WEBVTT - #20 - Reason

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<v Speaker 1>Yo, yo yo, another edition of that bootleg cav podcast

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<v Speaker 1>Look the third this week. Fam alright, let me tell

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<v Speaker 1>you something we're working over here. Man. I want to

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<v Speaker 1>give a shout out to my producer, Eric LaRock, my

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<v Speaker 1>bro bro Eric LaRock, who we've just been putting in

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<v Speaker 1>a lot of work. Man, we just broke thirty thousand

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<v Speaker 1>subscribers on YouTube, So shout out to everybody fucking what

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<v Speaker 1>it's on their YouTube, Shout out to everybody fucking what's

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<v Speaker 1>on Apple Spotify. iHeart whatever the fuck you're doing listening

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<v Speaker 1>to these podcasts. We appreciate it. Check this out episode

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<v Speaker 1>number twenty. Man. We about to get into episode number twenty.

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<v Speaker 1>I'm gonna be doing some merch for the twenty fifth episode.

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<v Speaker 1>I believe we're working on that at the moment. Just

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<v Speaker 1>some real dope shit on the way. You know. We

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<v Speaker 1>we've been typically doing one, trying to do once twice

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<v Speaker 1>a week, but there's just gonna be a lot more

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<v Speaker 1>shit coming and then you know, whether it's in interviews,

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<v Speaker 1>like you know, what we'll do usually is like we'll

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<v Speaker 1>drop an interview and then we'll have like two or

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<v Speaker 1>three in the can and we'll be like cool, We're

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<v Speaker 1>good for the month, but like we're realizing, like we're

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<v Speaker 1>racking up so many dope interviews that like why hold

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<v Speaker 1>on to them? You know what I'm saying. So, no

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<v Speaker 1>matter what, you're gonna get a new podcast every single week.

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<v Speaker 1>But like this week, this is the third podcast we

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<v Speaker 1>dropped this week. You know we did, uh, what do

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<v Speaker 1>we do on Monday? Well, we did Fredo Bang on Wednesday?

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<v Speaker 1>And on Monday we did Somebody I got all am I?

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<v Speaker 1>What am I? Am? I tripping? Who do we drop

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<v Speaker 1>on Monday? Now? I gotta look this shit up. Man,

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<v Speaker 1>this is embarrassing. Man, it's my own shit. Oh Blast

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<v Speaker 1>only Blast. So we did Blast on Monday, we did

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<v Speaker 1>Fredo Bang on Wednesday. Today's Friday, we got Reason Top

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<v Speaker 1>Dogs own Carson's Own. So let me tell you how

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<v Speaker 1>this interview went down. Man, we interviewed him earlier this week.

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<v Speaker 1>I listened to the whole album. His album dropped today

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<v Speaker 1>and it is a very very If you are a

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<v Speaker 1>hip hop fan, then you will love this album. There's

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<v Speaker 1>some incredibly deep records on here. The album is called

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<v Speaker 1>New Beginnings. I guess it's technically a mixtape project. Whatever.

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<v Speaker 1>He's not considering this his album, but it's like fourteen

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<v Speaker 1>goddamn songs, but reasons album New Beginnings is out. We

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<v Speaker 1>talked to him. I believe it's Monday or Tuesday, and

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<v Speaker 1>you know, I was like, look, let's drop this thing

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<v Speaker 1>the day your album drops, because we really dived into

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<v Speaker 1>this project. I'm already seeing, by the way, like he's

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<v Speaker 1>getting a lot of flak for the mac Miller and

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<v Speaker 1>when I heard it, I kind of knew that was

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<v Speaker 1>gonna happen. So we went in de bonk. No, just

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<v Speaker 1>just really good interview. Man. Probably one of my favorite interviews.

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<v Speaker 1>I say that a lot, but this is one of

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<v Speaker 1>my favorites that we've done since we started the podcast.

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<v Speaker 1>Shout out top Dog, shout out to reason H, and

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<v Speaker 1>a shout out to our sponsors before we get into

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<v Speaker 1>the podcast, man, salute to odd Socks presenting sponsor for

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<v Speaker 1>Follow them too at vapin All right, check that out

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<v Speaker 1>and let's get into episode number twenty, Episode number twenty

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<v Speaker 1>with reason. It's the Bootleg Cab Podcast. Bootleg Cab Podcast.

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<v Speaker 1>Uh yo, Reason is here man, one of the greatest.

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<v Speaker 1>I appreciate that. Yeah, Man, last time you came to

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<v Speaker 1>the radio station and you did that freestyle for us,

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<v Speaker 1>I was out of town. I think it was. I

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<v Speaker 1>was in Hawaii. Yeah, yeah, so yo. But yo, man,

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<v Speaker 1>it's good to have you here. Bro. I've been sitting

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<v Speaker 1>with your album since you said it to me last night.

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<v Speaker 1>I appreciate it. Incredible out of your work. Thank you,

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<v Speaker 1>thank you. There was like two songs on there that

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<v Speaker 1>we're back to back. It was fall and the song

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<v Speaker 1>after Fall down Slow Down. That was like, you know,

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<v Speaker 1>that's like my back to back, Like I was like, shit,

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<v Speaker 1>like just very very like introspective, like just great storytelling.

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<v Speaker 1>Like we'll get into those records, but I want to

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<v Speaker 1>I want to just kind of you know, you've been

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<v Speaker 1>dropping songs I feel like for the last year or so,

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<v Speaker 1>and they're all on this project, but not not everyone,

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<v Speaker 1>not everyone here exactly, but but like three or four

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<v Speaker 1>of them, yeah, like three or four of them talk

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<v Speaker 1>about where you're at right now and why is you know,

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<v Speaker 1>why are we finally getting you know, TD we having

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<v Speaker 1>to wait for motherfuckers on you know what I'm saying.

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<v Speaker 1>It's funny because it's like that's the mode. It's kind

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<v Speaker 1>of like not necessarily to make people wait, but just

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<v Speaker 1>to perfect hold on DJ heads calling me in the

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<v Speaker 1>middle of Hey, you know I'm doing an interview with you.

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<v Speaker 1>Why are you always interrupting my ship? Why are you

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<v Speaker 1>always interrupting my ship? Because this is life. I need

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<v Speaker 1>you to be on some put a shirt on ship.

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<v Speaker 1>That's what I need you to. Let me hit you

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<v Speaker 1>back after this, buddy. Anyway, I gotta answer DJ heads

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<v Speaker 1>like my wife, I got it like something could be

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<v Speaker 1>on fire right now. That's my dog. That's my dog.

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<v Speaker 1>But yeah, that's kind of been like the mode is

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<v Speaker 1>to just make sure that we perfect, you know what

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<v Speaker 1>I mean, quality over quantity. But I also feel like,

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<v Speaker 1>you know, the world being in the state that it

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<v Speaker 1>was in was kind of weird too. You know. We

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<v Speaker 1>were supposed to drop last year but just uh, you know,

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<v Speaker 1>trying to make sure that everything was right. And then

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<v Speaker 1>when we were gonna drop this earlier this year in March,

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<v Speaker 1>you know, COVID hit of course, and then we were

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<v Speaker 1>gonna drop again. When we finally understood like okay, like

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<v Speaker 1>let's just do it. You know, we're gonna go in June.

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<v Speaker 1>Then a lot of the black Black Lives Matter stuff

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<v Speaker 1>and people were passing, and we just felt like it

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<v Speaker 1>would be disrespectful to me pushing music at that. So

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<v Speaker 1>it was just like a lot of adjusting, you know

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<v Speaker 1>what I mean, in real life. And I feel like

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<v Speaker 1>people forget sometimes that because we're TD, that like we

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<v Speaker 1>got to adjust to like we don't just work on

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<v Speaker 1>our own, you know what I mean, merit or whatever

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<v Speaker 1>the case may be. So and we respect the things

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<v Speaker 1>that's going on, but I think we had a good

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<v Speaker 1>place now, like the whole label, you know what I mean.

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<v Speaker 1>And I'm proud to be the one to start kicking

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<v Speaker 1>it off. Give me some of your background, man, Like,

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<v Speaker 1>obviously you're from Carson. I had heard of you before

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<v Speaker 1>you were working with TD. You were you know, I

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<v Speaker 1>would say, like, you know, like if you were tapped

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<v Speaker 1>in with two Dope Boys and some of the blogs,

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<v Speaker 1>like you were familiar with what you were doing. And

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<v Speaker 1>then TDE became a part of the situation and that

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<v Speaker 1>just kind of made shit like super big. But how

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<v Speaker 1>long have you been making music? Man? Like, when did

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<v Speaker 1>you first start taking this rap shit series? I actually blessed,

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<v Speaker 1>blessed enough. I actually only been making music for six years,

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<v Speaker 1>so I started in twenty fourteen. Wow. Yeah, yeah, And

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<v Speaker 1>I've been heavy into music just because I liked it,

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<v Speaker 1>Like I just liked lyricists and rappers that, you know

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<v Speaker 1>what I mean, really rapped about stuff and whatnot. So

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<v Speaker 1>I was super heavy into that. And then I played

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<v Speaker 1>ball and I was supposed to go to Greece to

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<v Speaker 1>play basketball out there, and then one day I just

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<v Speaker 1>I just kind of fell out of love with it

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<v Speaker 1>on a business level because I was like, you know,

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<v Speaker 1>I love basketball, but I don't really want to do

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<v Speaker 1>a business thing with it. And so I just called

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<v Speaker 1>my agent and I was just like, now I'm probably

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<v Speaker 1>not gonna go. And then where you was at and

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<v Speaker 1>that was like the beginning of twenty fourteen, so that

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<v Speaker 1>was like the beginning twenty fourteen. I was still in college.

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<v Speaker 1>So I called him told him that. And then there

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<v Speaker 1>was a part of me that like, and that's kind

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<v Speaker 1>of what new beginning symbolizes, and we'll get into that.

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<v Speaker 1>But there was a part of me that I was

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<v Speaker 1>kind of scared to do that because basketball was my comfort.

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<v Speaker 1>I knew that I can go make money playing basketball,

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<v Speaker 1>Like I knew that like anything else I can do,

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<v Speaker 1>I can rent, there's anything else I can do. I

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<v Speaker 1>can go play basketball and make some money. And I

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<v Speaker 1>was like, do I really want to give up this

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<v Speaker 1>comfort you know what I'm saying, in this comfort zone

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<v Speaker 1>or whatever, to do something else and potentially fail, you

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<v Speaker 1>know what I mean. And so I ended up making

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<v Speaker 1>a decision. And even after I told him, I still

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<v Speaker 1>was kind of like fifty to fifty. I called him

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<v Speaker 1>some days and be like, well, wait, hold on. Then

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<v Speaker 1>when I graduated and I wrote a song called Letter

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<v Speaker 1>to God, which is like my second song that I wrote,

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<v Speaker 1>and I sent it to my brother and we listened

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<v Speaker 1>to it, and after that that was that song kind

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<v Speaker 1>of got me over the fear. I was like, I'm

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<v Speaker 1>I think I'm really good at this ship. Let me

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<v Speaker 1>just try it. Yeah, exactly. So where did you go to?

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<v Speaker 1>Where did you play basketball? Is that a D two

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<v Speaker 1>called Northwestern State in Iowa. There's like a swarm of

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<v Speaker 1>Northwestern's in the Midwest. It's like Northwestern, Oklahoma, Northwestern. I

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<v Speaker 1>feel like there's a million Northwestern. There's a bunch of Northwestern. Yeah,

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<v Speaker 1>it's like this little like weird yeah, middle of nowhere.

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<v Speaker 1>It was awful. So were you at a point guard?

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<v Speaker 1>Because I'm not tall enough to you? Yeah, be anything else?

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<v Speaker 1>One hundred Yeah. I mean it's it's crazy because I

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<v Speaker 1>like that basketball hustle, like you said, like going to

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<v Speaker 1>Greece like I got. I got some homies who live

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<v Speaker 1>in Europe and who hoop and like you said, like

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<v Speaker 1>it's like, you know, if you love basketball and you're like,

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<v Speaker 1>like you're good, Like there's always like always a place

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<v Speaker 1>to make me. Now you're rent, there's always a way

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<v Speaker 1>to make money. And if you could pay your rent

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<v Speaker 1>playing basketball, bro, it's like and that was my thing.

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<v Speaker 1>I'm like, like I'm seeing all my homies, like you know,

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<v Speaker 1>work jobs and stuff, and they hate their job, and

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<v Speaker 1>I'm like, like, even though I might not like where

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<v Speaker 1>I'm at over there, at least I like my job,

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<v Speaker 1>like you know what I'm saying, and I can pay

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<v Speaker 1>my rent doing it or whatever the case may be.

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<v Speaker 1>But I had just had two nieces and I was

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<v Speaker 1>in Iowa for two years and I wanted to come

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<v Speaker 1>back home. I went through like a little racial situation

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<v Speaker 1>out there with my coach, and it was just like

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<v Speaker 1>I was just like, you know, I don't know if

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<v Speaker 1>I'm ready to leave again, you know what I mean.

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<v Speaker 1>And so that was kind of like part of the

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<v Speaker 1>influence behind it was I don't know if I'm ready

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<v Speaker 1>to leave. And then on top of that, I was

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<v Speaker 1>using music as as like therapy. Like I was writing

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<v Speaker 1>out there just to kind of pass the time. Because

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<v Speaker 1>I was out there, it was only me and like

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<v Speaker 1>six other black people at the school, so I didn't

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<v Speaker 1>really have nobody year. I didn't really have nobody to

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<v Speaker 1>talk to relate to. So I was just kind of

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<v Speaker 1>writing as kind of like a therapeutical thing, and I

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<v Speaker 1>started liking it. So I was like, man, let me

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<v Speaker 1>just you know, record a couple things. So I came

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<v Speaker 1>home on spring break and recorded a couple of records,

0:10:57.200 --> 0:10:58.640
<v Speaker 1>and that's kind of when I decided, like, you know,

0:10:58.679 --> 0:11:00.560
<v Speaker 1>I'm just gonna do this and see how works out.

0:11:00.880 --> 0:11:02.920
<v Speaker 1>When you say you had a racial situation with your coach,

0:11:02.920 --> 0:11:06.520
<v Speaker 1>what happened. Basically, I had a coach that I mean,

0:11:06.520 --> 0:11:09.520
<v Speaker 1>he was racist to to you know, keep it keep yeah,

0:11:09.520 --> 0:11:10.760
<v Speaker 1>to keep it funky. We used to have it was

0:11:10.760 --> 0:11:12.640
<v Speaker 1>me and three other black players. We used to have

0:11:12.679 --> 0:11:16.520
<v Speaker 1>black only meetings before the games that you guys conducted

0:11:16.600 --> 0:11:18.600
<v Speaker 1>or that they He would be like, I just want

0:11:18.600 --> 0:11:20.360
<v Speaker 1>to meet with the three black guys and talk to

0:11:20.400 --> 0:11:23.520
<v Speaker 1>them about how they need to play to fit into

0:11:23.640 --> 0:11:26.520
<v Speaker 1>like this role. Like and then he would like say

0:11:26.520 --> 0:11:29.240
<v Speaker 1>the N word to us, like metaphorically, like so not

0:11:29.280 --> 0:11:32.040
<v Speaker 1>at us, but he's still saying it. Right. One time

0:11:32.080 --> 0:11:33.800
<v Speaker 1>he used this example where he was like, you know,

0:11:33.840 --> 0:11:36.240
<v Speaker 1>he was like, white people are the brain, Black people

0:11:36.240 --> 0:11:39.400
<v Speaker 1>are the soul. Mexicans are the heart because you know,

0:11:39.440 --> 0:11:41.920
<v Speaker 1>they work hard and you know, make everything go. He

0:11:42.040 --> 0:11:43.360
<v Speaker 1>was like, when you put all three of them together,

0:11:43.400 --> 0:11:45.319
<v Speaker 1>it's a beautiful thing. But if you had to pick one,

0:11:45.520 --> 0:11:47.920
<v Speaker 1>wouldn't you rather be the brain like that? Like, well,

0:11:48.040 --> 0:11:49.840
<v Speaker 1>to be honest, if he wanted to use that reference,

0:11:49.880 --> 0:11:56.679
<v Speaker 1>I would argue that Asian, Yeah, And I would also

0:11:56.840 --> 0:11:59.160
<v Speaker 1>argue that, you know, the heart's kind of just as

0:11:59.160 --> 0:12:02.800
<v Speaker 1>important as you know, white people might be like the

0:12:02.880 --> 0:12:06.280
<v Speaker 1>kneecapps or something. I don't know. I feel like we're

0:12:06.280 --> 0:12:08.199
<v Speaker 1>not bringing a lot to the table at twenty twenty,

0:12:08.320 --> 0:12:11.120
<v Speaker 1>not in twenty twenty. Right now, shit's fucked up, man

0:12:11.440 --> 0:12:14.120
<v Speaker 1>A thousand cent. So yeah, Like I went through that situation,

0:12:14.160 --> 0:12:17.000
<v Speaker 1>and it's funny even with that situation, like the NAACP

0:12:17.200 --> 0:12:18.840
<v Speaker 1>was getting involved and stuff, and it was about to

0:12:18.840 --> 0:12:22.280
<v Speaker 1>be big, and I was younger, and so if I

0:12:22.320 --> 0:12:23.920
<v Speaker 1>had my brain that I had now, I would have

0:12:23.960 --> 0:12:25.760
<v Speaker 1>carried it all the way through and went because I

0:12:26.000 --> 0:12:28.400
<v Speaker 1>feel like I could have changed some things over. It's

0:12:28.400 --> 0:12:30.680
<v Speaker 1>an intimidating fight for a yeah. Yeah, Like when I

0:12:30.720 --> 0:12:31.880
<v Speaker 1>was in I was just like, bro, I just want

0:12:31.880 --> 0:12:34.000
<v Speaker 1>to go home. Bro, Like, if y'all can make it

0:12:34.000 --> 0:12:36.240
<v Speaker 1>to where I can go home after the season and

0:12:36.360 --> 0:12:38.560
<v Speaker 1>just like work, do my school work from home and

0:12:38.960 --> 0:12:41.240
<v Speaker 1>come back to graduate and leave again, then like we

0:12:41.280 --> 0:12:43.120
<v Speaker 1>got a deal. And my mom didn't want me to

0:12:43.120 --> 0:12:45.320
<v Speaker 1>do that. She wanted me to stay and fight, but

0:12:45.400 --> 0:12:47.200
<v Speaker 1>I just ended up saying like, you know, like I

0:12:47.240 --> 0:12:48.480
<v Speaker 1>just want to come home. So that's what they let

0:12:48.520 --> 0:12:49.920
<v Speaker 1>me do. After the season was over, I went home,

0:12:50.000 --> 0:12:52.040
<v Speaker 1>I worked from home, did all my school work from

0:12:52.040 --> 0:12:53.720
<v Speaker 1>home since it Then they kind of just passed me

0:12:53.760 --> 0:12:55.040
<v Speaker 1>because they were just like like we don't want to

0:12:55.120 --> 0:12:57.160
<v Speaker 1>get yeah, we don't want no smoke like so I

0:12:57.200 --> 0:12:59.280
<v Speaker 1>was kind of just turning in whatever guy's still coaching

0:12:59.640 --> 0:13:03.760
<v Speaker 1>he is Unfortunately there is Unfortunately yeah Fuyeah, And if

0:13:03.760 --> 0:13:05.160
<v Speaker 1>you've been to that town, it's like it's one of

0:13:05.160 --> 0:13:07.360
<v Speaker 1>those places that it's like, bro, nothing that never changed

0:13:07.360 --> 0:13:09.360
<v Speaker 1>here because there's nothing there, Like there's nothing there to

0:13:09.520 --> 0:13:11.360
<v Speaker 1>make it. You get what I'm saying, like change, and

0:13:11.360 --> 0:13:13.760
<v Speaker 1>that's the reason why that is one regret that I

0:13:13.800 --> 0:13:16.120
<v Speaker 1>do have. I hate having regrets in life. But if

0:13:16.120 --> 0:13:17.640
<v Speaker 1>I could go back, I would fight that, you know

0:13:17.640 --> 0:13:19.360
<v Speaker 1>what I mean, because he doesn't need to be culching,

0:13:19.480 --> 0:13:21.520
<v Speaker 1>like just to be completely Hey, put his name out

0:13:21.520 --> 0:13:24.480
<v Speaker 1>there so people can you know, I honestly legally can't.

0:13:24.600 --> 0:13:28.600
<v Speaker 1>Oh you legally can't. Well, the coach of yeah, Northwestern Iowa,

0:13:28.679 --> 0:13:31.199
<v Speaker 1>U cocksucker. It's not hard to find though, Like people

0:13:31.200 --> 0:13:33.240
<v Speaker 1>can look at fine. Yeah, people can look in fine

0:13:33.280 --> 0:13:35.840
<v Speaker 1>with college y'all went to for sure for sure. But yeah,

0:13:36.280 --> 0:13:39.800
<v Speaker 1>it's unfortunate. Yeah, it's crazy and just really quick. The

0:13:39.880 --> 0:13:42.240
<v Speaker 1>crazy thing about it is that so he has a

0:13:42.280 --> 0:13:46.840
<v Speaker 1>nephew that's in the NBA right now that is complete opposite,

0:13:46.880 --> 0:13:50.280
<v Speaker 1>like he does like podcasts and stuff about racial discrimination

0:13:50.520 --> 0:13:54.040
<v Speaker 1>against black white and a white guy JJ Redick. I

0:13:54.080 --> 0:13:55.600
<v Speaker 1>told you, I can't. I can't say what it is,

0:13:55.640 --> 0:13:58.480
<v Speaker 1>but like it's crazy the opposite though, like he is,

0:13:58.559 --> 0:14:02.640
<v Speaker 1>like his nephew is like hard working fighting against like

0:14:03.960 --> 0:14:05.920
<v Speaker 1>racial discrimination. We'll talk about it. I listened to JJ

0:14:05.960 --> 0:14:08.600
<v Speaker 1>Red's podcast. He has he actually does have a great podcast.

