WEBVTT - Holes with Korama Danquah

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<v Speaker 1>On the Bechdel Cast. The questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? It's the patriarchy, Zephyn Beast.

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<v Speaker 1>Start changing it with the Bechdel Cast.

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<v Speaker 2>Hello Bechdel Cast listeners.

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<v Speaker 1>Hello Jamie and Caitlyn.

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<v Speaker 3>Here a little plug at the top.

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<v Speaker 1>It's all coming together, It's all happening. I am going

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<v Speaker 1>to be going on a book tour for the paperback

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<v Speaker 1>release of my book Raw Dog, The Naked Truth about

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<v Speaker 1>Hot Dogs.

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<v Speaker 2>Ever heard of it?

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<v Speaker 1>It is coming out in soft cover this may. If

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<v Speaker 1>you're hearing this, it is out right now. If you

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<v Speaker 1>are the kind of person that doesn't want to spend

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<v Speaker 1>twenty eight dollars out of book, fair enough, we have

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<v Speaker 1>a more affordable option. And if you haven't purchased the

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<v Speaker 1>book and you know, maybe you're able to now, you know,

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<v Speaker 1>it's also a great gift. I've sound so desperate. The

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<v Speaker 1>thing is, it's a soft cover book, and people love those, and.

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<v Speaker 3>I love a flaccid book.

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<v Speaker 1>Yeah, it's a floppy little book. And if you do

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<v Speaker 1>have the hardcover and you're a completionist, there is also

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<v Speaker 1>a brand new ForWord that I wrote, and also the

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<v Speaker 1>acknowledgments have been adjusted to acknowledge that my agents were Zionists,

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<v Speaker 1>so I don't really thank them anymore. So there's a

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<v Speaker 1>thrilling edition there as well. But there is new stuff

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<v Speaker 1>in the book and it costs less, and we love that.

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<v Speaker 1>I will be going on tour throughout the country to

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<v Speaker 1>promote the new book, and if you're a Bechdel head

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<v Speaker 1>and you're in the area, this is a really great

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<v Speaker 1>chance to come and hang out. It's all I'm at bookstores.

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<v Speaker 1>I did kind of bigger shows the first time around,

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<v Speaker 1>but this time we're just chilling. So you kitling with

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<v Speaker 1>your permission. I'm just going to rattle off some dates.

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<v Speaker 1>What if I was like, no, no, click, I'm going

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<v Speaker 1>to go pee.

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<v Speaker 3>No please, by all means tell us okay.

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<v Speaker 1>May thirteenth, twenty twenty five, almost my birthday. So I

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<v Speaker 1>know I'm missing your birthday. It's an act of violence.

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<v Speaker 1>I will be at North Fig Bookshop in Los Angeles,

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<v Speaker 1>hosted by friend of the cast Julia Clair May fourteenth.

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<v Speaker 1>I will be at Carmichael's Bookstore in Louisville, Kentucky. On

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<v Speaker 1>May fifteenth. I will be at the Cambridge Public Library

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<v Speaker 1>in Massachusetts with the Harvard Bookstore, and I will be

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<v Speaker 1>in conversation with one of my dear friends, PBS's own

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<v Speaker 1>Tory Bedford. On the nineteenth of May, I will be

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<v Speaker 1>in Portland, Maine at Longfellow Books, hosted by friend of

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<v Speaker 1>the cast Mayo Williams. I am very very excited. On

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<v Speaker 1>the twentieth, I will be going down to Harrisburg, Pennsylvania,

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<v Speaker 1>my home state. Know they're going to be begging, They're like,

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<v Speaker 1>where are they? I will be at the Midtown Scholar

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<v Speaker 1>Bookstore and Cafe in conversation with Joe Piazza. Then on

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<v Speaker 1>May twenty first, I will be at the Fountain Bookstore

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<v Speaker 1>in Richmond, Virginia. And on May twenty second, I will

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<v Speaker 1>be at Coppersfield Books in Pedaluma, California. And finally, on

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<v Speaker 1>May thirty first, I will be at Marin Country Mart,

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<v Speaker 1>which is also with Coppersfield's book in Larkspur, California. So

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<v Speaker 1>if you live in those areas, please come out. I

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<v Speaker 1>would love to see you. I'd love to chat. Please

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<v Speaker 1>recommend your favorite hot dog. Let's talk Beck tol cast,

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<v Speaker 1>Let's do whatever. And there will be dates announced later

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<v Speaker 1>in the summer. So if you would like a show

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<v Speaker 1>or a signing to happen in your town, please reach

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<v Speaker 1>out and I will send it to my publisher and

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<v Speaker 1>be like, see, I should go there. Anyways, that's a

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<v Speaker 1>great it's begging works sometimes and we'll link this full

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<v Speaker 1>thing and that isscription. But see you soon. I'm making

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<v Speaker 1>a little outfit and that's the Jamie Loftus promise.

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<v Speaker 3>I can't wait to see.

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<v Speaker 1>So if you click the link in the description, it

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<v Speaker 1>will take you to the full page where you can

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<v Speaker 1>register to go to these events. They are all free events,

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<v Speaker 1>so come and hang out and provided that I get

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<v Speaker 1>my shit together in time, there will also be speakers

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<v Speaker 1>from local unions at all of these signings, So come out,

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<v Speaker 1>make some friends, come hang out, and uh, let's eat

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<v Speaker 1>some hot dogs.

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<v Speaker 3>Beautiful. We'll throw the link to be able to access

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<v Speaker 3>registration for the events on our link tree as well

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<v Speaker 3>link tree slash Bechdel Cast, so there's no excuse not

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<v Speaker 3>to come.

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<v Speaker 1>It's free, it's fun. I'll be wearing a little outfit.

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<v Speaker 1>Come buy the book, yay, enjoy the episode the Bechdel Cast.

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<v Speaker 3>Dig It All on, dig It dig It Out, dig.

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<v Speaker 1>It I Wow, I rewatched music video and it seared

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<v Speaker 1>into my brain.

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<v Speaker 3>Oh wait, I didn't know about the music video.

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<v Speaker 4>Oh, Caitlin show, you didn't know about ship?

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<v Speaker 1>Pause the show it just started.

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<v Speaker 5>But it's so good.

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<v Speaker 1>They're having such a nice time. The boys are having fun.

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<v Speaker 3>Okay, I believe it.

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<v Speaker 1>That's the most important thing about the music video. And

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<v Speaker 1>also the song is great and oh my gosh, two

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<v Speaker 1>thousand and three, what a time School of rock an

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<v Speaker 1>holes be serious? Wait, sorry, I you singing that song

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<v Speaker 1>just really put me in a great mood. And I

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<v Speaker 1>forgot what I was gonna say. Oh well, oh, I

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<v Speaker 1>was gonna say, we need to bring back movies where

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<v Speaker 1>there's a song during the credits that summarizes the movie

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<v Speaker 1>you just watched. Yes, you need that. We need to

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<v Speaker 1>bring it back. Maybe it is back in kids' movies.

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<v Speaker 1>And I'm just no longer a child. I hope it

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<v Speaker 1>never stopped. I find it difficult to believe that there

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<v Speaker 1>is a credit. This is like a Will Smith grade

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<v Speaker 1>credits song.

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<v Speaker 3>True Wild Wild West, Men in Black.

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<v Speaker 1>Yeah, the list goes on. I think I'm not actually sure.

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<v Speaker 3>Might be just those two.

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<v Speaker 1>It might, but they're impactful, impactful, welcome, to the Bechdel Cast,

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<v Speaker 1>Do I think one of the one of our our

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<v Speaker 1>longest holdouts for a beloved movie.

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<v Speaker 3>Hold out whole out, whole.

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<v Speaker 2>Again?

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<v Speaker 3>We have our holes out on this episode.

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<v Speaker 1>During this children Yes, we have our holes out during

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<v Speaker 1>the Children's Prison Industrial Complex movie episode. My name's Jamie.

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<v Speaker 1>Locked is my holes not in a way? It's away?

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<v Speaker 3>So are mine talking about that?

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<v Speaker 6>No?

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<v Speaker 1>The hole in my damn face I is going to

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<v Speaker 1>be flapping.

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<v Speaker 3>Yeah, And it's like that line from Titanic when the.

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<v Speaker 1>Wave you out shut that out? Yeah? All right, well

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<v Speaker 1>things have already is already erupting. What's your name?

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<v Speaker 3>My name is Caitlyn Durnteme awesome. And this is the

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<v Speaker 3>Bechdel Cast, a podcast where we examine movies through an

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<v Speaker 3>intersectional feminist lens, using the Bechdel Test simply as a

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<v Speaker 3>jumping off point. But Jamie, what is it though?

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<v Speaker 1>Well, I'll tell you. The Bechtel Test is a media

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<v Speaker 1>metric created by queer cartoonist Alison Bechdel, often called the

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<v Speaker 1>Bechdel Wallace Test. Created as a test in response to

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<v Speaker 1>the fact that queer women were never in movies at all,

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<v Speaker 1>it has since been sort of more generalized into what

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<v Speaker 1>we use. Our version of the test requires that two

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<v Speaker 1>characters of a marginalized gender with names talk to each

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<v Speaker 1>other about something other than a man for two lines

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<v Speaker 1>of dialogue. This is an interesting case. This is an

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<v Speaker 1>interesting case. We're spiritually this know this movie passes the

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<v Speaker 1>Bechtel test to.

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<v Speaker 3>Me, sure, but it is. But there is.

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<v Speaker 1>I think there's two women and one is dead. They

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<v Speaker 1>don't exist on the same timelines. So it's a challenge.

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<v Speaker 1>It's a challenge. Patricia Arquette and Sigourney Weaver are separated

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<v Speaker 1>by generations, true and political differences.

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<v Speaker 3>Yes, all of the above. Yeah, well, we'll talk about

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<v Speaker 3>that further, but we'll also talk about so many other

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<v Speaker 3>things because this is a rich text.

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<v Speaker 1>Yes, because it is a perfect movie.

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<v Speaker 3>It's so good. And joining us for this discussion is

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<v Speaker 3>writer actor. She's in an upcoming horror comedy movie called

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<v Speaker 3>Bad Karaoke. You know her from our past episodes on

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<v Speaker 3>Us Get Out and Cheetah Girls. It's Carama Donquay.

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<v Speaker 6>Welcome, Thank you for having me again. I would like

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<v Speaker 6>to just issue a correction right off the bat. Five

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<v Speaker 6>women in this movie.

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<v Speaker 1>That's true because there there's a lawyer Stanley's mother. Yes,

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<v Speaker 1>what else we got?

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<v Speaker 6>There's there's the former student of kissing Kate Barlowe, whose

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<v Speaker 6>name is said. And I think it passes because they

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<v Speaker 6>talk about how she used to be a student.

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<v Speaker 5>Right, yeah, okay, we're going to talk about the treasure.

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<v Speaker 6>So legally it passes, not just to you, Jamie, not

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<v Speaker 6>just spiritually.

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<v Speaker 1>Okay, that is that is a relief.

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<v Speaker 5>But it was it was tight.

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<v Speaker 1>It was very close, and they made us wait to

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<v Speaker 1>the very end. Then.

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<v Speaker 3>But I think maybe the lawyer and the warden also talk.

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<v Speaker 1>I think they're talking about Stanley.

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<v Speaker 5>Yeah, they're talking about the boys at all times.

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<v Speaker 1>We're talking about the crime as a.

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<v Speaker 5>Boy of man is a.

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<v Speaker 1>Man, no women and children. This is getting complicated. Thank

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<v Speaker 1>you Karma for solving the podcast right at the top.

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<v Speaker 1>And now we you just talk about the movie itself

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<v Speaker 1>because this is a rich text. Thank you for coming

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<v Speaker 1>onto the Wholes episode. Can you tell us about your

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<v Speaker 1>history with this movie, the book, the Holes Expanded universe.

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<v Speaker 6>I'm gonna start with something that sounds like it's not related.

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<v Speaker 6>I promise it is related. So recently, I was at

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<v Speaker 6>a family friend's house and one of her neighbors came

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<v Speaker 6>over and she was like, why do I know you?

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<v Speaker 6>And my friend Jackie was like, oh, well, Karama used

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<v Speaker 6>to come over all the time when we were little,

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<v Speaker 6>and she didn't have cable at her house, so she

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<v Speaker 6>would come over here. And so I had like a

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<v Speaker 6>cable friend, as many kids who didn't have cable had.

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<v Speaker 6>And I watched this at my cable friend's house when

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<v Speaker 6>I was growing up, and I would see the Diggot

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<v Speaker 6>music video on Disney Channel all the time. I still

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<v Speaker 6>knew all the words. I don't know if I can

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<v Speaker 6>say them on the podcast. I don't want to get

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<v Speaker 6>you guys in trouble for singing too much of it.

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<v Speaker 6>But when he started spelling like a MP at the TI,

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<v Speaker 6>I was like, yes, yes, this is rap music, this

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<v Speaker 6>is real rap music.

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<v Speaker 5>Migos step aside.

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<v Speaker 1>Yes, it's all happening on Radio Disney. They even had

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<v Speaker 1>a band named De Tent Boys. Yes, yeah, this was

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<v Speaker 1>a single they were. I mean, this was run Ragged

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<v Speaker 1>on Radio Disney in the early two thousands, and I

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<v Speaker 1>was a.

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<v Speaker 6>Radio Disney kid when I moved to Ghana. When I

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<v Speaker 6>was little, my dad would send me cassette tapes of

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<v Speaker 6>like just hours of Radio Disney because I missed it

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<v Speaker 6>so much.

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<v Speaker 5>It's really sweet, I know, but also like scary that

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<v Speaker 5>the mouse had that much of a hold on me.

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<v Speaker 1>Yeah, the mouse will find you wherever we go. But

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<v Speaker 1>this is a rare I'm excited to talk about the

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<v Speaker 1>production of this movie because this seems like a very

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<v Speaker 1>rare Disney movie where it seems like they were relatively

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<v Speaker 1>hands off with this, and the director said it was

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<v Speaker 1>basically like creating an independent movie with Disney money, which

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<v Speaker 1>is cool. I'm excited to get into it because I

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<v Speaker 1>was surprised at because I reread. I got mostly through

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<v Speaker 1>the book to reread it before, and it's they've changed

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<v Speaker 1>so little because for once, they let the author write

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<v Speaker 1>the screenplay.

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<v Speaker 3>They never do that.

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<v Speaker 5>And also the main thing that they change.

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<v Speaker 6>I actually am for it because the main thing that

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<v Speaker 6>they changed for people who either haven't read the book

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<v Speaker 6>or don't remember the book is that Stanley is a

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<v Speaker 6>pretty chubby kid in the book, and.

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<v Speaker 5>Through digging he actually loses a lot of weight.

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<v Speaker 6>But they didn't want to put Shila buff in a

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<v Speaker 6>fat suit, and they didn't want to subject a child

0:12:35.640 --> 0:12:40.640
<v Speaker 6>to a major like Christian Bale weight shift. So I

0:12:40.679 --> 0:12:43.520
<v Speaker 6>think that that is actually, like, I'm all for a

0:12:43.520 --> 0:12:45.120
<v Speaker 6>fat representation in film.

0:12:45.280 --> 0:12:46.839
<v Speaker 5>I love that representation in film.

0:12:47.000 --> 0:12:49.000
<v Speaker 6>I think that this was the better choice in this

0:12:49.120 --> 0:12:51.880
<v Speaker 6>instance because I don't like fat suits. I think that

0:12:51.920 --> 0:12:55.880
<v Speaker 6>they're dehumanizing, and I don't like torturing children.

0:12:56.160 --> 0:12:58.560
<v Speaker 1>So they still tortured the children a little bit, but

0:12:58.640 --> 0:13:02.440
<v Speaker 1>mostly with heat. Yes, But but yeah, no, I totally agree.

0:13:02.559 --> 0:13:06.559
<v Speaker 1>I forgot that that was sort of the most major change,

0:13:06.960 --> 0:13:10.240
<v Speaker 1>and I don't Yeah, it's I felt like rereading the

0:13:10.280 --> 0:13:13.880
<v Speaker 1>book that it was, you know, I don't think meant

0:13:14.120 --> 0:13:18.280
<v Speaker 1>to be a cruel outcome, but it's sort of lent

0:13:18.400 --> 0:13:22.599
<v Speaker 1>this morality to Stanley's weight loss and and sort of

0:13:22.640 --> 0:13:25.840
<v Speaker 1>presented it as a well, at least he's not chubby anymore,

0:13:25.960 --> 0:13:28.560
<v Speaker 1>in a way that I felt like was not good

0:13:28.600 --> 0:13:32.120
<v Speaker 1>representation if they had adapted it in that way. On

0:13:32.200 --> 0:13:34.880
<v Speaker 1>top of what you're saying, the thing that was changed

0:13:34.920 --> 0:13:37.640
<v Speaker 1>that I wish it stayed was there was more context

0:13:37.760 --> 0:13:42.319
<v Speaker 1>for stan Lee's arrest. I get why they have to

0:13:42.480 --> 0:13:45.240
<v Speaker 1>keep it focused on zero, but he was like really

0:13:45.320 --> 0:13:49.480
<v Speaker 1>severely bullied in school, and they show like how his

0:13:49.679 --> 0:13:54.320
<v Speaker 1>bullying very much factored into his arrest, and like fear

0:13:54.600 --> 0:13:59.199
<v Speaker 1>of standing up for himself stuff. But other than that,

0:13:59.280 --> 0:14:02.800
<v Speaker 1>it's basically all they're They're dropping damns, they're cussing.

0:14:03.320 --> 0:14:03.480
<v Speaker 6>Uh.

0:14:03.520 --> 0:14:07.440
<v Speaker 1>The adults are a series of unfortunate events, level evil

0:14:08.000 --> 0:14:11.760
<v Speaker 1>like it's great. So okay, so you so you you

0:14:12.080 --> 0:14:14.520
<v Speaker 1>watched it at cable friend's house.

0:14:14.679 --> 0:14:17.160
<v Speaker 6>Yes, that was a frequent rewatch because they would run

0:14:17.240 --> 0:14:20.920
<v Speaker 6>it on Disney Channel a lot. And I was a

0:14:20.960 --> 0:14:24.080
<v Speaker 6>big fan of Lewis Accer, the author. I was a

0:14:24.080 --> 0:14:27.720
<v Speaker 6>Wayside Stories girl from Wayside School.

0:14:28.240 --> 0:14:28.680
<v Speaker 5>Loved it.

0:14:28.920 --> 0:14:33.000
<v Speaker 6>Good Wayside School gets a Little Stranger my favorite of them.

0:14:33.120 --> 0:14:34.960
<v Speaker 1>Oh okay, yeah, I gotta reread.

0:14:35.240 --> 0:14:38.040
<v Speaker 6>But I was a big fan of like that sort

0:14:38.080 --> 0:14:42.120
<v Speaker 6>of universe of like wacky but real. And I remember

0:14:42.200 --> 0:14:45.160
<v Speaker 6>distinctly Lewis Sacer had like three kids in the Wayside

0:14:45.160 --> 0:14:47.720
<v Speaker 6>School that had the same name, and I don't remember

0:14:47.760 --> 0:14:49.960
<v Speaker 6>their name, but he would describe one of them as

0:14:50.000 --> 0:14:51.920
<v Speaker 6>being tall and fat, and it's the first time it

0:14:51.920 --> 0:14:53.960
<v Speaker 6>occurred to me that somebody could be tall and fat.

0:14:54.200 --> 0:14:56.400
<v Speaker 6>But it was always like a very neutral descriptor. It

0:14:56.480 --> 0:14:58.160
<v Speaker 6>was just like, these are the way the kids look,

0:14:58.200 --> 0:15:01.560
<v Speaker 6>And I was like, whoa people can look all kinds

0:15:01.600 --> 0:15:06.520
<v Speaker 6>of ways that's wacky. So opened my mind up a

0:15:06.560 --> 0:15:09.920
<v Speaker 6>lot and a lot of love for this movie. I

0:15:09.920 --> 0:15:12.880
<v Speaker 6>have a lot of love for adaptations, specifically. I know

0:15:12.920 --> 0:15:15.640
<v Speaker 6>that you guys probably remember, but our listeners maybe don't that.

0:15:15.840 --> 0:15:17.720
<v Speaker 6>I used to be a co host of a podcast

0:15:17.800 --> 0:15:21.320
<v Speaker 6>called Popcorn Book Club where we talked about page to

0:15:21.400 --> 0:15:25.120
<v Speaker 6>screen adaptations, and I would constantly talk about Holes on

0:15:25.120 --> 0:15:27.800
<v Speaker 6>that podcast. We never covered it, but I was like, guys,

0:15:27.960 --> 0:15:30.840
<v Speaker 6>Holes is the perfect adaptation film. It is so true

0:15:30.880 --> 0:15:33.320
<v Speaker 6>to the original text, and when it is not true

0:15:33.360 --> 0:15:34.400
<v Speaker 6>to the text, that is.

0:15:34.320 --> 0:15:36.920
<v Speaker 5>True to the spirit of it. It is amazing.

0:15:37.120 --> 0:15:38.720
<v Speaker 6>And one of our co hosts had never seen it,

0:15:38.760 --> 0:15:40.200
<v Speaker 6>and I was just like, I don't know how you're

0:15:40.240 --> 0:15:44.400
<v Speaker 6>breathing air on this planet being an adult woman of

0:15:44.440 --> 0:15:46.520
<v Speaker 6>a certain age who has never seen Holes.

0:15:46.840 --> 0:15:49.320
<v Speaker 1>It is like a It is weird. It does feel

0:15:49.320 --> 0:15:53.520
<v Speaker 1>like it's such a beloved millennial classic, but I wonder

0:15:53.720 --> 0:15:55.920
<v Speaker 1>I don't know if kids are still finding it. I

0:15:55.960 --> 0:16:00.080
<v Speaker 1>hope they are probably not. I mean the unfortunately, the

0:16:00.120 --> 0:16:02.600
<v Speaker 1>shil abuff of it all does make it a harder

0:16:02.680 --> 0:16:07.200
<v Speaker 1>sell because he's a fucking monster. I think he's like

0:16:07.280 --> 0:16:14.840
<v Speaker 1>fourteen when this was, you know, child stardom should be illegal.

0:16:14.920 --> 0:16:18.920
<v Speaker 1>But that's a conversation for another day. But okay, I

0:16:19.360 --> 0:16:23.280
<v Speaker 1>also was a huge fan of the book and the movie.

0:16:23.640 --> 0:16:26.520
<v Speaker 1>I forget when I think this was just like at

0:16:26.560 --> 0:16:30.360
<v Speaker 1>every school in the early two thousands, like every kid

0:16:30.440 --> 0:16:34.040
<v Speaker 1>read these books read wayside school. There's a kind of

0:16:34.600 --> 0:16:36.240
<v Speaker 1>I had to look it up to be like, what

0:16:36.360 --> 0:16:40.320
<v Speaker 1>was that Lewis Sakar, he wrote, it's a B side,

0:16:40.400 --> 0:16:44.120
<v Speaker 1>Dogs Don't Tell Jokes. I remember reading Dogs Don't Tell

0:16:44.200 --> 0:16:46.520
<v Speaker 1>Jokes because it is about a child's stand up comic

0:16:46.960 --> 0:16:49.800
<v Speaker 1>who pees his pants, and I was like, wow, aspirational

0:16:49.880 --> 0:16:54.720
<v Speaker 1>me someday. And I guess that Dogs Don't Tell Jokes

0:16:54.800 --> 0:16:57.800
<v Speaker 1>had an impact on me because he's like, I had

0:16:57.840 --> 0:17:01.440
<v Speaker 1>to check the plot. Gary Boon, who calls himself Goon,

0:17:02.040 --> 0:17:04.800
<v Speaker 1>is the self proclaimed clown of his seventh grade class.

0:17:04.840 --> 0:17:07.359
<v Speaker 1>He never stops joking despite the fact that nobody laughs

0:17:07.440 --> 0:17:10.199
<v Speaker 1>much and he has no real friends. So he joins

0:17:10.280 --> 0:17:12.439
<v Speaker 1>a talent contest as a stand up comedian, and he

0:17:12.720 --> 0:17:17.160
<v Speaker 1>roasts everybody, and he hurts a lot of feelings, and

0:17:17.200 --> 0:17:20.639
<v Speaker 1>then he learns that being a stand up comic parentheses

0:17:20.720 --> 0:17:22.440
<v Speaker 1>evil is not the way to.

0:17:22.400 --> 0:17:24.520
<v Speaker 3>Go well at least a roast comedian.

0:17:25.080 --> 0:17:27.840
<v Speaker 1>It's true. Yes, he literally goes full roasting at the

0:17:27.840 --> 0:17:31.520
<v Speaker 1>store and then learns those people don't like that.

0:17:32.680 --> 0:17:36.760
<v Speaker 6>I think we need to wallpaper men's bathrooms in comedy

0:17:36.800 --> 0:17:39.159
<v Speaker 6>clugs with the pages.

0:17:38.680 --> 0:17:40.919
<v Speaker 1>Of this book with dogs. Don't tell you don't be

0:17:41.119 --> 0:17:44.520
<v Speaker 1>like Gary. It did not help him make friends just

0:17:44.880 --> 0:17:49.280
<v Speaker 1>like you. So but yeah, big lewis a car fan.

0:17:49.720 --> 0:17:52.640
<v Speaker 1>I mean, like you're saying, krama, the wayside school books

0:17:52.680 --> 0:17:56.240
<v Speaker 1>were so silly and like fantastical, and the fact that

0:17:56.600 --> 0:17:59.959
<v Speaker 1>he wrote holes as well, I mean, the range incredible.

0:18:00.560 --> 0:18:04.359
<v Speaker 1>I loved the book, loved the movie. Of course, Being

0:18:04.800 --> 0:18:08.199
<v Speaker 1>ten when this came out, I had a crush. I

0:18:08.200 --> 0:18:11.399
<v Speaker 1>had a crush on zero zero was my big time crush.

0:18:11.560 --> 0:18:17.240
<v Speaker 1>Cleo Thomas. I had a picture of him in my room. Yeah,

0:18:17.440 --> 0:18:19.679
<v Speaker 1>loved the song. But then, I mean, it's a great

0:18:19.840 --> 0:18:23.520
<v Speaker 1>movie to come back to, not only because there are

0:18:23.680 --> 0:18:27.640
<v Speaker 1>more crushes for you as you age, like today Hill,

0:18:27.840 --> 0:18:29.520
<v Speaker 1>who I know we're going to be talking about quite

0:18:29.560 --> 0:18:35.399
<v Speaker 1>a bit. He can fix that. But but just like

0:18:35.520 --> 0:18:37.760
<v Speaker 1>what a beautiful like you're saying, like, what a beautiful

0:18:37.760 --> 0:18:41.400
<v Speaker 1>adaptation it is. How it weaves together like five storylines

0:18:41.560 --> 0:18:46.000
<v Speaker 1>in this really effortless way, and that it is an

0:18:46.080 --> 0:18:51.320
<v Speaker 1>anti carceral children's book that is four kids but adapted

0:18:51.400 --> 0:18:55.680
<v Speaker 1>in a way that doesn't talk down to them. And yeah,

0:18:55.720 --> 0:18:58.359
<v Speaker 1>it's an amazing movie. I'm so excited to talk about it.

0:18:58.359 --> 0:19:01.119
<v Speaker 6>It's a real testament to the fact that people are like, oh,

0:19:01.200 --> 0:19:04.360
<v Speaker 6>kids can't understand that. Kids can't understand that, and no,

0:19:04.480 --> 0:19:07.960
<v Speaker 6>you just can't explain it, right, You're just not good

0:19:08.000 --> 0:19:11.080
<v Speaker 6>and explain there is a way for kids to understand

0:19:11.280 --> 0:19:15.720
<v Speaker 6>literally everything, Like, sorry, there are kids who are soldiers

0:19:15.720 --> 0:19:18.320
<v Speaker 6>in war in some parts of the world, Like they

0:19:18.359 --> 0:19:21.360
<v Speaker 6>can understand things. The way to explain it to them

0:19:21.640 --> 0:19:24.240
<v Speaker 6>is the issue. And I think that this is a

0:19:24.280 --> 0:19:28.800
<v Speaker 6>really good way to explain the school to prison pipeline,

0:19:29.240 --> 0:19:33.760
<v Speaker 6>issues with incarceration and just institutional racism.

0:19:34.080 --> 0:19:36.280
<v Speaker 5>Just all of this stuff is very.

0:19:35.920 --> 0:19:40.960
<v Speaker 6>Clearly outlined in a way that is developmentally appropriate.

0:19:41.200 --> 0:19:41.560
<v Speaker 3>Totally.

0:19:41.600 --> 0:19:44.119
<v Speaker 1>Yeah, and like puts a face in a name to

0:19:44.280 --> 0:19:48.440
<v Speaker 1>these issues. And I think the like maybe the only

0:19:49.440 --> 0:19:52.920
<v Speaker 1>unhoused character that I saw in movies as a kid

0:19:53.000 --> 0:19:56.320
<v Speaker 1>that is not played as a joke or as a

0:19:56.359 --> 0:19:59.800
<v Speaker 1>personal failing or you know how often we see on

0:20:00.520 --> 0:20:03.119
<v Speaker 1>like it's just it's so good, it's doing so much,

0:20:03.320 --> 0:20:05.680
<v Speaker 1>and then it has the audacity to be a really

0:20:05.680 --> 0:20:08.920
<v Speaker 1>good movie, I know. And what a cast. Anyways, Kaitlyn

0:20:08.960 --> 0:20:10.600
<v Speaker 1>wants her history with Holes.

0:20:11.080 --> 0:20:15.359
<v Speaker 3>Okay, I read the book in the late nineties, because

0:20:15.359 --> 0:20:18.439
<v Speaker 3>it was published in ninety eight. I probably read it

0:20:18.440 --> 0:20:21.600
<v Speaker 3>in ninety nine. I would have been a tween at

0:20:21.600 --> 0:20:25.120
<v Speaker 3>the time, and I loved it. And then the movie

0:20:25.119 --> 0:20:27.639
<v Speaker 3>came out a few years later and I saw it

0:20:27.680 --> 0:20:31.760
<v Speaker 3>in theaters. I would have been I think a junior

0:20:31.800 --> 0:20:35.520
<v Speaker 3>senior in high school at that point, so I was

0:20:35.560 --> 0:20:39.600
<v Speaker 3>old enough that my big crush was Dula Hill and

0:20:40.160 --> 0:20:40.920
<v Speaker 3>still to this day.

0:20:41.000 --> 0:20:43.640
<v Speaker 1>You're Not Made of Stone, Yeah, but.

