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Speaker 1: The Nikki Glazer Podcast. Nikki here, I am hello everyone.

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Speaker 1: Welcome to the Nicki Glazer Podcast. How are you today?

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Speaker 1: Oh it's Thursday. Man, this has felt like a long

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Speaker 1: week of shows. I liked it, but I will say

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Speaker 1: that it feels never ending. I don't know if anyone

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Speaker 1: else feels that way after the holiday break. Oh, it's

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Speaker 1: probably you know, you know, whenever you feel like a

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Speaker 1: day is a different day, Like, doesn't this Tuesday feel

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Speaker 1: like Friday? It's one of those things where everyone agrees

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Speaker 1: with you. Do you ever notice that, Noah, Like whenever,

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Speaker 1: whenever you feel like a day is a different day

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Speaker 1: and you say it out loud, people agree. It's like

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Speaker 1: we all have a common um circadian rhythms. Just I

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Speaker 1: don't science words. Um, how are you this morning? Noah?

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Speaker 1: This afternoon? Good? How are you this morning? You know

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Speaker 1: it's definitely the afternoon and um, and we're starting late

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Speaker 1: because I cannot stop sleeping. I can't stop sleeping. I'm

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Speaker 1: kind of like weaning myself off of um uh, an antidepressant,

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Speaker 1: because I just want to come again. I'm just like Nikki,

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Speaker 1: so I'm we I'm responsibly weaning through a plan that

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Speaker 1: my doctor has not approved, but that I googled. And

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Speaker 1: I've done this before with like, literally I've been on

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Speaker 1: every single antidepressant you could list since I was eighteen,

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Speaker 1: And um, I always do this where I now I'm

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Speaker 1: just skipping days, but I think maybe that's a trip

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Speaker 1: and I think my pi rod is about to come,

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Speaker 1: and um, I think that always sends me into this,

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Speaker 1: like I just am filled with sand. My body just

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Speaker 1: cannot get up, and I just want to keep going

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Speaker 1: back to sleep. And you know that, I've been listening

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Speaker 1: to that sleep podcast by Sam Harris and that other

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Speaker 1: guy that studies sleep who talks like this and is

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Speaker 1: a very hypnotizing sounding man, and he talks about sleep

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Speaker 1: and he says, if you wake up in the morning

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Speaker 1: and your alarm goes off and you still could go

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Speaker 1: back to sleep, that means you're not getting enough sleep.

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Speaker 1: And I was like, damn when he said that. I

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Speaker 1: don't know why that bob. I keep sharing that factoid

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Speaker 1: with literally anyone that will hear it, and um, like,

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Speaker 1: and it's because I just think that obviously it seems like, oh,

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Speaker 1: that's so obvious, but it's just so And then you

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Speaker 1: overuse the word I gotta come up with a new word.

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Speaker 1: It's ubiquitous for Americans to not to hit the alarm

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Speaker 1: and go oh, you know, like that's that's the start

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Speaker 1: of every rom com. It's like a sloppy hand on

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Speaker 1: a alarm clock one right right. It like it's a

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Speaker 1: beautiful morning and then a girl gets up and she's

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Speaker 1: like single and sad until a man comes into her

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Speaker 1: life and then everything works. Um so, but it I

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Speaker 1: have no fear. A few people that just like wake

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Speaker 1: up and they're like, m it's time. And if you do,

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Speaker 1: you have good sleep hygiene. Do you feel that way

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Speaker 1: about the alarm clock? Noah, I sleep. I feel like

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Speaker 1: like I'm filled with sand two as you put it.

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Speaker 1: I've been trying to go to bed at a decent

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Speaker 1: time and I just keep I keep waking up after

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Speaker 1: five hours and then I'm up and then I'm so

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Speaker 1: tempted to go on my phone. Yes, and I'm not.

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Speaker 1: So you know, it's supposed it's like the phone mimics daylight,

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Speaker 1: so it's a bad idea to do it. But it

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Speaker 1: also helps me, Like all the scrolling helps my eyes

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Speaker 1: roll back, like roll to the back of my head. Yeah,

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Speaker 1: and all the times that all the things you see

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Speaker 1: that make your eyes roll right exactly, so it does help. Yeah,

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Speaker 1: that's true, but man, it's Um. I to get one

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Speaker 1: of the sleep trackers, and I can't get to the

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Speaker 1: end of this fucking podcast. It's like three and a

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Speaker 1: half hours long, and so at the end of I

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Speaker 1: just they are so smart that if I'm not paying

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Speaker 1: attention fully focused, like meditating on my breath. It's almost

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Speaker 1: like meditating. You know, if you are someone who meditates

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Speaker 1: or has, you have to focus on your breath and

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Speaker 1: only that and then when your mind wanders, you come

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Speaker 1: back to the breath. Well, this is like the breath,

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Speaker 1: but if you lose focus, you miss a chunk of information,

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Speaker 1: so then you got to go back. So I just

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Speaker 1: I've listened to the same thing over and over because

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Speaker 1: I just have this obsession with getting all the information

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Speaker 1: and they're too smart, so I can't get to the end.

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Speaker 1: But they do talk about sleep treckers and which ones

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Speaker 1: are the best one, and I'm going to get one

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Speaker 1: because I want to start like knowing what's going on. Um,

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Speaker 1: I don't have a Luigi on my lap today. Um

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Speaker 1: he is at my parents house because I'm going to

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Speaker 1: San Francisco and Portland's this weekend to shas in Portland

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Speaker 1: one in San Francisco. Um, but I do have another

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Speaker 1: pet that I just want to get really quickly to

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Speaker 1: see because I couldn't find it this morning. I couldn't

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Speaker 1: find him this morning, and then I saw him when

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Speaker 1: I started podcasting. Hold on it once again? Okay, oh

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Speaker 1: does my good boy? There's my room. He got tangled

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Speaker 1: in some cords. It's so dumb, this room ba and

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Speaker 1: it's like I'm hugging a vacuum. What is this joke?

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Speaker 1: Does not pay off? And it really just got me

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Speaker 1: so dirty. Goddamnit. Roomba fucking hate you. I'm gonna beat

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Speaker 1: my roomba. Could you get in trouble for that? Um?

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Speaker 1: Not yet. Yeah, someday the robots will be sentient and

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Speaker 1: will remember which one which one of you? Why do

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Speaker 1: you robots always talking like this when they become sentient

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Speaker 1: and they decided to kill you? I don't know those

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Speaker 1: same guys that sleep guy? Um, I yeah, I've been

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Speaker 1: having terrible nightmares and just wanting to go back in

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Speaker 1: to them. I'm just I'm a little bit of a

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Speaker 1: slug and I was supposed to go do a raky

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Speaker 1: session later on with my um friend slash voice coach,

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Speaker 1: who does raiky, which is all you just lay on

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Speaker 1: a fucking bed and she makes sounds around you and

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Speaker 1: doesn't touch you. It's fucking great when she just hits

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Speaker 1: gongs and like does all these swirling pots and like

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Speaker 1: these little crystal like you know, uh one of the

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Speaker 1: wind chimes and ship It's so good. But um, I'm

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Speaker 1: supposed to go to and I just canceled it because

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Speaker 1: I I wanted to wake up early this morning and

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Speaker 1: get so much done before the podcast, but I was.

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Speaker 1: I couldn't even finished breakfast because I'm just so slow. Um,

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Speaker 1: but I'm feeling good as I'm talking, and um, I

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Speaker 1: watched I went to my parents house last night to

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Speaker 1: watch the Beatles documentary. Have you seen it yet? No?

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Speaker 1: Are you a Beatles fan? Um? I think they're okay.

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Speaker 1: They're my dad's favorite band, so I like them for

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Speaker 1: that reason. Same um, but not they're my dad's favorite band.

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Speaker 1: But I do love um and they they send the

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Speaker 1: same kind of chills through my body when I see

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Speaker 1: them perform or see something new or hear something new

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Speaker 1: that I get from like Taylor Swift Um, they're probably

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Speaker 1: my first, first, first, first obsession, and I think it

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Speaker 1: was a way to like connect with my dad. But

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Speaker 1: I was also like really had a crush on them,

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Speaker 1: and um, yeah, I just I love them a lot

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Speaker 1: and I was excited about this documentary. Boy is it

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Speaker 1: a lot of nothing if you ask me, And as

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Speaker 1: a Beatles fan, I know that's probably sacrilege, sacrilege with

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Speaker 1: to say, but it's so it's tedious. Is anyone with

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Speaker 1: me on this? Like I've only watched the first episode

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Speaker 1: and we didn't even get through that because it's two

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Speaker 1: hours and something long. But it's one of those things

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Speaker 1: you can put on and talk through the whole thing

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Speaker 1: because there's no plot, there's no um story you need

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Speaker 1: to follow. It's just watching it's bird on the it's

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Speaker 1: fly on the wall, watch band members talk. And it

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Speaker 1: bugs me because I am very fine tuned to reality

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Speaker 1: shows where they pipe in audio where there's not actually

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Speaker 1: that being said in that scene, and that's what happened

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Speaker 1: here because they had to and they tell you what happens,

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Speaker 1: you know. They said they have a hundred and fifty

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Speaker 1: hours of audio and like ninety hours of video, so

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Speaker 1: they're using audio and putting it into video that where

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Speaker 1: did you know this audio occurred somewhere on these premises

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Speaker 1: in the same condition. So it's not like so insincere

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Speaker 1: to do this because these we know that this happened.

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Speaker 1: But it bugs me when someone is supposed like it's

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Speaker 1: George talking and they show the back of his head

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Speaker 1: and his head's not moving at all. When you talk,

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Speaker 1: your head bobbles a little bit. And these I'll just

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Speaker 1: I can sniff out when audio isn't matching the video immediately.

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Speaker 1: I'm very like I can do it in movies and TV.

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Speaker 1: I can do it in reality TV. It happens constantly.

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Speaker 1: I'm just a uh cynical uh viewer of stuff, and

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Speaker 1: so I just know when things are being faked. And

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Speaker 1: there's so much of that in this documentary because they

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Speaker 1: have to, and they tell you beforehand that is what

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Speaker 1: they do. They try to recreate it as as like

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Speaker 1: honestly as possible, but they are telling you like, there

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Speaker 1: will be some places where audio and they say that

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Speaker 1: they only use they only use still images over the

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Speaker 1: audio that has no video. I called bus um, but

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Speaker 1: it's just a bunch of guys. And Andrew was like,

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Speaker 1: pay attention. You're gonna love how they just talk in shorthand,

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Speaker 1: like they just have a secret language. And I'm like,

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Speaker 1: it's sixties British. It's just it's sixties British. It's a

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Speaker 1: different language because they use different words like grotty instead

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Speaker 1: of like to mean something. I don't know they used there,

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Speaker 1: because Andrew today was like, did you hear the secret language?

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Speaker 1: And I'm like, Andrew, it's British. It's just some people

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Speaker 1: with a British accent in the sixties. You know, if

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Speaker 1: you're people talk in the sixth season, you know, with

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Speaker 1: an American accent, you'd be like, oh, this is kind

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Speaker 1: of weird because those different words. And you know, if

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Speaker 1: someone hears someone say that's lit forty years from now,

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Speaker 1: it's fifty years from now. Um, you'd go, oh, wow,

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Speaker 1: they have a secret language. No, that's just what people said.

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Speaker 1: So I I think that was what was going on.

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Speaker 1: But boy was it a snooze fest. And my dad

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Speaker 1: and mom were they had already seen that episode, so

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Speaker 1: it was nice that I could just talk over and

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Speaker 1: we can just hang out. But um, at one point,

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Speaker 1: I was like, can we shut this pitch down and

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Speaker 1: pull up Taylor sort on sn L because you guys

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Speaker 1: haven't seen her yet on that, and so I made

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Speaker 1: them watch ten minutes of Taylor Swift on sn L

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Speaker 1: and I tried to film it on my Instagram because

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Speaker 1: I thought my mom was going to say something funny

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Speaker 1: or you get, or just to be like she's so great,

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Speaker 1: Like I just thought she'd get some commentary, but they

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Speaker 1: just sat in silence the whole time. I don't know

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Speaker 1: what that meant. And um, my mom just wanted to

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Speaker 1: know what she wore for it when I was talking

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Speaker 1: about it yesterday. But then also last night, I got

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Speaker 1: home from watching um Get Back at my parents house,

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Speaker 1: and Andrew had rented that Anthony Bourdaine movie and it's

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Speaker 1: so good and heartbreaking and he's kind of an asshole

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Speaker 1: and such a dark soul, like not a dark soul,

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Speaker 1: but like so negative. Definitely was a heroin addict. He

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Speaker 1: you know, he was a junkie. He recovered, he became

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Speaker 1: a huge celebrity that became a chef, poured his addiction

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Speaker 1: into that because he quit, he quit being a junkie.

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Speaker 1: Cold Turkey didn't you know, find a program. He didn't

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Speaker 1: go to rehab, he didn't have like a you can't

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Speaker 1: just quit. There's a David Um, not David Show. David

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Speaker 1: Cho's brother who's an artist in the movie, is also

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Speaker 1: a junkie. And he says, you know, I always talked

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Speaker 1: to Anthony and I said, how did you quit heroin

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Speaker 1: Cold Turkey? No one I know has ever quit heroin

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Speaker 1: Cold Turkey? And he had the soul story about I

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Speaker 1: looked at myself in the mirror and I just didn't

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Speaker 1: want to be that anymore. And I just saw a

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Speaker 1: future for this man that's all well and good, but

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Speaker 1: like you will put somewhere else unless you develop up

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Speaker 1: like if, unless you have work around it and have

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Speaker 1: like a support system, which he did not have. He

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Speaker 1: was always the theme of his life was alone Um

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Speaker 1: and this guy, this artist was like I remember believing

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Speaker 1: him at the time, but now I realized he just

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Speaker 1: put it into other things. And you could see all

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Speaker 1: these chapters of his life where he got obsessed with

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Speaker 1: certain women, He got obsessed with being a father, He

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Speaker 1: got obsessed with jiu jitsu, like obsessed with jiu jitsu.

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Speaker 1: His camera ops were like, I don't even know jiu jitsu,

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Speaker 1: and I would I'd go Anthony, I don't want to

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Speaker 1: hear about fucking jiu jitsu anymore. I've been I've never

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Speaker 1: I don't know anything about jiu jitsu, and you've talked

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Speaker 1: to me about jiu jitsu for a hundred and fifty hours.

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Speaker 1: And his wife, his second wife, got him into it,

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Speaker 1: and she goes, I I love ju jitsu, and she goes,

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Speaker 1: And as as everyone knows, anyone who does jiu jitsu

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Speaker 1: becomes at one point unbearable to be around. Unbearable. And

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Speaker 1: it's why I don't get it. No, h Why is

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Speaker 1: jiu jitsu this thing that everyone just gets addicted to it? Right? Yeah,

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Speaker 1: it's really hard to explain unless you get into it.

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Speaker 1: But you just become like punishing Lee obsessed, and all

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Speaker 1: you want to do is talk about it, figure out

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Speaker 1: your game, figure out the little technique that you can

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Speaker 1: adjust to get better. It's just it sounds like it's

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Speaker 1: very people with like addictive personalities. Are there a lot

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Speaker 1: of heroin addicts or like you know, X cons type

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Speaker 1: people in jiu jitsu? A lot of um you know,

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Speaker 1: there's some sports that attract or things that attract um junkies,

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Speaker 1: like being chefs. There are a lot of chefs that

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Speaker 1: are junkies because it's just such a high pressure, fly

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Speaker 1: by to the seat of your pants, make quick decisions

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Speaker 1: kind of thing. He was trying to explain it, and

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Speaker 1: like with how jiu jitsu or his wife was like,

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Speaker 1: it just moves so fast and you have to make

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Speaker 1: you have to win a lot of situations very quickly, um,

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Speaker 1: and make decisions on the flow. Like it's almost like

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Speaker 1: it was kind of like what he wasn't because he

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Speaker 1: stopped being a chef once he became famous, gladly because

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Speaker 1: he was like that world was you know, abusive and um,

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Speaker 1: you know, backbreaking and soul crushing. But I think he

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Speaker 1: missed that kind of running around. I really related to

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Speaker 1: a lot of it, to be honest. They said he

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Speaker 1: was always rushing everywhere there was. He was rushing into

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Speaker 1: a situation, he was rushing out of it. Although there

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Speaker 1: was one quote he had where he was like, um,

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Speaker 1: there's you know, there's nothing worse than mediocrity, like mediocrity

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Speaker 1: is the most disgusting thing you can be or something

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Speaker 1: like that, and I was like, oh my god, that

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Speaker 1: is That's my biggest fear is that because I know

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Speaker 1: that there are times where I just don't have the

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Speaker 1: energy to be as good as I can be. That's

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Speaker 1: my thing is, like I have the potential to be

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Speaker 1: as good as this person that I think is the best.

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Speaker 1: You Like, I know that I could be. This is cocky.

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Speaker 1: I if I applied myself and only worked at it,

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Speaker 1: I could be as good as the best comedians out there,

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Speaker 1: like or whatever I really could or the But you

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Speaker 1: know I because I do believe it's all about practice

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Speaker 1: and about like discipline, That's what talent is, and and

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Speaker 1: there is something to having a kind of brain that

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Speaker 1: is good for these things that I've chosen to do,

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Speaker 1: But I just don't have the energy to do it.

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Speaker 1: And so I feel like if you don't get to

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Speaker 1: the top potential of what you're you're like, um, the

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Speaker 1: highest level of how you could perform. Then your mediocre

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Speaker 1: then you're like taking less. But the truth is that

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Speaker 1: I don't want to get to the top. Sometimes when

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Speaker 1: you reach that level, you sacrifice everything else. And I

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Speaker 1: have to remember these people that I look at that

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Speaker 1: I'm jealous of their lie or like their success or

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Speaker 1: their um skill or their talent at there are actually

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Speaker 1: in the end, maybe they are operating at a ten

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Speaker 1: in terms of joke structure and joke formation for the

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Speaker 1: jokes that they're doing. But because they're not living a

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Speaker 1: life outside of that so that they can reach that ten,

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Speaker 1: their material always stays on the surface level of never.