0:14:08.600 --> 0:14:11.280
<v Speaker 1>I just got hip to it like recently. Yeah that's dope. Man. Yeah,

0:14:11.280 --> 0:14:13.880
<v Speaker 1>I'm a huge basketball guy, so I actually don't listen

0:14:13.880 --> 0:14:17.640
<v Speaker 1>to as much. Man. It sucks because I listened to

0:14:17.720 --> 0:14:20.440
<v Speaker 1>like certain ship, like I like gravitate to an album

0:14:20.960 --> 0:14:23.000
<v Speaker 1>and then I'm just stuck with it, like I'm still

0:14:23.040 --> 0:14:27.720
<v Speaker 1>listening to fucking like Freddie Gives an Alchemist Alfredo, which

0:14:27.760 --> 0:14:30.680
<v Speaker 1>was incredible tough for sure, but and then like outside

0:14:30.680 --> 0:14:33.360
<v Speaker 1>of that, I'm just I'm just listening to sports talk

0:14:33.480 --> 0:14:38.720
<v Speaker 1>radio like a degenerate sports gambler. But yeah, man, that's

0:14:38.800 --> 0:14:40.760
<v Speaker 1>that's wild. I didn't know that about you, bro, Yeah,

0:14:40.840 --> 0:14:42.680
<v Speaker 1>you know it was. It was a crazy situation, you

0:14:42.720 --> 0:14:45.400
<v Speaker 1>know what I mean. And it's, uh, it's weird because

0:14:45.440 --> 0:14:47.040
<v Speaker 1>like when I write music, I never know what I'm

0:14:47.040 --> 0:14:48.960
<v Speaker 1>gonna touch on. So I feel like one day it's

0:14:48.960 --> 0:14:50.400
<v Speaker 1>something that I'm going to touch on, but I never

0:14:50.440 --> 0:14:53.920
<v Speaker 1>come into songs like purposely, and so I'm just like

0:14:53.920 --> 0:14:55.920
<v Speaker 1>one day it'll come spilling out and not talk about it,

0:14:55.920 --> 0:14:58.160
<v Speaker 1>you know what I mean. So yeah, yeah, no, that's wild.

0:14:58.280 --> 0:15:00.520
<v Speaker 1>I think that I think that's some or too for

0:15:00.520 --> 0:15:02.800
<v Speaker 1>you to share that because I'm sure there's people who

0:15:02.880 --> 0:15:04.960
<v Speaker 1>are going through maybe similar situations. Maybe not on a

0:15:04.960 --> 0:15:07.680
<v Speaker 1>basketball team, but yeah, like whether it's their boss or

0:15:07.880 --> 0:15:10.840
<v Speaker 1>corporate environments anything. Yeah. Man, it's just fucked up right now,

0:15:10.880 --> 0:15:14.440
<v Speaker 1>like and get people got to stand up for what's right. Bro.

0:15:14.560 --> 0:15:17.320
<v Speaker 1>Yeah yeah, I mean, but I will say in twenty twenty,

0:15:18.920 --> 0:15:21.000
<v Speaker 1>because of how chaotic it is, like there always has

0:15:21.000 --> 0:15:23.720
<v Speaker 1>to be balanced, and I feel like like there's more

0:15:24.160 --> 0:15:28.119
<v Speaker 1>than ever, more white people than ever that's trying to understand.

0:15:28.200 --> 0:15:30.680
<v Speaker 1>And I always tell black people in general, like, you know,

0:15:30.800 --> 0:15:33.160
<v Speaker 1>don't criticize white people that are trying to understand that

0:15:33.200 --> 0:15:35.080
<v Speaker 1>maybe don't understand it, because that's step one. You know

0:15:35.160 --> 0:15:36.840
<v Speaker 1>what I'm saying, is them trying to the understand it.

0:15:36.920 --> 0:15:38.840
<v Speaker 1>I think that what sucks about right now is like

0:15:38.920 --> 0:15:42.800
<v Speaker 1>kind of what you just said, Like if there's no

0:15:43.000 --> 0:15:47.720
<v Speaker 1>nuance and there's no room for progress and if it's

0:15:47.800 --> 0:15:51.640
<v Speaker 1>like a yo, fuck you off the rip because you're

0:15:51.680 --> 0:15:53.680
<v Speaker 1>not exactly where I want you to be as opposed

0:15:53.680 --> 0:15:57.080
<v Speaker 1>to like you're trying, you're trying, you know, Like you

0:15:57.080 --> 0:15:59.480
<v Speaker 1>know what I'm saying. I think that that's there's two

0:15:59.600 --> 0:16:01.680
<v Speaker 1>opposite ends up the spectrum, and I think that's the

0:16:01.760 --> 0:16:04.320
<v Speaker 1>other opposite end of the spectrum where it's like, you know,

0:16:04.360 --> 0:16:07.200
<v Speaker 1>there's people who, like you said, like they might not

0:16:07.280 --> 0:16:10.640
<v Speaker 1>have known about I mean, and what's craziest, Yeah, it's crazy,

0:16:10.680 --> 0:16:12.680
<v Speaker 1>But it's like you have to understand that people's reality

0:16:12.720 --> 0:16:16.480
<v Speaker 1>are their reality. Like some people genuinely are unaware, like yeah,

0:16:16.640 --> 0:16:18.480
<v Speaker 1>this stuff was going on, but they didn't know what

0:16:18.600 --> 0:16:20.240
<v Speaker 1>they didn't know. They didn't know that it was like

0:16:20.280 --> 0:16:22.040
<v Speaker 1>and I tell people all the time, like you got

0:16:22.080 --> 0:16:25.560
<v Speaker 1>to be understanding bro to people people's environments, like you

0:16:25.600 --> 0:16:27.200
<v Speaker 1>know what I mean, Like there's people out there that

0:16:27.360 --> 0:16:30.720
<v Speaker 1>they have nothing against black people, but they literally might

0:16:30.760 --> 0:16:33.360
<v Speaker 1>not have a black person in their life. There might

0:16:33.400 --> 0:16:35.960
<v Speaker 1>be people who just don't grow up like in that environment.

0:16:36.320 --> 0:16:38.240
<v Speaker 1>Like there's people who grow up in fucking Salt Lake

0:16:38.280 --> 0:16:40.280
<v Speaker 1>City and all they know is like white Mormon kids,

0:16:40.600 --> 0:16:43.000
<v Speaker 1>you know, because you know, and if they're trying to

0:16:43.000 --> 0:16:45.320
<v Speaker 1>be empathetic, I just think that they're we're losing like

0:16:45.360 --> 0:16:47.160
<v Speaker 1>a lot of nuance in the world where it's like

0:16:47.680 --> 0:16:50.240
<v Speaker 1>you're either this or you're this. Yeah, but what if

0:16:50.240 --> 0:16:52.960
<v Speaker 1>you're like here or here, like you know what I'm saying,

0:16:52.960 --> 0:16:55.160
<v Speaker 1>You're trying to get here, you know what I'm saying.

0:16:55.480 --> 0:16:57.600
<v Speaker 1>I think even politically, it's just fucked up because I

0:16:57.880 --> 0:17:01.640
<v Speaker 1>feel like you can't, like I can criticize Joe Biden

0:17:01.880 --> 0:17:04.399
<v Speaker 1>and still say I'm voting for Joe Biden, you know

0:17:04.440 --> 0:17:07.200
<v Speaker 1>what I'm saying, Like I I don't fuck with Joe

0:17:07.200 --> 0:17:10.640
<v Speaker 1>Biden really, but I'm not voting for Donald Trump exactly,

0:17:10.720 --> 0:17:12.520
<v Speaker 1>like you know what I'm saying. But I can let

0:17:12.600 --> 0:17:14.400
<v Speaker 1>like there's like nuance, like you got to be able

0:17:14.400 --> 0:17:18.639
<v Speaker 1>to like, you know, ask questions and be critical and

0:17:19.040 --> 0:17:22.320
<v Speaker 1>just because you're critical doesn't mean like you ain't you

0:17:22.359 --> 0:17:24.200
<v Speaker 1>ain't for whatever the fuck you know what I'm saying

0:17:24.280 --> 0:17:26.159
<v Speaker 1>exactly what the issue is that we're in an environment

0:17:26.240 --> 0:17:28.960
<v Speaker 1>right now where it's like everybody jumps out the window

0:17:29.040 --> 0:17:32.760
<v Speaker 1>for everything. Like it's like you can't be you can't

0:17:32.800 --> 0:17:34.840
<v Speaker 1>even have a conversation about something. It's like you got

0:17:34.840 --> 0:17:36.280
<v Speaker 1>to pick, you know what I'm saying, Like you have

0:17:36.359 --> 0:17:38.679
<v Speaker 1>to pick what it is right now, and if you

0:17:38.720 --> 0:17:41.600
<v Speaker 1>don't and you even play defense, then it's like, you know,

0:17:41.720 --> 0:17:43.719
<v Speaker 1>then they're just gonna label you like okay, well then

0:17:43.720 --> 0:17:45.680
<v Speaker 1>you're over here, you know what I'm saying. And so yeah,

0:17:45.760 --> 0:17:49.800
<v Speaker 1>like I was like a big Bernie Sanders supporter and

0:17:49.800 --> 0:17:51.480
<v Speaker 1>and I have people like dig up tweets I said

0:17:51.480 --> 0:17:53.760
<v Speaker 1>about Joe Biden like Yo, man, you fucking you don't

0:17:53.760 --> 0:17:56.000
<v Speaker 1>even fuck with this. I'm like yeah, like obviously I'm

0:17:56.000 --> 0:17:59.280
<v Speaker 1>not like crazy about Joe Biden, Like he's probably the

0:17:59.359 --> 0:18:02.680
<v Speaker 1>least candidate on that side that I would lock out.

0:18:02.720 --> 0:18:07.199
<v Speaker 1>But you know what the other side is terrible fucking hitler,

0:18:07.920 --> 0:18:10.680
<v Speaker 1>you know, like the worst possible shit in the world,

0:18:10.800 --> 0:18:13.960
<v Speaker 1>Like I would vote for like any more, like literally

0:18:14.000 --> 0:18:17.439
<v Speaker 1>anyone else, Like it could be George W. Bush, Like

0:18:17.480 --> 0:18:20.399
<v Speaker 1>I'm running the g dub vote, you know what I'm saying,

0:18:20.760 --> 0:18:22.920
<v Speaker 1>Like fucking run I rack back. Joe Biden would have

0:18:23.000 --> 0:18:25.439
<v Speaker 1>to personally put out an attack on my family for

0:18:25.480 --> 0:18:27.520
<v Speaker 1>me to Joe Biden would have to put out like

0:18:27.560 --> 0:18:31.639
<v Speaker 1>an entire like this album, like just dissing every race, ethnicity,

0:18:31.760 --> 0:18:36.800
<v Speaker 1>sexual Come on, bro, Like it's crazy. Nah that that's

0:18:36.800 --> 0:18:40.600
<v Speaker 1>dope though. Man. So the fact you didn't start making

0:18:40.680 --> 0:18:44.280
<v Speaker 1>music till twenty fourteen, Now, were you writing before that

0:18:44.800 --> 0:18:47.639
<v Speaker 1>or was it something that like it was like I

0:18:47.680 --> 0:18:50.399
<v Speaker 1>wasn't really writing. I have some homeboys that rapped, and

0:18:50.440 --> 0:18:52.679
<v Speaker 1>I would like like kind of be with them in

0:18:52.680 --> 0:18:54.439
<v Speaker 1>the studio just on some kicking and shit, and I

0:18:54.440 --> 0:18:55.560
<v Speaker 1>would kind of like be like, oh, you know, you

0:18:55.560 --> 0:18:57.320
<v Speaker 1>should say this, you should say that. I used to

0:18:57.320 --> 0:18:59.560
<v Speaker 1>always tell me like you kind of like you kind

0:18:59.560 --> 0:19:01.399
<v Speaker 1>of tight like words and shit like that, you know

0:19:01.440 --> 0:19:03.520
<v Speaker 1>what I mean. But it was never something that I

0:19:03.640 --> 0:19:06.280
<v Speaker 1>was taking in any type of way, recording and nothing

0:19:06.320 --> 0:19:08.280
<v Speaker 1>like that, just because when I when I focus on

0:19:08.320 --> 0:19:10.600
<v Speaker 1>something and this is a good thing and a flaw,

0:19:10.720 --> 0:19:12.840
<v Speaker 1>I'm like tunnel vision when I focus on shit. So

0:19:13.320 --> 0:19:16.800
<v Speaker 1>I can't do basketball and music. I can't do music

0:19:17.000 --> 0:19:19.200
<v Speaker 1>and something else, you know what I'm saying. Like it's

0:19:19.240 --> 0:19:21.520
<v Speaker 1>like I have to focus on one thing, and you

0:19:21.600 --> 0:19:22.760
<v Speaker 1>know what I mean. Like that's just kind of how

0:19:22.800 --> 0:19:24.959
<v Speaker 1>I am. So I wasn't able to really do it

0:19:25.040 --> 0:19:28.360
<v Speaker 1>until basketball was off the table, you know what I mean.

0:19:28.440 --> 0:19:31.159
<v Speaker 1>And so and it shows that way. But I've been

0:19:31.200 --> 0:19:34.560
<v Speaker 1>blessed because things have just kind of worked very fast,

0:19:34.720 --> 0:19:36.639
<v Speaker 1>you know, in comparison to other people that happen. I mean,

0:19:36.680 --> 0:19:40.159
<v Speaker 1>you're one of the Jedis man, Like, you're one of

0:19:40.200 --> 0:19:42.480
<v Speaker 1>those guys. It's like you know what you're getting with reason,

0:19:42.600 --> 0:19:45.959
<v Speaker 1>you know, that's that's love and that's that's I mean,

0:19:46.040 --> 0:19:48.320
<v Speaker 1>six years is not a long time man, especially in

0:19:48.359 --> 0:19:49.800
<v Speaker 1>hip hop, Like the people have been doing this shit

0:19:49.840 --> 0:19:52.040
<v Speaker 1>for twenty years before we you know, we know who

0:19:52.040 --> 0:19:54.000
<v Speaker 1>they are, you know what I'm saying. That's wow. So

0:19:56.000 --> 0:19:58.920
<v Speaker 1>twenty fourteen, you start making music, you leave the basketball

0:19:58.920 --> 0:20:03.840
<v Speaker 1>shit alone. Yeah, what was the in your opinion, the

0:20:03.880 --> 0:20:08.400
<v Speaker 1>moment that you realized there were some eyes on you

0:20:09.080 --> 0:20:13.199
<v Speaker 1>that like, Okay, this is this actually really might work. Yeah. Yeah,

0:20:13.720 --> 0:20:15.880
<v Speaker 1>I remember I was doing this thing called Reason Fridays

0:20:15.880 --> 0:20:17.879
<v Speaker 1>where I just like freestyle every Friday, and I was

0:20:17.880 --> 0:20:19.400
<v Speaker 1>putting it out and it was leading it was actually

0:20:19.480 --> 0:20:22.280
<v Speaker 1>leading up to there you have it. So I dropped

0:20:22.359 --> 0:20:24.080
<v Speaker 1>like ten of them, like ten weeks in a row

0:20:24.160 --> 0:20:26.480
<v Speaker 1>leading up to the drop of that project, and like

0:20:26.520 --> 0:20:30.479
<v Speaker 1>around the eighth one, things just kind of started picking up.

0:20:30.480 --> 0:20:32.199
<v Speaker 1>Like first I got posted by like a couple of

0:20:32.200 --> 0:20:36.120
<v Speaker 1>professional athletes that Brandon Jenning shout out to him. Yeah,

0:20:36.119 --> 0:20:39.400
<v Speaker 1>he looked out Todd Gurley. It was a couple of dudes.

0:20:39.440 --> 0:20:42.280
<v Speaker 1>And then then Baller Alert posted me, and then after

0:20:42.320 --> 0:20:44.920
<v Speaker 1>that like a few like low level label reps started

0:20:44.960 --> 0:20:46.320
<v Speaker 1>reaching out and we had a couple of meetings. So

0:20:46.320 --> 0:20:48.600
<v Speaker 1>that's kind of what I realized that some eyes were

0:20:48.680 --> 0:20:50.400
<v Speaker 1>on me. But then I started talking to a dude

0:20:50.480 --> 0:20:53.480
<v Speaker 1>named Tubby. Sean Holladay shout out to Tubby. He was

0:20:53.520 --> 0:20:56.760
<v Speaker 1>like the first high level executive. He was the VP

0:20:56.880 --> 0:21:00.400
<v Speaker 1>of A and rs AT I want to say Sony time.

0:21:00.440 --> 0:21:03.800
<v Speaker 1>And he brought me into his office and played him

0:21:03.840 --> 0:21:06.200
<v Speaker 1>a bunch of records. I played him Better Days, and

0:21:06.240 --> 0:21:09.000
<v Speaker 1>after Better Days, he was like, if you can get

0:21:09.040 --> 0:21:11.679
<v Speaker 1>me like six more of these, like then like you know,

0:21:11.760 --> 0:21:14.560
<v Speaker 1>we can we can go. But things never kind of

0:21:14.560 --> 0:21:17.359
<v Speaker 1>progressed just because you know, labels And this is no

0:21:17.400 --> 0:21:19.240
<v Speaker 1>offense to Tubby at all. Like I love Tubby because

0:21:19.240 --> 0:21:20.800
<v Speaker 1>he was actually one of the first people to like

0:21:20.840 --> 0:21:25.280
<v Speaker 1>start talking to people about me. But labels, the big labels,

0:21:25.320 --> 0:21:27.560
<v Speaker 1>they don't really want to develop artists. They kind of

0:21:27.560 --> 0:21:29.120
<v Speaker 1>want to keep an eye on you until you kind

0:21:29.119 --> 0:21:30.760
<v Speaker 1>of start bubbling, you know what I mean. They want

0:21:31.920 --> 0:21:33.560
<v Speaker 1>all the ground where they come in and they put

0:21:34.440 --> 0:21:36.119
<v Speaker 1>exactly you get what I'm saying, like, and so you know,

0:21:36.200 --> 0:21:38.159
<v Speaker 1>that was kind of where Tubby was. He was like,

0:21:38.160 --> 0:21:39.439
<v Speaker 1>you know, like I just want him to kind of

0:21:39.440 --> 0:21:41.359
<v Speaker 1>get cracking first, you know what I mean. And what's

0:21:41.440 --> 0:21:44.840
<v Speaker 1>crazy is that Tubby sent my music to top and

0:21:44.920 --> 0:21:46.760
<v Speaker 1>he wanted to do a joint deal with Top because

0:21:46.800 --> 0:21:48.560
<v Speaker 1>he was like, you know, I'm not gonna get him cracking,

0:21:48.600 --> 0:21:50.879
<v Speaker 1>but I know Top can get him cracking, and he

0:21:50.920 --> 0:21:52.520
<v Speaker 1>wants to do a joint deal with Top, but Top

0:21:52.560 --> 0:21:55.199
<v Speaker 1>doesn't two joint deals. So Top never even listened to

0:21:55.240 --> 0:21:57.199
<v Speaker 1>my ship. Like he was just like as soon as

0:21:57.240 --> 0:21:59.280
<v Speaker 1>Tubby started talking about a joint deal, he was just like, well,

0:21:59.320 --> 0:22:02.040
<v Speaker 1>you know, I'm not interested. And then when I met

0:22:02.040 --> 0:22:05.200
<v Speaker 1>Top years later, Top Diggs and his emails and it's

0:22:05.240 --> 0:22:07.199
<v Speaker 1>the same songs that I'm playing them in the studio.

0:22:07.200 --> 0:22:08.679
<v Speaker 1>He like, wow, like this ship has really hit the

0:22:08.720 --> 0:22:11.840
<v Speaker 1>unopened email. Like, yeah, I think that that is one

0:22:11.920 --> 0:22:18.760
<v Speaker 1>dope thing about TD, you know, is the the development process.

0:22:19.000 --> 0:22:23.680
<v Speaker 1>You know, like they there's a dope young MC who

0:22:23.720 --> 0:22:25.520
<v Speaker 1>you guys have under your roster that I've known for

0:22:25.520 --> 0:22:29.080
<v Speaker 1>a long time. He's wearing the chain. I don't know

0:22:29.080 --> 0:22:30.760
<v Speaker 1>if it's official, so I'm not gonna say his name,

0:22:31.280 --> 0:22:33.520
<v Speaker 1>but like, I mean, he's been on the label about

0:22:33.520 --> 0:22:37.280
<v Speaker 1>a year and like just working, yeah, yeah, you know,

0:22:37.320 --> 0:22:39.720
<v Speaker 1>working on his craft and they got he showed me

0:22:39.760 --> 0:22:42.320
<v Speaker 1>some videos that y'all shot, and like, you know, it's

0:22:42.320 --> 0:22:45.960
<v Speaker 1>like that kind of like attention to detail and like

0:22:46.680 --> 0:22:50.400
<v Speaker 1>you know that ship is as a fan, it could

0:22:50.400 --> 0:22:53.560
<v Speaker 1>be frustrating, yeah, from the fans perspectives, because I'm like,

0:22:53.560 --> 0:22:56.360
<v Speaker 1>I need a fucking Isaaver shot album? Bro. By the way,

0:22:56.359 --> 0:22:59.040
<v Speaker 1>glad he's on the album, but but no, just in general,

0:22:59.080 --> 0:23:00.960
<v Speaker 1>I just think that that's something then that's that's that's

0:23:01.280 --> 0:23:03.600
<v Speaker 1>missing from the game and the process now because like

0:23:04.520 --> 0:23:06.320
<v Speaker 1>you know, like you said, man, these labels low key

0:23:06.320 --> 0:23:09.080
<v Speaker 1>are kind of holing everybody man because they want you

0:23:09.160 --> 0:23:12.200
<v Speaker 1>to do everything. Yeah. Yeah, and then once it gets

0:23:12.200 --> 0:23:14.960
<v Speaker 1>to a certain point. Now obviously once the label comes involved,

0:23:15.000 --> 0:23:18.040
<v Speaker 1>like there are looks and radio play, you know, there's

0:23:18.080 --> 0:23:21.719
<v Speaker 1>things that that that they can offer that people still can't. Right,

0:23:21.840 --> 0:23:24.439
<v Speaker 1>There's there are still some things. But like if you're like,

0:23:25.840 --> 0:23:29.680
<v Speaker 1>you know, I would just say most artists just keep grinding,

0:23:29.880 --> 0:23:32.440
<v Speaker 1>grind a little longer, build up, build up your uh

0:23:32.640 --> 0:23:37.240
<v Speaker 1>you know, your your uh, your leverage with these fools

0:23:37.240 --> 0:23:39.320
<v Speaker 1>a thousand percent. Like I tell people that all the time, Like,

0:23:39.320 --> 0:23:43.320
<v Speaker 1>if you if you don't have a sitution, like sign

0:23:43.400 --> 0:23:45.320
<v Speaker 1>up with a major label. To me, in this day

0:23:45.320 --> 0:23:47.240
<v Speaker 1>and age, it's just not smart. Now if you're gonna

0:23:47.240 --> 0:23:49.840
<v Speaker 1>sign with like a uh, well, when you don't have

0:23:49.840 --> 0:23:52.199
<v Speaker 1>the leverage if you because you're gonna get a really

0:23:52.200 --> 0:23:54.200
<v Speaker 1>bad deal. You're gonna get a really bad deal regardless,

0:23:54.200 --> 0:23:56.040
<v Speaker 1>there's nothing. You don't matter how talented you are, you

0:23:56.080 --> 0:23:57.880
<v Speaker 1>could be Michael Jackson, You're gonna get a really really

0:23:57.880 --> 0:24:00.600
<v Speaker 1>bad deal. So to me, as smart, the sign with

0:24:00.760 --> 0:24:03.600
<v Speaker 1>like some of these lower management companies and stuff like that,

0:24:03.600 --> 0:24:05.560
<v Speaker 1>like shout out to lvr N, they're doing an incredible job.

