I thought I did.

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<v Speaker 1>I thought I was prepared. We get to the hotel

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<v Speaker 1>in Georgia and Vince Rince out like basically like a

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<v Speaker 1>banquet room in the in the hotel where you would

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<v Speaker 1>have like a convention where like those snake oils motivational

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<v Speaker 1>speaker salesman like talked to young dudes about how to

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<v Speaker 1>be an alpha. Don't believe that crap, you guys. That's

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<v Speaker 1>a whole bunch of nonsense, and they're just making money

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<v Speaker 1>off you. Um, just my two cents. Anyway, he had

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<v Speaker 1>one of those spaces. Vince us did much more noblie

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<v Speaker 1>than they did, and we bring him WrestleMania. And I

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<v Speaker 1>was invited into this meeting and there were only I

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<v Speaker 1>think four or five of us in there. It was myself, Brankawortz,

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<v Speaker 1>I believe Christopher to Joseph was in there, and I

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<v Speaker 1>don't remember who else, but it was a very free

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<v Speaker 1>bird was in there. Michael Hayes and Vince sets down

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<v Speaker 1>the script and Brian sort of presents it to him,

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<v Speaker 1>and Vince starts banging through everything he wants to rewrite

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<v Speaker 1>and everything he wants to change. And this goes on

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<v Speaker 1>for one, two, three, now four hours in. We're four

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<v Speaker 1>hours in, you guys. I've taken a bathroom break once,

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<v Speaker 1>almost tapped out, like I literally there's a part of

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<v Speaker 1>me that wanted to like text somebody in the room

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<v Speaker 1>and be like, hey, tell him I'm sick in the bathroom.

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<v Speaker 1>I can't I can't make it back it. This is

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<v Speaker 1>Vince's most prized position WrestleMania. WrestleMania is what made wrestling

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<v Speaker 1>the mainstream attraction that it is today. I believe the

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<v Speaker 1>terms trademark. I don't think anybody else is even allowed

0:12:56.440 --> 0:12:59.840
<v Speaker 1>to use it. I mean it literally defines the w

0:12:59.840 --> 0:13:03.680
<v Speaker 1>W WET in Vince's mind, maybe in some others, but

0:13:03.800 --> 0:13:07.040
<v Speaker 1>it is the show because it is the show that

0:13:08.880 --> 0:13:12.559
<v Speaker 1>made the company. So he cares, and he cares a lot,

0:13:12.600 --> 0:13:14.599
<v Speaker 1>and you can accuse him of caring too much, but

0:13:14.679 --> 0:13:17.079
<v Speaker 1>you could accuse him of that every single week, like

0:13:17.679 --> 0:13:21.040
<v Speaker 1>we outthink ourselves with the things we're passionate about all

0:13:21.080 --> 0:13:24.120
<v Speaker 1>the time you meet Vince McMahon, But with this, it's

0:13:24.120 --> 0:13:26.800
<v Speaker 1>a different it's a different beast and it makes you,

0:13:27.920 --> 0:13:30.320
<v Speaker 1>it makes you crazy. So this is day one where

0:13:30.400 --> 0:13:34.319
<v Speaker 1>this is Saturday's production meeting and we're rewriting the entire

0:13:34.360 --> 0:13:38.560
<v Speaker 1>show basically, and Vince wants to have this. We're gonna

0:13:38.600 --> 0:13:41.520
<v Speaker 1>have Snoop Dogg Snoops coming, and we have to write

0:13:41.559 --> 0:13:44.160
<v Speaker 1>in a segment for Snoop Dogg. You're gonna, right, you're

0:13:44.200 --> 0:13:46.600
<v Speaker 1>gonna write the Snoop Dogg segment, All right, what are

0:13:46.600 --> 0:13:49.959
<v Speaker 1>you looking for, man or whatever? Just write something. Oh,

0:13:50.040 --> 0:13:54.079
<v Speaker 1>and you're gonna write the Morrison the Morrison segment too

0:13:54.120 --> 0:13:57.360
<v Speaker 1>with Trician Snookie. I go, what because you're doing a

0:13:57.400 --> 0:14:01.080
<v Speaker 1>Snookie segment and he's not smiling, and I'm like, yo, man,

0:14:01.080 --> 0:14:04.040
<v Speaker 1>I'm not doing the Snookie segment. Like that's not that's

0:14:04.080 --> 0:14:06.559
<v Speaker 1>not happening. Man. You tried to get me to do

0:14:06.559 --> 0:14:10.240
<v Speaker 1>do this against Michelle McCool another time and I told

0:14:10.240 --> 0:14:12.079
<v Speaker 1>you no, then I'm not doing that. So I got

0:14:12.080 --> 0:14:14.280
<v Speaker 1>four segments. Man, I'm not adding that one. If you

0:14:14.320 --> 0:14:16.559
<v Speaker 1>want me to add one. He goes, oh, I go, man,

0:14:16.559 --> 0:14:18.000
<v Speaker 1>I don't know if you're joking or if you're not,

0:14:18.040 --> 0:14:20.240
<v Speaker 1>but that's what I said. This isn't like, that's bullshit.

0:14:20.280 --> 0:14:22.840
<v Speaker 1>I'm not doing that match, not the match, but the

0:14:22.960 --> 0:14:25.760
<v Speaker 1>segment that they wanted to do. Only the agents, the

0:14:25.800 --> 0:14:28.040
<v Speaker 1>old school wrestlers. They're the only ones that to the matches.

0:14:29.240 --> 0:14:33.760
<v Speaker 1>So he's kind of like grunting chuck, like a chuckle grunt.

0:14:33.800 --> 0:14:35.840
<v Speaker 1>What do you call that? At gruckle, it's more one

0:14:35.880 --> 0:14:39.520
<v Speaker 1>of those like, all right, we'll just get somebody to

0:14:39.520 --> 0:14:41.520
<v Speaker 1>write it, which basically someone not in the room is

0:14:41.560 --> 0:14:43.960
<v Speaker 1>going to have to write it and then direct that segment.