0:20:43.680 --> 0:20:47.560
<v Speaker 3>Yeah, I thought it was such an incredible story. And

0:20:47.760 --> 0:20:50.760
<v Speaker 3>then we got the movie on DVD and I watched

0:20:50.800 --> 0:20:56.879
<v Speaker 3>it with my sister on repeat, and I chose this

0:20:56.920 --> 0:21:01.119
<v Speaker 3>movie for my not to be a bit but it

0:21:01.200 --> 0:21:09.000
<v Speaker 3>is my birthday episode. Oh yay, So this is like

0:21:09.080 --> 0:21:12.320
<v Speaker 3>my birthday pick. That's how much I love this movie.

0:21:12.520 --> 0:21:15.240
<v Speaker 3>I don't think it's without its flaws, but I think

0:21:15.240 --> 0:21:18.880
<v Speaker 3>the flaws are few and far between, especially considering it's

0:21:18.880 --> 0:21:21.600
<v Speaker 3>a movie from the early two thousands and that was

0:21:22.480 --> 0:21:28.680
<v Speaker 3>just a flawed time yeah, so, yeah, I deeply love

0:21:29.119 --> 0:21:34.040
<v Speaker 3>this movie and I'm so excited to talk about it.

0:21:34.480 --> 0:21:37.320
<v Speaker 6>I will say embarrassingly, I was twelve when it came out,

0:21:37.480 --> 0:21:42.200
<v Speaker 6>so my crush was Shilah buff which has not aged Well.

0:21:42.920 --> 0:21:45.720
<v Speaker 1>My Kurt wouldn't convict you. It made sense at the time.

0:21:45.880 --> 0:21:47.320
<v Speaker 1>He was on Even Stevens.

0:21:47.800 --> 0:21:53.040
<v Speaker 6>Loved Evan Stevens. My dance teacher. My dance teacher choreographed

0:21:53.080 --> 0:21:56.520
<v Speaker 6>Even Steven's Influenza. I remember when she had to miss

0:21:56.560 --> 0:22:00.159
<v Speaker 6>class because she was doing Even Steven's Influenza, and I

0:22:00.200 --> 0:22:02.159
<v Speaker 6>was just like, that's so cool.

0:22:03.720 --> 0:22:06.680
<v Speaker 1>Wow, that show was cooking. I think about the song

0:22:06.720 --> 0:22:09.280
<v Speaker 1>about going to space a lot. We went to the

0:22:09.320 --> 0:22:10.560
<v Speaker 1>Moon in nineteen sixty.

0:22:10.320 --> 0:22:13.520
<v Speaker 5>Nine, not nineteen seventy, the year before four.

0:22:14.119 --> 0:22:20.119
<v Speaker 1>Uh huh oh no, it's a millennial circle jerk episode. Well,

0:22:20.160 --> 0:22:20.600
<v Speaker 1>here's the thing.

0:22:20.920 --> 0:22:23.639
<v Speaker 3>I was one of the Friends without Cable as well,

0:22:23.720 --> 0:22:26.680
<v Speaker 3>So I've never seen a single episode of Even Stevens,

0:22:26.720 --> 0:22:29.000
<v Speaker 3>and I think I probably was aged out of it anyway.

0:22:29.119 --> 0:22:31.600
<v Speaker 3>But yeah, I don't know what you guys are talking about.

0:22:31.720 --> 0:22:34.040
<v Speaker 1>I know, I don't think there's any need to return.

0:22:34.520 --> 0:22:37.160
<v Speaker 1>It was just the age of the musical episode Even

0:22:37.160 --> 0:22:41.680
<v Speaker 1>Stevens had a musical episode and it was iconic, memorable.

0:22:42.080 --> 0:22:44.040
<v Speaker 6>Yeah, it was called Influenza, as one of the main

0:22:44.119 --> 0:22:46.960
<v Speaker 6>characters had the flu and so she was like having

0:22:46.960 --> 0:22:50.080
<v Speaker 6>a fever dream and everybody was singing in the fever dream.

0:22:50.280 --> 0:22:52.679
<v Speaker 3>Yeah, okay, fine, but this is uh.

0:22:53.320 --> 0:22:56.200
<v Speaker 1>I think this is Shia Labuff's first movie.

0:22:56.440 --> 0:22:59.159
<v Speaker 6>It's introducing in the credits. I was like, oh, like

0:22:59.520 --> 0:23:02.240
<v Speaker 6>I was. I was a little emotional. I was just like, wow,

0:23:02.359 --> 0:23:03.480
<v Speaker 6>that's where it all started.

0:23:03.600 --> 0:23:08.919
<v Speaker 1>Yikes, and oh that it had gone another way. But

0:23:09.000 --> 0:23:12.080
<v Speaker 1>the kids, I mean, it's very famous adult cast and

0:23:12.080 --> 0:23:14.879
<v Speaker 1>then a bunch of kids outside of chilah Buff I

0:23:14.920 --> 0:23:17.760
<v Speaker 1>think mostly unknowns. I think Cleo Thomas had done some stuff.

0:23:17.880 --> 0:23:20.320
<v Speaker 1>I saw he was on Kids Say the Darndest Things,

0:23:21.400 --> 0:23:24.680
<v Speaker 1>so he was child starring out. But so Gourney Weaver,

0:23:24.880 --> 0:23:29.800
<v Speaker 1>John Voight, Tim Blake Nelson, Henry Winkler. I remember my

0:23:29.800 --> 0:23:32.080
<v Speaker 1>mom being like, that's the Fonds because we will watch

0:23:32.520 --> 0:23:34.320
<v Speaker 1>Happy Days on Nick at night and I was like,

0:23:34.359 --> 0:23:35.680
<v Speaker 1>why isn't he cool anymore?

0:23:37.280 --> 0:23:40.639
<v Speaker 3>And earth A Kitar the Kid, Oh my god.

0:23:41.440 --> 0:23:45.160
<v Speaker 1>One of her final film performances Delay Hill Patricia Arquette,

0:23:45.160 --> 0:23:48.120
<v Speaker 1>and they managed to make the movie for seventeen million dollars.

0:23:48.440 --> 0:23:51.440
<v Speaker 1>Don't know how that worked, but yeah, they brought a

0:23:51.440 --> 0:23:54.439
<v Speaker 1>bunch of kids to the desert and made one of

0:23:54.480 --> 0:23:55.720
<v Speaker 1>the greatest movies of all time.

0:23:55.960 --> 0:23:58.880
<v Speaker 3>Yes, let's take a quick break and then we'll come

0:23:58.920 --> 0:24:00.840
<v Speaker 3>back for the cap.

0:24:10.800 --> 0:24:11.760
<v Speaker 1>And we're back.

0:24:12.280 --> 0:24:12.639
<v Speaker 6>Okay.

0:24:12.680 --> 0:24:18.520
<v Speaker 3>Here is the story of Holes. We open on a

0:24:18.760 --> 0:24:23.879
<v Speaker 3>place that we will learn is a juvenile detention facility

0:24:24.560 --> 0:24:28.199
<v Speaker 3>where teenage boys are out in the hot sun digging

0:24:28.240 --> 0:24:31.919
<v Speaker 3>holes in the dirt. One of them purposefully gets bitten

0:24:32.040 --> 0:24:35.040
<v Speaker 3>by a rattlesnake so that he can be sent home,

0:24:35.280 --> 0:24:38.840
<v Speaker 3>and that's going to open up a spot at this facility.

0:24:39.080 --> 0:24:41.280
<v Speaker 1>And you're all like, immediate. I hadn't seen this movie

0:24:41.320 --> 0:24:43.600
<v Speaker 1>in a couple of years, and I was like, oh,

0:24:43.920 --> 0:24:46.720
<v Speaker 1>from moment one, they're not fucking around.

0:24:48.359 --> 0:24:50.280
<v Speaker 5>This is a dark, cold open.

0:24:51.840 --> 0:24:56.040
<v Speaker 6>I would rather potentially die, literally die.

0:24:56.280 --> 0:25:00.560
<v Speaker 1>Than another hole, which was added for the mo It

0:25:00.680 --> 0:25:03.119
<v Speaker 1>does not happen in the book. They're just like something

0:25:03.200 --> 0:25:05.399
<v Speaker 1>something barf bag. But they started as a full on,

0:25:05.560 --> 0:25:10.439
<v Speaker 1>like active You're just like okay, okay, director of the Fugitive,

0:25:11.080 --> 0:25:13.080
<v Speaker 1>Let's Go. Let's Go.

0:25:13.560 --> 0:25:15.120
<v Speaker 3>Also one of my favorite movies.

0:25:15.440 --> 0:25:17.320
<v Speaker 1>I've never seen it. I just thought it was like,

0:25:17.480 --> 0:25:19.800
<v Speaker 1>what a this is? I think his first and only

0:25:19.880 --> 0:25:20.840
<v Speaker 1>children's movie.

0:25:20.960 --> 0:25:22.720
<v Speaker 3>I think so yeah, because he had been known for

0:25:23.160 --> 0:25:24.040
<v Speaker 3>action movies.

0:25:23.960 --> 0:25:27.000
<v Speaker 1>Collateral Damage came out like so weird.

0:25:28.400 --> 0:25:32.520
<v Speaker 3>It does happen in the book that barf bag gets bitten,

0:25:32.520 --> 0:25:34.320
<v Speaker 3>but it happens off screen, Like you don't see that

0:25:34.400 --> 0:25:37.520
<v Speaker 3>scene play out. They just reference it after the fact.

0:25:37.720 --> 0:25:41.639
<v Speaker 3>But in any case. We cut to stan Lee Yonnat's

0:25:41.720 --> 0:25:45.480
<v Speaker 3>the fourth played by Shilah buff who is on his

0:25:45.600 --> 0:25:49.919
<v Speaker 3>way to this facility because he was wrongfully accused and

0:25:50.000 --> 0:25:54.480
<v Speaker 3>arrested for stealing a pair of shoes that seemed to

0:25:54.880 --> 0:25:57.720
<v Speaker 3>have fallen from the sky and land on his head.

0:25:58.600 --> 0:26:00.600
<v Speaker 3>And he goes on to say that he has bad

0:26:00.720 --> 0:26:02.800
<v Speaker 3>luck and he always seems to be in the wrong

0:26:02.840 --> 0:26:06.320
<v Speaker 3>place at the wrong time, which his family blames on

0:26:06.440 --> 0:26:09.800
<v Speaker 3>a one hundred and fifty year old family curse. We

0:26:09.880 --> 0:26:13.959
<v Speaker 3>meet his mom played by Chavon Fallen Hogan, and his

0:26:14.080 --> 0:26:18.399
<v Speaker 3>dad played by Henry Winkler, who is an inventor trying

0:26:18.400 --> 0:26:22.360
<v Speaker 3>to find the cure for foot odor. We also meet

0:26:22.440 --> 0:26:26.640
<v Speaker 3>his grandfather, all of whom Stanley has to leave behind

0:26:26.920 --> 0:26:32.119
<v Speaker 3>when a judge sentences him to eighteen months at the

0:26:32.160 --> 0:26:37.040
<v Speaker 3>detention facility called Camp Green Lake, where there used to

0:26:37.119 --> 0:26:40.239
<v Speaker 3>be a lake, but it dried up long ago and

0:26:40.320 --> 0:26:44.000
<v Speaker 3>now it's a barren wasteland as far as the eye

0:26:44.080 --> 0:26:49.320
<v Speaker 3>can see. At Camp Green Lake, Stanley meets mister Sir

0:26:50.080 --> 0:26:54.879
<v Speaker 3>played by John Voight, who tells Stanley that he's expected

0:26:54.920 --> 0:26:57.960
<v Speaker 3>to dig one hole in the dirt every single day.

0:26:58.600 --> 0:27:01.320
<v Speaker 3>It has to be five feet deep, five feet in diameter,

0:27:02.160 --> 0:27:05.560
<v Speaker 3>and this will build character quote unquote, I love.

0:27:05.400 --> 0:27:09.040
<v Speaker 1>How instantly, Yeah, like how instantly it is clear to

0:27:09.760 --> 0:27:12.439
<v Speaker 1>kids and anyone how ridiculous this is. Or it's like

0:27:12.440 --> 0:27:15.280
<v Speaker 1>that line where it's like, yeah, you bring a boy

0:27:15.320 --> 0:27:16.960
<v Speaker 1>to camp and you make him dig a hole every

0:27:17.040 --> 0:27:20.040
<v Speaker 1>day and he turns into a good boy, and that's

0:27:20.080 --> 0:27:24.159
<v Speaker 1>our belief. You're like, ah's that is just describing prison.

0:27:24.560 --> 0:27:28.320
<v Speaker 6>Yeah, I'm just like, yeah, holes they make you so wholesome.

0:27:30.520 --> 0:27:33.840
<v Speaker 2>They didn't even try. They didn't even try. It was

0:27:33.960 --> 0:27:34.520
<v Speaker 2>right there.

0:27:35.040 --> 0:27:37.680
<v Speaker 1>They're like, no, dig a hole, be a good boy.

0:27:38.000 --> 0:27:42.560
<v Speaker 3>You're like, okay, right. Mister Starr also tells Stanley to

0:27:42.880 --> 0:27:48.800
<v Speaker 3>beware of yellow spotted lizards, who are highly poisonous and lethal,

0:27:48.920 --> 0:27:51.919
<v Speaker 3>and if one bites you, you will die a slow

0:27:51.960 --> 0:27:52.840
<v Speaker 3>and painful death.

0:27:53.160 --> 0:27:57.360
<v Speaker 1>Really good two thousand and three, CGI on the Lizards.

0:27:57.760 --> 0:27:59.400
<v Speaker 1>You're like, there was a tennis ball there.

0:28:01.600 --> 0:28:03.880
<v Speaker 5>You can almost steel the tennis.

0:28:03.640 --> 0:28:07.960
<v Speaker 1>Energy with a racket.

0:28:09.760 --> 0:28:13.680
<v Speaker 3>So then we meet Stanley's counselor, doctor Pandanski played by

0:28:13.760 --> 0:28:18.399
<v Speaker 3>Tim Blake Nelson, who assigns him to d tent where

0:28:18.520 --> 0:28:23.720
<v Speaker 3>Stanley meets other incarcerated teens who he'll be digging holes

0:28:23.760 --> 0:28:31.040
<v Speaker 3>next to. They all have nicknames like x Ray, Zigzag, Squid, Armpit, Magnet,

0:28:31.119 --> 0:28:36.879
<v Speaker 3>and Zero Zero, who doctor Pandensky is especially cruel to

0:28:37.240 --> 0:28:40.959
<v Speaker 3>because he thinks Zero is unintelligent and worthless.

0:28:41.560 --> 0:28:45.320
<v Speaker 1>Doctor Pandanski is such a fascinating care again, just like

0:28:45.400 --> 0:28:49.840
<v Speaker 1>another adult pretending to be good who is actually fucking

0:28:49.960 --> 0:28:52.800
<v Speaker 1>awful and talks shit about the kids he's supposed to

0:28:52.800 --> 0:28:55.240
<v Speaker 1>be taken care of behind our backs. The first second

0:28:55.240 --> 0:28:58.000
<v Speaker 1>he gets I think again, I've only seen it in

0:28:58.040 --> 0:29:01.520
<v Speaker 1>series of unfortunate events, like adults who are as bad

0:29:01.680 --> 0:29:03.000
<v Speaker 1>as it seems.

0:29:03.800 --> 0:29:06.400
<v Speaker 6>And also from jump we get that he is very

0:29:06.480 --> 0:29:09.920
<v Speaker 6>much about calling the kids by their government names, even

0:29:09.960 --> 0:29:11.840
<v Speaker 6>though they have names and they'd like to be called

0:29:11.880 --> 0:29:14.240
<v Speaker 6>And then like it's giving what your name is Toby,

0:29:14.280 --> 0:29:16.680
<v Speaker 6>what's your name? Not like that?

0:29:17.440 --> 0:29:20.000
<v Speaker 5>And except for zero, he keeps.

0:29:19.800 --> 0:29:23.040
<v Speaker 6>Calling zero zero, and it's like, there's nothing going on

0:29:23.200 --> 0:29:25.360
<v Speaker 6>up there, your little dumb dummy.

0:29:25.360 --> 0:29:28.400
<v Speaker 1>Right, And he like explicitly says that he feels comfortable

0:29:28.440 --> 0:29:31.640
<v Speaker 1>doing that because no one is looking out for zero

0:29:32.120 --> 0:29:36.560
<v Speaker 1>and so he doesn't matter, like it's just like it's

0:29:36.840 --> 0:29:39.000
<v Speaker 1>I don't know. I thought it's a good performance too,

0:29:39.000 --> 0:29:43.720
<v Speaker 1>because he's really putting on the hateful guidance counselor vibe

0:29:44.080 --> 0:29:46.200
<v Speaker 1>big time. And then you find out at the ante

0:29:46.200 --> 0:29:46.760
<v Speaker 1>never got.

0:29:46.560 --> 0:29:50.720
<v Speaker 3>His degree, and you're like, fuck this guy, right, So

0:29:51.520 --> 0:29:55.040
<v Speaker 3>stan Lee settles in and starts to learn the ropes.

0:29:55.760 --> 0:29:58.720
<v Speaker 3>He reveals that the shoes he was accused of stealing

0:29:59.040 --> 0:30:04.120
<v Speaker 3>belonged to Livingston, a famous baseball player, who had donated

0:30:04.160 --> 0:30:07.520
<v Speaker 3>those shoes to be sold at a charity auction to

0:30:07.680 --> 0:30:11.480
<v Speaker 3>raise money for an unhoused shelter. And so that's why

0:30:11.480 --> 0:30:14.840
<v Speaker 3>it was like such a huge deal that Stanley is

0:30:14.880 --> 0:30:17.680
<v Speaker 3>presumed to have stolen them and why he's sent to.

0:30:17.640 --> 0:30:22.120
<v Speaker 1>This and he, like the famous baseball player literally calls

0:30:22.160 --> 0:30:25.080
<v Speaker 1>a child a horrible person in court. So I was like,

0:30:25.360 --> 0:30:28.720
<v Speaker 1>easy man, easy, He's like twelve.

0:30:30.360 --> 0:30:34.240
<v Speaker 3>So then we flash back to Stanlee with his mom, dad,

0:30:34.280 --> 0:30:38.240
<v Speaker 3>and grandpa, who talk about the family curse how Stanley's

0:30:38.320 --> 0:30:41.920
<v Speaker 3>great grandpa made a fortune in the stock market but

0:30:42.360 --> 0:30:47.640
<v Speaker 3>was robbed by a famous outlaw kissing Kate Barlow due

0:30:47.720 --> 0:30:51.960
<v Speaker 3>to the family curse and his bad luck. We'll find

0:30:52.120 --> 0:30:55.280
<v Speaker 3>more about the curse soon, but back to the present,

0:30:55.520 --> 0:30:58.960
<v Speaker 3>Stanley starts digging his first hole. He's told that if

0:30:58.960 --> 0:31:02.560
<v Speaker 3>he finds anything that the warden thinks is interesting, he

0:31:02.800 --> 0:31:05.320
<v Speaker 3>could get the rest of the day off. So he

0:31:05.400 --> 0:31:12.520
<v Speaker 3>starts digging and it's hot and difficult and grueling, and

0:31:12.560 --> 0:31:16.480
<v Speaker 3>then we flash back to stan Lee's no good, dirty, rotten,

0:31:16.520 --> 0:31:21.800
<v Speaker 3>pig stealing great great grandfather, Elia Yell Nats, who lives

0:31:22.040 --> 0:31:25.080
<v Speaker 3>in a small village in Latvia. He's in love with

0:31:25.120 --> 0:31:28.560
<v Speaker 3>a woman named Myra Menke, who he wants to marry,

0:31:29.280 --> 0:31:32.240
<v Speaker 3>but her father wants her to marry a different man

0:31:32.320 --> 0:31:35.880
<v Speaker 3>because that guy is offering him his biggest pig in

0:31:35.960 --> 0:31:42.120
<v Speaker 3>exchange for his daughter because women equal property. So Elia

0:31:42.600 --> 0:31:46.680
<v Speaker 3>goes to a fortune teller named Madame Zarni played by

0:31:47.040 --> 0:31:48.520
<v Speaker 3>the legend earth A Kit.

0:31:48.600 --> 0:31:50.800
<v Speaker 1>Who I only knew at the time as you're like

0:31:50.960 --> 0:31:54.560
<v Speaker 1>it's Easma from the other movie. And then later you

0:31:54.640 --> 0:31:56.440
<v Speaker 1>find out she is a legend.

0:31:56.800 --> 0:32:00.800
<v Speaker 5>Yeah, like the President was scared of her at one point. Legend.

0:32:01.120 --> 0:32:03.719
<v Speaker 1>Oh my god, so good.

0:32:04.000 --> 0:32:08.240
<v Speaker 3>Yes, And she tells Ellia to carry a baby pig

0:32:08.360 --> 0:32:11.080
<v Speaker 3>up a mountain and let it drink from the stream

0:32:11.280 --> 0:32:14.600
<v Speaker 3>while he sings to it over the course of I

0:32:14.640 --> 0:32:17.000
<v Speaker 3>don't know, a few weeks or something, and it will

0:32:17.040 --> 0:32:19.480
<v Speaker 3>make the pig grow and then he'll have a pig

0:32:19.520 --> 0:32:23.800
<v Speaker 3>to offer Myra's father. And then Madames Roney says, okay,

0:32:23.840 --> 0:32:26.040
<v Speaker 3>when you're done with that, Now you have to carry

0:32:26.120 --> 0:32:28.400
<v Speaker 3>me up the mountain so I can drink from the

0:32:28.440 --> 0:32:31.400
<v Speaker 3>stream and get strong. And if you fail to do that,

0:32:31.800 --> 0:32:34.280
<v Speaker 3>I will put a curse on your family for always

0:32:34.320 --> 0:32:35.080
<v Speaker 3>an eternity.

0:32:35.360 --> 0:32:39.320
<v Speaker 1>That line read really stuck with me, always an eternity,

0:32:39.720 --> 0:32:41.440
<v Speaker 1>Like it's such a good read.

0:32:42.080 --> 0:32:48.560
<v Speaker 3>Yeah, And Ellia forgets to honor this promise before he

0:32:48.720 --> 0:32:53.240
<v Speaker 3>immigrates to the US, hence the yell NAT's family curse.

0:32:54.280 --> 0:32:58.800
<v Speaker 3>Back to Stanley, he finishes his first hole and then

0:32:58.840 --> 0:33:01.240
<v Speaker 3>it's either the next day or a few days later,

0:33:01.400 --> 0:33:04.320
<v Speaker 3>but Stanley finds a fossil in his hole and shows

0:33:04.400 --> 0:33:07.280
<v Speaker 3>it to Pendanski hoping that the warden will find it

0:33:07.320 --> 0:33:09.680
<v Speaker 3>interesting and that he'll get the rest of the day off.

0:33:10.200 --> 0:33:15.360
<v Speaker 3>But the warden is not interested in fossils. Now, x Ray,

0:33:15.560 --> 0:33:18.520
<v Speaker 3>who's kind of the leader of the boys who live

0:33:18.560 --> 0:33:23.040
<v Speaker 3>in Dtent, tells Stanley to give him anything else he

0:33:23.120 --> 0:33:28.200
<v Speaker 3>finds since x Ray has like seniority. Then we flash

0:33:28.280 --> 0:33:32.320
<v Speaker 3>back to one hundred or so years ago when there

0:33:32.600 --> 0:33:37.360
<v Speaker 3>was a lake in this location. We meet Sam played

0:33:37.360 --> 0:33:40.880
<v Speaker 3>by Julae Hill, who is an onion farmer and he

0:33:41.000 --> 0:33:46.200
<v Speaker 3>sells all kinds of medicinal onion based remedies. And then

0:33:46.200 --> 0:33:50.400
<v Speaker 3>we also meet a school teacher who makes spiced peaches,

0:33:50.880 --> 0:33:53.520
<v Speaker 3>Mss Catherine played by Patricia Arquette.

0:33:53.760 --> 0:33:56.320
<v Speaker 1>And you're like, these actors are hot. I wonder what

0:33:56.520 --> 0:33:57.240
<v Speaker 1>will happen.

0:33:58.600 --> 0:34:03.360
<v Speaker 3>Yeah, the two of them are vibing and they exchange,

0:34:03.920 --> 0:34:07.680
<v Speaker 3>you know, onions and peaches. Then we also meet this

0:34:07.880 --> 0:34:12.680
<v Speaker 3>rich prick named trout Walker, who has taken a liking

0:34:12.880 --> 0:34:17.239
<v Speaker 3>to Miss Catherine and will return to this storyline. But

0:34:17.440 --> 0:34:22.160
<v Speaker 3>in the meantime, back in the present, Stanley's peers finally

0:34:22.200 --> 0:34:26.600
<v Speaker 3>give him a nickname, Caveman, so he's like one of

0:34:26.640 --> 0:34:32.439
<v Speaker 3>them now. Then he learns that zero the kid who

0:34:32.480 --> 0:34:35.440
<v Speaker 3>mostly keeps to himself. He only seems to talk to

0:34:36.000 --> 0:34:40.280
<v Speaker 3>caveman slash Stanley, and we find out that he cannot read,

0:34:40.680 --> 0:34:44.359
<v Speaker 3>so Zero asks Stanley if he'll teach him to read,

0:34:44.480 --> 0:34:47.480
<v Speaker 3>but Stanley says that he's too tired at the end

0:34:47.520 --> 0:34:50.319
<v Speaker 3>of every day and he just wants to chill. The

0:34:50.360 --> 0:34:55.800
<v Speaker 3>next day, Stanley finds something peculiar while he's digging his hole.

0:34:56.480 --> 0:35:01.520
<v Speaker 3>It's this like small golden cylindrical tube that looks like

0:35:01.560 --> 0:35:04.720
<v Speaker 3>it might be a bullet or a shellcasing of some kind,

0:35:05.200 --> 0:35:08.799
<v Speaker 3>and it has the letters KB engraved on it. So

0:35:08.920 --> 0:35:12.520
<v Speaker 3>Stanley gives it to x Ray per his request, who

0:35:12.560 --> 0:35:16.359
<v Speaker 3>shows it to Pandanski, who calls the warden, and we

0:35:16.400 --> 0:35:19.080
<v Speaker 3>finally see the warden on screen, who turns out to

0:35:19.160 --> 0:35:21.040
<v Speaker 3>be a whoa whoa whoa woman?

0:35:23.680 --> 0:35:25.840
<v Speaker 5>What women can be bad too?

0:35:27.040 --> 0:35:29.560
<v Speaker 2>Lewis Nakara is not afraid to say it.

0:35:29.880 --> 0:35:35.000
<v Speaker 1>Oh her nail polish. That is such a good detail

0:35:35.120 --> 0:35:38.480
<v Speaker 1>at Oh that scene in the book like really stuck

0:35:38.520 --> 0:35:41.120
<v Speaker 1>with me where she puts on her evil lady nail

0:35:41.120 --> 0:35:45.440
<v Speaker 1>polish and then slaps John backhands John voy she's doing it.

0:35:45.480 --> 0:35:47.919
<v Speaker 1>I didn't never realize she's also wearing a sports braw

0:35:48.000 --> 0:35:53.880
<v Speaker 1>In that scene, You're like, this is nuts, Like she

0:35:54.120 --> 0:35:56.719
<v Speaker 1>just finished doing like yoga on zoom and then she

0:35:56.920 --> 0:35:59.160
<v Speaker 1>like almost kills John Voyd.

0:35:59.360 --> 0:36:03.239
<v Speaker 3>Yeah, it's pretty awesome. That happens a little later. First, yes,

0:36:03.360 --> 0:36:06.600
<v Speaker 3>we meet her, it's so Corney Weaver. She gives x

0:36:06.680 --> 0:36:09.080
<v Speaker 3>Ray the rest of the day off for finding this

0:36:09.280 --> 0:36:13.280
<v Speaker 3>interesting item, and then she orders everyone to dig around

0:36:13.480 --> 0:36:17.399
<v Speaker 3>x Ray's hole, thinking that that's where the bullet thing

0:36:17.600 --> 0:36:20.719
<v Speaker 3>came from, but we all know that it came from

0:36:20.920 --> 0:36:24.520
<v Speaker 3>a different hole of Stanley's. Then we flash back to

0:36:24.920 --> 0:36:30.400
<v Speaker 3>Miss Catherine and Sam. He helps her fix up the schoolhouse.

0:36:30.960 --> 0:36:34.600
<v Speaker 3>If there's a leaky roof or a broken window. He says,

0:36:35.200 --> 0:36:39.560
<v Speaker 3>I can fix that, and they're falling in love. And meanwhile,

0:36:39.880 --> 0:36:43.600
<v Speaker 3>that rich fuck trout Walker wants to take Miss Catherine

0:36:43.640 --> 0:36:47.319
<v Speaker 3>out for a picnic, but she declines and he does

0:36:47.360 --> 0:36:51.120
<v Speaker 3>not handle rejection. Well. Yeah, and one night he sees

0:36:51.280 --> 0:36:55.120
<v Speaker 3>Miss Catherine and Sam kissing in the schoolhouse.

0:36:54.640 --> 0:36:57.239
<v Speaker 1>Because he sees her crying and says, I can fix that.

0:36:58.360 --> 0:37:00.000
<v Speaker 2>It's really that would work.

0:37:00.160 --> 0:37:03.799
<v Speaker 6>On the iphear I folded like a lawn chair, Like

0:37:04.800 --> 0:37:07.640
<v Speaker 6>I'm done, let's close the windows.

0:37:07.800 --> 0:37:11.560
<v Speaker 1>We're having a party, one of the most popular letterbox reviews.

0:37:12.120 --> 0:37:14.520
<v Speaker 1>Will someone tell mister I can fix that that my

0:37:14.600 --> 0:37:15.520
<v Speaker 1>pussy's broken?

0:37:19.440 --> 0:37:22.800
<v Speaker 3>Yeah, oh my god, that's amazing.

0:37:22.880 --> 0:37:25.440
<v Speaker 1>I also love that there is this It's like, not

0:37:26.000 --> 0:37:29.040
<v Speaker 1>it's a whatever, like one of a million themes in

0:37:29.040 --> 0:37:32.880
<v Speaker 1>this movie, but that even in the flashbacks, there is

0:37:32.920 --> 0:37:38.200
<v Speaker 1>this theme of literacy and gate keeping education because she

0:37:38.320 --> 0:37:41.640
<v Speaker 1>also teaches night classes to the same men who are

0:37:41.680 --> 0:37:44.520
<v Speaker 1>fucking creeping on her. But it's like the movie isn't

0:37:45.239 --> 0:37:47.719
<v Speaker 1>I don't know. The movie is saying like, these guys

0:37:47.719 --> 0:37:50.960
<v Speaker 1>are awful, but also they are you know, like at

0:37:51.000 --> 0:37:53.160
<v Speaker 1>a disadvantage as well.