0:24:05.600 --> 0:24:06.880
<v Speaker 1>They're killing it. Yeah, you know what I mean, they're

0:24:06.960 --> 0:24:10.040
<v Speaker 1>killing it. You know, the tds, the Dreamvilles, whoever it is.

0:24:10.240 --> 0:24:12.040
<v Speaker 1>You know a lot of people look at TD A

0:24:12.080 --> 0:24:13.359
<v Speaker 1>is a major and we're not, you know what I mean,

0:24:13.359 --> 0:24:15.080
<v Speaker 1>we're independently. Yeah. No, That's why I've been trying to

0:24:15.080 --> 0:24:16.760
<v Speaker 1>tell people. It's like, Yo, if you're on TD, that

0:24:16.760 --> 0:24:19.400
<v Speaker 1>doesn't mean you're like Scope. You know what I'm saying, Like, yeah,

0:24:19.600 --> 0:24:23.600
<v Speaker 1>so you're just strictly TD, just strictly TD. So exactly,

0:24:23.640 --> 0:24:25.000
<v Speaker 1>and the same thing with me, like we're trying to

0:24:25.040 --> 0:24:26.600
<v Speaker 1>build up leverage that way, when we do take it

0:24:26.640 --> 0:24:28.160
<v Speaker 1>to a major, we get the deal that we want,

0:24:28.200 --> 0:24:29.560
<v Speaker 1>you know what I mean, we get the situation we

0:24:29.600 --> 0:24:32.760
<v Speaker 1>want which top is top. He can get whatever he wants.

0:24:32.800 --> 0:24:34.399
<v Speaker 1>But at the same time, it's it's mo organic to

0:24:34.400 --> 0:24:37.040
<v Speaker 1>be able to build that up and show your value first,

0:24:37.040 --> 0:24:39.479
<v Speaker 1>you know what I mean When you first became involved

0:24:39.480 --> 0:24:45.679
<v Speaker 1>with TD, like I feel like, what's dope about a

0:24:45.720 --> 0:24:49.600
<v Speaker 1>brand like TD? A brand like Dreamville is like their

0:24:49.640 --> 0:24:52.840
<v Speaker 1>fans are so open, like open armed, like yeah, you're

0:24:52.880 --> 0:24:56.080
<v Speaker 1>one of us now, yeah, so you automatically step into

0:24:56.160 --> 0:25:02.360
<v Speaker 1>like to like twenty thousand die hard right like did

0:25:02.359 --> 0:25:04.840
<v Speaker 1>you see that right away? Like two one thousand percent?

0:25:04.880 --> 0:25:07.520
<v Speaker 1>Like TD fans are like the they're the dopest, most

0:25:07.760 --> 0:25:11.760
<v Speaker 1>crit overly critical in the world smart hip hop. They're

0:25:11.760 --> 0:25:14.520
<v Speaker 1>smart hip hop fans and sometimes almost too smart, Like

0:25:14.520 --> 0:25:15.879
<v Speaker 1>when I because I talked to a lot of my

0:25:15.960 --> 0:25:19.040
<v Speaker 1>fans sometimes to a fart, like my managers tell me, like,

0:25:19.040 --> 0:25:21.720
<v Speaker 1>you know, I gotta be more ducckt off, But but

0:25:21.920 --> 0:25:23.600
<v Speaker 1>I talked to them because I am a fan too

0:25:23.600 --> 0:25:26.080
<v Speaker 1>and I want to know how they feel. But sometimes

0:25:26.119 --> 0:25:27.840
<v Speaker 1>I tell them, I'm like, yo, y'all listen to music

0:25:27.880 --> 0:25:30.480
<v Speaker 1>sometimes and don't enjoy it, like because you're too busy

0:25:31.000 --> 0:25:33.719
<v Speaker 1>like being critical or trying to decode what it is,

0:25:33.760 --> 0:25:39.119
<v Speaker 1>like you're not even like like like roller Blunt. Yeah, listen,

0:25:39.280 --> 0:25:41.400
<v Speaker 1>it's music, you know, I mean, it's entertainment. But nah,

0:25:41.440 --> 0:25:43.760
<v Speaker 1>shout out to all the TV fans and the Dream

0:25:43.760 --> 0:25:45.199
<v Speaker 1>Beale fans. I went tour with G I D And

0:25:45.240 --> 0:25:47.320
<v Speaker 1>realize that a lot of them cross over, you know

0:25:47.359 --> 0:25:48.719
<v Speaker 1>what I mean, like a lot of them do they

0:25:48.720 --> 0:25:53.480
<v Speaker 1>definitely love both of us? Yeah, what was what was

0:25:53.680 --> 0:25:56.639
<v Speaker 1>the record that caught tops attention? Do you remember like

0:25:56.680 --> 0:25:59.040
<v Speaker 1>which record or what it was that like, yeah that

0:25:59.200 --> 0:26:01.560
<v Speaker 1>got you that meeting with Top? Yeah, well better Days

0:26:01.680 --> 0:26:03.960
<v Speaker 1>is the one that really really caught tops attention. But

0:26:04.000 --> 0:26:06.480
<v Speaker 1>the one that made Top feel like, Yo, like this

0:26:06.600 --> 0:26:08.959
<v Speaker 1>dude can like make records because that's Top's big thing

0:26:09.040 --> 0:26:10.439
<v Speaker 1>right now. It's like, yeah, you can wrap it, can

0:26:10.480 --> 0:26:12.080
<v Speaker 1>you make me? Can you make records? Exactly? And it

0:26:12.119 --> 0:26:13.520
<v Speaker 1>was on there you have It. It It was called fuck

0:26:13.560 --> 0:26:15.159
<v Speaker 1>with Me, And when he heard that record, he was

0:26:15.240 --> 0:26:17.800
<v Speaker 1>like yo, like yeah, this dude, he can go you

0:26:17.840 --> 0:26:19.840
<v Speaker 1>know what I mean. And it wasn't even we weren't

0:26:19.840 --> 0:26:22.080
<v Speaker 1>even supposed to sign like Moosa was taking me to him.

0:26:22.520 --> 0:26:25.040
<v Speaker 1>We were actually supposed to be doing something with Dave Gross.

0:26:25.040 --> 0:26:26.480
<v Speaker 1>Shout out to Dave Gross. He do a lot of

0:26:26.480 --> 0:26:28.239
<v Speaker 1>stuff with Nip, and we were supposed to be doing

0:26:28.240 --> 0:26:30.600
<v Speaker 1>like a little partnership deal with Dave and Dave shows

0:26:30.600 --> 0:26:31.760
<v Speaker 1>a lot of love and he was gonna help me

0:26:31.760 --> 0:26:33.680
<v Speaker 1>build up a little bit. And then the plan was

0:26:33.920 --> 0:26:36.080
<v Speaker 1>to go to Top, and Moose kept listening to the

0:26:36.160 --> 0:26:38.479
<v Speaker 1>music that I had, and without me even saying so,

0:26:38.560 --> 0:26:40.240
<v Speaker 1>he just took it to Top. And then Top was like,

0:26:40.240 --> 0:26:41.639
<v Speaker 1>you know, like let's sit down and have a meeting.

0:26:42.040 --> 0:26:44.399
<v Speaker 1>And I was playing music for like an hour, Tops

0:26:44.440 --> 0:26:46.320
<v Speaker 1>not bobbing his head or nothing, like they're not giving

0:26:46.320 --> 0:26:48.600
<v Speaker 1>me nothing like he's showing Moose memes and shit, I'm

0:26:48.600 --> 0:26:51.560
<v Speaker 1>like some most disrespectful me. That's the worst when you're

0:26:51.560 --> 0:26:54.800
<v Speaker 1>playing someone music and they're on their out of my

0:26:54.840 --> 0:26:56.760
<v Speaker 1>eye trying to like see if he's fucking with it,

0:26:56.800 --> 0:26:58.960
<v Speaker 1>like he's just not. And then fuck with me played

0:26:59.000 --> 0:27:00.359
<v Speaker 1>and that was the first time that he kind of

0:27:00.359 --> 0:27:02.160
<v Speaker 1>like put his phone down and start bobbing his head.

0:27:02.640 --> 0:27:04.680
<v Speaker 1>And so I leave the meeting. I'm low key like depressed.

0:27:04.720 --> 0:27:06.280
<v Speaker 1>I'm like that shit did not go well. And Most

0:27:06.320 --> 0:27:08.040
<v Speaker 1>tells me, he like, no, you gotta understand, my pops,

0:27:08.119 --> 0:27:09.840
<v Speaker 1>Like if he didn't like it, you would you wouldn't

0:27:09.840 --> 0:27:11.359
<v Speaker 1>have been here for a hour, like he don't. He

0:27:11.400 --> 0:27:12.840
<v Speaker 1>don't do that, you know what I mean. He was like, so,

0:27:13.160 --> 0:27:14.720
<v Speaker 1>you know, he was like a deal might not happen

0:27:15.040 --> 0:27:17.040
<v Speaker 1>today or next month or whatever, but you know, like

0:27:17.119 --> 0:27:18.800
<v Speaker 1>let's just keep working and go back to Dave and

0:27:18.800 --> 0:27:21.960
<v Speaker 1>Recoop and we'll come back. And then like three days later,

0:27:22.480 --> 0:27:24.119
<v Speaker 1>Mos called me. He was like, I think my pop's

0:27:24.160 --> 0:27:26.440
<v Speaker 1>gonna sign you, and I was just like, what the fuck,

0:27:26.600 --> 0:27:28.119
<v Speaker 1>Like this is crazy, you know what I mean. And

0:27:28.119 --> 0:27:31.679
<v Speaker 1>so it happened way faster than I thought. And you know,

0:27:31.800 --> 0:27:33.840
<v Speaker 1>that was also part of the reason why I feel

0:27:33.840 --> 0:27:36.120
<v Speaker 1>like it took a little longer for me to drop

0:27:36.160 --> 0:27:38.560
<v Speaker 1>some stuff after I signed, because me and Top still

0:27:38.560 --> 0:27:40.320
<v Speaker 1>had to get to know each other as people, you

0:27:40.359 --> 0:27:42.040
<v Speaker 1>get what I'm saying, Because it's such a people label,

0:27:42.160 --> 0:27:44.320
<v Speaker 1>Yeah for sure. Yeah, so we had to still build that,

0:27:44.400 --> 0:27:46.280
<v Speaker 1>you know what I mean. But it's a family business.

0:27:47.200 --> 0:27:49.639
<v Speaker 1>People forget that, Like, yeah, yeah, it's a family business.

0:27:49.840 --> 0:27:51.720
<v Speaker 1>Like Top, will I sign you if he don't, if

0:27:51.720 --> 0:27:53.920
<v Speaker 1>he don't personally fuck with you, he'll just take you

0:27:53.960 --> 0:27:55.320
<v Speaker 1>and get you signed somewhere else and get a piece

0:27:55.320 --> 0:28:00.480
<v Speaker 1>of contract like yeah, sh exactly and everything. No, that's crazy. Yeah,

0:28:00.520 --> 0:28:03.200
<v Speaker 1>I think that, uh, you know, it's been dope to

0:28:03.200 --> 0:28:06.760
<v Speaker 1>see your development because you've been dope for so long.

0:28:07.119 --> 0:28:11.280
<v Speaker 1>And I think that your I feel like this album

0:28:11.400 --> 0:28:14.200
<v Speaker 1>is like you're coming out party, if that makes sense. Yeah, yeah,

0:28:14.240 --> 0:28:16.000
<v Speaker 1>that's how That's how I approached it too. There's so

0:28:16.040 --> 0:28:18.480
<v Speaker 1>many things happened over the last couple of years, Like,

0:28:19.520 --> 0:28:21.840
<v Speaker 1>you know, I think that that Lambeau Truck record was

0:28:21.880 --> 0:28:25.480
<v Speaker 1>so fucking special. On that Dreamville album obviously, you know,

0:28:25.800 --> 0:28:27.200
<v Speaker 1>like you said, you went on tour with with j

0:28:27.359 --> 0:28:29.800
<v Speaker 1>I D. And like, you know, you've been just kind

0:28:29.840 --> 0:28:33.479
<v Speaker 1>of like it's been like a tumbleweed, just accumulating more

0:28:33.520 --> 0:28:35.719
<v Speaker 1>and more like momentum. And I think that, you know,

0:28:35.760 --> 0:28:38.680
<v Speaker 1>now's the time talk about the album, man, because there's

0:28:38.680 --> 0:28:40.840
<v Speaker 1>a lot of personal shit on the album. There's a

0:28:40.880 --> 0:28:43.760
<v Speaker 1>lot of moments on the project that were like like

0:28:43.840 --> 0:28:46.720
<v Speaker 1>oh fuck, moments like damn, this shit is like crazy,

0:28:46.840 --> 0:28:50.280
<v Speaker 1>like thank you? How did you approach this shit? Did

0:28:50.280 --> 0:28:54.320
<v Speaker 1>you approach it kind of like, you know, because you

0:28:54.320 --> 0:28:56.880
<v Speaker 1>didn't tell all your story obviously, yeah. Yeah, and I

0:28:56.880 --> 0:28:58.920
<v Speaker 1>didn't even completely dive all the way into it. It's

0:28:58.920 --> 0:29:02.200
<v Speaker 1>funny some of the more person ones. We're records that

0:29:02.200 --> 0:29:04.560
<v Speaker 1>were supposed to be on my debut album that I'm

0:29:04.560 --> 0:29:06.600
<v Speaker 1>working on right now. So I consider this like a project.

0:29:06.640 --> 0:29:08.360
<v Speaker 1>So this is like a mixtape. It's like a mixtape

0:29:08.400 --> 0:29:11.840
<v Speaker 1>kind of and what I consider it's funny because I

0:29:11.840 --> 0:29:13.600
<v Speaker 1>hate when artists do that, but now I'm that guy,

0:29:14.000 --> 0:29:16.600
<v Speaker 1>that guy. I'm definitely that guy. But yeah, it's kind

0:29:16.600 --> 0:29:18.440
<v Speaker 1>of like a mixtape or a project or a collection

0:29:18.480 --> 0:29:20.760
<v Speaker 1>of songs. And it's funny because when we made it,

0:29:20.840 --> 0:29:23.640
<v Speaker 1>we were like, damn, we need some shit for like

0:29:23.720 --> 0:29:25.840
<v Speaker 1>the core fans, like cause it's not personal enough, you

0:29:25.880 --> 0:29:27.360
<v Speaker 1>know what I mean. And that's kind of when we added,

0:29:27.760 --> 0:29:31.040
<v Speaker 1>uh the slow downs and the gossips and the falls

0:29:31.760 --> 0:29:35.080
<v Speaker 1>and then Windows Crow didn't get added until Top called

0:29:35.120 --> 0:29:37.120
<v Speaker 1>and wanted to add it, which is crazy because of

0:29:37.120 --> 0:29:39.959
<v Speaker 1>the content on there. But Top called and was like, nah,

0:29:40.000 --> 0:29:41.720
<v Speaker 1>that should be the outro. So that's kind of how

0:29:41.760 --> 0:29:44.000
<v Speaker 1>we put it together. But I approached it from a celebratory,

0:29:44.800 --> 0:29:47.880
<v Speaker 1>like stant like like point of view, because there you have.

0:29:47.880 --> 0:29:50.640
<v Speaker 1>It dropped originally in twenty sixteen, and so I got

0:29:50.680 --> 0:29:52.440
<v Speaker 1>a bunch of Day one fans that's been riding with me.

0:29:52.440 --> 0:29:54.600
<v Speaker 1>And they see me, they see me get signed and

0:29:54.640 --> 0:29:56.600
<v Speaker 1>we redropped. There you have it, and they're like, yay,

0:29:56.600 --> 0:29:58.880
<v Speaker 1>that's great for you, but like, where's the where's the

0:29:58.920 --> 0:30:00.880
<v Speaker 1>new music? We've been We've been heart this shit, And

0:30:00.920 --> 0:30:04.240
<v Speaker 1>so I wanted to give them something that I felt

0:30:04.240 --> 0:30:05.920
<v Speaker 1>like they would want to hear. So I approach it

0:30:05.960 --> 0:30:08.520
<v Speaker 1>like I'm not even a feature heavy type of artist,

0:30:08.560 --> 0:30:10.480
<v Speaker 1>but I was like, okay, you know what do I

0:30:10.480 --> 0:30:11.840
<v Speaker 1>want to hear as a fan? You know what I mean?

0:30:11.920 --> 0:30:14.000
<v Speaker 1>I always want to hear zamg In on a record together,

0:30:14.080 --> 0:30:15.440
<v Speaker 1>like let me go do that, you know what I mean?

0:30:16.040 --> 0:30:18.680
<v Speaker 1>Rap City for the rap heads is like fire fire,

0:30:18.760 --> 0:30:20.959
<v Speaker 1>you know what I mean? Yeah, she went crazy. It's

0:30:21.000 --> 0:30:23.160
<v Speaker 1>my favorite feature on the shit. So when it did that,

0:30:23.200 --> 0:30:24.479
<v Speaker 1>I was like, you know, let me take care of home,

0:30:24.560 --> 0:30:26.120
<v Speaker 1>let me bring soul out the cave. So we did

0:30:26.120 --> 0:30:28.000
<v Speaker 1>trapped In, we did Flick it Up. Trapped In didn't

0:30:28.000 --> 0:30:29.520
<v Speaker 1>make it, but Flick it Up of course made it.

0:30:29.800 --> 0:30:31.680
<v Speaker 1>So I approach it from that standpoint, like from a

0:30:31.680 --> 0:30:35.360
<v Speaker 1>fan standpoint, and let's make fun records, Let's make you

0:30:35.400 --> 0:30:37.440
<v Speaker 1>know what I mean, Let's get dope features, let's get

0:30:37.480 --> 0:30:39.960
<v Speaker 1>shited like that. Dope production, and then we came back

0:30:40.000 --> 0:30:42.440
<v Speaker 1>and at it the personal elements, and so that's kind

0:30:42.440 --> 0:30:44.560
<v Speaker 1>of how I attacked it from putting it together as

0:30:44.760 --> 0:30:48.440
<v Speaker 1>a whole project. Yeah, on the album Falls, a record

0:30:48.440 --> 0:30:50.360
<v Speaker 1>that I thought was really dope, because you know, the

0:30:50.360 --> 0:30:52.400
<v Speaker 1>first verse is you wrapping from the perspective of like

0:30:52.440 --> 0:30:56.320
<v Speaker 1>an upcoming female artist who you know, And I do

0:30:56.360 --> 0:30:59.560
<v Speaker 1>think that that's something that's kind of unsett in music.

0:30:59.720 --> 0:31:03.719
<v Speaker 1>Like I even think, like when we think of female mcs,

0:31:03.760 --> 0:31:08.720
<v Speaker 1>like I think, like, and it's unfortunate, like Rhap City's

0:31:08.720 --> 0:31:10.520
<v Speaker 1>on the album, and rhap City, to me is the

0:31:10.520 --> 0:31:14.400
<v Speaker 1>best to me female and one of the best overall overall.

0:31:14.920 --> 0:31:18.840
<v Speaker 1>Like I think she's like top five at very very minimum,

0:31:18.880 --> 0:31:21.920
<v Speaker 1>top ten MC's period. No, No, she's like, yeah, she's

0:31:22.000 --> 0:31:24.120
<v Speaker 1>up there, but like as a female, she's like that,

0:31:24.280 --> 0:31:27.400
<v Speaker 1>She's like, yeah, she's But I feel like it sucks

0:31:27.440 --> 0:31:31.760
<v Speaker 1>because she's not overly sexualized. People don't give her that respect.

0:31:31.840 --> 0:31:34.920
<v Speaker 1>And that's not like I give her that respect, but

0:31:34.960 --> 0:31:39.560
<v Speaker 1>I feel like because she's not an overly sexualized female artist,

0:31:39.600 --> 0:31:42.240
<v Speaker 1>she doesn't get the respect that she deserves. And that's

0:31:42.280 --> 0:31:44.560
<v Speaker 1>just kind of like the world we're fucking in like

0:31:44.600 --> 0:31:47.200
<v Speaker 1>you know what I'm saying. It's it's tough, like but

0:31:47.400 --> 0:31:50.000
<v Speaker 1>I thought that was dope, like like, was there anybody

0:31:50.040 --> 0:31:51.960
<v Speaker 1>in mind like when you wrote that, Like like you

0:31:52.000 --> 0:31:53.480
<v Speaker 1>don't got to see aybody's name, but was there some

0:31:53.640 --> 0:31:56.360
<v Speaker 1>well actually rap that's how we met. So on that

0:31:56.480 --> 0:31:58.480
<v Speaker 1>verse on on Fall, which I personally think is the

0:31:58.520 --> 0:32:01.320
<v Speaker 1>most important record on the album, because of that that

0:32:01.440 --> 0:32:04.240
<v Speaker 1>verse about female MC's and about and the second verse yeah,

0:32:04.240 --> 0:32:05.600
<v Speaker 1>and the second verse too as well, you get what

0:32:05.600 --> 0:32:09.440
<v Speaker 1>I'm saying. And uh, but unfortunately, because of what we

0:32:09.560 --> 0:32:11.600
<v Speaker 1>just talked about, I was a late Rahps City fan.