0:14:44.000 --> 0:14:45.840
<v Speaker 1>But I'm sure as hell wasn't gonna do it. Man,

0:14:46.400 --> 0:14:48.880
<v Speaker 1>I didn't like the idea when they first brought it up.

0:14:49.120 --> 0:14:53.320
<v Speaker 1>I fought against it in the room because the Jersey Shore,

0:14:53.480 --> 0:14:55.400
<v Speaker 1>I think, is the show that she was on, and

0:14:55.440 --> 0:14:57.600
<v Speaker 1>it was big back then. But I'm not a reality

0:14:57.640 --> 0:15:01.240
<v Speaker 1>TV dude. In fact, I'm like anti reality TV because

0:15:01.240 --> 0:15:04.080
<v Speaker 1>that takes jobs away from, you know, scriptwriters that I

0:15:04.160 --> 0:15:06.640
<v Speaker 1>know and like a lot, and I would rather then

0:15:06.680 --> 0:15:10.040
<v Speaker 1>be working. And this the the industry likes reality shows

0:15:10.080 --> 0:15:11.920
<v Speaker 1>so much because they can make it for a tenth

0:15:12.000 --> 0:15:14.920
<v Speaker 1>the cost of a scripted show, So that gets rid

0:15:15.000 --> 0:15:17.800
<v Speaker 1>of more scripted shows, which means more of my writer

0:15:17.920 --> 0:15:20.560
<v Speaker 1>friends are broke. So that's why I was so against

0:15:20.640 --> 0:15:22.400
<v Speaker 1>it at the time. Right, it was just like she's

0:15:22.400 --> 0:15:26.840
<v Speaker 1>the enemy, so I'm sure she's lovely. I just you know,

0:15:27.040 --> 0:15:29.760
<v Speaker 1>that was my soapbox that I was standing on. So

0:15:30.040 --> 0:15:32.320
<v Speaker 1>they get whoever they get for that. And I have

0:15:32.480 --> 0:15:36.200
<v Speaker 1>my segments, and one of them is the snoop segment,

0:15:36.640 --> 0:15:39.400
<v Speaker 1>and I have no idea what to do, and Vince goes,

0:15:40.440 --> 0:15:44.200
<v Speaker 1>he's not gonna wrap, and I go, okay, that that's

0:15:44.200 --> 0:15:45.680
<v Speaker 1>the only rule we're gonna have Snoop. But he's not

0:15:45.720 --> 0:15:48.280
<v Speaker 1>gonna wrap. In a backstage segment like okay, So I

0:15:48.280 --> 0:15:50.240
<v Speaker 1>go backstage like what are we gonna do? Man? And

0:15:50.280 --> 0:15:52.920
<v Speaker 1>there's this dude named Dylan. They call him horn Swoggle,

0:15:53.280 --> 0:15:56.240
<v Speaker 1>and he played this leper Con right, he's a dwarf

0:15:56.280 --> 0:15:58.680
<v Speaker 1>in real life. He played this leper Con character and

0:15:58.720 --> 0:16:00.640
<v Speaker 1>he never spoke that was again. He would go on on

0:16:01.640 --> 0:16:03.720
<v Speaker 1>and like, you know, grind his teeth and bite your

0:16:03.760 --> 0:16:07.240
<v Speaker 1>ankles and do little evil leprica on things like from

0:16:07.240 --> 0:16:11.760
<v Speaker 1>the horror film Leprecha. And I said, hey, man, do

0:16:11.800 --> 0:16:14.120
<v Speaker 1>you want to uh do you want to talk tonight?

0:16:14.440 --> 0:16:17.240
<v Speaker 1>He said what? I go more specifically, do you want

0:16:17.240 --> 0:16:19.960
<v Speaker 1>to rap for Snoop Dogg tonight? He goes, are you kidding?

0:16:19.960 --> 0:16:21.880
<v Speaker 1>I go, yeah, I gotta write it, and I can't

0:16:21.920 --> 0:16:23.800
<v Speaker 1>write reps, but I'm gonna write you a rap. You're

0:16:23.840 --> 0:16:26.800
<v Speaker 1>gonna do it for Snoop? And like he's looking for new,

0:16:27.040 --> 0:16:29.360
<v Speaker 1>like you know, new acts to bring with him on

0:16:29.400 --> 0:16:31.640
<v Speaker 1>the road. You're gonna be one of the people auditioning.

0:16:32.240 --> 0:16:33.880
<v Speaker 1>He says, dude, I would love to do that. I said,

0:16:33.920 --> 0:16:35.920
<v Speaker 1>all right, man, as soon as I'll write your thing

0:16:36.000 --> 0:16:37.360
<v Speaker 1>first and I'll give it to you so you could

0:16:37.480 --> 0:16:39.680
<v Speaker 1>practice it, because it's gonna be terrible morning you Now,

0:16:40.000 --> 0:16:42.400
<v Speaker 1>he goes, no, man, thank you so much. He was awesome. Dude.

0:16:42.400 --> 0:16:44.840
<v Speaker 1>I still I still know him. I love him. So

0:16:44.880 --> 0:16:47.440
<v Speaker 1>I write this up. I don't remember what the lyrics were.

0:16:47.480 --> 0:16:49.520
<v Speaker 1>I'm sure it's online. If you want to humiliate me

0:16:49.600 --> 0:16:52.240
<v Speaker 1>by hitting me on social media, that's at real F

0:16:52.320 --> 0:16:56.520
<v Speaker 1>p j R. On Twitter, I'll block you for life.