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Speaker 1: They don't reach a different depth of materials. So, you know,

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Speaker 1: Bob or you know something I'm I might only reach

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Speaker 1: a level of seven for you know, accuracy and meticulousness

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Speaker 1: and like having this joke carved out perfectly, where you

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Speaker 1: know a joke smith or or someone like like I

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Speaker 1: could look at it and go that joke is airtight,

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Speaker 1: there's nothing wrong with it. They've squeezed every little piece

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Speaker 1: of juice out of that topic. Those are the comedians

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Speaker 1: I admire. But when I failed to do that, it's

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Speaker 1: because I want to go take a nap, or because

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Speaker 1: I want to go watch a show or hang out

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Speaker 1: with a friend or fucking do nothing. And I think

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Speaker 1: those moments, although my jokes maybe never will get past

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Speaker 1: a seven, in terms of the ten that I could achieve,

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Speaker 1: I will the subject matter and the things I talked about.

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Speaker 1: I would rather have someone talk about stuff that matters

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Speaker 1: to me and that connects with me on a soulful

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Speaker 1: level and reach a seven, then things that don't and

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Speaker 1: reach a ten. So that's what I have to remember.

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Speaker 1: And that's just for me today to get through Uh

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Speaker 1: any self doubt I have, but I did cancel my

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Speaker 1: reiki session and I did. Um my my voice teacher

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Speaker 1: is trans and um it was trans woman and uh

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Speaker 1: I she recently asked me if I would teach her

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Speaker 1: how to do her makeup. She's my age and transition

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Speaker 1: like five years ago. And it's so like you would

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Speaker 1: never know that she had transitioned. She just presents as, uh,

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Speaker 1: you know, a woman to me. Um, and she asked

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Speaker 1: me to teach her to do your makeup. We did

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Speaker 1: it um one time. I'm and like it was so

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Speaker 1: different than what she's used to that she was just

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Speaker 1: like like kind of shocked because when you first put

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Speaker 1: on like a lot of makeup, you're like what the fuck.

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Speaker 1: But she did love it and she looked beautiful. So

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Speaker 1: I went and got her all this. I was like,

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Speaker 1: I need to get you like a kid of just

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Speaker 1: the simple thing. So I have all this makeup I

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Speaker 1: want to give her that I bought her and so

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Speaker 1: I'm probably gonna just have her come get that and

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Speaker 1: I'll do another tutorial. But I gotta figure out my

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Speaker 1: fucking day. Oh god, I got San Francisco tomorrow, early flight,

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Speaker 1: and I'm going to see a movie and I'm going

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Speaker 1: to see Ghostbusters. Let's get Andrew in here. What up?

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Speaker 1: Happy Brenna's birthday? My baby Brenna's birthday? Is Brenda's birthday? Baby?

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Speaker 1: I miss you. She's literally ten ft away. Um, how's

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00:18:55,640 --> 00:18:58,400
Speaker 1: it going? It's good. We just filed out the application.

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00:18:58,520 --> 00:19:03,840
Speaker 1: We're gonna be neighbors. Check. Yeah. Oh, I gotta send

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Speaker 1: my lease for normal. I forgot to do that. You

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00:19:06,800 --> 00:19:09,280
Speaker 1: get kicked out of the building. That would be hilarious

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Speaker 1: if I have to leave and you're still here and

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Speaker 1: you take the apartment we really wanted. I wouldn't take

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Speaker 1: that fucking small shiittle. That's our dream house, that's our dream. Um. Yeah,

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Speaker 1: how so I watched I finished the Bourdain. I don't

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Speaker 1: know if why did you not watch it all? It

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Speaker 1: is the one, it's really I think that's like an

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Speaker 1: old document. I don't think that's the one that's not.

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Speaker 1: They have it all up to his death in two thousand.

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Speaker 1: Are you sure? I watched it last night and he

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Speaker 1: dies in it, and he wasn't dead in two thousand thirteen,

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Speaker 1: so that would have been very prophetic. It's the one

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Speaker 1: where you want. You watched the beginning of it Andrew

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Speaker 1: and they're talking about him. Community. Yes, I put it

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Speaker 1: on to day and I could have sword said two.

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00:20:03,520 --> 00:20:05,800
Speaker 1: I was like, oh my god, we've been watching an

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Speaker 1: old documentary. Why did you guaits stop it right away?

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Speaker 1: You just got bored? Yeah, okay, little birthday love making

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Speaker 1: not on the cop um. I finished it. It was

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Speaker 1: I mean, I was sobbing at them. It was so good.

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Speaker 1: I can't wait for you to finish it. Yeah, I'm excited.

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Speaker 1: I mean, I hope he doesn't die. Uh yeah, I

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Speaker 1: mean's he's gone? Oh yeah, yeah, I'm sorry. I thought

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Speaker 1: you knew. It was like speaking of things I haven't seen.

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Speaker 1: I've never I'm going to see Ghostbusters to night. I

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Speaker 1: didn't even know there was a new Ghostbusters. Who's in

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Speaker 1: this wait like with all the women. No, there's a

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Speaker 1: new Ghostbusters? Is that right? Or are they just bringing

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Speaker 1: the old Ghostbusters back? No? I think I think there's

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Speaker 1: a new one. I'm I'm looking it up right now.

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Speaker 1: Why don't I know anything about movies? I don't know

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Speaker 1: there's a new Spider Man coming out. I didn't know

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Speaker 1: about that. I don't know that any of this ship.

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00:20:54,640 --> 00:20:57,320
Speaker 1: There's been eight thousands, but I always know when those

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Speaker 1: things at least I don't see them, but I at

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Speaker 1: least know they're coming out. Know it's like in the ether. Yes,

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Speaker 1: I mean I don't think he was in this Ghostbusters? Okay,

381
00:21:07,640 --> 00:21:10,640
Speaker 1: in that case, who else? And then old school Bill

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Speaker 1: Murray Dan Ackroyd? What Okay? Yeah, because they're in the original, right,

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Speaker 1: can I see Okay, Ernie Hudson's in the original? Can

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Speaker 1: I see this Ghostbusters without having seen the original? I'll

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Speaker 1: probably be the only one in the theater who hasn't

386
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Speaker 1: seen the original. And I know that's a bad part

387
00:21:27,720 --> 00:21:31,440
Speaker 1: of my personality, but I was just scared. As a kid.

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00:21:32,160 --> 00:21:34,560
Speaker 1: I didn't like ghosts. I did that slimer thing. Scared

389
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Speaker 1: the funk out of meat. Yes, I knew enough that

390
00:21:39,119 --> 00:21:42,280
Speaker 1: I like your dad a little bit. Okay, very blond

391
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Speaker 1: hair and he doesn't have blond hair. Get back. I

392
00:21:48,440 --> 00:21:51,200
Speaker 1: love about the get back thing. One thing I noticed,

393
00:21:51,720 --> 00:21:54,639
Speaker 1: so John Lennon is late to one of their practices. Okay,

394
00:21:54,880 --> 00:21:57,920
Speaker 1: he's they're like ring goes, like I'm always on time,

395
00:21:58,680 --> 00:22:02,600
Speaker 1: and Paul was like Rango, a good old ringo, always

396
00:22:02,600 --> 00:22:05,160
Speaker 1: on time, and John is at the time snorting Heroine

397
00:22:05,280 --> 00:22:07,399
Speaker 1: at night. My dad said, my dad knows a lot

398
00:22:07,480 --> 00:22:12,240
Speaker 1: of extra details the old man in the painting. No,

399
00:22:12,920 --> 00:22:16,240
Speaker 1: he was because my dad also said last night he's

400
00:22:16,280 --> 00:22:19,080
Speaker 1: like Julian Lennon said he watched this documentary and said,

401
00:22:19,080 --> 00:22:20,800
Speaker 1: I did have a whole new appreciation for my dad.

402
00:22:20,840 --> 00:22:24,239
Speaker 1: I go, you just said that he's he's snorting heroin, Dad,

403
00:22:24,240 --> 00:22:25,760
Speaker 1: And he goes, well, he's only doing that night, And

404
00:22:25,760 --> 00:22:28,440
Speaker 1: I'm like, well, he's I wouldn't want to watch my

405
00:22:28,520 --> 00:22:30,440
Speaker 1: dad as an addict and feel closer to him. But

406
00:22:30,520 --> 00:22:33,080
Speaker 1: maybe I don't know. So it's which way is it?

407
00:22:33,400 --> 00:22:35,080
Speaker 1: Is Julian Lennon seeing a new side of his dad

408
00:22:35,119 --> 00:22:37,359
Speaker 1: that he loves, or is John Lennon the heroin at it?

409
00:22:37,400 --> 00:22:39,680
Speaker 1: Because you can't have it both ways. Well, maybe he

410
00:22:39,800 --> 00:22:43,520
Speaker 1: saw Daddy at home and not Daddy at work, you

411
00:22:43,560 --> 00:22:45,280
Speaker 1: know what I mean. I mean he saw Daddy at

412
00:22:45,320 --> 00:22:48,800
Speaker 1: work kind of thinking about my life, Like you see

413
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Speaker 1: Daddy at home. They're fighting at home, They're they're angry

414
00:22:52,280 --> 00:22:54,440
Speaker 1: at home. You never you didn't see the process I

415
00:22:54,480 --> 00:22:57,119
Speaker 1: didn't see daddy's saving cancer lives. To be honest, your

416
00:22:57,200 --> 00:23:00,320
Speaker 1: dad was maybe kind of sucking at work. Yeah, but

417
00:23:00,400 --> 00:23:04,640
Speaker 1: he was only only one he would do heroin, which

418
00:23:04,680 --> 00:23:09,560
Speaker 1: is Tuesday Thursday. Great. My grandpa wasn't uh I surgeon

419
00:23:09,600 --> 00:23:12,480
Speaker 1: my dad's dad, and he did some meth back in

420
00:23:12,560 --> 00:23:15,480
Speaker 1: the day to get through surgeries. And also, um when

421
00:23:15,520 --> 00:23:17,720
Speaker 1: these guys when it says in the beginning to get

422
00:23:17,760 --> 00:23:21,200
Speaker 1: back that the Beatles would play in um the court

423
00:23:21,240 --> 00:23:23,040
Speaker 1: when they were the Quarrymen, and they would play eight

424
00:23:23,080 --> 00:23:25,280
Speaker 1: hours a night, did you see that. I haven't seen

425
00:23:25,320 --> 00:23:27,600
Speaker 1: that part. Yes you have, because it's the very first

426
00:23:27,640 --> 00:23:30,680
Speaker 1: open scene when you say you watch something, you don't

427
00:23:30,800 --> 00:23:32,760
Speaker 1: watch it because you're on your phone. I just don't

428
00:23:32,800 --> 00:23:37,159
Speaker 1: believe it anymore. There's no way you watch a surgeon

429
00:23:37,240 --> 00:23:40,040
Speaker 1: on meth. It's pretty scary. You know. They all were

430
00:23:40,119 --> 00:23:43,000
Speaker 1: back then. Em feta means they meth is pretty much

431
00:23:43,200 --> 00:23:46,359
Speaker 1: like you know, a very extreme form of a d

432
00:23:46,440 --> 00:23:48,399
Speaker 1: D meds. So they were just it would make them

433
00:23:48,440 --> 00:23:51,080
Speaker 1: focused to be able to work do surgeries for hours

434
00:23:51,119 --> 00:23:53,240
Speaker 1: and hours and hours. I mean they gave it to

435
00:23:53,280 --> 00:23:55,520
Speaker 1: the Nazis, like the people get fucking worked on on

436
00:23:55,680 --> 00:23:58,000
Speaker 1: meth before it starts to rob their face and their teeth.

437
00:23:58,640 --> 00:24:01,359
Speaker 1: I got into a whole side right last night's window,

438
00:24:02,480 --> 00:24:06,280
Speaker 1: like very like you could probably you could. Yeah. There's

439
00:24:06,280 --> 00:24:09,800
Speaker 1: a subredit like where people talk are all math users

440
00:24:09,840 --> 00:24:11,800
Speaker 1: and they talk about meth like it's like you know,

441
00:24:11,920 --> 00:24:14,880
Speaker 1: we'd culture. They're just like, got a fucking new meth

442
00:24:15,000 --> 00:24:17,320
Speaker 1: pipe today and they're all like smoking meth and talking

443
00:24:17,359 --> 00:24:19,920
Speaker 1: about it, like what's the best way to smoke with beth?

444
00:24:20,320 --> 00:24:22,760
Speaker 1: How what should you? I haven't slept for eight days?

445
00:24:22,880 --> 00:24:24,920
Speaker 1: Is that too long? They're like keep going, man like.

446
00:24:25,240 --> 00:24:29,520
Speaker 1: It's the supportive community of like Lucid Mathews and I

447
00:24:29,680 --> 00:24:33,480
Speaker 1: use Lucid and quotes. But they they're writing like interesting things.

448
00:24:33,560 --> 00:24:36,159
Speaker 1: They're all like they all they all go like, oh,

449
00:24:36,240 --> 00:24:38,200
Speaker 1: I had a shift at my job. People are just

450
00:24:38,359 --> 00:24:41,480
Speaker 1: doing meth. Don't do math, by the way, don't have

451
00:24:41,600 --> 00:24:45,000
Speaker 1: he do math. No, we're not promoting, but people. Some

452
00:24:45,119 --> 00:24:46,720
Speaker 1: girl was on there and was like, Hey, I'm thinking

453
00:24:46,720 --> 00:24:48,240
Speaker 1: about doing meth for the first time, and they're all like,

454
00:24:48,520 --> 00:24:51,879
Speaker 1: so start like this, and it's like what, she's nineteen

455
00:24:51,960 --> 00:24:55,280
Speaker 1: and you're telling her to start. You start with this adder,

456
00:24:55,600 --> 00:24:57,439
Speaker 1: you work your way up. Yeah, I mean, that's how

457
00:24:57,640 --> 00:25:01,120
Speaker 1: but it's anyway, my my, my grandpa was a nice

458
00:25:01,119 --> 00:25:04,560
Speaker 1: surgeon who was definitely on meth when he was working

459
00:25:04,720 --> 00:25:08,080
Speaker 1: and um, and the Beatles used to do um. They

460
00:25:08,119 --> 00:25:11,560
Speaker 1: were doing meth too when they were um or like

461
00:25:11,680 --> 00:25:13,359
Speaker 1: a form of it. You know. It wasn't like the

462
00:25:13,480 --> 00:25:16,919
Speaker 1: meth we know now, like hillbilly heroin, but they were

463
00:25:16,960 --> 00:25:19,240
Speaker 1: doing meth when they Because it says the Quarrymen played eight.

464
00:25:19,400 --> 00:25:22,240
Speaker 1: The Beatles were so good when they debuted and became,

465
00:25:22,520 --> 00:25:25,000
Speaker 1: you know, in nineteen sixty three, and they became the

466
00:25:25,560 --> 00:25:27,520
Speaker 1: biggest band in Britain and then they came over to

467
00:25:27,520 --> 00:25:29,879
Speaker 1: the US. They were so good because they put in

468
00:25:29,920 --> 00:25:32,080
Speaker 1: their ten thousand hours. They had been playing as a

469
00:25:32,119 --> 00:25:34,600
Speaker 1: band since they were four, for like three years. They

470
00:25:34,640 --> 00:25:37,399
Speaker 1: played eight hours a night for three like three or

471
00:25:37,480 --> 00:25:42,840
Speaker 1: four five years. Eight hours a night, yes, and that

472
00:25:42,960 --> 00:25:45,520
Speaker 1: little um, I forget the name of it. People are

473
00:25:45,600 --> 00:25:50,119
Speaker 1: very drunk and loud, and so because the hours they

474
00:25:50,200 --> 00:25:52,240
Speaker 1: put in. If you don't put in the hours, you're

475
00:25:52,320 --> 00:25:55,760
Speaker 1: not good. And it's like that's what no one ever sees,

476
00:25:56,000 --> 00:25:58,640
Speaker 1: is all the work that goes into being that good.

477
00:25:58,760 --> 00:26:00,800
Speaker 1: We just go these young boys in Liverpool how did

478
00:26:00,840 --> 00:26:04,040
Speaker 1: they get so good. It's like they sacrificed, not sacrificed.

479
00:26:04,040 --> 00:26:05,440
Speaker 1: They loved playing and they did a lot of math

480
00:26:05,520 --> 00:26:07,719
Speaker 1: to get it done. I just feel like when watching

481
00:26:07,800 --> 00:26:10,760
Speaker 1: that doc, I didn't feel like they were like they

482
00:26:10,800 --> 00:26:12,960
Speaker 1: were like good friends, but they were like Paul was

483
00:26:13,080 --> 00:26:16,880
Speaker 1: constantly like saying, I'll just go off on my own.

484
00:26:16,960 --> 00:26:20,120
Speaker 1: Then I'll go off like he said it like George,

485
00:26:20,880 --> 00:26:25,359
Speaker 1: but Paul said it to more. I empathize with Paul

486
00:26:25,680 --> 00:26:28,080
Speaker 1: because everyone else is just like, we can do it

487
00:26:28,200 --> 00:26:31,120
Speaker 1: this all, we could do it this way. Oh, I'm

488
00:26:31,119 --> 00:26:33,159
Speaker 1: gonna do It's like Paul's like, we got to make

489
00:26:33,160 --> 00:26:35,159
Speaker 1: a decision and you guys need to stop playing for

490
00:26:35,280 --> 00:26:37,760
Speaker 1: so we can realize what we're doing. For that scene

491
00:26:37,880 --> 00:26:41,119
Speaker 1: was pretty like intense, wasn't it. Yes, I feel like

492
00:26:41,200 --> 00:26:43,560
Speaker 1: a Paul a lot of times in which you get

493
00:26:43,600 --> 00:26:46,000
Speaker 1: to you're the enemy because you're the one going, guys,

494
00:26:46,240 --> 00:26:48,800
Speaker 1: we need to do this, and everyone goes, oh, taskmaster

495
00:26:48,880 --> 00:26:51,479
Speaker 1: and he's like but at this time, Brian Epstein had

496
00:26:51,520 --> 00:26:54,479
Speaker 1: died their manager, so that is a manager. They always

497
00:26:54,560 --> 00:26:57,760
Speaker 1: had someone steering them and telling them collectively as a group, guys,

498
00:26:57,920 --> 00:27:00,440
Speaker 1: you all have to do this and if don't do this,

499
00:27:00,680 --> 00:27:04,960
Speaker 1: you're like, you know pretty much there their boss and

500
00:27:05,040 --> 00:27:07,720
Speaker 1: this was a rudderless ship. I like it. I like

501
00:27:07,800 --> 00:27:10,480
Speaker 1: when they talk about him, like he helped us so much.

502
00:27:10,520 --> 00:27:13,640
Speaker 1: He told us to wear suits and we wore suits. Yeah,

503
00:27:13,760 --> 00:27:15,760
Speaker 1: and that was like the whole example. But it worked.