0:32:11.600 --> 0:32:13.720
<v Speaker 1>I didn't get put onto Layla's wisdom. And I'm on

0:32:13.800 --> 0:32:16.240
<v Speaker 1>tour with rock and I'm listening and I'm like, yo,

0:32:16.400 --> 0:32:19.000
<v Speaker 1>what the fuck? Like like she is crazy? Yeah, her

0:32:19.040 --> 0:32:21.160
<v Speaker 1>and Kendrick had been putting in work for like ten year,

0:32:21.160 --> 0:32:22.760
<v Speaker 1>and I didn't. I was just wasn't hip, you know

0:32:22.800 --> 0:32:25.120
<v Speaker 1>what I mean. And so I wrote the verse and

0:32:25.160 --> 0:32:27.000
<v Speaker 1>I actually even say on the verse, I say I

0:32:27.000 --> 0:32:29.360
<v Speaker 1>had a combo with Layla's share share sharing some of

0:32:29.400 --> 0:32:30.840
<v Speaker 1>her wisdom when we came to kick it with me.

0:32:30.880 --> 0:32:32.880
<v Speaker 1>So I wrote it from her perspective and I didn't

0:32:32.880 --> 0:32:34.640
<v Speaker 1>write the second verse yet, and she was following me

0:32:34.720 --> 0:32:36.920
<v Speaker 1>on Twitter, and so I just reached out to her

0:32:36.920 --> 0:32:38.600
<v Speaker 1>and was like, hey, I wrote a verse about you,

0:32:38.720 --> 0:32:40.000
<v Speaker 1>like I just want to send it to you so

0:32:40.120 --> 0:32:41.800
<v Speaker 1>that you could hear it, like it's special to me.

0:32:42.240 --> 0:32:44.000
<v Speaker 1>And I sent it to her and she called me

0:32:44.040 --> 0:32:46.000
<v Speaker 1>and she said that she started tearing up listening to

0:32:46.000 --> 0:32:48.640
<v Speaker 1>her because she she had stories about that where people

0:32:48.680 --> 0:32:51.120
<v Speaker 1>were talking to her and telling her how she needs

0:32:51.160 --> 0:32:53.160
<v Speaker 1>to like sexualize herself a little bit more. She was

0:32:53.200 --> 0:32:55.160
<v Speaker 1>just trying to stick to the core. And she said,

0:32:55.160 --> 0:32:56.840
<v Speaker 1>you know, that whole she just wanted to be an artist,

0:32:56.840 --> 0:32:58.800
<v Speaker 1>like she felt that because that's all she She was like,

0:32:58.840 --> 0:33:00.480
<v Speaker 1>I just wanted to rap and make music, you know

0:33:00.520 --> 0:33:03.560
<v Speaker 1>what I mean. And so that's how we made our connection.

0:33:04.040 --> 0:33:05.600
<v Speaker 1>And then after that, a couple months later, it was

0:33:05.640 --> 0:33:06.920
<v Speaker 1>when I said her, I can make it, and then

0:33:07.000 --> 0:33:08.600
<v Speaker 1>you know, we ended up doing that. So she was

0:33:08.640 --> 0:33:10.280
<v Speaker 1>definitely the one that was on them. So she was

0:33:10.560 --> 0:33:13.440
<v Speaker 1>she was she was the main behind that entire Yeah,

0:33:13.480 --> 0:33:15.160
<v Speaker 1>for sure, I saw I thought that when I heard it.

0:33:15.200 --> 0:33:17.520
<v Speaker 1>I was like, Yo, this ship like just reminds me

0:33:17.560 --> 0:33:20.560
<v Speaker 1>of like like cause I've been a Rhapsody fan for

0:33:20.600 --> 0:33:26.320
<v Speaker 1>so long. Yeah, and you know it's just I was like,

0:33:26.400 --> 0:33:29.520
<v Speaker 1>how is she not more respected? And it's really like

0:33:30.240 --> 0:33:32.920
<v Speaker 1>it's just because we have such a shallow industry that

0:33:32.960 --> 0:33:35.360
<v Speaker 1>we're in and really just like fans are so also

0:33:35.520 --> 0:33:39.120
<v Speaker 1>shallow money. Yeah, yeah, you know what I'm saying, Like,

0:33:39.160 --> 0:33:41.880
<v Speaker 1>not every fan, like you know, it's unfortunate, and you

0:33:41.880 --> 0:33:43.120
<v Speaker 1>know I used to be guilty of that when I

0:33:43.160 --> 0:33:44.520
<v Speaker 1>was like younger, you know what I'm saying, Like, but

0:33:45.560 --> 0:33:49.200
<v Speaker 1>I definitely think like that's an important verse and then

0:33:49.200 --> 0:33:51.320
<v Speaker 1>even the second verse, and this is something that I

0:33:51.320 --> 0:33:53.640
<v Speaker 1>think is finally I feel like starting to kind of

0:33:53.720 --> 0:33:55.640
<v Speaker 1>die out. I feel like a lot of the young

0:33:55.720 --> 0:33:58.600
<v Speaker 1>artists that I'm meeting aren't drugged out of their minds exactly,

0:33:58.720 --> 0:34:01.440
<v Speaker 1>but for like two or three years bro, like twenty seventeen,

0:34:01.480 --> 0:34:05.640
<v Speaker 1>twenty eighteen, last year, like it's it was rough because

0:34:05.720 --> 0:34:09.640
<v Speaker 1>everybody we would have come by the radio station would

0:34:09.680 --> 0:34:14.760
<v Speaker 1>be fucking high as fuck and no understanding the damage.

0:34:14.800 --> 0:34:17.160
<v Speaker 1>Like and that's why to me that that song, like

0:34:17.200 --> 0:34:19.360
<v Speaker 1>I said, to me, the most important record on the

0:34:19.480 --> 0:34:23.000
<v Speaker 1>on the project, because it's like, not only is this

0:34:23.120 --> 0:34:26.040
<v Speaker 1>industry affecting, like the quote unquote street niggas that come

0:34:26.040 --> 0:34:28.360
<v Speaker 1>in and how they are with drugs and stuff like

0:34:28.400 --> 0:34:31.000
<v Speaker 1>that too. But that's the reason why even though he's

0:34:31.000 --> 0:34:32.640
<v Speaker 1>so loved and I love him too, you know, rest

0:34:32.680 --> 0:34:35.600
<v Speaker 1>in peace, mc miller. That's why I mentioned his name. Was, Yeah,

0:34:35.719 --> 0:34:37.359
<v Speaker 1>I heard you mention his name. I wonder if you're

0:34:37.360 --> 0:34:39.480
<v Speaker 1>going to catch some flat for that, Yeah, and I might.

0:34:39.560 --> 0:34:41.040
<v Speaker 1>But at the at the end of the day, like

0:34:41.239 --> 0:34:43.239
<v Speaker 1>I pride myself on being like one of the more

0:34:43.440 --> 0:34:46.880
<v Speaker 1>more honest artists out here, and I love mc miller,

0:34:46.960 --> 0:34:49.320
<v Speaker 1>and and it's a it's a tragedy what happened. But

0:34:49.360 --> 0:34:52.000
<v Speaker 1>the reason why I mentioned his name was to show

0:34:52.080 --> 0:34:55.040
<v Speaker 1>the industry, like it's for the people that's gonna say, well,

0:34:55.360 --> 0:34:57.400
<v Speaker 1>it's just these artists that are affected by it, the

0:34:57.440 --> 0:34:59.719
<v Speaker 1>ones that comes, and it's not this is just the

0:35:00.000 --> 0:35:02.719
<v Speaker 1>It's not just the littles. This is a great kid.

0:35:03.239 --> 0:35:04.759
<v Speaker 1>Hill was like one of the great. He was like

0:35:04.800 --> 0:35:07.440
<v Speaker 1>one of the great and a great kid and a

0:35:07.480 --> 0:35:10.680
<v Speaker 1>great guy and a nice guy in this industry in

0:35:10.719 --> 0:35:12.640
<v Speaker 1>my opinion, you know what I mean, destroy him. And

0:35:12.640 --> 0:35:14.360
<v Speaker 1>they're not just the young boys. It's not just the

0:35:14.400 --> 0:35:15.880
<v Speaker 1>young boys. And that was the reason why I did it.

0:35:15.880 --> 0:35:16.960
<v Speaker 1>I was like, you know, there's a chance that I

0:35:16.960 --> 0:35:18.520
<v Speaker 1>could catch some flat. But I feel like this is

0:35:18.560 --> 0:35:21.239
<v Speaker 1>so important for people to understand. Is that, like it's

0:35:21.320 --> 0:35:25.400
<v Speaker 1>not just the littles. It's like this industry affects everybody,

0:35:25.480 --> 0:35:29.720
<v Speaker 1>especially the kids that are stars young like Mac Miller

0:35:29.800 --> 0:35:31.399
<v Speaker 1>has been in this shit since he was like eight,

0:35:31.760 --> 0:35:33.000
<v Speaker 1>you know what I mean. So it's like when you

0:35:33.000 --> 0:35:35.000
<v Speaker 1>grow up in this industry, you almost don't even have

0:35:35.080 --> 0:35:38.760
<v Speaker 1>a shot unless we start changing how we approach kids,

0:35:38.800 --> 0:35:40.359
<v Speaker 1>Like these are kids, bro, you know what I mean,

0:35:40.400 --> 0:35:42.320
<v Speaker 1>And we're putting certain things in front of their face

0:35:42.800 --> 0:35:44.840
<v Speaker 1>and expecting them. You know, how are you, as a

0:35:44.840 --> 0:35:48.000
<v Speaker 1>fifteen year old, gonna be in the studio with one

0:35:48.040 --> 0:35:50.520
<v Speaker 1>of your idols and he offered you a blunt and

0:35:50.520 --> 0:35:51.879
<v Speaker 1>not hit the blunt? Like you know what I'm saying.

0:35:51.880 --> 0:35:53.520
<v Speaker 1>Like it is so it's like we got to start

0:35:53.520 --> 0:35:57.080
<v Speaker 1>taking more accountability or like if you're yet and like

0:35:57.120 --> 0:35:59.319
<v Speaker 1>you said, I mean, weed is one thing, but like

0:35:59.400 --> 0:36:00.680
<v Speaker 1>how are you going to be in the studio with

0:36:00.719 --> 0:36:04.240
<v Speaker 1>whoever and let's say they got zams or they're sniffing lines,

0:36:04.320 --> 0:36:06.960
<v Speaker 1>like bro, and these are your idols, You're like, I

0:36:07.000 --> 0:36:08.560
<v Speaker 1>don't want to look like the guy that's like you

0:36:08.600 --> 0:36:10.279
<v Speaker 1>know what I mean, Like it's the running joke like, oh,

0:36:10.280 --> 0:36:11.959
<v Speaker 1>Snoop pass me a blood, I don't smoke, but Snoop

0:36:11.960 --> 0:36:13.440
<v Speaker 1>past me a blood, Like you know what I'm saying,

0:36:13.560 --> 0:36:16.160
<v Speaker 1>Like that's like I've been, I've done that, but I

0:36:16.200 --> 0:36:19.440
<v Speaker 1>do smoke. Yeah, but I also like, yeah, I'm like

0:36:19.800 --> 0:36:22.440
<v Speaker 1>Snoop passages like how are you not going to do

0:36:22.600 --> 0:36:28.000
<v Speaker 1>exactly people? But but it's like, yeah, I think that,

0:36:28.160 --> 0:36:29.960
<v Speaker 1>you know, I've been, I've been kind of you know.

0:36:29.960 --> 0:36:31.800
<v Speaker 1>Shout Out to Future is one of my favorite artists,

0:36:31.800 --> 0:36:33.440
<v Speaker 1>but I was kind of critical of him pretty heavily

0:36:33.440 --> 0:36:35.440
<v Speaker 1>when it came to like just the narrative he was

0:36:35.480 --> 0:36:37.640
<v Speaker 1>pushing and he's living his true through his music. But

0:36:37.680 --> 0:36:39.840
<v Speaker 1>I just think that there was just an air of

0:36:40.239 --> 0:36:43.719
<v Speaker 1>and it's still going on, you know, but I just

0:36:43.719 --> 0:36:45.560
<v Speaker 1>feel like there's this whole way of kids that were

0:36:45.600 --> 0:36:50.839
<v Speaker 1>just influenced by by like that that kind of ship.

0:36:50.960 --> 0:36:54.440
<v Speaker 1>Like I think I think, you know, the fact like

0:36:54.560 --> 0:36:58.080
<v Speaker 1>mask Off was such a big song. The whole hook

0:36:58.160 --> 0:37:03.000
<v Speaker 1>is a back purpose number one rec I got right

0:37:05.480 --> 0:37:08.680
<v Speaker 1>is playing. Yeah, it's playing twenty thousand times a day

0:37:09.400 --> 0:37:12.800
<v Speaker 1>on the radio, bro, and they're not bleeping out Moley

0:37:12.840 --> 0:37:15.440
<v Speaker 1>birth is that they're not bleeping it out, Yeah exactly,

0:37:15.480 --> 0:37:17.759
<v Speaker 1>And that's my whole thing is like like for me,

0:37:17.800 --> 0:37:20.360
<v Speaker 1>it's like, you know, I never I never mind catching

0:37:20.440 --> 0:37:22.879
<v Speaker 1>flak if it's something that I stand on and it's

0:37:22.880 --> 0:37:24.400
<v Speaker 1>in my morals, you ge what I'm saying. Like, And

0:37:24.440 --> 0:37:26.279
<v Speaker 1>that's not to say that I'm perfect, because you know

0:37:26.320 --> 0:37:28.000
<v Speaker 1>there's times that I rap about you know what I mean,

0:37:28.040 --> 0:37:29.880
<v Speaker 1>smoking or drinking or whatever in case I may be

0:37:29.880 --> 0:37:32.000
<v Speaker 1>because I do it, But I also tell the other

0:37:32.040 --> 0:37:33.680
<v Speaker 1>sides of the story as well. And that's all I

0:37:33.719 --> 0:37:36.480
<v Speaker 1>say for people is like, you know, everybody live your truth,

0:37:36.520 --> 0:37:39.000
<v Speaker 1>you know what I mean, But understand that like when

0:37:39.080 --> 0:37:41.479
<v Speaker 1>you when you're giving money and fame and all this stuff,

0:37:41.520 --> 0:37:44.000
<v Speaker 1>like you still hold a certain level of responsibility. And

0:37:44.080 --> 0:37:48.080
<v Speaker 1>if it's artists that I am genuinely enjoying I'm a

0:37:48.080 --> 0:37:51.000
<v Speaker 1>fan of, I'm always gonna hold you accountable regardless. And

0:37:51.040 --> 0:37:52.400
<v Speaker 1>that doesn't mean that I don't like you, you know

0:37:52.440 --> 0:37:53.680
<v Speaker 1>what I mean. It just means that I'm holding you

0:37:53.719 --> 0:37:57.120
<v Speaker 1>accountable because you're in a position that you know, you

0:37:57.200 --> 0:37:58.960
<v Speaker 1>are a role model to somebody, you know, what I mean.

0:37:58.960 --> 0:38:01.560
<v Speaker 1>And if your fans, if I catch flackpard in your fans,

0:38:01.600 --> 0:38:03.359
<v Speaker 1>you know, feel some type of way about it, I'm

0:38:03.400 --> 0:38:05.440
<v Speaker 1>okay with it if it's something that I morally stand on,

0:38:05.480 --> 0:38:06.640
<v Speaker 1>you know what I mean. So that's kind of where

0:38:06.640 --> 0:38:09.480
<v Speaker 1>I'm at with it. Also on the project, you talk

0:38:09.520 --> 0:38:12.960
<v Speaker 1>about losing losing a child. Yeah, the issue of you know, abortion.

0:38:13.120 --> 0:38:16.160
<v Speaker 1>I think that's something that I never personally went through,

0:38:16.160 --> 0:38:17.800
<v Speaker 1>but I know, you know a lot a lot of

0:38:17.840 --> 0:38:20.840
<v Speaker 1>people have. Yeah, yeah, And I haven't really heard anybody

0:38:20.840 --> 0:38:23.399
<v Speaker 1>really dive into that issue on record since, Like there

0:38:23.440 --> 0:38:25.080
<v Speaker 1>was a comment in Lauryn Hill record when I was

0:38:25.080 --> 0:38:28.719
<v Speaker 1>a kid that was like crazy, But yeah, why was

0:38:28.719 --> 0:38:30.920
<v Speaker 1>that important to address? Because I feel like that's something that,

0:38:30.960 --> 0:38:34.399
<v Speaker 1>you know, man, that's a deep issue to dive into. Bro. Yeah. Yeah,

0:38:34.440 --> 0:38:37.319
<v Speaker 1>for me, it's funny. As a defense mechanism, I do

0:38:37.400 --> 0:38:39.600
<v Speaker 1>this thing where when I go through stuff that bothers me,

0:38:39.640 --> 0:38:42.320
<v Speaker 1>I just kind of forget about it, And so writing

0:38:42.320 --> 0:38:44.000
<v Speaker 1>about it was actually like the first time I even

0:38:44.000 --> 0:38:45.600
<v Speaker 1>talked about it. Like I didn't even tell my brother

0:38:45.640 --> 0:38:47.959
<v Speaker 1>as close as we are that that happened, just because

0:38:47.960 --> 0:38:49.680
<v Speaker 1>I just kind of wanted to forget about it, and

0:38:49.960 --> 0:38:51.960
<v Speaker 1>unfortunately it was in a situation where there wasn't a

0:38:51.960 --> 0:38:55.239
<v Speaker 1>lot of love in that situation, and you know, I,

0:38:56.520 --> 0:39:01.040
<v Speaker 1>you know, was the person that you know, didn't didn't

0:39:01.080 --> 0:39:04.000
<v Speaker 1>necessarily like like tell her to do it, but at

0:39:04.000 --> 0:39:06.360
<v Speaker 1>the same time was definitely like a guide trying to

0:39:06.440 --> 0:39:07.960
<v Speaker 1>lead her like this is going to mess up my

0:39:07.960 --> 0:39:11.480
<v Speaker 1>life or whatever the case may be. And I regretted it,

0:39:11.520 --> 0:39:14.480
<v Speaker 1>not because I wanted a kid at the time, but

0:39:14.560 --> 0:39:16.600
<v Speaker 1>just because of the fact that, you know, this is

0:39:16.640 --> 0:39:19.880
<v Speaker 1>something that is so sacred to a woman, and a

0:39:19.920 --> 0:39:21.320
<v Speaker 1>woman should be able to have that, you know what

0:39:21.360 --> 0:39:23.799
<v Speaker 1>I mean, which she still ultimately had that choice, but

0:39:24.040 --> 0:39:25.680
<v Speaker 1>I was being guiding and so that's why I talk

0:39:25.719 --> 0:39:27.919
<v Speaker 1>about it in the record, to hold myself accountable and say,

0:39:28.160 --> 0:39:30.320
<v Speaker 1>like I need to grow up, like that's that's childish

0:39:30.320 --> 0:39:32.719
<v Speaker 1>to have that mindset. That's childish to be that way

0:39:32.760 --> 0:39:34.080
<v Speaker 1>and to think that way, you know what I mean.

0:39:34.120 --> 0:39:38.480
<v Speaker 1>And so how long was that that was probably like shit,

0:39:38.640 --> 0:39:42.000
<v Speaker 1>like two and a half years ago, oh shit, yeah recent, yeah,

0:39:42.080 --> 0:39:44.480
<v Speaker 1>yeah exactly. And so for me, it was just like,

0:39:44.520 --> 0:39:47.319
<v Speaker 1>you know, I wanted to hold myself accountable for that

0:39:47.400 --> 0:39:50.560
<v Speaker 1>and speak about it and just for anybody else that's

0:39:50.600 --> 0:39:52.840
<v Speaker 1>in that situation to know, like, you know, men have

0:39:52.880 --> 0:39:54.839
<v Speaker 1>to be men, and you make the bed, you gotta

0:39:54.880 --> 0:39:56.279
<v Speaker 1>lie in it, you know what I mean. And it

0:39:56.320 --> 0:39:58.080
<v Speaker 1>should be her choice. And if she wants to do that,

0:39:58.120 --> 0:39:59.839
<v Speaker 1>then cool. If she doesn't want to do it, then cool,

0:40:00.160 --> 0:40:02.560
<v Speaker 1>But it should always be their choice, you know what

0:40:02.560 --> 0:40:05.239
<v Speaker 1>I'm saying. So I wanted to hold myself accountable or that, Yeah, no,

0:40:05.320 --> 0:40:07.080
<v Speaker 1>I think that that's some real shit. Like I think

0:40:07.120 --> 0:40:10.960
<v Speaker 1>that you know if you're like, uh, like your guide

0:40:11.000 --> 0:40:13.719
<v Speaker 1>in your narrative, like hey, look we don't work with

0:40:13.760 --> 0:40:15.279
<v Speaker 1>each other, like you know what I'm saying, Like you

0:40:15.320 --> 0:40:17.680
<v Speaker 1>know what I mean, And sometimes like you're pretty much

0:40:17.680 --> 0:40:19.920
<v Speaker 1>saying like, look I really gonna be around like that,

0:40:20.000 --> 0:40:21.880
<v Speaker 1>you know what I mean. And then that kind of

0:40:21.920 --> 0:40:24.560
<v Speaker 1>influences her decision and you know, as opposed to just

0:40:24.600 --> 0:40:27.440
<v Speaker 1>being like it's on you you want to do exactly

0:40:27.480 --> 0:40:29.239
<v Speaker 1>like you know where we are, Like she doesn't need

0:40:29.280 --> 0:40:32.120
<v Speaker 1>you to remind you mind, you of where you guys are,

0:40:32.160 --> 0:40:33.480
<v Speaker 1>you know what I'm saying. So that's my whole thing.

0:40:33.480 --> 0:40:35.680
<v Speaker 1>It's like, you know, y'all can have a completely have

0:40:35.719 --> 0:40:38.920
<v Speaker 1>an adult conversation about what the circumstances are and all

0:40:38.960 --> 0:40:40.920
<v Speaker 1>of that. I think that that part should always be had,

0:40:40.960 --> 0:40:42.239
<v Speaker 1>you know what I mean. But it shouldn't be a

0:40:42.280 --> 0:40:44.799
<v Speaker 1>guiding conversation, you know what I mean. It should be

0:40:45.080 --> 0:40:48.759
<v Speaker 1>just a conversation around where we are, you know, money, situation,

0:40:49.320 --> 0:40:51.640
<v Speaker 1>love and for sure, and then you know, ultimately you

0:40:51.680 --> 0:40:54.520
<v Speaker 1>make your decision. Isn't you make your decision? How did

0:40:55.080 --> 0:40:59.520
<v Speaker 1>the Showstop record come together with the Kendrick we'll call

0:40:59.600 --> 0:41:02.799
<v Speaker 1>him Adelte Yeah kind of like yeah, yeah, yeah, cause

0:41:02.840 --> 0:41:04.319
<v Speaker 1>that was like a shout out rock I kind of

0:41:04.320 --> 0:41:06.240
<v Speaker 1>took a swag on that. I saw Wind going crazy.