0:16:56.600 --> 0:16:59.640
<v Speaker 1>I won't, but you don't have to humiliate me. That's

0:16:59.680 --> 0:17:03.720
<v Speaker 1>a choice and it sears to make. So we go

0:17:03.800 --> 0:17:08.400
<v Speaker 1>in there and I got Cardona and Rowdy Roddy Piper

0:17:09.119 --> 0:17:11.400
<v Speaker 1>who have agreed to help me out. I made this

0:17:11.440 --> 0:17:14.680
<v Speaker 1>like passion plead to Piper about how much I love

0:17:14.760 --> 0:17:18.040
<v Speaker 1>him and respect him, and I loved They Lived so much.

0:17:18.600 --> 0:17:21.280
<v Speaker 1>And we're talking about him and Keith David because Keith

0:17:21.359 --> 0:17:23.920
<v Speaker 1>was my dad's best friend in high school, the black

0:17:24.000 --> 0:17:26.399
<v Speaker 1>dude from They Lived The Voice of Spawn on HBO.

0:17:26.480 --> 0:17:28.560
<v Speaker 1>That's Keith and my dad used to be in theater

0:17:28.680 --> 0:17:30.639
<v Speaker 1>school together and they were doing like of mice and

0:17:30.760 --> 0:17:34.800
<v Speaker 1>men in and my dad dropped out one day side

0:17:34.840 --> 0:17:39.040
<v Speaker 1>Quoest and Keith, who I met on the Mass Effect

0:17:39.119 --> 0:17:41.800
<v Speaker 1>video games. We were both voicing characters in the third one.

0:17:41.880 --> 0:17:45.440
<v Speaker 1>He voiced it in all three and he was telling

0:17:45.480 --> 0:17:47.159
<v Speaker 1>me stories about my dad. He said, always knew one

0:17:47.240 --> 0:17:48.880
<v Speaker 1>day I was gonna show for school, and that meant

0:17:48.960 --> 0:17:51.080
<v Speaker 1>that he made it. And sure as how, one day

0:17:51.119 --> 0:17:53.159
<v Speaker 1>he didn't show up, and nobody was mad. They were

0:17:53.240 --> 0:17:56.159
<v Speaker 1>cheering because they knew. Someone called my dad and said, yo,

0:17:56.200 --> 0:17:57.879
<v Speaker 1>you got a shot. And I was on the Milton

0:17:57.920 --> 0:18:01.480
<v Speaker 1>Pearl Show and my dad killed it and uh yeah.

0:18:01.560 --> 0:18:04.679
<v Speaker 1>So anyway, so I was talking to a piper and

0:18:04.720 --> 0:18:07.000
<v Speaker 1>asked him, I said, hey, will you come and do

0:18:07.080 --> 0:18:09.159
<v Speaker 1>the snook a bit and crack a coconut on on

0:18:09.280 --> 0:18:12.080
<v Speaker 1>Cordona's head. He said, man, I said, he's down with it,

0:18:12.720 --> 0:18:15.080
<v Speaker 1>and uh, Rody's like yeah, I'll love yeah whatever, I

0:18:15.080 --> 0:18:16.720
<v Speaker 1>can do it now And we have a couple of

0:18:16.800 --> 0:18:19.159
<v Speaker 1>the you know people doing that. It's like a montage

0:18:19.160 --> 0:18:22.720
<v Speaker 1>of auditions and Snoop's job is just to say next

0:18:23.040 --> 0:18:25.320
<v Speaker 1>at as soon as everyone's done next, that's all he

0:18:25.359 --> 0:18:36.520
<v Speaker 1>has to do right, easiest job in the world. We're

0:18:36.520 --> 0:18:40.800
<v Speaker 1>shooting all of the talent side first, the wrestling talent

0:18:40.880 --> 0:18:43.480
<v Speaker 1>side first, so that I can just shoot Snoop once

0:18:43.560 --> 0:18:45.920
<v Speaker 1>and get him out of there. So it's just Snoops

0:18:45.920 --> 0:18:48.800
<v Speaker 1>p o V and everyone's coming through and said deals

0:18:48.840 --> 0:18:52.200
<v Speaker 1>comes our Hornswaggle comes through and he does his rap

0:18:52.320 --> 0:18:55.159
<v Speaker 1>and is he's so good, you guys. The lyrics are trash,

0:18:55.480 --> 0:18:58.159
<v Speaker 1>but Swaggle can rhyme, and so he made it sounds

0:18:58.560 --> 0:19:01.080
<v Speaker 1>serviceable to where I literally was like, yo, he did

0:19:01.080 --> 0:19:04.320
<v Speaker 1>have one take. I was like, bro, I can't write better,

0:19:04.440 --> 0:19:07.480
<v Speaker 1>and you totally saved this whole bit. That's wonderful and

0:19:07.520 --> 0:19:09.679
<v Speaker 1>I love it. He's like, all right, cool, So he

0:19:09.720 --> 0:19:13.720
<v Speaker 1>crushed it. I failed him, but he crushed it. And

0:19:13.720 --> 0:19:16.639
<v Speaker 1>and then Cardona comes and we're talking. He's talking to

0:19:16.680 --> 0:19:19.359
<v Speaker 1>Piper and I'm just watching. I didn't get involved in

0:19:19.400 --> 0:19:22.000
<v Speaker 1>the physical stuff because that's that's their world, right. I'm

0:19:22.000 --> 0:19:25.919
<v Speaker 1>gonna look, I've worked with some stunt teams, uh seven

0:19:25.960 --> 0:19:29.200
<v Speaker 1>different times. Like they're like, dude, I've been resonated every

0:19:29.280 --> 0:19:32.760
<v Speaker 1>day for forty years. So I'm just watching them, let

0:19:32.880 --> 0:19:35.480
<v Speaker 1>them do their thing, and and they're ready to go, Okay,

0:19:35.520 --> 0:19:37.959
<v Speaker 1>we're ready, We're ready. We get our camera on, all

0:19:38.000 --> 0:19:40.520
<v Speaker 1>the lights are going. I'm so excited to see this.