504
00:27:16,000 --> 00:27:18,919
Speaker 1: Like the blacks and white suits with the haircut, everyone

505
00:27:19,040 --> 00:27:22,600
Speaker 1: the same. It worked. I mean that those Paul McCartney

506
00:27:22,640 --> 00:27:26,840
Speaker 1: you could tell and John but like whatever, they're all

507
00:27:26,880 --> 00:27:29,520
Speaker 1: brilliant in their own right. But Paul McCartney really stood

508
00:27:29,560 --> 00:27:31,920
Speaker 1: out to me in like, granted it showed like he

509
00:27:32,040 --> 00:27:34,960
Speaker 1: came up with those singles, but like he's on another

510
00:27:35,160 --> 00:27:39,720
Speaker 1: level of just like of creativity and and I love

511
00:27:39,760 --> 00:27:42,200
Speaker 1: how they were like we're going to simplify everything and

512
00:27:42,359 --> 00:27:45,480
Speaker 1: then we then make it, yeah, which is interesting, Yeah,

513
00:27:45,520 --> 00:27:48,280
Speaker 1: because I supposed the other way. Well obviously with music,

514
00:27:48,359 --> 00:27:50,600
Speaker 1: I guess you can't. Yeah, you have to. It's the

515
00:27:50,640 --> 00:27:52,879
Speaker 1: same as like a joke, like okay, the bones of

516
00:27:52,920 --> 00:27:55,440
Speaker 1: the joke are I you know, I start with like

517
00:27:55,480 --> 00:27:57,760
Speaker 1: a one liner and then from there you can build

518
00:27:57,800 --> 00:28:00,760
Speaker 1: to like a bigger concept, but like, okay, this thing's funny.

519
00:28:01,160 --> 00:28:04,760
Speaker 1: Instead of instead of tackling when when comedians go, oh,

520
00:28:04,800 --> 00:28:06,639
Speaker 1: I gotta write a bit, they see something that like

521
00:28:07,320 --> 00:28:08,879
Speaker 1: me or you are doing and we've been doing this

522
00:28:09,000 --> 00:28:12,000
Speaker 1: for fucking forever, and young comics are like, I gotta

523
00:28:12,040 --> 00:28:14,560
Speaker 1: write a bit, like a four minute bit about shoelaces,

524
00:28:14,600 --> 00:28:18,240
Speaker 1: and it's like, no, right, one joke about shoelaces and

525
00:28:18,280 --> 00:28:21,840
Speaker 1: then go to the next topic, like don't don't make

526
00:28:21,920 --> 00:28:24,680
Speaker 1: yourself crazy. Even like when I'm trying to write a song,

527
00:28:25,119 --> 00:28:29,000
Speaker 1: sometimes I'm just like, it's too daunting to write a

528
00:28:29,160 --> 00:28:31,800
Speaker 1: whole song. But it's like, write a bad song. Just

529
00:28:31,880 --> 00:28:36,840
Speaker 1: write a bad, fucking simple song like Alligator Boy, and

530
00:28:36,880 --> 00:28:41,520
Speaker 1: then Alligator Boy could become this like which blows up.

531
00:28:41,600 --> 00:28:44,520
Speaker 1: Sometimes simple batter island boy. Sometimes simple is better. I

532
00:28:44,560 --> 00:28:47,800
Speaker 1: saved a Reddit post of island boys guys getting fucking

533
00:28:48,480 --> 00:28:51,800
Speaker 1: bo Yeah. I know you probably saw that in Miami. Yeah.

534
00:28:51,920 --> 00:28:53,640
Speaker 1: By the way, everyone that goes to live in Miami's

535
00:28:53,640 --> 00:28:55,400
Speaker 1: a fucking cheese dick. So I'm actually on the island

536
00:28:55,440 --> 00:28:57,200
Speaker 1: boy side. I was totally on their side. Those poor

537
00:28:57,280 --> 00:29:00,480
Speaker 1: guys bombing their faces off, which their face look they've

538
00:29:00,640 --> 00:29:02,680
Speaker 1: already been bombed off because they're covered in tattoos. It

539
00:29:02,720 --> 00:29:09,120
Speaker 1: looks like ash. Yeah. Um, I will say though, that

540
00:29:09,280 --> 00:29:11,600
Speaker 1: the coolest part about the documentary that I've seen so far,

541
00:29:13,120 --> 00:29:14,880
Speaker 1: and I've only watched I didn't even finish the first

542
00:29:14,920 --> 00:29:16,560
Speaker 1: episode before I was like, let's turn this off and

543
00:29:16,600 --> 00:29:19,880
Speaker 1: watch Taylor Swift. Um, oh god, last night was so

544
00:29:19,960 --> 00:29:23,880
Speaker 1: funny at my parents but I um so, John Lennon's

545
00:29:23,920 --> 00:29:28,240
Speaker 1: late to rehearsal and it's Ringo, George and Paul and

546
00:29:28,280 --> 00:29:30,320
Speaker 1: they're all waiting and Paul is just playing a bass

547
00:29:30,520 --> 00:29:32,760
Speaker 1: which obviously only has four strings, and he's playing it

548
00:29:32,880 --> 00:29:34,760
Speaker 1: like a guitar and he's like fucking ground on it

549
00:29:35,520 --> 00:29:38,360
Speaker 1: and there look, you know, at this point, there twelve

550
00:29:38,480 --> 00:29:42,080
Speaker 1: days out for performing this like concert that's like the

551
00:29:42,160 --> 00:29:44,760
Speaker 1: Beatles are back kind of thing. They have to they're

552
00:29:44,840 --> 00:29:50,000
Speaker 1: doing this. The whole documentary is them writing within They

553
00:29:50,040 --> 00:29:54,960
Speaker 1: have like twenty days to write songs and learned those

554
00:29:54,960 --> 00:29:57,000
Speaker 1: songs then perform them live, which ends up being the

555
00:29:57,080 --> 00:30:01,600
Speaker 1: Rooftop concert that was their last concert before they broke up. Um.

556
00:30:02,520 --> 00:30:04,640
Speaker 1: John's running late this morning because he's probably like fucking

557
00:30:04,880 --> 00:30:08,880
Speaker 1: hungover and he's always late, and they're all just kind

558
00:30:08,920 --> 00:30:11,320
Speaker 1: of waiting around, and Paul picks up the base and

559
00:30:11,400 --> 00:30:13,840
Speaker 1: just starts like like like just like fucking around, and

560
00:30:13,840 --> 00:30:16,160
Speaker 1: they're all kind of like talking and schmoozing, drinking coffee,

561
00:30:17,040 --> 00:30:18,480
Speaker 1: and then all of a sudden, he starts like doing

562
00:30:18,520 --> 00:30:21,600
Speaker 1: this riff, and out of that riff comes the number

563
00:30:21,680 --> 00:30:26,280
Speaker 1: one single from that album, get Back. And if John

564
00:30:26,400 --> 00:30:29,080
Speaker 1: would not have been late, we might not have get Back,

565
00:30:29,360 --> 00:30:31,480
Speaker 1: which is so cool to think that, like if John

566
00:30:31,480 --> 00:30:32,880
Speaker 1: would have been there, or they would have been thinking, Okay,

567
00:30:32,960 --> 00:30:35,400
Speaker 1: let's get back to let's let's not get back, let's

568
00:30:36,040 --> 00:30:37,960
Speaker 1: let's move forward with this song we were working on

569
00:30:38,120 --> 00:30:45,520
Speaker 1: yesterday to move forward, Move forward. That the song was

570
00:30:45,640 --> 00:30:49,040
Speaker 1: a man who thought it was a woman who thought

571
00:30:49,200 --> 00:30:52,240
Speaker 1: he was So did he come up with the lyrics?

572
00:30:52,320 --> 00:30:55,000
Speaker 1: Because I saw that clip it was like just amazing

573
00:30:55,120 --> 00:30:58,280
Speaker 1: to see them creative like that and just like like

574
00:30:58,400 --> 00:31:00,600
Speaker 1: free form. Do you think he came up with the

575
00:31:00,680 --> 00:31:02,600
Speaker 1: lyrics also at the same time he came up with

576
00:31:02,680 --> 00:31:06,560
Speaker 1: the riff. I have to watch it again. The lyrics

577
00:31:06,680 --> 00:31:09,360
Speaker 1: are always so interesting because I don't know what songs

578
00:31:09,640 --> 00:31:12,760
Speaker 1: ended up on this album versus songs they had already done.

579
00:31:12,840 --> 00:31:16,280
Speaker 1: And sometimes during these rehearsals they will just play they

580
00:31:16,280 --> 00:31:19,800
Speaker 1: will start singing their other songs that we know and love,

581
00:31:20,520 --> 00:31:23,440
Speaker 1: and sometimes they're working out the rudiment. They'll they'll kind

582
00:31:23,480 --> 00:31:27,040
Speaker 1: of transform songs that they we already know and like

583
00:31:27,120 --> 00:31:28,760
Speaker 1: kind of like funk around with them and they make

584
00:31:28,800 --> 00:31:32,120
Speaker 1: them sound different, just noodling around and you go, oh, wait,

585
00:31:32,240 --> 00:31:35,760
Speaker 1: is that the beginning stages of that song? You know yesterday?

586
00:31:36,160 --> 00:31:38,400
Speaker 1: You know? No, no, no, they're just playing yesterday to

587
00:31:38,560 --> 00:31:41,320
Speaker 1: warm up. And then sometimes it's a song that ends

588
00:31:41,360 --> 00:31:43,040
Speaker 1: up on this album that isn't created yet, so you

589
00:31:43,120 --> 00:31:45,560
Speaker 1: don't know where I need to know, like which songs

590
00:31:45,640 --> 00:31:49,320
Speaker 1: are being tracked out at that moment um. The lyrical

591
00:31:49,400 --> 00:31:51,840
Speaker 1: process is insane because they're writing it all on paper.

592
00:31:52,320 --> 00:31:54,960
Speaker 1: There's no phones. The number one thing you noticed about

593
00:31:54,960 --> 00:31:59,000
Speaker 1: this No phones, no water bottles, fucking insane. When Yoga

594
00:31:59,440 --> 00:32:01,680
Speaker 1: is looking down, she's reading a book, or she's writing

595
00:32:01,720 --> 00:32:03,880
Speaker 1: on a notepad, or she just has to stare and

596
00:32:04,000 --> 00:32:07,160
Speaker 1: watch them like. That's the wild thing about this is

597
00:32:07,240 --> 00:32:09,520
Speaker 1: no phones and no water bottles. The water bottles thing

598
00:32:09,640 --> 00:32:12,000
Speaker 1: you once you open your eyes to it and see

599
00:32:12,080 --> 00:32:15,000
Speaker 1: no water bottles, you'll be like, whoa a water bottle?

600
00:32:15,040 --> 00:32:18,240
Speaker 1: This world? I didn't even realize it. And their their

601
00:32:18,440 --> 00:32:21,520
Speaker 1: color scheme in the background for a lot of this

602
00:32:21,800 --> 00:32:23,880
Speaker 1: is the same as our background of this is the

603
00:32:23,960 --> 00:32:29,000
Speaker 1: same two colors. It's so cool. I wonder was I

604
00:32:29,080 --> 00:32:32,520
Speaker 1: gonna say ship? Sorry I forgot, but I think there's

605
00:32:32,560 --> 00:32:35,360
Speaker 1: probably some joke about yesterday was written also because John

606
00:32:35,440 --> 00:32:37,160
Speaker 1: was late that day too. You know it started as

607
00:32:37,200 --> 00:32:40,600
Speaker 1: scrambled eggs. Do you know that those were the filler words?

608
00:32:40,600 --> 00:32:43,880
Speaker 1: Because sometimes when are people are writing songs, they just

609
00:32:43,920 --> 00:32:47,800
Speaker 1: put in, you know, like, yeah, scrambled eggs was the

610
00:32:47,840 --> 00:32:51,440
Speaker 1: first thing. And also let it be was oh no,

611
00:32:51,560 --> 00:32:54,440
Speaker 1: that was from Sesame Street. They did a cover of

612
00:32:54,520 --> 00:32:58,840
Speaker 1: it like letter be letter be let it be let

613
00:32:58,920 --> 00:33:03,480
Speaker 1: her be um um, yeah, I I I appreciate it, Doc,

614
00:33:03,560 --> 00:33:05,760
Speaker 1: But you just love thinking of if John Lennon would

615
00:33:05,760 --> 00:33:08,160
Speaker 1: have been on time, we wouldn't have getting But also

616
00:33:08,560 --> 00:33:10,520
Speaker 1: if he would have been on time, what song could

617
00:33:10,520 --> 00:33:13,040
Speaker 1: have happened that didn't happen? You know, it's vice versa.

618
00:33:13,320 --> 00:33:16,200
Speaker 1: What about this would have do you think as a

619
00:33:16,360 --> 00:33:19,360
Speaker 1: band because they put in so many hours up Tom

620
00:33:19,440 --> 00:33:22,640
Speaker 1: made him great, but it also you get sick of

621
00:33:22,840 --> 00:33:24,800
Speaker 1: I mean, that's a lot of time together. So with

622
00:33:24,960 --> 00:33:27,880
Speaker 1: did the Beatles have lasted another few years? Because they

623
00:33:27,880 --> 00:33:30,080
Speaker 1: wouldn't have been they wouldn't have been as good as

624
00:33:30,080 --> 00:33:31,920
Speaker 1: they didn't get that time, and and they were young.

625
00:33:32,000 --> 00:33:34,120
Speaker 1: And when you put in that kind of the thing

626
00:33:34,160 --> 00:33:35,680
Speaker 1: is they got sick of each other because they all

627
00:33:35,720 --> 00:33:38,320
Speaker 1: got egos, because they got famous, and they all got

628
00:33:38,360 --> 00:33:40,440
Speaker 1: resentful of each other because you know, you saw it

629
00:33:40,560 --> 00:33:44,240
Speaker 1: and kind of almost famous the front man they debut

630
00:33:44,360 --> 00:33:46,120
Speaker 1: the T shirt and the guy in the front and

631
00:33:46,200 --> 00:33:49,120
Speaker 1: all the guys are blurrying in the background. It's so funny.

632
00:33:49,960 --> 00:33:53,160
Speaker 1: Um and yeah, I mean you could see George had

633
00:33:53,200 --> 00:33:55,240
Speaker 1: a huge chip on her shoulder. At one point apparently

634
00:33:55,400 --> 00:34:01,040
Speaker 1: during this apparently during this um daring this um documentary,

635
00:34:01,240 --> 00:34:04,000
Speaker 1: George quits the band and just walks out. And you

636
00:34:04,080 --> 00:34:06,520
Speaker 1: don't even know it. It's so subtle because George is like,

637
00:34:06,680 --> 00:34:10,680
Speaker 1: so George has just monks sitting around, just taking up space.

638
00:34:10,719 --> 00:34:12,800
Speaker 1: And John Lynn's like, who's that old man of that?

639
00:34:13,520 --> 00:34:16,040
Speaker 1: It's like a twenty year old guy. That's just a monk.

640
00:34:16,360 --> 00:34:19,160
Speaker 1: He's like, who's that old man over there? All right? Guys,

641
00:34:20,400 --> 00:34:24,080
Speaker 1: Ring doesn't do ra love his eyebrow, by the way,

642
00:34:24,200 --> 00:34:25,960
Speaker 1: very cool eyebrow. You know. There's something that we said

643
00:34:25,960 --> 00:34:28,319
Speaker 1: about guys who don't get involved when two people are

644
00:34:28,360 --> 00:34:30,680
Speaker 1: fighting and just like kind of stay back and say nothing.

645
00:34:31,200 --> 00:34:33,480
Speaker 1: But it's also like pick a fucking side, and have

646
00:34:33,680 --> 00:34:36,759
Speaker 1: I wanted so many times Ringo say something? It was

647
00:34:36,840 --> 00:34:41,600
Speaker 1: incredible and Ringo's mouth is always open when he's drumming.

648
00:34:42,200 --> 00:34:44,920
Speaker 1: I love Ringo, but do I I don't know. I mean,

649
00:34:45,000 --> 00:34:47,839
Speaker 1: I did stock. I think it's impressive that he didn't

650
00:34:47,840 --> 00:34:50,120
Speaker 1: say a word, you know what I mean. It's also

651
00:34:50,200 --> 00:34:52,400
Speaker 1: funny that if someone leaves the band and because no

652
00:34:52,520 --> 00:34:54,719
Speaker 1: one really talks to him or thinks of them, no

653
00:34:54,800 --> 00:34:58,080
Speaker 1: one really reckon he like, I'm mad here, and it's

654
00:34:58,120 --> 00:35:02,080
Speaker 1: like when you just sitting there, yog the balls on

655
00:35:02,239 --> 00:35:04,480
Speaker 1: Yogo to just sit there like she's a Beatle. What

656
00:35:04,560 --> 00:35:06,920
Speaker 1: about when he was screaming and someone told his sad story.

657
00:35:07,120 --> 00:35:08,920
Speaker 1: Oh no, I haven't seen that clip. Yeah, we got

658
00:35:09,040 --> 00:35:10,399
Speaker 1: to look that up, but I didn't see the part

659
00:35:10,440 --> 00:35:16,160
Speaker 1: where let me just tell you. I recommend yeah, the

660
00:35:16,200 --> 00:35:18,680
Speaker 1: Beatles documentary. If you're not a fan, i'd skip it.

661
00:35:19,160 --> 00:35:22,759
Speaker 1: But if you are, if you're you're not a fan

662
00:35:22,800 --> 00:35:26,120
Speaker 1: of Anthony Bourdain, still see Roadrunner. It is really great

663
00:35:26,360 --> 00:35:30,520
Speaker 1: and very interesting about addiction and just um, a guy

664
00:35:30,680 --> 00:35:33,560
Speaker 1: that was always going to die at some point. He

665
00:35:33,800 --> 00:35:38,320
Speaker 1: just couldn't. And when you when they asked, like what

666
00:35:38,440 --> 00:35:41,200
Speaker 1: did he die of pain? He just died. He couldn't

667
00:35:41,239 --> 00:35:43,560
Speaker 1: take the word and he someone said in the documentary

668
00:35:43,600 --> 00:35:45,000
Speaker 1: if he would have been in that hotel room where

669
00:35:45,000 --> 00:35:47,080
Speaker 1: he killed himself, if someone else would have been in there,

670
00:35:47,160 --> 00:35:49,120
Speaker 1: he would have murdered them. Someone was going to die.