0:37:53.120 --> 0:37:56.440
<v Speaker 6>And she believes that despite the fact that they are awful,

0:37:56.480 --> 0:38:00.560
<v Speaker 6>they deserve the you know, privileges that literacy Ford's one

0:38:00.600 --> 0:38:04.280
<v Speaker 6>in society, right. And on top of that, she's reading

0:38:04.400 --> 0:38:10.800
<v Speaker 6>the kids like an Edgar Allan Poe poem and Sam

0:38:09.920 --> 0:38:14.480
<v Speaker 6>can the poem and I'm like, oh, Stallar, we love it,

0:38:14.719 --> 0:38:16.080
<v Speaker 6>love it. He's so fine.

0:38:16.360 --> 0:38:18.080
<v Speaker 1>I think it is. I think it is an one

0:38:18.120 --> 0:38:20.880
<v Speaker 1>of those Edgar Allan Poe poems that is like about

0:38:20.880 --> 0:38:23.600
<v Speaker 1>fucking his cousin. But the spirit of it.

0:38:23.320 --> 0:38:25.680
<v Speaker 2>It's the spirit of it it's fine.

0:38:26.120 --> 0:38:30.080
<v Speaker 1>Annabel Lee was redeemed by delay Hill also.

0:38:29.960 --> 0:38:33.360
<v Speaker 6>Petition to start calling them Edgar Allan Poems. I just

0:38:33.360 --> 0:38:34.400
<v Speaker 6>feel like it's it's.

0:38:34.360 --> 0:38:35.600
<v Speaker 3>Cleaner, it's right there.

0:38:35.760 --> 0:38:39.040
<v Speaker 1>Yeah, it's that's your ear doing justin Timberlake in the

0:38:39.080 --> 0:38:45.480
<v Speaker 1>social note and then just stomp out of the room.

0:38:46.040 --> 0:38:46.279
<v Speaker 6>Right.

0:38:46.880 --> 0:38:49.439
<v Speaker 3>So, yes, this is a white woman and a black

0:38:49.560 --> 0:38:55.560
<v Speaker 3>man kissing in Jim Crow, Texas. So trout Walker sees this.

0:38:55.760 --> 0:39:00.120
<v Speaker 3>He alerts the town people, who start a riot. They

0:39:00.120 --> 0:39:04.200
<v Speaker 3>burn down the schoolhouse, they go after Sam. Miss Catherine

0:39:04.239 --> 0:39:07.719
<v Speaker 3>tells the sheriff, who has no intention of stopping any

0:39:07.760 --> 0:39:07.960
<v Speaker 3>of this.

0:39:08.520 --> 0:39:10.520
<v Speaker 1>No, he just like hits on her.

0:39:10.880 --> 0:39:13.719
<v Speaker 3>He harasses and prays on her.

0:39:14.120 --> 0:39:16.680
<v Speaker 6>I've been called slurs in my life. I gotta say

0:39:16.719 --> 0:39:21.880
<v Speaker 6>Onion Picker was scarily slurry when he was like, kiss

0:39:21.880 --> 0:39:22.840
<v Speaker 6>the onion picker.

0:39:22.840 --> 0:39:26.000
<v Speaker 1>I feel it, Yeah, onion Picker with a hard R.

0:39:26.200 --> 0:39:30.719
<v Speaker 3>That's a lot, yeah yeah yeah. And right after this,

0:39:31.200 --> 0:39:35.480
<v Speaker 3>the racist mob catches up to Sam. They kill his

0:39:35.600 --> 0:39:40.839
<v Speaker 3>beloved donkey Mary Lou, and they murder Sam. We cut

0:39:40.880 --> 0:39:45.120
<v Speaker 3>back to the present. The boys are still digging collectively

0:39:45.280 --> 0:39:49.840
<v Speaker 3>while the warden supervises and clearly expects them to find something,

0:39:50.520 --> 0:39:54.880
<v Speaker 3>but nothing else is found because, to quote Raiders of

0:39:54.920 --> 0:39:58.960
<v Speaker 3>the Lost Arc, they're digging in the wrong place. Wow,

0:39:59.000 --> 0:40:01.160
<v Speaker 3>so thank you so much.

0:40:01.239 --> 0:40:05.399
<v Speaker 1>It's a little Seinfeld edge to that.

0:40:05.400 --> 0:40:06.920
<v Speaker 3>That's just how they say it in the movie. That

0:40:07.080 --> 0:40:13.280
<v Speaker 3>was unintentional, but the warden has them returned to digging

0:40:13.400 --> 0:40:19.400
<v Speaker 3>individual holes when no other items are found. Back to

0:40:19.440 --> 0:40:23.320
<v Speaker 3>the past, Miss Catherine pays another visit to the sheriff

0:40:23.520 --> 0:40:28.840
<v Speaker 3>and kills him for not preventing the racist mob murdering Sam.

0:40:29.520 --> 0:40:32.160
<v Speaker 3>And this is the start of her becoming the famous

0:40:32.200 --> 0:40:36.600
<v Speaker 3>outlaw kissing Kate Barlow. We cut back to the present.

0:40:37.080 --> 0:40:42.520
<v Speaker 3>Magnet steals mister Sirr's sunflower seeds from his truck and

0:40:43.000 --> 0:40:45.120
<v Speaker 3>Stanley takes the blame for it. And so this is

0:40:45.120 --> 0:40:47.720
<v Speaker 3>the scene, Jamie, that you were talking about where mister

0:40:47.760 --> 0:40:51.160
<v Speaker 3>Sir takes Stanley to see the warden, but rather than

0:40:51.200 --> 0:40:55.120
<v Speaker 3>getting in trouble, the warden smacks mister Surr's face while

0:40:55.160 --> 0:40:59.040
<v Speaker 3>she has wet rattlesnake, venom nail polish on.

0:40:59.560 --> 0:41:02.880
<v Speaker 2>Ooh ooh wah.

0:41:02.880 --> 0:41:05.359
<v Speaker 1>It is a very like feminist You know, you could

0:41:05.360 --> 0:41:07.880
<v Speaker 1>make your arguments against it, but it's just such a

0:41:07.920 --> 0:41:11.600
<v Speaker 1>good idea that I will not be hearing criticisms of

0:41:11.719 --> 0:41:12.760
<v Speaker 1>the snake Venom nail.

0:41:12.600 --> 0:41:16.880
<v Speaker 6>Pasha, and Mister responds by saying, all I do is

0:41:16.920 --> 0:41:18.160
<v Speaker 6>give you love and affection.

0:41:21.400 --> 0:41:23.279
<v Speaker 3>Yeah, it's implied that he has a crush on her

0:41:23.280 --> 0:41:25.640
<v Speaker 3>because he's always like fixing his hair when he's about

0:41:25.680 --> 0:41:27.520
<v Speaker 3>to see her and stuff.

0:41:27.719 --> 0:41:32.279
<v Speaker 1>It's also it's another I mean John Voyd, another bad man, yes,

0:41:32.440 --> 0:41:35.680
<v Speaker 1>who gives a really great performance in this It's true.

0:41:36.000 --> 0:41:40.839
<v Speaker 3>Yeah. So Stanley returns to his hole and he discovers

0:41:41.040 --> 0:41:46.040
<v Speaker 3>the Zero finished digging it for him, and so Stanlee

0:41:46.160 --> 0:41:51.160
<v Speaker 3>offers to teach Zero to read after all, and in exchange,

0:41:51.440 --> 0:41:54.759
<v Speaker 3>Zero will help Stanley dig his hole every day. So

0:41:54.840 --> 0:41:58.240
<v Speaker 3>they start lessons and Zero is like, by the way,

0:41:58.440 --> 0:42:01.759
<v Speaker 3>my real name is Hector's Zerny, And we're like, hmm,

0:42:02.280 --> 0:42:07.319
<v Speaker 3>where have we heard the name Zarny before. So then

0:42:07.600 --> 0:42:11.359
<v Speaker 3>Hector tells Stanley about his past, how he and his

0:42:11.440 --> 0:42:16.120
<v Speaker 3>mom moved around a lot, then they became unhoused and

0:42:16.360 --> 0:42:19.759
<v Speaker 3>one day his mom had to leave him somewhere and

0:42:20.120 --> 0:42:23.799
<v Speaker 3>she didn't come back, and Hector never found out what

0:42:24.000 --> 0:42:26.000
<v Speaker 3>happened to her. And he says, if I could, I

0:42:26.000 --> 0:42:29.279
<v Speaker 3>would hire a whole team of private investigators to find her.

0:42:29.520 --> 0:42:32.640
<v Speaker 3>We'll put a pin in that. The other boys meanwhile

0:42:32.880 --> 0:42:37.799
<v Speaker 3>resent that Stanley is getting help digging his hole, and

0:42:37.840 --> 0:42:42.200
<v Speaker 3>a fight breaks out and it culminates in Hector hitting

0:42:42.320 --> 0:42:45.359
<v Speaker 3>Pendanski in the head with a shovel and running off.

0:42:45.560 --> 0:42:48.520
<v Speaker 1>That Zero is the best character.

0:42:48.680 --> 0:42:50.239
<v Speaker 3>Oh, he truly.

0:42:50.040 --> 0:42:52.560
<v Speaker 1>Beats the shit out of you. Oh he's so great.

0:42:52.840 --> 0:42:55.279
<v Speaker 1>There's a quote from Because there was a There was

0:42:55.320 --> 0:42:57.799
<v Speaker 1>a I think it was like two years ago. There

0:42:57.880 --> 0:43:01.520
<v Speaker 1>was a short oral history for the twentieth anniversary, and

0:43:01.600 --> 0:43:04.640
<v Speaker 1>Cleia Thomas says Zero is not the most Disney friendly character.

0:43:04.920 --> 0:43:06.920
<v Speaker 1>Like he was grabbing eight balls ready to fight. He

0:43:07.000 --> 0:43:09.160
<v Speaker 1>hit a guy with a shovel, he choked somebody out.

0:43:09.440 --> 0:43:11.880
<v Speaker 1>I keep thinking about how this character I'm playing might

0:43:11.920 --> 0:43:15.040
<v Speaker 1>be the biggest gangster in Disney history. It was crazy,

0:43:15.360 --> 0:43:17.399
<v Speaker 1>and I kind of forget how like Zero, I mean,

0:43:17.440 --> 0:43:19.360
<v Speaker 1>he stands up for himself. He's the coolest.

0:43:19.560 --> 0:43:24.960
<v Speaker 3>It's awesome. So Zero aka Hector runs away from camp.

0:43:25.320 --> 0:43:30.400
<v Speaker 3>The warden, Mister Cyr and Pandanski discuss deleting Hector's 'errony's

0:43:30.440 --> 0:43:33.879
<v Speaker 3>files and pretending like he was never at Camp Green

0:43:33.960 --> 0:43:37.360
<v Speaker 3>Lake because he's a ward of the state. There's no

0:43:37.600 --> 0:43:40.600
<v Speaker 3>known family looking for him, so they're like, we can

0:43:40.680 --> 0:43:44.439
<v Speaker 3>just basically delete his existence from ever having been here.

0:43:45.880 --> 0:43:49.799
<v Speaker 3>So Stanley's thinking about Hector now being out in this

0:43:49.880 --> 0:43:54.160
<v Speaker 3>barren wasteland with no water, no food, no shelter from

0:43:54.239 --> 0:43:57.280
<v Speaker 3>the elements kind of thing, and he recalls his grandpa

0:43:57.400 --> 0:44:01.440
<v Speaker 3>telling him about his great grandpa who kissing Kate Barlow,

0:44:01.880 --> 0:44:05.560
<v Speaker 3>robbed and left stranded in the desert for sixteen days,

0:44:06.000 --> 0:44:12.000
<v Speaker 3>and how he apparently found refuge on God's thumb, whatever

0:44:12.200 --> 0:44:18.160
<v Speaker 3>that means. Then a new kid named Twitch arrives to

0:44:18.239 --> 0:44:22.799
<v Speaker 3>take Hector's spot at the camp and he helps Stanley

0:44:23.120 --> 0:44:28.160
<v Speaker 3>steal mister Sirr's truck, which Stanley drives off to find Hector.

0:44:28.600 --> 0:44:32.960
<v Speaker 3>He almost immediately drives it into a hole, but Stanley

0:44:33.080 --> 0:44:36.200
<v Speaker 3>keeps going. He runs off away from camp and he

0:44:36.280 --> 0:44:40.399
<v Speaker 3>finds an overturned boat in the dirt where Hector's hiding out.

0:44:41.280 --> 0:44:47.320
<v Speaker 3>Hector offers Stanley some Splosh, which is the one hundred

0:44:47.400 --> 0:44:51.080
<v Speaker 3>year old spiced peaches that Miss Catherine made and gave

0:44:51.160 --> 0:44:55.480
<v Speaker 3>to Sam. Because this is Sam's boat.

0:44:55.280 --> 0:44:57.040
<v Speaker 1>It's all connected.

0:45:00.160 --> 0:45:02.920
<v Speaker 3>So I think the worst part of this movie slash

0:45:03.000 --> 0:45:06.240
<v Speaker 3>book story in general is the words.

0:45:06.640 --> 0:45:08.000
<v Speaker 1>Yeah, yeah, they.

0:45:07.880 --> 0:45:11.160
<v Speaker 3>Really needed to do a second draft on that. But anyway,

0:45:11.560 --> 0:45:12.240
<v Speaker 3>I think it's.

0:45:12.120 --> 0:45:14.640
<v Speaker 6>A fun word for kids, but like as an adult

0:45:14.680 --> 0:45:17.200
<v Speaker 6>and like it sounds too much like things.

0:45:17.719 --> 0:45:19.560
<v Speaker 3>Yeah, yeah, yeah, And I don't want to.

0:45:19.520 --> 0:45:22.719
<v Speaker 5>Think about Hector's rony drinking things.

0:45:25.400 --> 0:45:28.080
<v Speaker 1>I also is like, I feel like I have looked

0:45:28.120 --> 0:45:32.280
<v Speaker 1>this up on past years, like can peaches like last

0:45:32.440 --> 0:45:32.839
<v Speaker 1>like that?

0:45:33.200 --> 0:45:36.640
<v Speaker 3>I think if they're preserved properly, right, maybe I.

0:45:36.719 --> 0:45:38.120
<v Speaker 5>Just assume it's a little magic.

0:45:38.200 --> 0:45:42.479
<v Speaker 4>Also, to be fair, he gets immediately ill from that's true.

0:45:42.520 --> 0:45:46.560
<v Speaker 1>He just started throwing up the passing for days. That's true.

0:45:46.680 --> 0:45:47.160
<v Speaker 1>That's true.

0:45:47.760 --> 0:45:51.759
<v Speaker 3>So Stanley and Hector try to figure out what to

0:45:51.800 --> 0:45:55.600
<v Speaker 3>do next. In the distance, they see a mountain that's

0:45:55.640 --> 0:45:59.040
<v Speaker 3>sort of in the shape of a thumbs up, and

0:45:59.040 --> 0:46:02.800
<v Speaker 3>they think maybe that's what Stanley's great grandpa meant about

0:46:02.840 --> 0:46:06.279
<v Speaker 3>finding refuge on God's thumb. So they head there. They

0:46:06.280 --> 0:46:10.120
<v Speaker 3>climb the mountain. It's a long difficult journey. Hector gets

0:46:10.160 --> 0:46:13.680
<v Speaker 3>stick along the way from drinking this blush. So Stanley

0:46:13.920 --> 0:46:19.880
<v Speaker 3>carries Hector Zarny aka Madam Zarroni's great great great grandson

0:46:20.480 --> 0:46:24.640
<v Speaker 3>up the Mountain to drink from the water they find there,

0:46:25.320 --> 0:46:31.200
<v Speaker 3>which effectively lifts the yell NAT's family curse. They find

0:46:31.560 --> 0:46:35.640
<v Speaker 3>a bunch of onions and eat them because also this

0:46:35.840 --> 0:46:41.279
<v Speaker 3>was Sam's secret onion garden. Again it's all connected. And

0:46:41.320 --> 0:46:44.440
<v Speaker 3>then also at this exact moment back at Stanley's house,

0:46:45.000 --> 0:46:49.440
<v Speaker 3>Stanley's dad finally invents the cure to foot odor and

0:46:49.480 --> 0:46:53.560
<v Speaker 3>the secret ingredients peaches and onions.

0:46:53.760 --> 0:46:55.880
<v Speaker 1>I don't yeah, again, there you have to magic it

0:46:55.920 --> 0:46:58.319
<v Speaker 1>a little bit to be like onions cure or did

0:46:58.320 --> 0:47:01.200
<v Speaker 1>it just make odor smell.

0:47:02.719 --> 0:47:05.000
<v Speaker 5>They were boiled? I don't know. I believe.

0:47:05.560 --> 0:47:08.600
<v Speaker 1>I believe that the fawn's cured foot oder.

0:47:08.880 --> 0:47:09.840
<v Speaker 5>I'm not a chemist.

0:47:10.040 --> 0:47:12.239
<v Speaker 6>I don't know what's in the onion that interacts with

0:47:12.320 --> 0:47:13.600
<v Speaker 6>the peach that makes.

0:47:13.400 --> 0:47:17.359
<v Speaker 3>It smell real, because a caramelized onion has a very

0:47:17.400 --> 0:47:20.160
<v Speaker 3>sweet night true's and taste.

0:47:20.280 --> 0:47:23.719
<v Speaker 1>It is beautiful that the legacy of their love cured foot.

0:47:24.480 --> 0:47:26.200
<v Speaker 5>I wanted to cry a little bit.

0:47:26.400 --> 0:47:27.560
<v Speaker 1>It's really nice.

0:47:28.000 --> 0:47:33.440
<v Speaker 3>Yeah. So, while Hector and Stanley rest and recover, Hector

0:47:33.520 --> 0:47:37.080
<v Speaker 3>reveals that it was him who stole Clyde Livingston's famous

0:47:37.239 --> 0:47:41.040
<v Speaker 3>baseball shoes and it's his fault that Stanley got arrested

0:47:41.120 --> 0:47:45.000
<v Speaker 3>and sent to Camp Green Lake, but Stanley is not upset.

0:47:45.160 --> 0:47:48.880
<v Speaker 3>He's just like this is destiny, and he suggests they

0:47:48.960 --> 0:47:52.400
<v Speaker 3>go back to camp and dig one last hole in

0:47:52.480 --> 0:47:57.120
<v Speaker 3>the spot where Stanley originally found that gold tube, which

0:47:57.200 --> 0:48:00.600
<v Speaker 3>he thinks is probably a tube of lips stick and

0:48:00.640 --> 0:48:05.600
<v Speaker 3>that the KB stands for Kate Barlow. Meanwhile, back at camp,

0:48:06.000 --> 0:48:10.320
<v Speaker 3>a lawyer that Stanley's family hired played by Roma Mafia

0:48:10.880 --> 0:48:14.640
<v Speaker 3>shows up to collect Stanley, but the warden kind of

0:48:14.640 --> 0:48:16.560
<v Speaker 3>shows her away and tells her to come back with

0:48:16.600 --> 0:48:20.680
<v Speaker 3>a signed court order. Obviously because Stanley's not there. He

0:48:20.760 --> 0:48:22.680
<v Speaker 3>ran away, so she has to make up an excuse.

0:48:23.640 --> 0:48:26.719
<v Speaker 3>And now the warden and mister sirr and Pandansky are

0:48:26.760 --> 0:48:31.400
<v Speaker 3>panicking because they assume Stanley is dead out in the desert.

0:48:31.600 --> 0:48:35.080
<v Speaker 1>Yeah, and he quote unquote matters because his family has

0:48:35.120 --> 0:48:36.399
<v Speaker 1>secured a lawyer, right.

0:48:36.800 --> 0:48:41.279
<v Speaker 3>Yeah. We flash back to kissing Kate Barlow being approached

0:48:41.400 --> 0:48:46.080
<v Speaker 3>by Trout Walker and his wife wanting to know where

0:48:46.120 --> 0:48:48.400
<v Speaker 3>she buried all the loot she stole.

0:48:48.840 --> 0:48:52.360
<v Speaker 1>She somehow found Turn of the century like hair Bleach's

0:48:52.600 --> 0:48:54.240
<v Speaker 1>a she's got a new wig.

0:48:54.440 --> 0:48:56.920
<v Speaker 3>Well, she's out in the sun all the time, and

0:48:57.000 --> 0:48:57.479
<v Speaker 3>it's true.

0:48:57.520 --> 0:48:58.200
<v Speaker 2>It looks good.

0:48:58.360 --> 0:48:59.040
<v Speaker 1>It looks good.

0:48:59.280 --> 0:49:03.439
<v Speaker 3>Yeah, but Kate is like you and your family can

0:49:03.480 --> 0:49:06.279
<v Speaker 3>dig for the next one hundred years and you will

0:49:06.320 --> 0:49:10.759
<v Speaker 3>never find my treasure. And that's what Camp Green Like

0:49:10.960 --> 0:49:14.000
<v Speaker 3>is all about, because the warden is a descendant of

0:49:14.080 --> 0:49:19.320
<v Speaker 3>Trout Walker and she is using unpaid child prison labor

0:49:19.440 --> 0:49:23.240
<v Speaker 3>to dig holes to search for Kissing Kate Barlow's treasure.

0:49:24.680 --> 0:49:28.040
<v Speaker 3>Stanley and Hector returned to camp and they start expanding

0:49:28.080 --> 0:49:32.000
<v Speaker 3>the hole where Stanley found the lipstick tube and they

0:49:32.040 --> 0:49:36.239
<v Speaker 3>find a treasure chest. But just then the warden, Mister

0:49:36.320 --> 0:49:39.480
<v Speaker 3>Sir and Pandanski show up and catch them, but they

0:49:39.480 --> 0:49:42.080
<v Speaker 3>can't really do anything because they realize that the hole

0:49:42.200 --> 0:49:45.240
<v Speaker 3>is filled with a dozen of those highly lethal yellow

0:49:45.280 --> 0:49:49.359
<v Speaker 3>spotted lizards that are crawling all over but not attacking

0:49:49.760 --> 0:49:53.439
<v Speaker 3>Stanley and Hector because they've eaten all those onions, which

0:49:53.480 --> 0:49:55.960
<v Speaker 3>are a natural lizard repellent.

0:49:56.680 --> 0:49:59.720
<v Speaker 1>Hey, for a movie about holes, there's not a single

0:49:59.760 --> 0:50:04.680
<v Speaker 1>hole in the plot of the movie. There's true, everything

0:50:05.000 --> 0:50:08.200
<v Speaker 1>is explained, yea, and it all is like a cross

0:50:08.239 --> 0:50:11.080
<v Speaker 1>generational Oh, it's so good.

0:50:13.520 --> 0:50:18.200
<v Speaker 3>A few hours later, Stanley's lawyer returns the warden makes

0:50:18.239 --> 0:50:20.800
<v Speaker 3>up a story about how Stanley broke into her cabin

0:50:21.080 --> 0:50:25.040
<v Speaker 3>and stole her trunk, but Hector is like, no, this

0:50:25.160 --> 0:50:28.400
<v Speaker 3>trunk belongs to Stanley. It's got his name on it,

0:50:28.920 --> 0:50:32.759
<v Speaker 3>and sure enough, the name Stanley Yellnatz is carved into

0:50:32.800 --> 0:50:35.839
<v Speaker 3>the trunk because this is the treasure that belonged to

0:50:35.880 --> 0:50:40.920
<v Speaker 3>his great grandfather. This means Stanley and Hector are free,

0:50:41.640 --> 0:50:44.919
<v Speaker 3>as are all the other boys, because Camp Green Lake

0:50:45.239 --> 0:50:49.439
<v Speaker 3>is shut down and the warden, Mister Sir, and Pandanski

0:50:49.640 --> 0:50:53.759
<v Speaker 3>are arrested. It also starts raining in this area for

0:50:53.840 --> 0:50:57.000
<v Speaker 3>the first time in one hundred years, in a scene

0:50:57.000 --> 0:50:59.440
<v Speaker 3>that felt a lot to me like a movie that

0:50:59.640 --> 0:51:03.200
<v Speaker 3>we have either just released or were covering soon, The

0:51:03.239 --> 0:51:08.960
<v Speaker 3>Shashank Redemption Where when and now? Okay, now I always

0:51:09.120 --> 0:51:14.640
<v Speaker 3>mix up Tim Robbins and Tim Robinson, but anyway, Tim Robbins.

0:51:14.480 --> 0:51:17.000
<v Speaker 1>Very different guys, so different.

0:51:16.640 --> 0:51:19.399
<v Speaker 3>But their names are too similar. Anyway, Tim Robbins when

0:51:19.400 --> 0:51:23.920
<v Speaker 3>he spoiler alert, finds freedom and it's pouring rain and

0:51:23.960 --> 0:51:27.960
<v Speaker 3>he's like, ah, so it felt like that to me anyway.

0:51:27.640 --> 0:51:29.520
<v Speaker 5>Wow, I was gonna watch that movie.

0:51:30.080 --> 0:51:34.040
<v Speaker 3>So yeah, sorry for spoiling now. A thirty year old movie,

0:51:34.239 --> 0:51:34.640
<v Speaker 3>it reigns.

0:51:34.680 --> 0:51:35.520
<v Speaker 1>Then he goes.

0:51:35.400 --> 0:51:41.800
<v Speaker 3>Ah, okay, So we cut to Stanley and Hector at

0:51:41.880 --> 0:51:45.120
<v Speaker 3>the yell NAT's house. They open the trunk. It's full

0:51:45.239 --> 0:51:49.520
<v Speaker 3>of gold and jewels and stocks and bonds. Question Mark,

0:51:49.560 --> 0:51:50.960
<v Speaker 3>I don't know what those papers are.

0:51:51.239 --> 0:51:53.439
<v Speaker 1>And for some reason, Stanley is the one that knows

0:51:53.520 --> 0:51:57.720
<v Speaker 1>about how money has appreciated over the last like century,

0:51:57.760 --> 0:51:59.520
<v Speaker 1>because his mom's like, Stanley, what do you think? I

0:51:59.520 --> 0:52:02.120
<v Speaker 1>was like, what is daily know about banking? He's you know,

0:52:02.160 --> 0:52:04.960
<v Speaker 1>he's in middle school, but he knows.

0:52:05.239 --> 0:52:06.520
<v Speaker 5>He takes math class.

0:52:06.640 --> 0:52:08.960
<v Speaker 1>I believe that He's like, it's worth at least a

0:52:09.000 --> 0:52:11.520
<v Speaker 1>million dollars. I was like, good, good math on your

0:52:11.560 --> 0:52:15.319
<v Speaker 1>feet man's and and I really it'll it like makes

0:52:15.320 --> 0:52:16.879
<v Speaker 1>me so much of the end of this movie makes

0:52:16.880 --> 0:52:19.680
<v Speaker 1>me tear up. But the fact that, like, even before

0:52:19.719 --> 0:52:23.440
<v Speaker 1>they know Zero is a Zeroni and connected to the

0:52:23.520 --> 0:52:27.080
<v Speaker 1>history of their family, they agree to give him half

0:52:27.120 --> 0:52:30.600
<v Speaker 1>of whatever is in there, and it's like mm hmmm, collective,

0:52:31.000 --> 0:52:32.120
<v Speaker 1>I know it's great and.

0:52:32.239 --> 0:52:35.080
<v Speaker 5>Like, no, no fight the parents.

0:52:35.200 --> 0:52:38.239
<v Speaker 6>Ye have windos to Hector, one for us, one for

0:52:38.360 --> 0:52:42.120
<v Speaker 6>mister Saroni, one for us, one for mister Sni And

0:52:42.160 --> 0:52:46.120
<v Speaker 6>then the grandfather embraces Hector and kisses him.

0:52:45.920 --> 0:52:50.080
<v Speaker 1>And I'm just like, oh, it's really nice, so nice.

0:52:50.400 --> 0:52:53.760
<v Speaker 3>And then Hector uses some of his money to hire

0:52:53.920 --> 0:52:56.920
<v Speaker 3>a team of private investigators to track down his mom,

0:52:57.480 --> 0:53:00.239
<v Speaker 3>which he does, and they reunite and embrace and that's

0:53:00.280 --> 0:53:04.400
<v Speaker 3>also very sweet and tearful. And then the movie ends

0:53:04.440 --> 0:53:07.959
<v Speaker 3>with all of the boys from d tent at Stanley's

0:53:08.200 --> 0:53:11.880
<v Speaker 3>nice new house with a pool. They gather around the

0:53:11.920 --> 0:53:16.720
<v Speaker 3>TV to watch a commercial where that baseball player Clyde

0:53:16.760 --> 0:53:21.959
<v Speaker 3>Livingston is the spokesman for Splosh, which is stan Lee's

0:53:22.080 --> 0:53:25.400
<v Speaker 3>dad's product for treating foot odor.

0:53:26.760 --> 0:53:30.200
<v Speaker 1>The end, and You're like, sure he's also I didn't know.

0:53:30.560 --> 0:53:33.560
<v Speaker 1>I guess that that guy, the guy who plays Clyde

0:53:33.600 --> 0:53:36.960
<v Speaker 1>Livingston was Rick Fox. Yeah, but he played for like

0:53:36.960 --> 0:53:39.440
<v Speaker 1>the Celtics and the Lakers, and like was a pro athlete.

0:53:39.719 --> 0:53:41.520
<v Speaker 1>Didn't know, I don't know enough about sports.

0:53:41.560 --> 0:53:44.640
<v Speaker 6>Why didn't then make him a basketball player?

0:53:44.719 --> 0:53:47.400
<v Speaker 1>So because because like Mike had just come out, they're like,

0:53:47.440 --> 0:53:50.960
<v Speaker 1>there's two basketball shoes of it's played out in children's media.

0:53:51.440 --> 0:53:51.640
<v Speaker 6>Fair.

0:53:52.200 --> 0:53:55.040
<v Speaker 1>That's honestly my guess, but I have no idea.

0:53:55.440 --> 0:53:58.359
<v Speaker 3>Yeah, anyway, so that's the movie. Let's take a quick

0:53:58.360 --> 0:54:09.520
<v Speaker 3>break and we'll come back to discuss.

0:54:11.400 --> 0:54:15.359
<v Speaker 1>And where back. I wanted to say just the one

0:54:15.520 --> 0:54:20.080
<v Speaker 1>thing about this movie, and I didn't finish rereading the book,

0:54:20.080 --> 0:54:22.919
<v Speaker 1>so I don't remember or I don't know like how

0:54:22.960 --> 0:54:24.960
<v Speaker 1>this is dealt with in the book. There is like

0:54:25.520 --> 0:54:28.880
<v Speaker 1>in a movie that is shockingly not Disneyfied in most ways.