0:19:40.680 --> 0:19:43.800
<v Speaker 1>And then Piper goes, no, no, give me the other coconut,

0:19:44.359 --> 0:19:47.960
<v Speaker 1>and Cardona goes, well, Piper, because nothing, and he grabs

0:19:48.160 --> 0:19:52.160
<v Speaker 1>the other coconut, which looks like it has not been

0:19:52.200 --> 0:19:55.719
<v Speaker 1>gimmicked to break or crack open in any way shape

0:19:55.760 --> 0:20:00.040
<v Speaker 1>or for and Cardona is kind of like Froz and

0:20:00.320 --> 0:20:02.760
<v Speaker 1>it reminded me of this story that I heard back

0:20:02.760 --> 0:20:05.520
<v Speaker 1>in the day. Oh. I think that it was a

0:20:05.560 --> 0:20:09.480
<v Speaker 1>movie called The Deer Hunter, and there was a scene

0:20:09.480 --> 0:20:13.920
<v Speaker 1>which would never be allowed today on set where they're

0:20:13.920 --> 0:20:19.240
<v Speaker 1>playing Russian roulette with a pistol, and before the other

0:20:19.280 --> 0:20:22.920
<v Speaker 1>actor gets the gun, Christopher Walking goes to the gunmaster

0:20:22.960 --> 0:20:26.199
<v Speaker 1>and goes, no, no, no, get the other gun. That

0:20:26.240 --> 0:20:28.280
<v Speaker 1>wasn't a good Christopher Walking, sorry, no, no, get the

0:20:28.280 --> 0:20:31.400
<v Speaker 1>other gun. And the other actors like, what the hell?

0:20:32.040 --> 0:20:34.520
<v Speaker 1>And they did the scene with the gun that had

0:20:34.560 --> 0:20:38.960
<v Speaker 1>not been supposedly cleared for safety, even though it had been,

0:20:39.000 --> 0:20:41.000
<v Speaker 1>but the other actor had only seen the other gun,

0:20:41.320 --> 0:20:45.800
<v Speaker 1>and Christopher Walking was trying to evoke a very honest

0:20:45.880 --> 0:20:50.000
<v Speaker 1>and raw reaction and this is in the seventies, so

0:20:50.080 --> 0:20:52.800
<v Speaker 1>you could be more dangerous with the way filmmaking was made,

0:20:52.840 --> 0:20:55.480
<v Speaker 1>and often were. But this was the coconut version of

0:20:55.520 --> 0:20:58.359
<v Speaker 1>It's so much lighter. But Cartona still is like, hold up, man,

0:20:58.480 --> 0:21:01.000
<v Speaker 1>is that is that nicked or not? Like in his hat.

0:21:01.040 --> 0:21:02.720
<v Speaker 1>I can see him watch it. So I'm sitting there like,

0:21:02.760 --> 0:21:04.800
<v Speaker 1>oh my god, what's about to happen? What's about to

0:21:04.800 --> 0:21:08.679
<v Speaker 1>go down? And I'm trusting Piper, and Cardona's trusting Piper,

0:21:09.320 --> 0:21:12.399
<v Speaker 1>and uh so Cardona comes in and he's making his

0:21:12.480 --> 0:21:15.199
<v Speaker 1>pitch to Snooped August to why he should be a

0:21:15.240 --> 0:21:18.320
<v Speaker 1>part of the act. You could YouTube this too, and

0:21:18.680 --> 0:21:22.800
<v Speaker 1>Piper comes in and just from from camera right so

0:21:22.880 --> 0:21:25.919
<v Speaker 1>you're left side of frame, and whacks him in the

0:21:25.960 --> 0:21:29.200
<v Speaker 1>head with the coconut, and a coconut cracks open and

0:21:29.320 --> 0:21:31.800
<v Speaker 1>looks kind of like a rough crack, so it looks

0:21:32.080 --> 0:21:36.119
<v Speaker 1>legit and Cardona drops and then Piper just looks into camera.

0:21:36.480 --> 0:21:38.080
<v Speaker 1>And we had talked about this. He was like, things

0:21:38.119 --> 0:21:40.400
<v Speaker 1>are always funnier in threes, right, I go, yeah, that's

0:21:40.400 --> 0:21:42.600
<v Speaker 1>the comedy rule. He goes okay, and so he just

0:21:42.800 --> 0:21:45.719
<v Speaker 1>he kind of like points to the camera looks away,

0:21:46.080 --> 0:21:48.359
<v Speaker 1>points off and it walks out and he does it

0:21:48.400 --> 0:21:50.600
<v Speaker 1>in threes. It has his his sort of great exit,

0:21:51.119 --> 0:21:54.879
<v Speaker 1>and we cut and Cardona's laying there on the floor

0:21:55.520 --> 0:21:59.040
<v Speaker 1>and I'm like, hey man, we're good. Cut, Holy Matt,

0:21:59.080 --> 0:22:00.879
<v Speaker 1>are you okay? It's like I'm at all right? And

0:22:01.440 --> 0:22:03.360
<v Speaker 1>you know, he was just still selling trying to mess

0:22:03.440 --> 0:22:05.840
<v Speaker 1>with me, but I literally thought he was. He was

0:22:06.280 --> 0:22:10.760
<v Speaker 1>jacked up. So we've shot all this and it's now

0:22:11.000 --> 0:22:13.800
<v Speaker 1>probably twelve o'clock. This is Sunday at WrestleMania Day, and

0:22:13.800 --> 0:22:17.679
<v Speaker 1>Snoop's called times twelve o'clock and one o'clock comes and

0:22:17.680 --> 0:22:21.359
<v Speaker 1>Snoop's not there, Like one thirty two o'clock comes, and

0:22:21.840 --> 0:22:23.560
<v Speaker 1>they're starting to come, Hey Freddy, we need your we

0:22:23.600 --> 0:22:26.320
<v Speaker 1>need your segment for the truck. Yeah, that's great. Snoop's

0:22:26.320 --> 0:22:28.920
<v Speaker 1>not here, Like, well, you gotta kid him. I go, really,

0:22:28.920 --> 0:22:30.679
<v Speaker 1>how would you like me to get Snoop dog? You

0:22:30.680 --> 0:22:32.840
<v Speaker 1>should just call Snoop. Let me call him right now?