671
00:35:49,239 --> 00:35:52,200
Speaker 1: He just was alone, and so he killed himself because

672
00:35:52,239 --> 00:35:54,200
Speaker 1: he was homicidal as well. I think it's probably that

673
00:35:54,320 --> 00:35:57,520
Speaker 1: cobra heart ate, you know what I mean? Yeah, I

674
00:35:57,560 --> 00:36:00,400
Speaker 1: couldn't even watch that scene, right, a cobra heart murder

675
00:36:00,480 --> 00:36:03,960
Speaker 1: in everyone in this room. Cobra Heart sounds like a

676
00:36:04,160 --> 00:36:10,359
Speaker 1: eighties single from a band Hear Me and My Cobra Heart.

677
00:36:11,760 --> 00:36:15,600
Speaker 1: It actually first was written as Cobra Fark. Not many

678
00:36:15,640 --> 00:36:19,920
Speaker 1: people know that. It's pretty crazy. Yeah, so what else

679
00:36:19,960 --> 00:36:24,200
Speaker 1: is going on? It's Thursday, folks, You know what that

680
00:36:24,320 --> 00:36:27,719
Speaker 1: means out there? It is Thursday. I hope you're having

681
00:36:27,719 --> 00:36:29,879
Speaker 1: all the swells. Hope you have a great weekend. We're

682
00:36:29,880 --> 00:36:33,320
Speaker 1: gonna be in San Francisco and Portland's two different cities

683
00:36:33,560 --> 00:36:37,960
Speaker 1: over there, all right, Yeah, two shows in Portland. Did

684
00:36:38,000 --> 00:36:41,239
Speaker 1: you know that. Yes, we have to have a tight schedule.

685
00:36:41,400 --> 00:36:44,520
Speaker 1: I know, I heard it. I heard it already. I

686
00:36:44,640 --> 00:36:49,400
Speaker 1: know the drill. I've been scolded already through text form.

687
00:36:49,560 --> 00:36:54,000
Speaker 1: But we love him, yeah very much. Alright, cares about

688
00:36:54,040 --> 00:36:57,960
Speaker 1: the show. And thank god someone does. Yeah, thank god

689
00:36:58,040 --> 00:37:00,879
Speaker 1: we have one person. You're coming to the early show

690
00:37:00,920 --> 00:37:03,040
Speaker 1: in Portland. It will be a tight show. You will

691
00:37:03,120 --> 00:37:05,080
Speaker 1: get a full hour of my stand up, but the

692
00:37:05,239 --> 00:37:08,799
Speaker 1: rest of the show will be and yeah, and there

693
00:37:08,840 --> 00:37:15,040
Speaker 1: will be a hook just in case, the best sex position. Okay,

694
00:37:15,520 --> 00:37:19,680
Speaker 1: listening for each zodiac sign, I'm out, I'm out. I

695
00:37:19,800 --> 00:37:23,759
Speaker 1: was listening about I'm so sick of zodiac signs. I'm

696
00:37:23,800 --> 00:37:28,960
Speaker 1: sorry everyone, I'm out on zodiac signs. But you know

697
00:37:29,120 --> 00:37:31,800
Speaker 1: more about yourself. Just know that zodiac sign is just

698
00:37:31,920 --> 00:37:34,680
Speaker 1: telling you things you already know about yourself. And you go, whoa,

699
00:37:35,239 --> 00:37:37,120
Speaker 1: that is me. It's like what you already know you?

700
00:37:37,280 --> 00:37:39,279
Speaker 1: So why is this impressive? Well, here's the thing. If

701
00:37:39,320 --> 00:37:42,080
Speaker 1: you're reading your zodiac sign, you're saying that's me. Go down,

702
00:37:43,080 --> 00:37:45,040
Speaker 1: read all of them, and they're they're all you. Yeah,

703
00:37:45,080 --> 00:37:47,680
Speaker 1: we should do a blind zodiac thing with someone who

704
00:37:47,719 --> 00:37:50,319
Speaker 1: we should call someone who cares about the stuff so much.

705
00:37:50,800 --> 00:37:53,520
Speaker 1: Read all of the charts and say which what is you?

706
00:37:53,719 --> 00:37:58,320
Speaker 1: Which one with you? And you're gonna go umally, I

707
00:37:58,480 --> 00:38:00,839
Speaker 1: know I resonate with Gemini, but I'm my my moon

708
00:38:01,120 --> 00:38:04,360
Speaker 1: is Gemini rising in Jupiter. So that actually is actually

709
00:38:04,440 --> 00:38:06,880
Speaker 1: because I would point out eleven forty six on a

710
00:38:07,040 --> 00:38:09,800
Speaker 1: Tuesday and there was three clouds in the sky and

711
00:38:09,960 --> 00:38:14,239
Speaker 1: my mom had on sandals. And I'm not that intelligent,

712
00:38:15,160 --> 00:38:17,920
Speaker 1: but sometimes I let up people. There's so many intelligent

713
00:38:17,960 --> 00:38:23,440
Speaker 1: people that believe in the stuff. No I was, I

714
00:38:23,520 --> 00:38:25,800
Speaker 1: honestly do. I used to think people that I believed

715
00:38:25,840 --> 00:38:27,800
Speaker 1: in the stuff weren't intelligent until so many of my

716
00:38:27,840 --> 00:38:30,880
Speaker 1: intelligent friends believe in it, and so I just go, okay, alright,

717
00:38:30,920 --> 00:38:34,279
Speaker 1: so Gemini me, you're a Gemini. Correct, Okay. You get

718
00:38:34,360 --> 00:38:37,920
Speaker 1: bored quickly. So to keep things spicy in the love department,

719
00:38:38,440 --> 00:38:41,680
Speaker 1: you use positions that involve some acrobatics and don't confine

720
00:38:41,719 --> 00:38:45,600
Speaker 1: them to one space. Take the standing spoon for instance.

721
00:38:45,640 --> 00:38:47,600
Speaker 1: If if anything, I do not get bored. I love

722
00:38:47,680 --> 00:38:49,880
Speaker 1: exactly what I like and I want to just do

723
00:38:50,040 --> 00:38:52,839
Speaker 1: that every time. So it's eating o. Man will get

724
00:38:52,840 --> 00:38:56,640
Speaker 1: in your asking. Yeah, eating oat mal is so euphemism

725
00:38:56,719 --> 00:38:59,239
Speaker 1: for getting my ass eaten, because that's the only thing

726
00:38:59,320 --> 00:39:05,000
Speaker 1: that's coming out old meal, all back hamdrip. It's something. Okay,

727
00:39:05,080 --> 00:39:07,359
Speaker 1: start out making love up against the wall, then moved

728
00:39:07,360 --> 00:39:11,680
Speaker 1: to a table, the floor, a chair. Okay, Look, they

729
00:39:11,719 --> 00:39:14,759
Speaker 1: didn't get my backbone because I'm always on my back

730
00:39:14,920 --> 00:39:17,719
Speaker 1: and my spine will get hurt on tables. Whenever I

731
00:39:18,040 --> 00:39:20,680
Speaker 1: fun on a floor, my spine always gets rugburn because

732
00:39:20,719 --> 00:39:23,560
Speaker 1: it juts out like a stegasaurus. And I don't want that.

733
00:39:23,680 --> 00:39:25,520
Speaker 1: I want to be on a bed. I want to

734
00:39:25,560 --> 00:39:28,160
Speaker 1: be laying on my back. I want my legs around

735
00:39:28,440 --> 00:39:31,160
Speaker 1: my head like I'm a baby getting changed. I want

736
00:39:31,200 --> 00:39:34,080
Speaker 1: to be blindfolded, and I want things put in my holes.

737
00:39:34,320 --> 00:39:43,799
Speaker 1: Oh that's in that. Oh I'm a sad you're a vegetaus.

738
00:39:44,040 --> 00:39:49,960
Speaker 1: Okay wait wait, no, so my mom aries. Okay, so

739
00:39:50,840 --> 00:39:54,719
Speaker 1: it's legs being on top. No, I like bottom. I

740
00:39:54,840 --> 00:39:56,960
Speaker 1: like my legs around my head, a baby bottle in

741
00:39:57,040 --> 00:39:59,640
Speaker 1: my mouth, and a blindfold on the back of my head.

742
00:40:00,360 --> 00:40:07,160
Speaker 1: I just want to look like Rambow. No, no, I

743
00:40:07,400 --> 00:40:09,560
Speaker 1: you know me. I I like bottom and I like

744
00:40:09,840 --> 00:40:12,960
Speaker 1: the reverse cow girl where my legs are around the woman,

745
00:40:13,719 --> 00:40:16,239
Speaker 1: so then she could get down very deep and not

746
00:40:16,360 --> 00:40:21,279
Speaker 1: get too far up to get off her legs. Again,

747
00:40:21,760 --> 00:40:25,840
Speaker 1: she's inside, she's sitting, yes, sitting facing that way. So

748
00:40:25,960 --> 00:40:27,759
Speaker 1: do you help her, like bounce up and down with

749
00:40:27,840 --> 00:40:32,480
Speaker 1: your hands? What is propelling her? What's propelling her? Just

750
00:40:32,719 --> 00:40:37,840
Speaker 1: you you're lifting her. But I don't know what her

751
00:40:37,880 --> 00:40:41,160
Speaker 1: feet are. I don't see. I'd have to ask her.

752
00:40:41,200 --> 00:40:43,319
Speaker 1: Maybe she's just levitating. No, you can see if she's

753
00:40:43,320 --> 00:40:45,520
Speaker 1: squatting or not, because she needs to propel herself in

754
00:40:45,560 --> 00:40:47,520
Speaker 1: some way. If she's just laying like this, like with

755
00:40:47,600 --> 00:40:50,120
Speaker 1: her legs straight out and bouncing, you can't get any

756
00:40:50,239 --> 00:40:54,520
Speaker 1: leverage to bounce. It's a good question. Bretta went to

757
00:40:54,560 --> 00:40:57,440
Speaker 1: get a pedicure. Wait, what month is? What? What? What?

758
00:40:57,640 --> 00:41:02,080
Speaker 1: What is today's month? It's a December sex second Okay,

759
00:41:02,200 --> 00:41:05,640
Speaker 1: so what would that be? Does anyone know? I don't know.

760
00:41:07,520 --> 00:41:09,680
Speaker 1: But she's not even here to corroborate if she likes

761
00:41:09,680 --> 00:41:12,640
Speaker 1: that position. She likes when someone other than Andrew has

762
00:41:12,640 --> 00:41:17,279
Speaker 1: sex with her. She's she's actually a sadge. Oh she is?

763
00:41:19,520 --> 00:41:23,239
Speaker 1: What is a sadge? Noah? Do we know? Okay? Um,

764
00:41:23,800 --> 00:41:27,560
Speaker 1: they have an affinity for flexibility and adventure. Putting a

765
00:41:27,680 --> 00:41:30,279
Speaker 1: twist on a common sex position is a way to go.

766
00:41:31,320 --> 00:41:34,480
Speaker 1: Case in point, the corkscrew. In this position, the receiving

767
00:41:34,560 --> 00:41:38,000
Speaker 1: partner lies on their side with legs bent, facing away

768
00:41:38,040 --> 00:41:40,040
Speaker 1: from their partner, who stands at the edge of the

769
00:41:40,120 --> 00:41:44,799
Speaker 1: bed and enters from behind. Actually, cork screw, that's that's

770
00:41:44,840 --> 00:41:49,560
Speaker 1: pretty on. Maybe they are who doesn't like a corkscrew?

771
00:41:50,120 --> 00:41:52,440
Speaker 1: Just lay there and being a ball like you're on

772
00:41:52,520 --> 00:41:56,320
Speaker 1: a diver. It took me forty years to know I

773
00:41:56,360 --> 00:42:00,360
Speaker 1: could stand up when I fuck. Wow, maybe I was

774
00:42:00,440 --> 00:42:02,040
Speaker 1: on a bed, but you know what it was, I

775
00:42:02,360 --> 00:42:04,799
Speaker 1: realized what it is. I never had a bed out

776
00:42:04,840 --> 00:42:08,879
Speaker 1: on the floor, so I couldn't stand up. Oh my god,

777
00:42:08,960 --> 00:42:13,520
Speaker 1: that's so insane. Whoa, whoa dude, and your bed is

778
00:42:13,640 --> 00:42:17,759
Speaker 1: really low anyway, this one's high. You'll check it out

779
00:42:17,760 --> 00:42:20,720
Speaker 1: of time. I'll believe because I had to put stuff

780
00:42:20,760 --> 00:42:23,360
Speaker 1: under there for my studios. Dude, I've been just giving.

781
00:42:24,200 --> 00:42:27,480
Speaker 1: The best thing ever is just to give. Like I

782
00:42:27,640 --> 00:42:31,719
Speaker 1: recommend this to women so much. Let your guys just

783
00:42:31,880 --> 00:42:34,520
Speaker 1: lay back and fucking relax and just give him my

784
00:42:34,560 --> 00:42:36,399
Speaker 1: hand job with a bunch of oil and just talk,

785
00:42:37,560 --> 00:42:39,840
Speaker 1: just talk. Like a slow hand job with like no

786
00:42:40,640 --> 00:42:43,680
Speaker 1: no goal and just talk about life and just like

787
00:42:43,880 --> 00:42:46,480
Speaker 1: talk to them and like get just do whatever you

788
00:42:46,560 --> 00:42:49,200
Speaker 1: want while you're giving the massage. Maybe act like you're

789
00:42:49,200 --> 00:42:54,000
Speaker 1: a masseuse and be like can I just like kiss it?

790
00:42:54,080 --> 00:42:55,800
Speaker 1: And they go like want to like just do like

791
00:42:55,920 --> 00:43:00,840
Speaker 1: a like I literally did that last night. That's great.

792
00:43:01,080 --> 00:43:02,560
Speaker 1: It was funny. I like went in the bat, I

793
00:43:02,640 --> 00:43:05,279
Speaker 1: knocked on, I go, you ready, like I went through

794
00:43:05,320 --> 00:43:06,839
Speaker 1: the whole thing, and then I go and said, okay,

795
00:43:06,840 --> 00:43:08,799
Speaker 1: if I touch you here And then she doesn't lou

796
00:43:08,840 --> 00:43:12,960
Speaker 1: of buying her a massage for her birthday? What are

797
00:43:12,960 --> 00:43:18,360
Speaker 1: you doing, ma'am? That I do? And then I kissed

798
00:43:18,360 --> 00:43:20,920
Speaker 1: her vagina. I was like that, I think I went

799
00:43:20,960 --> 00:43:24,600
Speaker 1: over the line. She's like yes, she did. Stain so good.

800
00:43:25,520 --> 00:43:27,600
Speaker 1: But honestly, like it's just a great way to connect

801
00:43:27,719 --> 00:43:31,439
Speaker 1: and like you don't have to do any like it's

802
00:43:31,520 --> 00:43:34,239
Speaker 1: such and just use a ton of lube, like use

803
00:43:34,760 --> 00:43:37,400
Speaker 1: massage oil and lube and it's like it just does

804
00:43:37,920 --> 00:43:39,320
Speaker 1: it makes your life so easy. You don't want to

805
00:43:39,360 --> 00:43:42,239
Speaker 1: like sucking spit all over it and like if you

806
00:43:42,280 --> 00:43:45,160
Speaker 1: don't want to and if you just have dry mouth, like,

807
00:43:45,560 --> 00:43:47,840
Speaker 1: you gotta use lube. I always used to roll my

808
00:43:47,920 --> 00:43:50,960
Speaker 1: eye when these ladies, these sex positive women, like sex

809
00:43:51,000 --> 00:43:53,640
Speaker 1: with Emily, would be like, lib is your best friend.

810
00:43:53,680 --> 00:43:57,400
Speaker 1: I'd be like, shut up about lube. But it truly

811
00:43:57,640 --> 00:43:59,960
Speaker 1: if I am so mad in my twenties that I

812
00:44:00,080 --> 00:44:02,879
Speaker 1: didn't use lube, it's like, it is just the best

813
00:44:02,960 --> 00:44:05,319
Speaker 1: thing you can add to sex. It doesn't mean you're

814
00:44:05,320 --> 00:44:09,160
Speaker 1: an old menopausal woman. Just please get yourself some lube. Girls,

815
00:44:09,239 --> 00:44:11,560
Speaker 1: I swear to God, it will change your life and

816
00:44:11,680 --> 00:44:15,560
Speaker 1: guys will not judge you for it. They don't care. Yeah,

817
00:44:15,600 --> 00:44:17,839
Speaker 1: it's changed my sex life. It's way easier to fuck.

818
00:44:18,160 --> 00:44:21,359
Speaker 1: Y um okay. A Florida woman who dialed the wrong

819
00:44:21,480 --> 00:44:24,560
Speaker 1: number inadvertently spawned a friendship with a Rhode Island man

820
00:44:25,080 --> 00:44:27,800
Speaker 1: has lasted more than twenty years. My god, So this

821
00:44:27,960 --> 00:44:31,239
Speaker 1: woman glad Is, who's now eighty. God, we gotta bring

822
00:44:31,400 --> 00:44:34,120
Speaker 1: back that name Glass. Yeah, it's a nice one. Kept

823
00:44:34,200 --> 00:44:37,239
Speaker 1: dialing the wrong number. At first, it was just her saying, oh,

824
00:44:37,280 --> 00:44:41,560
Speaker 1: I'm sorry, and she's really southern, very hospitable, polite. I'm

825
00:44:41,600 --> 00:44:44,160
Speaker 1: so sorry child, and then she hangs up real quick,

826
00:44:44,280 --> 00:44:46,120
Speaker 1: said Mike, who was on the other end one day,

827
00:44:46,160 --> 00:44:48,920
Speaker 1: he sparked a conversation. I guess she kept calling the

828
00:44:49,040 --> 00:44:52,239
Speaker 1: wrong number and learned that Gladys went through divorce and

829
00:44:52,320 --> 00:44:55,560
Speaker 1: also lost her son during that time. I was roundhearted,

830
00:44:56,360 --> 00:45:00,360
Speaker 1: and he felt my sympathy and everything and lifted me up. Cuty,

831
00:45:00,760 --> 00:45:04,319
Speaker 1: he's a communicating very phone via the phone. The friends

832
00:45:04,360 --> 00:45:08,040
Speaker 1: finally met the first time over Thanksgiving, just like this,

833
00:45:08,239 --> 00:45:10,960
Speaker 1: Like that's adorable, you know it's like that one um

834
00:45:11,920 --> 00:45:14,359
Speaker 1: that text, that text exchange from that guy and that woman.