0:54:29.400 --> 0:54:33.000
<v Speaker 1>The ending does feel a little Disneyfied to me, but

0:54:33.040 --> 0:54:36.239
<v Speaker 1>only in the one scene where you know, it's so

0:54:36.400 --> 0:54:41.240
<v Speaker 1>critical of justice and of the school to prison pipeline

0:54:41.239 --> 0:54:43.840
<v Speaker 1>and all of these things that you never see discussed

0:54:43.880 --> 0:54:46.640
<v Speaker 1>in media, much less children's media. But at the end

0:54:46.719 --> 0:54:49.839
<v Speaker 1>when you know, it's like, oh, well, it's just that

0:54:49.920 --> 0:54:53.160
<v Speaker 1>the state didn't know that this is how the prison

0:54:53.480 --> 0:54:56.359
<v Speaker 1>was being run, but now that they know, they're gonna

0:54:56.400 --> 0:54:58.960
<v Speaker 1>take care of it, and like that was the only

0:54:59.040 --> 0:55:02.239
<v Speaker 1>sort of disney fire plot point for me. It was like,

0:55:02.800 --> 0:55:04.920
<v Speaker 1>because that is sort of what you're taught of, Like, oh, well,

0:55:04.920 --> 0:55:07.760
<v Speaker 1>if you're if they're doing something bad, it's only because

0:55:09.400 --> 0:55:12.880
<v Speaker 1>surely nobody knows it's not inherent to the system that

0:55:12.920 --> 0:55:13.600
<v Speaker 1>it's a part.

0:55:13.440 --> 0:55:20.120
<v Speaker 3>Of I did fully reread the book a couple days ago. Yeah,

0:55:20.200 --> 0:55:24.120
<v Speaker 3>I mean me reading a book. Wow, good, thank you.

0:55:24.560 --> 0:55:29.200
<v Speaker 3>But I tend to agree. There is a moment in

0:55:29.360 --> 0:55:34.040
<v Speaker 3>the movie which it does feel very cathartic, when like, yeah,

0:55:34.080 --> 0:55:37.319
<v Speaker 3>the warden and mister sir and like the officials at

0:55:37.320 --> 0:55:42.720
<v Speaker 3>the camp are arrested and humiliated and all this stuff

0:55:43.080 --> 0:55:45.799
<v Speaker 3>that doesn't really happen. In the book, there is a

0:55:45.800 --> 0:55:48.799
<v Speaker 3>reference to how Camp Green Lake gets shut down and

0:55:48.840 --> 0:55:51.560
<v Speaker 3>will be converted into a Girl Scout Camp.

0:55:51.920 --> 0:55:54.600
<v Speaker 1>Which at one point was going to become a Disney

0:55:54.600 --> 0:55:55.400
<v Speaker 1>Plus series.

0:55:55.840 --> 0:55:57.759
<v Speaker 3>I think it's still in development.

0:55:58.840 --> 0:56:02.719
<v Speaker 1>I'm sorry, what isn't that bizarre? I was kind of like, yeah,

0:56:02.719 --> 0:56:03.799
<v Speaker 1>I'd watch it. I don't know.

0:56:03.880 --> 0:56:06.760
<v Speaker 6>They could have just kept making Bunked. I don't understand

0:56:06.840 --> 0:56:10.799
<v Speaker 6>they canceled Bunked a show Camp. And also, this is

0:56:10.840 --> 0:56:13.880
<v Speaker 6>my listen. If you are a Disney executive, call me,

0:56:14.320 --> 0:56:17.480
<v Speaker 6>because I think that we I know that everything's a reboot,

0:56:17.640 --> 0:56:20.799
<v Speaker 6>even Fascism right now, but I think that we need

0:56:20.840 --> 0:56:22.239
<v Speaker 6>to reboot Bug Juice.

0:56:22.680 --> 0:56:24.959
<v Speaker 2>And I was gonna say, a great camp show.

0:56:25.080 --> 0:56:27.319
<v Speaker 6>I don't know why, because like it's unscripted, it's gonna

0:56:27.360 --> 0:56:28.360
<v Speaker 6>be super cheap to produce.

0:56:28.800 --> 0:56:32.920
<v Speaker 5>It's you know, get those kid influencers started early. I guess.

0:56:34.239 --> 0:56:39.320
<v Speaker 1>Bug Juice was so awesome. Kids shows were really gross,

0:56:39.800 --> 0:56:42.320
<v Speaker 1>like I because that was like Baby Survivor.

0:56:44.280 --> 0:56:45.960
<v Speaker 3>I have never heard of this. I don't know what

0:56:46.000 --> 0:56:47.200
<v Speaker 3>you're talking about, but yeah.

0:56:48.719 --> 0:56:51.000
<v Speaker 6>It was like a camp reality show. It was like

0:56:51.200 --> 0:56:53.240
<v Speaker 6>kids at Summer Camp, and it was like the trials

0:56:53.239 --> 0:56:56.080
<v Speaker 6>and tribulations of the drama of summer Camp.

0:56:56.320 --> 0:56:59.280
<v Speaker 5>So I'm like, if you want to make a camp show, either.

0:56:59.080 --> 0:57:02.080
<v Speaker 6>Bring back the script camp show that you literally just canceled,

0:57:02.560 --> 0:57:05.680
<v Speaker 6>or you know, you have to renegotiate everybody's contract blah

0:57:05.680 --> 0:57:09.960
<v Speaker 6>blah blah, or bring back Bug Juice a show that

0:57:10.360 --> 0:57:11.319
<v Speaker 6>needs to be brought back.

0:57:11.360 --> 0:57:12.560
<v Speaker 5>I think about this all the.

0:57:12.560 --> 0:57:15.040
<v Speaker 1>Time because I don't and you're totally right, it like

0:57:15.120 --> 0:57:19.919
<v Speaker 1>it fits influencer culture absurdly. Well, yeah, huh.

0:57:19.960 --> 0:57:23.760
<v Speaker 3>So the Disney plus TV adaptation that's I think still

0:57:23.760 --> 0:57:27.680
<v Speaker 3>in development. I don't know much about it, but basically

0:57:27.760 --> 0:57:31.080
<v Speaker 3>it's an adaptation of the book. So it's not necessarily

0:57:31.120 --> 0:57:36.160
<v Speaker 3>about like fun summer Camp. It's about like prison labor camp.

0:57:36.760 --> 0:57:40.040
<v Speaker 3>But it is like a quote unquote all female reboot,

0:57:40.960 --> 0:57:44.760
<v Speaker 3>which I don't know how that will go exactly.

0:57:45.160 --> 0:57:47.280
<v Speaker 1>That's what makes me think it is not going to

0:57:47.320 --> 0:57:49.640
<v Speaker 1>be made because I feel like that time has come

0:57:49.680 --> 0:57:52.320
<v Speaker 1>and gone and what so has Disney plus making like

0:57:52.440 --> 0:57:55.280
<v Speaker 1>original content ruined it?

0:57:55.800 --> 0:58:01.040
<v Speaker 6>Yeah, I think both All Lady Goes to My was

0:58:01.080 --> 0:58:05.240
<v Speaker 6>the start of the death knell, and then Katy perry

0:58:05.600 --> 0:58:07.200
<v Speaker 6>Space Journey is like.

0:58:07.400 --> 0:58:08.800
<v Speaker 5>The final nail of the coffin.

0:58:09.200 --> 0:58:12.080
<v Speaker 1>Yeah, there was a wave of feminism that ended when

0:58:12.200 --> 0:58:14.600
<v Speaker 1>Katy Perry went to Space because it was just like

0:58:14.680 --> 0:58:18.520
<v Speaker 1>what feminism? What are you even? What are you saying?

0:58:18.720 --> 0:58:19.320
<v Speaker 3>I hate it?

0:58:20.080 --> 0:58:22.840
<v Speaker 1>Woman should space tourism anyways?

0:58:23.320 --> 0:58:26.240
<v Speaker 3>Yes, And then I would say the other big adaptation

0:58:26.480 --> 0:58:31.520
<v Speaker 3>change from the book in general and especially at the end,

0:58:32.640 --> 0:58:37.360
<v Speaker 3>is that Stanley feels a lot more confident at the end,

0:58:37.440 --> 0:58:40.320
<v Speaker 3>and he likes himself now and now he has friends.

0:58:40.560 --> 0:58:45.600
<v Speaker 3>And this is part of a larger adaptation change that

0:58:45.640 --> 0:58:48.960
<v Speaker 3>we alluded to it at the beginning of the episode,

0:58:49.320 --> 0:58:51.520
<v Speaker 3>which I would like to talk more about, which is

0:58:51.720 --> 0:58:58.440
<v Speaker 3>the fat erasure of Stanley's character. So basically, in the book,

0:58:58.880 --> 0:59:03.400
<v Speaker 3>Stanley is fat. In the movie, he is thin. In

0:59:03.440 --> 0:59:07.320
<v Speaker 3>the book, it's mentioned that Stanley is teased and bullied

0:59:07.400 --> 0:59:10.440
<v Speaker 3>at school by his peers for being fat. Sometimes his

0:59:10.520 --> 0:59:15.080
<v Speaker 3>teachers will kind of subconsciously fat shame him. He doesn't

0:59:15.200 --> 0:59:20.360
<v Speaker 3>have much self confidence or friends. As a result, over

0:59:20.400 --> 0:59:23.160
<v Speaker 3>the course of the book, he does lose some weight

0:59:23.480 --> 0:59:27.440
<v Speaker 3>due to strenuous activity of digging holes every day. It

0:59:27.480 --> 0:59:30.160
<v Speaker 3>doesn't ever say how much weight he loses, but it

0:59:30.200 --> 0:59:32.560
<v Speaker 3>does say that by the end of the story he

0:59:33.040 --> 0:59:37.440
<v Speaker 3>has more confidence, he has friends, he likes himself. It

0:59:37.600 --> 0:59:40.920
<v Speaker 3>is not super clear in the book exactly how much

0:59:41.000 --> 0:59:46.600
<v Speaker 3>of his confidence boost, if any, correlates to his weight loss.

0:59:46.760 --> 0:59:51.440
<v Speaker 3>But even so, I do remember that readers of the

0:59:51.480 --> 0:59:55.240
<v Speaker 3>book they appreciated there being representation of a fat protagonist

0:59:55.280 --> 0:59:58.920
<v Speaker 3>who is likable and compelling, who is at the center

0:59:58.960 --> 1:00:02.600
<v Speaker 3>of this really you know, interesting and layered story, who

1:00:03.040 --> 1:00:05.360
<v Speaker 3>has an arc. And I remember a lot of the

1:00:05.360 --> 1:00:09.360
<v Speaker 3>criticism about this movie when it came out that, you know,

1:00:09.440 --> 1:00:13.040
<v Speaker 3>audiences were disappointed that that aspect of the character was

1:00:13.040 --> 1:00:16.720
<v Speaker 3>completely erased. They wanted to see on screen representation of

1:00:16.760 --> 1:00:21.200
<v Speaker 3>a fat protagonist, but instead the movie cast a thin

1:00:21.440 --> 1:00:25.120
<v Speaker 3>actor in Shila buff And I know that the choice

1:00:25.120 --> 1:00:27.600
<v Speaker 3>to cast a you know, a thin actor in this

1:00:27.720 --> 1:00:31.960
<v Speaker 3>role and to not have to have, you know, like

1:00:32.280 --> 1:00:36.000
<v Speaker 3>someone wear a fat suit or anything like that totally valid.

1:00:35.840 --> 1:00:38.120
<v Speaker 1>But Also, it's like they could have just cast a

1:00:38.160 --> 1:00:39.240
<v Speaker 1>fat actor.

1:00:39.080 --> 1:00:40.600
<v Speaker 3>Right, because the thing is like, if they wanted to

1:00:40.640 --> 1:00:44.200
<v Speaker 3>emit something, why did it have to be his fatness.

1:00:44.280 --> 1:00:46.960
<v Speaker 3>If anything, they could have omitted his weight loss.

1:00:46.880 --> 1:00:49.400
<v Speaker 1>Right, that was the Yeah, that would be ideal, right, Like,

1:00:49.400 --> 1:00:50.680
<v Speaker 1>at the end of the day, it.

1:00:50.640 --> 1:00:53.680
<v Speaker 6>Is about the confidence. And the thing about being fat

1:00:53.880 --> 1:00:58.520
<v Speaker 6>is that, for the most part, being fat is not actually,

1:00:59.040 --> 1:01:02.439
<v Speaker 6>in my opinion, as a fat person, that bad.

1:01:03.200 --> 1:01:06.240
<v Speaker 5>I'm hot, I am fine with the way that I look.

1:01:07.880 --> 1:01:11.120
<v Speaker 6>The problem with being fat is society and the way

1:01:11.160 --> 1:01:14.760
<v Speaker 6>that society treats fat people. And the problem with Stanley

1:01:14.760 --> 1:01:17.600
<v Speaker 6>being fat is the fact that he's getting teased. He

1:01:17.720 --> 1:01:20.880
<v Speaker 6>has no confidence because adults and children alike are making

1:01:20.920 --> 1:01:24.720
<v Speaker 6>him feel bad about his body. And like the nineties

1:01:24.840 --> 1:01:28.120
<v Speaker 6>was also a peak heroin chic, the early two thousands

1:01:28.240 --> 1:01:29.680
<v Speaker 6>was like low rise.

1:01:29.600 --> 1:01:33.400
<v Speaker 1>Genes also experiencing another unfortunate reboot.

1:01:33.960 --> 1:01:35.320
<v Speaker 5>Yeah, the rise of.

1:01:35.280 --> 1:01:40.600
<v Speaker 6>Like skinny talk is terrifying. It's like anemia Tumbler all

1:01:40.640 --> 1:01:41.200
<v Speaker 6>over again.

1:01:41.440 --> 1:01:43.240
<v Speaker 5>It really, it really.

1:01:43.080 --> 1:01:47.800
<v Speaker 6>Is like very disconcerting to encounter, and like, I find

1:01:47.800 --> 1:01:49.840
<v Speaker 6>myself having thoughts that I haven't had in twenty years,

1:01:49.880 --> 1:01:50.960
<v Speaker 6>and I'm just like stop it.

1:01:52.640 --> 1:01:55.560
<v Speaker 5>But I'm okay, I'm good. But every now and.

1:01:55.600 --> 1:01:58.000
<v Speaker 6>Then I'm just like, like, I'll read the can of

1:01:58.040 --> 1:02:02.400
<v Speaker 6>a Lacroix and I'll feel bad about myself because looks

1:02:02.440 --> 1:02:05.560
<v Speaker 6>actually are really weird of fat Shamie, because they really

1:02:05.920 --> 1:02:09.720
<v Speaker 6>yeah with them, they say zero carbs, zero.

1:02:09.880 --> 1:02:14.040
<v Speaker 3>Fat, zero, zero guilt or something like that.

1:02:14.280 --> 1:02:15.680
<v Speaker 5>It's innocent.

1:02:16.720 --> 1:02:19.120
<v Speaker 1>Oh my god, it does say equals innocent yea.

1:02:21.520 --> 1:02:22.800
<v Speaker 5>And sometimes it gets to me.

1:02:23.440 --> 1:02:25.520
<v Speaker 1>Polar would never, polar would never.

1:02:25.880 --> 1:02:28.600
<v Speaker 5>Yeah, a spin drift couldn't catch them.

1:02:28.880 --> 1:02:32.520
<v Speaker 1>No, absolutely not. No, I Caitlyn, that's a great point.

1:02:32.640 --> 1:02:35.560
<v Speaker 1>Like it's because I did feel like, I guess what,

1:02:35.640 --> 1:02:38.800
<v Speaker 1>I I agree with you, Karama that you know, putting

1:02:39.120 --> 1:02:41.280
<v Speaker 1>child above in a fat suit would have aged the

1:02:41.360 --> 1:02:45.600
<v Speaker 1>movie terribly. Yeah, but I did feel like in the

1:02:46.000 --> 1:02:48.320
<v Speaker 1>portion of the book that I finished that there was

1:02:48.960 --> 1:02:51.040
<v Speaker 1>it was like one of the faults of the book

1:02:51.080 --> 1:02:54.120
<v Speaker 1>to me. I've I thought anyways that Lewis de Carr

1:02:54.160 --> 1:02:58.160
<v Speaker 1>was sort of putting some morality towards the weight loss

1:02:59.240 --> 1:03:00.840
<v Speaker 1>in a way that just felt kind of out of

1:03:00.840 --> 1:03:02.760
<v Speaker 1>step with a lot of what the book is doing.

1:03:03.400 --> 1:03:08.680
<v Speaker 3>Totally and right. If there was again anything to omit

1:03:08.840 --> 1:03:13.200
<v Speaker 3>from the adaptation, it could be the weight loss, or

1:03:13.240 --> 1:03:16.480
<v Speaker 3>at least the implication that his boost and confidence correlates

1:03:16.520 --> 1:03:18.480
<v Speaker 3>in some way to his weight loss.

1:03:18.680 --> 1:03:21.520
<v Speaker 6>I do also think that, like we are looking at

1:03:21.520 --> 1:03:24.840
<v Speaker 6>this very much with twenty twenty five eyes, and I

1:03:24.880 --> 1:03:28.480
<v Speaker 6>think that having a kid that was fat on screen

1:03:28.880 --> 1:03:31.800
<v Speaker 6>be made fun of for being fat was something that

1:03:31.960 --> 1:03:34.800
<v Speaker 6>was like also going to be considered like damaging, like

1:03:34.840 --> 1:03:36.840
<v Speaker 6>putting this fat kid in the public eye, And I

1:03:36.880 --> 1:03:39.480
<v Speaker 6>think that it ultimately would have been damaging.

1:03:39.120 --> 1:03:39.880
<v Speaker 5>For that kid.

1:03:40.840 --> 1:03:43.080
<v Speaker 6>Sure, And I know that like Heavyweights was a movie

1:03:43.080 --> 1:03:45.439
<v Speaker 6>that came out in a similar era.

1:03:46.520 --> 1:03:49.000
<v Speaker 5>I can't remember exactly what your Heavyweights.

1:03:48.480 --> 1:03:52.240
<v Speaker 3>Came out, Yeah, late nineties, I think because he isn't

1:03:52.320 --> 1:03:56.040
<v Speaker 3>Keenan Thompson in it, so it's like, yeah, Keenan era,

1:03:56.200 --> 1:03:57.440
<v Speaker 3>I think baby Keenan's in it.

1:03:57.560 --> 1:03:57.760
<v Speaker 5>Yeah.

1:03:57.800 --> 1:03:59.840
<v Speaker 6>But the thing about Keenan is it was always okay

1:03:59.840 --> 1:04:01.720
<v Speaker 6>for him to be fat because he was funny, do

1:04:01.760 --> 1:04:04.640
<v Speaker 6>you know what I mean? Whereas like with Holes, it's

1:04:04.680 --> 1:04:09.160
<v Speaker 6>more of a dramatic turn and you're sort of like

1:04:09.200 --> 1:04:13.520
<v Speaker 6>the hero of this drama. And I think that I

1:04:13.560 --> 1:04:16.200
<v Speaker 6>think that I would have loved if it were different.

1:04:16.400 --> 1:04:18.800
<v Speaker 6>But I also kind of understand why it was the

1:04:18.800 --> 1:04:20.600
<v Speaker 6>way that it was with.

1:04:20.920 --> 1:04:24.080
<v Speaker 1>The time that it came out, and adding that to

1:04:24.600 --> 1:04:28.000
<v Speaker 1>I mean, I think I'm sure that I'm but I

1:04:28.360 --> 1:04:33.360
<v Speaker 1>the only young fat actors that I remember knowing of

1:04:33.440 --> 1:04:36.720
<v Speaker 1>as a kid were Keenan Thompson and Lori Beth Denberg

1:04:36.840 --> 1:04:40.320
<v Speaker 1>and that was it. And so if the you know,

1:04:40.400 --> 1:04:44.360
<v Speaker 1>directive is to cast Stanley yell Natz as a known actor,

1:04:44.440 --> 1:04:48.360
<v Speaker 1>that might have been hard also because of how of

1:04:48.400 --> 1:04:50.920
<v Speaker 1>how prejudiced Hollywood is in the first place, where the

1:04:50.920 --> 1:04:54.000
<v Speaker 1>most well known child actors are you know, finn Totally.

1:04:54.200 --> 1:04:57.720
<v Speaker 6>This is before Nicki Blonski changed cinema.

1:04:58.000 --> 1:05:00.480
<v Speaker 1>It was a few years away, in just three years.

1:05:02.240 --> 1:05:08.320
<v Speaker 3>So the filmmakers spoke to this adaptation change in an

1:05:08.360 --> 1:05:11.160
<v Speaker 3>interview in two thousand and three. So it was Lewis

1:05:11.200 --> 1:05:18.240
<v Speaker 3>Sacker and director Andrew Davis were interviewed by Phase nine. Sure,

1:05:18.280 --> 1:05:20.280
<v Speaker 3>I don't know exactly what that is, some kind of

1:05:20.280 --> 1:05:28.080
<v Speaker 3>film publication, but anyway, precisely, they were asked how they

1:05:28.160 --> 1:05:31.120
<v Speaker 3>searched for the right kids, like the right child actors

1:05:31.320 --> 1:05:35.560
<v Speaker 3>for the characters. Lewis Sacker says, well, the character of

1:05:35.600 --> 1:05:39.520
<v Speaker 3>Stanley in the book is overweight, Shia is not, but

1:05:39.640 --> 1:05:42.600
<v Speaker 3>this wasn't integral to the story. The point was more

1:05:42.640 --> 1:05:46.440
<v Speaker 3>that he felt like an outsider, but he could display vulnerability,

1:05:46.640 --> 1:05:50.040
<v Speaker 3>and Shia conveys the right amount of emotion and vulnerability

1:05:50.280 --> 1:05:55.200
<v Speaker 3>and quirkiness, so the overweight thing wasn't important to that.

1:05:55.320 --> 1:05:58.280
<v Speaker 3>I say, did you read your own book? Lewis, Like,

1:05:58.640 --> 1:05:59.680
<v Speaker 3>what are you talking about?

1:06:00.000 --> 1:06:04.280
<v Speaker 6>As a misguided take, I would say I can pretty

1:06:04.360 --> 1:06:06.640
<v Speaker 6>much bring any topic back to how much I dislike

1:06:06.720 --> 1:06:11.480
<v Speaker 6>Leah Michelle. But of course, for me Funny Girl the adaptation,

1:06:11.800 --> 1:06:15.200
<v Speaker 6>I thought that Beanie Feldstein was better casting because the

1:06:15.240 --> 1:06:19.200
<v Speaker 6>whole thing about Funny Girl is that Fanny Brice is

1:06:19.200 --> 1:06:24.760
<v Speaker 6>supposed to be not conventionally attractive. And while Leah Michelle,

1:06:24.840 --> 1:06:29.840
<v Speaker 6>because she is half Jewish, does have similar features to say,

1:06:29.840 --> 1:06:32.880
<v Speaker 6>like barbar streisand in the original the way that that

1:06:33.040 --> 1:06:36.280
<v Speaker 6>was written for twenty twenty forge or whatever year it was,

1:06:36.320 --> 1:06:39.560
<v Speaker 6>twenty twenty two, she's conventionally attractive.

1:06:39.600 --> 1:06:41.240
<v Speaker 5>She's like a hot lady.

1:06:41.280 --> 1:06:44.960
<v Speaker 6>Our beauty conventions have changed, but we still hate fat people.

1:06:45.880 --> 1:06:49.400
<v Speaker 6>And I think that Beanie Feldstein's casting was far more

1:06:49.440 --> 1:06:52.880
<v Speaker 6>in line with who Fanny's supposed to be as an outsider.

1:06:53.160 --> 1:06:55.560
<v Speaker 6>So I think that on the one hand, Lewis is

1:06:55.640 --> 1:06:57.760
<v Speaker 6>right in that what matters most is that he's an

1:06:57.800 --> 1:07:02.000
<v Speaker 6>outsider who gains confidence. But we don't get that from

1:07:02.040 --> 1:07:04.640
<v Speaker 6>Shia abuff In any way, Like they didn't write something

1:07:04.720 --> 1:07:06.400
<v Speaker 6>in that made it happen, Like he didn't have a list,

1:07:06.600 --> 1:07:09.640
<v Speaker 6>he didn't have some sort of like physical disability or

1:07:09.680 --> 1:07:12.920
<v Speaker 6>something that like that would have helped with the holes.

1:07:13.000 --> 1:07:16.160
<v Speaker 3>But you know what I mean, Yeah, or even if

1:07:16.160 --> 1:07:19.640
<v Speaker 3>it's just like he has a lack of confidence for

1:07:19.840 --> 1:07:22.520
<v Speaker 3>a reason that has nothing to do with his appearance

1:07:22.680 --> 1:07:25.240
<v Speaker 3>or ability or anything like that, and it's just that

1:07:25.240 --> 1:07:28.240
<v Speaker 3>it wasn't replaced with anything. Yeah, Yeah, So that's just

1:07:28.320 --> 1:07:32.720
<v Speaker 3>that whole part of his character is erased. And maybe

1:07:32.800 --> 1:07:36.560
<v Speaker 3>Lewis Sachar is saying something like, well, you know, Stanley's

1:07:36.560 --> 1:07:40.080
<v Speaker 3>fatness does not define him as a character, which is true,

1:07:40.440 --> 1:07:42.720
<v Speaker 3>but it doesn't sound like that's what he's saying. He's

1:07:42.720 --> 1:07:44.520
<v Speaker 3>just sort of like, I need to make an excuse

1:07:44.680 --> 1:07:46.920
<v Speaker 3>for why we didn't cast a actor.

1:07:47.080 --> 1:07:50.959
<v Speaker 1>Yeah, it feels like a very like hollywoody thing, which

1:07:51.440 --> 1:07:54.320
<v Speaker 1>to at least to Lewis Skar, I'm sure that Lewis

1:07:54.360 --> 1:07:58.520
<v Speaker 1>Akar is not the one making the final casting decisions, no, right,

1:07:58.640 --> 1:07:59.960
<v Speaker 1>I know that he. I think he was a pretty

1:08:00.120 --> 1:08:02.000
<v Speaker 1>around the movie. I think that that is like a

1:08:02.040 --> 1:08:06.760
<v Speaker 1>better suited question for the director than which the writer.

1:08:06.760 --> 1:08:10.080
<v Speaker 3>Which the director answers a question, a follow up question,

1:08:10.200 --> 1:08:14.760
<v Speaker 3>which was didn't you consider a fat suit, and director

1:08:14.840 --> 1:08:18.519
<v Speaker 3>Andrew Davis says, yes, we did, but in the book

1:08:18.800 --> 1:08:21.960
<v Speaker 3>he loses weight as the story evolves and as he

1:08:22.040 --> 1:08:25.120
<v Speaker 3>digs the holes, et cetera. And we shot the movie

1:08:25.160 --> 1:08:27.840
<v Speaker 3>out of continuity, so that wouldn't have worked.

1:08:28.120 --> 1:08:29.120
<v Speaker 2>That's the reason.

1:08:29.640 --> 1:08:31.600
<v Speaker 3>Yeah, youre right, And I think that was like I

1:08:31.600 --> 1:08:33.880
<v Speaker 3>remember that also being a reason that they gave for

1:08:34.439 --> 1:08:38.360
<v Speaker 3>not casting a fat actor to begin with, because it's like, well,

1:08:38.400 --> 1:08:40.840
<v Speaker 3>movies are shot out of chronological order. So if a

1:08:40.920 --> 1:08:44.479
<v Speaker 3>character is losing weight progressively, but the movie is shot

1:08:44.560 --> 1:08:46.760
<v Speaker 3>out of order, then how how do we manage that?

1:08:47.000 --> 1:08:49.200
<v Speaker 1>It's all very two thousand and three. I mean, I

1:08:49.200 --> 1:08:52.560
<v Speaker 1>will say that, like not to give this movie a pass,

1:08:52.640 --> 1:08:57.360
<v Speaker 1>but that this feels very thoroughly in step with how

1:08:57.400 --> 1:08:59.960
<v Speaker 1>fatness was treated in movies at this time.

1:09:00.320 --> 1:09:02.719
<v Speaker 3>For sure, shallow how oh yeah.

1:09:02.600 --> 1:09:05.519
<v Speaker 1>Right, like this like the same couple of years God,

1:09:05.880 --> 1:09:07.839
<v Speaker 1>I still have managed to never see Shallow.

1:09:07.880 --> 1:09:09.880
<v Speaker 5>How oh, I won't see that movie because I love

1:09:09.920 --> 1:09:10.720
<v Speaker 5>myself too much.

1:09:12.479 --> 1:09:14.040
<v Speaker 1>That's one of those movies where it's like, I know

1:09:14.080 --> 1:09:15.720
<v Speaker 1>we'd have a lot to talk about, but I don't

1:09:15.760 --> 1:09:18.640
<v Speaker 1>want to subject to anyone to have it to watch it,

1:09:18.720 --> 1:09:19.920
<v Speaker 1>including myself.

1:09:20.080 --> 1:09:22.800
<v Speaker 3>Fair it's horrid. I have seen it, and.

1:09:23.000 --> 1:09:26.000
<v Speaker 1>It's like been free on YouTube for a thousand years

1:09:26.000 --> 1:09:29.720
<v Speaker 1>because no one would watch it on purpose. But in

1:09:29.760 --> 1:09:33.040
<v Speaker 1>any case, yes, I wasn't aware that they had been

1:09:33.160 --> 1:09:35.040
<v Speaker 1>asked about it directly.

1:09:35.960 --> 1:09:38.160
<v Speaker 3>And then the other thing is that there is a

1:09:38.200 --> 1:09:42.439
<v Speaker 3>fat character in the movie Armpit laid by Byron Cotton

1:09:42.920 --> 1:09:46.080
<v Speaker 3>ar MPI to the t well, yes, of course.

1:09:46.160 --> 1:09:47.679
<v Speaker 5>Is that you're smelling dog?

1:09:47.840 --> 1:09:49.720
<v Speaker 3>That's me okay, Well, that's the thing.

1:09:49.760 --> 1:09:51.320
<v Speaker 1>That was a lyric. That was lyric.

1:09:51.479 --> 1:09:54.080
<v Speaker 3>The main thing we know about him is that he

1:09:54.720 --> 1:09:58.160
<v Speaker 3>has body odor. He doesn't. He's implied to not have

1:09:58.280 --> 1:10:01.960
<v Speaker 3>very good hygiene. Every and teases him about this. And

1:10:02.040 --> 1:10:04.000
<v Speaker 3>also the movie goes out of its way to show

1:10:04.120 --> 1:10:07.839
<v Speaker 3>at least once to show him struggling with a physical

1:10:07.880 --> 1:10:08.760
<v Speaker 3>task of some kind.

1:10:08.840 --> 1:10:09.080
<v Speaker 1>Yeah.

1:10:09.080 --> 1:10:13.160
<v Speaker 3>So basically the only fat character on screen is attached

1:10:13.200 --> 1:10:19.559
<v Speaker 3>to all these very harmful reductive tropes. Yeah, associated with fatness.