0:22:33.240 --> 0:22:37.240
<v Speaker 1>All right? So what's his number? Like the expectations were

0:22:37.280 --> 0:22:41.000
<v Speaker 1>ridiculous some days. So I'm looking at this guy. I

0:22:41.040 --> 0:22:43.000
<v Speaker 1>won't say his name because he had a bad attitude

0:22:43.240 --> 0:22:44.520
<v Speaker 1>and He's like, well, are you gonna get the shot

0:22:44.560 --> 0:22:46.640
<v Speaker 1>or not? I go, what would you like me to do?

0:22:47.119 --> 0:22:50.040
<v Speaker 1>I can turn this in without snoop, or we can

0:22:50.080 --> 0:22:51.960
<v Speaker 1>wait until he gets there and we'll get it to

0:22:52.000 --> 0:22:53.960
<v Speaker 1>the truck late. So what would you like to do,

0:22:54.000 --> 0:22:55.800
<v Speaker 1>because we'll let the truck know you're not ready. I

0:22:55.840 --> 0:22:58.400
<v Speaker 1>con do what you gotta do. So we're sitting there,

0:22:59.480 --> 0:23:04.520
<v Speaker 1>two o'clock comes and my phone rings and my phone's

0:23:04.560 --> 0:23:07.280
<v Speaker 1>on silent, but I see it and I answered my

0:23:07.359 --> 0:23:13.720
<v Speaker 1>phone and it's my mother and she says, uh, she says,

0:23:14.680 --> 0:23:20.440
<v Speaker 1>she goes, Jimmy just Jimmy just died. And my middle

0:23:20.520 --> 0:23:24.880
<v Speaker 1>name is James. My son Rocky, his middle name is James.

0:23:26.240 --> 0:23:30.080
<v Speaker 1>And we're named for my uncle Jimmy, James Barber. That's

0:23:30.119 --> 0:23:32.399
<v Speaker 1>what that. That middle name is there for him and

0:23:32.440 --> 0:23:39.440
<v Speaker 1>one other man. We're the most influential men in my life,

0:23:39.480 --> 0:23:45.399
<v Speaker 1>the other being Bob Wall who randomly just passed away. Um,

0:23:45.560 --> 0:23:47.400
<v Speaker 1>this is the sad part of the podcast. But I'll

0:23:47.400 --> 0:23:52.440
<v Speaker 1>get through it, and so will you. So I get

0:23:52.480 --> 0:23:57.040
<v Speaker 1>this call, and you gotta understand, my uncle Jimmy was

0:23:57.080 --> 0:24:00.639
<v Speaker 1>everything to me. He he didn't teach me how to

0:24:00.640 --> 0:24:04.159
<v Speaker 1>throw a punch. He taught me why you have to

0:24:04.240 --> 0:24:10.359
<v Speaker 1>sometimes punch. He taught me when when to punch, how

0:24:10.440 --> 0:24:14.480
<v Speaker 1>to punch, the philosophy behind the fight in the first place,

0:24:14.600 --> 0:24:18.440
<v Speaker 1>why sometimes it's necessary. He instilled the philosophy of being

0:24:18.480 --> 0:24:21.600
<v Speaker 1>a bully buster. He got mad at me, and this

0:24:21.680 --> 0:24:24.520
<v Speaker 1>is a weird side quest. He got mad at me

0:24:24.520 --> 0:24:27.920
<v Speaker 1>in the sixth grade for not sticking up for this kid.

0:24:27.960 --> 0:24:31.080
<v Speaker 1>I didn't even know. I was telling this other kid

0:24:31.080 --> 0:24:33.879
<v Speaker 1>on the street. Eric Eric Spiegel was his name about

0:24:33.880 --> 0:24:36.440
<v Speaker 1>this fight. I saw my uncle overheard he why didn't

0:24:36.440 --> 0:24:40.040
<v Speaker 1>you step in? The kid couldn't even defend himself. He

0:24:40.160 --> 0:24:41.600
<v Speaker 1>was a seventh grader. You know, I don't. I don't

0:24:41.600 --> 0:24:43.639
<v Speaker 1>want to find him. Mincael Jimmy grabbed me. He was like,

0:24:43.680 --> 0:24:46.080
<v Speaker 1>you see somebody who can't defend themselves, you step in

0:24:46.960 --> 0:24:49.159
<v Speaker 1>and we called it bully busting. And I did that

0:24:49.240 --> 0:24:52.919
<v Speaker 1>from from that moment on, and I wouldn't get in trouble.

0:24:53.000 --> 0:24:54.920
<v Speaker 1>He took me to Uncle Cliffs, which was the local

0:24:54.960 --> 0:24:58.240
<v Speaker 1>amusement park. If I would beat up a guy that

0:24:58.400 --> 0:25:04.200
<v Speaker 1>was hurting someone else. Um, that might sound crazy to

0:25:04.240 --> 0:25:06.160
<v Speaker 1>you guys, but to me, he was like the best,

0:25:07.320 --> 0:25:10.000
<v Speaker 1>just the best man ever. So sorry for getting choked up.

0:25:10.000 --> 0:25:12.680
<v Speaker 1>I'm not trying to bring it down, but and it's

0:25:12.720 --> 0:25:14.200
<v Speaker 1>just kind of like caught me out of the blue.

0:25:14.640 --> 0:25:16.440
<v Speaker 1>So anyway, I get off, I get off the phone

0:25:16.440 --> 0:25:25.680
<v Speaker 1>with my mom and uh and snoops there. So I'm

0:25:26.280 --> 0:25:28.520
<v Speaker 1>literally breaking down. I don't I don't know what to do.