835
00:45:14,600 --> 00:45:16,800
Speaker 1: Do you ever see that? And they spend everythingsgiving together.

836
00:45:17,560 --> 00:45:19,560
Speaker 1: It was just a yeah, they've been doing it forever

837
00:45:19,760 --> 00:45:21,520
Speaker 1: and it was just a random number. Yeah, it was

838
00:45:21,600 --> 00:45:24,440
Speaker 1: like a random text mistake and it was like, oh,

839
00:45:24,760 --> 00:45:25,960
Speaker 1: what are you going to bring to things? It was

840
00:45:26,040 --> 00:45:28,319
Speaker 1: some kind of I don't know, it was a wrong

841
00:45:28,400 --> 00:45:31,800
Speaker 1: number situation, but with text. And then now they always

842
00:45:31,840 --> 00:45:35,120
Speaker 1: spend Thanksgiving together. Have you ever done a wrong number

843
00:45:35,239 --> 00:45:37,319
Speaker 1: thing and gotten to know anyone or had some fun

844
00:45:37,400 --> 00:45:39,440
Speaker 1: with a wrong number text? Or I had a guy

845
00:45:39,600 --> 00:45:43,680
Speaker 1: calling me for a little while, and I just would

846
00:45:43,760 --> 00:45:45,600
Speaker 1: never pick up a wrong number because it could have

847
00:45:45,640 --> 00:45:48,839
Speaker 1: been a beautiful story. I know. Yeah, now, who picks

848
00:45:48,920 --> 00:45:50,960
Speaker 1: up a wrong number. I mean the fact that this

849
00:45:51,360 --> 00:45:53,520
Speaker 1: this happened twenty years ago, that makes sense. This would

850
00:45:53,680 --> 00:45:56,320
Speaker 1: never happen because you see a wrong number and you go,

851
00:45:56,480 --> 00:46:00,759
Speaker 1: what the fuck is this? Oh? Yes, yes, So I

852
00:46:00,840 --> 00:46:04,959
Speaker 1: mean why she keep messing up? I don't understand. Would

853
00:46:04,960 --> 00:46:07,440
Speaker 1: be like she had an older number and her like

854
00:46:07,719 --> 00:46:10,440
Speaker 1: she mind, she was trying to reach her sister, whose

855
00:46:10,480 --> 00:46:12,879
Speaker 1: area code was four zero one, but she dialed air

856
00:46:13,000 --> 00:46:15,960
Speaker 1: code for one zero constantly, and she kept reaching that

857
00:46:16,040 --> 00:46:19,080
Speaker 1: guy that's so cute. So it's a whole different you know.

858
00:46:19,360 --> 00:46:21,880
Speaker 1: There's actually a story, a sports story that just came

859
00:46:21,920 --> 00:46:26,080
Speaker 1: out yesterday. These kids started a basketball chat like with

860
00:46:26,160 --> 00:46:28,680
Speaker 1: their group of friends, high school kids, and they got

861
00:46:28,760 --> 00:46:30,919
Speaker 1: one number wrong and ended up being a football player

862
00:46:30,960 --> 00:46:34,440
Speaker 1: who plays on the Bucks Bucks And so then they

863
00:46:34,560 --> 00:46:38,080
Speaker 1: FaceTime that he would ended up in the FaceTime and

864
00:46:38,120 --> 00:46:41,759
Speaker 1: they're like holy shit, and then Tom Brady ended up

865
00:46:41,840 --> 00:46:43,880
Speaker 1: on their groc ended up on it all on this

866
00:46:44,080 --> 00:46:50,080
Speaker 1: like that's hilarious. Yeah, it's um. I sometimes get people

867
00:46:50,920 --> 00:46:55,320
Speaker 1: faking like there messaging me like they get my number,

868
00:46:56,280 --> 00:47:00,759
Speaker 1: and then they pretend like they they have a they

869
00:47:00,840 --> 00:47:04,200
Speaker 1: have a fake text that's like hey, I'll be at

870
00:47:04,239 --> 00:47:06,880
Speaker 1: rehearsal later. I'm sorry, I'm running late. Um, it was

871
00:47:07,000 --> 00:47:09,520
Speaker 1: just really I was writing a lot last night and

872
00:47:10,160 --> 00:47:11,400
Speaker 1: I had to save a kid and on my way,

873
00:47:11,560 --> 00:47:14,320
Speaker 1: they'll make them sounds sound like a huge hero, so

874
00:47:14,440 --> 00:47:16,280
Speaker 1: that I go, it's a wrong number, but that sounds

875
00:47:16,400 --> 00:47:19,239
Speaker 1: so cool and we should be friends, and they fucking no,

876
00:47:19,400 --> 00:47:22,319
Speaker 1: it's me and they do this. This one guy used

877
00:47:22,360 --> 00:47:25,040
Speaker 1: to do it all the time, and he kept kept

878
00:47:25,080 --> 00:47:27,319
Speaker 1: writing and he would be like, wow, it's a wrong number.

879
00:47:27,560 --> 00:47:29,040
Speaker 1: And I knew what he was doing, so I was

880
00:47:29,080 --> 00:47:32,000
Speaker 1: trying to give him the idea that he was thinking

881
00:47:32,080 --> 00:47:34,160
Speaker 1: it was working because I was like, wow, you sound

882
00:47:34,200 --> 00:47:37,040
Speaker 1: like a really cool glor Like I said something like no,

883
00:47:37,680 --> 00:47:39,840
Speaker 1: I just get in going a little bit. And he

884
00:47:39,960 --> 00:47:42,320
Speaker 1: kept on saying these fucking lines about his life and

885
00:47:42,400 --> 00:47:44,520
Speaker 1: how interesting he was, and he's like yeah, I mean

886
00:47:44,600 --> 00:47:46,239
Speaker 1: like this is such a random thing, like we should

887
00:47:46,320 --> 00:47:49,000
Speaker 1: keep in touch. What do you do? And I'm like, oh,

888
00:47:49,120 --> 00:47:51,719
Speaker 1: it was such a These guys are such sociopath. It

889
00:47:51,760 --> 00:47:54,200
Speaker 1: reminded me that Reddit girl that just like created a

890
00:47:54,440 --> 00:47:57,840
Speaker 1: or the TikTok girl talking about all the lengths she

891
00:47:57,880 --> 00:48:00,680
Speaker 1: went to to reach a guy speaking idea that it

892
00:48:00,760 --> 00:48:05,320
Speaker 1: was just like the nicest guy ever, like this a

893
00:48:05,400 --> 00:48:11,439
Speaker 1: li like you're like, fuck you, this guy was should

894
00:48:11,480 --> 00:48:13,440
Speaker 1: have found him because I would have just liked to

895
00:48:13,560 --> 00:48:16,480
Speaker 1: just you know, oh man, I'm I wanted to match

896
00:48:16,520 --> 00:48:18,920
Speaker 1: with this guy on one of these dating apps when

897
00:48:18,920 --> 00:48:20,920
Speaker 1: I was on those and was swiped right on him

898
00:48:20,960 --> 00:48:24,759
Speaker 1: just because he was like, you know, Trump is number one,

899
00:48:25,000 --> 00:48:27,879
Speaker 1: got over everything, and I swept right just so I could.

900
00:48:28,560 --> 00:48:30,160
Speaker 1: I was gonna remember. I was going to write him

901
00:48:30,160 --> 00:48:31,880
Speaker 1: and be like, hey, I present as a liberal, but

902
00:48:32,040 --> 00:48:35,200
Speaker 1: like truly Trump is my god, and like let's meet

903
00:48:35,280 --> 00:48:37,520
Speaker 1: up and just like watch him meet up with me

904
00:48:37,640 --> 00:48:40,279
Speaker 1: and then fucking just watch him. I don't know. I

905
00:48:40,360 --> 00:48:42,319
Speaker 1: just want to see these people in real life, even

906
00:48:42,320 --> 00:48:44,399
Speaker 1: though they walk amongst us. Yeah, it would be great,

907
00:48:44,440 --> 00:48:47,120
Speaker 1: as if he's like so hot, like where your best

908
00:48:47,200 --> 00:48:49,080
Speaker 1: Trump shirt? And I'll know it's you, kind of like

909
00:48:49,160 --> 00:48:50,799
Speaker 1: you've got mail, which I made you watch the other

910
00:48:50,920 --> 00:48:54,239
Speaker 1: night so fast forward, which was perfect. Yeah, I would

911
00:48:54,280 --> 00:48:56,840
Speaker 1: make so great of the Trump guy was like like

912
00:48:57,600 --> 00:49:02,480
Speaker 1: the handsome yeah, and you were just like you know what, listen,

913
00:49:03,440 --> 00:49:11,640
Speaker 1: I'm in Taylor Swift. People don't understand that. Yeah, Oh

914
00:49:12,040 --> 00:49:16,319
Speaker 1: my god, I don't know it's uh, yeah, you've got

915
00:49:16,360 --> 00:49:19,279
Speaker 1: me on the other night. Yeah. I like the fast

916
00:49:19,320 --> 00:49:22,440
Speaker 1: forward version. I think that, you know, hey, let's just

917
00:49:23,040 --> 00:49:24,840
Speaker 1: here's the thing. Scenes you need to know, and I

918
00:49:24,880 --> 00:49:26,719
Speaker 1: would go to the best scenes. I'm like, okay, so

919
00:49:26,880 --> 00:49:30,439
Speaker 1: before this he knows, he knows it's her. She doesn't

920
00:49:30,440 --> 00:49:33,360
Speaker 1: know it's him yet. Boom. What I really realized that

921
00:49:33,440 --> 00:49:35,160
Speaker 1: which a lot of people bringing to my attention about

922
00:49:35,200 --> 00:49:37,839
Speaker 1: my favorite movie, You've Got Mail, is that he's lying

923
00:49:37,920 --> 00:49:40,399
Speaker 1: to her throughout the whole thing because he knows it's her.

924
00:49:42,280 --> 00:49:45,920
Speaker 1: You know what, This lady looks a lot like Kathleen Kelly.

925
00:49:46,640 --> 00:49:49,799
Speaker 1: What yeah, Kevin Kelly. She's a beautiful woman. Why are

926
00:49:49,840 --> 00:49:51,680
Speaker 1: we talking about Kathleen Kelly. Well, if you don't like

927
00:49:51,800 --> 00:49:56,080
Speaker 1: Kathleen Kelly, you're not gonna like this girl. Why? Because

928
00:49:56,120 --> 00:50:00,120
Speaker 1: it is Kathleen Kelly? Was dashall. My favorite scene is

929
00:50:00,560 --> 00:50:03,040
Speaker 1: him seeing that it's Kathleen Kelly before Tom Hanks does.

930
00:50:03,719 --> 00:50:07,200
Speaker 1: And the thing is, once Tom Hanks realizes that the

931
00:50:07,239 --> 00:50:09,719
Speaker 1: woman he's been talking to online is Kathleen and Kelly,

932
00:50:10,280 --> 00:50:12,759
Speaker 1: he doesn't tell her that he's the guy and then

933
00:50:12,800 --> 00:50:16,759
Speaker 1: goes on to befriend her, and then they become great friends.

934
00:50:16,840 --> 00:50:18,440
Speaker 1: She kind of falls in love with him, but is

935
00:50:18,440 --> 00:50:19,920
Speaker 1: still holding out a place in her heart for this

936
00:50:19,960 --> 00:50:22,279
Speaker 1: guy she's talking to online, which he's still talking to her.

937
00:50:22,719 --> 00:50:25,120
Speaker 1: He's a fucking liar the whole time. Yeah, he's the

938
00:50:25,200 --> 00:50:29,520
Speaker 1: guy that's talking to you on your It's wild that

939
00:50:29,640 --> 00:50:32,200
Speaker 1: he like we never get his reasoning for why he

940
00:50:32,320 --> 00:50:35,799
Speaker 1: does that. It just doesn't come clean right away. Yeah,

941
00:50:35,800 --> 00:50:38,680
Speaker 1: I wonder why. Well, maybe you skipped the scene where

942
00:50:40,360 --> 00:50:43,800
Speaker 1: around a little bit. I have some more scenes of

943
00:50:43,880 --> 00:50:46,920
Speaker 1: that movie to show you. It's it is my favorite movie. Um,

944
00:50:47,239 --> 00:50:49,200
Speaker 1: let's take a quick break and come back. And why

945
00:50:49,200 --> 00:50:58,880
Speaker 1: do I care? Oh? Sports moment, Sports moment, Let's do it.

946
00:51:00,040 --> 00:51:08,479
Speaker 1: Here's Andrew's weekly supports moment. Tiger Tigger Tiger would y'all

947
00:51:09,320 --> 00:51:12,840
Speaker 1: says he will never play golf again full time, but

948
00:51:12,960 --> 00:51:15,759
Speaker 1: the fifteen time major champ revealed Tuesday that he nearly

949
00:51:15,880 --> 00:51:18,799
Speaker 1: lost a leg after the crash earlier this year. I'm

950
00:51:18,840 --> 00:51:20,800
Speaker 1: lucky to be alive, but also to still have a

951
00:51:20,880 --> 00:51:23,360
Speaker 1: limb to see some of my shots fall short of

952
00:51:23,440 --> 00:51:25,239
Speaker 1: the sky a lodge shorter than they used to. It

953
00:51:25,239 --> 00:51:27,239
Speaker 1: as a little eye opening. Yeah, but at least I'm

954
00:51:27,280 --> 00:51:31,000
Speaker 1: able to play golf at all again. Dude, David Spade

955
00:51:31,040 --> 00:51:34,359
Speaker 1: was the last person to golf with him. We talked

956
00:51:34,400 --> 00:51:37,200
Speaker 1: to about it, yeah, because they were shooting some like

957
00:51:37,400 --> 00:51:39,680
Speaker 1: um segment for some show. Well he was saying how

958
00:51:39,760 --> 00:51:43,800
Speaker 1: tigers back it was like so fucked up like before

959
00:51:43,840 --> 00:51:46,319
Speaker 1: the accident, and then we were kind of joking like, oh,

960
00:51:46,360 --> 00:51:49,520
Speaker 1: the leg took away from the back pain Like, sorry

961
00:51:49,560 --> 00:51:52,080
Speaker 1: to I'm sure that kind of mate, do something I

962
00:51:52,160 --> 00:51:53,880
Speaker 1: don't know. That's why I would put a vibrator on

963
00:51:53,960 --> 00:51:55,640
Speaker 1: my head when I would have a migraine, because it

964
00:51:55,680 --> 00:51:58,560
Speaker 1: would create a new kind of pain. That was. It

965
00:51:58,719 --> 00:52:00,680
Speaker 1: was just a it's a you know, you can take

966
00:52:00,719 --> 00:52:04,279
Speaker 1: doll pains versus like there's like different kinds of pain.

967
00:52:06,320 --> 00:52:09,040
Speaker 1: I love a doll pain, but a sharp pain I

968
00:52:09,160 --> 00:52:11,799
Speaker 1: will I hate a sharp pain like a doll pain,

969
00:52:12,160 --> 00:52:15,920
Speaker 1: So I'll make a dull pain over like supersede the

970
00:52:16,000 --> 00:52:19,239
Speaker 1: sharp one. God pain sucks. I feel sad for him

971
00:52:19,719 --> 00:52:22,760
Speaker 1: because I know he's in chronic pain. It's just crazy,

972
00:52:22,920 --> 00:52:26,480
Speaker 1: like golf can make a body that injured and this

973
00:52:26,600 --> 00:52:28,640
Speaker 1: is pretty accident. Let's talk about it. He also worked

974
00:52:28,680 --> 00:52:30,560
Speaker 1: out like I mean, he was a Shane. Yeah, he

975
00:52:30,680 --> 00:52:32,600
Speaker 1: was an animal because he wanted his dad was like

976
00:52:32,640 --> 00:52:34,920
Speaker 1: a Green Beret, so he wanted to impress his father's

977
00:52:34,960 --> 00:52:38,120
Speaker 1: old so he like went into green Beret training. He

978
00:52:38,320 --> 00:52:41,000
Speaker 1: lifted like he was gonna, what's going on with your

979
00:52:41,160 --> 00:52:45,680
Speaker 1: golf game? Are you playing yesterday? Damn wait, you went

980
00:52:45,719 --> 00:52:49,359
Speaker 1: and played yesterday. I figured I figured out something I had.

981
00:52:49,520 --> 00:52:54,240
Speaker 1: I had a lesson, And there's a lot of ego

982
00:52:54,400 --> 00:52:57,120
Speaker 1: in golf. Ego will kill you in golf. It's a

983
00:52:57,239 --> 00:53:00,080
Speaker 1: fucking great sport man, but ego will kill you be

984
00:53:00,280 --> 00:53:03,399
Speaker 1: And the thing is with your driver to drivers swing

985
00:53:03,560 --> 00:53:06,319
Speaker 1: is different than the iron swing, but you can if

986
00:53:06,400 --> 00:53:09,160
Speaker 1: you choke down, you can swing almost like an iron

987
00:53:09,239 --> 00:53:11,920
Speaker 1: with your driver, which you'll lose like fifteen yards. So

988
00:53:12,080 --> 00:53:16,160
Speaker 1: there's your ego, but you'll gain consistency. But it's a

989
00:53:16,960 --> 00:53:19,040
Speaker 1: because everyone guy wants to do. It's like what we're

990
00:53:19,040 --> 00:53:22,760
Speaker 1: talking about yesterday, drop three hundred yards, work out the hardest,

991
00:53:23,000 --> 00:53:25,000
Speaker 1: be the But you could be the best by just

992
00:53:25,120 --> 00:53:27,560
Speaker 1: talking about at the top of the show, like sometimes

993
00:53:27,640 --> 00:53:29,480
Speaker 1: I want to work. I could make a joke of

994
00:53:29,560 --> 00:53:32,080
Speaker 1: mine if I wanted to work as hard as some

995
00:53:32,200 --> 00:53:34,800
Speaker 1: of these comedians, if I wanted to reach my potential

996
00:53:34,840 --> 00:53:37,279
Speaker 1: as a comedian and do like a ten for every

997
00:53:37,360 --> 00:53:40,880
Speaker 1: joke and like dissect a joke and attend The amount

998
00:53:41,280 --> 00:53:43,400
Speaker 1: of energy that would take me to do would make

999
00:53:43,440 --> 00:53:45,440
Speaker 1: it so I didn't live a life that would fulfill

1000
00:53:45,680 --> 00:53:48,520
Speaker 1: me enough to write about things other than those things.