1:10:19.080 --> 1:10:21.000
<v Speaker 1>So which sucks for a lot of reasons. I mean

1:10:21.760 --> 1:10:23.840
<v Speaker 1>the actor, because I don't think I don't a lot

1:10:23.880 --> 1:10:27.120
<v Speaker 1>of these kids didn't go on to perform at least

1:10:27.120 --> 1:10:30.080
<v Speaker 1>in movies very much. But Byron Cotton is so good,

1:10:30.280 --> 1:10:34.040
<v Speaker 1>he's so charming, and also like it also just doesn't

1:10:34.160 --> 1:10:36.880
<v Speaker 1>it's so clearly fat phobic because you got to think,

1:10:36.920 --> 1:10:40.640
<v Speaker 1>all these kids are stinky, They're not being taken care of,

1:10:41.080 --> 1:10:44.439
<v Speaker 1>and it's not their fault, Like they all share a

1:10:44.439 --> 1:10:47.680
<v Speaker 1>single shower stall like there, of course, hygiene is poor

1:10:47.760 --> 1:10:49.160
<v Speaker 1>and they only get like four.

1:10:49.000 --> 1:10:50.920
<v Speaker 3>Minute shower tokens or something.

1:10:51.200 --> 1:10:55.240
<v Speaker 1>Yeah, and add that to the average hygiene habits of

1:10:55.760 --> 1:10:59.439
<v Speaker 1>a young boy in the best circumstances, like, yeah, all

1:10:59.479 --> 1:11:00.920
<v Speaker 1>these kids are stinky.

1:11:01.600 --> 1:11:04.519
<v Speaker 6>Yeah, and they're wearing the same work clothes three days

1:11:04.520 --> 1:11:05.880
<v Speaker 6>in a row.

1:11:06.320 --> 1:11:06.559
<v Speaker 3>Right.

1:11:06.800 --> 1:11:08.600
<v Speaker 1>I did want to talk a little bit about the

1:11:08.720 --> 1:11:14.840
<v Speaker 1>production of this movie, because there is child Okay, one

1:11:14.880 --> 1:11:17.800
<v Speaker 1>of the hills that I love to die on day

1:11:17.800 --> 1:11:22.479
<v Speaker 1>in and day out is child labor laws, and there's

1:11:23.120 --> 1:11:26.439
<v Speaker 1>I think that this movie technically followed child labor laws,

1:11:26.479 --> 1:11:28.720
<v Speaker 1>but to me, say that child labor laws are not

1:11:28.800 --> 1:11:31.559
<v Speaker 1>restrictive enough because they I mean, obviously the kids have

1:11:31.600 --> 1:11:33.280
<v Speaker 1>to go to school all this stuff, But they were

1:11:33.320 --> 1:11:36.360
<v Speaker 1>literally in the middle of the desert in heat as

1:11:36.439 --> 1:11:41.519
<v Speaker 1>much as one hundred and fifteen degrees, shooting for ten weeks.

1:11:41.640 --> 1:11:43.640
<v Speaker 1>And I have a couple of quotes from that. It

1:11:43.680 --> 1:11:47.280
<v Speaker 1>was a business insider oral history where they didn't speak

1:11:47.320 --> 1:11:50.080
<v Speaker 1>to everybody, and you know there's certain like you know,

1:11:50.160 --> 1:11:52.679
<v Speaker 1>like I don't want to know what child a buff says.

1:11:53.000 --> 1:11:56.960
<v Speaker 1>He's not in it. But it's like Lewis Sakarr, the director,

1:11:57.040 --> 1:11:59.280
<v Speaker 1>and then a couple of the cast members I think

1:11:59.280 --> 1:12:01.880
<v Speaker 1>Tim Blake Nelson, and then a few of the boys,

1:12:01.920 --> 1:12:09.720
<v Speaker 1>including Miguel Castro who plays Magnet and my crush Cleo Thomas.

1:12:09.960 --> 1:12:11.040
<v Speaker 5>Well I met once.

1:12:11.200 --> 1:12:13.040
<v Speaker 1>Actually what is he nice?

1:12:13.200 --> 1:12:16.240
<v Speaker 5>It was very nice. I was like, is he t zero?

1:12:18.120 --> 1:12:19.240
<v Speaker 5>He was really sweet.

1:12:19.360 --> 1:12:22.599
<v Speaker 6>I was on a show on Hulu called Reboot, and

1:12:22.800 --> 1:12:25.920
<v Speaker 6>at the premiere of Reboot he was there and I

1:12:25.960 --> 1:12:27.880
<v Speaker 6>was like, what are you doing here?

1:12:28.840 --> 1:12:31.639
<v Speaker 1>Also, you're great in Reboot. I was like I think

1:12:31.640 --> 1:12:35.559
<v Speaker 1>I like gasped and like messaged you immediately, like how

1:12:35.600 --> 1:12:37.639
<v Speaker 1>could you not have told me? Actually?

1:12:37.960 --> 1:12:40.120
<v Speaker 6>I actually had a really sweet interaction last night with

1:12:40.200 --> 1:12:44.280
<v Speaker 6>somebody at like an actor mixer thing for my agency,

1:12:44.800 --> 1:12:47.599
<v Speaker 6>and this like younger actor at my agency.

1:12:47.640 --> 1:12:49.960
<v Speaker 5>She's like in her twenties. She's not like a child,

1:12:50.040 --> 1:12:52.240
<v Speaker 5>but she came up here. She's like, I really loved

1:12:52.280 --> 1:12:53.800
<v Speaker 5>you in reboot and you made me want to go

1:12:53.800 --> 1:12:57.479
<v Speaker 5>to UCB. And I was just like, I'm literally gonna

1:12:57.520 --> 1:12:58.320
<v Speaker 5>cry right now.

1:12:58.479 --> 1:13:01.439
<v Speaker 6>Thank you so much. I feels good about my career

1:13:02.640 --> 1:13:04.120
<v Speaker 6>and that made me feel so much better.

1:13:04.560 --> 1:13:06.720
<v Speaker 1>Like moments like that find you when you need it.

1:13:06.760 --> 1:13:07.559
<v Speaker 2>That's really yes.

1:13:08.800 --> 1:13:10.760
<v Speaker 5>But yeah, Cleo was very nice.

1:13:10.800 --> 1:13:14.120
<v Speaker 1>He introduces something like I know you're I know I'm

1:13:14.120 --> 1:13:14.599
<v Speaker 1>aware of.

1:13:14.760 --> 1:13:17.360
<v Speaker 2>I know the classes, but I would lose it.

1:13:17.400 --> 1:13:18.960
<v Speaker 5>I would still still crushworthy.

1:13:19.000 --> 1:13:22.200
<v Speaker 1>I would say yeah, I followed it. I followed him

1:13:22.200 --> 1:13:24.160
<v Speaker 1>on Instagram today. I was like, he still got it.

1:13:24.920 --> 1:13:27.160
<v Speaker 6>I was gonna say slides DMS and I remembered, like

1:13:27.160 --> 1:13:29.479
<v Speaker 6>a fully engaged with adults.

1:13:29.720 --> 1:13:30.320
<v Speaker 2>He would get it.

1:13:30.320 --> 1:13:33.479
<v Speaker 1>This Cleo Thomas has been promoted to my Hall Pass.

1:13:35.880 --> 1:13:39.280
<v Speaker 1>But so this is a quote from Miguel Castro, who

1:13:39.439 --> 1:13:43.320
<v Speaker 1>also talks about how like the casting process and how

1:13:43.360 --> 1:13:46.320
<v Speaker 1>they really did. I mean, I think that being unwilling

1:13:46.400 --> 1:13:49.400
<v Speaker 1>to cast a fat actor of Stanley is the standout

1:13:49.640 --> 1:13:51.640
<v Speaker 1>bad thing that they did, because it seems like they

1:13:51.840 --> 1:13:56.880
<v Speaker 1>tried to really find young actors who like fit the role,

1:13:57.040 --> 1:14:00.720
<v Speaker 1>and also that the movie was not being aggressive whitewashed

1:14:00.760 --> 1:14:02.439
<v Speaker 1>in a way that I would not put past two

1:14:02.479 --> 1:14:06.679
<v Speaker 1>thousand and three. I do think ultimately centering a story

1:14:06.800 --> 1:14:09.559
<v Speaker 1>about the school to prison pipeline around a white character

1:14:09.600 --> 1:14:12.519
<v Speaker 1>as a little suss but we'll get there. But just

1:14:12.720 --> 1:14:17.120
<v Speaker 1>in terms of the production, Mila Castro said, he's also

1:14:17.200 --> 1:14:18.960
<v Speaker 1>very funny, but he said, I remember one day was

1:14:19.000 --> 1:14:21.559
<v Speaker 1>one hundred and nineteen degrees. I thought they were going

1:14:21.640 --> 1:14:23.519
<v Speaker 1>to cancel the filming, but we all agreed to knock

1:14:23.520 --> 1:14:27.439
<v Speaker 1>it out. I was hallucinating and I started seeing water

1:14:27.840 --> 1:14:30.920
<v Speaker 1>a swimming pool. The production team gave us thermometers to

1:14:31.000 --> 1:14:33.519
<v Speaker 1>check the temperature of our holes. If the holes hit

1:14:33.600 --> 1:14:36.519
<v Speaker 1>over one hundred and twenty five degrees, we had to

1:14:36.560 --> 1:14:39.520
<v Speaker 1>get out of there. That day, some of our thermometers

1:14:39.520 --> 1:14:43.679
<v Speaker 1>broke one thirty And it's like, you can't make kids

1:14:43.720 --> 1:14:47.200
<v Speaker 1>do that. You can't make kids, they just said. And

1:14:47.240 --> 1:14:50.360
<v Speaker 1>they had to do like a boot camp, basically re

1:14:50.560 --> 1:14:52.920
<v Speaker 1>enacting the movie holes so that they would be able

1:14:52.960 --> 1:14:54.479
<v Speaker 1>to do it on the production, so it ended up

1:14:54.520 --> 1:14:57.880
<v Speaker 1>being like three to four months of them sort of

1:14:58.040 --> 1:15:01.360
<v Speaker 1>just having to go methad, which is like, do that

1:15:01.400 --> 1:15:04.320
<v Speaker 1>if you want as an adult, Like I just you

1:15:04.360 --> 1:15:07.719
<v Speaker 1>can't make kids go method at a prison camp.

1:15:07.800 --> 1:15:11.000
<v Speaker 5>Like that's we all agreed is bad.

1:15:12.400 --> 1:15:13.479
<v Speaker 2>Yeah, it's.

1:15:14.880 --> 1:15:18.719
<v Speaker 6>It's giving Mikey Madison saying that she and Sean Baker

1:15:18.760 --> 1:15:22.120
<v Speaker 6>decided together not to have an intimacy coordinator, and I'm like,

1:15:22.560 --> 1:15:25.200
<v Speaker 6>I don't think that that's your call as a no.

1:15:25.400 --> 1:15:26.840
<v Speaker 6>I think it's your call as a yes, but it

1:15:26.880 --> 1:15:29.040
<v Speaker 6>can't be your call as a no. That's like not

1:15:29.080 --> 1:15:33.200
<v Speaker 6>having a stunt coordinator. Like even Tom Cruise, as dedicated

1:15:33.240 --> 1:15:37.519
<v Speaker 6>as he is to doing these outrageous stunts, has a

1:15:37.560 --> 1:15:39.200
<v Speaker 6>stunt coordinator.

1:15:38.880 --> 1:15:43.320
<v Speaker 3>Right right, Yeah, it feels like adults knowing that they

1:15:43.360 --> 1:15:46.519
<v Speaker 3>have power over children and being like, no, we got

1:15:46.520 --> 1:15:49.040
<v Speaker 3>to keep going. The show must go on, let's go,

1:15:49.200 --> 1:15:49.880
<v Speaker 3>let's go kids.

1:15:49.960 --> 1:15:51.960
<v Speaker 6>Don't you want to make the movie? Don't you want

1:15:51.960 --> 1:15:54.360
<v Speaker 6>all of your friends to watch this cool movie?

1:15:54.800 --> 1:15:55.000
<v Speaker 3>Right?

1:15:55.560 --> 1:15:59.040
<v Speaker 1>It's just I don't know, I don't understand like production risk,

1:15:59.400 --> 1:16:02.160
<v Speaker 1>Like even if you were heartless and you don't care

1:16:02.240 --> 1:16:04.840
<v Speaker 1>about putting a child in a one hundred and thirty

1:16:04.880 --> 1:16:08.720
<v Speaker 1>degree whole like that production insurance. I don't know. I

1:16:08.760 --> 1:16:11.360
<v Speaker 1>was just I was curious. I was like, I wonder

1:16:11.400 --> 1:16:13.439
<v Speaker 1>how they kept the whole school. The answer they didn't.

1:16:13.560 --> 1:16:16.760
<v Speaker 1>They didn't, so that is unfortunate. What I will say

1:16:16.800 --> 1:16:20.000
<v Speaker 1>that is positive about the production, just something that I

1:16:20.080 --> 1:16:23.439
<v Speaker 1>admire is that Andrew Davis, the director, who mostly had

1:16:23.439 --> 1:16:27.599
<v Speaker 1>done action movies up to this point, was really set

1:16:27.800 --> 1:16:32.760
<v Speaker 1>on keeping the story basically not dumbing the story down

1:16:32.800 --> 1:16:36.479
<v Speaker 1>for kids, and that Disney, after I think a few

1:16:36.520 --> 1:16:39.559
<v Speaker 1>initial like are you sure you want to include A,

1:16:39.680 --> 1:16:41.840
<v Speaker 1>B and C, he was like, no, I will not

1:16:41.920 --> 1:16:45.360
<v Speaker 1>make the movie if you keep bugging me, and really

1:16:45.400 --> 1:16:49.360
<v Speaker 1>pushed to have Lewis Karr write the screenplay and basically,

1:16:49.760 --> 1:16:53.360
<v Speaker 1>along with a producer, taught Lewis Decarr how to write

1:16:53.360 --> 1:16:56.840
<v Speaker 1>a screenplay so that they could preserve the integrity of

1:16:57.160 --> 1:17:00.479
<v Speaker 1>the story. And I don't know, just like I knew,

1:17:00.520 --> 1:17:03.080
<v Speaker 1>you know, Crame, you're a writer. Like it's just like that.

1:17:03.160 --> 1:17:04.960
<v Speaker 1>I don't know how they pulled it off, and I'm

1:17:05.000 --> 1:17:06.160
<v Speaker 1>so glad that they did well.

1:17:06.200 --> 1:17:08.280
<v Speaker 6>I feel like he has a really strong understanding of

1:17:08.360 --> 1:17:11.439
<v Speaker 6>story to begin with, So I feel like it was

1:17:11.479 --> 1:17:13.080
<v Speaker 6>like he was at the water.

1:17:13.240 --> 1:17:14.920
<v Speaker 5>They just had to show him how to drink, you

1:17:14.960 --> 1:17:15.479
<v Speaker 5>know what I mean?

1:17:15.760 --> 1:17:17.880
<v Speaker 1>Right, yeah, yeah, And that's what they were sort of like.

1:17:17.880 --> 1:17:19.760
<v Speaker 1>They were like, he's a great writer, he just needs

1:17:19.800 --> 1:17:24.960
<v Speaker 1>to understand the format. And I guess throughout production, like Lewis,

1:17:24.960 --> 1:17:26.680
<v Speaker 1>the Carr had a lot of input and if he

1:17:26.720 --> 1:17:31.040
<v Speaker 1>wanted something changed or adjusted like Andrew Davis, had no questions.

1:17:31.160 --> 1:17:34.160
<v Speaker 1>I was like, wow, no one respects writers. That's cool. Yeah,

1:17:34.200 --> 1:17:37.240
<v Speaker 1>that's right. That was my takeaway.

1:17:37.240 --> 1:17:38.519
<v Speaker 5>He's also in the movie.

1:17:39.160 --> 1:17:41.960
<v Speaker 1>Yeah, mister bold, Oh that's him.

1:17:42.240 --> 1:17:43.759
<v Speaker 2>Yeah, cute.

1:17:44.920 --> 1:17:45.280
<v Speaker 1>Sweet.

1:17:45.600 --> 1:17:47.880
<v Speaker 5>I wish they had shown him with like a bust

1:17:47.920 --> 1:17:48.760
<v Speaker 5>down wig.

1:17:48.560 --> 1:17:53.679
<v Speaker 3>Later because the onion juice it worked. The onion juice

1:17:53.720 --> 1:17:54.960
<v Speaker 3>cured his boldness.

1:17:55.479 --> 1:17:57.640
<v Speaker 5>I just want to know if it works. It's like

1:17:57.640 --> 1:17:58.960
<v Speaker 5>a Sweet Todd situation.

1:17:59.360 --> 1:18:03.880
<v Speaker 3>Mister No, I think Sam's onion remedies worked one hundred percent.

1:18:05.000 --> 1:18:09.160
<v Speaker 6>You would have loved Arawan, Oh my god, Oh he

1:18:09.200 --> 1:18:09.559
<v Speaker 6>would have.

1:18:09.840 --> 1:18:13.560
<v Speaker 1>He would have been making billions at the Ariwuan.

1:18:13.920 --> 1:18:14.240
<v Speaker 3>Wow.

1:18:14.400 --> 1:18:16.920
<v Speaker 1>Yeah. I love cameos like that. And not to keep

1:18:16.920 --> 1:18:18.840
<v Speaker 1>going back to series of unfortunate events, but it is

1:18:18.880 --> 1:18:22.320
<v Speaker 1>my favorite. And that is a terribly adapted movie that

1:18:22.400 --> 1:18:25.559
<v Speaker 1>the author was very upset about. So it's just like

1:18:25.600 --> 1:18:29.439
<v Speaker 1>there's so many examples of you know, heavily sanitized, Like

1:18:29.479 --> 1:18:32.000
<v Speaker 1>all the dark themes in that movie are basically played

1:18:32.040 --> 1:18:35.320
<v Speaker 1>for comedy instead of because the you know, Nickel I

1:18:35.320 --> 1:18:37.519
<v Speaker 1>think it was Nickelodeon productions in that case were like,

1:18:37.800 --> 1:18:39.640
<v Speaker 1>it's too scary for kids, they won't be able to

1:18:39.640 --> 1:18:43.000
<v Speaker 1>handle it. And that's how you get Jim Carrey count

1:18:43.040 --> 1:18:43.519
<v Speaker 1>all off.

1:18:44.120 --> 1:18:47.480
<v Speaker 6>I met the boy from that movie.

1:18:47.720 --> 1:18:49.920
<v Speaker 5>I didn't know it was him. I just happened to

1:18:49.960 --> 1:18:50.760
<v Speaker 5>be sitting.

1:18:50.520 --> 1:18:51.759
<v Speaker 1>All my childhood crushes.

1:18:51.880 --> 1:18:53.720
<v Speaker 6>I just happened to be sitting next to him. We're

1:18:53.880 --> 1:18:57.320
<v Speaker 6>instagram like mutuals now. I happen to be sitting next

1:18:57.320 --> 1:18:59.200
<v Speaker 6>to him. Last summer when I went to New York

1:18:59.240 --> 1:19:01.720
<v Speaker 6>City and I decided to use my free will and

1:19:01.800 --> 1:19:04.080
<v Speaker 6>my adult money to go see Cats.

1:19:03.800 --> 1:19:05.880
<v Speaker 2>The Jellicle Ball, and he was there.

1:19:06.240 --> 1:19:08.679
<v Speaker 5>And he was there in the front row, right next

1:19:08.680 --> 1:19:08.920
<v Speaker 5>to me.

1:19:09.200 --> 1:19:11.160
<v Speaker 2>Oh my god.

1:19:10.760 --> 1:19:12.920
<v Speaker 6>He had a friend who was in it. He had

1:19:12.960 --> 1:19:16.080
<v Speaker 6>never seen Cats before. I had seen Cats before.

1:19:16.600 --> 1:19:17.000
<v Speaker 3>Of course.

1:19:17.200 --> 1:19:19.240
<v Speaker 6>I will just say I think the Cat's the Jellical

1:19:19.280 --> 1:19:24.040
<v Speaker 6>Ball was actually genius and a really amazing production because

1:19:24.040 --> 1:19:27.640
<v Speaker 6>they used ballroom culture and I was like, oh, this

1:19:27.000 --> 1:19:29.800
<v Speaker 6>is this is actually the only way this show makes sense.

1:19:30.080 --> 1:19:32.760
<v Speaker 1>That is actually a great adjustment.

1:19:33.240 --> 1:19:36.719
<v Speaker 3>Yeah. So it's like Paris is burning bust cats.

1:19:37.040 --> 1:19:38.280
<v Speaker 5>Yes it's gay cats.

1:19:38.640 --> 1:19:40.160
<v Speaker 2>I'm in that's so good.

1:19:40.479 --> 1:19:45.879
<v Speaker 1>Yeah. Liam Aiken, Yes he's sucking and like, I'm a yapper,

1:19:46.040 --> 1:19:48.880
<v Speaker 1>so I'll talk to anybody that's unfortunately sitting next to me.

1:19:48.960 --> 1:19:51.400
<v Speaker 6>And he was such a trooper about it, and I

1:19:51.520 --> 1:19:53.479
<v Speaker 6>was like, Oh, your friend's in it. Who is your

1:19:53.479 --> 1:19:56.360
<v Speaker 6>friend playing? And he was like, oh, she's Skimbleshanks And

1:19:56.400 --> 1:19:58.040
<v Speaker 6>I was like the railway can.

1:19:58.000 --> 1:20:02.160
<v Speaker 1>The best Cat's god best number.

1:20:02.280 --> 1:20:05.080
<v Speaker 5>I was like, that's a good cat, you've.

1:20:04.960 --> 1:20:06.080
<v Speaker 2>Good taste and friends.

1:20:06.200 --> 1:20:09.160
<v Speaker 1>I can't believe you're hang out with Skimbleshanks. Oh my god.

1:20:09.680 --> 1:20:13.880
<v Speaker 1>Yet another like Horny Child's thing on my wall. I

1:20:13.920 --> 1:20:20.240
<v Speaker 1>had like achin for Liam, that's so funny. Wow, I'm

1:20:20.240 --> 1:20:22.719
<v Speaker 1>glad that he's And he did turn into my dream

1:20:22.760 --> 1:20:25.800
<v Speaker 1>adult in that he was friend row at the Jelicable

1:20:26.160 --> 1:20:27.839
<v Speaker 1>and like I never.

1:20:28.080 --> 1:20:29.679
<v Speaker 6>It never it came up that he was an actor

1:20:29.720 --> 1:20:31.640
<v Speaker 6>because we were just talking and I was like, oh,

1:20:31.640 --> 1:20:33.040
<v Speaker 6>I'm an actor too, and blah, blah blah. And I

1:20:33.080 --> 1:20:35.479
<v Speaker 6>didn't know until I like looked him up after he

1:20:35.520 --> 1:20:37.120
<v Speaker 6>walked me into the subway because I was like, I

1:20:37.120 --> 1:20:40.200
<v Speaker 6>don't know where I'm going, And I looked him up

1:20:40.200 --> 1:20:41.200
<v Speaker 6>to see if his star meter.

1:20:41.200 --> 1:20:41.960
<v Speaker 5>Was better than mine.

1:20:42.040 --> 1:20:45.400
<v Speaker 6>It was, and I was like, oh, snap, this is

1:20:45.400 --> 1:20:47.800
<v Speaker 6>the guy from Stepmom, one of my favorite movies of

1:20:47.920 --> 1:20:48.519
<v Speaker 6>all time.

1:20:48.640 --> 1:20:49.600
<v Speaker 1>Oh yeah.

1:20:49.640 --> 1:20:50.840
<v Speaker 6>And then I was like, oh, I had a series

1:20:50.880 --> 1:20:52.760
<v Speaker 6>of unfortunate events a movie that I did not care.

1:20:52.680 --> 1:20:56.280
<v Speaker 1>About, but Stepmom, good for him, Good for him.

1:20:56.880 --> 1:20:59.160
<v Speaker 5>Have you guys done? Stepmom? Sorry, we should talk about

1:20:59.160 --> 1:20:59.519
<v Speaker 5>the movie.

1:20:59.600 --> 1:21:02.240
<v Speaker 3>No, we haven't, but it's on our list.

1:21:02.280 --> 1:21:04.559
<v Speaker 1>I think would be down. I've seen it because jennam

1:21:04.600 --> 1:21:07.880
<v Speaker 1>Alone is in it too, right, baby jenneral alone? Yeah,

1:21:08.720 --> 1:21:10.839
<v Speaker 1>but well, I guess back, I guess.

1:21:11.880 --> 1:21:15.920
<v Speaker 3>I mean speaking of a movie that you know, like

1:21:16.040 --> 1:21:22.400
<v Speaker 3>doesn't sanitize the more serious themes, or at least not extensively. Yeah,

1:21:22.439 --> 1:21:27.360
<v Speaker 3>this movie, it addresses a number of social issues such

1:21:27.400 --> 1:21:34.559
<v Speaker 3>as race, class, incarceration in all of the storylines I

1:21:34.600 --> 1:21:39.240
<v Speaker 3>think that are intersecting. So there's these two main storylines

1:21:39.240 --> 1:21:42.960
<v Speaker 3>from the past, one from the present. In one of them,

1:21:43.280 --> 1:21:49.320
<v Speaker 3>it's Stanley's Great, Great grandfather Elia Yellnetz. He is seeking

1:21:49.400 --> 1:21:53.120
<v Speaker 3>out the help of Madame Zaroni. In the book, Madame

1:21:53.200 --> 1:21:58.120
<v Speaker 3>Zaroni is described as being a word that is used

1:21:58.479 --> 1:22:02.519
<v Speaker 3>as a slur to describe Romani people. She's played by

1:22:02.520 --> 1:22:03.080
<v Speaker 3>earth a kid.

1:22:03.360 --> 1:22:06.760
<v Speaker 1>Yeah, she's like believe Egyptian. In the book too, they

1:22:07.360 --> 1:22:10.560
<v Speaker 1>explicitly say that she is an immigrant from Egypt.

1:22:10.400 --> 1:22:14.960
<v Speaker 3>Right, and curious what your thoughts are. But I couldn't

1:22:14.960 --> 1:22:17.840
<v Speaker 3>help but feel that there are hints of like the

1:22:17.920 --> 1:22:22.320
<v Speaker 3>magical Negro trope at play here, because she's presented as

1:22:22.320 --> 1:22:26.519
<v Speaker 3>being this mystic type of person. She places a curse.

1:22:26.920 --> 1:22:30.280
<v Speaker 6>I agree there's a little magical Negro happening, but I

1:22:30.320 --> 1:22:33.439
<v Speaker 6>don't mind it. And I don't know if I'm supposed

1:22:33.479 --> 1:22:37.080
<v Speaker 6>to say that out loud, but I don't because also

1:22:37.120 --> 1:22:39.840
<v Speaker 6>I feel like it's a lot of the time, like

1:22:39.920 --> 1:22:42.840
<v Speaker 6>when curses are happening, it's like, oh man, we got

1:22:42.880 --> 1:22:46.479
<v Speaker 6>cursed for no reason, and nobody at any point is like,

1:22:46.600 --> 1:22:48.720
<v Speaker 6>oh man, we got cursed for no reason. They're like, my,

1:22:48.920 --> 1:22:53.360
<v Speaker 6>no good, dirty rotten pigs stealing great great great grandfather.

1:22:53.760 --> 1:22:56.920
<v Speaker 6>It's like this was a deserved curse. Everybody's mad at

1:22:56.920 --> 1:22:59.479
<v Speaker 6>the great great grandfather for not doing what he promised

1:22:59.520 --> 1:23:02.120
<v Speaker 6>he would do. And it's like, you got the help

1:23:02.160 --> 1:23:04.040
<v Speaker 6>that you want, it you ended up not getting with

1:23:04.080 --> 1:23:05.880
<v Speaker 6>the girl, and now your butt hurt and you're gonna

1:23:05.880 --> 1:23:08.640
<v Speaker 6>go on a boat to America. You realize on the

1:23:08.680 --> 1:23:10.760
<v Speaker 6>boat to America, oh snap, I forgot to take the

1:23:10.760 --> 1:23:12.760
<v Speaker 6>old lady up the hill and you don't take a

1:23:12.800 --> 1:23:13.320
<v Speaker 6>boat back.

1:23:13.439 --> 1:23:14.960
<v Speaker 5>I would have been on the next boat.

1:23:14.720 --> 1:23:19.679
<v Speaker 1>Back personally, right, I did. Yeah, that is I guess

1:23:19.800 --> 1:23:23.320
<v Speaker 1>I hadn't registered that that. At very least. The family

1:23:23.400 --> 1:23:26.120
<v Speaker 1>is not like fuck, Madame Zeroni. They're like, he made

1:23:26.120 --> 1:23:28.120
<v Speaker 1>a deal and he didn't keep his end of it.

1:23:28.280 --> 1:23:30.719
<v Speaker 6>Yeah, at no point where they're like, oh, Madam Zaroni

1:23:30.840 --> 1:23:33.320
<v Speaker 6>was the worst. They're like, yeah, no, that's that's fair.

1:23:34.800 --> 1:23:39.720
<v Speaker 3>It's like a European white guy neglecting to pay a

1:23:39.720 --> 1:23:44.680
<v Speaker 3>black woman for services rendered and he gets cursed about it,

1:23:44.720 --> 1:23:46.439
<v Speaker 3>and it is fully deserved.

1:23:46.720 --> 1:23:49.519
<v Speaker 6>And I also think that, you know, the the curse

1:23:49.640 --> 1:23:54.160
<v Speaker 6>being broken because finally the services that were promised were

1:23:54.200 --> 1:23:58.639
<v Speaker 6>rendered in a way with this new generation, it's it's

1:23:58.760 --> 1:24:01.800
<v Speaker 6>very much speaking like the promise. I think that with

1:24:01.920 --> 1:24:06.120
<v Speaker 6>them being explicitly black, even though it's like somewhat ambiguous in.

1:24:06.080 --> 1:24:08.799
<v Speaker 5>The book, like if if she's Egyptian or if she's Romani.