0:25:28.640 --> 0:25:30.159
<v Speaker 1>I told my mom I would I would call it

0:25:30.280 --> 0:25:34.920
<v Speaker 1>right back. Um. I asked them, you know, hey, give

0:25:34.960 --> 0:25:37.080
<v Speaker 1>me a second. And I run back to the writer's

0:25:37.160 --> 0:25:40.480
<v Speaker 1>room and I'm trying to hold it together. And as

0:25:40.480 --> 0:25:43.200
<v Speaker 1>soon as I opened the door, like just being exhausted

0:25:43.240 --> 0:25:46.639
<v Speaker 1>from the travel and all that and and getting hit

0:25:46.680 --> 0:25:49.840
<v Speaker 1>out of the out of the blue, and then him

0:25:49.880 --> 0:25:52.320
<v Speaker 1>being such an important person in my life, I just

0:25:52.440 --> 0:25:56.000
<v Speaker 1>like lost it in there, and just like I'm in

0:25:56.040 --> 0:25:57.800
<v Speaker 1>the writer's and when I just screamed out my uncle

0:25:57.920 --> 0:26:01.920
<v Speaker 1>just died. I have to go home, and everybody's like, wait,

0:26:02.000 --> 0:26:05.920
<v Speaker 1>what in DJ, Like, I think I was probably gonna

0:26:05.960 --> 0:26:08.119
<v Speaker 1>just fall over if I think he was hugging me,

0:26:08.160 --> 0:26:12.959
<v Speaker 1>but he was probably just holding me up. And the

0:26:12.960 --> 0:26:17.560
<v Speaker 1>only thing I could think to say was snoop, dogs here,

0:26:17.680 --> 0:26:21.159
<v Speaker 1>someone needs to direct my segment. I didn't even have

0:26:21.280 --> 0:26:25.480
<v Speaker 1>like like wind in my chest, like air air in

0:26:25.560 --> 0:26:29.159
<v Speaker 1>my lungs. When I said it, and Branko Wertz was

0:26:29.200 --> 0:26:31.320
<v Speaker 1>so cool. He was like, Freddie, Stopwick, We'll take care

0:26:31.320 --> 0:26:33.919
<v Speaker 1>of it. And he goes, you have to get out

0:26:33.960 --> 0:26:36.000
<v Speaker 1>of here. I said, I don't know what to do.

0:26:36.520 --> 0:26:37.919
<v Speaker 1>He said, you gotta go to the airport. Now, you

0:26:37.920 --> 0:26:42.440
<v Speaker 1>gotta fly home. I said, okay, I'll I literally just repeated,

0:26:42.480 --> 0:26:44.600
<v Speaker 1>I said, okay, I'll go to the airport and I'll

0:26:44.600 --> 0:26:47.760
<v Speaker 1>go fly home. And uh, they were really good that,

0:26:47.880 --> 0:26:49.720
<v Speaker 1>you know, the writers took real good care of me

0:26:49.800 --> 0:26:52.200
<v Speaker 1>that day, explained to my absence and why I had

0:26:52.240 --> 0:26:56.919
<v Speaker 1>to go. And I got on an airplane and and

0:26:56.960 --> 0:26:59.440
<v Speaker 1>I flew back to Los Angeles. I gotta flight literally

0:26:59.480 --> 0:27:01.040
<v Speaker 1>like an hour after I got to the airport. I

0:27:01.040 --> 0:27:04.320
<v Speaker 1>just gave my credit card and got the first flight

0:27:04.359 --> 0:27:06.639
<v Speaker 1>out of there and flew home. And I went to

0:27:06.680 --> 0:27:10.040
<v Speaker 1>the funeral, and they gave me two weeks to kind

0:27:10.080 --> 0:27:11.600
<v Speaker 1>of like well, I said, take all the time you need.

0:27:11.600 --> 0:27:15.600
<v Speaker 1>But after two weeks I called him and, uh, you know,

0:27:15.640 --> 0:27:17.920
<v Speaker 1>when you go through something like that, family becomes such

0:27:17.960 --> 0:27:22.000
<v Speaker 1>an important, such an important thing. And and Sarah and

0:27:22.080 --> 0:27:25.960
<v Speaker 1>I were starting to talk about having a baby, and

0:27:26.600 --> 0:27:29.080
<v Speaker 1>which would have been our first daughter, Charlotte, My daughter

0:27:29.160 --> 0:27:32.760
<v Speaker 1>Charlotte Grace, who loves professional wrestling and I mean loves

0:27:32.800 --> 0:27:35.399
<v Speaker 1>it and because she loves the gymnastics. So all you

0:27:35.520 --> 0:27:38.120
<v Speaker 1>haters on the high flyers, there's a lot of kids

0:27:38.320 --> 0:27:41.360
<v Speaker 1>from the next generation who really like that and respect it.

0:27:42.080 --> 0:27:46.480
<v Speaker 1>Um and so I I talked to Braank Goworts and

0:27:46.480 --> 0:27:48.280
<v Speaker 1>Stephanie and I said, hey, I need to change my

0:27:48.359 --> 0:27:52.040
<v Speaker 1>hours or I need to give my two weeks. She said, uh,

0:27:52.119 --> 0:27:54.040
<v Speaker 1>you know, we're about to move you up in the company.

0:27:54.040 --> 0:27:55.720
<v Speaker 1>And I was like, yeah, I can't. I can't. I

0:27:55.760 --> 0:27:59.720
<v Speaker 1>can't do that. And so, uh, instead of changing my hours,

0:27:59.760 --> 0:28:02.240
<v Speaker 1>I just I gave him my two weeks and I

0:28:02.320 --> 0:28:05.000
<v Speaker 1>put him in kind of not half hearted, but with

0:28:05.040 --> 0:28:07.800
<v Speaker 1>a heavy heart. I just wanted to be home, you know.