1001
00:53:48,600 --> 00:53:50,480
Speaker 1: So I might only reach a seven in terms of

1002
00:53:50,560 --> 00:53:53,359
Speaker 1: how good my jokes are, but the depth of which

1003
00:53:53,640 --> 00:53:56,040
Speaker 1: the things those jokes are about are going to be

1004
00:53:56,120 --> 00:53:59,359
Speaker 1: far more interesting and like consistent with what I want

1005
00:53:59,400 --> 00:54:02,360
Speaker 1: to do as an median. You gotta You can't have

1006
00:54:02,560 --> 00:54:05,760
Speaker 1: it all. Relationships. You can't have it all. The person

1007
00:54:05,840 --> 00:54:09,640
Speaker 1: cannot be like everything you want them to be. Your talent,

1008
00:54:09,760 --> 00:54:11,680
Speaker 1: you can't have it all. You have to make You

1009
00:54:11,719 --> 00:54:13,759
Speaker 1: have to choose what's important to you, and it's not

1010
00:54:13,800 --> 00:54:15,800
Speaker 1: always what's gonna be what's important to someone else. And

1011
00:54:15,880 --> 00:54:18,200
Speaker 1: I met a new friend. If you're like a guy

1012
00:54:18,239 --> 00:54:19,480
Speaker 1: out there and you're listening to the show and you

1013
00:54:19,600 --> 00:54:22,880
Speaker 1: play golf and you don't like, oh, I can't play alone,

1014
00:54:23,239 --> 00:54:26,399
Speaker 1: go play alone and team match up with someone. Look,

1015
00:54:26,480 --> 00:54:28,600
Speaker 1: it's a you can end up getting someone terrible, but

1016
00:54:28,760 --> 00:54:32,319
Speaker 1: most likely you're gonna get another. This kid was walking

1017
00:54:32,440 --> 00:54:34,880
Speaker 1: is in law school. I watch you, he's just and

1018
00:54:35,280 --> 00:54:37,480
Speaker 1: I was like, hey, just ride in the cart. Well,

1019
00:54:37,600 --> 00:54:39,440
Speaker 1: just you don't have to walk. We just rode in

1020
00:54:39,480 --> 00:54:42,440
Speaker 1: the car. We became like I got his number. At

1021
00:54:42,440 --> 00:54:45,200
Speaker 1: the end, we're gonna play again, Like he shot a forty,

1022
00:54:45,320 --> 00:54:48,160
Speaker 1: Like it showed competitiveness. And I don't know, It's just

1023
00:54:48,360 --> 00:54:50,800
Speaker 1: it's a beautiful thing that's like quick little friendships that

1024
00:54:50,920 --> 00:54:53,920
Speaker 1: you can get through, like a common hobby if you

1025
00:54:53,960 --> 00:54:57,600
Speaker 1: get outside. Your obsession with golf wavered slightly, though, because

1026
00:54:57,600 --> 00:54:59,560
Speaker 1: I feel like I don't see you on TikTok constantly.

1027
00:54:59,640 --> 00:55:02,600
Speaker 1: I don't you talking about it constantly as much? And

1028
00:55:02,760 --> 00:55:04,719
Speaker 1: is that a good thing? Or do you feel like, oh,

1029
00:55:04,800 --> 00:55:08,720
Speaker 1: I'm not as obsessed. I'm gonna That's an interesting question

1030
00:55:08,880 --> 00:55:11,960
Speaker 1: because I do feel like I was overdoing it, yes,

1031
00:55:12,160 --> 00:55:16,960
Speaker 1: to the point where I wasn't understanding uh, things I

1032
00:55:17,080 --> 00:55:21,120
Speaker 1: was learning because I was just doing instead of stopping

1033
00:55:21,200 --> 00:55:24,839
Speaker 1: and processing so much of sleep. In the sleep thing

1034
00:55:24,920 --> 00:55:28,879
Speaker 1: that I'm listening to is like if you if you'd

1035
00:55:28,920 --> 00:55:30,759
Speaker 1: like to sacrifice an hour of sleep so you can

1036
00:55:30,840 --> 00:55:35,160
Speaker 1: study more or practice your swing more. You're sleep is

1037
00:55:35,280 --> 00:55:37,560
Speaker 1: essential for taking the things that you learned during the

1038
00:55:37,640 --> 00:55:40,040
Speaker 1: day and downloading them. So it's almost like you know,

1039
00:55:40,080 --> 00:55:42,400
Speaker 1: when you upload a file, but then it doesn't transfer

1040
00:55:42,600 --> 00:55:44,080
Speaker 1: to like where you needed to go. So it's on

1041
00:55:44,160 --> 00:55:47,879
Speaker 1: your computer, but it hasn't transferred like that takes seven hours,

1042
00:55:47,920 --> 00:55:49,880
Speaker 1: where as opposed to like you know, when we ever

1043
00:55:50,040 --> 00:55:52,319
Speaker 1: we transfer the video files, it's like you get them

1044
00:55:52,360 --> 00:55:54,640
Speaker 1: on the computer, that's seven minutes, and then to transfer

1045
00:55:54,760 --> 00:55:58,400
Speaker 1: them to the thing, it's like a seven hours. And

1046
00:55:58,560 --> 00:56:00,840
Speaker 1: it's that's the difference between like going, oh, you know what,

1047
00:56:00,920 --> 00:56:05,600
Speaker 1: I'm sacrificing sleep and rest and like just not doing

1048
00:56:05,680 --> 00:56:08,080
Speaker 1: something so it can download. I think a lot of

1049
00:56:08,200 --> 00:56:10,640
Speaker 1: us cognitively are like, but if I'm not doing I'm

1050
00:56:10,640 --> 00:56:13,480
Speaker 1: not learning. You need rest to actually have it and

1051
00:56:13,680 --> 00:56:16,400
Speaker 1: and more and that more isn't always And I know

1052
00:56:16,560 --> 00:56:18,919
Speaker 1: we're using golf in an example, and I know guitar whatever,

1053
00:56:18,960 --> 00:56:21,120
Speaker 1: I'm practicing a guitar thing, I will get it in

1054
00:56:21,200 --> 00:56:22,840
Speaker 1: my head so much and then I just stop and

1055
00:56:22,880 --> 00:56:26,279
Speaker 1: I'm like, now, just go meditate for twenty minutes because

1056
00:56:26,280 --> 00:56:28,080
Speaker 1: that's going to serve you better than just doing this

1057
00:56:28,200 --> 00:56:32,080
Speaker 1: again for twenty minutes and practicing with intention. So more

1058
00:56:32,200 --> 00:56:35,160
Speaker 1: isn't always more, if that makes sense, Like like less

1059
00:56:35,200 --> 00:56:37,400
Speaker 1: can be more if if you if you have intention,

1060
00:56:37,440 --> 00:56:39,480
Speaker 1: if you're hitting a ball and you're going, why am

1061
00:56:39,520 --> 00:56:41,680
Speaker 1: I hitting a ball like this? What am I learning

1062
00:56:41,800 --> 00:56:44,960
Speaker 1: from each individual shot? As opposed to allow they call

1063
00:56:45,040 --> 00:56:48,440
Speaker 1: him like, uh um, I forget like Mattress Warriors or

1064
00:56:48,760 --> 00:56:51,480
Speaker 1: matt Warriors where you just go and you just hit

1065
00:56:51,600 --> 00:56:54,839
Speaker 1: four balls and you get in a rhythm and it's meditative,

1066
00:56:55,320 --> 00:56:58,200
Speaker 1: but you don't download anything. Yeah, I don't know. It's

1067
00:56:59,160 --> 00:57:02,360
Speaker 1: sending guitar talks all about that of like just be

1068
00:57:02,520 --> 00:57:05,480
Speaker 1: mindful about what you're doing. It's very interesting, but it

1069
00:57:05,560 --> 00:57:09,239
Speaker 1: makes you feel lazy as someone who sees, you know,

1070
00:57:09,760 --> 00:57:13,839
Speaker 1: with success equals constantly working and never resting, and rest

1071
00:57:13,960 --> 00:57:17,080
Speaker 1: is such an essential element and and and you know

1072
00:57:17,240 --> 00:57:20,320
Speaker 1: meditation and slowing down as such as essential element to

1073
00:57:20,560 --> 00:57:23,000
Speaker 1: being the best that you can be. And it just seems, um,

1074
00:57:24,600 --> 00:57:27,439
Speaker 1: it seems counterintuitive a lot of times. And it's it's

1075
00:57:27,520 --> 00:57:32,360
Speaker 1: it's it's feel lazy. Yeah, there's definitely a threshold of

1076
00:57:32,480 --> 00:57:34,840
Speaker 1: like you're gonna if you want to learn that scale,

1077
00:57:35,240 --> 00:57:37,320
Speaker 1: you have to be obsessed. But then you get to

1078
00:57:37,360 --> 00:57:41,440
Speaker 1: a point where you start sucking and like that's but

1079
00:57:41,560 --> 00:57:43,360
Speaker 1: I did watch a video of myself from a year

1080
00:57:43,360 --> 00:57:46,040
Speaker 1: ago playing guitar, playing the same song that I can

1081
00:57:46,080 --> 00:57:49,880
Speaker 1: play obviously now, and it's insane how much better I am.

1082
00:57:50,000 --> 00:57:52,200
Speaker 1: And to me, this year was just a fucking wash.

1083
00:57:52,360 --> 00:57:55,000
Speaker 1: I've played a lot, but I haven't actually like practiced.

1084
00:57:55,720 --> 00:57:57,560
Speaker 1: I've just been like playing for fun. But it's just

1085
00:57:57,720 --> 00:58:00,840
Speaker 1: so nice to see how much progress there's been and

1086
00:58:00,880 --> 00:58:02,760
Speaker 1: how like it sounded like I thought I sounded good

1087
00:58:02,880 --> 00:58:05,200
Speaker 1: last year and it was such ship and this year

1088
00:58:05,240 --> 00:58:06,560
Speaker 1: I'm like, oh my god, it sounds so much better.

1089
00:58:06,920 --> 00:58:08,560
Speaker 1: And now I'm like, oh my god, next year if

1090
00:58:08,560 --> 00:58:10,200
Speaker 1: I just do the same thing, which is just I

1091
00:58:10,240 --> 00:58:13,240
Speaker 1: had an enjoyable stress for a year playing guitar. It

1092
00:58:13,360 --> 00:58:15,520
Speaker 1: was only just something I love to do. Never made

1093
00:58:15,560 --> 00:58:18,800
Speaker 1: me feel bad. Um, I'm going to be that much

1094
00:58:18,840 --> 00:58:20,600
Speaker 1: better next year. And then like, do you want to

1095
00:58:20,720 --> 00:58:23,440
Speaker 1: learn how to pick and stuff or no? Lead, I

1096
00:58:23,600 --> 00:58:24,880
Speaker 1: just like I want to be able to just sing

1097
00:58:24,960 --> 00:58:27,240
Speaker 1: and I mean the rhythm wise, you're I mean it's

1098
00:58:27,280 --> 00:58:29,720
Speaker 1: on point, you know, yeah, but it's like now it's

1099
00:58:29,760 --> 00:58:31,240
Speaker 1: just making it sound good and being able to do

1100
00:58:31,320 --> 00:58:34,080
Speaker 1: little effects like hammering on and like just doing like

1101
00:58:34,160 --> 00:58:36,160
Speaker 1: you don't like a little bit of that would be fun,

1102
00:58:36,280 --> 00:58:42,200
Speaker 1: but I'm not into like pay doesn't your rhythm. Same

1103
00:58:42,280 --> 00:58:44,600
Speaker 1: with the golf swing, like if you're not, you can't

1104
00:58:44,640 --> 00:58:46,880
Speaker 1: fucking break it down in the forty five things you

1105
00:58:46,960 --> 00:58:50,920
Speaker 1: need like three simplify it, like like how you strum.

1106
00:58:51,360 --> 00:58:53,080
Speaker 1: You don't even want to really think about how you

1107
00:58:53,160 --> 00:58:55,680
Speaker 1: want to just think about maybe one thing, two things.

1108
00:58:55,840 --> 00:58:57,920
Speaker 1: So nice when it becomes but if you're like I

1109
00:58:58,000 --> 00:59:01,760
Speaker 1: gotta press hard with this finger, No, it starts that way,

1110
00:59:01,880 --> 00:59:04,000
Speaker 1: and then when you practice it enough, it becomes second

1111
00:59:04,080 --> 00:59:06,680
Speaker 1: nature because your body downloads it as like this is

1112
00:59:06,720 --> 00:59:08,439
Speaker 1: just what we do. It's like driving. When you first

1113
00:59:08,440 --> 00:59:11,480
Speaker 1: start driving, it's like, I mean you still drive like that,

1114
00:59:11,600 --> 00:59:14,520
Speaker 1: but like the left lane, and then it just becomes like, oh,

1115
00:59:14,840 --> 00:59:16,440
Speaker 1: that's just what I do Now, I don't have to

1116
00:59:16,560 --> 00:59:20,320
Speaker 1: think about it. It's just natural. You still remember that. Yes,

1117
00:59:20,400 --> 00:59:26,240
Speaker 1: you d like a person I you drive like humming.

1118
00:59:26,280 --> 00:59:34,080
Speaker 1: My mom doesn't. Oh yeah, TEXTI not at all, And

1119
00:59:34,160 --> 00:59:45,880
Speaker 1: there's a buzz on my side. Oh wake up San Francisco,

1120
00:59:46,080 --> 00:59:49,920
Speaker 1: Jesus Christ. All right, No, no, no, I like it. No,

1121
00:59:50,080 --> 00:59:53,480
Speaker 1: it just I felt it this morning. It hit me,

1122
00:59:54,440 --> 00:59:57,680
Speaker 1: It hit me in the amigdala Alright what's what we

1123
00:59:57,760 --> 01:00:01,640
Speaker 1: got for fantis. Our first letter came as a response

1124
01:00:01,760 --> 01:00:06,880
Speaker 1: to Love on the Spectrum from anonymous. Okay, one of

1125
01:00:06,920 --> 01:00:08,920
Speaker 1: the topics that has been brought up on the podcast

1126
01:00:09,080 --> 01:00:11,880
Speaker 1: is the Netflix show Love on the Spectrum. Throughout most

1127
01:00:11,960 --> 01:00:14,280
Speaker 1: of my childhood, pretty much until I got out of college,

1128
01:00:14,320 --> 01:00:17,600
Speaker 1: I was raised under the assumption I had severe Asperger syndrome.

1129
01:00:18,320 --> 01:00:20,720
Speaker 1: I'm not an expert or even really an active advocate

1130
01:00:20,800 --> 01:00:23,480
Speaker 1: in these fields, but I have a near lifetime of

1131
01:00:23,520 --> 01:00:25,919
Speaker 1: firsthand experience, and I think when it comes to things

1132
01:00:26,040 --> 01:00:29,920
Speaker 1: like neurotypicality, people should have should get as many different

1133
01:00:29,960 --> 01:00:33,600
Speaker 1: perspectives and viewpoints as possible. Hopefully you can take this

1134
01:00:33,720 --> 01:00:36,640
Speaker 1: email as not some be all and end all authority,

1135
01:00:37,080 --> 01:00:40,080
Speaker 1: but one voice, one chapter of a very complicated book,

1136
01:00:40,120 --> 01:00:41,800
Speaker 1: and none of it comes from a place of anger

1137
01:00:41,920 --> 01:00:46,760
Speaker 1: or negativity. Okay. Despite having lived nearly twenty four years

1138
01:00:46,840 --> 01:00:49,760
Speaker 1: under the blanket of having Asperger's, I haven't used that

1139
01:00:49,880 --> 01:00:54,160
Speaker 1: label or any autistic language to actively identify myself. Frankly,

1140
01:00:54,200 --> 01:00:57,040
Speaker 1: it's because of shows like The Good Doctor, Atypical, or

1141
01:00:57,200 --> 01:01:00,040
Speaker 1: even Love on the Spectrum, which perpetuate a stare of

1142
01:01:00,040 --> 01:01:02,400
Speaker 1: a type of my condition that makes me not want

1143
01:01:02,440 --> 01:01:06,600
Speaker 1: to identify with a label. Oh it's hard to describe

1144
01:01:06,640 --> 01:01:09,919
Speaker 1: without being a bummer. How damaging these tropes are. There's

1145
01:01:09,960 --> 01:01:13,720
Speaker 1: nothing wrong with positivity, but the way mainstream media exemplifies

1146
01:01:13,760 --> 01:01:17,760
Speaker 1: autism whitewashes so much of the uncomfortable trauma that comes

1147
01:01:17,840 --> 01:01:21,480
Speaker 1: with the experience. Time and time again, autistic behavior gets

1148
01:01:21,600 --> 01:01:24,960
Speaker 1: viewed as this childlike or special thing when it is

1149
01:01:25,040 --> 01:01:28,960
Speaker 1: a much messier and painful experience in reality. Okay, And

1150
01:01:28,960 --> 01:01:30,520
Speaker 1: I want to say that, like I had to condense

1151
01:01:30,640 --> 01:01:32,120
Speaker 1: this down and I went back and forth with the

1152
01:01:32,200 --> 01:01:36,360
Speaker 1: person who emailed this to us just because it's it's

1153
01:01:36,480 --> 01:01:38,800
Speaker 1: very thoughtful and and really important, and I'm sorry that

1154
01:01:38,840 --> 01:01:43,480
Speaker 1: it's right. Okay. Um, what the media is afraid to

1155
01:01:43,560 --> 01:01:47,320
Speaker 1: show is the hard truth. Being autistic means of the

1156
01:01:47,440 --> 01:01:51,200
Speaker 1: time you are difficult because you don't communicate or coordinate

1157
01:01:51,280 --> 01:01:54,520
Speaker 1: in an optimal way for most situations. And the messed

1158
01:01:54,560 --> 01:01:57,400
Speaker 1: up part is the main people who you relate to

1159
01:01:57,560 --> 01:02:00,160
Speaker 1: are also autistic, and they can be a big, big,

1160
01:02:00,280 --> 01:02:03,000
Speaker 1: paid in the ass. You could deal with people with

1161
01:02:03,120 --> 01:02:06,680
Speaker 1: toxic anger issues, people who have severe hygiene issues, who

1162
01:02:06,720 --> 01:02:10,120
Speaker 1: are super uncooperative or hurt your feelings. Every other sentence.