0:41:06.280 --> 0:41:07.560
<v Speaker 1>I was like, I need some I need some ad

0:41:07.600 --> 0:41:10.319
<v Speaker 1>libs right right right right right right yeah by the way. Yeah,

0:41:11.040 --> 0:41:13.920
<v Speaker 1>but no, like how did uh like, did you just

0:41:14.000 --> 0:41:16.640
<v Speaker 1>grab those vocals from like a session or did he

0:41:16.719 --> 0:41:21.560
<v Speaker 1>come in and nah? Yeah, that sounded like the record

0:41:21.600 --> 0:41:25.000
<v Speaker 1>from the Black Panthers soundtrack with Travis? Was it off

0:41:25.040 --> 0:41:27.600
<v Speaker 1>of that? Not? The ideas were birth though from that

0:41:27.760 --> 0:41:29.600
<v Speaker 1>and when it was birth from those records, and I

0:41:29.640 --> 0:41:32.160
<v Speaker 1>had show Stop already and we were already talking about

0:41:32.160 --> 0:41:34.200
<v Speaker 1>it being a single, and I was trying to get

0:41:34.200 --> 0:41:36.399
<v Speaker 1>a verse. I'm not gonna lie. Yeah, exactly, of course,

0:41:36.400 --> 0:41:37.919
<v Speaker 1>like I'm a swing for the fences. I was trying

0:41:37.920 --> 0:41:40.880
<v Speaker 1>to get a verse, but I started to slowly realize

0:41:40.880 --> 0:41:43.480
<v Speaker 1>in the conversation that ad libs are more reasonable, you

0:41:43.480 --> 0:41:45.320
<v Speaker 1>know what I'm saying. And it's funny cause fans be

0:41:45.360 --> 0:41:47.560
<v Speaker 1>giving me slacked it like, oh, Kendricks, Oh he just

0:41:47.640 --> 0:41:49.799
<v Speaker 1>hit the ad libs. I'm like, it took me six

0:41:49.840 --> 0:41:52.160
<v Speaker 1>months to get these ad libs, Like y'all better enjoy

0:41:52.200 --> 0:41:54.120
<v Speaker 1>these ad libs, like it took me a long time

0:41:54.200 --> 0:41:56.400
<v Speaker 1>to get those ad libs from dot you know what

0:41:56.440 --> 0:41:57.960
<v Speaker 1>I mean, like to a point where I thought they

0:41:58.000 --> 0:42:00.160
<v Speaker 1>weren't coming. And it's funny because even when he get

0:42:00.160 --> 0:42:01.759
<v Speaker 1>the ad libs, he did a whole track of him

0:42:02.080 --> 0:42:05.160
<v Speaker 1>and I still like, we're like taking some and plugging

0:42:05.200 --> 0:42:07.160
<v Speaker 1>them in different places and stuff like that, because he

0:42:07.239 --> 0:42:08.319
<v Speaker 1>hit me and he was like, you know, like I

0:42:08.320 --> 0:42:10.120
<v Speaker 1>did the ad libs, but it feels a little crowded.

0:42:10.360 --> 0:42:11.759
<v Speaker 1>And then when I sent him the record back, you know,

0:42:11.760 --> 0:42:13.879
<v Speaker 1>we plugged him in certain places, he was like, Okay, cool,

0:42:13.920 --> 0:42:15.880
<v Speaker 1>that feels more natural or whatever, because he even when

0:42:15.920 --> 0:42:17.279
<v Speaker 1>he sent them to me, he didn't really like how

0:42:17.320 --> 0:42:19.480
<v Speaker 1>it sounded, so he wasn't gonna want it to come

0:42:19.480 --> 0:42:20.839
<v Speaker 1>out that way, you know what I mean, And so

0:42:21.200 --> 0:42:23.120
<v Speaker 1>I had to rearrange him and make it feel like

0:42:23.160 --> 0:42:24.680
<v Speaker 1>a record and then, uh, you know, he gave me

0:42:24.719 --> 0:42:26.759
<v Speaker 1>his blessing on it. But yeah, shout out to do. Yeah,

0:42:26.760 --> 0:42:29.680
<v Speaker 1>it's crazy because you would think, like coming to TD, like,

0:42:30.120 --> 0:42:32.120
<v Speaker 1>I feel like fans expect you to just get the

0:42:32.160 --> 0:42:36.200
<v Speaker 1>automatic Kendrick record. Yeah. I think that's happened for a while. Man,

0:42:36.239 --> 0:42:38.080
<v Speaker 1>Like they think it's like and that's what I like,

0:42:38.120 --> 0:42:40.319
<v Speaker 1>y'all think it's been like that for a very long time.

0:42:40.360 --> 0:42:42.279
<v Speaker 1>They think it's like a TD castle you walk in

0:42:42.360 --> 0:42:44.279
<v Speaker 1>and then you just get records from everybody. I'm like,

0:42:44.760 --> 0:42:47.160
<v Speaker 1>the feature like it was hard to get the que

0:42:47.920 --> 0:42:50.160
<v Speaker 1>a fucking menu or something like its Q record is

0:42:50.200 --> 0:42:54.279
<v Speaker 1>crazy though, thank you. The first he did not make

0:42:54.320 --> 0:42:56.600
<v Speaker 1>me play. I'm glad he didn't because I'm horrible and golf.

0:42:56.640 --> 0:42:59.200
<v Speaker 1>But uh nah, that was actually one of the ones

0:42:59.200 --> 0:43:02.560
<v Speaker 1>that my manager chem is he also manages Q, and

0:43:02.600 --> 0:43:05.200
<v Speaker 1>so he pitched it to him and but I didn't.

0:43:05.200 --> 0:43:06.640
<v Speaker 1>I wasn't sure if he was gonna do it, you

0:43:06.680 --> 0:43:08.239
<v Speaker 1>know what I mean. But he came through and he

0:43:08.320 --> 0:43:10.560
<v Speaker 1>killed that shit though, fuck with Q, man, because Q

0:43:10.760 --> 0:43:14.239
<v Speaker 1>will all like, it don't matter if you're major, Like

0:43:14.360 --> 0:43:16.960
<v Speaker 1>if he fucks with you, like, he'll do the verse exactly.

0:43:17.000 --> 0:43:18.840
<v Speaker 1>And if he's like in that headspace like I like

0:43:18.920 --> 0:43:21.040
<v Speaker 1>Q because it's like that one thing. If he fucks

0:43:21.080 --> 0:43:22.759
<v Speaker 1>with you, he'll do the verse. And then also like

0:43:22.960 --> 0:43:25.719
<v Speaker 1>if Q was working, like he's working and you know

0:43:25.680 --> 0:43:28.040
<v Speaker 1>what I mean, show like you'll have like I remember

0:43:28.080 --> 0:43:30.920
<v Speaker 1>I had. I was listening to like like Burner Styles

0:43:30.920 --> 0:43:32.880
<v Speaker 1>p album and that food was on there, and I'm like, man,

0:43:32.920 --> 0:43:34.640
<v Speaker 1>that's why I cused the Realist because he'll tap in

0:43:34.719 --> 0:43:37.040
<v Speaker 1>with whoever, like I know him and Freddy got some

0:43:37.040 --> 0:43:38.800
<v Speaker 1>ship on the way that I just heard. That's crazy.

0:43:38.800 --> 0:43:41.120
<v Speaker 1>I'm already knowing that's probably crazy, super crazy. But I

0:43:41.160 --> 0:43:42.879
<v Speaker 1>need to give Freddy or some ship shout out to Freddy.

0:43:42.880 --> 0:43:45.200
<v Speaker 1>Freddie is hard bro. What'll make it happen? Man? Yeah, no,

0:43:45.840 --> 0:43:48.640
<v Speaker 1>I definitely need to do that. All right, So the

0:43:48.719 --> 0:43:50.880
<v Speaker 1>album comes out, well, let's just we're gonna drop this

0:43:50.880 --> 0:43:52.600
<v Speaker 1>on Friday, so it's like being nice. So so the

0:43:52.640 --> 0:43:54.839
<v Speaker 1>album is out. Because the album's out, the albums out,

0:43:54.880 --> 0:43:57.560
<v Speaker 1>go listen to new Beginners right now? Can we Hey, okay,

0:43:57.640 --> 0:44:01.680
<v Speaker 1>so can we can we talk about the Logic lines? Yeah, yeah,

0:44:01.719 --> 0:44:04.919
<v Speaker 1>let's do it. I've known Logic for a very long time.

0:44:07.280 --> 0:44:10.480
<v Speaker 1>I don't take him as a culture vulture. Now. Obviously

0:44:10.560 --> 0:44:12.680
<v Speaker 1>I'm a white man in hip hop, so you know,

0:44:12.719 --> 0:44:15.600
<v Speaker 1>you can think what you want about that. Yeah, but

0:44:16.640 --> 0:44:19.479
<v Speaker 1>you know, I kind of have known dude since about

0:44:19.480 --> 0:44:22.360
<v Speaker 1>twenty thirteen, and you know, I know him as like

0:44:22.400 --> 0:44:25.040
<v Speaker 1>a hardcore hip hop fan. Like that's how me and

0:44:25.080 --> 0:44:29.160
<v Speaker 1>him connected was through conversations about like a quimini, you know,

0:44:29.320 --> 0:44:32.880
<v Speaker 1>just just a lot of rap shit. Yeah, he seems like,

0:44:34.640 --> 0:44:37.200
<v Speaker 1>I mean, he's a very disliked guy the last five

0:44:37.280 --> 0:44:40.520
<v Speaker 1>or six years. But what is what's the issue with

0:44:40.600 --> 0:44:42.960
<v Speaker 1>Logic and why did he get that those bars? Or

0:44:43.040 --> 0:44:45.480
<v Speaker 1>for me, it's funny because that's the misunderstanding of the line.

0:44:45.520 --> 0:44:46.879
<v Speaker 1>And I learned a good lesson on that. I learned

0:44:46.880 --> 0:44:50.080
<v Speaker 1>two lessons timing as far as reading the room and

0:44:50.120 --> 0:44:52.120
<v Speaker 1>also like if you're going to say something, you need

0:44:52.160 --> 0:44:53.840
<v Speaker 1>to kind of go in a little bit more detail.

0:44:53.920 --> 0:44:56.160
<v Speaker 1>When I rap, I just kind of rap about what

0:44:56.200 --> 0:44:59.600
<v Speaker 1>I'm feeling at the time. So I too, have loved

0:44:59.680 --> 0:45:03.640
<v Speaker 1>Logic since like damn near twenty ten and kind of

0:45:03.719 --> 0:45:05.279
<v Speaker 1>going off for what we said earlier, like if I'm

0:45:05.320 --> 0:45:07.239
<v Speaker 1>a fan of you, I hold you accountable. A lot

0:45:07.239 --> 0:45:09.080
<v Speaker 1>of fans thought that I was saying he's a culture

0:45:09.440 --> 0:45:12.320
<v Speaker 1>vulture of hip hop. That's not what I was talking about,

0:45:12.520 --> 0:45:15.719
<v Speaker 1>you know what I'm saying. And so from a hip

0:45:15.760 --> 0:45:17.759
<v Speaker 1>hop standpoint, you can't talk about the last ten years

0:45:17.800 --> 0:45:20.040
<v Speaker 1>of hip hop without talking about Logic, like he's he's

0:45:20.080 --> 0:45:22.120
<v Speaker 1>in that category. You know, he's not as big as

0:45:22.200 --> 0:45:26.839
<v Speaker 1>Kindrick in them, but he's in that category. That yeah,

0:45:27.120 --> 0:45:29.320
<v Speaker 1>one thousand percent. So what I was speaking about was

0:45:29.320 --> 0:45:32.280
<v Speaker 1>the fact that Logic is a black man, and Logic

0:45:32.560 --> 0:45:36.560
<v Speaker 1>is somebody that has talked about black plight, black struggle.

0:45:36.760 --> 0:45:38.239
<v Speaker 1>That's what he talked about in his come up. And

0:45:38.239 --> 0:45:40.520
<v Speaker 1>then when he got to a certain album, I think

0:45:40.520 --> 0:45:43.040
<v Speaker 1>it was Everybody, and he touched on a lot of

0:45:43.040 --> 0:45:46.600
<v Speaker 1>issues that was going on in America, suicide, transgender's gaze, everybody,

0:45:47.000 --> 0:45:50.080
<v Speaker 1>and I personally felt like he didn't touch on black

0:45:50.120 --> 0:45:53.600
<v Speaker 1>lives matter enough. So when I said the line about

0:45:53.600 --> 0:45:56.799
<v Speaker 1>the culture, I just meant black culture is what got

0:45:56.840 --> 0:45:58.480
<v Speaker 1>you to the point that you're at. So when you're

0:45:58.520 --> 0:46:01.560
<v Speaker 1>at the top of your platform where now you're ready

0:46:01.680 --> 0:46:04.080
<v Speaker 1>to explode to the world to have this huge artist

0:46:04.160 --> 0:46:07.120
<v Speaker 1>like talk about us too. And that's what I meant

0:46:07.120 --> 0:46:10.279
<v Speaker 1>by that, And that just comes from my passion for

0:46:10.480 --> 0:46:13.759
<v Speaker 1>black culture in general and black lives and what's going

0:46:13.760 --> 0:46:15.560
<v Speaker 1>on with black people and stuff like that. I mean,

0:46:16.080 --> 0:46:17.759
<v Speaker 1>it came from that perspective, you know what I'm saying.

0:46:17.760 --> 0:46:19.359
<v Speaker 1>They had nothing to do with hip hop, had nothing

0:46:19.360 --> 0:46:21.560
<v Speaker 1>to do with records or rapping and nothing like that.

0:46:21.640 --> 0:46:23.440
<v Speaker 1>Like I'm a Logic fan, but like I said earlier,

0:46:23.440 --> 0:46:26.080
<v Speaker 1>like I hold people accountable, I would never want somebody.

0:46:26.520 --> 0:46:27.960
<v Speaker 1>I would want somebody to do the same thing with me.

0:46:28.000 --> 0:46:29.920
<v Speaker 1>If I get to a certain platform and now I'm

0:46:29.960 --> 0:46:32.160
<v Speaker 1>about to have that album that explodes, It's like, you

0:46:32.239 --> 0:46:35.680
<v Speaker 1>still gotta remember why you're doing this, which is to

0:46:36.080 --> 0:46:37.840
<v Speaker 1>you know, bring awareness, you know what I mean to

0:46:37.840 --> 0:46:40.440
<v Speaker 1>people and stuff like that. Yeah, I think I actually

0:46:40.480 --> 0:46:42.680
<v Speaker 1>was not a fan of that album. That's probably, uh,

0:46:42.840 --> 0:46:44.520
<v Speaker 1>And that was exactly I think a lot of people

0:46:44.520 --> 0:46:47.280
<v Speaker 1>that were hardcore Logic fans weren't. Y. Yeah, yeah, honestly,

0:46:47.360 --> 0:46:49.960
<v Speaker 1>like this last album that just dropped is incredible. Was

0:46:50.000 --> 0:46:52.480
<v Speaker 1>the last album, like the first album I've fucked with

0:46:52.800 --> 0:46:57.160
<v Speaker 1>since his second album is Incredible journey or true storyline. Ye,

0:46:57.360 --> 0:46:59.840
<v Speaker 1>no pressure is incredible. No Pressure's fire. But yeah, I

0:47:00.080 --> 0:47:01.759
<v Speaker 1>think that, like, I don't know, man, I just think that,

0:47:02.480 --> 0:47:05.520
<v Speaker 1>you know, I think that's a fair criticism, you know.

0:47:05.560 --> 0:47:08.719
<v Speaker 1>I think that album everybody was like, I think he

0:47:08.760 --> 0:47:10.560
<v Speaker 1>was dealing with a lot of the biracial shit. He's

0:47:10.560 --> 0:47:12.480
<v Speaker 1>probably meant. Yeah, I think that he was just probably

0:47:13.200 --> 0:47:15.680
<v Speaker 1>people don't know my logic is black, Yeah, no, which

0:47:15.719 --> 0:47:17.279
<v Speaker 1>is I think he was probably having a lot of

0:47:17.320 --> 0:47:18.759
<v Speaker 1>meetings and stuff like that, you know. I mean, I

0:47:18.800 --> 0:47:20.600
<v Speaker 1>don't want to speculate too much, but I think that

0:47:20.760 --> 0:47:22.120
<v Speaker 1>people were telling them like, this is what you have

0:47:22.160 --> 0:47:23.960
<v Speaker 1>to do to get to the next to the next level,

0:47:24.000 --> 0:47:26.520
<v Speaker 1>you know what I mean. And that's my whole thing is,

0:47:26.520 --> 0:47:28.439
<v Speaker 1>you know, I'm just if I'm a fan of you,

0:47:28.440 --> 0:47:30.319
<v Speaker 1>you know what I mean, I'm going to I'm, like

0:47:30.320 --> 0:47:32.160
<v Speaker 1>I said, I'm one of the more honest artists in

0:47:32.160 --> 0:47:34.880
<v Speaker 1>this shit. I don't I don't necessarily, I don't have

0:47:34.920 --> 0:47:37.560
<v Speaker 1>the goals like everybody else has to be the greatest

0:47:37.560 --> 0:47:39.680
<v Speaker 1>of all time, because I don't believe that exists. Like

0:47:39.920 --> 0:47:41.480
<v Speaker 1>in ten years, there's going to be somebody that's going

0:47:41.560 --> 0:47:43.440
<v Speaker 1>to tell you NBA young boys better than Kendrick. It's

0:47:43.480 --> 0:47:49.239
<v Speaker 1>going to happen like so already generation of fans right

0:47:49.239 --> 0:47:51.600
<v Speaker 1>now that you will tell you that's a straight face exactly.

0:47:51.640 --> 0:47:53.759
<v Speaker 1>So for me, it's like, I just want to make

0:47:53.840 --> 0:47:57.160
<v Speaker 1>impact and I want to I want to broker honest

0:47:57.160 --> 0:47:59.720
<v Speaker 1>conversations and try to make an impact to where people,

0:48:00.080 --> 0:48:03.719
<v Speaker 1>you know, elevate their their honesty, their accountability, their responsibility,

0:48:03.800 --> 0:48:06.200
<v Speaker 1>whatever the case may be. And so, but like I said,

0:48:06.239 --> 0:48:08.400
<v Speaker 1>I'm not going to escape my accountability in it. I

0:48:08.440 --> 0:48:10.520
<v Speaker 1>didn't read the room you know logic when I wrote it.

0:48:10.560 --> 0:48:12.560
<v Speaker 1>He wasn't retired. He's retired now. He's trying to do

0:48:12.600 --> 0:48:13.839
<v Speaker 1>his own thing, you know what I mean. And so

0:48:13.880 --> 0:48:16.640
<v Speaker 1>that is something that if I could go back, I wouldn't.

0:48:16.680 --> 0:48:18.560
<v Speaker 1>I just wouldn't say the line out there because it's like,

0:48:18.880 --> 0:48:20.319
<v Speaker 1>let him do his thing, you know what I mean.

0:48:20.360 --> 0:48:22.160
<v Speaker 1>And so it would be a conversation that if I

0:48:22.200 --> 0:48:24.160
<v Speaker 1>ever met him, I would have with him personally still,

0:48:24.520 --> 0:48:27.640
<v Speaker 1>but I wouldn't necessarily put it out saying for the record,

0:48:27.640 --> 0:48:29.040
<v Speaker 1>I don't think there's a chance in hell he doesn't

0:48:29.040 --> 0:48:30.319
<v Speaker 1>know who you are. Like you said, Oh no, he

0:48:30.360 --> 0:48:32.799
<v Speaker 1>definitely knows, but I like the it's like, bro, you're

0:48:32.960 --> 0:48:36.040
<v Speaker 1>you're a hip hop stand and this is top dog entertainment. Yeah,

0:48:36.239 --> 0:48:39.959
<v Speaker 1>you know, and he's a Kendrick stand exactly exactly. You know. Yeah,

0:48:39.960 --> 0:48:41.360
<v Speaker 1>but he had shout out to Logic though, like his

0:48:41.440 --> 0:48:44.040
<v Speaker 1>career musically, like I'd be lucky if I was able

0:48:44.080 --> 0:48:46.480
<v Speaker 1>to reach that level. You know. I'm glad you made

0:48:46.480 --> 0:48:49.319
<v Speaker 1>that clear because, like you know, a lot of people

0:48:49.360 --> 0:48:51.040
<v Speaker 1>took it from a hip hop standpoint, which I can't

0:48:51.040 --> 0:48:52.680
<v Speaker 1>blame him. And it's funny because when they dropped him,

0:48:52.719 --> 0:48:54.400
<v Speaker 1>like oh damn, it does sound like I'm saying that,

0:48:54.640 --> 0:48:57.319
<v Speaker 1>like like it does sound like yeah, because I was thinking, like,

0:48:57.360 --> 0:49:00.040
<v Speaker 1>you know, like, yeah, I know, Logic is like a

0:49:00.080 --> 0:49:02.040
<v Speaker 1>real hip hop head like this guy. You know, it

0:49:02.080 --> 0:49:05.080
<v Speaker 1>works with no idea. You know. No, you can't, you can't.