0:28:07.920 --> 0:28:10.200
<v Speaker 1>I was like waiting for my phone to ring NonStop,

0:28:10.240 --> 0:28:12.800
<v Speaker 1>which sucked. And then my two weeks were over and

0:28:12.840 --> 0:28:15.840
<v Speaker 1>I and I left, and I didn't watch wrestling for

0:28:15.880 --> 0:28:22.280
<v Speaker 1>six months, and Summer Slam was coming to Los Angeles

0:28:22.400 --> 0:28:24.320
<v Speaker 1>and I thought it had been a good enough break

0:28:24.680 --> 0:28:27.880
<v Speaker 1>and big show. Who is so cool? Man Paul, who

0:28:27.960 --> 0:28:30.320
<v Speaker 1>was a guest on on the show. If you guys

0:28:30.840 --> 0:28:33.000
<v Speaker 1>want to see this the Coolest Giant or listen to

0:28:33.080 --> 0:28:35.879
<v Speaker 1>the Coolest Giant ever, check out that episode. He's the

0:28:35.920 --> 0:28:38.400
<v Speaker 1>best dude. Man. He invited him. He say, hey, man,

0:28:38.600 --> 0:28:42.440
<v Speaker 1>I love to see you. We're gonna be at Staples Center. Um,

0:28:42.640 --> 0:28:44.800
<v Speaker 1>come come early if you want. You don't have to

0:28:44.800 --> 0:28:46.680
<v Speaker 1>stay for the show. Just I want to say so,

0:28:46.760 --> 0:28:50.080
<v Speaker 1>all right, man, I'd love to. So. I got in

0:28:50.160 --> 0:28:54.480
<v Speaker 1>contact with Kristen Prouty again. It all comes back two driven,

0:28:54.640 --> 0:28:57.440
<v Speaker 1>motivated people. I should have Proudy on the podcast. She

0:28:57.520 --> 0:29:00.440
<v Speaker 1>wouldn't want to do it, but she's super cool. Anyway.

0:29:01.000 --> 0:29:03.320
<v Speaker 1>I see here when I get there and you get

0:29:03.360 --> 0:29:06.520
<v Speaker 1>to park underneath Staples Center where like Kobe Bryant used

0:29:06.560 --> 0:29:08.800
<v Speaker 1>to park and all that, I'd say that it's so

0:29:08.920 --> 0:29:12.200
<v Speaker 1>sweet Staple Center and they w W takes good care

0:29:12.200 --> 0:29:14.240
<v Speaker 1>of you when you get there. And I come in

0:29:15.000 --> 0:29:17.240
<v Speaker 1>and this is where I ended up getting taking the

0:29:17.360 --> 0:29:20.600
<v Speaker 1>job again. Randomly enough, I come in and there's I'm

0:29:20.600 --> 0:29:22.840
<v Speaker 1>talking to a couple of the wrestlers that used to

0:29:22.840 --> 0:29:25.480
<v Speaker 1>be in like that I used to work with basically,

0:29:25.880 --> 0:29:28.360
<v Speaker 1>and all of a sudden, this huge Paul just smacks

0:29:28.400 --> 0:29:31.600
<v Speaker 1>me right on the back wow wow, And I'm like,

0:29:32.040 --> 0:29:33.880
<v Speaker 1>you know, it's like a backsmacker when you were in

0:29:33.920 --> 0:29:37.560
<v Speaker 1>high school. And I go ah, and I just hear hello, Hello,

0:29:37.560 --> 0:29:41.320
<v Speaker 1>are you and it's Paul and it's She's just he's

0:29:41.320 --> 0:29:44.600
<v Speaker 1>a giant. He's literally a giant. And so we catch up.

0:29:44.680 --> 0:29:48.080
<v Speaker 1>We start talking and I hear from some I don't

0:29:48.120 --> 0:29:50.560
<v Speaker 1>remember who was, Hey, Vince's down ringside and he'd love

0:29:50.640 --> 0:29:53.640
<v Speaker 1>to talk to you, and I go, oh, man, let me. Yeah.

0:29:53.640 --> 0:29:56.120
<v Speaker 1>I didn't get to say, like face to face to

0:29:56.200 --> 0:29:59.200
<v Speaker 1>Vince that it was my my two weeks. I just

0:29:59.480 --> 0:30:00.920
<v Speaker 1>said bye, and he was like, all right, I didn't

0:30:00.920 --> 0:30:02.400
<v Speaker 1>know you're leaving. I was like, so this would be

0:30:02.440 --> 0:30:04.120
<v Speaker 1>a good moment for me to kind of explain it.

0:30:04.160 --> 0:30:05.520
<v Speaker 1>And so I go down there and he's on the

0:30:05.520 --> 0:30:08.960
<v Speaker 1>headset and uh, he says, hold on, hold on one second.

0:30:08.960 --> 0:30:11.360
<v Speaker 1>He takes a headset off. He's a big old back

0:30:11.440 --> 0:30:14.560
<v Speaker 1>smacker too. How yeah, you look great at all this

0:30:14.600 --> 0:30:17.040
<v Speaker 1>And we're talking and catching up and I told him

0:30:17.040 --> 0:30:19.959
<v Speaker 1>he looked like robotop and he gave me that like

0:30:20.000 --> 0:30:21.840
<v Speaker 1>a looking a nod, but it was a looking and

0:30:21.920 --> 0:30:25.400
<v Speaker 1>nod of okay, that's a compliment. But I have no

0:30:25.440 --> 0:30:28.880
<v Speaker 1>idea who that is um and he didn't watch w CW,

0:30:28.960 --> 0:30:31.520
<v Speaker 1>so there was no reason for him too. I guess

0:30:31.880 --> 0:30:33.920
<v Speaker 1>shout out to the hardcorees who loves staying and know

0:30:33.960 --> 0:30:37.959
<v Speaker 1>what that reference is for. But after about five minutes,

0:30:38.400 --> 0:30:41.680
<v Speaker 1>he uh, he said, you know, he called me son,

0:30:41.800 --> 0:30:44.640
<v Speaker 1>that's son of a pitch. He said, you know, we

0:30:44.640 --> 0:30:46.600
<v Speaker 1>could uh, we really could use your back here. We

0:30:46.600 --> 0:30:49.480
<v Speaker 1>could use your back, your son. And I told him

0:30:49.480 --> 0:30:51.400
<v Speaker 1>straight up, I was like, man, that schedule is so

0:30:52.120 --> 0:30:54.920
<v Speaker 1>it's so brutal, and that he was super cool. He

0:30:55.080 --> 0:30:57.000
<v Speaker 1>you know, he said, you could basically make your schedule.