1163
01:02:10,600 --> 01:02:13,000
Speaker 1: People that can be your best friends because they really

1164
01:02:13,120 --> 01:02:17,800
Speaker 1: understand you. The experience of being diagnosed as a kid

1165
01:02:17,960 --> 01:02:21,240
Speaker 1: is very different from being diagnosed as an adult. I

1166
01:02:21,320 --> 01:02:23,440
Speaker 1: also want to clarify. I love my traits and quirks.

1167
01:02:23,760 --> 01:02:26,720
Speaker 1: I love my offbeat sensibilities, openness and bluntness. But I

1168
01:02:26,800 --> 01:02:29,560
Speaker 1: hate this label of autism, this label that says I

1169
01:02:29,640 --> 01:02:33,000
Speaker 1: can be adorable but I can't be challenging. I can

1170
01:02:33,080 --> 01:02:36,280
Speaker 1: be precious, but I can't be powerful. This isn't me

1171
01:02:36,400 --> 01:02:38,280
Speaker 1: saying love on the spectrum is bad. I hope you

1172
01:02:38,320 --> 01:02:40,880
Speaker 1: continue to watch and talk about it. I still haven't

1173
01:02:40,880 --> 01:02:42,800
Speaker 1: seen it. I don't want to see it. This is

1174
01:02:42,880 --> 01:02:45,680
Speaker 1: how deep the stigma has sunk in our community. However,

1175
01:02:45,920 --> 01:02:47,840
Speaker 1: I have seen some clips of Michael on YouTube. He

1176
01:02:47,920 --> 01:02:50,920
Speaker 1: seems like a genuinely cool guy. It's a very uncomfortable

1177
01:02:50,920 --> 01:02:55,720
Speaker 1: subject to unpack. Hopefully we can all understand why. Okay, yeah,

1178
01:02:55,800 --> 01:03:00,640
Speaker 1: that makes sense of um feeling like I think that

1179
01:03:01,080 --> 01:03:03,360
Speaker 1: what I gleaned from that is that the person feels

1180
01:03:03,880 --> 01:03:07,200
Speaker 1: that love on the spectrum paints it in this like

1181
01:03:08,200 --> 01:03:11,400
Speaker 1: fun light, like they're so adorable and they make everything

1182
01:03:11,640 --> 01:03:14,240
Speaker 1: great and we get to all kind of watch from

1183
01:03:14,240 --> 01:03:17,160
Speaker 1: the outside and be like they're just cute and quirky

1184
01:03:17,400 --> 01:03:20,960
Speaker 1: and all and all that kind of Yeah. I think

1185
01:03:21,000 --> 01:03:23,800
Speaker 1: also like Love on the Spectrum from from what I

1186
01:03:23,880 --> 01:03:27,000
Speaker 1: gleaned from it, because I read the whole thing is thus,

1187
01:03:27,280 --> 01:03:29,880
Speaker 1: the spectrum is very wide, and Love on the Spectrum

1188
01:03:29,920 --> 01:03:32,400
Speaker 1: shows you one small piece of the spectrum. And I

1189
01:03:32,480 --> 01:03:34,880
Speaker 1: think what this person is trying to, you know, get

1190
01:03:34,960 --> 01:03:38,040
Speaker 1: out there, is that the spectrum is very, very wide.

1191
01:03:39,120 --> 01:03:41,640
Speaker 1: I do recall, though, from the first season, I want

1192
01:03:41,680 --> 01:03:45,439
Speaker 1: to say that there was a guy that had much

1193
01:03:45,520 --> 01:03:49,240
Speaker 1: more severe a case of it than anyone else on

1194
01:03:49,320 --> 01:03:52,919
Speaker 1: the show. Do you remember him. It was an Asian boy. Okay,

1195
01:03:52,960 --> 01:03:55,560
Speaker 1: he was an Asian man with the father who was

1196
01:03:55,640 --> 01:03:57,480
Speaker 1: raised by a single father, and he was you know,

1197
01:03:58,200 --> 01:04:01,480
Speaker 1: very very different than the other people in the show

1198
01:04:01,560 --> 01:04:05,880
Speaker 1: that are more highly functioning. And it really did show

1199
01:04:06,000 --> 01:04:09,720
Speaker 1: the side from the like it showed. It showed more

1200
01:04:09,800 --> 01:04:12,160
Speaker 1: of like a case that of And then I think

1201
01:04:12,240 --> 01:04:16,480
Speaker 1: people you meet within Michael's world or like just watching

1202
01:04:16,600 --> 01:04:19,360
Speaker 1: them go out and interact with other people with autism,

1203
01:04:19,720 --> 01:04:23,840
Speaker 1: you see a further you see different sides of the

1204
01:04:23,840 --> 01:04:28,360
Speaker 1: spectrum that can be obviously really trying to families and

1205
01:04:29,280 --> 01:04:32,720
Speaker 1: um not just yeah, whitewashed in the sense of, oh,

1206
01:04:32,800 --> 01:04:37,919
Speaker 1: it's all fun and cute and there. Yeah, I guess

1207
01:04:38,160 --> 01:04:40,240
Speaker 1: it's I want to know more. Honestly, I want to

1208
01:04:40,360 --> 01:04:45,440
Speaker 1: know what this person which is we're different about them,

1209
01:04:45,520 --> 01:04:47,320
Speaker 1: Like if they love their quirks, what are some quirks

1210
01:04:47,400 --> 01:04:50,760
Speaker 1: that they have that they really struggle with and just

1211
01:04:50,920 --> 01:04:53,960
Speaker 1: wish we're not that way and that are like the

1212
01:04:54,840 --> 01:04:57,520
Speaker 1: parts that you wish that would be more represented in

1213
01:04:57,600 --> 01:04:59,480
Speaker 1: on these shows like good Good Doctor in any typical

1214
01:04:59,560 --> 01:05:02,840
Speaker 1: and love on the spect um, Yeah, because maybe because

1215
01:05:02,880 --> 01:05:05,160
Speaker 1: it just feels to them like it's too surface level.

1216
01:05:05,920 --> 01:05:08,160
Speaker 1: So like it's like I'm Jewish, right, So if the

1217
01:05:08,240 --> 01:05:11,040
Speaker 1: show was like, here's some Jews, and then it's like

1218
01:05:11,280 --> 01:05:13,280
Speaker 1: these are the Jews and this is what Jews do

1219
01:05:14,040 --> 01:05:20,920
Speaker 1: you know? Like and yeah I was thinking curb but no, no, no,

1220
01:05:21,040 --> 01:05:23,320
Speaker 1: but you know what I mean like, and then it's like, okay,

1221
01:05:23,400 --> 01:05:26,400
Speaker 1: well this is like, uh, the feeds into a stereotype

1222
01:05:26,440 --> 01:05:28,680
Speaker 1: and this is everything we need to really know and

1223
01:05:29,080 --> 01:05:31,280
Speaker 1: this is and it's fun to point out and whatever.

1224
01:05:31,560 --> 01:05:35,280
Speaker 1: And then you see a show like, um, I forget

1225
01:05:35,360 --> 01:05:37,040
Speaker 1: what the name of it was, but about the Hasidic

1226
01:05:37,120 --> 01:05:43,800
Speaker 1: girl that like was unbelievable. First of all, you have

1227
01:05:43,880 --> 01:05:45,600
Speaker 1: to see like it is one of those shows that

1228
01:05:45,640 --> 01:05:48,040
Speaker 1: I can't believe. I haven't convinced you see. But but

1229
01:05:48,920 --> 01:05:51,640
Speaker 1: then you see like a whole like dark side of

1230
01:05:51,760 --> 01:05:54,840
Speaker 1: Judaism and like this like and so maybe this person

1231
01:05:54,960 --> 01:05:58,520
Speaker 1: wants to see like something like more specific and more

1232
01:05:58,640 --> 01:06:00,800
Speaker 1: like and not just a doc You're I can figure

1233
01:06:00,880 --> 01:06:04,240
Speaker 1: out things because he's you know what I mean. Like,

1234
01:06:05,000 --> 01:06:07,000
Speaker 1: so yeah, you just need we're seeing the like comforting

1235
01:06:07,040 --> 01:06:09,880
Speaker 1: side that makes us all feel like, oh everything's okay. Yeah,

1236
01:06:10,440 --> 01:06:13,520
Speaker 1: M like it. Thank you so much for writing into

1237
01:06:13,720 --> 01:06:17,160
Speaker 1: us and sharing that I love. I love notes that

1238
01:06:17,520 --> 01:06:21,920
Speaker 1: um and you know fan Trex that shares people's experience

1239
01:06:22,000 --> 01:06:24,960
Speaker 1: that we don't know, Like we all just want to

1240
01:06:25,000 --> 01:06:27,480
Speaker 1: empathize more with other experiences because we think we know,

1241
01:06:28,240 --> 01:06:30,480
Speaker 1: but you have no idea the real world, San Diego

1242
01:06:30,800 --> 01:06:38,560
Speaker 1: okayap okay, So let me play Becca from here, Becca, Hi, Andrew,

1243
01:06:38,840 --> 01:06:42,240
Speaker 1: Nikki and Noah. Um. First off, I love the pod

1244
01:06:42,760 --> 01:06:45,480
Speaker 1: um on days when my DJ is pretty s S.

1245
01:06:45,720 --> 01:06:50,760
Speaker 1: I really appreciate it. And um uh yeah, I was

1246
01:06:50,840 --> 01:06:54,560
Speaker 1: just calling because when Nikki was talking about um pain

1247
01:06:54,920 --> 01:06:59,479
Speaker 1: and the fear of pain never ending. It really blew

1248
01:06:59,560 --> 01:07:03,880
Speaker 1: my mind. And Um, I have chronic pain. And when

1249
01:07:03,960 --> 01:07:07,720
Speaker 1: it was really really bad and I was undiagnosed for

1250
01:07:07,840 --> 01:07:10,560
Speaker 1: about a year, UM, and doctors kept telling me that

1251
01:07:10,720 --> 01:07:13,680
Speaker 1: I was fine and they couldn't find anything wrong with me. Um.

1252
01:07:14,280 --> 01:07:18,520
Speaker 1: I really think it was the fear of dying is

1253
01:07:18,680 --> 01:07:23,080
Speaker 1: what made it so unbearable. Whereas now that I know

1254
01:07:23,200 --> 01:07:25,640
Speaker 1: what it is and I know that it's um, you

1255
01:07:25,760 --> 01:07:28,240
Speaker 1: know there's things that I can do to feel better

1256
01:07:28,760 --> 01:07:31,680
Speaker 1: if it gets bad, and I know the cause and

1257
01:07:31,760 --> 01:07:34,479
Speaker 1: I know it's not going to kill me. Um, it's

1258
01:07:34,920 --> 01:07:37,960
Speaker 1: like I'm fine now. So that was just really interesting

1259
01:07:38,040 --> 01:07:42,600
Speaker 1: and I really like, yeah, that's it. Keep up the

1260
01:07:42,680 --> 01:07:50,240
Speaker 1: great work. Yeah, thank you Becca that I'm so sorry

1261
01:07:50,240 --> 01:07:53,120
Speaker 1: you go through chronic pain. My god, I just said it.

1262
01:07:53,200 --> 01:07:56,280
Speaker 1: I was like, I feel so I mean, my heart

1263
01:07:56,320 --> 01:07:58,120
Speaker 1: goes out to so many people in the world, but

1264
01:07:58,200 --> 01:08:01,280
Speaker 1: those that suffer with chronic pain. Is idea, You're so

1265
01:08:01,480 --> 01:08:04,720
Speaker 1: strong because whenever I have any kind of pain, I

1266
01:08:04,880 --> 01:08:09,000
Speaker 1: just I always think about you guys. Um. Yeah. I

1267
01:08:09,760 --> 01:08:12,040
Speaker 1: think the thing I shared in case people want to

1268
01:08:12,120 --> 01:08:14,560
Speaker 1: know what she's talking about, was that I was listening

1269
01:08:14,600 --> 01:08:17,400
Speaker 1: to a meditation the Waking Up app says working with Pain.

1270
01:08:17,520 --> 01:08:19,479
Speaker 1: There's there's a se meditation called working with Pain, and

1271
01:08:19,520 --> 01:08:21,640
Speaker 1: you can get the Waking Up app for free if

1272
01:08:21,640 --> 01:08:23,160
Speaker 1: you write in and tell them you can't afford it,

1273
01:08:23,240 --> 01:08:25,360
Speaker 1: or you can buy it yourself. But there's a meditation

1274
01:08:25,400 --> 01:08:27,200
Speaker 1: that I listened to and I have migraines, and it

1275
01:08:27,280 --> 01:08:31,280
Speaker 1: says that a lot of the anxiety around pain is

1276
01:08:31,360 --> 01:08:34,120
Speaker 1: that it's you've if you think about pain in the

1277
01:08:34,200 --> 01:08:37,000
Speaker 1: sense that you've already borne the pain of this moment,

1278
01:08:37,120 --> 01:08:39,440
Speaker 1: like you're already when you go I can't this is unbearable,

1279
01:08:39,720 --> 01:08:42,080
Speaker 1: you're actually bearing it. You just did it, like you're

1280
01:08:42,120 --> 01:08:44,400
Speaker 1: in the moment, it's happening now and you're getting through it.

1281
01:08:45,320 --> 01:08:48,800
Speaker 1: Um that so much of pain is anxiety about it

1282
01:08:48,880 --> 01:08:51,840
Speaker 1: not going away, and you're thinking about the future, which

1283
01:08:51,920 --> 01:08:54,280
Speaker 1: you cannot predict. You don't know. A lot of times,

1284
01:08:54,640 --> 01:08:56,400
Speaker 1: I guess you can if you have a diagnosis, but

1285
01:08:56,439 --> 01:08:57,680
Speaker 1: a lot of times you don't know if it's going

1286
01:08:57,720 --> 01:09:00,400
Speaker 1: to go away or not. And that's the fear of

1287
01:09:00,439 --> 01:09:02,200
Speaker 1: Oh my god, is why am I getting so many migrants?

1288
01:09:02,240 --> 01:09:03,920
Speaker 1: Am I going to have a fucking to have a tumor?

1289
01:09:03,960 --> 01:09:06,360
Speaker 1: In my head, all of that is really what the

1290
01:09:06,439 --> 01:09:09,000
Speaker 1: pain is. And if you can think about that, you've

1291
01:09:09,080 --> 01:09:12,519
Speaker 1: already the moment you have right now is all that

1292
01:09:12,880 --> 01:09:17,559
Speaker 1: you have, and that you've actually your experience, you've gotten

1293
01:09:17,600 --> 01:09:21,040
Speaker 1: through the pain already that you can get through. You

1294
01:09:21,120 --> 01:09:22,280
Speaker 1: could just stay in the moment. I don't know. It

1295
01:09:22,360 --> 01:09:23,880
Speaker 1: was something like that. I don't know, but yeah, I

1296
01:09:24,240 --> 01:09:26,599
Speaker 1: get that, and I think relating it to like death,

1297
01:09:27,160 --> 01:09:30,400
Speaker 1: like once you can figure out this isn't like I

1298
01:09:30,479 --> 01:09:32,559
Speaker 1: would have like horror, but we all die. That's where

1299
01:09:32,600 --> 01:09:34,840
Speaker 1: I get trapped up on like I'm gonna die. It's like,

1300
01:09:35,000 --> 01:09:37,360
Speaker 1: but you are, but you feel like you're it's expedited

1301
01:09:37,400 --> 01:09:39,639
Speaker 1: that you're gonna maybe die in two months. And you're

1302
01:09:39,640 --> 01:09:42,880
Speaker 1: also maybe thinking, if you're a hypochondract that this pain

1303
01:09:43,000 --> 01:09:45,400
Speaker 1: now is bad. But the closer I get to death

1304
01:09:46,360 --> 01:09:49,320
Speaker 1: two months in forty years. In terms of like you

1305
01:09:49,400 --> 01:09:51,200
Speaker 1: just want to get more stuff done, it's the it's

1306
01:09:51,200 --> 01:09:53,040
Speaker 1: the anxiety of like I didn't I didn't get enough.

1307
01:09:53,040 --> 01:09:55,439
Speaker 1: You want to see your nephews grow, your kids grow,

1308
01:09:55,680 --> 01:09:58,559
Speaker 1: or or you don't want to die. But I'm not devil.

1309
01:09:58,560 --> 01:10:00,439
Speaker 1: I'm not trying to be like I'm dub I don't know.

1310
01:10:00,520 --> 01:10:02,559
Speaker 1: I'm just when I think of death, I'm like, if

1311
01:10:02,600 --> 01:10:05,880
Speaker 1: I go tomorrow versus when I'm ninety, it doesn't matter

1312
01:10:05,960 --> 01:10:08,160
Speaker 1: to me because I'm dead, but it manages to everyone

1313
01:10:08,200 --> 01:10:10,760
Speaker 1: around you. Yeah, but they'll be dead some day two

1314
01:10:10,800 --> 01:10:12,880
Speaker 1: and then that pain will be gone with me losing.

1315
01:10:13,000 --> 01:10:14,560
Speaker 1: Like you know what I'm saying, I'm not trying to

1316
01:10:14,640 --> 01:10:16,599
Speaker 1: minimize it. Doesn't want everyone to live as long as

1317
01:10:16,640 --> 01:10:17,920
Speaker 1: they can, and I want to live as long as

1318
01:10:18,000 --> 01:10:21,080
Speaker 1: I can. But when I don't fear death like I

1319
01:10:21,120 --> 01:10:23,719
Speaker 1: feel like most people do, and I wish some people

1320
01:10:23,800 --> 01:10:26,320
Speaker 1: could just get I wish I could like transfer the

1321
01:10:26,360 --> 01:10:28,800
Speaker 1: way I think of it to other people, because it's

1322
01:10:28,840 --> 01:10:30,840
Speaker 1: not because I'm like I figured it out. I just

1323
01:10:30,960 --> 01:10:33,280
Speaker 1: don't know why I don't fear death the way other

1324
01:10:33,360 --> 01:10:35,840
Speaker 1: people do. I get what you're saying to what she

1325
01:10:36,040 --> 01:10:38,920
Speaker 1: said though about she was afraid of death, So that

1326
01:10:39,040 --> 01:10:42,080
Speaker 1: has you know whatever, I think that you can change

1327
01:10:42,120 --> 01:10:44,559
Speaker 1: the way you look at it. And but my point

1328
01:10:44,600 --> 01:10:49,439
Speaker 1: though is that she has his pain right. She decided

1329
01:10:49,479 --> 01:10:52,280
Speaker 1: to go to the doctor. They finally figured it out,

1330
01:10:52,640 --> 01:10:55,759
Speaker 1: and then she could she learned that it's not death related,

1331
01:10:55,800 --> 01:10:59,240
Speaker 1: that it's not a death sentence, right, and because of that,

1332
01:11:00,080 --> 01:11:03,120
Speaker 1: so much of it was the anxiety of potentially being death,

1333
01:11:03,760 --> 01:11:06,160
Speaker 1: which yes, what you're saying, yes is true. But a

1334
01:11:06,240 --> 01:11:08,439
Speaker 1: lot of people are in her boat where it's like

1335
01:11:08,640 --> 01:11:12,559
Speaker 1: they still fear death like it's a whole another thing.