0:49:05.120 --> 0:49:06.720
<v Speaker 1>And that's what I'm saying, Like you can't say Logic

0:49:06.840 --> 0:49:08.960
<v Speaker 1>isn't a hip hop guy, and that's not what I

0:49:09.000 --> 0:49:11.880
<v Speaker 1>was saying. But you know, no, I understand what. I

0:49:11.920 --> 0:49:13.719
<v Speaker 1>understand why you said that though. Yeah, I think that

0:49:13.800 --> 0:49:15.960
<v Speaker 1>what's going on right now, man, it's very important. Like

0:49:16.000 --> 0:49:18.680
<v Speaker 1>that's why I tell everybody like you know, if you're

0:49:20.080 --> 0:49:22.920
<v Speaker 1>let alone, just the normal citizen who has empathy and

0:49:22.920 --> 0:49:25.719
<v Speaker 1>and and gives a fuck about your neighbor or just

0:49:25.960 --> 0:49:28.359
<v Speaker 1>you know, it's hard to get people to care about

0:49:28.360 --> 0:49:34.640
<v Speaker 1>shit that doesn't directly affect them. But specifically, if you

0:49:35.200 --> 0:49:40.319
<v Speaker 1>are a part of any sort of black culture, and

0:49:40.400 --> 0:49:43.680
<v Speaker 1>I mean that as far as you know. You could

0:49:43.680 --> 0:49:48.200
<v Speaker 1>be a radio personality, you could be somebody who does

0:49:48.239 --> 0:49:51.080
<v Speaker 1>YouTube shit, you could be whatever. But if you're benefiting

0:49:51.080 --> 0:49:55.040
<v Speaker 1>off the back of black culture, Like bro, I've literally

0:49:55.160 --> 0:50:00.200
<v Speaker 1>made my entire career off of black music. That's my

0:50:00.280 --> 0:50:04.120
<v Speaker 1>whole life revolves around black culture since I was fifteen

0:50:04.200 --> 0:50:08.279
<v Speaker 1>sixty really since I was like twelve even earlier, you know.

0:50:08.400 --> 0:50:11.480
<v Speaker 1>But like you know, I had a very interesting upbringing,

0:50:11.520 --> 0:50:13.520
<v Speaker 1>Like I was raised in a house where my best

0:50:13.520 --> 0:50:15.839
<v Speaker 1>friend was black and his grandma lived with me and

0:50:15.880 --> 0:50:17.480
<v Speaker 1>his sister lived with me when I was a kid,

0:50:17.520 --> 0:50:21.000
<v Speaker 1>you know, So, like it frustrates me so much to

0:50:21.080 --> 0:50:23.319
<v Speaker 1>see almost like you just said, with the logic thing,

0:50:23.360 --> 0:50:26.000
<v Speaker 1>no logic obviously African American man. Yeah, so you know,

0:50:26.200 --> 0:50:29.319
<v Speaker 1>it's a little different, but it frustrates me to be like, yo,

0:50:29.480 --> 0:50:33.319
<v Speaker 1>how are you like talking in and out of Drake

0:50:33.440 --> 0:50:36.120
<v Speaker 1>songs every day on the radio and like afraid to

0:50:36.160 --> 0:50:38.239
<v Speaker 1>fuck up your social media so now. And it's crazy

0:50:38.280 --> 0:50:40.959
<v Speaker 1>because you posted a video on Instagram talking about that,

0:50:41.280 --> 0:50:43.439
<v Speaker 1>and I got a lot of respect for you when

0:50:43.440 --> 0:50:44.560
<v Speaker 1>you said that, you know, I mean I saw your

0:50:44.600 --> 0:50:46.200
<v Speaker 1>Instagram post when you said that. You're like, you know,

0:50:46.640 --> 0:50:49.360
<v Speaker 1>every day you're talking in and out of Drake songs

0:50:49.360 --> 0:50:52.400
<v Speaker 1>and black culture. You're going to clubs and playing black music.

0:50:52.719 --> 0:50:54.480
<v Speaker 1>There's black people there. These are the people that are

0:50:54.480 --> 0:50:57.360
<v Speaker 1>literally affording you your life. And then when something happens,

0:50:57.640 --> 0:51:00.759
<v Speaker 1>you know, it's like you're like in for when it's convenient.

0:51:00.920 --> 0:51:02.880
<v Speaker 1>It's like you're tiptoeing in and out of the fucking

0:51:03.160 --> 0:51:05.799
<v Speaker 1>like bro like. But when ship hits the fan, like

0:51:05.840 --> 0:51:07.800
<v Speaker 1>you gotta like you gotta scream at the top of

0:51:07.800 --> 0:51:09.919
<v Speaker 1>your love exactly and shout out to Jack Carlow because

0:51:10.000 --> 0:51:11.480
<v Speaker 1>I even hit him up and reached out to fan

0:51:11.560 --> 0:51:14.799
<v Speaker 1>because uh, he was he was front line when that

0:51:14.800 --> 0:51:17.680
<v Speaker 1>ship was going on. He was marching every single day,

0:51:17.719 --> 0:51:20.840
<v Speaker 1>posting ship every single day, Uh, speaking at pep rallies

0:51:20.880 --> 0:51:23.000
<v Speaker 1>and stuff like that. Like like I feel like I

0:51:23.320 --> 0:51:25.320
<v Speaker 1>fuck with that, and like I always say, I always

0:51:25.360 --> 0:51:26.759
<v Speaker 1>you know, play the other side of the fence and

0:51:27.080 --> 0:51:30.719
<v Speaker 1>have accountability to the black people. Because Eminem did this

0:51:30.719 --> 0:51:32.880
<v Speaker 1>ship on the BT Awards where he made like a

0:51:32.880 --> 0:51:35.560
<v Speaker 1>free and they shipped on him, and I feel like,

0:51:35.640 --> 0:51:37.600
<v Speaker 1>you know, black people have to stop doing that as well.

0:51:37.600 --> 0:51:39.799
<v Speaker 1>It's like when when there are white people that want

0:51:39.840 --> 0:51:42.400
<v Speaker 1>to join the side, you know, and that was before

0:51:43.719 --> 0:51:45.359
<v Speaker 1>years is that it was like two three years ago,

0:51:45.400 --> 0:51:47.080
<v Speaker 1>and I feel like I thought it was dope. I

0:51:47.760 --> 0:51:50.200
<v Speaker 1>this is the biggest white artist from a rap standpoint

0:51:50.200 --> 0:51:51.840
<v Speaker 1>in the world. He's always been on this side of

0:51:51.840 --> 0:51:53.880
<v Speaker 1>the fence. It's not like he's doing this for like,

0:51:53.920 --> 0:51:55.320
<v Speaker 1>He's always been on the side of the fence. And

0:51:55.320 --> 0:51:57.000
<v Speaker 1>then we kind of shipped on him. You know. I'm

0:51:57.120 --> 0:51:59.040
<v Speaker 1>always hold my people accountable to him, say like that's

0:51:59.080 --> 0:52:00.759
<v Speaker 1>not cool, you know what I mean, Like Eminem is

0:52:00.800 --> 0:52:03.200
<v Speaker 1>somebody that's been on our side of the culture. You know,

0:52:03.280 --> 0:52:06.520
<v Speaker 1>we have to tackle this ship together if we're gonna

0:52:06.520 --> 0:52:08.120
<v Speaker 1>be able to make leeway, you know what. I Yeah,

0:52:08.120 --> 0:52:10.080
<v Speaker 1>I think to like someone like him, you know, like

0:52:10.640 --> 0:52:13.879
<v Speaker 1>he's got fans one hundred percent that are racist. Yeah,

0:52:13.960 --> 0:52:15.799
<v Speaker 1>And he put that on the line, like if you

0:52:15.920 --> 0:52:18.920
<v Speaker 1>are racist, don't like don't support me, don't fuck with me.

0:52:19.080 --> 0:52:22.000
<v Speaker 1>There's something because because like I'm real close with a

0:52:22.080 --> 0:52:25.040
<v Speaker 1>rapper named Ritz who's a white dude. Okay, that's actually

0:52:25.120 --> 0:52:29.919
<v Speaker 1>hilarious by the way. Yeah he's fired Okata check out

0:52:30.880 --> 0:52:33.600
<v Speaker 1>and and like you know, you know, I got a

0:52:33.640 --> 0:52:35.880
<v Speaker 1>boy named Jelly Roll and like a lot of times

0:52:35.920 --> 0:52:37.960
<v Speaker 1>even like Tech nine, like is my boy, and like

0:52:38.000 --> 0:52:39.960
<v Speaker 1>I've done a lot of stuff with strange music and

0:52:39.960 --> 0:52:44.480
<v Speaker 1>that just that world, and that world is mostly white fans. Yeah, yeah,

0:52:44.640 --> 0:52:47.080
<v Speaker 1>and a lot of them are racist. Bro. There's a

0:52:47.120 --> 0:52:49.080
<v Speaker 1>lot of Tech nine fans that are racist as fuck.

0:52:49.160 --> 0:52:52.160
<v Speaker 1>That's the same, bro, like straight up and like and

0:52:52.160 --> 0:52:54.200
<v Speaker 1>and tackle tell you that too. You know what I'm saying.

0:52:54.200 --> 0:52:57.640
<v Speaker 1>I'm sure now you know, he's got an incredible following,

0:52:58.080 --> 0:53:01.760
<v Speaker 1>but there's like a real faction of hip hop fans

0:53:01.760 --> 0:53:05.520
<v Speaker 1>that just that are real like maga ass motherfuckers. Bro. Yeah,

0:53:05.520 --> 0:53:08.839
<v Speaker 1>it's like it's it's very disappointing. But like you said

0:53:08.840 --> 0:53:12.319
<v Speaker 1>about the eminem thing, like he might piss off a

0:53:12.440 --> 0:53:15.040
<v Speaker 1>huge part of his fan base by saying something, But

0:53:15.120 --> 0:53:18.759
<v Speaker 1>what he might also do is even if it's a

0:53:18.880 --> 0:53:22.160
<v Speaker 1>thousand people who hear that freestyle, ye and it teaches

0:53:22.200 --> 0:53:24.359
<v Speaker 1>them something and then they go google it and then

0:53:24.360 --> 0:53:28.440
<v Speaker 1>they're like, like they they become more educated about the

0:53:28.480 --> 0:53:31.640
<v Speaker 1>situation where they change their stance on shit like Eminem

0:53:31.680 --> 0:53:34.439
<v Speaker 1>influences people not thought they might be people who drink

0:53:34.480 --> 0:53:38.920
<v Speaker 1>Monster Energy and have you know, Fox Racing cargo shorts.

0:53:39.239 --> 0:53:42.520
<v Speaker 1>But but I'm saying, like he can reach people like

0:53:42.760 --> 0:53:45.719
<v Speaker 1>and and there's gonna be there's gonna be parts of

0:53:45.760 --> 0:53:47.640
<v Speaker 1>the of his fan base and just anyone anyone in

0:53:47.640 --> 0:53:49.840
<v Speaker 1>the country that just aren't that they're just this is

0:53:49.840 --> 0:53:52.200
<v Speaker 1>where they are. They're not gonna budge. Yeah, I think

0:53:52.239 --> 0:53:54.280
<v Speaker 1>it's about thirty and thirty. I think it's thirty percent

0:53:54.320 --> 0:53:56.600
<v Speaker 1>over here, thirty percent over there, but that last, you know,

0:53:56.680 --> 0:53:59.200
<v Speaker 1>forty percent, that's in the middle. You know, you fight

0:53:59.280 --> 0:54:01.960
<v Speaker 1>for those, you know what I'm say. And even more importantly,

0:54:02.400 --> 0:54:05.560
<v Speaker 1>there might be other white celebrities that wanted to say

0:54:05.560 --> 0:54:08.000
<v Speaker 1>something and were about to say something and then saw

0:54:08.040 --> 0:54:11.000
<v Speaker 1>Eminem get killed and step back. And so that's another

0:54:11.040 --> 0:54:12.600
<v Speaker 1>reason why I feel like, you know, we can't do that,

0:54:12.719 --> 0:54:16.279
<v Speaker 1>is because you know, that's those could have It could

0:54:16.280 --> 0:54:19.240
<v Speaker 1>have been other artists or celebrities or whatever that wanted

0:54:19.280 --> 0:54:21.040
<v Speaker 1>to say something to stand with us, and it's like

0:54:21.080 --> 0:54:22.680
<v Speaker 1>we take a step back by killing them because they

0:54:22.719 --> 0:54:24.399
<v Speaker 1>might be with shit. Like Image jumped out the window

0:54:24.400 --> 0:54:25.880
<v Speaker 1>and they went crazy on him. I'm just gonna I'm

0:54:25.920 --> 0:54:27.120
<v Speaker 1>just gonna chill back, you know what I mean, and

0:54:27.160 --> 0:54:29.360
<v Speaker 1>not say nothing. And it's like we need every single

0:54:29.440 --> 0:54:31.120
<v Speaker 1>voice that we can get, you know what I mean,

0:54:31.239 --> 0:54:33.240
<v Speaker 1>and trying to change it, you know what I mean. So, yeah,

0:54:33.280 --> 0:54:36.680
<v Speaker 1>that's how I feel. What do you think if someone's

0:54:36.680 --> 0:54:42.640
<v Speaker 1>watching this and they're like kind of just unsure of

0:54:42.719 --> 0:54:45.480
<v Speaker 1>the things that they could probably do to, you know.

0:54:45.560 --> 0:54:47.640
<v Speaker 1>For me, like I was one of those guys who

0:54:47.719 --> 0:54:50.239
<v Speaker 1>was like you know, and I've been you know, anytime

0:54:50.480 --> 0:54:52.839
<v Speaker 1>there's I mean, you know, I grew up like I said,

0:54:52.840 --> 0:54:54.680
<v Speaker 1>my best friend Rams is the best man at my wedding.

0:54:54.719 --> 0:54:57.799
<v Speaker 1>Like we would be riding around in his neon when

0:54:57.840 --> 0:55:00.640
<v Speaker 1>I was like fourteen. He was older than me, and

0:55:00.640 --> 0:55:02.919
<v Speaker 1>we get pulled over and this food yanked out the car,

0:55:03.440 --> 0:55:06.239
<v Speaker 1>put on the curb, and then they would be interrogating

0:55:06.239 --> 0:55:08.440
<v Speaker 1>me like why are we hanging out? Why are you

0:55:08.480 --> 0:55:11.319
<v Speaker 1>hanging out with this like older black kid, you know.

0:55:12.080 --> 0:55:14.040
<v Speaker 1>And so it's always been something close to my heart.

0:55:14.080 --> 0:55:18.879
<v Speaker 1>But like for me, it's like okay, like I want

0:55:18.920 --> 0:55:21.080
<v Speaker 1>to put my money where my mouth is, but I

0:55:21.080 --> 0:55:23.279
<v Speaker 1>didn't know where to donate because you know, you never know,

0:55:23.400 --> 0:55:26.080
<v Speaker 1>like with so many of these that's real. It's like

0:55:26.080 --> 0:55:28.719
<v Speaker 1>it's it's so agenda. Like, yeah, so I just called

0:55:28.800 --> 0:55:31.479
<v Speaker 1>Killer Mike anytime I got any sort of questions about that.

0:55:31.480 --> 0:55:34.239
<v Speaker 1>That's a good person to call Killer Mike. I say, hey, man,

0:55:34.360 --> 0:55:36.359
<v Speaker 1>I really want to post, I want to donate some money,

0:55:36.360 --> 0:55:38.719
<v Speaker 1>and I want to shed a light on some charities,

0:55:38.760 --> 0:55:41.680
<v Speaker 1>like just tell me what you tell me what to do.

0:55:42.200 --> 0:55:44.399
<v Speaker 1>He's a good leader in this ship. Yeah, and he's like, yo,

0:55:44.440 --> 0:55:46.520
<v Speaker 1>there's you know this, this this cool. You know what

0:55:46.560 --> 0:55:49.120
<v Speaker 1>I'm saying. And then obviously, you know, protesting, And I

0:55:49.160 --> 0:55:50.600
<v Speaker 1>think I might have called it. I might have caught

0:55:50.600 --> 0:55:52.680
<v Speaker 1>the rona when I was out protesting. I might have

0:55:52.800 --> 0:55:54.920
<v Speaker 1>that might have been where I got it. But but

0:55:55.000 --> 0:55:57.319
<v Speaker 1>I do think that there's like like it's I know

0:55:57.400 --> 0:56:01.600
<v Speaker 1>that a lot of people get shipped for being social media,

0:56:02.960 --> 0:56:05.040
<v Speaker 1>you know, like quote unquote like oh you're doing this

0:56:05.080 --> 0:56:06.520
<v Speaker 1>for the grammar or whatever it can and there's a

0:56:06.560 --> 0:56:09.000
<v Speaker 1>lot of that. Yeah, but I do think either way

0:56:09.000 --> 0:56:10.960
<v Speaker 1>it's you know, it's better than nothing. I think the

0:56:11.000 --> 0:56:13.239
<v Speaker 1>Black Square shit was kind of cordy, to be honest. Yeah. Yeah,

0:56:13.320 --> 0:56:16.440
<v Speaker 1>I feel like it's like looking back, Yeah, looking back

0:56:16.480 --> 0:56:18.080
<v Speaker 1>on it, I was like, uh, you know, that didn't

0:56:18.120 --> 0:56:20.680
<v Speaker 1>really help. But I think it's a growing process. And

0:56:21.080 --> 0:56:23.960
<v Speaker 1>like I have because I worked at a I worked

0:56:24.000 --> 0:56:26.520
<v Speaker 1>at a corporate company before I got signed. That's where

0:56:26.520 --> 0:56:27.560
<v Speaker 1>I was working at. So I had a lot of

0:56:27.600 --> 0:56:30.000
<v Speaker 1>white co workers and friends still and uh, some of

0:56:30.000 --> 0:56:31.160
<v Speaker 1>them even reached out to me, was like, you know,

0:56:31.200 --> 0:56:32.920
<v Speaker 1>what do we do? And for me, I just think

0:56:32.920 --> 0:56:34.360
<v Speaker 1>that the biggest thing that you can do in the

0:56:34.440 --> 0:56:37.120
<v Speaker 1>day to day life is to just try to understand

0:56:37.200 --> 0:56:40.040
<v Speaker 1>what's going on and do your research and empathize with

0:56:40.080 --> 0:56:43.560
<v Speaker 1>it and you know, hold other people accountable. Like I

0:56:43.560 --> 0:56:45.520
<v Speaker 1>think that that's the bare minimum that you can do.

0:56:45.680 --> 0:56:48.520
<v Speaker 1>Because people that are of that world that are naive

0:56:48.600 --> 0:56:50.400
<v Speaker 1>quote unquote, Like, you're not naive. You grew up in

0:56:50.400 --> 0:56:52.200
<v Speaker 1>this black culture. But there's other people that are naive

0:56:52.239 --> 0:56:54.160
<v Speaker 1>because they didn't grow up here, but they do. They

0:56:54.200 --> 0:56:56.800
<v Speaker 1>are humans and they feel for us now because they're aware.

0:56:57.120 --> 0:56:58.520
<v Speaker 1>So I tell them, like all the people that are

0:56:58.560 --> 0:57:00.920
<v Speaker 1>in your circle, you just have the whole them accountable

0:57:00.960 --> 0:57:03.040
<v Speaker 1>when y'all are having these conversations and stuff like that,

0:57:03.080 --> 0:57:05.399
<v Speaker 1>like you can't be afraid to speak up to them

0:57:05.400 --> 0:57:08.600
<v Speaker 1>because that's your quote unquote friend or whatever. There's like

0:57:08.680 --> 0:57:12.000
<v Speaker 1>these white people conversations that happen where there's no other

0:57:12.080 --> 0:57:14.919
<v Speaker 1>races around exactly, and then that's when you really find out,

0:57:15.040 --> 0:57:17.000
<v Speaker 1>like that's a fact. Whether it's people you work with,

0:57:17.120 --> 0:57:20.160
<v Speaker 1>or you might be at a fucking liquor store or something.

0:57:20.920 --> 0:57:22.920
<v Speaker 1>Somebody in line might say some slick shit to you

0:57:22.920 --> 0:57:25.000
<v Speaker 1>because you're another white guy and they think that like, oh,

0:57:25.040 --> 0:57:27.040
<v Speaker 1>it's all cool, like you know what I mean? Bro?

0:57:27.200 --> 0:57:29.920
<v Speaker 1>Like what? Bro? What? And those are the conversations that

0:57:29.960 --> 0:57:34.200
<v Speaker 1>I feel like everybody like, that's not that's not cool,

0:57:34.240 --> 0:57:35.320
<v Speaker 1>like you know what I mean? And those are the

0:57:35.320 --> 0:57:37.920
<v Speaker 1>conversations that you gotta hold people accountable, you know, at

0:57:37.920 --> 0:57:40.280
<v Speaker 1>the bare bare minimum, and then you know, if you

0:57:40.320 --> 0:57:42.320
<v Speaker 1>want to go that extra mile, you know, you do

0:57:42.320 --> 0:57:46.000
<v Speaker 1>do your research. I advise everyone of Facebook too. That

0:57:46.080 --> 0:57:49.280
<v Speaker 1>place is the fucking pool of the Internet. It's the worst.

0:57:49.280 --> 0:57:51.120
<v Speaker 1>It's up there with Twitter. Twitter. I think it's like

0:57:51.200 --> 0:57:56.360
<v Speaker 1>the Twitter's fail book is where like the memes and

0:57:56.400 --> 0:57:58.840
<v Speaker 1>like the fake news story, bro, when my mom has

0:57:58.920 --> 0:58:01.760
<v Speaker 1>hit me with so much like is this true? And

0:58:01.760 --> 0:58:06.160
<v Speaker 1>I'm like, Mom, did you see that on face? Yeah?