1:24:09.439 --> 1:24:11.880
<v Speaker 6>It's very much about like, oh, the promise is that

1:24:11.960 --> 1:24:15.800
<v Speaker 6>America has made to black people and sort of like

1:24:15.880 --> 1:24:19.280
<v Speaker 6>how those have been broken and there I think that

1:24:19.360 --> 1:24:21.559
<v Speaker 6>there is going to be a curse on this country

1:24:21.640 --> 1:24:26.840
<v Speaker 6>until something happens to make it right. Whether it's reparations,

1:24:26.920 --> 1:24:29.880
<v Speaker 6>whether it's something else, I don't know, And like I

1:24:29.920 --> 1:24:32.120
<v Speaker 6>don't even think that I would be entitled to reparations

1:24:32.160 --> 1:24:34.640
<v Speaker 6>because my parents are immigrants. Like I'm not saying it

1:24:34.640 --> 1:24:37.880
<v Speaker 6>for personal gain, and I'm saying it for justice reasons,

1:24:37.880 --> 1:24:41.080
<v Speaker 6>but justice. Like the movie is very clear in teaching

1:24:41.160 --> 1:24:44.400
<v Speaker 6>kids like hey, if you promise something to somebody and

1:24:44.400 --> 1:24:47.080
<v Speaker 6>then you don't do it, that's a bad thing. And

1:24:47.120 --> 1:24:49.960
<v Speaker 6>then later we were all like, yeah, no, it makes

1:24:49.960 --> 1:24:52.160
<v Speaker 6>sense that they're cursed. And then later it's like, oh,

1:24:52.280 --> 1:24:54.800
<v Speaker 6>I'm going to make this right. And he didn't make

1:24:54.840 --> 1:24:59.040
<v Speaker 6>it right to do things better, Like he didn't make

1:24:59.080 --> 1:25:00.800
<v Speaker 6>it right because he's like, oh, this lift the curse.

1:25:01.080 --> 1:25:04.519
<v Speaker 6>It was completely selfless. His friend was hurt and he

1:25:04.640 --> 1:25:07.400
<v Speaker 6>wanted to make him better totally, and like when you

1:25:07.439 --> 1:25:10.040
<v Speaker 6>do the right thing for the right reason. Good things

1:25:10.080 --> 1:25:13.800
<v Speaker 6>happen to you in movieland unfortunately not always in real life.

1:25:13.840 --> 1:25:17.320
<v Speaker 5>But I think that more people tried it, we'd find

1:25:17.360 --> 1:25:18.880
<v Speaker 5>out in real life.

1:25:19.040 --> 1:25:22.880
<v Speaker 3>Right yeah, right, So yeah, that's that storyline. And then

1:25:22.920 --> 1:25:28.320
<v Speaker 3>it also intersects heavily with the Stanley Hector Zerny storyline

1:25:28.400 --> 1:25:32.920
<v Speaker 3>in the present. And then the third storyline is the

1:25:33.479 --> 1:25:39.640
<v Speaker 3>Miss Catherine aka kissing Kate Marlowe and Sam in I

1:25:39.640 --> 1:25:42.280
<v Speaker 3>think it's like turn of the century, like late eighteen hundreds,

1:25:42.320 --> 1:25:47.920
<v Speaker 3>early nineteen hundreds. Again, it's Jim Crow era Texas. She

1:25:48.200 --> 1:25:50.080
<v Speaker 3>is a white woman, he is a black man. They

1:25:50.120 --> 1:25:53.800
<v Speaker 3>fall in love. They kiss during an era when that

1:25:54.080 --> 1:25:58.360
<v Speaker 3>was illegal in Texas and in many other states in

1:25:58.400 --> 1:26:03.840
<v Speaker 3>the US. They are seen this racist mob forms. All

1:26:03.880 --> 1:26:08.880
<v Speaker 3>this violence is inflicted. They murder Sam. The sheriff does

1:26:08.880 --> 1:26:11.680
<v Speaker 3>nothing to stop them. In all likelihood, the sheriff was

1:26:11.720 --> 1:26:15.840
<v Speaker 3>a clan member. And then this leads to you know,

1:26:15.960 --> 1:26:21.080
<v Speaker 3>Catherine ak Kate becoming an outlaw getting revenge. She kills

1:26:21.080 --> 1:26:23.439
<v Speaker 3>the sheriff. It makes you wonder why she doesn't kill

1:26:23.680 --> 1:26:27.120
<v Speaker 3>trout Walker also, but I guess it's because the story

1:26:27.160 --> 1:26:29.920
<v Speaker 3>needs him to live long enough to produce offspring, so

1:26:29.960 --> 1:26:34.559
<v Speaker 3>that the warden can be a character since trout Walker's

1:26:34.720 --> 1:26:35.800
<v Speaker 3>her grandfather.

1:26:36.200 --> 1:26:40.240
<v Speaker 6>Right. Also, I think that there's sometimes there's power in

1:26:40.560 --> 1:26:41.599
<v Speaker 6>letting someone suffer.

1:26:42.040 --> 1:26:44.439
<v Speaker 3>Oh true, because he by the end of his life

1:26:44.439 --> 1:26:45.760
<v Speaker 3>he is miserable.

1:26:45.960 --> 1:26:46.879
<v Speaker 5>Yeah, he's obsessed.

1:26:46.920 --> 1:26:50.240
<v Speaker 6>He's a man completely possessed by the idea of finding

1:26:50.280 --> 1:26:54.639
<v Speaker 6>this treasure where he's torturing his granddaughter, right, so built

1:26:54.680 --> 1:26:57.559
<v Speaker 6>to dig these holes and she's you know the TikTok

1:26:57.680 --> 1:26:59.920
<v Speaker 6>sounds that has spawned a million video.

1:27:00.400 --> 1:27:06.720
<v Speaker 5>I'm tired of this grandpa it is.

1:27:06.800 --> 1:27:11.000
<v Speaker 1>I thought that, like that was an interesting Again, like

1:27:11.040 --> 1:27:14.479
<v Speaker 1>this movie is good at like providing context for the

1:27:14.560 --> 1:27:20.200
<v Speaker 1>villains without overly empathizing with them, because what she does

1:27:20.360 --> 1:27:24.880
<v Speaker 1>to deal with the uh trauma of the holes is

1:27:24.920 --> 1:27:28.680
<v Speaker 1>that she becomes like a prison warden and opens a

1:27:28.720 --> 1:27:33.880
<v Speaker 1>prison and outsources the labor to disenfranchised children. So it's

1:27:33.920 --> 1:27:36.400
<v Speaker 1>not like it's an excuse for anything that she's doing.

1:27:36.400 --> 1:27:39.000
<v Speaker 1>But I like little beats like that, I feel like

1:27:39.000 --> 1:27:41.320
<v Speaker 1>are sort of what elevates this movie a lot if

1:27:42.000 --> 1:27:44.479
<v Speaker 1>because I think that's like helpful for kids to have

1:27:44.800 --> 1:27:49.360
<v Speaker 1>context but not excuses for how you know, oppressors become

1:27:49.400 --> 1:27:51.120
<v Speaker 1>oppressors when it speaks.

1:27:50.800 --> 1:27:53.439
<v Speaker 6>To the way that white women will pass on the

1:27:53.520 --> 1:27:57.719
<v Speaker 6>violence enacted upon them by white men to black people,

1:27:58.280 --> 1:28:01.880
<v Speaker 6>because you know, not everybody is black in the camp,

1:28:01.920 --> 1:28:03.800
<v Speaker 6>but they do make it a point to have if

1:28:03.800 --> 1:28:06.440
<v Speaker 6>you're a number of black kids, because that is unfortunately

1:28:06.479 --> 1:28:09.240
<v Speaker 6>who is getting these harsher punishments. And even if you

1:28:09.240 --> 1:28:14.280
<v Speaker 6>think about Hector and Stanley, Stanley is getting this punishment

1:28:14.320 --> 1:28:18.280
<v Speaker 6>because he stole from allegedly stole shoes from a homeless

1:28:18.280 --> 1:28:21.160
<v Speaker 6>shelter and they were like this famous guy's shoes, and

1:28:21.160 --> 1:28:24.960
<v Speaker 6>this crime was like more egregious in that way. Hector

1:28:25.240 --> 1:28:27.960
<v Speaker 6>got nabbed for stealing shoes from Paylass.

1:28:27.520 --> 1:28:30.760
<v Speaker 3>Right, shoes that probably cost twenty dollars kind of thing,

1:28:30.920 --> 1:28:32.240
<v Speaker 3>not even.

1:28:31.960 --> 1:28:35.559
<v Speaker 5>In three pay less shoes fifteen at most.

1:28:35.439 --> 1:28:36.120
<v Speaker 2>Right right?

1:28:36.280 --> 1:28:40.519
<v Speaker 1>I miss pay Less every day rip rip to a

1:28:40.560 --> 1:28:41.080
<v Speaker 1>real story.

1:28:41.120 --> 1:28:43.479
<v Speaker 6>The payless where I used to buy my Easter shoes

1:28:43.600 --> 1:28:45.280
<v Speaker 6>is now an axe throwing place.

1:28:45.760 --> 1:28:50.880
<v Speaker 1>Oh my god. So it's like gentrification on gentrification. I

1:28:50.920 --> 1:28:53.080
<v Speaker 1>thought it was interesting that Pala's got shouted out by name.

1:28:53.160 --> 1:28:54.120
<v Speaker 1>I'm like, did they pay for that?

1:28:54.200 --> 1:28:59.840
<v Speaker 5>I don't know, they shoes worth stealing? Paylas there is.

1:29:00.040 --> 1:29:02.559
<v Speaker 1>I mean, I guess I'm curious what you both think

1:29:02.600 --> 1:29:06.120
<v Speaker 1>of this, Like Camp Greenlake is a diverse but I

1:29:06.120 --> 1:29:09.400
<v Speaker 1>would say mostly non white body of people, which I

1:29:09.439 --> 1:29:11.920
<v Speaker 1>think makes a lot of sense if you look at

1:29:12.320 --> 1:29:17.160
<v Speaker 1>prisons unfortunately, especially the school to prison and Pipeline. I

1:29:17.240 --> 1:29:22.360
<v Speaker 1>do feel like, while I do love Stanley Yelnatz, centering

1:29:22.680 --> 1:29:27.720
<v Speaker 1>this story on a white character does not to say

1:29:27.720 --> 1:29:29.800
<v Speaker 1>that this does not happen to white kids, but it

1:29:29.840 --> 1:29:35.880
<v Speaker 1>happens disproportionately less. And so while I think you can

1:29:35.960 --> 1:29:39.800
<v Speaker 1>make the argument that Zero is a dual protagonist by

1:29:39.800 --> 1:29:42.280
<v Speaker 1>the end of the movie, but he's not at the beginning,

1:29:42.400 --> 1:29:46.400
<v Speaker 1>and so I don't know. I don't know, it's a pick.

1:29:46.439 --> 1:29:49.439
<v Speaker 1>And then there's all of these kids that you get

1:29:49.479 --> 1:29:52.120
<v Speaker 1>a little bit of their story. I don't know. I

1:29:52.160 --> 1:29:53.800
<v Speaker 1>think you get a little more in the book, which

1:29:53.800 --> 1:29:57.000
<v Speaker 1>is kind of to be expected, but you get like

1:29:57.040 --> 1:29:59.200
<v Speaker 1>you don't really know why most of the kids have

1:29:59.240 --> 1:30:02.599
<v Speaker 1>been put there. It was a really They do add

1:30:02.800 --> 1:30:05.839
<v Speaker 1>that Magnet is there because he was trying to literally

1:30:05.880 --> 1:30:09.960
<v Speaker 1>free a dog from a breeder, which is great practice.

1:30:10.080 --> 1:30:13.840
<v Speaker 1>Shout out Magnet, and that there is I think it's

1:30:13.960 --> 1:30:17.599
<v Speaker 1>zig Zag maybe is there because he has mental health

1:30:17.640 --> 1:30:20.800
<v Speaker 1>issues that are not being treated, and which is you know,

1:30:20.840 --> 1:30:23.160
<v Speaker 1>another thing you see all the time is someone with

1:30:23.240 --> 1:30:26.200
<v Speaker 1>a mental health crisis being sent to prison instead of

1:30:26.880 --> 1:30:30.320
<v Speaker 1>being given help. And so like you are given. I

1:30:30.320 --> 1:30:35.360
<v Speaker 1>think kind of a sampler platter for lack of a

1:30:35.400 --> 1:30:38.720
<v Speaker 1>better descriptor. But I do wish that we got a

1:30:38.760 --> 1:30:42.599
<v Speaker 1>little more than one line for a lot of characters,

1:30:42.640 --> 1:30:44.519
<v Speaker 1>because I don't know. I mean, do we know why

1:30:44.680 --> 1:30:46.920
<v Speaker 1>Armpit is there? Do we know? I experalized there? Like

1:30:46.920 --> 1:30:50.639
<v Speaker 1>we get, some characters get the context. Authors don't.

1:30:51.000 --> 1:30:52.200
<v Speaker 5>Yeah, I don't think we know.

1:30:52.920 --> 1:30:55.320
<v Speaker 3>This doesn't provide any more context in that regard, but

1:30:55.479 --> 1:31:01.320
<v Speaker 3>I will share a quick paragraph from the book. Quote

1:31:01.720 --> 1:31:06.880
<v Speaker 3>Stanley was thankful that there were no racial problems. X Ray,

1:31:07.160 --> 1:31:11.920
<v Speaker 3>Armpit and Zero were black, he Squid and Zigzag were white.

1:31:12.520 --> 1:31:16.040
<v Speaker 3>Magnet was hispanic. On the lake, they were all the

1:31:16.120 --> 1:31:21.120
<v Speaker 3>same reddish brown color, the color of dirt. Unquote. So

1:31:21.200 --> 1:31:24.479
<v Speaker 3>that's pretty much the only thing the book has to

1:31:24.600 --> 1:31:29.439
<v Speaker 3>say about any racial or racialized dynamics.

1:31:29.160 --> 1:31:31.000
<v Speaker 1>In that timeline, at least because.

1:31:32.160 --> 1:31:38.000
<v Speaker 3>Yea, and I couldn't help think about another movie as

1:31:38.040 --> 1:31:41.679
<v Speaker 3>I was rewatching holes, which is the movie Nickel Boys

1:31:42.680 --> 1:31:46.759
<v Speaker 3>that I saw recently, so as far as a book

1:31:46.800 --> 1:31:51.440
<v Speaker 3>slash movie about young men or teen boys being incarcerated

1:31:51.479 --> 1:31:56.120
<v Speaker 3>and sent to a work camp. There is a version

1:31:56.160 --> 1:32:01.160
<v Speaker 3>of this story that is written and made by white people,

1:32:01.400 --> 1:32:05.200
<v Speaker 3>a la Holes. And then compare that to a version

1:32:05.240 --> 1:32:08.640
<v Speaker 3>of this story that was written by black people, a

1:32:08.760 --> 1:32:13.360
<v Speaker 3>la Nickel Boys, which is a novel from twenty nineteen

1:32:13.560 --> 1:32:16.920
<v Speaker 3>by Coulson Whitehead adapted to a twenty twenty four film

1:32:16.960 --> 1:32:21.160
<v Speaker 3>written and directed by Ramel Ross. Very different movies obviously,

1:32:21.600 --> 1:32:23.320
<v Speaker 3>Where Nickel Boys. I don't know if either of you

1:32:23.400 --> 1:32:28.960
<v Speaker 3>have seen it, but yeah, Nickel Boys is totally much heavier.

1:32:29.240 --> 1:32:32.120
<v Speaker 3>It does a lot more to shed light on the

1:32:32.920 --> 1:32:40.160
<v Speaker 3>horrors of the racism, exploitation, violence, abuse present in a

1:32:40.400 --> 1:32:46.240
<v Speaker 3>detention facility like this versus Holes, which acknowledges these things

1:32:46.280 --> 1:32:50.599
<v Speaker 3>to some degree, but it's center's whiteness. It's framed more

1:32:50.720 --> 1:32:55.439
<v Speaker 3>as this like almost a fun adventure, folk tale type

1:32:55.439 --> 1:33:01.000
<v Speaker 3>of story that is largely about a white boy, kind

1:33:01.040 --> 1:33:04.200
<v Speaker 3>of like his redemption arc of like, oh I have

1:33:04.280 --> 1:33:06.880
<v Speaker 3>to carry as a rony up a mountain kind of thing.

1:33:07.439 --> 1:33:09.680
<v Speaker 3>So I just think it's interesting to kind of note

1:33:09.720 --> 1:33:15.040
<v Speaker 3>the differences between two similar premises written by two very

1:33:15.040 --> 1:33:19.080
<v Speaker 3>different perspectives, and how they kind of manifest at different times.

1:33:19.160 --> 1:33:23.360
<v Speaker 5>To sure for sure, Yeah, I think that sometimes the

1:33:23.520 --> 1:33:26.320
<v Speaker 5>messenger matters as much as the message.

1:33:26.920 --> 1:33:30.080
<v Speaker 6>And I do think that in two thousand and three,

1:33:30.880 --> 1:33:34.880
<v Speaker 6>for a kids movie to send this message, I think

1:33:34.920 --> 1:33:36.920
<v Speaker 6>you need to see this happen to a white kid

1:33:37.520 --> 1:33:39.719
<v Speaker 6>who was just in the wrong place at the wrong time,

1:33:40.680 --> 1:33:42.760
<v Speaker 6>because when black kids are in the wrong place at

1:33:42.760 --> 1:33:44.439
<v Speaker 6>the wrong time, people are like, well, what were they

1:33:44.479 --> 1:33:47.200
<v Speaker 6>doing there, Why weren't they there at the right time,

1:33:47.560 --> 1:33:48.960
<v Speaker 6>Why weren't they in a different place?

1:33:49.479 --> 1:33:51.440
<v Speaker 5>And I think.

1:33:51.200 --> 1:33:55.960
<v Speaker 6>That it's kind of similar for me to my favorite

1:33:56.000 --> 1:34:01.000
<v Speaker 6>movie about racism, Pleasantville. Yeah, it is a movie about

1:34:01.040 --> 1:34:03.720
<v Speaker 6>racism with not nary a single person.

1:34:05.520 --> 1:34:08.280
<v Speaker 1>Yes, however, wild that they.

1:34:08.200 --> 1:34:10.439
<v Speaker 5>Did that, but like wild that they did it and

1:34:10.560 --> 1:34:11.160
<v Speaker 5>did it well.

1:34:11.720 --> 1:34:13.000
<v Speaker 3>I think one of my favorite movies.

1:34:13.120 --> 1:34:13.880
<v Speaker 1>It's a great movie.

1:34:13.960 --> 1:34:16.240
<v Speaker 6>It's a really good movie. And I think that there

1:34:16.240 --> 1:34:22.639
<v Speaker 6>are people who would not have gotten the message if

1:34:22.680 --> 1:34:24.880
<v Speaker 6>it were a straight and maybe wouldn't even have watched

1:34:24.920 --> 1:34:28.000
<v Speaker 6>the movie if it were straight up, Like, hey, this

1:34:28.080 --> 1:34:32.360
<v Speaker 6>is about segregation in the nineteen fifties, which is what

1:34:32.520 --> 1:34:32.920
<v Speaker 6>it is.

1:34:33.400 --> 1:34:35.919
<v Speaker 5>It is a movie about segregation in the nineteen fifties,

1:34:35.960 --> 1:34:42.160
<v Speaker 5>but the colored people are literally in technicolor. Yeah, and

1:34:42.520 --> 1:34:43.320
<v Speaker 5>I love that, and.

1:34:43.280 --> 1:34:45.400
<v Speaker 6>I love that that was an idea that somebody had,

1:34:45.439 --> 1:34:48.439
<v Speaker 6>And it's like, sometimes, what if this happened to white people?

1:34:49.240 --> 1:34:51.960
<v Speaker 6>Is the way to get the message to people that

1:34:52.000 --> 1:34:54.400
<v Speaker 6>are like, hey, wait a minute, And it's like the

1:34:54.479 --> 1:34:57.439
<v Speaker 6>last few lines of that poem, that's like, oh, and

1:34:57.479 --> 1:35:00.200
<v Speaker 6>then they came for me and there's nobody to stand

1:35:00.280 --> 1:35:01.439
<v Speaker 6>up for me, And it's like, what if this were

1:35:01.520 --> 1:35:02.240
<v Speaker 6>to happen to you?

1:35:02.240 --> 1:35:04.680
<v Speaker 5>You need to think about if this happens to you.

1:35:04.760 --> 1:35:06.960
<v Speaker 6>Not to say that all of the audiences are white,

1:35:07.439 --> 1:35:11.040
<v Speaker 6>but in filmmaking, for better or for worse, white is

1:35:11.080 --> 1:35:14.800
<v Speaker 6>seen as the default and you can put any experience

1:35:14.840 --> 1:35:18.320
<v Speaker 6>on top of it. And I do think also there

1:35:18.360 --> 1:35:21.519
<v Speaker 6>are things that are true about this story. I do

1:35:21.600 --> 1:35:25.799
<v Speaker 6>think that even with the expensive lawyer, if it were Hector,

1:35:25.960 --> 1:35:27.840
<v Speaker 6>or if it were another black kid, it would have

1:35:27.840 --> 1:35:31.360
<v Speaker 6>taken longer than literally a day after hiring a lawyer

1:35:31.400 --> 1:35:31.920
<v Speaker 6>to get.

1:35:31.760 --> 1:35:32.439
<v Speaker 5>Him out of there.

1:35:32.439 --> 1:35:33.759
<v Speaker 3>Definitely, no matter.

1:35:33.600 --> 1:35:35.680
<v Speaker 6>How hard that lawyer was working, I feel like the

1:35:35.760 --> 1:35:38.519
<v Speaker 6>judge would be like, no, I'm not overturning this. I

1:35:38.560 --> 1:35:41.559
<v Speaker 6>don't care, he's already there. The holes are good for

1:35:41.680 --> 1:35:44.519
<v Speaker 6>character whatever, do you know what I mean? Because like,

1:35:44.640 --> 1:35:47.200
<v Speaker 6>while I was watching, when they said this into eighteen months,

1:35:47.640 --> 1:35:50.479
<v Speaker 6>I was like, that is six times as long as.

1:35:50.400 --> 1:35:52.080
<v Speaker 5>Rock Turner got ah.

1:35:52.360 --> 1:35:56.840
<v Speaker 1>Yep, Well, when you put it that way, it.

1:35:56.880 --> 1:35:59.600
<v Speaker 6>Was an unreasonably long sentence, and I don't even know

1:35:59.600 --> 1:36:00.920
<v Speaker 6>how long those other kids.

1:36:00.720 --> 1:36:01.439
<v Speaker 5>Are sentenced to.

1:36:01.680 --> 1:36:04.280
<v Speaker 1>I was gonna say, I would be really curious what

1:36:04.320 --> 1:36:06.920
<v Speaker 1>the other sentences looked like, because it didn't seem like

1:36:06.960 --> 1:36:10.000
<v Speaker 1>that was a default sentence by any means.

1:36:10.000 --> 1:36:12.360
<v Speaker 5>Right, and like x Ray had already been there for

1:36:12.439 --> 1:36:12.880
<v Speaker 5>six months.

1:36:12.920 --> 1:36:15.400
<v Speaker 6>Also, x Ray's nickname is my favorite because it's because

1:36:15.400 --> 1:36:17.400
<v Speaker 6>he's got the big glasses, but also his name.

1:36:17.320 --> 1:36:21.799
<v Speaker 5>Is Rex and like genius.

1:36:22.080 --> 1:36:28.400
<v Speaker 1>Yeah, that is like peak kid brilliance. Yeah, I that's

1:36:28.520 --> 1:36:31.920
<v Speaker 1>that's a good point, especially where like you're saying, in

1:36:32.040 --> 1:36:36.720
<v Speaker 1>children's media often still, but like especially in the two thousands,

1:36:36.960 --> 1:36:42.080
<v Speaker 1>you know, you're taking the like default protagonist for for

1:36:42.120 --> 1:36:45.439
<v Speaker 1>a movie like this and making the worst possible thing

1:36:45.840 --> 1:36:48.800
<v Speaker 1>happen and demonstrating that it was through no fault of

1:36:48.800 --> 1:36:50.439
<v Speaker 1>his own. And then it's sort of I don't think

1:36:50.479 --> 1:36:53.040
<v Speaker 1>this is like intentionally done. I would guess more that

1:36:53.120 --> 1:36:56.920
<v Speaker 1>this is just a Lewis Karr self insert to begin. Yeah,

1:36:56.920 --> 1:36:59.640
<v Speaker 1>I'm not totally sure, but you know the director and

1:36:59.680 --> 1:37:02.799
<v Speaker 1>the writer if if you don't know, they're both white.

1:37:03.040 --> 1:37:06.759
<v Speaker 1>But yeah, that it's almost like by seeing that happen

1:37:06.840 --> 1:37:10.920
<v Speaker 1>to Shilah buff it creates this runway to understand that

1:37:11.000 --> 1:37:14.519
<v Speaker 1>this is happening to every single kid in this place,

1:37:14.560 --> 1:37:17.479
<v Speaker 1>and I think, like what you lose there? That I

1:37:17.479 --> 1:37:18.880
<v Speaker 1>don't want to come down too hard in this movie

1:37:18.880 --> 1:37:21.200
<v Speaker 1>because it's doing so much I have literally never seen

1:37:21.240 --> 1:37:25.280
<v Speaker 1>in kids movies. True, but that it doesn't bring up

1:37:25.720 --> 1:37:29.200
<v Speaker 1>the fact that the black kids at this camp would

1:37:29.240 --> 1:37:32.439
<v Speaker 1>have a far worse time, and that I guess the

1:37:32.439 --> 1:37:37.080
<v Speaker 1>closest you get to understanding that is through Zero. But Zero,

1:37:37.360 --> 1:37:41.719
<v Speaker 1>I mean has compounded issues. I think that the movie

1:37:41.760 --> 1:37:44.040
<v Speaker 1>sort of makes it out to be more that he's

1:37:44.280 --> 1:37:47.120
<v Speaker 1>unhoused an award of the state and therefore they don't

1:37:47.120 --> 1:37:51.400
<v Speaker 1>have to care about him and they don't really touch race,

1:37:52.080 --> 1:37:56.479
<v Speaker 1>which is bizarre because this movie is willing to discuss racism.

1:37:56.560 --> 1:38:00.680
<v Speaker 1>That's literally the whole Sam and Kate story. But I

1:38:00.680 --> 1:38:01.240
<v Speaker 1>think it's.

1:38:01.200 --> 1:38:04.400
<v Speaker 6>Very much a Colorblind two thousand. It's like, Wow, racism used.

1:38:04.240 --> 1:38:05.040
<v Speaker 5>To be so bad.

1:38:06.280 --> 1:38:08.200
<v Speaker 1>Now any kid can go to jail.

1:38:10.960 --> 1:38:13.000
<v Speaker 6>I will say, just because we talked about kissing Cape

1:38:13.000 --> 1:38:16.240
<v Speaker 6>Barlowe and Sam, I'm really glad that they didn't hang him.

1:38:16.560 --> 1:38:18.120
<v Speaker 6>I know that they said they were going to hang him,

1:38:18.120 --> 1:38:20.599
<v Speaker 6>which would have been I think more historically accurate, but

1:38:20.960 --> 1:38:22.519
<v Speaker 6>I was so glad that they did not show him

1:38:22.520 --> 1:38:23.479
<v Speaker 6>getting hanged, and that it.

1:38:23.520 --> 1:38:26.880
<v Speaker 1>Was shown too, like, yeah, yeah, I think that that

1:38:26.920 --> 1:38:28.200
<v Speaker 1>was handled very gracefully.

1:38:28.360 --> 1:38:31.360
<v Speaker 6>And I think that not just for the kids, for

1:38:31.479 --> 1:38:34.640
<v Speaker 6>me and my little heart, I couldn't have handled it.

1:38:34.920 --> 1:38:35.320
<v Speaker 1>Yeah.

1:38:35.360 --> 1:38:37.400
<v Speaker 6>And then the other thing I was gonna say was

1:38:37.920 --> 1:38:39.720
<v Speaker 6>we were just talking about like the kids at the

1:38:39.760 --> 1:38:42.720
<v Speaker 6>camp and at the beginning, at the very beginning of

1:38:42.760 --> 1:38:47.160
<v Speaker 6>the cold Open, when barf Bag sacrifices himself to the snake,

1:38:48.479 --> 1:38:50.960
<v Speaker 6>they are singing dig It at the beginning, and it

1:38:51.000 --> 1:38:53.840
<v Speaker 6>feels like the song sixteen Tons to me, like there

1:38:53.880 --> 1:38:57.559
<v Speaker 6>was a very similar vibe and it was sort of like,

1:38:58.160 --> 1:39:01.760
<v Speaker 6>you know, same deal as like working and you're never

1:39:01.800 --> 1:39:04.479
<v Speaker 6>going to get out of it, but they're also joking

1:39:04.520 --> 1:39:08.439
<v Speaker 6>around and like the background music is digg it. The

1:39:08.479 --> 1:39:11.120
<v Speaker 6>kids are not singing diggt in universe, and the kids

1:39:11.160 --> 1:39:13.320
<v Speaker 6>are joking around, and it really gives us a sense

1:39:13.360 --> 1:39:17.080
<v Speaker 6>that they are kids, and every point it shows them

1:39:17.120 --> 1:39:20.360
<v Speaker 6>being kids and it's not like this sort of hardened

1:39:20.439 --> 1:39:23.559
<v Speaker 6>criminal thing. Like the only kid that you really get

1:39:23.560 --> 1:39:26.679
<v Speaker 6>that sense from is the kid who's like watching TV

1:39:27.120 --> 1:39:30.280
<v Speaker 6>in the like mess hall or wherever, who gets into

1:39:30.280 --> 1:39:30.639
<v Speaker 6>a fight.

1:39:30.920 --> 1:39:33.559
<v Speaker 5>Yeah, and even with that, he's like a slightly older kid.

1:39:33.600 --> 1:39:36.040
<v Speaker 1>It's he's visibly a little bit older and God only

1:39:36.080 --> 1:39:38.599
<v Speaker 1>does how long he's been there too that part.

1:39:39.200 --> 1:39:41.800
<v Speaker 6>But yeah, I think that there's a norm of adultifying,

1:39:41.920 --> 1:39:47.080
<v Speaker 6>particularly incarcerated kids and especially black kids, where it's like, oh,

1:39:47.120 --> 1:39:50.560
<v Speaker 6>they're not normal kids, they're criminals. And like some of

1:39:50.600 --> 1:39:53.760
<v Speaker 6>the kids did do things that are crimes. Like I

1:39:53.760 --> 1:39:58.280
<v Speaker 6>mean technically, you know, Magnet did a crime, although innocent.

1:39:58.400 --> 1:40:00.840
<v Speaker 5>Let them go right, h M.

1:40:01.040 --> 1:40:01.840
<v Speaker 3>The puppy, he.

1:40:01.920 --> 1:40:06.200
<v Speaker 1>Literally saved a puppy from a horrific practice, like come.

1:40:06.040 --> 1:40:09.479
<v Speaker 5>On, and like Twitch stole a car, but he's a

1:40:09.520 --> 1:40:10.240
<v Speaker 5>little boy.