0:30:57.400 --> 0:30:59.080
<v Speaker 1>It could be an every other week thing. It could

0:30:59.160 --> 0:31:01.400
<v Speaker 1>just be paper used to help people out with their

0:31:01.440 --> 0:31:03.800
<v Speaker 1>promos on the on the bigger shows, a chance for

0:31:03.840 --> 0:31:05.920
<v Speaker 1>them to get over on in front of more eyeballs.

0:31:06.240 --> 0:31:08.360
<v Speaker 1>And so I took the deal and that that started

0:31:08.400 --> 0:31:11.920
<v Speaker 1>my second journey at H at the w w E,

0:31:12.160 --> 0:31:15.240
<v Speaker 1>which is when we really started breaking down the promo

0:31:15.320 --> 0:31:18.640
<v Speaker 1>class and doing a lot of the scene study where

0:31:18.640 --> 0:31:21.080
<v Speaker 1>we were just taking scenes from movies. They liked movies

0:31:21.120 --> 0:31:25.840
<v Speaker 1>like Bad Boys and Liar Liar and and Beautiful Girls.

0:31:25.920 --> 0:31:28.960
<v Speaker 1>Eve Torres did the Rosie o'donald speech from Beautiful Girls,

0:31:29.000 --> 0:31:31.719
<v Speaker 1>which is her talking shit about beautiful girls and Eve

0:31:31.800 --> 0:31:34.000
<v Speaker 1>Torres is one of the most beautiful women on the

0:31:34.000 --> 0:31:37.320
<v Speaker 1>face of the planet. So and she didn't want to

0:31:37.320 --> 0:31:38.760
<v Speaker 1>do I remember she didn't want to do it. I said,

0:31:38.800 --> 0:31:41.200
<v Speaker 1>that's why I want you to do it. She goes,

0:31:41.240 --> 0:31:42.960
<v Speaker 1>what do you mean? She goes, it's it's I'm gonna

0:31:42.960 --> 0:31:45.120
<v Speaker 1>come off hypocritical. I said, this isn't gonna be on TV.

0:31:45.680 --> 0:31:47.800
<v Speaker 1>This is to challenge you, so you can see that

0:31:48.080 --> 0:31:50.520
<v Speaker 1>you can, you can push yourself and you can show

0:31:50.560 --> 0:31:52.920
<v Speaker 1>how much raine you have. She's like, all right, And

0:31:53.000 --> 0:31:56.840
<v Speaker 1>she came in and she straight crushed it, like better

0:31:56.880 --> 0:31:59.040
<v Speaker 1>than what I would have done with it. And I

0:31:59.080 --> 0:32:00.880
<v Speaker 1>don't know how hard she worked on it or if

0:32:00.920 --> 0:32:03.320
<v Speaker 1>it was just natural, but like it was probably our

0:32:03.320 --> 0:32:05.280
<v Speaker 1>biggest class when she performed it. That was when we

0:32:05.280 --> 0:32:10.280
<v Speaker 1>were like probably thirty thirty students students, thirty wrestlers deep sorry,

0:32:10.840 --> 0:32:14.160
<v Speaker 1>and uh, they gave her standing ovation. Yeah, me included.

0:32:14.240 --> 0:32:17.600
<v Speaker 1>She just crushed it. But uh, but that's sort of

0:32:17.600 --> 0:32:21.400
<v Speaker 1>the WrestleMania story. From the good, the bad, and the ugly.

0:32:21.440 --> 0:32:23.920
<v Speaker 1>I'm sury how to ugly cry face earlier that you

0:32:23.960 --> 0:32:26.840
<v Speaker 1>didn't get to see ha ha, but just something to

0:32:26.840 --> 0:32:29.240
<v Speaker 1>get you in the spirit for WrestleMania. I appreciate you

0:32:29.240 --> 0:32:31.840
<v Speaker 1>guys listening. I really love doing this podcast. I love

0:32:31.880 --> 0:32:35.040
<v Speaker 1>sharing wrestling stories with you. I would say sorry for

0:32:35.040 --> 0:32:37.040
<v Speaker 1>the side quest, but you guys always say the side

0:32:37.080 --> 0:32:39.680
<v Speaker 1>quests are cool and you like them, so we'll keep

0:32:39.680 --> 0:32:43.240
<v Speaker 1>doing those as well, and keep listening until next week.

0:32:43.280 --> 0:32:45.680
<v Speaker 1>I promised no blubber and no crying. Next week, it'll

0:32:45.720 --> 0:32:48.560
<v Speaker 1>be all fun and party time everybody. Thank you for listening,

0:32:48.680 --> 0:32:51.360
<v Speaker 1>and we'll see you next week on Wrestling with Freddie.

0:32:52.080 --> 0:32:55.280
<v Speaker 1>This has been a production of I Hearts Michael podcast Network.

0:32:55.320 --> 0:32:57.560
<v Speaker 1>For more podcasts for My Heart Radio, visit the I

0:32:57.680 --> 0:33:00.680
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

0:33:00.760 --> 0:33:06.600
<v Speaker 1>your favorite shows. H m hmmmmm.