0:58:06.400 --> 0:58:13.640
<v Speaker 1>Like listen then no, probably not true. There By the way,

0:58:13.680 --> 0:58:16.560
<v Speaker 1>shout out to Kendrick. I got to address the whole

0:58:16.760 --> 0:58:19.000
<v Speaker 1>the rumor of him leaving TD. He put that to

0:58:19.040 --> 0:58:24.240
<v Speaker 1>bed today. You see Thelues Animal. Yeah, No, I thought

0:58:24.280 --> 0:58:25.920
<v Speaker 1>it was really really funny, and I think that, like,

0:58:26.560 --> 0:58:29.680
<v Speaker 1>you know, I hope he's putting out some music soon,

0:58:30.520 --> 0:58:33.880
<v Speaker 1>but is it is it kind of like the Gift

0:58:33.920 --> 0:58:36.560
<v Speaker 1>and the curse of the TD thing because any sort

0:58:36.560 --> 0:58:39.200
<v Speaker 1>of like like Kendrick is like, you know, I put

0:58:39.280 --> 0:58:42.919
<v Speaker 1>him Top five. Ever, Yeah, I always tell people because

0:58:42.960 --> 0:58:45.080
<v Speaker 1>there's like og hip hop fans and tell me I'm crazy,

0:58:45.080 --> 0:58:47.400
<v Speaker 1>But I'm like, yo, you're gonna put Biggie in the

0:58:47.440 --> 0:58:50.800
<v Speaker 1>top five, which is fair off the two albums, Yeah exactly,

0:58:51.240 --> 0:58:56.360
<v Speaker 1>But Kendrick got yeah, three classics and we're not talking

0:58:56.360 --> 0:59:01.800
<v Speaker 1>about Section eighty yeah, or the Kendrick or or you know,

0:59:01.920 --> 0:59:04.200
<v Speaker 1>even untitled you know, but like we're just talking about

0:59:04.240 --> 0:59:07.560
<v Speaker 1>his three official YEA Good Kid, the Butterfly, and a

0:59:07.720 --> 0:59:10.640
<v Speaker 1>Don Yeah Sion eighties up there with that with those

0:59:10.720 --> 0:59:13.960
<v Speaker 1>rest you know what I'm saying. But but yeah, I

0:59:14.000 --> 0:59:16.959
<v Speaker 1>just feel like everywhere you're gonna go, Yeah, you're gonna

0:59:16.960 --> 0:59:20.360
<v Speaker 1>get Kendrick questions. It's funny because I was just talking

0:59:20.920 --> 0:59:23.400
<v Speaker 1>to Punch about this the other day. I don't think

0:59:23.400 --> 0:59:25.520
<v Speaker 1>that there's been an artist that's been in my position

0:59:25.600 --> 0:59:27.440
<v Speaker 1>as far as like the amount of pressure. And what

0:59:27.480 --> 0:59:29.320
<v Speaker 1>I mean by that is that, you know, I'm the

0:59:29.320 --> 0:59:32.400
<v Speaker 1>first artist that has to be broken without Dave Free

0:59:32.440 --> 0:59:34.600
<v Speaker 1>being around. He hasn't been involved in any part of

0:59:34.600 --> 0:59:35.880
<v Speaker 1>my career. And that's not a shot at him. He

0:59:35.960 --> 0:59:38.400
<v Speaker 1>just left when I was coming in, So that's timing.

0:59:39.320 --> 0:59:41.720
<v Speaker 1>There hasn't been an artist, a new artist to drop

0:59:41.880 --> 0:59:44.720
<v Speaker 1>when the thirst level of the bigger artists has been

0:59:44.840 --> 0:59:47.080
<v Speaker 1>this high, you know what I mean. It's been three years.

0:59:47.120 --> 0:59:49.160
<v Speaker 1>It's been three years, and it's been four for Zay,

0:59:49.200 --> 0:59:51.200
<v Speaker 1>and it's been like three for Sizza, it's been like

0:59:51.280 --> 0:59:54.760
<v Speaker 1>two for for Rock two and a half got earlier

0:59:56.720 --> 0:59:58.200
<v Speaker 1>actually like a year and a half ago. You get

0:59:58.200 --> 1:00:00.560
<v Speaker 1>what I'm saying. So for all the bigger artists, there's

1:00:00.600 --> 1:00:03.560
<v Speaker 1>never been a younger artist to drop when there's been

1:00:03.600 --> 1:00:05.480
<v Speaker 1>that first level that high, you know what I mean.

1:00:05.560 --> 1:00:07.360
<v Speaker 1>So It's like I'm in a position where I have

1:00:07.400 --> 1:00:09.200
<v Speaker 1>to make people care, I have to do the creative

1:00:09.200 --> 1:00:12.720
<v Speaker 1>direction without Dave, and everybody just wants to die album,

1:00:12.720 --> 1:00:15.120
<v Speaker 1>you know what I mean. So I'm definitely under like

1:00:15.160 --> 1:00:18.720
<v Speaker 1>the most pressure that any TV artist has been under.

1:00:18.760 --> 1:00:21.360
<v Speaker 1>But at the same time, I always try to look

1:00:21.360 --> 1:00:23.479
<v Speaker 1>at pros and cons in every situation instead of saying

1:00:23.480 --> 1:00:25.320
<v Speaker 1>woe was me, And the pro is that like all

1:00:25.360 --> 1:00:26.520
<v Speaker 1>eyes are on me, you know what I mean. And

1:00:26.560 --> 1:00:27.880
<v Speaker 1>I know that there's gonna be a lot of fans

1:00:27.880 --> 1:00:30.280
<v Speaker 1>it's just like you all reasons dropping cool, he's out

1:00:30.280 --> 1:00:33.280
<v Speaker 1>the way, you know, like where's the next album or whatever,

1:00:33.360 --> 1:00:35.480
<v Speaker 1>But there are gonna be those handful of fans that

1:00:35.640 --> 1:00:38.480
<v Speaker 1>still go listen because you know, it's still TD. And

1:00:38.520 --> 1:00:40.480
<v Speaker 1>I think that this project is strong to where they're

1:00:40.480 --> 1:00:42.320
<v Speaker 1>gonna know, you know what I mean, that like, oh,

1:00:42.400 --> 1:00:45.320
<v Speaker 1>this dude is not just like another dude that's just dropping,

1:00:45.400 --> 1:00:47.160
<v Speaker 1>Like this is a very very strong project. So that's

1:00:47.200 --> 1:00:49.240
<v Speaker 1>what I'm looking forward to. What your uh, you know,

1:00:49.400 --> 1:00:53.400
<v Speaker 1>I know you got Isaiah on the album, and I've

1:00:53.440 --> 1:00:55.640
<v Speaker 1>been waiting for like you said, man, yeah, I think

1:00:55.680 --> 1:00:58.439
<v Speaker 1>he's one of the greats. I think he's somebody who

1:00:58.440 --> 1:01:00.720
<v Speaker 1>don't get enough. I mean, also he hasn't put an

1:01:00.720 --> 1:01:04.360
<v Speaker 1>outbount Yeah exactly, it's like to the other side of it.

1:01:04.680 --> 1:01:07.880
<v Speaker 1>But what's your relationship like with him? You know, I think,

1:01:08.120 --> 1:01:10.880
<v Speaker 1>like I said, there was there was just there's just

1:01:10.880 --> 1:01:13.280
<v Speaker 1>been so many rumors about his career and like you know,

1:01:13.320 --> 1:01:14.760
<v Speaker 1>I know he's still on the label. I think for

1:01:14.760 --> 1:01:16.440
<v Speaker 1>a while there there was like some speculation that he

1:01:16.520 --> 1:01:19.640
<v Speaker 1>might have not been on the label. But like what's

1:01:19.720 --> 1:01:22.440
<v Speaker 1>y'all's relationship in dynamic? We have a great relationship and

1:01:22.600 --> 1:01:25.200
<v Speaker 1>shout out today me and around the same age. And

1:01:25.920 --> 1:01:29.520
<v Speaker 1>I appreciate a because he's been through a lot of

1:01:29.520 --> 1:01:33.360
<v Speaker 1>shit that I'm still going through and he holds me accountable.

1:01:33.720 --> 1:01:35.400
<v Speaker 1>Without going into detail, he called me and help me

1:01:35.400 --> 1:01:37.920
<v Speaker 1>accountable about the logic shit just about like bro read

1:01:38.000 --> 1:01:39.960
<v Speaker 1>th room, you know what I mean, like not necessarily

1:01:41.000 --> 1:01:43.200
<v Speaker 1>getting on me about what I said, but just like

1:01:43.600 --> 1:01:45.560
<v Speaker 1>why you know what I mean? And so you know,

1:01:45.680 --> 1:01:46.880
<v Speaker 1>there were things that he said that I agree with.

1:01:46.960 --> 1:01:48.400
<v Speaker 1>There was things that he said I didn't agree with.

1:01:48.400 --> 1:01:50.080
<v Speaker 1>But at the end of the day, I love anybody

1:01:50.080 --> 1:01:52.120
<v Speaker 1>that will call me that cares about me and hold

1:01:52.160 --> 1:01:54.080
<v Speaker 1>you accountable because that is a tough conversation to have

1:01:54.160 --> 1:01:55.600
<v Speaker 1>with anybody that you love, you know what I mean.

1:01:55.640 --> 1:01:57.240
<v Speaker 1>And so there's the kind of people you want around you,

1:01:57.280 --> 1:01:59.040
<v Speaker 1>those kind of people you want around you one hundred percent.

1:01:59.040 --> 1:02:00.200
<v Speaker 1>And so you know, I fuck was that. We have

1:02:00.240 --> 1:02:02.160
<v Speaker 1>a great relationship. I tell people by the time, Zay

1:02:02.240 --> 1:02:04.640
<v Speaker 1>is a lunatic and that's part of the real you know,

1:02:04.800 --> 1:02:07.160
<v Speaker 1>part of the delays in his music as well, is

1:02:07.160 --> 1:02:11.360
<v Speaker 1>that he's fucking crazy. Like Zay, He's he's very very

1:02:11.400 --> 1:02:13.840
<v Speaker 1>detailed about his music. He cares about it a lot.

1:02:13.960 --> 1:02:15.720
<v Speaker 1>He cares about his music a lot, a lot. He's

1:02:15.800 --> 1:02:18.320
<v Speaker 1>very connected to it. And so, you know, until it's

1:02:18.360 --> 1:02:21.080
<v Speaker 1>where he wants it to be, in the records that

1:02:21.160 --> 1:02:23.479
<v Speaker 1>he wants, and him and Top get on the same

1:02:23.560 --> 1:02:26.120
<v Speaker 1>page about that because it has to be records that

1:02:26.200 --> 1:02:28.160
<v Speaker 1>he loves and is connected to, and it also has

1:02:28.200 --> 1:02:30.760
<v Speaker 1>to be records that Top you know, believes can elevate

1:02:30.800 --> 1:02:34.000
<v Speaker 1>his you know, his status. So you know that that

1:02:34.000 --> 1:02:36.040
<v Speaker 1>that takes a minute sometimes and it's definitely a pushing

1:02:36.120 --> 1:02:39.000
<v Speaker 1>pool thing because Top is probably the hardest critic of

1:02:39.080 --> 1:02:42.600
<v Speaker 1>music that I've never heard it met. Yeah, it's fucking crazy. Like, yeah,

1:02:42.640 --> 1:02:45.440
<v Speaker 1>I've heard so, but shout out to Zayoh. I don't

1:02:45.440 --> 1:02:48.880
<v Speaker 1>think that people have to wait much longer though, Where

1:02:49.120 --> 1:02:53.200
<v Speaker 1>will there be a continuation of the storyline of Lambeau

1:02:53.240 --> 1:02:56.360
<v Speaker 1>Truck like You and Cons like might do a part

1:02:56.400 --> 1:02:58.960
<v Speaker 1>two and something like there's we We've talked about it

1:02:58.960 --> 1:03:01.600
<v Speaker 1>because we're working on the project, and there's gonna be

1:03:01.600 --> 1:03:04.200
<v Speaker 1>a You and Cause joint. There will be a weird

1:03:04.200 --> 1:03:06.280
<v Speaker 1>we're working on it. We're actually almost done. I was

1:03:06.400 --> 1:03:08.440
<v Speaker 1>not gonna be like the Kendrick Cole album. No, it's

1:03:08.440 --> 1:03:10.600
<v Speaker 1>not gonna be like that. Yeah, And I told me

1:03:10.640 --> 1:03:12.439
<v Speaker 1>and Cos talked about that. I said, bro, we're gonna

1:03:12.480 --> 1:03:14.320
<v Speaker 1>do this, Like I don't want it. Like I said,

1:03:14.360 --> 1:03:16.439
<v Speaker 1>I came into ship as a fan. I never want

1:03:16.440 --> 1:03:19.400
<v Speaker 1>to do to fans what other artists have done. That's

1:03:19.440 --> 1:03:21.360
<v Speaker 1>frustrating because I've been a fan, you know what I'm saying.

1:03:21.400 --> 1:03:22.840
<v Speaker 1>So I told Cauz, like, if we're gonna put this

1:03:22.880 --> 1:03:24.920
<v Speaker 1>ship out there and talk about it on the internet,

1:03:24.960 --> 1:03:26.520
<v Speaker 1>like it's got to come out, it's got to come out.

1:03:26.520 --> 1:03:28.040
<v Speaker 1>And I was like, and even if the labels don't agreed,

1:03:28.080 --> 1:03:29.640
<v Speaker 1>and we got to just like leak it and we

1:03:29.880 --> 1:03:31.360
<v Speaker 1>just got to both take it on the chain from

1:03:31.360 --> 1:03:34.120
<v Speaker 1>the like SoundCloud. I don't know how you know what

1:03:34.160 --> 1:03:35.680
<v Speaker 1>I'm saying, Like it is what it is, but it

1:03:35.720 --> 1:03:37.200
<v Speaker 1>has to come out, you know what I mean? Like,

1:03:37.560 --> 1:03:40.240
<v Speaker 1>and so that's that's how I feel about it. But nah,

1:03:40.560 --> 1:03:41.960
<v Speaker 1>it would have been done by now. But I was

1:03:42.000 --> 1:03:44.320
<v Speaker 1>really just tying up this project. It was really like

1:03:44.960 --> 1:03:47.320
<v Speaker 1>I forgot how long it in. How many hours it

1:03:47.360 --> 1:03:50.040
<v Speaker 1>takes to send videos and I mean to do videos

1:03:50.120 --> 1:03:53.040
<v Speaker 1>and get content together and all of that ship, and

1:03:53.080 --> 1:03:54.840
<v Speaker 1>so I had to kind of back out. We were

1:03:54.840 --> 1:03:56.240
<v Speaker 1>having sessions, and I had to kind of back out

1:03:56.280 --> 1:03:58.160
<v Speaker 1>of those sessions for a minute to get my ship

1:03:58.240 --> 1:04:00.920
<v Speaker 1>tied up. But shout out to him, you guys are

1:04:01.160 --> 1:04:03.280
<v Speaker 1>we probably got like eight right now. We're trying to

1:04:03.320 --> 1:04:05.400
<v Speaker 1>make sure the project is only like seven records, but

1:04:05.440 --> 1:04:08.600
<v Speaker 1>we want to make like fifteen and then pick the strong. Yeah.

1:04:08.600 --> 1:04:09.960
<v Speaker 1>So I actually just had a phone call with him

1:04:10.040 --> 1:04:11.560
<v Speaker 1>last night because I sent some two joints that I

1:04:11.600 --> 1:04:14.080
<v Speaker 1>did and I was like, you know, like I'm back

1:04:14.080 --> 1:04:16.000
<v Speaker 1>working again, right, Yeah, I'm back working again, so like

1:04:16.080 --> 1:04:18.520
<v Speaker 1>let's get cooking. And he was like thank god, because

1:04:19.000 --> 1:04:20.600
<v Speaker 1>like I've just been missing as far as like the

1:04:20.640 --> 1:04:23.120
<v Speaker 1>process of it, so uh yeah, we'll we'll probably wrap

1:04:23.160 --> 1:04:24.919
<v Speaker 1>that up like within the next month month and a half.

1:04:24.920 --> 1:04:27.680
<v Speaker 1>What is uh do you remember what Top's reaction was

1:04:27.720 --> 1:04:30.160
<v Speaker 1>to that song originally when you heard Causes portioned the

1:04:30.280 --> 1:04:33.680
<v Speaker 1>Top called me and said, he said, stick a Top

1:04:33.760 --> 1:04:37.240
<v Speaker 1>his crazy. He said, yeah, I heard you was Robin Cole.

1:04:38.040 --> 1:04:43.000
<v Speaker 1>Tell Kys remembers just a song. Just tell to make

1:04:43.040 --> 1:04:45.160
<v Speaker 1>sure he remembers. It's just a song. Bro, don't don't

1:04:45.200 --> 1:04:46.600
<v Speaker 1>don't come over it. It's not where you want to

1:04:46.600 --> 1:04:48.560
<v Speaker 1>come over here with that. I do think it's dope though,

1:04:48.560 --> 1:04:50.200
<v Speaker 1>that you guys are gonna do that project together, because

1:04:50.200 --> 1:04:53.360
<v Speaker 1>I do feel like, no matter what dream villain Tde

1:04:53.760 --> 1:04:57.880
<v Speaker 1>are gonna always be, they're they're the integrity in hip

1:04:57.920 --> 1:05:00.560
<v Speaker 1>hop when it comes to creatively, like the artists that

1:05:00.600 --> 1:05:03.160
<v Speaker 1>you're like that everyone signs like, I feel like that

1:05:03.240 --> 1:05:05.920
<v Speaker 1>there's two constants when it comes to integrity, Like you

1:05:05.960 --> 1:05:07.880
<v Speaker 1>know you're gonna get a certain level of music or

1:05:07.960 --> 1:05:11.560
<v Speaker 1>quality when you know when it comes to those two camps. Yeah,

1:05:11.880 --> 1:05:14.840
<v Speaker 1>and just call and Kendrick kind of having a simultaneous

1:05:14.880 --> 1:05:17.480
<v Speaker 1>come up. Yeah, Yeah, it's been like right there, you

1:05:17.520 --> 1:05:19.040
<v Speaker 1>know what I mean, Like Cole was on the Freshman

1:05:19.080 --> 1:05:20.960
<v Speaker 1>cover year after Kendrick was on the exactly you know

1:05:20.960 --> 1:05:22.880
<v Speaker 1>what I'm saying. And then it's like, you know, I

1:05:22.880 --> 1:05:26.240
<v Speaker 1>think Dot drop or or cold dropped Sideline story and

1:05:26.240 --> 1:05:28.520
<v Speaker 1>then that I dropped Good Kid in Mass City and

1:05:28.560 --> 1:05:34.400
<v Speaker 1>then you know, uh, what's the record on section eighty

1:05:34.400 --> 1:05:37.120
<v Speaker 1>that Jay Cole produced the Big One? Oh yeah, Ship.

1:05:37.160 --> 1:05:39.720
<v Speaker 1>I used to play it on the air all the time. Yeah,

1:05:41.760 --> 1:05:46.120
<v Speaker 1>high power, high power, Yeah, exactly exact produce that back then, Yo, Yo,

1:05:46.200 --> 1:05:48.520
<v Speaker 1>you should get some cold beats. Reason, Bro, I'd hit

1:05:48.600 --> 1:05:50.520
<v Speaker 1>him up for some like I'm like, like, what are

1:05:50.520 --> 1:05:52.720
<v Speaker 1>you but he's working on this album. I'm like, Nigga,

1:05:52.760 --> 1:05:55.760
<v Speaker 1>I know there's records that you're not If there's records

1:05:55.760 --> 1:05:57.880
<v Speaker 1>that you're not using, Bro, he's actually a super super

1:05:57.960 --> 1:06:00.800
<v Speaker 1>fire producer. Well but you know what I mean, Like

1:06:00.880 --> 1:06:03.080
<v Speaker 1>now Cole is a dope human. People'll be forgetting that ship.

1:06:03.120 --> 1:06:05.120
<v Speaker 1>When Cole first came out, like he was low key

1:06:05.200 --> 1:06:07.200
<v Speaker 1>like producing for other artists a little bit a thousand

1:06:07.200 --> 1:06:10.320
<v Speaker 1>percent thousand per you know what I mean, and birthing ideas,

1:06:10.360 --> 1:06:11.440
<v Speaker 1>you know what I mean as far as like from

1:06:11.440 --> 1:06:14.280
<v Speaker 1>a writing perspective, not necessarily writing, but just birthing ideas.

1:06:14.320 --> 1:06:16.720
<v Speaker 1>You know, I tell people those are the best producers

1:06:16.720 --> 1:06:18.680
<v Speaker 1>to me, are the ones. Shout out Cal Banks. He

1:06:18.720 --> 1:06:20.400
<v Speaker 1>does this and that's why I love working with him.

1:06:20.440 --> 1:06:22.240
<v Speaker 1>But like, as an artist is hard to keep coming

1:06:22.280 --> 1:06:24.200
<v Speaker 1>up with new ideas, But the producers that make beats

1:06:24.240 --> 1:06:26.680
<v Speaker 1>and then kind of give you ideas of cadences and

1:06:26.680 --> 1:06:28.760
<v Speaker 1>abilities and stuff like that, like those are the well

1:06:29.600 --> 1:06:31.880
<v Speaker 1>is producing beat It's just beat making, you know what

1:06:31.880 --> 1:06:33.520
<v Speaker 1>I'm saying, Like, which is no offense to that if

1:06:33.560 --> 1:06:35.160
<v Speaker 1>you were a beat maker, shout out to you. But

1:06:35.200 --> 1:06:37.480
<v Speaker 1>it's like there's a difference between a producer and a

1:06:37.520 --> 1:06:39.240
<v Speaker 1>beat maker. And I tell people that too. It's like,

1:06:39.480 --> 1:06:42.400
<v Speaker 1>you know, there's there's some producers that don't make beats,

1:06:42.400 --> 1:06:44.120
<v Speaker 1>but they produced, Like shout out to Diddy, like he

1:06:44.200 --> 1:06:45.840
<v Speaker 1>was one of those people. He didn't make beats, but

1:06:46.960 --> 1:06:48.360
<v Speaker 1>room like, yeah, like you know what I mean, like

1:06:48.400 --> 1:06:50.280
<v Speaker 1>let's do this, let's do that, And that's an important

1:06:50.280 --> 1:06:53.840
<v Speaker 1>thing as well, you get what I'm saying. So so yeah, yeah,

1:06:54.320 --> 1:06:57.400
<v Speaker 1>I was not was. I am a fan and I

1:06:57.400 --> 1:07:00.200
<v Speaker 1>I always wanted that project though, and you know, I

1:07:00.280 --> 1:07:01.920
<v Speaker 1>just wish that like the world would have got it,

1:07:01.920 --> 1:07:03.720
<v Speaker 1>you know what I mean. And so yeah, and that's

1:07:03.760 --> 1:07:06.280
<v Speaker 1>another thing that I'm pushing to is like this relationship

1:07:06.320 --> 1:07:08.760
<v Speaker 1>with dream Bille and TD to just come a little closer.