1:40:10.520 --> 1:40:13.160
<v Speaker 6>Yeah, he's like I just want to go zoom and

1:40:13.200 --> 1:40:15.439
<v Speaker 6>it's like, okay, well maybe we should take this kid

1:40:15.479 --> 1:40:15.960
<v Speaker 6>go cart.

1:40:18.040 --> 1:40:21.439
<v Speaker 1>There's so many like ethical solution, I mean, which is

1:40:21.600 --> 1:40:24.519
<v Speaker 1>the story of incarceration. But it's just it's so and

1:40:24.600 --> 1:40:27.240
<v Speaker 1>I love I do. I this was the first time

1:40:27.280 --> 1:40:30.360
<v Speaker 1>I watching the movie that I really was like, I

1:40:30.360 --> 1:40:35.240
<v Speaker 1>guess paying closer attention to Pendance Key specifically. I think

1:40:35.280 --> 1:40:39.200
<v Speaker 1>it's like such a well written character where he is

1:40:39.439 --> 1:40:43.200
<v Speaker 1>being presented as the nice guy, but over the course

1:40:43.240 --> 1:40:46.360
<v Speaker 1>of the movie is so clear that he's not the

1:40:46.439 --> 1:40:49.799
<v Speaker 1>nice guy. He is the he like tortures zero because

1:40:49.800 --> 1:40:52.400
<v Speaker 1>he doesn't think that he will get in trouble for

1:40:52.640 --> 1:40:55.600
<v Speaker 1>not being kind to him, and he's right, and the

1:40:55.680 --> 1:40:59.200
<v Speaker 1>whole you know government name thing he like explicitly ties

1:40:59.320 --> 1:41:03.439
<v Speaker 1>your government to your like that's the name you will

1:41:03.479 --> 1:41:07.920
<v Speaker 1>contribute to society under. So that's your name, and saying

1:41:07.960 --> 1:41:10.720
<v Speaker 1>when he's when they're doing like group or whatever. And

1:41:10.760 --> 1:41:14.480
<v Speaker 1>that's where we find out about Magnet and his puppy

1:41:15.439 --> 1:41:19.160
<v Speaker 1>is that you know, he is repeating these I think

1:41:19.400 --> 1:41:24.120
<v Speaker 1>very like it's giving DNC to me, Like he is

1:41:24.240 --> 1:41:27.400
<v Speaker 1>he is saying, like, no, what you did was a crime.

1:41:27.760 --> 1:41:30.599
<v Speaker 1>It's against the law, and therefore it's bad. And it's

1:41:30.640 --> 1:41:34.200
<v Speaker 1>just like, you know, the place he works for doesn't

1:41:34.360 --> 1:41:38.200
<v Speaker 1>work if you challenge an institution, and so he while

1:41:38.280 --> 1:41:41.559
<v Speaker 1>he is like I think that, like mister sir calls

1:41:41.560 --> 1:41:44.840
<v Speaker 1>it like that, like touchy feely, fuzzy stuff, blah blah blah. Yeah,

1:41:44.840 --> 1:41:49.439
<v Speaker 1>but all Pendansky does is pretend to care. Like we

1:41:49.520 --> 1:41:52.559
<v Speaker 1>don't see him ever defend any of the kids. We

1:41:52.600 --> 1:41:56.080
<v Speaker 1>don't see him protect them, Like he folds the second

1:41:56.680 --> 1:41:59.519
<v Speaker 1>that someone with more power than him asks him to

1:41:59.560 --> 1:42:00.160
<v Speaker 1>do something.

1:42:00.640 --> 1:42:01.599
<v Speaker 3>He's a coward.

1:42:02.040 --> 1:42:02.479
<v Speaker 1>Yeah.

1:42:02.520 --> 1:42:07.639
<v Speaker 6>And also just his response when like everybody's like, don't

1:42:07.640 --> 1:42:12.920
<v Speaker 6>teach Hector to read, which is wild, that's that arc

1:42:13.000 --> 1:42:15.639
<v Speaker 6>I was like, whoa, hold on, hold on, why don't

1:42:15.640 --> 1:42:16.759
<v Speaker 6>we want Hector to read?

1:42:17.400 --> 1:42:19.240
<v Speaker 5>Like I get why you don't want him to dig

1:42:19.320 --> 1:42:19.799
<v Speaker 5>the hole?

1:42:20.400 --> 1:42:25.720
<v Speaker 1>But it's another great like it's so good. There's a

1:42:25.760 --> 1:42:29.880
<v Speaker 1>really good video essay that I was rewatching by I

1:42:30.040 --> 1:42:33.880
<v Speaker 1>believe Yaharazade or I hope I'm saying her name right,

1:42:34.160 --> 1:42:37.439
<v Speaker 1>Yaharazide called holes in the prison industrial complex and she

1:42:37.960 --> 1:42:41.320
<v Speaker 1>like ties that explicitly to like, the kids aren't doing

1:42:41.360 --> 1:42:43.840
<v Speaker 1>anything wrong. They're being told that they are going to

1:42:43.920 --> 1:42:46.800
<v Speaker 1>improve themselves, so why would you get in trouble for

1:42:47.080 --> 1:42:50.559
<v Speaker 1>literally reading? But again, it's like the institution is based

1:42:50.600 --> 1:42:55.559
<v Speaker 1>on barring Zero from the education he deserves because then

1:42:55.560 --> 1:43:00.080
<v Speaker 1>it's easier to exploit him. And like, just right darkest.

1:43:00.479 --> 1:43:04.120
<v Speaker 6>About the theme of literacy is that they keep the

1:43:04.280 --> 1:43:08.320
<v Speaker 6>shovels in uh ad, that says live library.

1:43:08.479 --> 1:43:09.599
<v Speaker 1>I thought it was a good touch.

1:43:09.800 --> 1:43:13.040
<v Speaker 6>Yeah, I had to pause it, but I was like,

1:43:13.280 --> 1:43:15.559
<v Speaker 6>oh no, I didn't notice that before.

1:43:15.680 --> 1:43:16.639
<v Speaker 5>That's very upset.

1:43:17.360 --> 1:43:22.639
<v Speaker 1>Yeah, there, And also that the oppressors of this movie.

1:43:22.760 --> 1:43:24.960
<v Speaker 1>It is kind of a funny, like woman can do

1:43:25.040 --> 1:43:29.120
<v Speaker 1>it too, and you're like, it's true, but it's you know,

1:43:29.200 --> 1:43:31.840
<v Speaker 1>the people at the top of this operation are white,

1:43:32.320 --> 1:43:37.480
<v Speaker 1>and they're all sort of representing different kinds of oppression,

1:43:37.560 --> 1:43:41.120
<v Speaker 1>where like mister Zur and Panansky are equally bad, but

1:43:41.240 --> 1:43:46.440
<v Speaker 1>they are presenting a different approach to being pro incarceration.

1:43:46.800 --> 1:43:50.880
<v Speaker 1>Like I it's just it's so well written. And then

1:43:50.960 --> 1:43:55.080
<v Speaker 1>the snake nail Polish, I mean, hello.

1:43:55.040 --> 1:43:56.000
<v Speaker 5>Love the snake nail Poli.

1:43:56.160 --> 1:43:59.040
<v Speaker 6>I love the idea of like the women in this

1:43:59.120 --> 1:44:01.920
<v Speaker 6>story having these weapons like kissing.

1:44:02.000 --> 1:44:02.800
<v Speaker 5>Kate Barlowe is.

1:44:02.760 --> 1:44:05.800
<v Speaker 6>Known, Yes, she shoots people, but then she kisses them

1:44:05.840 --> 1:44:08.520
<v Speaker 6>and that's what she's known for. Is this red lipstick

1:44:08.600 --> 1:44:11.720
<v Speaker 6>mark that she leaves behind is her sort of like signature,

1:44:12.240 --> 1:44:16.160
<v Speaker 6>and then the warden has her nail polish that she

1:44:16.760 --> 1:44:19.200
<v Speaker 6>then uses to like put these men in line. And

1:44:19.240 --> 1:44:23.519
<v Speaker 6>this idea and like poison being traditionally a preferred method

1:44:23.760 --> 1:44:26.040
<v Speaker 6>of like violence for women.

1:44:26.439 --> 1:44:29.439
<v Speaker 5>I thought that was really interesting. And you know, there

1:44:29.479 --> 1:44:32.080
<v Speaker 5>are a lot of women in here, but they make

1:44:32.120 --> 1:44:35.320
<v Speaker 5>it count. Wh Yeah, when they're hurting people, they make

1:44:35.360 --> 1:44:35.800
<v Speaker 5>it count.

1:44:36.600 --> 1:44:39.719
<v Speaker 3>And I don't even mind that they're not the many

1:44:39.880 --> 1:44:41.080
<v Speaker 3>women in this movie.

1:44:41.160 --> 1:44:44.080
<v Speaker 1>Well, I mean it's about especially because it's about like

1:44:44.400 --> 1:44:48.240
<v Speaker 1>a gendered incarcerated like it makes sense. I do think that,

1:44:48.360 --> 1:44:51.080
<v Speaker 1>you know, it is good. I guess we got Orange

1:44:51.120 --> 1:44:54.639
<v Speaker 1>just the new Black. You know, it's there was media

1:44:54.720 --> 1:44:57.799
<v Speaker 1>down the line about incarcerated women, which is equally important

1:44:57.800 --> 1:44:58.600
<v Speaker 1>to talk about.

1:44:58.920 --> 1:45:02.960
<v Speaker 3>And maybe more with this Disney Plus reboot, which I

1:45:03.000 --> 1:45:03.559
<v Speaker 3>wrote down the.

1:45:03.600 --> 1:45:05.280
<v Speaker 1>Joke I'm calling it it's not happening.

1:45:05.439 --> 1:45:08.360
<v Speaker 3>Well, if it does, they should call it Girl is

1:45:08.400 --> 1:45:11.920
<v Speaker 3>the New Boy. And that's the amazing joke I wrote down.

1:45:13.400 --> 1:45:13.760
<v Speaker 1>Really good.

1:45:13.920 --> 1:45:16.439
<v Speaker 6>I hope that it gets green lit and that they

1:45:16.520 --> 1:45:18.719
<v Speaker 6>hire me, and then I want to write the episode

1:45:18.760 --> 1:45:20.839
<v Speaker 6>about when one of the girls gets her first period

1:45:20.880 --> 1:45:23.240
<v Speaker 6>in the middle of digging her hole, and everybody else

1:45:23.280 --> 1:45:25.240
<v Speaker 6>has to help her finish digging her hole because she

1:45:25.280 --> 1:45:25.919
<v Speaker 6>has cramps.

1:45:26.160 --> 1:45:28.880
<v Speaker 5>And that's womanhood and that's solidarity.

1:45:29.400 --> 1:45:35.439
<v Speaker 1>Hire me, that is Disney solidarity. Yeah, as long as

1:45:35.479 --> 1:45:38.600
<v Speaker 1>they bring back Sigourney Weaver, because that, I mean that

1:45:38.680 --> 1:45:42.840
<v Speaker 1>character would get out of jail. It lickety split, I guess.

1:45:42.960 --> 1:45:45.519
<v Speaker 1>The other just contrasting the yeah, because you really only

1:45:45.560 --> 1:45:48.120
<v Speaker 1>get like one woman in each timeline, because you have

1:45:48.200 --> 1:45:52.360
<v Speaker 1>Madam Zeroni in one timeline kissing Kate Barlowe in another timeline,

1:45:52.720 --> 1:45:56.679
<v Speaker 1>and Sigourney Weaver, I mean, Stanley Yale's mom is barely

1:45:56.920 --> 1:45:57.240
<v Speaker 1>in it.

1:45:57.760 --> 1:45:59.280
<v Speaker 3>Like I do.

1:45:59.479 --> 1:46:01.200
<v Speaker 1>Like that they go out of their way to show

1:46:01.439 --> 1:46:04.800
<v Speaker 1>again that like all of these kids we are led

1:46:04.840 --> 1:46:08.280
<v Speaker 1>to believe are from poor backgrounds to different degrees, but

1:46:08.400 --> 1:46:12.400
<v Speaker 1>like it, Stanley is from a family that's just scraping by.

1:46:12.520 --> 1:46:16.479
<v Speaker 1>They're almost getting evicted, and you still see that there

1:46:16.720 --> 1:46:20.280
<v Speaker 1>is like he is emotionally cared for and loved, which

1:46:20.320 --> 1:46:22.479
<v Speaker 1>I think often you know, like poor parents are made

1:46:22.520 --> 1:46:25.920
<v Speaker 1>out to be negligent. I think you can say, although

1:46:25.960 --> 1:46:29.400
<v Speaker 1>we don't get to know Zero's mom at all, I

1:46:29.640 --> 1:46:34.240
<v Speaker 1>did appreciate that again, like an unhoused character literally, the

1:46:34.320 --> 1:46:38.000
<v Speaker 1>two unhoused characters you get in children's media if you

1:46:38.000 --> 1:46:42.000
<v Speaker 1>were a kid at this time are Zero and Aladdin,

1:46:42.439 --> 1:46:46.639
<v Speaker 1>and they are They're both characters who when they take

1:46:46.800 --> 1:46:49.439
<v Speaker 1>we know why they're doing it, is like because they

1:46:49.479 --> 1:46:52.720
<v Speaker 1>need to survive, and the movies, their respective movies don't

1:46:52.720 --> 1:46:56.120
<v Speaker 1>pass judgment on them for doing that. And I appreciated that.

1:46:56.479 --> 1:46:59.680
<v Speaker 1>I wish we could have known her more, but that

1:47:00.120 --> 1:47:05.200
<v Speaker 1>the movie takes care to say that Zero's mom wasn't negligent.

1:47:05.320 --> 1:47:09.040
<v Speaker 1>It was all of these systemic issues that separated them

1:47:09.040 --> 1:47:12.120
<v Speaker 1>from each other. And again that's just like I wish

1:47:12.160 --> 1:47:14.599
<v Speaker 1>that that had almost been emphasized more by letting us

1:47:14.640 --> 1:47:18.240
<v Speaker 1>get to know her, because you know, like unhouse characters

1:47:18.280 --> 1:47:23.960
<v Speaker 1>are so rare outside of punchlines and getting the full

1:47:24.000 --> 1:47:27.400
<v Speaker 1>context for And also that like Zero took the shoes

1:47:27.439 --> 1:47:30.840
<v Speaker 1>because he was living at the shelter, and you know,

1:47:31.000 --> 1:47:33.920
<v Speaker 1>I don't know, I just I kind of forgot about

1:47:34.000 --> 1:47:39.760
<v Speaker 1>that portion of his character, and I really thought it

1:47:39.840 --> 1:47:41.719
<v Speaker 1>was handled quite well.

1:47:41.880 --> 1:47:44.640
<v Speaker 6>Also, he probably wouldn't have taken the shoes if he

1:47:44.680 --> 1:47:48.880
<v Speaker 6>could have read so rightly, because he said that he

1:47:48.960 --> 1:47:52.880
<v Speaker 6>did not know that they were Sweetfeet's shoes he just

1:47:53.080 --> 1:47:55.479
<v Speaker 6>liked them and he took them. And I think that

1:47:55.520 --> 1:47:57.439
<v Speaker 6>the you know, the weight of taking those shoes would

1:47:57.479 --> 1:47:59.160
<v Speaker 6>have been different. Could he have read like the little

1:47:59.200 --> 1:48:01.880
<v Speaker 6>thing that said, oh sweet feet whatever.

1:48:01.520 --> 1:48:04.360
<v Speaker 1>His name is, shoes because he just needed shoes. Yeah,

1:48:04.400 --> 1:48:07.080
<v Speaker 1>like you're saying like he got arrested for taking from

1:48:07.080 --> 1:48:09.559
<v Speaker 1>a paylist. Like the kid just needed shoes and he

1:48:09.640 --> 1:48:14.879
<v Speaker 1>wasn't being provided for. I just ah, I love Zero's character.

1:48:15.240 --> 1:48:18.160
<v Speaker 6>And the shoes were donated to the shelter, so he

1:48:18.320 --> 1:48:20.479
<v Speaker 6>was living at the shelter, those shoes were in.

1:48:20.400 --> 1:48:23.840
<v Speaker 3>His mind for him, right, Yeah, totally. I also think

1:48:23.840 --> 1:48:28.320
<v Speaker 3>it's interesting that there is acknowledgment that even though Stanley's

1:48:28.320 --> 1:48:34.080
<v Speaker 3>family is poor, they are still more socioeconomically privileged over

1:48:35.040 --> 1:48:39.040
<v Speaker 3>Zero and his family, because there's that moment that Zero's describing,

1:48:39.120 --> 1:48:41.160
<v Speaker 3>Oh yeah, my mom would sometimes have to like leave

1:48:41.200 --> 1:48:43.200
<v Speaker 3>me at a park, you know, I would go to

1:48:43.280 --> 1:48:46.400
<v Speaker 3>Laney Park, and Stanley's like, oh yeah, I used to

1:48:46.479 --> 1:48:50.040
<v Speaker 3>go there all the time parentheses for fun with my family,

1:48:50.439 --> 1:48:53.320
<v Speaker 3>and Zero says, yeah, I used to sleep, you know,

1:48:53.400 --> 1:48:56.200
<v Speaker 3>in the tube under the swinging bridge or something. And

1:48:56.240 --> 1:48:59.519
<v Speaker 3>you see the look on Stanley's face is like whoa

1:48:59.680 --> 1:49:03.959
<v Speaker 3>like his privilege is checked. And yeah, I just appreciate

1:49:04.000 --> 1:49:08.120
<v Speaker 3>that the movie acknowledges that class difference. And I also

1:49:08.200 --> 1:49:13.439
<v Speaker 3>think it's really effective in the Pananski character finding Zero

1:49:13.800 --> 1:49:16.760
<v Speaker 3>so worthless. Part of the reason he has it out

1:49:16.800 --> 1:49:21.080
<v Speaker 3>for him is that Zero can't read, and Pandanski treats

1:49:21.120 --> 1:49:24.280
<v Speaker 3>that as as though it's a personal failure of Zero's.

1:49:24.640 --> 1:49:27.040
<v Speaker 3>Oh he if he can't read, he must not be smart.

1:49:27.240 --> 1:49:31.040
<v Speaker 1>But it's so clearly is because he can't. And it's

1:49:31.040 --> 1:49:34.120
<v Speaker 1>like Pandanski acts as if because Zero can't read, he

1:49:34.160 --> 1:49:38.439
<v Speaker 1>also cannot hear, like it is just like it is

1:49:38.479 --> 1:49:41.479
<v Speaker 1>so oh, he's like to me, to me on this

1:49:41.560 --> 1:49:44.639
<v Speaker 1>viewing the most evil character in the movie, because he's

1:49:44.800 --> 1:49:47.839
<v Speaker 1>a fucking coward, like he does think he's a good person.

1:49:48.360 --> 1:49:52.840
<v Speaker 1>I very least don't think mister sirr or Sigourney Weaver

1:49:53.120 --> 1:49:54.880
<v Speaker 1>are like I'm an amazing They're like, yeah, I'm a

1:49:54.920 --> 1:49:57.479
<v Speaker 1>piece of shit and I and I don't care if

1:49:57.560 --> 1:49:59.720
<v Speaker 1>children die. I think Pandanski goes home at the end

1:49:59.720 --> 1:50:02.240
<v Speaker 1>of the night is like I'm doing right by these boys,

1:50:02.320 --> 1:50:06.559
<v Speaker 1>and there I'm better and there's I mean, I feel

1:50:06.560 --> 1:50:11.160
<v Speaker 1>like every kid encountered a teacher like that who is

1:50:11.200 --> 1:50:16.280
<v Speaker 1>like cruel to and not no disrespect to the teachers,

1:50:16.360 --> 1:50:21.320
<v Speaker 1>Like but but I mean, I clearly remember the art

1:50:21.360 --> 1:50:23.679
<v Speaker 1>teacher at my elementary school who would pick on kids

1:50:23.760 --> 1:50:25.599
<v Speaker 1>and say it was like for their own good and

1:50:25.640 --> 1:50:29.200
<v Speaker 1>clearly had no issue with I'm like the art teacher.

1:50:29.320 --> 1:50:32.960
<v Speaker 6>Come on, Teaching is a tough job, and I'm so

1:50:33.080 --> 1:50:34.920
<v Speaker 6>glad that there are people who are committed to doing

1:50:35.000 --> 1:50:35.920
<v Speaker 6>it and doing it well.

1:50:36.320 --> 1:50:36.840
<v Speaker 5>Few are and.

1:50:36.800 --> 1:50:39.519
<v Speaker 6>Fewer people because administrators at schools are making it so

1:50:39.600 --> 1:50:43.800
<v Speaker 6>much more difficult, and then the turnover is getting outrageous.

1:50:44.040 --> 1:50:48.960
<v Speaker 6>But there's always one teacher who is like, I just

1:50:49.000 --> 1:50:52.320
<v Speaker 6>want to be able to have beef with children, and.

1:50:52.360 --> 1:50:54.880
<v Speaker 1>You're like what, And so often I feel like they're

1:50:54.920 --> 1:50:58.840
<v Speaker 1>in administrative positions. Now I'm just projecting my mom's entire career,

1:50:58.960 --> 1:51:03.400
<v Speaker 1>but like like it's yeah, I don't know, Pandanzky piece

1:51:03.400 --> 1:51:05.080
<v Speaker 1>of shit. And then I do like that they add

1:51:05.080 --> 1:51:07.240
<v Speaker 1>the bit at the end of like he doesn't even

1:51:07.280 --> 1:51:11.639
<v Speaker 1>have a degree, because what, like what teacher would agree

1:51:11.680 --> 1:51:13.800
<v Speaker 1>to work there that isn't fraudulent?

1:51:15.360 --> 1:51:18.320
<v Speaker 3>Yeah, yeah, So a lot of that I found to

1:51:18.320 --> 1:51:22.920
<v Speaker 3>be very effective in the movie. There is a joke

1:51:23.600 --> 1:51:25.840
<v Speaker 3>that rubbed me the wrong way. At the very end

1:51:26.120 --> 1:51:31.800
<v Speaker 3>where whatever officials show up with Stanley's lawyer, I don't

1:51:31.840 --> 1:51:36.320
<v Speaker 3>know if it's like DA's or something, but it's like

1:51:36.400 --> 1:51:39.760
<v Speaker 3>people with some kind of authority, and one of them

1:51:40.000 --> 1:51:43.760
<v Speaker 3>recognizes mister Sirrh and mister Surr gets arrested because he's

1:51:43.760 --> 1:51:47.479
<v Speaker 3>in violation of his parole and there is a reveal

1:51:47.720 --> 1:51:50.720
<v Speaker 3>of his real name, mister Surr's real name, which is

1:51:51.120 --> 1:51:55.200
<v Speaker 3>marian Sevillo, and the boys are like, marian, I didn't

1:51:55.200 --> 1:51:58.080
<v Speaker 3>know that was a man's name, and he's like, it

1:51:58.160 --> 1:52:01.400
<v Speaker 3>isn't and it's meant to like escalate him and be

1:52:01.479 --> 1:52:05.280
<v Speaker 3>one more layer of humiliation for him because he has

1:52:05.320 --> 1:52:08.320
<v Speaker 3>a quote unquote woman's name, And it just felt like

1:52:08.439 --> 1:52:12.839
<v Speaker 3>a cheap joke that was below the movie in general,

1:52:13.000 --> 1:52:13.439
<v Speaker 3>I think.

1:52:13.600 --> 1:52:16.400
<v Speaker 1>But yeah, yeah, I didn't love it.

1:52:16.439 --> 1:52:18.880
<v Speaker 5>And it's like it's genuinely not funny.

1:52:19.120 --> 1:52:21.120
<v Speaker 1>No, no, yes, not for nothing.

1:52:21.160 --> 1:52:24.120
<v Speaker 6>I'll admit when a joke is like, oh this is problematic,

1:52:24.200 --> 1:52:28.840
<v Speaker 6>but also I giggle a little despite myself, But like

1:52:28.920 --> 1:52:31.839
<v Speaker 6>the Merry joke is not even there's nothing funny about it.

1:52:31.840 --> 1:52:33.600
<v Speaker 6>It's not even like a silly sounding name. It's a

1:52:33.720 --> 1:52:37.439
<v Speaker 6>very normal sounding name that is just oh, girls have it.

1:52:37.760 --> 1:52:44.160
<v Speaker 1>Yeah, it's just a yeah as a Jamie. He's fine, fine, right,

1:52:44.320 --> 1:52:48.760
<v Speaker 1>it's actually it's great having a gender fluid name. It's fun. Yeah,

1:52:48.840 --> 1:52:51.439
<v Speaker 1>that was not great, but I think, you know, a

1:52:51.479 --> 1:52:52.880
<v Speaker 1>comparatively small.

1:52:53.400 --> 1:52:56.720
<v Speaker 3>Totally yeah, one of the few blemishes on an otherwise

1:52:56.800 --> 1:52:57.639
<v Speaker 3>perfect movie.

1:52:57.960 --> 1:53:02.040
<v Speaker 1>Yeah, I think that's everything I had.

1:53:02.120 --> 1:53:05.519
<v Speaker 6>I wanted to say something about the music. Obviously we've

1:53:05.520 --> 1:53:08.400
<v Speaker 6>talked about dig it. There is a lullaby. We didn't

1:53:08.400 --> 1:53:12.120
<v Speaker 6>really talk about the lullaby very much. That when Elia

1:53:12.479 --> 1:53:15.840
<v Speaker 6>was taking the pig up the mountain, he had to

1:53:15.840 --> 1:53:19.000
<v Speaker 6>sing to the pig, and it was like if only,

1:53:19.000 --> 1:53:21.080
<v Speaker 6>if only at the woodpecker's size, the bark on the

1:53:21.120 --> 1:53:22.639
<v Speaker 6>trees were as soft as the sguise.

1:53:23.120 --> 1:53:25.519
<v Speaker 5>There's something about wolves. I don't remember the rest of it.

1:53:27.360 --> 1:53:31.639
<v Speaker 3>Yeah, and you know he's supposed to sing it when

1:53:31.680 --> 1:53:34.720
<v Speaker 3>he takes Madame Seroni up, which, as we all know,

1:53:35.080 --> 1:53:36.120
<v Speaker 3>drop the ball on that.

1:53:37.000 --> 1:53:39.200
<v Speaker 5>Should it turned around taken the next boat. I stand

1:53:39.200 --> 1:53:39.479
<v Speaker 5>by that.

1:53:40.600 --> 1:53:44.000
<v Speaker 6>And then I think that it's really sweet that Stanley

1:53:44.120 --> 1:53:47.839
<v Speaker 6>does sing this song when they get to God's Thumb

1:53:48.280 --> 1:53:52.160
<v Speaker 6>and when Hector is drinking the water and it makes

1:53:52.200 --> 1:53:55.280
<v Speaker 6>him strong, and that's kind of like the last piece

1:53:55.600 --> 1:53:57.599
<v Speaker 6>of sort of breaking the curse.

1:53:58.520 --> 1:54:00.120
<v Speaker 5>And the other thing is.

1:54:00.160 --> 1:54:05.000
<v Speaker 6>They did a like studio song version of that song

1:54:05.880 --> 1:54:09.400
<v Speaker 6>in the end credits, if you stay till the very

1:54:09.479 --> 1:54:11.760
<v Speaker 6>end of the credits there they do that song as

1:54:11.800 --> 1:54:14.840
<v Speaker 6>the last one, and then there's a scene of Zero

1:54:15.479 --> 1:54:19.320
<v Speaker 6>saying like Madam Zeroni's line that if you forget to

1:54:19.400 --> 1:54:23.320
<v Speaker 6>come for Madame Zeroni, your family will be cursed forever

1:54:23.439 --> 1:54:24.519
<v Speaker 6>and all it.

1:54:25.439 --> 1:54:29.280
<v Speaker 4>Yeah, however, the kid's voice, so he does a line

1:54:29.320 --> 1:54:31.400
<v Speaker 4>reading of that, and it's very cute, but the song

1:54:32.000 --> 1:54:35.280
<v Speaker 4>actually kind of slaps and it's giving, like very early

1:54:35.320 --> 1:54:37.440
<v Speaker 4>two thousand's, late nineties.

1:54:37.000 --> 1:54:41.760
<v Speaker 6>Like soft rock, sort of like a Matchbox twenty Moby.

1:54:41.920 --> 1:54:43.080
<v Speaker 2>There's a Moby.

1:54:42.880 --> 1:54:45.760
<v Speaker 1>Song in it. I did not know that that's of

1:54:45.800 --> 1:54:48.440
<v Speaker 1>the time there is bravely a Moby's song.

1:54:49.080 --> 1:54:52.200
<v Speaker 6>But so I looked at I rewound the video and

1:54:52.240 --> 1:54:55.440
<v Speaker 6>I looked at who because I always like reading the

1:54:55.440 --> 1:54:57.920
<v Speaker 6>little music things and I wasn't paying attention, and I

1:54:57.960 --> 1:55:01.000
<v Speaker 6>saw that it was by somebody called like fiction Plane

1:55:01.560 --> 1:55:04.760
<v Speaker 6>or something like that, and hold, then I wrote it down.

1:55:04.800 --> 1:55:07.080
<v Speaker 6>I don't know why I'm pretending that I can't read.

1:55:07.560 --> 1:55:11.960
<v Speaker 6>Uh yeah, fiction Plane. They sang the song if Only,

1:55:12.920 --> 1:55:16.080
<v Speaker 6>and the lead singer of fiction Plane is a man

1:55:16.160 --> 1:55:20.160
<v Speaker 6>named Joe Sumner, who is Sting's son.

1:55:21.000 --> 1:55:26.800
<v Speaker 1>No way, yeah wow. And Sting was in the Disney

1:55:26.800 --> 1:55:31.280
<v Speaker 1>Expanded Universe because of Emperor's New Groove. I wonder if

1:55:31.320 --> 1:55:34.920
<v Speaker 1>he pulled some strings there, if he pulled some stings

1:55:35.920 --> 1:55:40.280
<v Speaker 1>Sting some stings there, if anyone ever, I think it's

1:55:40.360 --> 1:55:43.880
<v Speaker 1>it's It is occasionally re uploaded to YouTube. There is like,

1:55:44.000 --> 1:55:46.240
<v Speaker 1>I don't know why I find it so compelling. Well,

1:55:46.240 --> 1:55:50.960
<v Speaker 1>it's an interesting documentary about production. But Sting was originally

1:55:51.200 --> 1:55:53.600
<v Speaker 1>like The Emperor's New Grave Groove. The production of that

1:55:53.640 --> 1:55:54.520
<v Speaker 1>movie is fascinating.

1:55:54.960 --> 1:55:55.240
<v Speaker 5>But it was.