1336
01:11:12,680 --> 01:11:15,120
Speaker 1: But but then some people won't go to the doctor

1337
01:11:15,240 --> 01:11:17,439
Speaker 1: when there they got a pain in their neck and

1338
01:11:17,439 --> 01:11:19,600
Speaker 1: they think it could be a tumor, but instead they're like,

1339
01:11:19,600 --> 01:11:22,000
Speaker 1: I don't want to find out the truth. But the

1340
01:11:22,080 --> 01:11:24,640
Speaker 1: truth really is you just have you know, maybe like

1341
01:11:24,720 --> 01:11:26,880
Speaker 1: a pinched nerve, but it's not that bad, but you

1342
01:11:26,920 --> 01:11:29,320
Speaker 1: know what I mean. They think about brain aneurisms where

1343
01:11:29,360 --> 01:11:31,200
Speaker 1: like your brain just explodes and no one can see

1344
01:11:31,200 --> 01:11:32,960
Speaker 1: it coming and it just as a healthy person and

1345
01:11:33,080 --> 01:11:35,880
Speaker 1: you just fucking die. Yeah, And sometimes I'll go like

1346
01:11:36,080 --> 01:11:37,800
Speaker 1: or I'll be flying in a plane and I'm like,

1347
01:11:37,880 --> 01:11:39,600
Speaker 1: oh my god, we could hit another plane and it

1348
01:11:39,680 --> 01:11:42,439
Speaker 1: could be a second of peace, boom, and then everything's

1349
01:11:42,439 --> 01:11:45,920
Speaker 1: done like it happened in a second getting hit by

1350
01:11:45,920 --> 01:11:48,280
Speaker 1: a bus, And I get a little overwhelmed by that

1351
01:11:48,400 --> 01:11:49,680
Speaker 1: of like, oh my god, my life could be over

1352
01:11:49,840 --> 01:11:52,280
Speaker 1: right now if this building collapses, Like it wouldn't be

1353
01:11:52,320 --> 01:11:56,479
Speaker 1: a slow, like you've been diagnosed. Um, And I get

1354
01:11:56,520 --> 01:11:58,240
Speaker 1: a little anxiety over that. Like I used to get

1355
01:11:58,240 --> 01:12:00,240
Speaker 1: in planes and be like right now, right now, like

1356
01:12:00,560 --> 01:12:04,000
Speaker 1: what's your anxiety when you drive in a single car road? Um?

1357
01:12:04,720 --> 01:12:09,000
Speaker 1: That to control it and this person I know, But

1358
01:12:09,320 --> 01:12:11,800
Speaker 1: let's say they come in and they kill you. I'm

1359
01:12:11,800 --> 01:12:15,559
Speaker 1: afraid of dying there. No, I'm scared. I have anxiety

1360
01:12:15,640 --> 01:12:17,760
Speaker 1: over the fact that I'm not doing all I can

1361
01:12:17,920 --> 01:12:19,800
Speaker 1: right now to prevent it. When I'm in a plane,

1362
01:12:20,240 --> 01:12:22,280
Speaker 1: I let go of that anxiety because I don't have control.

1363
01:12:22,360 --> 01:12:23,880
Speaker 1: There's literally nothing I can do to get in the

1364
01:12:23,920 --> 01:12:25,960
Speaker 1: cockpit and go, hey, can you guys watch up for planes? No?

1365
01:12:26,080 --> 01:12:29,040
Speaker 1: I get that, but I'm saying no, no, no, no,

1366
01:12:29,080 --> 01:12:30,760
Speaker 1: what I'm driving, I don't have anxiety, But what are

1367
01:12:30,800 --> 01:12:33,639
Speaker 1: you so only if you're riding, because I am aware

1368
01:12:33,760 --> 01:12:35,400
Speaker 1: that they could come in my lane and I'm ready

1369
01:12:35,439 --> 01:12:38,120
Speaker 1: to turn, and I have a plan. But when you're driving,

1370
01:12:38,200 --> 01:12:39,840
Speaker 1: I know you don't have a plan because you're not

1371
01:12:39,920 --> 01:12:42,559
Speaker 1: obsessed with it like I am. And I can't tell

1372
01:12:42,600 --> 01:12:46,880
Speaker 1: you you think you are more on point with driving

1373
01:12:46,960 --> 01:12:49,080
Speaker 1: than me. No, when on a two lane highway, because

1374
01:12:49,080 --> 01:12:52,320
Speaker 1: that's my number one fear like you would have a

1375
01:12:52,360 --> 01:12:54,639
Speaker 1: better plan to escape lizards than I would. But why

1376
01:12:54,760 --> 01:12:58,360
Speaker 1: is what is the I would what I'm saying, like,

1377
01:12:59,200 --> 01:13:02,160
Speaker 1: what is? But what is the You're saying you're not

1378
01:13:02,240 --> 01:13:06,840
Speaker 1: afraid of death? I'm I'm no, I'm I'm I wanna

1379
01:13:07,040 --> 01:13:11,639
Speaker 1: obviously obviously mitigate against dying in a really gruesome way

1380
01:13:12,080 --> 01:13:13,840
Speaker 1: where my body is crushed and I hear all the

1381
01:13:13,880 --> 01:13:17,000
Speaker 1: people around me screaming and I have to watch people

1382
01:13:17,040 --> 01:13:19,720
Speaker 1: around me die. That is, I'm really scared of big

1383
01:13:19,840 --> 01:13:25,120
Speaker 1: crashes and big sounds and just very quick like that,

1384
01:13:25,280 --> 01:13:27,880
Speaker 1: Like I would much rather die a slow, agonizing death

1385
01:13:28,000 --> 01:13:31,920
Speaker 1: than car crash. If I die in a car crash,

1386
01:13:32,680 --> 01:13:34,280
Speaker 1: just know that it was not the way I wanted

1387
01:13:34,280 --> 01:13:36,760
Speaker 1: to go, and I was very very sad about it,

1388
01:13:36,960 --> 01:13:39,960
Speaker 1: and it was I would probably die from this being

1389
01:13:40,080 --> 01:13:42,080
Speaker 1: scared of the sound I get really scared of. So

1390
01:13:42,160 --> 01:13:44,600
Speaker 1: I don't like air shows. That's why I don't like fireworks.

1391
01:13:44,680 --> 01:13:47,280
Speaker 1: I don't like I don't like balloons popping. I don't

1392
01:13:47,320 --> 01:13:51,800
Speaker 1: like guns. I don't like loud abrupt sounds. Um. So

1393
01:13:51,960 --> 01:13:54,320
Speaker 1: this so that same fear this person is the fear

1394
01:13:54,360 --> 01:13:57,600
Speaker 1: of dying in three months from now, Yes, I get that,

1395
01:13:58,040 --> 01:13:59,880
Speaker 1: but I'm just but I know that there's probably some

1396
01:14:00,120 --> 01:14:02,080
Speaker 1: out there that could help me get over my fear

1397
01:14:02,120 --> 01:14:03,720
Speaker 1: of this. And that's what I'm saying is maybe I

1398
01:14:03,760 --> 01:14:07,200
Speaker 1: could transfer however I look at it too, I could

1399
01:14:07,240 --> 01:14:10,439
Speaker 1: say some way that might because sometimes you say something

1400
01:14:10,479 --> 01:14:11,760
Speaker 1: and all of a sudden cracks open a part of

1401
01:14:11,760 --> 01:14:13,320
Speaker 1: your brain where you're like, oh, I'm free of that

1402
01:14:13,439 --> 01:14:17,519
Speaker 1: fear now. Um for turbulence. When I heard that pilots

1403
01:14:17,560 --> 01:14:20,120
Speaker 1: say that turbulence is like driving over a styrofoam cup

1404
01:14:20,200 --> 01:14:22,439
Speaker 1: on the highway. That's how much it gets in the

1405
01:14:22,640 --> 01:14:25,560
Speaker 1: that's how detrimental it would be to a flight, I

1406
01:14:25,720 --> 01:14:28,240
Speaker 1: was like, I'm no longer scared of turbulence. That just

1407
01:14:28,360 --> 01:14:31,960
Speaker 1: cracked it open. When Louis c Kay said that when

1408
01:14:32,000 --> 01:14:35,680
Speaker 1: you complain about the WiFi and your airplane and you

1409
01:14:35,800 --> 01:14:39,120
Speaker 1: go like, oh this bullshit, Well you're in a fucking airplane.

1410
01:14:39,560 --> 01:14:41,000
Speaker 1: This used to take months and a half of you

1411
01:14:41,080 --> 01:14:42,960
Speaker 1: would die by the time you got to the other side.

1412
01:14:43,040 --> 01:14:44,519
Speaker 1: Now you just take a ship and watch a movie.

1413
01:14:45,000 --> 01:14:46,960
Speaker 1: That cracked open something in my brain, so that now

1414
01:14:47,040 --> 01:14:49,439
Speaker 1: when the WiFi is down, I don't care. And I

1415
01:14:49,560 --> 01:14:52,080
Speaker 1: used to go would do WiFi. I don't care now.

1416
01:14:52,160 --> 01:14:56,400
Speaker 1: All it took was one sentence, and you could crack

1417
01:14:56,520 --> 01:14:59,760
Speaker 1: the code before you even worry about having to go

1418
01:14:59,840 --> 01:15:02,000
Speaker 1: to the doctor or the like. You could get there

1419
01:15:02,040 --> 01:15:04,880
Speaker 1: before crack the code for I'm not saying I could,

1420
01:15:04,920 --> 01:15:07,880
Speaker 1: but I would like to whatever is in my brain

1421
01:15:07,960 --> 01:15:09,519
Speaker 1: that doesn't make me worry about the thing that that

1422
01:15:09,600 --> 01:15:12,120
Speaker 1: girl and you worry about in terms of a sudden

1423
01:15:12,400 --> 01:15:14,960
Speaker 1: death through Uh, this cough I have or this tingling

1424
01:15:15,040 --> 01:15:18,240
Speaker 1: my throat is going to mean I'm dying. However, the

1425
01:15:18,280 --> 01:15:20,120
Speaker 1: way I look at it, it is not. It's not

1426
01:15:20,200 --> 01:15:22,640
Speaker 1: in my mind. I could somehow bestow that to you

1427
01:15:22,760 --> 01:15:25,200
Speaker 1: if I was able to figure out how I think

1428
01:15:25,280 --> 01:15:27,000
Speaker 1: of it in my head. That doesn't give I don't

1429
01:15:27,000 --> 01:15:28,680
Speaker 1: know how it is because it doesn't bother me. And

1430
01:15:28,760 --> 01:15:32,599
Speaker 1: if you can figure out how to process to lane

1431
01:15:32,680 --> 01:15:34,560
Speaker 1: highways the way you do and give that to me,

1432
01:15:34,960 --> 01:15:37,360
Speaker 1: I could crack that open. But we just don't know

1433
01:15:37,479 --> 01:15:39,879
Speaker 1: how yet. And that's why I think comedy is important,

1434
01:15:40,040 --> 01:15:42,320
Speaker 1: and like just for podcasts and stuff like this and

1435
01:15:42,400 --> 01:15:45,000
Speaker 1: books and actually just information. And I just feel like

1436
01:15:45,080 --> 01:15:47,120
Speaker 1: if you are that, if you are similar to me

1437
01:15:47,200 --> 01:15:49,679
Speaker 1: and like this girl, like and you have a pain,

1438
01:15:49,840 --> 01:15:54,040
Speaker 1: a random pain, a random cough, just don't avoid it, like,

1439
01:15:54,160 --> 01:15:56,120
Speaker 1: don't avoid the doctor, because that's when I have to

1440
01:15:56,160 --> 01:15:58,680
Speaker 1: pay my chest. You don't go to heart attack, No,

1441
01:15:58,840 --> 01:16:00,720
Speaker 1: I just go to heartburn. I go. Oh, it's one

1442
01:16:00,760 --> 01:16:03,840
Speaker 1: of those random like kind of oh. Or if I

1443
01:16:03,880 --> 01:16:05,920
Speaker 1: have like a sizzle in my brain or like a

1444
01:16:07,479 --> 01:16:09,560
Speaker 1: for me, I don't I don't go. I don't have

1445
01:16:09,720 --> 01:16:11,840
Speaker 1: those wondering why I don't go there because I am

1446
01:16:11,880 --> 01:16:14,280
Speaker 1: an anxious person. But there's something about like when I

1447
01:16:14,360 --> 01:16:16,600
Speaker 1: have not I had numbness all in my arm the

1448
01:16:16,680 --> 01:16:18,920
Speaker 1: other night at the hockey game out of nowhere. I

1449
01:16:19,000 --> 01:16:20,680
Speaker 1: wasn't sitting in it weird, I didn't have a tight

1450
01:16:20,760 --> 01:16:25,360
Speaker 1: shirt on. It just was numb. And I just was like, Oh,

1451
01:16:25,439 --> 01:16:27,599
Speaker 1: my arm is numb. That's probably just like a freak

1452
01:16:27,680 --> 01:16:30,639
Speaker 1: thing because I, you know, don't have enough potassium today

1453
01:16:30,720 --> 01:16:34,040
Speaker 1: or something like I wasn't. But I know that that's capable.

1454
01:16:34,320 --> 01:16:36,840
Speaker 1: It could. That's probably dumb of me to assume that

1455
01:16:36,920 --> 01:16:39,120
Speaker 1: my arm going numb randomly is a healthy thirty seven

1456
01:16:39,200 --> 01:16:42,240
Speaker 1: year old woman isn't an alarm going off. But at

1457
01:16:42,280 --> 01:16:46,280
Speaker 1: the same time, you haven't gone to and a lot

1458
01:16:46,320 --> 01:16:49,320
Speaker 1: of times anxiety. No I didn't have, but a lot

1459
01:16:49,360 --> 01:16:52,439
Speaker 1: of times anxiety about my arm numbing will turn into

1460
01:16:52,520 --> 01:16:56,200
Speaker 1: more arm numbing crack. So that's where we get caught up.

1461
01:16:56,280 --> 01:16:59,320
Speaker 1: Let's get one more left arm or the right arm,

1462
01:16:59,360 --> 01:17:01,360
Speaker 1: because the left like, then you go the left armed

1463
01:17:01,400 --> 01:17:09,639
Speaker 1: heart attack, the left arm and it heart attack. Final thought. Okay,

1464
01:17:10,160 --> 01:17:16,679
Speaker 1: so this very quick one. Ah, it's from Hannah, Hey, Andrew,

1465
01:17:16,760 --> 01:17:18,960
Speaker 1: Nikki and Noah. I just wanted to hop on here

1466
01:17:19,160 --> 01:17:23,599
Speaker 1: and tell you something that's been really funny. Um. I'm

1467
01:17:23,640 --> 01:17:28,080
Speaker 1: an elementary music teacher and right now I am teaching

1468
01:17:28,160 --> 01:17:30,080
Speaker 1: my fourth and fifth graders how to play you Are

1469
01:17:30,200 --> 01:17:33,400
Speaker 1: My Sunshine on the xylophone. So we have to, like,

1470
01:17:33,520 --> 01:17:34,960
Speaker 1: you know, sing it a lot just to make sure

1471
01:17:35,000 --> 01:17:37,120
Speaker 1: they know it and know the notes. So whenever we

1472
01:17:37,240 --> 01:17:40,360
Speaker 1: sing it, you know it goes you are my Sunshine,

1473
01:17:40,840 --> 01:17:45,360
Speaker 1: my only sunshine. But in my head all I can

1474
01:17:45,439 --> 01:17:49,360
Speaker 1: hear is Andrew saying only so I come so close

1475
01:17:49,479 --> 01:17:54,839
Speaker 1: to saying you are my sunshine, my only son shine.

1476
01:17:55,680 --> 01:17:58,800
Speaker 1: Oh my God gives me the gigs real good. It

1477
01:17:58,920 --> 01:18:01,519
Speaker 1: just gives me the gig. I hit the spot for

1478
01:18:01,600 --> 01:18:05,160
Speaker 1: you as well. Oh, your voice is so good. I

1479
01:18:05,240 --> 01:18:09,760
Speaker 1: feel like I love you all. Her talking voice is

1480
01:18:09,840 --> 01:18:14,920
Speaker 1: awesome and then her singing voice. Man to show off

1481
01:18:15,000 --> 01:18:17,479
Speaker 1: her voice, No, you think sometimes people do that, but

1482
01:18:17,600 --> 01:18:21,400
Speaker 1: it's like she just said, a naturally great voice. Yeah

1483
01:18:21,680 --> 01:18:28,559
Speaker 1: goos my only son shine, Oh my god. iMedia named Perez.

1484
01:18:28,600 --> 01:18:33,519
Speaker 1: Did you ever know him? I did know. He's from Florida. Yeah.

1485
01:18:33,560 --> 01:18:35,320
Speaker 1: I like him a lot. He was so sweet. Used

1486
01:18:35,320 --> 01:18:39,960
Speaker 1: to work at us. That's right. Um, well you guys

1487
01:18:40,240 --> 01:18:42,639
Speaker 1: that I hope we all we have that song called

1488
01:18:42,680 --> 01:18:45,960
Speaker 1: in our heads all day today. You are my son, shine,

1489
01:18:46,640 --> 01:18:51,479
Speaker 1: my only son, Shine. You make me happy, daring clouds

1490
01:18:51,520 --> 01:18:55,280
Speaker 1: of gray. You'll never know tear what her the other

1491
01:18:55,360 --> 01:18:59,320
Speaker 1: words you do? How much I love you? Please don't

1492
01:18:59,400 --> 01:19:06,040
Speaker 1: take turbot and so with happy birthday, brand I love

1493
01:19:06,120 --> 01:19:15,479
Speaker 1: you baby, and don't be Cat and Jack. I think

1494
01:19:15,520 --> 01:19:18,040
Speaker 1: we'd be nimble. We haven't done, Ripper. I feel like

1495
01:19:18,080 --> 01:19:19,320
Speaker 1: you're googling tonight. I'm not