1:07:09.400 --> 1:07:12.400
<v Speaker 1>I was the only artist that was on the Revenge album,

1:07:12.400 --> 1:07:13.600
<v Speaker 1>you know what I mean, And I was proud of that,

1:07:13.960 --> 1:07:15.600
<v Speaker 1>me and Jid. I took a pay cut to go

1:07:15.640 --> 1:07:17.560
<v Speaker 1>on that tour because I felt like it was important

1:07:17.600 --> 1:07:19.600
<v Speaker 1>for the culture, not for you know what I mean,

1:07:19.640 --> 1:07:21.560
<v Speaker 1>Like Top still didn't, you know what I mean, feel

1:07:21.560 --> 1:07:23.280
<v Speaker 1>because he's a businessman, like that don't make sense. But

1:07:23.560 --> 1:07:24.920
<v Speaker 1>I took a pay cut because I feel like it

1:07:24.960 --> 1:07:27.360
<v Speaker 1>was important and me and cos making this project to

1:07:27.400 --> 1:07:29.240
<v Speaker 1>me is important and I just feel like it's important

1:07:29.240 --> 1:07:32.040
<v Speaker 1>for our two labels to grow a relationship. And you know,

1:07:32.040 --> 1:07:34.200
<v Speaker 1>we're always going to have friendly competition, but at the

1:07:34.240 --> 1:07:35.640
<v Speaker 1>same time, we do need to grow a little bit

1:07:35.640 --> 1:07:37.480
<v Speaker 1>closer to a relationship. Now. I think it's dope. Like

1:07:37.560 --> 1:07:39.400
<v Speaker 1>I remember as a kid, the Rough Riders and cash

1:07:39.440 --> 1:07:41.440
<v Speaker 1>Money going on tour together. Yeah, yeah, you know, there

1:07:41.480 --> 1:07:43.200
<v Speaker 1>was shit like that going on that, Like that shit

1:07:43.280 --> 1:07:45.440
<v Speaker 1>is iconic, and I feel like that shit is kind

1:07:45.440 --> 1:07:47.000
<v Speaker 1>of missing, Like you said, like the fact you went

1:07:47.080 --> 1:07:50.000
<v Speaker 1>on tour with Jid is super fire. I just feel

1:07:50.000 --> 1:07:52.520
<v Speaker 1>like that that kind of like, you know, like a

1:07:52.600 --> 1:07:55.920
<v Speaker 1>sizz a fucking ri Lennox Strow would be so crazy,

1:07:55.920 --> 1:07:57.960
<v Speaker 1>would be so crazy, bro, even like how they do

1:07:58.040 --> 1:08:00.880
<v Speaker 1>Dreamville Fest. I'm like, if in we did the championship,

1:08:00.920 --> 1:08:03.880
<v Speaker 1>So I'm like, if TD and Dreyville did a tour, bro,

1:08:04.040 --> 1:08:07.800
<v Speaker 1>it would be literally insane. Bro. Like it was like

1:08:07.880 --> 1:08:10.080
<v Speaker 1>and on. From a business perspective, it was so much

1:08:10.200 --> 1:08:11.800
<v Speaker 1>money that can be made. What showed me that was

1:08:11.800 --> 1:08:14.680
<v Speaker 1>a Days in Vegas. Did you go to Days? Of course? Yeah? Like, Bro,

1:08:14.880 --> 1:08:17.439
<v Speaker 1>that Ship was the most lit festival I've ever performed

1:08:17.479 --> 1:08:21.760
<v Speaker 1>at because you had hip hop fans at a festival

1:08:21.840 --> 1:08:24.840
<v Speaker 1>going crazy and they don't get the opportunity to go

1:08:24.880 --> 1:08:28.519
<v Speaker 1>to festivals. And see, I thought that the lineup was epics.

1:08:29.680 --> 1:08:32.240
<v Speaker 1>The execution of the festivals, Yeah, the execution of the

1:08:32.240 --> 1:08:34.120
<v Speaker 1>festival was like a little a little shaky. It also

1:08:34.280 --> 1:08:38.000
<v Speaker 1>was fucking blown out of my mind for like three

1:08:38.080 --> 1:08:42.160
<v Speaker 1>days straight at that tour, like high as fuck. And yeah,

1:08:42.200 --> 1:08:45.120
<v Speaker 1>I was on mushrooms and Ship and it was a great.

1:08:45.240 --> 1:08:47.760
<v Speaker 1>It was a great I enjoyed, Like you said, like

1:08:48.000 --> 1:08:51.240
<v Speaker 1>the music on Fridays and Sunday. The Friday was Dream,

1:08:51.520 --> 1:08:55.000
<v Speaker 1>Sunday was TD. The fact each each camp had sh

1:08:55.080 --> 1:08:57.040
<v Speaker 1>it was so hard. Bro. When Kendrick came out on

1:08:57.080 --> 1:08:59.160
<v Speaker 1>the cowboy hat and I didn't know what was going

1:08:59.200 --> 1:09:00.880
<v Speaker 1>on and people didn't think it was you look like

1:09:00.880 --> 1:09:04.360
<v Speaker 1>the fucking the monster and jeepers creepers, like yeah, Like

1:09:04.760 --> 1:09:06.760
<v Speaker 1>I was like, what the fuck is that? But like,

1:09:06.840 --> 1:09:09.479
<v Speaker 1>imagine if like we have more songs together and if

1:09:09.520 --> 1:09:11.439
<v Speaker 1>on both days you were getting like you know what

1:09:11.479 --> 1:09:13.639
<v Speaker 1>I'm saying, Like because when being Cosy Lambo Truck there,

1:09:14.120 --> 1:09:16.439
<v Speaker 1>it went crazy, it went crazy, And I'm like, bro,

1:09:16.520 --> 1:09:18.880
<v Speaker 1>if if everybody on the labels had different records with

1:09:18.920 --> 1:09:21.280
<v Speaker 1>each other, like and we were like doing ship on

1:09:21.320 --> 1:09:23.040
<v Speaker 1>you guys should do like, it would have been stupid

1:09:23.760 --> 1:09:28.000
<v Speaker 1>five dates. I agree. Yeah, just like pick the biggest cities.

1:09:28.080 --> 1:09:32.360
<v Speaker 1>You know what it is, work becomes tough is and

1:09:32.520 --> 1:09:34.200
<v Speaker 1>and you know, I think the only reason something like

1:09:34.200 --> 1:09:36.840
<v Speaker 1>that won't happen or why it might not happen is

1:09:36.880 --> 1:09:40.680
<v Speaker 1>deciding who goes last. Yeah, And that's and that's to me,

1:09:41.560 --> 1:09:45.280
<v Speaker 1>that's what kills so many moments in hip hop is

1:09:46.040 --> 1:09:49.479
<v Speaker 1>the that part of it is like who goes last?

1:09:49.680 --> 1:09:54.240
<v Speaker 1>Who what? What? Label is kind of almost like Kendrick

1:09:54.280 --> 1:09:57.439
<v Speaker 1>and Cole would almost like when I saw the Drake

1:09:57.479 --> 1:09:59.599
<v Speaker 1>and Lil Wayne tour when they were going back and forth,

1:10:00.320 --> 1:10:02.479
<v Speaker 1>ship was kind of fly. Yeah. I mean, obviously Drake's

1:10:02.520 --> 1:10:04.439
<v Speaker 1>gonna go last, if anyone's gonna go last. But with

1:10:05.240 --> 1:10:09.960
<v Speaker 1>Colon Kendricks, there's really no definitive way to pick that.

1:10:10.280 --> 1:10:12.599
<v Speaker 1>But I think they, Hey, yo, we're in l A. Yeah,

1:10:12.680 --> 1:10:17.320
<v Speaker 1>Kendrick's gonna go last. We're gonna do Atlanta. I don't know,

1:10:17.360 --> 1:10:19.960
<v Speaker 1>maybe you do. That's what I say, because I've had

1:10:20.000 --> 1:10:22.599
<v Speaker 1>conversation with my homies about to just just spitballing and talking ship.

1:10:23.000 --> 1:10:25.880
<v Speaker 1>I feel like they should just divide the country at half,

1:10:25.920 --> 1:10:28.840
<v Speaker 1>and I'm gonna take the East coast, you take the

1:10:28.840 --> 1:10:30.000
<v Speaker 1>West coast. You know what I'm saying. When we on

1:10:30.000 --> 1:10:31.880
<v Speaker 1>the West, you go last. When we on the East,

1:10:32.240 --> 1:10:36.720
<v Speaker 1>like La San Francisco, Charlotte, Lance to New York, YEP,

1:10:36.840 --> 1:10:38.680
<v Speaker 1>exactly and calling to Day. You get what I'm saying. Like,

1:10:38.720 --> 1:10:40.519
<v Speaker 1>and I feel like if they did that and maybe

1:10:40.600 --> 1:10:43.840
<v Speaker 1>Texas or something, yeah, yeah, and three three and three

1:10:43.880 --> 1:10:46.040
<v Speaker 1>and just you know, dot go last over here co

1:10:46.200 --> 1:10:49.200
<v Speaker 1>go last over there. That's what Eminem did. They didn't

1:10:49.200 --> 1:10:51.360
<v Speaker 1>even know they did. They did. They did two shows.

1:10:51.720 --> 1:10:54.080
<v Speaker 1>They did, yeah, in New York and they did New

1:10:54.160 --> 1:10:57.320
<v Speaker 1>York and Detroit they did the Baseball Stadium or whatever

1:10:57.320 --> 1:10:59.760
<v Speaker 1>the big stadium is, and then in New York they

1:10:59.760 --> 1:11:02.559
<v Speaker 1>Didntyankee Stadium. That's fine. I had no idea that that happened. Yeah,

1:11:02.560 --> 1:11:04.040
<v Speaker 1>they only did two shows. It was called the Home

1:11:04.080 --> 1:11:06.160
<v Speaker 1>to Home tour, so it was like the artist did

1:11:06.280 --> 1:11:09.719
<v Speaker 1>and in Detroit, J opened for m That's that's hard.

1:11:09.760 --> 1:11:12.439
<v Speaker 1>That's hard with that. Yeah, like that she would be

1:11:12.479 --> 1:11:14.240
<v Speaker 1>crazy tight though, like and that's what I'm saying, Like

1:11:14.280 --> 1:11:16.960
<v Speaker 1>and if they did a show like that where they

1:11:17.000 --> 1:11:19.519
<v Speaker 1>went back and for bro like like those are moments

1:11:19.560 --> 1:11:22.519
<v Speaker 1>that like it doesn't matter what the ticket costs, like

1:11:22.760 --> 1:11:25.360
<v Speaker 1>because it's priceless fans. Yeah, like like it's just take

1:11:25.400 --> 1:11:28.160
<v Speaker 1>all my money, Yeah, take all my money? About that.

1:11:28.360 --> 1:11:32.519
<v Speaker 1>In Vegas tour, I was hip hop and how much

1:11:32.560 --> 1:11:36.800
<v Speaker 1>do you need? When people saw I had homies hitting

1:11:36.800 --> 1:11:38.960
<v Speaker 1>me up like before I buy my ticket? Is this fake?

1:11:39.160 --> 1:11:41.439
<v Speaker 1>Like like have you gotten paid for this ship? Like

1:11:41.479 --> 1:11:44.640
<v Speaker 1>that was the craziest lineup ever assembled because we did

1:11:44.640 --> 1:11:49.439
<v Speaker 1>our real street Fest in August and they announced that

1:11:49.520 --> 1:11:54.599
<v Speaker 1>ship and I was like, oh my god, how much

1:11:54.720 --> 1:11:57.320
<v Speaker 1>money did they spend on line? Like how did how

1:11:57.400 --> 1:12:02.920
<v Speaker 1>is this even possible? Jesus Christ? They had like five

1:12:03.240 --> 1:12:06.000
<v Speaker 1>major headliners there, like people, this is the person you

1:12:06.040 --> 1:12:08.559
<v Speaker 1>picked to close the entire and they had like five

1:12:08.640 --> 1:12:11.639
<v Speaker 1>of them. It was insane, Bro, It was crazy. Bro.

1:12:11.760 --> 1:12:13.800
<v Speaker 1>I don't even think Tyler closed out the day he

1:12:13.920 --> 1:12:16.800
<v Speaker 1>was on. No, he didn't. Travis closed out that day.

1:12:16.920 --> 1:12:19.840
<v Speaker 1>Travis closed out. That's what I'm saying. Like, it was insane, bro,

1:12:19.920 --> 1:12:23.000
<v Speaker 1>that Travis was there. I want to say Cardi was there.

1:12:23.040 --> 1:12:24.760
<v Speaker 1>I'm not one hundred percent shore she was supposed to

1:12:24.800 --> 1:12:26.280
<v Speaker 1>be there, Okay, that's what it was. She was supposed

1:12:26.320 --> 1:12:32.439
<v Speaker 1>to be there. Boozy was there, like Cole dot Tyler. Like,

1:12:32.479 --> 1:12:35.280
<v Speaker 1>that's what I'm saying, Like they that's five they were

1:12:35.360 --> 1:12:38.439
<v Speaker 1>there one hundred percent. It was crazy, bro, it was

1:12:38.479 --> 1:12:41.320
<v Speaker 1>super super crazy. So yeah, I just want like us

1:12:41.320 --> 1:12:43.840
<v Speaker 1>to create more moments like that. You get what I'm saying. Yeah,

1:12:43.840 --> 1:12:45.200
<v Speaker 1>I think that's true. Man, I think that a lot

1:12:45.200 --> 1:12:46.840
<v Speaker 1>of ego. I'm not saying that that's the case here,

1:12:46.880 --> 1:12:48.599
<v Speaker 1>but I just think in general, like in hip hop,

1:12:48.600 --> 1:12:50.479
<v Speaker 1>there's a lot of shit that like I think I

1:12:50.520 --> 1:12:53.280
<v Speaker 1>call it business ego, which is not like the people.

1:12:53.360 --> 1:12:57.200
<v Speaker 1>It's more about like the business like of the two sides,

1:12:57.280 --> 1:12:58.880
<v Speaker 1>like it doesn't make sense for us, Sorry, well it

1:12:58.920 --> 1:13:00.639
<v Speaker 1>doesn't make sense for ourself, saying like, so I don't

1:13:00.640 --> 1:13:02.840
<v Speaker 1>think it's necessarily artists, Like what if we just did

1:13:02.840 --> 1:13:07.280
<v Speaker 1>something for the fans, wouldn't that be crazy? Like nah,

1:13:07.320 --> 1:13:10.479
<v Speaker 1>that'd be super crazy. Look, man, the album officially out

1:13:10.560 --> 1:13:12.800
<v Speaker 1>or project or mixtape or whatever we're calling it, whatever

1:13:12.800 --> 1:13:15.439
<v Speaker 1>we want to call it. Does this mean we're gonna

1:13:15.479 --> 1:13:17.120
<v Speaker 1>have to wait four years for your next project? It

1:13:17.520 --> 1:13:19.599
<v Speaker 1>does not. And that's one thing I've taken pride in

1:13:19.640 --> 1:13:21.280
<v Speaker 1>and with the labels that I do feel like I've

1:13:21.360 --> 1:13:24.040
<v Speaker 1>changed the mode of how things work a little bit,

1:13:24.280 --> 1:13:26.320
<v Speaker 1>even to the fact, like fans are giving me a

1:13:26.360 --> 1:13:28.120
<v Speaker 1>lot of slack, Like, man, we've had eight singles, like

1:13:28.160 --> 1:13:30.320
<v Speaker 1>we heard the whole album. I'm like, well, no, only

1:13:30.360 --> 1:13:33.160
<v Speaker 1>three of them are on the project, Like because tde

1:13:33.400 --> 1:13:35.479
<v Speaker 1>artists don't just drop singles. That's not a thing, you

1:13:35.479 --> 1:13:36.680
<v Speaker 1>know what I mean. And I was the first one

1:13:36.680 --> 1:13:38.800
<v Speaker 1>that just was just putting shit out, Like I just

1:13:38.800 --> 1:13:40.320
<v Speaker 1>get on tops nerves and tell you, like, let me

1:13:40.320 --> 1:13:42.840
<v Speaker 1>shut reason up and put something out. Yeah, but I

1:13:42.880 --> 1:13:44.880
<v Speaker 1>said that to say no, Like I'm almost done with

1:13:44.920 --> 1:13:49.160
<v Speaker 1>my debut album. I'm hoping to drop like second quarter.

1:13:49.240 --> 1:13:51.240
<v Speaker 1>So that's what I'm aiming for. That's what my managers

1:13:51.280 --> 1:13:53.519
<v Speaker 1>and all of us are talking about. So that's what

1:13:53.560 --> 1:13:55.639
<v Speaker 1>we push them for it and maybe a little cause

1:13:55.680 --> 1:13:58.200
<v Speaker 1>of trying to get that out before my debut. So

1:13:58.200 --> 1:14:01.200
<v Speaker 1>I'm trying to get the Cause and reason shit January

1:14:01.320 --> 1:14:02.840
<v Speaker 1>I am. That's what I'm aiming for. That's what I'm

1:14:02.840 --> 1:14:04.559
<v Speaker 1>aiming for. I gotta I gotta double check with cos

1:14:04.600 --> 1:14:07.320
<v Speaker 1>of schedule because I know that he's wrapping up his album.

1:14:07.400 --> 1:14:10.200
<v Speaker 1>But we've already been in the grants that like we're

1:14:10.240 --> 1:14:11.519
<v Speaker 1>just gonna put that out. We don't got to do

1:14:11.560 --> 1:14:14.920
<v Speaker 1>nothing crazy behind it, just for the fans. We just

1:14:14.920 --> 1:14:17.599
<v Speaker 1>put it out with video or two years, a couple

1:14:17.600 --> 1:14:20.160
<v Speaker 1>of videos. Let it do what it's gonna do. You

1:14:20.200 --> 1:14:22.120
<v Speaker 1>get what I'm saying, and hopefully get some features from

1:14:22.160 --> 1:14:24.200
<v Speaker 1>both sides, and that to be the closest thing that

1:14:24.240 --> 1:14:25.519
<v Speaker 1>people What we're trying to do is make it the

1:14:25.560 --> 1:14:27.479
<v Speaker 1>closest thing that people can get to a TD Dream

1:14:27.520 --> 1:14:30.439
<v Speaker 1>Build tape. So we're trying to get features from both sides.

1:14:30.920 --> 1:14:33.880
<v Speaker 1>You know what I'm saying, heavily featured, exactly, heavily featured,

1:14:33.880 --> 1:14:35.080
<v Speaker 1>you know what I mean. And get some ship from

1:14:35.120 --> 1:14:37.240
<v Speaker 1>our side, get some ship from their side, put it

1:14:37.240 --> 1:14:38.639
<v Speaker 1>out for the fans. We don't got to do nothing.

1:14:39.360 --> 1:14:41.240
<v Speaker 1>So and j I do ever been on the record together,

1:14:41.920 --> 1:14:44.160
<v Speaker 1>not from my understanding, but I feel like that would

1:14:44.160 --> 1:14:46.840
<v Speaker 1>be crazy. Though, I think that would be crazy. I'm

1:14:46.840 --> 1:14:48.800
<v Speaker 1>gonna put my vote out there and J I D

1:14:48.920 --> 1:14:52.280
<v Speaker 1>you my guy, but get them I think by the way,

1:14:53.120 --> 1:14:55.600
<v Speaker 1>I know that DJ had had this big thing that

1:14:55.640 --> 1:14:58.519
<v Speaker 1>you got, you got, you gotta ate up by Yes,

1:14:58.640 --> 1:15:00.840
<v Speaker 1>I didn't think it was exact close. You didn't think

1:15:00.840 --> 1:15:02.840
<v Speaker 1>it was that close. I think was full shit. Oh okay,

1:15:02.880 --> 1:15:07.000
<v Speaker 1>thank you. Y'all about to say okay, yeah, yeah. And

1:15:07.080 --> 1:15:10.600
<v Speaker 1>he knows that he can get a reaction, so you

1:15:10.640 --> 1:15:12.120
<v Speaker 1>know what I mean. He knows I'm so competitive, he

1:15:12.120 --> 1:15:14.559
<v Speaker 1>can get a reaction. But uh but nah, like like

1:15:14.800 --> 1:15:16.760
<v Speaker 1>so did go crazy? But like I tell people all

1:15:16.760 --> 1:15:19.280
<v Speaker 1>the time, like I always I always make sure that

1:15:19.360 --> 1:15:21.920
<v Speaker 1>like my verse is there before I send it off.

1:15:21.920 --> 1:15:24.280
<v Speaker 1>And I like Honestly, I like when artists hear my

1:15:24.400 --> 1:15:26.840
<v Speaker 1>verse and try to like go crazy. I'll do it

1:15:26.840 --> 1:15:28.439
<v Speaker 1>because it makes the song better, you know what I mean.

1:15:28.479 --> 1:15:30.040
<v Speaker 1>Like I don't want you to send no bullshit because

1:15:30.040 --> 1:15:31.200
<v Speaker 1>then I'm not gonna put the song out, you know

1:15:31.200 --> 1:15:33.240
<v Speaker 1>what I mean. And so but I will say shout

1:15:33.280 --> 1:15:36.040
<v Speaker 1>it's two artists, shout out Boogie and Rhapsody. I probably

1:15:36.080 --> 1:15:38.960
<v Speaker 1>won't be sending them anymore versus First because Boogie on

1:15:38.960 --> 1:15:42.200
<v Speaker 1>Trapped In went crazy bro Boogie went crazy on Trapped

1:15:42.240 --> 1:15:44.280
<v Speaker 1>In and then rahaps I can make it when so

1:15:44.280 --> 1:15:46.439
<v Speaker 1>so crazy. So I'm like y'all too, I gotta get

1:15:46.479 --> 1:15:48.120
<v Speaker 1>in the studio. We gottat, we gotta write this. We

1:15:48.160 --> 1:15:49.599
<v Speaker 1>gotta do it together. You gotta do this together, y'all.

1:15:49.640 --> 1:15:51.920
<v Speaker 1>Can't just keep on like having my my ship and

1:15:52.000 --> 1:15:54.080
<v Speaker 1>like being all you know, you take two muths to

1:15:54.080 --> 1:15:56.400
<v Speaker 1>write a verse and send me back a fucking eather

1:15:56.880 --> 1:15:58.920
<v Speaker 1>nahs verse Like, nah, We're not doing that no more.

1:16:00.000 --> 1:16:02.800
<v Speaker 1>Look at the album reason The Merches out as a

1:16:02.880 --> 1:16:05.760
<v Speaker 1>merch drop yeah March, Yeah, it would have dropped by

1:16:05.760 --> 1:16:07.479
<v Speaker 1>the Yeah, okay, so the Merch will be out on Friday,

1:16:07.720 --> 1:16:09.920
<v Speaker 1>which is it's past Friday. No, it's Friday. Now. We're

1:16:09.960 --> 1:16:12.240
<v Speaker 1>dropping we're dropping this. Yeah, so the March is out. Now,

1:16:12.640 --> 1:16:16.559
<v Speaker 1>the March one hundred percent reasons care. Let's go perfect man,

1:16:16.960 --> 1:16:17.439
<v Speaker 1>that's dope.