1:55:55.240 --> 1:55:58.360
<v Speaker 1>Originally a much more serious story and then turned into

1:55:58.720 --> 1:56:03.160
<v Speaker 1>David's Bade comedy. But Sting wrote this really like he

1:56:03.240 --> 1:56:05.440
<v Speaker 1>thought he was doing Elton john and The Lion King.

1:56:05.800 --> 1:56:09.080
<v Speaker 1>So he wrote all of these serious stories, and his

1:56:09.320 --> 1:56:13.680
<v Speaker 1>wife was making a documentary, assuming like, oh, we're gonna

1:56:13.720 --> 1:56:16.320
<v Speaker 1>you're gonna be like Elton. You're Elton john Ning, so

1:56:16.480 --> 1:56:19.720
<v Speaker 1>I should document this, and you just see the production

1:56:19.920 --> 1:56:23.040
<v Speaker 1>completely fall apart. There's so many shots of Sting being

1:56:23.080 --> 1:56:25.480
<v Speaker 1>bummed out in his mansion because he's like, they deleted

1:56:25.480 --> 1:56:28.320
<v Speaker 1>in another one of my songs, or I think he's British.

1:56:28.920 --> 1:56:30.720
<v Speaker 5>Yes, yeah, he's British.

1:56:31.040 --> 1:56:35.160
<v Speaker 1>But but it's so interesting. It's specific watching Sting slowly

1:56:35.200 --> 1:56:37.360
<v Speaker 1>realize all of his music is going to be deleted.

1:56:37.360 --> 1:56:42.280
<v Speaker 1>And it's actually a David Spade comedy. If you ever

1:56:42.280 --> 1:56:45.680
<v Speaker 1>wanted to see Sting become really depressed in the space

1:56:45.680 --> 1:56:48.080
<v Speaker 1>of eighty minutes, it's an interesting documentary.

1:56:48.400 --> 1:56:50.280
<v Speaker 6>Why would I want them to do that? Did Joe

1:56:50.320 --> 1:56:51.200
<v Speaker 6>Sumner's father?

1:56:53.080 --> 1:56:57.040
<v Speaker 1>My theory is that Disney was like, we we got

1:56:57.040 --> 1:56:59.640
<v Speaker 1>a tossing a bone, we got a tossing a bone,

1:56:59.640 --> 1:57:02.360
<v Speaker 1>we did a so Dirty on Emperor's New Groove, another

1:57:02.440 --> 1:57:06.760
<v Speaker 1>Earth a Kit joint. Yeah, it's all connected, it really is.

1:57:07.040 --> 1:57:09.360
<v Speaker 6>But yeah, seeing that and like the song was actually

1:57:09.360 --> 1:57:12.440
<v Speaker 6>really interesting because I found it to be very moving

1:57:12.720 --> 1:57:15.280
<v Speaker 6>and it was just sort of like, what if the

1:57:15.360 --> 1:57:17.720
<v Speaker 6>bark on the trees was as soft a disguise? What

1:57:17.800 --> 1:57:20.360
<v Speaker 6>if things were easy? What if life was different? And

1:57:20.400 --> 1:57:23.840
<v Speaker 6>I was just like, yeah, what if what if? Joe?

1:57:24.320 --> 1:57:29.360
<v Speaker 5>And just the the Sting reveal was very surprising to.

1:57:29.400 --> 1:57:31.360
<v Speaker 1>Me, just when you didn't think Sting was going to

1:57:31.560 --> 1:57:35.360
<v Speaker 1>get his way into the holes expanded universe. There he is.

1:57:35.560 --> 1:57:39.600
<v Speaker 5>And then I like did some digging.

1:57:41.720 --> 1:57:44.560
<v Speaker 6>I did some digging on Joe Sumner and I saw

1:57:44.600 --> 1:57:48.200
<v Speaker 6>that he later invented an app in like twenty ten

1:57:48.600 --> 1:57:53.480
<v Speaker 6>or twenty eleven that enabled people who go to concerts

1:57:54.000 --> 1:57:57.480
<v Speaker 6>to upload their videos to this app, and all the

1:57:57.520 --> 1:58:00.280
<v Speaker 6>people that went to the concert would upload their yes

1:58:00.280 --> 1:58:03.000
<v Speaker 6>that they took and it would basically create a concert

1:58:03.360 --> 1:58:07.080
<v Speaker 6>movie with the different angles that people oh did and the.

1:58:07.040 --> 1:58:10.080
<v Speaker 5>Apps until like twenty sixteen and bring it back.

1:58:10.360 --> 1:58:11.000
<v Speaker 2>That's cool.

1:58:11.280 --> 1:58:14.160
<v Speaker 1>Yeah, that would do so much better now too, right,

1:58:14.240 --> 1:58:15.760
<v Speaker 1>I think like, bring it back?

1:58:16.040 --> 1:58:18.960
<v Speaker 5>Yeah, Joe, if you're listening, bring it back.

1:58:19.680 --> 1:58:22.880
<v Speaker 1>Joe biggest fans, We're big fans. I'm sorry to make

1:58:22.920 --> 1:58:25.640
<v Speaker 1>fun of when your dad was upset about and for

1:58:25.720 --> 1:58:29.560
<v Speaker 1>his new groove. I would have been upset too, But yeah,

1:58:29.600 --> 1:58:30.480
<v Speaker 1>I just wanted to.

1:58:30.600 --> 1:58:33.320
<v Speaker 6>Bring that little factory because I thought that was fascinating,

1:58:33.560 --> 1:58:35.360
<v Speaker 6>very interesting and unexpected.

1:58:35.640 --> 1:58:35.960
<v Speaker 1>Yeah.

1:58:36.280 --> 1:58:39.920
<v Speaker 3>Does anyone have anything else they want to talk about?

1:58:40.480 --> 1:58:41.640
<v Speaker 5>No, I'm good, I got it.

1:58:41.720 --> 1:58:45.040
<v Speaker 1>I don't think so. Yeah, I'm going to reread Wayside School.

1:58:45.400 --> 1:58:46.400
<v Speaker 1>That's my I.

1:58:46.360 --> 1:58:48.160
<v Speaker 3>Love those books so much. I haven't read them in

1:58:48.200 --> 1:58:50.520
<v Speaker 3>like thirty years.

1:58:50.360 --> 1:58:52.040
<v Speaker 1>So they're so silly.

1:58:53.920 --> 1:58:58.200
<v Speaker 3>Well, as we discussed, the movie does pass the Bechdel test,

1:58:58.680 --> 1:59:03.800
<v Speaker 3>albeit briefly. It passes. It passes a pass as far

1:59:03.840 --> 1:59:07.600
<v Speaker 3>as our nipple scale, though, where we rate the movie

1:59:07.760 --> 1:59:12.360
<v Speaker 3>based on a scale of zero to five nipples, examining

1:59:12.360 --> 1:59:18.160
<v Speaker 3>it through an intersectional feminist lens. Oh boy, I don't know.

1:59:18.720 --> 1:59:20.640
<v Speaker 3>I feel like, are sure it applies.

1:59:20.960 --> 1:59:23.680
<v Speaker 1>Our scale is kind of tricky to apply here. I mean,

1:59:23.760 --> 1:59:26.680
<v Speaker 1>I think in terms of like intersectionality, this movie does

1:59:27.520 --> 1:59:30.600
<v Speaker 1>well in that it brings up issues I've never seen

1:59:30.640 --> 1:59:35.160
<v Speaker 1>brought up in uh children's movie about like justice and

1:59:35.280 --> 1:59:40.120
<v Speaker 1>oppression and school to prison pipeline, and this movie is

1:59:40.120 --> 1:59:42.240
<v Speaker 1>doing so much.

1:59:42.600 --> 1:59:43.040
<v Speaker 3>I agree.

1:59:43.120 --> 1:59:45.040
<v Speaker 1>You feel like the nipple scale is like difficult to

1:59:45.080 --> 1:59:45.520
<v Speaker 1>apply here.

1:59:45.600 --> 1:59:45.800
<v Speaker 6>It is.

1:59:47.720 --> 1:59:49.960
<v Speaker 5>Yeah, I give it.

1:59:51.520 --> 1:59:53.760
<v Speaker 1>I would say I give it five wholes.

1:59:54.480 --> 1:59:58.120
<v Speaker 3>File Okay, so not the nipple scale today is the

1:59:58.160 --> 2:00:00.600
<v Speaker 3>whole scale zero to five holes.

2:00:01.000 --> 2:00:03.360
<v Speaker 1>This is the movie holes. So I'm giving it five holes.

2:00:03.600 --> 2:00:07.040
<v Speaker 3>Yeah, say I'm giving it five holes the end.

2:00:07.760 --> 2:00:09.640
<v Speaker 6>If I had to give it on a scale of

2:00:09.720 --> 2:00:13.960
<v Speaker 6>zero to five holes, holes, yes, five holes, six holes.

2:00:13.960 --> 2:00:17.760
<v Speaker 6>Even I know I'm an extra hole because they did

2:00:17.800 --> 2:00:19.680
<v Speaker 6>one last holes like one.

2:00:19.640 --> 2:00:23.480
<v Speaker 1>Last job, and the bonus hole could forget.

2:00:23.720 --> 2:00:26.320
<v Speaker 6>If I genuinely had to do it on a nipple scale,

2:00:26.400 --> 2:00:28.440
<v Speaker 6>I think I would actually give it, like surprisingly, like

2:00:28.480 --> 2:00:30.760
<v Speaker 6>three and a half nipples, like a lot of nipples

2:00:31.400 --> 2:00:33.360
<v Speaker 6>for a woman free.

2:00:33.160 --> 2:00:38.760
<v Speaker 7>Movie one woman per decade, just because like when we

2:00:38.800 --> 2:00:43.040
<v Speaker 7>talk about intersectionality, yes we're talking about women and representation

2:00:43.080 --> 2:00:46.400
<v Speaker 7>of women, but the things that matter at the end

2:00:46.440 --> 2:00:49.680
<v Speaker 7>of the day are deconstructing these systems and it's talking

2:00:49.760 --> 2:00:53.280
<v Speaker 7>about how these systems are flawed and bringing attention to

2:00:53.320 --> 2:00:55.040
<v Speaker 7>these systems that do affect women.

2:00:55.280 --> 2:00:57.000
<v Speaker 6>And even though they're showing it in the context of

2:00:57.000 --> 2:01:03.080
<v Speaker 6>it affecting teenage boys, unless you're Disney US, it still

2:01:03.440 --> 2:01:06.760
<v Speaker 6>is something that is I think, and that positive for

2:01:07.920 --> 2:01:11.720
<v Speaker 6>intersectional feminism. So like I because there aren't that many women,

2:01:11.760 --> 2:01:15.840
<v Speaker 6>I can't give it five nipples, And because you know,

2:01:16.080 --> 2:01:17.960
<v Speaker 6>at the end of the day, it's like this camp

2:01:18.120 --> 2:01:22.200
<v Speaker 6>was the problem, not like the whole system. The state's

2:01:22.240 --> 2:01:25.120
<v Speaker 6>not the problem. The camp is the problem. Right, But

2:01:25.240 --> 2:01:29.080
<v Speaker 6>like three and a half nipples still pretty solid showing

2:01:29.160 --> 2:01:32.280
<v Speaker 6>there for a movie again, like half a.

2:01:32.240 --> 2:01:36.760
<v Speaker 1>Woman in it, truly, I mean, and yeah, I hope

2:01:36.760 --> 2:01:42.120
<v Speaker 1>that I wish that this movie led to more media

2:01:42.360 --> 2:01:45.600
<v Speaker 1>like or just kids media that addressed issues like this,

2:01:46.000 --> 2:01:49.640
<v Speaker 1>but it is still, twenty plus years later, pretty singular

2:01:50.240 --> 2:01:53.920
<v Speaker 1>for the issues that because I mean, like if if

2:01:54.120 --> 2:01:57.080
<v Speaker 1>a story like this kid, because I loved Nickel Boys,

2:01:57.080 --> 2:01:59.000
<v Speaker 1>but it's very much not a movie for children.

2:01:59.640 --> 2:02:04.200
<v Speaker 3>And well, if you count Paddington Too, that's I mean,

2:02:04.920 --> 2:02:09.160
<v Speaker 3>I mean Paddington and Paddington Too are again indictments of

2:02:09.400 --> 2:02:15.480
<v Speaker 3>the prison industrial complex of like anti immigrant hate and racism.

2:02:15.640 --> 2:02:18.160
<v Speaker 3>So it's true that Paddington movies do it.

2:02:18.280 --> 2:02:22.680
<v Speaker 1>So that's two there. But yeah, no, I mean, I

2:02:22.680 --> 2:02:25.080
<v Speaker 1>I I don't know. It's it's a very special movie.

2:02:25.120 --> 2:02:27.720
<v Speaker 1>I agree like it kind of broke the nipple scale

2:02:27.760 --> 2:02:30.720
<v Speaker 1>in my head. But I think your your rationalization makes

2:02:30.720 --> 2:02:31.240
<v Speaker 1>a lot of sense.

2:02:31.320 --> 2:02:32.600
<v Speaker 3>Grama totally thank.

2:02:32.400 --> 2:02:33.880
<v Speaker 1>You for engaging with the show in a way that

2:02:33.920 --> 2:02:34.920
<v Speaker 1>we were not willing to.

2:02:36.800 --> 2:02:37.720
<v Speaker 5>That's what I'm here for.

2:02:37.760 --> 2:02:40.280
<v Speaker 6>I ask the hard questions, how many nipples does this

2:02:40.360 --> 2:02:41.400
<v Speaker 6>movie really deserve?

2:02:41.840 --> 2:02:47.920
<v Speaker 3>Thanks for thanks for poking holes in our system by.

2:02:49.200 --> 2:02:53.640
<v Speaker 6>I will also say Utopia tries not like this particular

2:02:54.240 --> 2:02:56.280
<v Speaker 6>set of issues, but Utopia does.

2:02:56.360 --> 2:02:59.200
<v Speaker 1>Try to be like haters.

2:02:59.480 --> 2:03:01.320
<v Speaker 3>Yeah, I would. It tries and it fails.

2:03:01.520 --> 2:03:04.720
<v Speaker 5>Yeah, I didn't say it succeeded, but he tried. Yeah,

2:03:04.760 --> 2:03:05.919
<v Speaker 5>there's some deep.

2:03:05.800 --> 2:03:08.280
<v Speaker 6>Laws there where it's like, okay, but yeah, some people

2:03:08.360 --> 2:03:09.320
<v Speaker 6>are predators.

2:03:11.960 --> 2:03:16.400
<v Speaker 5>No, but like they tried to fix racism with.

2:03:16.480 --> 2:03:19.320
<v Speaker 1>Animals, they're like, we didn't quite. Disney was like, we

2:03:19.360 --> 2:03:23.200
<v Speaker 1>didn't quite do it with holes. Let's let's try the

2:03:23.280 --> 2:03:24.520
<v Speaker 1>animal copaganda movie.

2:03:24.600 --> 2:03:24.720
<v Speaker 6>There.

2:03:24.880 --> 2:03:28.840
<v Speaker 1>I do appreciate ultimately, and I feel like I'm talking

2:03:28.840 --> 2:03:30.720
<v Speaker 1>a lot of shit. I'm trying. I am trying to

2:03:30.720 --> 2:03:35.160
<v Speaker 1>get work. But anyways, that Disney was very hands off

2:03:35.200 --> 2:03:37.040
<v Speaker 1>with this movie, because I think if Disney had been

2:03:37.080 --> 2:03:40.320
<v Speaker 1>hands on with this movie, we would have gotten, you know,

2:03:40.480 --> 2:03:44.440
<v Speaker 1>whatever this movie's version of Jim Carrey's count Oloff was.

2:03:45.320 --> 2:03:47.320
<v Speaker 1>I think that it is like critical to the story

2:03:47.360 --> 2:03:49.920
<v Speaker 1>working that you are scared for these kids and that

2:03:50.000 --> 2:03:53.160
<v Speaker 1>you understand where they're coming from, and that their antagonists

2:03:53.320 --> 2:03:57.960
<v Speaker 1>are you know, elevated, like the mister Sir is goofy

2:03:58.240 --> 2:04:01.240
<v Speaker 1>in some ways, but not so goofy that he ceases

2:04:01.320 --> 2:04:02.520
<v Speaker 1>to be scary.

2:04:02.720 --> 2:04:05.360
<v Speaker 3>And yeah, totally, I think that.

2:04:05.400 --> 2:04:09.040
<v Speaker 6>It's really a testament to the fact that like, you know,

2:04:09.120 --> 2:04:11.560
<v Speaker 6>we talk a lot of shit generally, we not the

2:04:11.600 --> 2:04:13.480
<v Speaker 6>three of us, but we society talk a lot of

2:04:13.480 --> 2:04:16.720
<v Speaker 6>shit on these major corporations. And it's proof that they

2:04:16.760 --> 2:04:23.320
<v Speaker 6>are capable of making these thoughtful movies and they can

2:04:23.440 --> 2:04:24.200
<v Speaker 6>do it if they.

2:04:24.080 --> 2:04:26.800
<v Speaker 1>Want to, right, So it's like, so why aren't they

2:04:26.840 --> 2:04:27.160
<v Speaker 1>doing it?

2:04:27.200 --> 2:04:30.560
<v Speaker 6>And it is also sometimes commercially successful when they do it,

2:04:31.160 --> 2:04:33.600
<v Speaker 6>and I think that it's a good reminder, like, hey,

2:04:33.680 --> 2:04:35.480
<v Speaker 6>remember when you did this thing and you did it

2:04:35.480 --> 2:04:38.040
<v Speaker 6>the way the creatives asked you to and it was

2:04:38.080 --> 2:04:40.720
<v Speaker 6>wildly successful and it had a lot of a listers

2:04:40.760 --> 2:04:43.240
<v Speaker 6>in it, and people are still talking about it twenty

2:04:43.280 --> 2:04:46.280
<v Speaker 6>years later as a like shining example of the way

2:04:46.320 --> 2:04:46.920
<v Speaker 6>to do things.

2:04:47.400 --> 2:04:50.680
<v Speaker 5>What if you rebooted that, What if you rebooted that spirit?

2:04:51.000 --> 2:04:54.760
<v Speaker 1>They're like, well, no, let's do cgi dogs for Lady

2:04:54.840 --> 2:04:57.880
<v Speaker 1>in the trimp. Let's do that One's.

2:04:57.440 --> 2:04:59.440
<v Speaker 5>That word that's a joke, right, that's that's a joke.

2:04:59.560 --> 2:05:02.720
<v Speaker 1>Oh no, that's exit that. It came out five years ago. Unfortunately,

2:05:02.960 --> 2:05:05.840
<v Speaker 1>it's very scary. It's a scary watch. It's scarier than

2:05:05.880 --> 2:05:06.400
<v Speaker 1>mister sir.

2:05:06.760 --> 2:05:07.280
<v Speaker 5>I did think a.

2:05:07.240 --> 2:05:09.880
<v Speaker 6>Lady in the Tramp earlier because The Boy Dog is

2:05:10.040 --> 2:05:13.560
<v Speaker 6>another example of a house representation in children's media.

2:05:14.360 --> 2:05:17.800
<v Speaker 1>Forget I believe, I believe Lady in the I think

2:05:17.880 --> 2:05:20.200
<v Speaker 1>Lady is Tessa Thompson.

2:05:20.920 --> 2:05:23.320
<v Speaker 3>Sure, I never saw it.

2:05:22.560 --> 2:05:26.800
<v Speaker 1>I think I was the only person that's yeah, it's

2:05:26.840 --> 2:05:28.600
<v Speaker 1>Tessa Thompson and Justin Thurreau.

2:05:28.760 --> 2:05:32.960
<v Speaker 3>And you're like, yeah, I was too busy gearing up

2:05:33.040 --> 2:05:37.080
<v Speaker 3>for the live action Pinocchio Disney reboot.

2:05:37.320 --> 2:05:40.800
<v Speaker 1>So shout out to the Pinocchio Wars on the Matreon.

2:05:41.040 --> 2:05:43.360
<v Speaker 1>When speaking of which, Okay, let's wrap it. I'm hungry,

2:05:43.400 --> 2:05:44.400
<v Speaker 1>let's wrap up the show.

2:05:44.880 --> 2:05:46.920
<v Speaker 6>I just wanna say one last thing. Disney has been

2:05:47.000 --> 2:05:49.640
<v Speaker 6>good to me personally, and I do you think follow

2:05:49.840 --> 2:05:54.560
<v Speaker 6>the checks and I I'm just gonna say another thing

2:05:54.560 --> 2:05:55.760
<v Speaker 6>and I forgot, So it doesn't matter.

2:05:56.120 --> 2:05:58.480
<v Speaker 3>Disney is good to me and that it made and

2:05:58.640 --> 2:05:59.640
<v Speaker 3>or my favorite show.

2:06:00.080 --> 2:06:02.400
<v Speaker 1>I will say there, Disney is still making cool, weird

2:06:02.400 --> 2:06:05.360
<v Speaker 1>stuff like I mean, you mentioned Bunked as a great example.

2:06:06.160 --> 2:06:10.720
<v Speaker 1>I just finished work. I hope it gets renewed for

2:06:10.800 --> 2:06:13.720
<v Speaker 1>all manner of reasons. But like a super silly kids

2:06:13.760 --> 2:06:17.880
<v Speaker 1>show called Stugo. So if you have a kid, and

2:06:18.040 --> 2:06:20.640
<v Speaker 1>I think I would say like the Seven or eight range.

2:06:21.560 --> 2:06:23.840
<v Speaker 1>That's a very silly, fun show that's on the Disney

2:06:23.920 --> 2:06:26.560
<v Speaker 1>Channel right now. It's like speaking to your point, Grama.

2:06:26.640 --> 2:06:28.920
<v Speaker 1>They can do it, so why not do it more?

2:06:28.960 --> 2:06:31.760
<v Speaker 1>Because people like it. This movie did make its money

2:06:31.760 --> 2:06:35.880
<v Speaker 1>back and then some. It made believe seventy one million

2:06:35.960 --> 2:06:40.000
<v Speaker 1>dollars off of a seventeen million dollar budget. But as

2:06:40.160 --> 2:06:45.360
<v Speaker 1>is the way with many movies that have a lot

2:06:45.400 --> 2:06:49.080
<v Speaker 1>of like author involvement and Disney being hands off, it

2:06:49.120 --> 2:06:51.760
<v Speaker 1>does seem like the price for that was that everyone

2:06:51.840 --> 2:06:54.879
<v Speaker 1>took a pay cut, because you cannot have a stacked

2:06:54.920 --> 2:06:59.440
<v Speaker 1>cast like this for seventeen million dollars without a serious

2:06:59.680 --> 2:07:03.040
<v Speaker 1>pay cut and throwing kids into one hundred and thirty

2:07:03.080 --> 2:07:06.960
<v Speaker 1>degree holes. So while it is amazing that this is successful,

2:07:07.000 --> 2:07:09.320
<v Speaker 1>I do feel like there is always some sort of

2:07:09.400 --> 2:07:11.800
<v Speaker 1>exchange of like, oh, you want to make your perfect art,

2:07:12.240 --> 2:07:16.320
<v Speaker 1>here's four dollars, bitch, you know. Like, but but I'm

2:07:16.360 --> 2:07:18.080
<v Speaker 1>glad that this cast. I mean, I just feel like

2:07:18.080 --> 2:07:20.560
<v Speaker 1>it's a perfectly cast movie. It's so good, it's.

2:07:20.440 --> 2:07:24.960
<v Speaker 6>Very well done. I hope they do more holes in

2:07:25.120 --> 2:07:25.600
<v Speaker 6>the world.

2:07:25.880 --> 2:07:28.880
<v Speaker 1>Yeah, yeah, Karama, thank you so much for coming back.

2:07:28.920 --> 2:07:31.840
<v Speaker 1>You've covered such an interesting wide variety of movies on

2:07:31.960 --> 2:07:32.280
<v Speaker 1>the show.

2:07:33.600 --> 2:07:36.320
<v Speaker 6>I'm saying on the record, bring me back for Stepmom

2:07:36.360 --> 2:07:37.760
<v Speaker 6>if you ever get around.

2:07:37.720 --> 2:07:40.840
<v Speaker 3>Yes, absolutely yes, And then so it'll be it's two

2:07:40.920 --> 2:07:43.400
<v Speaker 3>Disney movies, two Jordan Peele movies.

2:07:43.800 --> 2:07:46.600
<v Speaker 1>Oh yeah, and then now and step in the future

2:07:46.600 --> 2:07:47.560
<v Speaker 1>starting a new chapter.

2:07:48.120 --> 2:07:50.360
<v Speaker 6>I'm gonna be like Tarantino. He said he was gonna

2:07:50.400 --> 2:07:52.200
<v Speaker 6>like do eight movies and then never come back.

2:07:52.240 --> 2:07:57.120
<v Speaker 1>Which you can't wait for that part, right, He's really

2:07:57.200 --> 2:07:59.520
<v Speaker 1>dragging out the last one.

2:07:59.640 --> 2:08:00.680
<v Speaker 5>I ever come back.

2:08:01.040 --> 2:08:04.600
<v Speaker 3>No, you can come back after that, please do if

2:08:04.600 --> 2:08:08.840
<v Speaker 3>you want. Anyway, where can people check out your stuff?

2:08:09.000 --> 2:08:11.000
<v Speaker 3>Follow you on social media, etcetera?

2:08:11.120 --> 2:08:15.760
<v Speaker 6>Yeah, at Karama Drama, on all the platforms that you

2:08:15.840 --> 2:08:20.360
<v Speaker 6>might use. I started talking about libraries recently on my

2:08:20.440 --> 2:08:24.080
<v Speaker 6>TikTok because I'm a big, big slat for libraries, love them.

2:08:24.360 --> 2:08:26.080
<v Speaker 5>I have for library cards.

2:08:26.120 --> 2:08:27.320
<v Speaker 1>Wow, hell yeah.

2:08:27.600 --> 2:08:29.760
<v Speaker 6>You can have a lot of library cards and get

2:08:29.800 --> 2:08:31.000
<v Speaker 6>a lot of different things with them.

2:08:31.080 --> 2:08:34.320
<v Speaker 5>I highly encourage you to go get do it for

2:08:34.360 --> 2:08:35.640
<v Speaker 5>Hector Zeroni.

2:08:35.920 --> 2:08:37.880
<v Speaker 1>The Hector Zerni Memorial Library.

2:08:37.960 --> 2:08:40.080
<v Speaker 6>Go get a library card. Where can you guys be

2:08:40.160 --> 2:08:41.840
<v Speaker 6>found using your.

2:08:41.720 --> 2:08:42.480
<v Speaker 5>Library cards or not?

2:08:43.400 --> 2:08:43.520
<v Speaker 6>Uh?

2:08:43.840 --> 2:08:47.480
<v Speaker 1>You could? You can find us on mostly just Instagram

2:08:47.480 --> 2:08:51.640
<v Speaker 1>these days. At Bechdel Cast, you could follow our Patreon

2:08:51.680 --> 2:08:55.280
<v Speaker 1>aka maatreon at patreon dot com slash Bechdel Cast. We

2:08:55.440 --> 2:08:58.120
<v Speaker 1>have shouted out The Pinocchio Wars, one of our best series,

2:08:58.160 --> 2:09:00.400
<v Speaker 1>but we've had it since twenty seventeen. So for five

2:09:00.440 --> 2:09:04.320
<v Speaker 1>dollars a month, you get two bonus episodes every single

2:09:04.360 --> 2:09:07.200
<v Speaker 1>month and access to our back catalog which goes back

2:09:07.240 --> 2:09:11.360
<v Speaker 1>almost ten years, so there's a lot of spicy content.

2:09:11.400 --> 2:09:13.320
<v Speaker 1>That's actually where you will be able to listen to

2:09:14.000 --> 2:09:17.560
<v Speaker 1>us discuss the prison industrial conflicts for a second time

2:09:17.600 --> 2:09:20.600
<v Speaker 1>if you so choose, because we are covering Shawshank Redemption

2:09:20.720 --> 2:09:23.760
<v Speaker 1>over on the Matreon this month, which is Holes for

2:09:23.840 --> 2:09:24.360
<v Speaker 1>grown ups.

2:09:25.160 --> 2:09:27.840
<v Speaker 3>Yes, I basically decided that for my birthday month, I

2:09:27.880 --> 2:09:33.120
<v Speaker 3>wanted to do Holes, Shawshank Redemption and Oh Brother, Where

2:09:33.200 --> 2:09:36.640
<v Speaker 3>Art Though? Which is a movie about three men escaping

2:09:36.920 --> 2:09:39.640
<v Speaker 3>from prison, and one of them is Tim Blake Nelson

2:09:39.760 --> 2:09:43.000
<v Speaker 3>who's also in Holes, So it's all connected, just the

2:09:43.040 --> 2:09:44.280
<v Speaker 3>way the plot of Holes is.

2:09:44.440 --> 2:09:48.000
<v Speaker 5>And both movies feature down in the river to pray.

2:09:47.880 --> 2:09:51.520
<v Speaker 4>Right Yes wow, yeah, it thinks that they changed it

2:09:51.560 --> 2:09:52.680
<v Speaker 4>to valley because there's no water.

2:09:55.120 --> 2:09:59.360
<v Speaker 3>Yes, so that is what's happening over on the Matreon.

2:09:59.480 --> 2:10:01.200
<v Speaker 3>As it is my birthday this month, it would be

2:10:01.200 --> 2:10:05.040
<v Speaker 3>a nice little gift to me and to the podcast

2:10:05.080 --> 2:10:09.000
<v Speaker 3>in general if you subscribe to the Matreon if you

2:10:09.080 --> 2:10:11.640
<v Speaker 3>haven't already listeners and.

2:10:11.720 --> 2:10:15.680
<v Speaker 1>Uh, with that, let's go to the yell NAT's pool

2:10:15.760 --> 2:10:19.160
<v Speaker 1>and watch a shoe commercial with our best friend, a

2:10:19.240 --> 2:10:21.440
<v Speaker 1>basketball player playing a baseball player.

2:10:22.280 --> 2:10:29.520
<v Speaker 3>Okay, bye, bye bye. The Bechdel Cast is a production

2:10:29.640 --> 2:10:33.760
<v Speaker 3>of iHeartMedia, hosted by Caitlin Derante and Jamie Loftis, produced

2:10:33.760 --> 2:10:37.480
<v Speaker 3>by Sophie Lichterman, edited by Mola Board. Our theme song

2:10:37.560 --> 2:10:41.440
<v Speaker 3>was composed by Mike Kaplan with vocals by Catherine Volskrosenski.

2:10:41.960 --> 2:10:45.280
<v Speaker 3>Our logo in merch is designed by Jamie Loftis and

2:10:45.360 --> 2:10:49.240
<v Speaker 3>a special thanks to Aristotle Acevedo. For more information about

2:10:49.240 --> 2:10:52.280
<v Speaker 3>the podcast, please visit link tree slash Bechdel Cast